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1
00:00:02,864 --> 00:00:04,383
MY NAME IS NATHAN FIELDER,
2
00:00:04,383 --> 00:00:06,765
AND I GRADUATED FROM ONE
OF CANADA’S TOP BUSINESS SCHOOLS
3
00:00:06,765 --> 00:00:09,078
WITH REALLY GOOD GRADES.
4
00:00:09,078 --> 00:00:11,459
NOW I’M USING
MY KNOWLEDGE TO HELP
5
00:00:11,459 --> 00:00:12,874
STRUGGLING
SMALL BUSINESS OWNERS
6
00:00:12,874 --> 00:00:15,118
MAKE IT
IN THIS COMPETITIVE WORLD.
7
00:00:23,299 --> 00:00:27,234
THIS IS NATHAN FOR YOU.
8
00:00:27,234 --> 00:00:30,271
OVER 10 MILLION TOURISTS
VISIT HOLLYWOOD EACH YEAR,
9
00:00:30,271 --> 00:00:33,033
AND SOUVENIR SHOPS COMPETE HARD
TO SELL THEM ITEMS
10
00:00:33,033 --> 00:00:35,690
THAT MOST WOULD CONSIDER
EMBARRASSING TO OWN.
11
00:00:35,690 --> 00:00:38,797
BUT IN THE SOUVENIR GAME,
LOCATION IS EVERYTHING.
12
00:00:38,797 --> 00:00:40,971
AND THAT’S WHY,
TUCKED AWAY NEARLY FIVE BLOCKS
13
00:00:40,971 --> 00:00:44,561
FROM THE MAIN STRIP,
L.A. FAME IS STRUGGLING.
14
00:00:44,561 --> 00:00:47,323
IT’S A SAD TALE,
AND WITH BUSINESS THIS SLOW,
15
00:00:47,323 --> 00:00:50,671
OWNER JOHN KIM HAS A TOUGH TIME
FINDING THINGS TO BOAST ABOUT.
16
00:00:50,671 --> 00:00:53,536
RECENTLY, WE HAD SOMEONE
FROM OF MICE & MEN COME IN--
17
00:00:53,536 --> 00:00:55,641
FROM THE--
THEY’RE A ROCK BAND
18
00:00:55,641 --> 00:00:57,885
THAT’S PRETTY POPULAR RIGHT NOW.
19
00:00:57,885 --> 00:00:59,818
BUT OTHER THAN THAT, YOU KNOW...
20
00:00:59,818 --> 00:01:02,579
SO I PAID JOHN A VISIT
TO SEE IF I COULD HELP.
21
00:01:02,579 --> 00:01:04,443
WHY ARE YOU WEARING A TOUK?
22
00:01:04,443 --> 00:01:05,651
A TOUK?
WHAT--
23
00:01:05,651 --> 00:01:07,136
- THIS.
- OH.
24
00:01:07,136 --> 00:01:08,309
WHAT DO YOU CALL IT?
25
00:01:08,309 --> 00:01:09,621
IT’S A BEANIE.
SO THAT’S--
26
00:01:09,621 --> 00:01:11,450
I’M FROM CANADA.
WE CALL IT A "TOUK."
27
00:01:11,450 --> 00:01:12,658
- OH, OKAY.
- YEAH, YEAH, YEAH.
28
00:01:12,658 --> 00:01:13,866
YEAH, I’M JUST COLD RIGHT NOW.
29
00:01:13,866 --> 00:01:14,867
THAT’S WHY I’M WEARING IT.
30
00:01:14,867 --> 00:01:15,868
OH, OKAY.
31
00:01:15,868 --> 00:01:17,111
- YEAH, YEAH, YEAH.
- YEAH.
32
00:01:17,111 --> 00:01:18,664
- THAT’S COOL.
- YEAH.
33
00:01:18,664 --> 00:01:22,116
MY MISSION WAS TO ATTRACT
MORE TOURISTS TO L.A. FAME.
34
00:01:22,116 --> 00:01:24,705
IF YOU’RE VISITING HOLLYWOOD,
THERE’S NOTHING MORE EXCITING
35
00:01:24,705 --> 00:01:27,190
THAN SEEING THE MAGIC
OF THE MOVIES UP CLOSE,
36
00:01:27,190 --> 00:01:29,019
SO IF JOHN REDESIGNED
HIS STOREFRONT
37
00:01:29,019 --> 00:01:30,987
TO MAKE IT LOOK
LIKE A BLOCKBUSTER MOVIE
38
00:01:30,987 --> 00:01:32,747
WAS ALWAYS BEING SHOT THERE,
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00:01:32,747 --> 00:01:35,509
EVERY TOURIST ON THE STRIP
WOULD FLOCK TO L.A. FAME
40
00:01:35,509 --> 00:01:37,407
TO SEE THE ACTION UP CLOSE.
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00:01:37,407 --> 00:01:39,616
THEN ALL I NEED TO DO
IS OFFER EACH TOURIST
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00:01:39,616 --> 00:01:40,893
A PART IN THE MOVIE.
43
00:01:40,893 --> 00:01:42,171
THEIR ROLE?
44
00:01:42,171 --> 00:01:44,725
A PAYING CUSTOMER
AT A SOUVENIR SHOP.
45
00:01:44,725 --> 00:01:47,452
OKAY.
OKAY.
46
00:01:47,452 --> 00:01:48,936
- TOURISTS GET VERY EXCITED...
- YEAH.
47
00:01:48,936 --> 00:01:51,835
AROUND CELEBRITIES
AND MOVIE SETS,
48
00:01:51,835 --> 00:01:53,251
SO THEY WOULDN’T THINK
RATIONALLY.
49
00:01:53,251 --> 00:01:54,252
YEAH.
50
00:01:54,252 --> 00:01:55,425
ONCE YOU HAVE THE CROWD HERE,
51
00:01:55,425 --> 00:01:58,601
IT BECOMES VERY EASY
TO SELL TO THEM.
52
00:01:58,601 --> 00:01:59,981
YEAH, MAYBE.
53
00:01:59,981 --> 00:02:02,432
JOHN WAS ONBOARD,
SO TO MAKE L.A. FAME
54
00:02:02,432 --> 00:02:05,228
LOOK AS MUCH LIKE
A REAL MOVIE SET AS POSSIBLE,
55
00:02:05,228 --> 00:02:06,816
I RENTED SOME LIGHTS
AND EQUIPMENT
56
00:02:06,816 --> 00:02:09,163
AND SET THEM UP
OUTSIDE OF HIS SHOP.
57
00:02:09,163 --> 00:02:11,924
NEXT, TO MAKE THE MOVIE
TRULY EXCITING FOR TOURISTS,
58
00:02:11,924 --> 00:02:14,306
I HIRED PROFESSIONAL
JOHNNY DEPP IMPERSONATOR
59
00:02:14,306 --> 00:02:17,275
RONNIE RODRIGUEZ, WHO I HOPED
WOULD CONVINCINGLY PASS
60
00:02:17,275 --> 00:02:19,035
FOR THE REAL JOHNNY
FROM A DISTANCE.
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00:02:19,035 --> 00:02:21,693
I ALSO HIRED A WORSE
JOHNNY DEPP IMPERSONATOR
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00:02:21,693 --> 00:02:23,281
TO ACT AS A STAND-IN
63
00:02:23,281 --> 00:02:26,007
AND MAKE RONNIE LOOK BETTER
BY COMPARISON.
64
00:02:26,007 --> 00:02:27,388
WITH EVERYTHING IN PLACE,
65
00:02:27,388 --> 00:02:28,458
THE FAKE MOVIE SHOOT BEGAN.
66
00:02:28,458 --> 00:02:29,666
ACTION.
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00:02:29,666 --> 00:02:31,081
AS I PRETENDED TO DIRECT,
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00:02:31,081 --> 00:02:33,222
TOURISTS SLOWLY BEGAN TO GATHER.
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CUT.
70
00:02:34,257 --> 00:02:35,431
LET’S DO ANOTHER TAKE OF THAT.
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00:02:35,431 --> 00:02:36,949
THAT WAS REALLY GOOD, GUYS.
72
00:02:36,949 --> 00:02:39,435
AND EXCITEMENT WAS BUILDING
AROUND OUR CELEBRITY STAR.
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00:02:41,230 --> 00:02:44,164
YEAH, IT’S AMAZING.
YEAH.
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00:02:49,341 --> 00:02:51,136
AND ONCE WE GAVE THEM
A TINY PEEK OF JOHNNY...
75
00:02:51,136 --> 00:02:52,275
WHOO-HOO, JOHNNY.
76
00:02:52,275 --> 00:02:54,277
THEY WERE PUTTY IN MY HANDS,
77
00:02:54,277 --> 00:02:56,486
AND IT WAS TIME
TO SELL SOME SOUVENIRS.
78
00:02:56,486 --> 00:02:57,936
HI, EVERYONE.
79
00:02:57,936 --> 00:02:59,593
SO AS YOU CAN SEE,
WE’RE FILMING A MOVIE HERE.
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00:02:59,593 --> 00:03:01,284
IT’S CALLED THE WEB.
81
00:03:01,284 --> 00:03:03,907
IT’S ABOUT A HACKER,
PLAYED BY JOHNNY DEPP,
82
00:03:03,907 --> 00:03:06,393
WHO HAS TO HACK
INTO AN ASTEROID
83
00:03:06,393 --> 00:03:08,084
TO STOP IT
FROM HITTING THE EARTH.
84
00:03:08,084 --> 00:03:09,327
OKAY.
85
00:03:09,327 --> 00:03:11,121
SO THIS IS
A LITTLE BIT UNORTHODOX,
86
00:03:11,121 --> 00:03:13,331
BUT WE NEED SOME EXTRAS
TO BE IN THE SCENE.
87
00:03:13,331 --> 00:03:14,849
I DON’T KNOW--IS THAT OKAY?
IS ANYONE INTERESTED?
88
00:03:14,849 --> 00:03:16,161
RIGHT HERE.
89
00:03:16,161 --> 00:03:17,438
REALLY?
OH, WOW.
90
00:03:17,438 --> 00:03:18,922
WITH NO SHORTAGE OF VOLUNTEERS,
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00:03:18,922 --> 00:03:20,269
I HAD THEM BROUGHT TO SET
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00:03:20,269 --> 00:03:21,856
ONE AT A TIME
TO GIVE THEM THEIR DIRECTION.
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00:03:21,856 --> 00:03:22,995
LET ME JUST EXPLAIN TO YOU
WHAT YOU HAVE TO DO.
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00:03:22,995 --> 00:03:23,996
OKAY.
95
00:03:23,996 --> 00:03:26,067
GO INTO THE STORE,
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00:03:26,067 --> 00:03:27,137
BUY AN ITEM, AND THEN LEAVE.
97
00:03:27,137 --> 00:03:28,622
OKAY, COOL.
98
00:03:28,622 --> 00:03:29,795
OKAY, SO, ON ACTION.
READY?
99
00:03:29,795 --> 00:03:33,489
- YES.
- ACTION.
100
00:03:33,489 --> 00:03:35,111
YOU DON’T HAVE TO GO SO FAST,
SIR.
101
00:03:35,111 --> 00:03:36,561
- YOU CAN SLOW DOWN.
- OKAY.
102
00:03:36,561 --> 00:03:38,632
IT MIGHT NOT HAVE BEEN
AN OSCAR-WORTHY PERFORMANCE...
103
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$6.53.
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00:03:39,978 --> 00:03:41,842
BUT OUR FIRST CUSTOMER
OF THE DAY LEFT HAPPY.
105
00:03:41,842 --> 00:03:43,292
- THANK YOU.
- OKAY, THANK YOU.
106
00:03:43,292 --> 00:03:44,293
HAVE A NICE DAY.
107
00:03:44,293 --> 00:03:45,535
I GAVE EACH EXTRA SOME DIRECTION
108
00:03:45,535 --> 00:03:46,536
AND LET THEM RUN WITH IT.
109
00:03:46,536 --> 00:03:48,883
SO I NEED YOU TO GO IN THERE,
110
00:03:48,883 --> 00:03:50,437
PICK OUT AN ITEM, BUY IT,
AND THEN LEAVE.
111
00:03:50,437 --> 00:03:52,128
- OKAY.
- OKAY.
112
00:03:52,128 --> 00:03:53,405
OKAY,
SO I NEED YOU TO GO IN THERE,
113
00:03:53,405 --> 00:03:55,407
BUY SOMETHING, THEN LEAVE.
114
00:03:55,407 --> 00:03:56,408
- OKAY.
- OKAY.
115
00:03:56,408 --> 00:03:57,858
MY PLAN WAS WORKING BEAUTIFULLY,
116
00:03:57,858 --> 00:04:00,688
AS TOURISTS WERE BUYING ITEMS
IN A STEADY STREAM.
117
00:04:00,688 --> 00:04:03,450
THE SCENE WAS FAKE,
BUT THESE SALES WERE REAL,
118
00:04:03,450 --> 00:04:05,624
AND CUSTOMERS WERE THRILLED
WITH THEIR PURCHASES.
119
00:04:05,624 --> 00:04:06,694
DID YOU PAY FOR THAT?
120
00:04:06,694 --> 00:04:07,730
YEAH.
121
00:04:07,730 --> 00:04:08,696
OKAY, SO IT’S YOURS THEN.
122
00:04:08,696 --> 00:04:10,111
OH.
123
00:04:10,111 --> 00:04:12,286
BUT EACH TRANSACTION
WAS JUST FOR A SMALL AMOUNT,
124
00:04:12,286 --> 00:04:14,323
SO I TOOK JOHN’S PLACE
TO SHOW HIM
125
00:04:14,323 --> 00:04:16,670
HOW HE COULD GET CUSTOMERS
TO SPEND MORE.
126
00:04:16,670 --> 00:04:17,774
OH, HELLO, OFFICER SUZANNE.
127
00:04:17,774 --> 00:04:19,086
HI.
128
00:04:19,086 --> 00:04:20,812
HOW’S THE HACKER INVESTIGATION
GOING?
129
00:04:20,812 --> 00:04:24,781
UM--WAIT,
WHAT DO YOU WANT ME TO SAY?
130
00:04:24,781 --> 00:04:26,231
OH, JUST SAY,
"NO LEADS YET."
131
00:04:26,231 --> 00:04:27,267
OKAY.
132
00:04:27,267 --> 00:04:28,302
GO AHEAD.
133
00:04:28,302 --> 00:04:30,131
OH, NO LEADS YET
AT ALL, SO...
134
00:04:30,131 --> 00:04:31,685
- OKAY.
- MM-MM.
135
00:04:31,685 --> 00:04:33,687
WELL, I HAVE THE STUFF
YOU ASKED ME TO PUT ASIDE.
136
00:04:33,687 --> 00:04:34,757
MM-HMM.
137
00:04:34,757 --> 00:04:36,137
THAT’LL BE $87, PLEASE.
138
00:04:36,137 --> 00:04:37,449
OKAY.
139
00:04:37,449 --> 00:04:39,658
HERE WE ARE.
140
00:04:39,658 --> 00:04:40,659
OH, THANK YOU.
141
00:04:40,659 --> 00:04:44,249
YOU’RE VERY WELCOME.
142
00:04:45,871 --> 00:04:48,322
ARE YOU ACTUALLY, LIKE,
CHARGING IT TO MY CARD?
143
00:04:48,322 --> 00:04:50,462
- YOU’RE BREAKING CHARACTER.
- OKAY.
144
00:04:50,462 --> 00:04:51,912
- JUST SAY, "THANK YOU."
- THANK YOU.
145
00:04:51,912 --> 00:04:52,982
OKAY, YES.
146
00:04:52,982 --> 00:04:55,364
$87 IN A SINGLE TRANSACTION
147
00:04:55,364 --> 00:04:57,849
WAS UNPRECEDENTED
FOR A SOUVENIR SHOP,
148
00:04:57,849 --> 00:05:00,783
BUT I SOON DISCOVERED
I WASN’T IN THE CLEAR YET.
149
00:05:00,783 --> 00:05:03,268
SO YOU HAD A QUESTION
ABOUT SOMETHING OR...
150
00:05:03,268 --> 00:05:05,995
YEAH, I MEAN,
I DON’T WANT THIS STUFF, BUT--
151
00:05:05,995 --> 00:05:07,548
- OH, DO YOU WANT A REFUND?
- YEAH.
152
00:05:07,548 --> 00:05:09,757
I HAD ANTICIPATED THAT PEOPLE
MIGHT WANT THEIR MONEY BACK,
153
00:05:09,757 --> 00:05:11,587
SO I CAME UP WITH A PLAN
THAT WOULD HOPEFULLY
154
00:05:11,587 --> 00:05:12,726
MAKE THEM RECONSIDER.
155
00:05:12,726 --> 00:05:14,210
- THIS MOVIE STARS JOHNNY DEPP.
- YEAH.
156
00:05:14,210 --> 00:05:15,763
I DON’T KNOW IF YOU KNEW,
157
00:05:15,763 --> 00:05:18,076
BUT HE WAS WATCHING
THE FOOTAGE...
158
00:05:18,076 --> 00:05:19,077
YEAH.
159
00:05:19,077 --> 00:05:20,216
ON THE MONITOR VIEW,
160
00:05:20,216 --> 00:05:21,251
AND HE JUST THOUGHT
YOU WERE,
161
00:05:21,251 --> 00:05:22,494
LIKE, THE MOST NATURAL ACTRESS.
162
00:05:22,494 --> 00:05:23,909
- HAVE YOU ACTED BEFORE?
- NO, NEVER.
163
00:05:23,909 --> 00:05:25,497
- YOU’VE NEVER?
- MM-MM.
164
00:05:25,497 --> 00:05:27,603
IF YOU WANT, I MIGHT BE ABLE
TO GET YOU IN THERE TO MEET HIM.
165
00:05:27,603 --> 00:05:29,363
YEAH, IF HE DOESN’T MIND,
I MEAN...
166
00:05:29,363 --> 00:05:30,364
YEAH, I MEAN...
167
00:05:30,364 --> 00:05:33,056
OKAY.
168
00:05:33,056 --> 00:05:34,126
- JOHNNY?
- YES?
169
00:05:34,126 --> 00:05:35,127
YOU DECENT?
170
00:05:35,127 --> 00:05:36,474
HEY.
171
00:05:36,474 --> 00:05:38,199
JOHNNY, THIS IS CARTER,
THE ACTRESS YOU JUST--
172
00:05:38,199 --> 00:05:39,373
- HI.
- OH, HI.
173
00:05:39,373 --> 00:05:40,512
- HOW ARE YOU?
- NICE TO MEET YOU.
174
00:05:40,512 --> 00:05:42,100
- NICE TO MEET YOU TOO.
- HOW YOU DOING?
175
00:05:42,100 --> 00:05:43,239
- I’M GOOD.
- WOW, SO...
176
00:05:43,239 --> 00:05:45,034
I HEARD YOU DID
A GOOD JOB ON THE SCENE.
177
00:05:45,034 --> 00:05:46,415
OH, THANK YOU.
178
00:05:46,415 --> 00:05:47,933
ARE YOU A--
YOU’RE A FAN OF HIS, OR...
179
00:05:47,933 --> 00:05:48,934
- OF COURSE.
- OH, REALLY?
180
00:05:48,934 --> 00:05:50,108
OF COURSE I AM.
181
00:05:50,108 --> 00:05:51,454
PIRATES OF THE CARIBBEAN,
COME ON.
182
00:05:51,454 --> 00:05:52,455
REALLY?
183
00:05:52,455 --> 00:05:53,732
- GOOD.
- GOOD, IT’S A--
184
00:05:53,732 --> 00:05:55,113
- THANK YOU VERY MUCH.
- PLEASURE TO MEET YOU.
185
00:05:55,113 --> 00:05:57,598
DO YOU WANT HIM
TO SIGN SOME STUFF FOR YOU?
186
00:05:57,598 --> 00:05:58,737
LIKE, IN HERE?
187
00:05:58,737 --> 00:05:59,773
YEAH.
188
00:05:59,773 --> 00:06:01,015
I MEAN--
OH, WAIT.
189
00:06:01,015 --> 00:06:02,707
YOU DID--
YOU WANTED TO RETURN THOSE?
190
00:06:02,707 --> 00:06:04,985
OH, REALLY?
WELL--
191
00:06:04,985 --> 00:06:07,021
IF HE SIGNS THEM,
WE CAN’T RETURN THEM, SO...
192
00:06:07,021 --> 00:06:10,611
YEAH, WELL,
IF HE SIGNS ONE, CAN’T YOU--
193
00:06:10,611 --> 00:06:12,199
CAN YOU, OR NO?
NO?
194
00:06:12,199 --> 00:06:13,821
HE USUALLY LIKES TO SIGN
EVERYTHING.
195
00:06:13,821 --> 00:06:14,822
I CAN--
196
00:06:14,822 --> 00:06:16,168
ALL RIGHT.
197
00:06:16,168 --> 00:06:17,549
LET ME SEE.
198
00:06:17,549 --> 00:06:20,828
I CAN’T SAY NO
TO AN AUTOGRAPH, I MEAN...
199
00:06:20,828 --> 00:06:22,968
"TO MY FAVORITE--"
RUM SHOULD PROBABLY GO IN HERE.
200
00:06:22,968 --> 00:06:24,556
IT WAS A TENSE 15 MINUTES
201
00:06:24,556 --> 00:06:27,939
AS RONNIE SIGNED EVERYTHING
IN HER BASKET.
202
00:06:27,939 --> 00:06:30,148
SO WHEN IS THIS MOVIE
SUPPOSED TO BE COMING OUT?
203
00:06:30,148 --> 00:06:31,529
UM...
204
00:06:31,529 --> 00:06:33,393
BUT IN THE END,
SHE KEPT ALL HER SOUVENIRS
205
00:06:33,393 --> 00:06:35,222
AND WENT HOME HAPPY.
206
00:06:35,222 --> 00:06:37,293
AND AS THE DAY PROGRESSED,
WE GOT BETTER AND BETTER
207
00:06:37,293 --> 00:06:39,882
AT GETTING CUSTOMERS
TO MAKE BIG PURCHASES.
208
00:06:39,882 --> 00:06:44,162
YOUR CHARACTER IS A CUSTOMER
WHO LOVES TO SPEND MONEY.
209
00:06:44,162 --> 00:06:48,718
HE’S RICH, AND HE LOVES
TO JUST BUY SOUVENIRS.
210
00:06:48,718 --> 00:06:49,961
SO THAT’S YOUR MOTIVATION.
211
00:06:49,961 --> 00:06:50,996
ACTION.
212
00:06:50,996 --> 00:06:51,997
AND PEOPLE SEEMED TO BE
213
00:06:51,997 --> 00:06:53,585
EMBRACING THEIR ROLES.
214
00:06:53,585 --> 00:06:55,415
I’M GONNA GIVE MYSELF
AN OSCAR FOR BEING SO RICH.
215
00:06:55,415 --> 00:06:57,244
- HOW’S THAT?
- ALL RIGHT.
216
00:06:57,244 --> 00:06:58,418
OVER THE COURSE OF THE DAY,
217
00:06:58,418 --> 00:07:00,281
WE SOLD A RECORD NUMBER
OF SOUVENIRS.
218
00:07:00,281 --> 00:07:02,560
THE TOTAL COMES OUT
TO $170.92.
219
00:07:02,560 --> 00:07:04,147
$170...
220
00:07:04,147 --> 00:07:06,184
AND EVEN THOUGH THE AUTOGRAPHS
MAY HAVE BEEN FAKE,
221
00:07:06,184 --> 00:07:09,359
THE MEMORIES THESE REGULAR FOLKS
TOOK HOME THAT DAY
222
00:07:09,359 --> 00:07:11,672
WOULD LAST A LIFETIME.
223
00:07:11,672 --> 00:07:14,364
AND AT THE END OF THE DAY,
I WANTED TO SEE IF JOHN
224
00:07:14,364 --> 00:07:16,366
PLANNED TO KEEP USING
MY SALES METHOD.
225
00:07:16,366 --> 00:07:18,161
IS THIS SOMETHING YOU MIGHT
WANT TO KEEP DOING?
226
00:07:18,161 --> 00:07:20,094
UM...
227
00:07:20,094 --> 00:07:22,096
NO, I MEAN--
228
00:07:22,096 --> 00:07:23,132
MAYBE. MAYBE, YEAH.
229
00:07:23,132 --> 00:07:24,720
MAYBE? SO--
OKAY.
230
00:07:24,720 --> 00:07:26,549
- YEAH.
- THAT’S GOOD.
231
00:07:26,549 --> 00:07:29,449
UNFORTUNATELY, RONNIE,
THE JOHNNY DEPP IMPERSONATOR,
232
00:07:29,449 --> 00:07:31,830
HAS LIMITED AVAILABILITY
OUTSIDE OF TODAY.
233
00:07:31,830 --> 00:07:33,004
RIGHT.
234
00:07:33,004 --> 00:07:35,282
SO I FOUND
ANOTHER IMPERSONATOR
235
00:07:35,282 --> 00:07:37,111
THAT COULD REPLACE HIM,
PERHAPS,
236
00:07:37,111 --> 00:07:38,181
IF YOU WANT TO CONTINUE THIS.
237
00:07:38,181 --> 00:07:41,219
OKAY.
238
00:07:41,219 --> 00:07:43,911
THIS IS WILLIAM.
239
00:07:43,911 --> 00:07:46,811
HE’S A PROFESSIONAL
BILL GATES IMPERSONATOR.
240
00:07:46,811 --> 00:07:48,191
OKAY.
241
00:07:48,191 --> 00:07:51,125
WHY DON’T YOU GIVE HIM
A LITTLE TASTE OF BILL?
242
00:07:51,125 --> 00:07:53,645
YES, IT’S A PLEASURE
TO BE HERE.
243
00:07:53,645 --> 00:07:58,167
YOU KNOW, WHEN WE STARTED
OUR COMPUTERS,
244
00:07:58,167 --> 00:08:01,170
UM, BACK IN THE ’80s,
245
00:08:01,170 --> 00:08:02,999
IT WAS HUGE.
246
00:08:02,999 --> 00:08:04,000
AND THE BUSINESS--
247
00:08:04,000 --> 00:08:06,382
THEY WERE HUGE MACHINES.
248
00:08:06,382 --> 00:08:09,212
YOU KNOW, WE STARTED--
I STARTED IN A GARAGE.
249
00:08:09,212 --> 00:08:11,249
OKAY, I THINK THAT--
YEAH, THAT’S ENOUGH PROBABLY.
250
00:08:11,249 --> 00:08:12,388
SO, YEAH,
251
00:08:12,388 --> 00:08:14,114
YOU DO THIS FOR A LIVING, RIGHT?
252
00:08:14,114 --> 00:08:15,322
- YES, SIR.
- OKAY.
253
00:08:15,322 --> 00:08:16,530
YEAH, WELL,
I’LL LEAVE YOU GUYS
254
00:08:16,530 --> 00:08:17,842
TO WORK OUT THE DETAILS,
I GUESS.
255
00:08:17,842 --> 00:08:19,395
- OKAY.
- YOU CAN TAKE IT FROM HERE.
256
00:08:19,395 --> 00:08:20,879
BUT, YEAH,
GREAT TO MEET YOU.
257
00:08:20,879 --> 00:08:21,984
- GREAT TO MEET YOU.
- ALL RIGHT, SEE YA.
258
00:08:21,984 --> 00:08:24,262
- THANK YOU.
- THANK YOU.
259
00:08:24,262 --> 00:08:25,919
UM, I MEAN...
260
00:08:25,919 --> 00:08:29,785
WELL, I HOPE
EVERYBODY BUYS MICROSOFT--
261
00:08:29,785 --> 00:08:33,236
CONTINUES--
CONTINUE THE BUSINESS.
262
00:08:33,236 --> 00:08:35,342
WE CAN ALWAYS USE IT,
263
00:08:35,342 --> 00:08:38,310
AND WE’RE SO GRATEFUL THAT--
264
00:08:38,310 --> 00:08:40,381
WHAT WE HAVE ACCOMPLISHED.
265
00:08:40,381 --> 00:08:41,382
OKAY.
266
00:08:41,382 --> 00:08:42,383
WHAT YOU--
267
00:08:46,008 --> 00:08:47,250
UM...
268
00:08:50,909 --> 00:08:52,704
I ASSUME THIS GOES
WITHOUT SAYING,
269
00:08:52,704 --> 00:08:54,154
BUT IN MAKING THIS SHOW,
270
00:08:54,154 --> 00:08:57,122
I ENSURE THAT EVERY IDEA
I PRESENT TO A BUSINESS I HELP
271
00:08:57,122 --> 00:08:59,849
IS COMPLETELY, 100% LEGAL.
272
00:08:59,849 --> 00:09:02,818
HOWEVER, IN THE WEEKS
SINCE HELPING L.A. FAME,
273
00:09:02,818 --> 00:09:04,336
I DISCOVERED
THAT CERTAIN ELEMENTS
274
00:09:04,336 --> 00:09:06,028
OF MY MARKETING PLAN
275
00:09:06,028 --> 00:09:09,100
MAY HAVE ACTUALLY
CONSTITUTED FRAUD.
276
00:09:09,100 --> 00:09:11,136
AND THAT’S NOT GOOD.
277
00:09:11,136 --> 00:09:12,621
WHEN I FINISHED UP WITH JOHN,
278
00:09:12,621 --> 00:09:15,140
I ASSUMED MY WORK
WITH HIS BUSINESS WAS DONE,
279
00:09:15,140 --> 00:09:16,728
BUT THEN OUR PRODUCTION
BEGAN RECEIVING
280
00:09:16,728 --> 00:09:19,351
SEVERAL EMAILS
FROM SOUVENIR SHOP CUSTOMERS
281
00:09:19,351 --> 00:09:21,491
ASKING WHEN THE WEB,
MY FAKE MOVIE,
282
00:09:21,491 --> 00:09:23,252
WAS COMING OUT IN THEATERS.
283
00:09:23,252 --> 00:09:25,254
NOT KNOWING HOW TO RESPOND
TO THESE EMAILS,
284
00:09:25,254 --> 00:09:27,428
I MET WITH
RETIRED CALIFORNIA STATE JUDGE
285
00:09:27,428 --> 00:09:30,224
THE HONORABLE ANTHONY FILOSA
FOR SOME GUIDANCE.
286
00:09:30,224 --> 00:09:31,225
IT’S FRAUD.
287
00:09:31,225 --> 00:09:32,951
THEFT, BASICALLY.
288
00:09:32,951 --> 00:09:34,746
- THEFT AND FRAUD?
- YES.
289
00:09:34,746 --> 00:09:37,093
WHAT YOU DID
WAS A CRIMINAL OFFENSE.
290
00:09:37,093 --> 00:09:38,854
IT CAN BE PUNISHED
BY A MISDEMEANOR
291
00:09:38,854 --> 00:09:40,027
OR BY A FELONY
292
00:09:40,027 --> 00:09:42,685
DEPENDING ON THE AMOUNT
OF MONEY INVOLVED.
293
00:09:42,685 --> 00:09:44,342
YOU’RE ADMITTING TO ME
THAT--
294
00:09:44,342 --> 00:09:45,792
NO, I DIDN’T ADMIT ANYTHING.
295
00:09:45,792 --> 00:09:47,725
WELL, YOU SAID
THAT YOU DID NOT INTEND
296
00:09:47,725 --> 00:09:49,450
TO MAKE A MOVIE.
297
00:09:49,450 --> 00:09:51,073
SO HOW DO I GET OUT OF THIS?
298
00:09:51,073 --> 00:09:52,350
YOU HAVE TWO OPTIONS.
299
00:09:52,350 --> 00:09:55,595
YOU COULD MAKE AN OFFER
TO REFUND THE MONEY.
300
00:09:55,595 --> 00:09:56,941
THAT WOULD BE ONE WAY.
301
00:09:56,941 --> 00:09:59,426
OR, OF COURSE,
ACTUALLY MAKE THE FILM.
302
00:09:59,426 --> 00:10:02,256
SO IF THE WEB
WERE A REAL MOVIE,
303
00:10:02,256 --> 00:10:03,913
THEN I WOULD BE COVERED?
304
00:10:03,913 --> 00:10:05,432
YES. YES.
305
00:10:05,432 --> 00:10:06,744
JUDGE FILOSA HAD GIVEN ME
306
00:10:06,744 --> 00:10:08,711
A GREAT WAY
TO BEAT A FRAUD CHARGE.
307
00:10:08,711 --> 00:10:12,094
I’D EDIT THE FOOTAGE WE SHOT
AT L.A. FAME INTO A MOVIE,
308
00:10:12,094 --> 00:10:14,027
BUT THIS TASK
PROVED TO BE DIFFICULT.
309
00:10:14,027 --> 00:10:17,375
IT WAS ALL JUST RANDOM SCENES
WITH CUSTOMERS, NO STORY.
310
00:10:17,375 --> 00:10:19,101
I KNEW THIS WOULDN’T HOLD UP,
311
00:10:19,101 --> 00:10:20,550
SO I SPEND THE NIGHT
WRITING A SCRIPT
312
00:10:20,550 --> 00:10:22,242
THAT WOULD WEAVE
THE CUSTOMER FOOTAGE
313
00:10:22,242 --> 00:10:23,795
INTO A CLEAR NARRATIVE.
314
00:10:23,795 --> 00:10:25,176
TO MAKE IT MORE COMPELLING,
315
00:10:25,176 --> 00:10:27,765
I ADDED A LOVE STORY
FOR MY CHARACTER
316
00:10:27,765 --> 00:10:30,250
AND CAST AN ACTRESS
TO PLAY MY GIRLFRIEND,
317
00:10:30,250 --> 00:10:31,561
AND LATER THAT WEEK,
318
00:10:31,561 --> 00:10:33,771
WE OFFICIALLY BEGAN PRODUCTION
ON THE WEB.
319
00:10:33,771 --> 00:10:37,395
HAVE YOU EVER DONE
AN ON-CAMERA KISS BEFORE, OR...
320
00:10:37,395 --> 00:10:38,603
- I HAVE, YEAH.
- OH, YEAH? YEAH.
321
00:10:38,603 --> 00:10:39,742
- HAVE YOU?
- WHAT?
322
00:10:39,742 --> 00:10:40,950
- HAVE YOU?
- OH, YEAH, YEAH, YEAH.
323
00:10:40,950 --> 00:10:42,089
- YEAH, YEAH, YEAH.
- OKAY, COOL.
324
00:10:42,089 --> 00:10:43,332
IT’S NOT LIKE WE’RE KISSING.
325
00:10:43,332 --> 00:10:44,644
IT’S LIKE OUR CHARACTERS
ARE KISSING.
326
00:10:44,644 --> 00:10:45,645
- OH, SURE, YEAH.
- YEAH, YEAH.
327
00:10:45,645 --> 00:10:47,163
SO IT’S, LIKE, YOU KNOW,
328
00:10:47,163 --> 00:10:49,925
IT’S NOT, LIKE,
A BIG DEAL OR ANYTHING.
329
00:10:49,925 --> 00:10:51,478
- NO.
- YEAH, YEAH.
330
00:10:51,478 --> 00:10:52,859
AFTER SOME ACTOR-TO-ACTOR TALK,
331
00:10:52,859 --> 00:10:53,860
WE BEGAN THE SCENE.
332
00:10:53,860 --> 00:10:56,345
I LOVE YOU SO MUCH, RICHARD.
333
00:10:56,345 --> 00:10:58,174
I LOVE YOU TOO, ALLISON.
334
00:10:58,174 --> 00:10:59,589
COME HERE.
335
00:11:03,490 --> 00:11:05,803
I DON’T KNOW
WHAT I’M GONNA DO WITHOUT YOU.
336
00:11:05,803 --> 00:11:08,460
I KNOW.
337
00:11:08,460 --> 00:11:10,152
I HAVEN’T DONE THIS BEFORE.
338
00:11:10,152 --> 00:11:12,016
IT’S OKAY.
339
00:11:12,016 --> 00:11:13,465
IT WAS A BIT OF A ROCKY START
340
00:11:13,465 --> 00:11:15,433
AS MY NERVES KEPT
GETTING IN THE WAY.
341
00:11:15,433 --> 00:11:17,228
AND AS THE TAKES WENT ON,
342
00:11:17,228 --> 00:11:18,919
I WAS HAVING TROUBLE
STAYING IN CHARACTER
343
00:11:18,919 --> 00:11:22,164
BECAUSE I WAS REALLY ENJOYING
THE KISSES.
344
00:11:22,164 --> 00:11:25,270
BUT WITH TIME, OUR CHEMISTRY
BECAME VERY NATURAL,
345
00:11:27,238 --> 00:11:29,999
AND AFTER CALLING RONNIE BACK
TO SHOOT SOME ADDITIONAL SCENES,
346
00:11:29,999 --> 00:11:33,693
I FELT LIKE WE HAD ENOUGH
TO MAKE A SOMEWHAT LOGICAL FILM.
347
00:11:33,693 --> 00:11:36,419
SO I RETURNED TO JUDGE FILOSA
AND SHOWED HIM THE ENTIRE MOVIE
348
00:11:36,419 --> 00:11:39,043
TO SEE IF WE WERE IN THE CLEAR.
349
00:11:39,043 --> 00:11:40,838
SO THIS IS IT?
350
00:11:40,838 --> 00:11:42,080
IT’S A ROUGH CUT.
351
00:11:42,080 --> 00:11:43,875
IF THIS IS YOUR DEFENSE
352
00:11:43,875 --> 00:11:45,256
AND IT’S IN FRONT OF A JURY,
353
00:11:45,256 --> 00:11:47,085
THEY’D LAUGH YOU
OUT OF THE COURTROOM.
354
00:11:47,085 --> 00:11:48,086
BUT THIS--
355
00:11:48,086 --> 00:11:49,743
YOU SAID
ANYTHING CAN BE A MOVIE.
356
00:11:49,743 --> 00:11:51,262
NO, BUT I--
357
00:11:51,262 --> 00:11:53,816
I’M ASSUMING A MOVIE HAS TO HAVE
SOME KIND OF A PLOT.
358
00:11:53,816 --> 00:11:55,231
THERE’S A PLOT.
359
00:11:55,231 --> 00:11:56,508
WHAT’S THE PLOT?
360
00:11:56,508 --> 00:11:57,889
HE WOULD SAVE THE WORLD
THROUGH HACKING.
361
00:11:57,889 --> 00:11:59,132
GOING INTO A STORE?
362
00:11:59,132 --> 00:12:00,202
JUDGE FILOSA’S REACTION
363
00:12:00,202 --> 00:12:01,790
WAS BEGINNING TO WORRY ME,
364
00:12:01,790 --> 00:12:03,861
BUT THEN HE OFFERED
A GLIMMER OF HOPE.
365
00:12:03,861 --> 00:12:07,002
IF IT WAS ACCEPTED
BY THE SHOWBIZ COMMUNITY
366
00:12:07,002 --> 00:12:09,280
AS A MOVIE AND WON AN AWARD,
THEN I--
367
00:12:09,280 --> 00:12:10,591
THE COURT WOULD HAVE
TO TAKE THAT
368
00:12:10,591 --> 00:12:13,215
INTO CONSIDERATION,
WOULDN’T IT?
369
00:12:13,215 --> 00:12:14,354
HE WAS RIGHT.
370
00:12:14,354 --> 00:12:15,665
WINNING AN AWARD
WAS THE PERFECT WAY
371
00:12:15,665 --> 00:12:17,978
TO MAKE MY MOVIE
SOMEWHAT CREDIBLE.
372
00:12:17,978 --> 00:12:20,463
SO I SENT COPIES OF THE WEB
TO SEVERAL FILM FESTIVALS
373
00:12:20,463 --> 00:12:23,812
IN THE HOPE IT WOULD BE
ACCEPTED INTO COMPETITION.
374
00:12:23,812 --> 00:12:25,779
BUT AFTER GETTING
NOTHING BUT REJECTION LETTERS,
375
00:12:25,779 --> 00:12:28,540
IT SEEMS LIKE I ONLY HAD
376
00:12:28,540 --> 00:12:30,957
TO START A FILM FESTIVAL
OF MY OWN.
377
00:12:30,957 --> 00:12:34,098
SO I CAME UP WITH A NAME,
LOGO, AND ENTRY FORM,
378
00:12:34,098 --> 00:12:36,963
AND THEN SUBMITTED THE WEB
IN THE SHORT FILM CATEGORY.
379
00:12:36,963 --> 00:12:39,310
BUT AN AWARD FROM MY FESTIVAL
WOULD MEAN NOTHING
380
00:12:39,310 --> 00:12:42,278
WITHOUT A RESPECTED NAME
FROM THE FILM INDUSTRY INVOLVED,
381
00:12:42,278 --> 00:12:43,590
SO I MADE SOME CALLS...
382
00:12:43,590 --> 00:12:46,110
PERSONALLY,
I AM A HUGE FAN OF YOUR WORK.
383
00:12:46,110 --> 00:12:47,214
AND WAS ABLE TO LAND
384
00:12:47,214 --> 00:12:49,044
THE SECOND UNIT
SCRIPT SUPERVISOR
385
00:12:49,044 --> 00:12:51,356
FROM THE OSCAR-WINNING MOVIE
BONNIE AND CLYDE
386
00:12:51,356 --> 00:12:52,944
TO JUDGE THE FILM.
387
00:12:52,944 --> 00:12:56,120
YOU KNOW, I DIDN’T SEE
ANY CONTINUITY ERRORS AT ALL.
388
00:12:56,120 --> 00:12:57,397
THANK YOU.
389
00:12:57,397 --> 00:12:59,123
IS THAT WHAT
A SCRIPT SUPERVISOR DOES?
390
00:12:59,123 --> 00:13:01,090
ALL I NEEDED NOW
WAS AT LEAST ONE OTHER FILM
391
00:13:01,090 --> 00:13:03,196
THAT THE WEBWOULD HAVE
A CHANCE OF BEATING,
392
00:13:03,196 --> 00:13:06,130
AND AFTER A BIT OF SEARCHING,
I FOUND A CONTENDER--
393
00:13:06,130 --> 00:13:09,858
A 90-SECOND CLIP
OF NOTHING BUT A MAN FARTING.
394
00:13:12,826 --> 00:13:14,207
AND WITH A VENUE SECURED,
395
00:13:14,207 --> 00:13:17,244
IT WAS TIME FOR THE FESTIVAL
TO BEGIN.
396
00:13:17,244 --> 00:13:18,590
TURNOUT TO MY FESTIVAL
WAS SLIM,
397
00:13:18,590 --> 00:13:20,316
WITH ONLY A FEW PEOPLE
FROM THE NEIGHBORHOOD
398
00:13:20,316 --> 00:13:21,559
BUYING TICKETS,
399
00:13:21,559 --> 00:13:22,836
BUT THE ONLY THING THAT MATTERED
400
00:13:22,836 --> 00:13:25,114
WAS THAT OUR INDUSTRY JUDGE
HAD ARRIVED,
401
00:13:25,114 --> 00:13:28,014
AND WITH CRAYTON IN HIS SEAT,
IT WAS TIME TO START THE SHOW.
402
00:13:28,014 --> 00:13:29,774
WELCOME TO THE FIRST ANNUAL
403
00:13:29,774 --> 00:13:34,814
EASTERN LOS ANGELES
INTERNATIONAL FILM FESTIVAL.
404
00:13:37,817 --> 00:13:39,266
TODAY IS THE SHORT FILM
COMPETITION,
405
00:13:39,266 --> 00:13:40,509
AND I’M EXCITED TO ANNOUNCE
406
00:13:40,509 --> 00:13:42,373
THAT JUDGING OUR SELECTION
OF SHORTS
407
00:13:42,373 --> 00:13:46,826
IS INDUSTRY LEGEND
CRAYTON SMITH,
408
00:13:46,826 --> 00:13:50,208
WHO YOU MIGHT KNOW
FROM BEING THE SCRIPT SUPERVISOR
409
00:13:50,208 --> 00:13:51,554
ON BONNIE AND CLYDE.
410
00:13:51,554 --> 00:13:54,005
SO YOU KNOW IF HE PICKS A FILM
AS THE WINNER,
411
00:13:54,005 --> 00:13:56,697
IT’S DEFINITELY A REAL FILM.
412
00:13:59,286 --> 00:14:00,460
COME HERE A SECOND.
413
00:14:00,460 --> 00:14:01,633
OH.
414
00:14:01,633 --> 00:14:02,842
BONNIE AND CLYDE,
415
00:14:02,842 --> 00:14:03,912
I WAS JUST THE SECOND UNIT,
SO...
416
00:14:03,912 --> 00:14:04,913
JUST SECOND UNIT?
417
00:14:04,913 --> 00:14:06,431
I HAD NO CREDIT OR ANYTHING.
418
00:14:06,431 --> 00:14:09,331
YOU’RE CREDITED ON IMDB
FOR BONNIE AND CLYDE.
419
00:14:09,331 --> 00:14:10,642
YEAH, BUT ON THE WILD BUNCH,
420
00:14:10,642 --> 00:14:12,368
MY CREDIT IS ON THE SCREEN
AND...
421
00:14:12,368 --> 00:14:13,749
OH, OKAY, SURE.
422
00:14:13,749 --> 00:14:15,406
SO THE WILD BUNCH
YOU’D RATHER ME SAY?
423
00:14:15,406 --> 00:14:17,132
YEAH, THAT’S FINE.
424
00:14:17,132 --> 00:14:19,065
SO CRAYTON JUST INFORMED ME
THAT ACTUALLY
425
00:14:19,065 --> 00:14:22,551
HE WAS CREDITED
AS A SCRIPT SUPERVISOR
426
00:14:22,551 --> 00:14:24,001
ON THE WILD BUNCH,BUT--
427
00:14:24,001 --> 00:14:25,899
DID WORK ON BONNIE AND CLYDE,
428
00:14:25,899 --> 00:14:29,454
BUT WAS NOT CREDITED.
429
00:14:30,870 --> 00:14:35,012
OKAY, FIRST UP,
WE HAVE A SCI-FI THRILLER
430
00:14:35,012 --> 00:14:36,082
CALLED THE WEB.
431
00:14:36,082 --> 00:14:37,773
PLEASE ENJOY.
432
00:14:44,055 --> 00:14:45,470
♪ UH-HUH, THAT’S WHAT’S UP ♪
433
00:14:45,470 --> 00:14:46,506
♪ WHAT IT DO, HOMEGIRL
434
00:14:46,506 --> 00:14:48,853
♪ IS WE DRINKING OR WHAT
435
00:14:48,853 --> 00:14:50,579
♪ YEAH, BREAK IT OFF
436
00:14:50,579 --> 00:14:52,029
COMING IN ON WEEKENDS NOW,
KIP?
437
00:14:52,029 --> 00:14:54,479
I’M A HACKER, MEL,
NOT A SLACKER.
438
00:14:54,479 --> 00:14:55,998
COPS ARE GETTING SUSPICIOUS.
439
00:14:55,998 --> 00:14:57,206
YOU SHOULD GET YOUR OWN OFFICE,
440
00:14:57,206 --> 00:14:58,725
STOP USING MY BACK ROOM.
441
00:14:58,725 --> 00:15:01,762
WHATEVER, GRANDMA.
442
00:15:01,762 --> 00:15:04,144
ALL RIGHT, IT’S HACKING TIME.
443
00:15:08,217 --> 00:15:09,218
THANK YOU.
444
00:15:09,218 --> 00:15:11,703
HAVE A GOOD DAY.
445
00:15:11,703 --> 00:15:13,947
HEY, BOSS, DID YOU SEE THIS?
446
00:15:13,947 --> 00:15:16,053
MICROSOFT’S BEEN PUTTING
MICROCHIPS INTO ASTEROIDS
447
00:15:16,053 --> 00:15:17,192
TO CONTROL THEM.
448
00:15:17,192 --> 00:15:18,987
THIS CAN’T BE GOOD.
449
00:15:18,987 --> 00:15:20,264
YOU SHOULD TELL KIP.
450
00:15:20,264 --> 00:15:22,887
RIGHT.
451
00:15:22,887 --> 00:15:24,751
WHAT ARE YOU UP TO,
MR. GATES?
452
00:15:26,304 --> 00:15:28,824
CRAP, THE COPS ARE HERE.
453
00:15:28,824 --> 00:15:30,653
LET ME DISTRACT THEM
WHILE YOU FIGURE THIS OUT.
454
00:15:30,653 --> 00:15:32,655
OKAY, COOL.
455
00:15:32,655 --> 00:15:34,347
OH, HELLO, OFFICER SUZANNE.
456
00:15:34,347 --> 00:15:35,624
HI.
457
00:15:35,624 --> 00:15:37,350
HOW’S THE HACKER INVESTIGATION
GOING?
458
00:15:37,350 --> 00:15:38,489
GO AHEAD.
459
00:15:38,489 --> 00:15:40,111
OH, NO LEADS YET
AT ALL, SO...
460
00:15:40,111 --> 00:15:43,183
OKAY.
THAT’LL BE $87, PLEASE.
461
00:15:46,497 --> 00:15:47,705
DANGER.
462
00:15:47,705 --> 00:15:51,951
ASTEROID MICROCHIP MALFUNCTION.
463
00:15:51,951 --> 00:15:54,091
OH, NO.
464
00:15:54,091 --> 00:15:56,576
WHAT HAVE I DONE WRONG?
465
00:15:56,576 --> 00:15:58,440
I CAN’T BELIEVE THIS.
466
00:15:58,440 --> 00:16:00,787
I’VE WORKED SO HARD
467
00:16:00,787 --> 00:16:05,274
TO GET THIS COMPUTER PROJECT
GOING.
468
00:16:05,274 --> 00:16:07,000
THIS IS UNHEARD OF.
469
00:16:07,000 --> 00:16:08,553
WHAT’S GOING ON?
470
00:16:08,553 --> 00:16:09,969
IT LOOKS LIKE
THERE ARE ASTEROIDS
471
00:16:09,969 --> 00:16:11,625
ON A STRAIGHT TRAJECTORY
TOWARDS EARTH.
472
00:16:11,625 --> 00:16:13,489
WE’LL ALL BE DEAD
IN FIVE MINUTES.
473
00:16:13,489 --> 00:16:14,594
WHAT ARE YOU TALKING ABOUT?
474
00:16:14,594 --> 00:16:15,733
THERE’S A MICROCHIP IN THERE.
475
00:16:15,733 --> 00:16:16,734
CAN’T YOU HACK IT?
476
00:16:16,734 --> 00:16:18,287
I’LL DO MY BEST.
477
00:16:18,287 --> 00:16:20,220
CRAP, I HAVE A GIRLFRIEND.
478
00:16:24,121 --> 00:16:25,605
SORRY I HAD TO CALL YOU
AWAY FROM WORK.
479
00:16:25,605 --> 00:16:27,365
THIS JUST MIGHT BE
OUR LAST CHANCE
480
00:16:27,365 --> 00:16:29,505
TO SAY GOOD-BYE
BEFORE THE ASTEROID HITS.
481
00:16:29,505 --> 00:16:32,992
OH, NO.
482
00:16:32,992 --> 00:16:34,959
I LOVE YOU SO MUCH, RICHARD.
483
00:16:34,959 --> 00:16:37,306
I LOVE YOU TOO, ALLISON.
484
00:16:37,306 --> 00:16:39,515
COME HERE.
485
00:17:02,987 --> 00:17:05,748
I HACKED FASTER
THAN I’VE EVER HACKED BEFORE.
486
00:17:05,748 --> 00:17:07,923
WHEN WORD OF THE ASTEROID
GOT OUT,
487
00:17:07,923 --> 00:17:10,201
PEOPLE WERE RACING
TO GET SUPPLIES.
488
00:17:10,201 --> 00:17:11,340
EVERYONE WANTED SOUVENIRS
489
00:17:11,340 --> 00:17:12,859
SO THEY COULD REMEMBER
THE EARTH.
490
00:17:12,859 --> 00:17:13,860
AND PEOPLE WERE SAD.
491
00:17:13,860 --> 00:17:15,068
OH.
492
00:17:15,068 --> 00:17:16,483
ANGRY MOBS FORMED
ON THE STREET.
493
00:17:17,864 --> 00:17:20,280
THE ODDS OF ME STOPPING
THIS ASTEROID WERE SLIM,
494
00:17:20,280 --> 00:17:21,419
BUT I HAD TO TRY.
495
00:17:21,419 --> 00:17:24,008
ASTEROID ACCESS GRANTED.
496
00:17:24,008 --> 00:17:26,873
TRAJECTORY HAS BEEN
REPROGRAMMED.
497
00:17:26,873 --> 00:17:28,702
I DID IT.
498
00:17:28,702 --> 00:17:30,152
YOU SAVED THE WORLD, KIP.
499
00:17:30,152 --> 00:17:32,154
♪ THE TIME IS NOW,
START THE DAY ♪
500
00:17:32,154 --> 00:17:34,501
♪ SET THE GOAL,
GET UNDERWAY ♪
501
00:17:34,501 --> 00:17:36,400
THE WEBWENT OVER AS EXPECTED,
502
00:17:36,400 --> 00:17:38,678
AND NOW IT WAS TIME
TO SEAL MY FATE
503
00:17:38,678 --> 00:17:39,955
AS THE BEST FILM OF THE NIGHT.
504
00:17:39,955 --> 00:17:42,751
OUR NEXT SHORT
IS A DOCUMENTARY
505
00:17:42,751 --> 00:17:46,375
CALLED ME FARTING ON COMMAND.
506
00:18:20,168 --> 00:18:21,652
MY HOPE WAS THAT
THE FART MOVIE
507
00:18:21,652 --> 00:18:23,792
SERVED ITS PURPOSE,
508
00:18:23,792 --> 00:18:25,552
BECAUSE NOW THAT THE SCREENING
WAS OVER,
509
00:18:25,552 --> 00:18:28,245
IT WAS UP TO OUR JUDGE
TO PICK THE BEST SHORT,
510
00:18:28,245 --> 00:18:31,110
AND I NERVOUSLY AWAITED
HIS DECISION.
511
00:18:31,110 --> 00:18:34,285
OKAY, HERE YOU GO.
512
00:18:34,285 --> 00:18:35,321
ALL RIGHT.
513
00:18:41,775 --> 00:18:42,845
SELECTED THE WEB.
514
00:18:42,845 --> 00:18:43,846
I DID.
515
00:18:43,846 --> 00:18:44,847
ALL RIGHT.
516
00:18:44,847 --> 00:18:46,125
HAND ME THIS AWARD...
517
00:18:46,125 --> 00:18:47,643
- ALL RIGHT.
- FOR BEST SHORT FILM.
518
00:18:47,643 --> 00:18:48,782
HAND IT TO YOU NOW?
519
00:18:48,782 --> 00:18:50,508
- OH, YEAH.
- OKAY, UH, THIS--
520
00:18:50,508 --> 00:18:52,200
YOU DON’T NEED A SPEECH
OR ANYTHING, YEAH.
521
00:18:52,200 --> 00:18:53,201
- GOOD.
- THANK YOU.
522
00:18:53,201 --> 00:18:54,202
I DID IT,
523
00:18:54,202 --> 00:18:55,203
AND WITH THE AWARD IN HAND,
524
00:18:55,203 --> 00:18:56,756
WE NOW HAD PROOF
525
00:18:56,756 --> 00:18:58,344
THAT MY MARKETING PLAN
FOR L.A. FAME
526
00:18:58,344 --> 00:19:00,725
WAS 100% LEGAL.
527
00:19:00,725 --> 00:19:02,141
MY WORK HERE WAS DONE,
528
00:19:02,141 --> 00:19:03,659
BUT THERE WAS ONE MORE PERSON
529
00:19:03,659 --> 00:19:06,731
I WANTED TO SHARE
THE GOOD NEWS WITH.
530
00:19:06,731 --> 00:19:08,216
I WAS SO PROUD
OF MY MOVIE’S SUCCESS,
531
00:19:08,216 --> 00:19:10,321
AND I COULDN’T WAIT
TO TELL MY COSTAR, JESSEE.
532
00:19:10,321 --> 00:19:12,461
I DON’T KNOW IF YOU KNOW,
BUT THE FILM WE DID
533
00:19:12,461 --> 00:19:13,462
ACTUALLY WON AN AWARD.
534
00:19:13,462 --> 00:19:14,981
- WHAT?
- YEAH.
535
00:19:14,981 --> 00:19:16,500
WHAT AWARD?
536
00:19:16,500 --> 00:19:19,330
EASTERN LOS ANGELES
INTERNATIONAL FILM FESTIVAL.
537
00:19:19,330 --> 00:19:20,504
ALL RIGHT, THAT’S EXCITING.
538
00:19:20,504 --> 00:19:21,505
IT’S EXCITING, YEAH.
539
00:19:21,505 --> 00:19:22,506
PRETTY GOOD.
540
00:19:22,506 --> 00:19:23,610
YEAH, YEAH.
541
00:19:23,610 --> 00:19:25,440
ANYWAYS,
THERE WAS SOMETHING
542
00:19:25,440 --> 00:19:28,546
I WANTED TO ACTUALLY
TALK TO YOU ABOUT.
543
00:19:28,546 --> 00:19:30,169
WHEN WE DID THAT--
544
00:19:30,169 --> 00:19:33,379
THE KISSING SCENE
THAT WE DID,
545
00:19:33,379 --> 00:19:37,348
AND I TOLD YOU
I WAS IN CHARACTER,
546
00:19:37,348 --> 00:19:41,180
BUT THAT MIGHT HAVE BEEN A LIE.
547
00:19:43,043 --> 00:19:45,080
WELL, THAT’S OKAY.
548
00:19:45,080 --> 00:19:47,047
I FEEL LIKE
THERE MIGHT HAVE BEEN
549
00:19:47,047 --> 00:19:49,947
SOME OF ME IN THERE,
550
00:19:49,947 --> 00:19:52,018
AND I GUESS
I WAS WONDERING
551
00:19:52,018 --> 00:19:55,608
IF WHEN YOU DID THE KISS...
552
00:19:55,608 --> 00:19:57,748
HOW MUCH OF THAT
WAS YOUR CHARACTER
553
00:19:57,748 --> 00:19:59,612
AND HOW MUCH OF THAT WAS YOU?
554
00:20:02,649 --> 00:20:06,550
UH...
555
00:20:06,550 --> 00:20:08,759
MEANING DID I, LIKE--
556
00:20:08,759 --> 00:20:10,036
DID I WANT TO KISS YOU?
557
00:20:10,036 --> 00:20:12,280
ME, JESSEE?
558
00:20:12,280 --> 00:20:13,453
YEAH.
559
00:20:13,453 --> 00:20:16,801
UH...
560
00:20:16,801 --> 00:20:18,493
I MEAN,
561
00:20:18,493 --> 00:20:22,151
IT WASN’T A BIG DEAL,
562
00:20:22,151 --> 00:20:24,188
BUT I PROBABLY WOULDN’T
GRAB YOU ON THE STREET
563
00:20:24,188 --> 00:20:28,261
AND JUST KISS YOU
OUT OF NOWHERE.
564
00:20:28,261 --> 00:20:30,263
GOOD TO KNOW, I GUESS.
565
00:20:30,263 --> 00:20:32,058
- YEAH.
- YEAH.
566
00:20:33,197 --> 00:20:36,165
IN THAT MOMENT,
I FELT SORRY FOR JESSEE.
567
00:20:36,165 --> 00:20:38,133
TO SHARE A KISS
WITH ANOTHER HUMAN
568
00:20:38,133 --> 00:20:41,205
AND FEEL NOTHING
IS A HORRIBLE WAY TO LIVE.
569
00:20:41,205 --> 00:20:44,139
AS I DROVE HOME,
I FINALLY UNDERSTOOD
570
00:20:44,139 --> 00:20:46,348
WHAT IT FELT LIKE
TO BE A TOURIST,
571
00:20:46,348 --> 00:20:48,557
GOING SOMEWHERE
WITH SO MUCH HOPE
572
00:20:48,557 --> 00:20:50,973
AND LEAVING WITH NOTHING
BUT A SOUVENIR.
573
00:21:01,536 --> 00:21:03,089
FEEL LIKE I’M GONNA
WAKE UP ANY MINUTE
574
00:21:03,089 --> 00:21:04,228
AND THIS DIDN’T HAPPEN, SO...
575
00:21:04,228 --> 00:21:06,057
WOW.
576
00:21:06,057 --> 00:21:07,990
YEAH.
577
00:21:07,990 --> 00:21:10,441
WOULD YOU KISS MY HAND?
578
00:21:10,441 --> 00:21:12,305
YEAH, I’D KISS YOUR HAND.
579
00:21:12,305 --> 00:21:13,893
- THERE YOU GO.
- GOOD GUY.
580
00:21:13,893 --> 00:21:17,893
- ALL RIGHT.
- THANKS, MIKE.
40648
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