Original subtitles

Buddy: ON THIS EPISODE OF "CAKE BOSS"... ST. LOUIS SKYLINE.

SO WE DEFINITELY HAVE THE ARCH. THE ARCH MAKES THE CITY.

SO, THE FIRST THING I GOT TO DO FOR THE ST. LOUIS CAKE

IS FIGURE OUT THE ARCH.

MAURO, I GOT ANOTHER PIPE.

YOU'RE WASTING YOUR TIME.

DO WHAT I TOLD YOU.

DO YOU KNOW WHAT'S COMING UP? THE TWINS' BIRTHDAY.

WHAT KIND OF CAKE AM I GONNA MAKE THEM? WELL...

NOT AS EASY TO COMBINE A CAKE FOR A BOY AND A GIRL,

SO IT'S A LITTLE TRICKY EVERY YEAR.

DO YOU HEAR THAT I'M TALKING TO YOU?

YOU'RE NOT EVEN LISTENING TO ME.

WHAT ARE YOU DOING?

CAN YOU LISTEN TO ME NOW?

Buddy: THIS IS CARLO'S BAKERY.

EVERY WEEK, THOUSANDS OF CAKES AND PASTRIES

GO OUT THESE DOORS.

THIS IS THE CREW -- MIA FAMIGLIA.

WE'RE GONNA TAKE THIS BAKERY TO THE TOP.

THEY CALL ME BUDDY. I'M THE BOSS.

[ INDISTINCT TALKING ]

HI. HOW YOU DOING?

I'M BUDDY. HI, I'M JEFF DeVITO. I'M FROM ST. LOUIS.

NICE TO MEET YOU, JEFF. GOOD TO SEE YOU.

AWESOME. ST. LOUIS? ORIGINALLY?

NO, I'M ORIGINALLY FROM NEW JERSEY.

OH, YOU'RE A JERSEY BOY LIKE ME. I LOVE IT.

WE WERE LOOKING TO HAVE A CAKE MADE OF THE ST. LOUIS SKYLINE,

AND DEPICTING ALL OF OUR CASINOS AND HOTELS.

THE ONLY PROBLEM IS IT'S IN ST. LOUIS, THE PARTY, THOUGH.

I KNOW IT'S A LONG DRIVE, BUT WE'LL HAVE TO WORK IT OUT.

MAYBE I'LL HAVE TO COME MYSELF...

TO PICK IT UP? ...TO PICK UP THE CAKE.

SO, ST. LOUIS SKYLINE.

SO WE DEFINITELY HAVE THE ARCH. WHAT ELSE DO WE HAVE?

OBVIOUSLY, YOU KNOW, THE MISSISSIPPI RIVER.

MISSISSIPPI RIVER IS PREDOMINANT.

WELL, I LOVE THE ARCH.

I MEAN, THE ARCH TOTALLY MAKES THE SKYLINE.

THE ARCH MAKES THE CITY.

IT'S ONE OF THOSE THINGS

THAT I WOULD LOVE TO CHALLENGE MYSELF TO MAKE.

SO, MY IDEA FOR THE ST. LOUIS CAKE,

WE WERE GONNA START WITH THE CENTERPIECE BEING THE ARCH,

AND THEN WE WOULD HAVE BUSCH STADIUM,

THE EDWARD JONES DOME,

WE'D HAVE SOME RANDOM BUILDINGS IN THE BACK.

THEN I'LL PUT IN A FEW OF JEFF'S CASINOS,

INCLUDING ONE FLOATING ON THE RIVER.

IT'S GONNA LOOK AWESOME.

I MEAN, THIS CAKE IS GONNA BE HUGE.

WE'RE GONNA HAVE THE MISSISSIPPI RIVER COMING DOWN,

AND THEN WE'LL DO LIKE THREE OR FOUR... TALLER BUILDINGS.

ONE THING. THEY CANNOT BE BIGGER THAN THE ARCH.

YOU KNOW WHY? 'CAUSE THE ARCH IS THE BIGGEST THING THERE.

AND IT'S AN ORDINANCE.

YOU CANNOT BUILD A BUILDING TALLER

THAN THE ARCH IN ST. LOUIS.

YEAH? IT'S AN ORDINANCE?

ARCH IS THE TALLEST.

FOR THE BUILDINGS,

WE'RE USING SPONGE CAKE AND MODELING CHOCOLATE.

AND I GOT MY WHOLE TEAM WORKING ON IT,

'CAUSE WE GOT TO CRANK THIS BABY OUT.

MEANWHILE, I'M GONNA ATTACK THE ARCH MYSELF,

'CAUSE THAT'S THE CENTERPIECE OF THE WHOLE CAKE.

IT'S GOT TO BE BIG. IT'S GOT TO BE LIKE...

I WANT TO DO IT OUT OF PIPE.

I SAID I'M GONNA GET A PIPE BENDER, BEND IT INTO AN ARCH,

SCREW IT INTO A 2x4, AND IT'S GONNA LOOK BEAUTIFUL.

WITH A BENDER, YOU'RE NOT GONNA BE ABLE TO GET THIS POINT,

IS WHAT I'M TRYING TO TELL YOU.

YOU'RE ONLY GONNA BE ABLE TO GET A CIRCLE.

UNLESS WE -- WAIT A MINUTE.

UNLESS WE DO IT AND THEN WE OPEN IT UP TO WHERE WE NEED IT.

SO, LET'S GO WITH THAT, AND, YOU KNOW, THAT'S HOW WE'LL DO IT.

Remy: HE'S GONNA HAVE A BENDER OVER THERE?

BUT IF YOU JUST DRAW IT ON A SHEET RACK,

AND THEN YOU JUST CUT IT.

IT DOESN'T WORK THAT WAY.

SO, WE'RE ABOUT TO GET STARTED WITH BENDING THE PIPE,

AND REMY HAS THIS IDEA OF CUTTING THE PIECE OF WOOD,

AND HE'S ARGUING WITH ME.

YOU'RE TALKING ABOUT INSTEAD OF THE PIPE, YOU WANT TO USE WOOD?

YEAH. WELL, WHY?

WHAT I'M TELLING YOU IS THAT YOU'RE GONNA HAVE A HARD TIME

TRYING TO BEND A PIPE.

WHY WOULD YOU USE WOOD RATHER THAN PIPE?

I WANT TO KNOW.

...WILL BE EASIER, FASTER.

WE GOT TO FINISH ALL THESE CAKES,

AND YOU'RE BUGGING ME ABOUT ABOUT THE PIPE.

WELL, THAT'S THE EASIEST WAY TO DO IT.

I KNOW THE EASIEST WAY.

THE ARCH IS THE CENTERPIECE OF THIS CAKE.

MY IDEA WILL WORK.

HEY, BUD.

HEY.

WHAT ARE YOU DOING?

MAKING A CAKE. OKAY.

THAT'S WHAT I DO FOR A LIVING.

ALL RIGHT, SO, I WANTED TO TALK TO YOU

BECAUSE YOU KNOW WHAT'S COMING UP.

THE TWINS' BIRTHDAY. OH, YEAH.

WHAT'S THE THEME?

WHAT KIND OF CAKE AM I GONNA MAKE THEM? WELL...

FOR THOSE OF YOU WHO DON'T KNOW,

MY SISTER MARY HAS TWINS -- JOSEPH AND LUCIA.

BUT IT'S NOT AS EASY TO COMBINE A CAKE FOR A BOY AND A GIRL

THAN TWO BOYS, YOU KNOW, OR TWO GIRLS.

SO IT'S A LITTLE TRICKY EVERY YEAR.

JOSEPH WANTED TO DO, LIKE, A PIRATE PARTY.

OOH, I LOVE PIRATES. THAT'S GREAT.

I CAN DO A PIRATE SHIP.

BUT, YOU KNOW, IT'S A PRINCESS THEME, TOO.

SO IT'S A PIRATE AND A PRINCESS.

YEAH, BUT THAT DOESN'T MAKE SENSE.

WHAT DO YOU MEAN, IT DOESN'T MAKE SENSE?

PRINCESSES AND PIRATES DON'T WORK. SURE THEY DO.

THE PIRATES, THEY WANT TO CAPTURE A PRINCESS.

I'M TALKING ABOUT THE THEMES DON'T MAKE SENSE.

WELL, ANYWAY, IT'S GONNA BE A PIRATE AND A PRINCESS.

SO WE'LL MAKE A PIRATE CAKE.

SHE'S NOT A PIRATE. SHE'S A GIRL.

I HAVE A VISION OF THE CAKE ALREADY.

I THINK IT'S GONNA BE AWESOME.

THIS IS MY THEME, OKAY?

PLEASE JUST -- THAT'S WHAT IT IS.

IT'S A PIRATE AND A PRINCESS.

LET ME JUST DO WHAT I HAVE TO DO.

YOU TOLD ME WHAT YOU WANT.

I DON'T WANT TO HEAR IT NO MORE.

[ INDISTINCT TALKING ]

YOU GOT THE PIPE? LET ME SEE.

AND THE BENDER.

SO, THE FIRST THING I GOT TO DO FOR THE ST. LOUIS CAKE

IS FIGURE OUT THE ARCH.

WHY DON'T YOU TELL MAURO

ABOUT YOUR BROTHER-IN-LAW'S GENIUS IDEA?

HE GOES, "LET'S CUT IT OUT OF WOOD, LIKE AN ARCH."

WOOD?

I MEAN, THAT COULD WORK, BUT I THINK IT'S A LOT HARDER.

YOU DON'T THINK IT'S TOO --

NO, I'M NOT THINKING. THAT'S IT.

I'M JUST WORKING. EVEN BETTER.

[ LAUGHS ]

LET'S DO IT.

Buddy: SO WE GET A PIPE, WE GET SOME PIPE BENDERS,

AND WE START GOING.

IT'S COMING UP.

YOU MIGHT HAVE WENT A LITTLE TOO FAR, NO?

WELL, WE CAN STRAIGHTEN IT OUT. LIKE THIS.

RIGHT?

AND THEN GRADUALLY BEND A LITTLE -- COME OUT.

THIS IS HOW YOU BEND IT THIS WAY.

SO THIS HAS GOT TO KIND OF...

WAIT A MINUTE. LET ME SEE SOMETHING.

SO, THIS HAS GOT TO STAND STILL,

AND THIS HAS GOT TO COME THIS WAY.

NO. HOLD IT.

I'M GONNA PUSH.

YEAH, BUT THAT'S NOT IT. YEAH, IT IS.

THAT LOOKS LIKE A TRIANGLE.

NO, THAT'S NOT HOW IT GOES.

IT'S MORE SLOPED.

THIS IS THE SHAPE YOU WANT. THAT'S THE SHAPE.

NOW THIS IS THE ARCH.

NOW YOU WANT TO DO THE SAME SHAPE ON THIS SIDE.

YEAH, THE ONLY THING IS, IS WE MIGHT NEED ANOTHER PIPE.

WHY? START AGAIN.

ALL RIGHT, THE FIRST PIPE -- IT DIDN'T WORK.

WHAT DO YOU WANT ME TO TELL YOU?

SEE WHAT I MEAN?

WE'RE GETTING IT.

YOU NEED ANOTHER PIPE.

SECOND PIPE, NO GOOD.

MAURO, I GOT ANOTHER PIPE.

MAKE SURE YOU BEND IT THE RIGHT WAY THIS TIME.

GO UP A LITTLE HIGHER.

THIRD PIPE -- NO GOOD.

FOURTH PIPE...NO GOOD.

TELL HIM I NEED ONE MORE PIPE.

TELL HIM TO GET TWO MORE.

YOU'RE WASTING YOUR TIME. DO WHAT I TOLD YOU.

ALL RIGHT, THIS IS THE LAST PIPE, I HOPE.

ANOTHER PIPE.

[ SNICKERS ]

DON'T MAKE ME MESS IT UP THIS TIME, FRANKIE.

THE BIGGEST PROBLEM WITH THE ST. LOUIS CAKE IS THE ARCH.

YOU'RE WASTING TIME OVER THERE.

I'VE BEEN TRYING TO BEND THIS PIPE A MILLION DIFFERENT WAYS.

FIRST PIPE, SECOND PIPE, THIRD PIPE.

I DON'T KNOW WHAT THE HELL I'M GONNA DO.

PLEASE LISTEN TO ME FOR ONE TIME.

JUST ONE TIME.

Mauro: HE'S GONNA HAVE TO CUT IT OUT OF WOOD,

AND HE'S NEVER GONNA LIVE IT DOWN.

NO WAY. I'D RATHER DIE THAN CUT IT OUT OF WOOD.

BUT WHY YOU PUT YOURSELF THROUGH IT IN FRONT OF HIM?

LISTEN, THIS GOES OUT LIKE THAT.

Buddy: SO I'M BENDING ALL THESE PIPES, AND I GOT REMY GOING,

"AH, IT'S NOT GONNA WORK. IT'S NOT GONNA WORK."

I WANTED TO TAKE THE PIPE AND WRAP IT AROUND HIS NECK.

AT THAT POINT, NOW I KNEW

THAT I HAD TO FIGURE IT OUT, NO MATTER WHAT.

WE'RE GONNA GET IT THIS TIME.

THIS IS THE ONE.

YEAH.

I THINK IT WAS THE FIFTH OR SIXTH PIPE -- I GOT IT TO WORK.

MY WAY WORKED.

I THINK IT LOOKS PRETTY GOOD.

YOU MIGHT HAVE TO BUY STOCK IN THE CONDUIT COMPANY.

AIN'T NOWHERE TO PUT ANYTHING.

Buddy: SO, THIS ST. LOUIS CAKE IS GONNA BE SO BIG,

WE'RE GONNA HAVE TO ASSEMBLE IT DOWNSTAIRS IN THE OVEN ROOM.

PLACE IS A DAMN MESS. WHAT ARE YOU DOING DOWN HERE?

I HAVE NO SPACE.

AS I'M WALKING THROUGH THE OVEN ROOM,

IT LOOKS LIKE A BIG BORDELLO.

LOOK AT THIS. CAN'T EVEN WORK.

I CAN'T DO THIS ANYMORE.

THIS IS NOT -- IT'S COUNTERPRODUCTIVE.

IT'S NOT PRODUCTIVE ANYMORE.

THIS OVEN ROOM IS A MESS.

I MEAN, THERE'S NOT ENOUGH ROOM.

THERE'S FORMS ALL OVER THE PLACE.

THEY'RE WORKING LIKE PIGS.

I GOT NO RACK SPACE, A THOUSAND PEOPLE IN AND OUT OF HERE.

WELL, YOU'RE TRAINING HIM OVER HERE.

LET HIM CLEAN UP. HE DOES ONE THING AT A TIME.

YOU WANT HIM TO WORRY ABOUT CLEANING AND MIXING?

I CAN'T WORK LIKE THIS ANYMORE.

LISTEN, IT'S NOT LIKE IT'S A NEW PROBLEM FOR US.

I'VE BEEN SAYING FOR YEARS THAT WE'VE OUTGROWN THIS PLACE.

I HAVE TO PUT ANOTHER SHIFT ON, OR I NEED A BIGGER PLACE.

'CAUSE THIS ISN'T WORKING. IT'S COUNTERPRODUCTIVE.

JOEY'S RIGHT, AND IT'S SOMETHING I'VE KNOWN FOR YEARS.

WE'RE OUTGROWING THE BAKERY, AND WE NEED MORE SPACE.

SO, FOR MY NIECE AND NEPHEW'S CAKE,

I GOT TO MAKE ONE CAKE THAT JOSEPH AND LUCIA WILL BOTH LIKE.

AND I'M THINKING,

"WHAT DO A PIRATE AND A PRINCESS HAVE IN COMMON?"

AND THEN IT CAME TO ME -- A TREASURE CHEST.

SO I GOT FRANKIE FILLING THIS CAKE UP

WITH VANILLA AND CHOCOLATE CAKE AND CHOCOLATE MOUSSE.

YOU KNOW, I WAS WATCHING A MOVIE LAST NIGHT.

IT WAS A PIRATE MOVIE. OH, YEAH?

IT WAS RATED "ARRR."

THAT WAS PRETTY STUPID.

[ BOTH LAUGH ]

ARRR!

ARRR! GET ON YOUR SIDE OF THE BENCH!

ARRR! ANTHONY, YOU KNOW HOW TO TALK LIKE A PIRATE?

ARRR!

ARRR, I'M GONNA MAKE YOU WALK THE PLANK!

ARRR!

OKAY, YOU KEEP ROLLING. I'LL START PUTTING.

HERE, GIVE ME THE WOOD TOOL.

Buddy: AFTER WE GOT THE SHAPE RIGHT,

THE KEY TO THIS CAKE IS THE WOOD GRAIN IN THE FINISH.

SO I'M GONNA LAY STRIPS OF FONDANT,

SCRATCH AND TEXTURE THEM, AND THEN PAINT IT

WITH, LIKE, THIS BROWN AND YELLOW COLOR,

AND IT'S GONNA LOOK AUTHENTIC.

IT'S GONNA LOOK LIKE IT'S REAL WOOD.

IT LOOKS COOL.

SO WHILE I'M DOING THAT, I'M GONNA HAVE TYNE AND MATT

SCULPT A PIRATE AND A PRINCESS OUT OF MODELING CHOCOLATE

TO PUT ON TOP OF THIS TREASURE CHEST.

DO A GOOD JOB, OR YOUR SISTER MARY'S GONNA KILL YOU.

ARRR. PIRATES ARE NOT SCARED OF NOBODY.

HEY. IS THIS MINE?

OH, IT LOOKS NICE, A TREASURE CHEST.

Buddy: MARY COMES IN, AND I'M TRYING TO IGNORE HER

BECAUSE I JUST DON'T WANT TO ARGUE WITH HER,

AND I DON'T WANT TO HEAR IT.

I'M DOING A TREASURE CHEST.

AND WHERE'S THE OTHER STUFF FOR THE CAKE?

HUH?

IT WASN'T THE MOST MATURE WAY TO ACT,

BUT I JUST DIDN'T WANT TO DEAL WITH MARY.

DO YOU HEAR THAT I'M TALKING TO YOU?

DO YOU NEED YOUR EARS CHECKED?

THIS IS, LIKE, A BIG DEAL TO ME,

AND IT'S LIKE YOU'RE NOT EVEN LISTENING TO ME.

I DON'T -- HE DON'T EVEN LISTEN TO ME.

WHY IS HE NOT EVEN LISTENING TO ME?

WHAT ARE YOU DOING?

CAN YOU LISTEN TO ME NOW?

Mary: HE DON'T EVEN LISTEN TO ME.

WHY IS HE NOT EVEN LISTENING TO ME?

Buddy: I'M IGNORING HER.

I THINK SHE'S GONNA WALK AWAY, AND THEN ALL OF A SUDDEN...

I'M TRYING TO TALK TO YOU.

THIS IS IMPORTANT TO ME,

AND I'M TRYING TO TALK TO YOU, AND YOU'RE IGNORING ME.

OKAY, I'M NOT GONNA HAVE YOU COME IN HERE

AND THROW STUFF AROUND AND WHATEVER.

YOU'RE NOT LISTENING TO ME. YOU'RE NOT LISTENING TO ME.

I AIN'T GONNA LISTEN TO YOU.

NOW GET THE HELL OUT OF HERE. GET OUT OF HERE.

I'M NOT GONNA TALK TO YOU NOW. THAT'S IT.

GET OUT OF HERE. GOOD, THEN I'M NOT TALKING TO YOU.

GET THE HELL OUT OF HERE.

PAIN IN THE ASS.

[ INDISTINCT TALKING ]

ISN'T THAT GOOD?

NOW THAT I GOT MY SISTER MARY OUT OF MY HAIR,

I CAN FOCUS ON THIS ARCH.

AND THE FIRST THING I DO -- INSTALL THE MODELING CHOCOLATE.

I'M JUST CLUMPING CHUNKS OF MODELING CHOCOLATE ON THIS ARCH.

SO I'M JUST BUILDING UP ENOUGH BULK FOR YOU TO SHAVE IT DOWN.

THE REASON WE PUT A LOT OF MODELING CHOCOLATE ON

IS BECAUSE I HAVE TO CARVE IT OUT.

LITTLE BITES.

THIS IS THE TRICK WITH CARVING.

JUST GONNA GO NICE AND EASY.

DON'T LET IT HIT ME IN THE FACE, RALPH.

NOW WE'RE GONNA TAKE SOME MODELING CHOCOLATE STRIPS

AND REALLY COVER IT SO IT'S GOT REALLY CLEAN SEAMS.

EASY. JUST GO RIGHT ON.

WE PUT THE MODELING CHOCOLATE OVER IT, SHAPE IT REAL NICE.

KNIFE.

WE TRIM OFF ANY EXCESS, AND I MEAN, IT LOOKS AWESOME.

HELLO, SKIP? YEAH, IT'S BUDDY.

NO, JERSEY CITY, NORTH BERGEN, UNION CITY --

HOBOKEN, PREFERABLY.

I'M NOT SURE OF THE EXACT SQUARE FOOTAGE YET,

BUT I WANT THIS TO BE BIG.

I WANT THIS TO BE RIGHT.

THANK YOU. HAVE A GREAT DAY.

WHAT ARE YOU DOING?

[ CHUCKLES ] WE GOT TO EXPAND.

WE NEED A BIGGER BOAT.

BUT, REALLY, NOW IS NOT THE TIME.

THEN WHEN IS A GOOD TIME?

YOU WANT ME TO START WITH THE LIST?

YOUR MOTHER JUST RETIRED.

I UNDERSTAND THAT, BUT YOU -- WANT ME TO KEEP GOING?

WE'RE STUFFED. WE GOT NOWHERE TO PUT NOTHING.

WE GOT TO SAY NO TO WORK.

WE CAN'T MAKE CAKES BECAUSE OF THIS, BECAUSE OF THAT.

FOR YEARS, I WANTED TO EXPAND OUR OPERATION.

AND WITH THE BUSINESS DOING WELL,

I FIGURE NOW'S A GREAT TIME.

THIS IS GONNA BE MY BIG MOVE.

THIS IS GONNA BE OUR NEXT THING.

SO NOW I'M GONNA BE LOOKING AT A FEW PLACES AROUND TOWN.

DON'T TELL THE GUYS.

I WANT TO SURPRISE THEM AND SHOW THEM WHAT I KNOW.

YOU GOT MY BACK, RIGHT? I GOT YOUR BACK.

I HOPE YOU KNOW WHAT YOU'RE DOING.

DON'T WORRY ABOUT IT.

BIG THINGS.

SO, IT'S TIME TO ADD SOME BLING

TO THE TWINS' TREASURE-CHEST CAKE.

MAYBE THE PEARLS.

SO I'M GONNA ADD PEARLS AND A PRINCESS

TO THE TREASURE CHEST AND MAKE IT LOOK MORE GIRLY.

WE'RE GONNA MAKE EVERYTHING LOOK LIKE

IT'S COMING OUT OF THE CHEST.

ALL RIGHT, LET'S GET A SCRAPER.

LET'S CLEAN THIS BOARD. LET'S WIPE THIS BOARD OFF.

WE'RE GONNA BUTTERCREAM IT,

AND WE'RE GONNA PUT BROWN SUGAR ON THIS WHOLE BOARD.

PAT IT,

AND THEN WE'LL THROW SOME LOOSE TO MAKE IT LOOK SANDY.

THE MORE BLING WE ADD, THE NICER THIS CAKE IS STARTING TO LOOK.

MAKE SURE THEY'RE IN THE SAND. PUSH THEM IN THE SAND.

LET'S GET A BUTTERCREAM BAG. WE GOT TO FILL ALL IN HERE.

STUFF'S GOT TO MAKE LIKE IT'S COMING OUT OF THIS.

I DON'T WANT TO SEE ANY BUTTERCREAM WHEN I'M DONE.

NOW LET'S ADD SOME COINS.

THE TREASURE CHEST WAS ALL ABOUT TREASURE.

THERE'S GOT TO BE A LOT OF BLING COMING OUT.

AND THAT'S WHAT'S GONNA MAKE THIS CAKE LOOK GREAT.

PRINCESS.

HOW MUCH TIME DO WE HAVE?

WE HAVE NO TIME.

WE'RE SUPPOSED TO BE DONE ALREADY.

ALL RIGHT, WHERE ARE THE SCULPTURES?

ALL RIGHT, ALL RIGHT. WE'RE ALMOST DONE.

I'M DONE. THIS ONE'S DONE.

IT LOOKS GOOD. MATT.

MATT STILL NEEDS A LITTLE BIT MORE TIME.

I JUST GOT TO PUT THE LITTLE ARM BANDS ON.

YOU HAD THE EASY ONE.

YOU HAD A FRIGGIN' PIRATE TO DO. HOW IS THAT EASIER?

HOW IS THAT ANY EASIER THAN A PRINCESS?

Buddy: WE PUT THE TWO MODELING CHOCOLATE FIGURES ON THE TOP.

I STEP BACK, AND THIS CAKE LOOKS GREAT.

IT'S ALL DONE. COME CHECK IT OUT.

SHIVER ME TIMBERS.

I MEAN, NOW THAT'S A TREASURE CHEST.

[ INDISTINCT TALKING ]

WE GOT TO GET THIS ST. LOUIS CAKE DOWN TO THE OVEN ROOM

SO WE CAN ASSEMBLE IT.

OKAY, WATCH YOUR HANDS. SLIDE IT IN.

ROUND, SQUARE, ROUND, SQUARE.

AND THE PLAN IS, PUT THE ARCH UP,

AND EVERYTHING WILL FALL IN AROUND THE ARCH.

WHERE'S THE PIZZERIA? THE PIZZERIA GOES ON THE CORNER.

LET'S PUT THE STREET SCENES AND STUFF.

NOW IT'S TIME FOR ALL THE DETAILS TO GO ON.

SO WE START PUTTING TREES, LAYING CARS, PUTTING ROADS DOWN.

Mauro: IT'S STUPID, BUT A SIMPLE WHITE LINE

GOING DOWN THE MIDDLE OF THE STREET

MAKES THE WHOLE CAKE JUST POP RIGHT UP.

Buddy: ALL THE LITTLE TOUCHES

THAT REALLY, REALLY MAKE THIS CAKE POP ARE THE LITTLE DETAILS.

REMEMBER, I GOT THE ROCKS

THAT ARE GONNA HIT THE SEAM OVER HERE.

ME AND JOEY PUT THE BLUE FOR THE MISSISSIPPI RIVER,

WHICH I DON'T KNOW IF IT'S REALLY BLUE, BUT WHAT THE HELL?

WE MAKE THE HUDSON BLUE.

THE MISSISSIPPI'S GOT TO BE BLUE.

BADA-BING, BADA-BOOM, THIS CAKE IS LOOKING GOOD.

ALL RIGHT, JEFF, YOU READY TO SEE ST. LOUIS? I'M READY.

ALL RIGHT. OH, MY GOD.

AMAZING.

NOW THAT'S ST. LOUIS! THAT'S ST. LOUIS, BUDDY.

WOW, YOU'VE REALLY GOT IT ALL CAPTURED.

THE ARCH WAS REAL HARD TO DO, ACTUALLY.

I HAD TO BEND A PIPE REALLY... THAT'S AMAZING.

WE STAYED WITH CITY ORDINANCE

AND WE MADE IT THE TALLEST STRUCTURE.

THE TALLEST STRUCTURE IN THE CITY.

THAT'S GREAT.

THIS IS REALLY AN INCREDIBLE WORK.

YOU ALWAYS LOVE THAT MOMENT WHEN THE CLIENT SEES THE CAKE.

JEFF LOVED IT.

NOW THE PROBLEM IS

HOW THE HELL ARE WE GONNA GET THIS THING IN THE TRUCK?

IF YOU THINK THIS THING'S GONNA MAKE IT OVER THERE

WITHOUT SOMETHING FALLING OFF, YOU'RE OUT OF YOUR BIRD.

JEFF'S GOT TO DRIVE THIS CAKE ALL THE WAY TO ST. LOUIS.

GOOD LUCK ON HIM GETTING IT THERE.

[ GROANS ] PUSH.

PUSH.

I MEAN, THIS CAKE IS A FULL SHEET OF PLYWOOD.

IT'S FOUR FEET WIDE BY EIGHT FOOT LONG,

WHICH MEANS IT'S BARELY GONNA FIT OUT THE DOOR.

KEEP SLIDING, KEEP SLIDING TILL WE HAVE TO.

OKAY, NOW GO TO DANNY. YOU GOT TO COME UN--

WATCH THE ARCH.

STOP, STOP, STOP, STOP.

LET'S GO. PUT IT DOWN.

[ GROANS ]

OH, GEEZ.

READY? ONE, TWO, THREE.

LET ME AND FRANKIE DOWN.

WATCH, REMY. CAREFUL.

OKAY, GET TO THE SIDE, REMY.

ONE, TWO, OH.

[ GROANING ]

OH, MY GOD.

ALL RIGHT, JEFF, YOU'RE ALL LOCKED AND LOADED.

IT WAS AN ABSOLUTE PLEASURE TO DO THIS FOR YOU.

NOW, LISTEN.

I'LL TAKE IT EASY. EASY WITH THE BRAKES.

EASY WITH THE TURNS. NICE AND EASY.

GOOD LUCK TO YOU, MY FRIEND.

I'LL CALL YOU FROM THE ROAD.

I'LL LET YOU KNOW HOW WE'RE DOING.

YOU GOT IT. GODSPEED.

THANK YOU, BUDDY. WHOA, WHOA.

WHOA.

Mauro: WHAT IS THIS, MARIO ANDRETTI?

ALL RIGHT, EVERYBODY, COME OVER.

I GOT AN ANNOUNCEMENT TO MAKE.

UH-OH. WHAT IS IT?

IT'S TIME TO REVEAL THE EMPLOYEE OF THE MONTH.

YOU'VE ALL WORKED SO HARD.

THE PERSON UNDERNEATH MY PICTURE IS A MODEL EMPLOYEE.

THIS PERSON WORKS HARD DAY IN AND DAY OUT,

HAS GREAT IDEAS FOR THE PLACE.

YOU KNOW, ANY TIME I NEED SOMETHING,

HE'S A PERSON WHO I GO TO VERY OFTEN.

SO WITHOUT FURTHER ADO...

...LET'S SEE WHO IT IS.

[ CHEERS AND APPLAUSE ]

LISTEN, SOMETIMES REMY ANNOYS ME, LIKE WITH THE ARCH,

TELLING ME IT'S NOT GONNA WORK.

BUT WE'RE A GREAT TEAM.

WE GO TOGETHER LIKE BREAD AND BUTTER.

REMY, YOU WORK HARD. YOU'VE ALWAYS WORKED HARD.

I'M SO PROUD OF THE WAY YOU DO THINGS HERE.

YOU ARE TOPS.

IT MEANS A LOT.

THIS IS -- FEELS GOOD.

LET'S HEAR IT FOR THE EMPLOYEE OF THE MONTH!

[ CHEERS AND APPLAUSE ]

SO, TONIGHT IS LUCIA AND JOSEPH'S BIRTHDAY PARTY.

AND I'M GONNA PUT MY FEELINGS ASIDE OF MARY RIGHT NOW

AND GO TO MY NIECE AND NEPHEW'S BIRTHDAY PARTY

AND ENJOY IT WITH MY FAMILY BECAUSE IT'S ALL ABOUT THE KIDS.

I WANT TO HAVE A GOOD TIME.

AT ALL OUR FAMILY PARTIES, EVERYBODY'S THERE,

AND EVERYBODY'S HAVING A BLAST.

THE THEME OF THE PARTY IS REALLY PIRATES,

I MEAN, SO EVERYBODY'S GONNA BE BLOWN AWAY WHEN THEY SEE THIS.

YOUR WHEELS SPIN, NOT MINE.

[ CHEERS AND APPLAUSE ]

I WHEEL THE CAKE IN WITH MAURO,

WE GET THE CAKE TO THE TABLE, AND EVERYBODY FLIPS OUT.

THE KIDS WERE SO EXCITED WITH THE CAKE.

WE WANTED TO MAKE THIS CAKE FOR LUCIA AND JOSEPH,

AND WE DID A BIG TREASURE CHEST,

BECAUSE YOU GUYS ARE A BIG TREASURE.

BUT THE ONE REACTION I'M LOOKING TO SEE FOR THIS CAKE

WAS MY SISTER MARY'S.

BUDDY, I LOVE THE CAKE.

SORRY I GAVE YOU A HARD TIME, BUT THAT'S MY JOB --

TO GIVE YOU A HARD TIME.

SHE COMES OVER AND APOLOGIZES

'CAUSE SHE KNOWS THE NEXT TIME NOT TO BOTHER ME.

DOESN'T MEAN SHE'S NOT, BUT WHAT ARE YOU GONNA DO?

WHO WANTS A PIECE OF CAKE?

[ INDISTINCT SHOUTING ]

AT THE END OF THE DAY,

I MADE A BEAUTIFUL CAKE FOR MY NIECE AND NEPHEW.

MARY LOVED IT.

AND WE'RE A HAPPY FAMILY. WHAT ARE YOU GONNA DO?

WHO MAKES THE BEST CAKE?

UNCLE BUDDY!

Buddy: AND FOR ALL YOU DOUBTERS OUT THERE

THAT DIDN'T THINK THE ST. LOUIS CAKE

WAS GONNA MAKE IT OUT THERE IN ONE PIECE,

I GOT A CALL FROM JEFF SAYING THAT THE CAKE GOT OUT THERE.

IT WAS FRIGGIN' BEAUTIFUL, AND THEY LOVED IT.

ST. LOUIS LOVES ME. MWAH!