All language subtitles for The Lady and The Legend [WEBRip 720p]
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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
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Do you know what I was thinking about? I
was thinking about how you swing.
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00:00:25,320 --> 00:00:27,780
I was thinking about how much I've
learned from you.
3
00:00:33,770 --> 00:00:35,110
I was your opening act.
4
00:00:37,950 --> 00:00:39,450
I know where I belong.
5
00:00:46,590 --> 00:00:50,710
Legendary singer Tony Bennett is
performing his final live concerts in
6
00:00:50,710 --> 00:00:51,710
City tonight.
7
00:00:52,030 --> 00:00:56,650
Tony is battling Alzheimer's, but when
the music comes on, he knows every word.
8
00:00:56,910 --> 00:01:01,270
And with his family's help, the
legendary crooner began rehearsing for
9
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City Music Hall.
10
00:01:02,510 --> 00:01:03,830
with his friend Lady Gaga.
11
00:01:04,150 --> 00:01:10,530
Once upon a time A girl with
12
00:01:10,530 --> 00:01:17,450
moonlight in her eyes Put
13
00:01:17,450 --> 00:01:23,890
her hand in mine And said she loved me
so
14
00:01:23,890 --> 00:01:25,830
Tony's my musical companion.
15
00:01:26,190 --> 00:01:31,290
Even in moments where he's looking at me
and I'm not sure if he has forgotten
16
00:01:31,290 --> 00:01:34,860
me. And our friendship stays with my
life.
17
00:01:35,060 --> 00:01:39,380
But that was once upon a time.
18
00:01:52,420 --> 00:01:57,060
Here from the Paramount Theater, Tony
Bennett, the new singing sensation.
19
00:01:57,460 --> 00:01:59,820
When I first met Tom,
20
00:02:00,520 --> 00:02:02,920
I was singing at a charity event.
21
00:02:03,360 --> 00:02:07,260
And somebody came to me after the show
and they said, Tony Bennett would like
22
00:02:07,260 --> 00:02:09,080
meet you. And I said, excuse me?
23
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Mr. Tony Bennett. Tony's going to come
on now and he's going to tear the seats
24
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out of the place for you. I'm going to
say it again. He's the greatest singer
25
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the world today.
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Mr. Tony Bennett. Thank you very much.
27
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That's the first time I ever saw her
perform.
28
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The most profound entertainer I've ever
witnessed.
29
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She's herself.
30
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She's not like anybody else.
31
00:02:31,950 --> 00:02:34,830
real nervous to meet Tony Bennett. Plus,
I looked crazy.
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I had blonde in my hair and black in my
hair, red lipstick, four big velvet
33
00:02:39,470 --> 00:02:41,970
moles on my face. I was doing my thing.
34
00:02:42,810 --> 00:02:48,030
So I went into my trailer. I said, take
it all off and make me look like a lady.
35
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And I went to meet Mr. Bennett.
36
00:02:50,610 --> 00:02:53,810
And he said, would you make a record
with me?
37
00:02:54,730 --> 00:02:59,250
And I said, Tony, thank you so much. You
only heard me sing two songs.
38
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I realized what an artist he really is.
And then he said, Lady, you are a jazz
39
00:03:05,390 --> 00:03:06,390
singer.
40
00:03:06,930 --> 00:03:07,930
At last!
41
00:03:08,890 --> 00:03:09,970
At last!
42
00:03:10,610 --> 00:03:15,290
The minute we're together, something
very good happens between the two of us.
43
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It works.
44
00:03:33,130 --> 00:03:35,050
You want to come see the set they've put
together?
45
00:03:35,350 --> 00:03:36,370
Yeah, I'd love to.
46
00:03:36,830 --> 00:03:38,990
Hey, Dad. Hi. How you doing? Good.
47
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Good. I'm going to look at the set.
Yeah, it's great. Good morning.
48
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Oh, this is beautiful.
49
00:03:45,650 --> 00:03:47,130
Good morning. Yeah, doesn't that look
great?
50
00:03:47,850 --> 00:03:50,310
Fabulous. I'd like to sit over here.
51
00:03:50,570 --> 00:03:51,489
On this side?
52
00:03:51,490 --> 00:03:52,690
Yeah. Good.
53
00:03:55,850 --> 00:03:56,870
Yeah, this would be good.
54
00:03:59,330 --> 00:04:01,610
I've won and dined on Mulligan's too.
55
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Too low.
56
00:04:04,930 --> 00:04:09,450
I want to just hear the embellishment a
little from the microphone.
57
00:04:11,110 --> 00:04:12,470
Here I am at 85.
58
00:04:13,150 --> 00:04:14,750
There's still so much to learn.
59
00:04:15,490 --> 00:04:16,810
You never stop learning.
60
00:04:17,990 --> 00:04:21,690
And I'd like to prove that I can get
better as I get older.
61
00:04:22,690 --> 00:04:27,970
I've wined and dined on mulligan stew
and never wished for turkey.
62
00:04:28,810 --> 00:04:32,410
And as far as I'm concerned, I never
work a day in my life because I love it.
63
00:04:33,150 --> 00:04:37,370
If you don't apply love to what you're
doing, there's something missing.
64
00:04:39,070 --> 00:04:44,910
Now Lady Gaga is the one for me.
65
00:04:46,850 --> 00:04:53,010
No, don't play that last chord there.
Lady Gaga is the one for me.
66
00:04:57,210 --> 00:04:58,210
into it, right.
67
00:04:59,550 --> 00:05:00,550
All right.
68
00:05:01,510 --> 00:05:02,550
How you doing, handsome?
69
00:05:05,450 --> 00:05:08,090
I have my whole family on this album,
you know.
70
00:05:08,450 --> 00:05:09,650
They're all participating.
71
00:05:11,010 --> 00:05:16,930
I'm surrounded by a group of very, very
thoughtful, beautiful people.
72
00:05:17,630 --> 00:05:20,630
I have a wonderful wife who's very, very
intelligent.
73
00:05:21,350 --> 00:05:22,750
So I count my blessings.
74
00:05:28,200 --> 00:05:29,300
Gaga's about five minutes away.
75
00:05:29,660 --> 00:05:30,559
Oh, good.
76
00:05:30,560 --> 00:05:31,560
What's her real name?
77
00:05:31,680 --> 00:05:33,080
Stephanie. Do we call her Gaga?
78
00:05:33,320 --> 00:05:34,320
Kathleen?
79
00:05:34,580 --> 00:05:36,260
No, I think Stephanie. Stephanie?
80
00:05:36,740 --> 00:05:38,740
I think they call her Gaga. I'll find
out.
81
00:05:41,140 --> 00:05:42,620
You've met Lady Gaga before.
82
00:05:42,960 --> 00:05:46,560
Yeah. Just once with her family, with
her mother and father. Are they coming
83
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today? I don't know.
84
00:05:49,500 --> 00:05:50,500
Hi, everyone.
85
00:05:50,820 --> 00:05:52,940
I'm going to go say hi to Tony. I'll see
you later.
86
00:05:54,480 --> 00:05:56,200
Tony? Hello, Tony.
87
00:05:56,560 --> 00:05:58,900
Hi. How are you? Oh, great.
88
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So nice to see you.
89
00:06:00,820 --> 00:06:03,440
Good to see you. You look so handsome.
90
00:06:03,840 --> 00:06:04,840
Oh, great.
91
00:06:05,120 --> 00:06:09,320
How are you? Fine. I'm so excited to be
here. Oh, God, I love it. Hi, everyone.
92
00:06:12,120 --> 00:06:15,960
I've been so excited. My dad has not
stopped calling me for hours.
93
00:06:16,240 --> 00:06:17,049
Oh, good.
94
00:06:17,050 --> 00:06:19,210
He's so happy. I love the way you look.
That's great.
95
00:06:19,470 --> 00:06:22,610
Thank you. Your hair is fabulous. Thank
you. I thought I'd give it a little
96
00:06:22,610 --> 00:06:25,490
twist for you. The whole thing was for
you.
97
00:06:25,850 --> 00:06:26,850
Head to toe.
98
00:06:27,010 --> 00:06:28,410
Oh, boy, that's so great.
99
00:06:28,770 --> 00:06:30,190
I said, what would Tony want?
100
00:06:32,430 --> 00:06:33,710
How's everyone doing today?
101
00:06:34,050 --> 00:06:35,050
You having fun?
102
00:06:35,390 --> 00:06:36,390
Everybody's doing great.
103
00:06:36,530 --> 00:06:37,790
Tony, is your wife here?
104
00:06:38,090 --> 00:06:39,850
Yes, she's right here. She's right
there.
105
00:06:40,430 --> 00:06:41,430
He's so lucky.
106
00:06:41,590 --> 00:06:43,070
I am, yes. She's agreeing.
107
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Good woman.
108
00:06:44,570 --> 00:06:45,570
Thank you.
109
00:06:46,099 --> 00:06:47,099
Look what we found.
110
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Girl of the Gaga is Tony Krenz.
111
00:06:53,900 --> 00:06:58,140
Tony Bennett, latest singing sensation,
made a personal appearance at the
112
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Enchanted Room.
113
00:06:59,460 --> 00:07:00,660
That's a long time ago.
114
00:07:01,800 --> 00:07:03,560
Because it's not like this anymore, is
it?
115
00:07:04,680 --> 00:07:09,260
Oh, Tony, I would have been chasing you
around in this dress.
116
00:07:10,560 --> 00:07:13,620
There's no men left that are as
gentlemanly as Tony.
117
00:07:15,630 --> 00:07:16,609
What do you think?
118
00:07:16,610 --> 00:07:18,850
Because it's so cute. And it says Gaga.
119
00:07:23,710 --> 00:07:26,010
Now, did you choose that yellow for your
glasses?
120
00:07:26,670 --> 00:07:29,230
Excuse me? Did you choose that yellow
for your glasses?
121
00:07:29,590 --> 00:07:31,510
Yeah. You wanted them to be yellow?
122
00:07:31,810 --> 00:07:32,810
Yeah.
123
00:07:33,370 --> 00:07:34,510
I figured you did.
124
00:07:36,450 --> 00:07:38,070
I chose my hair to be blue.
125
00:07:45,580 --> 00:07:46,660
loves the theater.
126
00:07:47,520 --> 00:07:49,040
Never comes late.
127
00:07:49,340 --> 00:07:54,020
I never bother with people I hate.
128
00:07:55,220 --> 00:07:58,260
That's why this chick is a tramp.
129
00:08:02,420 --> 00:08:04,100
I'm so nervous.
130
00:08:04,660 --> 00:08:08,460
If I pass out, you can just tell them it
was all planned.
131
00:08:09,880 --> 00:08:11,520
It sounds great.
132
00:08:11,760 --> 00:08:13,080
You sing beautiful.
133
00:08:13,380 --> 00:08:14,380
Oh, thank you.
134
00:08:17,160 --> 00:08:18,160
Is Don out there?
135
00:08:19,000 --> 00:08:20,320
My voice teacher's here.
136
00:08:20,640 --> 00:08:24,260
Nice to meet him. Yeah, I met Don when I
was 13 years old, and he was teaching
137
00:08:24,260 --> 00:08:25,680
all these amazing people.
138
00:08:26,560 --> 00:08:28,860
He was the first person to believe in
me.
139
00:08:29,180 --> 00:08:31,220
That's great. And we're still friends.
That's important.
140
00:08:31,480 --> 00:08:32,480
That's important.
141
00:08:32,880 --> 00:08:33,880
It means everything.
142
00:08:34,200 --> 00:08:35,200
Yeah, it does.
143
00:08:35,500 --> 00:08:37,020
Just one person's all you need.
144
00:08:38,440 --> 00:08:39,440
Mm -hmm.
145
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This is so much fun.
146
00:08:44,430 --> 00:08:45,850
Are we through today? We're through
today.
147
00:08:46,970 --> 00:08:48,030
March, we did Amy.
148
00:08:48,570 --> 00:08:49,570
Gosh, we did Amy?
149
00:08:49,770 --> 00:08:51,670
Yeah. It was her last recording.
150
00:08:52,090 --> 00:08:53,350
Wow. Is she okay?
151
00:08:53,850 --> 00:08:54,850
She's really sad.
152
00:08:55,010 --> 00:08:56,750
Oh. What don't you do with Amy?
153
00:08:56,990 --> 00:08:58,490
Body and soul. Oh, wow.
154
00:08:59,130 --> 00:09:00,130
That's a slower tune.
155
00:09:15,400 --> 00:09:17,300
27 years old, she died.
156
00:09:18,320 --> 00:09:19,320
27.
157
00:09:19,960 --> 00:09:21,080
It's just tragic.
158
00:09:22,580 --> 00:09:26,880
I've just become more and more committed
to treat young people coming up with
159
00:09:26,880 --> 00:09:27,880
love.
160
00:09:28,460 --> 00:09:30,460
It's the only thing that works.
161
00:09:37,820 --> 00:09:42,640
Hi. Good to see you. This is so much fun
to do. Yeah, just love it.
162
00:09:43,130 --> 00:09:45,810
I'm just really happy to be here. Really
happy.
163
00:09:46,010 --> 00:09:50,570
You have no idea. I like the fact that
you studied music. You know how to play
164
00:09:50,570 --> 00:09:52,050
the piano. You sing beautiful.
165
00:09:52,410 --> 00:09:53,109
Thank you.
166
00:09:53,110 --> 00:09:56,670
You know, you got the whole thing.
Thanks. Well, thanks. Wow. You know how
167
00:09:56,670 --> 00:09:57,750
perform like crazy.
168
00:09:58,210 --> 00:10:00,090
You're really just a natural. My gosh.
169
00:10:00,350 --> 00:10:05,570
Really? I've got to send you some tapes
of me when I had dark hair when I was 16
170
00:10:05,570 --> 00:10:06,610
in jazz band.
171
00:10:07,070 --> 00:10:08,370
That would make you chuckle.
172
00:10:08,790 --> 00:10:09,790
I've been...
173
00:10:09,950 --> 00:10:14,390
starting music my whole life into this.
I used to do all kinds of things.
174
00:10:14,770 --> 00:10:18,870
I mean, Lost Life was like my big
number.
175
00:10:19,970 --> 00:10:22,810
That's great. People don't really know
that about me.
176
00:10:23,370 --> 00:10:26,750
They think I'm just, you know, I just
sort of turned as a pop singer, but
177
00:10:26,750 --> 00:10:29,810
everything was jazz before then. That's
great. You know what you're doing.
178
00:10:30,230 --> 00:10:31,230
Thanks, Tony.
179
00:10:31,370 --> 00:10:33,530
Yeah, I'm just putting out my first
ballad now.
180
00:10:33,750 --> 00:10:34,930
Great. My very first one.
181
00:10:35,450 --> 00:10:36,550
It's called You and I.
182
00:10:37,600 --> 00:10:40,800
I would love to hear it. I'm trying to
just push the boundaries a little bit
183
00:10:40,800 --> 00:10:44,180
now, you know, now that I've got my high
heel through the door.
184
00:10:44,640 --> 00:10:46,580
Maybe I can shake things up a little
bit.
185
00:10:52,980 --> 00:10:53,380
I'm
186
00:10:53,380 --> 00:11:03,960
down
187
00:11:03,960 --> 00:11:05,000
to hear you play the piano.
188
00:11:05,480 --> 00:11:08,800
Huh? I'm dying to hear you play the
piano. You've never heard me play piano?
189
00:11:09,020 --> 00:11:10,020
Yeah. Really?
190
00:11:10,260 --> 00:11:12,120
Yeah, I like to hear it. What do you
want to hear?
191
00:11:12,580 --> 00:11:14,580
I started writing a new song, actually.
192
00:11:15,620 --> 00:11:20,060
I need
193
00:11:20,060 --> 00:11:26,500
someone to love and save me from
194
00:11:26,500 --> 00:11:27,500
myself.
195
00:11:29,440 --> 00:11:34,220
Maybe I'll just clean the shit off of
these fancy shoes.
196
00:11:40,840 --> 00:11:41,840
That sounds good.
197
00:11:41,880 --> 00:11:42,880
Yeah.
198
00:11:43,820 --> 00:11:44,820
That's a good thing.
199
00:11:45,000 --> 00:11:46,000
All right.
200
00:12:09,920 --> 00:12:10,920
is a champ.
201
00:12:11,560 --> 00:12:17,500
I love the fresh wind in my hair.
202
00:12:18,420 --> 00:12:20,060
Life without care.
203
00:12:20,360 --> 00:12:22,060
Oh, I am so gross.
204
00:12:22,500 --> 00:12:23,500
It's oak.
205
00:12:23,680 --> 00:12:25,620
I hate California.
206
00:12:26,380 --> 00:12:28,400
It's crowded and damp.
207
00:12:29,120 --> 00:12:32,180
That's why the lady is a champ.
208
00:12:34,140 --> 00:12:35,140
That's why.
209
00:12:39,150 --> 00:12:43,190
That's right, Tony, I'm your baby, and
I'm also your Orion.
210
00:12:44,350 --> 00:12:45,350
Right on!
211
00:12:46,490 --> 00:12:47,490
That's really great.
212
00:12:49,410 --> 00:12:50,950
There's a lot of giggling going on in
here.
213
00:12:51,470 --> 00:12:52,470
Everybody's happy?
214
00:12:52,570 --> 00:12:54,070
We're very happy. Okay.
215
00:12:54,650 --> 00:12:58,870
We just need to do some inserts on the
end, and we would have everything.
216
00:12:59,090 --> 00:13:00,090
Okay, great.
217
00:13:00,270 --> 00:13:03,350
But I think we should do it a couple
more times.
218
00:13:04,850 --> 00:13:06,310
You're having too much fun. Okay?
219
00:13:06,690 --> 00:13:08,070
I like that idea, too.
220
00:13:08,700 --> 00:13:12,240
I'm always good for more takes. We're
having a good time. We're just making
221
00:13:12,240 --> 00:13:13,820
work extra so that we can hang out.
222
00:13:14,780 --> 00:13:18,080
I could do this all day if you want to
know the truth.
223
00:13:18,540 --> 00:13:21,400
Hey, how are you? I'm Kelsey Bennett.
I'm the photographer.
224
00:13:21,700 --> 00:13:22,700
That was incredible.
225
00:13:22,720 --> 00:13:23,720
My granddaughter.
226
00:13:23,800 --> 00:13:24,800
Oh, my gosh.
227
00:13:25,140 --> 00:13:26,140
I love it.
228
00:13:27,020 --> 00:13:28,020
It's gorgeous.
229
00:13:28,820 --> 00:13:29,820
Yeah,
230
00:13:31,880 --> 00:13:32,880
perfect.
231
00:13:34,360 --> 00:13:35,420
They're great together.
232
00:13:36,460 --> 00:13:38,080
I wish my grandpa would.
233
00:13:38,480 --> 00:13:39,480
Still lying.
234
00:13:39,580 --> 00:13:41,640
My grandpa would be so happy right now.
235
00:13:43,440 --> 00:13:49,720
Growing up, listening to Tony, loving
his interpretation of decades of music.
236
00:13:49,840 --> 00:13:53,360
What I love about the way he sings so
much is he means it every time.
237
00:13:54,040 --> 00:13:55,040
Oh, wow.
238
00:13:55,220 --> 00:13:56,900
You're a beautiful photographer.
239
00:13:57,320 --> 00:14:01,620
Thank you. It's just like you have
another member of your family here. I
240
00:14:01,720 --> 00:14:04,080
Isn't that something? It's like there's
some imported need.
241
00:14:04,380 --> 00:14:08,040
Your shoes. Your shoes. They're so sweet
to me. They're so comfortable with you.
242
00:14:08,460 --> 00:14:09,119
Hey, Dad.
243
00:14:09,120 --> 00:14:10,980
You said you wanted a job or something?
Oh, yeah.
244
00:14:12,780 --> 00:14:17,380
I didn't know that you sketched. Yeah. I
went to art school for it. You did?
245
00:14:17,800 --> 00:14:18,800
Yeah.
246
00:14:19,040 --> 00:14:21,780
Yeah, I'm in three museums. I'm just
coming along.
247
00:14:22,720 --> 00:14:23,720
Three museums?
248
00:14:24,560 --> 00:14:25,560
Yeah.
249
00:14:25,760 --> 00:14:27,580
You better get him a teal crayon.
250
00:14:28,480 --> 00:14:30,900
Trying to do this fast, you know? You
don't have to.
251
00:14:31,160 --> 00:14:35,300
They told little lady Gaga in her
apartment on Stanton that Tony Bennett
252
00:14:35,300 --> 00:14:36,520
to sketch her years ago.
253
00:14:36,990 --> 00:14:38,450
She wouldn't have said, do it quick.
254
00:14:42,770 --> 00:14:45,870
Oh, my gosh, Tony.
255
00:14:47,810 --> 00:14:48,970
Tony, it's beautiful.
256
00:14:49,790 --> 00:14:50,790
Good.
257
00:14:51,710 --> 00:14:52,710
Who knew?
258
00:14:52,970 --> 00:14:53,729
Thank you.
259
00:14:53,730 --> 00:14:57,050
Who knew you were a musical and a visual
legend?
260
00:14:57,330 --> 00:14:59,290
Will you take just one of me and Tony?
261
00:14:59,590 --> 00:15:01,090
One, two, three.
262
00:15:02,670 --> 00:15:03,670
Very good.
263
00:15:04,950 --> 00:15:05,950
Oh.
264
00:15:06,500 --> 00:15:07,960
Adorable look. Oh, good.
265
00:15:08,460 --> 00:15:10,980
Oh, I can't take it. That's so
beautiful.
266
00:15:11,340 --> 00:15:12,700
I had a wonderful time.
267
00:15:12,920 --> 00:15:16,100
Good, good, good. I'm happy you did. I
did. It was wonderful.
268
00:15:16,320 --> 00:15:19,560
You don't know what you've done, and
I'll tell you about it someday.
269
00:15:20,140 --> 00:15:21,140
Okay, someday.
270
00:15:21,600 --> 00:15:23,060
Hopefully I'll see you again sometime.
271
00:15:23,440 --> 00:15:24,119
Oh, yes, soon.
272
00:15:24,120 --> 00:15:27,860
And then I had one more question. Why
Lady of the Tramp lent itself so well
273
00:15:27,860 --> 00:15:28,859
a duet?
274
00:15:28,860 --> 00:15:31,140
Well, because I'm a tramp, and he knows
it.
275
00:15:32,260 --> 00:15:33,260
No, no, no.
276
00:15:34,060 --> 00:15:39,440
I know that you're a lady playing a
trance. That's right. Oh, he's really
277
00:15:39,440 --> 00:15:41,900
me. Look at that. He called me out.
278
00:15:44,660 --> 00:15:47,360
We just hit it off right from that
moment on.
279
00:15:54,320 --> 00:15:57,480
It was just really natural because he
understands me.
280
00:16:00,560 --> 00:16:02,640
You know, Tony can really see me.
281
00:16:06,090 --> 00:16:11,570
The whole premise of art is truth and
beauty, and that's Lady Gaga.
282
00:16:12,390 --> 00:16:14,210
There's an honesty about her.
283
00:16:17,470 --> 00:16:21,790
Anytime somebody wants to talk about
anything provocative that I've done,
284
00:16:21,790 --> 00:16:23,510
understands that it's my art form.
285
00:16:23,810 --> 00:16:24,810
Lady Gaga!
286
00:16:26,110 --> 00:16:28,330
She's crazy!
287
00:16:30,890 --> 00:16:33,730
Tony and I have a lot more in common
than people think.
288
00:16:35,340 --> 00:16:37,920
We just kind of understood one another.
289
00:16:39,080 --> 00:16:44,600
And I'm very happy that I met Tony at
this moment in my life because, you
290
00:16:44,660 --> 00:16:48,760
as soon as you write a song that becomes
a hit, everything becomes a blur.
291
00:16:50,380 --> 00:16:53,880
It's a very fast train and it's go, go,
go, go, go.
292
00:16:55,600 --> 00:16:57,640
I was not in a good place.
293
00:16:58,580 --> 00:17:02,620
I was very jaded by the music industry.
294
00:17:05,319 --> 00:17:06,319
I was sad.
295
00:17:07,720 --> 00:17:11,660
Everything that she's going through is
what happened to me in my life.
296
00:17:14,140 --> 00:17:16,020
It takes years to learn how to live.
297
00:17:17,099 --> 00:17:20,599
It took a long time for me to learn how
to put my life together.
298
00:17:21,619 --> 00:17:25,579
I knew about what she's going through
with the audience falling in love with
299
00:17:25,579 --> 00:17:26,579
her.
300
00:17:27,099 --> 00:17:31,080
And then the next question is, how do
you sustain that?
301
00:17:31,420 --> 00:17:34,400
Everybody loves that story.
302
00:17:35,000 --> 00:17:36,320
The icon that falls.
303
00:17:40,080 --> 00:17:45,040
And it's like you're falling, and you
see that you're falling, and you know
304
00:17:45,040 --> 00:17:46,200
you just have to hit the floor.
305
00:17:47,160 --> 00:17:49,300
I was just praying that I wasn't going
to die.
306
00:17:51,140 --> 00:17:54,200
I was a shell of my former self.
307
00:17:55,700 --> 00:17:57,740
I wasn't sure where to go next.
308
00:17:58,320 --> 00:18:00,640
And this is where Tony came in.
309
00:18:01,060 --> 00:18:03,000
He said, come be with me.
310
00:18:03,640 --> 00:18:06,060
Come be with my family. Let's make a
jazz record.
311
00:18:39,720 --> 00:18:43,800
Yeah. Yes. Maybe tomorrow I could come
later. Well, no, she'll come earlier.
312
00:18:43,960 --> 00:18:46,300
She's coming from Pennsylvania today.
313
00:18:47,120 --> 00:18:48,120
Hey.
314
00:18:50,860 --> 00:18:54,580
How are you? Hi. I brought you coffee.
315
00:18:55,080 --> 00:18:56,080
Hi, sweetheart.
316
00:18:57,200 --> 00:19:02,660
I missed you. I have to really apologize
for being late today.
317
00:19:03,520 --> 00:19:05,700
Should I go meet the van inside?
318
00:19:06,000 --> 00:19:07,000
Yeah, who's that?
319
00:19:08,490 --> 00:19:11,210
How are you doing? I'm good. How are
you? Hey, guys.
320
00:19:11,590 --> 00:19:13,850
My son's got a little bit to eat here.
321
00:19:14,670 --> 00:19:17,930
Thank you, Tony.
322
00:19:18,210 --> 00:19:19,210
Are you going to stay seated?
323
00:19:19,610 --> 00:19:20,930
Yes, I'm going to stay seated.
324
00:19:21,510 --> 00:19:25,410
This is a sad song. For a woman, if
she's singing this song, she's just
325
00:19:25,410 --> 00:19:26,410
miserable.
326
00:19:26,990 --> 00:19:30,030
I think I'm sadder than you are. This
song is what I mean.
327
00:19:36,530 --> 00:19:38,180
Okay. Say when.
328
00:19:39,160 --> 00:19:40,160
When.
329
00:19:41,400 --> 00:19:42,840
One, two.
330
00:20:14,760 --> 00:20:15,680
But beautiful
331
00:20:15,680 --> 00:20:22,300
And
332
00:20:22,300 --> 00:20:28,280
I'm thinking If you
333
00:20:28,280 --> 00:20:35,220
were mine I'd never
334
00:20:35,220 --> 00:20:37,660
let you go
335
00:20:37,660 --> 00:20:43,380
And that would be
336
00:21:10,070 --> 00:21:14,230
Yeah, I just, I have a natural
inclination to stray.
337
00:21:14,530 --> 00:21:15,530
I understand.
338
00:21:15,550 --> 00:21:16,550
I'm sorry.
339
00:21:16,690 --> 00:21:17,690
No, don't.
340
00:21:19,330 --> 00:21:22,650
I'm for you, you know, 100%. I want it
to be perfect.
341
00:21:23,330 --> 00:21:24,330
Let's just do it again.
342
00:21:24,850 --> 00:21:25,850
Okay.
343
00:21:28,810 --> 00:21:29,810
Another one, please.
344
00:21:31,730 --> 00:21:32,730
Want to go in again?
345
00:21:34,450 --> 00:21:35,450
Yes.
346
00:22:00,830 --> 00:22:02,630
You're doing it beautiful.
347
00:22:06,450 --> 00:22:13,270
I could hear what you're singing and it
sounds beautiful.
348
00:22:14,160 --> 00:22:18,460
I wanted the album to come out so that
everybody's going to say, my God, I
349
00:22:18,460 --> 00:22:19,640
didn't know she sang that well.
350
00:22:19,940 --> 00:22:23,020
When you accept, it makes me cry.
351
00:22:24,380 --> 00:22:26,780
Well, that's it. You know, no problem.
352
00:22:27,040 --> 00:22:31,380
When you're accepting of me in that way
and you see that I can be a great jazz
353
00:22:31,380 --> 00:22:37,460
musician and singer, it really means
something to me because to me, I was
354
00:22:37,460 --> 00:22:39,360
piece of trash from New York.
355
00:22:39,600 --> 00:22:40,579
I understand.
356
00:22:40,580 --> 00:22:45,090
And even with... You know, producers
now, they still see me that way.
357
00:22:45,410 --> 00:22:48,530
They just see me as a woman. But I know
how wonderful you sing.
358
00:22:48,850 --> 00:22:53,170
And I want it to come out so that
everybody's going to say, my God, I
359
00:22:53,170 --> 00:22:57,810
know she sang that well. So I want it to
sound like that and be that way so that
360
00:22:57,810 --> 00:22:59,250
there's longevity with it.
361
00:22:59,450 --> 00:23:05,410
That is what you represent for me. You
represent to me someone that knows how
362
00:23:05,410 --> 00:23:06,410
last forever.
363
00:23:06,510 --> 00:23:11,850
Right. I don't yet really have... really
good concept of my artistic mortality
364
00:23:11,850 --> 00:23:16,270
at all. I don't know if it will last. I
don't know.
365
00:23:16,530 --> 00:23:20,110
But I know that yours will.
366
00:23:20,730 --> 00:23:23,790
And what you have done is what I want.
367
00:23:24,430 --> 00:23:25,970
We're going to do it with this album.
368
00:23:26,250 --> 00:23:28,550
It is all resting on this album, isn't
it?
369
00:23:29,690 --> 00:23:30,690
It is.
370
00:23:30,870 --> 00:23:33,570
That's why I keep freaking out because I
want to do a good job.
371
00:23:33,850 --> 00:23:36,630
We're going to take all the time that we
need to do it just right.
372
00:23:39,920 --> 00:23:40,920
Okay, great.
373
00:23:43,620 --> 00:23:46,600
I love what you're saying about that
song.
374
00:23:47,080 --> 00:23:48,820
Oh, yeah, yeah.
375
00:23:49,320 --> 00:23:53,420
I want to prove that she could sing to
everybody, you know, and it's always
376
00:23:53,420 --> 00:23:54,420
good. You bet.
377
00:23:54,460 --> 00:23:55,460
All right.
378
00:24:09,770 --> 00:24:12,350
There's food out there just like these
cupcakes
379
00:24:12,350 --> 00:24:17,870
It
380
00:24:17,870 --> 00:24:35,430
don't
381
00:24:35,430 --> 00:24:39,170
mean a thing all you gotta do
382
00:24:40,140 --> 00:24:42,100
All you gotta do is swing.
383
00:24:43,180 --> 00:24:46,920
Doo -wah, doo -wah, doo -wah, doo -wah,
doo -wah, doo -wah, Tony Gaga.
384
00:24:51,200 --> 00:24:52,200
Sit.
385
00:24:52,500 --> 00:24:53,500
Are we rolling?
386
00:24:54,600 --> 00:24:55,459
Here we go.
387
00:24:55,460 --> 00:24:56,460
Hey, Tom.
388
00:24:57,040 --> 00:25:00,200
Yeah, I'm going to just extend the
ending a little. You got it, Tom.
389
00:25:00,560 --> 00:25:01,620
Lady, is that all right?
390
00:25:01,940 --> 00:25:02,940
Yes. That way?
391
00:25:03,000 --> 00:25:04,540
You can call me Gaga, Tony.
392
00:25:04,800 --> 00:25:05,800
No, I'll call you Lady.
393
00:25:06,020 --> 00:25:07,920
Oh, so sweet.
394
00:25:08,460 --> 00:25:10,460
I wish my boyfriend would call me lady.
395
00:25:12,120 --> 00:25:14,840
Are you ready, Mr. Tony Bennett?
396
00:25:15,160 --> 00:25:16,160
I'm ready.
397
00:25:16,840 --> 00:25:18,760
One, two, one, two, three.
398
00:25:26,840 --> 00:25:30,860
It don't mean a thing if it ain't got
that swing.
399
00:25:35,420 --> 00:25:38,020
There's no difference if it's bleed art.
400
00:25:39,760 --> 00:25:41,740
Give it all the rhythm that you've got.
401
00:25:42,760 --> 00:25:46,940
It don't mean a thing if it ain't got
that swing.
402
00:26:00,000 --> 00:26:01,000
Yes,
403
00:26:03,320 --> 00:26:08,660
ladies and gentlemen, Mr. Tony Bennett.
404
00:26:09,810 --> 00:26:11,310
You sound awesome.
405
00:26:11,790 --> 00:26:15,630
Thank you. You are like a freak of
nature how awesome you are.
406
00:26:16,270 --> 00:26:17,290
You all are.
407
00:26:18,810 --> 00:26:24,270
To me, this song is that feeling when
you just remember none of the stuff
408
00:26:24,270 --> 00:26:27,770
in your head matters at all. Because
when that music comes on, it's like
409
00:26:27,770 --> 00:26:30,550
everything changes. It's a game changer,
right?
410
00:26:31,310 --> 00:26:33,650
Very good. That's what this song is for
me.
411
00:26:34,570 --> 00:26:35,570
That's jazz.
412
00:26:37,950 --> 00:26:40,220
I haven't... stood and sang in a long
time.
413
00:26:40,860 --> 00:26:42,900
I bet you my hip's worse than yours.
414
00:26:45,100 --> 00:26:46,100
Definitely.
415
00:26:50,860 --> 00:26:54,980
It don't mean a thing if it ain't got
that swing.
416
00:26:55,520 --> 00:27:02,240
No, it don't mean a thing. All you gotta
do
417
00:27:02,240 --> 00:27:03,240
is swing.
418
00:27:17,640 --> 00:27:19,000
I think that was a take myself.
419
00:27:20,060 --> 00:27:21,540
It felt very good.
420
00:27:30,920 --> 00:27:32,700
Did you ever feel really lost?
421
00:27:33,040 --> 00:27:35,180
Did you ever feel lost when you were
working?
422
00:27:35,620 --> 00:27:36,620
Oh, yeah.
423
00:27:37,360 --> 00:27:40,980
I actually made a lot of mistakes when I
was young.
424
00:27:41,940 --> 00:27:44,000
Later on, I learned what to do.
425
00:27:44,360 --> 00:27:47,820
So I'm in a stage of contentment now.
That's good.
426
00:27:48,440 --> 00:27:51,980
I'm happy to know that that exists in my
future.
427
00:27:58,720 --> 00:28:04,340
We only live a short time in our life,
and if you're not careful, you're
428
00:28:06,320 --> 00:28:07,840
You ever hear of Lenny Bruce?
429
00:28:08,180 --> 00:28:10,800
You know about him? No.
430
00:28:12,360 --> 00:28:15,260
Yes. Yeah? Yes. I knew his manager.
431
00:28:16,020 --> 00:28:17,930
He said, Great line.
432
00:28:19,790 --> 00:28:23,190
And it changed my life because I was
high in those days.
433
00:28:23,630 --> 00:28:26,510
He said he sinned against his talents.
434
00:28:28,730 --> 00:28:29,730
Yeah.
435
00:28:30,290 --> 00:28:31,850
And that changed me.
436
00:28:32,070 --> 00:28:33,290
Yeah, I know.
437
00:28:33,790 --> 00:28:38,230
It's like finding that ability to
survive with the fame.
438
00:28:38,450 --> 00:28:45,070
Yeah. I'm really sensitive and I self
-medicate sometimes, you know?
439
00:28:45,210 --> 00:28:46,570
The only...
440
00:28:46,780 --> 00:28:51,880
thing I regret in my entire career. I
only have one regret. I truly do. Only
441
00:28:51,880 --> 00:28:58,760
one. And I do regret it, but I know that
it only happened because I needed
442
00:28:58,760 --> 00:28:59,760
to get through the tour.
443
00:29:00,300 --> 00:29:07,040
I didn't allow myself to feel any
emotional pain for like the past two
444
00:29:07,040 --> 00:29:10,340
all. You know, I just numbed myself.
445
00:29:11,040 --> 00:29:15,460
Because that was going so fast, Tony,
that I couldn't control myself anymore
446
00:29:15,460 --> 00:29:20,480
because everybody just wants something
from me. And I'm so giving because I
447
00:29:20,480 --> 00:29:22,300
to entertain. I live for the applause.
448
00:29:22,700 --> 00:29:29,620
But I have to be mindful of pacing it
because if I don't, I broke myself.
449
00:29:30,100 --> 00:29:34,660
You have a tremendous talent and accept
it.
450
00:29:35,760 --> 00:29:37,280
Just go straight ahead.
451
00:29:51,690 --> 00:29:58,550
Looking on down wide Glancing from your
eyes And I'm
452
00:29:58,550 --> 00:30:04,730
captivated And I
453
00:31:12,570 --> 00:31:14,250
That's how I feel when I'm with you.
454
00:31:16,370 --> 00:31:17,370
Captivated.
455
00:31:21,190 --> 00:31:22,190
Beautiful.
456
00:31:23,310 --> 00:31:24,350
You're singing great.
457
00:31:26,670 --> 00:31:27,950
Thank you. This is a good day today.
458
00:31:28,310 --> 00:31:29,310
Good, yeah.
459
00:31:29,390 --> 00:31:31,410
Well, I just need to warm up, you know?
Yeah, right.
460
00:31:31,730 --> 00:31:33,890
I don't know, I get rattled by
everything.
461
00:31:35,030 --> 00:31:36,550
Music really rattles me.
462
00:31:38,790 --> 00:31:40,430
I'm still a little girl.
463
00:31:40,830 --> 00:31:41,830
I know.
464
00:31:44,710 --> 00:31:45,710
But I'll be a friend.
465
00:31:45,930 --> 00:31:47,110
Thank you. I just know that.
466
00:32:13,230 --> 00:32:14,230
How you doing, sweetheart?
467
00:32:20,730 --> 00:32:24,350
Oh, hi, Dad.
468
00:32:24,790 --> 00:32:26,050
Oh, my dad's here.
469
00:32:26,870 --> 00:32:27,870
Hi.
470
00:32:29,030 --> 00:32:30,730
Is it all right if my dad walks?
471
00:32:31,450 --> 00:32:34,430
Absolutely. Oh, that's a little bit of
my dad.
472
00:32:35,770 --> 00:32:38,190
You want a sneaker to see Tony Bennett?
473
00:32:38,850 --> 00:32:40,350
It's 90 degrees outside.
474
00:32:42,830 --> 00:32:43,830
You couldn't wear a dress?
475
00:32:46,690 --> 00:32:52,710
All right,
476
00:32:55,930 --> 00:32:56,930
let's run it.
477
00:32:57,390 --> 00:32:58,390
Okay, here it comes.
478
00:33:16,840 --> 00:33:18,160
Together dancing,
479
00:33:18,920 --> 00:33:20,520
feet to feet.
480
00:33:24,040 --> 00:33:30,780
Dance with me. I want my arm about
481
00:33:30,780 --> 00:33:31,780
you.
482
00:33:31,940 --> 00:33:38,720
That charm about you will carry
483
00:33:38,720 --> 00:33:40,340
me through.
484
00:33:43,900 --> 00:33:46,400
I just can't wait till we perform.
485
00:33:48,360 --> 00:33:52,800
has got to be like fucking Ginger Rogers
and Fred Astaire and like Angels from
486
00:33:52,800 --> 00:33:54,540
Heaven singing with tap dancing.
487
00:33:54,760 --> 00:33:57,240
This needs to be the return of elegant.
488
00:34:12,270 --> 00:34:17,489
Tony Bennett and Lady Gaga have
announced their new jazz collaboration,
489
00:34:17,489 --> 00:34:21,370
Cheek. The album's first single,
Anything Goes, just hit iTunes.
490
00:34:21,889 --> 00:34:26,010
Tony, there's cameras everywhere here
for us. This is craziness. What's
491
00:34:26,010 --> 00:34:27,010
happening?
492
00:34:27,650 --> 00:34:32,250
Everybody's really going to be surprised
at how she sings the great American
493
00:34:32,250 --> 00:34:36,330
standard. She's a wonderful jazz singer.
494
00:34:37,900 --> 00:34:40,380
Well, you're not so bad either, Tony.
Thank you.
495
00:34:40,880 --> 00:34:45,460
Let me welcome your school's founder,
Tony Bennett, and his friend, our
496
00:34:45,460 --> 00:34:47,260
guest, Lady Gaga.
497
00:34:53,980 --> 00:34:55,260
You make quite an entrance.
498
00:34:56,400 --> 00:35:00,160
My question is for Tony Bennett. What do
you think of the way Lady Gaga dresses?
499
00:35:02,180 --> 00:35:03,860
Anything she wears is beautiful.
500
00:35:04,260 --> 00:35:05,560
She knows how to do it.
501
00:35:09,800 --> 00:35:14,340
out in September and tell your parents
that they should buy the record because
502
00:35:14,340 --> 00:35:15,340
she needs the money.
503
00:35:32,260 --> 00:35:34,320
Good morning, Mr. Bennett. Good morning.
504
00:35:34,640 --> 00:35:35,640
How are you today?
505
00:35:44,420 --> 00:35:50,180
I'm very excited today. This is the
first day that they're releasing the
506
00:35:50,180 --> 00:35:51,180
internationally.
507
00:36:09,320 --> 00:36:10,960
There's nobody like them, you know?
508
00:36:39,920 --> 00:36:41,320
Oh my God, I want to tell you something.
509
00:36:41,560 --> 00:36:42,720
See the reds and blues?
510
00:36:43,580 --> 00:36:48,340
Judy Garland told me, anytime you're on
stage and you see the reds and blues,
511
00:36:48,560 --> 00:36:49,560
she said, smile.
512
00:36:51,060 --> 00:36:52,060
Okay, well.
513
00:36:52,080 --> 00:36:53,980
That's a good lesson, isn't it? Yeah.
514
00:36:54,220 --> 00:36:55,880
She was better than anybody.
515
00:36:56,640 --> 00:36:57,640
Judy.
516
00:37:31,530 --> 00:37:35,950
I'm doing Lush Life. We could put San
Francisco right before Don't Mean a
517
00:37:36,190 --> 00:37:37,190
No, this is better.
518
00:37:37,710 --> 00:37:39,150
You have to bewitch.
519
00:37:39,910 --> 00:37:42,250
Anything but love? I can't give you
anything but love. That's nice. Okay.
520
00:37:42,830 --> 00:37:46,990
Bobby, let me give you the new set list
Mr. Bennett is putting together.
521
00:37:47,250 --> 00:37:50,590
The only trouble is that there's two
ballads in a row, and I don't want to do
522
00:37:50,590 --> 00:37:51,590
that. Okay.
523
00:37:52,270 --> 00:37:55,950
I can't give you anything but love.
Yeah. How do you keep the music playing?
524
00:37:56,190 --> 00:37:57,850
Yeah. Lush Life? Yeah.
525
00:37:58,150 --> 00:37:59,510
Don't Mean a Thing. Perfect.
526
00:37:59,790 --> 00:38:00,790
Okay? I love that.
527
00:38:01,520 --> 00:38:05,680
Well done. Yeah, it's better facing
these song counts that way.
528
00:38:06,240 --> 00:38:12,040
Okay. See you later Did
529
00:38:12,040 --> 00:38:14,760
you hear
530
00:38:14,760 --> 00:38:20,480
I'm
531
00:38:20,480 --> 00:38:26,260
sober pretty sober
532
00:38:32,300 --> 00:38:35,400
Cheek to cheek is number one in Belgium
right now. Right.
533
00:38:43,000 --> 00:38:49,280
Lady Gaga sang jazz.
534
00:38:49,680 --> 00:38:51,020
The Daily Beast.
535
00:38:51,820 --> 00:38:56,780
As a nitpicking jazz critic, I view Gaga
as more a performance artist than a
536
00:38:56,780 --> 00:39:00,520
musician. She is certainly a risk taker
and attention getter, but often for
537
00:39:00,520 --> 00:39:02,240
matters of costume props and behavior.
538
00:39:02,780 --> 00:39:04,540
Is Gaga up to this challenge?
539
00:39:04,840 --> 00:39:08,800
Can she interpret the works of George
Gershwin, Duke Ellington, and Cole
540
00:39:08,800 --> 00:39:09,800
with plausibility?
541
00:39:10,080 --> 00:39:14,480
Above all, can she trade phrases with
Tony Bennett and not get left in the
542
00:39:14,720 --> 00:39:18,800
The answer is, somewhat to my surprise,
yes, she can.
543
00:39:33,280 --> 00:39:38,360
Number one in Brazil, Bulgaria, Chile,
Colombia, Costa Rica, Ecuador, Greece,
544
00:39:38,540 --> 00:39:43,460
Paraguay, Peru, Taiwan, Turkey, Vietnam,
Argentina, Belgium, Lithuania,
545
00:39:43,600 --> 00:39:46,700
Malaysia, Moldova, Singapore, Thailand.
546
00:39:49,500 --> 00:39:51,560
And this is before it's even in stores.
547
00:39:51,800 --> 00:39:54,260
Yeah, right. This is like pre -order.
548
00:39:54,520 --> 00:39:55,019
It's big.
549
00:39:55,020 --> 00:39:56,020
Yeah.
550
00:40:26,960 --> 00:40:27,779
Hi, Gaga.
551
00:40:27,780 --> 00:40:32,900
Hi, Ryan. Lady Gaga is with us, and
she's done this album with Tony Bennett,
552
00:40:33,080 --> 00:40:37,440
which is such a cool juxtaposition. He's
not only a legend, but what a
553
00:40:37,440 --> 00:40:40,520
gentleman. I mean, this is the old
school of the music industry.
554
00:40:40,780 --> 00:40:45,340
I feel so humbled to be doing this
project with him. This is the most
555
00:40:45,340 --> 00:40:49,580
album I've ever made. It is beautiful,
and when I listen to the different
556
00:40:49,580 --> 00:40:52,780
tracks, it makes me want to tuck in my
shirt and dress better.
557
00:40:53,080 --> 00:40:54,080
I know. You know, me too.
558
00:41:24,520 --> 00:41:30,020
In olden days, a glimpse of stocking was
looked on as something shocking. Now
559
00:41:30,020 --> 00:41:34,380
heaven knows, anything goes.
560
00:41:35,880 --> 00:41:41,640
Good office too, once knew better words.
Now only use four -letter words,
561
00:41:41,740 --> 00:41:42,740
writing prose.
562
00:41:44,300 --> 00:41:45,580
Anything goes.
563
00:41:47,020 --> 00:41:51,920
You're a dynamic duo, and you're selling
out everywhere. Radio City, Las Vegas.
564
00:41:52,220 --> 00:41:54,960
Yeah, we're just sold out throughout the
world, all of Europe.
565
00:41:55,220 --> 00:41:56,600
Pinched me, but I don't want to wake up.
566
00:42:01,130 --> 00:42:05,510
This is a musical collaboration as
bizarre as it is perfect. You're the
567
00:42:05,510 --> 00:42:11,350
odd couple. That's what makes it good.
Not a term I often use here, but they're
568
00:42:11,350 --> 00:42:15,690
adorable. I've just never been so happy
singing with somebody. And I laugh with
569
00:42:15,690 --> 00:42:20,030
him like I laugh with my buddies in
their late 20s. Hi, this is Tony Bennett
570
00:42:20,030 --> 00:42:21,710
Lady Gaga in her pajamas.
571
00:42:26,480 --> 00:42:29,040
What was it like performing with him? It
must have been a little bit
572
00:42:29,040 --> 00:42:31,360
intimidating. Oh, yeah. Oh, wow.
573
00:42:32,180 --> 00:42:33,740
He asked me the question.
574
00:42:34,640 --> 00:42:35,640
Okay.
575
00:42:35,880 --> 00:42:39,640
I was excited to be rebellious against
my pop career.
576
00:42:39,900 --> 00:42:41,340
It can be a little wild.
577
00:42:41,560 --> 00:42:42,459
A little?
578
00:42:42,460 --> 00:42:43,460
Yeah.
579
00:42:43,880 --> 00:42:49,120
I could have retired 17 years ago, but I
want the young people to pick up on
580
00:42:49,120 --> 00:42:52,240
jazz. Thank God you didn't retire,
because what the hell would I be doing?
581
00:42:53,150 --> 00:42:58,350
He taught me that legacy is about
enduring, being fearless, and pushing
582
00:42:58,630 --> 00:43:01,810
I feel like a bird let out of my cage,
and it's all because of him.
583
00:43:02,050 --> 00:43:05,750
I'm singing the trumpet. Tony drew it. I
have a tattoo for every album I put
584
00:43:05,750 --> 00:43:09,450
out. I wanted this one to be the biggest
one, because this is the biggest moment
585
00:43:09,450 --> 00:43:10,229
of my life.
586
00:43:10,230 --> 00:43:12,170
Please go absolutely nuts.
587
00:43:12,680 --> 00:43:14,480
For Tony Bennett and Lady Gaga.
588
00:43:17,300 --> 00:43:22,960
You have shown me true happiness, Tony.
589
00:43:28,640 --> 00:43:29,760
The jazz.
590
00:43:30,220 --> 00:43:32,100
And to swing it forever.
591
00:43:56,110 --> 00:43:59,250
It's always my biggest dream, was to
have a full horse inside a square.
592
00:43:59,530 --> 00:44:01,490
Yeah, well, this is a big one.
593
00:44:01,750 --> 00:44:02,750
It's really big?
594
00:44:03,070 --> 00:44:04,150
Yeah, it's big.
595
00:44:05,810 --> 00:44:10,410
You know, I've been thinking about
everything, and no matter what happens,
596
00:44:10,410 --> 00:44:13,270
have to be in charge of the whole scene.
597
00:44:13,510 --> 00:44:18,770
Yep. Every single idea, creative idea,
has to come from you.
598
00:44:19,490 --> 00:44:21,450
It should be all your decisions.
599
00:44:22,650 --> 00:44:24,890
Oh, holy mackerel, look at that.
600
00:44:25,770 --> 00:44:26,770
That's huge.
601
00:44:27,250 --> 00:44:29,210
Do you see that? It's you and me.
602
00:44:30,030 --> 00:44:31,810
Gosh, it's the size of the whole
building.
603
00:44:33,930 --> 00:44:35,930
Tony, look at our commercial.
604
00:44:45,630 --> 00:44:46,630
Still beautiful.
605
00:44:56,810 --> 00:44:59,330
And that's going all around the world.
Everywhere.
606
00:45:00,170 --> 00:45:04,610
Oh my God, it's the new man.
607
00:45:07,890 --> 00:45:11,010
Putting jazz on the front page of that
big commercial building.
608
00:45:24,170 --> 00:45:27,130
Just give that rhythm everything you've
got.
609
00:45:27,830 --> 00:45:32,210
Oh, it don't mean a thing if it ain't
got that swing.
610
00:45:32,970 --> 00:45:35,730
You know,
611
00:45:44,630 --> 00:45:48,590
whenever I'm with you, Tony, everything
that happens is right, always.
612
00:45:49,110 --> 00:45:50,590
Nothing ever goes wrong.
613
00:45:51,070 --> 00:45:56,010
I just know my life's on the right path
because each day is better than the day
614
00:45:56,010 --> 00:45:57,490
before since I met you.
615
00:46:00,990 --> 00:46:07,070
And the Grammy goes to,
616
00:46:07,230 --> 00:46:10,430
chief to chief, Tony Bennett and Lady
Gaga.
617
00:46:20,810 --> 00:46:26,190
And my heart beats so that I can hardly
speak.
618
00:46:29,190 --> 00:46:34,710
And I seem to find the happiness
619
00:46:34,710 --> 00:46:37,610
I seek.
620
00:46:41,990 --> 00:46:48,730
When we're out together dancing,
cheating.
621
00:46:57,000 --> 00:46:59,140
So that I can hardly speak.
622
00:46:59,940 --> 00:47:03,960
And I seem to find the happiness I seek.
623
00:47:04,320 --> 00:47:07,740
Oh, Tony White, we're out together
dancing.
624
00:47:07,940 --> 00:47:09,960
Out together dancing.
625
00:47:10,220 --> 00:47:13,460
Out together dancing cheek to cheek.
626
00:48:08,590 --> 00:48:09,590
This is my dad's place.
627
00:48:09,770 --> 00:48:11,330
When I'm home, I'm here all the time.
628
00:48:12,310 --> 00:48:16,250
You look at these pictures of my
ancestors dating back all the way to
629
00:48:16,530 --> 00:48:18,770
My grandfather who made shoes.
630
00:48:19,530 --> 00:48:21,150
My grandmother who made dresses.
631
00:48:22,170 --> 00:48:24,890
Tony's mother was making a penny a
dress.
632
00:48:25,490 --> 00:48:30,810
When we hang out, our families, it's
just like glue. You know, how far he's
633
00:48:30,810 --> 00:48:33,790
come. and how humble he has stayed over
all the years.
634
00:48:34,650 --> 00:48:36,290
It's nice that people love you.
635
00:48:36,650 --> 00:48:38,910
You want them to love you for who you
really are.
636
00:48:40,610 --> 00:48:46,930
Him helping me rediscover that
confidence in myself as a musician,
637
00:48:46,930 --> 00:48:48,170
helped save my life.
638
00:49:03,850 --> 00:49:06,450
I just wanted to say a few things about
Tony.
639
00:49:07,790 --> 00:49:12,710
Some people in the world have seen us
sing together, but what they may not
640
00:49:12,710 --> 00:49:14,430
about is what he's taught me.
641
00:49:15,770 --> 00:49:20,110
You know, when I'm having a bad day and
I'm really, really sad and I just feel
642
00:49:20,110 --> 00:49:23,430
like I don't even know who to call,
because sometimes you don't want to call
643
00:49:23,430 --> 00:49:26,910
your mom and air out everything because
then she's, you know, nervous.
644
00:49:28,870 --> 00:49:29,910
I call Tony.
645
00:49:30,990 --> 00:49:31,990
I really do.
646
00:49:32,720 --> 00:49:35,000
I really do. Like, I called home.
647
00:49:36,400 --> 00:49:41,440
And he says to me, straight ahead, lady.
648
00:49:42,640 --> 00:49:43,920
Just go straight ahead.
649
00:49:44,900 --> 00:49:45,900
Thank you, Tony.
650
00:49:46,780 --> 00:49:52,980
Thank you so much for reviving my
ability to have drive again.
651
00:49:54,540 --> 00:49:55,760
To want to keep going.
652
00:49:56,180 --> 00:49:57,180
Straight ahead.
653
00:49:59,820 --> 00:50:01,940
Happy birthday, Mr. Tony Bennett.
654
00:50:15,720 --> 00:50:18,100
Hey, everyone. How amazing is this
tonight? 90.
655
00:50:22,000 --> 00:50:28,960
And find me with his heart, not just
giving to the
656
00:50:28,960 --> 00:50:33,480
arts, but giving to humanity, fighting
for equal and civil rights for all
657
00:50:33,480 --> 00:50:34,480
people.
658
00:50:36,400 --> 00:50:37,400
I love you.
659
00:50:42,640 --> 00:50:48,860
Tony. At 90, you stand alone as an
artist and as a human being. Without
660
00:50:48,860 --> 00:50:53,840
music, I don't think my life and my
films, the films I've tried to make,
661
00:50:53,840 --> 00:50:55,040
be the same.
662
00:50:55,360 --> 00:51:00,660
Your music runs through my life like a
river that just doesn't stop flowing.
663
00:51:01,940 --> 00:51:02,940
Kentani Plus.
664
00:51:05,660 --> 00:51:08,040
I wanted to do something special for
Tony.
665
00:51:09,550 --> 00:51:13,230
So we called everybody at the Empire
State Building, and they said they'd
666
00:51:13,230 --> 00:51:14,790
it up special just for you, Tom.
667
00:51:17,110 --> 00:51:22,750
It's going to be lit up just like the
Italian flag to commemorate your success
668
00:51:22,750 --> 00:51:27,310
and legacy as an Italian -American in
this country. We love you, Tony. We're
669
00:51:27,310 --> 00:51:28,310
proud.
670
00:51:50,350 --> 00:51:52,650
Do you remember when you told me I
should sing this song?
671
00:51:53,570 --> 00:51:57,670
You said, lady, this is a good song for
you to sing.
672
00:52:03,110 --> 00:52:03,590
Give
673
00:52:03,590 --> 00:52:16,430
your
674
00:52:16,430 --> 00:52:19,290
heart and soul to me.
675
00:53:10,760 --> 00:53:12,040
I don't try to stay intimate.
676
00:53:12,900 --> 00:53:14,120
I'm who I am.
677
00:53:17,260 --> 00:53:19,680
I'm still not retiring. I'm still
performing.
678
00:53:21,900 --> 00:53:26,480
I love entertaining people, and I'm
going to continue to do that as long as
679
00:53:26,480 --> 00:53:27,480
live.
680
00:53:57,420 --> 00:54:01,900
We came home one night, and he said,
Susan, I'm having a hard time
681
00:54:01,900 --> 00:54:04,700
the names of the musicians who he works
with all the time.
682
00:54:05,980 --> 00:54:09,260
So it was unusual, and I said, well, do
you want to go see a doctor about it?
683
00:54:09,300 --> 00:54:10,300
And he said, I do.
684
00:54:16,320 --> 00:54:23,320
He would say, hey, lady, we should make
a record together of all Cole
685
00:54:23,320 --> 00:54:25,700
Porter songs, all love songs.
686
00:54:28,720 --> 00:54:33,760
His Alzheimer's started to set on, and I
said, let's go into the studio now, and
687
00:54:33,760 --> 00:54:34,760
we did.
688
00:54:38,220 --> 00:54:44,420
You know, I can promise you that every
note that I sang,
689
00:54:44,560 --> 00:54:48,200
I was thinking about how this was Tony's
last album.
690
00:54:49,540 --> 00:54:53,060
I knew I loved Tony before we made Love
for Sale.
691
00:54:55,560 --> 00:54:58,560
But then we made love for sale, and I
really knew how much.
692
00:55:29,900 --> 00:55:30,900
How much time do we have?
693
00:55:31,160 --> 00:55:32,660
A quarter to 12 right now.
694
00:55:32,880 --> 00:55:34,120
Yeah, hurry up, Picasso.
695
00:55:35,400 --> 00:55:36,379
Oh, no.
696
00:55:36,380 --> 00:55:37,780
Okay, let me step it up.
697
00:55:40,000 --> 00:55:42,980
Bar 48, B to E to A.
698
00:55:43,200 --> 00:55:50,140
Okay, and then on B3 and 4 should be C
sharp to F sharp leading into B minor,
699
00:55:50,240 --> 00:55:53,480
right? I came early so I could be ready.
Would
700
00:55:53,480 --> 00:55:59,140
I be able to rehearse?
701
00:56:00,230 --> 00:56:01,550
Sure, yeah. Let's run it.
702
00:56:07,490 --> 00:56:13,690
Why don't you sing this low part, and
let Tony sing, don't you know, little
703
00:56:13,690 --> 00:56:16,850
fool? You know what I'm saying? Like, if
this is too low for him and that's too
704
00:56:16,850 --> 00:56:17,749
high for you.
705
00:56:17,750 --> 00:56:20,830
We'll see how he feels about it. Okay.
When Tony gets here, I think we should
706
00:56:20,830 --> 00:56:21,769
just try both.
707
00:56:21,770 --> 00:56:24,050
Okay. And see what he likes. All right.
708
00:56:24,550 --> 00:56:25,890
I'll be in the back doing my homework.
709
00:56:50,100 --> 00:56:51,960
Yeah. Yeah, no, she's going to watch.
Yeah.
710
00:56:52,900 --> 00:56:53,900
Yes.
711
00:56:54,060 --> 00:56:55,060
Hi, Tony.
712
00:56:55,880 --> 00:56:56,880
Hi.
713
00:56:58,020 --> 00:57:00,820
I'm so happy to see you. Yeah, you look
great.
714
00:57:01,100 --> 00:57:02,600
Thank you. So do you.
715
00:57:05,100 --> 00:57:06,500
How's it going? Fine.
716
00:57:07,020 --> 00:57:08,860
Good. Very good. How are you doing?
717
00:57:09,080 --> 00:57:10,140
Good. I'm excited.
718
00:57:10,500 --> 00:57:11,500
Good. Yeah.
719
00:57:11,680 --> 00:57:16,920
We were just playing around with a
couple different keys, so you can choose
720
00:57:16,920 --> 00:57:18,980
which one makes you happiest. Okay.
721
00:57:19,880 --> 00:57:20,880
Thank you.
722
00:57:21,820 --> 00:57:24,820
I'm so happy to be here with you. Good.
723
00:57:25,520 --> 00:57:26,520
Same here.
724
00:57:43,280 --> 00:57:47,860
I've got you under my skin.
725
00:57:50,480 --> 00:57:55,760
I've got you deep in the heart of me.
726
00:57:57,760 --> 00:58:03,640
You're so deep in my heart, you're
really a part of me.
727
00:58:05,260 --> 00:58:10,580
Because I've got you under my skin.
728
00:58:13,320 --> 00:58:18,160
And I love you under my skin.
729
00:58:23,740 --> 00:58:29,680
Anything you want to change?
730
00:58:30,260 --> 00:58:31,260
No. No?
731
00:58:31,620 --> 00:58:32,880
Everything's good. Okay.
732
00:58:35,320 --> 00:58:36,480
How's the key feel?
733
00:58:36,960 --> 00:58:38,580
Fine. Don't want it any higher.
734
00:58:38,800 --> 00:58:39,800
No. Okay.
735
00:58:40,200 --> 00:58:42,580
Because we can do it higher if you want.
We can do it higher and it will take
736
00:58:42,580 --> 00:58:43,680
the bottom out.
737
00:58:44,800 --> 00:58:45,800
Okay.
738
00:58:47,680 --> 00:58:48,760
How's the tempo feel?
739
00:58:49,140 --> 00:58:50,520
Fine. Okay.
740
00:58:53,820 --> 00:58:55,300
Well, the boss is happy.
741
00:59:12,620 --> 00:59:15,380
So we'll need to get the seat music for
Tony.
742
00:59:15,920 --> 00:59:17,240
I'll get it out for you.
743
00:59:17,720 --> 00:59:19,020
Would you like water, Tony?
744
00:59:19,760 --> 00:59:20,760
Thank you.
745
00:59:26,780 --> 00:59:27,780
Perfect.
746
00:59:28,340 --> 00:59:29,299
Thank you.
747
00:59:29,300 --> 00:59:30,300
You're very welcome.
748
00:59:33,860 --> 00:59:35,080
So how was your night?
749
00:59:35,440 --> 00:59:38,480
Okay. How are you doing? Good. Good.
750
00:59:38,800 --> 00:59:44,060
Yeah, there's some things going on that
are... A little crazy, you know. But I
751
00:59:44,060 --> 00:59:48,560
went to go see Newman, the quintet that
came out on the road with us. Oh. They
752
00:59:48,560 --> 00:59:51,620
were playing at the Gramercy last night.
Oh, how nice. It was really special.
753
00:59:51,760 --> 00:59:52,760
Good.
754
00:59:54,960 --> 00:59:56,540
I don't remember what I did.
755
00:59:57,540 --> 00:59:58,540
That's all right.
756
00:59:58,660 --> 00:59:59,660
Did you have spaghetti?
757
01:00:01,880 --> 01:00:02,960
I don't remember.
758
01:00:04,620 --> 01:00:05,760
Well, it was a long day.
759
01:00:06,720 --> 01:00:09,500
Yeah. I forget things all the time.
Yeah.
760
01:00:12,680 --> 01:00:15,060
Should we try one? Why not? I'm ready.
761
01:00:15,920 --> 01:00:17,000
Tony's always ready.
762
01:00:17,280 --> 01:00:18,280
We are rolling.
763
01:00:21,020 --> 01:00:22,760
You give me a war.
764
01:00:24,080 --> 01:00:27,360
I get a kick out of you.
765
01:00:28,780 --> 01:00:31,960
Get my kicks out of you. Get my kicks
out of you.
766
01:00:32,740 --> 01:00:33,740
Woo!
767
01:00:42,520 --> 01:00:43,920
It sounds so good.
768
01:00:44,920 --> 01:00:46,020
It's so much fun.
769
01:00:46,640 --> 01:00:49,540
I miss this. I think all the time about
how we toured.
770
01:00:50,680 --> 01:00:52,100
Wasn't that fun every night?
771
01:00:52,320 --> 01:00:54,500
Yeah. Every night was so fun.
772
01:00:56,000 --> 01:01:00,420
I'd love to watch you sing, Tony, for
your solo. No problem.
773
01:01:01,980 --> 01:01:05,580
So, guys, let's put a solo in.
774
01:01:05,800 --> 01:01:07,440
Four bars before the end.
775
01:01:08,260 --> 01:01:11,120
You know what I mean?
776
01:01:11,880 --> 01:01:13,220
Should we run it? Yeah.
777
01:01:13,440 --> 01:01:14,440
Yeah.
778
01:01:15,300 --> 01:01:19,020
One, two, a one, two, three, four.
779
01:01:35,100 --> 01:01:39,320
Train near, but too dear.
780
01:01:42,890 --> 01:01:48,310
When I'm close to you, dear,
781
01:01:48,690 --> 01:01:51,330
the stars...
782
01:02:14,220 --> 01:02:15,220
Deceive me.
783
01:02:16,680 --> 01:02:18,340
Desert me.
784
01:02:20,560 --> 01:02:25,600
I'm yours till I die.
785
01:02:27,320 --> 01:02:29,240
So in love.
786
01:02:31,080 --> 01:02:33,280
So in love.
787
01:02:35,120 --> 01:02:36,600
So in love.
788
01:03:03,470 --> 01:03:04,470
You're so beautiful.
789
01:03:04,710 --> 01:03:05,930
That was so beautiful.
790
01:03:07,670 --> 01:03:12,170
You really have got a way, I'll tell
you. Thank you.
791
01:03:16,250 --> 01:03:17,250
Yeah,
792
01:03:19,210 --> 01:03:24,650
you do know. You've got to know.
793
01:03:25,970 --> 01:03:26,970
You've got to know.
794
01:03:31,720 --> 01:03:34,440
I want you to be happy.
795
01:03:39,520 --> 01:03:42,040
I want you to be happy.
796
01:03:42,420 --> 01:03:46,140
I want to be happy too.
797
01:03:50,780 --> 01:03:51,780
I look sad.
798
01:03:55,960 --> 01:03:56,960
I know.
799
01:03:58,550 --> 01:04:00,850
But I'm happy when I'm with you. Good.
800
01:04:01,770 --> 01:04:06,030
It's not really a... It's so
magnificent.
801
01:04:15,310 --> 01:04:17,490
Yeah, but don't stop.
802
01:04:18,470 --> 01:04:23,410
Don't stop. You know what? I'm looking
at this again and I'm thinking...
803
01:04:24,319 --> 01:04:28,780
It's actually right. One thing I'd like
you to do on the D -S, Marshall, is when
804
01:04:28,780 --> 01:04:35,180
you go to the G, B flat minor 7, two
beats, on the D -S,
805
01:04:35,260 --> 01:04:38,680
that's going to be a solo in there.
That's going to work out for you.
806
01:04:39,040 --> 01:04:44,560
So in love am I.
807
01:04:55,880 --> 01:04:57,960
You got to be playing for me, not for
you.
808
01:04:58,740 --> 01:04:59,740
Okay.
809
01:05:00,020 --> 01:05:02,720
I mean, I don't feel like I'm being
accompanied.
810
01:05:03,520 --> 01:05:08,820
It feels like you're playing the solo
and I'm kind of singing behind it.
811
01:05:10,300 --> 01:05:15,300
I got to feel like where I'm at, that's
how you guys are playing.
812
01:05:17,280 --> 01:05:18,280
Do you understand?
813
01:05:18,560 --> 01:05:19,560
Okay.
814
01:05:19,680 --> 01:05:20,680
Okay.
815
01:05:23,360 --> 01:05:24,840
It just feels like...
816
01:05:25,070 --> 01:05:27,250
The group is louder than I'm singing.
817
01:05:27,850 --> 01:05:30,050
I'm happy to not play what's here.
818
01:05:30,790 --> 01:05:32,350
No, I'm not saying that.
819
01:05:33,230 --> 01:05:40,030
I'm just saying you have to hear where
I'm at and play for that.
820
01:05:41,310 --> 01:05:44,130
Right now, I have to go with what you're
doing.
821
01:05:45,090 --> 01:05:46,710
It should be the other way around.
822
01:05:47,050 --> 01:05:50,250
You should be playing where I'm at.
823
01:05:50,510 --> 01:05:53,550
I agree, and I'm happy to do that. I
know you agree, but...
824
01:05:53,820 --> 01:05:55,480
You're not agreeing when we're doing it.
825
01:05:55,900 --> 01:05:57,700
All right. I'll do it differently this
time.
826
01:05:57,920 --> 01:05:58,920
I'll do it that way.
827
01:06:00,100 --> 01:06:01,100
Let's do it again.
828
01:06:01,720 --> 01:06:02,720
Okay.
829
01:06:04,160 --> 01:06:05,160
Are we rolling?
830
01:06:05,480 --> 01:06:07,100
I think you should play softer.
831
01:06:07,360 --> 01:06:09,400
Okay. Let's all play softer. Okay.
832
01:06:10,440 --> 01:06:14,040
One, two, a one, two, three, four.
833
01:06:25,740 --> 01:06:26,940
No, no.
834
01:06:27,460 --> 01:06:31,240
You sound very voluminous and I sound
very quiet.
835
01:06:32,940 --> 01:06:34,580
You should be playing softer.
836
01:06:34,960 --> 01:06:36,840
Okay, I'll play softer. Okay.
837
01:06:37,500 --> 01:06:38,840
One, two.
838
01:06:39,060 --> 01:06:40,660
One, two, three.
839
01:06:53,000 --> 01:06:58,960
But true, dear, when I'm close
840
01:06:58,960 --> 01:07:02,080
to you, dear.
841
01:07:11,440 --> 01:07:12,720
I don't know where I'm at.
842
01:07:13,620 --> 01:07:14,620
It's okay.
843
01:07:14,960 --> 01:07:18,720
I don't think it's marked really clearly
on your literacy when you come back.
844
01:07:18,940 --> 01:07:21,920
I don't feel like I'm being accompanied.
I feel like...
845
01:07:22,470 --> 01:07:27,570
You guys are playing solo, and I'm
underneath that.
846
01:07:29,490 --> 01:07:32,230
I think it also might have something to
do with the arrangement.
847
01:07:33,010 --> 01:07:39,730
I think that if there was more space,
you know, just throughout the...
848
01:07:39,730 --> 01:07:40,730
Oh, boy.
849
01:07:41,350 --> 01:07:42,390
Yeah. Just more space.
850
01:07:42,590 --> 01:07:44,970
Okay. Well, let's try it one more time,
all right? And if it's not happening,
851
01:07:45,010 --> 01:07:48,210
we'll work on it. We'll work on it.
There's so many figures here. Yeah.
852
01:07:48,650 --> 01:07:49,710
We just won't play them.
853
01:07:50,130 --> 01:07:51,130
Okay, let's try it.
854
01:07:51,440 --> 01:07:52,760
Yeah, let's do it.
855
01:07:54,240 --> 01:07:57,920
One, two. One, two, three.
856
01:08:17,300 --> 01:08:18,300
I'm yours.
857
01:08:36,240 --> 01:08:42,479
With you, my love, am I.
858
01:08:55,120 --> 01:08:56,300
Thank you.
859
01:09:28,010 --> 01:09:29,009
Good morning.
860
01:09:29,010 --> 01:09:32,310
Hey, good morning. How are you today?
Okay, how are you doing? Terrific.
861
01:09:33,010 --> 01:09:34,069
It's going smooth.
862
01:09:34,590 --> 01:09:37,490
Yeah, it is. You both sound so good
together. It's really nice.
863
01:09:41,609 --> 01:09:44,029
I wake up every morning counting my
blessings.
864
01:09:45,729 --> 01:09:51,609
I mean, I'm surrounded by all real pro
guys and it all works.
865
01:09:52,270 --> 01:09:53,270
Absolutely.
866
01:09:53,910 --> 01:09:54,910
Hi, Tony.
867
01:09:55,250 --> 01:09:56,250
Hi.
868
01:10:01,190 --> 01:10:07,950
You know, I'd like to apologize for
yesterday
869
01:10:07,950 --> 01:10:09,870
because I didn't know what was going on.
870
01:10:10,150 --> 01:10:12,870
Oh, no problem. I appreciate it. No
problem.
871
01:10:14,190 --> 01:10:18,010
No problem. I appreciate it. Thank you.
Okay.
872
01:10:18,970 --> 01:10:20,690
Guys, let's do the beginning again.
873
01:10:21,770 --> 01:10:23,770
Guys, let's do that beginning again.
874
01:10:24,190 --> 01:10:25,190
Tony, are you there?
875
01:10:26,030 --> 01:10:27,450
What time are you coming in today?
876
01:10:29,050 --> 01:10:30,390
Oh, shit, I'm late.
877
01:10:34,550 --> 01:10:41,210
You have a mustache
878
01:10:41,210 --> 01:10:42,950
on this cover. It's going to be
different.
879
01:10:49,210 --> 01:10:51,850
Did I notice about the song you were
singing yesterday, Gaga?
880
01:10:52,130 --> 01:10:55,230
That intro. I'd never heard that intro.
Can we hear it a little?
881
01:10:55,790 --> 01:11:02,770
When the little blue bird who has never
said a word starts to sing
882
01:11:02,770 --> 01:11:03,850
spring, spring.
883
01:11:05,830 --> 01:11:12,110
It is nature that's all simply telling
us to fall
884
01:11:12,110 --> 01:11:14,330
in love.
885
01:11:17,310 --> 01:11:18,310
Perfect.
886
01:11:19,160 --> 01:11:23,100
That's why birds do it, bees do it.
887
01:11:23,440 --> 01:11:26,300
Even educated, please do it.
888
01:11:26,740 --> 01:11:27,960
Let's do it.
889
01:11:28,340 --> 01:11:29,760
Let's fall in love.
890
01:11:32,340 --> 01:11:33,460
Grandpa, look this way.
891
01:11:36,740 --> 01:11:38,060
May I have your hand, Tony?
892
01:11:38,380 --> 01:11:40,500
May I have your hand? Oh, yeah.
893
01:11:41,160 --> 01:11:42,460
I love that.
894
01:11:42,760 --> 01:11:46,000
Yeah. You guys are ready for a night on
the town.
895
01:11:47,080 --> 01:11:48,120
Dawn of the opera.
896
01:11:48,640 --> 01:11:50,960
Going to the opera. We're going to see
jazz, baby.
897
01:11:51,780 --> 01:11:53,360
You know what I was thinking of doing?
898
01:11:54,140 --> 01:11:57,580
Pass it to the cover, maybe.
899
01:11:57,880 --> 01:12:00,620
Really? I would love that.
900
01:12:23,340 --> 01:12:24,360
I'm so sad.
901
01:12:26,480 --> 01:12:28,540
I'm so sad we're not singing together
tomorrow.
902
01:12:38,400 --> 01:12:42,040
How's it going?
903
01:12:43,200 --> 01:12:46,540
Should we pick a new spot? Yeah, I'm
thinking that he had the piano.
904
01:12:48,840 --> 01:12:50,080
Goddard, can you play a little bit?
905
01:12:50,680 --> 01:12:51,680
Perfect, perfect.
906
01:13:16,330 --> 01:13:23,230
Just another way to prove I love you
when it's hard today. I'll lay back
907
01:13:23,230 --> 01:13:25,910
in my chair and find a way.
908
01:13:27,970 --> 01:13:34,350
And when you say the thing that you say
that makes me mad, I'll turn away,
909
01:13:34,690 --> 01:13:37,550
I'll turn away, I'll turn away.
910
01:13:38,630 --> 01:13:41,750
And think of different ways.
911
01:13:42,030 --> 01:13:48,970
to keep my spirits up and choreograph
flowers with playful
912
01:13:48,970 --> 01:13:55,770
joyous thoughts we both know I could
learn a thing or two about relaxing
913
01:13:55,770 --> 01:14:01,050
but hey I love you and after all it's
just another day
914
01:14:01,050 --> 01:14:07,950
I could use some two or three or other
kind of
915
01:14:07,950 --> 01:14:13,590
ways to be but today I won't Be so hard
on me.
916
01:14:13,930 --> 01:14:20,110
I'll pick up unique style. Kick around
with Tony today.
917
01:15:00,300 --> 01:15:02,060
It's just another day.
918
01:15:24,700 --> 01:15:26,760
Tom, look at me.
919
01:15:27,840 --> 01:15:29,760
You remember Lady Gaga, right?
920
01:15:30,700 --> 01:15:32,920
Do you remember you sang Lady is a Tramp
with her?
921
01:15:33,180 --> 01:15:36,100
Yeah. Okay, she's coming up here to sing
with you right now.
922
01:15:36,680 --> 01:15:38,360
You're rehearsing all week.
923
01:15:38,940 --> 01:15:39,940
Good.
924
01:15:40,620 --> 01:15:43,140
She is so excited to see you.
925
01:15:48,800 --> 01:15:50,020
This is going to be good.
926
01:15:50,280 --> 01:15:51,280
I know.
927
01:15:53,000 --> 01:15:54,800
I'm here because I love you.
928
01:16:07,139 --> 01:16:10,720
I get no kick from champagne.
929
01:16:12,560 --> 01:16:17,780
Mere, mere alcohol doesn't thrill me at
all.
930
01:16:18,120 --> 01:16:22,200
So tell me why should it? Thank you. I'm
practicing.
931
01:16:28,260 --> 01:16:31,700
You know the best thing though and just
act like you haven't done it five times
932
01:16:31,700 --> 01:16:34,980
already say let's do I get a kick out of
you He'd be like, okay. Okay, if you
933
01:16:34,980 --> 01:16:36,180
say take it from the bridge, it's like,
huh?
934
01:16:36,400 --> 01:16:40,500
Okay, do it again. I get it wrong. He
doesn't want to do it. Let's do it.
935
01:16:40,500 --> 01:16:41,500
see what happens. Okay.
936
01:16:42,320 --> 01:16:43,320
Come on, cutie pie.
937
01:16:43,600 --> 01:16:44,760
Okay. Tony.
938
01:16:45,120 --> 01:16:46,120
Hi.
939
01:16:46,320 --> 01:16:47,320
Ladies here.
940
01:16:47,780 --> 01:16:48,780
I'm here.
941
01:16:49,500 --> 01:16:50,720
How are you, Tony?
942
01:16:51,640 --> 01:16:52,720
Oh, Tony.
943
01:16:53,140 --> 01:16:54,300
Tony, it's a theme.
944
01:16:54,880 --> 01:16:55,880
Wow.
945
01:16:56,120 --> 01:16:57,120
How you feeling?
946
01:16:57,390 --> 01:16:59,030
Couldn't be better. Couldn't be better?
947
01:16:59,310 --> 01:17:00,310
You want to sing?
948
01:17:00,570 --> 01:17:01,570
Let's sing together.
949
01:17:01,710 --> 01:17:02,710
Okay. Yeah?
950
01:17:05,910 --> 01:17:07,350
Yeah, man. Hi. Hey.
951
01:17:08,070 --> 01:17:09,590
Me and Lee were just catching up.
952
01:17:10,710 --> 01:17:12,670
Let's do I've Got You Under My Skin.
953
01:17:13,810 --> 01:17:17,290
Okay. Yeah? You want to start with that?
That sounds good. Yeah, I'd love to.
954
01:17:17,850 --> 01:17:18,850
All right, tone.
955
01:17:19,070 --> 01:17:20,070
Yeah.
956
01:17:20,210 --> 01:17:21,210
Wow.
957
01:17:21,470 --> 01:17:22,550
Looking good, tone.
958
01:17:32,240 --> 01:17:34,600
I've got you under my skin.
959
01:17:36,820 --> 01:17:41,700
I've got you deep in the heart of me.
960
01:17:42,900 --> 01:17:47,840
You're so deep in my heart. You're
really a part of me.
961
01:17:49,440 --> 01:17:53,560
I've got you under my skin.
962
01:17:53,820 --> 01:17:58,380
And I love you under my skin.
963
01:18:00,390 --> 01:18:04,850
Yes, I've got you under my skin.
964
01:18:07,410 --> 01:18:09,750
Under, under, under, under my skin.
965
01:18:10,590 --> 01:18:11,830
Oh, Tony!
966
01:18:13,230 --> 01:18:14,690
Oh my God.
967
01:18:14,990 --> 01:18:17,130
I'm so happy singing with you.
968
01:18:17,390 --> 01:18:20,110
Good. Am I keeping up okay? Jeez.
969
01:18:21,050 --> 01:18:23,330
Jeez Louise. It's been a while.
970
01:18:23,590 --> 01:18:25,830
It's been three years since we made this
record.
971
01:18:26,270 --> 01:18:27,990
Yeah. Wow. Yeah.
972
01:18:28,380 --> 01:18:29,920
Am I starting to swing, Tony?
973
01:18:30,220 --> 01:18:35,220
Oh, yeah. I'm starting to swing with
you? Yeah. Oh, you're doing very well.
974
01:18:35,440 --> 01:18:39,520
I've been singing jazz by myself in Las
Vegas, and I've got to tell you, if I
975
01:18:39,520 --> 01:18:43,820
hadn't sang jazz with you first, I'd be
lost out there looking for a swing.
976
01:18:45,380 --> 01:18:49,440
Looking for a swing? I'd be looking for
a swing, trying to figure out where to
977
01:18:49,440 --> 01:18:53,980
go, because nobody knows how to swing
like you. You taught me how to swing.
978
01:19:01,290 --> 01:19:07,910
Last night, when we were young, love was
a star,
979
01:19:07,990 --> 01:19:10,870
song unsung.
980
01:19:11,990 --> 01:19:18,610
Life was so new, so real, so right, ages
981
01:19:18,610 --> 01:19:22,310
ago, last night.
982
01:19:23,850 --> 01:19:29,570
So now, let's reminisce.
983
01:19:31,050 --> 01:19:36,830
And recollect the sighs, the kisses,
984
01:19:36,910 --> 01:19:40,070
the arms that clung
985
01:19:40,070 --> 01:19:45,930
when we were young
986
01:19:45,930 --> 01:19:49,590
last night.
987
01:20:06,990 --> 01:20:07,990
Thank you.
988
01:20:08,790 --> 01:20:09,790
You made me cry.
989
01:20:13,510 --> 01:20:18,330
You sound so great, and I'm going to
keep doing my homework so I can make
990
01:20:18,330 --> 01:20:21,610
swing up there with you, because if I'm
not swinging, you've got to kick me off.
991
01:20:44,990 --> 01:20:46,890
Thank you for a wonderful rehearsal,
Tony.
992
01:20:50,010 --> 01:20:51,010
Sweetheart.
993
01:20:51,150 --> 01:20:52,850
I had so much fun rehearsing.
994
01:20:53,490 --> 01:20:55,210
I can't wait to rehearse again tomorrow.
995
01:20:57,550 --> 01:21:01,110
You know, with Alzheimer's, a lot of
times, like you're me, and you'll say
996
01:21:01,110 --> 01:21:02,550
hello, and I'll say hello.
997
01:21:03,530 --> 01:21:07,170
And he doesn't understand anymore to
make that. And so you have to get right
998
01:21:07,170 --> 01:21:10,010
front of him and say, hey, and make the
emotional connection. I think I was
999
01:21:10,010 --> 01:21:11,670
nervous to do that. Yeah, I know.
1000
01:21:12,690 --> 01:21:13,690
Because...
1001
01:21:13,790 --> 01:21:16,090
With the Alzheimer's, he doesn't always
understand. You know, it used to drive
1002
01:21:16,090 --> 01:21:18,410
me nuts. He'd sit on the couch and he
wouldn't look at me, but he'd talk to me
1003
01:21:18,410 --> 01:21:19,009
like this.
1004
01:21:19,010 --> 01:21:23,470
So if you make the emotional connection
by just getting into his, say, phone,
1005
01:21:23,670 --> 01:21:24,970
because he might just be down here.
1006
01:21:25,250 --> 01:21:27,430
Okay. So, and then he'll connect.
1007
01:21:28,150 --> 01:21:29,530
So I'm going to look at you more.
1008
01:21:30,330 --> 01:21:37,250
All the guys are looking forward
1009
01:21:37,250 --> 01:21:38,250
to seeing you tomorrow.
1010
01:21:38,830 --> 01:21:39,830
Good. Yeah.
1011
01:21:40,570 --> 01:21:42,270
Very good. Everybody misses you.
1012
01:21:45,169 --> 01:21:46,630
Wow. Couldn't be better.
1013
01:21:47,410 --> 01:21:48,410
Couldn't be better.
1014
01:21:53,790 --> 01:21:56,510
You showing up makes everything work.
1015
01:22:00,290 --> 01:22:01,770
You're the one that makes it work.
1016
01:22:03,250 --> 01:22:04,950
I'm just your backup, you know?
1017
01:22:05,370 --> 01:22:06,410
I got your back.
1018
01:22:09,450 --> 01:22:12,190
Is this your favorite part of the day
when you're singing?
1019
01:22:12,770 --> 01:22:14,850
Yeah, I love working.
1020
01:22:16,910 --> 01:22:18,170
I love performing.
1021
01:22:22,230 --> 01:22:24,070
It makes people feel good.
1022
01:22:24,550 --> 01:22:25,550
It's true.
1023
01:22:25,950 --> 01:22:29,490
When you sing, there's nothing like it.
1024
01:22:31,290 --> 01:22:34,310
I haven't seen my parents since COVID.
1025
01:22:35,850 --> 01:22:37,230
So I'm going to see them later.
1026
01:22:40,050 --> 01:22:41,050
Yeah.
1027
01:22:42,190 --> 01:22:43,190
Yeah.
1028
01:22:43,930 --> 01:22:45,910
Whenever the time is right.
1029
01:22:46,170 --> 01:22:49,050
How you doing, cutie?
1030
01:22:49,290 --> 01:22:50,290
Hi.
1031
01:22:50,710 --> 01:22:52,530
You're not sleepy, are you? You want to
keep singing?
1032
01:22:52,910 --> 01:22:53,910
What?
1033
01:22:54,430 --> 01:22:55,430
You getting sleepy?
1034
01:22:57,270 --> 01:22:58,270
Hmm?
1035
01:22:59,970 --> 01:23:00,970
Cutie pie?
1036
01:23:04,200 --> 01:23:08,680
I don't think I've ever seen anything
more sweet in my whole life than you and
1037
01:23:08,680 --> 01:23:09,680
Susan.
1038
01:23:10,180 --> 01:23:11,180
Are you happy?
1039
01:23:11,380 --> 01:23:12,380
Yeah. Good.
1040
01:23:14,000 --> 01:23:17,260
We're going to sing at Radio City. Wow.
1041
01:23:17,620 --> 01:23:19,080
How about that? Packed houses.
1042
01:23:19,780 --> 01:23:20,780
For your birthday.
1043
01:23:21,580 --> 01:23:23,380
Beautiful. You know how old you're going
to be?
1044
01:23:24,420 --> 01:23:25,780
How old? 95.
1045
01:23:26,660 --> 01:23:27,700
Oh, my God.
1046
01:23:28,800 --> 01:23:29,860
I'm getting young.
1047
01:23:30,220 --> 01:23:32,040
You're getting young.
1048
01:23:35,760 --> 01:23:38,800
Well, I'm so happy to have sang with
you, Tone. I'm going to get out of here,
1049
01:23:38,840 --> 01:23:39,779
and I'll see you tomorrow.
1050
01:23:39,780 --> 01:23:40,780
Okay.
1051
01:23:41,100 --> 01:23:42,100
I'll come to you.
1052
01:23:42,420 --> 01:23:45,000
Take it easy. I love you very much.
Thank you.
1053
01:23:50,940 --> 01:23:52,160
We need to... Hey, guys.
1054
01:23:53,080 --> 01:23:57,360
This is the swan song, guys. I mean,
seriously. I don't see that we're going
1055
01:23:57,360 --> 01:23:58,360
be doing this again.
1056
01:23:59,280 --> 01:24:00,280
So, play out.
1057
01:24:01,320 --> 01:24:05,820
And let's be sensitive to Gaga because
he needs her now.
1058
01:24:06,280 --> 01:24:08,060
And she's willing to take that on.
1059
01:24:08,560 --> 01:24:10,540
The band's here waiting for you, Tony.
1060
01:24:10,800 --> 01:24:12,680
Okay. You haven't seen them for a year.
1061
01:24:13,080 --> 01:24:14,080
Wow.
1062
01:24:15,520 --> 01:24:16,960
I look forward to it.
1063
01:24:18,420 --> 01:24:21,260
And here he is.
1064
01:24:21,880 --> 01:24:23,360
Okay. Hey, hey.
1065
01:24:29,480 --> 01:24:31,540
Mr. Bennett. Hey! How you doing?
1066
01:24:32,300 --> 01:24:33,980
It's great to see you. How are you?
1067
01:24:34,180 --> 01:24:35,180
Hi, Danny.
1068
01:24:36,440 --> 01:24:39,440
All right.
1069
01:24:42,000 --> 01:24:43,000
Swingin' room.
1070
01:24:44,420 --> 01:24:45,420
Should we sing?
1071
01:24:46,520 --> 01:24:48,080
Would you like to sing Love for Sale?
1072
01:24:48,900 --> 01:24:49,900
Okay.
1073
01:24:52,020 --> 01:24:56,120
When the only sound in the empty
street... Good, and I'll give you an
1074
01:24:56,140 --> 01:25:00,560
He's a heavy shred of the heavy feet.
I'll give you. A lonesome cop. Good.
1075
01:25:01,500 --> 01:25:06,060
She opens shop. I think it could be nice
to just follow him.
1076
01:25:07,280 --> 01:25:12,060
So if he starts singing, let's just
follow him. I might not be in that key.
1077
01:25:13,300 --> 01:25:15,360
You know what I mean? I might not be in
the key. That's okay.
1078
01:25:17,180 --> 01:25:18,180
Can you find him?
1079
01:25:19,500 --> 01:25:20,500
Okay, find him.
1080
01:25:21,260 --> 01:25:22,260
Thank you.
1081
01:25:23,930 --> 01:25:27,750
Tony, do you mind if I just use the
ladies room real fast? No problem. I'll
1082
01:25:27,750 --> 01:25:28,750
right back.
1083
01:25:33,270 --> 01:25:36,950
Would you like a chair along the way?
Yeah, thank you very much. You're
1084
01:25:37,150 --> 01:25:38,148
Oh, hi there.
1085
01:25:38,150 --> 01:25:41,830
You're doing great. It's okay. I just
don't want to cry.
1086
01:25:42,130 --> 01:25:48,870
Use your instincts. You know him as a
performer better than anybody
1087
01:25:48,870 --> 01:25:51,030
else. I'm saying all of us.
1088
01:25:52,130 --> 01:25:53,350
He's in your hands right now.
1089
01:25:54,170 --> 01:25:57,130
Yeah, I'm fine. I'm just going to wipe
my face and I'll be right back.
1090
01:25:59,110 --> 01:26:00,110
How you doing?
1091
01:26:00,490 --> 01:26:01,710
Okay. Are you having fun?
1092
01:26:02,130 --> 01:26:03,130
Yeah. Yeah?
1093
01:26:04,110 --> 01:26:05,810
I like that I'm working again.
1094
01:26:07,270 --> 01:26:08,910
That's right, you're going to work all
week.
1095
01:26:10,790 --> 01:26:14,670
He loves this so much. When do you pull
it back?
1096
01:26:15,250 --> 01:26:21,110
You know, it's a tough decision, but we
just want to make it meaningful for him.
1097
01:26:23,090 --> 01:26:24,970
Don't be afraid to sight transpose.
1098
01:26:25,310 --> 01:26:27,310
You got it. This is the time. I can.
1099
01:26:27,530 --> 01:26:28,810
Listen, I'm going to try.
1100
01:26:30,730 --> 01:26:32,810
What would make you feel happy right
now?
1101
01:26:33,090 --> 01:26:34,150
You. Me?
1102
01:26:34,470 --> 01:26:35,570
Oh, Tony.
1103
01:26:37,870 --> 01:26:40,170
You make me feel happy right now.
1104
01:26:40,810 --> 01:26:42,510
All right. Here we go.
1105
01:26:50,990 --> 01:26:53,430
Ladies and gentlemen, Mr. Tony Bennett
tonight.
1106
01:26:55,250 --> 01:26:57,330
Night and day.
1107
01:26:59,690 --> 01:27:01,270
Day and night.
1108
01:27:03,670 --> 01:27:05,350
Night and day.
1109
01:27:07,570 --> 01:27:09,350
Day and night.
1110
01:27:11,830 --> 01:27:12,830
Night.
1111
01:27:28,520 --> 01:27:31,840
So no matter what happens, no matter
what we do together, I'm going to make
1112
01:27:31,840 --> 01:27:33,840
that the band is always following you.
Wow.
1113
01:27:35,060 --> 01:27:36,180
You know what you're doing.
1114
01:27:36,760 --> 01:27:37,760
Yeah.
1115
01:27:39,200 --> 01:27:40,340
You know what you're doing.
1116
01:27:40,760 --> 01:27:41,780
I learned from you.
1117
01:27:42,100 --> 01:27:45,300
So if I know what I'm doing, it's
because you know what you're doing.
1118
01:27:46,020 --> 01:27:47,440
Because I learned it all from you.
1119
01:27:47,800 --> 01:27:48,800
Thank you.
1120
01:27:57,740 --> 01:28:00,120
I'm so glad you're here. I'm glad you're
doing this for me.
1121
01:28:00,620 --> 01:28:05,880
I was like, I don't know if I can do
this because I was so worried about him.
1122
01:28:05,960 --> 01:28:11,540
And then I realized that he deserves a
show like that.
1123
01:28:12,100 --> 01:28:18,380
I've decided that if I could go back and
talk to my friend, I know he would tell
1124
01:28:18,380 --> 01:28:23,120
me to be confident and proud and be
myself.
1125
01:28:23,420 --> 01:28:26,800
And what that means to me is that I
should not show up.
1126
01:28:27,120 --> 01:28:31,420
Like, drunk, with my head hanging over a
trash bin. You know what I mean?
1127
01:28:31,680 --> 01:28:38,600
I can feel him saying to me, do what we
did. And also, I want to make
1128
01:28:38,600 --> 01:28:45,000
it really clear that there's something
that's going to be gone when Tony is not
1129
01:28:45,000 --> 01:28:46,000
doing this anymore.
1130
01:28:46,540 --> 01:28:52,180
We want to honor that he's the last of
the greats.
1131
01:28:52,460 --> 01:28:55,100
And I want Tony in the museum.
1132
01:29:05,480 --> 01:29:07,380
You guys know how you're entering.
1133
01:29:12,540 --> 01:29:16,940
First day boy is here.
1134
01:29:17,760 --> 01:29:19,100
Welcome back, Mr. Bennett.
1135
01:29:20,160 --> 01:29:21,160
All right.
1136
01:29:21,420 --> 01:29:22,420
Rehearsal today.
1137
01:29:22,560 --> 01:29:23,820
No audience right now.
1138
01:29:24,020 --> 01:29:28,680
So just to be clear, as a lighting note,
Watch What Happens will be in blue for
1139
01:29:28,680 --> 01:29:29,680
Mr. Bennett.
1140
01:29:33,840 --> 01:29:36,140
This will be great. He has a blue pocket
square.
1141
01:29:38,260 --> 01:29:41,000
He's trying to get the bed of roses
ready for Tony.
1142
01:29:42,320 --> 01:29:47,460
I'm nervous about it not being done in a
way where Tony understands, like, this
1143
01:29:47,460 --> 01:29:52,900
happens and this happens. Like, I'm
trying to, like, do for Tony what he
1144
01:29:52,900 --> 01:29:53,900
do if he could.
1145
01:30:05,800 --> 01:30:09,560
I just want to make sure that this is
just as pristine as when we were on
1146
01:30:09,600 --> 01:30:13,180
Right, right. And because we're doing
this in less of a time frame, that we go
1147
01:30:13,180 --> 01:30:16,840
from top to bottom, we're clear on what
does the announcement sound like, where
1148
01:30:16,840 --> 01:30:20,420
do I start when I come out. I just don't
want to wing it. The whole world's
1149
01:30:20,420 --> 01:30:21,420
going to see it.
1150
01:30:22,440 --> 01:30:23,440
Hi.
1151
01:30:24,080 --> 01:30:25,080
Thanks, Mommy.
1152
01:30:26,900 --> 01:30:28,200
How are you doing, all right?
1153
01:30:29,380 --> 01:30:33,780
Um, it's just difficult, Dad. I feel
like I have no time.
1154
01:30:34,520 --> 01:30:36,980
There's so much of me that wants to fly
home and hide.
1155
01:30:40,400 --> 01:30:43,880
I'm trying to get some soul into my
voice right now, and it's because
1156
01:30:43,880 --> 01:30:47,420
everything's not sitting in the right
spot.
1157
01:30:48,180 --> 01:30:49,180
Okay.
1158
01:30:54,720 --> 01:30:58,120
Maybe I'm just nervous. I haven't been
on stage in so long. Shit.
1159
01:31:01,340 --> 01:31:02,340
We got this.
1160
01:31:02,800 --> 01:31:03,800
We're doing it, though.
1161
01:31:04,140 --> 01:31:05,740
Okay. We honor him.
1162
01:31:05,980 --> 01:31:06,858
We're here.
1163
01:31:06,860 --> 01:31:09,080
Okay. You've got this. Be strong. Okay.
1164
01:31:11,780 --> 01:31:13,220
There's no crying in jazz.
1165
01:31:14,080 --> 01:31:15,080
Hi, Tony.
1166
01:31:16,200 --> 01:31:18,180
Happy birthday.
1167
01:31:19,000 --> 01:31:25,800
Good to see you. How are
1168
01:31:25,800 --> 01:31:26,800
you? Good.
1169
01:31:27,160 --> 01:31:30,300
It's going to be packed, sold out all
the way to the top.
1170
01:31:31,760 --> 01:31:33,660
Would you like to sing Anything Goes?
1171
01:31:34,200 --> 01:31:35,200
Why?
1172
01:31:37,480 --> 01:31:39,380
Because Cole Porter said so.
1173
01:31:40,600 --> 01:31:43,260
I thought I was getting paid for it.
1174
01:31:44,280 --> 01:31:46,300
You are getting paid for it. Oh, good.
1175
01:31:47,940 --> 01:31:49,940
Well, let's do it then. All right, let's
do it.
1176
01:32:00,460 --> 01:32:01,460
Oh, my God, yeah.
1177
01:32:02,240 --> 01:32:07,180
The wild card is when Tony gets in front
of an audience, it's a whole other
1178
01:32:07,180 --> 01:32:09,300
thing for him, how he's going to react.
1179
01:32:11,740 --> 01:32:14,160
He hasn't experienced that yet.
1180
01:32:17,420 --> 01:32:21,320
All right, I'm going to go get to more
work. Got to make this show perfect for
1181
01:32:21,320 --> 01:32:22,320
you.
1182
01:32:25,840 --> 01:32:28,360
You take care of the personal stuff,
I'll take care of the things.
1183
01:32:29,040 --> 01:32:32,580
You got it. Okay. Thank you, Tony. All
right. Thank you.
1184
01:32:33,240 --> 01:32:34,460
Okay. Thank you.
1185
01:32:38,520 --> 01:32:40,840
You realize how great that was and that
was the first?
1186
01:32:41,300 --> 01:32:42,300
Did you have fun?
1187
01:32:42,480 --> 01:32:44,100
We'll go back and do it all over again.
1188
01:32:45,600 --> 01:32:46,600
Very good.
1189
01:32:47,360 --> 01:32:48,360
With an audience.
1190
01:32:48,620 --> 01:32:49,680
With an audience, yes.
1191
01:32:52,080 --> 01:32:53,080
I don't know.
1192
01:33:01,200 --> 01:33:06,060
This is Tony Bennett Day in New York, in
honor of the New York City treasure and
1193
01:33:06,060 --> 01:33:11,340
the icon's 95th birthday. And to mark
the occasion, he will perform alongside
1194
01:33:11,340 --> 01:33:16,860
Lady Gaga at Radio City Music Hall
tonight as his final concert of his
1195
01:33:17,840 --> 01:33:20,500
Happy birthday, Tony Bennett.
1196
01:33:59,280 --> 01:34:00,280
Yeah.
1197
01:34:00,560 --> 01:34:01,559
It's amazing.
1198
01:34:01,560 --> 01:34:02,560
That's why we're here.
1199
01:34:31,980 --> 01:34:34,180
How long are we going to be in this
room?
1200
01:34:34,440 --> 01:34:35,540
In this room?
1201
01:34:36,700 --> 01:34:38,080
About another ten minutes.
1202
01:34:38,660 --> 01:34:40,440
And then we're going to watch Lady Gaga.
1203
01:34:40,880 --> 01:34:42,200
And then you go on.
1204
01:34:42,720 --> 01:34:43,840
Okay. Okay?
1205
01:34:49,020 --> 01:34:50,320
Thank you, man.
1206
01:34:50,540 --> 01:34:51,179
All right.
1207
01:34:51,180 --> 01:34:52,180
Let's pray.
1208
01:34:53,260 --> 01:34:56,160
I feel like I prepared my whole life for
this moment.
1209
01:34:57,060 --> 01:35:02,320
I'd like to dedicate every note on this
stage, every... Swing every rhythm
1210
01:35:02,320 --> 01:35:04,900
to Tony Bennett.
1211
01:35:07,560 --> 01:35:12,500
He reminds me that we're enough just the
way we are.
1212
01:35:13,980 --> 01:35:15,880
But it's a choice to go deeper.
1213
01:35:17,540 --> 01:35:22,960
And it's also a choice to know that you
are excellent and be endlessly in
1214
01:35:22,960 --> 01:35:25,100
pursuit of excellence that never stops.
1215
01:35:26,480 --> 01:35:28,760
Danny, is there anything you want to say
about your dad?
1216
01:35:29,960 --> 01:35:31,340
No, because I'll start bawling.
1217
01:35:32,780 --> 01:35:39,600
No, thank you, everybody. I mean, this
is the chapter, you know. And Tony,
1218
01:35:39,740 --> 01:35:46,060
as you said, never looks back, always
looks forward. So I look at this as just
1219
01:35:46,060 --> 01:35:47,060
another beginning.
1220
01:35:47,640 --> 01:35:48,800
And have fun.
1221
01:35:52,400 --> 01:35:53,400
Swing it on three.
1222
01:35:53,820 --> 01:35:55,120
Right in the middle.
1223
01:35:55,560 --> 01:35:57,080
One, two, three.
1224
01:35:57,380 --> 01:35:58,380
Whiskey!
1225
01:36:02,809 --> 01:36:08,190
Good evening ladies and gentlemen and
welcome to one last time an evening with
1226
01:36:08,190 --> 01:36:14,090
Tony Bennett and Lady Gaga This is going
to be an extraordinary night
1227
01:36:14,090 --> 01:36:20,990
What do I
1228
01:36:20,990 --> 01:36:23,990
do when I go out there you think
1229
01:36:37,379 --> 01:36:40,420
Enjoy. You're in for an historic night.
1230
01:37:35,030 --> 01:37:36,030
It's filled up?
1231
01:37:36,250 --> 01:37:40,210
Yep. It's sold out Radio City Music Hall
waiting for you to sing.
1232
01:37:40,710 --> 01:37:42,550
Wow. It's quite spectacular.
1233
01:37:51,270 --> 01:37:53,390
Is there a balcony in this theater?
1234
01:37:53,630 --> 01:37:54,630
There's three balconies.
1235
01:37:55,070 --> 01:37:56,070
Couldn't be nicer.
1236
01:38:10,800 --> 01:38:12,820
So is this theater in New York?
1237
01:38:13,080 --> 01:38:16,080
Yes, babe. You've performed here 25
times.
1238
01:38:16,380 --> 01:38:17,380
Wow.
1239
01:38:51,370 --> 01:38:53,150
You're gonna go on next, okay? Yeah.
1240
01:38:53,950 --> 01:38:55,390
Charlie, watch what happens.
1241
01:38:56,210 --> 01:38:59,370
Let someone not believe in you.
1242
01:39:00,950 --> 01:39:02,130
Like I believe in you.
1243
01:39:03,470 --> 01:39:04,730
He's my friend.
1244
01:39:19,280 --> 01:39:20,800
He's my musical companion.
1245
01:39:22,000 --> 01:39:25,240
And he's the greatest singer in the
whole world.
1246
01:39:28,500 --> 01:39:32,920
I'll never forget this moment for the
rest of my life.
1247
01:39:36,660 --> 01:39:40,300
Please, cheer for him and make him
smile.
1248
01:39:41,440 --> 01:39:42,840
You better yell.
1249
01:39:43,700 --> 01:39:45,160
You better laugh.
1250
01:39:45,480 --> 01:39:46,820
You better cry.
1251
01:39:47,600 --> 01:39:52,180
You better give your soul because it's
up to you.
1252
01:40:25,000 --> 01:40:26,000
No one.
1253
01:40:26,500 --> 01:40:28,040
Wait for the band.
1254
01:40:29,020 --> 01:40:31,060
Okay, we can go. Walk with me.
1255
01:40:31,300 --> 01:40:33,740
I don't know what you're doing. Walk
with me. We're going to go out to the
1256
01:40:33,740 --> 01:40:35,380
piano. Right. Come on.
1257
01:40:38,740 --> 01:40:39,740
Knees out here.
1258
01:40:41,480 --> 01:40:42,480
Okay.
1259
01:40:43,780 --> 01:40:45,600
Where do I go? Right to the piano.
1260
01:40:46,200 --> 01:40:47,200
Right where you come.
1261
01:41:31,920 --> 01:41:36,040
Let someone start believing in you.
1262
01:41:37,640 --> 01:41:40,020
Let him hold out his hand.
1263
01:41:41,380 --> 01:41:46,120
Let him find you and watch what happens.
1264
01:41:47,440 --> 01:41:52,500
Oh, let someone with a deep love to
give,
1265
01:41:52,660 --> 01:41:56,740
give his deep love to you.
1266
01:41:58,040 --> 01:42:00,360
What magic you see.
1267
01:42:01,320 --> 01:42:04,200
Let someone give his heart.
1268
01:42:05,440 --> 01:42:08,160
Someone who cares like me.
1269
01:42:08,980 --> 01:42:11,740
Thank you very much, ladies and
gentlemen.
1270
01:42:34,990 --> 01:42:41,590
In San Francisco High
1271
01:42:41,590 --> 01:42:47,550
on a hill It
1272
01:42:47,550 --> 01:42:50,670
calls to me
1273
01:42:50,670 --> 01:42:57,670
When I come home
1274
01:43:04,720 --> 01:43:05,720
Let's go.
1275
01:43:10,000 --> 01:43:12,040
Your golden son.
1276
01:43:50,640 --> 01:43:51,640
Hey, Tony.
1277
01:43:52,040 --> 01:43:53,040
Oh!
1278
01:43:54,740 --> 01:43:55,800
Lady Gaga!
1279
01:43:58,500 --> 01:44:03,040
I like that.
1280
01:44:04,040 --> 01:44:05,040
Do it again.
1281
01:44:07,840 --> 01:44:08,840
Whoa!
1282
01:44:12,000 --> 01:44:13,000
Hey, Tony.
1283
01:44:14,600 --> 01:44:16,540
Let's sing The Lady of the Tramp.
1284
01:44:17,160 --> 01:44:18,380
Okay. All right.
1285
01:44:28,490 --> 01:44:34,850
take it tony she gets too hungry for
dinner at eight
1286
01:44:34,850 --> 01:44:40,590
i never bother with people that i hate
1287
01:44:40,590 --> 01:44:43,550
that's why this lady
1288
01:44:43,550 --> 01:44:49,250
that's why the lady
1289
01:45:31,970 --> 01:45:38,670
Tony, we're all so grateful to have
witnessed your talent, your
1290
01:45:38,670 --> 01:45:45,430
generosity, your creativity, and your
1291
01:45:45,430 --> 01:45:48,790
kindness. Thank you. Your service
through all the years.
1292
01:45:58,280 --> 01:46:04,520
And Mr. Bennett, it would be my honor to
escort you off the stage.
1293
01:47:48,330 --> 01:47:51,070
And then he said my name. And then we
started rehearsing.
1294
01:48:20,270 --> 01:48:22,650
You realize you're using all those lines
on stage.
1295
01:48:23,030 --> 01:48:25,730
I do. I say beautiful.
1296
01:48:26,210 --> 01:48:29,010
Wow. I do this.
1297
01:48:29,570 --> 01:48:31,770
Tony, on stage tonight, I did this.
1298
01:48:32,470 --> 01:48:37,270
They like that. The audience loves that.
1299
01:48:37,990 --> 01:48:39,210
You taught me everything.
1300
01:48:40,470 --> 01:48:42,270
I'm going to give you a big hug, okay?
1301
01:48:43,110 --> 01:48:44,110
He'll take it.
1302
01:48:45,250 --> 01:48:46,590
I'm going to give you a big hug.
1303
01:48:47,890 --> 01:48:48,890
Thank you.
1304
01:48:51,920 --> 01:48:52,960
You're a good man.
1305
01:48:53,660 --> 01:48:55,240
Wonderful. Through and through.
1306
01:48:55,820 --> 01:48:59,340
A magnificent singer and a perfect
human.
1307
01:49:01,140 --> 01:49:02,140
Wonderful.
1308
01:49:04,020 --> 01:49:05,560
I'll never forget tonight.
1309
01:49:06,760 --> 01:49:07,760
Thank you.
1310
01:49:08,540 --> 01:49:09,740
You're my heart driver.
1311
01:49:11,740 --> 01:49:12,740
I'll be authentic.
1312
01:49:13,780 --> 01:49:14,800
I'll be true.
1313
01:49:16,000 --> 01:49:17,040
I'll be myself.
1314
01:49:17,760 --> 01:49:19,720
Wow. Because you taught me that.
1315
01:49:21,049 --> 01:49:25,790
Even with my makeup and my lipstick and
my wig and all that, I'll be the real
1316
01:49:25,790 --> 01:49:26,950
me, okay?
1317
01:49:27,550 --> 01:49:28,550
Wonderful.
1318
01:49:29,950 --> 01:49:31,130
Sleep well tonight.
1319
01:49:31,370 --> 01:49:35,010
Thank you. Thank you.
1320
01:49:37,450 --> 01:49:42,890
See you later.
1321
01:49:52,059 --> 01:49:55,020
Thank you so much. I just want to tell
you something.
1322
01:49:56,460 --> 01:50:01,480
Even though we always play music
together, most importantly, you'll
1323
01:50:01,480 --> 01:50:02,920
friend. That's right.
1324
01:50:04,100 --> 01:50:05,180
That's the main thing.
1325
01:50:06,960 --> 01:50:08,340
You'll always be my friend.
1326
01:50:09,360 --> 01:50:10,360
Good.
1327
01:50:11,720 --> 01:50:12,780
That's the most important.
1328
01:50:14,220 --> 01:50:15,400
Thank you very much.
1329
01:50:16,520 --> 01:50:17,760
There's no one like you.
1330
01:50:22,480 --> 01:50:23,480
do
94063
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