All language subtitles for The Lady and The Legend [WEBRip 720p]

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:18,880 --> 00:00:24,500 Do you know what I was thinking about? I was thinking about how you swing. 2 00:00:25,320 --> 00:00:27,780 I was thinking about how much I've learned from you. 3 00:00:33,770 --> 00:00:35,110 I was your opening act. 4 00:00:37,950 --> 00:00:39,450 I know where I belong. 5 00:00:46,590 --> 00:00:50,710 Legendary singer Tony Bennett is performing his final live concerts in 6 00:00:50,710 --> 00:00:51,710 City tonight. 7 00:00:52,030 --> 00:00:56,650 Tony is battling Alzheimer's, but when the music comes on, he knows every word. 8 00:00:56,910 --> 00:01:01,270 And with his family's help, the legendary crooner began rehearsing for 9 00:01:01,270 --> 00:01:02,270 City Music Hall. 10 00:01:02,510 --> 00:01:03,830 with his friend Lady Gaga. 11 00:01:04,150 --> 00:01:10,530 Once upon a time A girl with 12 00:01:10,530 --> 00:01:17,450 moonlight in her eyes Put 13 00:01:17,450 --> 00:01:23,890 her hand in mine And said she loved me so 14 00:01:23,890 --> 00:01:25,830 Tony's my musical companion. 15 00:01:26,190 --> 00:01:31,290 Even in moments where he's looking at me and I'm not sure if he has forgotten 16 00:01:31,290 --> 00:01:34,860 me. And our friendship stays with my life. 17 00:01:35,060 --> 00:01:39,380 But that was once upon a time. 18 00:01:52,420 --> 00:01:57,060 Here from the Paramount Theater, Tony Bennett, the new singing sensation. 19 00:01:57,460 --> 00:01:59,820 When I first met Tom, 20 00:02:00,520 --> 00:02:02,920 I was singing at a charity event. 21 00:02:03,360 --> 00:02:07,260 And somebody came to me after the show and they said, Tony Bennett would like 22 00:02:07,260 --> 00:02:09,080 meet you. And I said, excuse me? 23 00:02:10,320 --> 00:02:13,660 Mr. Tony Bennett. Tony's going to come on now and he's going to tear the seats 24 00:02:13,660 --> 00:02:16,400 out of the place for you. I'm going to say it again. He's the greatest singer 25 00:02:16,400 --> 00:02:17,198 the world today. 26 00:02:17,200 --> 00:02:19,360 Mr. Tony Bennett. Thank you very much. 27 00:02:19,960 --> 00:02:22,040 That's the first time I ever saw her perform. 28 00:02:22,240 --> 00:02:25,900 The most profound entertainer I've ever witnessed. 29 00:02:26,320 --> 00:02:27,320 She's herself. 30 00:02:27,800 --> 00:02:29,340 She's not like anybody else. 31 00:02:31,950 --> 00:02:34,830 real nervous to meet Tony Bennett. Plus, I looked crazy. 32 00:02:35,090 --> 00:02:39,470 I had blonde in my hair and black in my hair, red lipstick, four big velvet 33 00:02:39,470 --> 00:02:41,970 moles on my face. I was doing my thing. 34 00:02:42,810 --> 00:02:48,030 So I went into my trailer. I said, take it all off and make me look like a lady. 35 00:02:48,410 --> 00:02:49,990 And I went to meet Mr. Bennett. 36 00:02:50,610 --> 00:02:53,810 And he said, would you make a record with me? 37 00:02:54,730 --> 00:02:59,250 And I said, Tony, thank you so much. You only heard me sing two songs. 38 00:02:59,850 --> 00:03:05,390 I realized what an artist he really is. And then he said, Lady, you are a jazz 39 00:03:05,390 --> 00:03:06,390 singer. 40 00:03:06,930 --> 00:03:07,930 At last! 41 00:03:08,890 --> 00:03:09,970 At last! 42 00:03:10,610 --> 00:03:15,290 The minute we're together, something very good happens between the two of us. 43 00:03:15,650 --> 00:03:16,650 It works. 44 00:03:33,130 --> 00:03:35,050 You want to come see the set they've put together? 45 00:03:35,350 --> 00:03:36,370 Yeah, I'd love to. 46 00:03:36,830 --> 00:03:38,990 Hey, Dad. Hi. How you doing? Good. 47 00:03:39,250 --> 00:03:43,290 Good. I'm going to look at the set. Yeah, it's great. Good morning. 48 00:03:43,610 --> 00:03:44,730 Oh, this is beautiful. 49 00:03:45,650 --> 00:03:47,130 Good morning. Yeah, doesn't that look great? 50 00:03:47,850 --> 00:03:50,310 Fabulous. I'd like to sit over here. 51 00:03:50,570 --> 00:03:51,489 On this side? 52 00:03:51,490 --> 00:03:52,690 Yeah. Good. 53 00:03:55,850 --> 00:03:56,870 Yeah, this would be good. 54 00:03:59,330 --> 00:04:01,610 I've won and dined on Mulligan's too. 55 00:04:02,330 --> 00:04:03,330 Too low. 56 00:04:04,930 --> 00:04:09,450 I want to just hear the embellishment a little from the microphone. 57 00:04:11,110 --> 00:04:12,470 Here I am at 85. 58 00:04:13,150 --> 00:04:14,750 There's still so much to learn. 59 00:04:15,490 --> 00:04:16,810 You never stop learning. 60 00:04:17,990 --> 00:04:21,690 And I'd like to prove that I can get better as I get older. 61 00:04:22,690 --> 00:04:27,970 I've wined and dined on mulligan stew and never wished for turkey. 62 00:04:28,810 --> 00:04:32,410 And as far as I'm concerned, I never work a day in my life because I love it. 63 00:04:33,150 --> 00:04:37,370 If you don't apply love to what you're doing, there's something missing. 64 00:04:39,070 --> 00:04:44,910 Now Lady Gaga is the one for me. 65 00:04:46,850 --> 00:04:53,010 No, don't play that last chord there. Lady Gaga is the one for me. 66 00:04:57,210 --> 00:04:58,210 into it, right. 67 00:04:59,550 --> 00:05:00,550 All right. 68 00:05:01,510 --> 00:05:02,550 How you doing, handsome? 69 00:05:05,450 --> 00:05:08,090 I have my whole family on this album, you know. 70 00:05:08,450 --> 00:05:09,650 They're all participating. 71 00:05:11,010 --> 00:05:16,930 I'm surrounded by a group of very, very thoughtful, beautiful people. 72 00:05:17,630 --> 00:05:20,630 I have a wonderful wife who's very, very intelligent. 73 00:05:21,350 --> 00:05:22,750 So I count my blessings. 74 00:05:28,200 --> 00:05:29,300 Gaga's about five minutes away. 75 00:05:29,660 --> 00:05:30,559 Oh, good. 76 00:05:30,560 --> 00:05:31,560 What's her real name? 77 00:05:31,680 --> 00:05:33,080 Stephanie. Do we call her Gaga? 78 00:05:33,320 --> 00:05:34,320 Kathleen? 79 00:05:34,580 --> 00:05:36,260 No, I think Stephanie. Stephanie? 80 00:05:36,740 --> 00:05:38,740 I think they call her Gaga. I'll find out. 81 00:05:41,140 --> 00:05:42,620 You've met Lady Gaga before. 82 00:05:42,960 --> 00:05:46,560 Yeah. Just once with her family, with her mother and father. Are they coming 83 00:05:46,560 --> 00:05:47,900 today? I don't know. 84 00:05:49,500 --> 00:05:50,500 Hi, everyone. 85 00:05:50,820 --> 00:05:52,940 I'm going to go say hi to Tony. I'll see you later. 86 00:05:54,480 --> 00:05:56,200 Tony? Hello, Tony. 87 00:05:56,560 --> 00:05:58,900 Hi. How are you? Oh, great. 88 00:05:59,180 --> 00:06:00,540 So nice to see you. 89 00:06:00,820 --> 00:06:03,440 Good to see you. You look so handsome. 90 00:06:03,840 --> 00:06:04,840 Oh, great. 91 00:06:05,120 --> 00:06:09,320 How are you? Fine. I'm so excited to be here. Oh, God, I love it. Hi, everyone. 92 00:06:12,120 --> 00:06:15,960 I've been so excited. My dad has not stopped calling me for hours. 93 00:06:16,240 --> 00:06:17,049 Oh, good. 94 00:06:17,050 --> 00:06:19,210 He's so happy. I love the way you look. That's great. 95 00:06:19,470 --> 00:06:22,610 Thank you. Your hair is fabulous. Thank you. I thought I'd give it a little 96 00:06:22,610 --> 00:06:25,490 twist for you. The whole thing was for you. 97 00:06:25,850 --> 00:06:26,850 Head to toe. 98 00:06:27,010 --> 00:06:28,410 Oh, boy, that's so great. 99 00:06:28,770 --> 00:06:30,190 I said, what would Tony want? 100 00:06:32,430 --> 00:06:33,710 How's everyone doing today? 101 00:06:34,050 --> 00:06:35,050 You having fun? 102 00:06:35,390 --> 00:06:36,390 Everybody's doing great. 103 00:06:36,530 --> 00:06:37,790 Tony, is your wife here? 104 00:06:38,090 --> 00:06:39,850 Yes, she's right here. She's right there. 105 00:06:40,430 --> 00:06:41,430 He's so lucky. 106 00:06:41,590 --> 00:06:43,070 I am, yes. She's agreeing. 107 00:06:43,290 --> 00:06:44,290 Good woman. 108 00:06:44,570 --> 00:06:45,570 Thank you. 109 00:06:46,099 --> 00:06:47,099 Look what we found. 110 00:06:50,560 --> 00:06:52,380 Girl of the Gaga is Tony Krenz. 111 00:06:53,900 --> 00:06:58,140 Tony Bennett, latest singing sensation, made a personal appearance at the 112 00:06:58,140 --> 00:06:59,140 Enchanted Room. 113 00:06:59,460 --> 00:07:00,660 That's a long time ago. 114 00:07:01,800 --> 00:07:03,560 Because it's not like this anymore, is it? 115 00:07:04,680 --> 00:07:09,260 Oh, Tony, I would have been chasing you around in this dress. 116 00:07:10,560 --> 00:07:13,620 There's no men left that are as gentlemanly as Tony. 117 00:07:15,630 --> 00:07:16,609 What do you think? 118 00:07:16,610 --> 00:07:18,850 Because it's so cute. And it says Gaga. 119 00:07:23,710 --> 00:07:26,010 Now, did you choose that yellow for your glasses? 120 00:07:26,670 --> 00:07:29,230 Excuse me? Did you choose that yellow for your glasses? 121 00:07:29,590 --> 00:07:31,510 Yeah. You wanted them to be yellow? 122 00:07:31,810 --> 00:07:32,810 Yeah. 123 00:07:33,370 --> 00:07:34,510 I figured you did. 124 00:07:36,450 --> 00:07:38,070 I chose my hair to be blue. 125 00:07:45,580 --> 00:07:46,660 loves the theater. 126 00:07:47,520 --> 00:07:49,040 Never comes late. 127 00:07:49,340 --> 00:07:54,020 I never bother with people I hate. 128 00:07:55,220 --> 00:07:58,260 That's why this chick is a tramp. 129 00:08:02,420 --> 00:08:04,100 I'm so nervous. 130 00:08:04,660 --> 00:08:08,460 If I pass out, you can just tell them it was all planned. 131 00:08:09,880 --> 00:08:11,520 It sounds great. 132 00:08:11,760 --> 00:08:13,080 You sing beautiful. 133 00:08:13,380 --> 00:08:14,380 Oh, thank you. 134 00:08:17,160 --> 00:08:18,160 Is Don out there? 135 00:08:19,000 --> 00:08:20,320 My voice teacher's here. 136 00:08:20,640 --> 00:08:24,260 Nice to meet him. Yeah, I met Don when I was 13 years old, and he was teaching 137 00:08:24,260 --> 00:08:25,680 all these amazing people. 138 00:08:26,560 --> 00:08:28,860 He was the first person to believe in me. 139 00:08:29,180 --> 00:08:31,220 That's great. And we're still friends. That's important. 140 00:08:31,480 --> 00:08:32,480 That's important. 141 00:08:32,880 --> 00:08:33,880 It means everything. 142 00:08:34,200 --> 00:08:35,200 Yeah, it does. 143 00:08:35,500 --> 00:08:37,020 Just one person's all you need. 144 00:08:38,440 --> 00:08:39,440 Mm -hmm. 145 00:08:42,669 --> 00:08:44,150 This is so much fun. 146 00:08:44,430 --> 00:08:45,850 Are we through today? We're through today. 147 00:08:46,970 --> 00:08:48,030 March, we did Amy. 148 00:08:48,570 --> 00:08:49,570 Gosh, we did Amy? 149 00:08:49,770 --> 00:08:51,670 Yeah. It was her last recording. 150 00:08:52,090 --> 00:08:53,350 Wow. Is she okay? 151 00:08:53,850 --> 00:08:54,850 She's really sad. 152 00:08:55,010 --> 00:08:56,750 Oh. What don't you do with Amy? 153 00:08:56,990 --> 00:08:58,490 Body and soul. Oh, wow. 154 00:08:59,130 --> 00:09:00,130 That's a slower tune. 155 00:09:15,400 --> 00:09:17,300 27 years old, she died. 156 00:09:18,320 --> 00:09:19,320 27. 157 00:09:19,960 --> 00:09:21,080 It's just tragic. 158 00:09:22,580 --> 00:09:26,880 I've just become more and more committed to treat young people coming up with 159 00:09:26,880 --> 00:09:27,880 love. 160 00:09:28,460 --> 00:09:30,460 It's the only thing that works. 161 00:09:37,820 --> 00:09:42,640 Hi. Good to see you. This is so much fun to do. Yeah, just love it. 162 00:09:43,130 --> 00:09:45,810 I'm just really happy to be here. Really happy. 163 00:09:46,010 --> 00:09:50,570 You have no idea. I like the fact that you studied music. You know how to play 164 00:09:50,570 --> 00:09:52,050 the piano. You sing beautiful. 165 00:09:52,410 --> 00:09:53,109 Thank you. 166 00:09:53,110 --> 00:09:56,670 You know, you got the whole thing. Thanks. Well, thanks. Wow. You know how 167 00:09:56,670 --> 00:09:57,750 perform like crazy. 168 00:09:58,210 --> 00:10:00,090 You're really just a natural. My gosh. 169 00:10:00,350 --> 00:10:05,570 Really? I've got to send you some tapes of me when I had dark hair when I was 16 170 00:10:05,570 --> 00:10:06,610 in jazz band. 171 00:10:07,070 --> 00:10:08,370 That would make you chuckle. 172 00:10:08,790 --> 00:10:09,790 I've been... 173 00:10:09,950 --> 00:10:14,390 starting music my whole life into this. I used to do all kinds of things. 174 00:10:14,770 --> 00:10:18,870 I mean, Lost Life was like my big number. 175 00:10:19,970 --> 00:10:22,810 That's great. People don't really know that about me. 176 00:10:23,370 --> 00:10:26,750 They think I'm just, you know, I just sort of turned as a pop singer, but 177 00:10:26,750 --> 00:10:29,810 everything was jazz before then. That's great. You know what you're doing. 178 00:10:30,230 --> 00:10:31,230 Thanks, Tony. 179 00:10:31,370 --> 00:10:33,530 Yeah, I'm just putting out my first ballad now. 180 00:10:33,750 --> 00:10:34,930 Great. My very first one. 181 00:10:35,450 --> 00:10:36,550 It's called You and I. 182 00:10:37,600 --> 00:10:40,800 I would love to hear it. I'm trying to just push the boundaries a little bit 183 00:10:40,800 --> 00:10:44,180 now, you know, now that I've got my high heel through the door. 184 00:10:44,640 --> 00:10:46,580 Maybe I can shake things up a little bit. 185 00:10:52,980 --> 00:10:53,380 I'm 186 00:10:53,380 --> 00:11:03,960 down 187 00:11:03,960 --> 00:11:05,000 to hear you play the piano. 188 00:11:05,480 --> 00:11:08,800 Huh? I'm dying to hear you play the piano. You've never heard me play piano? 189 00:11:09,020 --> 00:11:10,020 Yeah. Really? 190 00:11:10,260 --> 00:11:12,120 Yeah, I like to hear it. What do you want to hear? 191 00:11:12,580 --> 00:11:14,580 I started writing a new song, actually. 192 00:11:15,620 --> 00:11:20,060 I need 193 00:11:20,060 --> 00:11:26,500 someone to love and save me from 194 00:11:26,500 --> 00:11:27,500 myself. 195 00:11:29,440 --> 00:11:34,220 Maybe I'll just clean the shit off of these fancy shoes. 196 00:11:40,840 --> 00:11:41,840 That sounds good. 197 00:11:41,880 --> 00:11:42,880 Yeah. 198 00:11:43,820 --> 00:11:44,820 That's a good thing. 199 00:11:45,000 --> 00:11:46,000 All right. 200 00:12:09,920 --> 00:12:10,920 is a champ. 201 00:12:11,560 --> 00:12:17,500 I love the fresh wind in my hair. 202 00:12:18,420 --> 00:12:20,060 Life without care. 203 00:12:20,360 --> 00:12:22,060 Oh, I am so gross. 204 00:12:22,500 --> 00:12:23,500 It's oak. 205 00:12:23,680 --> 00:12:25,620 I hate California. 206 00:12:26,380 --> 00:12:28,400 It's crowded and damp. 207 00:12:29,120 --> 00:12:32,180 That's why the lady is a champ. 208 00:12:34,140 --> 00:12:35,140 That's why. 209 00:12:39,150 --> 00:12:43,190 That's right, Tony, I'm your baby, and I'm also your Orion. 210 00:12:44,350 --> 00:12:45,350 Right on! 211 00:12:46,490 --> 00:12:47,490 That's really great. 212 00:12:49,410 --> 00:12:50,950 There's a lot of giggling going on in here. 213 00:12:51,470 --> 00:12:52,470 Everybody's happy? 214 00:12:52,570 --> 00:12:54,070 We're very happy. Okay. 215 00:12:54,650 --> 00:12:58,870 We just need to do some inserts on the end, and we would have everything. 216 00:12:59,090 --> 00:13:00,090 Okay, great. 217 00:13:00,270 --> 00:13:03,350 But I think we should do it a couple more times. 218 00:13:04,850 --> 00:13:06,310 You're having too much fun. Okay? 219 00:13:06,690 --> 00:13:08,070 I like that idea, too. 220 00:13:08,700 --> 00:13:12,240 I'm always good for more takes. We're having a good time. We're just making 221 00:13:12,240 --> 00:13:13,820 work extra so that we can hang out. 222 00:13:14,780 --> 00:13:18,080 I could do this all day if you want to know the truth. 223 00:13:18,540 --> 00:13:21,400 Hey, how are you? I'm Kelsey Bennett. I'm the photographer. 224 00:13:21,700 --> 00:13:22,700 That was incredible. 225 00:13:22,720 --> 00:13:23,720 My granddaughter. 226 00:13:23,800 --> 00:13:24,800 Oh, my gosh. 227 00:13:25,140 --> 00:13:26,140 I love it. 228 00:13:27,020 --> 00:13:28,020 It's gorgeous. 229 00:13:28,820 --> 00:13:29,820 Yeah, 230 00:13:31,880 --> 00:13:32,880 perfect. 231 00:13:34,360 --> 00:13:35,420 They're great together. 232 00:13:36,460 --> 00:13:38,080 I wish my grandpa would. 233 00:13:38,480 --> 00:13:39,480 Still lying. 234 00:13:39,580 --> 00:13:41,640 My grandpa would be so happy right now. 235 00:13:43,440 --> 00:13:49,720 Growing up, listening to Tony, loving his interpretation of decades of music. 236 00:13:49,840 --> 00:13:53,360 What I love about the way he sings so much is he means it every time. 237 00:13:54,040 --> 00:13:55,040 Oh, wow. 238 00:13:55,220 --> 00:13:56,900 You're a beautiful photographer. 239 00:13:57,320 --> 00:14:01,620 Thank you. It's just like you have another member of your family here. I 240 00:14:01,720 --> 00:14:04,080 Isn't that something? It's like there's some imported need. 241 00:14:04,380 --> 00:14:08,040 Your shoes. Your shoes. They're so sweet to me. They're so comfortable with you. 242 00:14:08,460 --> 00:14:09,119 Hey, Dad. 243 00:14:09,120 --> 00:14:10,980 You said you wanted a job or something? Oh, yeah. 244 00:14:12,780 --> 00:14:17,380 I didn't know that you sketched. Yeah. I went to art school for it. You did? 245 00:14:17,800 --> 00:14:18,800 Yeah. 246 00:14:19,040 --> 00:14:21,780 Yeah, I'm in three museums. I'm just coming along. 247 00:14:22,720 --> 00:14:23,720 Three museums? 248 00:14:24,560 --> 00:14:25,560 Yeah. 249 00:14:25,760 --> 00:14:27,580 You better get him a teal crayon. 250 00:14:28,480 --> 00:14:30,900 Trying to do this fast, you know? You don't have to. 251 00:14:31,160 --> 00:14:35,300 They told little lady Gaga in her apartment on Stanton that Tony Bennett 252 00:14:35,300 --> 00:14:36,520 to sketch her years ago. 253 00:14:36,990 --> 00:14:38,450 She wouldn't have said, do it quick. 254 00:14:42,770 --> 00:14:45,870 Oh, my gosh, Tony. 255 00:14:47,810 --> 00:14:48,970 Tony, it's beautiful. 256 00:14:49,790 --> 00:14:50,790 Good. 257 00:14:51,710 --> 00:14:52,710 Who knew? 258 00:14:52,970 --> 00:14:53,729 Thank you. 259 00:14:53,730 --> 00:14:57,050 Who knew you were a musical and a visual legend? 260 00:14:57,330 --> 00:14:59,290 Will you take just one of me and Tony? 261 00:14:59,590 --> 00:15:01,090 One, two, three. 262 00:15:02,670 --> 00:15:03,670 Very good. 263 00:15:04,950 --> 00:15:05,950 Oh. 264 00:15:06,500 --> 00:15:07,960 Adorable look. Oh, good. 265 00:15:08,460 --> 00:15:10,980 Oh, I can't take it. That's so beautiful. 266 00:15:11,340 --> 00:15:12,700 I had a wonderful time. 267 00:15:12,920 --> 00:15:16,100 Good, good, good. I'm happy you did. I did. It was wonderful. 268 00:15:16,320 --> 00:15:19,560 You don't know what you've done, and I'll tell you about it someday. 269 00:15:20,140 --> 00:15:21,140 Okay, someday. 270 00:15:21,600 --> 00:15:23,060 Hopefully I'll see you again sometime. 271 00:15:23,440 --> 00:15:24,119 Oh, yes, soon. 272 00:15:24,120 --> 00:15:27,860 And then I had one more question. Why Lady of the Tramp lent itself so well 273 00:15:27,860 --> 00:15:28,859 a duet? 274 00:15:28,860 --> 00:15:31,140 Well, because I'm a tramp, and he knows it. 275 00:15:32,260 --> 00:15:33,260 No, no, no. 276 00:15:34,060 --> 00:15:39,440 I know that you're a lady playing a trance. That's right. Oh, he's really 277 00:15:39,440 --> 00:15:41,900 me. Look at that. He called me out. 278 00:15:44,660 --> 00:15:47,360 We just hit it off right from that moment on. 279 00:15:54,320 --> 00:15:57,480 It was just really natural because he understands me. 280 00:16:00,560 --> 00:16:02,640 You know, Tony can really see me. 281 00:16:06,090 --> 00:16:11,570 The whole premise of art is truth and beauty, and that's Lady Gaga. 282 00:16:12,390 --> 00:16:14,210 There's an honesty about her. 283 00:16:17,470 --> 00:16:21,790 Anytime somebody wants to talk about anything provocative that I've done, 284 00:16:21,790 --> 00:16:23,510 understands that it's my art form. 285 00:16:23,810 --> 00:16:24,810 Lady Gaga! 286 00:16:26,110 --> 00:16:28,330 She's crazy! 287 00:16:30,890 --> 00:16:33,730 Tony and I have a lot more in common than people think. 288 00:16:35,340 --> 00:16:37,920 We just kind of understood one another. 289 00:16:39,080 --> 00:16:44,600 And I'm very happy that I met Tony at this moment in my life because, you 290 00:16:44,660 --> 00:16:48,760 as soon as you write a song that becomes a hit, everything becomes a blur. 291 00:16:50,380 --> 00:16:53,880 It's a very fast train and it's go, go, go, go, go. 292 00:16:55,600 --> 00:16:57,640 I was not in a good place. 293 00:16:58,580 --> 00:17:02,620 I was very jaded by the music industry. 294 00:17:05,319 --> 00:17:06,319 I was sad. 295 00:17:07,720 --> 00:17:11,660 Everything that she's going through is what happened to me in my life. 296 00:17:14,140 --> 00:17:16,020 It takes years to learn how to live. 297 00:17:17,099 --> 00:17:20,599 It took a long time for me to learn how to put my life together. 298 00:17:21,619 --> 00:17:25,579 I knew about what she's going through with the audience falling in love with 299 00:17:25,579 --> 00:17:26,579 her. 300 00:17:27,099 --> 00:17:31,080 And then the next question is, how do you sustain that? 301 00:17:31,420 --> 00:17:34,400 Everybody loves that story. 302 00:17:35,000 --> 00:17:36,320 The icon that falls. 303 00:17:40,080 --> 00:17:45,040 And it's like you're falling, and you see that you're falling, and you know 304 00:17:45,040 --> 00:17:46,200 you just have to hit the floor. 305 00:17:47,160 --> 00:17:49,300 I was just praying that I wasn't going to die. 306 00:17:51,140 --> 00:17:54,200 I was a shell of my former self. 307 00:17:55,700 --> 00:17:57,740 I wasn't sure where to go next. 308 00:17:58,320 --> 00:18:00,640 And this is where Tony came in. 309 00:18:01,060 --> 00:18:03,000 He said, come be with me. 310 00:18:03,640 --> 00:18:06,060 Come be with my family. Let's make a jazz record. 311 00:18:39,720 --> 00:18:43,800 Yeah. Yes. Maybe tomorrow I could come later. Well, no, she'll come earlier. 312 00:18:43,960 --> 00:18:46,300 She's coming from Pennsylvania today. 313 00:18:47,120 --> 00:18:48,120 Hey. 314 00:18:50,860 --> 00:18:54,580 How are you? Hi. I brought you coffee. 315 00:18:55,080 --> 00:18:56,080 Hi, sweetheart. 316 00:18:57,200 --> 00:19:02,660 I missed you. I have to really apologize for being late today. 317 00:19:03,520 --> 00:19:05,700 Should I go meet the van inside? 318 00:19:06,000 --> 00:19:07,000 Yeah, who's that? 319 00:19:08,490 --> 00:19:11,210 How are you doing? I'm good. How are you? Hey, guys. 320 00:19:11,590 --> 00:19:13,850 My son's got a little bit to eat here. 321 00:19:14,670 --> 00:19:17,930 Thank you, Tony. 322 00:19:18,210 --> 00:19:19,210 Are you going to stay seated? 323 00:19:19,610 --> 00:19:20,930 Yes, I'm going to stay seated. 324 00:19:21,510 --> 00:19:25,410 This is a sad song. For a woman, if she's singing this song, she's just 325 00:19:25,410 --> 00:19:26,410 miserable. 326 00:19:26,990 --> 00:19:30,030 I think I'm sadder than you are. This song is what I mean. 327 00:19:36,530 --> 00:19:38,180 Okay. Say when. 328 00:19:39,160 --> 00:19:40,160 When. 329 00:19:41,400 --> 00:19:42,840 One, two. 330 00:20:14,760 --> 00:20:15,680 But beautiful 331 00:20:15,680 --> 00:20:22,300 And 332 00:20:22,300 --> 00:20:28,280 I'm thinking If you 333 00:20:28,280 --> 00:20:35,220 were mine I'd never 334 00:20:35,220 --> 00:20:37,660 let you go 335 00:20:37,660 --> 00:20:43,380 And that would be 336 00:21:10,070 --> 00:21:14,230 Yeah, I just, I have a natural inclination to stray. 337 00:21:14,530 --> 00:21:15,530 I understand. 338 00:21:15,550 --> 00:21:16,550 I'm sorry. 339 00:21:16,690 --> 00:21:17,690 No, don't. 340 00:21:19,330 --> 00:21:22,650 I'm for you, you know, 100%. I want it to be perfect. 341 00:21:23,330 --> 00:21:24,330 Let's just do it again. 342 00:21:24,850 --> 00:21:25,850 Okay. 343 00:21:28,810 --> 00:21:29,810 Another one, please. 344 00:21:31,730 --> 00:21:32,730 Want to go in again? 345 00:21:34,450 --> 00:21:35,450 Yes. 346 00:22:00,830 --> 00:22:02,630 You're doing it beautiful. 347 00:22:06,450 --> 00:22:13,270 I could hear what you're singing and it sounds beautiful. 348 00:22:14,160 --> 00:22:18,460 I wanted the album to come out so that everybody's going to say, my God, I 349 00:22:18,460 --> 00:22:19,640 didn't know she sang that well. 350 00:22:19,940 --> 00:22:23,020 When you accept, it makes me cry. 351 00:22:24,380 --> 00:22:26,780 Well, that's it. You know, no problem. 352 00:22:27,040 --> 00:22:31,380 When you're accepting of me in that way and you see that I can be a great jazz 353 00:22:31,380 --> 00:22:37,460 musician and singer, it really means something to me because to me, I was 354 00:22:37,460 --> 00:22:39,360 piece of trash from New York. 355 00:22:39,600 --> 00:22:40,579 I understand. 356 00:22:40,580 --> 00:22:45,090 And even with... You know, producers now, they still see me that way. 357 00:22:45,410 --> 00:22:48,530 They just see me as a woman. But I know how wonderful you sing. 358 00:22:48,850 --> 00:22:53,170 And I want it to come out so that everybody's going to say, my God, I 359 00:22:53,170 --> 00:22:57,810 know she sang that well. So I want it to sound like that and be that way so that 360 00:22:57,810 --> 00:22:59,250 there's longevity with it. 361 00:22:59,450 --> 00:23:05,410 That is what you represent for me. You represent to me someone that knows how 362 00:23:05,410 --> 00:23:06,410 last forever. 363 00:23:06,510 --> 00:23:11,850 Right. I don't yet really have... really good concept of my artistic mortality 364 00:23:11,850 --> 00:23:16,270 at all. I don't know if it will last. I don't know. 365 00:23:16,530 --> 00:23:20,110 But I know that yours will. 366 00:23:20,730 --> 00:23:23,790 And what you have done is what I want. 367 00:23:24,430 --> 00:23:25,970 We're going to do it with this album. 368 00:23:26,250 --> 00:23:28,550 It is all resting on this album, isn't it? 369 00:23:29,690 --> 00:23:30,690 It is. 370 00:23:30,870 --> 00:23:33,570 That's why I keep freaking out because I want to do a good job. 371 00:23:33,850 --> 00:23:36,630 We're going to take all the time that we need to do it just right. 372 00:23:39,920 --> 00:23:40,920 Okay, great. 373 00:23:43,620 --> 00:23:46,600 I love what you're saying about that song. 374 00:23:47,080 --> 00:23:48,820 Oh, yeah, yeah. 375 00:23:49,320 --> 00:23:53,420 I want to prove that she could sing to everybody, you know, and it's always 376 00:23:53,420 --> 00:23:54,420 good. You bet. 377 00:23:54,460 --> 00:23:55,460 All right. 378 00:24:09,770 --> 00:24:12,350 There's food out there just like these cupcakes 379 00:24:12,350 --> 00:24:17,870 It 380 00:24:17,870 --> 00:24:35,430 don't 381 00:24:35,430 --> 00:24:39,170 mean a thing all you gotta do 382 00:24:40,140 --> 00:24:42,100 All you gotta do is swing. 383 00:24:43,180 --> 00:24:46,920 Doo -wah, doo -wah, doo -wah, doo -wah, doo -wah, doo -wah, Tony Gaga. 384 00:24:51,200 --> 00:24:52,200 Sit. 385 00:24:52,500 --> 00:24:53,500 Are we rolling? 386 00:24:54,600 --> 00:24:55,459 Here we go. 387 00:24:55,460 --> 00:24:56,460 Hey, Tom. 388 00:24:57,040 --> 00:25:00,200 Yeah, I'm going to just extend the ending a little. You got it, Tom. 389 00:25:00,560 --> 00:25:01,620 Lady, is that all right? 390 00:25:01,940 --> 00:25:02,940 Yes. That way? 391 00:25:03,000 --> 00:25:04,540 You can call me Gaga, Tony. 392 00:25:04,800 --> 00:25:05,800 No, I'll call you Lady. 393 00:25:06,020 --> 00:25:07,920 Oh, so sweet. 394 00:25:08,460 --> 00:25:10,460 I wish my boyfriend would call me lady. 395 00:25:12,120 --> 00:25:14,840 Are you ready, Mr. Tony Bennett? 396 00:25:15,160 --> 00:25:16,160 I'm ready. 397 00:25:16,840 --> 00:25:18,760 One, two, one, two, three. 398 00:25:26,840 --> 00:25:30,860 It don't mean a thing if it ain't got that swing. 399 00:25:35,420 --> 00:25:38,020 There's no difference if it's bleed art. 400 00:25:39,760 --> 00:25:41,740 Give it all the rhythm that you've got. 401 00:25:42,760 --> 00:25:46,940 It don't mean a thing if it ain't got that swing. 402 00:26:00,000 --> 00:26:01,000 Yes, 403 00:26:03,320 --> 00:26:08,660 ladies and gentlemen, Mr. Tony Bennett. 404 00:26:09,810 --> 00:26:11,310 You sound awesome. 405 00:26:11,790 --> 00:26:15,630 Thank you. You are like a freak of nature how awesome you are. 406 00:26:16,270 --> 00:26:17,290 You all are. 407 00:26:18,810 --> 00:26:24,270 To me, this song is that feeling when you just remember none of the stuff 408 00:26:24,270 --> 00:26:27,770 in your head matters at all. Because when that music comes on, it's like 409 00:26:27,770 --> 00:26:30,550 everything changes. It's a game changer, right? 410 00:26:31,310 --> 00:26:33,650 Very good. That's what this song is for me. 411 00:26:34,570 --> 00:26:35,570 That's jazz. 412 00:26:37,950 --> 00:26:40,220 I haven't... stood and sang in a long time. 413 00:26:40,860 --> 00:26:42,900 I bet you my hip's worse than yours. 414 00:26:45,100 --> 00:26:46,100 Definitely. 415 00:26:50,860 --> 00:26:54,980 It don't mean a thing if it ain't got that swing. 416 00:26:55,520 --> 00:27:02,240 No, it don't mean a thing. All you gotta do 417 00:27:02,240 --> 00:27:03,240 is swing. 418 00:27:17,640 --> 00:27:19,000 I think that was a take myself. 419 00:27:20,060 --> 00:27:21,540 It felt very good. 420 00:27:30,920 --> 00:27:32,700 Did you ever feel really lost? 421 00:27:33,040 --> 00:27:35,180 Did you ever feel lost when you were working? 422 00:27:35,620 --> 00:27:36,620 Oh, yeah. 423 00:27:37,360 --> 00:27:40,980 I actually made a lot of mistakes when I was young. 424 00:27:41,940 --> 00:27:44,000 Later on, I learned what to do. 425 00:27:44,360 --> 00:27:47,820 So I'm in a stage of contentment now. That's good. 426 00:27:48,440 --> 00:27:51,980 I'm happy to know that that exists in my future. 427 00:27:58,720 --> 00:28:04,340 We only live a short time in our life, and if you're not careful, you're 428 00:28:06,320 --> 00:28:07,840 You ever hear of Lenny Bruce? 429 00:28:08,180 --> 00:28:10,800 You know about him? No. 430 00:28:12,360 --> 00:28:15,260 Yes. Yeah? Yes. I knew his manager. 431 00:28:16,020 --> 00:28:17,930 He said, Great line. 432 00:28:19,790 --> 00:28:23,190 And it changed my life because I was high in those days. 433 00:28:23,630 --> 00:28:26,510 He said he sinned against his talents. 434 00:28:28,730 --> 00:28:29,730 Yeah. 435 00:28:30,290 --> 00:28:31,850 And that changed me. 436 00:28:32,070 --> 00:28:33,290 Yeah, I know. 437 00:28:33,790 --> 00:28:38,230 It's like finding that ability to survive with the fame. 438 00:28:38,450 --> 00:28:45,070 Yeah. I'm really sensitive and I self -medicate sometimes, you know? 439 00:28:45,210 --> 00:28:46,570 The only... 440 00:28:46,780 --> 00:28:51,880 thing I regret in my entire career. I only have one regret. I truly do. Only 441 00:28:51,880 --> 00:28:58,760 one. And I do regret it, but I know that it only happened because I needed 442 00:28:58,760 --> 00:28:59,760 to get through the tour. 443 00:29:00,300 --> 00:29:07,040 I didn't allow myself to feel any emotional pain for like the past two 444 00:29:07,040 --> 00:29:10,340 all. You know, I just numbed myself. 445 00:29:11,040 --> 00:29:15,460 Because that was going so fast, Tony, that I couldn't control myself anymore 446 00:29:15,460 --> 00:29:20,480 because everybody just wants something from me. And I'm so giving because I 447 00:29:20,480 --> 00:29:22,300 to entertain. I live for the applause. 448 00:29:22,700 --> 00:29:29,620 But I have to be mindful of pacing it because if I don't, I broke myself. 449 00:29:30,100 --> 00:29:34,660 You have a tremendous talent and accept it. 450 00:29:35,760 --> 00:29:37,280 Just go straight ahead. 451 00:29:51,690 --> 00:29:58,550 Looking on down wide Glancing from your eyes And I'm 452 00:29:58,550 --> 00:30:04,730 captivated And I 453 00:31:12,570 --> 00:31:14,250 That's how I feel when I'm with you. 454 00:31:16,370 --> 00:31:17,370 Captivated. 455 00:31:21,190 --> 00:31:22,190 Beautiful. 456 00:31:23,310 --> 00:31:24,350 You're singing great. 457 00:31:26,670 --> 00:31:27,950 Thank you. This is a good day today. 458 00:31:28,310 --> 00:31:29,310 Good, yeah. 459 00:31:29,390 --> 00:31:31,410 Well, I just need to warm up, you know? Yeah, right. 460 00:31:31,730 --> 00:31:33,890 I don't know, I get rattled by everything. 461 00:31:35,030 --> 00:31:36,550 Music really rattles me. 462 00:31:38,790 --> 00:31:40,430 I'm still a little girl. 463 00:31:40,830 --> 00:31:41,830 I know. 464 00:31:44,710 --> 00:31:45,710 But I'll be a friend. 465 00:31:45,930 --> 00:31:47,110 Thank you. I just know that. 466 00:32:13,230 --> 00:32:14,230 How you doing, sweetheart? 467 00:32:20,730 --> 00:32:24,350 Oh, hi, Dad. 468 00:32:24,790 --> 00:32:26,050 Oh, my dad's here. 469 00:32:26,870 --> 00:32:27,870 Hi. 470 00:32:29,030 --> 00:32:30,730 Is it all right if my dad walks? 471 00:32:31,450 --> 00:32:34,430 Absolutely. Oh, that's a little bit of my dad. 472 00:32:35,770 --> 00:32:38,190 You want a sneaker to see Tony Bennett? 473 00:32:38,850 --> 00:32:40,350 It's 90 degrees outside. 474 00:32:42,830 --> 00:32:43,830 You couldn't wear a dress? 475 00:32:46,690 --> 00:32:52,710 All right, 476 00:32:55,930 --> 00:32:56,930 let's run it. 477 00:32:57,390 --> 00:32:58,390 Okay, here it comes. 478 00:33:16,840 --> 00:33:18,160 Together dancing, 479 00:33:18,920 --> 00:33:20,520 feet to feet. 480 00:33:24,040 --> 00:33:30,780 Dance with me. I want my arm about 481 00:33:30,780 --> 00:33:31,780 you. 482 00:33:31,940 --> 00:33:38,720 That charm about you will carry 483 00:33:38,720 --> 00:33:40,340 me through. 484 00:33:43,900 --> 00:33:46,400 I just can't wait till we perform. 485 00:33:48,360 --> 00:33:52,800 has got to be like fucking Ginger Rogers and Fred Astaire and like Angels from 486 00:33:52,800 --> 00:33:54,540 Heaven singing with tap dancing. 487 00:33:54,760 --> 00:33:57,240 This needs to be the return of elegant. 488 00:34:12,270 --> 00:34:17,489 Tony Bennett and Lady Gaga have announced their new jazz collaboration, 489 00:34:17,489 --> 00:34:21,370 Cheek. The album's first single, Anything Goes, just hit iTunes. 490 00:34:21,889 --> 00:34:26,010 Tony, there's cameras everywhere here for us. This is craziness. What's 491 00:34:26,010 --> 00:34:27,010 happening? 492 00:34:27,650 --> 00:34:32,250 Everybody's really going to be surprised at how she sings the great American 493 00:34:32,250 --> 00:34:36,330 standard. She's a wonderful jazz singer. 494 00:34:37,900 --> 00:34:40,380 Well, you're not so bad either, Tony. Thank you. 495 00:34:40,880 --> 00:34:45,460 Let me welcome your school's founder, Tony Bennett, and his friend, our 496 00:34:45,460 --> 00:34:47,260 guest, Lady Gaga. 497 00:34:53,980 --> 00:34:55,260 You make quite an entrance. 498 00:34:56,400 --> 00:35:00,160 My question is for Tony Bennett. What do you think of the way Lady Gaga dresses? 499 00:35:02,180 --> 00:35:03,860 Anything she wears is beautiful. 500 00:35:04,260 --> 00:35:05,560 She knows how to do it. 501 00:35:09,800 --> 00:35:14,340 out in September and tell your parents that they should buy the record because 502 00:35:14,340 --> 00:35:15,340 she needs the money. 503 00:35:32,260 --> 00:35:34,320 Good morning, Mr. Bennett. Good morning. 504 00:35:34,640 --> 00:35:35,640 How are you today? 505 00:35:44,420 --> 00:35:50,180 I'm very excited today. This is the first day that they're releasing the 506 00:35:50,180 --> 00:35:51,180 internationally. 507 00:36:09,320 --> 00:36:10,960 There's nobody like them, you know? 508 00:36:39,920 --> 00:36:41,320 Oh my God, I want to tell you something. 509 00:36:41,560 --> 00:36:42,720 See the reds and blues? 510 00:36:43,580 --> 00:36:48,340 Judy Garland told me, anytime you're on stage and you see the reds and blues, 511 00:36:48,560 --> 00:36:49,560 she said, smile. 512 00:36:51,060 --> 00:36:52,060 Okay, well. 513 00:36:52,080 --> 00:36:53,980 That's a good lesson, isn't it? Yeah. 514 00:36:54,220 --> 00:36:55,880 She was better than anybody. 515 00:36:56,640 --> 00:36:57,640 Judy. 516 00:37:31,530 --> 00:37:35,950 I'm doing Lush Life. We could put San Francisco right before Don't Mean a 517 00:37:36,190 --> 00:37:37,190 No, this is better. 518 00:37:37,710 --> 00:37:39,150 You have to bewitch. 519 00:37:39,910 --> 00:37:42,250 Anything but love? I can't give you anything but love. That's nice. Okay. 520 00:37:42,830 --> 00:37:46,990 Bobby, let me give you the new set list Mr. Bennett is putting together. 521 00:37:47,250 --> 00:37:50,590 The only trouble is that there's two ballads in a row, and I don't want to do 522 00:37:50,590 --> 00:37:51,590 that. Okay. 523 00:37:52,270 --> 00:37:55,950 I can't give you anything but love. Yeah. How do you keep the music playing? 524 00:37:56,190 --> 00:37:57,850 Yeah. Lush Life? Yeah. 525 00:37:58,150 --> 00:37:59,510 Don't Mean a Thing. Perfect. 526 00:37:59,790 --> 00:38:00,790 Okay? I love that. 527 00:38:01,520 --> 00:38:05,680 Well done. Yeah, it's better facing these song counts that way. 528 00:38:06,240 --> 00:38:12,040 Okay. See you later Did 529 00:38:12,040 --> 00:38:14,760 you hear 530 00:38:14,760 --> 00:38:20,480 I'm 531 00:38:20,480 --> 00:38:26,260 sober pretty sober 532 00:38:32,300 --> 00:38:35,400 Cheek to cheek is number one in Belgium right now. Right. 533 00:38:43,000 --> 00:38:49,280 Lady Gaga sang jazz. 534 00:38:49,680 --> 00:38:51,020 The Daily Beast. 535 00:38:51,820 --> 00:38:56,780 As a nitpicking jazz critic, I view Gaga as more a performance artist than a 536 00:38:56,780 --> 00:39:00,520 musician. She is certainly a risk taker and attention getter, but often for 537 00:39:00,520 --> 00:39:02,240 matters of costume props and behavior. 538 00:39:02,780 --> 00:39:04,540 Is Gaga up to this challenge? 539 00:39:04,840 --> 00:39:08,800 Can she interpret the works of George Gershwin, Duke Ellington, and Cole 540 00:39:08,800 --> 00:39:09,800 with plausibility? 541 00:39:10,080 --> 00:39:14,480 Above all, can she trade phrases with Tony Bennett and not get left in the 542 00:39:14,720 --> 00:39:18,800 The answer is, somewhat to my surprise, yes, she can. 543 00:39:33,280 --> 00:39:38,360 Number one in Brazil, Bulgaria, Chile, Colombia, Costa Rica, Ecuador, Greece, 544 00:39:38,540 --> 00:39:43,460 Paraguay, Peru, Taiwan, Turkey, Vietnam, Argentina, Belgium, Lithuania, 545 00:39:43,600 --> 00:39:46,700 Malaysia, Moldova, Singapore, Thailand. 546 00:39:49,500 --> 00:39:51,560 And this is before it's even in stores. 547 00:39:51,800 --> 00:39:54,260 Yeah, right. This is like pre -order. 548 00:39:54,520 --> 00:39:55,019 It's big. 549 00:39:55,020 --> 00:39:56,020 Yeah. 550 00:40:26,960 --> 00:40:27,779 Hi, Gaga. 551 00:40:27,780 --> 00:40:32,900 Hi, Ryan. Lady Gaga is with us, and she's done this album with Tony Bennett, 552 00:40:33,080 --> 00:40:37,440 which is such a cool juxtaposition. He's not only a legend, but what a 553 00:40:37,440 --> 00:40:40,520 gentleman. I mean, this is the old school of the music industry. 554 00:40:40,780 --> 00:40:45,340 I feel so humbled to be doing this project with him. This is the most 555 00:40:45,340 --> 00:40:49,580 album I've ever made. It is beautiful, and when I listen to the different 556 00:40:49,580 --> 00:40:52,780 tracks, it makes me want to tuck in my shirt and dress better. 557 00:40:53,080 --> 00:40:54,080 I know. You know, me too. 558 00:41:24,520 --> 00:41:30,020 In olden days, a glimpse of stocking was looked on as something shocking. Now 559 00:41:30,020 --> 00:41:34,380 heaven knows, anything goes. 560 00:41:35,880 --> 00:41:41,640 Good office too, once knew better words. Now only use four -letter words, 561 00:41:41,740 --> 00:41:42,740 writing prose. 562 00:41:44,300 --> 00:41:45,580 Anything goes. 563 00:41:47,020 --> 00:41:51,920 You're a dynamic duo, and you're selling out everywhere. Radio City, Las Vegas. 564 00:41:52,220 --> 00:41:54,960 Yeah, we're just sold out throughout the world, all of Europe. 565 00:41:55,220 --> 00:41:56,600 Pinched me, but I don't want to wake up. 566 00:42:01,130 --> 00:42:05,510 This is a musical collaboration as bizarre as it is perfect. You're the 567 00:42:05,510 --> 00:42:11,350 odd couple. That's what makes it good. Not a term I often use here, but they're 568 00:42:11,350 --> 00:42:15,690 adorable. I've just never been so happy singing with somebody. And I laugh with 569 00:42:15,690 --> 00:42:20,030 him like I laugh with my buddies in their late 20s. Hi, this is Tony Bennett 570 00:42:20,030 --> 00:42:21,710 Lady Gaga in her pajamas. 571 00:42:26,480 --> 00:42:29,040 What was it like performing with him? It must have been a little bit 572 00:42:29,040 --> 00:42:31,360 intimidating. Oh, yeah. Oh, wow. 573 00:42:32,180 --> 00:42:33,740 He asked me the question. 574 00:42:34,640 --> 00:42:35,640 Okay. 575 00:42:35,880 --> 00:42:39,640 I was excited to be rebellious against my pop career. 576 00:42:39,900 --> 00:42:41,340 It can be a little wild. 577 00:42:41,560 --> 00:42:42,459 A little? 578 00:42:42,460 --> 00:42:43,460 Yeah. 579 00:42:43,880 --> 00:42:49,120 I could have retired 17 years ago, but I want the young people to pick up on 580 00:42:49,120 --> 00:42:52,240 jazz. Thank God you didn't retire, because what the hell would I be doing? 581 00:42:53,150 --> 00:42:58,350 He taught me that legacy is about enduring, being fearless, and pushing 582 00:42:58,630 --> 00:43:01,810 I feel like a bird let out of my cage, and it's all because of him. 583 00:43:02,050 --> 00:43:05,750 I'm singing the trumpet. Tony drew it. I have a tattoo for every album I put 584 00:43:05,750 --> 00:43:09,450 out. I wanted this one to be the biggest one, because this is the biggest moment 585 00:43:09,450 --> 00:43:10,229 of my life. 586 00:43:10,230 --> 00:43:12,170 Please go absolutely nuts. 587 00:43:12,680 --> 00:43:14,480 For Tony Bennett and Lady Gaga. 588 00:43:17,300 --> 00:43:22,960 You have shown me true happiness, Tony. 589 00:43:28,640 --> 00:43:29,760 The jazz. 590 00:43:30,220 --> 00:43:32,100 And to swing it forever. 591 00:43:56,110 --> 00:43:59,250 It's always my biggest dream, was to have a full horse inside a square. 592 00:43:59,530 --> 00:44:01,490 Yeah, well, this is a big one. 593 00:44:01,750 --> 00:44:02,750 It's really big? 594 00:44:03,070 --> 00:44:04,150 Yeah, it's big. 595 00:44:05,810 --> 00:44:10,410 You know, I've been thinking about everything, and no matter what happens, 596 00:44:10,410 --> 00:44:13,270 have to be in charge of the whole scene. 597 00:44:13,510 --> 00:44:18,770 Yep. Every single idea, creative idea, has to come from you. 598 00:44:19,490 --> 00:44:21,450 It should be all your decisions. 599 00:44:22,650 --> 00:44:24,890 Oh, holy mackerel, look at that. 600 00:44:25,770 --> 00:44:26,770 That's huge. 601 00:44:27,250 --> 00:44:29,210 Do you see that? It's you and me. 602 00:44:30,030 --> 00:44:31,810 Gosh, it's the size of the whole building. 603 00:44:33,930 --> 00:44:35,930 Tony, look at our commercial. 604 00:44:45,630 --> 00:44:46,630 Still beautiful. 605 00:44:56,810 --> 00:44:59,330 And that's going all around the world. Everywhere. 606 00:45:00,170 --> 00:45:04,610 Oh my God, it's the new man. 607 00:45:07,890 --> 00:45:11,010 Putting jazz on the front page of that big commercial building. 608 00:45:24,170 --> 00:45:27,130 Just give that rhythm everything you've got. 609 00:45:27,830 --> 00:45:32,210 Oh, it don't mean a thing if it ain't got that swing. 610 00:45:32,970 --> 00:45:35,730 You know, 611 00:45:44,630 --> 00:45:48,590 whenever I'm with you, Tony, everything that happens is right, always. 612 00:45:49,110 --> 00:45:50,590 Nothing ever goes wrong. 613 00:45:51,070 --> 00:45:56,010 I just know my life's on the right path because each day is better than the day 614 00:45:56,010 --> 00:45:57,490 before since I met you. 615 00:46:00,990 --> 00:46:07,070 And the Grammy goes to, 616 00:46:07,230 --> 00:46:10,430 chief to chief, Tony Bennett and Lady Gaga. 617 00:46:20,810 --> 00:46:26,190 And my heart beats so that I can hardly speak. 618 00:46:29,190 --> 00:46:34,710 And I seem to find the happiness 619 00:46:34,710 --> 00:46:37,610 I seek. 620 00:46:41,990 --> 00:46:48,730 When we're out together dancing, cheating. 621 00:46:57,000 --> 00:46:59,140 So that I can hardly speak. 622 00:46:59,940 --> 00:47:03,960 And I seem to find the happiness I seek. 623 00:47:04,320 --> 00:47:07,740 Oh, Tony White, we're out together dancing. 624 00:47:07,940 --> 00:47:09,960 Out together dancing. 625 00:47:10,220 --> 00:47:13,460 Out together dancing cheek to cheek. 626 00:48:08,590 --> 00:48:09,590 This is my dad's place. 627 00:48:09,770 --> 00:48:11,330 When I'm home, I'm here all the time. 628 00:48:12,310 --> 00:48:16,250 You look at these pictures of my ancestors dating back all the way to 629 00:48:16,530 --> 00:48:18,770 My grandfather who made shoes. 630 00:48:19,530 --> 00:48:21,150 My grandmother who made dresses. 631 00:48:22,170 --> 00:48:24,890 Tony's mother was making a penny a dress. 632 00:48:25,490 --> 00:48:30,810 When we hang out, our families, it's just like glue. You know, how far he's 633 00:48:30,810 --> 00:48:33,790 come. and how humble he has stayed over all the years. 634 00:48:34,650 --> 00:48:36,290 It's nice that people love you. 635 00:48:36,650 --> 00:48:38,910 You want them to love you for who you really are. 636 00:48:40,610 --> 00:48:46,930 Him helping me rediscover that confidence in myself as a musician, 637 00:48:46,930 --> 00:48:48,170 helped save my life. 638 00:49:03,850 --> 00:49:06,450 I just wanted to say a few things about Tony. 639 00:49:07,790 --> 00:49:12,710 Some people in the world have seen us sing together, but what they may not 640 00:49:12,710 --> 00:49:14,430 about is what he's taught me. 641 00:49:15,770 --> 00:49:20,110 You know, when I'm having a bad day and I'm really, really sad and I just feel 642 00:49:20,110 --> 00:49:23,430 like I don't even know who to call, because sometimes you don't want to call 643 00:49:23,430 --> 00:49:26,910 your mom and air out everything because then she's, you know, nervous. 644 00:49:28,870 --> 00:49:29,910 I call Tony. 645 00:49:30,990 --> 00:49:31,990 I really do. 646 00:49:32,720 --> 00:49:35,000 I really do. Like, I called home. 647 00:49:36,400 --> 00:49:41,440 And he says to me, straight ahead, lady. 648 00:49:42,640 --> 00:49:43,920 Just go straight ahead. 649 00:49:44,900 --> 00:49:45,900 Thank you, Tony. 650 00:49:46,780 --> 00:49:52,980 Thank you so much for reviving my ability to have drive again. 651 00:49:54,540 --> 00:49:55,760 To want to keep going. 652 00:49:56,180 --> 00:49:57,180 Straight ahead. 653 00:49:59,820 --> 00:50:01,940 Happy birthday, Mr. Tony Bennett. 654 00:50:15,720 --> 00:50:18,100 Hey, everyone. How amazing is this tonight? 90. 655 00:50:22,000 --> 00:50:28,960 And find me with his heart, not just giving to the 656 00:50:28,960 --> 00:50:33,480 arts, but giving to humanity, fighting for equal and civil rights for all 657 00:50:33,480 --> 00:50:34,480 people. 658 00:50:36,400 --> 00:50:37,400 I love you. 659 00:50:42,640 --> 00:50:48,860 Tony. At 90, you stand alone as an artist and as a human being. Without 660 00:50:48,860 --> 00:50:53,840 music, I don't think my life and my films, the films I've tried to make, 661 00:50:53,840 --> 00:50:55,040 be the same. 662 00:50:55,360 --> 00:51:00,660 Your music runs through my life like a river that just doesn't stop flowing. 663 00:51:01,940 --> 00:51:02,940 Kentani Plus. 664 00:51:05,660 --> 00:51:08,040 I wanted to do something special for Tony. 665 00:51:09,550 --> 00:51:13,230 So we called everybody at the Empire State Building, and they said they'd 666 00:51:13,230 --> 00:51:14,790 it up special just for you, Tom. 667 00:51:17,110 --> 00:51:22,750 It's going to be lit up just like the Italian flag to commemorate your success 668 00:51:22,750 --> 00:51:27,310 and legacy as an Italian -American in this country. We love you, Tony. We're 669 00:51:27,310 --> 00:51:28,310 proud. 670 00:51:50,350 --> 00:51:52,650 Do you remember when you told me I should sing this song? 671 00:51:53,570 --> 00:51:57,670 You said, lady, this is a good song for you to sing. 672 00:52:03,110 --> 00:52:03,590 Give 673 00:52:03,590 --> 00:52:16,430 your 674 00:52:16,430 --> 00:52:19,290 heart and soul to me. 675 00:53:10,760 --> 00:53:12,040 I don't try to stay intimate. 676 00:53:12,900 --> 00:53:14,120 I'm who I am. 677 00:53:17,260 --> 00:53:19,680 I'm still not retiring. I'm still performing. 678 00:53:21,900 --> 00:53:26,480 I love entertaining people, and I'm going to continue to do that as long as 679 00:53:26,480 --> 00:53:27,480 live. 680 00:53:57,420 --> 00:54:01,900 We came home one night, and he said, Susan, I'm having a hard time 681 00:54:01,900 --> 00:54:04,700 the names of the musicians who he works with all the time. 682 00:54:05,980 --> 00:54:09,260 So it was unusual, and I said, well, do you want to go see a doctor about it? 683 00:54:09,300 --> 00:54:10,300 And he said, I do. 684 00:54:16,320 --> 00:54:23,320 He would say, hey, lady, we should make a record together of all Cole 685 00:54:23,320 --> 00:54:25,700 Porter songs, all love songs. 686 00:54:28,720 --> 00:54:33,760 His Alzheimer's started to set on, and I said, let's go into the studio now, and 687 00:54:33,760 --> 00:54:34,760 we did. 688 00:54:38,220 --> 00:54:44,420 You know, I can promise you that every note that I sang, 689 00:54:44,560 --> 00:54:48,200 I was thinking about how this was Tony's last album. 690 00:54:49,540 --> 00:54:53,060 I knew I loved Tony before we made Love for Sale. 691 00:54:55,560 --> 00:54:58,560 But then we made love for sale, and I really knew how much. 692 00:55:29,900 --> 00:55:30,900 How much time do we have? 693 00:55:31,160 --> 00:55:32,660 A quarter to 12 right now. 694 00:55:32,880 --> 00:55:34,120 Yeah, hurry up, Picasso. 695 00:55:35,400 --> 00:55:36,379 Oh, no. 696 00:55:36,380 --> 00:55:37,780 Okay, let me step it up. 697 00:55:40,000 --> 00:55:42,980 Bar 48, B to E to A. 698 00:55:43,200 --> 00:55:50,140 Okay, and then on B3 and 4 should be C sharp to F sharp leading into B minor, 699 00:55:50,240 --> 00:55:53,480 right? I came early so I could be ready. Would 700 00:55:53,480 --> 00:55:59,140 I be able to rehearse? 701 00:56:00,230 --> 00:56:01,550 Sure, yeah. Let's run it. 702 00:56:07,490 --> 00:56:13,690 Why don't you sing this low part, and let Tony sing, don't you know, little 703 00:56:13,690 --> 00:56:16,850 fool? You know what I'm saying? Like, if this is too low for him and that's too 704 00:56:16,850 --> 00:56:17,749 high for you. 705 00:56:17,750 --> 00:56:20,830 We'll see how he feels about it. Okay. When Tony gets here, I think we should 706 00:56:20,830 --> 00:56:21,769 just try both. 707 00:56:21,770 --> 00:56:24,050 Okay. And see what he likes. All right. 708 00:56:24,550 --> 00:56:25,890 I'll be in the back doing my homework. 709 00:56:50,100 --> 00:56:51,960 Yeah. Yeah, no, she's going to watch. Yeah. 710 00:56:52,900 --> 00:56:53,900 Yes. 711 00:56:54,060 --> 00:56:55,060 Hi, Tony. 712 00:56:55,880 --> 00:56:56,880 Hi. 713 00:56:58,020 --> 00:57:00,820 I'm so happy to see you. Yeah, you look great. 714 00:57:01,100 --> 00:57:02,600 Thank you. So do you. 715 00:57:05,100 --> 00:57:06,500 How's it going? Fine. 716 00:57:07,020 --> 00:57:08,860 Good. Very good. How are you doing? 717 00:57:09,080 --> 00:57:10,140 Good. I'm excited. 718 00:57:10,500 --> 00:57:11,500 Good. Yeah. 719 00:57:11,680 --> 00:57:16,920 We were just playing around with a couple different keys, so you can choose 720 00:57:16,920 --> 00:57:18,980 which one makes you happiest. Okay. 721 00:57:19,880 --> 00:57:20,880 Thank you. 722 00:57:21,820 --> 00:57:24,820 I'm so happy to be here with you. Good. 723 00:57:25,520 --> 00:57:26,520 Same here. 724 00:57:43,280 --> 00:57:47,860 I've got you under my skin. 725 00:57:50,480 --> 00:57:55,760 I've got you deep in the heart of me. 726 00:57:57,760 --> 00:58:03,640 You're so deep in my heart, you're really a part of me. 727 00:58:05,260 --> 00:58:10,580 Because I've got you under my skin. 728 00:58:13,320 --> 00:58:18,160 And I love you under my skin. 729 00:58:23,740 --> 00:58:29,680 Anything you want to change? 730 00:58:30,260 --> 00:58:31,260 No. No? 731 00:58:31,620 --> 00:58:32,880 Everything's good. Okay. 732 00:58:35,320 --> 00:58:36,480 How's the key feel? 733 00:58:36,960 --> 00:58:38,580 Fine. Don't want it any higher. 734 00:58:38,800 --> 00:58:39,800 No. Okay. 735 00:58:40,200 --> 00:58:42,580 Because we can do it higher if you want. We can do it higher and it will take 736 00:58:42,580 --> 00:58:43,680 the bottom out. 737 00:58:44,800 --> 00:58:45,800 Okay. 738 00:58:47,680 --> 00:58:48,760 How's the tempo feel? 739 00:58:49,140 --> 00:58:50,520 Fine. Okay. 740 00:58:53,820 --> 00:58:55,300 Well, the boss is happy. 741 00:59:12,620 --> 00:59:15,380 So we'll need to get the seat music for Tony. 742 00:59:15,920 --> 00:59:17,240 I'll get it out for you. 743 00:59:17,720 --> 00:59:19,020 Would you like water, Tony? 744 00:59:19,760 --> 00:59:20,760 Thank you. 745 00:59:26,780 --> 00:59:27,780 Perfect. 746 00:59:28,340 --> 00:59:29,299 Thank you. 747 00:59:29,300 --> 00:59:30,300 You're very welcome. 748 00:59:33,860 --> 00:59:35,080 So how was your night? 749 00:59:35,440 --> 00:59:38,480 Okay. How are you doing? Good. Good. 750 00:59:38,800 --> 00:59:44,060 Yeah, there's some things going on that are... A little crazy, you know. But I 751 00:59:44,060 --> 00:59:48,560 went to go see Newman, the quintet that came out on the road with us. Oh. They 752 00:59:48,560 --> 00:59:51,620 were playing at the Gramercy last night. Oh, how nice. It was really special. 753 00:59:51,760 --> 00:59:52,760 Good. 754 00:59:54,960 --> 00:59:56,540 I don't remember what I did. 755 00:59:57,540 --> 00:59:58,540 That's all right. 756 00:59:58,660 --> 00:59:59,660 Did you have spaghetti? 757 01:00:01,880 --> 01:00:02,960 I don't remember. 758 01:00:04,620 --> 01:00:05,760 Well, it was a long day. 759 01:00:06,720 --> 01:00:09,500 Yeah. I forget things all the time. Yeah. 760 01:00:12,680 --> 01:00:15,060 Should we try one? Why not? I'm ready. 761 01:00:15,920 --> 01:00:17,000 Tony's always ready. 762 01:00:17,280 --> 01:00:18,280 We are rolling. 763 01:00:21,020 --> 01:00:22,760 You give me a war. 764 01:00:24,080 --> 01:00:27,360 I get a kick out of you. 765 01:00:28,780 --> 01:00:31,960 Get my kicks out of you. Get my kicks out of you. 766 01:00:32,740 --> 01:00:33,740 Woo! 767 01:00:42,520 --> 01:00:43,920 It sounds so good. 768 01:00:44,920 --> 01:00:46,020 It's so much fun. 769 01:00:46,640 --> 01:00:49,540 I miss this. I think all the time about how we toured. 770 01:00:50,680 --> 01:00:52,100 Wasn't that fun every night? 771 01:00:52,320 --> 01:00:54,500 Yeah. Every night was so fun. 772 01:00:56,000 --> 01:01:00,420 I'd love to watch you sing, Tony, for your solo. No problem. 773 01:01:01,980 --> 01:01:05,580 So, guys, let's put a solo in. 774 01:01:05,800 --> 01:01:07,440 Four bars before the end. 775 01:01:08,260 --> 01:01:11,120 You know what I mean? 776 01:01:11,880 --> 01:01:13,220 Should we run it? Yeah. 777 01:01:13,440 --> 01:01:14,440 Yeah. 778 01:01:15,300 --> 01:01:19,020 One, two, a one, two, three, four. 779 01:01:35,100 --> 01:01:39,320 Train near, but too dear. 780 01:01:42,890 --> 01:01:48,310 When I'm close to you, dear, 781 01:01:48,690 --> 01:01:51,330 the stars... 782 01:02:14,220 --> 01:02:15,220 Deceive me. 783 01:02:16,680 --> 01:02:18,340 Desert me. 784 01:02:20,560 --> 01:02:25,600 I'm yours till I die. 785 01:02:27,320 --> 01:02:29,240 So in love. 786 01:02:31,080 --> 01:02:33,280 So in love. 787 01:02:35,120 --> 01:02:36,600 So in love. 788 01:03:03,470 --> 01:03:04,470 You're so beautiful. 789 01:03:04,710 --> 01:03:05,930 That was so beautiful. 790 01:03:07,670 --> 01:03:12,170 You really have got a way, I'll tell you. Thank you. 791 01:03:16,250 --> 01:03:17,250 Yeah, 792 01:03:19,210 --> 01:03:24,650 you do know. You've got to know. 793 01:03:25,970 --> 01:03:26,970 You've got to know. 794 01:03:31,720 --> 01:03:34,440 I want you to be happy. 795 01:03:39,520 --> 01:03:42,040 I want you to be happy. 796 01:03:42,420 --> 01:03:46,140 I want to be happy too. 797 01:03:50,780 --> 01:03:51,780 I look sad. 798 01:03:55,960 --> 01:03:56,960 I know. 799 01:03:58,550 --> 01:04:00,850 But I'm happy when I'm with you. Good. 800 01:04:01,770 --> 01:04:06,030 It's not really a... It's so magnificent. 801 01:04:15,310 --> 01:04:17,490 Yeah, but don't stop. 802 01:04:18,470 --> 01:04:23,410 Don't stop. You know what? I'm looking at this again and I'm thinking... 803 01:04:24,319 --> 01:04:28,780 It's actually right. One thing I'd like you to do on the D -S, Marshall, is when 804 01:04:28,780 --> 01:04:35,180 you go to the G, B flat minor 7, two beats, on the D -S, 805 01:04:35,260 --> 01:04:38,680 that's going to be a solo in there. That's going to work out for you. 806 01:04:39,040 --> 01:04:44,560 So in love am I. 807 01:04:55,880 --> 01:04:57,960 You got to be playing for me, not for you. 808 01:04:58,740 --> 01:04:59,740 Okay. 809 01:05:00,020 --> 01:05:02,720 I mean, I don't feel like I'm being accompanied. 810 01:05:03,520 --> 01:05:08,820 It feels like you're playing the solo and I'm kind of singing behind it. 811 01:05:10,300 --> 01:05:15,300 I got to feel like where I'm at, that's how you guys are playing. 812 01:05:17,280 --> 01:05:18,280 Do you understand? 813 01:05:18,560 --> 01:05:19,560 Okay. 814 01:05:19,680 --> 01:05:20,680 Okay. 815 01:05:23,360 --> 01:05:24,840 It just feels like... 816 01:05:25,070 --> 01:05:27,250 The group is louder than I'm singing. 817 01:05:27,850 --> 01:05:30,050 I'm happy to not play what's here. 818 01:05:30,790 --> 01:05:32,350 No, I'm not saying that. 819 01:05:33,230 --> 01:05:40,030 I'm just saying you have to hear where I'm at and play for that. 820 01:05:41,310 --> 01:05:44,130 Right now, I have to go with what you're doing. 821 01:05:45,090 --> 01:05:46,710 It should be the other way around. 822 01:05:47,050 --> 01:05:50,250 You should be playing where I'm at. 823 01:05:50,510 --> 01:05:53,550 I agree, and I'm happy to do that. I know you agree, but... 824 01:05:53,820 --> 01:05:55,480 You're not agreeing when we're doing it. 825 01:05:55,900 --> 01:05:57,700 All right. I'll do it differently this time. 826 01:05:57,920 --> 01:05:58,920 I'll do it that way. 827 01:06:00,100 --> 01:06:01,100 Let's do it again. 828 01:06:01,720 --> 01:06:02,720 Okay. 829 01:06:04,160 --> 01:06:05,160 Are we rolling? 830 01:06:05,480 --> 01:06:07,100 I think you should play softer. 831 01:06:07,360 --> 01:06:09,400 Okay. Let's all play softer. Okay. 832 01:06:10,440 --> 01:06:14,040 One, two, a one, two, three, four. 833 01:06:25,740 --> 01:06:26,940 No, no. 834 01:06:27,460 --> 01:06:31,240 You sound very voluminous and I sound very quiet. 835 01:06:32,940 --> 01:06:34,580 You should be playing softer. 836 01:06:34,960 --> 01:06:36,840 Okay, I'll play softer. Okay. 837 01:06:37,500 --> 01:06:38,840 One, two. 838 01:06:39,060 --> 01:06:40,660 One, two, three. 839 01:06:53,000 --> 01:06:58,960 But true, dear, when I'm close 840 01:06:58,960 --> 01:07:02,080 to you, dear. 841 01:07:11,440 --> 01:07:12,720 I don't know where I'm at. 842 01:07:13,620 --> 01:07:14,620 It's okay. 843 01:07:14,960 --> 01:07:18,720 I don't think it's marked really clearly on your literacy when you come back. 844 01:07:18,940 --> 01:07:21,920 I don't feel like I'm being accompanied. I feel like... 845 01:07:22,470 --> 01:07:27,570 You guys are playing solo, and I'm underneath that. 846 01:07:29,490 --> 01:07:32,230 I think it also might have something to do with the arrangement. 847 01:07:33,010 --> 01:07:39,730 I think that if there was more space, you know, just throughout the... 848 01:07:39,730 --> 01:07:40,730 Oh, boy. 849 01:07:41,350 --> 01:07:42,390 Yeah. Just more space. 850 01:07:42,590 --> 01:07:44,970 Okay. Well, let's try it one more time, all right? And if it's not happening, 851 01:07:45,010 --> 01:07:48,210 we'll work on it. We'll work on it. There's so many figures here. Yeah. 852 01:07:48,650 --> 01:07:49,710 We just won't play them. 853 01:07:50,130 --> 01:07:51,130 Okay, let's try it. 854 01:07:51,440 --> 01:07:52,760 Yeah, let's do it. 855 01:07:54,240 --> 01:07:57,920 One, two. One, two, three. 856 01:08:17,300 --> 01:08:18,300 I'm yours. 857 01:08:36,240 --> 01:08:42,479 With you, my love, am I. 858 01:08:55,120 --> 01:08:56,300 Thank you. 859 01:09:28,010 --> 01:09:29,009 Good morning. 860 01:09:29,010 --> 01:09:32,310 Hey, good morning. How are you today? Okay, how are you doing? Terrific. 861 01:09:33,010 --> 01:09:34,069 It's going smooth. 862 01:09:34,590 --> 01:09:37,490 Yeah, it is. You both sound so good together. It's really nice. 863 01:09:41,609 --> 01:09:44,029 I wake up every morning counting my blessings. 864 01:09:45,729 --> 01:09:51,609 I mean, I'm surrounded by all real pro guys and it all works. 865 01:09:52,270 --> 01:09:53,270 Absolutely. 866 01:09:53,910 --> 01:09:54,910 Hi, Tony. 867 01:09:55,250 --> 01:09:56,250 Hi. 868 01:10:01,190 --> 01:10:07,950 You know, I'd like to apologize for yesterday 869 01:10:07,950 --> 01:10:09,870 because I didn't know what was going on. 870 01:10:10,150 --> 01:10:12,870 Oh, no problem. I appreciate it. No problem. 871 01:10:14,190 --> 01:10:18,010 No problem. I appreciate it. Thank you. Okay. 872 01:10:18,970 --> 01:10:20,690 Guys, let's do the beginning again. 873 01:10:21,770 --> 01:10:23,770 Guys, let's do that beginning again. 874 01:10:24,190 --> 01:10:25,190 Tony, are you there? 875 01:10:26,030 --> 01:10:27,450 What time are you coming in today? 876 01:10:29,050 --> 01:10:30,390 Oh, shit, I'm late. 877 01:10:34,550 --> 01:10:41,210 You have a mustache 878 01:10:41,210 --> 01:10:42,950 on this cover. It's going to be different. 879 01:10:49,210 --> 01:10:51,850 Did I notice about the song you were singing yesterday, Gaga? 880 01:10:52,130 --> 01:10:55,230 That intro. I'd never heard that intro. Can we hear it a little? 881 01:10:55,790 --> 01:11:02,770 When the little blue bird who has never said a word starts to sing 882 01:11:02,770 --> 01:11:03,850 spring, spring. 883 01:11:05,830 --> 01:11:12,110 It is nature that's all simply telling us to fall 884 01:11:12,110 --> 01:11:14,330 in love. 885 01:11:17,310 --> 01:11:18,310 Perfect. 886 01:11:19,160 --> 01:11:23,100 That's why birds do it, bees do it. 887 01:11:23,440 --> 01:11:26,300 Even educated, please do it. 888 01:11:26,740 --> 01:11:27,960 Let's do it. 889 01:11:28,340 --> 01:11:29,760 Let's fall in love. 890 01:11:32,340 --> 01:11:33,460 Grandpa, look this way. 891 01:11:36,740 --> 01:11:38,060 May I have your hand, Tony? 892 01:11:38,380 --> 01:11:40,500 May I have your hand? Oh, yeah. 893 01:11:41,160 --> 01:11:42,460 I love that. 894 01:11:42,760 --> 01:11:46,000 Yeah. You guys are ready for a night on the town. 895 01:11:47,080 --> 01:11:48,120 Dawn of the opera. 896 01:11:48,640 --> 01:11:50,960 Going to the opera. We're going to see jazz, baby. 897 01:11:51,780 --> 01:11:53,360 You know what I was thinking of doing? 898 01:11:54,140 --> 01:11:57,580 Pass it to the cover, maybe. 899 01:11:57,880 --> 01:12:00,620 Really? I would love that. 900 01:12:23,340 --> 01:12:24,360 I'm so sad. 901 01:12:26,480 --> 01:12:28,540 I'm so sad we're not singing together tomorrow. 902 01:12:38,400 --> 01:12:42,040 How's it going? 903 01:12:43,200 --> 01:12:46,540 Should we pick a new spot? Yeah, I'm thinking that he had the piano. 904 01:12:48,840 --> 01:12:50,080 Goddard, can you play a little bit? 905 01:12:50,680 --> 01:12:51,680 Perfect, perfect. 906 01:13:16,330 --> 01:13:23,230 Just another way to prove I love you when it's hard today. I'll lay back 907 01:13:23,230 --> 01:13:25,910 in my chair and find a way. 908 01:13:27,970 --> 01:13:34,350 And when you say the thing that you say that makes me mad, I'll turn away, 909 01:13:34,690 --> 01:13:37,550 I'll turn away, I'll turn away. 910 01:13:38,630 --> 01:13:41,750 And think of different ways. 911 01:13:42,030 --> 01:13:48,970 to keep my spirits up and choreograph flowers with playful 912 01:13:48,970 --> 01:13:55,770 joyous thoughts we both know I could learn a thing or two about relaxing 913 01:13:55,770 --> 01:14:01,050 but hey I love you and after all it's just another day 914 01:14:01,050 --> 01:14:07,950 I could use some two or three or other kind of 915 01:14:07,950 --> 01:14:13,590 ways to be but today I won't Be so hard on me. 916 01:14:13,930 --> 01:14:20,110 I'll pick up unique style. Kick around with Tony today. 917 01:15:00,300 --> 01:15:02,060 It's just another day. 918 01:15:24,700 --> 01:15:26,760 Tom, look at me. 919 01:15:27,840 --> 01:15:29,760 You remember Lady Gaga, right? 920 01:15:30,700 --> 01:15:32,920 Do you remember you sang Lady is a Tramp with her? 921 01:15:33,180 --> 01:15:36,100 Yeah. Okay, she's coming up here to sing with you right now. 922 01:15:36,680 --> 01:15:38,360 You're rehearsing all week. 923 01:15:38,940 --> 01:15:39,940 Good. 924 01:15:40,620 --> 01:15:43,140 She is so excited to see you. 925 01:15:48,800 --> 01:15:50,020 This is going to be good. 926 01:15:50,280 --> 01:15:51,280 I know. 927 01:15:53,000 --> 01:15:54,800 I'm here because I love you. 928 01:16:07,139 --> 01:16:10,720 I get no kick from champagne. 929 01:16:12,560 --> 01:16:17,780 Mere, mere alcohol doesn't thrill me at all. 930 01:16:18,120 --> 01:16:22,200 So tell me why should it? Thank you. I'm practicing. 931 01:16:28,260 --> 01:16:31,700 You know the best thing though and just act like you haven't done it five times 932 01:16:31,700 --> 01:16:34,980 already say let's do I get a kick out of you He'd be like, okay. Okay, if you 933 01:16:34,980 --> 01:16:36,180 say take it from the bridge, it's like, huh? 934 01:16:36,400 --> 01:16:40,500 Okay, do it again. I get it wrong. He doesn't want to do it. Let's do it. 935 01:16:40,500 --> 01:16:41,500 see what happens. Okay. 936 01:16:42,320 --> 01:16:43,320 Come on, cutie pie. 937 01:16:43,600 --> 01:16:44,760 Okay. Tony. 938 01:16:45,120 --> 01:16:46,120 Hi. 939 01:16:46,320 --> 01:16:47,320 Ladies here. 940 01:16:47,780 --> 01:16:48,780 I'm here. 941 01:16:49,500 --> 01:16:50,720 How are you, Tony? 942 01:16:51,640 --> 01:16:52,720 Oh, Tony. 943 01:16:53,140 --> 01:16:54,300 Tony, it's a theme. 944 01:16:54,880 --> 01:16:55,880 Wow. 945 01:16:56,120 --> 01:16:57,120 How you feeling? 946 01:16:57,390 --> 01:16:59,030 Couldn't be better. Couldn't be better? 947 01:16:59,310 --> 01:17:00,310 You want to sing? 948 01:17:00,570 --> 01:17:01,570 Let's sing together. 949 01:17:01,710 --> 01:17:02,710 Okay. Yeah? 950 01:17:05,910 --> 01:17:07,350 Yeah, man. Hi. Hey. 951 01:17:08,070 --> 01:17:09,590 Me and Lee were just catching up. 952 01:17:10,710 --> 01:17:12,670 Let's do I've Got You Under My Skin. 953 01:17:13,810 --> 01:17:17,290 Okay. Yeah? You want to start with that? That sounds good. Yeah, I'd love to. 954 01:17:17,850 --> 01:17:18,850 All right, tone. 955 01:17:19,070 --> 01:17:20,070 Yeah. 956 01:17:20,210 --> 01:17:21,210 Wow. 957 01:17:21,470 --> 01:17:22,550 Looking good, tone. 958 01:17:32,240 --> 01:17:34,600 I've got you under my skin. 959 01:17:36,820 --> 01:17:41,700 I've got you deep in the heart of me. 960 01:17:42,900 --> 01:17:47,840 You're so deep in my heart. You're really a part of me. 961 01:17:49,440 --> 01:17:53,560 I've got you under my skin. 962 01:17:53,820 --> 01:17:58,380 And I love you under my skin. 963 01:18:00,390 --> 01:18:04,850 Yes, I've got you under my skin. 964 01:18:07,410 --> 01:18:09,750 Under, under, under, under my skin. 965 01:18:10,590 --> 01:18:11,830 Oh, Tony! 966 01:18:13,230 --> 01:18:14,690 Oh my God. 967 01:18:14,990 --> 01:18:17,130 I'm so happy singing with you. 968 01:18:17,390 --> 01:18:20,110 Good. Am I keeping up okay? Jeez. 969 01:18:21,050 --> 01:18:23,330 Jeez Louise. It's been a while. 970 01:18:23,590 --> 01:18:25,830 It's been three years since we made this record. 971 01:18:26,270 --> 01:18:27,990 Yeah. Wow. Yeah. 972 01:18:28,380 --> 01:18:29,920 Am I starting to swing, Tony? 973 01:18:30,220 --> 01:18:35,220 Oh, yeah. I'm starting to swing with you? Yeah. Oh, you're doing very well. 974 01:18:35,440 --> 01:18:39,520 I've been singing jazz by myself in Las Vegas, and I've got to tell you, if I 975 01:18:39,520 --> 01:18:43,820 hadn't sang jazz with you first, I'd be lost out there looking for a swing. 976 01:18:45,380 --> 01:18:49,440 Looking for a swing? I'd be looking for a swing, trying to figure out where to 977 01:18:49,440 --> 01:18:53,980 go, because nobody knows how to swing like you. You taught me how to swing. 978 01:19:01,290 --> 01:19:07,910 Last night, when we were young, love was a star, 979 01:19:07,990 --> 01:19:10,870 song unsung. 980 01:19:11,990 --> 01:19:18,610 Life was so new, so real, so right, ages 981 01:19:18,610 --> 01:19:22,310 ago, last night. 982 01:19:23,850 --> 01:19:29,570 So now, let's reminisce. 983 01:19:31,050 --> 01:19:36,830 And recollect the sighs, the kisses, 984 01:19:36,910 --> 01:19:40,070 the arms that clung 985 01:19:40,070 --> 01:19:45,930 when we were young 986 01:19:45,930 --> 01:19:49,590 last night. 987 01:20:06,990 --> 01:20:07,990 Thank you. 988 01:20:08,790 --> 01:20:09,790 You made me cry. 989 01:20:13,510 --> 01:20:18,330 You sound so great, and I'm going to keep doing my homework so I can make 990 01:20:18,330 --> 01:20:21,610 swing up there with you, because if I'm not swinging, you've got to kick me off. 991 01:20:44,990 --> 01:20:46,890 Thank you for a wonderful rehearsal, Tony. 992 01:20:50,010 --> 01:20:51,010 Sweetheart. 993 01:20:51,150 --> 01:20:52,850 I had so much fun rehearsing. 994 01:20:53,490 --> 01:20:55,210 I can't wait to rehearse again tomorrow. 995 01:20:57,550 --> 01:21:01,110 You know, with Alzheimer's, a lot of times, like you're me, and you'll say 996 01:21:01,110 --> 01:21:02,550 hello, and I'll say hello. 997 01:21:03,530 --> 01:21:07,170 And he doesn't understand anymore to make that. And so you have to get right 998 01:21:07,170 --> 01:21:10,010 front of him and say, hey, and make the emotional connection. I think I was 999 01:21:10,010 --> 01:21:11,670 nervous to do that. Yeah, I know. 1000 01:21:12,690 --> 01:21:13,690 Because... 1001 01:21:13,790 --> 01:21:16,090 With the Alzheimer's, he doesn't always understand. You know, it used to drive 1002 01:21:16,090 --> 01:21:18,410 me nuts. He'd sit on the couch and he wouldn't look at me, but he'd talk to me 1003 01:21:18,410 --> 01:21:19,009 like this. 1004 01:21:19,010 --> 01:21:23,470 So if you make the emotional connection by just getting into his, say, phone, 1005 01:21:23,670 --> 01:21:24,970 because he might just be down here. 1006 01:21:25,250 --> 01:21:27,430 Okay. So, and then he'll connect. 1007 01:21:28,150 --> 01:21:29,530 So I'm going to look at you more. 1008 01:21:30,330 --> 01:21:37,250 All the guys are looking forward 1009 01:21:37,250 --> 01:21:38,250 to seeing you tomorrow. 1010 01:21:38,830 --> 01:21:39,830 Good. Yeah. 1011 01:21:40,570 --> 01:21:42,270 Very good. Everybody misses you. 1012 01:21:45,169 --> 01:21:46,630 Wow. Couldn't be better. 1013 01:21:47,410 --> 01:21:48,410 Couldn't be better. 1014 01:21:53,790 --> 01:21:56,510 You showing up makes everything work. 1015 01:22:00,290 --> 01:22:01,770 You're the one that makes it work. 1016 01:22:03,250 --> 01:22:04,950 I'm just your backup, you know? 1017 01:22:05,370 --> 01:22:06,410 I got your back. 1018 01:22:09,450 --> 01:22:12,190 Is this your favorite part of the day when you're singing? 1019 01:22:12,770 --> 01:22:14,850 Yeah, I love working. 1020 01:22:16,910 --> 01:22:18,170 I love performing. 1021 01:22:22,230 --> 01:22:24,070 It makes people feel good. 1022 01:22:24,550 --> 01:22:25,550 It's true. 1023 01:22:25,950 --> 01:22:29,490 When you sing, there's nothing like it. 1024 01:22:31,290 --> 01:22:34,310 I haven't seen my parents since COVID. 1025 01:22:35,850 --> 01:22:37,230 So I'm going to see them later. 1026 01:22:40,050 --> 01:22:41,050 Yeah. 1027 01:22:42,190 --> 01:22:43,190 Yeah. 1028 01:22:43,930 --> 01:22:45,910 Whenever the time is right. 1029 01:22:46,170 --> 01:22:49,050 How you doing, cutie? 1030 01:22:49,290 --> 01:22:50,290 Hi. 1031 01:22:50,710 --> 01:22:52,530 You're not sleepy, are you? You want to keep singing? 1032 01:22:52,910 --> 01:22:53,910 What? 1033 01:22:54,430 --> 01:22:55,430 You getting sleepy? 1034 01:22:57,270 --> 01:22:58,270 Hmm? 1035 01:22:59,970 --> 01:23:00,970 Cutie pie? 1036 01:23:04,200 --> 01:23:08,680 I don't think I've ever seen anything more sweet in my whole life than you and 1037 01:23:08,680 --> 01:23:09,680 Susan. 1038 01:23:10,180 --> 01:23:11,180 Are you happy? 1039 01:23:11,380 --> 01:23:12,380 Yeah. Good. 1040 01:23:14,000 --> 01:23:17,260 We're going to sing at Radio City. Wow. 1041 01:23:17,620 --> 01:23:19,080 How about that? Packed houses. 1042 01:23:19,780 --> 01:23:20,780 For your birthday. 1043 01:23:21,580 --> 01:23:23,380 Beautiful. You know how old you're going to be? 1044 01:23:24,420 --> 01:23:25,780 How old? 95. 1045 01:23:26,660 --> 01:23:27,700 Oh, my God. 1046 01:23:28,800 --> 01:23:29,860 I'm getting young. 1047 01:23:30,220 --> 01:23:32,040 You're getting young. 1048 01:23:35,760 --> 01:23:38,800 Well, I'm so happy to have sang with you, Tone. I'm going to get out of here, 1049 01:23:38,840 --> 01:23:39,779 and I'll see you tomorrow. 1050 01:23:39,780 --> 01:23:40,780 Okay. 1051 01:23:41,100 --> 01:23:42,100 I'll come to you. 1052 01:23:42,420 --> 01:23:45,000 Take it easy. I love you very much. Thank you. 1053 01:23:50,940 --> 01:23:52,160 We need to... Hey, guys. 1054 01:23:53,080 --> 01:23:57,360 This is the swan song, guys. I mean, seriously. I don't see that we're going 1055 01:23:57,360 --> 01:23:58,360 be doing this again. 1056 01:23:59,280 --> 01:24:00,280 So, play out. 1057 01:24:01,320 --> 01:24:05,820 And let's be sensitive to Gaga because he needs her now. 1058 01:24:06,280 --> 01:24:08,060 And she's willing to take that on. 1059 01:24:08,560 --> 01:24:10,540 The band's here waiting for you, Tony. 1060 01:24:10,800 --> 01:24:12,680 Okay. You haven't seen them for a year. 1061 01:24:13,080 --> 01:24:14,080 Wow. 1062 01:24:15,520 --> 01:24:16,960 I look forward to it. 1063 01:24:18,420 --> 01:24:21,260 And here he is. 1064 01:24:21,880 --> 01:24:23,360 Okay. Hey, hey. 1065 01:24:29,480 --> 01:24:31,540 Mr. Bennett. Hey! How you doing? 1066 01:24:32,300 --> 01:24:33,980 It's great to see you. How are you? 1067 01:24:34,180 --> 01:24:35,180 Hi, Danny. 1068 01:24:36,440 --> 01:24:39,440 All right. 1069 01:24:42,000 --> 01:24:43,000 Swingin' room. 1070 01:24:44,420 --> 01:24:45,420 Should we sing? 1071 01:24:46,520 --> 01:24:48,080 Would you like to sing Love for Sale? 1072 01:24:48,900 --> 01:24:49,900 Okay. 1073 01:24:52,020 --> 01:24:56,120 When the only sound in the empty street... Good, and I'll give you an 1074 01:24:56,140 --> 01:25:00,560 He's a heavy shred of the heavy feet. I'll give you. A lonesome cop. Good. 1075 01:25:01,500 --> 01:25:06,060 She opens shop. I think it could be nice to just follow him. 1076 01:25:07,280 --> 01:25:12,060 So if he starts singing, let's just follow him. I might not be in that key. 1077 01:25:13,300 --> 01:25:15,360 You know what I mean? I might not be in the key. That's okay. 1078 01:25:17,180 --> 01:25:18,180 Can you find him? 1079 01:25:19,500 --> 01:25:20,500 Okay, find him. 1080 01:25:21,260 --> 01:25:22,260 Thank you. 1081 01:25:23,930 --> 01:25:27,750 Tony, do you mind if I just use the ladies room real fast? No problem. I'll 1082 01:25:27,750 --> 01:25:28,750 right back. 1083 01:25:33,270 --> 01:25:36,950 Would you like a chair along the way? Yeah, thank you very much. You're 1084 01:25:37,150 --> 01:25:38,148 Oh, hi there. 1085 01:25:38,150 --> 01:25:41,830 You're doing great. It's okay. I just don't want to cry. 1086 01:25:42,130 --> 01:25:48,870 Use your instincts. You know him as a performer better than anybody 1087 01:25:48,870 --> 01:25:51,030 else. I'm saying all of us. 1088 01:25:52,130 --> 01:25:53,350 He's in your hands right now. 1089 01:25:54,170 --> 01:25:57,130 Yeah, I'm fine. I'm just going to wipe my face and I'll be right back. 1090 01:25:59,110 --> 01:26:00,110 How you doing? 1091 01:26:00,490 --> 01:26:01,710 Okay. Are you having fun? 1092 01:26:02,130 --> 01:26:03,130 Yeah. Yeah? 1093 01:26:04,110 --> 01:26:05,810 I like that I'm working again. 1094 01:26:07,270 --> 01:26:08,910 That's right, you're going to work all week. 1095 01:26:10,790 --> 01:26:14,670 He loves this so much. When do you pull it back? 1096 01:26:15,250 --> 01:26:21,110 You know, it's a tough decision, but we just want to make it meaningful for him. 1097 01:26:23,090 --> 01:26:24,970 Don't be afraid to sight transpose. 1098 01:26:25,310 --> 01:26:27,310 You got it. This is the time. I can. 1099 01:26:27,530 --> 01:26:28,810 Listen, I'm going to try. 1100 01:26:30,730 --> 01:26:32,810 What would make you feel happy right now? 1101 01:26:33,090 --> 01:26:34,150 You. Me? 1102 01:26:34,470 --> 01:26:35,570 Oh, Tony. 1103 01:26:37,870 --> 01:26:40,170 You make me feel happy right now. 1104 01:26:40,810 --> 01:26:42,510 All right. Here we go. 1105 01:26:50,990 --> 01:26:53,430 Ladies and gentlemen, Mr. Tony Bennett tonight. 1106 01:26:55,250 --> 01:26:57,330 Night and day. 1107 01:26:59,690 --> 01:27:01,270 Day and night. 1108 01:27:03,670 --> 01:27:05,350 Night and day. 1109 01:27:07,570 --> 01:27:09,350 Day and night. 1110 01:27:11,830 --> 01:27:12,830 Night. 1111 01:27:28,520 --> 01:27:31,840 So no matter what happens, no matter what we do together, I'm going to make 1112 01:27:31,840 --> 01:27:33,840 that the band is always following you. Wow. 1113 01:27:35,060 --> 01:27:36,180 You know what you're doing. 1114 01:27:36,760 --> 01:27:37,760 Yeah. 1115 01:27:39,200 --> 01:27:40,340 You know what you're doing. 1116 01:27:40,760 --> 01:27:41,780 I learned from you. 1117 01:27:42,100 --> 01:27:45,300 So if I know what I'm doing, it's because you know what you're doing. 1118 01:27:46,020 --> 01:27:47,440 Because I learned it all from you. 1119 01:27:47,800 --> 01:27:48,800 Thank you. 1120 01:27:57,740 --> 01:28:00,120 I'm so glad you're here. I'm glad you're doing this for me. 1121 01:28:00,620 --> 01:28:05,880 I was like, I don't know if I can do this because I was so worried about him. 1122 01:28:05,960 --> 01:28:11,540 And then I realized that he deserves a show like that. 1123 01:28:12,100 --> 01:28:18,380 I've decided that if I could go back and talk to my friend, I know he would tell 1124 01:28:18,380 --> 01:28:23,120 me to be confident and proud and be myself. 1125 01:28:23,420 --> 01:28:26,800 And what that means to me is that I should not show up. 1126 01:28:27,120 --> 01:28:31,420 Like, drunk, with my head hanging over a trash bin. You know what I mean? 1127 01:28:31,680 --> 01:28:38,600 I can feel him saying to me, do what we did. And also, I want to make 1128 01:28:38,600 --> 01:28:45,000 it really clear that there's something that's going to be gone when Tony is not 1129 01:28:45,000 --> 01:28:46,000 doing this anymore. 1130 01:28:46,540 --> 01:28:52,180 We want to honor that he's the last of the greats. 1131 01:28:52,460 --> 01:28:55,100 And I want Tony in the museum. 1132 01:29:05,480 --> 01:29:07,380 You guys know how you're entering. 1133 01:29:12,540 --> 01:29:16,940 First day boy is here. 1134 01:29:17,760 --> 01:29:19,100 Welcome back, Mr. Bennett. 1135 01:29:20,160 --> 01:29:21,160 All right. 1136 01:29:21,420 --> 01:29:22,420 Rehearsal today. 1137 01:29:22,560 --> 01:29:23,820 No audience right now. 1138 01:29:24,020 --> 01:29:28,680 So just to be clear, as a lighting note, Watch What Happens will be in blue for 1139 01:29:28,680 --> 01:29:29,680 Mr. Bennett. 1140 01:29:33,840 --> 01:29:36,140 This will be great. He has a blue pocket square. 1141 01:29:38,260 --> 01:29:41,000 He's trying to get the bed of roses ready for Tony. 1142 01:29:42,320 --> 01:29:47,460 I'm nervous about it not being done in a way where Tony understands, like, this 1143 01:29:47,460 --> 01:29:52,900 happens and this happens. Like, I'm trying to, like, do for Tony what he 1144 01:29:52,900 --> 01:29:53,900 do if he could. 1145 01:30:05,800 --> 01:30:09,560 I just want to make sure that this is just as pristine as when we were on 1146 01:30:09,600 --> 01:30:13,180 Right, right. And because we're doing this in less of a time frame, that we go 1147 01:30:13,180 --> 01:30:16,840 from top to bottom, we're clear on what does the announcement sound like, where 1148 01:30:16,840 --> 01:30:20,420 do I start when I come out. I just don't want to wing it. The whole world's 1149 01:30:20,420 --> 01:30:21,420 going to see it. 1150 01:30:22,440 --> 01:30:23,440 Hi. 1151 01:30:24,080 --> 01:30:25,080 Thanks, Mommy. 1152 01:30:26,900 --> 01:30:28,200 How are you doing, all right? 1153 01:30:29,380 --> 01:30:33,780 Um, it's just difficult, Dad. I feel like I have no time. 1154 01:30:34,520 --> 01:30:36,980 There's so much of me that wants to fly home and hide. 1155 01:30:40,400 --> 01:30:43,880 I'm trying to get some soul into my voice right now, and it's because 1156 01:30:43,880 --> 01:30:47,420 everything's not sitting in the right spot. 1157 01:30:48,180 --> 01:30:49,180 Okay. 1158 01:30:54,720 --> 01:30:58,120 Maybe I'm just nervous. I haven't been on stage in so long. Shit. 1159 01:31:01,340 --> 01:31:02,340 We got this. 1160 01:31:02,800 --> 01:31:03,800 We're doing it, though. 1161 01:31:04,140 --> 01:31:05,740 Okay. We honor him. 1162 01:31:05,980 --> 01:31:06,858 We're here. 1163 01:31:06,860 --> 01:31:09,080 Okay. You've got this. Be strong. Okay. 1164 01:31:11,780 --> 01:31:13,220 There's no crying in jazz. 1165 01:31:14,080 --> 01:31:15,080 Hi, Tony. 1166 01:31:16,200 --> 01:31:18,180 Happy birthday. 1167 01:31:19,000 --> 01:31:25,800 Good to see you. How are 1168 01:31:25,800 --> 01:31:26,800 you? Good. 1169 01:31:27,160 --> 01:31:30,300 It's going to be packed, sold out all the way to the top. 1170 01:31:31,760 --> 01:31:33,660 Would you like to sing Anything Goes? 1171 01:31:34,200 --> 01:31:35,200 Why? 1172 01:31:37,480 --> 01:31:39,380 Because Cole Porter said so. 1173 01:31:40,600 --> 01:31:43,260 I thought I was getting paid for it. 1174 01:31:44,280 --> 01:31:46,300 You are getting paid for it. Oh, good. 1175 01:31:47,940 --> 01:31:49,940 Well, let's do it then. All right, let's do it. 1176 01:32:00,460 --> 01:32:01,460 Oh, my God, yeah. 1177 01:32:02,240 --> 01:32:07,180 The wild card is when Tony gets in front of an audience, it's a whole other 1178 01:32:07,180 --> 01:32:09,300 thing for him, how he's going to react. 1179 01:32:11,740 --> 01:32:14,160 He hasn't experienced that yet. 1180 01:32:17,420 --> 01:32:21,320 All right, I'm going to go get to more work. Got to make this show perfect for 1181 01:32:21,320 --> 01:32:22,320 you. 1182 01:32:25,840 --> 01:32:28,360 You take care of the personal stuff, I'll take care of the things. 1183 01:32:29,040 --> 01:32:32,580 You got it. Okay. Thank you, Tony. All right. Thank you. 1184 01:32:33,240 --> 01:32:34,460 Okay. Thank you. 1185 01:32:38,520 --> 01:32:40,840 You realize how great that was and that was the first? 1186 01:32:41,300 --> 01:32:42,300 Did you have fun? 1187 01:32:42,480 --> 01:32:44,100 We'll go back and do it all over again. 1188 01:32:45,600 --> 01:32:46,600 Very good. 1189 01:32:47,360 --> 01:32:48,360 With an audience. 1190 01:32:48,620 --> 01:32:49,680 With an audience, yes. 1191 01:32:52,080 --> 01:32:53,080 I don't know. 1192 01:33:01,200 --> 01:33:06,060 This is Tony Bennett Day in New York, in honor of the New York City treasure and 1193 01:33:06,060 --> 01:33:11,340 the icon's 95th birthday. And to mark the occasion, he will perform alongside 1194 01:33:11,340 --> 01:33:16,860 Lady Gaga at Radio City Music Hall tonight as his final concert of his 1195 01:33:17,840 --> 01:33:20,500 Happy birthday, Tony Bennett. 1196 01:33:59,280 --> 01:34:00,280 Yeah. 1197 01:34:00,560 --> 01:34:01,559 It's amazing. 1198 01:34:01,560 --> 01:34:02,560 That's why we're here. 1199 01:34:31,980 --> 01:34:34,180 How long are we going to be in this room? 1200 01:34:34,440 --> 01:34:35,540 In this room? 1201 01:34:36,700 --> 01:34:38,080 About another ten minutes. 1202 01:34:38,660 --> 01:34:40,440 And then we're going to watch Lady Gaga. 1203 01:34:40,880 --> 01:34:42,200 And then you go on. 1204 01:34:42,720 --> 01:34:43,840 Okay. Okay? 1205 01:34:49,020 --> 01:34:50,320 Thank you, man. 1206 01:34:50,540 --> 01:34:51,179 All right. 1207 01:34:51,180 --> 01:34:52,180 Let's pray. 1208 01:34:53,260 --> 01:34:56,160 I feel like I prepared my whole life for this moment. 1209 01:34:57,060 --> 01:35:02,320 I'd like to dedicate every note on this stage, every... Swing every rhythm 1210 01:35:02,320 --> 01:35:04,900 to Tony Bennett. 1211 01:35:07,560 --> 01:35:12,500 He reminds me that we're enough just the way we are. 1212 01:35:13,980 --> 01:35:15,880 But it's a choice to go deeper. 1213 01:35:17,540 --> 01:35:22,960 And it's also a choice to know that you are excellent and be endlessly in 1214 01:35:22,960 --> 01:35:25,100 pursuit of excellence that never stops. 1215 01:35:26,480 --> 01:35:28,760 Danny, is there anything you want to say about your dad? 1216 01:35:29,960 --> 01:35:31,340 No, because I'll start bawling. 1217 01:35:32,780 --> 01:35:39,600 No, thank you, everybody. I mean, this is the chapter, you know. And Tony, 1218 01:35:39,740 --> 01:35:46,060 as you said, never looks back, always looks forward. So I look at this as just 1219 01:35:46,060 --> 01:35:47,060 another beginning. 1220 01:35:47,640 --> 01:35:48,800 And have fun. 1221 01:35:52,400 --> 01:35:53,400 Swing it on three. 1222 01:35:53,820 --> 01:35:55,120 Right in the middle. 1223 01:35:55,560 --> 01:35:57,080 One, two, three. 1224 01:35:57,380 --> 01:35:58,380 Whiskey! 1225 01:36:02,809 --> 01:36:08,190 Good evening ladies and gentlemen and welcome to one last time an evening with 1226 01:36:08,190 --> 01:36:14,090 Tony Bennett and Lady Gaga This is going to be an extraordinary night 1227 01:36:14,090 --> 01:36:20,990 What do I 1228 01:36:20,990 --> 01:36:23,990 do when I go out there you think 1229 01:36:37,379 --> 01:36:40,420 Enjoy. You're in for an historic night. 1230 01:37:35,030 --> 01:37:36,030 It's filled up? 1231 01:37:36,250 --> 01:37:40,210 Yep. It's sold out Radio City Music Hall waiting for you to sing. 1232 01:37:40,710 --> 01:37:42,550 Wow. It's quite spectacular. 1233 01:37:51,270 --> 01:37:53,390 Is there a balcony in this theater? 1234 01:37:53,630 --> 01:37:54,630 There's three balconies. 1235 01:37:55,070 --> 01:37:56,070 Couldn't be nicer. 1236 01:38:10,800 --> 01:38:12,820 So is this theater in New York? 1237 01:38:13,080 --> 01:38:16,080 Yes, babe. You've performed here 25 times. 1238 01:38:16,380 --> 01:38:17,380 Wow. 1239 01:38:51,370 --> 01:38:53,150 You're gonna go on next, okay? Yeah. 1240 01:38:53,950 --> 01:38:55,390 Charlie, watch what happens. 1241 01:38:56,210 --> 01:38:59,370 Let someone not believe in you. 1242 01:39:00,950 --> 01:39:02,130 Like I believe in you. 1243 01:39:03,470 --> 01:39:04,730 He's my friend. 1244 01:39:19,280 --> 01:39:20,800 He's my musical companion. 1245 01:39:22,000 --> 01:39:25,240 And he's the greatest singer in the whole world. 1246 01:39:28,500 --> 01:39:32,920 I'll never forget this moment for the rest of my life. 1247 01:39:36,660 --> 01:39:40,300 Please, cheer for him and make him smile. 1248 01:39:41,440 --> 01:39:42,840 You better yell. 1249 01:39:43,700 --> 01:39:45,160 You better laugh. 1250 01:39:45,480 --> 01:39:46,820 You better cry. 1251 01:39:47,600 --> 01:39:52,180 You better give your soul because it's up to you. 1252 01:40:25,000 --> 01:40:26,000 No one. 1253 01:40:26,500 --> 01:40:28,040 Wait for the band. 1254 01:40:29,020 --> 01:40:31,060 Okay, we can go. Walk with me. 1255 01:40:31,300 --> 01:40:33,740 I don't know what you're doing. Walk with me. We're going to go out to the 1256 01:40:33,740 --> 01:40:35,380 piano. Right. Come on. 1257 01:40:38,740 --> 01:40:39,740 Knees out here. 1258 01:40:41,480 --> 01:40:42,480 Okay. 1259 01:40:43,780 --> 01:40:45,600 Where do I go? Right to the piano. 1260 01:40:46,200 --> 01:40:47,200 Right where you come. 1261 01:41:31,920 --> 01:41:36,040 Let someone start believing in you. 1262 01:41:37,640 --> 01:41:40,020 Let him hold out his hand. 1263 01:41:41,380 --> 01:41:46,120 Let him find you and watch what happens. 1264 01:41:47,440 --> 01:41:52,500 Oh, let someone with a deep love to give, 1265 01:41:52,660 --> 01:41:56,740 give his deep love to you. 1266 01:41:58,040 --> 01:42:00,360 What magic you see. 1267 01:42:01,320 --> 01:42:04,200 Let someone give his heart. 1268 01:42:05,440 --> 01:42:08,160 Someone who cares like me. 1269 01:42:08,980 --> 01:42:11,740 Thank you very much, ladies and gentlemen. 1270 01:42:34,990 --> 01:42:41,590 In San Francisco High 1271 01:42:41,590 --> 01:42:47,550 on a hill It 1272 01:42:47,550 --> 01:42:50,670 calls to me 1273 01:42:50,670 --> 01:42:57,670 When I come home 1274 01:43:04,720 --> 01:43:05,720 Let's go. 1275 01:43:10,000 --> 01:43:12,040 Your golden son. 1276 01:43:50,640 --> 01:43:51,640 Hey, Tony. 1277 01:43:52,040 --> 01:43:53,040 Oh! 1278 01:43:54,740 --> 01:43:55,800 Lady Gaga! 1279 01:43:58,500 --> 01:44:03,040 I like that. 1280 01:44:04,040 --> 01:44:05,040 Do it again. 1281 01:44:07,840 --> 01:44:08,840 Whoa! 1282 01:44:12,000 --> 01:44:13,000 Hey, Tony. 1283 01:44:14,600 --> 01:44:16,540 Let's sing The Lady of the Tramp. 1284 01:44:17,160 --> 01:44:18,380 Okay. All right. 1285 01:44:28,490 --> 01:44:34,850 take it tony she gets too hungry for dinner at eight 1286 01:44:34,850 --> 01:44:40,590 i never bother with people that i hate 1287 01:44:40,590 --> 01:44:43,550 that's why this lady 1288 01:44:43,550 --> 01:44:49,250 that's why the lady 1289 01:45:31,970 --> 01:45:38,670 Tony, we're all so grateful to have witnessed your talent, your 1290 01:45:38,670 --> 01:45:45,430 generosity, your creativity, and your 1291 01:45:45,430 --> 01:45:48,790 kindness. Thank you. Your service through all the years. 1292 01:45:58,280 --> 01:46:04,520 And Mr. Bennett, it would be my honor to escort you off the stage. 1293 01:47:48,330 --> 01:47:51,070 And then he said my name. And then we started rehearsing. 1294 01:48:20,270 --> 01:48:22,650 You realize you're using all those lines on stage. 1295 01:48:23,030 --> 01:48:25,730 I do. I say beautiful. 1296 01:48:26,210 --> 01:48:29,010 Wow. I do this. 1297 01:48:29,570 --> 01:48:31,770 Tony, on stage tonight, I did this. 1298 01:48:32,470 --> 01:48:37,270 They like that. The audience loves that. 1299 01:48:37,990 --> 01:48:39,210 You taught me everything. 1300 01:48:40,470 --> 01:48:42,270 I'm going to give you a big hug, okay? 1301 01:48:43,110 --> 01:48:44,110 He'll take it. 1302 01:48:45,250 --> 01:48:46,590 I'm going to give you a big hug. 1303 01:48:47,890 --> 01:48:48,890 Thank you. 1304 01:48:51,920 --> 01:48:52,960 You're a good man. 1305 01:48:53,660 --> 01:48:55,240 Wonderful. Through and through. 1306 01:48:55,820 --> 01:48:59,340 A magnificent singer and a perfect human. 1307 01:49:01,140 --> 01:49:02,140 Wonderful. 1308 01:49:04,020 --> 01:49:05,560 I'll never forget tonight. 1309 01:49:06,760 --> 01:49:07,760 Thank you. 1310 01:49:08,540 --> 01:49:09,740 You're my heart driver. 1311 01:49:11,740 --> 01:49:12,740 I'll be authentic. 1312 01:49:13,780 --> 01:49:14,800 I'll be true. 1313 01:49:16,000 --> 01:49:17,040 I'll be myself. 1314 01:49:17,760 --> 01:49:19,720 Wow. Because you taught me that. 1315 01:49:21,049 --> 01:49:25,790 Even with my makeup and my lipstick and my wig and all that, I'll be the real 1316 01:49:25,790 --> 01:49:26,950 me, okay? 1317 01:49:27,550 --> 01:49:28,550 Wonderful. 1318 01:49:29,950 --> 01:49:31,130 Sleep well tonight. 1319 01:49:31,370 --> 01:49:35,010 Thank you. Thank you. 1320 01:49:37,450 --> 01:49:42,890 See you later. 1321 01:49:52,059 --> 01:49:55,020 Thank you so much. I just want to tell you something. 1322 01:49:56,460 --> 01:50:01,480 Even though we always play music together, most importantly, you'll 1323 01:50:01,480 --> 01:50:02,920 friend. That's right. 1324 01:50:04,100 --> 01:50:05,180 That's the main thing. 1325 01:50:06,960 --> 01:50:08,340 You'll always be my friend. 1326 01:50:09,360 --> 01:50:10,360 Good. 1327 01:50:11,720 --> 01:50:12,780 That's the most important. 1328 01:50:14,220 --> 01:50:15,400 Thank you very much. 1329 01:50:16,520 --> 01:50:17,760 There's no one like you. 1330 01:50:22,480 --> 01:50:23,480 do 94063

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