All language subtitles for Cake.Boss.S04E10.Designer.Deadlines.and.Diagnosis.1080p.HULU.WEB-DL.AAC2.0.H.264-NTb_track3_[eng]

Buddy:
COMING UP ON "CAKE BOSS"...

THE SHOW IS INSPIRED BY
POODLES AND BOWS AND CAKES.

Buddy: I'VE HAD TOUGH CLIENTS
BEFORE, AND I CAN TELL YOU ‐‐

ISAAC IS NOT GONNA BE
EASY TO PLEASE.

WHAT ARE THE CHANCES
OF GETTING IT BACK TO
LIKE MORE OF A SOLID?

I'LL HAVE TO REDO IT.
AND?

YOU KNOW ME ‐‐ I'M ALWAYS
READY FOR BATTLE.

Buddy: IN THE DRAWINGS,
THEY WERE SUPPOSED TO BE
STRAPPED TO THE CEILING.

I DON'T UNDERSTAND
HOW IT'S MY $17,000 PROBLEM.

I DON'T KNOW WHAT'S
GOING ON WITH ME LATELY.

I'M IN A LOT, A LOT OF PAIN.

YEAH, I'M OKAY.

HOW LONG HAS IT
BEEN GOING ON FOR?

ABOUT A MONTH.

I FIGURED I PULLED
A MUSCLE OR SOMETHING,

BUT I WAS NOT READY FOR WHAT
SHE WAS ABOUT TO TELL ME.

THIS IS CARLO'S BAKERY.

EVERY WEEK, THOUSANDS
OF CAKES AND PASTRIES

GO OUT THESE DOORS.

THIS IS THE CREW ‐‐

MIA FAMIGLIA.

WE'RE GONNA TAKE THIS BAKERY
TO THE TOP.

THEY CALL ME BUDDY.
I'M THE BOSS.

‐‐Captions by VITAC‐‐
www.vitac.com

CAPTIONS PAID FOR BY
DISCOVERY COMMUNICATIONS

‐HEY, BUDDY.
‐HEY, HOW YOU DOING?

‐I'M CORY.
‐NICE TO MEET YOU, CORY.

‐ISAAC'S THAT WAY.
‐OH, THANK YOU.
I'M VERY EXCITED.

Buddy: THIS WEEK, I'VE GOT
SOMETHING REALLY BIG GOING ON.

I GOT A MEETING
WITH ISAAC MIZRAHI.

AND IN CASE YOU DON'T KNOW,

HE'S A REALLY BIG
FASHION DESIGNER,

LIKE WORLD‐RENOWNED.

HEY. HOW YOU DOING?

HOW ARE YOU, MAN?

GOOD TO SEE YOU.

PLEASE HAVE A SEAT.

HOW WE DOING TODAY?

WE'RE DOING OKAY, ACTUALLY.

SO, LET ME TELL YOU ‐‐

FASHION WEEK IS LIKE,
YOU KNOW,

THIS WEEK
WHERE EVERYBODY COMES

AND SEES A MILLION
DIFFERENT SHOWS.

I'M JUST ONE
OF A MILLION SHOWS,

IN WHICH CASE I NEED TO MAKE
A BIG IMPACT OF SOME SORT.

IN FACT, THE SHOW IS INSPIRED
BY POODLES AND BOWS AND CAKES.

ALL RIGHT, I KNOW
A LITTLE BIT ABOUT FASHION.

I MEAN, I'M MARRIED.

I GREW UP WITH FOUR SISTERS.

BUT WHAT I WANT TO KNOW IS ‐‐

HOW DO YOU GET FASHION
OUT OF POODLES AND CAKE?

I WAS HOPING, RIGHT,

THAT IN ORDER
TO ILLUSTRATE THIS, RIGHT ‐‐

'CAUSE SOMETIMES YOU HAVE
TO LIKE SHOW PEOPLE WHAT'S
ON YOUR MIND...

‐OKAY.
‐...WHERE THE INSPIRATION
IS, RIGHT?

AND SO I WAS THINKING
LIKE THERE

MIGHT BE GIRLS WITH DRESSES
WITH BOWS, FOR INSTANCE,

THAT ARE PUFFY, THAT ARE FOAMY,
RIGHT, THAT LOOK LIKE CAKE.

AND THEN I WAS THINKING JUST TO
HAVE LIKE SOME BEAUTIFUL CAKES

COME DOWN THE PIKE, AS WELL,
LIKE, YOU KNOW, EVERY THIRD.

YOU'LL HAVE LIKE THREE GIRLS
AND A POODLE...
‐AND THEN A CAKE.

SO, I'M STARTING TO FIGURE OUT
WHAT THIS GUY REALLY WANTS.

BECAUSE I'VE HAD A LOT
OF STRANGE CAKES REQUESTS.

WHAT HE WANTS ME TO DO
IS CREATE CAKES

THAT ARE PATTERNED AFTER

SOME OF HIS JEWELRY
AND MATERIALS

IN HIS NEW LINE OF DRESSES.

AND THEN HE'S GONNA ACTUALLY USE
THESE CAKES IN HIS FASHION SHOW.

I CAN COORDINATE
WITH THE PATTERNS

OR, YOU KNOW,
SEE THE DRESSES AND ‐‐

YES, EXACTLY.

THERE ARE
SOME REALLY GOOD THINGS

THAT WOULD MAKE REALLY
BEAUTIFUL CAKE PATTERNS.

THE PROBLEM IS,
THESE DRESSES AIN'T DONE YET,

SO ALL'S I GOT TO WORK WITH

IS THESE SWATCHES AND
A COUPLE PIECES OF JEWELRY.

I'M GOING FOR
SOMETHING HERE

THAT'S LIKE SO INCREDIBLY
LIKE CANDY AND FOAMY

AND CAKEY AND POODLEY THAT
THERE IS AN IRONY TO IT.

I'M DEFINITELY UNDERSTANDING
WHAT YOU ARE SAYING.

AND, YOU KNOW,
LOOKING AT THIS,

I HAVE DIFFERENT THINGS
THAT I CAN DO

TO REPLICATE SOMETHING
LIKE THIS.

DO WE NEED TO GO OVER THERE
AT SOME POINT

TO LOOK AT WHAT
YOU'RE WORKING ON?

I'D LOVE FOR YOU
TO COME TO THE BAKERY.

IT WOULD BE ‐‐

COME TO THE BAKERY.

WE'LL CHECK IT OUT.

I PROMISE
I WON'T LET YOU DOWN.

OKAY. WOW.
THAT'S A PROMISE I LIKE.

YEAH.

Buddy:
I'VE HAD TOUGH CLIENTS BEFORE,

AND I CAN TELL YOU ‐‐

ISAAC IS NOT GONNA BE
EASY TO PLEASE.

AND WE'RE GONNA MAKE
SEVEN DIFFERENT CAKES

BASED ON THE DESIGNS
OF ISAAC'S DRESSES.

ONE'S GONNA BE COVERED
IN PINK LACE.

ANOTHER ONE WILL LOOK LIKE
IT'S GOT ALL THESE SEQUINS.

ONE'S EVEN GONNA BE COVERED
IN MULTICOLORED FLORAL PRINT.

WE'LL HAVE
A POODLE‐INSPIRED CAKE

WITH LOTS OF PEARLS
ALL OVER IT

AND ONE HAND‐PAINTED
WITH ORANGE FLOWERS.

WE'LL ALSO HAVE A GREAT CAKE

WITH THESE BIG PIECES
OF WHITE JEWELRY

AND A GREEN CAKE
WITH A BIG BOW IN FRONT.

DANNY, WE'RE GONNA ‐‐
LET'S START.

LET'S GET READY
TO ICE SOME CAKES.

LET ME SEE WHAT THE ORANGE LOOKS
LIKE SO THAT WE'RE CLOSE.

SO, ISAAC WANTS TO USE THESE
CAKES DURING THE FASHION SHOW

TO HELP ILLUSTRATE HOW
HIS DESIGNS ARE BASED ON CAKE.

HE'S GONNA HAVE THE MODELS

ACTUALLY CARRY THESE CAKES
DOWN THE RUNWAY.

SO, I CAN'T MAKE THEM
OUT OF CAKE.

I MEAN, THAT COULD BE LIKE
40 OR 50 POUNDS,

AND YOU SEE HOW SKINNY
THESE MODELS ARE.

I'LL MAKE THE CAKE PART
OUT OF STYROFOAM,

AND THEN WE'LL COVER THEM
WITH FONDANT AND ICING

AND EVERYTHING ELSE LIKE
WE ALWAYS USE ON CAKES.

WE'VE GOT SEVEN CAKES TO MAKE,
SO WE CAN'T MESS AROUND.

THE FIRST CAKE IS A 3‐TIER CAKE.

AND IT'S PATTERNED AFTER
ISAAC'S FLORAL‐PRINT FABRIC.

AND THE FLOWERS ON THERE
ARE KIND OF SOFT AND ARTISTIC.

SO WE'RE GONNA HAND‐PAINT
THIS ONE.

WE'RE GONNA HAVE A 3‐TIER CAKE
THAT'S COVERED ALL IN BALLS.

WHAT KIND OF BALLS,
LIKE...

LITTLE PEARL ONES.

THE NEXT CAKE IS INSPIRED BY
ONE OF ISAAC'S POODLE PINS,

AND IT'S BASICALLY
GOLD AND PEARLS.

SO, WHAT WE'RE GONNA DO
IS PAINT THE CAKE IN GOLD

AND THEN COVER IT IN PEARLS.

THEN WE'LL MAKE A POODLE
THAT MATCHES THE PIN

AND PUT IT ON TOP.

THE TOUGHEST CAKE TO MAKE
IS THE PINK LACE CAKE,

BUT I HAVE THE PERFECT TECHNIQUE
TO REALLY NAIL IT.

I TAKE STRIPS OF FONDANT,
AND I USE THIS ROLLER TOOL

TO EMBOSS THEM
WITH A CRISSCROSS PATTERN.

VINNY, GET THE STEAMER.
COME ON.

THEN WE PUT STRIPS
AROUND EACH LAYER.

AND GO RIGHT TO THE EDGE.

GO RIGHT TO THE FOLD.

OKAY,
TIME TO GO INTO THE ZONE.

I PIPE ON A FLOWER PATTERN

AND USE MY BRUSHED‐EMBROIDERY
TECHNIQUE.

I TAKE A SMALL BRUSH AND KIND OF
PULL THE ICING TO THE CENTER.

THAT GIVES IT A REALLY DELICATE,
LACY FEELING.

THE KEY TO MAKING THIS
BELIEVABLE IS THE LAYERS.

AND AFTER I'M DONE WITH
THE BRUSH EMBROIDERY,

I ADD ANOTHER LAYER
OF PIPING ON TOP.

AND THEN I AIRBRUSH THE WHOLE
DESIGN TO TIE IT TOGETHER.

I REALLY THINK THESE FIRST THREE
CAKES ARE STARTING TO LOOK GOOD.

WELL, BIG ORDERS
LIKE THIS MIZRAHI ORDER

ARE COMING AT US
LIKE LEFT AND RIGHT,

AND I'M RUNNING OUT OF SPACE!

SO, ONE OF THE BIG PROJECTS
I GOT GOING ON RIGHT NOW

IS OUR NEW FACTORY
AT LACKAWANNA.

THE CEILING'S GONNA
FLY IN AT 12 FEET,

AND THEY'RE GONNA PUT
A STAINLESS‐STEEL ENCLOSURE.

IT'S GONNA BE BEAUTIFUL.

THIS IS WHERE WE'RE GONNA
START MAKING AND DECORATING

ALL OF OUR CAKES.
YEAH.

THE OVENS WILL BE FINE
OVER HERE. THAT'S GOOD.

MY OLD BUDDY DINO
IS MY GENERAL CONTRACTOR.

IT'S STILL NOT ACCEPTABLE.
SO, WHAT'S OUR LAST OPTION?

TO GO WITH AN ARDEX
OVER THE AREA.

‐A SELF‐LEVELING.
‐A SELF‐LEVELING.

COME ON ‐‐
LET'S GO INTO THE OFFICE

AND DO WHAT WE GOT TO DO.

Buddy: BUT HERE'S THE DEAL ‐‐

CONSTRUCTION
IS STARTING TO FALL BEHIND

AND GO OVER BUDGET.

Dino:
BUDDY AND I KNEW EACH OTHER
SINCE WE WERE IN KINDERGARTEN.

BUDDY KNOWS WHEN SOMEONE'S
TRYING TO PULL ONE OVER HIM.

THAT'S FOR SURE.

SO, LET'S ASK
QUESTIONS.

SO, ORIGINALLY,
WHEN THERE WAS A MEZZANINE,

YOUR UNITS WERE GONNA SIT ON TOP
OF THE MEZZANINE,

OR THEY WERE ALWAYS
GONNA BE ‐‐

THERE WAS A LOT THAT WAS
SITTING ON TOP OF THE MEZZANINE.

THERE WAS
THE REFRIGERATION EQUIPMENT

THAT WAS GONNA SIT UP
ON THE MEZZANINE.

WHICH NOW GOT PUT
IN A SEPARATE ROOM.

Buddy:
SOME THINGS GOT MOVED AROUND,

AND NOW THEY WANT TO HANG
THE AIR‐CONDITIONING UNITS

FROM THE CEILING.

THE THING IS, IS IT'S GONNA HOLD
US UP FOR ANOTHER TWO WEEKS,

AND THEY'LL WANT 17 GRAND.

SO, IF IT'S HANGING,
THEN YOU GOT TO SUPPORT IT.

THAT'S ‐‐ THAT'S ‐‐ IT SHOULD
HAVE BEEN IN YOUR PROPOSAL.

NO, WE WERE TOLD ORIGINALLY,
FROM DAY ONE ‐‐

YEAH, BUT I'M SAYING,
IF YOU WERE SUPPOSED TO HAVE
IT HANGING FROM THE CEILING,

I DON'T UNDERSTAND HOW
IT'S MY $17,000 PROBLEM.

ALL RIGHT, SO, LET'S TRY
TO GET TO BOTTOM OF THIS.

MY CONTRACTOR IS TELLING ME
THAT THEY DIDN'T FACTOR IN

THAT THEY HAD TO HANG
THESE AIR‐CONDITIONING UNITS

FROM THE CEILING,

AND IT'S GONNA BE
ANOTHER 17 GRAND.

IN THE DRAWINGS,
THEY WERE SUPPOSED TO BE
STRAPPED TO THE CEILING.

NOW, WHETHER THEY NEEDED STEEL,
WHETHER THEY NEEDED DIAMONDS,

WHETHER THEY NEEDED CHAINS

OR WHATEVER THEY HAD TO DO
FOR THE CEILINGS,

IT SHOULD HAVE BEEN
IN THE PROPOSAL.

NOW YOU'RE GONNA TURN THE THINGS
ON, YOU'RE GONNA TELL ME,

"OH, WELL, THIS MIGHT NOT WORK."

I DON'T UNDERSTAND HOW
IT'S MY $17,000 PROBLEM.

I DON'T JUST HAVE 17 GRAND
LAYING AROUND TO PAY FOR THIS.

AND I DON'T WANT TO BE UNFAIR
TO YOU GUYS.

I DON'T WANT TO SEE YOU GUYS
HAVE ADDED COSTS.

I JUST WANT TO MAKE SURE THAT,
YOU KNOW,

IF THERE WAS A PROBLEM,
THEN SOMEBODY'S GOT TO,

YOU KNOW, TAKE CARE OF IT.

YOU KNOW, BEING IN CHARGE OF
SUCH A BIG PROJECT IS TOUGH.

AND SOMETIMES I GOT
TO LAY DOWN THE LAW.

IT COULD BE A LOT WORSE,
FOR THE JOB. TRUST ME.

Grace: LOOK AT THAT, JOE.

LOOK AT THESE DOTS.

IT LOOKS LIKE KINDERGARTEN.

YOU SAY THAT I GET
ALL WORKED UP FOR NOTHING.

WELL, LOOK.
THIS IS IMPORTANT.

YOU KNOW, PART OF
OUR NEW SETUP AT LACKAWANNA

IS GONNA BE SELLING CAKES
ONLINE.

LOOK. LOOK AT THIS.

HA. WHAT IS ALL OF THIS?

LOOK OVER HERE.

SO, I PUT MY SISTER GRACE
IN CHARGE

OF GETTING THE PICTURES
OF EVERYTHING

TO MAKE LIKE
A WEBSITE CATALOG.

BUT I TOLD HER, "YOU GOT TO
DO IT WITHOUT FREAKING OUT."

LOOK AT HOW BIG
THESE ARE.

THEY'RE HORRIBLE.

NO, BECAUSE YOU'RE ‐‐

WHAT DO YOU
WANT ME TO SAY?

AND YOU'RE BEING A JERK,
BUT IT'S SERIOUS STUFF.

MY JOB IS TO GET GOOD PICTURES
OF OUR PRODUCTS

TO BE POSTED ON THE WEBSITE

SO PEOPLE CAN START
ORDERING ONLINE.

ONE OF THE CAKES THEY
MADE TODAY IS ALL WRONG.

THERE'S TOO MANY DOTS.

OMAR, WHAT THE HECK
IS THIS FONDANT LAYER?

OMAR IS
AN EXPERIENCED DECORATOR.

HE SHOULD BE ABLE TO DECORATE
A FONDANT LAYER

WITH A HENNA DESIGN.

THAT DON'T LOOK LIKE
MY REGULAR FONDANT LAYER.

THE THING ABOUT
MY SISTER GRACE

IS SHE THINKS,
TO MAKE PEOPLE LISTEN,

YOU GOT TO TURN UP
THE VOLUME.

THAT'S ALL WRONG.

YOU CAN'T GO AROUND
TWISTING EVERYBODY'S HORNS.

YOU GOT TO LEARN
HOW TO CALM DOWN.

A WASTE OF TIME.

A WASTE OF TIME.

ALL RIGHT, SUNSHINE,

WE'RE DOING CAKES
FOR ISAAC MIZRAHI...
‐MM‐HMM.

...THE DESIGNER,
AND HE'S GONNA USE THEM

IN HIS FASHION SHOW.

SO, THERE'S GONNA BE A DRESS
DONE IN SEQUINS.

AND THEN FOLLOWING,
THERE'S GONNA BE THE CAKE.

ISAAC MIZRAHI IS
A BIG‐SHOT FASHION DESIGNER

FROM NEW YORK CITY,

AND HE WANTS ME
TO CREATE SEVEN CAKES

TO MATCH THE DRESSES
IN HIS FASHION SHOW.

AND THEY'RE GONNA BE IN IT.

AND HE'S COMING HERE TODAY
TO CHECK OUT THE CAKES.

PLEASE STICK.

I GOT SUNSHINE WORKING
ON THE 2‐TIERED CAKE

THAT'S GONNA LOOK LIKE
A SEQUIN DRESS.

SHE COVERS IT WITH CANDY BEADS

AND PAINTS IT
WITH EDIBLE GLITTER

SO IT'S ALL SPARKLY,

JUST LIKE THE DRESS.

ONE OF ISAAC'S DRESSES
IS A WEATHERED GRAY,

WITH BIG PIECES
OF WHITE JEWELRY.

SO, TO MAKE THE CAKE
LOOK WEATHERED,

FRANKIE DUSTED SOME
PLAIN GRAY FONDANT.

THEN MAURO CUT OUT A BUNCH
OF INTRICATE WHITE MOLDS

AND PUT THEM ALL OVER THE CAKE.

THIS IS GONNA BE FUN.

YEAH, THIS IS GONNA WORK.

AND I WANT TO PUT
THE ROYAL ICING THICK ENOUGH

SO THAT IT COMES OUT.
‐SO IT POPS.

IT'S GOT TO HAVE
DIMENSION.

WE'RE BASING THIS CAKE
ON A FLOWER‐LIKE MATERIAL.

WE'RE ALSO MAKING
THIS GREEN CAKE

THAT'S PATTERNED
AFTER A GREEN BOW.

ALL RIGHT,
THAT ONE LOOKS GOOD.

I THINK THE CAKES
ARE STARTING TO LOOK GOOD,

BUT, HONESTLY IT'S HARD TO KNOW
WHAT ISAAC'S GONNA WANT.

I MEAN, THIS GUY'S
BASING HIS CLOTHES

OFF OF POODLES AND CAKES.

HIS FASHION SHOW IS TOMORROW,

AND HE IS COMING HERE
TO CHECK UP ON MY CAKES

TO MAKE SURE THEY MATCH
HIS DRESSES.

YEAH, LET'S LINE THEM ALL UP
HERE ON THIS BENCH.

Isaac: I AM HERE TO SEE MY CAKES
BECAUSE MY SHOW IS TOMORROW.

AND IF YOU CAN BELIEVE THIS,
I DROPPED EVERYTHING

BECAUSE THESE CAKES ARE REALLY,
REALLY IMPORTANT TO ME.

WHEN I LEAVE NEW YORK CITY,

I ACTUALLY RISK GETTING
A NOSEBLEED,

AND NOW I'M IN HOBOKEN,
NEW JERSEY,

SO BLOOD IS ABOUT
TO START FLOWING.

‐YEAH.
‐LET'S GO.

HI. HI.

I LIKE THAT.

HEY!

OH, WOW.

WELL?

THIS IS AMAZING, RIGHT?

DO YOU LIKE IT?
YEAH, IT LOOKS GREAT.

WELL, LET'S START OVER HERE.
IT LOOKS CRAZY.

YOU ARE SO CRAZY.

I LEFT, YOU KNOW,
THE LACE INSPIRATION

WITH THE FLOWERS
AND STUFF LIKE THAT.

AND I PUT A LITTLE SHIMMER
ON IT

SO THAT, YOU KNOW,
WITH THE LIGHTS AND STUFF,

IT POPS A LITTLE MORE.

IT'S NOT THE EXACT COLOR,
BUT I FIGURED

THE SHIMMER WOULD POP
A LITTLE MORE.
‐MM‐HMM.

ISAAC'S SAYING
THAT HE LOVES EVERYTHING,

BUT BY LOOKING AT HIM, I CAN
TELL SOMETHING'S WRONG.

I HOPE HE LIKES THE CAKES.

I HAVE TO SAY ‐‐ THAT ISN'T
MY FAVORITE BOW I'VE EVER SEEN.

THAT'S NOT MINE, EITHER.
I'LL TELL YOU WHAT ‐‐

YOU KNOW, WHAT YOU NEED
TO DO IS LESS TEXTURE.

IT NEEDS TO BE
LESS TEXTURE‐Y, RIGHT?

THEN HE STARTS IN
ON THE GRAY CAKE

THAT FRANKIE AND MAURO MADE,
AND HE DROPS A BOMB.

MY FAVORITE THING
IN THE WORLD

IS PALE GRAY
WITH WHITE TRIM.

I MEAN ‐‐ AND I WISH ‐‐
I DON'T KNOW ‐‐

I WOULD HAVE DID IT SOLID.
I MEAN, HONESTLY,

AND IT DIDN'T EVEN HAVE
TO BE TEXTURED.

WHAT ARE THE CHANCES
OF GETTING IT BACK

TO LIKE MORE OF
A SOLID THING?

I'LL HAVE TO REDO IT.

AND?

MY FAVORITE THING
IN THE WORLD

IS PALE GRAY
WITH WHITE TRIM.

I MEAN ‐‐ AND I WISH ‐‐
I DON'T KNOW ‐‐

‐I WOULD HAVE DID IT SOLID.
I MEAN, HONESTLY...
‐YEAH.

WHAT ARE THE CHANCES
OF GETTING IT BACK

TO LIKE MORE
OF A SOLID THING?

I'LL HAVE TO REDO IT.

AND?

[ CHUCKLES ]
IS THAT POSSIBLE?

[ LAUGHTER ]

IF YOU WANT IT,
WE'LL DO IT.

I MEAN, WE'D ICE JUST
SOME PLAIN LIGHT GRAY...

IT MAKES IT LOOK LIKE
AN OLD CAKE.

...AND THEN JUST REDO
THE DESIGNS.

YEAH, IT LOOKS LIKE
AN OLD CAKE,

LIKE I WOULDN'T WANT
TO EAT THAT CAKE.
YOU KNOW WHAT I MEAN?

ISAAC MIZRAHI COMES OVER
TO THE BAKERY

TO CHECK OUT THE CAKES

THAT WE'RE MAKING
FOR HIS FASHION SHOW.

AND LET ME TELL YOU ‐‐ THIS
GUY'S GOT A STRONG OPINION.

Isaac: AND WHAT ABOUT THAT?

BECAUSE THAT DOESN'T RESEMBLE
THE PINK AT ALL, REALLY.

I THINK YOU
SHOULD AIRBRUSH IT.

I THINK YOU SHOULD MAKE IT ‐‐
'CAUSE RIGHT NOW

IT GOES A LITTLE
LIKE PASTEL‐Y.
‐YEAH.

LET'S SEE A LITTLE AIRBRUSH
BEFORE YOU ‐‐

JUST DO A LITTLE CORNER.

[ GASPS ]

OH, MY GOD.
THAT IS SO BEAUTIFUL.

LOOK HOW GORGEOUS
THAT IS.

IT'S CRAZY BEAUTIFUL.
I LOVE THAT.

SEE, AND YOU STILL ‐‐ IT
STILL SETS OFF. SEE?

'CAUSE IT'S
DIFFERENT TEXTURES.
‐MM‐HMM.

‐ALL RIGHT?
‐BUDDY, YOU'RE A GENIUS.

OKAY, KIDS, WE GOT TO GO.

OKAY, YOU
HEARD HIM, RIGHT?

LET'S WORK.

ISAAC LEAVES, AND WE SCRAMBLE
TO GET THESE CAKES DONE.

THAT FASHION SHOW IS TOMORROW!

I FINISH AIRBRUSHING A DIFFERENT
SHADE OF PINK ON THE PINK CAKE,

AND I GET FRANKIE
RE‐MAKING THE GREEN BOW CAKE.

ONLY THIS TIME,
IT'S GONNA BE A SQUARE.

AND THE BOW IS GONNA GET COVERED
IN SMOOTH FONDANT.

WE'RE GONNA LEAVE OFF
THE TEXTURING.

DANIELLE,
ARE YOU GONNA MAKE

ANOTHER FLORAL CAKE
WITH THE PURPLE?

ISAAC LIKED
THE ORANGE FLORAL CAKE SO MUCH

THAT HE WANTS US TO MAKE
A PURPLE ONE JUST LIKE IT.

GET ALL THESE MOLDS.
GET THEM ALL READY

SO WE CAN START GOING
TO TOWN ON THEM.

Buddy: WE'RE RE‐MAKING
THE GRAY CAKE,

BUT THIS TIME SOLID GRAY,
NO TEXTURE.

Mauro: I WISH HE WOULD HAVE
PICKED ANOTHER ONE

THAT HE WANTED
TO HAVE REDONE.

HOW DO THOSE GUYS DO?
THEY WALK DOWN.

THEY GET THAT REALLY LOOK
AND THEY LOOK AND THEY GO...

[ LAUGHTER ]
WOW.

WORK IT, FRANKIE!
WORK IT!

WORK IT!

STRUT! STRUT! STRUT!

‐WE NEED A BIG RUNWAY.
[ LAUGHTER ]

LOOK, LOOK, HE'S GONNA
BREAK THE CAKE DOWN.

YOU THINK WE SHOULD JUST
STICK TO MAKING CAKE?

Buddy: WE'RE MAKING A WEBSITE
WHERE PEOPLE

CAN GO ON AND ORDER OUR CAKES,

AND I PUT GRACE IN CHARGE
OF GETTING THE PICTURES READY

FOR THE WEBSITE.

AND WHAT DOES SHE DO RIGHT AWAY?

SHE GOES AND TEARS INTO OMAR
AND STARTS CRITICIZING HIS WORK.

HEY, OMAR?

YES?

WHAT HAPPENED, MAN?

GRACE LOOKED LIKE SHE
HAD YOU SHOOK.

I DON'T KNOW.
SHE DIDN'T LIKE THE CAKE,

SO I HAVE TO MAKE IT
ALL OVER AGAIN.

ARE YOU PAYING ATTENTION
TO WHAT SHE SAID THIS TIME?

YES. THAT'S IT.
I'M DONE.

DIDN'T SHE YELL AT YOU
FOR THE DOTS?

NO, THERE WERE
TOO MUCH DOTS,

NOT THIS TIME.
I THINK IT'S PERFECT.

I THINK IT LOOKS GOOD, BUT
GRACE IS ANOTHER STORY, DUDE.

SHE'S TOUGH.
GOOD LUCK.

WHAT DO YOU GOT NOW, OMAR?

Grace: OMAR'S SECOND CAKE
WAS MUCH BETTER.

I'M NOT GONNA LET HIM KNOW THAT

'CAUSE I DON'T WANT HIM TO GET
A BIG HEAD OR ANYTHING,

BUT THIS IS DEFINITELY MORE
LIKE CARLO'S QUALITY.

CLOSE‐UPS ‐‐ YOU GOT
TO SEE THE CUPCAKES.

Buddy:
ALL RIGHT, WE ALL KNOW GRACE
IS A PAIN IN THE YOU‐KNOW‐WHAT,

BUT SHE'S ACTUALLY DOING
A GREAT JOB

ON GETTING THESE PICTURES
OF THESE CAKES.

THE THING IS, SHE'S GOT TO WORK
ON HER PEOPLE SKILLS.

LIKE I GOT TIME FOR THIS?

I DON'T HAVE TIME
FOR THIS, DANNY.

NOW YOU HAVE PICTURES

THAT ARE SUITABLE
FOR THE WEBSITE.

[ GROANS ]

YEAH.

YEAH, I'M OKAY.

I DON'T KNOW WHAT'S GOING ON
WITH ME LATELY.

I'M IN A LOT A LOT OF PAIN.

I MEAN, I KNOW WE GOT
A LOT OF CAKES AND STUFF,

BUT I GOT TO GO
GET THIS CHECKED OUT.

SO, I'M GONNA LEAVE THESE GUYS
TO FINISH UP

THE FINAL PIECES OF THESE CAKES

SO I CAN GO TO THE DOCTOR.

Dr. Sundaram: ARE YOU HAVING
ANY PAIN RIGHT NOW?

Buddy:
I HAVE PAIN WHEN I STAND.

I GET A PAIN LIKE RIGHT IN
MY GROIN, ON THE LEFT SIDE.

THE MORE I STAND,
THE WORSE IT GETS,

AND THEN SOMETIMES,
SITTING DOWN,

I JUST FEEL VERY TENDER.
OKAY.

AND HOW LONG HAS THAT
BEEN GOING ON FOR?

ABOUT ‐‐ ABOUT A MONTH.

I MEAN, I FIGURED I PULLED
A MUSCLE OR SOMETHING,

BUT I WAS NOT READY FOR WHAT
SHE WAS ABOUT TO TELL ME.

MR. VALASTRO,
YOU HAVE A HERNIA.

Dr. Sundaram:
WELL, LET ME EXPLAIN
TO YOU WHAT A HERNIA IS.

ESSENTIALLY, IT'S A HOLE
IN YOUR FASCIA,

AND YOUR FASCIA'S
YOUR STRONGEST LAYER
OF YOUR ABDOMINAL WALL.

IT KIND OF KEEPS YOU
UPRIGHT,

AND IT SOMETIMES CAN HAVE
A LITTLE DEFECT IN IT.

Buddy: SO, I GUESS ALL THESE
YEARS OF LIFTING 100‐POUND CAKES

HAS GIVEN ME A HERNIA.

SO, IT'LL BE ABOUT
AT LEAST TWO WEEKS

THAT YOU DON'T DO
ANY HEAVY LIFTING.

AND LUCKILY WE FOUND IT

BEFORE IT REALLY CAUSED
TOO MUCH PROBLEMS FOR YOU.

SO, IT IS IMPORTANT
WE GET IT FIXED

SOONER RATHER THAN LATER.

BUT IT'S FIXABLE?
YES, COMPLETELY.

SO, NOW I NEED SURGERY.

AND THAT MEANS I'M GONNA BE
OUT OF WORK FOR A FEW WEEKS.

ALL RIGHT,
SO, YOUR NEXT STEP

IS WE'LL SET UP FOR THE SURGERY.
‐EXCELLENT.

THIS COULDN'T HAVE HAPPENED
AT A WORSE TIME.

I MEAN, I GOT A NEW BABY AND
A MILLION THINGS TO DEAL WITH.

THANK YOU SO MUCH.
NO PROBLEM.

THANK YOU.

I GUESS SO, YEAH.

DUDE, I SAW THE DRESS OF THIS,
AND IT LOOKS JUST LIKE IT.

‐DOES IT REALLY?
‐I SWEAR TO GOD.

Buddy: AFTER I LEAVE
THE DOCTOR'S OFFICE,

I GOT TO GO DELIVER THESE CAKES

TO THE ISAAC MIZRAHI
FASHION SHOW.

ISAAC HAS POODLES AND DRESSES
AND CAKES HERE.

I MEAN, AT FIRST,
I DIDN'T GET IT,

BUT NOW, SEEING IT
ALL TOGETHER,

IT'S STARTING
TO REALLY LOOK AWESOME.

‐DID YOU SEE ISAAC YET?
‐I DIDN'T SEE HIM YET.

‐ALL RIGHT, WE SHOULD
GO FIND HIM. COME ON.
‐YEAH, YEAH.

Buddy:
ISAAC IS A HUGE CLIENT,

AND THE LAST TIME
HE SAW ALL THESE CAKES,

HE WASN'T TOO HAPPY.

SO I'M JUST HOPING THAT HE
REALLY LOVES WHAT WE DID.

OKAY, ISAAC,
WHAT DO YOU THINK?

[ GASPS ]

OH, MY G‐‐
OH, THEY'RE GORGEOUS.

THEY LOOK GORGEOUS.

I LOVE THIS ONE NOW
THAT WE CHANGED THE COLOR.

THAT NEEDED IT.

AND I DO LOVE THE ORANGE.
BEAUTIFUL!

[ GASPS ] IT'S GORGEOUS.

ISN'T IT SO MUCH BETTER,
JUST FLAT GRAY?

YEAH, MAT.
IT'S GORGEOUS.

IT LOOKS SMOOTH.
IT'S PERFECT.

THAT'S THE SCHEME
OF MY LIVING ROOM.

MY NEW LIVING ROOM IS GONNA BE
PALE GRAY AND WHITE LIKE THAT.
‐OH, AWESOME.

I LIKE THAT.
THAT IS BEAUTIFUL.

MUCH BETTER, THAT COLOR.
‐YEAH, THAT COLOR.

THIS IS GORGEOUS.

THEY ARE INCREDIBLE,
DARLING.

THOSE CAKES ARE GORGEOUS.
THE BLUE‐PRINT ONE IS GORGEOUS.

THE NEW BOW ONE IS AMAZING.

THE WHOLE THING IS GORGEOUS ‐‐
THE PINKER ONES.

I THINK IT'S GONNA TOTALLY
WORK SO WELL WITH THE DRESSES.

IT'S GONNA BE AWESOME.

I GOT TO SAY WE NAILED IT,

BUT IF I DIDN'T HAVE
YOUR INSPIRATION,

I COULDN'T HAVE DONE IT.
THAT IS REALLY GORGEOUS.

YOU MADE THE DRESSES
TO INSPIRE ME.

RIGHT?
YOU KNOW WHAT I'M SAYING?

WAIT TILL YOU SEE WHAT THEY
LOOK LIKE UNDER THE LIGHT.

THEY'RE GONNA LOOK REALLY GOOD.
THEY'RE GONNA COME TO LIFE
IN THIS CRAZY WAY.

I CAN'T WAIT.
I CAN'T WAIT.

GOOD JOB, MY FRIEND.
THANK YOU. THANKS.

GREAT. THANKS, AGAIN.

OKAY, BYE.
BYE, BYE, BYE.

Buddy: KNOWING THAT ISAAC REALLY
LIKES MY CAKES IS REALLY GREAT.

I JUST DON'T KNOW WHAT
THE AUDIENCE IS GONNA THINK.

THE ONLY THING I GOT TO SAY IS,
WHATEVER YOU DO, DON'T DROP
MY CAKE.

I WON'T DROP YOUR CAKE.
COOL.

♪♪♪♪

I NEVER WOULD HAVE THOUGHT,
YOU KNOW,

TEAMING CAKE
WITH FASHION.

HOW MUCH FUN WAS IT
FOR YOU

TO SEE THE CAKES
COMING DOWN THE RUNWAY?

YOU KNOW, THAT WAS
THE BEST PART,

AND I THINK
THAT EVERYBODY ENJOYED

THAT REALLY NICE LAYER
TO THIS FASHION SHOW.

"LAYER" ‐‐
THAT'S A GOOD ONE.

[ CHEERS AND APPLAUSE ]

HI. HI. HI.

HELLO.

EVERYBODY, HELLO. HI. HI. HI.

OH, LOOK, IT'S ‐‐ HI!

Buddy: THE FASHION SHOW
WAS A HUGE SUCCESS.

EVERYBODY LOVED THE CAKES.

AND I'M JUST SO PROUD OF HOW
ME AND MY TEAM CAME TOGETHER

AND MADE THIS HAPPEN.

ISAAC, GREAT SHOW,
MY BROTHER.

THANK YOU, BUDDY.
THAT WAS GREAT.

YOU DID AN AMAZING JOB.
THANK YOU FOR HAVING ME
PART OF IT.

IT WAS AN HONOR.
KILLED IT.

I MEAN, WHO WOULD HAVE THOUGHT

A BAKER
FROM HOBOKEN, NEW JERSEY,

IN MANHATTAN, AT A FASHION SHOW,

WITH HIS CAKES ON THE RUNWAY?

BUT THAT'S HOW WE DO IT,
HOBOKEN‐STYLE.