Original subtitles

No

Yes, my friend.

Moved to be very hungry.

Where's the time?

You look tired.

I'm tired of stupid twelts who can't understand how big the film industry is going to be.

Is it?

Oh come on, mold, not you. I've had a right day.

Face it, Arnie, is it?

Oh, do me a favor, love. I've never been this close to something big.

Then why were we always lurching from crisis to crisis? Why is there never enough money?

Well, there is why. Because there is never enough money.

Been under capitalized when the word go. Let's face it, I started this company on shoe, lever and string.

We had one asset. That was my ability to talk the ass off of anybody that asked all good questions.

Well, I'm running out of spit.

Well, no one could have tried harder.

Try it harder.

Two?

What? What's that? A bleeding at me, tough?

Not only coal, lady. I'm not going down as a try.

Down as a bleeding winner.

Hold it!

Now, no, it's the twelfth time, but we need some snap from you, troopers.

All right, get these slumly people back on their marks.

Now listen, you slumly people. You can't go wondering about you must stay inside this eight lines.

Snap of the heels of it, Hector.

Why do you stay in that musty hotel?

There's no need for you to stay in that musty hotel.

It has every inconvenience.

Oh, you could move into the house.

I'm not house trained.

Acres of room.

It wouldn't seem that way.

Oh, don't be tiresome, Gilbert. I'll have your things moved.

Ready, Mr. Agenda?

Gwen Darling, I know this is the twelfth time, but I need to see an expression of agitated concern.

They're holding your life away!

Please try.

Turn the camera.

From the top?

Now, Mr. Agenda, she's not even ready.

She will be. Turn the camera.

Well, wait, Gwen.

I'm not ready.

Is this what you're looking for?

Where did you find that?

That's the expression. Give me the expression.

I can't.

This is a car!

Let me see it.

Emptiness.

Undispere.

That should do very nicely.

Get it?

Did you get it?

Yes!

Five minutes to breathe it, everybody.

God knows you're going to.

Max army's on his way.

Oh, right.

No!

Fine.

Good.

Cut!

I'm going to get it.

Oh, son, we'll have to do it again.

You've got a lot of speed.

You know that.

I don't need any advice from you.

I'll find all the speed I need.

Not in a bottle you won't, Kalki.

You keep your nose stuck in that bottle and you're going to be on the slide, right?

And it's really great timing, isn't it?

That's all I need on top of everything else.

The comic fall into pieces.

Just leave the comedy's amine.

Go straight in.

It'll only take a minute.

You're a serious sport.

What was that for?

What the hell?

What do you think they're for?

I'm going to knock seven cars up there, you.

And if you're not wearing them, I might damage that pretty little face of yours.

Unfortunately, I need it in front of a camera, so put them on.

All right.

I'm waiting, boy!

Boy.

There's one thing that gets up my nose.

It's people calling me, boy.

Nor just how you feel.

You're going to regret this, Mr. Cole.

I see this on the school team.

Yeah.

I've done a bit myself.

Keep your car, Doc.

It's just you're a lady.

Hand up, leave me a lady.

Shane!

Tell us who Mr. Cole looks like he's busy at the moment.

Promise, give him three, where they're all your lifelings.

Just like you.

Give me a three minute.

Through my bleeding picture.

And that one too.

We are making some of the crazy business.

We have got to put some elbow behind it.

What?

So don't we have three up here.

You pull your weight.

What?

Listen.

I'll give you a little tip.

Get your eight, screw, and you will find that work is more fun than life.

You're in a threshold, don't you understand?

The old world is wide open.

You're going to listen, I mean, future.

I'm glad of that.

It's going to be time.

It's time to the boys.

Let's go through this, every time.

You know something.

We're a leading man in an action picture.

You're in diabolical condition.

You're a lunatic.

Yeah, helps in this business.

What do you want?

Nothing, Mr. Cole.

Not now, boy.

Come on.

How dare you burst in here like this.

Don't touch me!

Shut up!

Look at you.

You're not a mess.

Oh, go reason, lady. What's your excuse?

Don't you talk to me like that.

I'll give it a race, will ya?

You'll hear from my solicitors.

Look, just shut up.

You've had the floor ever since you bleedin' got ya, lady.

Oh, the police?

Shut up!

Open your mouth.

One more time and I'm going to stuff something in it.

Like a small wardrobe.

When I think of the money that you've cost us.

That's the trouble with you.

You think everything comes down to money.

And you think it don't?

In the theatre, we have other criteria.

Oh, don't give me all that inner theatre crap.

An art form.

Unlike your seedy little flickers.

Don't give me that art form, dolux-ever.

I've been there.

Two hours of our sake, especially when it thinks it's been an art form.

I should never agree to appear in your tedious, too-dimensional as a mime.

That was a mistake.

My feelings exactly.

How dare you talk to me like that.

I have a position in the theatre.

Underneath the juvenile lead.

A notice system.

Find if it works for you.

Oh, dare you.

Listen, lady.

Don't blame us because of Winslow.

We've done everything, bar-truss him up and delivering ready for the oven.

I won't listen to any more of this.

He's got a point.

If he don't face you, I'm not going to push him anymore.

I've gone as far as I'm going to go for you.

And I've played my last scene for you.

I'm not sorry I can't finish a film anyway.

I'll probably meet you, Grant.

We've run out of money.

You've wiped us out.

You owe me my fee.

You're going to have to scratch it.

Not the rest of the credits, isn't ya?

I don't wish to hear your petty problems.

Well, listen, you're going to put a lot of people out of work.

Spare me the details.

Members of your own profession.

Film, people.

Oh, listen.

They work for peanuts.

For as long as it's like, every day.

You, you, you, you come along when you're in a slightly salary.

And the only performance we ever get out of you is your bitchin' about a bleeding superior you are.

Oh.

I hate your film and your business.

Those horrible lives are all over the world.

Listen.

Those horrible lives...

They're merciless.

Every bloody wrinkle shows.

When it kisses me,

her lips and teeth are blue.

Don't you understand why it turns away from me.

It is to be beautiful.

This is my gov!

I look so old.

Yeah.

Listen, they're not, uh, not to show a ditching or tincture of bleeding violets, but go on.

No, well.

Listen.

Listen.

There's a car here when you want to go out.

I'm all right.

Okay.

You took some finding.

What was she doing here?

Oh, that's very nice. Good evening to you, too.

Couldn't find you.

Thought you might be with her.

He's never been anywhere to near.

I think I've got the loudy plague.

I mentioned you I was looking for you.

She's tagged on, didn't she?

Oh, that's very nice. Just like old times.

Yeah, well, it didn't work out.

That's all. Part I already mine for you.

Surprise, surprise.

Should have known.

Is this what you're planning to do? Get tight?

Yeah.

Yeah, that was the idea.

It didn't work instead of, yeah.

How long you been drinking then?

I'll tell you something.

It's all good night to get tight.

I'll be working instead of the day for hours. Look at it.

Nothing. Nothing.

It's not good to drink alone.

You called his drink in a loan.

Listen, I'll get you to suit your own glasses.

What?

Me neither.

Me neither.

Chuck's all right.

Me legs are gone.

Can't take him home in this state.

I'm taking tonight, play.

Grab the bottle.

Grab the bottle.

Right. I've got the bottle.

Correct.

Prime of my life.

You've been treating me neither go.

We need some good nights, Kit.

Why don't you leave him here?

His wife sent me out to look for him.

Well, then you go home and tell her he's all right.

She wants to know where this won't be her favorite place.

Well, tell her he passed her and you'd put him into a hotel somewhere.

I'm not good at lying to her.

You never had any problem lying to me either of you.

Look, why don't you leave him here?

You think it's the first time I've looked after him all night?

You think he needs a chaperone?

What do you think I'm going to do when your back's turned?

It's not the old days anymore, Eddie.

It's a new game with different people.

We'll let him decide, shall we? He brought me back.

Honey? Honey? Tell him?

I've been thinking what?

Well, if we use what we've shown already,

and then go straight into the ending, we'll save a complete reel of film.

That means that much less money to these.

Right.

And it'll still be a big picture, wouldn't it?

What are you talking pictures for?

That's what we do, isn't it? What else is it?

Is you me?

Love's young drink. The con man and the conky boy. Play for her.

I was always straight with you, aren't it?

Oh, come on, let's eat. You were getting your bonnet rattle ridgy from it,

staying that comic. You think I didn't know where those lousy jokes had come in from?

If we're going to start counting heads.

Honey, what did you bring me back for then?

Tell her, honey, for Christ's sake, tell her, man.

All right, listen.

All you would have had to do was act being an actress.

I had this little manger I was taming. I was lining him up for you.

What?

He's only an actress. You would have had him popping out of his socks.

You bastard!

You bastard! Oh, darling!

Listen! You'd have only had a lady mum for a little bit.

How do you know that?

Well, listen, I think you're the treat as your all right.

You think? What do you want to do?

Stay behind a bar all your life?

Oh, yes, aren't you? You leave me at a race course and you bring him back to find you made that stupid bitch.

Look, I'm married with a kid, and I'm going to stay that way.

Oh, honey, who broke my heart?

No, I'm not.

No, let's see. Good.

You don't love me.

You just like the life that happens around me.

You owe my life.

I do love you.

Look, listen, listen, listen.

You're an old friend.

That's why I'm trying to sort you out alive.

I know I'm not there, honey, but you can't play around with my life.

What? You've done so good with it on your own?

What do you ask that people do but play about with other people's lives, eh?

People usually ask, or, excuse me, or something.

All right. So I'm short on curtises.

But you've always got a choice.

If it gets unbearable around me, letter, you can always sod off.

But if you stay, if you stay, you're going to get your life in a fear with it.

I promise you that.

You're going to get dragged along with me, back or down.

And eventually it's going to be up.

You know that. That's why you're here.

Listen, you're on my back.

You're welcome. You're f- you love.

You're very, very welcome.

But don't expect jockey club rules.

It's going to be a rough ride.

I'm no far a bread love.

Um...

Well, I'm will you.

You're Aunt Coughshaggy pony.

Look. Look after, eh?

Shut up.

Oh.

Come here.

Oh.

Oh.

Oh.

Oh.

Oh.

Oh.

Oh.

Oh.

Oh.

Oh.

Oh.

Oh.

I can try and get plastered.

Did it work?

Well, I managed it from the legs down.

I'll go hungry like the legs about a minute.

You are hungry.

No, don't.

Mm.

Mm.

Mm.

I like eating in the kitchen.

Must go up in the kitchen, we're not.

I should have stayed in the kitchen.

That's what I'll be coming in wrong.

What you talking about?

Oh, sir.

There's money made gold that never sees a fancy office.

And you'd be surprised how big a ward of dirty pan notes

that can be in the arse of a pair of regular trousers.

Sounds irresistible.

Well...

Shapiro!

What the undertaker?

Yeah, that can't take us all too long.

Oh, honey.

Well, he's got it if anybody has.

Whether he's part with it without an anesthetic remains to be seen, huh?

You can do it.

You, boy!

Put some elbow grease in that.

I am doing Miss Shapiro.

If I come down there, boy, you'll better be sweating.

Oh, dear, I'm inside that.

Oh, cheers.

Oh, I don't see you for months.

Nobody passed away and maybe brings you around here.

I'm sorry to say.

Nobody's passed away.

You're looking for good second-hand clothing.

Well, who isn't with tailoring the price?

Do you mean I'd wear that, Ramon?

Yeah, but it's up to him already.

He can't wait to start arguing price with this big show of indifference.

Well, I don't want your dead people's clothes.

Well, the truth is they don't seem to need it.

You know, I've got to lay in it to you, Shapiro.

You've got a good act work out here.

Let's face it.

Who believed that you was in the money?

What's he talking about in the money, Shapiro?

It's me, remember.

You should believe how bad the business is.

Which business?

You get practically everybody that dies round here.

For which I have to employ a Christian and buy him a tall hat to look gloomy in.

And then the gun is drunk half the time.

And that's only the one business.

As soon as you've left with a coffin, your wife's round a lot of black streak.

Make an offer for the furniture and clothing.

How is she?

In good health, what else?

It's the temper she suffers from.

Bow well.

You can't be no longer.

She's been a trial to me.

But give her her due.

She can buy himself.

You know, I think it's time you took things easier.

With a temper like hers, you think we should spend more time together?

I think it's time you spent selling.

Only a little bit.

Not throwing it away.

An investment.

This.

You couldn't tell me.

There was somebody in there.

Get him to invest.

It might be easier.

Ah, Shaver.

What's he doing here?

Looking for money.

You put a bowler in there.

It sounds terrible.

You're right.

It sounds terrible.

What did he do?

You're dead.

You're dead.

Does it matter?

Yeah, as if it's contagious.

You want a lid on him?

I'd love a lid on him.

It should appear, Roe.

Lid.

Now.

What else can we do for you?

Well, put a lid on.

Please.

Let's go.

I think we'll do it.

You're dead.

I'll do it.

You're dead.

I'll do it.

Please.

Is there anything I can do?

Yes, by God, there is, madam.

Tell him to give me a call.

Tell him.

Tell him I came to apologize.

I'm sorry about that.

About what, Mr. Crane?

Being hauled away from your party the other night.

It's going to be a damn fine party.

I can feel it.

Won't you sit down, Mr. Crane?

You should see some of the waxworks

functions Mrs. Crane drags me to.

I have to watch slides of missionally activities on the upper youbanger.

Can you imagine?

Oh, my husband will be delighted you weren't offended at the party, Mr. Crane.

Affended? Because the lad was sick.

Oh, no, no, no, no.

What kind of a party is it?

It is.

No, it is going to be sick.

I'm afraid Mrs. Crane was offended.

Mrs. Crane has a natural aptitude for being offended,

which is why I tend to shelter her from certain aspects of my activities.

Oh, Mr. Crane.

My role, for instance.

Have you seen my role?

No.

It's a beauty.

But something the Miriam would loathe at first sight,

which is why I have to keep it at the office.

What do you mean she doesn't know about it?

Oh, but God, no.

I have to, uh, just simple.

When we go out together, we go by carriage, you know?

Clippity-clop.

Clippity-clop.

And I have to maintain this fiction of my undying affection for the horse.

Oh, Mr. Crane.

Oh, Mr. Crane, when you have some tea.

You know what I would really love, Mrs. Crane?

Just give you a spin in my rolls.

And you know where I'd like to take you.

The studio?

Mrs. Crane.

You're a creature of rare insight and imagination.

I can't wait to see round your studio.

Thank you.

Mr. Crane, are you going to carry on racing for a lot of this bright next trade?

Or should we be the hollering to lend you money?

We could have worked here, can we?

God, I've got to risk that walk.

So let us sign, son. Look at us sign.

Signs we got.

A bit of pain, a bit of wood.

See one sign, you see them all.

Do you have to arrive at the Rag and Bone, man?

Where's Carsey?

Your banker's here.

Great.

Yes.

He's hooked.

He can't get enough of us.

You do not want to.

People are staring.

Where is he?

He's inside, watching the shooting, loving every minute of it.

Who are the people, honey?

A Shapiro, madam Shapiro.

They're not a moneer here, too.

What are they interested?

Oh, he's a bit nervous, but she's a film-goer.

Twice a week, never missies.

We're in business, my son.

Don't stay any looking.

Well, we've got to film to finish.

Where's Lettie?

She's on her way home.

We're meeting her way home.

We've got a banker for her at the meet.

Don't find her.

We don't know if she'll come back.

Don't find her, Lou.

Don't give me a hard time, right?

Please.

Come hit the Shapiro's.

And smile, damn it.

Don't ever think there's anything wrong with a film industry.

This picture business goes so far,

it has to give my horse a heart attack.

Yeah, I never mowed you, solid as a rock that you does, nervous?

Picture business.

Uh, Victor, Mrs. Cole.

You married him?

Yes, Mrs. Shapiro.

You've got nice teeth.

You want to see nice teeth, Shapiro?

Look at the lady.

You won't clean his teeth.

Clean the teeth.

You still have like, or some how, are you?

You know, I think it's going to be a good picture.

A bloody vacant.

Cold.

Unblinking stare.

You see what we've been playing, do you, Eddie?

A moron with the glass eye.

Knock in my brains out for a mechanical machine.

You can't even talk to it.

Hello!

You see?

Ha!

I'm not going to do that.

You see?

The bastard's dead.

We should have never have left the holes, Eddie.

I was good.

True.

I was good.

There was nobody who could move like me.

Music is not what it used to be.

Eddie.

Have you got me in the view, Father?

Anything's old.

Right.

Stop turning.

Right.

This is it.

Especially for Mr Arnold Bloody Cold.

Oh!

I should try down, isn't it?

Turn it away.

Otherwise he'll have to stop on his head.

That's it.

Now I've got some reels down there.

Just a minute, Eddie.

That's the right way.

That's the Mrs. Arnold Bloody Cold.

And now for the cheeky postcard, bitch.

Just a minute.

You get it off.

That's it.

Down comes the bloody lot.

How's that, Eddie?

Cool, so I really like him to come up and ride up,

riding up and snatch her into the sandal.

Who's going to lift Gwen Harper without a pulley system?

There's some great rotators in there.

Did you ever see my clothes horse, routine?

Clothes horse, no.

Just in here somewhere.

Just an ordinary clothes horse.

Whoo!

Where the hell is it?

I can't find it.

I can't find a damn thing anymore.

Breath.

Speed.

Timing.

Funny.

Funny.

Whatever happened to funny?

Oh, God, Eddie.

I don't find anything funny anymore.

Go, King!

Help!

Fire!

Fire!

They're going to make me look at him.

You've got all the courage it takes, Cora.

I don't want to look at him.

I know.

I was waiting for him.

I expected him to come on drunk again.

I was ready for an argument.

Not this.

I've been in hold her too.

I've never been in a place like this before.

Come on, Ed.

I had no idea you were bringing me to the mortuary.

What's that smell?

Use your space.

Sam, go for a wiggle.

You dragged me out inside your hurry.

Cora, we came as soon as we felt.

Cora answers.

I can tell.

If there's anything we can do.

Yes, there is, Mr. Brother.

If you could rouse a public and...

At this time of night?

Cora could do with a drop of something very strong.

Oh.

Oh, yes, Jack.

Let's go and rouse a publican.

You know, it's been my experience that as a breed, they don't take kindly to it.

Mr. Brother, Cora has a very unpleasant duty to perform, dear.

When the policeman finishes in there, she has to identify the remains.

Oh, is there?

I need to smell his old skin.

Please.

Not now, Lily.

Perhaps your wife could do with a breath of fresh air, Mr. Brother.

Yes, yes, you are.

I'll take her out, yes.

You see, she's not very strong.

She just wondered if there was something she could do for Cora, as well.

We understand. Thank you.

That's all I can say.

There we are.

What do you know?

Why do I have to do this?

Why do I have to do this?

No.

That's terrible.

See, that's not just Corgi Brown, down to a crisp in there.

That's our whole career, Gennard Smol.

You've got to stay in your feet.

Frousa publican, where am I going to get a drink at this time?

Look at this dark hat.

You've got to be nice to people.

And that's not something you can do unless you stay in your feet.

That's not...

We need people to think of us.

We've gratitude.

That's helpful.

Pleasant.

Unemployed.

You've seen any.

When people look at you,

I want them to see an actress, not just a lamp on the floor.

I'm sorry, Jack.

I know I'm not good at facing things.

I know I know, but there's no piano down here.

You just can't burst into something.

I don't want to...

I know.

I may not be good at facing things,

but I am not totally incensed.

We must help Cora.

She has far more to face in this terrible building than I am.

I'm not going to faint, Jack.

And I don't need any piano jokes.

I reach Cora.

Oh.

You know, I never really noticed before what a nice couple they are.

Oi, is that a bird?

No, it's always, always.

What have we said?

Four reels of film.

The four reels of the army were missen off for processing.

The rest.

The senders.

How's Eddie Marker?

Soba.

Very, very sober.

Oh, Eddie.

Shit, that's shit going.

Let it go.

Go on, let it go.

That's shit.

Let it all out.

We were not this idea of love.

But I respected him.

I owed him that.

Oh, honey.

He was good.

Listen, love.

When he was old, he was palletry.

He was a sad, fanrable evil little twanper.

He was palletry.

Mrs. Brown?

Listen, does she have to go in there?

I'm afraid it's necessary for purposes of identification.

What?

You think I couldn't identify him?

How many dead four foot comics you got in there?

It's alright, Eddie.

I'll go alone.

He never liked people to see him when he wasn't looking his best.

I mean, that's it.

Finished. Wallop.

You know, I expect Shapiro would have banked to lend me any money now, do you?

Not only on the asset, I've got his Apollo senders out.

Does that hurt?

Yeah, of course it hurts.

That's it, be brave.

Well, I'll go to the house.

I'll go to the house.

I'll go to the house.

I'll go to the house.

I'll go to the house.

I'll go to the house.

I'll go to the house.

I'll go to the house.

You can't be brave.

Well, I'll pick myself up. I'll always have.

But never would have one if I'd kid before.

I mean, what am I going to do with you two?

Alan, I'll keep.

I'll come and mold out.

I mean, look at you,

you look more and more like Queen Alexandra every day.

Being broke's never going to feel natural anymore.

Poverty's not something that you can carry off successfully

when you're married to Queen Alexandra.

What's stopping moving about, aren't they?

Other people's husbands remain still.

That many of them seem to do very little else.

There.

Don't need a haircut.

What for?

A funeral.

Oh, yeah.

You'll write a big send-off, honey.

Caukey.

Caukey.

Look, Arnie, I don't know what I expected

from our extraordinary marriage.

But certainly never a bit of roses.

Oh, come on, love.

You'll be lucky if they leave us a bit.

Never mind the bleeding roses.

I never anticipated for one minute

that things would go smoothly between us.

Oh, my God, I was right.

I've had more rouse, more anxieties,

and more laughs in our small time for people.

You think I'm hilarious?

You're tactics.

You think you're so damn sharp.

I've known businessmen sharper than you.

What kind of businessman has a fire

and loses money on it?

Oh, now that's all for I have the knife.

Just tell me how I'm going to make a profit on this one.

You want to know how?

I'll tell you how.

Caukey Brown's a national figure.

Spoun to be a prestigious funeral.

So?

So, Shapiro does funerals.

In return for setting us up again

with a lot of his money,

maybe you can arrange for him to do the funeral.

You are beautiful.

So hard it belongs to you.

You know that.

Something else.

I'm going to need two pounds, 13 and four pounds.

What an ask. You need two pounds, 13 and four pounds.

Is this the way the marriage is going to go?

Arguments all the time?

Here.

What do you think it is? The wedding ring you bought me.

Oh, uh, well, the thing about this is...

You mean it's not worth two pounds, 13 and four pounds?

Well, I was going to get you a bet. I'm all not.

What do you do?

What's that?

My hair.

That's... that's what you never seen.

My hair when I was young.

I had a cut when I was 20.

It's very long.

I always intended to have it made into a hair piece.

You don't know what part of your hair though, do you?

No.

But it's quite valuable.

Oh, look, we'll buy it back.

Listen, don't wait out for me. I've got to get an older Percy.

Okay?

Sorry.

Cheer out.

I'm going to get a little bit of a

aikey little bit.

Quick! Get the card!

What's the rush? It's a funeral. Nobody rushes it funerals.

You do if you work for Mr Cole. It'll be half, you and all if you don't get that film on the London train.

And then what? Still got to be developed. There's no way they're going to see this in the London cinemas tonight.

Sad Galaway is going to process it on the train. How's he going to do that?

He's got his chemicals in some milk churns.

There's going to be some funny milk about next week.

Hello, Mrs Cole. Yes?

A crane here, Charles Crane.

Oh, hello, Mr Crane. I'm sorry, I can't hear you very well.

I'm in London. Yes?

I've just seen the film that your husband rushed out on that funeral.

My husband's film. Yes, yes, it's in the cinema, just a few yards from here.

Yes?

I want you to tell him, Mrs Cole, if his money is still available.

Mr Crane, do you mean that?

Certainly I mean it.

Anyone who's a quick after-starting person here seems to be a good financial risk.

Tell him to get some new premises as soon as possible.

Right, I will.

Right, you. Thank you, Mr Crane.

Bye.

Bye.

Oh, while at our luck's turning.

I found... I found him in the ashes.

Farad, you've rescued Mr Applebeard. I've pushed him up a bit.

Oh, valid. I think he's smiling.

Oh!

Can't you get a move on there waiting for you? You can do all of that when you get there.

Father, they'll be waiting hours for Gwen Harper.

If they can persuade her to come back at all.

She is the star from the star they have to take a bit of hammer. You're just starting, girl.

Yes.

And I'm starting as I mean to go on.

They'll live to regret the day they ever sent for me on motorbike.

Are we going?

Hello.

Why can't you be nice?

What should cost be nice? Wait until you're big, then you can be nasty to people?

I don't understand your sister.

Oh, another thing. I want very good ads in the newspapers.

Now, get someone alive on that, right? And tell them, tell them, yeah, tell them.

I want to see all the copy before it goes out, OK?

Get Gwen Harper back, use charm.

Anything? Yes. We need cable and lights. All right. All right, fine.

You might have to use a bit more than charm, perhaps a bit of extra money.

Well, Gwen Harper's asking her more money.

She's asking for anything.

I should bleat notes.

I'm asking for her.

You can't handle it without an open jet for this, and I believe they have. I have...

Have... handle her...

Quite ruthlessly.

And as a consequence, she's now turning in a major performance.

Yeah, well, I haven't seen it.

Well, I have. I've seen the film. And whatever he's done to the woman that's worked,

the talent is still there. She's passionate, seductive and real.

Bad. You clever shot.

Now what's happened?

It'll only take a minute. I don't care how long it takes.

I just want to say, Clara, how splendid it is to be out with you again.

Just the two of us.

You're right. There's nowhere for me to bleed him. I'll go anyway.

Thank you, Nanny. Nanny?

Luckily, I've talked with her, I've been finishing the picture.

Otherwise, we'd have had you in front of the camera.

Get her not with you.

Go to the back of the other way.

Oh!

Oh, honey, you're not even ready.

You know, just press me trousers and waitin' for him to draw you.

Listen till we have to go.

I'm not even ready.

I'm not even ready.

You know, just press me trousers and waitin' for him to draw you.

Listen till we have to go out.

Yes, we do have to go out.

You've lived and breathed your pictures for months.

You've given yourself no rest and none for us.

I don't care where we're going, but we're going out.

All right, all right.

Here's your airbag.

You put it back for me.

What kind of unsprugulous problem would Sally's own wife say?

Of course, before I'd bubbly get that back.

She's only in there a couple of hours.

See, I needed the two pounds to in a fullness to buy some film and I were okay.

Film called the funeral.

Where we going?

Well, don't worry about where we're going.

I'm going to be a surprise.

Tell me. Where?

Well, there's a little filming at the beach, you know.

I think we ought to see.

What is packing them in?

Oh, no more tango lessons, please.

You crazy woman.

I must be.

You are.

You are.

You are.

You are.

You are.

You are.

You are.

You are.

You are.

You are.

You are.

You are.

You are.

You are.

You are.

You know.

No.

No.

No.

Jackie's listening!

Lookal Snyder-

hailed as a vogue!

Captain.

Captain...

Captain.

This isn't so rare watching it's a fight to the death.

As an audience are there waiting to believe in it,

wanting to believe in it.

The biggest audience the world's ever known.

You are their magic theater.

Come along, you selloroid shadows.

Let's give them a thrill for their money.

SU HUGHED

you