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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:10,890 --> 00:00:11,970 Doble piel. 2 00:01:53,450 --> 00:01:54,830 Gigi, bring me the phone. 3 00:02:02,730 --> 00:02:03,730 Thank you. 4 00:02:14,830 --> 00:02:15,830 Tell me. 5 00:02:16,810 --> 00:02:18,130 Vincent, how are you? 6 00:02:18,330 --> 00:02:19,330 What are you doing? 7 00:02:19,530 --> 00:02:20,530 Good, I'm coming. 8 00:02:20,810 --> 00:02:21,930 That's what they told me. 9 00:02:22,780 --> 00:02:24,360 ¿Qué bien? ¿Y tú qué tal? 10 00:02:24,680 --> 00:02:29,320 Pues, no lo sé muy bien. Ya ha pasado un año y nada. 11 00:02:29,920 --> 00:02:33,100 Cuando estás bloqueado, se pasa muy mal. 12 00:02:33,900 --> 00:02:39,080 ¿Has intentado desbloquearte pensando que la parte erótica de la mente va 13 00:02:39,080 --> 00:02:40,080 a la parte creativa? 14 00:02:40,540 --> 00:02:43,900 Yo he aprendido a estimularme a mí mismo. Y a veces funciona. 15 00:02:44,140 --> 00:02:46,780 Tanto que muchas veces me tengo que masturbar. 16 00:02:48,060 --> 00:02:49,900 Ya había oído esa teoría. 17 00:02:50,640 --> 00:02:52,640 Los expertos dicen que es verdad. 18 00:02:53,360 --> 00:02:56,680 Relacionan la supervivencia y el apareamiento con la genética. 19 00:02:57,800 --> 00:03:01,040 Kathy, eres una gran artista con un gran potencial. 20 00:03:02,980 --> 00:03:07,340 Cuéntame más sobre la relación entre el sexo y la creatividad. 21 00:03:08,120 --> 00:03:10,680 Ser creativo es algo exclusivo del ser humano. 22 00:03:11,120 --> 00:03:15,940 ¿Y dices que va relacionado con el sexo? 23 00:03:17,240 --> 00:03:20,220 Kathy, reflexiona sobre lo que te he dicho. 24 00:03:20,600 --> 00:03:22,080 Estaremos en contacto. Adiós. 25 00:09:19,600 --> 00:09:20,519 He called Max. 26 00:09:20,520 --> 00:09:22,440 He wants to know if he can come on Monday. 27 00:09:22,700 --> 00:09:24,880 It's because of the Paris deal. He wants to close it. 28 00:09:25,940 --> 00:09:29,460 I couldn't avoid it and I heard your conversation with Kathy Montgomery. 29 00:09:29,840 --> 00:09:32,020 It's a very sad story. A great artist. 30 00:09:32,460 --> 00:09:33,460 Now she's blocked. 31 00:09:33,780 --> 00:09:35,260 Nothing. She can't. 32 00:09:35,880 --> 00:09:37,140 We've been friends for years. 33 00:09:37,580 --> 00:09:39,120 I'm embarrassed to see her like this. 34 00:09:39,480 --> 00:09:40,500 Has it ever happened to you? 35 00:09:40,980 --> 00:09:41,980 No, I've been lucky. 36 00:09:42,740 --> 00:09:43,900 But it's never known. 37 00:09:44,800 --> 00:09:47,260 Gigi, you have to pose for me. 38 00:09:48,200 --> 00:09:51,680 Soy muy tímida, Vince, y no soy lo bastante guapa. 39 00:09:51,900 --> 00:09:52,980 Te equivocas. 40 00:09:53,280 --> 00:09:54,340 Eres perfecta. 41 00:09:54,580 --> 00:09:55,780 Solo estás asustada. 42 00:09:55,980 --> 00:09:58,680 Quizás tengas miedo de perder el control cuando te desnudes. 43 00:09:59,260 --> 00:10:03,620 Es el típico miedo a lo desconocido. Y si de verdad tienes miedo, sé una forma 44 00:10:03,620 --> 00:10:05,400 de que poses para mí y no desnuda. 45 00:10:36,480 --> 00:10:37,540 Esto es genial. 46 00:10:37,980 --> 00:10:40,820 No me siento desnuda, sino libre. 47 00:10:41,340 --> 00:10:45,180 Vamos de compra acá al centro. Por favor, busquemos una pose, ¿vale? Bien. 48 00:11:10,939 --> 00:11:11,939 That's right. 49 00:11:25,500 --> 00:11:28,960 What do you want me to do? Come. 50 00:14:56,300 --> 00:14:57,300 hmm 51 00:15:31,660 --> 00:15:32,660 BOOM! 52 00:16:37,900 --> 00:16:38,900 No. 53 00:19:19,730 --> 00:19:21,130 Oh. 54 00:19:22,410 --> 00:19:23,810 Oh. 55 00:21:34,000 --> 00:21:35,000 Oi! 56 00:22:38,660 --> 00:22:43,920 Sigue. Oh, sí. 57 00:22:45,740 --> 00:22:46,860 No, 58 00:22:49,360 --> 00:22:50,700 vamos, córrete. 59 00:22:51,300 --> 00:22:52,420 Córrete. 60 00:22:53,260 --> 00:22:55,400 Sí, sí. 61 00:23:32,520 --> 00:23:33,520 Okay. 62 00:25:12,110 --> 00:25:13,790 ¿De verdad crees lo que te dijo Vincent? 63 00:25:14,190 --> 00:25:16,850 A estas alturas haría caso de cualquier cosa. 64 00:25:17,190 --> 00:25:18,930 O volvería a estudiar. 65 00:25:19,670 --> 00:25:20,670 ¿Por qué? 66 00:25:21,370 --> 00:25:22,950 Solo intento inspirarte. 67 00:25:28,590 --> 00:25:30,430 Traigo un paquete para Kathy Montgomery. 68 00:25:43,660 --> 00:25:44,660 ¿Qué es esto? 69 00:25:45,280 --> 00:25:46,280 ¿Quién lo envía? 70 00:25:46,360 --> 00:25:48,120 No lo sé. Yo solo reparto. 71 00:25:49,940 --> 00:25:51,840 Es guay. Vamos a probarlo. 72 00:25:53,100 --> 00:25:54,880 Yo no. Yo voy a dibujar. 73 00:25:58,160 --> 00:25:59,180 ¿Sabes cómo se usa? 74 00:25:59,840 --> 00:26:00,900 Sí, es muy fácil. 75 00:26:01,280 --> 00:26:02,280 Dame tu brazo. 76 00:26:08,980 --> 00:26:09,980 Quédate así. 77 00:26:10,180 --> 00:26:11,059 No puedo. 78 00:26:11,060 --> 00:26:12,060 Estoy pintando. 79 00:26:14,090 --> 00:26:15,570 Draw faster, Kathy. 80 00:26:16,530 --> 00:26:17,530 Yes, yes. 81 00:26:25,870 --> 00:26:26,370 Is 82 00:26:26,370 --> 00:26:34,170 it 83 00:26:34,170 --> 00:26:36,070 better if you take off your shirt or it will get dirty? 84 00:28:12,120 --> 00:28:13,120 Good one. 85 00:32:12,490 --> 00:32:13,490 Thank you. 86 00:32:48,270 --> 00:32:49,270 Okay. 87 00:35:04,810 --> 00:35:06,370 I'm sorry. 88 00:49:16,880 --> 00:49:17,880 Oh. 89 00:51:50,250 --> 00:51:51,250 ¡Qué sorpresa! 90 00:51:51,750 --> 00:51:53,290 Estaba trabajando un poco. 91 00:51:54,390 --> 00:51:55,490 ¿Has vendido algo? 92 00:51:55,950 --> 00:51:57,090 ¿Has pintado algo? 93 00:51:59,530 --> 00:52:03,350 Ya sabía yo que no. Será mejor que no te pregunte cómo te va. 94 00:52:04,030 --> 00:52:07,010 Digamos que estoy en ello. Pero eso es bueno. 95 00:52:07,270 --> 00:52:08,270 Muy bueno. 96 00:52:09,390 --> 00:52:10,390 ¿Algún progreso? 97 00:52:11,790 --> 00:52:13,470 Ya te he dicho que estoy en ello. 98 00:52:14,690 --> 00:52:17,630 Katy, te quiero y me encanta tu trabajo. 99 00:52:18,600 --> 00:52:20,200 Pero esto tiene que cambiar. 100 00:52:20,580 --> 00:52:23,120 Te considero una amiga y a Max también. 101 00:52:23,580 --> 00:52:24,980 Ha preguntado por ti. 102 00:52:29,100 --> 00:52:30,100 ¿Qué es esto? 103 00:52:32,800 --> 00:52:35,600 Pintura para el cuerpo. Creía que me la habías enviado tú. 104 00:52:36,040 --> 00:52:37,120 Como el brazalete. 105 00:52:39,820 --> 00:52:40,920 ¿Pintura para el cuerpo? 106 00:52:41,520 --> 00:52:42,520 Sí. 107 00:52:45,720 --> 00:52:47,020 Yo no soy artista. 108 00:52:57,420 --> 00:52:58,359 It's funny. 109 00:52:58,360 --> 00:53:00,120 And I haven't tried it yet. 110 00:53:05,200 --> 00:53:06,200 I like it. 111 00:54:18,140 --> 00:54:21,040 Ah, si, fantastico. 112 00:54:34,730 --> 00:54:35,730 Thank you. 113 00:56:30,350 --> 00:56:31,350 Oh, see. 114 00:57:21,040 --> 00:57:22,040 Oh. 115 00:58:15,820 --> 00:58:16,820 Ugh. 116 00:58:50,040 --> 00:58:51,040 No. 117 00:58:54,840 --> 00:58:56,240 No. 118 00:59:00,620 --> 00:59:02,020 No. 119 00:59:06,600 --> 00:59:08,000 Sweet. 120 00:59:08,840 --> 00:59:10,720 Sweet, sweet. 121 00:59:21,450 --> 00:59:23,590 Wow Oh 122 01:02:11,770 --> 01:02:12,770 you 123 01:11:37,640 --> 01:11:38,640 ¿Te gusta? 124 01:11:39,820 --> 01:11:41,040 Es interesante. 125 01:11:41,260 --> 01:11:42,260 ¿De quién es? 126 01:11:43,700 --> 01:11:47,180 Bueno, es un prototipo. Solo eso. 127 01:11:49,360 --> 01:11:53,000 La artista es... ...Cathy Montgomery. 128 01:11:54,420 --> 01:11:55,740 ¿Cathy Montgomery? 129 01:11:56,640 --> 01:11:58,060 ¿Dónde se ha metido? 130 01:12:00,220 --> 01:12:02,260 Bloqueada. Así de simple. 131 01:12:16,300 --> 01:12:18,480 Eso les pasa a los grandes artistas. 132 01:12:19,320 --> 01:12:20,320 Fascinante. 133 01:12:21,280 --> 01:12:24,200 Veo que ha introducido la sexualidad en su obra. 134 01:12:25,200 --> 01:12:28,460 Me gusta la idea de combinar el sexo con otras cosas. 135 01:12:31,080 --> 01:12:32,960 Me gusta cómo piensas. 136 01:12:35,460 --> 01:12:38,580 Era una gran admiradora suya, pero sucedió algo. 137 01:12:40,180 --> 01:12:44,680 Oye, primero quiero preguntarte... Si todo va bien... 138 01:12:45,050 --> 01:12:48,070 Kathy, I could have an exhibition soon. Is that what you were going to ask? 139 01:12:50,430 --> 01:12:54,510 Do you want to fly with me? 140 01:12:56,650 --> 01:12:59,790 Of course. 141 01:13:00,290 --> 01:13:01,490 It will be a pleasure. 142 01:14:26,590 --> 01:14:27,990 um 143 01:15:56,980 --> 01:15:57,980 I see, I see. 144 01:16:28,490 --> 01:16:29,490 Thank you. 145 01:18:10,470 --> 01:18:11,470 Mm -hmm. 146 01:25:23,020 --> 01:25:24,060 Esto es precioso. 147 01:25:24,460 --> 01:25:25,620 Eres un genio. 148 01:25:26,420 --> 01:25:27,420 Sí. 149 01:25:28,340 --> 01:25:30,240 Gracias. Eres muy amable. 150 01:25:31,100 --> 01:25:32,660 ¿En qué te has inspirado? 151 01:25:33,200 --> 01:25:35,640 Es un proceso muy, muy largo. 152 01:25:35,900 --> 01:25:39,080 Por cierto, ¿me enviaste un paquete hace unos meses? 153 01:25:40,740 --> 01:25:42,540 No. ¿Te hubiera gustado? 154 01:25:43,180 --> 01:25:44,340 Bueno, no importa. 155 01:25:45,000 --> 01:25:48,520 Alguien me envió algo que cambió mi vida por completo. 156 01:25:49,000 --> 01:25:50,460 No importa quién lo envió. 157 01:25:51,370 --> 01:25:52,510 but what has changed. 158 01:31:29,680 --> 01:31:30,680 Mm -hmm. 159 01:32:31,340 --> 01:32:32,360 Muy bien, no pares. 160 01:32:33,320 --> 01:32:34,880 Sí, sigue así. 161 01:33:04,680 --> 01:33:05,680 Oh, see. 162 01:34:08,460 --> 01:34:09,460 Thank you. 163 01:34:55,240 --> 01:34:56,240 Um... 164 01:36:00,560 --> 01:36:02,620 Oh, sweetie. 165 01:36:03,120 --> 01:36:04,420 Oh, sweetie. 166 01:36:04,740 --> 01:36:05,800 Oh, sweetie. 167 01:37:49,900 --> 01:37:50,900 Vamos, me lo oyes. 168 01:37:51,660 --> 01:37:52,660 Sigue. 169 01:39:43,400 --> 01:39:45,120 I don't like it. Come on. 170 01:39:46,400 --> 01:39:47,400 Oh, 171 01:39:49,040 --> 01:40:01,160 you 172 01:40:01,160 --> 01:40:02,160 got it. 173 01:41:10,260 --> 01:41:11,260 Thank you. 174 01:42:22,330 --> 01:42:23,330 Oh my God! 10241