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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,533 --> 00:00:04,133 OKAY, GUYS. CAN I HAVE YOUR ATTENTION, PLEASE? 2 00:00:04,133 --> 00:00:06,633 CAN ANYONE GUESS WHO'S COMING TO CARLO'S BAKERY? 3 00:00:06,633 --> 00:00:07,800 YOU LOOKING AT ME? 4 00:00:07,800 --> 00:00:09,133 Buddy: ON THIS EPISODE OF "CAKE BOSS"... 5 00:00:09,133 --> 00:00:12,300 WE SHOULD BURY THAT CAKE AND BUILD A CHURCH OVER IT. 6 00:00:12,300 --> 00:00:15,900 THIS IS BEGINNING TO REMIND ME OF -- OF A JOE PESCI MOVIE. 7 00:00:15,900 --> 00:00:18,400 [ Laughing ] YOU'VE BEEN MARRIED 50 TI-- 8 00:00:18,400 --> 00:00:20,033 WELL, NOT YET. IT'S ONLY 49 TIMES. 9 00:00:20,033 --> 00:00:21,933 SHE MARRIED THE LIBERTY BELL? FOR REAL? 10 00:00:21,933 --> 00:00:23,900 WE WERE RAISED NOT TO JUDGE, MAURO. 11 00:00:23,900 --> 00:00:25,200 "GET TO KNOW ME, KELLY." 12 00:00:25,200 --> 00:00:26,833 DANNY SMELLS LIKE FROSTING. 13 00:00:26,833 --> 00:00:27,833 YEAH. 14 00:00:27,833 --> 00:00:29,700 I WANT SOMETHING DIFFERENT, 15 00:00:29,700 --> 00:00:32,100 SOMETHING THAT THEY'VE NEVER SEEN BEFORE. 16 00:00:32,100 --> 00:00:33,800 PLEASE WELCOME BUDDY VALASTRO! 17 00:00:33,800 --> 00:00:35,500 BUDDY! [ CHEERS AND APPLAUSE ] 18 00:00:35,500 --> 00:00:38,833 Buddy: THIS IS CARLO'S BAKERY. 19 00:00:38,833 --> 00:00:41,500 EVERY WEEK, THOUSANDS OF CAKES AND PASTRIES 20 00:00:41,500 --> 00:00:43,800 GO OUT THESE DOORS. 21 00:00:43,800 --> 00:00:46,467 THIS IS THE CREW -- MIA FAMIGLIA. 22 00:00:47,800 --> 00:00:50,600 WE'RE GONNA TAKE THIS BAKERY TO THE TOP. 23 00:00:50,600 --> 00:00:52,267 THEY CALL ME BUDDY. 24 00:00:52,267 --> 00:00:53,533 I'M THE BOSS. 25 00:00:58,000 --> 00:01:00,800 YOU GOT TWO CHOCOLATE CHIP COOKIES, THREE LOBSTER TAILS. 26 00:01:00,800 --> 00:01:03,367 AND THE COOKIES, CHOCOLATE FILLED... 27 00:01:07,367 --> 00:01:09,067 HI. HI, BUDDY. 28 00:01:09,067 --> 00:01:11,167 IT'S GREAT TO MEET YOU. PLEASURE TO MEET YOU. 29 00:01:11,167 --> 00:01:12,267 MY NAME IS MARIA, 30 00:01:12,267 --> 00:01:13,867 AND I'M BETTER KNOWN AS MARIA THE KOREAN BRIDE. 31 00:01:13,867 --> 00:01:15,267 MARIA THE KOREAN BRIDE? 32 00:01:15,267 --> 00:01:17,467 SO, I'M HERE BECAUSE I NEED A CAKE. 33 00:01:17,467 --> 00:01:18,800 OKAY. 34 00:01:18,800 --> 00:01:23,300 I'VE BEEN MARRIED 49 TIMES IN 49 STATES TO DIFFERENT PEOPLE. 35 00:01:24,967 --> 00:01:28,900 AND MY FINAL 50th WEDDING IS COMING UP IN NEW YORK CITY. 36 00:01:28,900 --> 00:01:31,467 IT'S LUCKY NUMBER 50? [ Laughing ] YES, IT IS. 37 00:01:31,467 --> 00:01:34,100 YOU'VE BEEN MARRIED TO 49 DIFFERENT GROOMS... 38 00:01:34,100 --> 00:01:35,200 CORRECT. 39 00:01:35,200 --> 00:01:38,167 ...IN 49 DIFFERENT STATES. THAT IS CORRECT. 40 00:01:38,167 --> 00:01:39,967 WAIT A SECOND. DID YOU TRY TO DO IT? 41 00:01:39,967 --> 00:01:41,867 IS THIS, LIKE, A MARATHON OR SOMETHING? 42 00:01:41,867 --> 00:01:43,767 IT'S ACTUALLY AN ART PROJECT. 43 00:01:43,767 --> 00:01:46,067 WHAT DO YOU MEAN BY "AN ART PROJECT"? 44 00:01:46,067 --> 00:01:47,867 TO TALK ABOUT WHAT IT MEANS TO BE MARRIED. 45 00:01:47,867 --> 00:01:50,800 BECAUSE I JUST THINK THAT PEOPLE GET DIVORCED SO EASILY, 46 00:01:50,800 --> 00:01:52,167 SO THIS IS MY -- 47 00:01:52,167 --> 00:01:54,167 [ Laughing ] I AGREE, BUT YOU'VE BEEN MARRIED 50 TI-- 48 00:01:54,167 --> 00:01:56,067 WELL, NOT YET. IT'S ONLY 49 TIMES. 49 00:01:56,067 --> 00:01:57,200 ALL RIGHT. 50 00:01:57,200 --> 00:01:58,700 SO, 50th WEDDING IS COMING UP IN TIMES SQUARE. 51 00:01:58,700 --> 00:02:01,700 BUT IS THIS A REAL WEDDING NOW? YOU GET MARRIED AND DIVORCED? 52 00:02:01,700 --> 00:02:02,833 I DON'T REALLY GET IT. 53 00:02:02,833 --> 00:02:04,367 I GO THROUGH THE MOTION OF THE WEDDING. 54 00:02:04,367 --> 00:02:05,600 OKAY. 55 00:02:05,600 --> 00:02:08,333 LET ME SHOW YOU SOME PICTURES SO YOU GET BETTER IDEAS. 56 00:02:08,333 --> 00:02:10,233 SO, I THOUGHT YOU'RE IN NEW JERSEY, 57 00:02:10,233 --> 00:02:13,333 IT'S ONLY FITTING FOR ME TO BRING A JERSEY GROOM HERE. 58 00:02:13,333 --> 00:02:14,933 AND THIS IS IN HAWAII. 59 00:02:14,933 --> 00:02:16,633 Buddy: NOW I GET IT. 60 00:02:16,633 --> 00:02:20,567 MARIA'S AN ARTIST, AND THESE WEDDINGS ARE LIKE PERFORMANCES. 61 00:02:20,567 --> 00:02:24,167 AND SHE'S ALL OVER THE COUNTRY MARRYING NOT JUST GUYS, 62 00:02:24,167 --> 00:02:25,767 BUT ALL KINDS OF STUFF. 63 00:02:25,767 --> 00:02:28,500 SHE GOT MARRIED TO THE FREAKING LIBERTY BELL! 64 00:02:28,500 --> 00:02:31,167 IN KENTUCKY, I MARRIED A THOROUGHBRED HORSE. 65 00:02:31,167 --> 00:02:33,533 I COULDN'T FIND ANY GROOMS! 66 00:02:33,533 --> 00:02:34,667 [ LAUGHS ] 67 00:02:34,667 --> 00:02:37,133 HERE AT CARLO'S BAKERY, I GET THEM ALL. 68 00:02:37,133 --> 00:02:38,800 BUT MARIA'S STORY? 69 00:02:38,800 --> 00:02:41,267 I GOT TO TELL YOU, IT'S KIND OF LIKE, 70 00:02:41,267 --> 00:02:43,200 "UH, WHAT THE -- WHO THE WHAT?" 71 00:02:45,833 --> 00:02:47,333 FOR THIS KOREAN-BRIDE CAKE, 72 00:02:47,333 --> 00:02:50,067 I'M GONNA DO A CLASSIC THREE-TIERED WEDDING CAKE 73 00:02:50,067 --> 00:02:51,667 WITH A STENCIL PATTERN AROUND. 74 00:02:51,667 --> 00:02:54,233 AND THEN I'M GONNA PUT SOME FIGURINES 75 00:02:54,233 --> 00:02:57,433 OF SOME OF HER DIFFERENT GROOMS AROUND THE CAKE. 76 00:02:57,433 --> 00:03:00,700 I DON'T KNOW, MAN. 50. 50 MARRIAGES. 77 00:03:00,700 --> 00:03:02,367 50 WEDDINGS. YEAH. 78 00:03:02,367 --> 00:03:04,100 IS SHE DIVORCED FROM ALL OF THESE? 79 00:03:04,100 --> 00:03:06,600 I DON'T KNOW. I DON'T REALLY UNDERSTAND HOW THIS WORKS. 80 00:03:06,600 --> 00:03:08,367 YEAH, SHE DIVORCED ALL OF THEM. 81 00:03:08,367 --> 00:03:09,867 SHE DIVORCED ALL OF THEM? 82 00:03:09,867 --> 00:03:11,633 YEAH. BROKE QUITE A FEW HEARTS. 83 00:03:11,633 --> 00:03:14,600 I IMAGINE THE THOROUGHBRED HAD A LONG FACE AFTER THAT ONE. 84 00:03:14,600 --> 00:03:16,200 [ CHUCKLES ] YEAH. 85 00:03:16,200 --> 00:03:17,700 THE LIBERTY BELL'S ALL BROKEN UP OVER IT. 86 00:03:17,700 --> 00:03:20,433 YEAH. [ LAUGHS ] 87 00:03:20,433 --> 00:03:23,067 OKAY, GUYS. CAN I HAVE YOUR ATTENTION, PLEASE? 88 00:03:23,067 --> 00:03:25,733 CAN ANYONE GUESS WHO'S COMING TO CARLO'S BAKERY? 89 00:03:25,733 --> 00:03:27,333 REGIS FROM "REGIS AND KELLY"! 90 00:03:27,333 --> 00:03:29,200 SO, PLEASE, WHEN HE COMES HERE, 91 00:03:29,200 --> 00:03:32,067 PLEASE TAKE A COUPLE STEPS BACK TOWARDS THE DOOR. 92 00:03:32,067 --> 00:03:33,067 THANK YOU. 93 00:03:33,067 --> 00:03:34,200 THAT'S RIGHT, BABY. 94 00:03:34,200 --> 00:03:36,700 REGIS PHILBIN IS COMING TO THE BAKERY TODAY 95 00:03:36,700 --> 00:03:38,500 TO SHOOT A SEGMENT FOR HIS SHOW. 96 00:03:38,500 --> 00:03:40,633 Regis: AND HERE WE ARE RIGHT IN FRONT OF CARLO'S BAKERY, 97 00:03:40,633 --> 00:03:43,067 WELL-KNOWN ALL OVER THE COUNTRY, ALL OVER THE WORLD. 98 00:03:43,067 --> 00:03:45,100 AND LOOK AT ALL THESE PEOPLE ALL LINED UP. 99 00:03:45,100 --> 00:03:47,933 I'M GONNA TRY TO TEACH HIM HOW TO DO SOME CAKE DECORATING. 100 00:03:47,933 --> 00:03:49,300 BUT LATER THIS WEEK, 101 00:03:49,300 --> 00:03:52,400 I'M GONNA GO LIVE ON THE "REGIS AND KELLY" SHOW. 102 00:03:52,400 --> 00:03:54,300 HI. HOW YOU DOING? 103 00:03:54,300 --> 00:03:55,733 WHERE'S MY NUMBER? 104 00:03:55,733 --> 00:03:58,233 HOW ABOUT A CUPCAKE? ALL I WANT IS A CUPCAKE. 105 00:03:58,233 --> 00:04:00,100 BUDDY! REGIS! 106 00:04:00,100 --> 00:04:01,967 HEY! THERE HE IS! HEY! WHAT'S GOING ON, MAN? 107 00:04:01,967 --> 00:04:03,233 I WAS OUT THERE LOOKING FOR YOU. 108 00:04:03,233 --> 00:04:04,733 GOOD TO SEE YOU. HOW'S EVERYTHING GOING? 109 00:04:04,733 --> 00:04:07,500 GOING GOOD. BOY, IT LOOKS LIKE A TERRIFIC OPERATION. 110 00:04:07,500 --> 00:04:08,567 OH, WE LOVE IT. 111 00:04:08,567 --> 00:04:10,367 SO, LISTEN, BUDDY, YOU KNOW WHY I'M HERE. 112 00:04:10,367 --> 00:04:12,067 I WANT TO LEARN HOW BAKE A CAKE, 113 00:04:12,067 --> 00:04:14,133 BUT I DON'T MEAN JUST A LITTLE LAYER CAKE. 114 00:04:14,133 --> 00:04:15,867 I MEAN THE BIG STUFF THAT YOU DO. 115 00:04:15,867 --> 00:04:17,200 I GOT YOU. 116 00:04:17,200 --> 00:04:19,333 Buddy: SO, WE GOT REGIS SET UP WITH A CHEF'S JACKET. 117 00:04:19,333 --> 00:04:20,633 HEY. 118 00:04:20,633 --> 00:04:22,700 BUTTON HIM UP. GET HIM ALL -- YOU LOOK SHARP IN THAT. 119 00:04:22,700 --> 00:04:25,067 I LIKE THIS. GOOD FIT. GOOD FIT. 120 00:04:25,067 --> 00:04:28,067 AND I ASKED REGIS TO HELP ME OUT WITH AN ONGOING PROJECT OF MINE. 121 00:04:28,067 --> 00:04:29,133 THERE'S ONE LAST THING THAT WE GOT TO DO. 122 00:04:29,133 --> 00:04:30,333 WHAT? 123 00:04:30,333 --> 00:04:33,067 OKAY, ANYBODY AT THE BAKERY WHO WORKS HERE, 124 00:04:33,067 --> 00:04:35,633 WE LIKE TO PRANK, YOU KNOW, THE YOUNGER GUYS. 125 00:04:35,633 --> 00:04:37,067 OH, REALLY? YEAH? 126 00:04:37,067 --> 00:04:38,167 YOU KNOW WHAT I'M SAYING? WE TEASE THEM A LITTLE BIT. 127 00:04:38,167 --> 00:04:39,300 I LOVE THOSE! 128 00:04:39,300 --> 00:04:42,233 SO, WHAT I WANT TO DO IS WHEN WE'RE UPSTAIRS IS, 129 00:04:42,233 --> 00:04:43,667 MY COUSIN ANTHONY -- 130 00:04:43,667 --> 00:04:45,833 WE'RE GONNA GET ANTHONY. WE'LL HAVE A LITTLE FUN WITH HIM. 131 00:04:45,833 --> 00:04:48,500 SO, WHAT WE DO IS, YOU KNOW, MAYBE HE LOOKED AT YOU. 132 00:04:48,500 --> 00:04:50,267 LIKE HE LOOKED YOU IN THE EYE OR LOOKED AT YOUR HAIR. 133 00:04:50,267 --> 00:04:51,267 YEAH. 134 00:04:51,267 --> 00:04:53,667 AND I'M TAKING UMBRAGE OF THAT. YEAH. 135 00:04:53,667 --> 00:04:56,067 HEY, WAS THIS GUY LOOKING -- YOU LOOKING AT ME? 136 00:04:56,067 --> 00:04:57,067 YEAH, SEE... 137 00:04:57,067 --> 00:04:58,567 ARE YOU LOOKING AT ME, ANTHONY?! 138 00:04:58,567 --> 00:05:00,167 YOU GOT IT, BUDDY. WE'LL DO THAT. 139 00:05:00,167 --> 00:05:02,067 HE DIDN'T EVEN KNOW WHAT HAPPENED AND THEN, BAH-BAH-BAH! 140 00:05:02,067 --> 00:05:03,333 HE'S GONNA GET HIT WITH SOMETHING. 141 00:05:03,333 --> 00:05:04,767 OH, HE IS? WITH A PIE. 142 00:05:04,767 --> 00:05:06,833 NOW, WAIT A MINUTE. WAIT. EXCUSE ME. 143 00:05:06,833 --> 00:05:08,733 IS THIS A LITTLE PRANK ON REGIS? 144 00:05:08,733 --> 00:05:10,167 NO, NO, NO, NO, NO. 145 00:05:10,167 --> 00:05:11,800 WE GET REGIS ALL SET UP FOR ANTHONY. 146 00:05:11,800 --> 00:05:13,267 IS THAT HIS NAME? YEAH, ANTHONY. 147 00:05:13,267 --> 00:05:14,567 AND THEN REGIS GETS IT IN THE FACE. 148 00:05:14,567 --> 00:05:15,567 NO, NO, NO, NO. 149 00:05:15,567 --> 00:05:17,733 THAT'S WHY REGIS IS WEARING THIS. 150 00:05:17,733 --> 00:05:20,233 I SEE THROUGH THIS. NO, NO, NO, NO, NO. 151 00:05:20,233 --> 00:05:22,067 WHENEVER GELMAN IS HAPPY, I SEE A VILL-- 152 00:05:22,067 --> 00:05:23,667 I SEE SOMETHING HAPPEN BAD TO ME. 153 00:05:23,667 --> 00:05:25,233 ALL RIGHT. I'LL GO ALONG WITH IT. 154 00:05:25,233 --> 00:05:26,367 WE'LL HAVE SOME FUN. 155 00:05:27,333 --> 00:05:30,600 Buddy: SO, I TAKE REGIS UPSTAIRS, AND I'M GONNA SHOW HIM 156 00:05:30,600 --> 00:05:33,133 HOW WE DO A TRADITIONAL BUTTERCREAM CAKE. 157 00:05:33,133 --> 00:05:34,600 SO YOU SQUEEZE IT ON. 158 00:05:34,600 --> 00:05:35,833 RIGHT. 159 00:05:35,833 --> 00:05:38,667 AND WE'RE GONNA GET IT TO BE LIKE PERFECTLY SMOOTH. 160 00:05:38,667 --> 00:05:40,167 NICE AND EASY. 161 00:05:40,167 --> 00:05:42,767 AND THIS IS THE WAY THEY'VE BEEN DOING IT FOR YEARS, HUH? 162 00:05:42,767 --> 00:05:44,867 THIS IS THE WAY WE DID BUTTERCREAM CAKES FOR YEARS. 163 00:05:44,867 --> 00:05:46,867 NICE AND EVEN. 164 00:05:46,867 --> 00:05:48,633 PERFECTO. OKAY? 165 00:05:48,633 --> 00:05:50,067 YOU SAW WHAT I DID, RIGHT, REGIS? 166 00:05:50,067 --> 00:05:51,267 OF COURSE I SAW WHAT YOU DID. 167 00:05:51,267 --> 00:05:52,300 ALL RIGHT. 168 00:05:52,300 --> 00:05:53,433 WHAT, YOU THINK THAT'S SO HARD, BUDDY? 169 00:05:53,433 --> 00:05:55,133 YOU'RE WEARING THE JACKET. MAKE ME PROUD. 170 00:05:55,133 --> 00:05:56,667 YOU WANT ME TO SPIN IT? YEAH. 171 00:05:56,667 --> 00:05:57,767 ALL RIGHT. YOU GOT TO SQUEEZE, REGIS. 172 00:05:57,767 --> 00:05:58,967 I'M SQUEEZING. 173 00:06:00,600 --> 00:06:03,633 BEAUTIFULLY DONE! YOU GOT TO ADMIT, BUDDY. 174 00:06:03,633 --> 00:06:05,100 EH? ALL RIGHT. 175 00:06:05,100 --> 00:06:08,833 HONEST TO GOD, I SENSE THAT YOU'RE LOOKING AT THIS 176 00:06:08,833 --> 00:06:10,767 AND YOU'RE VERY IMPRESSED, AREN'T YOU? 177 00:06:10,767 --> 00:06:11,767 AREN'T YOU, BUDDY? 178 00:06:11,767 --> 00:06:13,100 Anthony: WHAT ARE YOU MAKING HERE? 179 00:06:13,100 --> 00:06:14,633 Regis: COUSIN ANTHONY? Buddy: THIS IS COUSIN ANTHONY. 180 00:06:14,633 --> 00:06:16,767 HE WORKS HERE? WHAT DOES ANTHONY DO? 181 00:06:16,767 --> 00:06:18,700 ANTHONY -- ANTHONY'S ACTUALLY -- 182 00:06:18,700 --> 00:06:20,433 HE'S AN APPRENTICE BAKER. YEAH. 183 00:06:20,433 --> 00:06:22,067 I'VE BEEN AN APPRENTICE BAKER FOR 10 YEARS NOW. 184 00:06:22,067 --> 00:06:23,100 10 YEARS AS AN APPRENTICE? 185 00:06:23,100 --> 00:06:24,200 HAVEN'T LEARNED ANYTHING. 186 00:06:24,200 --> 00:06:26,233 TWO YEARS. THREE. 187 00:06:26,233 --> 00:06:27,533 THREE YEARS. THREE YEARS. 188 00:06:27,533 --> 00:06:29,533 IT'S HARD, HARDER THAN IT LOOKS. 189 00:06:29,533 --> 00:06:31,700 ANTHONY GIVES ME ONE OF THOSE LOOKS, YOU KNOW? 190 00:06:31,700 --> 00:06:33,800 WHY YOU LOOKING AT REGIS FOR? 191 00:06:33,800 --> 00:06:35,133 WHY YOU LOOKING AT ME? 192 00:06:35,133 --> 00:06:37,233 WHY, ARE YOU LOOKING AT ME IS WHAT I'M SAYING TO YOU? 193 00:06:37,233 --> 00:06:38,700 [ LAUGHS ] 194 00:06:38,700 --> 00:06:40,233 I'M LOOKING AT YOU. IS THIS GUY FOR REAL? 195 00:06:40,233 --> 00:06:41,367 I DON'T UNDERSTAND. 196 00:06:41,367 --> 00:06:42,433 YOU GOT A CHEF COAT QUICKER THAN I DID. 197 00:06:42,433 --> 00:06:44,133 OH! 198 00:06:44,133 --> 00:06:46,700 OH! THAT'S WHAT GOT YOU CRAZY. 199 00:06:46,700 --> 00:06:47,733 I DON'T LIKE THAT. 200 00:06:47,733 --> 00:06:49,267 I THINK YOU OWE REGIS AN APOLOGY. 201 00:06:49,267 --> 00:06:51,233 WHY? YOU LOOKED AT HIM. 202 00:06:51,233 --> 00:06:53,433 I LOOKED AT -- YEAH, YOU -- 203 00:06:53,433 --> 00:06:54,733 REGIS, HOW YOU DOING? 204 00:06:54,733 --> 00:06:57,200 [ LAUGHTER ] 205 00:06:57,200 --> 00:07:00,200 AND I EVEN -- 206 00:07:00,200 --> 00:07:06,233 THIS IS BEGINNING TO REMIND ME OF -- OF A JOE PESCI MOVIE. 207 00:07:11,533 --> 00:07:12,900 Regis: THIS IS BEGINNING TO REMIND ME OF -- 208 00:07:12,900 --> 00:07:14,600 OF A JOE PESCI MOVIE. 209 00:07:14,600 --> 00:07:15,600 [ LAUGHS ] 210 00:07:15,600 --> 00:07:17,600 GELMAN! WHERE ARE YOU? 211 00:07:17,600 --> 00:07:18,900 GELMAN, PLEASE! 212 00:07:18,900 --> 00:07:21,800 I'M SO TIRED OF GETTING PIED! 213 00:07:21,800 --> 00:07:22,900 THANKS, ANTHONY. THAT WAS A LOT OF FUN. 214 00:07:22,900 --> 00:07:24,700 [ SIGHS ] 215 00:07:24,700 --> 00:07:26,167 WANT TO LEAVE FRIENDS, ANTHONY. 216 00:07:26,167 --> 00:07:27,300 IT'S ALWAYS A PLEASURE. 217 00:07:27,300 --> 00:07:29,133 YOU'RE GONNA GET A BIG PROMOTION OUT OF THIS. 218 00:07:29,133 --> 00:07:30,167 I HOPE SO. 219 00:07:30,167 --> 00:07:31,400 Buddy: SO, NOW IT'S TIME TO SHOW REGIS 220 00:07:31,400 --> 00:07:34,567 HOW WE DECORATE CAKES HOBOKEN STYLE, BABY. 221 00:07:34,567 --> 00:07:35,567 I'M GONNA USE WHITE 222 00:07:35,567 --> 00:07:36,700 AND THEN ADD LITTLE BLUE ACCENTS. 223 00:07:36,700 --> 00:07:39,067 BUT THIS IS YOUR CAKE. YOU DO ALL THE ART. 224 00:07:39,067 --> 00:07:40,200 ALL RIGHT. OKAY, I WILL. 225 00:07:40,200 --> 00:07:41,200 YOU GOT THE BLUE THERE. 226 00:07:41,200 --> 00:07:42,267 OKAY? YEAH. 227 00:07:42,267 --> 00:07:44,600 YOU DON'T WANT A TIP ON IT, REGIS? 228 00:07:44,600 --> 00:07:45,800 [ LAUGHS ] 229 00:07:45,800 --> 00:07:47,200 A TIP? WHAT DOES THAT MEAN? 230 00:07:47,200 --> 00:07:48,600 LIKE, LOOK AT THIS HERE. LOOK WHAT I'M GONNA DO HERE. 231 00:07:48,600 --> 00:07:50,067 SEE? 232 00:07:52,100 --> 00:07:53,667 NO, I DON'T NEED THAT. 233 00:07:53,667 --> 00:07:54,733 OKAY. 234 00:07:56,600 --> 00:07:58,867 THERE'S MORE ON YOUR JACKET THAN ON THE CAKE. 235 00:07:58,867 --> 00:08:00,133 OH, MY GOD! 236 00:08:00,133 --> 00:08:02,667 DID YOU PUT THAT THERE WHEN I WASN'T LOOKING? 237 00:08:02,667 --> 00:08:03,967 [ LAUGHS ] 238 00:08:03,967 --> 00:08:04,967 I CAN'T BELIEVE IT! 239 00:08:04,967 --> 00:08:06,067 YOU'RE NOT SUPPOSED TO SPIN YOUR ARM. 240 00:08:06,067 --> 00:08:07,500 YOU'RE SUPPOSED TO SPIN THE TURNTABLE. 241 00:08:07,500 --> 00:08:10,233 SPIN THIS, WILL YOU? [ LAUGHTER ] 242 00:08:10,233 --> 00:08:12,333 NOW, THAT LOOKS GOOD TO ME SO FAR. 243 00:08:12,333 --> 00:08:13,967 I DON'T KNOW, REGIS. AH. 244 00:08:13,967 --> 00:08:16,400 SO, WHILE NOBODY IS LISTENING, WHAT DO YOU THINK? 245 00:08:16,400 --> 00:08:19,067 DO I HAVE A FUTURE IN THIS? 246 00:08:19,067 --> 00:08:20,467 YOU KNOW WHAT WE SHOULD DO? 247 00:08:20,467 --> 00:08:21,767 WHAT? 248 00:08:21,767 --> 00:08:23,167 WE SHOULD BURY THAT CAKE AND BUILD A CHURCH OVER IT 249 00:08:23,167 --> 00:08:24,333 AND SAY A PRAYER. 250 00:08:24,333 --> 00:08:25,367 [ LAUGHTER ] 251 00:08:25,367 --> 00:08:29,567 I TRIED, AND I'M DISAPPOINTED. 252 00:08:29,567 --> 00:08:31,067 I THOUGHT IT'D BE A LOT EASIER. IT'S NOT. 253 00:08:32,100 --> 00:08:34,267 BUDDY, YOU KNOW, WHEN YOU COME ON THE SHOW, 254 00:08:34,267 --> 00:08:36,933 IT'D BE NICE IF YOU BROUGHT A CAKE FOR THE STAFF, 255 00:08:36,933 --> 00:08:38,667 YOU KNOW, SOMETHING FOR THEM. 256 00:08:38,667 --> 00:08:39,733 SPECIAL CAKE, THOUGH. 257 00:08:39,733 --> 00:08:41,667 SPECIAL CAKE FOR THEM. THEY'D LOVE IT. 258 00:08:41,667 --> 00:08:43,367 REGIS, IT WAS A PLEASURE HAVING YOU, BROTHER. 259 00:08:43,367 --> 00:08:44,367 THANKS, BUDDY. 260 00:08:44,367 --> 00:08:45,633 THANK YOU SO MUCH. GOOD LUCK TO YOU. 261 00:08:45,633 --> 00:08:49,467 Buddy: IT WAS SO SPECIAL TO HAVE REGIS AND HIS WHOLE CREW 262 00:08:49,467 --> 00:08:50,500 AT THE BAKERY, 263 00:08:50,500 --> 00:08:52,933 AND I'M PUMPED TO BE GOING ON HIS SHOW. 264 00:08:52,933 --> 00:08:54,100 BUT NOW I GOT TO FIGURE OUT 265 00:08:54,100 --> 00:08:55,700 WHAT KIND OF CAKE I'M GONNA SURPRISE HIM WITH. 266 00:08:59,567 --> 00:09:00,867 BUT RIGHT NOW, 267 00:09:00,867 --> 00:09:02,900 I GOT TO GET WORKING ON THIS KOREAN-BRIDE CAKE. 268 00:09:02,900 --> 00:09:05,833 I GOT TO SAY, THE HORSE, THE COW -- 269 00:09:05,833 --> 00:09:08,067 SHE MARRIED THE LIBERTY BELL? FOR REAL? 270 00:09:08,067 --> 00:09:10,600 YOU KNOW, WE WERE RAISED NOT TO JUDGE, MAURO. 271 00:09:10,600 --> 00:09:12,167 SHE MARRIED THE LIBERTY BELL. 272 00:09:14,800 --> 00:09:16,900 SO, FOR MARIA THE KOREAN BRIDE, 273 00:09:16,900 --> 00:09:19,733 I'M DOING A MODERN-STYLE WEDDING CAKE WITH THREE SQUARE TIERS 274 00:09:19,733 --> 00:09:22,667 OF CHOCOLATE SPONGE FILLED WITH CHOCOLATE MOUSSE. 275 00:09:27,600 --> 00:09:28,633 OKAY. 276 00:09:28,633 --> 00:09:30,933 SO, WHEN MARIA DOES THESE WEDDINGS, 277 00:09:30,933 --> 00:09:32,700 EVEN THOUGH SHE MIGHT BE GETTING MARRIED 278 00:09:32,700 --> 00:09:34,267 TO, LIKE, A TREE OR WHATEVER, 279 00:09:34,267 --> 00:09:37,133 SHE STILL DRESSES UP LIKE A TRADITIONAL KOREAN BRIDE, 280 00:09:37,133 --> 00:09:40,133 SO I WANT TO DO SOMETHING REAL FORMAL LIKE THAT. 281 00:09:40,133 --> 00:09:42,933 I LIKE THIS DESIGN BECAUSE I WANT IT VERY TAILORED 282 00:09:42,933 --> 00:09:44,733 AND, YOU KNOW, DETAILED. 283 00:09:44,733 --> 00:09:45,767 I LOVE THIS. 284 00:09:48,067 --> 00:09:50,500 GOD BLESS HER AND HER CAUSE, BUT... 285 00:09:50,500 --> 00:09:51,933 I'M OLD SCHOOL. LISTEN, SHE'S -- 286 00:09:51,933 --> 00:09:53,433 YOU MARRY ONE TIME, AND THAT'S IT. 287 00:09:53,433 --> 00:09:55,433 I'M ALL ABOUT PROVING A POINT, 288 00:09:55,433 --> 00:09:58,067 BUT I THINK SHE TOOK IT A LITTLE TOO FAR. 289 00:09:58,067 --> 00:10:00,733 BUT AT THE END OF THE DAY, I'M A HOPELESS ROMANTIC, 290 00:10:00,733 --> 00:10:03,633 AND I THINK EVERYBODY DESERVES A BEAUTIFUL WEDDING CAKE. 291 00:10:03,633 --> 00:10:04,700 THAT'S RIGHT. 292 00:10:04,700 --> 00:10:06,067 GOOD. 293 00:10:13,400 --> 00:10:15,400 [ GRUMBLING ] 294 00:10:16,700 --> 00:10:18,833 Buddy: SO, FOR THIS REGIS AND KELLY CAKE, 295 00:10:18,833 --> 00:10:21,200 I DECIDE TO MAKE REGIS AND KELLY. 296 00:10:21,200 --> 00:10:24,700 REGIS WANTED SOMETHING DIFFERENT FROM A TRADITIONAL TIERED CAKE, 297 00:10:24,700 --> 00:10:27,800 AND I FIGURED THAT HIS CREW WOULD GET A KICK OUT OF GETTING 298 00:10:27,800 --> 00:10:29,000 A PIECE OF REGIS. 299 00:10:29,000 --> 00:10:32,600 OH, KELLY RIPA, I'M GONNA MAKE YOU SO BEAUTIFUL. 300 00:10:32,600 --> 00:10:34,300 Buddy: DOING A BUST OF SOMEONE 301 00:10:34,300 --> 00:10:36,433 IS THE HARDEST POSSIBLE CAKE YOU CAN MAKE. 302 00:10:36,433 --> 00:10:39,400 I MEAN, NOT ONLY DO YOU GOT TO GET ALL THE PROPORTIONS RIGHT, 303 00:10:39,400 --> 00:10:41,600 BUT YOU HAVE TO KILL THE DETAILS, 304 00:10:41,600 --> 00:10:44,533 OTHERWISE YOU DON'T EVEN KNOW IT'S THE PERSON. 305 00:10:44,533 --> 00:10:47,267 SO I PUT RALPH AND JUAN WORKING ON IT 306 00:10:47,267 --> 00:10:49,000 'CAUSE THEY'RE THE BEST GUYS I GOT 307 00:10:49,000 --> 00:10:50,467 TO WORK ON THIS KIND OF PROJECT. 308 00:11:01,200 --> 00:11:02,367 HEY, BOB-O. 309 00:11:02,367 --> 00:11:03,633 HOW YOU DOING? 310 00:11:03,633 --> 00:11:05,067 WHAT'S UP, CAP? 311 00:11:05,067 --> 00:11:07,400 JUST CAME TO CHECK OUT THE NEW PLACE, YOU KNOW? 312 00:11:07,400 --> 00:11:08,500 BIG, RIGHT? YEAH. 313 00:11:08,500 --> 00:11:09,900 YOU GOT A MINUTE OR WHAT? 314 00:11:09,900 --> 00:11:11,067 YEAH, SURE. WHAT'S UP? 315 00:11:11,067 --> 00:11:14,067 Joey: BOB-O WAS MY FIRST CAPTAIN 316 00:11:14,067 --> 00:11:15,933 WHEN I GOT IN THE FIRE DEPARTMENT, 317 00:11:15,933 --> 00:11:17,067 AND WE'RE STILL GOOD FRIENDS. 318 00:11:17,067 --> 00:11:18,067 HE'S RETIRED NOW. 319 00:11:18,067 --> 00:11:20,167 I GOT A COUPLE CALLS FROM GUYS AT WORK. 320 00:11:20,167 --> 00:11:24,767 THEY SAID THAT YOU'RE -- YOU'RE THINKING ABOUT LEAVING. 321 00:11:24,767 --> 00:11:28,767 YEAH. IT'S A DECISION THAT I MIGHT HAVE TO MAKE. 322 00:11:28,767 --> 00:11:30,567 FIRE DEPARTMENT'S IN YOUR BLOOD, MAN. 323 00:11:37,900 --> 00:11:39,233 Bob: FIRE DEPARTMENT'S IN YOUR BLOOD, MAN. 324 00:11:39,233 --> 00:11:40,400 I DON'T WANT TO. I TOLD YOU. 325 00:11:40,400 --> 00:11:41,900 I DON'T WANT TO LEAVE THE FIRE DEPARTMENT. 326 00:11:41,900 --> 00:11:43,367 IT'S NOT SOMETHING THAT YOU CAN JUST WALK AWAY FROM, 327 00:11:43,367 --> 00:11:44,733 BUT THEY DON'T UNDERSTAND THAT HERE. 328 00:11:44,733 --> 00:11:47,900 IT'S LIKE HAVING TWO FAMILIES. IT'S LIKE LIVING TWO LIVES. 329 00:11:47,900 --> 00:11:49,467 I REMEMBER GUYS QUITTING YEARS AGO, MAN. 330 00:11:49,467 --> 00:11:50,900 THEY ALWAYS REGRETTED IT, YOU KNOW? 331 00:11:50,900 --> 00:11:52,800 I KNOW. I KNOW. I KNOW. 332 00:11:52,800 --> 00:11:54,533 WHAT DO YOU GOT? YOU GOT 14 YEARS ON, RIGHT? 333 00:11:54,533 --> 00:11:55,533 14. 334 00:11:55,533 --> 00:11:57,067 THAT'S A LONG TIME. 335 00:11:57,067 --> 00:11:58,600 IT'S A LOT TO LEAVE. 336 00:11:58,600 --> 00:12:01,567 THE BOTTOM LINE IS, JOEY, YOU GOT TO LIVE WITH THIS DECISION, YOU KNOW? 337 00:12:01,567 --> 00:12:03,600 YOU GOT TO LOOK AT YOURSELF IN THE MIRROR IN THE MORNING 338 00:12:03,600 --> 00:12:04,667 WHEN YOU'RE SHAVING. 339 00:12:04,667 --> 00:12:06,800 AND IF YOU REGRET IT, YOU KNOW, I MEAN, 340 00:12:06,800 --> 00:12:08,700 FOR THE REST OF YOUR LIFE, YOU'RE GONNA REGRET IT. 341 00:12:08,700 --> 00:12:10,867 YOU'RE NOT MAKING IT ANY EASIER. YOU'RE REALLY NOT MAKING -- 342 00:12:10,867 --> 00:12:12,167 YOU'RE ACTUALLY MAKING IT HARDER. 343 00:12:12,167 --> 00:12:14,967 Joey: I HAD MY MIND ALMOST MADE UP 344 00:12:14,967 --> 00:12:18,067 AND GET MY NERVE UP TO LEAVE THE FIRE DEPARTMENT 345 00:12:18,067 --> 00:12:19,533 AND JUST BE HERE FULL-TIME. 346 00:12:19,533 --> 00:12:21,900 BUT THEN WHEN BOB-O PUTS IT IN PERSPECTIVE 347 00:12:21,900 --> 00:12:24,833 AND, YOU KNOW, GOING THROUGH SO MUCH WITH THESE GUYS 348 00:12:24,833 --> 00:12:26,433 AND DEPENDING ON EACH OTHER, 349 00:12:26,433 --> 00:12:28,833 I DON'T THINK I CAN LEAVE THAT EASY. 350 00:12:28,833 --> 00:12:31,233 COME ON. LET ME SHOW YOU THE REST OF THE PLACE. 351 00:12:31,233 --> 00:12:33,067 Woman: NUMBER 15? 352 00:12:38,067 --> 00:12:41,067 Buddy: CAN I HAVE CLIPPERS? 353 00:12:41,067 --> 00:12:42,267 CLIPPERS? 354 00:12:47,267 --> 00:12:49,367 THE RECEPTION FOR MARIA THE KOREAN BRIDE CAKE 355 00:12:49,367 --> 00:12:50,567 IS THIS AFTERNOON. 356 00:12:50,567 --> 00:12:52,833 SO I GOT TO GET THE GROOMS ALL ON THIS CAKE 357 00:12:52,833 --> 00:12:55,167 AND GET IT TO MANHATTAN PRONTO. 358 00:12:55,167 --> 00:12:57,767 OH. SHE MARRIED THE GRIM REAPER? 359 00:13:00,433 --> 00:13:02,700 THIS LADY'S MARRIED ALL KINDS OF STUFF -- 360 00:13:02,700 --> 00:13:06,433 PEOPLE, ANIMALS, THINGS -- IN 49 STATES. 361 00:13:06,433 --> 00:13:09,767 AND THE NEW YORK GROOM, LUCKY GUY, HE'S THE LAST ONE. 362 00:13:15,767 --> 00:13:19,400 LADIES AND GENTLEMEN, PLEASE GATHER AROUND! 363 00:13:19,400 --> 00:13:20,900 WE ARE ABOUT TO START THE WEDDING 364 00:13:20,900 --> 00:13:25,500 OF MARIA THE KOREAN BRIDE AND HER 50th GROOM, RAM. 365 00:13:25,500 --> 00:13:27,567 Pastor: GOOD AFTERNOON, EVERYBODY. GOOD TO BE HERE. 366 00:13:27,567 --> 00:13:28,967 BRIDE AND GROOM, ARE YOU READY? 367 00:13:28,967 --> 00:13:30,233 YES. OKAY. 368 00:13:30,233 --> 00:13:33,067 TAKE THAT RING. PLACE IT ON HER FINGER. 369 00:13:33,067 --> 00:13:35,667 CONGRATULATIONS. MAY YOU KISS THE BRIDE. 370 00:13:35,667 --> 00:13:37,667 [ CHEERS AND APPLAUSE ] 371 00:13:40,900 --> 00:13:43,200 IT'S RAINING. 372 00:13:43,200 --> 00:13:44,833 Buddy: DON'T GET THE CAKE WET. 373 00:13:44,833 --> 00:13:47,067 COME ON. TIME THE DRIPS. 374 00:13:47,067 --> 00:13:48,967 ALL RIGHT, GO. 375 00:13:48,967 --> 00:13:51,167 [ INDISTINCT CONVERSATIONS ] 376 00:13:51,167 --> 00:13:53,467 WHOA! 377 00:13:55,467 --> 00:13:56,700 HEY! 378 00:13:56,700 --> 00:13:59,167 HEY, HOW YOU DOING? HOW ARE YOU? GOOD TO SEE YOU. 379 00:13:59,167 --> 00:14:02,167 COME ON. COME ON IN. COME ON IN. PUT IT UP HERE. 380 00:14:02,167 --> 00:14:03,633 TURN IT AROUND. 381 00:14:03,633 --> 00:14:05,400 WHOO-HOO! 382 00:14:05,400 --> 00:14:07,533 WHAT DO YOU THINK? [ LAUGHS ] 383 00:14:07,533 --> 00:14:09,067 HUH? 384 00:14:11,967 --> 00:14:13,833 WHEN DID YOU MARRY THE REAPER? 385 00:14:13,833 --> 00:14:15,800 [ APPLAUSE ] 386 00:14:15,800 --> 00:14:17,300 BUDDY, I'M SPEECHLESS. 387 00:14:17,300 --> 00:14:20,867 WELL, YOU KNOW, WE WANTED TO INCORPORATE SOME OF YOUR -- 388 00:14:20,867 --> 00:14:25,500 SOME OF THE PEOPLE AND THINGS AND...OBJECTS YOU MARRIED. 389 00:14:25,500 --> 00:14:27,600 [ LAUGHTER ] 390 00:14:27,600 --> 00:14:30,900 HERE IS MY 50th HUSBAND. I THINK THAT IS. 391 00:14:30,900 --> 00:14:32,233 THERE IT IS. 392 00:14:32,233 --> 00:14:34,567 I'M NOT THE HEIFER. I'M THE INDIAN GUY RIGHT THERE. 393 00:14:34,567 --> 00:14:36,100 [ LAUGHTER ] 394 00:14:36,100 --> 00:14:37,267 THAT'S ME. 395 00:14:37,267 --> 00:14:40,200 WE WANTED TO PUT YOU ON THERE. WE WANTED TO PUT 50. 396 00:14:40,200 --> 00:14:43,100 AND THEN WE THOUGHT WE MIGHT HAVE 51 OR 52 FOR YOU. 397 00:14:43,100 --> 00:14:44,400 OH, NO WAY. 398 00:14:44,400 --> 00:14:46,833 [ LAUGHTER ] WILL YOU MARRY ME? 399 00:14:46,833 --> 00:14:48,500 I WANT TO BE 51. 400 00:14:48,500 --> 00:14:49,667 [ CHEERING ] 401 00:14:49,667 --> 00:14:52,533 MY CAKE -- WHAT CAN I SAY? I'M SPEECHLESS. 402 00:14:52,533 --> 00:14:55,367 AND TO SEE ME ON THE TOP, 403 00:14:55,367 --> 00:14:57,467 I DON'T FEEL LIKE I'M ON THE TOP OF THE TOTEM, 404 00:14:57,467 --> 00:14:59,367 BUT IT'S THE OTHER PEOPLE COMING TOGETHER 405 00:14:59,367 --> 00:15:00,767 TO MAKE THIS PROJECT COMPLETE. 406 00:15:00,767 --> 00:15:02,233 ALL RIGHT, CUZ. 407 00:15:02,233 --> 00:15:07,067 SO I'M HONORED TO SEE THAT, AND I CAN'T WAIT TO HAVE A BITE. 408 00:15:07,067 --> 00:15:08,400 Buddy: FEED EACH OTHER. 409 00:15:08,400 --> 00:15:09,400 MMM. 410 00:15:11,300 --> 00:15:12,833 MMM. IT'S GREAT. 411 00:15:12,833 --> 00:15:14,333 OH, WOW. THIS IS AMAZING. 412 00:15:14,333 --> 00:15:15,667 THANK YOU GUYS SO MUCH. 413 00:15:15,667 --> 00:15:18,067 I GOT TO TAKE THESE GUYS BACK BEFORE YOU MARRY THEM. 414 00:15:18,067 --> 00:15:19,967 [ LAUGHTER ] 415 00:15:19,967 --> 00:15:22,133 WE'LL SEE YOU GUYS LATER. BYE-BYE. 416 00:15:22,133 --> 00:15:23,567 [ CHEERS AND APPLAUSE ] 417 00:15:28,167 --> 00:15:30,400 Ralph: OKAY. HERE'S WHERE WE'RE AT. 418 00:15:30,400 --> 00:15:32,400 SHE NEEDS HAIR AND DETAILS 419 00:15:32,400 --> 00:15:36,067 BECAUSE WE GOT TO GET THIS AND THAT FINISHED, ALL RIGHT? 420 00:15:36,067 --> 00:15:37,700 IT'S GOT TO BE DONE TONIGHT. 421 00:15:37,700 --> 00:15:39,533 NO PROBLEM. ALL RIGHT. THANK YOU. 422 00:15:39,533 --> 00:15:41,367 Buddy: THE "LIVE! WITH REGIS AND KELLY" SHOW 423 00:15:41,367 --> 00:15:44,133 TAPES AT 9:00 IN THE MORNING, SO EVERYBODY'S STAYING LATE TONIGHT 424 00:15:44,133 --> 00:15:46,833 TO HELP GET THESE BUSTS FINISHED. 425 00:15:46,833 --> 00:15:51,333 I GOT TYNE FINISHING UP DETAILS ON THE BUSTS OF REGIS AND KELLY. 426 00:15:51,333 --> 00:15:55,433 THEN I GOT DANNY MAKING BASES FOR THEM OUT OF CAKE TIERS. 427 00:15:59,833 --> 00:16:01,967 ALL RIGHT, LIZ. BRING ME THE STUFF. 428 00:16:01,967 --> 00:16:03,200 FOR THESE BASES, 429 00:16:03,200 --> 00:16:06,533 I GOT LESLIE AND LIZ MAKING FONDANT DECORATIONS 430 00:16:06,533 --> 00:16:08,967 OF REGIS AND KELLY'S FAVORITE THINGS. 431 00:16:11,333 --> 00:16:14,500 SO, REGIS GETS SOME SPORTS STUFF. 432 00:16:14,500 --> 00:16:17,067 LET'S THROW SOME SHAMROCK. 433 00:16:17,067 --> 00:16:19,167 SOME SYMBOLS OF HIS IRISH HERITAGE. 434 00:16:19,167 --> 00:16:21,300 A LITTLE BLINGY SHOE, KELLY. 435 00:16:21,300 --> 00:16:22,500 AND KELLY'S CAKE 436 00:16:22,500 --> 00:16:25,433 IS MORE OF A FASHIONISTA GIRLY GIRL-TYPE DESIGN. 437 00:16:25,433 --> 00:16:28,167 WHAT GIRL DOESN'T LIKE A LITTLE SHIMMER, HUH? 438 00:16:28,167 --> 00:16:31,533 THAT'S ONE LADY THAT I WOULD LIKE TO MEET. SHE'S GORGEOUS. 439 00:16:31,533 --> 00:16:33,400 Buddy: YOU LIKE KELLY, DANNY? YEAH. 440 00:16:33,400 --> 00:16:36,433 YOU WANT TO COME ON THIS DELIVERY SO YOU CAN MEET KELLY? 441 00:16:36,433 --> 00:16:38,367 YOU WANT ME TO MEET HER? COULD I MEET HER? 442 00:16:38,367 --> 00:16:39,367 YOU WANT TO MEET HER? 443 00:16:39,367 --> 00:16:40,500 YEAH. THAT'S A GOOD IDEA. 444 00:16:40,500 --> 00:16:41,700 WHAT ARE YOU GONNA TELL HER? 445 00:16:41,700 --> 00:16:43,667 "GET TO KNOW ME, KELLY." [ LAUGHS ] 446 00:16:43,667 --> 00:16:45,167 YOU THINK THAT'S GONNA WORK? 447 00:16:45,167 --> 00:16:47,067 WHY NOT? I'M GONNA TRY IT. 448 00:16:48,333 --> 00:16:50,600 ALL RIGHT, GUYS. WHAT DO YOU THINK? 449 00:16:50,600 --> 00:16:52,600 BEAUTIFUL. THEY LOOK GOOD. 450 00:16:52,600 --> 00:16:54,300 I THINK IT LOOKS ADORABLE. 451 00:16:54,300 --> 00:16:56,400 YEAH, I THINK THEY BOTH LOOK GOOD. 452 00:16:59,733 --> 00:17:01,133 DANNY? 453 00:17:01,133 --> 00:17:03,133 SHE LOOKS GOOD. YEAH? 454 00:17:03,133 --> 00:17:04,700 YOU LIKE THAT? YEAH. 455 00:17:04,700 --> 00:17:06,867 LISTEN, I'M JUST SAYING, 456 00:17:06,867 --> 00:17:08,967 YOU TWO BETTER NOT EMBARRASS ME WITH KELLY. 457 00:17:08,967 --> 00:17:11,333 BE LIKE TWO PUPPY DOGS. 458 00:17:11,333 --> 00:17:13,467 BE ON YOUR BEST BEHAVIOR. 459 00:17:13,467 --> 00:17:15,700 CHECK YOUR TONGUES AT THE DOOR. 460 00:17:22,967 --> 00:17:25,467 THE FIRST THING IN THE MORNING, 461 00:17:25,467 --> 00:17:28,633 WE HEAD OUT TO WABC STUDIOS IN MANHATTAN 462 00:17:28,633 --> 00:17:30,567 WHERE THEY TAPE "REGIS AND KELLY." 463 00:17:30,567 --> 00:17:31,767 WE'RE REAL EXCITED TO BE HERE. 464 00:17:31,767 --> 00:17:32,967 READY TO GO? YOU GOT YOUR CAKES READY? 465 00:17:32,967 --> 00:17:34,333 I'M READY TO ROCK 'N' ROLL. 466 00:17:34,333 --> 00:17:38,433 THEY PUT US IN THIS GREEN ROOM TO WAIT UNTIL WE GO ON. 467 00:17:38,433 --> 00:17:39,800 LOOK AT YOUR SHORTS. 468 00:17:39,800 --> 00:17:42,833 YOU THINK YOU WOULD HAVE DRESSED A LITTLE BIT. 469 00:17:42,833 --> 00:17:45,067 DID YOU KNIT THOSE YOURSELF? 470 00:17:45,067 --> 00:17:48,700 NO, AND THEN JUST CUT THEM WITH A SCISSOR. 471 00:17:48,700 --> 00:17:50,833 [ LAUGHTER ] 472 00:17:50,833 --> 00:17:51,933 HEY. 473 00:17:51,933 --> 00:17:53,333 Buddy: HELLO. HEY, KELLY. 474 00:17:53,333 --> 00:17:54,467 HOW ARE YOU? 475 00:17:54,467 --> 00:17:55,533 HI. HI. 476 00:17:55,533 --> 00:17:56,800 THIS IS MY NEPHEW ROBERT. 477 00:17:56,800 --> 00:17:57,967 HI. HOW ARE YOU? 478 00:17:57,967 --> 00:18:00,567 MY BROTHER-IN-LAW, JOE. MY COUSIN ANTHONY. 479 00:18:00,567 --> 00:18:01,800 HEY, ANTHONY. AND DANNY. 480 00:18:01,800 --> 00:18:03,233 HI, DANNY. DANNY'S A HUGE FAN. 481 00:18:03,233 --> 00:18:04,600 COME OVER HERE. 482 00:18:04,600 --> 00:18:06,367 DANNY. 483 00:18:13,133 --> 00:18:14,767 THIS IS MY NEPHEW ROBERT. 484 00:18:14,767 --> 00:18:15,933 HI. HOW ARE YOU? 485 00:18:15,933 --> 00:18:18,233 MY BROTHER-IN-LAW, JOE. MY COUSIN ANTHONY. 486 00:18:18,233 --> 00:18:19,233 HEY, ANTHONY. AND DANNY. 487 00:18:19,233 --> 00:18:20,567 HI, DANNY. 488 00:18:20,567 --> 00:18:21,833 DANNY'S A HUGE FAN. COME OVER HERE. 489 00:18:21,833 --> 00:18:22,833 DANNY. 490 00:18:22,833 --> 00:18:24,633 HE'S A BIG FAN. HI, DANNY. 491 00:18:24,633 --> 00:18:27,367 HOW'S IT GOING? NICE TO MEET YOU. I'M KELLY. 492 00:18:27,367 --> 00:18:29,400 [ LAUGHTER ] WOW. 493 00:18:29,400 --> 00:18:31,067 DANNY LIKES MY OUTFIT. OKAY. 494 00:18:31,067 --> 00:18:32,667 I'LL SEE YOU OUT THERE. WOW. 495 00:18:32,667 --> 00:18:34,267 THANKS FOR DOING THE SHOW. 496 00:18:34,267 --> 00:18:36,667 OH, KELLY, CAN DANNY HAVE A PICTURE BEFORE YOU GO? 497 00:18:36,667 --> 00:18:37,667 OF COURSE. 498 00:18:37,667 --> 00:18:38,700 WOW. 499 00:18:38,700 --> 00:18:41,633 COME ON, DANNY. THIS IS HAPPENING. 500 00:18:41,633 --> 00:18:42,733 GET TO KNOW ME, KELLY. 501 00:18:42,733 --> 00:18:44,067 THIS IS HAPPENING RIGHT NOW. 502 00:18:44,067 --> 00:18:46,067 SHE LOOKS JUST EXCITED. [ LAUGHS ] 503 00:18:46,067 --> 00:18:48,667 DANNY SMELLS LIKE FROSTING. 504 00:18:48,667 --> 00:18:49,967 [ LAUGHTER ] 505 00:18:49,967 --> 00:18:52,467 YOU LIKE IT? YEAH, I DO. 506 00:18:52,467 --> 00:18:54,933 SEE YOU LATER. TAKE CARE, KELLY. 507 00:18:54,933 --> 00:18:56,600 BYE. 508 00:18:56,600 --> 00:18:58,900 YOU THINK KELLY'S OUT THERE RIGHT NOW WITH REGIS, 509 00:18:58,900 --> 00:19:00,900 "GUESS WHO I JUST TOOK A PICTURE WITH"? 510 00:19:00,900 --> 00:19:01,900 [ LAUGHTER ] 511 00:19:03,800 --> 00:19:05,633 [ CHEERS AND APPLAUSE ] 512 00:19:05,633 --> 00:19:07,700 IT'S THE LAST DAY OF OUR "DO IT" WEEK, 513 00:19:07,700 --> 00:19:11,167 AND REGIS WENT TO HOBOKEN TO DO IT. TAKE A LOOK. 514 00:19:11,167 --> 00:19:13,200 Buddy: YOU DON'T WANT TO PUT A TIP ON IT, REGIS? 515 00:19:13,200 --> 00:19:14,667 A TIP? WHAT DOES THAT MEAN? 516 00:19:14,667 --> 00:19:16,933 LIKE, LOOK AT THIS HERE. LOOK WHAT I'M GONNA DO HERE. 517 00:19:16,933 --> 00:19:19,300 SEE? 518 00:19:19,300 --> 00:19:21,267 NO, I DON'T NEED THAT. 519 00:19:21,267 --> 00:19:23,900 WHAT THE HELL? 520 00:19:23,900 --> 00:19:25,800 [ LAUGHTER ] 521 00:19:25,800 --> 00:19:28,433 MODERN ART. NO, YOU GOT TO LOOK AT IT FOR A WHILE 522 00:19:28,433 --> 00:19:30,267 TO REALLY GRASP WHAT I'M DOING. 523 00:19:30,267 --> 00:19:31,333 BUDDY. 524 00:19:31,333 --> 00:19:34,100 [ CHEERS AND APPLAUSE ] 525 00:19:34,100 --> 00:19:35,400 WELL, AFTER MY LESSON, 526 00:19:35,400 --> 00:19:37,900 I ASKED BUDDY TO CREATE A SPECIAL CAKE FOR THE STAFF, 527 00:19:37,900 --> 00:19:39,367 AND HE BROUGHT IT WITH HIM TODAY. 528 00:19:39,367 --> 00:19:40,867 PLEASE WELCOME BUDDY VALASTRO! 529 00:19:40,867 --> 00:19:42,367 BUDDY! [ CHEERS AND APPLAUSE ] 530 00:19:42,367 --> 00:19:43,967 HEY! 531 00:19:43,967 --> 00:19:44,967 MY COUSIN REGIS. GOOD TO SEE YOU. 532 00:19:44,967 --> 00:19:46,100 HOW ARE YOU, BUDDY? GOOD TO SEE YOU. 533 00:19:46,100 --> 00:19:47,867 HEY, KELLY. HOW ARE YOU? [ SMOOCHES ] 534 00:19:47,867 --> 00:19:49,800 GOOD TO SEE YOU GUYS. HOW'S EVERYTHING GOING? 535 00:19:49,800 --> 00:19:51,600 BUDDY, I'VE GOT NOTHING BUT ABUSE 536 00:19:51,600 --> 00:19:53,267 BECAUSE I TURNED DOWN THE TIP. 537 00:19:53,267 --> 00:19:55,200 YOU DIDN'T TELL ME I HAD TO HAVE IT. 538 00:19:55,200 --> 00:19:56,300 I SHOULD HAVE HAD IT. 539 00:19:56,300 --> 00:19:57,600 I SAID, "PUT THE TIP ON IT." 540 00:19:57,600 --> 00:19:59,067 WELL, I DON'T KNOW WHAT A TIP IS! 541 00:19:59,067 --> 00:20:00,833 I SHOWED YOU! I SAYS, "LOOK WHAT IT DOES," 542 00:20:00,833 --> 00:20:02,467 AND YOU SAYS, "NO, I DON'T NEED THAT." 543 00:20:02,467 --> 00:20:04,900 COME ON. YOU WAS... YOU CAN'T BLAME ME. 544 00:20:04,900 --> 00:20:06,133 YOU'RE RIGHT. OKAY. 545 00:20:06,133 --> 00:20:08,467 DO I HAVE A FUTURE IN YOUR BUSINESS? 546 00:20:08,467 --> 00:20:10,667 MAYBE AS A TASTER. MAYBE WE'LL LET YOU TASTE A LITTLE BIT. 547 00:20:10,667 --> 00:20:12,000 THAT'S GOOD. ALL RIGHT. 548 00:20:12,000 --> 00:20:14,767 NOW, WE ASKED TO MAKE A CAKE FOR THE "LIVE!" STAFF. 549 00:20:14,767 --> 00:20:17,000 YOU WERE NICE ENOUGH TO DO THAT, I HEAR. 550 00:20:17,000 --> 00:20:18,933 ALL RIGHT, LET'S SEE IT. BRING OUT THE CAKES! 551 00:20:18,933 --> 00:20:22,300 [ CHEERS AND APPLAUSE ] 552 00:20:22,300 --> 00:20:23,767 OH, MY GOD. 553 00:20:24,900 --> 00:20:27,167 HOLY COW! 554 00:20:27,167 --> 00:20:30,033 LET'S GO AROUND AND LOOK AT THIS, KID. 555 00:20:30,033 --> 00:20:32,333 WHY, IT'S RONALD REAGAN! 556 00:20:32,333 --> 00:20:34,633 [ LAUGHTER ] 557 00:20:34,633 --> 00:20:36,800 AND REGIS PHILBIN! 558 00:20:36,800 --> 00:20:38,500 LOOK AT ALL THE SPECIALTY RIGHT HERE. 559 00:20:38,500 --> 00:20:41,233 Buddy: HEY, KELLY. YOU GOT TO BE HAPPY THAT REGIS DIDN'T MAKE THAT. 560 00:20:41,233 --> 00:20:42,500 I AM THRILLED. 561 00:20:42,500 --> 00:20:46,100 BELIEVE ME, THIS IS THE PRETTIEST I'VE EVER LOOKED. 562 00:20:46,100 --> 00:20:47,833 BUT THERE'S SOMETHING DIFFERENT ABOUT IT. 563 00:20:47,833 --> 00:20:50,067 I'VE NEVER SEEN KELLY LOOK LIKE THAT FROM THE NECK DOWN. 564 00:20:50,067 --> 00:20:51,933 [ LAUGHTER ] 565 00:20:51,933 --> 00:20:53,567 THERE'S TWO THRILLING NEW CHARACTERS. 566 00:20:53,567 --> 00:20:55,267 [ LAUGHTER ] 567 00:20:55,267 --> 00:20:57,533 Buddy: I MEAN, WHAT AN AWESOME WEEK. 568 00:20:57,533 --> 00:21:00,433 REGIS AND KELLY GOT A BIG KICK OUT OF THEIR CAKES. 569 00:21:00,433 --> 00:21:01,733 THE AUDIENCE LOVED IT. 570 00:21:01,733 --> 00:21:03,900 BUDDY, YOU WERE TERRIFIC. THANKS VERY, VERY MUCH. 571 00:21:03,900 --> 00:21:05,700 [ CHEERS AND APPLAUSE ] 572 00:21:05,700 --> 00:21:07,533 Regis: HE MADE IT LOOK SO EASY. 573 00:21:07,533 --> 00:21:09,667 HE RAN THAT THING AROUND THE CAKE, 574 00:21:09,667 --> 00:21:10,933 AND EVERYTHING LOOKED GREAT. 575 00:21:10,933 --> 00:21:12,833 I CAN DO THAT, BUT I DIDN'T HAVE THE TIP. 576 00:21:12,833 --> 00:21:14,867 IF I HAD THE TIP, I WOULD HAVE BEEN DYNAMITE. 577 00:21:14,867 --> 00:21:17,800 THE CAKE THEY MADE FOR ME -- WELL, I LOOK LIKE RONALD REAGAN. 578 00:21:17,800 --> 00:21:19,067 YOU KNOW WHAT I'M SAYING? 579 00:21:19,067 --> 00:21:22,300 WHICH ISN'T BAD. I GOT A KICK OUT OF HER, THOUGH. 580 00:21:22,300 --> 00:21:24,067 I NEVER SAW HER LOOK THAT VOLUPTUOUS IN MY LIFE. 581 00:21:24,067 --> 00:21:26,200 Buddy: PLEASURE MAKING THESE CAKES FOR YOU GUYS. 582 00:21:26,200 --> 00:21:27,867 YOU GUYS ARE THE BEST. YOU'RE THE BEST. 583 00:21:27,867 --> 00:21:29,500 THANK YOU, EVERYONE! TAKE CARE! 584 00:21:29,500 --> 00:21:30,667 [ CHEERS AND APPLAUSE ] 585 00:21:30,667 --> 00:21:32,833 THE WHOLE EXPERIENCE WAS A GREAT TIME. 586 00:21:32,833 --> 00:21:35,300 AND TO BE ABLE TO SEE REGIS, I MEAN, 587 00:21:35,300 --> 00:21:39,300 A LIVING LEGEND DO HIS THING WAS SO INSPIRING TO ME. 588 00:21:39,300 --> 00:21:41,067 HERE'S TO YOU, REGIS. 42768

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