All language subtitles for Lingeries Fines Et Perverses (1984)

Oh.

Woo -hoo!

Excuse me, I'm not back yet.

Yes, shut up. Did you find the
accessories?

Yes. Yes.

Yes, or not.

Simon?

Simon, it's for me. What is it? It's for
me.

Wait for me.

Ah, hello.

But no, it's not proposed to try to come
back for Belgium.

Here, Tom Emmanuel.

Hmm, very, very beautiful film.

And Balear?

Yes, yes.

Besides, I imagine a very nice sunset.

Hmm? 20 % of the signature and the rest
at the delivery of the copy.

Understood. See you tomorrow. Goodbye.

Ah, good evening.

Yes?

How could I entrust this film to the one
who was the greatest assistant? That's

it, that's it, that's it.

If you want to take someone else in my
place... No, no, that's not it. It's not

that. It's just a tacheron without
ambition.

Are you happy? No. So, what do you need
to be happy?

Your sensitivity to express yourself.

Oh.

This is what we have.

Way.

Why don't you make

this film yourself?

C 'est vous qui avez mis en scène coup
de gong à Hong Kong.

Celui -là, vous pourriez l 'appeler coup
de queue à Saint -Leu.

You know how to dance?

No, she doesn't know how to dance. No
one knows how to dance in this country.

Hey, that's great!

Hmm.

Oh, oui.

Oh, oui. Oh,

oui. Oh,

oui. Oh, oui. Oh, oui. Oh, oui. Oh, oui.

Oh,

oui. Oh,

oui.

No.

Breathe.

Breathe.

Ah!

Hello?

No, I didn't read the script.

But I'd like to see what's already been
shot.

We don't see the interest. It's really
very, very bad.

At least like that, I'll see what you
don't have to do. If that can please

I'll warn the editor that you're going
to pass.

That's it.

Voilà.

Au revoir.

I don't know.

Oh. Oh.

I'll show you the comedy effects.
There's one or two interesting things.

Pascal Miller.

Pascal Miller.

Non, je n 'ai absolument pas le remède.

Ça va ?

Oh.

Say what you want. You improvise. Tell
us about yourself.

About your sexuality, for example.

J 'ai mis la lumière entre mes cuisses
pour pouvoir vraiment voir.

Puis, avec les doigts, j 'ai ouvert le
sexe pour le regarder.

C 'était comme si je... Pardon.

C 'était comme si je arrivais à la fin d
'un processus d 'apprentissage.

L 'accepter un corps dénudé m 'acceptait
moi -même.

J 'ai un sexe. Comment c 'est beau.

I'm not sure it's a good sex compared to
other sexes. But it's mine.

I accept it.

It's a little text.

It's a little text.

From a girl called Pascal Miller.

But not you, Pascal Miller.

It was me.

Mom, I have to go.

Kiss you.

See you Sunday.

She's a very good girl.

Why didn't they hire her?

Because she refused to make the film.

So? What would interest me, in fact, is
to make an investigation film.

To make women talk.

But that has nothing to do with the
script.

No.

Indeed, it has nothing to do with it.

Ah.

Do you have a minute?

Uh -huh.

Take the number, Vero.

Open it.

Fuck yourself.

Production Berger, hello.

The only advice I can give you is to be
put in as often as possible.

It seems that it makes you intelligent.

Well, now that you're here, we'll have a
nice collection of extracts.

Agent Berger, hello.

Agence Berger, bonjour.

Agence Berger, bonjour.

Oui, je sais bien que vous la sucez,
mais par téléphone, ce n 'est pas très

pratique. Je viens de causer avec les
bonnes femmes.

Ensemble, ce n 'est pas triste.

Il faut que tu envoies une Muriel.

Je ne sais plus trop comment. Une
journaliste.

Qu 'est -ce qu 'elle a de particulier?

Une sphère de loloche.

I don't know.

But I can't go out, I'm stuck.

Yeah, you have to take the cable.

Well, cut!

Muriel, one second.

Muriel, how do you live?

I move in every three months.

I like to make love with men, with
women, with two, with three, with four.

Attention.

Ah, oui. Ah, oui. Ah, oui. Ah, oui.

Ah, oui.

Oh, yeah. Oh, yeah.

Oh, no.

I find it completely next to its bridge.

We don't need our parents to learn to
kiss.

Your father didn't come to see us.

He's only interested in the game.

He's playing with you too.

You think?

Simon is a cat.

And you?

A tiny little mouse.

One day he'll eat you.

No danger.

He's already started with this movie.

I'm filming in their living room, but I
have something to say.

Melody is right.

Melody? What about Melody? What's wrong
with her?

What's going on?

The lab forgot to pick up the sound of
sequence 27.

What's going on?

One of the simplest things that women
do. Once

you're asleep, body against body, legs
entwined, pleasure is

limitless.

When did you record this?

What? Pascal Miller.

Oh, we did some tests with her.

I have an extract of her book.

Don't erase these bands.

I have a head to erase the bands.

82 ,000 points. Who says better?

I won three bars in a row.

One in two at the lottery.

You have to find me Pascal Miller.

I'm sure I can get great things from
her.

Oh.

I love you.

When there's money, it's better.

And when there's none.

When there's none?

Oh, we shoot where we find it.

And anyway, for a girl, it's not really
a problem.

We have a clear shot between the thighs.

Oh, my.

Oh, God.

I don't know what you mean. If I'm not
wearing makeup, then I'm... Go on, go

let's do the makeup.

Do you agree?

Once we're asked something else, it's
better than nothing.

Did you make the commercial for Tim?
Yes, why?

That's the role. Do you know what I'm
going to read by sending it?

No. That's a guy who filmed the women.

Oh.

Oh. Oh.

Mom?

Oh, God.

Oh,

God.

Chantal, they're going to interview me.

Oh.

Why? Why?

How?

Thank you.

Oh! Pass!

Oh!

Arrivée Charlotte, première!

Tu es malade, je dis que tu es en
retard.

Tu n 'as pas le temps de me raconter.

Je vais essayer de te prendre.

T 'arrêtes, oui?

C 'est vraiment pas drôle.

Bon alors, qu 'est -ce qui se passe?

Elle est partie.

Elle a dû être partie racheter.

Faut absolument que tu remettes la main
dessus.

Pas de problème.

Tu vois, je trouve qu 'entre la pub et
la peste, il n 'y a pas beaucoup de

différence.

Là, c 'est dim.

Là, c 'est érotique.

It's porn.

Well, Nicole, we're going to start
exactly the same thing.

You, Rosé, calm down. Your face.

Then you go down along your legs.

And you come back up with your hands
under all these gestures. Okay?

It's like this effect.

Perfect.

Nicole, 5 3rd.

You see, I find that between the ad and
the party, there's not much difference.

There, it's a deal.

There, it's erotic.

And there, it's porno.

um um

Oh, my God.

Oh, God.

Oh.

No. No.

It's erotic.

And this, it's porn.

When I see a girl, I can't help but
approach her. She's bigger than me.

To kiss, it's 500 francs. What?

500 francs? No, but it doesn't hurt. You
don't like them?

No. Then get out of here.

Oh.

Eva, you're 24 years old, single,
without children, and you've been a

for four years.

How did it start?

Oh, at first I found a job in Paris in a
normal way.

It was out of the question for me to
make love with clients.

I was free.

The boss never forced me.

So you made the decision to become a
prostitute.

Why?

When I realized that my colleagues from
work were making as much money as

possible because they thought it was too
much.

And that I was making money with chicks.

So you decided to do the same thing as
your girlfriends.

Ah.

Oh. Oh.

Oh.

Oh. Oh.

Oh.

Bye.

There's all the money you're going to
make on my behalf, thanks to this film.

It's normal to go through moments of
depression.

It's always like that.

I have confidence.

I'm sure you're going to make your film.

You're nice.

I don't deserve it, though.

I was very unpleasant with you
yesterday.

It's stronger than me.

There are times when I have to unload my
aggression.

It's better not to be there in those
moments.

I want to go to the Cinémathèque.

They have the most beautiful cinemas in
the world. Oh no.

I want to see the stage of Degas.

You don't want to come with me?

You want to go with your husband?

You don't have time?

She doesn't look like it.

No one has time in Paris. You're a
little crazy.

No, but it's okay.

No one has time.

But yet, it's good to live, to listen to
silence, to walk without a goal, to

love the wind, to taste the night.

But no one has the time, no one has the
time to live.

You grumble, you eat, you drink, you
die.

But no one has the time.

What a sadness.

Do you think I want to answer all this?

In your last book?

I wrote it two years ago.

Tell me.

I decided one fine day that my body
belonged to me, that it was at the

of my soul, of my heart, and that it
should only bring me joy and pleasure

through my desires.

The women I met until now, I knew them
through their lovers. And again, I know

you.

Why are you photographing me like that?

Because I'm going to take your face
exactly after the last one.

Now that you've photographed me from all
angles, can I film you?

Pascal Miller, Une Première.

We made a lot of love.

The body of a child in pain excited him
enormously.

Let's go.

Motor. Pascal Miller, 6th grade.

Do you think there could be erotic
relations between a mother and her

Yes, very much.

Touch the hands and the feet of my son.

Kiss him.

Take a kiss with him.

It gives me very strong sensations.

The only man who will love me when I'm
pregnant will be the father of my child.

Do you want to listen to something in
particular?

No, I don't care.

Yes?

Live and die, if you will.

You had already come to London?

Yes, when I was in high school.

I love this place.

A lot more things happen here than in
Paris.

Are you all right?

You must be tired.

I'd like to make love to you.

Thank you. I'll stop.

I'd like to stop too.

All right?

I'm going to give birth to a baby.

Do you want me to help you? No, no,
don't move.

Have

you

ever been in love with a woman?

C 'est l 'impression de jouer à quelque
chose.

Je crois qu 'il aurait fallu que ça
arrive par hasard.

Tu veux faire des thèmes?

Oh. Oh. Oh.

You're so beautiful that it's hard to
look at you.

Don't bother me.

What?

Aren't we good?

I love you very much, Simon.

But I don't love you.

I'm not asking you that.

I want you.

I want to kiss you.

Not me.

Follow me.

Please?

I wouldn't have chosen better.

You fell for Vincent.

Ah. Ah.

Ah. Ah.

Ah.

Oh.

Thank you.

Hey,

you have time?

No, she doesn't have time. No one has
time. You're a teacher.

You've already asked me the question.

I'm not a teacher.

But now I have all my time.

Bravo! Bravo!

Bye.

That night, I went home with the
conscience that for the first time I had

totally accepted my body, to which I
loved it.