All language subtitles for The.Girl.From.Chicago.1932.1080p.BluRay.x264.AAC-[YTS.BZ]

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♪

Why Miss Warren,
I'm so glad to see you.

This is a surprise,
but a pleasant one.

Don't be surprised to see me
at any time, Norma dear.

But I'm always glad
to see you, Miss Warren.

Won't you sit down?

Thank you, dear.

Now that you've
finished school, Norma dear,

just what are your plans
for the future?

Oh, Miss Warren,

I'm glad to see you have
such an interest in me.

Now, as to my plans
for the future...

Why Norma dear, don't tell me
that you haven't any plans.

Oh yes,
I have some plans made,

but they're not--
not very definite.

I haven't quite decided
just what I shall do.

I see,
like most young girls,

you want to play
around a while

before you settle
down to business.

Now, that's all right, dearie,
I'm not going to scold you,

but I want you
to be different, Norma.

You see, I've taken
an interest in you.

By the way,
I had a letter

from a friend of mine
in Batesburg,

only today.

And they want
a teacher there.

I think you're just
the girl for that position.

Now, I have
the letter with me.

I'll let you read it.

I'm certainly grateful
to you, Miss Warren,

for giving me
this opportunity.

And I'll answer
this letter at once

advising them
that I'll take the school

and will let you know
what the results are

as quickly
as I hear from them.

Very well, Norma dear,
you do that,

and be a sweet girl.

I wish you lots of luck.

And I hope to see you soon.

(train chuffing)

(train whistle blowing)

♪

♪ In my gondola,
love, let us glide ♪

♪ O'er the drowsy,
blue lagoon ♪

♪ And float on
the yellow tide ♪

♪ Where sleeps
the dreaming moon ♪

♪ I'll fashion a crown
for your hair ♪

♪ From the gold that lies
shimmering there ♪

♪ And the silvery pearls
from the dripping oar ♪

♪ I will set in your hair ♪

♪ For ♪

♪ For I adore ♪

♪ I adore you, Giannina mia! ♪

♪ More ♪

♪ More and more ♪

♪ I adore you, Giannina mia! ♪

♪ Queens there have been,
who in ages of old,

shone more resplendent
with jewels and gold ♪

♪ Precious jewels
not half so rare, dear ♪

♪ As the beauty of
your layered hair, dear ♪

♪ For ♪

♪ I adore ♪

♪ I adore you,
Giannina mia ♪

♪ More ♪

♪ More and more ♪

♪ I adore you, Giannina mia! ♪

♪ My heart's your throne, dear ♪

♪ My heart's
your throne, dear ♪

♪ There you shall rule alone ♪

♪ Alone ♪♪

Fine, Minnie!

That was right
to the point!

Every note
as it should be sung.

Thanks, Mary.

Well, I guess you're
about ready to go North now

for your big try,

as quick as I can raise
the money to send you.

If I could just get about
two or three good boarders

for us, well,
I could soon send you.

My gracious,
look at the time!

I'd forgotten
all about that girl

who's coming
here to teach,

and her train
is due in this minute.

I must hurry!

I beg your pardon, sir,
but are you acquainted

with a Mrs. Austin here?

Mary Austin?

Yes, Mary Austin.

Indeed I is, Miss.

My daughter sings
in the choir.

Why, everybody around here
knows Mary Austin.

Oh, that's fine.

Well, I wish
to go to her house.

Well now, Miss,
if you don't mind,

I'll show you
to her house.

I know just where she lives,
just down the block here.

Let me have your bag,
I'll take you right...

Well, little girl,
I know Mary very well.

She used to cook
for my family for years.

I'll be glad to
take you to her house.

My car is right over there.

(car horn honking)

Well, what about it?

Thank you, sir.

I'd prefer to walk.

(car horn honks in distance)

-Oh, Miss Mary?
-Oh, Mr. Washington.

I know just who
you lookin' for.

She arrived, all right,
and inquired for you

but before I could
direct her to your house,

up walked Ballinger.

Ballinger?

Old man Ballinger himself.

Oh, my goodness,
how did this happen?

Well, it just happened,
Miss Mary.

You know, he's usually around
the station at train time,

and he saw this girl
get off the train.

And as I was sayin',
before I could direct her

to your house,

why, he strolled
into the picture.

Yes, yes?

And then I strolled out.

But before I left,
I gave her the signal

and she caught on and
refused to get in his car.

Now listen, Miss Mary,
you hurry on home

and I'm sure you'll find her
waitin' there for you, alright.

I'd like to help you,

but I think Ballinger
is kinda mad at me

and you know
when Ballinger's mad,

he's kinda unhealthy.

So you rush on home
and I'm quite sure

that you'll find her there,
Miss Mary.

Oh, thank you, Mr. Washington,
for what you've done.

That's all right, Miss Mary.

And--and I do hope that you
don't get into any trouble

with Ballinger about it.

Well you see, I was goin' away
for a few days anyway,

so I guess now is just
as good a time to leave as any.

Well, so long, and I'm sure
you'll find her there

all right, Miss Mary.

Oh, thank you, Mr. Washington.

-So long.
-Bye bye, I'll see you.

♪

♪ The sweetest flow'r
that blows,

I give you as we part ♪

♪ For you it is a rose ♪

♪ For me it is my heart ♪

♪ The fragrance it exhales ♪

♪ Ah, if you only knew ♪

♪ Where but in dying fails

it is my love for you ♪

♪ The sweetest flow'r
that blows ♪

♪

♪ The sweetest flow'r
that blows ♪

♪ I give you as we part ♪

♪ For you it is a rose ♪

♪ For you, just a rose ♪

♪ Ah ♪

♪ It is my heart ♪

♪ It is my heart ♪

♪ It is my heart ♪

♪

♪ Ah ♪

♪ You think it's a rose ♪

♪ It is ♪

♪ It is ♪

♪ My

heart ♪♪

Is it bad news, Mrs. Austin?

Why, no, it isn't
anything in particular.

(doorbell buzzing)

Good evening, ladies,
there's a young man here

that said he would like to get
room and board and, um--

Why, come right in,
Mr. Washington,

and bring
the gentleman with you.

Oh, thank you very much,
Miss Austin.

This young man said
he wanted a nice place to stay

and I know your house
is just the place he wanted,

so here he is.

Now, come in Mr. um--
I forget the name.

White is my name.

Uh, Miss Austin,
meet Mr. White.

-How do you do?
-Nice to meet you, Miss Austin.

And this is Miss Shepard,
Mr. White,

who also arrived today.

I'm glad to meet you,
Miss Shepard.

Well, come on in, folks,
and make yourself at home.

Well, thank you, Miss Austin.
Go ahead, uh, Mr. White.

Do you know it's pretty lucky
that you found that girl.

I never dreamed that a--

Cut the argument,
I'm sick of this

jumpin' us every time
when a new skirt comes to town.

After all, you will be
well taken care of.

What are you crying about?

Oh, I'm not crying
Jeff Ballinger,

I'm just trying to tell you
that I'm leaving you.

Do you hear?
I'm leaving you.

Leave and be damned,
I don't care.

You've been leaving for years.

But I mean what I say,
Jeff Ballinger.

And unless you give me
what I'm asking for,

I'm liable to forget
and begin to talk,

do you get that?

You're thinking
about talking, are you?

Well, I'm thinking you won't be
doing so much talking after all,

damn you!

(gun shot)

(screams)

(laughter)

As I was saying,
Mr. Throbmorton offered them

three dollars and a half
a day to pick cotton.

But old Tump was kinda
lucky and he had about

10 or 15 dollars in his pocket
and he refused.

So Mr. Ballinger tipped
the constable off

to where Tump was sweatin'
over a big dice game.

Well, they arrested Tump
and fined him $30 or 60 days,

and now Mr. Throbmorton's got
Tump pickin' cotton for nothin'!

All very interesting
and funny,

but I don't quite
catch the joke.

I'm rather curious
and want to understand.

Why, Mr. White,
I thought you caught on.

Don't you see, it's one
of Ballinger's schemes.

You see, Throbmorton
was Ballinger's agent

and Ballinger was
the one that wanted Tump

and the joke is,
how he got him!

Oh, I understand.

And as you say, so Ballinger has
him now working for nothing, eh?

Well, he's supposed to be
working out his fine,

but as he didn't do nothing but
engage in a harmless crap game,

why, the charge is ridiculous
and that's why I say

that Ballinger is gettin'
his services for nothing.

This man, Ballinger,

seems to sort of have
his own way around here.

Mr. White, he runs the town.

Has his own way
about everything.

Does just as he pleases

and if you don't do
to please Jeff Ballinger,

well, you'd better
leave town

or make yourself
mighty scarce.

I see.

Oh, excuse me, Mr. White,

but did you say that you
came down here to, uh--

Practice research,
Mr. Washington.

Yes, that's my profession.

Research.

Which is something
Mr. Washington

doesn't understand at all.

Do you, Mr. Washington?

Uh-uh.

(laughter)

So we'll just
let it go at that.

I can tell you what
Mr. Washington does understand,

however, and that is
how to sing.

Oh, hush, Miss Mary.

-He has a splendid voice,
-Shh.

And knows how to use it.

So I suggest that we go
into the front room

where Mr. Washington will
entertain us with a song,

won't you, Mr. Washington?

All right with me, Miss Mary,
if you all can stand it.

You know, I can't sing if
I'm outside of the church.

I have what they call
a church choir baritone.

♪

♪ If you want
your soul set free ♪

♪ Come on along
and shout with me ♪

♪ Shout sister,
shout sister, shout ♪

♪ Take the devil
by the hand ♪

♪ That's one thing,
daddy, he can't stand ♪

♪ Shout sister,
shout sister, shout ♪

♪ I saw him
down by the river

singin' a hallelujah song ♪

♪ Up jump the devil before me,
just keep ploddin' along ♪

♪ Grab old Satan
by the heel ♪

♪ Let him know
just how you feel ♪

♪ Shout sister,
shout sister, shout ♪♪

(clapping)

(whistling)

Liza?

Oh, Liza?

Why, honey,
what's the matter?

What happened?

Honey, what's the matter?

What, what's happened, honey?

That's right.

Here, honey,
drink this, drink this.

Why good heavens,
you're wounded.

You've been shot,
I'll call a doctor.

No, no, don't, Wade.

I'm not hurt so bad, maybe.

I think you can fix me up.

I...I don't want a doctor.

I don't want people
to know that--

Know that Jeff Ballinger
shot you, eh.

Now I can understand, Liza.

And I ought to finish it.

I know I ought to finish it.

You've been a wicked woman,

and I ought to take
this gun that Jeff Ballinger

tried to kill you with
and shoot you

and go out and tell
the whole town that he done it.

Oh, they all know about it.

They know you're
Jeff Ballinger's gal.

You've been his gal
for years.

And I ought to
take this gun

and shoot the dirty
life outta you

and tell them that he done it.

Someday I'm gonna
kill Ballinger.

I'm gonna shoot
the dirty life outta him

just as sure as
my name is Wade Washington.

-But you're not going to.
-What?

Because you ain't got the guts.

No, you ain't got the guts.

You're scared to say anything
much less do anything.

(moaning)

I admit I've been wicked.

And maybe I deserve to die.

But my time ain't come yet,
no, not yet.

But if you'd have been half
the man you ought've been,

you'd have never let me
become Jeff Ballinger's gal!

Oh, I hate you!

Damn you, I hate you!

Oh, honey, don't say that.

I was wrong, honey,
we were both wrong.

Oh, Liza, I love you,
always have loved you,

that's the reason
I carried on so.

Listen, Liza, I'm with you right
and I'm with you wrong,

you know that.

Well, honey, I'd die for you.

I understand, Wade,
and I forgive you.

After all,
I know you love me.

And I guess
I don't exactly hate ya.

But I can only seem to
love you and feel it

when you beat me.

Wade, why don't you
take your fists

and smack me in the mouth.

Go ahead, Wade, smack me
in the mouth with your fists

so I can love you.

Oh, honey, I couldn't beat you
with you hurtin' and bleedin'.

I never did want
to beat you, Liza.

But there were times that you
acted so dog-minded

that I has to beat ya,
honey, I just has to beat ya.

I ain't gonna beat ya now,
I'm gonna dress your wound

and nurse you back
to health and strength

so you'll be well
and pretty again.

You hear me, Liza?

Yes, I hear ya, Wade,
I hear you.

♪

♪

It isn't for me to ask,

but naturally you
have us all puzzled

as to who you are
and what you are.

Really?

Whatever it is,
I know you're far different

from anybody I have ever met.

In fact, I had begun to think
there were no such men as you.

You flatter me, Miss Shepard.

But you also interest me,
a great deal.

Indeed, I hardly expected
to meet anybody down here

or anywhere else like you.

It's kind of you to say
such nice things, Mr. White.

It's easy, because
I know I speak the truth.

You seem to sort of inspire
a new confidence in me

with regards to all girls.

Now, as to my business,

I trust you'll
appreciate my position

when I say that
it is confidential.

I can't say more just now,

and I hope you won't
even tell anybody

that I've said that much.

I know I can trust you.

Of course you can, Mr. White.

Why, I'll tell no one
of our conversation.

In the meantime, if you let me,
I'd like to tell you something,

something confidential also.

Yes, by all means Norma--
I mean, Miss Shepard.

Norma is my name, you may call
me that if, if you wish to.

At least it is easy to say.

I'd be glad to, but only if you
remember that mine is Alonzo.

Alonzo.

Let's make it Lon for short,
then it's real easy to say.

Fine.

Okay, then it's understood
that you're to call me Norma

and I can call you Lon
when we're alone,

but we'll be a little formal
in the presence of others,

say for a week, how is that?

Okay, but suppose I should
forget and call you Norma

at such a time.

Would you agree not to be--

Angry and scold you,
I promise.

Well I don't see that I could
ever be angry with you, Norma.

Or that you could be with me.

This is getting
interesting and wonderful.

I feel the same way
about you.

Isn't it comforting
to feel that way?

Well, I don't think I ever felt
quite this way towards anybody

until I met you.

I seem to want to put my
whole life into your keeping.

Tell you everything,
do anything for you.

Oh, Norma!

Don't say anymore now, Alonzo,

let me finish
what I've started, too.

Oh, yes, yes, yes, go on.

Well, it's about
this man Ballinger.

I've been informed

that he intends
calling on me tonight.

To call on you?

Why, Norma,
I didn't know that you--

No, I never
met him formally,

but he saw me the day
I arrived and spoke to me

and offered to drive me to
Mrs. Austin's in his car.

And?

Of course I refused him.

I didn't like his eyes
and the way he looked at me.

And will have
nothing to do with him.

Now, you've heard
how he runs this town

and it's especially after every
new and strange girl

that comes here.

Yes, I understand and it's
a rather strange coincidence.

Well, I'm interested
in Ballinger

more than he has
the least idea of.

Now he plans
to call on you tonight.

Okay, suppose he strolls
back toward Mrs. Austin's now.

And as we go,

I'll try to think of a way
to entertain Mr. Ballinger

when he calls
on you tonight.

Let's go.

♪

♪

♪

Last night while
Mr. Washington was singing,

I saw a dirty old negro
steal across that rock

up to this window
and peep in.

I think Ballinger has
him here spying on me.

If he thinks that he can--
look, there he comes now!

I have it!
You take a chair

and sit here by the window with
a magazine and pretend to read,

while I make other plans.

I'm to tell you now,
that I'm an agent

from the Department of Justice,
United States Secret Service.

I was sent here
to observe, investigate,

and arrest Jeff Ballinger.

I can't tell you more now,

but I must prepare to land him
when he throws himself on you.

Now, have no fear,
my dear,

I'm fully prepared
for this visit

and I shall protect you
with my life, if necessary.

Oh, Alonzo,
how can I ever thank you?

Don't try to now, darling.

I shall protect you
with my life because--

because I love you, Norma.

Oh, Alonzo, do be careful.

If anything
should happen to you,

I'd want it to
happen to me, also.

My angel, my precious darling.

Just a moment, Norma.

I have an idea.

Stay there and when the
would-be-boyfriend rings,

let him do so two
or three times

and then call out softly,
"Come in!" Get me?

Yes, dear.

God bless you, Norma.

Quiet now, I hear him,
he's coming.

(doorbell buzzing)

Come in.

Hey, little girl?

It's me, Mr. Ballinger.

Come on down here,
I want to talk to you.

Step into the parlor, please.

I'll be down in a moment.

Okay, don't be long.

He's behind you,
look out behind you!

(gunshots)

(glass breaking)

Drop that gun, Ballinger.

Drop that gun, do you hear?

Oh, Norma.

Yes dear.

Please come down
and entertain Mr. Ballinger.

I think he's expecting you.

Give me that gun, Norma.

Hold on, Mr. Ballinger,
keep them up.

Go on, keep them up high.

We don't want
any funerals in Batesburg yet.

All right, Norma,
pick it up.

Now take these bracelets
and make Mr. Ballinger

a pleasant offering.

I think he's had them coming
for a long time.

Go on, darling.

What's the meaning of this?

Who are you?

Ha, you finally got around
to me at last, eh?

You made it easy for me,
Mr. Ballinger.

I'm an agent from
the Department of Justice,

United States Secret Service.

I was sent here
to investigate conditions

with regard to (unintelligible).

Which it seems you have been
practicing freely.

And incidentally, to arrest
you on those charges.

If you don't mind,
the car's waiting.

You and I will stop at Jackson.

They've got a nice cell
waiting for you down there.

Let's go.

I'll send an undertaker for
Mr. Ballinger's buddy outside.

I think he got in the way
of one of his boss's bullets.

Now, cheer up, precious,
and wait for me.

I'll be back as quickly
as I make our guest comfortable

and safe in Jackson.

So long, dear.

Let's go!

Darling.

Alonzo!

Why, my dear, you look worried.

What's the matter?

It's Mrs. Austin.

She had to go to New York,

her daughter met
with an accident.

And I've been here alone
ever since you went away.

I've been frightened.

Frightened?
About what?

About Ballinger.
I've been afraid that--

Oh, calm yourself
and let go, my dear.

Jeff Ballinger will annoy
nobody in Batesburg

or anywhere else
for a long time.

He's as safe in jail in Jackson
as iron bars can make him.

Oh, Alonzo, I'm so glad
to hear that.

But I've been strangely worried
and frightened with all

since Mrs. Austin left.

And too, the school board
has deferred opening

for another three months

because of an empty treasury.

And I--I don't know
what to do.

And that's all settled too,
my precious.

You're going to New York
with me,

where in three months,
if you trust me,

we'll be married.

Oh, Norma. Kiss me.

Oh, Alonzo,
you're so fine,

and your words have
made me very happy.

Why, I think you're
the most wonderful man

in the whole world.

And I've always
trusted you, dear.

My angel.

Now, pack as quickly
as you can, my dearest.

And I'll be ready
to take you away from Batesburg

and out of the state
of Mississippi for good.

You're going to New York
with me, my baby.

Home to Harlem
and all that goes with it.

Get me, honey?

Yes, Alonzo.

I get you!

Home to Harlem.

But I've never been
to Harlem or New York, dear,

though I've always
wanted to go.

They say you'll love it,

Harlem,

after you've been
there a while.

No end to theaters and--

And nightclubs with
good singing and dancing

until the wee hours
of the morning.

We're going to hurry
to New York, my baby.

Harlem and a good time.

Oh, kiss me again,
sweetheart.

♪

♪

♪

♪

(applause)

(knocking on door)

Good morning, Miss Austin.

Have you got your
numbers ready?

And how much is
you playing this morning?

I beg your pardon, sir,

but I am not Mrs. Austin,

and I do not play
the numbers.

Good day!

Well, smack my mouth!

(knocking on door)

Hello, darling.

Alonzo!

You look annoyed, dear.

What's the matter?

Well, let's sit down.

Mrs. Austin
is playing the numbers.

-Oh, is that all?
-"Is that all"?

After what you told me
about such a dirty racket.

Of course, Norma,
don't be upset about it.

A bad habit that keeps
everybody who plays them broke.

But since almost
everybody does play them,

the fact that Mrs. Austin
is doing so

is nothing to be
upset and worried about,

as I see it.

Well, I can see it, Alonzo,
if you don't.

Mrs. Austin is
a wonderful woman,

but she has a habit
of putting her heart and soul

into whatever she does.

Now, she's a splendid cook
and has a good job.

But she never has
a dollar anymore.

And her sister's sick
in the hospital

and needs help.

She's not only playing
these impossible numbers,

but she's plunging,
playing all she makes on them,

and no good
can come of it.

Oh, it worries me!

Now, now, Norma.

Let's not take it
so seriously.

Don't worry your
little heart so

over what Mrs. Austin does.
After all--

She's like a mother to me,
and I love her.

And I hate to see her a victim
of such an impossible racket.

It's getting her,

and I didn't know
she was playing them

until just now.

She's been concealing it,
keeping it from me,

and I'm worried.

Oh, I'm so sorry someone
started her playing them.

Now, Norma,
just as I said,

let's not take it
so seriously.

I've come to take you to view
our apartment, darling.

The place where
we're going to live

and be so happy.

Let's think of
that now, eh, baby?

Oh, Alonzo!

How fine you are.

Now, after we've
seen the apartment,

had dinner,
and have seen a picture,

I want to take you
to the Radium Club.

That place is all
abuzz now.

I'm told that there's
a new entertainer there.

A woman that's a whirlwind.

A strange and exotic type.

I'm rather curious
to see her

and know what
it's all about.

Shall we go?

Of course, Alonzo.

What interests you
interests me also.

-Sweet.
-Sugar.

♪

♪

(applause)

Ladies and gentlemen!

We now present
an international artist,

Madame Jumba!

(applause)

♪

That woman!

She's from Batesburg.

You must be mistaken, Norma.

She is said to be
directly from Europe.

Been over there
for several years.

She's really wonderful.

Possibly.

If she is wonderful...

it's a God-given gift.

But she's from Batesburg,
not Brussels.

Why, I saw her there
with my own eyes,

and was told
all about her.

She was...

Jeff Ballinger's woman.

♪

♪ It's amusing

how confusing ♪

♪ Life can sometimes be ♪

♪ But music and its charm

will solve
the mystery ♪

♪ A melody ♪

♪ A symphony ♪

♪ A rhythm break or two ♪

♪ A rhapsody
often thought that ♪

♪ It'll always see
you through ♪

♪ That rhapsody
in rhythm ♪

♪ That rhapsody
in dance ♪

♪ That rhapsody
in singing

brings the sweet romance ♪

♪ That rhapsody in music ♪

♪ I'll take mine in love,

love, hearty loving ♪

♪ Rhapsody in churches

when the choir sings ♪

♪ A rhapsody in blues,

and all the birds
in the spring ♪

♪ Rhapsody in music ♪

♪ But give me mine in love ♪

♪ Melody itself
is beautiful ♪

♪ And she was (unintelligible) ♪

♪ But even
rhapsody in blue ♪

♪ It's not for me,
I'm afraid ♪

♪ That rhapsody in
(unintelligible) ♪

♪ That makes it
look so easy (unintelligible) ♪

♪ That rhapsody in music ♪

♪ But give me mine

in L-O-V-E, love ♪♪

(applause)

You gotta give it to her.

Well, you gotta
give it to her.

She has talent.

Obviously!

Good talent
and bad talent.

She left a husband
in Batesburg.

I wonder who
she has here.

A Cuban.

Gomez.

A number banker.

I see.

He's made quite
a lot of money.

And there's no record of his
filed and returned.

I shouldn't be surprised
to hear of his arrest any day.

Now...

the people who play
with him and win...

does he pay them?

He has to.

As long as he
stays in business.

It's dangerous
not to pay off.

But I don't
trust Gomez.

He has a funny eye.

Never looks
straight at you.

Sort of furtive.

In fact, always furtive.

Shall we?

♪

♪

Claim this number, Miss Mary.

You are to play it heavy.

You are to play
all you got on it.

Oh, I dare not.

These numbers have
all but ruined me.

They take every cent I make.

I'm behind in everything.

I'm head over heels
in debt,

and my sister...

my poor sister
is dying in the hospital

for want of care.

They say she must
have an operation to live.

And I promised
to show good faith

by paying $10 a week
until I've paid $50.

Then they will operate.

And I can pay
the other in two years.

Five hundred dollars.

Oh, I can't play tonight,
I can't!

But you dreamed
this number, Miss Mary.

That's the message
from above.

That's the message
from on high.

The Lord intends
for you to win.

You're a Christian
woman, Miss Mary,

but you just stringing
bad luck.

Don't you see?

If you play
this number

and play it heavy,

you're liable to win.

And then you'll
be out the barrel.

Think of it.

Twenty dollars
stringing on it

will give you $11,000.

Eleven thousand
dollars cold!

Oh, please hush.

I could never win
that much money.

Never.

Never.

It's in the making,
Miss Mary.

I'm gonna play it myself.

Something tells me
that number's coming out.

It's coming tomorrow.

Go ahead and play it,
Miss Mary.

Go ahead,
let me write you up.

That's how men get rich.

They take a chance
when they have a hunch.

And their hunch comes true.

All of them bettin' men,

all of them rich men.

Go on, Miss Mary.

Let me write
you up for $20

and you'll be rich
this time tomorrow.

Oh, stop it.

Why do you tempt me?

I'm gonna take this money
to the hospital

and save my sister's life.

I've gambled every dollar
I've earned

on dream numbers,
and hunches, and tips.

On top of which,
I've sinned terribly.

And it isn't right!

And you oughtn't be tryin'
to persuade a poor,

helpless woman like me.

Now go, leave me please!

That number's coming out
tomorrow, do you hear?

And when you win 11 grand,

you won't have
to worry no more, Miss Mary.

You can pay
for the operation,

buy you a home,

and be out of the gutter
the rest of your life.

Go ahead, Miss Mary.

Please, go ahead and play it.

This once,

but never again.

If I lose I won't
be fit to live,

and I'm gonna kill myself.

I'm gonna end it all.

Qué es esto?

Twenty dollars?

Tonto!

Too many times
I told you never take

more than one dollar
on one number straight.

You know about the frame?

Come someday
somebody make a hit

on a big play like
this and wreck me.

Get out.

Now, it's too late
to place any of these--

these 20 with other banker.

And who's gonna tell
which number

he's calling today?

Oh, it won't
come out, boss.

It's only one chance
in a thousand.

It'll never come out today.

No me digas más de eso.

This one chance
in thousands.

He's a pretty flimsy banker.

I've got me fixed
pretty good now.

And I no pay big
monies to nobody.

'Cause I'm thinking
of taking trip.

Oh, yeah?

Yeah!

Go on home, outside!

Scram!

Oh, Mr. Gomez, Mr. Gomez!

(speaking Spanish)

Well, men, here it is.

Well, I'm a monkey's grandpa.

Will you look what number
done come popping out today!

What number did
you have, Conrad?

6-0-6.

(laughing)

What number
come out today?

Uh, one of them
ol' funny numbers.

One nobody ever
would think about playing.

Which one is that?

Well, you'd never guess.

0-6-0.

(laughing)

0-6-O?

Yeah!

What kind of number is that?

I ain't never heard of nobody
bettin' on...

Heavenly father!

Why, Mrs. Austin,
what's the matter?

Oh, the number, Norma!

It's come out.

Oh, I didn't tell you
I was playing it.

I was ashamed to.

But last night
I had a dream.

A strange dream.

And I played it.

$20.

Straight on it.

Twenty dollars?!

Yes, and it's--
it's come out.

It's come out today.

Oh!

Great heavens!

Oh, we're rich, Norma!

Rich!

But I'll never play
another number

as long as I live.

I'll never play another.

But--but are you sure?

Who did you
place it with?

Who is your banker?

Gomez.

Gomez?!

Yes, why?

Oh, nothing, nothing.

But you go and get it,

don't wait for them
to bring it.

And take a taxi.

Here, put this on.

Now, hurry, hurry.

I'll phone Alonzo
and tell him about it.

Go on home.

Why, hello, dear.

Where are you going?

Well, you invited me
to a matinee, so...

here I am.

Sorry you're in
such a hurry.

Let's step back
into the office, please.

What's the matter
for you now?

Now, come on, Gomez,
and fess up,

'cause you ain't
fooling me.

You are beating it
with all the dough

and I know it.

Well, if you're
leaving me behind,

you're leaving some
of the dough with me.

Get that and get it right.

Give me one of those bags.

No, querida.
You got me wrong.

Don't try to hand me
that stuff, Gomez.

I know you,
and I know you're beating it.

So, give me one
of those bags

and be damn quick about it.

All right, querida.

Whatever you say.

Gomez, he like you.

You say, "Give money,'
he give money.

You say, "Give you bag,"
he give you bag.

But before...

(gunshot)

(shrieks)

Police! Murder!

Police! Murder!

♪

♪

Have one?

Sure!

Why not?

We seem to be the only ones
of our group aboard.

I was thinking of that
when I saw you.

Quite the coincidence.

I hope it can be made
a pleasant one.

Why not?

Okay with me.

Where are you bound for?

Vienna.

And you?

Paris.

I'm passing
through Paris.

I'm getting off at Cherbourg.

Fun!

What's your line?

Pleasure.

And yours?

Same.

Where are you from?

Frisco.

And you?

Chicago.

Hah!

The girl from Chicago, huh?

(laughs)

Well, I don't see
why we can't start

having that good time
right away.

You're certainly
not hard to look at.

And you don't
hurt my eyes at all.

(laughs)

It's about lunch time.

Suppose we soften our appetite
with something to drink.

How's that?

Okay with me.

Let's go.

(laughs)

♪

Well...

has a little girl
from Chicago

ever been to Mississippi?

Not much.

Just a short time.

Whereabouts?

Oh, Batesburg,
Natchez, and, uh...

Batesburg?

Yes, for a week or two.

So was I.

Did you happen to meet
a Miss Mary Austin there?

♪

I don't think so.

♪

You know...

I'm beginning
to like you.

Oh, stop your kidding.

Honest.

Let's have a drink
to a good time.

What do you say?

Okay with me.

Come on, have a drink.

Gee, I like you.

And you can have
anything I've got.

That's great, honey.

But, gee, you're pretty.

-Think so?
-Uh-huh.

Well, as I said,
you look good to me.

And any old time
you like,

you can park
your chewing gum

on my instep.

(laughs)

In other words,
you can start being

my sugar daddy
right now.

Okay with me.

(laughs)

Kiss me, honey.

Mm!

Your kisses are sweet.

They can be sweeter

if you'll tell me
more about yourself.

See, when you begin
to like somebody,

you want to know just...

Where they've been
all your life.

Now, that's it.

Now, where have you been
all my life?

(laughs)

Sin never pays.

I was taught all my life
that it didn't.

Now I'm in jail

and I'm going to die

steeped in sin.

No, no!

It isn't so!

You haven't sinned,

and they can't kill you
for what you didn't do.

Oh, it won't be,
it can't be!

It is God's punishment.

I was doomed the day
I started to sin.

Oh, please, I--

I tell you,
it can't be.

Alonzo's working
on your case'

and he won't fail us.

Don't break up, dear.

Be patient and brave.

So, that's the story
of poor Mary Austin.

And just think of it,
in a few days

she must go to the chair.

Ah, but she didn't do it.

I know she didn't

'cause I was there
when she come and...

And--and what?

Oh.

Aw, come on, honey.

Let's forget about
Mary Austin

and everybody else.

Just you and me.

Come on.

Kiss me.

Love me some more.

-Yes, and what?
-Nothing, nothing.

I don't know
nothing about it.

Well, there was something.
You said she didn't do it.

So, if you were there
you ought to know.

Well, I wasn't there
and I don't know

nothing about it.

All I know now
is who you are.

I thought I'd seen
a picture

of that black face
of yours somewhere.

You're Alonzo White,
the detective.

Well, I ain't
said nothing...

and I don't know nothing.

Now, get out of here!

Not until I place
you under arrest

for the murder
of Mr. Gomez.

Why, you!

Stick 'em up.

Get 'em up.

Why, you dirty snitch.

I could kill you
just like I did...

Gomez, ey?

Well, to kill Gomez
is one thing.

But to let poor, innocent
Mary Austin

pay with her life
for what you've done is another.

I don't care no more
about Mary Austin

than I do about you,
you skunk!

And I'm gonna kill you
if it's the last thing

I do on this earth.

Okay, Chief, come in.

(gunshot)

Drop it! Drop it!

Drop it! Drop it!

Drop it!

I hate putting
these things on a woman!

But you're only a woman in name.

(unintelligible) and a liar.

I'm gonna take you
back to New York

and set poor
Mary Austin free.

Come on.

Up!

Come on!

♪

♪