Original subtitles

Dump some water in there.

Girls, don't forget your masks.

What do you say to Canada?

I put in a request to stay in ltaly.

But you've got two daughters.

Anna, help your sister!

Tell Vincenzo l'll come by and cook it.

Tell him not to touch it.

Did you know there were artists who pIay music on crystal glasses?

How do they do that?

The crystal vibrates,

making sound waves of different frequencies

depending on how much water is in the glass.

I'm an artist, too. I pIay the guitar

..and I dance. - Are you any good?

l'll put on a record.

We're leaving.

-What's wrong, Mommie? -You shouId be ashamed!

Do you hear me? Ashamed!

- l'm sorry... - ln front of all those people!

- l was only dancing. - Only dancing, huh?

- l didn't do anything wrong. - Do you really think that man

was admiring your dance steps?

l don't know what goes through your head.

- But what did l do? - Shut up!

- l didn't do anything... - Shut up! Go to bed!

Go to bed!

Shut up and go to bed right now! Do you hear me?

Not another word.

You know what?

You deal with your daughters for a change!

You're their mother. Do you think being harsh is enough?

What have you taught them?

Go to church... you know what l think?

She's never going to amount to anything!

Hush!

You naughty girI!

Moana... Original. Stage name?

- No, it's my real name. - Fine. Shall we get started?

Sure. Can I take this off? lt's hot.

Go ahead.

- Almost ready. - l'll say!

Here l am.

Move a bit to your right. That's it.

Have you done anything?

Yes. The first thing l did was ''The Travel Companion''.

l was... l don't know if you saw it.

l was the girI under the waterfall.

Then l was in ''Hurry Up, You FooI'' with Luciano Salce

where l played a very seductive scientist, and then

a bunch of other bit parts.

The cashier in ''Big MiracIes'' directed by Massaro.

Good... what are you going to do for us today?

lt's from ''A Midsummer Night's Dream.''

RealIy! Serious stuff.

- The film's a love story, right? - Yeah, it's about love.

- Are you ready? -Yes.

RoII camera!

Action!

''lf then true lovers

have been ever cross'd, it stands as an edict in destiny:

then let us teach our trial patience,

because it is a customary cross.''

That's enough, thank you.

-We'll let you know. - Soon, l hope!

Moana, your jacket.

- l really want it! - So long.

- How did it go? - Fine. Get ready, you have to do it in English, too.

- Shit, my agent didn't tell me! -Just kidding!

l think he liked you.

- How would you know? - l was watching.

-Are you English? - No, California. San Francisco.

Are you Adrian?

- Good luck then. Bye! - Moana!

That's your name, right? Aren't you forgetting something?

l can feel it.

-This time l got the part. - Let's hope so.

We're behind on the rent.

If they hire you, l'll come and do your makeup.

l put that in my contract.

Well?

How do I look?

Let me see. You look fantastic!

You should always go out like this.

Yes, just a second.

- ls it about the audition? - l don't think so.

Hello?

Hi!

l told you l wasn't stupid!

No, l was doing my exercises.

Well, we could get together tomorrow.

You Iive in Trastevere?

ln Trastevere.

Bye.

Where are you taking me tonight?

To Cannes on my private jet.

We'll eat oysters at ''Chez Daniel''

and then hop over to Saint-Tropez. What do you say?

I get it. We'll eat spaghetti at Augustarello,

an ice cream cone at GioIitti and then we'll make Iove.

- Are you always like this? - With guys l like, yes.

You're really something!

''lf then true lovers

have been ever cross'd,

it stands as an edict in destiny:

then let us teach our trial patience

because it is a customary cross!''

- Do you like Shakespeare? - No, l like theater.

- Too bad it doesn't pay. - Because the movies do...

lt depends. There are special films...

- What kind? - Sort of different.

Films about sex. There's nothing wrong with that.

For the foreign market, nobody sees you here. For two hours' work

..you make a lot of money. - Work?

Yeah, work. It's gonna happen anyway.

You're an actress. One day some guy's gonna say, ''You want the part?''

Of course you do. ''Then go to bed with me.''

The first few times you say, ''No, that's disgusting, l won't do that.''

But after a lot of auditions

where nobody calls and you wait and wait,

you start to think again. So it's better if you take control

and make a pile of money doing it.

l'm not sure that's for me.

You're an actress. That's acting, too.

Oh, yeah?

Then we'd better rehearse.

A hot midsummer night's dream.

There's one condition.

- l only make love with you. - Of course.

You're crazy, and l'm even crazier to come and help you.

You're Adrian's friend, right?

l'm Raniero, the director. And you are?

- Linda. -Who's he?

- Mario. - Marco, how ya doin?

- Mario! - Big difference! Hey, get a move on!

I'lI introduce the others, then you can change.

Hey! Monica!

Come on, today you're playing the leads!

- Well? - l'm pretty nervous.

-You're kidding! - l'm not, my hands are all sweaty.

How's it going?

Everything okay down there?

You better be, or you don't get paid!

- Linda, are you nervous? -A little bit.

- Feeling a bit emotional. -Yes.

Don't worry, we're doing a very simple sequence... very emotional.

You start down there with your tongue and latch on up here.

Then ta-ta-ta, a couple of thrusts and then a reaction shot.

Okay? As for you...

Nothing, you're fine the way you are.

Who'd turn you down? Take it easy!

Okay.

- l don't know if l can do this. - Listen. Just follow me.

Like when we're home, by ourselves.

Come on, come here.

RoII camera!

Action!

Riccardo, get the fuck out!

- Sorry. - Sorry, nothing. Get out,

or l'll make you co-star with the Senegalese girl.

Moana, l said to stop.

l know, but we'll lose our concentration.

Come on!

Riccardo, l see you. Get the fuck outta here.

Look up.

I'd seII my own mother to have skin like yours.

-How's it going? -You keep this up, I'II get excited.

That would make history! Look at yourself.

-Gorgeous. -Am l good?

-You're great. Did you doubt it? - No.

- Who's that guy? - He's good, he works for ''Playman''.

- He shot at least 10 rolls of just you. - He did?

- May l introduce myself? - Hi.

-Riccardo Schicchi, nice to meet you. -Nice to meet you.

- l gotta say, you are just gorgeous. -Thank you.

Would you like to do a photo shoot with me?

Sure, for ''Playman'', my dad would kill me.

l take photos for the world's biggest magazines. ln America, Japan...

Ask around. You're beautiful,

and you've got something that drives men wild.

Thanks, but this was just a lark.

You and l could do big things together.

- Come on, Moana. -You're a funny guy!

- Thanks. Bye. - Wait.

Here, in case you change your mind.

Riccardo Schicchi, ''Future Goddess''.

Thanks, maybe some other time. You're nice, though!

Call me.

lt's her!

l see.

Mima, pIease, let me talk to them.

Let me talk to them.

Mima... l understand what you're saying, don't repeat it.

l need to talk to mom.

Let me talk to mom, pIease.

Then give the phone to dad.

What are they saying?

What are they saying behind you?

Put them on! lf they don't want to talk to me afterwards, they won't!

Mima, don't leave me all alone!

Fuck you!

Now you're in for it!

l meant to tell you that

they called about that audition. They didn't pick you.

I told you so.

Darling, what...

- Stop it! - Asshole!

- What's wrong? - Do you reaIize what you've done?

- What's going on? -You're such an asshole!

- What did l do? - What did you do?

You swore that fiIm wouldn't come out in ltaIy!

That's what they told me. lt's not my fault.

- Everyone's seen it. - Moana, l'm so sorry...

Everyone has seen it!''

I'm really sorry, l didn't know.

You make me sick.

Who's that?

Nobody, you know how these things go.

Who is that?

l don't know how these things go.

Explain it to me!

You're disgusting.

Look at you. Completely disgusting.

You're disgusting, too.

Ladies and gentlemen, your attention, please!

Listen to Grandpa Ugo. Here comes the best surprise of the evening.

Take your seats, the buffet can wait.

This is the best moment of the evening.

Grandpa Ugo is bringing you a big surprise.

l have the honor to award the Venus Prize

to the most beautiful woman in the world, Miss Moana Pozzi!

Brava, Moana! Where's the prize?

Come on, Mirko! Where are you?

Here's Mirko, to award the prize!

- Come on! - Wipe off your hands.

Give Moana a kiss.

Here you are, Moana, the Venus Prize.

Thank you, Mirko.

l present the very best Mother Nature has to offer us.

That is, after a wonderful kitchen in beechwood and stainless steel.

One more kiss for Moana, good boy!

Beauty like hers

is the perfect complement to furniture by Grandpa Ugo.

But you won't find her for sale in our stores!

Moana, say a few words to our wonderful audience.

Here.

I'd like to thank Grandpa Ugo.

lt's an honor for me to be here.

Hooray, Moana!

Now what?

Go on in.

What a success! Well done!

You did a great job!

Are you pleased?

We said 250.00.

l'm making you famous and you're complaining?

Hey, come on!

-Try to be nicer. - l'm going to change.

Don't you dare!

Good grief!

Been waiting long?

- Half an hour. - Nice of you.

Duke.

They call me 'the Duke'.

Now l get it.

Now what, Duke? Going back to Rome?

That depends.

On what?

Are you going?

Why Duke?

- Because l am a duke. - Really?

l come from a long line of noblemen.

-Then you're lucky. -Why's that?

Because tonight you met a queen.

Then pardon my curiousity. What is a queen like you

..doing in a place like this? - lt's a job. They pay me.

- How much? - Very little.

You deserve more, you deserve a lot of money.

- Do you like the sea? -Yes.

l like it a lot.

- Shall we do something crazy? - What?

Let's go to the beach.

A bit of fresh air. Want to?

l'd rather go home tonight.

Too bad.

Hi!

- How'd it go, Queenie? -Just great.

Here, princeling, this is for you! I've got so much to tell you.

- Want some herbal tea? - lt's all gone.

No point looking for it. So is the dish detergent and the toilet paper.

We're two weeks late with the rent.

lt's alI l've got. I'II give you the rest next week.

Another audition?

- l met a gorgeous guy tonight! - Tell me about him!

When I came out after the show, this guy was waiting, with an amazing car.

He says, ''You're beautiful. Want to go the beach with me?

- Did you go? - What do you think?

Good morning. Are you awake?

Yes.

Where have you been?

l brought you some warm croissants.

Coffee?

l want you.

Right now, or after your coffee?

What do you think?

HoId on. l'll go see who it is.

Don't touch that.

-You do it. - But l know who I am.

l've always known.

Look. What do you want to become?

Well, do we have a deal for another 6 kiIos?

You know l can't.

Says who?

They do.

They're not going to forgive you.

What's going on?

Look straight ahead.

Well?

Mexico?

What are you saying?

Sweetie.

It's me.

lt's me. What's going on, sweetie?

It's me.

Sweetheart.

What happened?

Take it easy.

- They kiIIed him. - Who?

- Who did they kill? - Marco.

Shit! And you were there?

You were there when it happened?

They shot him down.

He died in my arms.

Don't worry.

It's like a nightmare.

- l'm disgusting. - What? That's not true.

- lt's not true. -Yes it is, l'm not worth anything.

My father always said so. And it's true.

l'm glad you called me.

l thought about what you said.

Were you serious?

Listen, Moana, l saw you on the set and l got it.

You're from a good family, you're educated

and until now you've tried to do serious work, theater, films.

Where did it get you? Bit parts, extra work, right?

Some of us have certain traits

that maybe we don't know we have, that make us unique, special.

A talent.

Some people search for it all their lives and never find it.

And what's my talent?

Moana, you exude eroticism from every pore, but you're never vulgar.

That's your strength.

Don't ever be ashamed of that, ever.

From now on, you should bet everything on that,

without false modesty and hypocracy.

lf there's one thing l've always hated, it's hypocracy.

Obviously, to do this you'll need someone to advise you,

to guide you.

What should l do?

Well, first off l'd like you to meet someone.

-Good evening. -Yeah, good evening.

This way, Moana.

- Moana, this is llona. - Hi.

- Hi, pleased to meet you. - The pleasure's all mine.

Sit down. llona's seen your photos. She's even more enthusiastic than me.

You're even more beautiful in person. l'd love to work with you.

- We have a theatrical agency. - lt's called ''Future Goddess''.

We want to bring love, eroticism, into the light of day.

No longer something to be ashamed of, to keep hidden.

We're Iooking for new artists.

Each of them has to have a clear image, like llona.

They have to leave a strong impression on people's minds.

We want to shake up this country's sense of shame!

We're mounting a real revolution, way beyond Che Guevara!

l'm serious.

Riccardo is right, you have to work with us.

Well, what do you say? Are you in?

Your associate would make a great snake charmer.

- Hey! - Hi, there.

-What did you do? - l set up the wind.

Great.

Take it down.

They have to lose tomorrow.

lf they win, you pay off the bets. Keep walking.

- Pasquale. - Little Ricky!

Did you bring the money?

- ''DeIicious curves.'' - What's that?

A show. Brand-new, and it's amazing.

-What the fuck do l care? - lt's a great investment.

This show could make someone a whoIe Iot of money.

lf you chipped in,

you'd get back all the money you lent me, plus interest,

and much more.

Not so fast, you little fuck.

Hold on, Pasquale. Look, Cicciolina's in it.

The show's erotic, sexy.

There are other performers.

The show l have in mind has never been seen before.

We can make tons of money on this show.

Look, CiccioIina.

Look: Moana, the most beautiful, sensual woman in the world.

She's pure sex.

l've got fantastic scenes in mind.

We'll do it in a big theater, where people pay to come in.

- Well, what do you say? - Where is this place?

Wow!

Tonight l'm gonna turn this theater into the temple of love.

l'm investing my money in ''the temple of love''!

No, you gave your money to me. l'm investing it.

So if the show flops, you invest and l lose.

lt's not gonna flop. lt's gonna triumph, you'll see.

l hope you're right and l'm wrong.

You'll see.

You'll see!

We'll see.

Ladies and gentlemen, good evening. WeIcome to the show.

What you're about to see is no ordinary show.

You've already seen some of our performers and you'll see others.

You're gonna see what you've always dreamed of seeing, but never did.

This show is unlike any other.

It's got eroticism, it's got sex.

This is the show you've always wanted to see, but never saw before.

Enjoy it. Ladies and gentlemen, ''Delicious Curves''!

- Are you scared? - No, why?

Can you tell?

Cicciolina!

-You're gonna be great. - Sure.

Moana, hurry up, you're on next.

-Yes. Listen, Riccardo, I don't... - What?

l don't know if l can do it, l can't remember anything.

How can you not remember? Do you know the song?

-Yes. - After that, do whatever you want.

- Make it up, do anything. - Knock 'em dead, Moana!

llona, you were marvelous.

l'll go get you a glass of water.

Come here, let me look.

Brava!

Good evening.

l want to meet you up close.

Now what's she doing?

What beautifuI green eyes!

Really. Almost as lovely as mine.

And you? Are you here all alone?

Don't you have a girlfriend?

Come here.

- Come here. - l'm coming.

- Do you like me? -You make me crazy.

-You're so beautiful. - Embrace me.

Full of surprises, that girl!

May l sit down?

How elegant you are!

You still think she needs a wetnurse?

Here we have a gentleman with a beautiful woman.

At last, a lovely lady! ls he your husband? May l?

Come here, don't be afraid.

l'm sure your wife won't be angry. Will she?

What a great beard!

- Do you want to caress me? - May l?

Of course.

Nobody move, police!

Stop, nobody move!

Stop! Stop him!

l said nobody move! Stop!

Make sure nobody leaves.

-You come with us. - We're not going to hurt you!

Nobody leaves the theater!

Come along, miss.

Don't worry, it's free publicity!

This is going to make us famous, totaIIy famous!

- Take it easy! - Come on!

I'lI pay!

The revolution!

We're in front of the Hall of Justice in Rome,

waiting for porn stars Cicciolina and Moana Pozzi

and their manager, Riccardo Schicchi.

They are all charged with offending public decency

with their show ''Delicious Curves''.

Here they come! PeopIe are delirious!

The crowd is out of controI! What an event!

They're getting out, blowing hugs and kisses to their fans.

- lt's a sensational event. - Don't abandon us!

- This is ltaIian justice! - Look how they're applauding!

lt's a moment of pure freedom, almost revolutionary!

We're doing it for you!

lt's truly a huge political change!

We want you here after the trial! Stay right here!

Stay here, don't go away!

WouId you pIease button your jacket? You can't go in like that.

-Go ahead. - lf you'd like to search me...

- Go on up, please. - Thank you.

Set that down...

Good morning.

Good morning, judge. Please keep in mind,

we were only giving them a good time! Moana, did you see that?

-Would you turn around? - What do you expect to find down there?

Just a security check.

What beautiful eyes! The same color as your cap.

- l have to check that as well. -Go ahead.

-What are these for? - For you to handcuff me with.

You can pick them up later.

Move all over the guard. That's it, good girl.

FIash!

Stick out your tongue, l love it! Love the tongue. Again.

One more! One more! One more! Wonderful.

Ramba, point the tun at him. Point it at him.

Perfect.

- Come here. - Again. That's it! Great!

That's great, just great!

Sit on him!

Guard, try to resist them.

You can't, you can't!

You're all theirs! You can't resist.

Ready! FIash!

''Striptease in the courtroom.'' ''Bad girls before the bar.''

''The police forced to bring crazed fans under control.'' Here we go!

Nobody can stop us now.

Listen to this: ''Alongside the famous Cicciolina and provocative Ramba,

blazed a brand-new star, Moana.''

- Not bad, is it? - lt's good! Very good.

But we've got to do better.

We're gonna ride the wave of this scandal

straight to success!

You know what we need to do in this land of the dead, of sleepwalkers?

We have to make movies! Our own cinema!

- Cinema creates stars! - Right.

l can already see it: a huge poster with your name,

and above it, your pale, beautiful body.

You, naked, bare-breasted

with the heading ''Fantastic Moana''.

-And there's a man obsessed with me. -Yeah.

He sees you, he dreams of you, he wants you.

He sees you in every woman, his Moana.

What do you say, llona?

Sure. Great.

l'm sure that with two queens like you

we're gonna conquer ltalian cinema.

- Get Marco to help you! - Here l am.

- What are we doing today? - There's a new girI, Moana.

- We have to think of something. - Like what?

l don't know. l need a change.

Think of an image that will remain fixed in peopIe's minds.

Did you hear what Riccardo said? Create a recognizable image.

- What do you have in mind? - Let's start with my hair.

lf you could, you'd re-make yourself to the ends of your hair.

So what? lf it makes me feel better, why not?

You're right. lf l had the courage... Casablanca, two days...

A new woman.

Why don't you do it?

l mean it. You spend your life

making other peopIe more beautiful, the way they want to look.

And you?

Have you ever asked yourself how you want to be? Look in the mirror.

lf you see a stranger, you know what you have to do.

You did it, and now you see yourself differently.

No, l see myseIf as others see me.

And l like myself that way.

Good, that's it. Right on top. That's great.

Passion, okay? Now undress her.

Bra off. Good.

Love, passion.

Yeah, suck everything.

Yeah, that's it. More.

That's it.

What have you done?

- l like it. -You like it?

You look great. Great job.

-Alan? -Yeah, Rick?

- This is Alan. - Hi, l'm Moana.

- AIan Penetration. - What?

- Alan Penetration. - Nice name, exotic!

- Did you come up with it, Riccardo? -Yeah, l have to admit it.

- Do you like it? This is Moana. - Listen,

l'm pretty new to this, too, but it's going well.

-Oh, is it? - lt's pretty hard work, you know.

What counts is your attitude, being professional.

- Passion. - Come here.

You sit over there and we'll set up the scene.

- Did l say something wrong? - No, l like your enthusiasm.

Undress and quit thinking.

The blood's gotta go where it's needed, not to the brain.

- Do l start with her? - Good, toy with her.

Caress her very slowly, very slowly.

You unzip his pants.

Unzip his pants and grab his cock.

- Good morning. - Good morning.

Excuse me. Excuse me.

Oh, my!

Warm up. There we go.

Passion, okay? Passion, eroticism.

That's it.

Get hotter.

Good, that's it. Get into it, everybody. Love.

Passion. When you feel hot, we'II shoot.

Film isn't free and the budget's tight.

Good, good. Get him excited.

Get him more excited.

Throw some more light on them, l can't see shit.

Like that?

Even more.

Good, girls.

- RoII camera! - RoIIing!

''Fantastic Moana'', 12, 11, scene 3!

Speed!

Action!

Good. Wonderful.

More. More erotic.

Good.

Yes.

-Are they in focus? - No.

-What? Get them in focus. -There.

l lose my hard-on, he loses his and we can all just go home.

There we go.

Here. Keep smoking and you won't get turned on.

- Are you tired? - No, don't worry about me.

Want to go home?

I don't like to leave the job haIf done.

HoId that, it's great.

Don't come, be carefuI. We're gonna do another.

-Was that okay? -That was great. Really great.

We're gonna do one more. Okay? How are you doing?

No, calm down. Keep that erection.

Keep that erection.

- How shall we have him? - Lying down, so we can help him.

Yeah, lie down there. Help him keep his erection.

That's it. Keep him warm.

- Like this? -Yeah. And you here.

Start working on him. You put yourself here, like a queen.

Look.

What are you boys staring at? Go do your homework!

-You should come and live here. -Yeah, your neighbors love me.

l'm serious, there's a penthouse for sale.

- And you want me to buy it? -You're making good money now.

l'm here, so's Ilona, the offices are here.

Some animals need a pack to survive.

And you're the leader of the pack.

lf you need more money, l can loan it to you.

But don't say anything to llona.

Hello there, cutie-pie!

-Your penthouse is beautiful. -Yes, and the view is fantastic.

- What's this painting? - lt's from the 1500's.

- lt's an angel-singer. -Oh, an angel-singer!

What a gorgeous black panther. lt must have been expensive.

A French antique dealer gave it to me, it's Art Deco.

WeII, girls, what are ltaIian men really interested in?

Besides sex?

Their mothers and the Church.

Mother and Church are untouchable. What do you know, you're Hungarian!

- And you're an idiot. - l love you, too.

- I love you more. - Can we drop it now? - Soccer.

That's right, soccer.

Soccer! The world championships are this year.

We're going to do ''Cicciolina and Moana at the World Championships''.

After ''Fantastic Moana''?

Exactly! l've been thinking it over, it'll be incredible.

Listen. To save the country from catastrophy and win the championship,

the ltalian Soccer Federation decides to hire

Cicciolina and Moana

to penetrate, pardon the metaphor, the retreat of the opposing teams

and wear them out before the first game. You'll do the makeup.

Well? What do you think?

lt sounds like a great idea. Doesn't it, llona?

How many soccer players will there be aItogether?

11 per team, the whole world plays. Are you up for it?

- Well, l'd say we can do it. - l think so, too.

Hooray for ltaly.

l've got a Maradona, l've got a Klinsmann...

l've re-named him Cata-Klinsmann. l'm lacking a Gullit.

My friend who works at the wholesale market looks just like him.

- How's he equipped down there? - Fine, l believe.

- The problem is, he's bald. - We've got plenty of wigs.

- Good morning. Are you in charge? -Yes, l am.

Father Gerasimo, l'm the parish priest here.

- What is your film about? - Ball games.

- A film about this year's world soccer championships. - lnteresting.

- Do you ever referee? -Yes, for the kids sometimes.

- WouId you be up for a little game? - l'd be delighted.

-That's just great! We'll give you a caII. Leave your name. -Thank you.

That way they show up better. You too, pinch hard.

- Excuse me, but you said... - Father Geranium! -Gerasimo.

You said it was a film about the soccer championships.

Girls, cover up! l know it's hot.

- Be patient, Father Geranium. - Gerasimo.

Forgive them. lt's just that it's so hot...

That's it, good, give him all you got.

On the mouth.

Make him scream. Bite his cock!

Hey, you, are you hot? They keeping you waiting?

l'll give you another one. Come here.

Go on, give her a nice goal.

We've got someone for you, too. Hang in there!

Here they come, our IoveIy stars!

- Riccardo, are we shooting here? -Well, it is a film about soccer.

We'll start by panning over the Iandscape,

then we'll pull in to the bench where we'II find you working

and we'll improvise from there. Come on, strip. Are you ready?

llona, over here. You play with Klinsmann.

And you, Moana, come here.

''The fame of porn star Moana Pozzi extends beyond the confines of porn.''

They're doing big business. Good for them.

Each of those films rakes in the money.

What are ya gonna do? That's the way it goes.

When l'm nobody, it's Pasquale this, Pasquale that...

As soon as they get famous

who remembers Pasquale anymore?

Who even knows Pasquale?

Stretch out. Show us you're a soccer player.

- Say something in Spanish. - Caramba!

Now you come in. llona, Moana...

Leave her alone, her hair looks fine! Come stand on this side.

Go ahead, talk to him.

Hi! My friend Moana and I are big fans of yours

and we'd love to have your autograph.

- No problem. - More Spanish.

- ''Donde te lo pongo?'' -Well, actually...

l'd like you to put it right here.

- On my butt, say it. - Here on my butt.

-Go! Or? -Or wherever you want.

- On my little pussy. - On your fuzzy?

Okay, that's great. Then we cut and we shoot the sex from above.

Good, very good.

You girls are gorgeous. Cut!

Did you shoot that?

-We haven't finished yet. -One more take, right away.

Who's that idiot? No, Moana, we're working.

You've always said we should make one together.

We're doing another one, but not with me. Keep your concentration.

Put that pillow down! Please...

- Let us undress you. - l want to do another take first.

Anybody out there still have an erection?

''You're as lovely as moonlight.

You are only a dream, but you help me to live.''

Romantic.

Listen to this one. ''l'd Iike to meet you in person.

l've jerked off for you so many times, l'm coming apart.''

That one's very romantic, too.

''Dear, Moana, they moved me from the prison in Verona to the one in Reggio

because when they took your pictures away, l got reaIIy pissed off.''

Poor thing.

Know what we'll do? We'll send him one of my most beautiful photos

..and l'll sign it ''only for you''. - Right on.

Oh, God! ''Moana, you're turning me into a poet.

ln the fading twiIight, I dream of you, my delight.''

Throw that one out, he's got no imagination.

And this one? ''Dear Moana, l want to have four kids with you.

- Love, Alfredo.'' - A serious guy.

Let's look at this one.

''You will not be allowed to promote your filth in our city.

Be carefuI, we're watching you. The New Order.'' Nasty!

All we need are fascists.

What is it?

KGB? The Red Brigade?

No, it's a letter from a TV station.

Come look.

See that? You did it.

l'm proud of you.

But are you sure it's for you?

- What kind of show? - Middle-of-the-road.

- l'll be giving advice to housewives. - Very instructive.

l like the idea.

If you do it to stir up a scandal, it's fine with us.

But if you think a wide audience will accept you, you're fooling yourself.

- Why, a person can't make a change? -You don't get it.

The public accepts anything, except change.

You want to be a porn star? Fine.

ln the end, every housewife in ltaly will get used to that.

But if you change, the pubIic won't accept it.

They'll think you were tricking them, that you've been faking it.

Faking it? l did everything with my own body, my own face.

Of course, for you that just means spreading my legs.

You have a real talent for that.

You pretend to be a revolutionary, but you're just like everybody eIse.

You only think of your own interests, your Iittle films and your pictures.

That's not enough for me.

lt was my little films that got you where you are today.

- And it's what you do best. - That's what you think.

Go ahead, do what you gotta do.

l will.

What l do or don't have to do is up to me, period.

Today we sent the RAl management

an injunction forbidding the participation of Miss Moana Pozzi

in the ''Jeans 2'' program,

the afternoon RAlTRE variety show hosted by Fabio Fazio.

As the Federation of Housewives, we hold that the so-called advice

that wouId be given by a person of dubious reputation,

like Miss Pozzi, paid for with money from our contributors,

would be very damaging to our group and to society as a whole.

Moana Pozzi has stated she does not wish to appear as a porn star

but as a cultivated, intelligent woman who is not at all vulgar.

ln that case, would your position change?

The question is not whether such a person

appears clothed or with her charms on display,

but rather the message these programs give our children,

our husbands and TV viewers.

- Listen... -Just one question...

Hard-core is healthier than those silly films that are popuIar now.

At Ieast it's not hypocritical. Yes, write that down. Please do.

Fine, goodbye.

Want some?

- lt's 10 o'clock in the morning! - Don't get upset!

-They're a bunch of jealous bigots. -You're right.

l could tell them how to make their husbands want them again.

They wish! At least they'd relax a bit.

Anyway, it's the same old story.

If you're beautiful and desirable, you don't know how to do anything.

Everybody thinks so, from my own father to that asshole Riccardo.

l don't want to be a bimbo.

l'm going on TV anyway.

What a woman!

The RAl is a public station, everyone is gunning for us.

What for?

The director doesn't want to create another scandal.

The program didn't even air.

We're getting pressure from the top brass.

-You make me laugh. - Let it go.

l'm not letting it go!

- l don't understand them. - Same old story about TV?

Even Riccardo didn't say anything.

That's only natural. He considers you his creation, he won't share you.

- Do you have a reservation? - ln the name of Pozzi. -This way.

- l feeI like having sex tonight. - What's the problem?

Take your pick. The place is full of hunks.

What is it?

That judge is here.

Look how he's staring at you!

Let's see.

- He's an interesting guy. - And?

- He invited me to dinner. - l knew it. What about me?

You'll be just fine without me. You look wonderful.

-Good evening. -Good evening.

- May I join you? -Yeah, sure.

Are you staying in the hotel?

Yes, l'm just visiting this beautiful city.

l don't understand. Visiting?

- This one. - Another one? AIl for Moana?

- Where's Mr. Schicchi? - He's out.

- Where is he? - l don't know.

Guys, search the place. ls this where you shoot your stuff?

- What stuff? -Your films. Do you make them here?

TeIl the minister that tomorrow morning l want his resignation

on my desk! ls that clear?

We'll see.

Power is a real turn-on.

Power?

Power is what beauty is for a woman.

As long as you have it, everybody wants you.

And they even listen to you.

- But as soon as you lose it... - Nobody knows you anymore.

So, that means one day l, too...

-That's not what l meant. -Then let's say you made a gaffe.

lntelligent women never get old.

That's what I caII flattery.

- lt's strange. -What is?

- We've just made love. - Oh, have we?

Yet pretty soon you'll slip out the back door of this hotel.

And if we cross paths out there, we'll pretend not to know each other.

That's not normaI.

That's called hypocrasy. Truth scares people, in ltaly.

So we have to play a role, wear a mask,

put on a costume.

Even you, when you undress, you're putting on a costume.

Maybe that's why they don't want me on TV, because l'm so scary.

WeIl, if you give housewives advice,

there's a risk they'll see you as an ordinary woman.

So what shouId I do?

You want to get into ltalian homes without using the servants' entrance?

Fine, that can be done.

l know the right people.

- l can make a phone caII. - No, wait.

- Not that way. - Then how?

Good thing we weren't shooting.

Evidently we bother them, we make people uncomfortable.

We got ltalians to discover eroticism, and that scares people.

Don't worry about it, sooner or later things will work out.

-That's what always happens in ltaly. -For you.

- Now that you're in Parliament. - Is that what you think?

- lt's your fault we're in this situation. - What are you saying?

You and your TV shows! Let's teach housewives about sexuality!

- And this is the result! - Did you hear that? She's nuts.

Who's nuts? You've gotten a big head!

- Riccardo, say something! - ln America!

Moana, we can't shoot in ltaly anymore.

l've got friends in America that want us to make films with them.

Let's wait for things to calm down, then we'll see.

AII fight. You two get ready to leave, l'll join you later.

l need a change of air.

Try to relax.

lt'II be good for her, won't it?

lt's high time.

Hello?

Hello?

Who is this? Hello?

Hi, Dad.

Hi.

Antonio, what do we do? The guys have been waiting half an hour.

If she doesn't show up in the next two minutes, we're leaving.

-There she is. -Wait for me! - Let's go.

Sorry l'm late, l couldn't find you.

We were about to Ieave.

- Anyway, l'm Anna. - Antonio.

Everything okay?

lt was beautiful down there.

-You been diving a long time? - Since l was little.

My dad was a great diver.

- How long are you staying on the island? -Only two days.

Time enough for another dive.

Lunch?

Bye. Thanks.

- l'll stow the gear and come meet you. - See you later.

Right this way.

Young lady.

Antonio, don't worry. Whatever you want, just ask me.

- Do you like it? - It's wonderful.

Flowers for you. How about a glass of champagne?

On the house.

- The house white wine. - White wine?

The usual, what you always bring me.

l wonder what's with him.

You'd think he'd never seen me with a woman before.

You really don't know who l am?

l heard people say an actress was coming to town, a TV star,

..but l don't have a teIevision. - Nice to meet you.

My name is Moana Pozzi and l make porn films.

- Moana Pozzi? -Yes. Haven't you ever heard of me?

- Do you really make that kind of films? -Yes.

- ls that a problem for you? - No.

l mean... whoa. l don't know.

How does your job work? l mean, do you...

When you do the scenes... do you...

Do we reaIIy do it? Yes.

lt's impossibIe for men to fake it.

Yeah, right.

What if you have a husband, or a boyfriend?

Work is one thing, love is another.

-You're funny. - Funny, why?

You just are, you're funny.

How am l funny?

l like you.

Here's your white wine.

Will this be all right?

- Everything's ready in Los Angeles, when are you coming back? - Soon.

We're leaving in two days.

You go on ahead, I'II join you.

What's up, are you with somebody?

l'm by myself, who wouId I be with?

Oh, okay. Don't blow it, l mean it.

Don't worry. Bye.

Bye.

- What'd she say? - She's coming.

Good!

Pasquale, we're cooI, right?

l paid back all the money l owed you.

How's it going? You're smart, you know what you're doing. l like you.

Moana's like the goose that lays the golden eggs.

- I'm not complaining. - It's just that, Ricky...

you're the only one eating those golden eggs. That's not good.

You'll get indigestion.

That goose could lay a lot more eggs. Bigger ones, too.

- She already works a lot. - She's tired, huh?

You worry too much. Know what?

Don't make any more films, you and her. Take a rest.

- That's not what l meant. - lt's not? I didn't understand.

- So you want to make films? -Yeah, sure.

Then go to America. When you come back,

l'll finance Moana's films. AII of them.

We'll do great things and there'll be a big piece of the action for you.

-Pasquale doesn't forget his friends. -Yeah, but l warn you,

Moana isn't easy to work with, she always does what she wants...

That's okay, l trust you.

You know what you gotta do.

- Hi. - Hi.

l came to say goodbye, l'm leaving.

Have a nice trip.

- l'm going to America, for work. - Great.

- Will you come with me? - To America?