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[ LAUGHTER ]
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>> YEAH-EAH!
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ON THIS EPISODE OF
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"CAKE BOSS"...
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>> YOU WANT TO GET IT THE CAR?
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I HAVE A FAVOR TO ASK YOU.
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>> I GOT TO SAY, I'VE NEVER BEEN
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IN A ROLLS-ROYCE BEFORE.
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>> OH, MY GOD.
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>> * MAKIN' A HOT DOG
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>> WHAT I NEED FROM YOU IS --
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>> WHAT ARE YOU TRYING TO SAY?
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YOU'RE BEATING AROUND THE BUSH.
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I'M READY TO TELL HIM THAT I'VE
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BASICALLY HAD IT.
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>> THESE TWO NICE GIRLS WANT TO
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BE THE FIRST GAY COUPLE TO GET
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MARRIED IN NEW YORK.
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>> WHATEVER YOU DO, DON'T MESS
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IT UP.
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>> OKAY.
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>> WHAT THE HELL IS THIS?
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>> 48! DOWN HERE.
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>> WHOA.
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>> IS BUDDY AROUND?
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>> EXCUSE ME?
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>> BUDDY. IS BUDDY AROUND?
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I WANT TO TALK TO BUDDY.
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>> YOU WANT TO TALK TO BUDDY?
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>> YEAH, JUST TELL HIM I HAVE A
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FAVOR TO ASK HIM.
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>> BUD.
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>> WHAT'S UP?
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>> THERE'S A GUY OUTSIDE.
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HE WANTS TO TALK TO YOU.
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HE LOOKS LIKE A TOUGH GUY.
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>> WHAT DOES HE WANT?
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>> YOU'RE NOT IN TROUBLE, BY ANY
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CHANCE, ARE YOU?
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>> NO, I AIN'T IN TROUBLE.
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WHAT THE HELL AM I IN TROUBLE
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FOR?
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>> IT'S A BIG CAR OUTSIDE,
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AND...
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>> WHAT KIND OF CAR IS IT?
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>> I THINK IT'S A ROLLS-ROYCE.
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>> OOH, I WANT TO SEE THE CAR.
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>> I DON'T KNOW WHO'S THIS GUY.
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>> WHAT ARE YOU SAYING, HE'S
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CONNECTED?
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OH, I'M PRETTY SURE I KNOW WHO
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THIS IS.
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I GOT A BIG, NEW CLIENT COMING
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IN FROM OUT OF TOWN, AND I HEARD
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HE LIKES TO MAKE AN ENTRANCE.
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NICE CAR.
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>> BEAUTIFUL.
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>> HI. HOW YOU DOING?
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>> HI, BUDDY. I'M JOE PERILLO.
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HOW ARE YOU?
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>> I'M BUDDY.
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PLEASURE TO MEET YOU.
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>> SO, JOE PERILLO IS A BIG CAR
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DEALER IN CHICAGO, AND HE'S COME
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TO HOBOKEN TO ASK ME FOR A
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FAVOR.
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>> YOU WANT TO GET IN THE CAR,
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AND I'LL TELL YOU WHAT THE
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FAVOR IS?
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>> WELL, I GOT TO SAY, I'VE
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NEVER BEEN IN A ROLLS-ROYCE
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BEFORE.
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SO, I HOP IN AND GO FOR A LITTLE
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RIDE.
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>> BUDDY, I'D LIKE TO HAVE YOU
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MAKE ME A CAKE FOR A SPECIAL
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OCCASION.
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>> OKAY.
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>> I'M OPENING UP A ROLLS-ROYCE
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DEALERSHIP.
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CHICAGO HASN'T HAD A DEALERSHIP
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FOR ABOUT 35 YEARS.
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>> WOW.
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>> IT'S GOT TO GO RIGHT TO MY
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SHOWROOM -- RIGHT TO THE
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FRONT DOOR OF MY SHOWROOM.
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>> IN CHICAGO?
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>> I'M GONNA HAVE 550 PEOPLE AT
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THIS RECEPTION, AND I WANT IT
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DELIVERED IN FRONT OF THOSE
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550 PEOPLE.
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>> I GUESS I COULD DELIVER A
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CAKE TO CHICAGO.
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BUT, REALLY, I'M A NEW YORKER.
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I DON'T REALLY KNOW THAT MUCH
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ABOUT CHICAGO.
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>> I WANT IT BIG.
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IT'S A BIG CITY WITH BIG, BROAD
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SHOULDERS, AND I WANTED TO GET
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SOME BUILDINGS.
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>> OKAY.
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>> AND THEN, IN THE CENTER OF
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THE BUILDING, I WOULD LIKE
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LADY ECSTASY TO COME OUT.
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LADY ECSTASY IS THE ORNAMENT --
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THE HOOD ORNAMENT -- ON THE
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ROLLS-ROYCE.
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>> OKAY.
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>> AND I WANT HER TO COME OUT OF
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THE CITY OF CHICAGO.
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>> LIKE, SOME SMOKE AND SOME
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FIREWORKS?
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>> I LOVE IT.
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>> THAT SOUND COOL?
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>> SOUNDS COOL.
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>> [ LAUGHS ]
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>> LET'S GO OVER EVERYTHING.
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THIS IS THE WHOLE SKYLINE.
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SO, WE CAN DO SOME GENERIC
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BUILDINGS.
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>> FOR THIS ROLLS-ROYCE GIG, I
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GOT MAURO STARTED ON THE CHICAGO
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SKYLINE.
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AND, SERIOUSLY, I'M REALLY LUCKY
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TO HAVE A GUY LIKE MAURO TO BE
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ABLE TO STEP UP, BECAUSE RIGHT
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NOW, THINGS ARE JUST CRAZY HERE.
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>> THESE ARE THE ONES YOU GUYS
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ARE GONNA CUT OUT OF KRISPIES.
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THE TALL ONES, WE'RE GONNA DO
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BACK THERE.
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>> I'LL DO THIS ONE.
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>> SURE.
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>> SO, YOU TWO START WORKING ON
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THESE TWO.
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SO, YOU GUYS GO, AND WE'LL TAKE
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CARE OF THESE.
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ALL RIGHT?
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>> FOR THE SKYLINE, RACHEL AND
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TERRY GET STARTED BY POWERING
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THROUGH A BUNCH OF BUILDINGS
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MADE OUT OF RICE KRISPIE TREATS
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COVERED IN FONDANT.
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>> ARE YOU MARKING IT ALL OUT?
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>> AND MAURO AND FRANKIE MAKE
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REPLICAS OF THE WILLIS TOWER AND
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THE JOHN HANCOCK BUILDING.
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>> THAT'S PERFECT.
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>> THE ICONIC FEATURE OF THE
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CHICAGO SKYLINE IS THE
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WILLIS TOWER.
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IT USED TO BE CALLED THE SEARS
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TOWER.
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I MEAN, IT'S NO EMPIRE STATE
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BUILDING, BUT IT IS THE TALLEST
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BUILDING IN NORTH AMERICA, SO
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I'VE GOT TO BUILD IT AS TALL AS
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I POSSIBLY CAN.
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>> 77.
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>> THE BOX TRUCK IS EXACTLY
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77 INCHES.
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>> 77.
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>> SO I'M GONNA MAKE THE
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WILLIS TOWER JUST UNDER THAT.
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FOR THE BASE OF THIS CAKE, WE'LL
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STACK UP VANILLA CAKE, FILLED
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WITH CHOCOLATE FUDGE, AND LEAVE
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HOLES FOR THE BUILDINGS.
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NICE, HUH?
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>> GUESS SO.
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>> I WISH SAL COULD HAVE SEEN
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THIS PLACE -- MY FATHER.
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>> THEY'RE WATCHING US.
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>> I KNOW THEY ARE, BUT IT'S
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JUST --
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>> WE MISS THEM, THAT'S ALL.
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>> BEING HERE, IT'S PRETTY
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AMAZING.
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>> * MAKIN' A HOT DOG
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AND I GOT TOMATOES AND ONIONS...
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AND CHOPPED-UP GREEN THINGS.
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>> YOU KNOW, CHICAGO AND
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NEW YORK DO HAVE SOMEWHAT OF A
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FOOD RIVALRY.
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IT'S KIND OF LIKE, YOU KNOW,
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HOMETOWN PRIDE.
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SO, AS A TIP OF THE HAT TO THE
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WINDY CITY, I GOT RALPH MAKING
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SOME ICONIC THINGS ABOUT
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CHICAGO.
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I MEAN, HE'S DOING A
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CHICAGO-STYLE HOT DOG AND A
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DELICIOUS DEEP-DISH CHICAGO
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PIZZA.
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[ INDISTINCT CONVERSATIONS ]
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>> PHIL, THEY'RE WAITING FOR
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THAT CAKE AT MACALUSO.
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IT'S AN EARLY WEDDING.
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GET THE CAKE, AND I'M GONNA SHOW
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YOU HOW TO BOX IT.
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WITH ALL THIS NEW EXPANSION,
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WE'RE HIRING A LOT OF PEOPLE,
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AND WE GOT THIS KID PHIL.
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HE'S, LIKE, A NEW DELIVERY
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DRIVER.
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NOW, TO DELIVER A CAKE, YOU
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DON'T HAVE TO BE A ROCKET
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SCIENTIST, BUT THERE IS A WRONG
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WAY AND A RIGHT WAY.
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LOOK, YOU GET A 20-INCH BOX, GET
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ANOTHER ONE.
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GET TWO, OKAY?
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GO LIKE THIS.
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TAKE THIS.
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PUT IT IN THE BOX.
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GET THE TOP.
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HERE'S THE THING -- WITH THE NEW
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CARLO'S BAKERY DELIVERY GUYS, WE
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GOT TO INITIATE THEM INTO THE
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00:05:59,600 --> 00:06:04,167
CARLO'S BROTHERHOOD.
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WHAT PHIL DOESN'T KNOW, EARLIER,
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ME, MAURO, AND ANTHONY GOT
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ANOTHER CAKE AND TOTALLY
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DESTROYED IT.
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>> THAT'S IT, THAT'S IT,
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THAT'S IT.
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IT'S FRESH, JUST MADE.
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>> NOW, GO UPSTAIRS, GET THE
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BILL FROM FRANKIE, AND THEN GET
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THE HELL OUT OF HERE.
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OKAY?
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00:06:19,300 --> 00:06:20,267
>> YEP.
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>> SO, I SEND PHIL UPSTAIRS TO
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GO GET THE DELIVERY SLIP,
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AND THAT'S WHEN ME AND
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COUSIN ANTHONY DO THE OLD
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SWITCHEROONI.
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>> OKAY.
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>> LISTEN, WHENEVER YOU TAKE
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A CAKE, BRING IT TO THE PLACE,
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TAKE IT OUT OF THE BOX, PUT IT
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ON THE TABLE, WHERE THEY
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DISPLAY IT.
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WHATEVER YOU DO, DON'T MESS
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IT UP.
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>> OKAY.
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>> COME ON, LET'S GO.
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I'LL WALK YOU OUT.
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YOU GOT IT?
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EASY. OKAY?
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NICE AND EASY. GO.
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>> OKAY.
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>> DO WHAT YOU GOT TO DO.
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[ VEHICLE DOOR CLOSES ]
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>> THAT KID'S GONNA HAVE A HEART
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ATTACK.
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>> [ GRUNTS ]
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>> IS THIS THE CAKE?
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>> THIS IS THE CAKE.
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WANT ME TO OPEN IT UP FOR YOU?
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>> PUT THEM HERE AND OPEN IT.
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WHAT THE HELL IS THIS?
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IT'S A MISTAKE.
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>> YEAH.
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00:07:38,567 --> 00:07:39,667
>> SO, ME AND THE BOYS ARE
266
00:07:39,667 --> 00:07:40,933
PLAYING A LITTLE PRANK ON PHIL,
267
00:07:40,933 --> 00:07:42,167
THE NEW DELIVERY GUY, BECAUSE
268
00:07:42,167 --> 00:07:43,433
IT'S KIND OF LIKE MY GOD-GIVEN
269
00:07:43,433 --> 00:07:44,433
RIGHT.
270
00:07:44,567 --> 00:07:50,800
[ CELLPHONE RINGING ]
271
00:07:50,800 --> 00:07:51,833
HELLO?
272
00:07:51,833 --> 00:07:53,600
>> YOU WANT TO SELL ME THE CAKE?
273
00:07:53,600 --> 00:07:54,267
>> BUDDY.
274
00:07:54,267 --> 00:07:55,433
>> YEAH. WHO'S THIS?
275
00:07:55,433 --> 00:07:56,433
>> THIS IS PHIL.
276
00:07:56,433 --> 00:07:57,933
I'M AT MACALUSO'S RIGHT NOW, AND
277
00:07:57,933 --> 00:07:59,333
THE CAKE COMPLETELY FELL APART.
278
00:07:59,333 --> 00:08:00,767
>> WHAT DO YOU MEAN, THE CAKE
279
00:08:00,767 --> 00:08:02,467
COMPLETELY FELL APART?
280
00:08:02,600 --> 00:08:03,567
>> LIKE, I'M NOT EVEN KIDDING
281
00:08:03,567 --> 00:08:04,067
RIGHT NOW.
282
00:08:04,067 --> 00:08:05,067
LIKE, THAT CAKE JUST COMPLETELY,
283
00:08:05,067 --> 00:08:06,233
LIKE, IS DESTROYED.
284
00:08:06,367 --> 00:08:07,267
I DIDN'T HIT ANY BUMPS -- LIKE,
285
00:08:07,267 --> 00:08:08,200
NOTHING -- AND THE CAKE, LIKE,
286
00:08:08,200 --> 00:08:11,367
COMPLETELY FELL APART.
287
00:08:11,367 --> 00:08:12,467
>> SAY, "DUDE, HURRY UP BACK
288
00:08:12,467 --> 00:08:12,833
HERE.
289
00:08:12,833 --> 00:08:13,633
BUDDY IS FLIPPING."
290
00:08:13,633 --> 00:08:14,900
>> DUDE, YOU BETTER HURRY UP.
291
00:08:14,900 --> 00:08:16,167
>> TELL HIM TO GET BACK HERE
292
00:08:16,167 --> 00:08:16,500
NOW!
293
00:08:16,500 --> 00:08:17,067
[ CLATTER ]
294
00:08:17,067 --> 00:08:17,767
>> DUDE, HE'S MAD.
295
00:08:17,767 --> 00:08:18,900
>> TELL HIM HE BETTER BE BACK
296
00:08:18,900 --> 00:08:19,433
HERE QUICK!
297
00:08:19,433 --> 00:08:20,567
>> BRING THE -- BRING THE CAKE
298
00:08:20,567 --> 00:08:21,067
BACK?
299
00:08:21,067 --> 00:08:22,833
>> JUST BRING THE THING BACK,
300
00:08:22,833 --> 00:08:24,067
AND JUST HURRY UP.
301
00:08:24,067 --> 00:08:29,600
>> NOW!
302
00:08:29,600 --> 00:08:30,833
LISTEN, WHEN HE GETS BACK --
303
00:08:30,833 --> 00:08:32,067
OKAY? -- I'M GONNA BE WAITING
304
00:08:32,067 --> 00:08:33,067
FOR HIM IN THE ALLEY.
305
00:08:33,067 --> 00:08:34,300
AND AS SOON AS HE GETS OUT OF
306
00:08:34,300 --> 00:08:35,600
THE CAR, I'M GONNA YELL AT HIM,
307
00:08:35,600 --> 00:08:36,867
AND I'M GONNA, LIKE, PUSH HIM
308
00:08:36,867 --> 00:08:40,433
BACK TO THE WALL AND THEN YOU...
309
00:08:40,433 --> 00:08:41,500
THEN, WHEN I SAY, "YOU KNOW
310
00:08:41,500 --> 00:08:42,833
WHAT, PHIL?" -- BOOM.
311
00:08:42,833 --> 00:08:44,967
[ WATER RUNNING ]
312
00:08:52,600 --> 00:08:53,700
WELL, WHAT THE HELL HAPPENED?
313
00:08:53,700 --> 00:08:54,367
>> I DON'T KNOW.
314
00:08:54,367 --> 00:08:55,200
I DIDN'T DO ANYTHING.
315
00:08:55,200 --> 00:08:56,267
I DIDN'T HIT THE SPEED LIMIT.
316
00:08:56,267 --> 00:08:57,100
I DIDN'T HIT A BUMP.
317
00:08:57,100 --> 00:08:58,267
I DIDN'T GO AROUND A TURN HARD.
318
00:08:58,267 --> 00:08:59,100
I DIDN'T DO ANYTHING.
319
00:08:59,100 --> 00:09:00,233
>> LET ME SEE IT, BECAUSE NOW I
320
00:09:00,233 --> 00:09:01,767
GOT TO TRY TO SALVAGE THIS.
321
00:09:01,767 --> 00:09:03,233
>> GET DOWN.
322
00:09:03,233 --> 00:09:04,133
>> HE CAN'T SEE.
323
00:09:04,133 --> 00:09:05,567
>> IF YOU CAN SEE HIM, HE CAN
324
00:09:05,567 --> 00:09:06,100
SEE YOU.
325
00:09:06,100 --> 00:09:10,600
>> MY GOD! MY GOD!
326
00:09:10,600 --> 00:09:13,967
WHAT AM I SUPPOSED TO DO NOW?
327
00:09:13,967 --> 00:09:15,133
>> I DON'T KNOW.
328
00:09:15,133 --> 00:09:16,433
>> TAKE THIS CAKE!
329
00:09:16,433 --> 00:09:17,167
GO INSIDE WITH IT.
330
00:09:17,167 --> 00:09:18,333
I DON'T EVEN WANT TO THINK ABOUT
331
00:09:18,333 --> 00:09:20,467
IT RIGHT NOW.
332
00:09:20,467 --> 00:09:23,133
JUST GO INSIDE.
333
00:09:23,133 --> 00:09:26,167
YOU KNOW WHAT, PHIL?
334
00:09:26,167 --> 00:09:27,300
>> [ CHUCKLES ]
335
00:09:27,300 --> 00:09:29,067
>> WELCOME TO THE BAKERY.
336
00:09:29,067 --> 00:09:30,467
>> THAT'S TERRIBLE!
337
00:09:30,467 --> 00:09:31,567
>> [ LAUGHS ]
338
00:09:31,567 --> 00:09:32,533
>> OH, MY GOD!
339
00:09:32,533 --> 00:09:33,333
OH. OH.
340
00:09:33,333 --> 00:09:35,300
>> WELCOME TO THE BAKERY.
341
00:09:35,300 --> 00:09:36,300
>> [ CHUCKLES ]
342
00:09:36,300 --> 00:09:38,067
>> [ Laughing ] ARE YOU OKAY?
343
00:09:38,067 --> 00:09:39,233
IS YOUR HEART BEATING?
344
00:09:39,233 --> 00:09:40,900
>> NO. I'M, LIKE, HAVING A HEART
345
00:09:40,900 --> 00:09:41,867
ATTACK RIGHT NOW.
346
00:09:41,867 --> 00:09:43,300
>> [ LAUGHS ]
347
00:09:43,300 --> 00:09:44,500
>> OH, MY GOD!
348
00:09:44,500 --> 00:09:46,200
[ INDISTINCT CONVERSATIONS ]
349
00:09:46,200 --> 00:09:47,233
>> ANYONE ELSE?
350
00:09:47,233 --> 00:09:49,933
WHO ELSE HAS BEEN HELPED?
351
00:09:49,933 --> 00:09:51,933
EVERYONE'S BEING HELPED?
352
00:09:51,933 --> 00:09:52,333
>> HI.
353
00:09:52,333 --> 00:09:52,767
>> HI.
354
00:09:52,767 --> 00:09:54,067
>> WE'RE LOOKING TO MEET WITH
355
00:09:54,067 --> 00:09:55,400
BUDDY FOR A CONSULTATION FOR A
356
00:09:55,400 --> 00:09:56,333
CAKE.
357
00:09:56,333 --> 00:09:58,167
>> WE ARE TRYING TO BE THE FIRST
358
00:09:58,167 --> 00:09:59,733
GAY COUPLE TO BE MARRIED IN
359
00:09:59,733 --> 00:10:00,633
NEW YORK.
360
00:10:00,633 --> 00:10:02,300
>> OH, IT'S YOUR -- YOU'RE
361
00:10:02,300 --> 00:10:04,133
GETTING MARRIED TO EACH OTHER
362
00:10:04,133 --> 00:10:04,900
TOGETHER?
363
00:10:04,900 --> 00:10:05,867
>> YES.
364
00:10:05,867 --> 00:10:07,300
>> OH, ALL RIGHT.
365
00:10:07,433 --> 00:10:09,900
BUDDY, THESE TWO NICE GIRLS WANT
366
00:10:09,900 --> 00:10:11,933
TO BE THE FIRST COUPLE --
367
00:10:11,933 --> 00:10:14,133
GAY COUPLE -- TO GET MARRIED
368
00:10:14,133 --> 00:10:14,833
IN NEW YORK.
369
00:10:14,833 --> 00:10:15,867
>> THE FIRST WEDDING?
370
00:10:15,867 --> 00:10:16,967
THAT'S PRETTY AWESOME.
371
00:10:17,100 --> 00:10:18,233
HOW YOU DOING? I'M BUDDY.
372
00:10:18,233 --> 00:10:19,267
>> THAT'S MY BROTHER.
373
00:10:19,267 --> 00:10:20,500
>> NICE TO MEET YOU, BUDDY.
374
00:10:20,500 --> 00:10:21,867
>> SO, WHEN IS THE WEDDING?
375
00:10:21,867 --> 00:10:23,233
>> IT'S ACTUALLY THIS COMING
376
00:10:23,233 --> 00:10:24,333
SATURDAY AT MIDNIGHT.
377
00:10:24,333 --> 00:10:25,733
WE'RE TRY TO GET MARRIED AT
378
00:10:25,733 --> 00:10:26,967
12:01 AND BE THE FIRST.
379
00:10:26,967 --> 00:10:28,400
>> OH, COOL. THAT'S AWESOME.
380
00:10:28,400 --> 00:10:30,300
ONLY THING IS, I DON'T KNOW IF I
381
00:10:30,300 --> 00:10:31,200
CAN BE THERE.
382
00:10:31,200 --> 00:10:32,633
I GOT FOUR SMALL KIDS AT HOME.
383
00:10:32,633 --> 00:10:34,167
DELIVERING A CAKE AT MIDNIGHT IS
384
00:10:34,167 --> 00:10:35,533
KIND OF OUT OF THE QUESTION.
385
00:10:35,533 --> 00:10:38,000
>> BUDDY, IT'S THE FIRST COUPLE.
386
00:10:38,000 --> 00:10:39,267
>> I DIDN'T SAY I WASN'T GONNA
387
00:10:39,267 --> 00:10:40,067
MAKE THEM A CAKE.
388
00:10:40,067 --> 00:10:41,267
I MIGHT NOT BE DELIVERING IT,
389
00:10:41,267 --> 00:10:42,400
BUT I'LL DEFINITELY MAKE YOU
390
00:10:42,400 --> 00:10:42,800
A CAKE.
391
00:10:42,800 --> 00:10:43,567
>> OKAY. AWESOME.
392
00:10:43,567 --> 00:10:44,367
>> THAT, I CAN DO.
393
00:10:44,367 --> 00:10:45,567
SO, WHAT ARE YOU GUYS THINKING
394
00:10:45,567 --> 00:10:46,167
FOR THE CAKE?
395
00:10:46,167 --> 00:10:47,200
ANY IDEA AS FAR AS, LIKE,
396
00:10:47,200 --> 00:10:48,967
FLAVORS OR DESIGN OR ANYTHING
397
00:10:48,967 --> 00:10:49,767
LIKE THAT?
398
00:10:49,767 --> 00:10:50,600
>> VANILLA.
399
00:10:50,600 --> 00:10:51,733
>> VANILLA WHITE.
400
00:10:51,733 --> 00:10:53,033
>> OKAY, MAYBE A
401
00:10:53,033 --> 00:10:55,333
MODELING-CHOCOLATE SCULPTURE OF
402
00:10:55,333 --> 00:10:56,633
YOU GUYS ON TOP.
403
00:10:56,633 --> 00:10:57,867
>> I'M WEARING A DRESS, AND
404
00:10:57,867 --> 00:10:59,067
SHE'S WEARING A TUX, SO...
405
00:10:59,067 --> 00:11:00,333
>> OKAY, SO THAT'S HOW WE'RE
406
00:11:00,333 --> 00:11:01,400
GONNA SCULPT YOU GUYS.
407
00:11:01,400 --> 00:11:02,800
I'M GONNA MAKE YOU A DAMN GOOD
408
00:11:02,800 --> 00:11:03,200
CAKE.
409
00:11:03,200 --> 00:11:03,833
>> YEAH.
410
00:11:03,833 --> 00:11:07,167
>> ALL RIGHT? I LOVE IT.
411
00:11:07,167 --> 00:11:08,600
>> SO, I GOT DANNY STARTING TO
412
00:11:08,600 --> 00:11:09,967
STACK AND FILL IN THIS CAKE.
413
00:11:09,967 --> 00:11:11,900
WE'RE GONNA MAKE KATE AND DEE A
414
00:11:11,900 --> 00:11:13,567
3-TIERED VANILLA CAKE WITH
415
00:11:13,567 --> 00:11:14,733
VANILLA BUTTERCREAM.
416
00:11:14,733 --> 00:11:16,467
>> ME, I WANT SOME OF THIS CAKE.
417
00:11:16,467 --> 00:11:19,533
MMM, MMM, MMM.
418
00:11:19,533 --> 00:11:20,967
>> THEN I GOT LIZ MAKING ALL
419
00:11:20,967 --> 00:11:22,233
KINDS OF SUGAR FLOWERS IN
420
00:11:22,233 --> 00:11:23,700
DIFFERENT SHADES OF LAVENDER.
421
00:11:23,700 --> 00:11:25,200
I MEAN, IT'S GOT HYDRANGEAS,
422
00:11:25,200 --> 00:11:25,767
PEONIES.
423
00:11:25,767 --> 00:11:27,200
I THINK THIS CAKE IS REALLY
424
00:11:27,200 --> 00:11:31,233
GONNA BE ELEGANT.
425
00:11:31,233 --> 00:11:32,900
>> HEY, SPIRIT OF ECSTASY, HOW
426
00:11:32,900 --> 00:11:33,733
DO YOU FEEL?
427
00:11:33,733 --> 00:11:36,900
[ High-pitched voice ] "GREAT!"
428
00:11:36,900 --> 00:11:38,400
>> SO, FOR THIS ROLLS-ROYCE
429
00:11:38,400 --> 00:11:39,667
CAKE, I GOT RALPHIE BOY
430
00:11:39,667 --> 00:11:41,333
SCULPTING LADY ECSTASY, THE HOOD
431
00:11:41,333 --> 00:11:42,700
ORNAMENT, OUT OF MODELING
432
00:11:42,700 --> 00:11:43,767
CHOCOLATE.
433
00:11:43,767 --> 00:11:44,900
IT'S REALLY GONNA BE THE
434
00:11:44,900 --> 00:11:46,100
CENTERPIECE OF THIS CAKE.
435
00:11:46,100 --> 00:11:48,067
AND ON THE ACTUAL CARS, IT
436
00:11:48,067 --> 00:11:49,833
ACTUALLY RETRACTS DOWN.
437
00:11:49,833 --> 00:11:52,167
SO I'M GONNA MIMIC THAT ON THE
438
00:11:52,167 --> 00:11:56,067
CAKE, AND IT'S GONNA LOOK GREAT.
439
00:11:56,067 --> 00:11:58,700
>> HEY, GUYS. HEY, BUD.
440
00:11:58,700 --> 00:12:00,167
>> HEY, GRACE, WHAT'S UP?
441
00:12:00,300 --> 00:12:00,800
>> NOTHING.
442
00:12:00,800 --> 00:12:02,400
BUDDY WANTS TO TALK TO ME.
443
00:12:02,400 --> 00:12:04,700
ABOUT WHAT, I HAVE NO IDEA.
444
00:12:04,833 --> 00:12:06,467
MAYBE IT GOT OUT TO HIM THAT I'M
445
00:12:06,467 --> 00:12:07,700
THINKING ABOUT LEAVING.
446
00:12:07,700 --> 00:12:09,633
I'M READY TO TELL HIM THAT I'VE
447
00:12:09,633 --> 00:12:10,800
BASICALLY HAD IT.
448
00:12:10,800 --> 00:12:13,067
>> SO, I WANT TO TALK TO YOU
449
00:12:13,067 --> 00:12:14,900
ABOUT EVERYTHING THAT'S
450
00:12:14,900 --> 00:12:15,900
GOING ON.
451
00:12:15,900 --> 00:12:16,967
>> ALL RIGHT.
452
00:12:16,967 --> 00:12:19,067
>> THE TRUTH OF THE MATTER IS,
453
00:12:19,067 --> 00:12:21,200
IS YOU KNOW, I NEED TO REALLY --
454
00:12:21,200 --> 00:12:24,733
I HAVE TO MAKE THIS PLACE WORK.
455
00:12:24,733 --> 00:12:28,933
SO WHAT I NEED FROM YOU IS,
456
00:12:28,933 --> 00:12:29,833
I WANT --
457
00:12:29,833 --> 00:12:32,133
>> WHAT ARE YOU TRYING TO SAY?
458
00:12:32,133 --> 00:12:34,200
YOU'RE BEATING AROUND THE BUSH.
459
00:12:38,300 --> 00:12:41,100
>> WHAT I NEED FROM YOU IS,
460
00:12:41,100 --> 00:12:42,333
I WANT --
461
00:12:42,333 --> 00:12:43,567
>> WHAT ARE YOU TRYING TO SAY?
462
00:12:43,567 --> 00:12:47,400
YOU'RE BEATING AROUND THE BUSH.
463
00:12:47,400 --> 00:12:48,967
>> I'M NOT BEATING AROUND THE
464
00:12:48,967 --> 00:12:49,433
BUSH.
465
00:12:49,433 --> 00:12:50,900
I GOT A TASK FOR YOU. OKAY?
466
00:12:50,900 --> 00:12:54,533
I WANT YOU TO HEAD UP A DESIGN
467
00:12:54,533 --> 00:12:59,067
TEAM TO REDO CARLO'S BAKERY.
468
00:12:59,200 --> 00:13:01,167
>> I'M READY TO, LIKE, DUKE IT
469
00:13:01,167 --> 00:13:03,233
OUT WITH HIM, AND HE SURPRISES
470
00:13:03,233 --> 00:13:05,300
ME WITH THIS BIG PROJECT.
471
00:13:05,433 --> 00:13:06,967
>> GET THE PLANS, GET THE
472
00:13:06,967 --> 00:13:08,600
BLUEPRINTS, GET THE COLORS.
473
00:13:08,600 --> 00:13:10,100
THIS PLACE HAS GOT TO BE
474
00:13:10,100 --> 00:13:11,867
PHENOMENAL.
475
00:13:11,867 --> 00:13:13,500
IN CASE YOU HAVEN'T NOTICED, THE
476
00:13:13,500 --> 00:13:15,067
BAKERY'S LIKE A MADHOUSE EVERY
477
00:13:15,067 --> 00:13:15,767
SINGLE DAY.
478
00:13:15,767 --> 00:13:17,733
>> WHOEVER HAS BEEN HELPED,
479
00:13:17,733 --> 00:13:19,400
PLEASE EXIT THE STORE!
480
00:13:19,400 --> 00:13:20,900
YOU GUYS HAVE BEEN HELPED.
481
00:13:20,900 --> 00:13:22,867
I LOVE YOU, BUT YOU GOT TO GO.
482
00:13:22,867 --> 00:13:25,400
I HAVE A 4-HOUR WAIT OUTSIDE.
483
00:13:25,400 --> 00:13:26,900
>> THE FRONT OF THE HOUSE IS
484
00:13:26,900 --> 00:13:27,433
JAMMED.
485
00:13:27,433 --> 00:13:29,100
THERE'S A LINE AROUND THE BLOCK.
486
00:13:29,100 --> 00:13:30,733
NOW THAT I GOT THE CAKE FACTORY
487
00:13:30,733 --> 00:13:32,267
UP AND RUNNING, THE NEXT BIG
488
00:13:32,267 --> 00:13:33,800
THING I GOT TO DO IS REDO THE
489
00:13:33,800 --> 00:13:35,367
BAKERY SO WE CAN HANDLE THESE
490
00:13:35,367 --> 00:13:36,100
CROWDS.
491
00:13:36,100 --> 00:13:37,700
>> IT'S A BIG PROJECT.
492
00:13:37,700 --> 00:13:39,633
IT'S GONNA BE A LOT OF WORK.
493
00:13:39,633 --> 00:13:40,467
THREE FLOORS.
494
00:13:40,467 --> 00:13:42,100
>> I MEAN, THIS IS WHAT I THINK
495
00:13:42,100 --> 00:13:43,467
IS THE RIGHT THING TO DO.
496
00:13:43,467 --> 00:13:45,067
>> REDESIGNING THE WHOLE BAKERY,
497
00:13:45,067 --> 00:13:46,633
IT'S GONNA BE A LOT OF WORK, BUT
498
00:13:46,633 --> 00:13:48,100
I HAVE TO SAY, I'M EXCITED AND
499
00:13:48,100 --> 00:13:49,433
I THINK IT'S GONNA BE FUN.
500
00:13:49,433 --> 00:13:50,833
I MEAN, HE COULDN'T HAVE PICKED
501
00:13:50,833 --> 00:13:51,667
A BETTER PERSON.
502
00:13:51,667 --> 00:13:52,633
>> I'LL SEE YOU LATER.
503
00:13:52,633 --> 00:13:53,600
>> I'LL SEE YOU LATER.
504
00:13:53,600 --> 00:13:55,800
I'M NOT MAD AT YOU ANYMORE.
505
00:13:55,800 --> 00:13:58,467
>> [ CHUCKLES ] I DON'T --
506
00:13:58,467 --> 00:13:59,667
YOU'RE MAD AT ME?
507
00:13:59,667 --> 00:14:01,800
ALL RIGHT, I GOT TO GET BACK.
508
00:14:01,800 --> 00:14:02,600
>> BYE.
509
00:14:02,600 --> 00:14:07,433
>> SEE YOU LATER.
510
00:14:07,433 --> 00:14:08,967
FOR THE GAY WEDDING CAKE, I GOT
511
00:14:08,967 --> 00:14:10,367
MATT AND TYNE WORKING ON THE
512
00:14:10,367 --> 00:14:11,100
CAKE TOPPER.
513
00:14:11,100 --> 00:14:12,567
THEY'RE SCULPTING BOTH BRIDES,
514
00:14:12,567 --> 00:14:13,900
WITH KATE WEARING A WEDDING
515
00:14:13,900 --> 00:14:18,067
DRESS AND DEE WEARING A TUXEDO.
516
00:14:18,067 --> 00:14:19,667
NOW, I'M REALLY EXCITED TO BE
517
00:14:19,667 --> 00:14:21,400
MAKING THIS CAKE FOR THE TWO OF
518
00:14:21,400 --> 00:14:23,067
THEM, BUT I AIN'T GOING ON NO
519
00:14:23,067 --> 00:14:24,400
MIDNIGHT DELIVERY.
520
00:14:24,400 --> 00:14:25,800
THAT'S WHERE COUSIN ANTHONY
521
00:14:25,800 --> 00:14:26,433
COMES IN.
522
00:14:26,433 --> 00:14:27,467
HEY, CUZ.
523
00:14:27,467 --> 00:14:29,200
>> WHAT'S UP?
524
00:14:29,200 --> 00:14:31,067
>> LISTEN, I WANT YOU TO GO ON
525
00:14:31,067 --> 00:14:32,767
THIS DELIVERY, BRO.
526
00:14:32,767 --> 00:14:34,267
I'M GONNA HOOK YOUSE UP.
527
00:14:34,267 --> 00:14:35,633
THEY SAY THERE'S GONNA BE A LOT
528
00:14:35,633 --> 00:14:36,533
OF HOT GIRLS THERE.
529
00:14:36,533 --> 00:14:37,933
>> YEAH. YOU HEAR THAT?
530
00:14:37,933 --> 00:14:40,100
>> HE'S SAYING YOU, NOT ME.
531
00:14:40,100 --> 00:14:41,500
>> SAME FOR YOU.
532
00:14:41,500 --> 00:14:42,467
ALL RIGHT, WHATEVER.
533
00:14:42,467 --> 00:14:43,633
AS LONG AS THERE'S GIRLS.
534
00:14:43,633 --> 00:14:44,667
>> DUDE, ROCK IT.
535
00:14:44,667 --> 00:14:45,533
>> ALL RIGHT.
536
00:14:45,533 --> 00:14:47,133
>> YOU GOT IT, CUZ.
537
00:14:47,133 --> 00:14:49,233
SO, FOR DEE AND KATE'S WEDDING
538
00:14:49,233 --> 00:14:51,367
CAKE, I HAND-PIPED SOME SWIRLS
539
00:14:51,367 --> 00:14:55,100
ON THE SIDES OF THE TIERS.
540
00:14:55,100 --> 00:14:57,133
I GET THE BRIDE, AND THEN I GET
541
00:14:57,133 --> 00:14:59,067
THE OTHER BRIDE ON TOP, AND I
542
00:14:59,067 --> 00:15:00,533
START GOING TO TOWN WITH THE
543
00:15:00,533 --> 00:15:01,400
SUGAR FLOWERS.
544
00:15:01,400 --> 00:15:02,767
>> THAT'S VERY COOL.
545
00:15:02,767 --> 00:15:04,267
>> I LOVE THE WAY THESE
546
00:15:04,267 --> 00:15:06,200
HYDRANGEAS GO WITH THE PEONIES
547
00:15:06,200 --> 00:15:07,733
AND THE ROSES.
548
00:15:07,733 --> 00:15:09,633
I MEAN, THERE'S JUST SOMETHING
549
00:15:09,633 --> 00:15:11,433
SO TIMELESS ABOUT THIS COLOR
550
00:15:11,433 --> 00:15:12,067
COMBO.
551
00:15:12,067 --> 00:15:13,733
>> YEAH. IT LOOKS GOOD.
552
00:15:13,733 --> 00:15:14,567
THEY'RE GONNA LOVE IT.
553
00:15:14,567 --> 00:15:15,767
>> I THINK THEY'RE GONNA
554
00:15:15,767 --> 00:15:16,300
LOVE IT.
555
00:15:16,300 --> 00:15:17,500
I'M VERY HAPPY FOR THEM.
556
00:15:17,500 --> 00:15:23,600
SO, I THINK IT'LL BE AWESOME.
557
00:15:23,600 --> 00:15:27,967
LET'S ICE THIS.
558
00:15:27,967 --> 00:15:29,567
FOR THIS CHICAGO CAKE, GOT TO
559
00:15:29,567 --> 00:15:31,100
BUILD A SKYLINE AND GET THIS
560
00:15:31,100 --> 00:15:32,200
CAKE FINISHED...
561
00:15:32,200 --> 00:15:33,700
>> OH, MY GOSH.
562
00:15:33,700 --> 00:15:35,300
>> ...BECAUSE IF IT DOESN'T GET
563
00:15:35,300 --> 00:15:36,800
ON THE ROAD IN A COUPLE HOURS,
564
00:15:36,800 --> 00:15:38,300
WE'RE NOT GONNA GET TO CHICAGO
565
00:15:38,300 --> 00:15:39,567
IN TIME AND BE THERE FOR
566
00:15:39,567 --> 00:15:40,700
JOE PERILLO'S ROLLS-ROYCE
567
00:15:40,700 --> 00:15:44,800
OPENING.
568
00:15:44,800 --> 00:15:46,367
[ MOTOR WHIRRING ]
569
00:15:46,367 --> 00:15:47,733
TO MAKE THE HOOD ORNAMENT RISE
570
00:15:47,733 --> 00:15:49,200
UP OUT OF THE CAKE, WE'RE GONNA
571
00:15:49,200 --> 00:15:51,900
USE A MOTORIZED SCISSOR LIFT.
572
00:15:51,900 --> 00:15:54,300
LET'S PUT THE SPIRIT OF ECSTASY
573
00:15:54,300 --> 00:15:55,433
ON.
574
00:15:55,433 --> 00:15:58,633
[ SCREWDRIVER WHIRRING ]
575
00:15:58,633 --> 00:16:00,667
>> DONE.
576
00:16:00,667 --> 00:16:02,400
>> ALL RIGHT, GUYS, WHAT DO YOU
577
00:16:02,400 --> 00:16:02,900
THINK?
578
00:16:02,900 --> 00:16:04,300
>> OH, IT LOOKS BEAUTIFUL.
579
00:16:04,300 --> 00:16:06,467
>> I THINK IT'S PRETTY COOL.
580
00:16:06,467 --> 00:16:08,067
I THINK IT'S GONNA BE AWESOME.
581
00:16:08,067 --> 00:16:09,567
THEY'RE GONNA LOVE IT.
582
00:16:09,567 --> 00:16:12,767
YOU KNOW, JOE IS A GREAT GUY.
583
00:16:12,767 --> 00:16:14,133
I'M HAPPY TO MAKE THIS CAKE
584
00:16:14,133 --> 00:16:18,867
FOR HIM.
585
00:16:18,867 --> 00:16:21,333
I MEAN, HOW GREAT IS THIS?
586
00:16:21,333 --> 00:16:22,800
NOW THAT WE'RE IN THE NEW CAKE
587
00:16:22,800 --> 00:16:24,167
FACTORY, WE CAN WHEEL THESE
588
00:16:24,167 --> 00:16:25,467
CAKES RIGHT DOWN THE HALL!
589
00:16:25,467 --> 00:16:26,633
>> HI.
590
00:16:26,633 --> 00:16:27,367
>> OH, YEAH.
591
00:16:27,367 --> 00:16:28,967
>> THE BEST PART IS, NOW THAT WE
592
00:16:28,967 --> 00:16:30,500
GOT A LOADING DOCK, WE CAN JUST
593
00:16:30,500 --> 00:16:31,967
ROLL THE CAKES RIGHT INTO THE
594
00:16:31,967 --> 00:16:32,633
TRUCK.
595
00:16:32,633 --> 00:16:34,600
>> READY? ONE...TWO...THREE.
596
00:16:34,600 --> 00:16:35,833
>> OHO HO!
597
00:16:35,833 --> 00:16:37,767
>> WHOO! WHOO!
598
00:16:37,767 --> 00:16:38,967
>> IT LOOKED LIKE IT WAS GONNA
599
00:16:38,967 --> 00:16:44,267
FIT, MAN.
600
00:16:44,267 --> 00:16:45,967
>> IT'S LIKE -- IT'S LIKE THIS
601
00:16:45,967 --> 00:16:46,467
MUCH.
602
00:16:46,467 --> 00:16:48,533
>> AND IT'S NOT GONNA MAKE IT.
603
00:16:51,800 --> 00:16:53,233
>> I SWEAR TO GOD, MAN.
604
00:16:53,233 --> 00:16:55,067
>> I'M NOT STAYING HERE IF THAT
605
00:16:55,067 --> 00:16:55,833
DON'T FIT.
606
00:16:55,833 --> 00:16:57,100
>> GO BACK, GO BACK.
607
00:16:57,100 --> 00:16:59,067
>> IF IT MAKES IT, IT'S GONNA BE
608
00:16:59,067 --> 00:17:00,400
BY THE CHINNY-CHIN--
609
00:17:00,400 --> 00:17:02,167
>> OH! OH!
610
00:17:02,167 --> 00:17:03,167
>> GOT TO GET IT OFF THE
611
00:17:03,167 --> 00:17:03,600
PLYWOOD.
612
00:17:03,600 --> 00:17:04,500
OFF THE PLYWOOD, AND IT
613
00:17:04,500 --> 00:17:04,967
MAKES IT.
614
00:17:04,967 --> 00:17:06,633
>> OFF THE PLYWOOD, AND YOU'LL
615
00:17:06,633 --> 00:17:07,233
MAKE IT.
616
00:17:07,233 --> 00:17:08,567
>> TAKE IT OUT.
617
00:17:08,567 --> 00:17:09,733
>> WE'RE STILL, LIKE, THIS
618
00:17:09,733 --> 00:17:10,167
CLOSE.
619
00:17:10,167 --> 00:17:10,933
>> GET IT? CAN WE...
620
00:17:10,933 --> 00:17:14,233
>> ONE...TWO...THREE.
621
00:17:14,233 --> 00:17:14,967
>> HOLD ON.
622
00:17:14,967 --> 00:17:16,200
>> ONE...TWO...THREE.
623
00:17:16,200 --> 00:17:18,567
>> YOU GOT TO BE KIDDING ME.
624
00:17:18,567 --> 00:17:20,433
[ LAUGHTER ]
625
00:17:20,433 --> 00:17:24,067
>> YEAH-EAH!
626
00:17:24,067 --> 00:17:26,833
SEE, I KNOW WHAT I'M DOING, BUT
627
00:17:26,833 --> 00:17:29,333
MAYBE WE NEED A BIGGER TRUCK.
628
00:17:29,333 --> 00:17:30,400
GODSPEED, GUS.
629
00:17:30,400 --> 00:17:31,067
ALL RIGHT?
630
00:17:31,067 --> 00:17:32,100
>> HAVE A NICE TRIP.
631
00:17:32,100 --> 00:17:34,133
>> SEE YOU IN CHICAGO.
632
00:17:41,500 --> 00:17:43,933
YOU KNOW, CARLO'S HAS MADE A LOT
633
00:17:43,933 --> 00:17:46,100
OF CAKES OVER THE YEARS FOR
634
00:17:46,100 --> 00:17:47,933
DIFFERENT GAY COUPLES, BUT THE
635
00:17:47,933 --> 00:17:49,900
ONE ANTHONY'S DELIVERING FOR DEE
636
00:17:49,900 --> 00:17:51,800
AND KATE'S WEDDING IS THE FIRST
637
00:17:51,800 --> 00:17:53,767
LEGAL ONE.
638
00:18:09,233 --> 00:18:10,333
>> HOW YOU DOING?
639
00:18:10,333 --> 00:18:11,200
>> OH, MY GOD.
640
00:18:11,200 --> 00:18:12,167
>> UH, RIGHT THERE?
641
00:18:12,167 --> 00:18:13,067
>> YES, PLEASE.
642
00:18:13,067 --> 00:18:13,767
>> YEAH, YEAH.
643
00:18:13,767 --> 00:18:14,300
>> OKAY.
644
00:18:14,300 --> 00:18:15,067
>> WOW.
645
00:18:15,067 --> 00:18:16,167
>> OH, MY GOSH.
646
00:18:16,167 --> 00:18:17,467
>> IT'S BEAUTIFUL.
647
00:18:17,467 --> 00:18:19,067
>> ARE YOU PART OF THE WEDDING
648
00:18:19,067 --> 00:18:19,800
PARTY OR --
649
00:18:19,800 --> 00:18:20,967
>> NO, I'M THE BRIDE.
650
00:18:20,967 --> 00:18:23,233
>> ONE OF THE BRIDES.
651
00:18:23,233 --> 00:18:23,733
>> OH.
652
00:18:23,733 --> 00:18:25,167
>> IT'S THE FIRST SAME-SEX
653
00:18:25,167 --> 00:18:26,100
MARRIAGE, SO...
654
00:18:26,100 --> 00:18:26,600
>> OH.
655
00:18:26,600 --> 00:18:28,167
>> FIRST SAME-SEX MARRIAGE IN
656
00:18:28,167 --> 00:18:28,800
NEW YORK.
657
00:18:28,800 --> 00:18:29,800
THIS IS THE GIRL.
658
00:18:29,800 --> 00:18:31,133
>> I HAVEN'T WATCHED THE NEWS.
659
00:18:31,133 --> 00:18:31,867
>> [ CHUCKLES ]
660
00:18:31,867 --> 00:18:33,133
>> BUDDY DIDN'T TELL ME THAT.
661
00:18:33,133 --> 00:18:34,267
BUDDY SAYS, "THERE'S GONNA BE A
662
00:18:34,267 --> 00:18:34,967
ROOMFUL OF WOMEN."
663
00:18:34,967 --> 00:18:35,900
>> I BET. [ LAUGHS ]
664
00:18:35,900 --> 00:18:37,067
>> I WAS LIKE, "OKAY, I'M
665
00:18:37,067 --> 00:18:37,500
THERE."
666
00:18:37,500 --> 00:18:38,433
THIS IS AWESOME.
667
00:18:38,433 --> 00:18:39,867
>> YEAH. THANK YOU SO MUCH.
668
00:18:39,867 --> 00:18:41,233
>> ARE YOU DRESSED FOR ALL
669
00:18:41,233 --> 00:18:41,733
WOMEN?
670
00:18:41,733 --> 00:18:43,233
>> YEAH. WELL, YEAH.
671
00:18:43,233 --> 00:18:44,433
>> [ CHUCKLES ]
672
00:18:44,433 --> 00:18:45,267
>> YEAH.
673
00:18:45,267 --> 00:18:46,533
>> YOU DID GOOD.
674
00:18:46,533 --> 00:18:47,400
>> I HAD NO IDEA.
675
00:18:47,400 --> 00:18:48,533
THIS IS AWESOME, THOUGH.
676
00:18:48,533 --> 00:18:49,800
I'M PART OF HISTORY.
677
00:18:49,933 --> 00:18:52,133
>> ONE...TWO...THREE.
678
00:18:52,133 --> 00:18:53,200
[ GLASS BREAKS ]
679
00:18:53,200 --> 00:18:57,867
[ CHEERS AND APPLAUSE ]
680
00:18:57,867 --> 00:18:59,667
>> LADIES AND GENTLEMEN, I
681
00:18:59,667 --> 00:19:01,867
PRESENT TO YOU OUR FIRST MARRIED
682
00:19:01,867 --> 00:19:04,667
GAY COUPLE IN NEW YORK CITY!
683
00:19:04,667 --> 00:19:05,600
>> WHOO!
684
00:19:05,600 --> 00:19:07,067
>> KATE AND DEE.
685
00:19:07,067 --> 00:19:08,333
>> WE COULDN'T BE HAPPIER, AND
686
00:19:08,333 --> 00:19:09,667
THEN SEEING THAT CAKE WAS JUST,
687
00:19:09,667 --> 00:19:11,900
LIKE, THE ICING, "SYMBOLICALLY."
688
00:19:11,900 --> 00:19:13,500
>> [ LAUGHS ]
689
00:19:13,633 --> 00:19:15,600
IT'S BEAUTIFUL -- THE FLOWERS
690
00:19:15,600 --> 00:19:16,967
AND THE LITTLE FIGURINES.
691
00:19:16,967 --> 00:19:18,200
>> YEAH, IT'S PERFECT.
692
00:19:18,200 --> 00:19:19,233
>> IT WAS SO COOL.
693
00:19:19,233 --> 00:19:20,400
[ CHEERS AND APPLAUSE ]
694
00:19:20,400 --> 00:19:22,600
YAY!
695
00:19:31,067 --> 00:19:33,200
>> WINDY CITY, BABY, AND THE
696
00:19:33,200 --> 00:19:35,533
GRAND OPENING OF JOE PERILLO'S
697
00:19:35,533 --> 00:19:37,200
ROLLS-ROYCE DEALERSHIP.
698
00:19:37,200 --> 00:19:38,300
HOW WE DOING TODAY?
699
00:19:38,300 --> 00:19:40,067
[ CHEERS AND APPLAUSE ]
700
00:19:40,067 --> 00:19:41,700
IT IS A REAL TREAT TO COME HERE
701
00:19:41,700 --> 00:19:43,400
TODAY TO PRESENT THIS CAKE, AND
702
00:19:43,400 --> 00:19:44,967
I COULDN'T BE DOING IT FOR A
703
00:19:44,967 --> 00:19:45,967
BETTER GUY.
704
00:19:45,967 --> 00:19:47,167
YOU GUYS SHOULD BE PROUD OF HIM,
705
00:19:47,167 --> 00:19:48,333
CHICAGO SHOULD BE PROUD OF HIM,
706
00:19:48,333 --> 00:19:49,500
BECAUSE I'M PROUD OF HIM TODAY.
707
00:19:49,500 --> 00:19:51,200
LET'S HEAR IT FOR HIM.
708
00:19:51,200 --> 00:19:53,467
[ CHEERS AND APPLAUSE ]
709
00:19:53,467 --> 00:19:55,333
>> AND I HAVEN'T SEEN THE CAKE
710
00:19:55,333 --> 00:19:55,800
YET.
711
00:19:55,800 --> 00:19:58,633
>> NO, IT'S A SURPRISE.
712
00:19:58,633 --> 00:19:59,700
[ CROWD CHEERING ]
713
00:19:59,700 --> 00:20:01,333
I GOT TO SAY, CHICAGO'S A GREAT
714
00:20:01,333 --> 00:20:02,800
TOWN, AND JOE PERILLO -- HE
715
00:20:02,800 --> 00:20:04,267
REALLY KNOWS HOW TO THROW A
716
00:20:04,267 --> 00:20:04,767
PARTY.
717
00:20:04,767 --> 00:20:06,267
THE WHOLE FRIGGIN' TOWN'S HERE.
718
00:20:06,267 --> 00:20:07,233
[ CROWD CHEERING ]
719
00:20:07,233 --> 00:20:08,067
PUSH.
720
00:20:08,067 --> 00:20:09,333
PUSH A LITTLE.
721
00:20:09,333 --> 00:20:11,200
EASY, EASY. DOWN.
722
00:20:11,200 --> 00:20:12,467
LET HIM GO DOWN.
723
00:20:12,467 --> 00:20:13,667
DOWN, STEVE.
724
00:20:13,667 --> 00:20:14,667
COME BACK HERE, JOE.
725
00:20:14,667 --> 00:20:15,733
YOU DRIVE IT WITH ME.
726
00:20:15,733 --> 00:20:17,233
[ CHEERS AND APPLAUSE ]
727
00:20:17,233 --> 00:20:18,533
WE GOT TO TURN IT.
728
00:20:18,533 --> 00:20:20,667
IF WE CAN TURN IT.
729
00:20:20,667 --> 00:20:22,133
YOU KNOW, TO WHEEL THIS
730
00:20:22,133 --> 00:20:23,967
BEAUTIFUL CAKE IN TO CELEBRATE
731
00:20:23,967 --> 00:20:25,833
THE CITY OF CHICAGO IN FRONT OF
732
00:20:25,833 --> 00:20:27,667
LIKE 500 SCREAMING FANS IS THE
733
00:20:27,667 --> 00:20:29,267
BEST FEELING IN THE WORLD.
734
00:20:29,267 --> 00:20:31,733
[ CHEERS AND APPLAUSE ]
735
00:20:31,733 --> 00:20:32,867
AND WE BRING UP THE
736
00:20:32,867 --> 00:20:34,367
SPIRIT OF ECSTASY FROM THE
737
00:20:34,367 --> 00:20:35,900
BOTTOM OF THE CAKE, AND THE
738
00:20:35,900 --> 00:20:37,567
CROWD GOES WILD.
739
00:20:37,567 --> 00:20:38,367
JOE LOVED IT.
740
00:20:38,367 --> 00:20:39,900
THE CITY OF CHICAGO LOVED IT.
741
00:20:39,900 --> 00:20:42,900
I LOVED IT, BABY.
742
00:20:42,900 --> 00:20:44,700
WHO WANTS TO EAT SOME CAKE?
743
00:20:44,700 --> 00:20:48,433
[ CHEERS AND APPLAUSE ]
744
00:20:48,433 --> 00:20:49,667
WHOA.
745
00:20:49,667 --> 00:20:54,133
[ CROWD CHEERING ]
746
00:20:54,133 --> 00:20:55,933
>> THIS IS A GREAT DAY FOR ME
747
00:20:55,933 --> 00:20:56,933
AND MY FAMILY.
748
00:20:56,933 --> 00:20:58,900
WE'RE SO PROUD TO REFLECT ON OUR
749
00:20:58,900 --> 00:21:00,867
PARENTS AND OUR GRANDPARENTS.
750
00:21:01,067 --> 00:21:03,067
AND I THINK THEY WOULD HAVE BEEN
751
00:21:03,067 --> 00:21:04,867
PROUD IF THEY WOULD HAVE SEEN
752
00:21:04,867 --> 00:21:05,767
THIS HAPPEN.
753
00:21:05,767 --> 00:21:06,867
SALUTE.
754
00:21:06,867 --> 00:21:07,767
>> SALUTE.
755
00:21:07,767 --> 00:21:10,567
I GOT TO SAY, NOW, THIS WAS A
756
00:21:10,567 --> 00:21:11,600
PARTY.
757
00:21:11,600 --> 00:21:13,167
BUT I GOT TO GET BACK TO HOBOKEN
758
00:21:13,167 --> 00:21:14,567
BECAUSE I GOT A TON OF THINGS
759
00:21:14,567 --> 00:21:15,867
GOING ON IN THE NEXT COUPLE
760
00:21:15,867 --> 00:21:16,667
MONTHS.
761
00:21:16,667 --> 00:21:18,733
I MEAN, I GOT TO GET THE FACTORY
762
00:21:18,733 --> 00:21:19,833
UP AND RUNNING.
763
00:21:19,833 --> 00:21:21,800
WE GOT TO REDO CARLO'S BAKERY.
764
00:21:21,800 --> 00:21:23,533
ME AND MY WIFE ARE GONNA RENEW
765
00:21:23,533 --> 00:21:24,833
OUR VOWS OF 10 YEARS.
766
00:21:24,833 --> 00:21:26,533
I MEAN, THERE'S DEFINITELY
767
00:21:26,533 --> 00:21:28,067
NO REST FOR THE WEARY.
768
00:21:28,067 --> 00:21:29,367
YOU KNOW WHAT THEY SAY.
769
00:21:29,367 --> 00:21:30,733
YOU SLEEP WHEN YOU DIE.
770
00:21:30,733 --> 00:21:31,867
>> THIS IS FANTASTIC.
771
00:21:31,867 --> 00:21:32,667
ABSOLUTELY FANTASTIC, REALLY.
47618
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