All language subtitles for The Good Ship Murder s03e02 Cannes.eng

Morning.

Jamil... friend, brother, soulmate.

Are you feeling OK?

I'm the king of the world!

Piers.

Jack.

After you.

No. After you.
PIERS CHUCKLES

Please.

I insist.

- I insist.
- CHUCKLES

Early bird gets the muffin.
Thank you very much.

- TANNOY CHIMES
- 'A reminder for passengers...'

READS OUT TITLE

Bless you.

Oh.
JACK CHUCKLES

How is anyone meant to remember
a title like that,

let alone be able to pronounce it?

I heard we've got the director
and the star on board.

Yeah, they joined us last night.

So, what's the film about?

Well, judging by the poster,
I'd say it was a weepie.

Definitely one for date night.

- TANNOY:
- 'A reminder for all passengers...'

HE HUMS TUNEFULLY

Wakey, wakey, rise and shine.

And welcome to another day
in paradise.

What time is it?

It's breakfast time.
HE CHUCKLES

Oh!

- Wow. Brownie points.
- Mm-hm.

Seeing as we've docked in Cannes,
how do you fancy seeing a film?

Yes, that's exactly
what they'd want.

Two nobodies mingling
with the stars (!)

- That sounds like a challenge.
- Ha!

- Look, if you can pull that off...
- Go on.

..then there will be

a very special, intimate treat
for you later.

# I'm going on an adventure

# And I got a feeling
The sun's gonna shine

# Shine
The sun's gonna shine

# I'm in love with the ocean

# And I got a feeling
I'm sailing tonight

# Tonight
I'm sailing tonight

# It's because of you
That I'll always remember

# I'm going on an adventure
With you on my mind

# I'm going on an adventure

# With you on my mind. #

Right this way, Mrs Merryweather.
Your usual table?

Piers, I have told you
a million times, it's Carol.

C for Cabaret,
A for Annie, R for Ragtime,

O for Oliver,
L for Lorelei and E for...

Oh, come on, it's the one
I won the big award for.

Elvis.

# Evita! #
JACK LAUGHS

How's Mrs M this morning?

All the better for seeing you, Jack.

But I did have some terrible news
last night.

I'm sorry to hear that.
Anything I can help with?

Well, I should hope so.

All the tickets are gone
for your next show.

Oh!

You'll just have to come up
on stage with me, then.

- SHE LAUGHS
- Oh, don't tempt me!

Once these pins get going,
I will be high-kicking till dawn.

Well, don't worry.
I'll make sure you get a seat.

Oh, could you make it two?

- I might meet a fella.
- THEY CHUCKLE

That was a joke, Chip.
Just in case you're looking down.

Maybe Piers could accompany you.

I'd need to check. I'll probably
be needed on the bridge.

That's a yes, then.

Sounds like
you've got yourself a date.

- Wonderful.
- JACK CHUCKLES

Now, if you'll excuse me,
I need to see a man about a film.

Enjoy.

I do like a man in uniform.

And Herr Altmann is just through
there for you, Miss McQuinn.

All right, Chuckles.

I've got eyes.
I don't need a guide.

Actually, my name's Colin.

Yeah, but you look like a Chuckles.

When you said
we'd be arriving by boat,

I was expecting a luxury yacht.

- ALTMANN:
- Oh, that's all I need.

- COLIN:
- Can I get you a drink, Herr Altmann?

Er...

Give me a schnapps.

A bottle. Now.

That was my agent.

Erin Daniels is coming
to my screening.

- Erin Daniels is in Cannes?
- HE GROANS

Of all the film critics
I DIDN'T want showing up,

it had to be her.

She HATES my films!

Chillax! I'll deal with her.

KNOCKING
Mr Altmann.

I'm Jack Grayling,
the ship's resident star turn.

- SHE CHUCKLES
- Until I came aboard.

I'll get to the point.
I'm after two tickets for your film.

You've got some front.

And Blackpool want it back.

I'll swap you
front-row seats for my show

with all the schnapps you can drink.

Deal?

Schnapps is good.

- ALTMANN SIGHS
- No-one will be coming anyway.

TANNOY CHIMES

'Good afternoon,
and the stars are out.

'And by stars,
I mean the stars of cinema.

'So welcome to Cannes,
the land of cellulite dreams.

'I mean... celluloid.'

Exemplary docking, Kate.

Worthy of one of Marlowe's
gold stars.

PHONE CHIMES,
SHE CHUCKLES

- SHE GASPS
- What?

Jack has managed to get us tickets
to a film premiere.

- Wow. Hm!
- Ha!

Oh, it's this afternoon.

SHE CHUCKLES

Hey, er, why not take
the rest of the day off?

- Go enjoy yourselves.
- Are you sure?

Genieten van het leven.

You deserve it.

Piers, thank you. Thank you so much.

HUMMING TUNEFULLY,
DOOR CLOSES

Ah! Miss McQueen.

I need to get changed, so bog off.

Er, yes.

Well, I hope you have
a great screening.

Must be very exciting.

Sorry.

I was waiting tables
this time two years ago.

I should know better.

It's fine.

What do you think of this one?

- Or should I try them all on?
- HE CHUCKLES

Like in Pretty Woman.

I love that film.
What's that line she says?

Oh... there's so many.

I quite like,
"Well, you can colour me happy."

THEY LAUGH

- That's so...
- DOOR OPENS

You should be changed by now!

You can't just waltz in here.

I will waltz,
I will jitterbug, I will bolero.

Now find a dress and get a move on.

I'll join you
when I'm good and ready.

No-one holds up my screening.

Steady, Werner.
Remember who you're talking to.

Now run along and wait
like a good boy should.

Du kannst von Gluck sagen, dass ich
dich nicht mit den Kleidern erwurge.

What did he say?

Er, that you look amazing
in whatever you wear.

THEY CHUCKLE,
TANNOY CHIMES

'A reminder to all passengers
that this evening is...'

JACK: Smile.

I could get used to this.

I could too.

- You've never looked more beautiful.
- Jack.

I was thinking,

isn't it time we made
my staying over in your cabin

a bit more... permanent?

Official?

Sir.

Move along, s'il vous plait,
move along. Move along.

- There goes our five seconds of fame.
- HE CHUCKLES

- Sorry. Sorry.
- So sorry. Excuse me.

Thank you.

THEY CHATTER

I feel a little bit overdressed,
Jack.

They don't even have any popcorn.

- Oh.
- Oh.

You can always tell financiers
from the grease in their palm.

Though, to be fair, that one has
a lot riding on my film.

Werner Altmann.
I don't believe we've met.

Er, First Officer Kate Woods.
Thank you so much for the tickets.

Oh, my pleasure.

Maybe we could talk
after the screening over a drink.

Wolken Verschmelzen Sehen.

That is a great title.

- You even speak German.
- HE CHUCKLES

You truly are a dream come true.

She truly is.
But sadly, she's taken.

SHE CHUCKLES SOFTLY

Er... Erin.

I heard you were coming to Cannes.

How wunderbar.

You're gonna wish
I'd come to top up my tan.

Saw an early screening of your film.

Mimi's performance is more wooden
than Noah's Ark.

Your film's gonna die quicker
than a bonfire in a blizzard.

- GLASS SMASHES
- Mimi! Please, I just wanna talk.

Whoa, whoa.
Easy there, easy now, easy now.

Get back to the hotel
and stay there.

- I need to see Mimi.
- Do it, Lucien.

Please excuse my son.

Just so you know,

you are gonna give Werner's film
a five-star review.

Over my dead body.

- I have a reputation...
- I'm not gonna tell you twice.

OPERA MUSIC PLAYS

'Am I a cloud, alone?

'Cotton drifting
through time and place.

'Choked with rain.

'Or is it tears?'

- When is something going to happen?
- Shh.

If she's not talking about
the clouds, she's staring at 'em.

SHE CHUCKLES

There. See?

Even the star of the film's bored.

JACK YAWNS

DOOR OPENS

'To wander for eternity...

'..across an endless
grey-blue sky...

'..until another
lonely cloud appears

'and reaches across the firmament
towards me.'

This is really bad.

I'm gonna go and freshen up.

- Oh, get us a beer.
- Mm-hm.

HE SIGHS

MUFFLED VOICES

GASPS

CAMERAS CLICK

Un peu de respect, s'il vous plait.
Un peu de respect.

- Are you OK?
- Yeah, I'm fine.

- Are you sure?
- I'm sure.

Did they find anything?

SOCO think the Champagne glass
is the murder weapon.

But there are no fingerprints.
Must have been wiped clean.

So do you think someone left
the screening and followed her?

Possibly.

Or they were out here,
waiting for her in the foyer.

I'll check the CCTV.

- Tell me this isn't true.
- Werner, I'm so sorry.

I was waiting outside on the street.

When I didn't hear any applause,

I thought it was
because people hated my film.

So this... this feels so very...

..bittersweet.

Yeah.

You all right?

I liked Mimi.

She was nice underneath it all.

Made it all the way from a waitress
to superstardom.

Speaking of superstardom,

has Colin told you about
the trainee post for the ents team?

- Why would he do that?
- Because it's your dream, Jamil.

Maybe once.

But I was just an elf
last Christmas.

I don't think it's the life for me.

He's not looking for an elf, is he?

Come on, this is your moment. Yeah?

Thank you for thinking of me,
Frankie, but...

..I think that ship has sailed.

SHE SIGHS

So much for the CCTV
covering the lobby.

Blind spots everywhere.

Well, let's think about
who's still in the frame.

Other than just about everyone
who was at the screening, you mean.

We just need to narrow it down.
Who had a motive?

I'll kick things off with Werner.

A director who went for a wander

instead of watching
his own masterpiece.

A bit convenient, but why kill Mimi?

Well, according to Erin Daniels,
her performance was so bad,

it was going to turn Werner's film
into a box office disaster.

Then why cast her
in the first place?

He'd have known she wasn't great.

I'm gonna offer up Lucien,
Erin's son.

Now, there's a stalker.

He was escorted out of the cinema.

He could easily have snuck back in.

We should check out the hotel
he's been staying at,

see if they remember him
coming back.

DOOR OPENS

Can't you two go anywhere
without someone getting murdered?

Seemingly not.

It's unfair.

Two years ago, Mimi was a nobody.

And the minute she becomes
a somebody, her dreams die with her.

I hope you lock him up.

Lock who up?

The director.

He threatened Mimi
right in front of me.

When you say "threatened",
what did he say?

Well, at least I think
he threatened her.

My German's not so good.

Well, can you remember any of it?

It was the way he said it. You know?

He didn't like Mimi
calling the shots.

You could see it in his eyes.

Didn't expect to see you
back on the ship.

The police let me go
the minute they established

I wasn't in the cinema
when Mimi was killed.

To the only person
who was more wooden alive

than she is in death.

I've heard nicer tributes.

If she was such a bad actress,
why did you cast her?

Oh, the cameras loved her.
She was gorgeous.

So that's all it took?

It's a rare quality,
and one that only the stars possess.

How well did you know Mimi?

Look, I've told all of this
to the police.

So you really walked around
for an hour and a half

while your film was playing,

and you didn't go back
into the cinema at any point?

My film took months to conceive,
to create, to edit.

It's my piece de resistance.

I was more than happy
to spend another 90 minutes

waiting for my applause.

Presumably,
you would have been recognised.

Did you sign any autographs
or anything?

I'm not fond of these questions.

Last one.

Don't suppose you saw Lucien Daniels
hanging around outside?

He was a little too fond of Mimi.

Of course he was.

He and Mimi were engaged.

He melted like winter slush
when she broke it off.

CHUCKLES

That's four concierges
we've spoken to.

There's got to be an easier way
of finding someone.

Well, anyone who's anyone in Cannes
stays in one of these hotels.

See? What did I tell you?

It's all about the shoe leather.

Lucien.
We met yesterday at the premiere.

Don't remember much about it.

Do you know where your mother is?

She's in the bar.

Rewriting her review.

Do you mind if I ask you
a few questions?

Yes, I do.

I know you're in shock,

but I want to find
who did this to Mimi.

And I'm sure you do too.

- She was the love of my life.
- I get that, Lucien.

But I've got half a picture
of what happened,

and I need help filling in
the other half.

I know you were there at the time.

I wasn't.

Surely, you remember my mum
ordering me back here

like I was a five-year-old?

Did anyone see you
come back to the hotel?

Not a clue.

Went straight to my room
and drank myself stupid.

If you've ever wondered

what passing a kidney stone
feels like,

try sitting through
Werner Altmann's latest mess.

Note to Werner -
we're over your oeuvre.

ERIN CHUCKLES

Hi, Kate Woods.
We met at the screening.

I've wondered if you had a minute.

Take a wild guess.

I know that Mimi
really hurt your son.

That little harlot was a player.

She played both of us.

Probably the only convincing bit
of acting she ever did.

My son was obsessed with her.

That must have been
really difficult for you.

Well, the good news is Mimi's gone,
so now Lucien can move on.

Well, it looks like
everything worked out perfectly.

Are we done?

Only, Werner's film's the most
talked-about thing in Cannes,

and my editors
are chomping at the bit

to hear what I've got to say.

Well, I suppose you could say
whatever you like

now that Mimi's dead.

SIGHS

What does that mean?

I noticed the warning she gave you.

Look...

If you're looking to find out
who did this, my money's on Werner.

People'll flock to his film now,
won't they?

A dead starlet.

Money can't buy
that kind of notoriety.

Can't believe
I'll never see Mimi again.

So it was a long-term relationship?

Two years.

I met her at a film launch.

As usual,
my mother had dragged me along

while she marched around,
putting the fear of God into people.

Eventually,
I slipped out to nearest bar.

- Mimi was serving, and...
- You got talking.

Amazingly enough,
we became inseparable.

She came everywhere
with me and Mum - skiing in Vermont,

holiday in Mustique,
dining at the best restaurants.

All that
on a film reviewer's salary?

Erin Daniels is the country's
leading film critic.

The papers pay a fortune
to syndicate her reviews.

So what went wrong
between you and Mimi?

Werner Altmann did.

The moment he cast her in the film,
she finished with me.

Broke it off as if...

..as if we never happened.

So you think Werner told her
to end it with you?

Absolutely.

He's been besotted
with every leading lady he casts.

He consumes them.

And worse.

Thank you, Lucien.

OK, we need to take
a deep dive into...

- Werner Altmann.
- Yes.

PHONE RINGS,
SIGHS

If it isn't my favourite investor.

I hope you're holding a drink
cos I've got some news for you.

My film is going to be seen
all around the world now,

which means you and I,

we're going to be making
a lot of money together.

Werner's film's going to be
a smash hit.

Couldn't have gone any better
for her.

Let's hope we can place them
at the scene, then.

I'm sorry. This is off limits until
the gendarmes have finished here.

It's OK.
We're actually helping the police.

Apologies, I didn't know.

Where do you want to start?

Simone.

Simone, you were at the cinema
during the film, right?

Oui. I was on duty at the exit door.

And you didn't see anyone leave?

Other than Mimi?

I was, erm...
enjoying the film too much.

Oh, you enjoyed it?

Spoke to me in a way
so many films haven't.

The loneliness.

The way the clouds block the sun
when you need it most.

You must have felt that too.

So you didn't see Werner,
for instance?

Why, do you think
the director killed her?

Well, if he did, I don't know how he
managed to do it without being seen.

Well, he's a director, no?

It's his job to tell you a story

and to make you believe
that story is true.

- RADIO:
- 'Simone a la porte B.' - Excuse me.

RADIO BEEPS

What am I missing, Kate?

The killer sees Mimi,
takes her Champagne glass,

smashes it
and then kills her with it.

And somehow,
no-one hears or sees a thing.

And why would Werner cast
an unknown waitress

in his next big film?
CROWD CHEERING

Obviously,
I was looking for an unknown -

raw, barely formed jelly,
but eager to be moulded,

so I asked to see audition tapes
from all over France.

Mimi was English, though.

But she had moved to Paris,

and when I saw her headshot,
I cast her straight away.

Lucien told us about your obsession
with your leading ladies.

Pfft! Gossip column lies.

Mimi wasn't the best actress.
We know that.

So what happened between you two?

Look, with all due respect,

you don't seem to have many
boundaries when it comes to women.

You must understand,
I'm old school, from another era...

..and had to learn the new ways.

And all Mimi did
was teach them to me.

And I learned
that in this day and age,

my approach is somewhat frowned upon

and can lead to accusations...

..and possible cancellation.

She blackmailed you into giving her
the role, didn't she?

One word from Mimi
and you'd never make another film.

There was a fortune
riding on this one, though.

But you knew it was doomed from
the start because of her acting.

Filming her.

Watching her destroy your work
day in, day out...

must have really gotten to you.

In my defence, I thought that
going to school would help Mimi,

that she would improve
as she moved along.

A bit old for school, wasn't she?

I'm talking about the Cours Florent,

the greatest acting academy
in France.

A lot of students apply every year,
and very few get accepted.

If it's so esteemed and exclusive,
how did Mimi get in?

You can thank Erin Daniels
for that.

She's on the board of trustees.

Why would she do that?
She hated Mimi.

SIGHS

Leaving town already?

Mum's been invited by Sergio Minero

to a private screening
for his new film.

PHONE RINGS

Still got time
for a quick chat, then.

Why? I've told you everything.

Have a seat.

Here's what I can't make fit.

A call goes out
for an unknown French actress.

But Mimi, who's English...

- And terrible at acting.
- ..gets the part.

Werner cast Mimi. Ask him about it.

Lucien! Roma awaits.

We have far more interesting people
to spend our time with,

so if you don't mind...

Tell me about Cours Florent.

What about it?

Why did you help Mimi
get into that school?

This is ridiculous.

Oh, Lucien told me about
the ski trips and the fancy hotels,

and that doesn't come cheap,
so how did you pay for it?

None of your business.

The studio heads and the producers
were terrified of you,

and they paid
for your exotic lifestyle

in return for a good review.

You were essentially taking bribes.

So when did Mimi find out?

Oh, that's what she was holding
over you, wasn't it?

Do you want to tell them?

I didn't know
she was gonna use it over you.

She just asked how it was possible
that we get to enjoy

so many amazing things, and...
it slipped out in the excitement.

We heard Mimi tell you
she expected a five-star review.

If you'd have done that,
your reputation as a critic,

well... it would have been toast.

And you couldn't bear it,
could you, Erin?

You saw Mimi leave...

..and I think you went after her.

The girl on security
was swept up in Werner's film...

..and she didn't see you
come back to your seat.

DOOR OPENS
No-one did.

That's not what happened.

The very idea that I could murder...

Lucien, what are you doing?

All my life,
you've been ordering me about,

acting as if you and only you
know what's best for me.

Well, now I know
what's best for you.

RINGING TONE

Police, please.

- Would you say that I'm messy, Jamil?
- Like what? In a bloke way?

If Kate sees a pair of socks
on the floor, she's like...

JACK TUTS

Well, you have to have boundaries
when living on a ship.

Sharing can be difficult.

Well, she didn't seem too keen.

Like me and Hassan,
we have a very strict policy.

Him. Me.

- You share a cabin with Hassan,
Deck 6? - Hm.

I'd do anything
to have my own space.

- And maybe a window.
- THEY CHUCKLE SOFTLY

Like this.

If these were Hassan's and I found
them on my side of the cabin...

let's just say
we'd have a discussion.

- Of course.
- What?

Jamil... you are brilliant.
JAMIL CHUCKLES

I gotta go.

Er, missed a bit.
JAMIL SIGHS

TANNOY CHIMES

'Good morning to all passengers!

- 'Disembarkation for today...'
- What couldn't wait?

The gloves. She wasn't wearing them
after the screening.

Ah, you're not making any sense.

The way Simone talked
about Werner's film,

it was almost as if
we were talking to an actress.

Cours Florent. Class of 2024.

Look who went to drama school
with Mimi.

Scene one.

Exterior. A beach. Day.

A man wearing sunglasses
stares up at the sun

as we hear his inner monologue...

"How can I feel your warmth
when you're so far away?"

Werner.
WERNER SIGHS

Do you mind?
I'm working on a new film idea.

You said that you viewed
lots of audition tapes

of actresses across France.

I did, and I chose Mimi.

Did you go to Cours Florent
in person?

That's not unusual.

They always have
an open casting call,

a showcase for emerging talent.

Is that when Mimi seduced you?

Her ambition
far outweighed her talent.

She saw me as a potential leg up.

And you saw her
as a potential leg over.

There were rumours of a student
with rare talent.

A once-in-a-generation actress.

Unfortunately, that wasn't Mimi.

Didn't stop you exploiting her,
though, did it?

It was her who did all the chasing.

She knew that if word ever got out
that I seduced the naive student...

It would have ruined
your reputation.

Yeah. She was not a good person.

Pot, kettle, black, Werner.

You never met
that once-in-a-generation talent,

- did you?
- No.

She never showed up.

- Pardonnez-moi.
- Have you got a minute?

Are you talking to me?

Oh, most definitely.

Oh, you're not wearing your gloves.

They are in my pocket, of course.

I'm not talking about those gloves,
Simone.

I'm talking about
the ones you threw away.

Sir, move along, s'il vous plait.
Move along, s'il vous plait.

I only have this pair.

What is this about?

You were wearing them
in the auditorium.

- MIMI:
- 'Cotton drifting through time and place.'

Un peu de respect, s'il vous plait.
Un peu de respect.

But after the murder, you weren't.

There weren't any fingerprints
on the Champagne glass.

Not because someone had tried
to wipe it...

but because you didn't have to.

You English.
You have a wild imagination.

You knew Mimi was coming to Cannes.

The sight of her triggered
something inside of you.

Something long buried.

You left the second
you saw Mimi exit the auditorium.

This is nonsense.

I haven't even met her
before yesterday.

You did, Simone.

At Cours Florent.

- Excusez-moi?
- The acting school.

You were both there the same year.

Look,
we could just phone the school.

I know this is Cannes...

..but this is a fantasy
beyond fantasy.

It can't have been easy
watching Mimi on that red carpet.

Your red carpet.

That was supposed to be your fame,
wasn't it, Simone?

Your stardom.

All those cameras pointed at her.

CAMERAS CLICK,
PAPARAZZI SHOUT

They should have been
pointed at you.

I'd heard Werner was coming
to audition me.

I was so excited.

But I needed to stay focussed,
so I went to all of my classes,

one of which
was a stage fighting class.

Mimi was there.

She partnered with me...
and... she had this sword.

I didn't know
she had removed the rubber tip.

Not until she stabbed me with it
in the neck.

She swore she didn't know
it had fallen off.

But while
I was having emergency surgery,

she was auditioning with Werner.

'Or is it tears?

'To wander for eternity...'

I never went back to school.

For a year,
I could hardly even speak.

And all those dreams I once had,
they...

dissolved into dark... heavy clouds.

I didn't dream again.

DOOR OPENS,
DOOR SLAMS SHUT

Bonjour, old friend.

Simone?

Recognise me now?

We should celebrate your success,
no?

Why not? After all, I earned it.

I should be the one
who's up there on the screen.

Oh, cry me a river, Simone.

No-one wants to see that face
in a close-up.

And whose fault is that?

You took it all away from me.

MIMI SCREAMS

'Across an endless grey-blue sky.'

How do they say in Cannes?

- La fin.
- La fin indeed.

And for what it's worth, Simone...

I'm sorry,
but the police are on their way.

And there she is.
The one and only Carol Merryweather.

- Jack, what's all this?
- Well, this is a very special moment.

It has come to our attention that
you have been travelling with us

for a full year,

so today is your
and our anniversary.

Oh, my goodness. A year!

- How am I still finding my sea legs?
- THEY LAUGH

Well, we all wanted to say
a very big thank you

for all of the wonderful voyages
we've been on together.

It's been a pleasure tending to your
cabin and now calling you a friend.

Jamil, I'm gonna be blubbering
in a minute.

- We'll all need water wings.
- JACK CHUCKLES

When I first came on board,
I thought, erm...

I thought I wanted to get away.

What I didn't realise is that...

..I needed to be with people.

And you've all become like the
biggest family in the whole world.

I thank you all for that.

When you lose your husband, or...

..your soulmate, you need
that family more than anything.

So... thank you.

Well, this is just
a little something from us,

and we've all signed it on the back.

Oh, thanks.

Ladies and gentlemen,
can I have your attention, please?

We are celebrating
this wonderful lady, Carol,

who has been on this ship
for one year.

So please join us in singing...

- ALL:
- # Happy anniversary to you

# Happy anniversary to you

# Happy anniversary, dear Carol

# Happy anniversary to you. #

CHEERING AND APPLAUSE

CHEERING AND APPLAUSE

Oh, ladies and gentlemen,
you have had the movies,

you've seen the stars,

and now it is time
for the soundtrack.

Would you please give it up
for the one, the only,

Mr Jack Grayling!

CHEERING AND APPLAUSE

JACK HARMONISES

# Looks like we made it

# Look how far we've come, my baby

# Might have took the long way

# We knew we'd get there someday

# They said
"I bet they'll never make it"

# But just look at us holding on

# We're still together

# Still going strong

# You're still the one I run to

# The one that I belong to

# You're still the one I want
For life

# You're still the one that I love

# The only one I dream of

# You're still the one
I kiss good night... #

Oh, look, that's me in Oklahoma.

- The musical, not the place.
- Of course.

# I'm glad we didn't listen

# Look at what we would be missing

# They said
"I bet they'll never make it"

# But just look at us holding on

# We're still together

# Still going strong

- # Still the one
- You're still the one I run to

# The one that I belong to

# You're still the one I want
For life

- # Still the one
- You're still the one that I love

# The only one I dream of

# You're still the one
I kiss good night

- # Still the one
- You're still the one I run to

# The one that I belong to

# You're still the one I want
For life

- # Still the one
- You're still the one that I love

# The only one I dream of

# You're still the one
I kiss good night

# Looks like we made it

# Look how far we've come
My baby. #

CHEERING AND APPLAUSE
Thank you.

- COLIN ON TANNOY:
- 'We have now arrived in magical Istanbul.'

Welcome to the Wu Clinic.

My mask gives a unique opportunity
to defy the ageing process.

- Oh, there she is,
my beautiful daughter. - Mum.

Are you really going to invest
your cash into this scam?

- SCREAMING
KATE: - So, what happened?

- MAN:
- The simplest explanation is almost always the right one.

- Not in my experience.
- As a police officer or a singer?

- Now, now, boys.
- Fancy playing detectives?

I said stop!

Now you're talking.

# You thought you'd run away now

# From the troubles in your life

# And watch a new horizon in the sky

# But now the truth's caught up
With you forever

# It's waiting for you

# In the deep blue. #

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