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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,551 --> 00:00:02,862 COMING UP ON "CAKE BOSS"... 2 00:00:02,862 --> 00:00:04,793 WE'RE DOING A CAKE FOR COMMON AND JOHN LEGEND. 3 00:00:04,793 --> 00:00:07,758 COMMON AND JOHN LEGEND JUST GOT AN ACADEMY AWARD 4 00:00:07,758 --> 00:00:09,965 FOR THE SONG IN THE MOVIE "SELMA." 5 00:00:09,965 --> 00:00:12,275 COME ON, NOW, FIT FOR PAPA. 6 00:00:13,275 --> 00:00:14,965 WE GOT ENGAGED ON THE BEACH. 7 00:00:14,965 --> 00:00:17,620 "UGH. IT TASTES LIKE SAND." 8 00:00:22,241 --> 00:00:23,827 WHAT THE HELL HAPPENED? 9 00:00:25,275 --> 00:00:27,724 THIS IS CARLO'S BAKERY. 10 00:00:27,724 --> 00:00:31,103 EVERY WEEK, THOUSANDS OF CAKES AND PASTRIES 11 00:00:31,103 --> 00:00:33,620 GO OUT THESE DOORS. 12 00:00:33,620 --> 00:00:37,034 THIS IS THE CREW-- MIA FAMIGLIA. 13 00:00:37,034 --> 00:00:40,448 WE'RE GONNA TAKE THIS BAKERY TO THE TOP. 14 00:00:40,448 --> 00:00:43,448 THEY CALL ME BUDDY. I'M THE BOSS. 15 00:00:43,448 --> 00:00:45,793 Captions by VITAC-- www.vitac.com 16 00:00:45,793 --> 00:00:48,034 CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS 17 00:00:56,206 --> 00:00:58,758 YOU KNOW, MAKING CAKES FOR A LIVING OVERALL 18 00:00:58,758 --> 00:01:00,206 IS PRETTY REWARDING. 19 00:01:00,206 --> 00:01:02,862 I MEAN, NOT ONLY ARE YOU MAKING DELICIOUS THINGS 20 00:01:02,862 --> 00:01:04,000 THAT EVERYBODY LOVES 21 00:01:04,000 --> 00:01:05,310 BUT MOST OF THE TIME 22 00:01:05,310 --> 00:01:08,000 YOU'RE HELPING PEOPLE CELEBRATE SOMETHING. 23 00:01:08,000 --> 00:01:09,517 "HAPPY BIRTHDAY" WHO?ROSE. 24 00:01:09,517 --> 00:01:10,931 "ROSE"? YOU GOT IT? 25 00:01:10,931 --> 00:01:13,793 AND EVERY NOW AND THEN, YOU GET TO BE PART OF SOMETHING 26 00:01:13,793 --> 00:01:16,068 THAT CAN REALLY TOUCH THE WHOLE COMMUNITY. 27 00:01:16,068 --> 00:01:18,344 SO, I WORK WITH COMMON... 28 00:01:18,344 --> 00:01:19,724 OH, YEAH! 29 00:01:19,724 --> 00:01:21,000 ...THE HIP-HOP ARTIST WHO IS ON THIS RISE RIGHT NOW. 30 00:01:21,000 --> 00:01:22,000 BIG FAN. 31 00:01:22,000 --> 00:01:23,724 SO, COMMON AND JOHN LEGEND 32 00:01:23,724 --> 00:01:26,724 JUST GOT AN ACADEMY AWARD FOR THE SONG "GLORY" 33 00:01:26,724 --> 00:01:29,344 THAT THEY CREATED IN THE MOVIE "SELMA," 34 00:01:29,344 --> 00:01:30,689 ABOUT MARTIN LUTHER KING 35 00:01:30,689 --> 00:01:33,000 AND, YOU KNOW, THE CIVIL RIGHTS MOVEMENT. 36 00:01:33,000 --> 00:01:35,034 OH, I GOT TO TELL YOU, YOU KNOW, 37 00:01:35,034 --> 00:01:37,620 HEARING HIM AND JOHN SING THAT SONG "GLORY," 38 00:01:37,620 --> 00:01:39,862 I MEAN, IT JUST BROUGHT CHILLS TO ME. 39 00:01:39,862 --> 00:01:40,931 YOU KNOW? THANK YOU. GOOD. 40 00:01:40,931 --> 00:01:41,896 IT WAS AMAZING. 41 00:01:41,896 --> 00:01:43,344 I WORK WITH HIS FOUNDATION-- 42 00:01:43,344 --> 00:01:45,241 THE COMMON GROUND FOUNDATION IN CHICAGO. 43 00:01:45,241 --> 00:01:46,862 WE WORK WITH TEENAGERS. 44 00:01:46,862 --> 00:01:48,620 WE MENTOR THEM YEAR-ROUND 45 00:01:48,620 --> 00:01:51,275 IN CHARACTER EDUCATION, NUTRITION, MONEY MANAGEMENT, 46 00:01:51,275 --> 00:01:53,344 AND, OF COURSE, CREATIVE ARTS, AS WELL. 47 00:01:53,344 --> 00:01:54,517 SURE. 48 00:01:54,517 --> 00:01:56,241 AND THIS COMING WEEKEND, 49 00:01:56,241 --> 00:01:59,000 WE'RE HAVING A FUNDRAISER IN CHICAGO. 50 00:01:59,000 --> 00:02:01,965 AND SO, SINCE IT'S IN THE MIDDLE OF THIS WHOLE SEASON, 51 00:02:01,965 --> 00:02:03,206 HIM WINNING THE OSCAR, 52 00:02:03,206 --> 00:02:05,827 WE ALSO JUST THOUGHT THIS WOULD BE A GREAT TIME 53 00:02:05,827 --> 00:02:08,137 TO CELEBRATE HIM AND TO JUST SHOW HIM OUR APPRECIATION 54 00:02:08,137 --> 00:02:09,827 FOR WHAT HE DOES WITH THE FOUNDATION. 55 00:02:09,827 --> 00:02:11,000 THAT'S AWESOME. 56 00:02:11,000 --> 00:02:12,793 SO, JOHN LEGEND IS COMING. 57 00:02:12,793 --> 00:02:14,034 THEY'RE GONNA PERFORM. OH. 58 00:02:14,034 --> 00:02:16,862 SO, WE THOUGHT, YOU KNOW...THAT'S AMAZING. 59 00:02:16,862 --> 00:02:18,172 ...WE NEED SOMETHING EXTRA SPECIAL. 60 00:02:18,172 --> 00:02:19,241 THAT'S PRETTY WILD. 61 00:02:19,241 --> 00:02:20,586 WELL, WHAT KIND OF CAKE ARE YOU LOOKING FOR? 62 00:02:20,586 --> 00:02:23,103 YOU KNOW, IT WAS A REALLY SPECIAL MOMENT, YOU KNOW, 63 00:02:23,103 --> 00:02:25,448 IN THE PROCESS OF PROMOTING THE FILM "SELMA"... 64 00:02:25,448 --> 00:02:26,827 YEAH. 65 00:02:26,827 --> 00:02:29,379 ...WHERE COMMON AND JOHN LEGEND PERFORMED "GLORY" 66 00:02:29,379 --> 00:02:31,413 ON THE EDMUND PETTUS BRIDGE IN SELMA. 67 00:02:31,413 --> 00:02:33,172 YEAH, I MEAN, THAT'S A PART OF HISTORY. 68 00:02:33,172 --> 00:02:35,241 SO, THE EDMUND PETTUS BRIDGE 69 00:02:35,241 --> 00:02:37,896 IS KIND OF LIKE THE SYMBOLIC START 70 00:02:37,896 --> 00:02:39,793 OF THE CIVIL RIGHTS MARCH 71 00:02:39,793 --> 00:02:42,448 FROM SELMA TO MONTGOMERY, ALABAMA. 72 00:02:42,448 --> 00:02:46,655 I THINK TO JUST RE-CREATE THE BRIDGE WOULD BE AN AWESOME CAKE. 73 00:02:46,655 --> 00:02:47,965 COMMON AND JOHN LEGEND 74 00:02:47,965 --> 00:02:50,655 ACTUALLY PERFORMED THE SONG "GLORY" ON THE BRIDGE. 75 00:02:50,655 --> 00:02:52,379 I SAW THAT, YEAH.YEAH. 76 00:02:52,379 --> 00:02:54,793 SO WHY NOT TRY TO RE-CREATE THAT SCENE? 77 00:02:54,793 --> 00:02:55,586 OKAY. 78 00:02:56,931 --> 00:02:58,793 MAYBE THERE'S A WAY TO EVEN INCORPORATE DR. KING. 79 00:02:58,793 --> 00:03:01,551 WHAT ABOUT A NICE GRAPHIC SILHOUETTE 80 00:03:01,551 --> 00:03:03,862 OF MARTIN LUTHER KING? 81 00:03:03,862 --> 00:03:05,137 TO OVERPOWER THE BRIDGE, 82 00:03:05,137 --> 00:03:06,896 LIKE, THAT HE WAS BEHIND-- LOVE IT. 83 00:03:06,896 --> 00:03:07,862 I LOVE THAT. 84 00:03:07,862 --> 00:03:09,206 I THINK THAT'S GREAT.COOL. 85 00:03:09,206 --> 00:03:12,172 I WANT TO PUT MARTIN LUTHER KING ON THIS CAKE 86 00:03:12,172 --> 00:03:13,620 BECAUSE HE LED THE MARCH 87 00:03:13,620 --> 00:03:16,620 AND HIS SPIRIT AND MESSAGE WILL NEVER BE FORGOTTEN. 88 00:03:16,620 --> 00:03:19,241 AND THEN WE WILL RE-CREATE THE SCENE 89 00:03:19,241 --> 00:03:21,758 WHERE COMMON AND JOHN LEGEND SANG, 90 00:03:21,758 --> 00:03:23,931 YOU KNOW, ON THE BRIDGE.ALL RIGHT. 91 00:03:23,931 --> 00:03:25,241 LET'S BUILD THE STRUCTURE, 92 00:03:25,241 --> 00:03:27,137 AND THEN THAT'LL DETERMINE THE BOARD, 93 00:03:27,137 --> 00:03:29,103 AND THAT'LL DETERMINE EVERYTHING ELSE. 94 00:03:29,103 --> 00:03:30,551 LET'S DO IT. 95 00:03:34,827 --> 00:03:37,137 SO, I GOT RALPH, DANNY, FRANKIE, 96 00:03:37,137 --> 00:03:40,448 AND THEY'RE GONNA GET STARTED ON THE STRUCTURE OF THE BRIDGE. 97 00:03:47,896 --> 00:03:50,241 THAT'S A PRETTY STRONG BRIDGE. 98 00:03:50,241 --> 00:03:51,758 WELL, IT HAS TO BE. 99 00:03:51,758 --> 00:03:52,965 IT HOLDS CARS. 100 00:03:52,965 --> 00:03:55,413 NOT ONLY THAT BUT IT HAS THE WEIGHT OF HISTORY. 101 00:03:55,413 --> 00:03:57,206 YEAH. MM-HMM. 102 00:03:57,206 --> 00:03:59,620 THE CAKE PART OF THIS CAKE 103 00:03:59,620 --> 00:04:03,413 IS ACTUALLY GONNA BE THE ROADWAY GOING ACROSS THE BRIDGE. 104 00:04:05,724 --> 00:04:08,551 WE'RE FILLING IT WITH A MIX OF CHOCOLATE AND VANILLA SPONGE 105 00:04:08,551 --> 00:04:10,034 FILLED WITH COOKIES AND CREAM, 106 00:04:10,034 --> 00:04:11,896 BECAUSE, HEY, WHO DOESN'T LIKE THAT? 107 00:04:14,000 --> 00:04:16,413 AND SINCE THERE'S GONNA BE HUNDREDS OF PEOPLE 108 00:04:16,413 --> 00:04:17,551 AT THIS EVENT, 109 00:04:17,551 --> 00:04:19,517 WE'RE MAKING PLENTY OF EXTRA SHEET CAKES 110 00:04:19,517 --> 00:04:20,551 TO FEED THE CROWD. 111 00:04:29,896 --> 00:04:31,931 WELCOME, GUYS. PLEASE HAVE A SEAT. 112 00:04:33,344 --> 00:04:35,965 SO, WHAT CAN I DO FOR YOU? 113 00:04:35,965 --> 00:04:37,758 WE HAVE AN ENGAGEMENT PARTY COMING UP, 114 00:04:37,758 --> 00:04:39,827 SO WE'RE LOOKING TO GET A CAKE MADE FOR THAT. 115 00:04:39,827 --> 00:04:41,068 AWESOME. CONGRATULATIONS. 116 00:04:41,068 --> 00:04:42,689 WHAT ARE YOU THINKING FOR THE CAKE? 117 00:04:42,689 --> 00:04:44,206 WELL, WE GOT ENGAGED ON THE BEACH, 118 00:04:44,206 --> 00:04:45,310 SO THAT WOULD BE WONDERFUL 119 00:04:45,310 --> 00:04:46,965 IF YOU COULD DO A BEACH-THEMED CAKE. 120 00:04:46,965 --> 00:04:50,344 AND WE'RE GETTING MARRIED ON A FARM IN MASSACHUSETTS. 121 00:04:50,344 --> 00:04:53,275 SO, IF I CAN TAKE, LIKE, THAT COUNTRY ASPECT 122 00:04:53,275 --> 00:04:55,965 AND MAYBE PUT IT INTO A BEACH CAKE, 123 00:04:55,965 --> 00:04:58,068 COULD KIND OF COMBINE THE TWO 124 00:04:58,068 --> 00:05:01,068 SO IT FEELS LIKE A LITTLE COUNTRY-ESQUE 125 00:05:01,068 --> 00:05:02,620 BUT IT FEELS BEACHY. 126 00:05:02,620 --> 00:05:06,620 I DON'T KNOW EXACTLY HOW I'M GONNA COMBINE BEACH AND FARM, 127 00:05:06,620 --> 00:05:09,172 BUT I KIND OF LIKE THE CHALLENGE OF IT. 128 00:05:09,172 --> 00:05:10,862 I'LL FIGURE SOMETHING OUT. 129 00:05:10,862 --> 00:05:12,310 THAT SOUNDS FANTASTIC.YES. 130 00:05:12,310 --> 00:05:13,896 YOU LIKE THAT?I LIKE IT A LOT. 131 00:05:13,896 --> 00:05:15,034 DON'T WORRY ABOUT IT, GUYS. 132 00:05:15,034 --> 00:05:16,482 TRUST ME, I'LL MAKE YOU A GREAT CAKE. 133 00:05:16,482 --> 00:05:17,724 IT WAS A PLEASURE TO MEET YOU. 134 00:05:17,724 --> 00:05:19,344 YOU TOO.THANK YOU, GUYS. 135 00:05:19,344 --> 00:05:21,482 HERE, LET ME WALK YOU OUT. 136 00:05:24,965 --> 00:05:26,689 EVEN THOUGH I DON'T KNOW 137 00:05:26,689 --> 00:05:28,586 WHAT I'M GONNA DO FOR THIS CAKE YET, 138 00:05:28,586 --> 00:05:30,517 I KNOW I'M GONNA NEED SOME SEASHELLS. 139 00:05:30,517 --> 00:05:33,551 WHAT WE DO IS PRESS FONDANT INTO A MOLD. 140 00:05:33,551 --> 00:05:35,448 OH, IT'S PRETTY! 141 00:05:35,448 --> 00:05:38,620 AND THEN WE GOT TO LET IT DRY FOR A LITTLE BIT. 142 00:05:38,620 --> 00:05:40,034 AND ONCE THEY'RE HARD, 143 00:05:40,034 --> 00:05:43,275 WE'RE GONNA PAINT THEM UP AND MAKE THEM LOOK REALISTIC. 144 00:05:59,172 --> 00:06:00,413 HELLO? 145 00:06:00,413 --> 00:06:01,620 Buddy! 146 00:06:01,620 --> 00:06:03,000 WHAT? 147 00:06:07,000 --> 00:06:09,379 WHAT THE HELL HAPPENED? 148 00:06:09,379 --> 00:06:10,586 WHAT HAPPENED? 149 00:06:13,758 --> 00:06:16,413 I GET A CALL FROM MY SISTER MADELINE. 150 00:06:16,413 --> 00:06:20,034 SHE SAID THAT MAURO PASSED OUT AND SHE CALLED 911. 151 00:06:20,034 --> 00:06:22,241 AND IMMEDIATELY, I'M SHAKEN UP. 152 00:06:22,241 --> 00:06:25,068 IS HE STABILIZED? DO THEY SAY HE'S OKAY? 153 00:06:25,068 --> 00:06:27,724 GOD FORBID HE HAD A HEART ATTACK OR SOMETHING LIKE THAT. 154 00:06:40,724 --> 00:06:44,896 YOU DON'T REMEMBER A LOT OF THINGS. 155 00:06:44,896 --> 00:06:47,172 I DON'T REMEMBER NOTHING. 156 00:06:47,172 --> 00:06:50,551 MAURO WAKES UP TO GO TO THE BATHROOM, FAINTED, 157 00:06:50,551 --> 00:06:52,379 AND HIT HIS HEAD ON THE FLOOR. 158 00:06:52,379 --> 00:06:54,931 I DON'T KNOW-- IS HE HAVING A HEART ATTACK? 159 00:06:54,931 --> 00:06:56,241 IS-- WHAT'S GOING ON? 160 00:06:56,241 --> 00:06:58,827 CALLED MY KIDS AND CALLED 911. 161 00:06:58,827 --> 00:07:03,137 THE AMBULANCE WAS THERE IN LESS THAN FIVE MINUTES. 162 00:07:03,137 --> 00:07:05,724 WE RUSHED HIM TO THE HOSPITAL. 163 00:07:05,724 --> 00:07:08,068 YOUR FINGERS FEEL A LITTLE COLD. 164 00:07:08,068 --> 00:07:08,758 I KNOW. 165 00:07:08,758 --> 00:07:10,034 HOW'S YOUR HEAD? 166 00:07:10,034 --> 00:07:12,413 JUST LIKE BOOM, BOOM. YOU KNOW? 167 00:07:12,413 --> 00:07:14,413 THANK GOD YOU'RE FEELING BETTER. 168 00:07:14,413 --> 00:07:15,413 YOU SCARED ME. 169 00:07:15,413 --> 00:07:16,965 YOU'RE SCARED? 170 00:07:16,965 --> 00:07:19,034 YOU OUGHT TO SEE ME. 171 00:07:19,034 --> 00:07:20,379 SO, TALK ABOUT SCARED. 172 00:07:20,379 --> 00:07:23,000 I MEAN, THE FIRST THING THEY DID WAS AN EKG, 173 00:07:23,000 --> 00:07:25,137 AND THANK GOD IT WASN'T HIS HEART. 174 00:07:26,517 --> 00:07:29,862 HE HIT HIS HEAD REALLY BAD, SO HE HAS A CONCUSSION. 175 00:07:29,862 --> 00:07:32,241 AND HE DOES HAVE A BLEEDING ULCER. 176 00:07:32,241 --> 00:07:34,620 IT'S IN TWO PLACES IN HIS STOMACH. 177 00:07:34,620 --> 00:07:36,896 AND WE HAD NO IDEA. 178 00:07:36,896 --> 00:07:39,344 I JUST CAN'T BELIEVE HOW MUCH BLOOD I LOST. 179 00:07:39,344 --> 00:07:40,551 THAT'S UNBELIEVABLE. 180 00:07:40,551 --> 00:07:42,758 I KNOW, THAT WAS REALLY, REALLY SCARY. 181 00:07:42,758 --> 00:07:44,689 THE REASON WHY HE FAINTED 182 00:07:44,689 --> 00:07:48,310 WAS BECAUSE HE LOST SO MUCH BLOOD FROM THE ULCER. 183 00:07:48,310 --> 00:07:51,103 WHEN I FAINTED, LIKE, I DIDN'T KNOW WHAT WAS GOING ON. 184 00:07:51,103 --> 00:07:53,379 LIKE, ALL I REMEMBER IS, THEN THE COP GOT THERE 185 00:07:53,379 --> 00:07:54,965 AND HE PUT THE OXYGEN MASK ON, 186 00:07:54,965 --> 00:07:57,413 AND HE'S LIKE, "WE GOT TO TAKE YOU TO THE HOSPITAL." 187 00:07:57,413 --> 00:07:59,000 THEY KNOW IT'S STILL 188 00:07:59,000 --> 00:08:00,931 SOMETHING SERIOUS THAT HAPPENED TO HIM, 189 00:08:00,931 --> 00:08:03,172 BUT, IN COMPARISON TO WHAT IT COULD HAVE BEEN, 190 00:08:03,172 --> 00:08:06,000 IT WAS JUST SUCH A WEIGHT OFF MY SHOULDER 191 00:08:06,000 --> 00:08:07,827 TO KNOW THAT HE'LL BE OKAY. 192 00:08:07,827 --> 00:08:09,827 YOU WANT ANYTHING?NO. 193 00:08:09,827 --> 00:08:11,551 ARE YOU SURE? MM. 194 00:08:11,551 --> 00:08:13,965 I'M JUST GONNA SIT HERE AND WATCH YOU SLEEP. 195 00:08:13,965 --> 00:08:15,206 ALL RIGHT. 196 00:08:15,206 --> 00:08:16,448 ALL RIGHT? 197 00:08:20,379 --> 00:08:22,689 I was so nervous. 198 00:08:22,689 --> 00:08:24,000 Listen, I'm still concerned. 199 00:08:24,000 --> 00:08:26,310 I mean, thank God. I thought it was a heart attack. 200 00:08:26,310 --> 00:08:27,551 THANK GOD HE'S OKAY. 201 00:08:27,551 --> 00:08:29,724 THANK GOD IT'S NOTHING, YOU KNOW... 202 00:08:29,724 --> 00:08:32,379 - Like Dad's. - IT'S SERIOUS, BUT IT'S NOT-- 203 00:08:32,379 --> 00:08:35,448 YOU KNOW, IT'S SOMETHING THAT HE'S GONNA GET THROUGH. 204 00:08:35,448 --> 00:08:38,310 That he's gonna get better, thank God, is right. 205 00:08:38,310 --> 00:08:41,310 SO, IT SOUNDS LIKE MAURO IS GONNA BE ALL RIGHT, THANK GOD. 206 00:08:41,310 --> 00:08:42,862 BUT WE ALL GOT TO BE CAREFUL, 207 00:08:42,862 --> 00:08:45,172 BECAUSE WE'RE NOT SPRING CHICKENS ANYMORE. 208 00:08:45,172 --> 00:08:47,689 WE ALL GOT TO WATCH OURSELVES JUST A LITTLE BETTER. 209 00:08:53,482 --> 00:08:57,517 FOR THIS BEACH ENGAGEMENT CAKE, WE'RE DOING FOUR TIERS. 210 00:08:57,517 --> 00:09:01,241 AND THE IDEA IS TO MAKE IT KIND OF COUNTRY-BEACHY. 211 00:09:01,241 --> 00:09:04,827 SO, THE BOTTOM TIER IS GONNA BE, LIKE, A BOX/CRATE THING, 212 00:09:04,827 --> 00:09:09,068 AND IT'S GONNA BE ALL WEATHERED LIKE DRIFTWOOD. 213 00:09:09,068 --> 00:09:13,000 THE WAY WE DO THAT IS TO FIRST SCRATCH THE FONDANT ALL UP 214 00:09:13,000 --> 00:09:14,689 WITH A SCRATCHING TOOL. 215 00:09:14,689 --> 00:09:18,620 THEN, WE GO OVER IT WITH SOME GRAY FOOD COLORING 216 00:09:18,620 --> 00:09:21,034 TO REALLY BRING OUT THE TEXTURE. 217 00:09:21,034 --> 00:09:24,758 AND THEN IT LOOKS LIKE DRIFTWOOD-- BEACHY DRIFTWOOD. 218 00:09:26,586 --> 00:09:29,000 FOR THE MAIN COLORS OF THIS CAKE, 219 00:09:29,000 --> 00:09:32,000 I'M USING SEA FOAM GREEN WITH CORAL ACCENTS. 220 00:09:33,724 --> 00:09:37,827 I THINK THAT KIND OF WALKS THE LINE BETWEEN COUNTRY AND BEACH. 221 00:09:37,827 --> 00:09:39,758 PUT "MR. AND MRS." ON IT. 222 00:09:39,758 --> 00:09:41,137 SURE. 223 00:09:43,068 --> 00:09:45,344 WE DO, LIKE, A MASON JAR ON TOP, 224 00:09:45,344 --> 00:09:49,172 BECAUSE, YOU KNOW, IT KIND OF FEELS LIKE A FRONT PORCH 225 00:09:49,172 --> 00:09:50,896 OR PICNIC IN THE DUNES. 226 00:09:50,896 --> 00:09:52,931 LET'S SEE, ABOUT RIGHT THERE? 227 00:09:52,931 --> 00:09:54,206 SURE. 228 00:09:56,620 --> 00:09:59,068 FOR THE SAND, WE SCATTER BROWN SUGAR, 229 00:09:59,068 --> 00:10:02,413 WHICH, I'M TELLING YOU, LOOKS JUST LIKE THE REAL THING. 230 00:10:02,413 --> 00:10:03,965 AND FOR THE FINAL TOUCH, 231 00:10:03,965 --> 00:10:06,758 WE PAINT OUR FONDANT SHELLS WITH PETAL DUST. 232 00:10:06,758 --> 00:10:08,413 THIS IS THE FRONT 233 00:10:08,413 --> 00:10:09,379 RIGHT THERE. 234 00:10:09,379 --> 00:10:11,862 GOOD. 235 00:10:13,482 --> 00:10:16,103 TA-DA! 236 00:10:16,103 --> 00:10:19,103 ALL IN ALL, I'M SO PLEASED WITH THE WAY THIS CAKE CAME OUT. 237 00:10:19,103 --> 00:10:21,482 I THINK ANDREW AND MICHELLE ARE GONNA LOVE IT. 238 00:10:23,241 --> 00:10:24,931 I LOVE THE COLOR COMBOS. 239 00:10:24,931 --> 00:10:27,310 GOT BLACK WITH THE MINT AND THE CORAL. 240 00:10:27,310 --> 00:10:30,586 I THINK THAT THAT COLOR COMBO GOES REALLY NICE TOGETHER. 241 00:10:35,931 --> 00:10:39,000 FOR THE COMMON GROUND CAKE, 242 00:10:39,000 --> 00:10:41,344 I GOT RALPH MAKING THE SCULPTURES 243 00:10:41,344 --> 00:10:43,068 OF COMMON AND JOHN LEGEND. 244 00:10:43,068 --> 00:10:44,931 THIS WILL BE THICK ENOUGH. THIS IS GOOD. 245 00:10:44,931 --> 00:10:47,827 AND ME AND DANNY ARE GETTING TO WORK COVERING THE BRIDGE. 246 00:10:55,551 --> 00:10:57,827 HOW ARE YOU GONNA DRIVE THIS CAKE ALL THE WAY TO CHICAGO? 247 00:10:57,827 --> 00:10:59,241 YEAH, BUT IT'S ONLY EIGHT HOURS. 248 00:10:59,241 --> 00:11:01,172 EIGHT HOUR-- EIGHT? 249 00:11:01,172 --> 00:11:04,275 WHAT DO YOU GOT, ROCKET BOOSTERS ON THE BACK OF THE TRUCK 250 00:11:04,275 --> 00:11:05,655 THAT I DON'T KNOW ABOUT? 251 00:11:05,655 --> 00:11:08,448 THE WAY THIS BRIDGE IS BUILT, IT'S GOT THE ARCH, 252 00:11:08,448 --> 00:11:11,275 AND THEN IT'S GOT SUPPORTS GOING ACROSS THIS WAY. 253 00:11:11,275 --> 00:11:14,103 THEN IT'S GOT SUPPORTS GOING ACROSS THE OTHER WAY. 254 00:11:14,103 --> 00:11:16,551 SO, WE SOAKED A LITTLE BAND OF WOOD IN WATER 255 00:11:16,551 --> 00:11:18,551 SO THAT IT'LL HAVE AN EASIER BEND. 256 00:11:18,551 --> 00:11:20,172 WOODWORKERS OVER HERE. 257 00:11:21,655 --> 00:11:23,862 WE PUT THE FIRST ONE ON... 258 00:11:23,862 --> 00:11:24,793 ONE MORE, ONE MORE. 259 00:11:24,793 --> 00:11:25,793 IT LOOKS GREAT. 260 00:11:25,793 --> 00:11:27,379 WE PUT THE SECOND ONE ON... 261 00:11:27,379 --> 00:11:29,275 UH-OH. 262 00:11:29,275 --> 00:11:31,379 THIS HAD TO GO DOWN FIRST. 263 00:11:31,379 --> 00:11:34,275 ...AND THE THING IS, LIKE, COCKEYED. 264 00:11:34,275 --> 00:11:37,000 YOU HAD TO PICK THE ONE PIECE OF WOOD THAT'S GOT A KNOT IN IT? 265 00:11:37,000 --> 00:11:40,344 WANT TO GET A SCREWDRIVER. WAIT. 266 00:11:40,344 --> 00:11:41,793 OH. 267 00:11:43,620 --> 00:11:46,758 ALL RIGHT, SO, RIP IT OFF. WE CAN MAKE ANOTHER ONE. 268 00:11:46,758 --> 00:11:48,275 I MEAN, IF I GOT TO RIP THIS OFF, 269 00:11:48,275 --> 00:11:50,344 THE MODELING CHOCOLATE IS GONNA GET ALL DAMAGED, 270 00:11:50,344 --> 00:11:51,448 I HAVE TO DO ANOTHER ONE. 271 00:11:51,448 --> 00:11:53,758 CAN WE BREAK THIS? 272 00:11:53,758 --> 00:11:55,827 I'M GONNA BREAK YOUR HEAD. DON'T BREAK IT. 273 00:11:55,827 --> 00:11:58,068 I WANT TO TAKE THIS OFF CAREFULLY 274 00:11:58,068 --> 00:12:01,206 SO THAT WE DON'T HAVE TO RE-COVER THE WHOLE THING. 275 00:12:02,689 --> 00:12:06,034 WE GOT TO TAKE THAT OFF.SCORE IT FIRST. 276 00:12:06,034 --> 00:12:07,517 COME ON, MAN. 277 00:12:07,517 --> 00:12:09,689 AAH! 278 00:12:09,689 --> 00:12:12,379 WHY? 279 00:12:16,172 --> 00:12:17,655 CAN WE BREAK THIS? 280 00:12:17,655 --> 00:12:18,965 I'M GONNA BREAK YOUR HEAD. 281 00:12:18,965 --> 00:12:19,724 DON'T BREAK IT. 282 00:12:19,724 --> 00:12:21,413 WE GOT TO TAKE THAT OFF. 283 00:12:21,413 --> 00:12:22,655 SCORE IT FIRST, THEN, DANNY. 284 00:12:22,655 --> 00:12:23,310 OH. 285 00:12:24,793 --> 00:12:27,413 THE WAY THIS BRIDGE IS BUILT, 286 00:12:27,413 --> 00:12:30,655 WHERE WE BENT, THERE WAS A KNOT, AND THE KNOT SNAPPED. 287 00:12:30,655 --> 00:12:32,172 WE HAD TO RIP IT OFF. 288 00:12:32,172 --> 00:12:34,137 UH-OH.COME ON, MAN. 289 00:12:35,379 --> 00:12:36,275 AAH! 290 00:12:38,344 --> 00:12:40,931 YOU KNOW, I GET REALLY AGGRAVATED 291 00:12:40,931 --> 00:12:42,620 AT THIS KIND OF STUFF, 292 00:12:42,620 --> 00:12:46,034 BUT I KNOW, WHEN THERE'S A WILL, THERE'S A WAY. 293 00:12:46,034 --> 00:12:48,586 BLUH-BLUH-BLUH-BLUH. 294 00:12:48,586 --> 00:12:51,724 I CAN'T EVEN GET MAD AT YOU, EVEN THOUGH IT'S YOUR FAULT. 295 00:12:51,724 --> 00:12:55,689 HOW COULD IT BE-- HOW COULD IT BE MY FAULT? 296 00:12:57,137 --> 00:12:58,862 SO, WE GET ANOTHER PIECE READY 297 00:12:58,862 --> 00:13:00,448 AND WE DO IT AGAIN, AND THIS TIME, 298 00:13:00,448 --> 00:13:02,379 WE MAKE SURE THERE'S NO KNOTS IN THE WOOD. 299 00:13:09,000 --> 00:13:12,931 WELL, LET'S START TO REALLY ADD SOME DETAIL TO THIS BRIDGE. 300 00:13:12,931 --> 00:13:14,862 I WANT TO TRIM THIS THING OUT. 301 00:13:17,034 --> 00:13:18,413 YOU WANT THOSE RIVETS, TOO, RIGHT-- 302 00:13:18,413 --> 00:13:19,586 THOSE LITTLE CIRCLES? 303 00:13:19,586 --> 00:13:21,482 YEAH, SO, I'M THINKING, LIKE, SOMETHING LIKE THIS. 304 00:13:21,482 --> 00:13:23,724 I MEAN, WHEN YOU'RE DOING A BRIDGE, 305 00:13:23,724 --> 00:13:25,896 YOU REALLY WANT TO MAKE IT LOOK AUTHENTIC 306 00:13:25,896 --> 00:13:27,379 BY, LIKE, ADDING THE RIVETS, 307 00:13:27,379 --> 00:13:30,793 ADDING, YOU KNOW, LITTLE DETAILS LIKE THE ROAD SIGN 308 00:13:30,793 --> 00:13:33,310 SO THAT PEOPLE KNOW IT'S THE BRIDGE. 309 00:13:33,310 --> 00:13:34,379 IT LOOKS GOOD. 310 00:13:34,379 --> 00:13:36,931 NOW LET'S PAINT IT. 311 00:13:36,931 --> 00:13:39,517 ONCE WE GET THE BRIDGE ALL TRIMMED OUT, 312 00:13:39,517 --> 00:13:42,689 WE PAINT IT WITH A METALLIC SILVER FOOD COLORING, 313 00:13:42,689 --> 00:13:44,896 WHICH REALLY MAKES THE DETAILS POP. 314 00:13:44,896 --> 00:13:48,241 COME ON, NOW. FIT FOR PAPA. 315 00:13:48,241 --> 00:13:51,172 THEN, IT'S TIME TO GET THE ROADWAY IN PLACE. 316 00:13:51,172 --> 00:13:52,758 UH-HUH. 317 00:13:54,758 --> 00:13:57,206 THERE'S TWO OF THEM, AND THEY SHOULD GO RIGHT IN THE CENTER, 318 00:13:57,206 --> 00:13:58,275 RIGHT NEXT TO EACH OTHER. 319 00:13:58,275 --> 00:13:59,620 YEAH, ABSOLUTELY. 320 00:13:59,620 --> 00:14:01,655 I MEAN, THIS CAKE IS REALLY STARTING TO LOOK GREAT. 321 00:14:01,655 --> 00:14:02,655 IT LOOKS GOOD. 322 00:14:02,655 --> 00:14:05,379 THAT LOOK STRAIGHT? 323 00:14:15,551 --> 00:14:19,206 ALL RIGHT, GUYS. COME ON IN. COME CHECK IT OUT. 324 00:14:19,206 --> 00:14:21,724 WOW. LOOKS GREAT. 325 00:14:21,724 --> 00:14:23,517 YOU LIKE IT?LOVE IT. 326 00:14:23,517 --> 00:14:25,482 LOVE THE MASON JAR. 327 00:14:25,482 --> 00:14:27,482 I THINK IT SAYS "BEACH" BUT ALSO SAYS "COUNTRY." 328 00:14:27,482 --> 00:14:28,620 YES. 329 00:14:28,620 --> 00:14:30,068 REALLY LIKE THE COLORS. 330 00:14:30,068 --> 00:14:31,896 LIKE THE SEASHELLS. 331 00:14:31,896 --> 00:14:33,517 THE SAND LOOKS REAL. 332 00:14:33,517 --> 00:14:34,827 IT IS. NO, I'M KIDDING. 333 00:14:34,827 --> 00:14:36,931 IT'S SUGAR. IT'S BROWN SUGAR. 334 00:14:36,931 --> 00:14:39,517 "UGH. IT TASTES LIKE SAND." 335 00:14:39,517 --> 00:14:41,275 WE GOT ENGAGED ON THE BEACH, 336 00:14:41,275 --> 00:14:43,000 AND WE'RE GETTING MARRIED ON A FARM, 337 00:14:43,000 --> 00:14:45,206 AND HE INCLUDED BOTH OF THOSE ELEMENTS IN THE CAKE, 338 00:14:45,206 --> 00:14:46,206 WHICH WAS AMAZING. 339 00:14:46,206 --> 00:14:47,586 I NEVER THOUGHT THOSE TWO THINGS 340 00:14:47,586 --> 00:14:49,620 COULD BE PUT TOGETHER AND LOOK OKAY ON A CAKE. 341 00:14:49,620 --> 00:14:51,310 BUDDY REALLY PULLED THROUGH ON THIS. 342 00:14:51,310 --> 00:14:52,793 IT'S REALLY GONNA SET THE TONE 343 00:14:52,793 --> 00:14:54,344 FOR OUR ENGAGEMENT PARTY TONIGHT. 344 00:14:54,344 --> 00:14:56,862 LISTEN, WE COULDN'T BE HAPPIER FOR YOU GUYS. 345 00:14:56,862 --> 00:14:57,896 THANK YOU VERY MUCH.THANK YOU SO MUCH. 346 00:14:57,896 --> 00:14:59,586 CONGRATULATIONS. THANK YOU. 347 00:15:06,241 --> 00:15:09,689 SO, TONIGHT'S THE BIG COMMON GROUND EVENT IN CHICAGO. 348 00:15:09,689 --> 00:15:12,793 LET'S PIECE THE PEOPLE ON, LET'S DUST IT, LET'S WATER IT, 349 00:15:12,793 --> 00:15:14,379 AND LET'S GET ME ON THE ROAD. 350 00:15:17,344 --> 00:15:18,655 I THINK IT'S REALLY COOL 351 00:15:18,655 --> 00:15:20,862 WHAT COMMON DOES FOR THE KIDS OF CHICAGO. 352 00:15:20,862 --> 00:15:22,620 AND EVEN THOUGH A 12-HOUR DRIVE 353 00:15:22,620 --> 00:15:25,206 IS A LITTLE OUTSIDE OUR NORMAL DELIVERY ZONE, 354 00:15:25,206 --> 00:15:27,793 I'M THRILLED TO BE PART OF THIS CELEBRATION. 355 00:15:27,793 --> 00:15:28,689 YOU WANT TO START FROM HERE? 356 00:15:28,689 --> 00:15:29,689 YEAH. 357 00:15:29,689 --> 00:15:31,896 EVEN THOUGH THIS CAKE IS ABOUT 358 00:15:31,896 --> 00:15:35,655 THE COMMON GROUND FOUNDATION, IT'S BIGGER THAN THAT. 359 00:15:36,896 --> 00:15:39,241 TO THINK ABOUT THAT TIME IN HISTORY, 360 00:15:39,241 --> 00:15:41,034 WITH DR. KING AND THAT MARCH, 361 00:15:41,034 --> 00:15:42,448 YOU KNOW, THERE WAS PART OF ME 362 00:15:42,448 --> 00:15:44,689 THAT WANTED TO TELL THAT STORY THROUGH A CAKE. 363 00:15:44,689 --> 00:15:48,448 SO WE'RE ALSO MAKING A BIG MODELING-CHOCOLATE SILHOUETTE 364 00:15:48,448 --> 00:15:50,206 OF MARTIN LUTHER KING JR. 365 00:15:50,206 --> 00:15:53,068 THAT'S GONNA KIND OF LOOK OVER THE SCENE 366 00:15:53,068 --> 00:15:55,931 AS THE ICON OF THE CIVIL RIGHTS MOVEMENT. 367 00:15:55,931 --> 00:15:58,827 OKAY, SO... 368 00:15:58,827 --> 00:16:00,758 WAIT, I'M GONNA JUST LOOK FROM THE FRONT... 369 00:16:00,758 --> 00:16:02,310 ...'CAUSE I WANT TO SEE WHERE-- 370 00:16:02,310 --> 00:16:04,448 YOU TELL ME WHERE IT'S GONNA LIVE. 371 00:16:04,448 --> 00:16:05,620 THIS WAY? 372 00:16:05,620 --> 00:16:07,172 A LITTLE BIT. 373 00:16:07,172 --> 00:16:09,482 I LIKE IT. DONE. 374 00:16:10,931 --> 00:16:13,448 THE STARS OF THE SHOW ARE JOHN LEGEND AND COMMON, 375 00:16:13,448 --> 00:16:15,620 AND I'M GONNA PUT THEM FRONT AND CENTER. 376 00:16:15,620 --> 00:16:18,965 I'M THINKING, LIKE, RIGHT HERE. 377 00:16:20,482 --> 00:16:25,448 AND I THINK MR. JOHN LEGEND IS GONNA SIT OVER HERE. 378 00:16:27,310 --> 00:16:29,965 I LOVE IT. 379 00:16:29,965 --> 00:16:31,068 LET'S GET THE WATER. 380 00:16:31,068 --> 00:16:32,517 HUDSON RIVER BLUE. 381 00:16:32,517 --> 00:16:34,413 NO, THIS IS NICER THAN THE HUDSON RIVER. 382 00:16:36,758 --> 00:16:37,448 THERE. 383 00:16:41,379 --> 00:16:44,000 LOOK AT THAT. PRETTY COOL, HUH? 384 00:16:48,068 --> 00:16:51,103 I THINK IT BECAME AWESOME. WHAT DO YOU GUYS THINK? 385 00:16:51,103 --> 00:16:53,862 THIS IS-- THIS ONE IS, LIKE, NICE AND SIMPLE 386 00:16:53,862 --> 00:16:56,068 AND IS A REALLY GOOD COMPOSITION. 387 00:16:56,068 --> 00:16:57,344 I LIKE HOW IT'S PUT TOGETHER. 388 00:16:57,344 --> 00:16:58,344 I'M REALLY HAPPY WITH IT. 389 00:16:58,344 --> 00:16:59,965 I AM TOO. 390 00:16:59,965 --> 00:17:01,758 I THINK THE SCULPTURES CAME GREAT, TOO. 391 00:17:01,758 --> 00:17:03,862 RALPH, YOU DID A GOOD JOB.THANKS. 392 00:17:05,862 --> 00:17:09,068 I MEAN, IT LOOKS LIKE THE BRIDGE EXACTLY. 393 00:17:09,068 --> 00:17:11,965 AND THE MOST ICONIC PART, DR. KING IN THE BACK, 394 00:17:11,965 --> 00:17:15,379 KIND OF LOOKING OVER EVERYTHING PRETTY COOL. 395 00:17:15,379 --> 00:17:18,068 OKAY, COME ON, WE GOT TO GO TO CHICAGO. 396 00:17:18,068 --> 00:17:20,586 LET'S GO. 397 00:17:20,586 --> 00:17:21,655 OKAY. 398 00:17:21,655 --> 00:17:22,724 UH-OH. 399 00:17:22,724 --> 00:17:24,551 LET'S GO. IS HE TOO TALL? 400 00:17:24,551 --> 00:17:26,482 HE'S TOO TALL TO GO OUTSIDE. 401 00:17:28,206 --> 00:17:29,482 IT'S CLOSE, MAN. 402 00:17:29,482 --> 00:17:30,965 STOP! 403 00:17:30,965 --> 00:17:32,000 THERE WE GO. 404 00:17:32,000 --> 00:17:33,034 NO GOOD. 405 00:17:33,034 --> 00:17:34,862 WE'RE GONNA HAVE TO...TAKE IT OFF. 406 00:17:34,862 --> 00:17:36,517 YOU SURE? YEAH. 407 00:17:36,517 --> 00:17:38,310 YOU PULL THE OUTSIDE. 408 00:17:38,310 --> 00:17:39,344 ONE...TWO...THREE. 409 00:17:39,344 --> 00:17:40,551 WAIT A MINUTE! 410 00:17:40,551 --> 00:17:41,724 UP. UP. 411 00:17:41,724 --> 00:17:43,379 OKAY. DOWN AND UP. 412 00:17:43,379 --> 00:17:45,068 OH! SORRY. 413 00:17:45,068 --> 00:17:45,862 EASY, EASY. 414 00:17:45,862 --> 00:17:47,103 ALL RIGHT. 415 00:17:47,103 --> 00:17:48,379 WATCH HIS ARM.I GOT IT. 416 00:17:48,379 --> 00:17:50,551 COME UNDER, UNDER. UNDER, UNDER, UP. 417 00:17:50,551 --> 00:17:52,827 UP, UP, UP. UP. GO UP, GO UP. 418 00:17:52,827 --> 00:17:55,172 GOOD, GOOD. YOU'RE ON. YOU'RE ON, YOU'RE ON, YOU'RE ON. 419 00:17:57,000 --> 00:17:59,103 I MEAN, COME ON, IF IT'S THAT HARD 420 00:17:59,103 --> 00:18:01,068 TO GET IT OUT OF THE DECORATING ROOM, 421 00:18:01,068 --> 00:18:04,241 I CAN'T IMAGINE WHAT THE NEXT 800 MILES IS GONNA BE LIKE. 422 00:18:04,241 --> 00:18:06,758 I JUST HOPE THIS CAKE GETS THERE IN ONE PIECE. 423 00:18:06,758 --> 00:18:08,931 ALL RIGHT, OFF TO CHICAGO. 424 00:18:23,758 --> 00:18:26,793 I'M SO EXCITED TO BE PRESENTING THIS CAKE 425 00:18:26,793 --> 00:18:27,793 TO COMMON AND JOHN LEGEND. 426 00:18:29,758 --> 00:18:32,827 BIGGER THAN US IS THE CAUSE THAT WE'RE HERE FOR, 427 00:18:32,827 --> 00:18:35,896 AND WE KNOW THAT WE GOT A FRUITFUL FUTURE AHEAD OF US 428 00:18:35,896 --> 00:18:38,620 WITH THE BEAUTIFUL CHILDREN THAT WE SUPPORT, 429 00:18:38,620 --> 00:18:41,620 NOT ONLY IN OUR FOUNDATION BUT IN THE CITY OF CHICAGO. 430 00:18:41,620 --> 00:18:44,448 COMMON GIVING BACK IS AMAZING. 431 00:18:44,448 --> 00:18:47,275 AND THE FACT THAT JOHN LEGEND MADE IT THERE, TOO, 432 00:18:47,275 --> 00:18:48,896 REALLY SAYS A LOT ABOUT HIM. 433 00:18:48,896 --> 00:18:51,551 LADIES AND GENTLEMEN, 434 00:18:51,551 --> 00:18:56,206 IT IS MY DISTINCT HONOR TO CELEBRATE "GLORY" 435 00:18:56,206 --> 00:18:58,586 WITH BUDDY THE CAKE BOSS. 436 00:19:06,137 --> 00:19:09,655 I MEAN, YOU GOT TO SEE THIS CREATION RIGHT HERE, 437 00:19:09,655 --> 00:19:13,344 I MEAN, THANK YOU SO MUCH. THANK YOU SO MUCH. 438 00:19:13,344 --> 00:19:15,689 WE DROVE IT ALL THE WAY FROM NEW JERSEY FOR YOU, BROTHER. 439 00:19:15,689 --> 00:19:17,620 BUDDY, YOU NAILED IT. 440 00:19:17,620 --> 00:19:19,275 THE CAKE ITSELF, I THINK, 441 00:19:19,275 --> 00:19:22,206 CAPTURED EXACTLY WHAT THIS NIGHT WAS ABOUT. 442 00:19:22,206 --> 00:19:24,379 IT WAS A CELEBRATION OF "GLORY." 443 00:19:24,379 --> 00:19:27,034 IT WAS AN EXTENSION OF OUR EXPERIENCE 444 00:19:27,034 --> 00:19:28,965 ON THE EDMUND PETTUS BRIDGE. 445 00:19:28,965 --> 00:19:30,310 IT IS PRETTY PHENOMENAL. 446 00:19:39,000 --> 00:19:41,448 HI, GUYS. 447 00:19:41,448 --> 00:19:42,586 HEY! 448 00:19:42,586 --> 00:19:43,862 HOW ARE YOU FEELING? 449 00:19:43,862 --> 00:19:45,206 I'M HOME. 450 00:19:45,206 --> 00:19:47,689 SO, MAURO'S HOME FROM THE HOSPITAL, THANK GOD, 451 00:19:47,689 --> 00:19:49,310 BUT HE'S STILL PRETTY BANGED UP. 452 00:19:49,310 --> 00:19:51,551 I MUST HAVE FELL, LIKE, STRAIGHT BACK, 453 00:19:51,551 --> 00:19:53,448 'CAUSE I DIDN'T EVEN HIT MY SHOULDER. 454 00:19:53,448 --> 00:19:55,620 I HIT-- I HIT-- SEE THIS? SEE THE GRANITE? 455 00:19:55,620 --> 00:19:57,448 THIS IS THE GRANITE SADDLE. 456 00:19:57,448 --> 00:19:58,655 THE DENT, YEAH. 457 00:19:58,655 --> 00:20:00,000 IT SOUNDS WORSE THAN IT IS, 458 00:20:00,000 --> 00:20:02,310 BUT THE WORST THING WAS THAT I LOST TWO LITERS OF BLOOD. 459 00:20:02,310 --> 00:20:03,517 THAT WAS THE WORST THING. 460 00:20:03,517 --> 00:20:05,655 WELL, NOW YOU KNOW YOU GOT THE ULCER, 461 00:20:05,655 --> 00:20:07,482 YOU GOT TO TAKE BETTER CARE OF YOURSELF. 462 00:20:07,482 --> 00:20:08,896 THAT'S TRUE. 463 00:20:08,896 --> 00:20:12,103 MAURO IS MY BROTHER-IN-LAW, BUT HE'S LIKE MY BROTHER. 464 00:20:12,103 --> 00:20:13,448 YOU KNOW, I LOVE HIM. 465 00:20:13,448 --> 00:20:15,517 HE'S GOT TO TAKE CARE OF HIMSELF. 466 00:20:15,517 --> 00:20:18,068 THE MAIN THING IS STRESS, YOU KNOW? 467 00:20:18,068 --> 00:20:20,689 LIKE, AT WORK, HE CAN'T GET...UPSET. 468 00:20:20,689 --> 00:20:23,103 LISTEN, I KNOW, WHEN YOU YELL, 469 00:20:23,103 --> 00:20:25,862 YOU KNOW, THEN YOUSE ARGUE A LITTLE BIT, 470 00:20:25,862 --> 00:20:28,275 AND I DON'T WANT HIM TO GET UPSET. 471 00:20:28,275 --> 00:20:31,344 I MEAN, MADELINE AND MAURO ARE SO IN LOVE, THEY'RE SO CLOSE, 472 00:20:31,344 --> 00:20:33,965 I MEAN, GOD FORBID ANYTHING EVER HAPPENED TO HIM, 473 00:20:33,965 --> 00:20:35,896 I DON'T KNOW WHAT MY SISTER WOULD DO, 474 00:20:35,896 --> 00:20:38,206 THEIR THREE KIDS WOULD DO, ANY OF US WOULD DO. 475 00:20:38,206 --> 00:20:41,206 LOOK, MAIN THING IS THAT YOU'RE OKAY, 476 00:20:41,206 --> 00:20:43,103 WE KNOW WHAT'S GOING ON. 477 00:20:43,103 --> 00:20:46,103 STAY THE COURSE. TAKE AS MUCH TIME AS YOU NEED. 478 00:20:46,103 --> 00:20:47,344 BE SMART. 479 00:20:47,344 --> 00:20:48,620 THAT'S IT. ALL RIGHT? 480 00:20:48,620 --> 00:20:49,896 YOU GOT IT. 481 00:20:49,896 --> 00:20:51,931 MAURO IS GONNA BE OUT FOR AT LEAST A WEEK. 482 00:20:51,931 --> 00:20:53,137 THANKS A LOT FOR COMING. 483 00:20:53,137 --> 00:20:55,517 HEY, TAKE IT EASY.ALL RIGHT. BYE-BYE. 484 00:20:55,517 --> 00:20:57,827 BUT THE MOST IMPORTANT THING IS THAT HE DOESN'T RUSH 485 00:20:57,827 --> 00:20:59,689 AND HE TAKES HIS TIME AND HE GETS BETTER. 486 00:20:59,689 --> 00:21:01,137 TALK TO YOU LATER. I'LL CALL YOU LATER. 487 00:21:01,137 --> 00:21:01,896 ALL RIGHT. 488 00:21:01,896 --> 00:21:03,172 BYE. BYE. 489 00:21:03,172 --> 00:21:04,931 BYE. 35481

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