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1
00:00:01,551 --> 00:00:02,862
COMING UP
ON "CAKE BOSS"...
2
00:00:02,862 --> 00:00:04,793
WE'RE DOING A CAKE FOR COMMON
AND JOHN LEGEND.
3
00:00:04,793 --> 00:00:07,758
COMMON AND JOHN LEGEND JUST GOT
AN ACADEMY AWARD
4
00:00:07,758 --> 00:00:09,965
FOR THE SONG IN THE MOVIE
"SELMA."
5
00:00:09,965 --> 00:00:12,275
COME ON, NOW,
FIT FOR PAPA.
6
00:00:13,275 --> 00:00:14,965
WE GOT ENGAGED
ON THE BEACH.
7
00:00:14,965 --> 00:00:17,620
"UGH.
IT TASTES LIKE SAND."
8
00:00:22,241 --> 00:00:23,827
WHAT THE HELL HAPPENED?
9
00:00:25,275 --> 00:00:27,724
THIS IS CARLO'S BAKERY.
10
00:00:27,724 --> 00:00:31,103
EVERY WEEK,
THOUSANDS OF CAKES AND PASTRIES
11
00:00:31,103 --> 00:00:33,620
GO OUT THESE DOORS.
12
00:00:33,620 --> 00:00:37,034
THIS IS THE CREW--
MIA FAMIGLIA.
13
00:00:37,034 --> 00:00:40,448
WE'RE GONNA TAKE THIS BAKERY
TO THE TOP.
14
00:00:40,448 --> 00:00:43,448
THEY CALL ME BUDDY.
I'M THE BOSS.
15
00:00:43,448 --> 00:00:45,793
Captions by VITAC--
www.vitac.com
16
00:00:45,793 --> 00:00:48,034
CAPTIONS PAID FOR BY
DISCOVERY COMMUNICATIONS
17
00:00:56,206 --> 00:00:58,758
YOU KNOW, MAKING CAKES
FOR A LIVING OVERALL
18
00:00:58,758 --> 00:01:00,206
IS PRETTY REWARDING.
19
00:01:00,206 --> 00:01:02,862
I MEAN, NOT ONLY ARE YOU MAKING
DELICIOUS THINGS
20
00:01:02,862 --> 00:01:04,000
THAT EVERYBODY LOVES
21
00:01:04,000 --> 00:01:05,310
BUT MOST OF THE TIME
22
00:01:05,310 --> 00:01:08,000
YOU'RE HELPING PEOPLE
CELEBRATE SOMETHING.
23
00:01:08,000 --> 00:01:09,517
"HAPPY BIRTHDAY" WHO?ROSE.
24
00:01:09,517 --> 00:01:10,931
"ROSE"? YOU GOT IT?
25
00:01:10,931 --> 00:01:13,793
AND EVERY NOW AND THEN,
YOU GET TO BE PART OF SOMETHING
26
00:01:13,793 --> 00:01:16,068
THAT CAN REALLY TOUCH THE
WHOLE COMMUNITY.
27
00:01:16,068 --> 00:01:18,344
SO, I WORK WITH COMMON...
28
00:01:18,344 --> 00:01:19,724
OH, YEAH!
29
00:01:19,724 --> 00:01:21,000
...THE HIP-HOP ARTIST WHO IS ON
THIS RISE RIGHT NOW.
30
00:01:21,000 --> 00:01:22,000
BIG FAN.
31
00:01:22,000 --> 00:01:23,724
SO, COMMON AND JOHN LEGEND
32
00:01:23,724 --> 00:01:26,724
JUST GOT AN ACADEMY AWARD
FOR THE SONG "GLORY"
33
00:01:26,724 --> 00:01:29,344
THAT THEY CREATED
IN THE MOVIE "SELMA,"
34
00:01:29,344 --> 00:01:30,689
ABOUT MARTIN LUTHER KING
35
00:01:30,689 --> 00:01:33,000
AND, YOU KNOW,
THE CIVIL RIGHTS MOVEMENT.
36
00:01:33,000 --> 00:01:35,034
OH, I GOT TO TELL YOU,
YOU KNOW,
37
00:01:35,034 --> 00:01:37,620
HEARING HIM AND JOHN
SING THAT SONG "GLORY,"
38
00:01:37,620 --> 00:01:39,862
I MEAN, IT JUST
BROUGHT CHILLS TO ME.
39
00:01:39,862 --> 00:01:40,931
YOU KNOW?
THANK YOU. GOOD.
40
00:01:40,931 --> 00:01:41,896
IT WAS AMAZING.
41
00:01:41,896 --> 00:01:43,344
I WORK
WITH HIS FOUNDATION--
42
00:01:43,344 --> 00:01:45,241
THE COMMON GROUND FOUNDATION
IN CHICAGO.
43
00:01:45,241 --> 00:01:46,862
WE WORK WITH TEENAGERS.
44
00:01:46,862 --> 00:01:48,620
WE MENTOR THEM YEAR-ROUND
45
00:01:48,620 --> 00:01:51,275
IN CHARACTER EDUCATION,
NUTRITION, MONEY MANAGEMENT,
46
00:01:51,275 --> 00:01:53,344
AND, OF COURSE, CREATIVE ARTS,
AS WELL.
47
00:01:53,344 --> 00:01:54,517
SURE.
48
00:01:54,517 --> 00:01:56,241
AND THIS COMING WEEKEND,
49
00:01:56,241 --> 00:01:59,000
WE'RE HAVING A FUNDRAISER
IN CHICAGO.
50
00:01:59,000 --> 00:02:01,965
AND SO, SINCE IT'S IN THE MIDDLE
OF THIS WHOLE SEASON,
51
00:02:01,965 --> 00:02:03,206
HIM WINNING THE OSCAR,
52
00:02:03,206 --> 00:02:05,827
WE ALSO JUST THOUGHT
THIS WOULD BE A GREAT TIME
53
00:02:05,827 --> 00:02:08,137
TO CELEBRATE HIM AND TO JUST
SHOW HIM OUR APPRECIATION
54
00:02:08,137 --> 00:02:09,827
FOR WHAT HE DOES
WITH THE FOUNDATION.
55
00:02:09,827 --> 00:02:11,000
THAT'S AWESOME.
56
00:02:11,000 --> 00:02:12,793
SO, JOHN LEGEND IS COMING.
57
00:02:12,793 --> 00:02:14,034
THEY'RE GONNA PERFORM. OH.
58
00:02:14,034 --> 00:02:16,862
SO, WE THOUGHT, YOU KNOW...THAT'S AMAZING.
59
00:02:16,862 --> 00:02:18,172
...WE NEED SOMETHING
EXTRA SPECIAL.
60
00:02:18,172 --> 00:02:19,241
THAT'S PRETTY WILD.
61
00:02:19,241 --> 00:02:20,586
WELL, WHAT KIND OF CAKE
ARE YOU LOOKING FOR?
62
00:02:20,586 --> 00:02:23,103
YOU KNOW, IT WAS A REALLY
SPECIAL MOMENT, YOU KNOW,
63
00:02:23,103 --> 00:02:25,448
IN THE PROCESS OF PROMOTING
THE FILM "SELMA"...
64
00:02:25,448 --> 00:02:26,827
YEAH.
65
00:02:26,827 --> 00:02:29,379
...WHERE COMMON AND JOHN LEGEND
PERFORMED "GLORY"
66
00:02:29,379 --> 00:02:31,413
ON THE EDMUND PETTUS BRIDGE
IN SELMA.
67
00:02:31,413 --> 00:02:33,172
YEAH, I MEAN,
THAT'S A PART OF HISTORY.
68
00:02:33,172 --> 00:02:35,241
SO, THE EDMUND PETTUS BRIDGE
69
00:02:35,241 --> 00:02:37,896
IS KIND OF LIKE
THE SYMBOLIC START
70
00:02:37,896 --> 00:02:39,793
OF THE CIVIL RIGHTS MARCH
71
00:02:39,793 --> 00:02:42,448
FROM SELMA
TO MONTGOMERY, ALABAMA.
72
00:02:42,448 --> 00:02:46,655
I THINK TO JUST RE-CREATE THE
BRIDGE WOULD BE AN AWESOME CAKE.
73
00:02:46,655 --> 00:02:47,965
COMMON AND JOHN LEGEND
74
00:02:47,965 --> 00:02:50,655
ACTUALLY PERFORMED THE SONG
"GLORY" ON THE BRIDGE.
75
00:02:50,655 --> 00:02:52,379
I SAW THAT, YEAH.YEAH.
76
00:02:52,379 --> 00:02:54,793
SO WHY NOT TRY TO RE-CREATE
THAT SCENE?
77
00:02:54,793 --> 00:02:55,586
OKAY.
78
00:02:56,931 --> 00:02:58,793
MAYBE THERE'S A WAY TO EVEN
INCORPORATE DR. KING.
79
00:02:58,793 --> 00:03:01,551
WHAT ABOUT A NICE
GRAPHIC SILHOUETTE
80
00:03:01,551 --> 00:03:03,862
OF MARTIN LUTHER KING?
81
00:03:03,862 --> 00:03:05,137
TO OVERPOWER THE BRIDGE,
82
00:03:05,137 --> 00:03:06,896
LIKE, THAT HE WAS BEHIND--
LOVE IT.
83
00:03:06,896 --> 00:03:07,862
I LOVE THAT.
84
00:03:07,862 --> 00:03:09,206
I THINK THAT'S GREAT.COOL.
85
00:03:09,206 --> 00:03:12,172
I WANT TO PUT
MARTIN LUTHER KING ON THIS CAKE
86
00:03:12,172 --> 00:03:13,620
BECAUSE HE LED THE MARCH
87
00:03:13,620 --> 00:03:16,620
AND HIS SPIRIT AND MESSAGE
WILL NEVER BE FORGOTTEN.
88
00:03:16,620 --> 00:03:19,241
AND THEN WE WILL RE-CREATE
THE SCENE
89
00:03:19,241 --> 00:03:21,758
WHERE COMMON
AND JOHN LEGEND SANG,
90
00:03:21,758 --> 00:03:23,931
YOU KNOW, ON THE BRIDGE.ALL RIGHT.
91
00:03:23,931 --> 00:03:25,241
LET'S BUILD THE STRUCTURE,
92
00:03:25,241 --> 00:03:27,137
AND THEN THAT'LL DETERMINE
THE BOARD,
93
00:03:27,137 --> 00:03:29,103
AND THAT'LL DETERMINE
EVERYTHING ELSE.
94
00:03:29,103 --> 00:03:30,551
LET'S DO IT.
95
00:03:34,827 --> 00:03:37,137
SO, I GOT RALPH,
DANNY, FRANKIE,
96
00:03:37,137 --> 00:03:40,448
AND THEY'RE GONNA GET STARTED
ON THE STRUCTURE OF THE BRIDGE.
97
00:03:47,896 --> 00:03:50,241
THAT'S A PRETTY
STRONG BRIDGE.
98
00:03:50,241 --> 00:03:51,758
WELL, IT HAS TO BE.
99
00:03:51,758 --> 00:03:52,965
IT HOLDS CARS.
100
00:03:52,965 --> 00:03:55,413
NOT ONLY THAT BUT IT HAS
THE WEIGHT OF HISTORY.
101
00:03:55,413 --> 00:03:57,206
YEAH.
MM-HMM.
102
00:03:57,206 --> 00:03:59,620
THE CAKE PART
OF THIS CAKE
103
00:03:59,620 --> 00:04:03,413
IS ACTUALLY GONNA BE THE ROADWAY
GOING ACROSS THE BRIDGE.
104
00:04:05,724 --> 00:04:08,551
WE'RE FILLING IT WITH A MIX OF
CHOCOLATE AND VANILLA SPONGE
105
00:04:08,551 --> 00:04:10,034
FILLED WITH COOKIES AND CREAM,
106
00:04:10,034 --> 00:04:11,896
BECAUSE, HEY,
WHO DOESN'T LIKE THAT?
107
00:04:14,000 --> 00:04:16,413
AND SINCE THERE'S GONNA BE
HUNDREDS OF PEOPLE
108
00:04:16,413 --> 00:04:17,551
AT THIS EVENT,
109
00:04:17,551 --> 00:04:19,517
WE'RE MAKING PLENTY
OF EXTRA SHEET CAKES
110
00:04:19,517 --> 00:04:20,551
TO FEED THE CROWD.
111
00:04:29,896 --> 00:04:31,931
WELCOME, GUYS.
PLEASE HAVE A SEAT.
112
00:04:33,344 --> 00:04:35,965
SO,
WHAT CAN I DO FOR YOU?
113
00:04:35,965 --> 00:04:37,758
WE HAVE AN ENGAGEMENT PARTY
COMING UP,
114
00:04:37,758 --> 00:04:39,827
SO WE'RE LOOKING TO GET A CAKE
MADE FOR THAT.
115
00:04:39,827 --> 00:04:41,068
AWESOME.
CONGRATULATIONS.
116
00:04:41,068 --> 00:04:42,689
WHAT ARE YOU THINKING
FOR THE CAKE?
117
00:04:42,689 --> 00:04:44,206
WELL, WE GOT ENGAGED
ON THE BEACH,
118
00:04:44,206 --> 00:04:45,310
SO THAT WOULD BE WONDERFUL
119
00:04:45,310 --> 00:04:46,965
IF YOU COULD DO
A BEACH-THEMED CAKE.
120
00:04:46,965 --> 00:04:50,344
AND WE'RE GETTING MARRIED
ON A FARM IN MASSACHUSETTS.
121
00:04:50,344 --> 00:04:53,275
SO, IF I CAN TAKE,
LIKE, THAT COUNTRY ASPECT
122
00:04:53,275 --> 00:04:55,965
AND MAYBE PUT IT
INTO A BEACH CAKE,
123
00:04:55,965 --> 00:04:58,068
COULD KIND OF COMBINE THE TWO
124
00:04:58,068 --> 00:05:01,068
SO IT FEELS LIKE
A LITTLE COUNTRY-ESQUE
125
00:05:01,068 --> 00:05:02,620
BUT IT FEELS BEACHY.
126
00:05:02,620 --> 00:05:06,620
I DON'T KNOW EXACTLY HOW I'M
GONNA COMBINE BEACH AND FARM,
127
00:05:06,620 --> 00:05:09,172
BUT I KIND OF LIKE
THE CHALLENGE OF IT.
128
00:05:09,172 --> 00:05:10,862
I'LL FIGURE SOMETHING OUT.
129
00:05:10,862 --> 00:05:12,310
THAT SOUNDS FANTASTIC.YES.
130
00:05:12,310 --> 00:05:13,896
YOU LIKE THAT?I LIKE IT A LOT.
131
00:05:13,896 --> 00:05:15,034
DON'T WORRY ABOUT IT, GUYS.
132
00:05:15,034 --> 00:05:16,482
TRUST ME,
I'LL MAKE YOU A GREAT CAKE.
133
00:05:16,482 --> 00:05:17,724
IT WAS A PLEASURE
TO MEET YOU.
134
00:05:17,724 --> 00:05:19,344
YOU TOO.THANK YOU, GUYS.
135
00:05:19,344 --> 00:05:21,482
HERE,
LET ME WALK YOU OUT.
136
00:05:24,965 --> 00:05:26,689
EVEN THOUGH I DON'T KNOW
137
00:05:26,689 --> 00:05:28,586
WHAT I'M GONNA DO
FOR THIS CAKE YET,
138
00:05:28,586 --> 00:05:30,517
I KNOW I'M GONNA NEED
SOME SEASHELLS.
139
00:05:30,517 --> 00:05:33,551
WHAT WE DO IS PRESS FONDANT
INTO A MOLD.
140
00:05:33,551 --> 00:05:35,448
OH, IT'S PRETTY!
141
00:05:35,448 --> 00:05:38,620
AND THEN WE GOT TO LET IT DRY
FOR A LITTLE BIT.
142
00:05:38,620 --> 00:05:40,034
AND ONCE THEY'RE HARD,
143
00:05:40,034 --> 00:05:43,275
WE'RE GONNA PAINT THEM UP
AND MAKE THEM LOOK REALISTIC.
144
00:05:59,172 --> 00:06:00,413
HELLO?
145
00:06:00,413 --> 00:06:01,620
Buddy!
146
00:06:01,620 --> 00:06:03,000
WHAT?
147
00:06:07,000 --> 00:06:09,379
WHAT THE HELL HAPPENED?
148
00:06:09,379 --> 00:06:10,586
WHAT HAPPENED?
149
00:06:13,758 --> 00:06:16,413
I GET A CALL
FROM MY SISTER MADELINE.
150
00:06:16,413 --> 00:06:20,034
SHE SAID THAT MAURO PASSED OUT
AND SHE CALLED 911.
151
00:06:20,034 --> 00:06:22,241
AND IMMEDIATELY, I'M SHAKEN UP.
152
00:06:22,241 --> 00:06:25,068
IS HE STABILIZED?
DO THEY SAY HE'S OKAY?
153
00:06:25,068 --> 00:06:27,724
GOD FORBID HE HAD A HEART ATTACK
OR SOMETHING LIKE THAT.
154
00:06:40,724 --> 00:06:44,896
YOU DON'T REMEMBER A LOT
OF THINGS.
155
00:06:44,896 --> 00:06:47,172
I DON'T REMEMBER NOTHING.
156
00:06:47,172 --> 00:06:50,551
MAURO WAKES UP TO GO
TO THE BATHROOM, FAINTED,
157
00:06:50,551 --> 00:06:52,379
AND HIT HIS HEAD ON THE FLOOR.
158
00:06:52,379 --> 00:06:54,931
I DON'T KNOW--
IS HE HAVING A HEART ATTACK?
159
00:06:54,931 --> 00:06:56,241
IS-- WHAT'S GOING ON?
160
00:06:56,241 --> 00:06:58,827
CALLED MY KIDS AND CALLED 911.
161
00:06:58,827 --> 00:07:03,137
THE AMBULANCE WAS THERE
IN LESS THAN FIVE MINUTES.
162
00:07:03,137 --> 00:07:05,724
WE RUSHED HIM TO THE HOSPITAL.
163
00:07:05,724 --> 00:07:08,068
YOUR FINGERS
FEEL A LITTLE COLD.
164
00:07:08,068 --> 00:07:08,758
I KNOW.
165
00:07:08,758 --> 00:07:10,034
HOW'S YOUR HEAD?
166
00:07:10,034 --> 00:07:12,413
JUST LIKE BOOM, BOOM.
YOU KNOW?
167
00:07:12,413 --> 00:07:14,413
THANK GOD
YOU'RE FEELING BETTER.
168
00:07:14,413 --> 00:07:15,413
YOU SCARED ME.
169
00:07:15,413 --> 00:07:16,965
YOU'RE SCARED?
170
00:07:16,965 --> 00:07:19,034
YOU OUGHT TO SEE ME.
171
00:07:19,034 --> 00:07:20,379
SO, TALK ABOUT SCARED.
172
00:07:20,379 --> 00:07:23,000
I MEAN, THE FIRST THING THEY DID
WAS AN EKG,
173
00:07:23,000 --> 00:07:25,137
AND THANK GOD
IT WASN'T HIS HEART.
174
00:07:26,517 --> 00:07:29,862
HE HIT HIS HEAD REALLY BAD,
SO HE HAS A CONCUSSION.
175
00:07:29,862 --> 00:07:32,241
AND HE DOES HAVE
A BLEEDING ULCER.
176
00:07:32,241 --> 00:07:34,620
IT'S IN TWO PLACES
IN HIS STOMACH.
177
00:07:34,620 --> 00:07:36,896
AND WE HAD NO IDEA.
178
00:07:36,896 --> 00:07:39,344
I JUST CAN'T BELIEVE
HOW MUCH BLOOD I LOST.
179
00:07:39,344 --> 00:07:40,551
THAT'S UNBELIEVABLE.
180
00:07:40,551 --> 00:07:42,758
I KNOW, THAT WAS
REALLY, REALLY SCARY.
181
00:07:42,758 --> 00:07:44,689
THE REASON WHY HE FAINTED
182
00:07:44,689 --> 00:07:48,310
WAS BECAUSE HE LOST SO MUCH
BLOOD FROM THE ULCER.
183
00:07:48,310 --> 00:07:51,103
WHEN I FAINTED, LIKE, I DIDN'T
KNOW WHAT WAS GOING ON.
184
00:07:51,103 --> 00:07:53,379
LIKE, ALL I REMEMBER IS,
THEN THE COP GOT THERE
185
00:07:53,379 --> 00:07:54,965
AND HE PUT
THE OXYGEN MASK ON,
186
00:07:54,965 --> 00:07:57,413
AND HE'S LIKE, "WE GOT TO TAKE
YOU TO THE HOSPITAL."
187
00:07:57,413 --> 00:07:59,000
THEY KNOW IT'S STILL
188
00:07:59,000 --> 00:08:00,931
SOMETHING SERIOUS THAT HAPPENED
TO HIM,
189
00:08:00,931 --> 00:08:03,172
BUT, IN COMPARISON TO WHAT
IT COULD HAVE BEEN,
190
00:08:03,172 --> 00:08:06,000
IT WAS JUST SUCH A WEIGHT
OFF MY SHOULDER
191
00:08:06,000 --> 00:08:07,827
TO KNOW THAT HE'LL BE OKAY.
192
00:08:07,827 --> 00:08:09,827
YOU WANT ANYTHING?NO.
193
00:08:09,827 --> 00:08:11,551
ARE YOU SURE?
MM.
194
00:08:11,551 --> 00:08:13,965
I'M JUST GONNA SIT HERE
AND WATCH YOU SLEEP.
195
00:08:13,965 --> 00:08:15,206
ALL RIGHT.
196
00:08:15,206 --> 00:08:16,448
ALL RIGHT?
197
00:08:20,379 --> 00:08:22,689
I was so nervous.
198
00:08:22,689 --> 00:08:24,000
Listen, I'm still concerned.
199
00:08:24,000 --> 00:08:26,310
I mean, thank God.
I thought it was a heart attack.
200
00:08:26,310 --> 00:08:27,551
THANK GOD HE'S OKAY.
201
00:08:27,551 --> 00:08:29,724
THANK GOD IT'S NOTHING,
YOU KNOW...
202
00:08:29,724 --> 00:08:32,379
- Like Dad's.
- IT'S SERIOUS, BUT IT'S NOT--
203
00:08:32,379 --> 00:08:35,448
YOU KNOW, IT'S SOMETHING
THAT HE'S GONNA GET THROUGH.
204
00:08:35,448 --> 00:08:38,310
That he's gonna get better,
thank God, is right.
205
00:08:38,310 --> 00:08:41,310
SO, IT SOUNDS LIKE MAURO IS
GONNA BE ALL RIGHT, THANK GOD.
206
00:08:41,310 --> 00:08:42,862
BUT WE ALL GOT TO BE CAREFUL,
207
00:08:42,862 --> 00:08:45,172
BECAUSE WE'RE NOT
SPRING CHICKENS ANYMORE.
208
00:08:45,172 --> 00:08:47,689
WE ALL GOT TO WATCH OURSELVES
JUST A LITTLE BETTER.
209
00:08:53,482 --> 00:08:57,517
FOR THIS BEACH ENGAGEMENT CAKE,
WE'RE DOING FOUR TIERS.
210
00:08:57,517 --> 00:09:01,241
AND THE IDEA IS TO MAKE IT
KIND OF COUNTRY-BEACHY.
211
00:09:01,241 --> 00:09:04,827
SO, THE BOTTOM TIER IS GONNA BE,
LIKE, A BOX/CRATE THING,
212
00:09:04,827 --> 00:09:09,068
AND IT'S GONNA BE ALL WEATHERED
LIKE DRIFTWOOD.
213
00:09:09,068 --> 00:09:13,000
THE WAY WE DO THAT IS TO FIRST
SCRATCH THE FONDANT ALL UP
214
00:09:13,000 --> 00:09:14,689
WITH A SCRATCHING TOOL.
215
00:09:14,689 --> 00:09:18,620
THEN, WE GO OVER IT
WITH SOME GRAY FOOD COLORING
216
00:09:18,620 --> 00:09:21,034
TO REALLY BRING OUT THE TEXTURE.
217
00:09:21,034 --> 00:09:24,758
AND THEN IT LOOKS LIKE
DRIFTWOOD-- BEACHY DRIFTWOOD.
218
00:09:26,586 --> 00:09:29,000
FOR THE MAIN COLORS
OF THIS CAKE,
219
00:09:29,000 --> 00:09:32,000
I'M USING SEA FOAM GREEN
WITH CORAL ACCENTS.
220
00:09:33,724 --> 00:09:37,827
I THINK THAT KIND OF WALKS THE
LINE BETWEEN COUNTRY AND BEACH.
221
00:09:37,827 --> 00:09:39,758
PUT "MR. AND MRS." ON IT.
222
00:09:39,758 --> 00:09:41,137
SURE.
223
00:09:43,068 --> 00:09:45,344
WE DO, LIKE, A MASON JAR ON TOP,
224
00:09:45,344 --> 00:09:49,172
BECAUSE, YOU KNOW, IT KIND OF
FEELS LIKE A FRONT PORCH
225
00:09:49,172 --> 00:09:50,896
OR PICNIC IN THE DUNES.
226
00:09:50,896 --> 00:09:52,931
LET'S SEE,
ABOUT RIGHT THERE?
227
00:09:52,931 --> 00:09:54,206
SURE.
228
00:09:56,620 --> 00:09:59,068
FOR THE SAND,
WE SCATTER BROWN SUGAR,
229
00:09:59,068 --> 00:10:02,413
WHICH, I'M TELLING YOU,
LOOKS JUST LIKE THE REAL THING.
230
00:10:02,413 --> 00:10:03,965
AND FOR THE FINAL TOUCH,
231
00:10:03,965 --> 00:10:06,758
WE PAINT OUR FONDANT SHELLS
WITH PETAL DUST.
232
00:10:06,758 --> 00:10:08,413
THIS IS THE FRONT
233
00:10:08,413 --> 00:10:09,379
RIGHT THERE.
234
00:10:09,379 --> 00:10:11,862
GOOD.
235
00:10:13,482 --> 00:10:16,103
TA-DA!
236
00:10:16,103 --> 00:10:19,103
ALL IN ALL, I'M SO PLEASED
WITH THE WAY THIS CAKE CAME OUT.
237
00:10:19,103 --> 00:10:21,482
I THINK ANDREW AND MICHELLE
ARE GONNA LOVE IT.
238
00:10:23,241 --> 00:10:24,931
I LOVE THE COLOR COMBOS.
239
00:10:24,931 --> 00:10:27,310
GOT BLACK WITH THE MINT
AND THE CORAL.
240
00:10:27,310 --> 00:10:30,586
I THINK THAT THAT COLOR COMBO
GOES REALLY NICE TOGETHER.
241
00:10:35,931 --> 00:10:39,000
FOR THE COMMON GROUND CAKE,
242
00:10:39,000 --> 00:10:41,344
I GOT RALPH
MAKING THE SCULPTURES
243
00:10:41,344 --> 00:10:43,068
OF COMMON AND JOHN LEGEND.
244
00:10:43,068 --> 00:10:44,931
THIS WILL BE THICK ENOUGH.
THIS IS GOOD.
245
00:10:44,931 --> 00:10:47,827
AND ME AND DANNY ARE GETTING
TO WORK COVERING THE BRIDGE.
246
00:10:55,551 --> 00:10:57,827
HOW ARE YOU GONNA DRIVE THIS
CAKE ALL THE WAY TO CHICAGO?
247
00:10:57,827 --> 00:10:59,241
YEAH, BUT IT'S ONLY
EIGHT HOURS.
248
00:10:59,241 --> 00:11:01,172
EIGHT HOUR-- EIGHT?
249
00:11:01,172 --> 00:11:04,275
WHAT DO YOU GOT, ROCKET BOOSTERS
ON THE BACK OF THE TRUCK
250
00:11:04,275 --> 00:11:05,655
THAT I DON'T KNOW ABOUT?
251
00:11:05,655 --> 00:11:08,448
THE WAY THIS BRIDGE IS BUILT,
IT'S GOT THE ARCH,
252
00:11:08,448 --> 00:11:11,275
AND THEN IT'S GOT SUPPORTS
GOING ACROSS THIS WAY.
253
00:11:11,275 --> 00:11:14,103
THEN IT'S GOT SUPPORTS
GOING ACROSS THE OTHER WAY.
254
00:11:14,103 --> 00:11:16,551
SO, WE SOAKED A LITTLE BAND
OF WOOD IN WATER
255
00:11:16,551 --> 00:11:18,551
SO THAT IT'LL HAVE
AN EASIER BEND.
256
00:11:18,551 --> 00:11:20,172
WOODWORKERS OVER HERE.
257
00:11:21,655 --> 00:11:23,862
WE PUT THE FIRST ONE ON...
258
00:11:23,862 --> 00:11:24,793
ONE MORE, ONE MORE.
259
00:11:24,793 --> 00:11:25,793
IT LOOKS GREAT.
260
00:11:25,793 --> 00:11:27,379
WE PUT THE SECOND ONE ON...
261
00:11:27,379 --> 00:11:29,275
UH-OH.
262
00:11:29,275 --> 00:11:31,379
THIS HAD TO GO
DOWN FIRST.
263
00:11:31,379 --> 00:11:34,275
...AND THE THING IS,
LIKE, COCKEYED.
264
00:11:34,275 --> 00:11:37,000
YOU HAD TO PICK THE ONE PIECE OF
WOOD THAT'S GOT A KNOT IN IT?
265
00:11:37,000 --> 00:11:40,344
WANT TO GET
A SCREWDRIVER. WAIT.
266
00:11:40,344 --> 00:11:41,793
OH.
267
00:11:43,620 --> 00:11:46,758
ALL RIGHT, SO, RIP IT OFF.
WE CAN MAKE ANOTHER ONE.
268
00:11:46,758 --> 00:11:48,275
I MEAN, IF I GOT
TO RIP THIS OFF,
269
00:11:48,275 --> 00:11:50,344
THE MODELING CHOCOLATE
IS GONNA GET ALL DAMAGED,
270
00:11:50,344 --> 00:11:51,448
I HAVE TO DO ANOTHER ONE.
271
00:11:51,448 --> 00:11:53,758
CAN WE BREAK THIS?
272
00:11:53,758 --> 00:11:55,827
I'M GONNA BREAK YOUR HEAD.
DON'T BREAK IT.
273
00:11:55,827 --> 00:11:58,068
I WANT TO TAKE
THIS OFF CAREFULLY
274
00:11:58,068 --> 00:12:01,206
SO THAT WE DON'T HAVE TO
RE-COVER THE WHOLE THING.
275
00:12:02,689 --> 00:12:06,034
WE GOT TO TAKE THAT OFF.SCORE IT FIRST.
276
00:12:06,034 --> 00:12:07,517
COME ON, MAN.
277
00:12:07,517 --> 00:12:09,689
AAH!
278
00:12:09,689 --> 00:12:12,379
WHY?
279
00:12:16,172 --> 00:12:17,655
CAN WE BREAK THIS?
280
00:12:17,655 --> 00:12:18,965
I'M GONNA BREAK
YOUR HEAD.
281
00:12:18,965 --> 00:12:19,724
DON'T BREAK IT.
282
00:12:19,724 --> 00:12:21,413
WE GOT TO TAKE THAT OFF.
283
00:12:21,413 --> 00:12:22,655
SCORE IT FIRST,
THEN, DANNY.
284
00:12:22,655 --> 00:12:23,310
OH.
285
00:12:24,793 --> 00:12:27,413
THE WAY THIS BRIDGE
IS BUILT,
286
00:12:27,413 --> 00:12:30,655
WHERE WE BENT, THERE WAS A KNOT,
AND THE KNOT SNAPPED.
287
00:12:30,655 --> 00:12:32,172
WE HAD TO RIP IT OFF.
288
00:12:32,172 --> 00:12:34,137
UH-OH.COME ON, MAN.
289
00:12:35,379 --> 00:12:36,275
AAH!
290
00:12:38,344 --> 00:12:40,931
YOU KNOW,
I GET REALLY AGGRAVATED
291
00:12:40,931 --> 00:12:42,620
AT THIS KIND OF STUFF,
292
00:12:42,620 --> 00:12:46,034
BUT I KNOW, WHEN THERE'S A WILL,
THERE'S A WAY.
293
00:12:46,034 --> 00:12:48,586
BLUH-BLUH-BLUH-BLUH.
294
00:12:48,586 --> 00:12:51,724
I CAN'T EVEN GET MAD AT YOU,
EVEN THOUGH IT'S YOUR FAULT.
295
00:12:51,724 --> 00:12:55,689
HOW COULD IT BE--
HOW COULD IT BE MY FAULT?
296
00:12:57,137 --> 00:12:58,862
SO, WE GET
ANOTHER PIECE READY
297
00:12:58,862 --> 00:13:00,448
AND WE DO IT AGAIN,
AND THIS TIME,
298
00:13:00,448 --> 00:13:02,379
WE MAKE SURE THERE'S NO KNOTS
IN THE WOOD.
299
00:13:09,000 --> 00:13:12,931
WELL, LET'S START TO REALLY ADD
SOME DETAIL TO THIS BRIDGE.
300
00:13:12,931 --> 00:13:14,862
I WANT TO TRIM THIS THING OUT.
301
00:13:17,034 --> 00:13:18,413
YOU WANT THOSE RIVETS,
TOO, RIGHT--
302
00:13:18,413 --> 00:13:19,586
THOSE LITTLE CIRCLES?
303
00:13:19,586 --> 00:13:21,482
YEAH, SO, I'M THINKING, LIKE,
SOMETHING LIKE THIS.
304
00:13:21,482 --> 00:13:23,724
I MEAN, WHEN
YOU'RE DOING A BRIDGE,
305
00:13:23,724 --> 00:13:25,896
YOU REALLY WANT TO MAKE IT
LOOK AUTHENTIC
306
00:13:25,896 --> 00:13:27,379
BY, LIKE, ADDING THE RIVETS,
307
00:13:27,379 --> 00:13:30,793
ADDING, YOU KNOW, LITTLE DETAILS
LIKE THE ROAD SIGN
308
00:13:30,793 --> 00:13:33,310
SO THAT PEOPLE KNOW
IT'S THE BRIDGE.
309
00:13:33,310 --> 00:13:34,379
IT LOOKS GOOD.
310
00:13:34,379 --> 00:13:36,931
NOW LET'S PAINT IT.
311
00:13:36,931 --> 00:13:39,517
ONCE WE GET THE BRIDGE
ALL TRIMMED OUT,
312
00:13:39,517 --> 00:13:42,689
WE PAINT IT WITH A METALLIC
SILVER FOOD COLORING,
313
00:13:42,689 --> 00:13:44,896
WHICH REALLY MAKES
THE DETAILS POP.
314
00:13:44,896 --> 00:13:48,241
COME ON, NOW.
FIT FOR PAPA.
315
00:13:48,241 --> 00:13:51,172
THEN, IT'S TIME TO GET
THE ROADWAY IN PLACE.
316
00:13:51,172 --> 00:13:52,758
UH-HUH.
317
00:13:54,758 --> 00:13:57,206
THERE'S TWO OF THEM, AND THEY
SHOULD GO RIGHT IN THE CENTER,
318
00:13:57,206 --> 00:13:58,275
RIGHT NEXT TO EACH OTHER.
319
00:13:58,275 --> 00:13:59,620
YEAH, ABSOLUTELY.
320
00:13:59,620 --> 00:14:01,655
I MEAN, THIS CAKE IS REALLY
STARTING TO LOOK GREAT.
321
00:14:01,655 --> 00:14:02,655
IT LOOKS GOOD.
322
00:14:02,655 --> 00:14:05,379
THAT LOOK STRAIGHT?
323
00:14:15,551 --> 00:14:19,206
ALL RIGHT, GUYS. COME ON IN.
COME CHECK IT OUT.
324
00:14:19,206 --> 00:14:21,724
WOW.
LOOKS GREAT.
325
00:14:21,724 --> 00:14:23,517
YOU LIKE IT?LOVE IT.
326
00:14:23,517 --> 00:14:25,482
LOVE THE MASON JAR.
327
00:14:25,482 --> 00:14:27,482
I THINK IT SAYS "BEACH"
BUT ALSO SAYS "COUNTRY."
328
00:14:27,482 --> 00:14:28,620
YES.
329
00:14:28,620 --> 00:14:30,068
REALLY LIKE THE COLORS.
330
00:14:30,068 --> 00:14:31,896
LIKE THE SEASHELLS.
331
00:14:31,896 --> 00:14:33,517
THE SAND LOOKS REAL.
332
00:14:33,517 --> 00:14:34,827
IT IS.
NO, I'M KIDDING.
333
00:14:34,827 --> 00:14:36,931
IT'S SUGAR.
IT'S BROWN SUGAR.
334
00:14:36,931 --> 00:14:39,517
"UGH.
IT TASTES LIKE SAND."
335
00:14:39,517 --> 00:14:41,275
WE GOT ENGAGED
ON THE BEACH,
336
00:14:41,275 --> 00:14:43,000
AND WE'RE GETTING MARRIED
ON A FARM,
337
00:14:43,000 --> 00:14:45,206
AND HE INCLUDED BOTH OF THOSE
ELEMENTS IN THE CAKE,
338
00:14:45,206 --> 00:14:46,206
WHICH WAS AMAZING.
339
00:14:46,206 --> 00:14:47,586
I NEVER THOUGHT
THOSE TWO THINGS
340
00:14:47,586 --> 00:14:49,620
COULD BE PUT TOGETHER
AND LOOK OKAY ON A CAKE.
341
00:14:49,620 --> 00:14:51,310
BUDDY REALLY PULLED THROUGH
ON THIS.
342
00:14:51,310 --> 00:14:52,793
IT'S REALLY
GONNA SET THE TONE
343
00:14:52,793 --> 00:14:54,344
FOR OUR ENGAGEMENT PARTY TONIGHT.
344
00:14:54,344 --> 00:14:56,862
LISTEN, WE COULDN'T BE
HAPPIER FOR YOU GUYS.
345
00:14:56,862 --> 00:14:57,896
THANK YOU VERY MUCH.THANK YOU SO MUCH.
346
00:14:57,896 --> 00:14:59,586
CONGRATULATIONS.
THANK YOU.
347
00:15:06,241 --> 00:15:09,689
SO, TONIGHT'S THE BIG
COMMON GROUND EVENT IN CHICAGO.
348
00:15:09,689 --> 00:15:12,793
LET'S PIECE THE PEOPLE ON,
LET'S DUST IT, LET'S WATER IT,
349
00:15:12,793 --> 00:15:14,379
AND LET'S GET ME ON THE ROAD.
350
00:15:17,344 --> 00:15:18,655
I THINK IT'S REALLY COOL
351
00:15:18,655 --> 00:15:20,862
WHAT COMMON DOES FOR THE KIDS
OF CHICAGO.
352
00:15:20,862 --> 00:15:22,620
AND EVEN THOUGH A 12-HOUR DRIVE
353
00:15:22,620 --> 00:15:25,206
IS A LITTLE OUTSIDE
OUR NORMAL DELIVERY ZONE,
354
00:15:25,206 --> 00:15:27,793
I'M THRILLED TO BE PART
OF THIS CELEBRATION.
355
00:15:27,793 --> 00:15:28,689
YOU WANT TO
START FROM HERE?
356
00:15:28,689 --> 00:15:29,689
YEAH.
357
00:15:29,689 --> 00:15:31,896
EVEN THOUGH THIS CAKE IS ABOUT
358
00:15:31,896 --> 00:15:35,655
THE COMMON GROUND FOUNDATION,
IT'S BIGGER THAN THAT.
359
00:15:36,896 --> 00:15:39,241
TO THINK ABOUT THAT TIME
IN HISTORY,
360
00:15:39,241 --> 00:15:41,034
WITH DR. KING AND THAT MARCH,
361
00:15:41,034 --> 00:15:42,448
YOU KNOW, THERE WAS PART OF ME
362
00:15:42,448 --> 00:15:44,689
THAT WANTED TO TELL
THAT STORY THROUGH A CAKE.
363
00:15:44,689 --> 00:15:48,448
SO WE'RE ALSO MAKING A BIG
MODELING-CHOCOLATE SILHOUETTE
364
00:15:48,448 --> 00:15:50,206
OF MARTIN LUTHER KING JR.
365
00:15:50,206 --> 00:15:53,068
THAT'S GONNA KIND OF LOOK
OVER THE SCENE
366
00:15:53,068 --> 00:15:55,931
AS THE ICON OF
THE CIVIL RIGHTS MOVEMENT.
367
00:15:55,931 --> 00:15:58,827
OKAY, SO...
368
00:15:58,827 --> 00:16:00,758
WAIT, I'M GONNA JUST LOOK
FROM THE FRONT...
369
00:16:00,758 --> 00:16:02,310
...'CAUSE
I WANT TO SEE WHERE--
370
00:16:02,310 --> 00:16:04,448
YOU TELL ME
WHERE IT'S GONNA LIVE.
371
00:16:04,448 --> 00:16:05,620
THIS WAY?
372
00:16:05,620 --> 00:16:07,172
A LITTLE BIT.
373
00:16:07,172 --> 00:16:09,482
I LIKE IT. DONE.
374
00:16:10,931 --> 00:16:13,448
THE STARS OF THE SHOW
ARE JOHN LEGEND AND COMMON,
375
00:16:13,448 --> 00:16:15,620
AND I'M GONNA PUT THEM
FRONT AND CENTER.
376
00:16:15,620 --> 00:16:18,965
I'M THINKING,
LIKE, RIGHT HERE.
377
00:16:20,482 --> 00:16:25,448
AND I THINK MR. JOHN LEGEND
IS GONNA SIT OVER HERE.
378
00:16:27,310 --> 00:16:29,965
I LOVE IT.
379
00:16:29,965 --> 00:16:31,068
LET'S GET THE WATER.
380
00:16:31,068 --> 00:16:32,517
HUDSON RIVER BLUE.
381
00:16:32,517 --> 00:16:34,413
NO, THIS IS NICER
THAN THE HUDSON RIVER.
382
00:16:36,758 --> 00:16:37,448
THERE.
383
00:16:41,379 --> 00:16:44,000
LOOK AT THAT.
PRETTY COOL, HUH?
384
00:16:48,068 --> 00:16:51,103
I THINK IT BECAME AWESOME.
WHAT DO YOU GUYS THINK?
385
00:16:51,103 --> 00:16:53,862
THIS IS-- THIS ONE IS, LIKE,
NICE AND SIMPLE
386
00:16:53,862 --> 00:16:56,068
AND IS A REALLY GOOD COMPOSITION.
387
00:16:56,068 --> 00:16:57,344
I LIKE HOW
IT'S PUT TOGETHER.
388
00:16:57,344 --> 00:16:58,344
I'M REALLY HAPPY WITH IT.
389
00:16:58,344 --> 00:16:59,965
I AM TOO.
390
00:16:59,965 --> 00:17:01,758
I THINK THE SCULPTURES
CAME GREAT, TOO.
391
00:17:01,758 --> 00:17:03,862
RALPH, YOU DID A GOOD JOB.THANKS.
392
00:17:05,862 --> 00:17:09,068
I MEAN, IT LOOKS LIKE
THE BRIDGE EXACTLY.
393
00:17:09,068 --> 00:17:11,965
AND THE MOST ICONIC PART,
DR. KING IN THE BACK,
394
00:17:11,965 --> 00:17:15,379
KIND OF LOOKING OVER EVERYTHING
PRETTY COOL.
395
00:17:15,379 --> 00:17:18,068
OKAY, COME ON,
WE GOT TO GO TO CHICAGO.
396
00:17:18,068 --> 00:17:20,586
LET'S GO.
397
00:17:20,586 --> 00:17:21,655
OKAY.
398
00:17:21,655 --> 00:17:22,724
UH-OH.
399
00:17:22,724 --> 00:17:24,551
LET'S GO.
IS HE TOO TALL?
400
00:17:24,551 --> 00:17:26,482
HE'S TOO TALL
TO GO OUTSIDE.
401
00:17:28,206 --> 00:17:29,482
IT'S CLOSE, MAN.
402
00:17:29,482 --> 00:17:30,965
STOP!
403
00:17:30,965 --> 00:17:32,000
THERE WE GO.
404
00:17:32,000 --> 00:17:33,034
NO GOOD.
405
00:17:33,034 --> 00:17:34,862
WE'RE GONNA HAVE TO...TAKE IT OFF.
406
00:17:34,862 --> 00:17:36,517
YOU SURE?
YEAH.
407
00:17:36,517 --> 00:17:38,310
YOU PULL THE OUTSIDE.
408
00:17:38,310 --> 00:17:39,344
ONE...TWO...THREE.
409
00:17:39,344 --> 00:17:40,551
WAIT A MINUTE!
410
00:17:40,551 --> 00:17:41,724
UP.
UP.
411
00:17:41,724 --> 00:17:43,379
OKAY.
DOWN AND UP.
412
00:17:43,379 --> 00:17:45,068
OH! SORRY.
413
00:17:45,068 --> 00:17:45,862
EASY, EASY.
414
00:17:45,862 --> 00:17:47,103
ALL RIGHT.
415
00:17:47,103 --> 00:17:48,379
WATCH HIS ARM.I GOT IT.
416
00:17:48,379 --> 00:17:50,551
COME UNDER, UNDER.
UNDER, UNDER, UP.
417
00:17:50,551 --> 00:17:52,827
UP, UP, UP.
UP. GO UP, GO UP.
418
00:17:52,827 --> 00:17:55,172
GOOD, GOOD. YOU'RE ON.
YOU'RE ON, YOU'RE ON, YOU'RE ON.
419
00:17:57,000 --> 00:17:59,103
I MEAN, COME ON,
IF IT'S THAT HARD
420
00:17:59,103 --> 00:18:01,068
TO GET IT OUT OF
THE DECORATING ROOM,
421
00:18:01,068 --> 00:18:04,241
I CAN'T IMAGINE WHAT THE NEXT
800 MILES IS GONNA BE LIKE.
422
00:18:04,241 --> 00:18:06,758
I JUST HOPE THIS CAKE GETS THERE
IN ONE PIECE.
423
00:18:06,758 --> 00:18:08,931
ALL RIGHT, OFF TO CHICAGO.
424
00:18:23,758 --> 00:18:26,793
I'M SO EXCITED
TO BE PRESENTING THIS CAKE
425
00:18:26,793 --> 00:18:27,793
TO COMMON AND JOHN LEGEND.
426
00:18:29,758 --> 00:18:32,827
BIGGER THAN US IS THE CAUSE
THAT WE'RE HERE FOR,
427
00:18:32,827 --> 00:18:35,896
AND WE KNOW THAT WE GOT
A FRUITFUL FUTURE AHEAD OF US
428
00:18:35,896 --> 00:18:38,620
WITH THE BEAUTIFUL CHILDREN
THAT WE SUPPORT,
429
00:18:38,620 --> 00:18:41,620
NOT ONLY IN OUR FOUNDATION
BUT IN THE CITY OF CHICAGO.
430
00:18:41,620 --> 00:18:44,448
COMMON GIVING BACK IS AMAZING.
431
00:18:44,448 --> 00:18:47,275
AND THE FACT THAT JOHN LEGEND
MADE IT THERE, TOO,
432
00:18:47,275 --> 00:18:48,896
REALLY SAYS A LOT ABOUT HIM.
433
00:18:48,896 --> 00:18:51,551
LADIES AND GENTLEMEN,
434
00:18:51,551 --> 00:18:56,206
IT IS MY DISTINCT HONOR
TO CELEBRATE "GLORY"
435
00:18:56,206 --> 00:18:58,586
WITH BUDDY THE CAKE BOSS.
436
00:19:06,137 --> 00:19:09,655
I MEAN, YOU GOT TO
SEE THIS CREATION RIGHT HERE,
437
00:19:09,655 --> 00:19:13,344
I MEAN, THANK YOU SO MUCH.
THANK YOU SO MUCH.
438
00:19:13,344 --> 00:19:15,689
WE DROVE IT ALL THE WAY FROM
NEW JERSEY FOR YOU, BROTHER.
439
00:19:15,689 --> 00:19:17,620
BUDDY, YOU NAILED IT.
440
00:19:17,620 --> 00:19:19,275
THE CAKE ITSELF, I THINK,
441
00:19:19,275 --> 00:19:22,206
CAPTURED EXACTLY
WHAT THIS NIGHT WAS ABOUT.
442
00:19:22,206 --> 00:19:24,379
IT WAS A CELEBRATION OF "GLORY."
443
00:19:24,379 --> 00:19:27,034
IT WAS AN EXTENSION
OF OUR EXPERIENCE
444
00:19:27,034 --> 00:19:28,965
ON THE EDMUND PETTUS BRIDGE.
445
00:19:28,965 --> 00:19:30,310
IT IS PRETTY PHENOMENAL.
446
00:19:39,000 --> 00:19:41,448
HI, GUYS.
447
00:19:41,448 --> 00:19:42,586
HEY!
448
00:19:42,586 --> 00:19:43,862
HOW ARE YOU FEELING?
449
00:19:43,862 --> 00:19:45,206
I'M HOME.
450
00:19:45,206 --> 00:19:47,689
SO, MAURO'S HOME FROM
THE HOSPITAL, THANK GOD,
451
00:19:47,689 --> 00:19:49,310
BUT HE'S STILL PRETTY BANGED UP.
452
00:19:49,310 --> 00:19:51,551
I MUST HAVE FELL,
LIKE, STRAIGHT BACK,
453
00:19:51,551 --> 00:19:53,448
'CAUSE I DIDN'T EVEN
HIT MY SHOULDER.
454
00:19:53,448 --> 00:19:55,620
I HIT-- I HIT-- SEE THIS?
SEE THE GRANITE?
455
00:19:55,620 --> 00:19:57,448
THIS IS
THE GRANITE SADDLE.
456
00:19:57,448 --> 00:19:58,655
THE DENT, YEAH.
457
00:19:58,655 --> 00:20:00,000
IT SOUNDS WORSE
THAN IT IS,
458
00:20:00,000 --> 00:20:02,310
BUT THE WORST THING WAS THAT
I LOST TWO LITERS OF BLOOD.
459
00:20:02,310 --> 00:20:03,517
THAT WAS THE WORST THING.
460
00:20:03,517 --> 00:20:05,655
WELL, NOW YOU KNOW
YOU GOT THE ULCER,
461
00:20:05,655 --> 00:20:07,482
YOU GOT TO TAKE BETTER CARE
OF YOURSELF.
462
00:20:07,482 --> 00:20:08,896
THAT'S TRUE.
463
00:20:08,896 --> 00:20:12,103
MAURO IS MY BROTHER-IN-LAW,
BUT HE'S LIKE MY BROTHER.
464
00:20:12,103 --> 00:20:13,448
YOU KNOW, I LOVE HIM.
465
00:20:13,448 --> 00:20:15,517
HE'S GOT TO TAKE CARE
OF HIMSELF.
466
00:20:15,517 --> 00:20:18,068
THE MAIN THING IS STRESS,
YOU KNOW?
467
00:20:18,068 --> 00:20:20,689
LIKE, AT WORK,
HE CAN'T GET...UPSET.
468
00:20:20,689 --> 00:20:23,103
LISTEN,
I KNOW, WHEN YOU YELL,
469
00:20:23,103 --> 00:20:25,862
YOU KNOW, THEN YOUSE ARGUE
A LITTLE BIT,
470
00:20:25,862 --> 00:20:28,275
AND I DON'T WANT HIM
TO GET UPSET.
471
00:20:28,275 --> 00:20:31,344
I MEAN, MADELINE AND MAURO ARE
SO IN LOVE, THEY'RE SO CLOSE,
472
00:20:31,344 --> 00:20:33,965
I MEAN, GOD FORBID ANYTHING
EVER HAPPENED TO HIM,
473
00:20:33,965 --> 00:20:35,896
I DON'T KNOW WHAT
MY SISTER WOULD DO,
474
00:20:35,896 --> 00:20:38,206
THEIR THREE KIDS WOULD DO,
ANY OF US WOULD DO.
475
00:20:38,206 --> 00:20:41,206
LOOK, MAIN THING IS THAT
YOU'RE OKAY,
476
00:20:41,206 --> 00:20:43,103
WE KNOW WHAT'S GOING ON.
477
00:20:43,103 --> 00:20:46,103
STAY THE COURSE.
TAKE AS MUCH TIME AS YOU NEED.
478
00:20:46,103 --> 00:20:47,344
BE SMART.
479
00:20:47,344 --> 00:20:48,620
THAT'S IT.
ALL RIGHT?
480
00:20:48,620 --> 00:20:49,896
YOU GOT IT.
481
00:20:49,896 --> 00:20:51,931
MAURO IS GONNA BE OUT
FOR AT LEAST A WEEK.
482
00:20:51,931 --> 00:20:53,137
THANKS A LOT FOR COMING.
483
00:20:53,137 --> 00:20:55,517
HEY, TAKE IT EASY.ALL RIGHT. BYE-BYE.
484
00:20:55,517 --> 00:20:57,827
BUT THE MOST IMPORTANT THING
IS THAT HE DOESN'T RUSH
485
00:20:57,827 --> 00:20:59,689
AND HE TAKES HIS TIME
AND HE GETS BETTER.
486
00:20:59,689 --> 00:21:01,137
TALK TO YOU LATER.
I'LL CALL YOU LATER.
487
00:21:01,137 --> 00:21:01,896
ALL RIGHT.
488
00:21:01,896 --> 00:21:03,172
BYE.
BYE.
489
00:21:03,172 --> 00:21:04,931
BYE.
35481
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