Original subtitles

Dr.

Moon Vegas.

Moon Stinks.

What's in her new diet?

Man paid.

It's no good tickling that now.

It won't laugh.

It hit.

What's the matter?

You got crap or something.

Somebody died in whose memory you're

working at funeral base.

You're experienced.

Are you ready?

Yes.

You haven't had me complain.

You know something about your kind.

I'm your kind now.

I've got your wedding ring to prove it.

It's not a very big wedding ring, not even a new wedding

ring.

What do you want me to buy a new jewelry?

What sort of video buys new jewelry?

Now let's face it, I've heard you not complaining.

What, the only a plane up again, is it, Vi?

You can complain louder than anybody I know.

When you get that stiff up, a lip on,

you definitely, everybody, we are not complaining.

Tender conscience.

What do you feel guilty?

What have I got to feel guilty about?

Because you're driving everybody into the ground.

Well, somebody's got who?

We knock up to the eyeballs.

They didn't build room in a day.

Italians, don't tell me about Italians.

They just told me how to put a fire under the arses

and that moment.

Look.

Do it again.

You can't do better than that.

Why don't you get between the shafts

and put the holes on the seat?

All right.

You think I pay you two, five bob a date

to get signs up crooked?

For two bob a day up, get signs up crooked?

Only two, my Mr. Arnold Cole.

How are you going to break, will you?

I've got to see the cash.

No, I see.

It's going to be one of them dates, is it?

MUSIC

My instructions are cash on delivery.

No unloading until I see the cash.

Well, what we got here?

Little rough Charles or something.

Can't go anywhere without his pockets bulging with redis.

I've got to see the money, Guff.

And so you shall, my son.

So you shall.

All right, you two, come here.

Hold this man's horse for him.

Don't guarantee they're old.

It's straight, but it'll be safer, huh?

Right, go.

What cash?

We have no more cash.

Well, that's all right.

There's no office here either.

Yeah, won't we cut your bow room for a few?

No, we're not asking Clive anymore.

He's helped us more than enough.

Please yourself there.

Follow me, old son.

Into the office.

MUSIC

Well, it's...

No, please.

Yes, sir.

Yes, sir.

You have to settle people.

I'm in the middle of things.

Electrical, leave it.

Yeah, so I just want a horse or two idiots on one end.

Get my tanky browner back and I'll loan the timber, right?

No!

Yes, right.

Now your boat's pumping now.

MUSIC

What's happening?

MUSIC

Come on, let's do it.

Have a fight.

Just...

What's going on with that?

Now look, look as if you're pointing at something in the plane.

Well, show me something on the plane.

Got a problem.

What problem is that, Mr. Cole?

Well, I don't know what problem.

Any blatant problem.

Just pointed at the plane.

We'll move you in a minute, mate.

Let me see.

Well, what is it you want to see, Mr. Cole?

Do you mean to say that there's not one single problem on this plane?

Then why ain't the work finished?

Why am I having the same people outdoors to make film in this weather?

One day a bad weather and we're ruined, right?

We're all religious, man.

I'd say yes, to be in religious, Mr. Cole.

Right.

Let's have a short prayer for good weather.

Come on.

What's the matter with you?

You're an atheist or something?

You can't raise a whisper for good weather?

Come on.

I'm prying, I'm prying.

Right.

All of you!

Hands together!

Short prayer to the governor.

I'm cold.

When you're not working, it's cold.

When you're working, it's always warmer.

We should have bought a blanket.

He's wrapped up like an esky one hour.

The way he's padded.

I want a blanket.

She doesn't put more clothes on her.

She's supposed to be pretty little Dotty Brewer.

I'm getting pretty old, little Dotty Brewer.

How long am I supposed to play these kids?

She's going to look like fat little Dotty Brewer.

Do you have to be a swine to your own child?

I keep on telling her she's getting fat.

I saw those down sweet sheets.

Oh, your eyes sweetie.

Come on.

They're going to look terrible on camera.

Now, did you bring a blanket?

Nobody mentioned blankets, mother.

Just about everything else, but nobody said bang.

I supposed to think of everything.

Will you go back to the van and see if there's a blanket there for your sister?

You know my hair, mother.

I'm going to freeze out here.

Are you asking?

Are you really asking?

You heard that.

Are you just going to stand there?

Do we have to fight all day and every day?

She started. It was Clara.

Keep quiet.

But there's still places I can whoop you that don't show on camera.

You've swine!

Well, I'm famous. We'll leave him.

Can I have that in writing?

You'll feel better once we start the picture.

You're always the same before we start.

Do you think we'll ever start?

Where the hell is Max?

You know Max.

He likes a big entrance.

But the nose light that he needs a big entrance.

He's wrong for me, Cora.

I'll give him a chance.

He's managed you for years.

But manage you me is right.

The director me is two.

Max.

Give it a try.

If you don't like what he's doing, make him listen to you.

He's a great talker, our Max.

But a listener.

Anyway, suddenly I'm working for him.

You've seen the signs, the genre and coal, moving pictures.

Max is nobody's fault.

And I'm everybody's fault.

You think that's a great combination?

This looks like Max's entrance now.

Mark, the card he looks like a buffalo.

This is going to be the first time I've been directed by a buffalo.

We do want this Miss LeGenda.

Just carry things, Hector.

You're not here to chat all day.

I do hope the boy doesn't prove to me.

I'm not going to be a good guy.

I'm not going to be a good guy.

I'm not going to be a good guy.

I'm not going to be a good guy.

I'm not going to be a good guy.

I'm not going to be a good guy.

I do hope the boy doesn't prove to be a gossip.

Smile for Miss LeGenda.

I don't like him.

You damn well better like him.

Oi! Oi! Oi! Oi!

You can't bring that in here.

Didn't you hear me calling?

Oi, I was calling!

Oi! And you were taking off that blind bit of notice.

Why do you think I was calling? Oi!

Vehicle's is prohibited on these municipal pathways.

Get rid of this idiot somebody.

Take his name in case we did a comic parkkeeper.

In my view, he's strenuously overacting.

Oh, so that's a waste of it.

Alright.

Hands off. I'm not having any.

Let me go. There'll be consequences here.

I wouldn't be in your shoes.

Not now I wouldn't.

My un-andling parkkeeper's what I'll do in their duty.

I don't care how many fur coats it's got.

Hello, Percy.

Miss Brewer.

Miss Brewer.

What's wrong with Clara?

What's wrong with Clara?

Is the last time I called you Clara, you nearly hit the roof.

I was in a funny mood.

Well, I was I supposed to know.

Well, girls do get moods, you know.

They do round me.

I don't know why.

It's not as if I've not got any personality.

I mean, I wear me cat back to front and these horrible glasses.

Plus, I used to have a lot of fun.

And these horrible glasses.

Plus, I used to have all sorts of captivating spots on my face.

They seem to be getting better.

They'll ask me why.

It's not as if I've not stopped thinking about girls all the time.

Any old girls?

Just the pretty ones.

Oh, not the ordinary ones, like me.

Why should I think about you?

Just because I keep writing your name on bits of paper all the time.

You do.

To give you some idea.

Who's photographed do you think I'll carry on the inside of Miss Sandwich, tinn' lead?

You took this.

It's part of my job to take the stills around, do you?

What of a nobody like me?

Do you think I'd put a nobody on the inside of Miss Sandwich, tinn' lead?

It's got jam on it.

Yeah.

Homemade strawberry.

You take a good photograph, Percy.

Makes even me look like I ought to be on the screen.

You ought to be clearer.

No kidding.

Well, no one's going to think so.

Of all you do is put me on the inside of your sandwich tinn' lead, are they?

Forget it. It's just a silly idea.

Hey, congratulations.

I heard about you being promoted to camera man.

Thanks.

Well, I've never looked through one of these things.

Is this where you look through?

No, you bend your head down here. Look.

Oh!

God, I'm sorry.

I'm always doing things like that.

You're all right?

It's not all right.

Machinery, I can handle.

I'm all thumbs with.

Both.

It's the pretty ones.

With the ugly ones, I never put a foot wrong.

I've got a real talent for the ugly ones.

You think I'm pretty, do you, Percy?

What do you think I'm standing on the cap?

You don't belong on my side of this thing, Clara.

My face like yours ought to be out there in front.

Me?

Of course, yes. I think so.

It's no good, though, is it?

Just thinking, so...

I'm really happy for you, Percy.

Hello.

Ireland's 4.5.8, please.

Bless you, Lou Ellen.

What form, aren't?

For being alert to all the little courteuses,

my husband remains oblivious to.

I've got the timber, don't you, Noy?

You'll get straight in a bath, Mrs. Cole.

Do you got it, Will?

I'm going to soak until I'm wrinkled.

His name's Applebee.

Let's hope he brings us some luck.

Nanny.

My goodness, look at the steed on here.

I'm all right, Nanny.

I just need a bath and three weeks rest.

No, you're not all right.

And you haven't been all right.

It wasn't you took up with him and he's filthy or lorry.

I think of the carriages you used to drive.

How do you visit your snob, Nanny?

Well, you pack in this Welsh water rally, look.

Have you seen her look, Sam, getting?

She's pulling a whack, honey. I like her.

So you can't wipe the spoiler?

So is that bleating ginger Tom you brought in here?

It's pissed all over the premises.

Marking its territory, that's all.

Tom cuts do that.

He couldn't use a bit of chalk.

Can't you stop bettering down there?

She's going to have to go.

But we daft down and she cooks like an angel.

Yeah.

I must you reckon this place would fetch, all right?

I'm here, Maundy.

There is one way we claim I'm a bit of capital.

I've had a vision.

Will you get out of here, please?

What's the matter with you?

You don't come barging in here.

You knock on my door first.

Oi, I'm not the bloke from up the road.

We are married, you know.

Take that stupid hat off in the house.

Well, stupid about it. It's just a hat.

You don't wear it indoors.

Well, wear me eddy doors, don't I?

Not necessarily for long if you keep barging in here.

Cool. I'll make some weird women anymore at all.

Yes, I can believe it.

Yeah, but some of them knew how to be a comfort tour, I mean.

I can believe that too.

Don't I'm a rest of my?

I don't.

I don't.

Come here, don't do your own.

Oh.

You know, my old woman had a strong head of her.

My old baby, right-hand, either.

Your mother?

Yeah.

You never talk about your people?

No, the neighbours did.

I know nothing about you, do I?

I have the stranger in my bed.

From my room, it's a long walk to get there.

I don't make the effort on my behalf.

What you getting all stiff-necks about?

Don't do me any favours, will you?

I didn't say it wasn't worth it.

Did I say it wasn't worth it?

Well, don't rate me on some scale of comparison with your...

...tarts.

Well, you want a school report?

Should do better next to it.

And do my own hair, thank you.

For a plain woman with a Krabby temper,

it's surprisingly capable of moments of genuine tenderness.

How plain.

Yeah, but a family gets right up mine.

I was just, why do we always have to have a row?

Perhaps because you're such a fondant of tact, my husband.

Yeah, but I make that bleat night to your bedroom,

and it's fantastic.

You go to our row snake, and then we always have a row.

I've had more intimate bollockies.

It's going to be a long uphill grind, Arnold.

Here, give us that, brass.

Let me do you, red.

Come here.

You know, for our woman, you got surprisingly soft hair.

Not plain.

Not so plain, it's beautiful.

But a woman's crown in glory is her ability

to economise on the domestic budget.

I take that old party downstairs.

How much does she get through in wages?

Nanny stares as long as I stay, aren't he?

Oh, it's nice.

Here I am, getting married, thinking of myself,

aren't he?

There's one thing in your favour, my husband.

And then wallet, this vicious old party turns up.

You're afraid of her.

Well, could we ever put down her, son?

Be kind, don't we?

Have you tried getting on with her?

Well, she never listens.

She'd never listened.

She never listens to anything anybody else has to say.

How do you two communicate?

By signs of affection.

I sit down for two minutes.

She's going around me with a couple of minutes.

I'm not sure.

I'm not sure.

I'm not sure.

I'm not sure.

I sit down for two minutes.

She's going around me with a carpet swaver.

Singing hymns.

That's what I come out to, bleeding hymns.

And separate bedrooms.

I'm glad that somebody can put some fear into you.

No.

What's this vision you say you had about raising capital?

Oh.

Well, I've been thinking.

Yes?

Well, I don't see why we need this bleeding grey barn at the place.

I see.

Yeah, but we could have a nice little flat built down at the studio.

Live on the premises.

I will not give up this house, Arnie.

Yeah, but I could be there all the time.

Getting films made, pushing pictures thrown.

The answer is no.

You live there if you wish.

You practically do anyway.

But I will not relinquish this house.

You've had everything else.

I've got nothing left.

I'm old.

As soon as we get a couple of pictures, mate, I'll buy you a castle.

What, before my child comes?

And where am I supposed to have my child, eh?

On a prop table?

Between custard pies on a comedy set?

If we need the money mold, it would be I'm at a picture.

Oh, damn the picture.

Oh, that's a great attitude, innit?

Damn the picture.

Listen, if that film falls flat and it's ours,

the bailiffs are going to be taken to this bleeding place anyway.

Yeah, what do we ask your brother for a few quits?

Will you get out of here?

Arnie!

What?

Max on the phone.

He's packed in the location.

Well, he finished.

They haven't started yet.

Some trouble with the council.

They've been toughed out of the park.

That's Max's diplomat, eight such.

All right, tell them all to come back to the warehouse right now, okay?

Great.

All right.

I want that idiot where I can see him.

All right?

Even if we have to shoot the old filming doors.

Now, we've got to get that warehouse finished.

Now, right now!

Keep walking.

Good.

Thanks.

Hello, Normans!

No, wait!

Cut!

Stop living, huh?

Stop living about you, people!

Pull it down, sir.

Why can't we have this animation on the camera's turn?

The instant we crack the handle, you crowd people turn the cardboard!

Now, there's somebody happening to me!

We'll have all the time!

Roger, I miss all the genders.

You crowd people are being paid to provide animation.

Live in us!

Why do I get sleep walkers?

We have this little disparity here.

Here, I am trying to make a film about people being people,

and you're all trying to make a film about people being women!

You?

Yes, you.

Twitching person.

Have you any acting experience?

A lifetime, Miss Yolo Jorn.

It doesn't show.

Do you know what talent is?

I know what talent is, Miss LeGendry.

Any of you?

Mr. LeGenders.

I'll tell you what it is around here.

It's invisible!

Meanwhile, until a wooden film turns up for you to do, can we do it my way?

Where's my roster?

Why isn't it here?

Damn it!

Why do I have to wait for everything?

It's coming, Miss LeGenders.

I'm very sorry, Miss LeGendry.

Position.

Will you stop that, Emily!

Max, if this is going to take long, I'll be in my dressing room.

And when I say dressing room, I mean that I'm heated corner of...

You know what I mean.

We'll take long, Cora.

It's taken all morning.

We none of us have had any break.

Neither of you.

I don't realize that.

And of course, we shall all continue happily,

until you decide to call a break and put an end to all these bellies rumbling around hits, beginning to sound like a train.

I want the right, Cora.

There's no just stand up here, doesn't agree with you.

Promise up!

You're full.

My father's very worth.

Tell the camera.

Cut!

What do you want?

You sent for me, Mr. LeGendry.

Oh, listen.

Who is this person? What does he want? Does he nothing to do?

You wanted to see him, Mr. LeGendry.

I did?

They told me.

Speak up, man.

Got him at all the incomprehensible duties of the working classes.

They told me you wanted to see me.

Who did?

He was doing the hammering, Mr. LeGendry.

I'm pleased to hear it.

I'm delighted the oak doesn't spend all this time idling under my feet. Get him out of here!

You wanted it stopped.

You started my train as well.

I'll get rid of a Mr. LeGendry.

Can we come out of here?

Please, this way.

We've got a fountain to take here!

Position everybody.

Mood please, maestro.

Turn the camera.

Animation.

That's it. Slower in front of the camera, darling.

Gilbert, you shall last penny to buy an apple.

You shall last penny to buy an apple.

You shall last penny or in love. A preaching person.

Taking Gilbert and Cora. That's it.

It shall last you.

More animation behind the band.

Split, it's spinning.

And ready when you are, Corke.

And ready when you are, Corke.

This balcony's too high.

Catch!

I'll never take a fall off here under that batter.

You set it up.

I've changed my mind.

What are we going to get a double at this stage?

That's your problem.

I'll do it.

You know how to fall, son.

I can learn.

The hard way.

Listen.

The kid wants to take the fall, let him take the fall.

Come on, Moon.

That's my decision.

And make it.

You'll be alright, kid.

Just roll when you hit the ground.

Alright.

Be a hagony, of course.

Oh, well, that's the magic of filming, isn't it?

You get it wrong a few times.

We'll let you keep doing it till you get it right.

Mr. Cole, you leave my floor.

Your floor?

Hey, screams for a bleating trumpet at me,

and I'm supposed to leave the floor.

Oh, God, here they go again.

Can you stop interfering with my direct audio function?

Is that what you call it?

A direct audio function?

I'm going to get all these people.

They're in a round scratching their arse.

It's disgusting to my wife, Bill.

You're going to get a boot out of your direct audio function, Bill.

And shut the door.

I should leave my floor.

My floor?

There's some parrot of screams through a trumpet.

Stick to your arcing.

Disaboos yourself of any notion of creative control.

But you have to bellow at each other like two animals,

who do kindly do it in here and keep your voices down.

Mr. Stick listen, your trumpet is my film.

Well, no one I'm directing.

Directing the floor is mine.

Directing what?

Just a minute.

I'm directing the floor.

I'm directing the floor.

I'm directing the floor.

I'm directing the floor.

I'm directing the floor.

I'm directing the floor.

I'm directing the floor.

Directing what?

Show me the film.

Where is all this direction?

You get my film when they get it right.

There's some more.

That song would be bust.

What am I saying?

We are busting.

Then I'll tell them all money.

That's what you do, isn't it?

Not for you to punch away.

You want me to make rubbish?

I want you to make some.

It is what I'm trying to do.

You're stopping the ferry out of the floor.

It's a ferry.

You're going to see some interference.

You get involved with business with me.

My son, you're going to see some interference.

Do you have artistic qualifications, of course?

Artists don't look too stunk.

Give me artistic.

Give me footage.

I will.

That will be good.

You don't deserve it.

It will be very good.

It's no damn good of it.

It's too late to bail us out of the cluke.

We're in sacrifice performance.

Performance.

You need to be in performance either.

She's yours.

I don't want you to do that.

You're not going to get it.

You're not going to get it right.

Leave it near each other.

Both of you are bothering me.

Stop it.

You're back.

You're back.

You're back.

You're back.

You're back.

You're back.

You're back.

You're back.

You're back.

You're back.

You're back.

You're back.

Yeah.

Now that we're shooting down.

But look at you.

What's this caravas in a jungle outfit?

Those lights are hot.

They're not you.

Keep your voice down.

Remember, I had that.

I suggest you never give me your fashion route.

What's wrong with this hat?

Will you tell him Mrs. Curle Orchelard?

Listen, there's no camera turning out here.

And you worry about me in it.

You're wasting your time, both of you, with this perpetual performance.

You're going to have to work together.

Incompatible or not, you've tied yourselves together contractually.

Listen, all right.

I take this place to get cokeyed.

I didn't live with him.

Don't you forget it.

I know you can't handle it.

Oh, oh, oh.

Comic, and you can't handle it.

I can handle it.

Don't get out on it, floor.

And show me.

Right.

Right.

Right.

I'm going to go.

I'm going to go.

I'm going to go.

I'm going to go.

I'm going to go.

I'm going to go.

I'm going to go.

I'm going to go.

Thank you, Brett.

Arnie.

You were on up to shore.

Max is right.

I know.

We are going to have to do something about your appearance.

Hey.

It's not yet accustomed to the colour.

What colour?

You call this a colour?

Mademois for something of a subdued niche.

You know she ain't got a way to play.

Oh, it complements the gentleman's face.

Well, you can throw this thing away.

There's something you can do to make.

Oh, she ain't got a way to play.

Oh, she ain't got a way to play.

Oh, it complements the gentleman's face.

Well, you can throw this thing away.

There's something you can do to make money on that.

Oh, that's for playing a fiddle in the street.

Ha ha ha.

Oh, that's for playing a fiddle in the street.

Oh, that's for playing a fiddle in the street.

Oh, that's for playing a fiddle in the street.

Oh, that's for playing a fiddle in the street.

Oh, that's for playing a fiddle in the street.

Oh, that's for playing a fiddle in the street.

Oh, that's for playing a fiddle in the street.

Oh, that's for playing a fiddle in the street.

Oh, that's for playing a fiddle in the street.

Oh, that's for playing a fiddle in the street.

Oh, that's for playing a fiddle in the street.

Oh, that's for playing a fiddle in the street.

Oh, that's for playing a fiddle in the street.

Oh, that's for playing a fiddle in the street.

Oh, that's for playing a fiddle in the street.

Oh, that's for playing a fiddle in the street.

Oh, that's for playing a fiddle in the street.

Oh, that's for playing a fiddle in the street.

MUSIC

Nice, Lou.

Are you just going to sit there and frown?

As I said when we made it, I think we've got to see what it is, don't you?

No, not yet.

What do we want to see it for?

The audience will want to see it.

They can see everything they need. Every gag worked, didn't it?

They'll want to know what's on the end of the road.

Of course they'll want to know what's on the end of the road.

Quite frankly, old boy, so would I.

Oh, boy.

Suddenly I'm old boy.

Justice, I'm afraid.

Well, turn it up your ear hole.

This is me, your former employer, remember.

As I was helping you to be big enough not to resent her, Ursula Rose.

I still pay you to manage me, Max.

Oh.

Must have a talk about that.

You're through, Max. I'm firing you.

Yes, I think that's the most ethical thing to do under the circumstances.

We do it in any conflict of interest, do we?

Keep pushing me and I won't work for you.

Read your contract, old boy.

Let us still.

Get a good manager to read it for you.

You know what show business is?

Hmm, boring.

Well, the audience that may be boring for the artist is supposed to be exciting.

Says who?

My wife's mother, a woman of startlinging comprehension.

She thinks I spend every working hour going through the Ten Commandments with an axe.

I'm bored already. I haven't been in the business two minutes.

I didn't volunteer.

It's Corky's idea.

He gives me a part. He thinks he keeps me out of mischief.

Oh, he's dead right there.

They sure as hell doesn't feel like mischief.

Thought you liked playing cards.

Was that a little like about playing cards if it was the time?

Profitedly.

So you've lost a few bomb, you'll learn.

I think we all start in show business knowing how to play cards.

Something you pick up.

Like the occasional theatrical then lady.

I do appreciate, of course, I'm talking about the good old days.

I used to be solo, did you know that?

What happened?

I got married. That's what happened.

Couldn't wait to be a double act.

We sang love songs together.

Say, I'll have a way to run a marriage.

Singing love songs all the time.

I must have left her 15 times.

I like a man who knows his own mind.

I like when I leave her.

Every time I leave her she gets a lump in her breast.

I like when I leave her the lump in her breast.

As soon as I walk back in the house the damn thing goes down.

It's not a bad love song you're singing right now.

You wouldn't leave her otherwise.

It was like a walnut.

You can feel it.

I wish somebody would feel it.

I wish I could catch some bastard feeling it.

I really could leave her.

You're going to play the card I just waved about.

She loves you.

I know.

It's sort of sneaky trickers that to play after all these years.

In 30,000 love songs.

That was just the matter news.

Mr. Brewer, your daughter, where is your daughter?

You mean the small little bitch or the tall little bitch.

Dottie.

She'll be with her mother. It's less than time.

Learning daddy's faults at Mummy's knee.

I hope she's dressed.

Dressed?

We've all been dressed.

Listen, I can't afford to keep playing cards with this man forever.

Oh, you'll learn.

I've spent my life killing time.

That's what the business is.

The noble art of killing time.

God save me from the malice of small comedians.

The original rise, Hector.

Like a phoenix from the ashes of his performance.

Such a dreary little sod.

You've been upsetting him, Hector.

No.

Somebody's been upsetting him.

Mr. Lejandra.

Not to say.

See what he wants.

I know what he wants.

He wants to show you a photograph, Miss Lejandra.

He's following his snaps I don't need right now.

It's of a girl, Miss Lejandra.

You should say this, Mr. Lejandra.

She photographs really well.

He wants to show me photographs of naked girls.

She's not naked, Mr. Lejandra.

Not naked?

What you trying to hide, Laddie?

All right.

You call this a double.

I put three.

And you call this a double.

I put three.

And you call this a double.

Taking from the right angle, he won't look able to.

Some double I keep out of these conversations with his navel.

And what does it say?

It says when you've broken a leg or two, you'll be shorter.

God, well, it exaggerates.

Does he know how to fall?

Position's everybody.

When he dies from the balcony, I don't anticipate he'll have any problem

in knowing how to fall.

You don't even know what I'm talking about.

Coming out with it.

It's not just that he might break his head.

What's he going to look like?

I put three, following through the air like a flying sack of horse manure.

I've got my first big break into pictures playing a flying sack of horse manure.

Is he called comedy's got to be neat?

You've got to move like your bones.

I made a jelly.

You wanted neat.

You do it.

For good pictures, I beat my brains out.

This one's going to be a stinker.

All right, positions everybody.

Clear a four.

Performers only on the floor.

Mr. Lejaundries.

Ready, Mr. Lejenda.

Ready.

You called this.

Ready.

I said, please.

Ready.

You called this.

Ready.

I said, performance only on the floor.

The floor's all clear, Mr. Lejenda.

Remove that actor.

That actor is not required for the scene.

Order him to leave.

Back off, Max.

I do not require that actor.

Remove him.

If you wish to continue as assistant here, Hector.

You're holding up production, Mr. Brown.

We're all waiting.

Please, Mr. Brun.

All right, Hector.

I'm going.

A nice person you're working for.

From the top, everybody.

You should have hit him.

Have you seen what he's standing on?

I couldn't even reach him.

And so you're going to get drunk.

Oh, that'll show everyone who's got the talent round here.

Aren't you wanted outside?

Oh, they're doing the fall first.

What are you going to do about that boy?

He's going to hurt himself.

Nothing.

Six foot tall.

Young handsome.

You think he's got problems?

Look at me.

Stop it.

What about Max?

What do you want me to do about Max?

Go out there and savage him.

You'd like to see me more, Lib?

Not all at once.

No.

Start with a leg or something.

Maybe bite his knee.

That's it.

Have bite his knee.

There's nothing festers faster than a bite of a comedian.

He gets these teeth into his knee cap and he'll rule the day.

I only want to make funny pictures.

I know.

Try to make laughter, so why do I end up feeling sad all the time?

Tim, what I hate about this business?

Talking to painted faces.

Look at us.

We can't even embrace without flaking off all over each other.

My dad can make them laugh.

He died by inches because we mauled.

I didn't think he was funny.

What are you doing?

I'm taking it off.

Do you be wanted out there in a minute?

No, I won't.

And now they will you.

Not with this director.

Corky.

You can't just throw all these people out of work.

Watch me.

I won't be too young.

Oh, I've got knocked over by Sam Twank and a lorry, didn't I?

I'm glad you're dressed for bad news.

What's that?

Corky's walked out.

If you used to work with Max.

What?

Walked out?

I don't know what they want, Consulate.

Hey!

I'm going to get out of there.

I'm going to get out of there.

I'm going to get out of there.

I'm going to get out of there.

I'm going to get out of there.

Don't go into the house.

Oh, you're going to get out of there.

I don't know what they want, Consulate.

Yeah, that is all right here.

Good.

Rux!

Right.

So, I'll do that.

I'll do that.

I'll do that.

I'll do that.

I'll do that.

I'll do that.

I'll do that.

I'll do that.

I'll do that.

I'll do that.

I'll do that.

I'll do that.

I'll do that.

I'll do that.

I'll do that.

I'll do that.

I'll do that.

I'll do that.

I'll do that.

I'll do that.

I'll do that.

I'll do that.

I'll do that.

I'll do that.

I'll do that.

I'll do that.

I'll do that.

I'll do that.

I'll go find your house.

Or late.

or you've got a big day.

I think it tellsmes a little

command clsy.

You know, in one of these inside

your house I have an old

house I have any hand.

When you the T date,

judge me a young person.

My boss isng this fellow.

Your temper didn't improve matters.

You did me.

I feel well.

Well, it's gone too far.

They won't be reconciled.

They're better than negative shit as they would have been reconciled.

Oh, it's for speed. He gives me this.

Autistically, he calls it.

For a director, he runs a great line in empty sheds here, didn't he?

Well, you're stuck with him, I'm afraid.

Is that your idea of aid and comfort?

Can he direct?

Well, opera may be.

Shakespeare.

They've all so gone on culture. Nobody knows this is a bit of crap, but films.

Well, yeah, for errand boys and shop girls and wise,

you're very good veins and lamps from their husbands, you know.

You don't get him sort of pennies thrown away on culture.

I think Max has been directing the wrong thing.

Yeah, my sword in picture.

You ought not to be on comedy.

You're right. I don't find a bastard found it.

He's got such a flair for the overdramatic.

But it'd make you a melodrama, a burpop, you know?

The hockey brand.

With a baggy pants comedian, I make a note.

No, no, let Corky finish his own picture and put Max on another one.

Well, where's the money coming from?

Well, we've gone broke on one, we may as well try for two.

We'll get your rabbit a stick.

No, we don't ask Clive. What, we shall dance?

We do not sell the house, Arnie.

What name?

Look, I've got you dressed half decently.

I can get you an appointment at the bank. The rest is up to you.

The bank? Yes, the bank.

Well, what do you need a car?

We ought to not let the bank see the lorry.

It's not for kind of lorry. A bank should see.

You want me to drive her under corner?

I'll see the bank. I'll stay here.

Hope he's got the sense to pretend it's not his, Laurie.

Are we going to have to do another moonlight?

What?

I was wondering if we're going to have to do another moonlight.

Oh, thank you. What's a moonlight?

Flit.

Flit.

Annie gets entangled this deep.

Usually ends with a moonlight.

I was hoping we cracked it this time.

My god, how many moonlights have you done?

Lots. You travel with Annie, you never really unpack.

Well, you can unpack this time, Lou Ellen.

We may not be able to save the picture,

but there'll be no more moonlights.

I'm glad about that.

I could get you used to a roof over my head.

He wants me to sell that too.

Goodbye, roof.

Don't you believe it?

Oh, dear.

Farewell, regular meals.

Oh.

You missed your playing, don't you, Violet?

Would you like to play for the actors?

You could help set the mood of their scenes.

It would be a great help to us, Violet.

I'll speak to Annie.

Go on, play some more.

My feet are cold.

Put something on.

Who said naked, didn't he?

Claire, I don't even know if it was serious.

Of course it was serious.

Directors don't joke about like that.

I don't usually ask to see girls naked.

You're the only one who can't even see me.

You're the only one who can't see me.

I'm just wondering if you can see me.

I don't know if you can see me.

You're the only one who can see me.

I don't usually ask to see girls naked either.

Of course they do if they're being considered

for a part in a picture.

You didn't mention any part.

Well, he won't do till he's seen me.

Percy, what's the matter with you?

Don't you want to help me?

Your mother's going to kill me.

Oh, hello.

How's the L?

Still on.

Still think you're a damn fool.

But I brought you these anyway.

Oh.

His arms fine, ducks.

Don't you worry about him.

It's only apparently. Look at that, eh?

It's convenient for all the menaces.

It's very snug in the weather, you'll notice that.

This is the main bedroom.

Oh, my goodness.

Also in a good state of repair.

Note the sumptuous fitteds.

Mm.

Curtains included.

Well, we could talk about it.

See that?

Genuine Chinese wallpaper.

Solid brass.

I told you.

Did I like it?

Come on out here.

I'll show you in a moment.

His mouth.

Stop raving, man.

A matter to a lunatic.

This carpet's worn.

What?

Let's just bed it in.

Who is this person?

Don't worry.

I think he's nibbling.

I think we've got us a bar here.

A buyer?

I'll give you a buyer.

This house is not for sale.

I'm sort of cranking ass and event or they get you.

You get him out of here before he learns how temperamental I can get.

You make her an office.

You'll barge your aim up with the process, right?

Up this way.

Come on.

There's more rooms out there.

Now this.

Please see it.

Ah!

Oh, yes.

Let's see her.

That's a nice room.

Will you get it into your head once and for all that this house is not for sale?

All right.

I'll show Brother for the money to help us finish the film, both films.

It's your husband.

I can't sell this house.

I've got the legal rights.

All right.

I'll ask my brother.

Now get this man out of here.

I'm going.

I'm going.

I should make up your biden mind.

I think he should have been a bit snottier about people's club.

It's called Pessar.

Another moonlight.

Hey.

No.

No, no.

I don't have a moonlight this time.

It's staying.

I've got a picture to finish.

Two pictures.

Hmm.

Hey, listen, I need a story.

Is that what human appeal.

A weepy.

Here.

We've got 14 shelves of books food.

Hey, I've come and let's get a story.

What about copyright?

Don't give me copyright.

I'm not going to use a story as it is, am I?

Oh, I know.

I just want a story that I couldn't have.

Steel.

Yeah.

Well, I was going to say that, but steel's going to have companies getting there.

It's moldy.

Don't call me mordy.

Look, love, do you think you can find an old party out there that can make us a huge pot of coffee?

I'll be up later, love.

I promise.

Prudoff.

Hmm.

Hmm.

Hmm.

Hmm.

I'm going to destroy it.

Ready?

Yeah.

Now.

Now.

Now.

I'm going to destroy it.

I'm going to destroy it.

I'm going to destroy it.

I'm going to destroy it.

I'm going to destroy it.

I'm going to destroy it.

I'm going to destroy it.

I'm going to destroy it.

I'm going to destroy it.

I'm going to destroy it.

I'm going to destroy it.

I'm going to destroy it.

I'm going to destroy it.

I'm going to destroy it.

I'm going to destroy it.

I'm going to destroy it.

I'm going to destroy it.

I'm going to destroy it.

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I'm going to destroy it.