Original subtitles

him to our secret place. They gave him one.

I'm looking for an American.

Tell Dixon.

Why do you want to find Dixon? I came here to kill him.

You know you're right.

I found something here.

Shut up.

Where are you taking her? She knows that we have a mission here, a greater

purpose. I know where the kid is.

Isabelle!

On se souviendra de vous comme de héros pour l 'éternité.

You're turning up. I'm giving you what you asked for. You're gonna kill your

friend. Hey!

Get off me!

Yeah,

yeah.

What are you doing? What are you doing?

You're coming.

Hold still.

What

about

you?

When we first met, Laurent was sick.

I'd heard of him. A child torn from the womb of an affamé.

From a horrific ending.

A miraculous beginning.

We met with the boy. We evaluated his gifts. We... found him to be special.

As Père Jean had said he would be.

As you said he would be.

For years, the good father and I stayed in touch as best we could. And then when

it seemed time, we summoned the boy here.

Time for you or time for him?

Time for us all.

To be free again.

There was only one reason.

You feared losing control.

I can see that now.

I'm sorry your will has weakened.

I want to fortify you and everyone who's feeling tired and hopeless.

What you're doing is not strength.

It's desperate, misguided, and it's savage.

Sounds like Daryl talking.

No, it's me.

Part of me that was asleep until I met him.

The part that doesn't believe in false prophets anymore.

You yourself said how special the boy was all those years ago. He is special.

thinks and feels in a way that humanity needs in order to survive.

But he's human.

He can bleed. He can be hurt.

He can die.

Like Jesus.

Like... Mohammed, my Buddha. This is a waste of time. Corrette!

Sister, we're going to offer the flock proof of their faith.

It must be done.

Do you understand?

And so I need you to tell me where the boy is.

They're in the mountain.

The Abbey of Genet is in the village.

Well, they're coming.

Long time.

We must go.

Ugh!

Thank you.

Were you stabbed?

Uh -huh.

Sit you down.

Just reach here.

Careful. Careful.

Can I have a look?

Looks pretty clean. That's good.

Lily.

My name's Carol.

Easy now.

Keep that press pretty tight, okay?

Can you do that for me?

He was looking for a friend of mine from America.

Awesome.

She's right there.

No, no, no, no, no.

Here.

It's okay.

It's okay.

Shit.

Here.

Hold this real tight.

I'm getting out of here. Come on. No.

Move faster.

Where are we going?

Let's go.

Hey.

You know, I got somebody ready to take us home.

The pilot, the plane, back in Paris.

Everybody misses you.

Connie, Judith, they'll all be so happy to have you come back.

Are you hearing me?

You knew him pretty well, you know.

Who is she talking about taking care of?

They're gone.

Who's gone?

Look, Daryl, maybe we should just head back in here.

Now I've got the kid.

Is that who Isabel was talking about? He was supposed to meet us here.

It's cold.

Stop!

Hey.

Hey.

He was here.

Okay. He left us for me. Okay, okay, hey.

Let's find him together, okay?

Okay. Come on.

What must have just gone through here?

You can't be too far behind.

So, Isabel.

Yeah, we helped each other out.

I don't think I'd be here without her.

You're a pilot.

What'd you do, just load up the plane and fly all the way to Maine?

I stopped in Greenland to refuel.

That's a whole other story.

You just left on a hunch, left everybody back home?

Yeah.

Just flew halfway around the world on a feeling.

We're supposed to come back.

I was trying.

Well, one thing's for sure.

Not in Ohio anymore.

What?

That's a French word.

It means a place that makes you see things different.

What?

What?

I see you speaking French.

Me, you here.

This is crazy.

No, it's stupid.

It's crazy.

He met a guy helping me out. His name's Codron.

Said he knows you.

I met him at that Mason Mayor place.

Was your name on him?

He's a piece of work.

He helped you find me?

Said he did it for the boy.

Our war should be with the dead, with hopelessness, with despair, not some

innocent child.

Empathy, conscience.

I can see how you love this ship and this mission.

Do you think all this time I've been relying on only the truth?

We found the nun.

Isabel.

She won't tell you anything.

Not anymore, no.

Was she hiding the boy?

Did she fear what you would do to him?

She had nothing to fear.

But you do.

I fear for my people.

For the future.

When the boy escaped,

I feared that God was protecting him from me.

I doubted myself, even my faith.

But I don't anymore.

Because I realize now that God was protecting him from you.

Does the American work for God? We all serve him.

Whether we believe or not, even you.

So if I find the boy, it will prove God is on my side.

I wouldn't worry so much about the future.

You don't have one.

What? High school French.

Means, where's the train station?

If you find a train, you do all the talking.

Madame Bourgeois.

If you miss a verb, she'd crack your knuckles with her ruler.

She was a math teacher, too.

I wasn't very good at that, either.

You know, I never really went anywhere before.

We've been places.

You know what I mean.

When I was a kid, my dad had this whole globe next to the TV and spin it around.

Think how easy it would be to see the world?

So why didn't you?

I became a mom.

It was my world.

You said on the radio that time someone came back. Who was it?

It wasn't a person.

It was a feeling.

Everything at Commonwealth just got so quiet.

All that old stuff came back like ghosts, so I got out of there.

And I was worried about you.

Rats? Yeah.

More than two people. Someone caught up to them.

Mr. Dixon?

Who the fuck are you?

Sir Isabelle?

Bienvenue. I am Didi. He's Theo.

The boys said you would come.

I'm out for aging when I see them.

Didi, she loves the white mushrooms.

Merci. C 'est bon.

I say they are hungry, tired.

The big man, Falour.

Very nice. And the boy, Laurent, il est très gentil.

He helps me with the dishes.

They left on foot? To Paris?

Yeah. Oh, I'll find them a car.

Can you find us a car?

I have many here.

Maybe you can make one to work.

We'll look in the morning.

No, morning. Fine.

Pitch black out there right now.

And so it's in there.

Fresh.

Sister Isabel knows best.

That's how many of these worked.

Oh, who can remember?

I learned to drive in this truck.

And learned a few other things, too.

But you grew up here?

Fourth generation.

We sold carrots to the Germans in the First World War, Nazis in the Second,

American soldiers after that.

Armies come and go. We're still here.

This one's shot.

It's been converted, though.

You got any ethanol?

In the barn.

This one ain't bad.

Let me find a battery, one that holds a charge.

A few hoses.

Oh, I know a place to find these things.

Let me get my walking shoes. I can take you.

All right.

I miss young people.

All the children grew up and left so long ago.

It was nice having Laurent here, if only a day.

Like you said, he's a really sweet kid.

He's very fond of his Aunt Isabel.

And Daryl, he went on and on.

Daryl's a really good influence.

And we talk about the two of you.

Sometimes, children see things we're afraid to look at.

Why do I get the feeling you're trying to tell me something?

Noah thinks that Daryl loves you but won't say it because if he says it, he

won't be able to leave.

It's a bit more complicated than that.

Not to a child.

And not to me.

I know how real love is.

How long have the two of you been married?

Two?

We're not married.

My husband died years ago.

My children, grandchildren, everyone's gone.

She seems so happy.

For a long time I wasn't like Daryl.

I was torn between the world I loved and the one I found.

But one must look for a way to keep

living.

Not so easy sometimes.

Reasons are everywhere.

Oh!

Somebody put on his walking boots.

Please take me to the creeks. The walkers have walkers. Hey!

Bonjour, madame Dicas.

Kind lady.

And good dances.

I still have both of my teeth, I'm sure.

Hey! Monsieur Wu!

The baker.

Very quiet.

Makes more noise now than when he was alive.

Ah, sadly, this whole street has passed on.

Could you just bury him?

There's only old people left in the village.

Old people burying old people, too hard.

So when someone dies, we lock the gate and pay respect where we pass by.

That's a new one.

Yeah. Whoa!

Stop.

You stay here. I took him first.

All right.

Dee Dee says Laurent idolizes you.

Well, she just spent one day with him, so... Well, he made a big impression.

Sounds like he's going to do really well at Commonwealth.

Well, he's got friends in Paris.

It's better he stays with them.

Better for who?

He's your responsibility.

Maybe I don't want that.

What about the kids back home?

This is different.

Is it?

Yeah.

Yeah, it is.

to lose him.

Will you end up like me? Is that what you're afraid of?

No.

No, I ain't afraid of that.

Yes, or?

America?

Oui. J 'aime bien les Etats -Unis. My brother, he lives in Florida.

He and his wife go every year in winter.

To the Fontainebleau.

Florida is very nice.

Did you stay at the Fontainebleau?

It's on our bucket list.

Tell them I sent you. Ask for room 22. The best.

Put everything back by Monday.

I missed out the car to get to work.

You got it.

Merci.

He forgets everything.

Even about the hungry ones.

What do you know?

Sort of a bliss, huh?

I wish I could forget.

Thank you.

How is it coming?

I'll have to turn it over to find out.

Hey, uh, Theo said you had some ethanol.

Oui, in the barn. I can bring it.

Oh, thank you. I'll help you.

Oh, thank you.

Is it there?

You can tell me.

I had a little girl.

We're going together.

All right.

Go ahead, give it some gas. Just a little.

Stop! Stop!

I said a little.

That was a little. No, that was too much.

How am I supposed to know how much is too much? Well, you listen, and if it

sounds like it's too much, then it's too much.

Maybe you're too much.

What?

What? What? What?

Please, don't stop.

It's a good show.

Like an old married couple.

I'm glad you're joining.

Mr. Pouvoir, you hide here.

They're gonna kill them.

But we don't know that.

Janae won the battle.

I know you had people there.

Isabelle and Laurent.

It's from Judith.

Part of her knew I had to if there was a chance I could find you.

I guess I'm just surprised you got so close to people here.

Well if you ever want to try.

You leave?

Long trip.

Oh, dommage.

Did you make something special?

Her truffle eggs.

They very truffle?

No.

Like sex.

Or the tongue.

Forgive me, sister.

Hey, Vinnie.

I don't think... I'll make it quick.

Jesus.

These are the best eggs I've ever had.

Yeah, trouble.

You'll have to give me some of this.

You need a good eye and a lot of patience.

They're very hard to find.

Only for special occasions.

Thank you for the car.

And for all you've done.

What are your plans?

After you find Laurent, will you stay in Paris?

Well, we're still working it up.

What are you doing?

Who they are, Fionn.

Do you

know who those

people are?

Armies come and go.

You don't survive by picking the losing side.

Come with me.

Here.

You can hide

down there.

You know why I'm here?

Yes, madam.

They left just after breakfast.

Yes, we did what we could to reassure them, but they were mean.

Cover me.

We'll get the car.

C 'est le raffinement.

On n 'a pas de sel, mais on a de la truffe.

Ces personnes que nous recherchons, elles sont très dangereuses.

C 'est l 'ennemi, en vérité.

Nous sommes en guerre.

You know who I am?

Yes, I heard about you.

From my father.

Admirable longevity?

No.

He died young, of injuries received while fighting the Maquis.

But he told me about people like you who came to the village during this other

war.

And also looked for children.

To put in trains.

Is that how you see us?

Didi.

I told you, they left hours ago.

So how can these hours still be hot?

They're here somewhere.

We're going to search the house. No.

Let them do it.

S 'il y a bien une chose dont les morts sont capables, c 'est faire aller

vivant.

Judgment?

I hate in your eyes.

More like confusion.

About how someone like you could turn... Turn into this.

Do you know what else I've seen?

The city of light.

Gone dark.

By the way they fled to their villas and their chateaux.

Families faddled in terror under the bone earth.

The badgers took the powerful down the sand for refuge.

So you're making up for that now?

And while the great works were safe, I saw my love, a hope,

devoured by the monsters they made.

Five feet from me, on the other side of the globe.

Have you ever known that kind of loss?

Thank you.

You know,

I didn't think much of Isabel when I first met her.

She needed my help, and I needed her way home.

So we made a deal.

Makes sense.

On the run, yeah.

Kind of became the glue that held us all together, you know?

Yeah, I do.

And I never, ever stopped trying to get home to you.

The longer I stayed here, the harder it got.

You left her.

You know Laurent's coming home with us, right?

Yeah, I know.

Madame Joliet is dead.

She was a bad American.

She went after the boy and now she's gone.

There isn't proof that God is the best of us.

Marion's way was not enough.

But now that he's yours...

All is forgiven, my friends.

Let us merge our dreams for a better, stronger future.

Ahead is the promised land.

Take us there.

Do you think that someday it will all be over?

You're thinking of everything you could have done differently.

It's a pretty long list.

He wants to go home. If he takes the boy, what becomes of ours?

Be careful.

People will do anything for a way out.

Today we are at the Montparnasse.

The nest.

Dene is here with our soldiers, and we are going to try to escape from her.

It's the first time for me in this place. I'm thrilled by the beauty of

location. Filming in Mont Saint -Michel at night, and we have the lighting, and

there's fog machines and smoke, and then all of a sudden comes these figures,

and they're moving faster and faster.

I had so much fun filming that.

These walkers on the show are frightening.

Actually, I was really scared when I saw them, to be true.

Getting to ride on the ATVs was fun. I did like the challenge of being able to

drive it as quickly as I could through some very narrow spaces and the

of, you know, not hitting anybody.

That was fun.

Strapped to the back of the vehicle is our friend Khadron, who's serving as...

Zombie bait for these amped -up zombies.

The dummy, it's very funny. He really looks like me, all right? The only thing

is that his head is a bit bigger than mine.

So I told them, listen, okay, I have a big head, but not so big, you know.

I was shocked to see a guy who really looked like you like this. It's funny.

Sister, we're going to offer the flock proof of their faith.

Lo Tsang has slowly been kind of grinding under the pressure of this more

radical faction within the nest.

What I loved in that scene with Lo Tsang is that I think it's a very accurate

scene about belief gone too far and to just bring it back to

humanity and to try and bring him back to his humanity, which he, you know,

failed.

I read that scene and my response was literally this.

Me? No, no, no.

I was both excited with the story but also sort of horrified that it was my

responsibility to do this task.

It was the second time that I had been to Mont Saint -Michel and...

I remember it was the first time that I met Clemence.

I'd been waiting to meet her since we started season two, and we kept missing

each other because we were never in the same location.

And I saw her before we went to rehearse. We just had a big, long hug,

was so, so nice to meet her. And so incredibly frustrating to just have

two scenes and then to just kind of be done.

I did like that they intersected when they did.

I mean, she was the piece to get Carol to Daryl.

There was a lot of talk about how Daryl and Carol reunite, because obviously it

was one of the centerpieces of the season for us.

I mean, there's a whole story going on, but that story people are waiting on,

and it has to be legendary.

There was an early version of them fighting to get back to each other. Then

changed into something a little bit different.

That was Norman's idea.

I grabbed my phone and I wrote down this idea that I had about the meeting. And

it, I don't know, just came to me while I was asleep.

Minute like 11 at night, I sent it to David.

He and Jason both liked it. And they took that idea and they just elevated it

thousand percent.

And then as we worked on scenes around that whole sequence, we continued

about it, Norman and Melissa and I, and then we ended up with this version that

you see now.

I can see them.

The fireflies.

It's a world where I guess you're very used to saying goodbye. I think there's

an acceptance.

I don't think she's fighting it. I think she knows she can't.

For the moment when Isabel dies, I think what we wanted was great dignity,

intelligence, strength, and a really moving ending to the character.

Isabel and Daryl's relationship has evolved to a point where he truly cares

about her.

It's been so nice, season two. It's been such a sort of treat to take Isabel a

bit further. And knowing that we were taking these two characters on a journey

and exploring their relationship.

A bit more was just the greatest luxury.

Isabel's death hits hard because she's touched something within him that we

haven't seen before. And it's because she's so different from him. And it's

because she's tied into this boy that he loves. And now he's got to make sure

after that not to let the same thing happen with Lujan.

One thing's for sure, not in Ohio anymore.

The scenes we're filming here in this little village are scenes that involve

Daryl and Carol trying to find a way to get back to Paris to find Laurent.

This village is composed entirely of old people. The young people went away or

died during the apocalypse.

They... all died of natural causes none of them were killed by zombies they died

of old age so a lot of the rot that we applied to the performers signified

deterioration not any sort of violent death hey

There's a sense of community in this village that has led them to this

decision to allow some of the people who have died and become walkers to

continue to exist confined within their property. So it preserves a very

strange, touching, but weird sense of community. It's one of a number of

signature walker environments that we've created on the show.

Judgment.

I see it in your eyes. The trick with Janaye is she has been a tremendous

villain. So her death has to live up to the glory of her evil doings.

She really did believe she was doing the right thing for the community, you

know, finding order. And that's it. It's gone.

Oh!

We really wanted her death to be just completely horrific, painful,

gut -wrenching.

It's a great death.

It's a great death.

It was the only way she could die from the monsters she created. She's going to

be one of them.

It's a complete character, a journey.

is complete.

I'm proud of it.

They shot that separately.

But I did see what Nicotero and his team came up with for when she really goes

bananas on the ground.

And bladders.

We designed this animatronic head that we did several

stages.

of makeup on and it was funny the phone calls i i would have to call her from l

.a hey i need really detailed photos of your teeth i'm in the south of france uh

in a very remote village mike okay get a ruler and put it next to your eyes we

had to go to the town after to get just the ruler and my husband was taking

pictures of me in front of the kids they were like passing by going

That was very funny.

And, of course, when she saw it, she's like, what are you going to do with that

when you're done with it?

I don't know. It'll probably end up in your house somewhere maybe.

I told me not to say it.

I'm so happy that I had this head.