All language subtitles for Blood.and.Treasure.S01E12.HDTV.x264-KILLERS-eng

Previously on Blood & Treasure...

REECE: The theft of Antony
wasn't even discovered

till the morning shift.
News hasn't been alerted yet.

SHAW: I missed out on my slice

of the finder's fee for Antony,

and I'll be damned if I
get cut out of Cleo, too.

All right, you can come along.

- And I...
- You won't regret it.

DANNY: It's her.

[GUNS COCK]

DANNY: You're making a huge mistake.

Cleopatra's gone.

Whoever attacked me after
looking into Zara Farouk

is getting desperate.

DANNY: Do you know
anything about who it is?

GWEN: No, but I know
this belongs to him.

DANNY: Reece gives these
to family and friends.

- That's him.
- LEXI: Yates?

Yates is more the kind to take orders

than give them. Maybe...

the real bad guy has been in front of us

all this time.

- _
- [BELL CLANGING]

That's crazy.

LEXI: Are you kidding?

Everything finally makes sense.

Have no idea what you're talking about,

yet somehow I feel like I
haven't missed anything.

We found Cleopatra.

No way.

Yes, and she was taken,
along with Antony.

- By who?
- That's what we're arguing about.

Ah, Father Chuck, hi,

- so, nice to meet you.
- Hi.

I've heard so much about you.
I'm Dr. Ana Castillo.

- I'm gonna make some coffee, okay?
- Uh, o-okay,

yeah, sure, uh, make yourself at home.

- Father.
- Agent Karlsson.

At the moment, I am acting

outside of proper channels.

Okay.

[INDISTINCT CHATTER]

- Hey, watch it.
- Who are you?

I'm Shaw. You got anything to eat?

CASTILLO: Well, I'm making
coffee over here, and

it looks like he's got
a lovely antipasto...

We having, like, a, uh, treasure
hunt meeting or something?

- Man, I am starving.
- DANNY: You know what?

- Me, too.
- He's got some candy hidden away

in the bottom drawer on the left.

FATHER CHUCK: Okay, everybody stop

what you're doing right now.

[GRUNTING]

Okay.

First of all,

- is anyone else showing up at my home?
- Nope.

I think we're all here.

I swear. I just came home for lunch.

I'm glad you're here, Chuck.

We could use someone objective

- to help us decide.
- Yeah.

Decide what?

We've known all along

that Farouk was planning
to use Antony and Cleopatra

somehow in an attack.

His crew is still out there,
and they have a bioweapon.

Some people

believe I have a blind spot

that is preventing me
from seeing the truth.

But I think we're wasting
time we could be using

looking for the real bad guys.

So we'll make our case.

You tell us who's crazy.

Only one of you is crazy?

[LAUGHS]

- Sorry.
- Right, then.

May I? I found the evidence

and I'm the actual police officer here.

Plus, your, um... pants
are covered in candy.

Ready to tag in as cocounsel if needed.

So, Fabi was running a parallel

investigation into Karim Farouk.

After he died, I obtained some evidence

and I found a check written
out to a Zara Farouk.

Huh, interesting.

I thought Karim Farouk
was a made-up name.

DANNY: The man we know as
Karim Farouk's real name

is Rasheed Hegazi.

But he may have chosen the nom De guerre

of Karim Farouk for a reason.

GWEN: I haven't been
able to find out much

about Zara Farouk, but
I know she was Egyptian

and she died of a rare mycotoxin.

So she was a tomb raider.

- How do you know?
- Mycotoxin is a mutation

of the toxic mold created
by the breaking down

of mummified tissue.

Mummy cancer?

You said that couldn't hurt me.

No, generally it doesn't in
modern times. When did she die?

1990s.

That sounds pretty damn modern to me.

GWEN: The same toxin was found

in a lab in Russia...

alongside a body...
that it'd been tested on.

DANNY: Farouk's men have weaponized it.

That's not a coincidence.

Who wrote the check to Zara Farouk?

GWEN: Well, I've been trying

to find that out.

But the bank stonewalled me.

I couldn't obtain a warrant
because the evidence was...

[INHALES SHARPLY]
You know, obtained illegally.

But the call seemed to have

sent up some sort of flare

because, uh, later I was
attacked in my apartment.

Oh, my God. Are you okay?

She's fine, but more importantly,

all the evidence was taken.

- And Gwen, badass that she is...
- Thank you.

You got it, sister.

... tracked the person who attacked her

to Rick Yates, head of
security for Jacob Reece,

proving that he's the most

likely mastermind behind Farouk.

- Objection. Fine.
- SHAW: Dude. We're not in court.

- Then I call BS.
- On which part?

All of it.

This whole theory makes no sense.

What does Reece have to gain
by supporting a terrorist?

LEXI: Uh, his family made
most its money in oil.

More instability, the price goes up.

And as a bonus, Farouk
loots blood antiquities,

which then makes its way to Reece,

who launders it through his

museum to make it all legitimate.

Makes a lot of sense.

- DANNY: It's ridiculous.
- You're ridiculous.

You know when instability
doesn't help your company?

When your own pipeline gets blown up.

The company took a
half-billion dollar hit

when Farouk attacked it.

It's not a great path to profit.

Maybe Reece lost control
of his attack dog.

And maybe you're the
one with the blind spot.

Farouk's dead, Lexi, and
now you want to redirect

your rage towards someone new because

you still blame yourself
for your father's death.

So, I'm guessing we don't
get to rule on this.

[DANNY SIGHS] I'll be,
I'll be right back.

I'm sorry.

I shouldn't have said that.

Don't you think that
if you didn't suspect

something was wrong with Reece,

you wouldn't be so defensive?

If I am right,

and Reece was behind Farouk,

maybe he's the reason Farouk

was so hard to catch all that time.

What if Farouk only needed
Antony and Cleopatra

because Reece wanted them and that theft

was just his way of
keeping them for himself?

Are you kidding? He wants
credit for finding them.

This is about legacy for him.

About being a part of history.

I do know a group that
wants Antony and Cleopatra

and doesn't want anyone
to know where they are.

Who, the Brotherhood of Serapis?

- And how do they work?
- Oh, here we go.

They place agents, people like Fabi,

into organizations to manipulate them

from behind the scenes.

Now, I don't doubt that Yates

was behind the attack on Gwen.

I just think he works
for the Brotherhood.

- Oh, come on.
- What?

Why is that crazier than Reece

being a terrorist mastermind?

- [EXHALES]
- You don't think the Brotherhood's

gonna keep tabs on everybody

who has the interest and
means of finding Cleopatra?

Now they can frame Reece
for the disappearance.

To stay a secret society
for thousands of years,

you get real good at finding

people to take the fall for you.

I know who the bad guy is.

It's Reece.

Everything runs through Reece.

You're just too blind to see it.

Lexi, you're wrong.
I know it in my heart.

And while we're fighting each
other, we're losing time.

What kind of relationship do
we have if you can't trust me?

I could ask you the same thing.

Look...

You do things your way
and I'll do it mine.

Good luck with your way.

- Synced and corrected by medvidecek007 -
- www.addic7ed.com -

- _
- [PHONE BUZZING]

- Hello.
- DANNY: Simon.

This is Danny McNamara.

Uh,

- it's usually Lexi who calls me.
- Yeah.

Yeah, I wanted you
all to myself this time.

Right.

Hey, have you found anything yet?

From the bug you have inside Serapis?

Any indication of where

they've taken Antony and Cleopatra?

No. No, I'm afraid not.

I've been plowing through the audio.

Uh, it's just mostly

hours and hours of silence.

Which, I suppose, isn't surprising,

uh, given that the bug's in a crypt.

Okay, well, please let me know
the moment you hear anything.

Yeah, uh, Danny.

I'm still in Rome.

I-I don't know if you, uh, needed a hand

in your adventures or...

I think we'll be fine. Thanks.

Hello?

He...

- Where are you going?
- Egypt.

- To see Sharif Ghazal.
- From the Cultural Ministry?

Oh, that. That's his cover job.
He's actually in intelligence.

And we thought he was
working for Farouk.

That file Fabi was working on is

one I took from Ghazal's safe.

So you're gonna go to Ghazal,
you're gonna talk to him

and find out who he really works for?

Talk, hang him out a window

by a lamp cord, whatever works.

I will come with you.

Thanks but no thanks.

Lexi, we are on the...

[CLEARS THROAT] Same side.

I also think that Reece is responsible

and I can help you prove it.

Huh.

Team Lexi and Gwen?

If that is the order you prefer.

All right. I can work with that.

[DOOR OPENS AND CLOSES]

[TOILET FLUSHING]

Wh-Where did all the ladies go?

- Egypt.
- Aw, man.

I wasn't in there that long.

Yo, man, the ladies just teamed up.

Now we got to do our thing.

I have no idea what
you're talking about.

You think the Brotherhood
is behind this.

Let's find out where they
took Antony and Cleopatra.

You and me.

Simon Hardwick put a bug in Serapis

to keep tabs on their hunt
for Antony and Cleopatra.

He's been going through
the recordings to see

if he can find out
where they were taken.

Okay. That's a good plan. But...

If Yates works for them,

don't you want to know what he's up to?

I got eyes in every country.

I can track him down for you.

Maybe he leads us right
to the proof we need.

That's...

That's actually a good idea.

Okay.

Predator handshake.

Let's do this.

- _
- LEXI: So, the last time I was here,

I did a bump-lift to
take someone's badge

and used it to get into the building.

But Ghazal's office
is a little trickier.

The door's secure, but
there's a glass divider

above his door that's unlocked,

- and I was able to get in...
- How about I use this?

LEXI: Okay, I have to say,

being on this side of law enforcement

definitely has its advantages.

So Ghazal hasn't come back yet?

Not today, ma'am.

Is he, uh, ever late?

Not since I've worked here. Eight years.

Can you give us a moment?

GWEN: Interpol business.
It's classified.

I'll get my superior.

Oh...

Bloody fantastic.

Either Ghazal is on the run

or he's already dead.

How can you be sure?

Someone cleaned out the safe.

Or maybe he knows Reece are cutting

loose threads and disappeared.

Or he didn't, and Reece disappeared him.

Oh.

Someone took the hard drive.

Not looking good for Ghazal.

I'll find out where he lives.

_

MAJOR REECE: We've
already laid 400 miles

of pipeline without a single fatality.

Look, we both know that
this is a shakedown.

Just tell me what it's gonna cost me.

Jacob, I'm on the phone,
you know better than that.

I'm sorry, sir.

Fine. Do it.

Just don't pay from the
Reece Corporate account.

[HANGS UP PHONE]

What are you doing over
there, Jacob, making a mess?

What is this?

Well, how about that?

That, my boy, is Cleopatra,

the last queen of Egypt.

That's me when I was in the army.

We'd captured this German officer...

Krug was his name.

You see, Cleopatra's been
lost for a very long time,

but Krug told me he knew where she was.

- So you found her?
- Nope.

But this picture,

it lit a fire in me.

Suddenly, finding Cleopatra

was the most important
thing in the world.

So I went looking for her.

If she's out there somewhere,

this lady doesn't want to be found.

_

[GRUNTING]

[GRUNTS]

You shouldn't be down there.

[CHUCKLES] You speak English.

Did you not see the signs back there?

Uh, yeah, yeah, I saw the signs, but...

But you thought they
did not apply to you?

Look, you mind chastising me
after you help me up?

[GRUNTING]

You must be my guardian angel.

[CHUCKLES]

What were you doing down there?

Uh, exploring.

I'm a student backpacking around.

You are Jacob Reece III.

[CHUCKLES]

You know who I am?

The Chalice of the Ptolemies

you're looking for is long gone,

taken by grave robbers like you.

[LAUGHS] Now hold on a minute.

I'm not a grave robber.

Okay? It belongs in a museum
for the whole world to see.

[SCOFFS]

Okay, look.

How about this?

[BOTH SIGH]

I need a guide and interpreter,

clearly.

I'll pay you three times

what you're making right now,

and when I find what I'm looking for,

you'll be right there to
make sure I keep my word.

Save your money.

I know you're trying to find
Antony and Cleopatra.

They are long gone as well.

Well, if you're right,

then you stand to make a lot

of money while we keep looking.

[SIGHS]

I'm Zara. Zara Farouk.

It's very nice to meet you, Zara.

Nice to met you, Jay.

_

FATHER CHUCK: My friends in
the Vatican Foreign Ministry

are figuring out who Zara Farouk was.

Somebody has done a very good job

of removing almost any
trace of her existence.

Almost any trace?

They found the same thing that Gwen did:

her name on a hospital register

from when she checked herself
in with the mummy cancer.

Oh, for God's sakes, is that
what we're calling it now?

It's just easier to remember.

Anyway, when she died,

an imam was requested.

That's the last info we have on her.

Now, I know it's a shot in

the dark, but some mosques

use handwritten records.

That'd be pretty easy for anyone

trying to clean up a
paper trail to miss.

Well, it makes sense that she would

go to a hospital near where she lives.

Gives you an area to search in.

Exactly. Now, I have
an imam friend in Egypt

who is looking into it.

He's gonna figure out
which mosque she went to,

and then he's gonna send
us whatever he finds.

What'd you find out?

Well, I've been reading
up about the body

that was found in the lab.

He was a scientist who
apparently worked for Farouk.

He died from the same
symptoms that Zara did,

only massively accelerated.

So what killed her in months,
killed him in minutes.

Yeesh.

That is grim.

Yeah.

I'm just trying to figure
out why all the effort

into weaponizing something

when there are far greater
toxins already out there?

Yeah. It seems like Farouk
didn't just want to kill people,

he wanted to make sure that
they suffered like she did.

Yeah, well, whoever we're dealing with

is some kind of awful,

so I would tell your friend
in Egypt to be careful.

_

SHAW: So my guy tracked Yates
from the airport to here.

- This is Yates' place?
- Didn't say.

How long ago did he get here?

Didn't say.

Did he come directly to this
house or make any stops?

Didn't say?

I told my man that Yates is a

professional and to keep his distance.

Didn't have much time
to dig into things.

Okay, but you're sure we're not watching

an empty house right now?

Man, Yates went in there
and hasn't come out yet.

Okay.

So, um, you and Lexi
broken up again, or...?

No.

Good, good.

I wasn't trying to move in
on your territory or nothing.

I was just checking in
on the team morale.

Team morale's fine.

We all want the same thing.

Money.

To stop a terrorist attack.

Oh, yeah, of course, but, you know...

I mean, heroes got to eat, right?

[CHUCKLES]

Where are they going?

You said they went to question Ghazal.

Guess now we know whose house this is.

[DOG BARKING IN DISTANCE]

Come on.

[WHISTLES]

What are you doing here?

We're following Yates.

LEXI: Yates?

Well, if Yates came to Ghazal's house,

then Ghazal is definitely dead.

Oh, for sure, yeah.

Office was cleared out.

- [ENGINE STARTS]
- Yates is cleaning up.

It's Yates.

Yates!

LEXI: Danny! Danny!

Danny!

Yates!

[GRUNTING]

Buckle up.

[TIRES SCREECHING]

[SHAW WHOOPS]

[WHOOPS]

[WOMAN SHOUTS]

[CAR HORN HONKS]

Hold up, hold up, you
going the wrong way.

Oh, shut up, Shaw! She's concentrating.

You do know where we're going, right?

[SPUTTERS]

Hi.

[GROANING]

[CAR HORN HONKS]

[TIRES SCREECH]

No!

Yates! No, no, no, no,
no, no, no, no, no.

Who are you working for?

- LEXI: Danny.
- Aah!

_

Why do you have to go back?

[SIGHS] It's been noticed
that I haven't actually been

spending a lot of time at the company.

I knew you would leave one day.

[SCOFFS]

This was always just play for you.

Zara, I...

You can come to New York with me.

You think your father would like that?

Wait, does he even know about us?

No.

But he can't tell me what to do.

You said he threatened to cut
you off if you didn't return.

O-Okay, maybe he can right now, but...

Look, it's not gonna be long
before I'm running the company

and no one can stop us
from being together.

- _
- [SPEAKING INDISTINCTLY]

SHAW: Should I go talk to him?

I think he needs someone right now.

My man's hurting. Him and
Yates went back a long way.

Yes, yes, I know, Shaw.

I'm the one who's in a
relationship with him.

I'm giving him some space.

I'm just saying, if you want
to stay in that relationship,

communication is key.

And I'm just saying: silence.

So Ghazal's body was found inside.

It was meant to look like a suicide.

And given his connections
in the Egyptian intelligence,

I wouldn't expect much
cooperation from there, either.

[SIGHS]

Naturally.

But I found this cell phone.

- Belonged to Yates.
- Agent Karlsson.

Taking evidence from a crime scene?

I can't be a part of this.

What...?

I'm kidding, I can
totally be a part of this.

- [CHUCKLES SOFTLY]
- So you're gonna have Interpol

track where he's been,
retrace his steps?

Yeah. Exactly.

- [CLEARS THROAT]
- Well, since we're all admitting

to stealing evidence
from the crime scene,

I grabbed this from the
bag he was carrying.

Thought it might be useful.

The hard drive

from Ghazal's office.

Not bad.

- Just doing my part.
- Okay.

I am going to finish up
here and have Interpol

trace the last location
Yates used his phone.

Thanks, Gwen.

Cell records show he was here
before he went to Ghazal's.

This must be Yates's safe house.

- Nice work, tiger.
- And voilà.

Not much of a safe house.

Unless he was trying to save the '70s.

Gwen's Intel says he's
been back and forth

to this place twice since he's arrived.

Thought your guy was
following him the whole time.

Like I said, I told him to
be careful not to get caught.

[LAUGHS] And being
careful not to get caught

means he lost track of
Yates multiple times?

Why is everybody coming for me?

LEXI: And we still
don't know if Yates was

working for Reece or the Brotherhood.

SHAW: Hey, we'll find something.

Lex?

Those paintings my dad stole

in the Fensgate Museum heist...

One of them was never recovered.

- You remember which?
- Oh, my God.

The Death of Cleopatra.

Yates didn't work for Reece back then.

This is Reece's apartment.

He's the one behind the heist
that sent my father to prison.

_

[CLOCK CHIMING]

Mr. Reece?

Midge, you can call me Jay. My dad is...

[CLEARS THROAT]

I guess I am Mr. Reece now.

Uh, okay. Is that more
stuff for me to sign?

And, um...

I thought you should also have these.

What are they?

From Egypt,

over the past year.

Why did I never get these?

Your father didn't want you throwing

your whole future away because of her,

but I couldn't bear throwing them out.

It's your company now.

You can decide what to do with them.

The most recent is on top.

If you need me, I'm right outside.

Midge?

Yes, Mr. Reece?

I need you to write a check,
and not from my account

and not from the corporation.
Do you understand?

Yes, sir. I'll contact Mr. Roberge.

He handled many things

for your father, discreetly.

_

DANNY: Now, Reece had my father

steal those other paintings

to cover up the theft of this one.

You were right.

If Reece is behind the heist,

he could be behind Farouk, too.

I keep replaying my
whole life in my head.

I mean, Reece is behind the scholarships

I got to college and law school.

His contacts got me into the FBI

despite having a felon as a father.

My whole life, everything that I am,

is a lie.

A payoff for my father's silence.

Daniel...

You're a good man.

Despite your father, despite Reece,

that's who you are.

You mind if I just have a minute?

Yeah, of course.

- Of course.
- [PHONE BUZZING]

- LEXI: Hello.
- [SIGHS]

It's Simon Hardwick.

Yeah, yeah, okay, hold on.

Simon found something on the bug

he had in the Serapis crypt.

Go ahead, Simon.

HARDWICK: I think I know where
Antony and Cleopatra are.

Alessandro LaLande's family has

been in banking for generations

and also, apparently, the Brotherhood.

From what I can gather,
Antony and Cleopatra

are being held in a vault in

the Banque Saint Laurent in Paris.

[SIGHS]

Good work.

Yeah, well, better move quick.

You've got less than 24 hours.

I think they're being
transported tomorrow.

Where?

That part I can't make out

because of some interference...

You know, I'm gonna send you
the file, and maybe you can.

LEXI: Okay, yeah. We'll call you back.

- Right. Uh...
- [CLICK, BEEP]

Uh...

So you were right.

The Brotherhood did have
Antony and Cleopatra.

And you were right that I had
a blind spot about Reece.

SHAW: You know, it's a
sign of a good relationship

that you both can
accept the middle ground

rather than trying to win the argument.

[PHONE BUZZING]

[CRACKLING OVER RECORDING]

MAN [OVER RECORDING]: Low profile.

We don't want to draw attention.

After the bank closes tomorrow night,

we'll transfer them by truck.

There's some kind of interference.

You know, I was on an investigation once

where we had a recording
device in an office.

We heard the same kind of interference.

When we tried to play
it back, it turned out

another agency was also bugging it.

Two bugs in the same room

transmitting on a similar frequency.

- Exactly.
- So who's the other bug from?

BOTH: Farouk.

If his crew knows

where the Brotherhood is
taking Antony and Cleopatra,

they'll, they'll hit them on the road.

Just like they did the convoy

of Egyptian relics in Geneva.

We got to beat them to it.

We need to rob that bank.

_

SHAW [COCKNEY ACCENT]: Hands up, mate!

Don't you move. Don't be a hero today.

LEXI [COCKNEY ACCENT]: Everybody
out from behind the counter!

- [PEOPLE SCREAMING]
- Get on the ground!

SHAW: We're not here to
hurt anybody in the bank.

All we want is what's in the vault.

You heard him. We haven't got all day.

Keys to the vault.

[CRIES]

You also need the combination to get

you into the vault, and I don't have it.

If you're looking for something

untraceable, I can give you all the cash

and the gold that you can carry.

I just don't want any trouble.

Well, that's too bad, isn't it?

- 'Cause the vault is what we want.
- DANNY: Oi!

[AUSTRALIAN ACCENT]: You don't
know who you're messing with.

This ain't worth dying over... mate.

Give me the combination.

I can't.

You'll need to shoot me.

[PEOPLE WHIMPERING]

LEXI: Okay, we're gonna
do this the hard way.

Cuff him to the table.

Response time's about eight minutes.

- Starting the clock.
- Move!

- Let's go.
- Get down.

Let's go, let's go, let's go!

[REGULAR ACCENT]:
I thought we all agreed,

cockney bank robber accents.

Yeah, that was pure Statham.

- I don't even know what that means.
- Just...

Focus.

[EXHALES]: Okay.

Wasn't sure what kind of
vault we'd be up against,

so I brought options.

[SIRENS WAILING]

[TIRES SCREECH]

♪ ♪

SHAW: Hey, guys, we got cops outside.

Damn it, that was fast.

Okay, you keep at it. I'll go up.

What's going on?

Well, they must have heard the gunshot.

Nobody in here had
time to push a button.

Did you?!

Oh, oh, no, no, no, no,
no, no need for that.

We're all good here.
You're going to be fine.

[PHONE RINGING]

Make no attempt to enter the bank,

or I will murder everyone in here.

[CRIES]

[SHUSHES] No, no, no, no,

we're not really going to kill anybody.

We have demands.

Are you ready?

I want a 747 waiting at De Gaulle,

fully fueled with a crew on standby,

as well as a helicopter
to take us there.

And a monster truck.

That's a truck with really big wheels.

You have one hour.

- A monster truck?
- A monster truck.

[DRILL WHIRRING]

All right.

[PANTING]

Yeah.

[GRUNTING]

[CHUCKLES]

SHAW: Um, guys?

I don't think they bothered
with that monster truck.

Holy crap.

[WOMAN SCREAMS]

[OFFICER SPEAKING FRENCH]

_

[SPEAKS FRENCH]

Huh?

They're downstairs.

[FOOTFALLS APPROACHING]

♪ ♪

_

_

_

_

Well, how about that?

So, the robbers

just accidentally discovered
Antony and Cleopatra

while they were trying
to break into the vault?

Yeah, it appears so.

They escaped in the chaos.

The bank manager...
he disappeared as well.

The police cruiser taking him

to the station never arrived,

so no one knows or can
explain how they got here.

- [CHUCKLES]
- LEXI: Reece,

this is Simon Hardwick.

He's the one who spotted the robbers

and alerted the authorities.

Without him, Antony and Cleopatra

- might have never been recovered.
- Oh...

HARDWICK: Mr. Reece, it means
the world to finally meet you.

Funny enough, I'm also in
the antique-dealing business.

Thank you so much, Mr. Warwick.

I insist that you accompany us

for the public unveiling.

I'll have my secretary contact you.

She'll make all the arrangements.

Uh, well, thank you.

- Uh, that's a great honor.
- Danny,

can you believe this?

Lot of things I can't believe today.

Can you and I talk?

Yeah. Excuse me.

[DANNY SIGHS]

Um... [CHUCKLES] Kid,
you're making me nervous.

- What's up, somebody die?
- Yeah.

Rick Yates.

- What?
- In Egypt.

After shooting at me and Lexi.

Wait, I don't understand.

He stole evidence related
to the Farouk investigation.

I have no idea about any of that.

You can't think I was somehow
in league with Farouk.

Yates was a traitor.

You know, I-I honestly... I don't know

what to think anymore.

Danny, Farouk blew up
one of my pipelines.

My company had an office in

the tower that Farouk hit in Malaysia.

The man has been at war
with my company for years.

Yates was working out of
your apartment in Egypt.

- My apartment...
- Stop it, Jay.

The Death of Cleopatra
painting, I found it.

I know you're behind the
Fensgate Museum heist.

Only thing I don't know is
what else you're guilty of.

[CHUCKLES]

Do you know that for decades

I have dreaded...

Probably on some level

hoped for this moment?

The Fensgate Museum heist...

... was the biggest mistake I ever made.

I was told

that it would be easy.

No one would get hurt.

I just wanted one painting.

Why was it so important to you?

Belonged to my father.

You know, he rescued that painting

during the Second World War.

Then, decades later,

somebody shows up

out of nowhere and says it's theirs.

And I don't even fight it.
I just give it to them.

Then they turn around
and sell it to the Fensgate.

That painting would have been destroyed

if it hadn't been for my father.

In my heart, it was his.

Mine.

And so I took it.

You had my dad take it.

No, I have never forgiven myself

for what happened to your father.

To you.

That's why I've done
everything I could for you.

Don't-don't lie to me, Jay.

You did it to buy my father's silence.

At the beginning, yes, that's true.

But I am not lying to you

when I say that I have
loved you like a son.

You know I have two
ex-wives, three daughters.

None of them speak to me.

Danny, you're the only thing in my life

that I am truly proud of.

Look, we...

Egypt has suffered a tragedy.

We can bring healing to this country.

We can bring the world together.

And that's what this has been all about.

Look, once this is all over...

... I will confess...

My part of what happened
at the Fensgate.

I will return the painting.

I would only ask that you be my lawyer.

I don't think I can do that.

But I will walk with you into the FBI

and make sure it all gets done.

I'll give you a couple days
to make your arrangements.

Un pacco per Charles Donnelly.

Firmo lo. Grazie.

Prego.

- Ciao.
- Ciao.

[KNOCK ON DOOR]

Come in, come in.

Look at these pictures.

We're building a replica of the tomb,

and a brand-new wing
in my museum in Egypt.

Making it a rush job,
but the anniversary

of Cleopatra's death is coming.

It's costing me a fortune,
but what better way

to unveil her to the world?

It's amazing, Jay.

You need to cancel it.

What? Absolutely not.

I've got people working around the clock

ever since we discovered Antony.

Farouk is going to attack it.

- Farouk is dead.
- Then his men will attack it.

A check was found made to a Zara Farouk.

We didn't know who she was
until we looked into it.

This is a...

Record from a mosque in Egypt.

It is a certificate from a Sebou,

which is an Egyptian
custom that celebrates

the seventh day of a baby's birth.

On it, it lists Karim Farouk's

mother as Zara Farouk,

and also his father.

- [POURING DRINK]
- Jay, did you know

that you were Karim Farouk's father?

I've known for years.

I was young, I met a girl...

Oh, I know how babies are made, Jay.

I don't care that you fathered someone

who became a terrorist.

I mean, you had no idea.

You couldn't help what he would become.

That's not how the
world would see it, Ana.

Everything I've ever worked for

would be destroyed forever.

Farouk weaponized a
toxin that killed Zara.

This is obviously very personal to him.

And the people who followed him,

they're gonna use this unveiling

to kill you and so many more people.

I am tired of living,
looking over my shoulder.

Perhaps I can get rid of all of them

- once and for all.
- You know what?

I thought that I could come here today

to reason with you, but...

If I can't do that, then...

[GASPING]

... I'm gonna have to go to
the authorities. [GASPING]

I know, I know, I know,
I know, come here.

Come and sit down. Sit down.

- Sit down.
- [GASPING]

Ana, why did you always
have to be so smart?

I was afraid it would come to this.

But you have...

Helped me sever the one tie I have

to that maniac.

Maybe you're the last
person who has to die

in the name of Karim Farouk.

- Synced and corrected by medvidecek007 -
- www.addic7ed.com -