All language subtitles for The.Walking.Dead.Daryl.Dixon.S02E03.NaijaPrey.com

If I'm not back in two weeks, don't keep
waiting.

No,

I was missing.

Someone told him. We'll go through with
the test, but we'll still have to deal

with Daryl when he comes back.

We'll go in again.

We'll go in again.

The Mona Lisa is the most valuable
painting in history.

Insured at a billion pounds in today's
currency.

It was painted by Leonardo da Vinci.

Thank you.

We work from Friday until the closure.

From Saturday 9 o 'clock, it's the
strike.

A weekend without an entretien agent,
it's going to be crazy.

I take care of the tracks, so we can
distribute them to the tourists to

to them. They don't care about the
tourists.

We have to do interviews with the
Joconde, not for the French security.

Marion, it's a general strike.

No, but it's true.

We'll be in the news for a few days, and
then the government will continue to

kiss us, as usual.

Well, it's not by being so negative that
you're going to help us. You have to

get involved.

What's that?

What the hell is this?

Probably another alarm clock.

It's going to be blocked here for a
while.

It's been two hours.

What's going on? People are breaking
down.

I don't know.

I can't access through the staff
entrance.

The whole building is closed.

You have to go home, barricade yourself
and wait.

Listen, I'm going to the entrance.

But the police are everywhere.

I don't think they'll let me in.

Okay, I'll find you outside. Don't move.

At the pyramid?

Yeah. No, wait for me.

I'm here, I'm here.

I'm here, I'm here.

I'm here.

Are you okay?

They won't let you in, I think.

There, there. Come here. Okay, let's
try.

No one comes in. No one comes in.

Keep calm and wait for the instructions.

You shouldn't do that, madam. No, but
it's my husband, right there. Don't stay

in front of the door. Okay.

Please.

Don't stay in front of the door. Back
off, madam, please.

This way.

There, there.

You hear me? I love you.

What do you see in her expression?

She looks sad.

Perhaps.

A woman gazed on by millions, never
actually seen.

But I see a secret in that smile.

Something withheld.

You knew.

You just arrived.

From where?

A little east of here.

I came to Paris as a tourist 13 years
ago and got stuck.

It's the original, you know?

From the Louvre.

When it all started, they protected the
arts, not the people.

How are you so sure it's the real thing?

Because I'm the one who took it out of
the fucking wall.

Oops.

Nose.

Excuse the interruption. I have no
tolerance for bullies.

Marion Jeunet, welcome to the Maison
Mère.

Yes,

I knew through the kitchen, me do the
stables.

Which is good.

Because when I grew up on a farm, maybe
they set them there too.

Does your devil like horses?

The steel kind.

Excuse me?

Never mind.

Highly doubt I'm going to find Daryl in
a kitchen.

What is all this?

They prepare for an attack on Union
Lakewell.

Nobody knows for sure whether Union is
hiding out.

Where are they taking them?

Let's find out.

Thank you for your contribution.

There have been rumors of experiments.

Some say that's where the burners came
from.

A mistake that got loose.

Reduce the dose.

We want soldiers we can control.

What if they're bringing Julia here?

Or Daryl?

We'll get to them first.

Hey! Get out!

Before you volunteer for a fight. I'm
sorry.

Let's go, let's go.

I'll find them.

I'll come with you.

No, no, it's too risky with two of us.

Check out the stables. I'm looking busy.

I'll find you later. Go.

With your eternal understanding and your
infinite compassion.

I never asked for anything, but I have
to ask you.

Watch over Laurent.

Give me the courage to protect him.

Can I have breakfast?

Thank you.

I know you're here for nothing.

Lozanne says it's temporary.

Once the boy has survived his death, the
proof will be made.

I know.

It's for the best.

He's going to kill Laurent!

Bear with us. It's for the best.

Stop saying that.

You're going to kill him.

Come down now, s 'il te plaît.

Parlons -nous.

Mais tu comprends pas qu 'il va y
passer.

Arrête! C 'est régulé! Cache -la!

Just you to the photo.

He's been saying that for an hour.

I'll find it.

They think I like Ohio?

Yeah. I mean, the winters suck, but
summers are nice.

It's fishing in the streams, fireflies
all over.

Fireflies.

Find it.

See, I told you.

We can inch up to the top.

All right.

Ah, it's time.

I'm ready.

Of course you are.

This is heavy.

What exactly do I do when I'm up there?

Be yourself.

Soak in the energy.

Everyone is very excited about you
stepping into the spiritual role.

Merci. I guess I'm excited too.

And that's why you were you.

Blessing to all of us.

You know, when I was your age, I was a
shy kid.

Very nervous.

I wet my pants during my piano recital.

That won't happen.

My wish is in their way.

Drink this.

It'll relax you.

Valerian root and honey.

I feel relaxed.

I know you don't need it. Drink it
anyway.

My friends, the time has come.

From across France, from Germany, from
Spain, you've come as pilgrims to be

of this community out of a shared
belief, a faith in what is yet to come.

The journey here has been long and hard.

Some of it doubts at times.

We've had to be patient.

To prove that there is a light at the
end of the tunnel.

A future where we will no longer be
vulnerable to the bite of the hungry

Now is the time to cast out aside and to
embrace hope.

to celebrate the inspiring power of our
unity and love.

We are all human, and even les affamés,
lost to us, carry

with them the memory of love.

So who better to confirm our faith in
Laurent than someone we've just lost,

who loved him dearly?

And now, her love will deliver us all.

She was all about it.

I can see, I can see.

by the big rocks?

Yeah.

That one.

Take him. You can do this.

Give me a day.

I'll make it back.

No! No! No!

I'm so proud of you.

I could go with the sign to help you.

We saw what happened last night. That
guy.

The stew.

War. The mask.

An American.

I'm looking for an American.

American. His name is Dixon.

I'm looking for an American.

Have you seen him?

Do you know him?

I had him and I let him go.

This was my price.

Do you know where he is now?

Why would I tell you?

Because I don't believe in coincidences.

There's a reason I found you.

It's a sign.

I don't believe in signs.

Please.

Daryl Dixon, he's my brother.

He's my only surviving family.

I'm Daryl.

It's your name.

There is an island fortress on the
Normandy coast.

Hurry up.

If Jeunet finds him first, Dixon is...

of your worst drive.

Come with me.

Again.

Not without Julia.

I'm sorry, I gotta go.

Good night.

Don't try to move.

You need to rest.

And listen.

This is not how I wanted it to be.

I was hoping we'd convince you that your
thinking would evolve and come around,

but... No.

Must be hard living without a semblance
of faith.

No organizing principle, nothing to
cling to.

An existence spent simply reacting.

A man alone.

To sad state.

Fuck off.

Perhaps it's easy to reject faith when
you live only for yourself.

But I've dedicated my life to a
community of people.

A community that I have a responsibility
to protect.

Faith and hope.

Our oxygen and water, elements crucial
to our survival.

And over time, our reserves have run
low.

No one will replenish them.

The public display of his light will
give our people the strength to continue

in the darkness.

You people don't even know what you're
doing.

I meditated.

It's our love, Fray Laurent.

That's precisely why he's being called
on to take this leap.

It's only by risking everything can we
find the true meaning of faith.

What happens if you're wrong?

If I'm wrong, there would be no point in
going on.

Where's the boy?

I'm not going to hurt you.

Oh, shit.

Easy.

Easy.

Go.

Information is a commodity.

This is the only way we think of to save
Julien.

I'm sure you would have done the same
for your devil, no?

Sabine, we'll take you both back to
Paris.

Drop you wherever you like.

On y va.

I figure he is right outside.

Might as well sit down.

It's not bad.

We keep a little vineyard behind the
mill.

What do you want?

I have the same question for you.

Or I can have you signed to the Atelier.

I believe you have witnessed some of her
research tests.

Nasty looking stuff going on in there.

What's that all about?

Creating a new subtype of a family.

More directable warriors.

They will help bring peace back to the
world.

Great.

The war to end all wars.

I've heard that one before.

No more lies.

How did you get here?

I landed two days ago from America.

Really?

I manipulated an innocent man into
letting me fly in his plane

under the false pretense of looking for
my daughter.

We had to stop in Greenland.

Where he was almost used as sperm donor
and I was nearly murdered by insane

environmentalists

And

why do you want to find Dixon

I

Came here to kill him

Must have done something terrible to
you.

Ah.

We all need une raison d 'être, don't
we?

But you can't imagine what I have done
to get this far.

I understand, I do.

Ces douleurs, these pains we carry.

We women need to learn to let them go.

Men seem to have no problem doing that.

They definitely do not.

But we have to forgive ourselves for all
the losses.

We can try.

Dad Dixon has aligned himself with a
group of religious zealots.

Really?

Daryl's not really the aligning type.

I believe you've helped us locate the
headquarters.

The island fortress in Normandy that my
former comrade told you about.

I'll organize a convoy in the morning.

You want to kill Dixon yourself.

I will take you to him.

Get some strength up to go again
tomorrow.

Fuck off.

You'll break soon.

God, boy.

I used to work here as a janitor.

At first I was a knight, almost alone.

I'd sweep the floors of galleries full
of religious paintings.

And I wonder why the greatest artists
felt compelled to depict the same

imagery over and over again.

When the Zafame came, we were locked in
for a week.

It was there that the paintings began to
make sense to me.

There was one in particular.

The deluge.

The desperate family hangs in peril over
a raging flood.

And I realized all these scenes of
apocalypse, they want to make sense of

chaos and destruction that humanity
brings upon itself.

A fantasy.

That there's a higher power that can
make things better.

First didn't happen.

Not then and not now.

Everyone needs hope.

Yes, but religion is not about hope.

It's about control.

Keeping the masses in line. Exactly.

Sometimes it can turn into that.

Deluded by an opiate of hope.

The only spot thinks we, the masses, are
small and insane and stupid.

That their fairy tales can control us.

We will show them their wrong.

I waited as long as I could.

No sign of them.

It's not your fault.

Not even a bit.

We lost Sylvie.

And now maybe Risa too.

All because of these stories we're
probably telling.

If she manages to escape, Issa will find
us in Paris.

The worst thing is that I liked it.

All those people who think I'm special.

And you are.

Some things are true.

Precisely because we believe in them.

If believing makes our lives more
bearable, then the truth is there.

The Grand Anse will not save me from a
bite.

We have gone too far.

Not Daryl.

He never believed.

We were separated.

No one thought it got away.

I didn't talk. I didn't say anything.

I need that.

He'll be all right.

We'll catch up to him.

You should get some sleep.

Put our strength back up.

I'm going to bust out of here tomorrow.

I just want to hear your voice.

I'm Scott.

He left home looking for something.

I wasn't sure what it was.

He found himself far, far away from
home.

He couldn't get back.

About anything or anyone.

And one day something changed.

No.

Change is good.

The pay zone.

Tell me about the fireflies.

They're like, uh, Tinkerbells flying
around in the sky.

You guys have Tinkerbell here?

Yeah.

I think so, shit.

She saved Peter Pan.

You know, I think our aunts are really
gonna like it when we get back home to

America.

You can go to school.

Be like a normal kid.

And what will I do?

We can do whatever you want.

But you sleep late.

walks.

You know you're right.

I found something here.

What are we doing?

Rallying the troops.

Stay close.

This is history.

You must be troubled, even lost,
certainly.

So come, let's go up there, pray, you
and me.

I'm not with you, certainly.

Give me a chance to explain.

We're married, both of us, after all
we've lived together.

Where are you taking her?

She doesn't know anything.

She knows we have a mission here, a
greater purpose.

I know where the kid is.

I'll take you to him.

Isabella's always had an open mind and
heart.

You sadly are beyond hope.

He did for Bob.

I can take Isabella.

You have been chosen for this mission.

And you will become the most loyal, the
most ferocious and the most tenacious

battalion of power.

I salute you and express my deepest
gratitude.

All these years of research, of patience
and of devotion have led us to this

day. It is here.

And now that you will accomplish the
noblest of sacrifices and that we will

crush the tyranny of the Union and its
false hopes, in the name of freedom,

equality and fraternity, we will
remember you as heroes

for eternity.

Returning, look.

For the greater good.

We've been training for months.

We're ready.

The question is, are you?

I'm giving you what you asked for.

You're gonna kill your friend.

Meg!

Get off me!

Get off me!

is not strength.

It's desperate and it's savage.

Sounds like they're all talking.

I need

you to

tell me where the boy is.

That was good. Yeah.

The number one.

The thing I was excited about was the
Louvre flashback story for Genet. The

Lisa is the most valuable painting in
history, insured at a billion pounds in

today's currency.

We created the character of Genet in the
writer's room. We had this idea that I

always wanted to get to. There just
wasn't room in season one. We had a lot

fish to fry. But also, it took about a
year to plan and be able to shoot at the

Louvre. You always see the Louvre full
of people. And we had the Louvre for

ourselves. I was completely mad.

In fact, we had three dates available in
the year. And there were a lot of

different reflections, especially around
the pyramid, paradoxically.

Because it's a sensitive place, we had
to put blood in it, a first for them,

to close the entire perimeter of the
Louvre. And so it was exceptional for

everyone to tour the Louvre.

The whole building is closed.

They told us to go home, to barricade
ourselves and to wait.

tell another perspective of the breakout
of the zombie apocalypse through the

eyes of a character.

She doesn't know about zombies at that
time. They wake up in a nightmare. They

don't know what's going on. So they kind
of see that people are going mad, but

they don't know exactly what the danger
is.

And I think what's most important about
this sequence is it's the genesis of

Jeanne's transformation into the
character that she is now.

Genet is this simple woman in love with
her husband, planning to have a family.

And that had taken away from her.

It's part of the reason she holds the
baby in season one, the way she holds

baby. A lot of people had questions
about that.

It's because she's thinking of the baby
she never had with her husband.

The worth in her comes from that pain
that she had, and I had to build it,

not knowing exactly where the
traumatized was.

I had to build her around something that
was really painful for her.

The Mona Lisa is a figure who, she's
hiding something.

You don't know exactly what she's
thinking, but she's watching, and

that became very symbolic to Jeanne as a
character. She relates to it.

It's one of the greatest...

memory of work I have. Having the Louvre
for ourselves and having that tête -à

-tête with the Mona Lisa. Who can
experience that, you know? That's a very

special memory.

How are you so

sure it's the real thing?

Because I'm the one who took it out of
the wall.

Both Jeunet and Carol are characters who
have been underestimated and

misunderstood in the past, but are very
powerful, each in their own way. So we

thought that was very fascinating to put
those two characters together because

of some of the similarities that they
have, but also the differences.

Carol absolutely relates to Jeanne in
how this world has affected her.

The losses, the forgiveness, the guilt.

The forgiveness again.

It's really a great opportunity to see
the two women sort of eye each other

up and figure out how they can get what
they need out of each other.

Those scenes in the Maison Mer, I
remember really well. We were very

about it. We were like, you know?

Melissa is very generous, very calm, and
very funny.

And why do you want to find Dixon?

I came here to kill him.

My friends, the time has come. The
ceremony is the

center, in my mind, of season two. It's
super important, and yeah, it goes

wrong. It goes very wrong.

What we're shooting today is a test of
whether Laurent will survive the bite

of a walker. The ceremony seems a little
wild because the weather that day was

just like...

You know, and you're in this giant
courtyard of this other castle, and

a lot of people there that day.

Wow, that was a great day shooting the
ceremony.

It was hard because I had to have my
eyes like this.

And the walking was weird because I had
to walk kind of like a walker. The real

twist is, it'll be part of the ceremony.

And I gasped when I read that.

We always wanted Sylvie to have a heroic
story where she gets killed trying to

save Laurent.

And at the same time, we were figuring
out this story about the ceremony and

test, and I said to the room, it would
be a special walker. So if Sylvie

to have died at the right time, then
she'd be the right one to use as the

walker.

All the time, we sort of fretted about
telling an actress that she's going to

die. But the real hardest part was how
for us.

Because her reaction was she was really
excited.

The fact that Sylvie died trying to save
Laurent, I think it's the best way for

her to die, honestly.

And I was really excited to play a
zombie.

And walking dead is the best opportunity
to play a zombie.

They did like an amazing makeup. Made
this pathetic neck, as you can see.

Goes there.

In silicone, so to create like a fake
broken neck.

And also synthetic cheekbones. And just
sprays me like for two hours.

And after that, like you can see on my
hand, I did the same.

And it started to grow on my face with
really, really thin pencil. When I saw

myself the first time in the mirror,
honestly, I was really amazed.

I love the idea of being transformed and
just be completely different from

myself.

I loved it.

Merci beaucoup tout le monde.

I guess I'm kind of sad, not as in my
character, but me, because I'm going to

miss her if she's not on set.

I learned a lot in the show. I'm really
grateful in that I'm full of advices and

great memories that you can't really
forget, I think.

Bye -bye!