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Actress
MUSIC
Ten years of painting
Ohussv!!!
Let us know what's next
No...
Uh huh, gotcha.
Give me off, if you want your hand.
You got me a Oddie!
bottle!
Ow, I was worried.
Orita!
Ah, don't!
Come on.
Maggie!
Maggie!
Susie!
Hey, hang on!
Welcome to the train!
Oh, thank you.
Oh, you look fine.
I'm a terrible time to hear you.
How did you find her?
I can't believe you're here!
Oh, I'm sorry I was late.
My taxi was, oh, look, that's all right.
When you didn't come, I found him and gave him a piece of paper with your dress on.
And here I am.
Well, uh, let's see.
She was a little bit too late.
I'm a little bit too late.
I'm a little bit too late.
I'm a little bit too late.
I'm a little bit too late.
I'm a little bit too late.
Let's see, shall we take my cab or yours?
Better yours.
Your traveling line is usual.
Well, you know me, I'm a Justin K.S. Packer.
Come on, get in.
I'll give you some more, will you.
Well, well, it was not good conversation.
YouBR Honor heartfelt.
Let's say hello in the city.
You tell me how you know me, I'm a Justin K.S. Packer!
Let's say hello in the city.
Oh, yes, it was not possible for you to tell.
Well, you know me, I'm a Justin K!
Isn't it beautiful?
Yes it is.
I know.
The Plaza de Las Cebelles, known to some as the symbol of Madrid.
And right behind it is the famous Madrid Post Office.
The only post office in the world that looks like a cathedral.
You've been reaning again for weeks.
I know everything about Spain except Spanish.
Maggie, you look wonderful.
And I was afraid to be all pale and sad.
Oh, because of the affair that I had?
I was trying to be delicate.
Oh, there was nothing delicate about that affair.
But it's over now.
Oh, yes, that was last year's problem.
Then why didn't you come on the way you said you would?
Because of this year's problem.
Oh, it's so creepy.
But I love it.
Will you love the apartment even more?
It's creepy.
I'm going to do the same.
I know, but I love it.
Will you love the apartment even more?
It's creepy.
I'm going to do it.
I'll go.
I'll try to do it.
It's an old thing.
It's not a big thing.
I'm not sure if I'm going to be able to get a
car in the car.
I'm going to be able to get a car in the car.
I'm going to be able to get a car in the car.
What did they say?
Well, that one just said what a soft pillow you'd make.
What?
No, it's a compliment.
Well, I'll just straighten him.
Oh, no, no, no, no, no, no.
If you look, it's a sign of encouragement.
It could be worse and Rome may pinch.
Come start, Samuel.
It's supposed to be a must have even become evosives.
I just ask him to take the bags upstairs.
It's too much, Bormi.
He says when his wife returns from the market, she'll do it.
Come on.
Hi, Gee.
Why?
It's a palace.
But of course.
This is my room.
That's your room.
You know what that is.
And this is Fran.
She's gone for a Thursday.
Oh, no, she has come on in.
Fran, this is Susie Higgins.
Fran Hobson.
Susie, you asked me about Fran.
Well, here she is, gone native, even a little gypsy.
Sing, stances, a little modeling, a little bit of everything,
including lazy.
She should have gone to rehearsal.
Oh, hi.
Rehearsal.
I'll make the car.
Hi.
Oh, hi.
Welcome to Spain, Susie.
I love it.
Where's my bathroom?
Bathroom.
Yeah.
I'll help you.
You're a cowl.
You love it.
So leisurely here, there's time to do things on that racing
around, just good, quiet, peaceful living.
Ah!
Bathroom.
Oh, I'm tired.
Oh, kill me.
He works out all week, and then when he has the decency
to give me Tuesdays per rehearsal, the least I can do is show up.
Today's Monday.
Huh?
Monday.
Monday.
Oh, no.
We need you.
We also need you, right, my name.
Good job, just breakfast.
All right.
You've told me everything about Spain, but you haven't mentioned the men.
Didn't you hear me?
What about the men?
Shall we?
She'll find out sooner or later.
There aren't any.
Why, the place is crying with men.
Try not to catch their eye darling, or they just explode, but I was just proving a point.
They're on our men around.
I'm not for us.
The rich tract of ones are already married.
Okay, I'll take a poor one.
Oh, no.
He'd be too proud to take out a rich American girl.
Are you kidding me?
You mean Spanish men are that different?
No, you can always have a affair.
I don't want an affair.
You mean you've never...
No.
But don't spread it around.
Have you?
Here, have some sardines and what you...
I got their heads on.
That's the best part.
I forgot to tell you that some might slap on the office call through a bomb.
Oh, Pete.
Pete, you.
He's one of the American reporters at the Continental.
All of them are relaxed.
He's gone and turned on.
In fact, dozens.
Oh, and he said that that Mr. Barton was trying to read.
Oh, oh!
Hello.
Oh, hi, Pete.
Thank you, problems of the office.
What?
Oh, all right.
One minute.
A mind of crisis.
Had to go down to the office.
Do you want to come, Susie?
Oh, well, no thanks.
I think I'll unpack and take a nice hot bath and, uh, look up some art to study.
Well, is there anything I can do for you before I leave?
Yes.
What?
Who's Paul Barton?
That's Maggie's boss.
Understanding, unforgettable, and unamilt.
Oh, I get it.
Mary.
And, thank you.
I'm sorry.
I'm sorry.
I'm sorry.
I'm sorry.
What?
Mary.
And, fatherly.
So that's it.
That's it.
What?
What is this, Vita?
We're going to be morning, Arturo.
Good morning.
No, not yet.
Oh, I see P.D.S.
Well, is there anything important in the world news?
Yeah.
Mm-hmm.
Reading my mail, P.D.
Don't underestimate me, Maggie dear.
I don't have to get this close.
I can read letters on desks from 30 paces upside down.
Oh, I saw your, uh, room.
You won't go home.
I don't exactly know what to do with it.
Oh, you think of something.
Mm-hmm.
What's the boss's mind of crisis?
A great man doesn't confide in me.
Look, Maggie dear.
You mind my using your typewriter mind?
Isn't writing such good coffee lately?
Maybe it's drinking too much lately.
Maybe it's not drinking enough lately.
Making it nice and pretty for our beloved boats.
I think that lover of all things Spanish.
Not fine upstanding 15-year expatriate.
He's not an expatriate, he pays his taxes.
Ah, there she goes, leaping to the front lines to take the bullet men for him.
You write in purple, too, Pete?
I write pretty good, Maggie.
Lousy editing seems to be my problem.
You give Mr. Barton a character sketch in depth and he pears it down to a laundry list.
We're being kicked out of the building this afternoon.
What are you talking about?
Then your Martinez didn't like our terms for the new lease.
So, we're out.
No wonder he was offended, he was dealing with you.
Where was Paul?
Our revered boss is off doing something really important.
He's arranging for a party for some rich cat from New York.
Your revered boss is right here.
Our rich cat from New York, you were rocking to the plans you were riding tomorrow night.
So that's the crisis right next week.
Because he is cutting his trip short, his wife's tired of trip drive blouses.
Well, what about the arrangements for the party?
I'm changing, I'm asking what.
Pete, there's a reservation over at the Belmont for a double suite with Terrace.
The name is C.D. Morton for tomorrow.
Will you pick it up, please?
A double suite with Terrace.
Why, he must be an important guy.
He is 20 newspapers, 20.
Well, if he's that important, maybe you or Maggie better handle the double suite with Terrace.
I might blow it.
Huh?
He offended to near Martinez the landlord today.
Oh, grand.
All right, I'll get to that later.
Meanwhile, you take care of this, Pete. I need Maggie here.
Yes, I can see that.
That's pretty good. I'll get ahead yesterday.
What do you left of it?
That's the same argument I used to have with my boss.
Who won?
He did.
Oh, fool was right.
About the party tomorrow night.
Oh, well, I got the food and the wine all heard, and my wife's calling up the guests.
What about the entertainment?
I don't know yet.
Well, I can get Fran.
She's very good, really. And she can get a ton of gas.
Okay.
Well, did I call us any Martinez for you?
No, I better do it myself.
Oh, what are you left, Pete, talk to you like that?
Well, is he worth it?
I hope.
I'll call Fran.
Thornfield.
Hi Maggie.
Fran, are you busy tomorrow night?
No.
Hi.
I'm going to be here.
Oh, no.
Oh, no.
I'm going to be here.
I'm going to be here.
I'm going to be here.
No.
I have a job for you.
Where?
At the bar now, it's every important person in Madrid will be there.
But it's a short notice. I need Antonio and a guitarist while I have to rehearse all night.
It's impossible. I'll do it.
I'm going to be here.
Oh, God!
I love you.
Oh, good-bye.
We got him!
No, Samuela.
No, it's not her.
No, it's not her.
Say, I'm a son, Grand la Rudia.
Oh, no, it's not her.
You're a good one.
I don't know when he's playing a new beautiful job.
Clark!
Then we must fix it.
Oh, it's her son.
I didn't know he spoke English.
What are you doing?
I'm a doctor.
Oh, what a way to tell my business.
Good. No broken bones.
Not deep.
But we'd better see to it.
Oh, but I can't. I'm late now.
But I'm a mama, let's eat.
What a sauna, a scrot.
I don't want.
Oh, I don't want to.
Grandpa, yes.
How long you been a doctor?
A year?
Where's your office?
In my home.
Where's your home?
Esta Pona.
I never heard of that street.
Not a street.
Small fishing village.
Bar?
Of course, that they'll solve about 300 miles.
What are you doing in the trip?
Studying the workings of a clinic.
For how long?
Oh, a day or two?
You don't talk much, dear.
No.
Do you ever smile?
How does this feel?
Terrible.
Hey, you should do that more often.
What?
Am I all through?
Yes.
Well, aren't you going to force Brandy down my throat?
No.
Possible internal injuries.
No internal injuries.
I'll get you a sharing.
Hey, what's your name?
Andres Brienas.
Well, don't you want to know mine?
No.
Thank you, Andres.
The doctor is gone.
Go on.
Hey.
Just pay for the treatment.
That's all right.
You can pay for the sharing.
Hey, have a great Cup.
Great!
Hello, my friend.
What are you doing in this unhealthy life,
when just a day can you deliver faith to people?
Yes, my friend.
Your son or my love was in here!
And you could do a peace with him out on the line.
Hey, gentlemen, it's I promise!
What?
What?
An art lover?
No, no. I feel it is more.
Her lover is editor.
I can assure you, not her.
Come.
I don't know, maybe she's an author if you hate her so.
No. Her husband is editor.
Not married. No ring.
Ah, yes.
Lonesome. How do you know?
What do you mean, how do I know?
I know. It's...
Anyway, Americans are always lonesome.
The last time I let you have that blessing, remember, that you be fair.
Adios, Juan.
Thank you.
An art lover.
Who are you?
Emilio Laccayo.
Oh.
Who are you?
Susie Higgins.
Oh.
Who are you?
Susie Higgins.
Oh.
Oh.
Well, then, if it was none of those reasons, then you must have wept because of the beauty of the paintings.
Hmm? I must tell you.
Rarely do we see a stranger so moved by our Spanish masterpieces.
Oh, thank you. But that wasn't here.
No? Well, then please, you must tell me now.
Why? What are you crying?
I got homesick.
Seems pretty silly, doesn't it?
No.
Oh, not another.
No. You do not like it?
It is our chapter. One of our favorites, some of the rings.
I love it. It's like an almond milkshake.
But, uh, can you...
I was going to say, can you afford it?
Hmm?
I mean, a man who has no place to go in the afternoon, but an art gallery.
Oh, I see. I see. You think I'm out of work?
Well...
Or do you think I'm a jiggle out?
Never crossed my mind.
What are you?
I'm out of work.
It could happen to anybody.
Hmm. Yes. Yes, it could.
You are suddenly nervous. What is wrong?
Oh, um...
It's dinnertime. Eight o'clock almost.
Mm-hmm.
Madre, we often do not die until midnight.
Oh, that's right. I read about that.
Crazy.
May I be allowed to see you again?
Is it done?
All the time.
I mean, I don't know much about your country except from books,
but you did pick me up in a way.
And from what I've read, Spain is murder on that kind of thing.
Oh, yes. Yes, you are right. Yes.
Well, then we must find a nice Spanish family to enter the duchess.
But I don't know a nice Spanish family.
I have an American friend, Maggie Williams.
She's known me for years. We room together at college.
Maggie Williams?
The beautiful American girl who works for my friend, Paul Barton?
Why, yes. You know Maggie?
Oh, yes. We have met, yes.
Cookie?
She will not have nice things to say about me.
Then I won't listen.
You are very wise.
Oh, yeah.
Just pick it up.
Hmm? Pick what up.
Pick what up. What did?
Put that away.
Did they teach you nothing in America about a man's pride?
S'epien.
I thought Spanish people were supposed to be so polite.
Well, we are.
Then why are you shouting at me?
Some of us all are so very cruel.
I'm sorry I made you cry so soon.
It wasn't you.
No, it wasn't. Then what?
I'm homesick again.
Oh.
Maggie! I forgot to bring my pair of earrings.
Oh, I have one.
Oh.
Hey, hey, hey, hey.
I do.
That must be the part in Carve, as I extended for us early.
Are you two already?
Just think my first Spanish party.
Oh, I don't need two disappointed, sir.
I can't help it.
Fred!
One by safety, too.
Oh, I've got it.
Oh!
Nick, it's a grape.
I'm sorry.
What a dog!
I told you that one man has noticed us.
They don't there. They're all here with their wives.
Well, anyway.
I think your pal Bart is marvelous.
Isn't his wife stunning?
Careful, it's too long.
Is he?
What's she like?
Oh, very social.
You know, potty's tea is perfectly delicious.
I'm sorry.
I'm sorry.
I'm sorry.
I'm sorry.
I'm sorry.
I'm sorry.
I'm sorry.
I'm sorry.
I'm sorry.
I'm sorry.
I'm sorry.
I'm sorry.
I'm sorry.
I'm sorry.
It's the perfect lady loves living in Madrid.
What's she like to you?
that's a dirty trick.
What's he like to you?
confusing.
Sometimes I almost think there's help.
Then he turns fatherly again.
Why don't you fairy yourself Adam?
I freeze.
What, boys don't you?
The bell of Bronx?
Hello.
Hello.
Nice to see you, Holloway.
There he is, the one I told you about.
Where?
The one who just came in with the hhome like a girl.
Oh no, not him.
Yes, he is.
But that's mainly a look for me.
Jack!
I don't think it's beautiful.
What?
You see me?
Look, I've got a baby.
Oh, no, not him.
Yes, he does.
But there's Emilio Lecail.
What about him?
I'll start running.
He said you'd say something right.
Susie, Emilio Lecail is from one of the oldest
and richest families in Spain.
He's also the most heartless, corrupt,
and human man that ever lived.
Is that all?
I was afraid he was a jingle-out.
Don't cut.
It's nice to see you.
Nice to see you.
Have you been, huh?
OK?
Maria, will you excuse me?
I want you to say hello to my cousin, huh?
Please.
Would you take care of her?
Give her one drink, and don't touch, please.
He's coming over here.
What'll I do?
Steady, old buddy.
He's a creep.
He's a creep.
He's a creep.
Maggie, how good to see you.
How have you been?
Oh, please excuse me.
But this beautiful young lady and I are old old friends.
Oh, you two have a man.
Oh, well, Susie, this is Senor Emilio Lecail.
Miss Susie Higgins.
Hey, Gontado, if I call you, will you have lunch with me?
You call me and we'll sing.
Glad to sing to Martin.
Miss Higgins, nice to see you.
Thank you.
Excuse me.
That's right.
Isn't he wonderful?
Yes, he was.
No, he isn't.
And you've just been chosen as the next sacrificial lamb.
But he didn't even look at it.
No, but before the week is out, he'll be rushing you.
And I do mean off your feet.
Really?
Well, first, he'll try the exquisite way.
You know, a small bunch of flowers,
a perfect little dinner with just a perfect little wine.
And then he'll say, I scabby are in Champagne to the apartment
for you and your friends.
And he'll think of you with little luxury items.
What else?
Well, he may try the lonely chap.
You know, pity me, my life is empty.
Or the other one, age and dissipation, have crippled me.
And then there's the, would you like to see
my interest collection?
And then if all Ellis fails, he'll ask you to marry him.
But he doesn't even know me.
Oh, but that's exactly what you will say.
And then you will tumble into bed with him
in order to get better acquainted.
But what if I didn't?
Well, then he'll drop your flat, my dear.
But you will call him and you will say, oh, Amelia, what have I done?
What's wrong with me?
And that very night, you will tumble into bed with him
grateful to know that there was nothing really wrong with you after all.
So that's how he does it.
Well, who does he think he is?
He's a creep.
He's a creep.
He's a creep.
But if one next time is less, why is he paying so much attention to that?
Oh, seriously.
You
You
You
You
You
Some people just run from the fun things in life
The boredom they've got you could cut with a knife
They're the ones who look up as the just go by
But you take me I just gotta be
With the ones that fly
Spare me the eight to five people those have fun
Now have people outside the set that likes to get up and down
And give me the pleasure seekers
Every time
Spare me the naughty one who watches all so loved
But who watches in other words their father buys my father
Give me the pleasure seekers
Yes
Yes
It's cocktails at night
As you need night with time
Then bubbly wine
In a smoke at the white the gypsy's plate
Do the break of day
Only
No one you know lives twice mister
Take my edda
Fies mister
Give what you got be boys
Not bad to a
Yeah
Get with the pleasure seekers
The person cheek cheek
Seek the pleasure seekers
And live
And live
Like live
Like live
Like live
Like live
Like live
You did all night
But where to go
You dance beautifully too
What?
I mean aside from looking through
Thank you
We never have dance together before
I mean I know we have it
Oh
You're joking aren't you
I'm worth enough
Well that's the trouble
If we're just having a light conversation
I guess I've lost the light
If you really need
What do you mean?
Sorry Maggie
You look much too pretty tonight
Back in your own backyard button
Thanks Maggie
Oh excuse me
Something wrong?
Be, would you take me?
Sure, sure
Let me notify my tornado from till later
I'm sorry
Did you mind?
Broker up
The idea was to break her down
My younger
Come on
I'm sorry
I'm sorry
I'm sorry
Thanks for not asking any questions
Okay
I just don't want to talk about it
Fine
Well aren't you even interested?
None of my business
That's the trouble with the world today
Nobody cares what happens to anybody
Okay I'm interested
What's this question I'm not supposed to ask?
Why am I drowning in this dragon suit?
It's easy
I'm not going to change country
You had an unhappy experience and you got over it, right?
Paul helped me get over it
That's the point
And that's the trouble with getting over an unhappy experience
You got Lonesome for the agony
I start looking for a new unhappy experience
But what I can't figure out is Barton's dropping it
Dropping me for what?
Aren't you having an affair with him?
Of course not
And what's your problem?
Well if you must know that's my problem
We go left
Madrid to the right
Left?
This can't be right
Yes it is, you just don't know Spain that's all
And I don't plan to either
What do you mean?
There's an opening in the Paris Bureau and
On officially untold they're going to ask for me
What's in Paris? Some girl who said no
Ha ha
Someplace without Barton
You jealous of him Pete?
Jealous of him?
Mm-hmm
The guy hasn't got a thing I want
Not a thing
Alright fine
But you've been in Madrid three months
And you haven't learned anything
And now you want to switch to Paris
If Barton recommends me
Of course he'll recommend you
And you'll like Paris
For a month or two
And then you'll switch to Rome
Then to London
And you'll always keep moving without having learned anything
And it'll be because you want to hang loose
Why are you taking me apart?
Because somebody has to
Paul won't
He thinks you're too good a newspaper man
Not to shape up
Well I don't
You slop around, you drink too much
You see too many girls and you waste your time
Growsing when you could be
A fairly confident newspaper man
If you really worked at it
I didn't know you cared
Oh forget it
I don't want to forget it, you're right Maggie
But then you're right about a lot of things, aren't you?
Yes I am
Yes sir, a man would be a fool not to listen to you
Remind me to take your advice more often
What's the matter?
Well, you can't win them all
True
And let me straighten you out on something else, Maggie dear
I know how Barton feels about you
How could he help him?
Paul?
So see
So see
Just a minute through
Never been
But what'd I call him?
Signior down in here what?
Try herning
Well hello there
I was planning on driving to Toledo this morning
If you have not seen it I would like to drive you there
Would you like that?
He wants me to drive to Toledo with him
What'd I tell him?
Toledo that's a new one
Tell him no
Yes
Yes
Hey
Fine
Fine
Oh but of course of course I will have you bugged by tonight
Yes of course
Shall I fetch you in half an hour?
Good, I'll be there promptly
Goodbye
Adios
Now what do you think you're doing?
I'm going to teach him a lesson
So see you can't even handle him at 50 paces
Oh right
But I know I can handle Emilio
Oh yeah?
How?
By following an old Spanish custom
Which one?
Thank you Emilio
Oh you are quite welcome
Oh
Hold it
Excuse me
I have you found my gold pencil yet?
Gold pencil?
Yes
Yesterday you said it was a gold pen you lost
Oh I did?
No gold pencil has turned up and no gold pen
Oh
Only the young doctor
He says he has lost a round of bandage
Maybe he has the gold pencil
Maybe she has the bandage
Why did you run away from me?
I wanted not to see you
But I had to
Had to?
To say goodbye
I'm leaving Madrid this evening
And not coming back?
No
Oh honey you are such a drag
Where are you going now?
Fishing
Where?
Sigovia
Good
You'll have to take me home first
Why?
Well I can't fish all dressed up
Bono sir
Oh wait a minute
Suzy something come up
You mean you are not coming with us?
No you see I think
What the dead of the shame
Remember the Spanish word for no is no
No
I'll begin with
Oh
Hello
I felt a fever
And got a girl
And then a smile turned me inside out
I think it's something to think about
You do do
We are
And then a cyborg
Beyond a doubt
That he was something to think about
Something to think about
That I was something to think about
And now it's all I can think about
The whole day's through
We should be careful
I know I know
But every time that you're near me
So my heart starts pounding
To let me know
We're on the brink
I think it's something to think about
Oh
Something to think about
Oh
Something to think about
But it's not
Think
Very nice
Nice! Well this one dries man Matt
Once a fell tried to kill himself
He did?
Well not really but it made him a little sick
Tell me, do you always have to make fun of your career?
I might as well, it's not going anywhere
Then why do it?
Why fish when there are many?
To keep from
From what?
It's time to go home
So the whole afternoon has been absolutely nothing
We talk and talk, but we end up zero
You're brave American girl, Stark
It's late
Well where have you been?
I've found this girl
About me, or this is what I've been trying to avoid
Oh that's a boy, it's a boy
Oh
It's late
And we have the whole day alone to answer
Wonderful, isn't it?
Wonderful, yes
The burial of the Count of Orgais by Ol' Greco
One of the three great masterpieces in the world of painting
The first is Rembrandt's Night Watch and Amsterdam
The second, Velasquez's painting of the Meninaas in Madrid
That was where we met
And the third masterpiece is this
When the Count of Orgais died, St. Augustine and St. Stephen
appeared miraculously to lower his body into its grave with their own hands
El Greco painted himself into the picture
He's the seventh gentleman from the left, the face behind the hand
El Greco's son is the little boy
In the left foreground
In the right foreground, notice the marvelous way El Greco treated the lacy transparent surplus
Over the priest black casoc
Above the human heads, an angel holds what appears to be a baby
It is said to be the soul of the Count
Just above the angel to the right is St. Augustine
The Baptist asking permission for the Count's soul to enter heaven
With his right hand, Jesus is gesturing to St. Peter holding the keys of heaven
To permit the Count to enter because he was such a nice man, at least stop
What? Because I've run out of description
Oh, that's good
I'm thirsty
That's good
I'm thirsty
You are
What's your step, Susie? Be careful of the last one
Good, that's fine
Here it is, a superb wine cellar, one of the best in the entire world
But you always take me some less dark
Yes, well, it is less clean in the eyes
I'll come around here, that is a special wine I want to show you
Glad you said, Coke
It will not take a minute, come, Susie
Here it is, Moutar Rochel, 1918, one of the finest vintages
What happened, Susie?
Please, I know it is dark, but watch your hands, huh?
Watch where you put them
Shall we go in the cognacrum? It's less dark in there
Yes, I know
What, we must?
Signor?
Uh, Susie, excuse me, please
The suite is available, sir
Shall I have the
Thank you, Susie?
Yes, I know
What? We must?
Signor?
Uh, Susie, excuse me, please
The suite is available, sir
Shall I reserve it?
But of course, and have flowers and champagne, hmm?
And a bottle of us, please
Well, the guard is waiting
Oh
Susie, I want to say
What?
You first, eh?
Well, I want to make an apology, Amelia
I heard some things about you
And I wanted to teach you a lesson
But I was wrong
All you've done is given me a lovely, lovely time
And all I've heard is that you're a cynical, heartless, corrupt man
Ah, but I am
Well, why do you say that?
Because with you, I want to be truthful
Susie
Will you marry me?
Susie?
Sure, when?
When?
Well, perhaps we should take a little time
I know blood test, how long does it take? Three days?
Three days? No, no, no, no
Susie, I was thinking more of the...
God-chipped area
I've read about that, I have to meet your family
What about Monday?
No, Susie, no, no, look, you don't understand
We must see if we are
compatible
compatible, how?
How?
Well...
You know, hmm?
Oh, but we can't do that
You've just asked me to marry you
I guess we'll just have to see if we're compatible in other ways
There are no other ways
Oh, but of course there are other ways
We both like art galleries
What about sports?
Oh, nothing else, stimulating or physical
No touching
Just nice, quiet, spectator sports
A good, quiet soccer game?
That sounds nice
Bullfights?
Should we, uh...
Spectators, no touch?
That's it? The idea, exactly?
Yes, I see
Well, we must certainly take you to these things
Someday
But first, we must take me home
Home?
Ah, yes, I suppose we must do that
Say, you're like a you
Ah, yes
It has all been done
Even the ash been it
Well, undo it
Undo it?
Mm-hmm
I have just lost a battle
See you, uh-huh, but not the war
The war Leg soul
Remove my
fear
S
Free
Good morning. I see negotiations are going well.
We're going to come to turn by into the week, I hope.
We'll be late again.
Well, I overslept again.
Uh-huh. You're all repeated.
He's showing me good nightlife.
I haven't quite gotten used to it but I'll adjust.
Something wrong?
No.
You don't need having yourselves a little affair?
You two must be filing the same story, Chief.
He thought you and I were having one.
Oh, we did.
Well, if he thinks that,
he'll be fine.
Well, I'll be fine.
He'll be fine.
I'll be fine.
Well, if he thinks that, that proves he's not having one with you, aren't he?
No, of course not.
I stand in line somewhere behind the Barcelona butterfly, the Toledo tornado,
and the Salamanca Cyclo.
Wow, yeah.
Sure you do.
He's in love with you.
Oh, sure he is. He's so much in love with me.
He can hardly wait to get away from here.
Can't go where?
There's an opening in the Paris office.
They said they'd ask for him.
I was afraid you wouldn't recommend him, but I told him he was wrong.
What do you say that?
Nothing, but I think he'd quit altogether.
Oh, he's crazy. You're the one that should leave.
No, it's a funny thing about Pete. I used to be like him.
When I first came here, it might be kind of hard to believe, but it's true.
I used to be a fire.
I had to fight to build this place up.
I had to fight to keep it together.
You should make me kind of a noble seller.
So, why did I wake up this morning wondering what happened to the last 15 years of my life
where they were wasted and it's too late to move on?
What's the matter with you?
Why do you want me to leave?
What?
You said you wanted me to go.
What is this? I didn't say anything like that.
I didn't say one of you to leave.
Mother told me never to knock. She said I'd meet more interesting people that way.
Pete.
If you want me for anything, I'll be somewhere.
Sorry about that.
Don't be. Nothing happened.
I know I was that's what I'm sorry about.
My turtle.
Yes, Mr. Bart.
A personal cable to Cantrello, New York.
Yes, sir.
Message, understand, Paris Bjaro interested in my man, Peter McCoy.
My recommendation is negative, repeat negative.
Stimulating?
Hmm?
Is it stimulating?
Oh, yeah.
Oh, well, that's the kind of part I like, where everybody ends up friends.
Is it better to have a party?
No, no, no, no, no.
I did. It is an honor.
It means he is dedicating the ball to you.
You see?
You mean he's going to kill the ball for me?
Yes.
But I don't even kill flies.
Hey, you there!
Don't do it!
Permission not granted.
Let him live.
You see, will you sit down and be quiet, please?
Ah, that's it.
Don't worry, don't worry.
Do it right, do it.
Exquisite.
It is all over, Susie.
All over, there is nothing to worry about.
It is done.
Susie, what do you do?
Susie, what do you do?
Thank you for dinner.
Oh, you did not eat anything, Susie.
I had a big lunch. Good night.
Amelia? Yes?
I release you from our engagement.
What are you talking about?
It's all right.
About what?
About your different techniques.
You see, I thought it would be different with me.
But it isn't.
You don't really love me at all.
And I have no intention of tumbling into bed with you.
Are you saying goodbye to me?
Oh, I know your pride is heard, but you'll get over it.
So will I.
Susie, wait!
You have this all wrong.
You have?
Yes.
And I will not let you do this to us.
You will?
No.
No.
Now, you just be very quiet while I explain.
No?
I will explain everything.
Just be very quiet while I explain.
Oh.
Oh!
I'm going to call you in the middle of the night, but I just got a cable from New York
and I was looking for Pete.
You're looking for Pete here at this hour?
Well, I don't know where to call the Salamanca Cyclone or the Toledo tornado or the Barcelona
or whatever you...
Paul, just who in the hell do you think you are?
And just what makes you include me in that little group of one-night stands?
Oh Maggie, I'll listen.
Are you having a fair with Pete, he asks?
As if it were any of your business and then you call me up in the middle of the night like
I'm some kind of a fluzy or something.
Maggie, look.
I am not having a fair with Pete or anybody else, but I could if I wanted to and I just
may at any given moment and you can put that in your newswire, just flash it around the
world and another thing.
Maggie, shut up.
I was calling my secretary about one of my reporters on business.
The fact that the business is urgent is the reason I call you in the middle of the night.
Now I just thought that maybe Pete might have left some message with you.
Yes, he did.
He's in Paris.
He'll be back in the morning.
Why didn't you say so in the first place?
I didn't like your tone.
Then I apologize.
Just don't go around thinking that I'm easy, just because I was once.
That's not what I think of you at all.
If you really want to know what I think of you.
Well, some other time.
Okay, you just tell Pete to be sure and get in touch with me first thing in the morning.
Good night, Maggie.
Talk a little?
No.
No, ah!
Take!
Whoo!
Thank!
What's so funny?
Nothing. I was thinking something else.
Maggie, can you talk a minute?
Something wrong?
Oh no.
How was your day with Amelia?
Well, I'm not sure.
Susie, you're so dumb.
I know I'm dumb.
But it's all I have to work with.
Alright, make jokes about it.
I told you what kind of a man Amelia was.
He's a rat at Cad and a whole lot worse.
But you wouldn't listen to me. No.
You had to find out for yourself, didn't you?
But why are you mad at me?
I'm not mad at you. I'm just mad in general.
You sleep with Amelia and then you come home making jokes about it.
Well, the jokes are going to get bigger and bigger and you're going to hate yourself more and more.
But Maggie, I didn't. Didn't want...
Sleep with Amelia.
Susie, then what are we talking about?
Maggie?
He's asked me to marry him.
I mean, really.
I mean, he's asked me to meet his mother.
Well, somebody sometime had to throw the old bull on you.
I wanted to.
Come on, let's celebrate.
Well, how did you manage to do it?
Well, I tricked him.
But in an honest way, I broke our phony engagement and this pride couldn't stand it.
So now we're truly engaged.
It is mother likes.
Oh, don't worry. She will. She'll love you.
And you really don't mind about Amelia?
Of course I don't mind.
Why should I?
He was your...
last year's problem, wasn't he?
Absolutely not.
Thanks. I'll lie to you too if you ever need it.
Don't bother.
Your dumb honesty is much better than lying anything.
The only thing is you'll have to find a new roommate.
I'll need two new roommates.
Fran's thinking of moving back to America.
Nothing from her doctor at all?
Not a word since he left.
She's absolutely sunk.
Poor Fran.
Oh no.
Let's make her up.
You tell her about you.
Fran!
She was here. She said she was going to sleep.
Maggie, look.
Dear kids, back in a few days' love Fran.
P.S. I can't help it.
Well, I hope she makes it.
Where'd she go?
Over the hill.
What hill?
Oh.
What a beautiful bedside, Maggie.
I have doctor.
But I just much.
No.
Only with those who come to me in the night saying,
I need a doctor.
There's something wrong with my heart.
I said that.
Oh.
It was so afraid you wouldn't be glad to see me.
No.
I was a little scared.
It was so afraid you wouldn't be glad to see me.
It was so afraid you wouldn't be glad to see me.
I was a little scared.
I was so afraid you wouldn't be glad to see me.
I don't know what I said.
I was glad to see you.
How is your heart now?
I'm Fran Siska.
What...
What time does my play leave tonight?
Night?
Night?
No.
It?
So sorry.
No, it's all right.
We have the whole day.
One more beautiful day.
What are you doing?
I'm going to show you.
I'm going to show you.
I'll show you.
I'll show you.
I'll show you.
I'll show you.
I'll show you.
I'll show you.
We'll do it.
Hi.
Hey!
Hey, what's up?
Hey, what's up?
Hey!
Hey!
Come on!
Hey!
Hey, what's up?
Hey!
What's up?
Hey, what's up?
Hey!
Hey!
Hey!
Hey!
Get up!
What's up?
Let it go!
Come on!
Hey!
Hey!
Wait, wait, wait, wait.
Take it.
Take it.
Come on.
Come on.
Come on.
Come on.
Come on.
Halle.
Bravo.
Bravo.
There's so young to dance like that.
Oh, but everybody in Spain dances the flamingo.
Everybody?
See, to slap your son, oh, Hoskom, well, Dino,
oh, Hoskom, or, oh, Sasson.
See, miss, Besso, son, suave, suave,
fisco, moprisas, can't turn into Cora,
so, all at once you're hearing,
oh, Sica, the dandest things are making.
Oh, Sica, your happy heart is making.
Oh, Sica, and should they ask you the meaning they're of?
You can tell them everything makes music when you're in love.
Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha!
Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha!
Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha
Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha!
I could do the idea here and now
Music has it, garnish things are making
Music has it, happy heart is making
Music has it, a shoot they ask you for meaning
There are, you can tell them
Everything makes music when you're in it
Excuse me
Excuse me
Here has everything, makes music when you're in it
Everything makes music when you're in it
Here is music when you're in it
When you're in love...
I'm in love!
Aren't it?
Yes.
What time did you say the plane was leaving?
There's another one tomorrow morning.
I'm in love with you.
I'm in love with you.
I'm in love with you.
I'm in love with you.
You know my work is here.
Well, then, let me stay and help earn money for your clinic.
You know I can't do that either.
Well, that's that.
The most beautiful two days of my whole life...
wasted on a fine, decent, stubborn, pig-headed...
beautiful, dumb cluck like you.
This is the final call for a very young year
of wish-blind and a managant, man.
I wouldn't have missed it for anything.
Where is the Euseita?
I just put the days of teletops on your desk.
All right, when he gets in which cell I have a message for him...
He's packing.
Well, looks like he brought back some homework.
Maggie, dear.
Oh, Pete, congratulations on the new job.
I didn't get it.
You didn't want?
Martin got word of it somehow.
He cabled New York and York Cabled Paris.
And now Paris won't touch it.
Oh, I don't believe that.
Paul, with the money.
I'm not sure.
I'm not sure.
I'm not sure.
I'm not sure.
I'm not sure.
I'm not sure.
Oh, I don't believe that.
Paul, wouldn't it?
Well, there must be some mistake.
Sure.
So long.
Pete.
I'm the one who told him.
It figured.
Too late.
The job's gone.
But if it helps you, Annie, I know you're trying to help me.
Pete, at least say, Paul.
He tried to read you last night.
He wants to talk to you.
Sure.
Tell him I'll send him a postcard in color.
See you around.
Did Mr. Barton say when he was coming in?
Darling.
Oh, I forgot my key.
I thought it was Amelia, you know?
I feel like it isn't.
Oh, goodness.
Amelia's coming.
You're taking it immediately to his mother and I didn't want to get wrinkled.
How was Estepona?
It's over.
Oh, he can't afford me.
Don't.
My best care will run.
Sorry.
Did you say Amelia's mother?
I'm so happy for you.
And I'm so sorry for you.
Oh, I have it.
What am I doing?
I don't have any medicine here on.
What time is he picking you up?
3.30.
What time is it now?
It's 4.30.
But he's your sheet, ladies.
He's never laid.
It has to be misunderstanding.
You don't just say, I want you to meet my mother and then forget him.
Wait a minute.
Maybe that's what he said.
I want you to meet my mother.
Now I'll take you to meet my mother.
I'll get a cab.
Hey, wait a minute.
You do that.
Oh, I can't help it.
I'm just so nervous.
Yes.
Consider the Larket as infinite, you can see.
Is it a beautiful place?
No.
Don't worry.
I'll get you a little.
See?
Senor Larkayo?
I'm Susie Higgins.
I'm not sure, but I think you're expecting me.
You see, it got all mixed up.
I thought he was to bring me, but he didn't come and then I thought perhaps I was to meet him here.
But you're American.
How charming.
You didn't know?
Sure did I've known.
Why, yes.
How funny Emileu didn't tell you.
But then he didn't tell me very much about you either.
I didn't even know you spoke English.
You know my son.
Why, yes.
That's why I'm here.
Please.
Sit down.
Didn't Emileu tell you about me?
Suppose you tell me.
Well, he and...
We...
He's asked me to marry him.
Oh, Nacopia.
See, Laguerreza.
I can't understand why he isn't here.
How...
How well do you know my son?
I know about his technique with women if that's what you were going to say.
Yes.
But this is different.
We love each other.
He's been wonderful to me.
He's so gentle.
And he wanted me to meet you.
Don't you see?
That makes it real and different.
Doesn't it?
You mean...
He's done this before.
Probably.
But why?
Why would he do a thing like that?
Sankhminu, mabbo.
Hm.
We should be.
No.
No.
I think we were shelled their spith hymn.
And did you?
Ah, Sivama.
I believe that you were in a room.
I believe that you were in a room.
I believe that you were in a room.
I believe that you were in a room.
I believe that you were in a room.
The young lady is driving with you to Toledo.
How nice!
How nice!
Folks, they'll stop you.
Mother, did you do this?
No.
You did.
In answer to your question,
why my son would do such a despicable thing I do not know.
Emilio is in many ways a charming and a dear boy,
but he's also selfish, spoiled and a cat.
I'm deeply and truly sorry.
For any pain that my son and I have caused you.
Mother?
Did you not forget something in your place, Lothme?
Yes.
I should have added that in your behaviour to this girl.
You were also a coward.
Is that what you meant?
Yes.
That is exactly what I meant.
Fran, you're back.
What are you doing?
I'm going back to Good Ol' Meheart.
Which I never should have left in the first place.
What happened?
Andres Clinica told you about?
Yeah?
You won't be able to afford equipment for years.
And you won't marry me and let me help Bob because he's too proud.
So?
There's nothing else.
Because he's such a squint.
Oh, Fran.
Christopher Columbus has stayed home and minded his own damn business
instead of being so nosy.
I'd still be home dancing cheesy for a long time.
Dancing cheesy for my god, so he side-joint where I belong.
Fran.
Fran.
What's with you?
I wanted to see if she had room for some of my things.
What?
Going back with her?
Emilio.
You never met a word of it.
You were right.
His mother didn't even know I was coming.
Susie.
The worst of it is I'm not only mad at him, I'm mad at myself
for knowing a rat like him. I hate him.
The only thing is...
You still love him.
Dig a may.
Maggie.
Oh, Paul, I've been waiting all day at the office for you.
What's this thing with you and Pete?
He's waiting in my office now. I'm going to talk to him a minute.
I want to talk to you first. Listen, now.
How'd you like to go to a party?
Paul, this is Maggie.
Are you sure you mean me?
Sure, I mean you.
I'll pick up in ten minutes.
I'll pick up in ten minutes.
I'll pick up in ten minutes.
Sure, I stopped giving going to the Paris office.
What do you think I'm running around here?
Academy for dropouts?
No, it's a noose, sir.
And you're in charge. Not me, not Maggie.
You.
Am I quoting your right, boss?
Right.
I'm responsible.
I also think you're a good writer.
Personally, I don't like you.
I don't like you either.
The fact has come to my attention. What are you going to do about it?
Quit.
Then what? Scramble for another job?
You think I haven't got the guts?
It takes a little guts to stay and work.
How long have you been here now, all three months?
About that. Why?
It's not long enough.
You start playing, hitting, running the news,
certain you wind up writing comic books.
All right, I nag at you.
I'm critical.
You're learning something, aren't you?
Maybe.
But what I do with my life is my decision.
Fine.
All right, you want to leave?
I'll help you go. I'll put you on the plane.
If you just happen to decide to stay, I mean,
if you get a little bit of sense of responsibility soaked into your thick head.
And I might stop nagging at you.
Now what you going to be?
You know, I never understood you before.
As long as you put it that way, I guess I'll have to stay.
Until I get you shaped up.
Take the rest of the day off.
Thanks. It's after hours now.
I know.
I read you stuff, here. It's not bad.
It's too wordy, but it's pretty good.
You come into the party?
Yeah.
I'm taking Maggie with me.
You're doing the right thing. She loves you.
Where are we going?
Well, this is a place where we don't have to worry about being seen together.
All right, with you.
Good.
Good.
Good.
Forward.
That's our host.
We've been inviting you these things for years, but I know how we can go before.
We're going to be here.
We're going to be here.
We're going to be here.
We're going to be here.
Who are all these beautiful people?
Happy people.
Mary?
Some.
Well, where do we fit in, Pa?
Well, they're in love.
I think we can settle for that with me.
Private weekend life.
Maita and Pa.
Oh, this is our host, uh, Senior of the Sado Salindian.
Maita.
Pa.
Failing, my boss, Pa.
Pa.
Pa.
I love you, Miss Williams.
Don't want to know why.
What?
Oh, I'm sorry. I think you're something else.
That's what I'm talking about.
I have never seen my friend Pa like this.
Before he was so straight, sad, maybe.
But now he's so happy.
That's why I love you, Miss Williams.
Why are you crying?
I always cry in parties.
You cry for four.
Now, let's see what you can do for me.
I'll let all these beautiful women have a chance at you.
How good are you to come, Jane?
Uh, four days at the bar, I believe.
Excuse me.
And that is so mixed up.
He gave his wife the min-coat and neither refrigerated.
Please, I'm staying fair to him.
Can you come down with my seat?
I'm just happy, Miss.
Why?
I'm picking wings or flies.
Jane, I didn't know you were going to be here.
I didn't know either.
Divine intuition brought me darling.
That plus a little tailing of you and Pa.
Oh, yes, I saw that big juicy kiss you exchanged in the taxi.
So, let's not waste time pretending you're not on the make for my husband.
The only thing we have to settle is what you want.
What is it, Maggie?
Love?
Then why don't you go out and play in the streets?
So, it isn't just love.
Heaven, help us, it's true love.
All right, let's talk about that.
What's the gold, sweetie? A nasty little love nest?
Because believe me, that's all you'll get.
If that, I put in a lot of time on Paul Barton.
And no cold-eyed, calculating little vipers going to do me out of a thing.
There isn't anything about him I plan to give up.
Do I make myself clear?
I guess I'm supposed to say perfectly clear.
The fact is I'm a little confused.
Confused, my eye.
You know exactly what you were doing.
Those wide, wide blue eyes turned on him like red-hot pokers.
It makes me sick.
But he fell for it, didn't he?
The big slob fell for it.
That's right.
I baited the hook, and your husband, the big slob fell.
I trapped him. I flirted with him, and then I flattered him,
and he just stopped into my lap like a big, fat squash tomato.
And where were you while all this was going on?
Me.
Yes, you, the devoted wife.
What were you doing while I was out robbing you?
You're a happily married husband.
Why weren't you home flirting with him and flattering him and loving him?
Why didn't you take care of him?
Leave him alone. He doesn't love you.
He's only playing games with you, having fun.
He doesn't give a damn about you.
I feel sorry for you, Jane.
I'm not gay, you be sorry for me.
You little tramp.
Any way I can last this up, brother?
Take me out of here.
Hold on a minute, flower face, while I explain all this to my little lotus, plus her.
Vela, do you mind if I, uh...
Cosmet.
You killed him.
What you and Paula do is, you're a little too old.
You killed him.
What you and Paula do into my love life?
Hey, let's go have a drink.
A drink won't help me.
No, but it might help me.
I said one drink won't help, but I really need a ten of those.
Now you're talking.
My friend, Don Piotin.
Except maybe he doesn't want to be friends anymore.
Why not?
I failed him.
I betrayed every high-minded, noble-hearted ideal you ever fought for.
I betrayed!
You certainly did.
She called me a little tramp.
Maybe she's right.
Maybe that's just what I am.
I don't think so.
All I did was fall in love.
But as your friend Don Quixote would say, what about the guy's wife?
White dirt out of my mind.
No good.
I know.
Oh, Pete.
I'm such a mess.
Well, that's her damn sure.
Tell me what to do.
Forget Bart?
I can't.
Then cry.
Misery.
Oh, Pete.
I'm so unhappy.
Maggie, Maggie, Maggie.
You've had too much to drink.
Me?
Would you like me to take you home?
I'd be delighted.
Let me get you things.
So that's the sad story of Fran and Andres.
I guess you know about poor Susie and Emilio.
So there's the three of us.
Fran, Susie and me.
Nice girls.
Really, really rather nice.
What happens to us?
We all crash in flames.
Not even the man across the way cares about us anymore.
He hasn't been out of this window box for almost a week.
We're too old for him.
Life is aged just in a week.
Pete?
What?
Am I too old for you?
No.
Then kiss me.
Oh.
I'll put in that corner.
What about Emilio?
Well, it's him and getting for lunch.
Maggie and you.
She's picking up the teletypes.
And go easy, I know.
She's got a head of glass this morning.
Log distance to Estepona.
I want to speak to Dr. Andres Brienas.
A company business.
Call me in my office when you get it through. Thanks.
No.
No.
He wants you.
Hi, Maggie.
No.
If you say one nice word, I'm just going to go to pieces.
No, it's all right.
I haven't got any nice words.
Jane told me everything she said to you last night.
I don't want to go into it.
We have to, Maggie.
The woman I talked to that way last night wasn't Jane.
I made it that way.
She knows how I feel about you.
She's known for months.
Put her in hell.
Oh, I don't feel well for this morning.
Maggie, I love you.
I can't leave Jane.
I guess I'm not the first man to be in this spot.
It won't be the last either.
The way these things work out.
It's always a man that ends up the winner.
I guess it's really up to you.
Brandon Susie, you're flying back to New York tomorrow.
I'm going with him.
I guess I expected that.
I'll never forget you, Maggie.
Anything else, Mr. Barton?
Second fellow, I'll set.
Chew.
All right, we're finished.
You always said I had a bad sense direction.
I'll give you an immediate look, I owe, please.
So, my way, congratulations.
That is very nice of you, but why are you congratulating me?
Well, on your broken engagements, you know.
Oh.
It's a release.
I'm not going to get it.
I'm not going to get it.
I'm not going to get it.
I'm not going to get it.
I'm not going to get it.
I'm not going to get it.
It's a relief, isn't it?
I mean, she's...
Oh, I guess she's one of the loveliest girls ever seen,
but she's pretty dumb, isn't she?
Dumb.
Well, I mean...
She wasn't very smart with you.
No, but you are wrong.
She was very clever to pull.
She almost succeeded with me.
Do you know that in point of fact,
the only reason why she failed was because...
Oh, I know she fell in love with you.
Well, maybe next time she'll be smart enough to pick out some nice dumb,
safe guy.
Must be plenty of them in New York.
New York?
What do you mean?
Wouldn't you know?
No, but...
Oh, they're all flying back in New York tomorrow.
Three of them.
In fact, Jane and I have a little party for them tonight,
kind of farewell thing.
Why don't you drop by?
Jane's got a new girl.
She wants to be beautiful.
No, no, no. Thank you, Paul, but I cannot make that.
Oh, I guess all things could be better if you didn't.
Yes, well, look.
I've got to run.
Good to see you, Paul.
Goodbye.
Goodbye, you fine old apartment.
Goodbye, baby, wherever you are.
Hey, hey, back!
I'm sorry.
I'm sorry.
I'm sorry.
I'm sorry.
I'm sorry.
I'm sorry.
I'm sorry.
I'm sorry.
I'm sorry.
I'm sorry.
I'm sorry.
Hey, get back.
Get back!
We'll leave it.
It was very good that you will love me.
I'm sorry, you're my fault.
I love you.
I'm sorry.
I love you.
I love you.
I love you.
I love you.
I love you.
That's it.
I love you.
I love you.
I love you, Paul.
I love you.
electrics,
and having acquired the blessing
to it.
Is that...
Hiya.
Well, anyway, somebody won.
Okay.
Okay.
Two.
What do we have to spend your last night in Spain?
That's good.
I have to sing.
Why?
That's what they're paying me for.
We'll make it sad.
Don't worry.
I picked this up.
Oh, my gosh.
You're a good one.
Okay.
I'm going to sing.
Oh.
Okay.
I'm going to sing.
Oh, my gosh.
I'm going to sing.
You're a good one.
I'm going to sing.
Oh, my gosh.
Oh, my gosh.
I'm going to sing.
Oh, my gosh.
I'm going to sing.
Oh, my gosh.
Oh, my gosh.
I'm going to sing.
Don't worry.
I picked this song, especially.
I might even cry a little.
When?
The next time I know the room next time won't play the
full next time.
I won't make the same mistake not twice.
Now, next time I'll play it smart next time.
I'll watch my heart next time and keep it from skating on their own thin ass.
However, the more I sing never, the more I'm so clever.
The more you can make my pressure clear.
And each time I say it's the last time.
You're standing there and you're gritting.
The more you can make my pressure clear.
And each time I say it's the last time I say it's the last time.
I'll play it smart next time.
I won't make the same mistake not twice.
I won't make the same mistake not twice.
And each time I say it's the last time.
You're standing there and you're gritting.
And though you know I'm not winning and I think you're
going to be getting the next time.
I'm looking and looking there.
Ladies and gentlemen, do you know this is a farewell party?
But what most of you don't know is that my wife and I are the ones that are leaving.
I resigned from Continental News Madrid and I started Continental News New York.
And this little party is kind of our way of thanking you for your many kindnesses to my wife and myself.
And to ask your help from my successor Mr. Pete McCoy.
Because God knows he's going to need all the help he can get.
Paul, what do I do?
About what? About everything.
Ask Maggie.
No.
No.
No.
No.
No.
No.
No.
No.
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