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>> MARISSA, THINK QUICK.
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>> OH, MAN!
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>> ON THIS EPISODE OF
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"CAKE BOSS"...
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IS THIS BUTTERCREAMED OR NO?
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>> MARISSA DID THAT.
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>> YEAH.
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>> YOU DON'T PUT IT, HONEY
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BUNNY, IT AIN'T GONNA STICK.
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>> THEY GOT MARISSA, THE WINNER
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OF "THE NEXT GREAT BAKER,"
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STARTING AT THE BAKERY.
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>> I'M A LITTLE BIT NERVOUS.
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>> YOU SHOULD BE.
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>> CAN YOU MAKE A CAKE THAT I
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WOULDN'T BE ABLE TO TELL THE
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DIFFERENCE BETWEEN THE TWO?
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>> ABSOLUTELY.
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ALL RIGHT.
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BRING OVER THE HEISMAN.
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>> WHOO!
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>> 20 YEARS.
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>> MARRIED 20 YEARS.
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LET'S DO SOMETHING DIFFERENT.
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THIS IS IT.
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>> WHAT IS IT?
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>> THE WOOSTER ST. SOCIAL CLUB.
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>> WHO'S GETTING TATTOOED?
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>> IF ANYONE'S GETTING TATTOOED,
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IT'S HIM.
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>> OH, MY ARM.
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>> THIS IS CARLO'S BAKERY.
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EVERY WEEK, THOUSANDS OF CAKES
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AND PASTRIES GO OUT THESE DOORS.
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THIS IS THE CREW --
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MIA FAMIGLIA.
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WE'RE GONNA TAKE THIS BAKERY
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TO THE TOP.
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THEY CALL ME BUDDY.
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I'M THE BOSS.
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>> WHAT'S GONNA HAPPEN IS YOU
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HAVE FOUR PLAYERS INVITED TO
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NEW YORK CITY FOR THE HEISMAN.
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I THINK ANDREW LUCK,
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TRENT RICHARDSON, MATT BARKLEY,
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AND ROBERT GRIFFIN III.
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PROBABLY IT.
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THOSE ARE YOUR TOP FOUR
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CANDIDATES.
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>> IT'S PRETTY COOL HERE.
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>> SO MUCH FOR SECURITY.
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WHAT DO WE GOT GOING ON, PAUL?
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>> PHIL KRUEGER FROM NISSAN AND
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BUDDY FROM CARLO'S BAKERY --
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THEY'RE HERE TO TALK TO YOU
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ABOUT THE HEISMAN TROPHY CAKE.
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>> COME ON IN, GUYS.
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>> AWESOME.
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SO, NISSAN WANTS ME TO MAKE A
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CAKE FOR THE HEISMAN TROPHY, AND
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THEY INVITED ME TO
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"THE DAN PATRICK SHOW" SO I
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COULD GO THERE AND KIND OF GET A
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FEEL OF WHAT IT LOOKS LIKE AND
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EXACTLY WHAT I'M GONNA MAKE.
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THIS IS A TROPHY?
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>> YEAH, KEEP YOUR HANDS OFF IT,
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BUDDY.
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WHAT'S GOING ON, BILL?
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>> WELL, DAN, YOU KNOW, WE'VE
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BEEN A PROUD PARTNER OF THE
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HEISMAN TROPHY FOR A NUMBER OF
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YEARS.
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THIS YEAR, WE WANT TO HONOR THE
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HEISMAN TROPHY TRUST, BECAUSE
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THE HEISMAN TRUST IS MORE THAN
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JUST ABOUT PICKING THE BEST
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COLLEGE FOOTBALL PLAYER.
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THEY'RE ALSO ABOUT CHARITY AND
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DONATING BACK.
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>> NOW, THIS CAKE IS FOR THE
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ACTUAL DINNER -- THE HEISMAN
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DINNER?
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>> IT'S THE HEISMAN GALA DINNER,
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YES.
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>> DO YOU KNOW WHAT YOU'RE
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DOING WITH THE CAKE, WHAT YOU
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WANT TO DO HERE?
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>> I KNOW THAT YOU KNOW COLLEGE
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FOOTBALL BETTER THAN ANYBODY.
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WE FIGURED WE'D COME HERE AND
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PICK YOUR BRAIN A LITTLE BIT SO
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THAT WE COULD COME UP WITH A
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GREAT CAKE.
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>> NO FLOWERS OR ANYTHING.
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I'VE SEEN SOME OF YOUR CAKES.
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THEY'RE PRETTY INCREDIBLE.
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>> I'M NOT GONNA PUT SOME
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FLOWERS ON THERE.
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>> I JUST WANT TO SAY -- SO, IF
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I MAKE A CALL TO THE HEISMAN
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TROPHY PEOPLE AND I SAY, "CAN WE
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REPLICATE THIS?" COULD YOU MAKE
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A CAKE LOOK EXACTLY -- THAT I
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WOULDN'T BE ABLE TO TELL THE
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DIFFERENCE BETWEEN THE TWO?
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>> ABSOLUTELY.
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DAN PATRICK ACTUALLY SITS ON A
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BOARD.
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HE'S ONE OF THE PEOPLE WHO VOTES
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ON WHO GETS THE TROPHY, AND I'M
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LIKE, "LISTEN, DAN, I PROMISE,
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THE ONLY WAY YOU'RE GONNA TELL
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THE DIFFERENCE IS BY TOUCH."
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I GUARANTEE YOU WE COULD TOTALLY
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NAIL THIS, AND YOU KNOW WHAT?
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I WOULDN'T SAY IT IF WE
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COULDN'T.
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THIS IS SUCH AN ICONIC PIECE OF
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HISTORY.
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>> YES.
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>> AND WE'RE EXCITED ABOUT THAT.
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WE'RE EXCITED TO BE DOING THIS.
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NOW I GOT TO LIVE UP TO MY
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EXPECTATIONS.
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>> THANKS, DAN.
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>> DON'T SCREW UP THE CAKE,
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BUDDY.
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>> I WON'T, DAN.
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DON'T WORRY ABOUT IT.
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>> WE'RE BACK AFTER THIS ON
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"THE DAN PATRICK SHOW."
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>> THIS WEEK IS A REALLY SPECIAL
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WEEK BECAUSE WE GOT MARISSA, THE
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WINNER OF "THE NEXT GREAT
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BAKER," STARTING AT THE BAKERY.
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>> AS FAR AS TODAY GOES, I JUST
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GOT A PHONE CALL FROM BUDDY
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SAYING HE NEEDS ME TO COME GET
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MY HANDS ON SOME PROJECT, AND
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I'M A LITTLE BIT NERVOUS.
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>> YOU SHOULD BE.
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>> [ CHUCKLES ]
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NOW I'M FREAKING OUT EVEN MORE.
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>> HERE WE GO.
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>> IS THIS MORE UNIFORM-LIKE?
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>> SEE, NOW AT LEAST YOU'RE
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WEARING THE CARLO'S BAKERY
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COLORS.
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>> IS THIS GOOD?
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>> OH, YEAH.
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>> I MEAN, MARISSA STILL GOT TO
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GO THROUGH A TEST.
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I MEAN, I PUT HER THROUGH HELL
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AND BACK ON "NEXT GREAT BAKER."
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I'LL GIVE THEM THAT -- ALL THE
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COMPETITORS -- BUT NOW YOU GOT
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TO THROW DOWN WITH ME EVERY DAY.
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OH, YOU MADE IT.
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ALL RIGHT, MARISSA. WELCOME.
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>> THANK YOU.
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>> HOW WE DOING?
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>> GOOD. HOW ARE YOU?
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>> EXCELLENT.
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ALL RIGHT, I WAS JUST AT
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DAN PATRICK, AND THERE'S A GALA
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FOR THE HEISMAN TROPHY, SO WHAT
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I WAS THINKING IS, PUT THAT ON A
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FOOTBALL FIELD -- OKAY? -- AND
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THEN BUILD, LIKE, A
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THREE-QUARTER STADIUM AROUND IT,
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WITH THE FANS KIND OF ROARING.
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YOU KNOW WHAT I'M TRYING TO SAY?
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SO WE'RE GONNA DO A BUNCH OF
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PEOPLE IN THE STANDS -- I'M
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TALKING LIKE 800, 1,000.
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>> HOW BIG DO YOU WANT -- ALL
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DIMENSIONS -- HOW BIG?
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5, 6 FEET? 6 FEET?
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>> I DON'T KNOW.
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MAYBE FROM MARISSA TO HERE.
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>> SO ABOUT 6 FEET?
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5, 6 FEET?
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>> THIS CAKE HAS GOT TO BE
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PHENOMENAL.
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>> VERY GOOD.
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BUTTERCREAM IS NICE, HUH?
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WE GOT TO DO THE BACK SIDE, THE
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END ZONE, AND THE END ZONE.
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SO CUT IT IN HALF, AND THEN THE
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LEFTOVERS WE'LL PUT TOGETHER TO
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DO THE TWO END ZONES, ALL RIGHT?
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I GOT TO GO DO SOMETHING FOR MY
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WIFE.
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>> NO PROBLEM.
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>> [ SPEAKS INDISTINCTLY ]
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>> YEP?
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>> LET ME SEE SOMETHING.
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THIS STUCK?
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OKAY. LET'S SEE.
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MARISSA, I NEED IT ICED UNDER,
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TOO.
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>> OKAY.
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>> SO WE CAN GO RIGHT OVER LIKE
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WE DID HERE.
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GO UP. PUSH.
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PUT IT DOWN.
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YOU KNOW, ANY NEW EMPLOYEE
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COMING HERE HAS GOT TO BE A
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LITTLE INTIMIDATED.
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MARISSA KNOWS A LOT OF BAKING
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AND DECORATING -- PROBABLY MORE
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BAKING THAN DECORATING.
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WE'RE GONNA KEEP HER ON
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DECORATING, BECAUSE I THINK
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THAT THAT'S WHAT SHE NEEDS MORE
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HELP WITH.
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IS THIS BUTTERCREAMED OR NO?
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>> I THINK MARISSA DID THAT.
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>> YEAH.
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>> YOU DID UNDER?
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>> I DIDN'T DO THAT YET.
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>> YOU DIDN'T GET HERE, EITHER.
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>> COME ON, ROOKIE.
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>> LOOK HERE.
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YOU DON'T PUT IT, HONEY BUNNY,
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IT AIN'T GONNA STICK.
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>> OKAY.
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I SHOULD HAVE JUST BUTTERCREAMED
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THE WHOLE THING.
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I JUST WASN'T WORKING AS FAST AS
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I SHOULD HAVE.
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I'M NOT REALLY USED TO THEM
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BEING RIGHT BEHIND ME WITH
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FONDANT AS I'M BUTTERCREAMING.
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I'M NOT USED TO THE FAST PACE OF
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SO MANY PEOPLE ON ONE CAKE, SO
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I HAVE TO GET USED TO JUST, YOU
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KNOW, GET MY JOB DONE WHEN THEY
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SAY TO DO IT.
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>> THE TRICK IS, MARISSA, WHEN I
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WORK WITH MY TEAM, YOU HAVE TO
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KNOW WHAT I'M THINKING BEFORE I
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THINK IT.
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>> OKAY.
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>> YOU GOT TO KNOW WHAT HE'S
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THINKING BEFORE HE KNOWS WHAT
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HE'S THINKING.
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>> OKAY.
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>> 95.
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I CALLED FOR ARUGULA.
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ARUGULA'S COMING.
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>> MADD, COME ON.
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>> WHERE YOU GOING?
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>> WE GOT TO GO SOMEPLACE.
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>> 20 YEARS.
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>> MARRIED 20 YEARS.
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>> IN THE BLINK OF AN EYE.
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I CAN'T BELIEVE I'M MARRIED
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20 YEARS.
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>> IT'S TRUE. IT'S TRUE.
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THIS YEAR, WE ACTUALLY HAD
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GRACE'S 20th, 'CAUSE THEY GOT
264
00:06:35,800 --> 00:06:37,233
MARRIED THE SAME YEAR.
265
00:06:37,233 --> 00:06:38,967
>> BUDDY CELEBRATED 10 YEARS.
266
00:06:38,967 --> 00:06:40,233
>> BUDDY CELEBRATED HIS 10th.
267
00:06:40,233 --> 00:06:42,300
HE WAS GONNA TAKE A FAMILY TRIP.
268
00:06:42,300 --> 00:06:44,200
BUDDY TOOK A BIG FAMILY TRIP,
269
00:06:44,200 --> 00:06:46,067
'CAUSE WE ALL WENT WITH HIM.
270
00:06:46,067 --> 00:06:48,933
AND THEN JOE, HE DID A REPLICA
271
00:06:48,933 --> 00:06:51,867
OF HIS ORIGINAL WEDDING CAKE.
272
00:06:51,867 --> 00:06:53,233
>> AND THE CAKE LOOKED JUST LIKE
273
00:06:53,233 --> 00:06:54,233
THE ORIGINAL ONE.
274
00:06:54,233 --> 00:06:55,467
>> YEAH. EXACTLY.
275
00:06:55,467 --> 00:06:56,700
SO I SAID, "YOU KNOW WHAT?
276
00:06:56,700 --> 00:06:58,767
THE WEDDING CAKE'S BEEN DONE,
277
00:06:58,767 --> 00:06:59,867
THE TRIP HAS BEEN DONE.
278
00:06:59,867 --> 00:07:00,700
YOU KNOW WHAT?
279
00:07:00,700 --> 00:07:02,433
LET'S DO SOMETHING, YOU KNOW,
280
00:07:02,433 --> 00:07:04,967
DIFFERENT."
281
00:07:13,433 --> 00:07:14,733
WE'RE HERE.
282
00:07:14,733 --> 00:07:16,167
>> THANK YOU.
283
00:07:16,167 --> 00:07:18,367
>> THANK YOU, SIR.
284
00:07:25,200 --> 00:07:26,067
THIS IS IT.
285
00:07:26,067 --> 00:07:27,233
>> WHAT IS THIS?
286
00:07:27,233 --> 00:07:29,233
>> THE WOOSTER ST. SOCIAL CLUB.
287
00:07:29,233 --> 00:07:30,333
>> SOCIAL CLUB?
288
00:07:30,333 --> 00:07:31,600
IT SAYS "TATTOOS."
289
00:07:31,600 --> 00:07:33,133
>> IT'S A SOCIAL CLUB.
290
00:07:33,133 --> 00:07:35,367
>> I'M CONFUSED.
291
00:07:42,367 --> 00:07:43,467
>> THIS IS IT.
292
00:07:43,467 --> 00:07:44,700
>> WHAT IS THIS?
293
00:07:44,700 --> 00:07:46,533
>> THE WOOSTER ST. SOCIAL CLUB.
294
00:07:46,533 --> 00:07:47,567
>> SOCIAL CLUB?
295
00:07:47,567 --> 00:07:48,733
IT SAYS "TATTOOS."
296
00:07:48,733 --> 00:07:49,800
>> IT'S A SOCIAL CLUB.
297
00:07:49,800 --> 00:07:53,800
>> I'M CONFUSED.
298
00:07:53,800 --> 00:07:58,867
[ ROCK MUSIC PLAYS ]
299
00:07:58,867 --> 00:08:00,600
I STILL DON'T UNDERSTAND.
300
00:08:00,600 --> 00:08:02,300
>> YOU'LL UNDERSTAND SOON
301
00:08:02,300 --> 00:08:03,167
ENOUGH.
302
00:08:03,167 --> 00:08:05,100
>> I HAVE AN IDEA NOW.
303
00:08:05,100 --> 00:08:06,233
>> WHAT'S YOUR IDEA?
304
00:08:06,233 --> 00:08:07,633
>> BUT I DON'T UNDERSTAND.
305
00:08:07,633 --> 00:08:08,267
>> HELLO.
306
00:08:08,267 --> 00:08:08,767
>> HI.
307
00:08:08,767 --> 00:08:09,267
>> HI.
308
00:08:09,267 --> 00:08:09,767
>> HI.
309
00:08:09,767 --> 00:08:11,767
>> WE'RE HERE TO SEE TIM.
310
00:08:11,967 --> 00:08:13,300
>> HEY, HOW YOU GUYS DOING?
311
00:08:13,300 --> 00:08:15,700
>> HI, HOW ARE YOU? MADELINE.
312
00:08:15,900 --> 00:08:17,467
>> HOW YOU DOING? TIM.
313
00:08:17,467 --> 00:08:18,300
>> HOW ARE YOU?
314
00:08:18,300 --> 00:08:19,500
>> I'M A LITTLE SHOCKED.
315
00:08:19,500 --> 00:08:21,400
>> WHO'S GETTING TATTOOED?
316
00:08:21,400 --> 00:08:23,067
>> IF ANYONE'S GETTING TATTOOED,
317
00:08:23,067 --> 00:08:24,067
IT'S HIM.
318
00:08:24,067 --> 00:08:24,667
[ LAUGHS ]
319
00:08:24,667 --> 00:08:25,967
>> I'M GONNA GET A TATTOO TODAY.
320
00:08:25,967 --> 00:08:26,667
>> OKAY, COOL.
321
00:08:26,667 --> 00:08:27,767
WHAT DO YOU WANT TO GET?
322
00:08:27,767 --> 00:08:30,067
>> UM...
323
00:08:30,067 --> 00:08:31,567
PROBABLY A PICTURE OF HER -- HER
324
00:08:31,567 --> 00:08:33,067
FACE ON MY ARM.
325
00:08:33,067 --> 00:08:33,667
>> PORTRAIT?
326
00:08:33,667 --> 00:08:34,500
>> PORTRAIT. YEAH.
327
00:08:34,500 --> 00:08:35,300
>> OF ME?
328
00:08:35,300 --> 00:08:36,500
>> YEAH. OF YOU.
329
00:08:36,500 --> 00:08:37,500
>> GIVE ME A KISS.
330
00:08:37,500 --> 00:08:38,733
>> WE JUST CELEBRATED OUR 20th
331
00:08:38,733 --> 00:08:39,467
ANNIVERSARY.
332
00:08:39,467 --> 00:08:40,467
>> YOU DIDN'T KNOW?
333
00:08:40,467 --> 00:08:41,933
>> HE'S BEEN SAYING FOR YEARS
334
00:08:41,933 --> 00:08:43,300
HE WANTED A TATTOO, BUT IT WAS
335
00:08:43,300 --> 00:08:44,600
LIKE, "HE'S NEVER GONNA GET A
336
00:08:44,600 --> 00:08:45,100
TATTOO."
337
00:08:45,100 --> 00:08:45,833
>> YEAH, YEAH.
338
00:08:45,833 --> 00:08:47,133
>> I CAN'T BELIEVE YOU'RE --
339
00:08:47,133 --> 00:08:48,433
>> THIS IS YOUR FIRST TATTOO?
340
00:08:48,433 --> 00:08:49,267
>> FIRST TATTOO.
341
00:08:49,267 --> 00:08:50,133
>> EVER.
342
00:08:50,333 --> 00:08:52,267
>> I ALWAYS WANTED TO GET ONE OF
343
00:08:52,267 --> 00:08:54,100
HER, BUT I WAS ALWAYS LIKE, YOU
344
00:08:54,100 --> 00:08:56,067
KNOW, BEING OLD-SCHOOL, I DIDN'T
345
00:08:56,067 --> 00:08:57,767
THINK IT WAS ANYTHING THAT --
346
00:08:57,967 --> 00:08:59,267
>> DOES HE LOOK LIKE THE TATTOO
347
00:08:59,267 --> 00:08:59,800
TYPE?
348
00:08:59,800 --> 00:09:01,567
HE'S NOT GONNA GET A TATTOO.
349
00:09:01,567 --> 00:09:02,867
>> TURN THIS WAY JUST A LITTLE
350
00:09:02,867 --> 00:09:04,933
BIT AND SMILE.
351
00:09:04,933 --> 00:09:06,367
>> I WAS GONNA GET MAYBE HER
352
00:09:06,367 --> 00:09:07,567
NAME -- KEEP IT SOMETHING
353
00:09:07,567 --> 00:09:09,467
SIMPLE -- BUT THEN I SAID I
354
00:09:09,467 --> 00:09:11,067
THINK A FACE WOULD BE BETTER.
355
00:09:11,067 --> 00:09:12,600
>> I'M GONNA PUT IT IN THE
356
00:09:12,600 --> 00:09:14,400
COMPUTER, PRINT IT OUT, DO MY --
357
00:09:14,400 --> 00:09:15,300
WORK MY LITTLE MAGIC.
358
00:09:15,300 --> 00:09:16,467
YOU GUYS ARE WELCOME TO HANG
359
00:09:16,467 --> 00:09:17,700
OUT, LOOK AT BOOKS, OR YOU CAN
360
00:09:17,700 --> 00:09:19,333
SIT ON THE COUCH AND RELAX OVER
361
00:09:19,333 --> 00:09:19,767
THERE.
362
00:09:19,767 --> 00:09:20,433
>> VERY GOOD.
363
00:09:20,433 --> 00:09:21,133
>> TAKE A LOAD OFF.
364
00:09:21,133 --> 00:09:22,200
>> WE'LL SIT ON THE COUCH HERE.
365
00:09:22,200 --> 00:09:23,667
>> PERFECT.
366
00:09:23,667 --> 00:09:26,533
GIVE ME 10, 15 MINUTES.
367
00:09:26,533 --> 00:09:28,167
>> BUT YOU REALLY WANT TO GO
368
00:09:28,167 --> 00:09:29,500
THROUGH WITH THIS?
369
00:09:29,500 --> 00:09:30,267
>> YEAH.
370
00:09:30,267 --> 00:09:31,533
WHY NOT? IT'S JUST A TATTOO.
371
00:09:31,533 --> 00:09:33,167
>> WAIT TILL MY FAMILY HEARS.
372
00:09:33,167 --> 00:09:38,733
[ CHUCKLES ]
373
00:09:38,733 --> 00:09:40,467
>> YOU KNOW WHAT, DANNY, GIVE
374
00:09:40,467 --> 00:09:43,867
ME -- GIVE ME 14x26 ONE, TWO,
375
00:09:43,867 --> 00:09:45,667
THREE.
376
00:09:45,667 --> 00:09:49,400
6x26, TWO-PIECE, GREEN.
377
00:09:49,400 --> 00:09:51,933
6x48, GREEN.
378
00:09:51,933 --> 00:09:54,667
14x48, RED.
379
00:09:54,667 --> 00:09:56,367
>> HUT, HUT, HUT!
380
00:09:56,367 --> 00:09:57,967
>> SORRY.
381
00:09:57,967 --> 00:09:59,367
>> GET IN THERE.
382
00:09:59,367 --> 00:10:01,500
GAPS MEAN IT DOESN'T STICK.
383
00:10:01,500 --> 00:10:03,967
MARISSA'S GOT TO LEARN THAT WE
384
00:10:03,967 --> 00:10:06,500
HAVE A WAY OF WORKING WHERE WE
385
00:10:06,500 --> 00:10:08,700
DON'T KNOW HOW TO FAIL HERE.
386
00:10:08,700 --> 00:10:10,667
WE DO IT UNTIL IT'S DONE, AND
387
00:10:10,667 --> 00:10:13,400
THAT'S WHAT SHE'S GOT TO GET.
388
00:10:13,400 --> 00:10:16,467
OH, YEAH. NICE.
389
00:10:16,467 --> 00:10:21,233
LET'S DIRTY-ICE IT.
390
00:10:21,233 --> 00:10:22,667
>> THERE WE GO.
391
00:10:22,667 --> 00:10:24,500
>> SO, I TOLD RALPH TO MAKE A
392
00:10:24,500 --> 00:10:25,900
MODELING-CHOCOLATE SCULPTURE
393
00:10:25,900 --> 00:10:27,433
OF THE HEISMAN, BECAUSE HE'S MY
394
00:10:27,433 --> 00:10:28,633
BEST SCULPTOR.
395
00:10:28,633 --> 00:10:30,667
>> HEISMAN.
396
00:10:30,667 --> 00:10:32,600
>> WANT TO MAKE, LIKE, 8,000 OF
397
00:10:32,600 --> 00:10:34,000
THESE THINGS.
398
00:10:34,000 --> 00:10:35,733
>> YOU WANT A CAKE TO KIND OF
399
00:10:35,733 --> 00:10:37,633
TELL A STORY.
400
00:10:37,633 --> 00:10:39,133
I WANT IT TO REPRESENT THE
401
00:10:39,133 --> 00:10:40,567
TROPHY, BUT I WANT IT TO
402
00:10:40,567 --> 00:10:42,467
REPRESENT THE PEOPLE.
403
00:10:42,467 --> 00:10:44,067
SO MY IDEA FOR THIS CAKE IS TO
404
00:10:44,067 --> 00:10:45,733
HAVE ALL THE STADIUM FILLED WITH
405
00:10:45,733 --> 00:10:47,367
ALL THESE DIFFERENT FANS TO
406
00:10:47,367 --> 00:10:49,067
REPRESENT ALL THE PEOPLE THAT
407
00:10:49,067 --> 00:10:50,533
THE HEISMAN TRUST HELPS.
408
00:10:50,533 --> 00:10:51,800
>> HOW'D THE FOOTBALL PLAYER
409
00:10:51,800 --> 00:10:52,900
BREAK HIS FINGER IN THE PHONE
410
00:10:52,900 --> 00:10:55,800
BOOTH?
411
00:10:55,800 --> 00:10:57,067
HE WAS TRYING TO GET HIS QUARTER
412
00:10:57,067 --> 00:10:59,333
BACK.
413
00:11:17,133 --> 00:11:18,233
>> I PROMISE NOT TO LOOK.
414
00:11:18,233 --> 00:11:19,233
I WANT TO BE COMPLETELY
415
00:11:19,233 --> 00:11:19,800
SURPRISED.
416
00:11:19,800 --> 00:11:20,933
>> I DON'T WANT YOU TO LOOK
417
00:11:20,933 --> 00:11:21,967
WHILE I'M TATTOOING IT.
418
00:11:21,967 --> 00:11:23,333
>> NO.
419
00:11:23,333 --> 00:11:24,533
>> I CAN'T BELIEVE WE'RE MARRIED
420
00:11:24,533 --> 00:11:25,367
20 YEARS.
421
00:11:25,367 --> 00:11:27,067
>> IT'S TRUE. IT'S TRUE.
422
00:11:27,067 --> 00:11:28,900
>> SEE WHICH SIZE WILL BE BETTER
423
00:11:28,900 --> 00:11:29,633
HERE.
424
00:11:29,633 --> 00:11:32,100
I THINK THAT'S A NICE SIZE.
425
00:11:32,100 --> 00:11:33,833
>> I WAS SO EXCITED.
426
00:11:33,833 --> 00:11:35,600
I COULDN'T BELIEVE THAT YOU
427
00:11:35,600 --> 00:11:38,067
WOULD ACTUALLY GET ME TATTOOED.
428
00:11:38,067 --> 00:11:39,667
>> YOU AIN'T GOING NOWHERE.
429
00:11:39,667 --> 00:11:41,067
LIKE A BALL AND CHAIN.
430
00:11:41,067 --> 00:11:41,800
[ LAUGHS ]
431
00:11:41,800 --> 00:11:43,700
>> THAT'S RIGHT.
432
00:11:43,700 --> 00:11:45,133
>> LIKE THE LOVE THAT I HAVE FOR
433
00:11:45,133 --> 00:11:46,367
HER, THIS IS NEVER GONNA GO
434
00:11:46,367 --> 00:11:47,633
AWAY.
435
00:11:47,633 --> 00:11:49,833
HOLY MOLEY.
436
00:11:49,833 --> 00:11:51,233
A LOT OF PEOPLE TELLING ME,
437
00:11:51,233 --> 00:11:52,600
"DON'T HAVE HER NAME PUT ON
438
00:11:52,600 --> 00:11:54,067
THERE, 'CAUSE THE NAME IS BAD
439
00:11:54,067 --> 00:11:54,433
LUCK.
440
00:11:54,433 --> 00:11:55,833
DON'T, LIKE, HAVE THEM PUT
441
00:11:55,833 --> 00:11:56,967
'MADELINE.'"
442
00:11:56,967 --> 00:11:58,867
BUT I WANT TO PERSONALIZE IT A
443
00:11:58,867 --> 00:11:59,567
LITTLE BIT.
444
00:11:59,567 --> 00:12:01,067
I WANT TO BE "MADD 4 YOU" --
445
00:12:01,067 --> 00:12:02,633
M-A-D-D -- 'CAUSE I ALWAYS CALL
446
00:12:02,633 --> 00:12:03,267
HER "MADD."
447
00:12:03,267 --> 00:12:05,733
SO "MADD," THE NUMBER 4, "YOU."
448
00:12:05,733 --> 00:12:06,567
>> [ CHUCKLES ]
449
00:12:06,567 --> 00:12:09,133
THE TIME IS HERE.
450
00:12:09,133 --> 00:12:10,600
>> ALL RIGHT. YOU READY?
451
00:12:10,600 --> 00:12:11,067
>> I'M READY.
452
00:12:11,067 --> 00:12:12,767
>> READY FOR YOUR FIRST TATTOO?
453
00:12:12,767 --> 00:12:16,067
[ TATTOO NEEDLE BUZZING ]
454
00:12:16,067 --> 00:12:17,433
>> I FEEL LIKE I'M AT THE
455
00:12:17,433 --> 00:12:18,667
DENTIST, AND I DON'T LIKE THE
456
00:12:18,667 --> 00:12:19,700
DENTIST.
457
00:12:19,700 --> 00:12:23,600
>> [ LAUGHS ]
458
00:12:23,600 --> 00:12:25,300
>> OH, MARONE.
459
00:12:32,133 --> 00:12:35,333
>> SUIT ME UP, SON.
460
00:12:35,333 --> 00:12:37,333
>> * FIGHT, FIGHT, FIGHT *
461
00:12:37,333 --> 00:12:38,633
>> GONNA FIT IN THE SHIRT?
462
00:12:38,633 --> 00:12:39,533
>> I DON'T KNOW.
463
00:12:39,533 --> 00:12:40,500
>> GONNA FIND OUT.
464
00:12:40,500 --> 00:12:41,733
>> IT'S LIKE GETTING SAUSAGE
465
00:12:41,733 --> 00:12:43,333
INTO A CASING.
466
00:12:43,333 --> 00:12:44,633
>> OH, MY GOD!
467
00:12:44,633 --> 00:12:46,133
>> YOU KNOW, MAKING A CAKE FOR
468
00:12:46,133 --> 00:12:47,533
THE HEISMAN TROPHY BRINGS US
469
00:12:47,533 --> 00:12:48,833
BACK TO OUR FOOTBALL DAYS, YOU
470
00:12:48,833 --> 00:12:50,067
KNOW, WHEN WE WERE A LITTLE
471
00:12:50,067 --> 00:12:51,100
LEANER, WHEN WE USED TO PLAY.
472
00:12:51,300 --> 00:12:52,933
SO WE TOLD DANNY, "PUT ON SOME
473
00:12:52,933 --> 00:12:54,133
FOOTBALL PADS," YOU KNOW?
474
00:12:54,333 --> 00:12:57,567
>> COME ON, DANNY.
475
00:12:57,567 --> 00:12:59,267
>> GET FRANKIE AND DANNY OVER
476
00:12:59,267 --> 00:12:59,733
HERE.
477
00:12:59,733 --> 00:13:00,700
WHERE ARE THEY?
478
00:13:00,700 --> 00:13:01,333
>> WE'RE RIGHT HERE.
479
00:13:01,333 --> 00:13:02,233
>> COME ON. LET'S GO.
480
00:13:02,233 --> 00:13:03,433
>> [BLEEP]
481
00:13:03,433 --> 00:13:05,067
>> [ CHUCKLES ]
482
00:13:05,067 --> 00:13:06,433
OH, MY GOD.
483
00:13:06,433 --> 00:13:08,500
>> [ LAUGHS ]
484
00:13:08,500 --> 00:13:09,767
>> YOU LIKE IT?
485
00:13:09,767 --> 00:13:10,633
YOU LIKE IT?
486
00:13:10,633 --> 00:13:12,333
>> WHERE'D YOU GET THAT HELMET?
487
00:13:12,533 --> 00:13:14,067
>> I TRY TO TAKE IT SERIOUSLY
488
00:13:14,067 --> 00:13:15,500
HERE, BUT I FEEL LIKE IT'S A
489
00:13:15,500 --> 00:13:17,467
LOT MORE FUN AND GAMES.
490
00:13:19,933 --> 00:13:20,633
>> [ GRUNTS ]
491
00:13:20,633 --> 00:13:21,700
>> [ LAUGHS ]
492
00:13:21,700 --> 00:13:22,467
>> PLAY FOOTBALL?
493
00:13:22,467 --> 00:13:23,333
>> NO, NOT AT ALL.
494
00:13:23,333 --> 00:13:24,700
>> DO YOU WANT TO PLAY FOOTBALL?
495
00:13:24,700 --> 00:13:25,567
>> NOT REALLY.
496
00:13:25,567 --> 00:13:26,767
>> CAN WE FINISH THE CAKE?
497
00:13:26,767 --> 00:13:27,800
>> PLAY QUARTERBACK.
498
00:13:27,800 --> 00:13:28,900
>> CAN WE FINISH THE CAKE?
499
00:13:28,900 --> 00:13:30,067
>> YOU KNOW, IT'S GOT TO BE
500
00:13:30,067 --> 00:13:31,400
PRETTY INTIMIDATING FOR MARISSA,
501
00:13:31,400 --> 00:13:32,900
BEING AROUND ALL US GUYS.
502
00:13:32,900 --> 00:13:35,067
>> MARISSA, THINK QUICK.
503
00:13:35,067 --> 00:13:36,467
>> OH, MAN!
504
00:13:36,467 --> 00:13:38,067
>> BUT IF SHE WANTS TO BE PART
505
00:13:38,067 --> 00:13:39,733
OF THE CLAN, THAT'S HOW IT GOES,
506
00:13:39,733 --> 00:13:41,133
BABY.
507
00:13:41,133 --> 00:13:42,667
>> IS THIS WHAT I GOT SIGNED UP
508
00:13:42,667 --> 00:13:43,300
FOR?
509
00:13:43,300 --> 00:13:45,833
REALLY?
510
00:13:45,833 --> 00:13:48,333
>> SOMETHING LIKE THIS, I'LL --
511
00:13:48,333 --> 00:13:50,167
BE MY GIFT TO HER.
512
00:13:50,167 --> 00:13:51,867
>> THIS IS FOREVER.
513
00:13:51,867 --> 00:13:53,100
>> THIS ISN'T GOING ANYWHERE.
514
00:13:53,100 --> 00:13:53,500
>> NO.
515
00:13:53,500 --> 00:13:55,067
>> THIS IS HERE.
516
00:13:55,067 --> 00:13:56,267
>> THAT'S IT.
517
00:13:56,267 --> 00:13:57,400
>> I CAN'T WAIT TO SEE IT.
518
00:13:57,400 --> 00:13:58,967
>> I CAN'T WAIT FOR YOU TO SEE
519
00:13:58,967 --> 00:13:59,333
IT.
520
00:13:59,333 --> 00:14:00,833
SO, HOW DID YOU GUYS MEET?
521
00:14:00,833 --> 00:14:02,300
>> WE MET ACTUALLY AT THE
522
00:14:02,300 --> 00:14:02,900
BAKERY.
523
00:14:02,900 --> 00:14:04,733
I WAS DOING CONSTRUCTION, AND WE
524
00:14:04,733 --> 00:14:05,933
WERE HALFWAY THROUGH, AND SHE
525
00:14:05,933 --> 00:14:07,200
CAME TO VISIT ONE DAY WITH HER
526
00:14:07,200 --> 00:14:09,667
EX-BOYFRIEND, AND I WAS STANDING
527
00:14:09,667 --> 00:14:10,933
THERE WITH MY FUTURE
528
00:14:10,933 --> 00:14:12,833
FATHER-IN-LAW, AND WE WERE JUST
529
00:14:12,833 --> 00:14:13,333
TALKING.
530
00:14:13,333 --> 00:14:14,467
THEY WALKED IN, AND I GO, "WHO'S
531
00:14:14,467 --> 00:14:15,100
THE HOT CHICK?"
532
00:14:15,100 --> 00:14:16,467
HE GOES, "THAT'S MY DAUGHTER."
533
00:14:16,467 --> 00:14:17,767
[ LAUGHTER ]
534
00:14:17,767 --> 00:14:19,567
I MIGHT HAVE MESSED UP THERE.
535
00:14:19,567 --> 00:14:21,433
YOU KNOW WHAT I MEAN?
536
00:14:21,633 --> 00:14:23,633
>> WHEN I FIRST MET MAURO, MY
537
00:14:23,633 --> 00:14:25,300
FIRST IMPRESSION WAS, "WOW, HE'S
538
00:14:25,300 --> 00:14:28,533
SUCH A NICE, BIG, STRONG GUY."
539
00:14:28,733 --> 00:14:31,500
I LIKED HIM INSTANTLY, FROM THE
540
00:14:31,500 --> 00:14:32,467
FIRST TIME I MET HIM.
541
00:14:32,467 --> 00:14:33,767
YOU KNOW, I NEVER BELIEVED IN
542
00:14:33,767 --> 00:14:35,133
THAT TILL IT HAPPENED TO ME.
543
00:14:35,133 --> 00:14:36,500
LIKE, OH, THEY SAY, "LOVE AT
544
00:14:36,500 --> 00:14:37,267
FIRST SIGHT."
545
00:14:37,267 --> 00:14:39,367
LIKE, I KNEW THAT I LOVED HIM.
546
00:14:39,367 --> 00:14:42,233
>> THAT WAS SEPTEMBER 9, 1989.
547
00:14:42,233 --> 00:14:44,767
>> WE WENT OUT SEPTEMBER 16th.
548
00:14:44,767 --> 00:14:46,333
WE STILL CELEBRATE THAT DATE
549
00:14:46,333 --> 00:14:47,167
EVERY YEAR.
550
00:14:47,167 --> 00:14:49,133
THAT WAS THE FIRST DATE WE EVER
551
00:14:49,133 --> 00:14:49,700
WENT ON.
552
00:14:49,700 --> 00:14:51,833
AND EVER SINCE THAT NIGHT, WE
553
00:14:51,833 --> 00:14:53,300
WANTED TO SEE EACH OTHER EVERY
554
00:14:53,300 --> 00:14:53,933
DAY.
555
00:14:53,933 --> 00:14:56,067
>> AND WE BASICALLY DID.
556
00:14:56,067 --> 00:15:02,333
[ TATTOO NEEDLE BUZZING ]
557
00:15:02,333 --> 00:15:03,833
>> FIGURE OUT THE LINES OF THE
558
00:15:03,833 --> 00:15:04,367
CAKES.
559
00:15:04,367 --> 00:15:05,767
START PUTTING THE PEOPLE IN THE
560
00:15:05,767 --> 00:15:07,400
STANDS, 'CAUSE YOU DON'T HAVE
561
00:15:07,400 --> 00:15:09,067
TO BE A GENIUS TO FIGURE THIS
562
00:15:09,067 --> 00:15:09,500
OUT.
563
00:15:09,500 --> 00:15:10,467
>> I THINK THE BOYS ARE
564
00:15:10,467 --> 00:15:11,633
RECEIVING MARISSA REALLY GOOD,
565
00:15:11,633 --> 00:15:12,800
BUT, OF COURSE, THEY'RE GONNA
566
00:15:12,800 --> 00:15:14,067
BUST HER CHOPS A LITTLE BIT.
567
00:15:14,067 --> 00:15:16,067
I MEAN, YOU KNOW, IT'S HER FIRST
568
00:15:16,067 --> 00:15:18,900
WEEK HERE.
569
00:15:18,900 --> 00:15:20,567
RALPH WAS FINISHING UP THE
570
00:15:20,567 --> 00:15:22,367
HEISMAN TROPHY, AND, I MEAN,
571
00:15:22,367 --> 00:15:26,700
IT'S LOOKING AWESOME.
572
00:15:26,700 --> 00:15:28,333
>> HEISMAN, YOU WANT A HIGH
573
00:15:28,333 --> 00:15:30,800
FIVE?
574
00:15:30,800 --> 00:15:32,067
>> YOU GUYS ALL HAVE BEEN
575
00:15:32,067 --> 00:15:33,467
WORKING WITH BUDDY FOR OBVIOUSLY
576
00:15:33,467 --> 00:15:34,133
A LONG TIME.
577
00:15:34,133 --> 00:15:35,533
WHO HAS BEEN HERE THE LONGEST?
578
00:15:35,533 --> 00:15:36,667
>> DANNY'S BEEN HERE THE
579
00:15:36,667 --> 00:15:37,200
LONGEST.
580
00:15:37,200 --> 00:15:39,067
>> DO YOU KNOW EVERYTHING THAT
581
00:15:39,067 --> 00:15:40,800
BUDDY'S THINKING BEFORE HE'S
582
00:15:40,800 --> 00:15:41,500
THINKING IT?
583
00:15:41,500 --> 00:15:42,500
>> OH, YOU HAVE TO.
584
00:15:42,500 --> 00:15:43,667
YOU HAVE TO.
585
00:15:43,667 --> 00:15:45,233
>> HOW I DO LEARN THIS TRICK?
586
00:15:45,233 --> 00:15:46,200
>> JUST LOOK AT HIM.
587
00:15:46,200 --> 00:15:47,467
YOU GOT TO BE AHEAD OF HIM.
588
00:15:47,467 --> 00:15:48,600
>> WHEN HE STARTS MAKING HIS
589
00:15:48,600 --> 00:15:49,467
NOISE IN HIS MOUTH...
590
00:15:49,467 --> 00:15:50,467
>> BE CAREFUL.
591
00:15:50,467 --> 00:15:51,133
>> OKAY.
592
00:15:51,133 --> 00:15:53,433
WELL, WHAT IS THE NOISE LIKE?
593
00:15:53,433 --> 00:15:55,900
>> SOUNDS LIKE AN OINK.
594
00:15:55,900 --> 00:15:57,067
>> [ IMITATES OINKING ]
595
00:15:57,067 --> 00:15:58,333
SOMETHING LIKE THAT.
596
00:15:58,333 --> 00:15:59,267
>> IT'S WEIRD.
597
00:15:59,267 --> 00:16:00,700
WHEN HE DOES THAT, THEN YOU SAY,
598
00:16:00,700 --> 00:16:01,533
"UH-OH."
599
00:16:01,533 --> 00:16:03,533
>> OKAY.
600
00:16:11,067 --> 00:16:12,600
>> IT'S AMAZING.
601
00:16:12,600 --> 00:16:14,133
>> I CAN'T LOOK.
602
00:16:14,133 --> 00:16:16,567
>> LOOKS GREAT.
603
00:16:16,567 --> 00:16:17,500
>> THE DOUBLE --
604
00:16:17,500 --> 00:16:18,633
>> I LOVE THE HIGHLIGHTS AND
605
00:16:18,633 --> 00:16:20,200
THE DOUBLE GLOW IN THE EYES.
606
00:16:20,400 --> 00:16:21,267
THE DOUBLE HIGHLIGHTS.
607
00:16:21,267 --> 00:16:22,400
IT'S BEAUTIFUL.
608
00:16:22,400 --> 00:16:23,967
>> I WAS DEFINITELY ANXIOUS TO
609
00:16:23,967 --> 00:16:24,500
SEE IT.
610
00:16:24,500 --> 00:16:25,767
YOU KNOW, WE DON'T HAVE
611
00:16:25,767 --> 00:16:26,400
PATIENCE.
612
00:16:26,400 --> 00:16:28,067
WE CAN'T WAIT FOR NOTHING, SO...
613
00:16:28,067 --> 00:16:28,800
>> IT'S BEAUTIFUL.
614
00:16:28,800 --> 00:16:30,433
>> I THINK THAT IS A REALLY COOL
615
00:16:30,433 --> 00:16:31,233
FIRST TATTOO.
616
00:16:31,233 --> 00:16:32,367
>> I CAN'T WAIT TO SEE THIS
617
00:16:32,367 --> 00:16:32,800
TATTOO.
618
00:16:32,800 --> 00:16:33,533
>> [ CHUCKLES ]
619
00:16:33,533 --> 00:16:34,167
>> ALL RIGHT.
620
00:16:34,167 --> 00:16:36,467
SO, YOU WANT TO CHECK IT OUT?
621
00:16:36,467 --> 00:16:37,733
>> DRUMROLL! DRUMROLL!
622
00:16:37,733 --> 00:16:38,700
>> GO FOR IT.
623
00:16:38,700 --> 00:16:39,500
>> ALL RIGHT.
624
00:16:39,500 --> 00:16:40,267
>> STAND UP.
625
00:16:40,267 --> 00:16:42,233
>> YOU READY?
626
00:16:50,800 --> 00:16:52,767
>> ALL RIGHT.
627
00:16:52,767 --> 00:16:54,067
YOU WANT TO CHECK IT OUT?
628
00:16:54,067 --> 00:16:55,567
>> DRUMROLL! DRUMROLL!
629
00:16:55,567 --> 00:16:56,800
>> GO FOR IT.
630
00:16:56,800 --> 00:16:58,133
>> GOT TO STAND UP.
631
00:16:58,133 --> 00:17:01,233
>> YOU READY?
632
00:17:01,233 --> 00:17:03,400
>> WOW, IT DOES LOOK LIKE ME.
633
00:17:03,400 --> 00:17:04,567
[ LAUGHS ]
634
00:17:04,567 --> 00:17:06,333
IT REALLY DOES.
635
00:17:06,333 --> 00:17:07,433
IT'S GREAT -- REALLY.
636
00:17:07,433 --> 00:17:08,600
>> THANK YOU VERY MUCH.
637
00:17:08,600 --> 00:17:10,133
>> I MEAN, I WANT TO SEE IF YOU
638
00:17:10,133 --> 00:17:11,067
LIKE IT.
639
00:17:11,067 --> 00:17:12,567
YOU READY?
640
00:17:12,567 --> 00:17:13,567
>> READY.
641
00:17:13,567 --> 00:17:15,100
>> CLOSING MY EYES.
642
00:17:15,100 --> 00:17:16,500
>> I'LL COUNT TO THREE.
643
00:17:16,500 --> 00:17:17,200
ONE --
644
00:17:17,200 --> 00:17:17,967
>> WOW.
645
00:17:17,967 --> 00:17:20,067
>> YOU DIDN'T LET ME COUNT.
646
00:17:20,067 --> 00:17:22,633
>> HOLY MOLEY.
647
00:17:22,633 --> 00:17:25,133
>> I MEAN, IT REALLY --
648
00:17:25,133 --> 00:17:26,200
>> WOW.
649
00:17:26,200 --> 00:17:27,667
DUDE, YOU'RE THE MAN.
650
00:17:27,667 --> 00:17:29,467
YOU ARE THE MAN.
651
00:17:29,467 --> 00:17:30,533
AWESOME JOB.
652
00:17:30,533 --> 00:17:31,667
>> THANK YOU.
653
00:17:31,667 --> 00:17:33,600
>> OH, HE'S HAPPY WITH IT.
654
00:17:33,600 --> 00:17:34,767
>> WOW, I LIKE THE LITTLE
655
00:17:34,767 --> 00:17:35,767
SHADING.
656
00:17:35,767 --> 00:17:38,067
>> DOESN'T IT LOOK GREAT?
657
00:17:38,067 --> 00:17:39,600
>> THAT LOOKS JUST LIKE A PHOTO.
658
00:17:39,600 --> 00:17:40,567
>> IT REALLY DOES.
659
00:17:40,567 --> 00:17:42,400
IT'S SPECIAL TO ME.
660
00:17:42,400 --> 00:17:44,867
I MEAN, I KNOW HE LOVES ME.
661
00:17:44,867 --> 00:17:46,300
TIM, I'M IMPRESSED.
662
00:17:46,300 --> 00:17:47,333
I REALLY AM.
663
00:17:47,333 --> 00:17:48,067
>> THANK YOU.
664
00:17:48,067 --> 00:17:49,367
>> I HAVE HER HERE ALL THE TIME.
665
00:17:49,367 --> 00:17:50,467
YOU KNOW WHAT I'M TRYING
666
00:17:50,467 --> 00:17:51,067
TO TELL YOU?
667
00:17:51,067 --> 00:17:52,233
SO, I KNOW IT'S CORNY, BUT
668
00:17:52,233 --> 00:17:54,067
THAT'S THE WAY I THINK OF HER.
669
00:17:54,067 --> 00:17:56,067
OH, I LOVE THAT "MADD 4 YOU" AND
670
00:17:56,067 --> 00:17:57,400
THE WAY YOU CUT IT IN.
671
00:17:57,400 --> 00:17:58,767
YOU LIKE THAT, BABY?
672
00:17:58,767 --> 00:18:00,500
>> [ CHUCKLES ]
673
00:18:07,067 --> 00:18:08,633
>> ALL RIGHT, BRING OVER THE
674
00:18:08,633 --> 00:18:12,433
HEISMAN.
675
00:18:12,433 --> 00:18:14,633
UP. UP.
676
00:18:14,633 --> 00:18:16,633
>> THAT WASN'T SMOOTH AT ALL.
677
00:18:16,633 --> 00:18:18,867
>> LOOK AT THAT, HUH?
678
00:18:18,867 --> 00:18:21,067
CAN I DO JumboTron, OR WHAT?
679
00:18:21,067 --> 00:18:22,100
>> YEAH, THAT'S IT.
680
00:18:22,100 --> 00:18:23,100
YEAH, YEAH, THAT'S IT.
681
00:18:23,100 --> 00:18:25,300
THAT'S GOOD. NICE.
682
00:18:25,300 --> 00:18:27,667
>> WOW!
683
00:18:27,667 --> 00:18:29,433
>> THIS CAKE LOOKS AWESOME.
684
00:18:29,433 --> 00:18:31,067
>> I LIKE THIS ONE A LOT.
685
00:18:31,067 --> 00:18:32,600
>> THE STADIUM CAME GREAT.
686
00:18:32,600 --> 00:18:34,233
THE HEISMAN LOOKS AWESOME.
687
00:18:34,233 --> 00:18:35,900
HANDS -- HANDS DOWN.
688
00:18:35,900 --> 00:18:38,100
ALL THE STANDS IN THERE.
689
00:18:38,100 --> 00:18:42,067
GOOD -- WE DID A GOOD JOB.
690
00:18:42,067 --> 00:18:43,500
>> PUSH.
691
00:18:43,500 --> 00:18:44,633
ONE, TWO, THREE.
692
00:18:44,633 --> 00:18:46,833
>> [ GRUNTING ]
693
00:18:46,833 --> 00:18:49,333
>> PUSH WITH THE CAKE.
694
00:18:49,333 --> 00:18:50,767
>> DANNY, PUT HER IN THE BACK OF
695
00:18:50,767 --> 00:18:51,367
THE TRUCK.
696
00:18:51,367 --> 00:18:52,133
>> NO.
697
00:18:52,133 --> 00:18:53,233
[ LAUGHTER ]
698
00:18:53,233 --> 00:18:54,533
>> YOU HAVE TO GO FOR A RIDE.
699
00:18:54,533 --> 00:18:55,900
>> EVERYBODY GOES IN THE BACK OF
700
00:18:55,900 --> 00:18:56,467
THE TRUCK.
701
00:18:56,467 --> 00:18:57,767
YOU GOT TO RIDE WITH THE CAKE,
702
00:18:57,767 --> 00:18:58,500
ALL RIGHT?
703
00:18:58,500 --> 00:18:59,533
>> YEP.
704
00:18:59,733 --> 00:19:01,600
>> MARISSA'S A NEWBIE, YOU KNOW,
705
00:19:01,600 --> 00:19:03,400
AND THE ONE THING I NEVER GOT TO
706
00:19:03,400 --> 00:19:04,833
DO TO MARISSA -- PUT HER IN THE
707
00:19:04,833 --> 00:19:06,633
BACK OF THE TRUCK.
708
00:19:06,833 --> 00:19:08,067
>> OH, THANKS, DANNY.
709
00:19:08,067 --> 00:19:08,833
>> OKAY?
710
00:19:08,833 --> 00:19:09,833
>> THOUGHT I WAS OUT OF THIS
711
00:19:09,833 --> 00:19:10,267
LAST TIME.
712
00:19:10,267 --> 00:19:11,200
>> NO.
713
00:19:11,200 --> 00:19:12,833
>> I PUT EVERYBODY IN THE BACK
714
00:19:12,833 --> 00:19:13,867
OF THE TRUCK.
715
00:19:13,867 --> 00:19:15,567
THE FIRST PERSON WHO WAS EVER
716
00:19:15,567 --> 00:19:17,067
OFFICIALLY IN THE BACK OF THE
717
00:19:17,067 --> 00:19:18,600
TRUCK FOR A RIDE -- YOU'RE
718
00:19:18,600 --> 00:19:19,600
LOOKING AT HIM.
719
00:19:19,600 --> 00:19:21,067
I WAS 15 YEARS OLD.
720
00:19:21,067 --> 00:19:23,067
I GOT PUT IN THE BACK OF THE
721
00:19:23,067 --> 00:19:24,733
TRUCK TO WATCH THE CAKE,
722
00:19:24,733 --> 00:19:26,467
AND THAT'S HOW THE BACK OF THE
723
00:19:26,467 --> 00:19:27,200
TRUCK STARTED.
724
00:19:27,200 --> 00:19:27,867
>> OH, MY GOD.
725
00:19:27,867 --> 00:19:28,900
IF I FALL ON THIS CAKE --
726
00:19:28,900 --> 00:19:30,067
>> IF YOU FALL ON THE CAKE,
727
00:19:30,067 --> 00:19:31,167
YOU'RE GONNA BE IN TROUBLE.
728
00:19:31,167 --> 00:19:32,467
MAKE SURE NOTHING HAPPENS TO THE
729
00:19:32,467 --> 00:19:32,833
CAKE.
730
00:19:32,833 --> 00:19:33,833
WELCOME TO THE BAKERY.
731
00:19:33,833 --> 00:19:35,600
>> THANK YOU.
732
00:19:52,933 --> 00:19:54,733
>> ALL RIGHT.
733
00:19:54,733 --> 00:19:55,900
GET THE TABLE, GUYS.
734
00:19:55,900 --> 00:19:57,433
YOU DIDN'T MESS THE CAKE UP,
735
00:19:57,433 --> 00:19:57,733
RIGHT?
736
00:19:57,733 --> 00:19:58,267
>> NO, I'M GOOD.
737
00:19:58,267 --> 00:19:58,733
>> ALL RIGHT.
738
00:19:58,733 --> 00:20:00,733
YOU CAN GET OUT NOW.
739
00:20:00,733 --> 00:20:02,033
>> OKAY.
740
00:20:02,033 --> 00:20:04,400
>> WE GOT IT.
741
00:20:04,400 --> 00:20:05,900
>> WHOO!
742
00:20:05,900 --> 00:20:08,300
[ INSTRUMENTAL MUSIC PLAYS ]
743
00:20:19,000 --> 00:20:20,100
>> WHAT'S UP, BILL?
744
00:20:20,100 --> 00:20:21,467
HOW YOU DOING, MY FRIEND?
745
00:20:21,467 --> 00:20:22,900
>> GREAT. I'M DOING GREAT.
746
00:20:22,900 --> 00:20:24,167
I THINK I NEED A BIGGER FORK.
747
00:20:24,167 --> 00:20:25,067
>> I KNOW. I KNOW.
748
00:20:25,067 --> 00:20:26,133
WHAT DO YOU THINK OF THE
749
00:20:26,133 --> 00:20:26,633
HEISMAN?
750
00:20:26,633 --> 00:20:27,467
HOW DOES IT LOOK?
751
00:20:27,467 --> 00:20:28,700
>> I'M VERY HAPPY WITH THE WAY
752
00:20:28,700 --> 00:20:29,933
THE CAKE TURNED OUT.
753
00:20:30,133 --> 00:20:31,367
I KNEW HE'D COME CLOSE, BUT I
754
00:20:31,367 --> 00:20:32,667
DIDN'T THINK HE'D CAPTURE IT AS
755
00:20:32,667 --> 00:20:33,633
WELL AS HE DID.
756
00:20:33,633 --> 00:20:35,433
AND THE DIFFERENT DETAILS IN THE
757
00:20:35,433 --> 00:20:36,967
CROWD -- I THOUGHT THAT WAS
758
00:20:36,967 --> 00:20:38,167
GREAT.
759
00:20:38,167 --> 00:20:39,300
>> WE GOT VINNY TESTAVERDE!
760
00:20:39,300 --> 00:20:40,367
OH, MY GOD. HOW YOU DOING?
761
00:20:40,367 --> 00:20:41,067
>> HOW ARE YOU?
762
00:20:41,067 --> 00:20:41,733
>> BIG FAN, MAN.
763
00:20:41,800 --> 00:20:43,100
NICE TO MEET YOU. HOW ARE YOU?
764
00:20:43,100 --> 00:20:43,933
>> NICE TO MEET YOU.
765
00:20:44,000 --> 00:20:46,233
>> YOU KNOW FIRSTHAND -- I MEAN,
766
00:20:46,233 --> 00:20:47,967
WHAT DO YOU THINK, DETAIL FOR
767
00:20:47,967 --> 00:20:48,600
DETAIL?
768
00:20:48,600 --> 00:20:49,500
>> LOOKS PRETTY GOOD.
769
00:20:49,500 --> 00:20:50,600
I THINK IT'S A PRETTY GOOD
770
00:20:50,600 --> 00:20:51,500
REPLICA.
771
00:20:51,700 --> 00:20:52,833
>> LISTEN, I ADMIRE
772
00:20:52,833 --> 00:20:53,900
VINNY TESTAVERDE.
773
00:20:53,900 --> 00:20:55,200
I THINK HE WAS A GREAT
774
00:20:55,200 --> 00:20:56,633
QUARTERBACK, A GREAT GUY.
775
00:20:56,633 --> 00:20:58,100
BUT AT THE END OF THE DAY, HE
776
00:20:58,100 --> 00:20:58,733
WAS A JET.
777
00:20:58,733 --> 00:21:00,533
SO IT'S LIKE, YOU KNOW, HE WOULD
778
00:21:00,533 --> 00:21:02,167
BE JUST THAT MUCH BETTER IF HE
779
00:21:02,167 --> 00:21:02,900
WAS A GIANT.
780
00:21:02,900 --> 00:21:03,833
I'M JUST SAYING.
781
00:21:03,833 --> 00:21:05,133
WELL, NOW, WHO WANTS TO EAT SOME
782
00:21:05,133 --> 00:21:05,833
CAKE?
783
00:21:05,833 --> 00:21:07,267
[ CHEERS AND APPLAUSE ]
784
00:21:07,267 --> 00:21:09,200
>> ALL RIGHT!
785
00:21:19,800 --> 00:21:20,900
>> AT THE END OF THE DAY,
786
00:21:20,900 --> 00:21:22,067
MARISSA DID PRETTY GOOD FOR
787
00:21:22,067 --> 00:21:23,400
BEING HER FIRST CAKE BUILD.
788
00:21:23,400 --> 00:21:24,800
SHE WAS A LITTLE NERVOUS.
789
00:21:24,800 --> 00:21:26,367
SHE HAD TO GET INTO A RHYTHM.
790
00:21:26,367 --> 00:21:28,133
BUT I THINK SHE'S GONNA BE A
791
00:21:28,133 --> 00:21:29,467
GREAT ADDITION TO THE TEAM.
792
00:21:29,467 --> 00:21:30,767
IT LOOKS LIKE WE'RE GONNA KEEP
793
00:21:30,767 --> 00:21:32,067
HER AROUND FOR A LITTLE BIT, SEE
794
00:21:32,067 --> 00:21:32,367
WHAT HAPPENS.
795
00:21:33,567 --> 00:21:36,167
-- Captions by VITAC --
www.vitac.com
796
00:21:36,167 --> 00:21:39,167
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