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1
00:00:03,313 --> 00:00:04,590
GOOD EVENING.
2
00:00:04,694 --> 00:00:06,144
WE'RE COMING TO YOU
FROM THE HISTORIC ELYSIAN PARK
3
00:00:06,247 --> 00:00:08,042
IN LOS ANGELES, CALIFORNIA.
4
00:00:08,146 --> 00:00:09,871
NOW, EVERY WEEK ON MY SHOW,
I CHALLENGE PEOPLE
5
00:00:09,975 --> 00:00:11,494
TO TAKE BIG RISKS.
6
00:00:11,597 --> 00:00:14,635
BUT SOME HAVE BEEN CRITICAL
THAT I NEVER TAKE RISKS MYSELF.
7
00:00:14,738 --> 00:00:17,051
WELL, TONIGHT,
THAT'S ALL GONNA CHANGE.
8
00:00:17,155 --> 00:00:18,673
OVER THE PAST MONTH,
I'VE BEEN LEARNING
9
00:00:18,777 --> 00:00:21,642
HOW TO PICK THE LOCK
ON THESE POLICE-GRADE HANDCUFFS.
10
00:00:21,745 --> 00:00:23,126
"WHY?" YOU ASK.
11
00:00:23,230 --> 00:00:25,059
BECAUSE TONIGHT I'M GONNA TAKE
A BIGGER RISK
12
00:00:25,163 --> 00:00:28,166
THAN ANYONE HAS EVER TAKEN
ON TELEVISION BEFORE.
13
00:00:28,269 --> 00:00:30,271
IN JUST A FEW MOMENTS,
I'M GOING TO BE HANDCUFFED
14
00:00:30,375 --> 00:00:32,170
TO THIS SOLID STEEL FRAME,
15
00:00:32,273 --> 00:00:35,035
AND I'LL HAVE EXACTLY 90 SECONDS
TO FREE MYSELF
16
00:00:35,138 --> 00:00:37,761
BEFORE THE CLAW
ON THIS ROBOTIC ARM
17
00:00:37,865 --> 00:00:39,591
UNDOES MY PANTS,
18
00:00:39,694 --> 00:00:43,215
EXPOSING ME TO AN AUDIENCE
OF CHILDREN.
19
00:00:43,319 --> 00:00:45,735
IF THAT HAPPENS,
AN L.A.P.D. OFFICER
20
00:00:45,838 --> 00:00:49,256
IS STANDING BY TO ARREST ME
FOR INDECENT EXPOSURE.
21
00:00:49,359 --> 00:00:52,880
WE'VE ALL SEEN ESCAPE ARTISTS
RISK DEATH BEFORE.
22
00:00:52,983 --> 00:00:56,918
BUT TONIGHT, I'M GOING TO RISK
23
00:00:57,022 --> 00:00:59,956
BECOMING A REGISTERED
SEX OFFENDER FOR LIFE.
24
00:01:00,060 --> 00:01:03,373
AND WHAT YOU'RE GOING
TO SEE TONIGHT IS 100% REAL.
25
00:01:03,477 --> 00:01:05,237
WELCOME TO NATHAN FOR YOU.
26
00:01:05,341 --> 00:01:08,240
THIS IS THE CLAW OF SHAME.
27
00:01:10,449 --> 00:01:11,933
NOW, YOU KNOW
THIS IS CONTROVERSIAL, RIGHT?
28
00:01:12,037 --> 00:01:14,522
- WHAT DO I GAIN BY DOING THIS?
- NOTHING.
29
00:01:14,626 --> 00:01:17,318
IF HE'S GONNA ESCAPE,
IF HE'S GONNA GO TO JAIL.
30
00:01:17,422 --> 00:01:19,872
I MIGHT NOT EVEN ATTEMPT IT.
31
00:01:19,976 --> 00:01:23,048
HE'S TAKING A BIG RISK.
32
00:01:23,152 --> 00:01:24,498
IF YOU'VE SEEN
MY SHOW BEFORE,
33
00:01:24,601 --> 00:01:27,328
YOU KNOW I USUALLY FOCUS
ON HELPING SMALL BUSINESSES
34
00:01:27,432 --> 00:01:29,365
BY BRINGING THEM BIG IDEAS.
35
00:01:29,468 --> 00:01:32,333
BUT TONIGHT'S EPISODE IS GOING
TO BE A BIT DIFFERENT.
36
00:01:32,437 --> 00:01:35,785
RIGHT NOW, YOU'RE SEEING
MY FINAL PRACTICE RUN,
37
00:01:35,888 --> 00:01:37,959
MY LAST CHANCE
TO GET THE ESCAPE RIGHT
38
00:01:38,063 --> 00:01:40,997
BEFORE RISKING LIFE
AS A SEX OFFENDER.
39
00:01:41,101 --> 00:01:42,481
BUT TO GET TO THIS POINT,
40
00:01:42,585 --> 00:01:47,072
IT TOOK MONTHS OF PLANNING
AND PREPARATION.
41
00:01:47,176 --> 00:01:49,385
FIRSTLY, I AM NOT
AN ESCAPE ARTIST.
42
00:01:49,488 --> 00:01:51,283
AND THOUGH I HAVE SOME
EXPERIENCE DOING MAGIC
43
00:01:51,387 --> 00:01:52,698
AS A TEENAGER...
44
00:01:52,802 --> 00:01:54,562
THERE'S NOTHING
IN THE BAG, RIGHT?
45
00:01:54,666 --> 00:01:55,667
YEAH.
46
00:01:55,770 --> 00:01:56,840
BAG IS COMPLETELY EMPTY.
47
00:01:56,944 --> 00:01:57,841
YOU CAN SEE
RIGHT THROUGH IT.
48
00:01:57,945 --> 00:01:59,740
I QUIT PERFORMING
YEARS AGO
49
00:01:59,843 --> 00:02:02,294
AND HAVE NEVER DONE
AN ESCAPE BEFORE.
50
00:02:02,398 --> 00:02:03,847
SO I BOOKED
A TRAINING SESSION
51
00:02:03,951 --> 00:02:05,608
WITH ESCAPE MASTER
MARK PASKELL
52
00:02:05,711 --> 00:02:10,302
SO I COULD LEARN HOW TO PICK
THE LOCKS ON A PAIR OF CUFFS.
53
00:02:10,406 --> 00:02:12,132
HOW DO I ESCAPE
FROM HANDCUFFS?
54
00:02:12,235 --> 00:02:13,512
- A SHIM.
- OH.
55
00:02:13,616 --> 00:02:15,721
IF YOU HAVE A SHIM,
YOU CAN--
56
00:02:15,825 --> 00:02:17,689
- IS THAT A HAIR CLIP?
- THIS IS A HAIR CLIP,
57
00:02:17,792 --> 00:02:19,242
BUT IT'S--
IT'S ADAPTED A LITTLE BIT.
58
00:02:19,346 --> 00:02:22,003
YOU GET IN THERE...
59
00:02:22,107 --> 00:02:24,661
AND PUSH.
60
00:02:24,765 --> 00:02:26,007
- RIGHT.
- THEN YOU CAN GET OUT.
61
00:02:26,111 --> 00:02:27,940
EVEN AFTER HE TAUGHT ME,
IT TOOK ME
62
00:02:28,044 --> 00:02:29,977
OVER 30 MINUTES
TO PICK THE LOCK.
63
00:02:30,080 --> 00:02:32,082
I HAD A LOT OF WORK
AHEAD OF ME TO GET MY TIME DOWN
64
00:02:32,186 --> 00:02:33,394
TO 90 SECONDS.
65
00:02:33,498 --> 00:02:35,948
AND AFTER SOME PRACTICING,
I TOLD MARK MY IDEA
66
00:02:37,674 --> 00:02:41,091
TO HAVE TWO STAGEHANDS PULLING
DOWN MY PANTS WITH ROPES,
67
00:02:41,195 --> 00:02:42,576
EXPOSING ME TO THE PUBLIC.
68
00:02:42,679 --> 00:02:45,510
AND SINCE MARK WAS CLEARLY
AN EXPERT ON THIS STUFF,
69
00:02:45,613 --> 00:02:47,719
I WAS HOPING TO HAVE HIM
AS AN OFFICIAL ADVISOR
70
00:02:47,822 --> 00:02:48,720
ON THE ESCAPE.
71
00:02:48,823 --> 00:02:49,790
I MEAN, WHAT DO YOU THINK?
72
00:02:49,893 --> 00:02:51,861
MM, I DON'T KNOW.
73
00:02:51,964 --> 00:02:53,932
IT'S MOVING A LITTLE BIT
OUT OF MY FIELD.
74
00:02:54,035 --> 00:02:55,175
I GUESS I COULD SAY
75
00:02:55,278 --> 00:02:57,315
YOU'RE A CONSULTANT
ON THE ESCAPE.
76
00:03:03,321 --> 00:03:05,461
MM, I DON'T KNOW.
I'LL HAVE TO GET BACK TO YOU.
77
00:03:05,564 --> 00:03:06,876
WOULD YOU WANT THAT?
78
00:03:06,979 --> 00:03:08,257
I'LL HAVE TO GET BACK TO YOU
ON THAT, THINK ON IT.
79
00:03:08,360 --> 00:03:10,707
WE'LL JUST CREDIT YOU
AS A CONSULTANT ON THE ESCAPE.
80
00:03:10,811 --> 00:03:12,088
- I APPRECIATE THAT.
- IT'S NO BIG DEAL.
81
00:03:12,192 --> 00:03:13,434
- WE'LL JUST GIVE IT TO YOU.
- APPRECIATE THAT, BUT--
82
00:03:13,538 --> 00:03:14,608
IT'S DONE.
IT'S AS GOOD AS DONE.
83
00:03:14,711 --> 00:03:15,781
I APPRECIATE IT,
BUT WHAT I'M SAYING IS,
84
00:03:15,885 --> 00:03:17,024
I WILL GET BACK TO YOU.
85
00:03:17,127 --> 00:03:18,198
YOU'LL GET BACK TO ME
ABOUT THE CREDIT?
86
00:03:18,301 --> 00:03:19,371
YEAH.
87
00:03:19,475 --> 00:03:21,408
WELL, WE'LL JUST PUT IT
IN ANYWAYS.
88
00:03:21,511 --> 00:03:24,204
JUST, WE'LL PUT IT
IN THE CREDITS OF THE SHOW.
89
00:03:24,307 --> 00:03:25,619
I NEVER HEARD BACK
FROM MARK,
90
00:03:25,722 --> 00:03:28,000
BUT AT LEAST I KNEW
HOW TO PICK HANDCUFFS.
91
00:03:28,104 --> 00:03:30,382
WHAT I DIDN'T KNOW
WAS THE LEGAL REQUIREMENT
92
00:03:30,486 --> 00:03:32,212
FOR BECOMING A SEX OFFENDER.
93
00:03:32,315 --> 00:03:34,283
SO I FOUND AN ACTUAL
CALIFORNIA JUDGE
94
00:03:34,386 --> 00:03:37,251
THAT WOULD AGREE TO ADVISE ME
ON THE ESCAPE ON CAMERA,
95
00:03:37,355 --> 00:03:39,253
THE HONORABLE ANTHONY FILOSA.
96
00:03:39,357 --> 00:03:41,497
SO IF I DON'T ESCAPE
IN 90 SECONDS,
97
00:03:41,600 --> 00:03:43,775
I'LL BE EXPOSED
TO SOME PEOPLE.
98
00:03:43,878 --> 00:03:45,121
WHAT ARE "SOME PEOPLE"?
99
00:03:45,225 --> 00:03:47,054
JUST, LIKE, ADULTS
OR SOMETHING?
100
00:03:47,157 --> 00:03:48,538
- I DON'T KNOW.
- CHILDREN? ADULTS?
101
00:03:48,642 --> 00:03:51,610
IS CHILDREN BETTER?
102
00:03:53,647 --> 00:03:54,751
INTERESTING QUESTION.
103
00:03:54,855 --> 00:03:56,960
BOTH COULD BE OFFENDED.
104
00:03:57,064 --> 00:03:58,341
MORE LIKELY CHILDREN,
105
00:03:58,445 --> 00:04:01,206
INSOFAR AS THAT
IT'S OFFENSIVE, PERIOD.
106
00:04:01,310 --> 00:04:04,451
SO YOU'RE SAYING
IT'S BETTER TO USE CHILDREN?
107
00:04:04,554 --> 00:04:06,867
I-I DON'T REALLY THINK
IT'S MY PLACE
108
00:04:06,970 --> 00:04:07,971
TO SUGGEST IT.
109
00:04:08,075 --> 00:04:10,319
- OKAY. SURE.
- ALL RIGHT?
110
00:04:10,422 --> 00:04:11,699
YEAH, I REALLY DON'T.
111
00:04:11,803 --> 00:04:12,907
I TOOK
THE JUDGE'S SUGGESTION
112
00:04:13,011 --> 00:04:14,840
THAT I SHOULD EXPOSE MYSELF
TO CHILDREN,
113
00:04:14,944 --> 00:04:16,739
AND ON TOP OF THAT,
114
00:04:16,842 --> 00:04:18,050
HE WAS A TREASURE TROVE
OF INFORMATION
115
00:04:18,154 --> 00:04:19,707
ON HOW TO BECOME
A SEX OFFENDER.
116
00:04:19,811 --> 00:04:21,571
THERE WOULD HAVE TO BE
THE ELEMENT
117
00:04:21,675 --> 00:04:23,953
OF WILLFULNESS PROVEN.
118
00:04:24,056 --> 00:04:25,782
SO WOULD IT HELP IF,
RIGHT BEFORE I DID IT,
119
00:04:25,886 --> 00:04:29,441
I SAID, "I'M DOING THIS
ON PURPOSE TO EXPOSE MYSELF"?
120
00:04:29,545 --> 00:04:32,651
WELL, YOU JUST ABANDON
ANY PRECAUTION.
121
00:04:32,755 --> 00:04:34,204
"YOU KNOW, FOLKS,
SOMETHING COULD HAPPEN,
122
00:04:34,308 --> 00:04:36,966
"YOU KNOW,
AND IF IT DOES,
123
00:04:37,069 --> 00:04:38,485
SO WHAT?"
124
00:04:38,588 --> 00:04:40,107
SOMETHING LIKE THAT.
125
00:04:40,210 --> 00:04:42,005
SO IT'S LIKE, YOU KNOW,
IF THIS GOES WRONG,
126
00:04:42,109 --> 00:04:43,075
I DON'T REALLY CARE.
127
00:04:43,179 --> 00:04:44,353
- TOO BAD, 'CAUSE I--
- TOO BAD.
128
00:04:44,456 --> 00:04:45,733
- I'M GONNA--
- TOO BAD, I--
129
00:04:45,837 --> 00:04:47,148
I'M GONNA GET OFF.
IT'S GONNA MAKE ME HORNY.
130
00:04:47,252 --> 00:04:48,529
WELL, WHATEVER.
131
00:04:48,633 --> 00:04:49,910
THE MOST TROUBLING THING
I LEARNED FROM HIM, THOUGH,
132
00:04:50,013 --> 00:04:52,602
WAS THAT IF ANYONE HELPED ME
PULL MY PANTS DOWN,
133
00:04:52,706 --> 00:04:53,983
THEY COULD GO TO JAIL TOO.
134
00:04:54,086 --> 00:04:56,951
THAT PERSON IS
AS GUILTY AS YOU ARE.
135
00:04:57,055 --> 00:04:58,125
SO I CAN'T HAVE
ANY HELPERS.
136
00:04:58,228 --> 00:04:59,575
- RIGHT.
- I DIDN'T WANT TO PUT
137
00:04:59,678 --> 00:05:01,231
ANYONE AT RISK
BESIDES MYSELF.
138
00:05:01,335 --> 00:05:03,130
SO IF NO HUMAN
COULD DO IT,
139
00:05:03,233 --> 00:05:05,650
I WAS GONNA HAVE TO USE
A ROBOT.
140
00:05:05,753 --> 00:05:07,652
AND THE SEARCH TOOK MONTHS,
WITH EVERYONE
141
00:05:07,755 --> 00:05:10,310
FROM U.S. DEFENSE COMPANIES
TO NASA TELLING US
142
00:05:10,413 --> 00:05:12,346
THE TECHNOLOGY DIDN'T EXIST
TO HAVE A ROBOT
143
00:05:12,450 --> 00:05:14,624
PULL DOWN SOMEONE'S PANTS.
144
00:05:14,728 --> 00:05:16,108
BUT I DIDN'T GIVE UP,
AND EVENTUALLY,
145
00:05:16,212 --> 00:05:17,765
I FOUND A COMPANY
THAT SAID THEY COULD DO IT.
146
00:05:17,869 --> 00:05:20,078
SO THIS IS IT.
147
00:05:20,181 --> 00:05:23,909
THIS IS A KUKA-ROBOTICS
K.R. 15-2.
148
00:05:24,013 --> 00:05:25,290
AFTER JOHN SHOWED ME
THE ROBOT,
149
00:05:25,394 --> 00:05:28,155
I EXPLAINED TO HIM SPECIFICALLY
WHAT I NEEDED IT TO DO.
150
00:05:28,258 --> 00:05:29,467
THEN, ONCE THE PANTS
ARE DOWN,
151
00:05:29,570 --> 00:05:31,779
I WANT IT TO COME UP HERE,
152
00:05:31,883 --> 00:05:34,472
HOOK ONTO THE BOXERS,
AND PULL THOSE DOWN.
153
00:05:34,575 --> 00:05:36,370
JOHN SUGGESTED MAKING
CUSTOM-DESIGNED PANTS
154
00:05:36,474 --> 00:05:39,339
WITH LOOPS THAT WOULD MAKE IT
EASIER FOR THE ROBOT
155
00:05:39,442 --> 00:05:40,823
TO REMOVE THEM,
156
00:05:40,926 --> 00:05:42,134
SO I HIRED A TAILOR
TO MAKE THE PANTS
157
00:05:42,238 --> 00:05:44,309
TO JOHN'S SPECIFICATIONS.
158
00:05:44,413 --> 00:05:45,828
AND OVER THE WEEK
THEY WERE BEING MADE,
159
00:05:45,931 --> 00:05:48,106
HE INFORMALLY BECAME
MY PRACTICE PARTNER.
160
00:05:48,209 --> 00:05:49,349
I BORROWED A PAIR
OF HIS UNDERWEAR
161
00:05:49,452 --> 00:05:51,868
SO WE COULD PULL DOWN MY PANTS
ALL THE WAY
162
00:05:51,972 --> 00:05:53,076
WITHOUT SEEING MY PENIS.
163
00:05:53,180 --> 00:05:56,183
90.
164
00:05:58,841 --> 00:06:01,015
THE PANTS BEING TAKEN OFF
WAS DEFINITELY DISTRACTING,
165
00:06:01,119 --> 00:06:03,224
BUT I WAS GETTING CLOSER
TO MY 90-SECOND GOAL.
166
00:06:03,328 --> 00:06:05,503
TIME, TIME, STOP IT.
WHAT DO I GOT?
167
00:06:05,606 --> 00:06:06,607
OKAY, 150.
168
00:06:06,711 --> 00:06:08,402
AND AFTER GETTING
AN HOUR OR SO
169
00:06:08,506 --> 00:06:09,645
OF TRAINING IN,
THE COMPLETED PANTS
170
00:06:09,748 --> 00:06:12,682
WERE PACKAGED UP AND DELIVERED
TO REEL EFX
171
00:06:12,786 --> 00:06:15,271
SO THE ROBOT COULD BEGIN
BEING PROGRAMMED.
172
00:06:15,375 --> 00:06:17,100
IN THE MEANTIME,
I WANTED TO FIND OUT
173
00:06:17,204 --> 00:06:19,344
THE REAL CONSEQUENCES
OF GOING TO PRISON
174
00:06:19,448 --> 00:06:20,863
AS A SEX OFFENDER,
SO I MET UP
175
00:06:20,966 --> 00:06:24,176
WITH JIMMY MURPHY,
WHO'S SERVED OVER 11 YEARS
176
00:06:24,280 --> 00:06:26,351
FOR A VARIETY
OF VIOLENT CRIMES.
177
00:06:26,455 --> 00:06:27,973
I'LL TELL YOU THIS.
178
00:06:28,077 --> 00:06:30,528
IN THERE, IT'S THE LAST THING
YOU WANT TO BE.
179
00:06:30,631 --> 00:06:31,701
IT'S THE LOWEST.
180
00:06:31,805 --> 00:06:34,773
WHAT WOULD HAPPEN TO ME
IN THERE?
181
00:06:34,877 --> 00:06:37,500
WELL, YOU KNOW,
YOU'D PROBABLY, UH, GO--
182
00:06:37,604 --> 00:06:38,639
GO TO YOUR CELL,
AND YOU'D FIND
183
00:06:38,743 --> 00:06:41,711
A COUPLE OF SNICKERS BARS
ON YOUR PILLOW.
184
00:06:41,815 --> 00:06:42,885
- OH, WOW.
- AND THEN--
185
00:06:42,988 --> 00:06:43,989
SO THIS DOESN'T SOUND
THAT BAD AT ALL.
186
00:06:44,093 --> 00:06:45,128
NO, YOU'D GO IN THERE,
187
00:06:45,232 --> 00:06:46,716
AND YOU'D SAY, "OH, WOW,
WHAT A GIFT."
188
00:06:46,820 --> 00:06:48,304
YOU KNOW,
AND YOU'D EAT THE STUFF.
189
00:06:48,408 --> 00:06:51,514
WELL, SOMEONE'S GONNA COME
AND SAY, "HEY.
190
00:06:51,618 --> 00:06:53,205
WHAT HAPPENED
TO MY CHOCOLATE?"
191
00:06:53,309 --> 00:06:55,276
AND YOU'RE GONNA GO,
"OH, I, UH, I ATE THAT."
192
00:06:55,380 --> 00:06:56,277
AND THEN THEY'RE GONNA GO,
193
00:06:56,381 --> 00:06:57,969
"WELL, YOU NEED
TO PAY FOR THAT."
194
00:06:58,072 --> 00:07:00,178
YEAH, HOW?
I DON'T HAVE ANY MONEY.
195
00:07:00,281 --> 00:07:01,524
WELL, THEN YOU MIGHT FIND
YOUR HEAD BOUNCING
196
00:07:01,628 --> 00:07:03,457
OFF SOMEBODY'S BELT BUCKLE.
197
00:07:03,561 --> 00:07:04,458
I DON'T WANT TO DO THAT.
198
00:07:04,562 --> 00:07:05,873
NO, OF COURSE YOU DON'T.
199
00:07:05,977 --> 00:07:07,703
'CAUSE THERE'S A LOT
OF BELT BUCKLES IN THERE.
200
00:07:07,806 --> 00:07:09,429
- REALLY?
- OH, YEAH, YOU'LL GROW TIRED.
201
00:07:09,532 --> 00:07:10,878
THEY ALLOW YOU
TO WEAR BELTS IN PRISON?
202
00:07:10,982 --> 00:07:12,915
- NO, IT'S A--
- SO HOW WOULD IT WORK?
203
00:07:13,018 --> 00:07:14,157
THEY JUST GIVE YOU
THE BUCKLE?
204
00:07:14,261 --> 00:07:16,090
WELL, NO, I, UH--
205
00:07:16,194 --> 00:07:17,885
- SO THERE'S NO BELT BUCKLE.
- WELL, NO, NOT REALLY.
206
00:07:17,989 --> 00:07:18,921
- I MEANT--
- SO MY HEAD WOULDN'T BE
207
00:07:19,024 --> 00:07:21,061
BOUNCING AROUND ANY
BELT BUCKLES.
208
00:07:21,164 --> 00:07:22,856
SO, IN OTHER WORDS, YOU'D HAVE
A IN YOUR MOUTH.
209
00:07:22,959 --> 00:07:24,513
I MEAN, IT PROBABLY WOULDN'T
BOUNCE, TOO,
210
00:07:24,616 --> 00:07:27,170
BECAUSE I WOULD STOP
WHEN I GOT TO THE BALLS
211
00:07:27,274 --> 00:07:29,172
BEFORE I GOT IN.
212
00:07:29,276 --> 00:07:30,657
I DON'T KNOW
HOW YOU DO IT.
213
00:07:30,760 --> 00:07:32,624
WELL, THAT'S HOW I WOULD.
214
00:07:32,728 --> 00:07:34,143
I'D NEVER REALLY BEEN FORCED
TO PICTURE
215
00:07:34,246 --> 00:07:36,386
HOW I'D GIVE ORAL SEX
TO A MAN,
216
00:07:36,490 --> 00:07:38,803
BUT AFTER VISUALIZING IT,
I BEGAN TO QUESTION
217
00:07:38,906 --> 00:07:41,806
IF THIS ENTIRE STUNT
WAS ACTUALLY WORTH IT.
218
00:07:41,909 --> 00:07:44,567
MY CONCERNS WERE HEIGHTENED
WHEN I RETURNED TO REEL EFX
219
00:07:44,671 --> 00:07:46,811
TO FIND THE ROBOT
ACTING UNPREDICTABLY.
220
00:07:48,468 --> 00:07:50,090
TO MAKE MATTERS WORSE,
I FOUND OUT
221
00:07:50,193 --> 00:07:52,713
THAT THE ROBOT WHOSE PRECISION
WOULD DETERMINE MY FATE
222
00:07:52,817 --> 00:07:55,198
- RAN ON WINDOWS 95.
- IT'S AS GOOD--
223
00:07:55,302 --> 00:07:56,614
YOU'VE GOTTA BE KIDDING ME.
224
00:07:56,717 --> 00:07:58,098
MY PARENTS THREW OUT
THEIR COMPUTER
225
00:07:58,201 --> 00:08:01,101
THAT RAN WINDOWS 95,
LIKE, SEVEN YEARS AGO
226
00:08:01,204 --> 00:08:03,759
BECAUSE MINESWEEPER
WASN'T WORKING PROPERLY.
227
00:08:03,862 --> 00:08:05,726
IT'S OKAY.
'CAUSE WHAT HAPPENS--
228
00:08:05,830 --> 00:08:06,865
HONESTLY, LIKE,
MY LIFE, LIKE--
229
00:08:06,969 --> 00:08:09,178
THIS IS MOVING
WITHIN AN--
230
00:08:09,281 --> 00:08:10,593
- RIGHT.
- MILLIMETERS OF MY BODY.
231
00:08:10,697 --> 00:08:13,009
I WAS MAINLY CONCERNED BECAUSE
ON THE DAY OF THE ESCAPE,
232
00:08:13,113 --> 00:08:15,771
JOHN WOULD HAVE TO
STEP AWAY FROM THE CONTROLS
233
00:08:15,874 --> 00:08:18,221
AND LET THE PROGRAM RUN
AUTOMATICALLY.
234
00:08:18,325 --> 00:08:20,465
BUT HE ASSURED ME
THE SOFTWARE WOULD WORK.
235
00:08:20,569 --> 00:08:23,399
SO THE ROBOT WAS TRANSPORTED
TO ELYSIAN PARK,
236
00:08:23,503 --> 00:08:26,091
WHERE A CREW
OF OVER 50 PEOPLE WORKED
237
00:08:26,195 --> 00:08:27,437
FOR TWO STRAIGHT DAYS
TO PREPARE
238
00:08:27,541 --> 00:08:30,475
FOR TONIGHT'S HISTORIC STUNT.
239
00:08:33,029 --> 00:08:34,134
TONIGHT, NATHAN FIELDER
240
00:08:34,237 --> 00:08:36,067
RISKS THE ULTIMATE SHAME,
241
00:08:36,170 --> 00:08:39,001
FACING A HEARTLESS ROBOT
THATS ONLY MISSION
242
00:08:39,104 --> 00:08:41,693
IS TO EXPOSE
HIS PRIVATE PARTS.
243
00:08:41,797 --> 00:08:43,833
THIS MIGHT BE
THE MOST DANGEROUS STUNT
244
00:08:43,937 --> 00:08:45,076
EVER IMAGINED.
245
00:08:45,179 --> 00:08:46,836
CHILDREN WATCHING...
246
00:08:46,940 --> 00:08:49,045
L.A.P.D. PRESENT...
247
00:08:49,149 --> 00:08:50,909
AND ALL IN THE DARK OF NIGHT.
248
00:08:51,013 --> 00:08:52,739
YOU KNOW, I'VE BEEN PUT
ON EARTH FOR A REASON,
249
00:08:52,842 --> 00:08:54,982
AND I BELIEVE
THIS IS GOD'S PLAN FOR ME.
250
00:08:55,086 --> 00:08:56,950
THE WORLD IS WATCHING.
251
00:08:57,053 --> 00:08:59,331
WILL HE INSPIRE MILLIONS
252
00:08:59,435 --> 00:09:01,368
AND HONOR HIS HOME COUNTRY
OF CANADA
253
00:09:01,471 --> 00:09:05,441
OR END UP BEHIND BARS
AND RISK DEPORTATION?
254
00:09:05,545 --> 00:09:08,720
NEVER BEFORE ATTEMPTED
IN THE HISTORY OF TELEVISION...
255
00:09:08,824 --> 00:09:10,619
I MEAN, THIS IS
A COMEDY CENTRAL SHOW.
256
00:09:10,722 --> 00:09:13,518
I MEAN, THIS IS--
IT'S CRAZY WHAT WE'RE DOING.
257
00:09:13,622 --> 00:09:16,694
WILL HE ESCAPE,
OR WON'T HE?
258
00:09:16,797 --> 00:09:20,767
NATHAN FIELDER TAKES ON...
259
00:09:22,803 --> 00:09:25,116
WE'RE JUST MOMENTS
AWAY FROM THE ESCAPE,
260
00:09:25,219 --> 00:09:27,532
AND TONIGHT,
I CANNOT RISK FAILURE.
261
00:09:27,636 --> 00:09:29,189
BUT ONE THING I'VE LEARNED
OVER THE YEARS IS THAT
262
00:09:29,292 --> 00:09:31,467
YOU CAN'T BE AFRAID
OF FAILING.
263
00:09:31,571 --> 00:09:33,711
IN FACT, ON MY SHOW,
WHEN I HELP BUSINESSES,
264
00:09:33,814 --> 00:09:35,436
I FAIL ALL THE TIME.
265
00:09:35,540 --> 00:09:37,266
AND I'M NORMALLY SHY
TO SHOW THOSE MOMENTS,
266
00:09:37,369 --> 00:09:39,820
BUT TONIGHT, I'M GOING TO MAKE
AN EXCEPTION.
267
00:09:39,924 --> 00:09:43,410
SO LET'S TAKE A LOOK NOW
AT SOME OF MY GREATEST FAILURES.
268
00:09:43,513 --> 00:09:44,894
ONE OF MY LEAST POPULAR IDEAS
269
00:09:44,998 --> 00:09:47,517
WAS FOR A COMPLETELY
GERM-FREE HOT DOG STAND.
270
00:09:47,621 --> 00:09:49,761
AT OUTDOOR FOOD CARTS,
IT'S EASY FOR GERMS
271
00:09:49,865 --> 00:09:52,902
TO TRANSFER FROM MONEY
TO YOUR FOOD,
272
00:09:53,006 --> 00:09:53,972
SO TO COMPLETELY
ELIMINATE THIS,
273
00:09:54,076 --> 00:09:55,698
I DESIGNED
A HANDS-FREE METHOD
274
00:09:55,802 --> 00:09:58,114
TO APPLY CONDIMENTS
TO THE WIENER.
275
00:09:58,218 --> 00:09:59,978
ALSO, THERE WOULD BE
A SECOND EMPLOYEE
276
00:10:00,082 --> 00:10:01,808
WHOSE ONLY JOB
IS TO HANDLE THE MONEY.
277
00:10:01,911 --> 00:10:02,981
WHAT ARE YOU DOING
WITH THE WALLET?
278
00:10:03,085 --> 00:10:04,983
WE'RE DOING
A GERM-FREE EXPERIENCE,
279
00:10:05,087 --> 00:10:06,053
SO YOU DON'T HANDLE
YOUR OWN MONEY.
280
00:10:06,157 --> 00:10:07,572
OH, REALLY?
281
00:10:07,676 --> 00:10:09,436
BUT PEOPLE WERE A BIT ANNOYED
WITH THE MONEY HANDLING PART.
282
00:10:09,539 --> 00:10:10,575
CAN I HAVE MY WALLET BACK?
283
00:10:10,679 --> 00:10:12,163
AND THE HANDS-FREE
ONION DISPENSER
284
00:10:12,266 --> 00:10:13,958
PROVED TO BE PROBLEMATIC
AS WELL.
285
00:10:14,061 --> 00:10:15,235
SO YOU HAVE TO UP--
ONE UP, ONE DOWN.
286
00:10:15,338 --> 00:10:17,064
WHEN IT HITS THE TABLE,
THE ONIONS WILL FALL.
287
00:10:17,168 --> 00:10:18,341
AND DROP IT.
KEEP DROPPING IT.
288
00:10:18,445 --> 00:10:19,515
UP AND DOWN, DROP IT.
289
00:10:19,619 --> 00:10:22,069
FAST.
290
00:10:22,173 --> 00:10:23,070
OOPS.
291
00:10:23,174 --> 00:10:24,485
- OH.
- UGH.
292
00:10:24,589 --> 00:10:26,453
THIS IS NOT GONNA WORK.
IT'S NOT GONNA WORK.
293
00:10:26,556 --> 00:10:27,627
THAT'S NOTHING TO DO
WITH THE CONTRAPTION.
294
00:10:27,730 --> 00:10:29,456
IF YOU DROP A HOT DOG,
YOU DROP A HOT DOG.
295
00:10:29,559 --> 00:10:30,560
THE PUBLIC JUST WASN'T READY
296
00:10:30,664 --> 00:10:32,804
FOR THE GERM-FREE
HOT DOG EXPERIENCE,
297
00:10:32,908 --> 00:10:35,427
SO I LAID THE CONCEPT
TO REST.
298
00:10:35,531 --> 00:10:38,051
NEXT, I HAD AN IDEA
FOR A TEARLESS WAY
299
00:10:38,154 --> 00:10:40,605
TO TELL A CHILD
THAT THEIR PET HAS DIED,
300
00:10:40,709 --> 00:10:42,711
TO BE AN UP-SELL SERVICE
FOR AN ANIMAL HOSPITAL.
301
00:10:42,814 --> 00:10:44,333
THE CONCEPT WAS
TO MAKE A VIDEO
302
00:10:44,436 --> 00:10:46,128
OF THE PET
WHILE IT'S STILL ALIVE,
303
00:10:46,231 --> 00:10:48,475
TELLING THE CHILD
IT'S IN ANIMAL HEAVEN NOW.
304
00:10:48,578 --> 00:10:50,753
I HIRED THE ONLY VOICE ACTOR
THAT RESPONDED
305
00:10:50,857 --> 00:10:52,755
TO MY CRAIGSLIST AD
TO BE THE DOG.
306
00:10:52,859 --> 00:10:54,308
BUT WHEN WE SHOWED IT
TO THE OWNER'S CHILD...
307
00:10:56,690 --> 00:10:58,416
OH, IT'S ME, MADI.
308
00:10:58,519 --> 00:11:00,936
I'M IN HEAVEN NOW.
309
00:11:01,039 --> 00:11:02,316
SO SORRY I DIED.
310
00:11:02,420 --> 00:11:03,870
I MISS YOU SO MUCH.
311
00:11:03,973 --> 00:11:06,873
I'M HAPPY HERE,
SO I'M NOT COMING HOME.
312
00:11:11,360 --> 00:11:12,879
- NO, SHE DOESN'T.
- NO.
313
00:11:12,982 --> 00:11:13,949
WHAT--AW.
314
00:11:14,052 --> 00:11:15,709
IT'S OKAY.
315
00:11:15,813 --> 00:11:17,262
HE HATED HIS DOG'S VOICE.
316
00:11:17,366 --> 00:11:19,817
ANOTHER FLUBBED IDEA.
317
00:11:19,920 --> 00:11:21,301
AND LASTLY,
MY FAVORITE IDEAS
318
00:11:21,404 --> 00:11:23,199
DON'T JUST HELP
WITH BUSINESS.
319
00:11:23,303 --> 00:11:24,891
THEY'RE GOOD FOR THE COMMUNITY
AS WELL.
320
00:11:24,994 --> 00:11:26,755
SO I APPROACHED A BAR
WITH AN INNOVATIVE WAY
321
00:11:26,858 --> 00:11:29,033
TO STOP DRUNKS FROM GETTING
BEHIND THE WHEEL.
322
00:11:29,136 --> 00:11:31,173
THE CONCEPT WAS TO HAVE
A STREET MAGICIAN
323
00:11:31,276 --> 00:11:32,795
STATIONED OUTSIDE THE BAR,
324
00:11:32,899 --> 00:11:34,555
PERFORMING A MAGIC TRICK
THAT ALLOWS HIM
325
00:11:34,659 --> 00:11:36,661
TO SECRETLY TEST
THE BLOOD ALCOHOL LEVELS
326
00:11:36,765 --> 00:11:38,801
OF PATRONS AS THEY LEAVE.
327
00:11:38,905 --> 00:11:41,217
AND WITH MY BACKGROUND IN MAGIC,
I OFFERED TO TEST IT OUT.
328
00:11:41,321 --> 00:11:44,048
FOR MY FINAL TRICK,
I'M GOING TO NEED YOUR KEYS.
329
00:11:44,151 --> 00:11:46,257
- MY KEYS?
- YES.
330
00:11:46,360 --> 00:11:50,261
GREAT.
GIVE THE WAND A BLOW.
331
00:11:50,364 --> 00:11:53,333
OKAY, A LITTLE BIT HARDER,
RIGHT INTO THE TOP.
332
00:11:56,785 --> 00:11:59,408
OKAY, AND YOU ARE OVER
THE LEGAL LIMIT.
333
00:11:59,511 --> 00:12:00,581
- OKAY.
- BLOOD ALCOHOL.
334
00:12:00,685 --> 00:12:02,514
- SO YOUR KEYS ARE GONE.
- OH!
335
00:12:02,618 --> 00:12:04,137
AND I CANNOT GIVE THEM
BACK TO YOU.
336
00:12:04,240 --> 00:12:06,933
- OKAY.
- SORRY.
337
00:12:07,036 --> 00:12:09,418
BUT THAT'S WHEN I REALIZED
THE FLAW IN MY IDEA.
338
00:12:09,521 --> 00:12:11,558
IF I HELD ON TO HIS KEYS
AND HE TOOK A CAB,
339
00:12:11,661 --> 00:12:13,663
THE GUY COULDN'T GET
INTO HIS APARTMENT.
340
00:12:13,767 --> 00:12:14,837
COULD I GET MY KEYS,
PLEASE?
341
00:12:14,941 --> 00:12:16,356
I CAN'T,
BECAUSE YOU'RE DRUNK.
342
00:12:16,459 --> 00:12:17,564
PLEASE GIVE ME MY KEYS.
343
00:12:17,667 --> 00:12:19,531
AND THE ONLY SOLUTION
AT THAT POINT
344
00:12:19,635 --> 00:12:20,705
WAS TO DRIVE HIM HOME.
345
00:12:20,809 --> 00:12:22,086
YOU LIVE FAR.
346
00:12:22,189 --> 00:12:24,019
I KNOW I DO.
347
00:12:24,122 --> 00:12:25,537
ALSO, ONCE I GOT HIM HOME,
348
00:12:25,641 --> 00:12:27,574
I REALIZED I COULDN'T JUST
GIVE HIM HIS KEYS
349
00:12:27,677 --> 00:12:29,300
UNTIL HE WAS ASLEEP,
OR ELSE HE MIGHT GO OUT
350
00:12:29,403 --> 00:12:30,404
AND DRIVE AGAIN.
351
00:12:30,508 --> 00:12:31,923
YOU NEED
TO SEE ME SLEEPING?
352
00:12:32,027 --> 00:12:34,374
I NEED TO SEE YOU FALL ASLEEP
BEFORE I LEAVE YOUR KEYS,
353
00:12:34,477 --> 00:12:38,274
OR ELSE YOU MIGHT TAKE THEM
AND GO OUT AGAIN.
354
00:12:38,378 --> 00:12:40,035
YOU DON'T BRUSH YOUR TEETH
BEFORE BED?
355
00:12:40,138 --> 00:12:41,105
USUALLY NOT.
356
00:12:41,208 --> 00:12:42,175
I USUALLY BRUSH MY TEETH
IN THE MORNING.
357
00:12:42,278 --> 00:12:43,866
- REALLY?
- YEP.
358
00:12:43,970 --> 00:12:45,488
I KNOW IT'S KIND OF GROSS,
359
00:12:45,592 --> 00:12:47,421
BUT NOBODY ELSE
IS REALLY PAYING ATTENTION
360
00:12:47,525 --> 00:12:48,940
TO THE WAY MY BREATH SMELLS.
361
00:12:49,044 --> 00:12:50,700
SO I HAD TO PUT HIM TO BED
AND MAKE SURE
362
00:12:50,804 --> 00:12:51,943
HE WENT TO SLEEP...
363
00:12:52,047 --> 00:12:55,844
♪ AND IF THAT LOOKING GLASS
GETS BROKE ♪
364
00:12:55,947 --> 00:12:59,157
♪ MAMA'S GONNA GET YOU
A BILLY GOAT ♪
365
00:12:59,261 --> 00:13:01,711
BEFORE I LEFT HIS KEYS.
366
00:13:01,815 --> 00:13:03,092
SO, AS YOU CAN SEE,
367
00:13:03,196 --> 00:13:05,439
EVEN THE GREATEST MINDS
FAIL SOMETIMES.
368
00:13:05,543 --> 00:13:06,786
OHH!
369
00:13:06,889 --> 00:13:10,099
BUT FAILING TONIGHT
IS NOT AN OPTION.
370
00:13:10,203 --> 00:13:11,480
BESIDES THE RISK TO ME,
371
00:13:11,583 --> 00:13:13,102
THERE ARE
TEN INNOCENT CHILDREN
372
00:13:13,206 --> 00:13:14,897
PARTICIPATING
IN TONIGHT'S EVENT,
373
00:13:15,001 --> 00:13:16,934
AND I DON'T TAKE THAT LIGHTLY.
374
00:13:17,037 --> 00:13:18,798
SO EARLIER TODAY,
I SPOKE WITH THEIR PARENTS
375
00:13:18,901 --> 00:13:21,007
TO ASSURE THEM THEY HAD
NOTHING TO WORRY ABOUT.
376
00:13:21,110 --> 00:13:22,732
HEY, GUYS.
HOW'S EVERYONE DOING?
377
00:13:22,836 --> 00:13:24,113
- GREAT, THANK YOU.
- GREAT.
378
00:13:24,217 --> 00:13:25,528
GOOD.
379
00:13:25,632 --> 00:13:27,185
SO, BEFORE WE BEGIN,
I JUST WANTED TO GIVE YOU
380
00:13:27,289 --> 00:13:28,497
SOME ASSURANCE.
381
00:13:28,600 --> 00:13:30,637
UH, WE'RE GONNA BE BLURRING
ALL YOUR FACES,
382
00:13:30,740 --> 00:13:31,845
SO YOU DON'T HAVE TO WORRY
383
00:13:31,949 --> 00:13:34,710
ABOUT, YOU KNOW,
COWORKERS BEING LIKE,
384
00:13:34,814 --> 00:13:37,471
"WHY DID YOU LET YOUR KID
DO THAT FOR $100?"
385
00:13:37,575 --> 00:13:39,715
YOU KNOW,
OR QUESTIONS LIKE THAT
386
00:13:39,819 --> 00:13:41,544
FROM, YOU KNOW,
THE COMMUNITY OR ANYTHING.
387
00:13:41,648 --> 00:13:43,926
YOU DON'T HAVE TO WORRY
ABOUT THAT.
388
00:13:44,030 --> 00:13:47,309
OKAY, GREAT.
WISH ME LUCK.
389
00:13:47,412 --> 00:13:49,069
OKAY.
390
00:13:49,173 --> 00:13:52,245
SO I NOW HAVE ON
THE CUSTOM-MADE PANTS
391
00:13:52,348 --> 00:13:54,316
THAT THE ROBOT
WILL BE REMOVING.
392
00:13:54,419 --> 00:13:56,870
UM, YOU KNOW,
WE'RE GONNA GIVE THESE KIDS
393
00:13:56,974 --> 00:13:58,768
A BIT OF A BATHROOM BREAK
BEFORE I BEGIN,
394
00:13:58,872 --> 00:14:02,393
BUT WHEN WE RETURN,
IT WILL BE THE ESCAPE.
395
00:14:07,398 --> 00:14:09,710
ALL RIGHT,
SO WE'RE ABOUT READY TO BEGIN.
396
00:14:09,814 --> 00:14:12,161
EVERYONE HAS BEEN CLEARED
OUT OF THE ESCAPE AREA
397
00:14:12,265 --> 00:14:13,922
BESIDES THE NECESSARY PEOPLE.
398
00:14:14,025 --> 00:14:16,683
OFFICER BILLY SMALLING
IS HERE,
399
00:14:16,786 --> 00:14:17,787
OBVIOUSLY THE CHILDREN,
400
00:14:17,891 --> 00:14:19,962
AND JUDGE ANTHONY FILOSA
401
00:14:20,066 --> 00:14:23,207
TO DO SOME FINAL CHECKS.
402
00:14:23,310 --> 00:14:24,967
I'M NOW GOING TO HAND OVER
THE REINS
403
00:14:25,071 --> 00:14:27,728
TO MATT "MONEY" SMITH,
NATIONAL SPORTSCASTER,
404
00:14:27,832 --> 00:14:28,868
WHO'LL BE CALLING
THE EVENT.
405
00:14:28,971 --> 00:14:30,421
MATT, THANKS FOR DOING THIS.
406
00:14:30,524 --> 00:14:32,492
WELL, THANKS FOR HAVING ME,
NATHAN.
407
00:14:32,595 --> 00:14:33,665
AND DO YOU HAVE ANY QUESTIONS
FOR ME?
408
00:14:33,769 --> 00:14:34,632
WELL, I THINK
THE OBVIOUS ONE IS,
409
00:14:34,735 --> 00:14:37,221
WHY ARE YOU DOING THIS?
410
00:14:37,324 --> 00:14:39,533
YOU KNOW, FOR--
FOR THE SHOW AND STUFF.
411
00:14:39,637 --> 00:14:40,741
YEAH.
412
00:14:40,845 --> 00:14:42,605
WELL, I-I JUST GET THE SENSE
THAT PERHAPS--
413
00:14:42,709 --> 00:14:44,573
I MEAN, YOU KNOW
THIS IS CONTROVERSIAL, RIGHT?
414
00:14:44,676 --> 00:14:46,920
YEAH, YEAH.
YEAH.
415
00:14:47,024 --> 00:14:48,094
- OKAY. GOOD LUCK.
- ALL RIGHT.
416
00:14:48,197 --> 00:14:49,578
- ALL RIGHT.
- THANKS, MATT.
417
00:14:49,681 --> 00:14:52,132
AND WITH THAT, THE ESCAPE
IS JUST MOMENTS AWAY,
418
00:14:52,236 --> 00:14:55,515
SO LET'S LEARN A LITTLE MORE
ABOUT NATHAN FIELDER.
419
00:14:55,618 --> 00:14:57,586
NATHAN WAS BORN IN 1983,
420
00:14:57,689 --> 00:14:59,760
THE ONLY SON OF TWO
CANADIAN CIVIL SERVANTS,
421
00:14:59,864 --> 00:15:01,659
ERIC AND DEBORAH.
422
00:15:03,661 --> 00:15:05,352
WHICH BRINGS US TO TONIGHT.
423
00:15:05,456 --> 00:15:07,458
AND WE ARE MINUTES AWAY
FROM THE BIG ESCAPE,
424
00:15:07,561 --> 00:15:09,598
AND RIGHT NOW, IT LOOKS LIKE
NATHAN IS HAVING
425
00:15:09,701 --> 00:15:13,395
SOME FINAL WORDS
WITH THE HONORABLE JUDGE FILOSA,
426
00:15:13,498 --> 00:15:14,775
SO LET'S LISTEN IN.
427
00:15:14,879 --> 00:15:17,261
SO DOES EVERYTHING LOOK GOOD
IN TERMS OF THE SETUP
428
00:15:17,364 --> 00:15:20,989
FOR AN INDECENT EXPOSURE
CONVICTION IF I--
429
00:15:21,092 --> 00:15:24,440
IF I FAIL TONIGHT
TO ESCAPE?
430
00:15:24,544 --> 00:15:26,718
UH, APPARENTLY IT DOES.
431
00:15:26,822 --> 00:15:27,857
UM--
432
00:15:27,961 --> 00:15:29,135
GOOD.
THAT'S ALL I NEEDED TO KNOW.
433
00:15:29,238 --> 00:15:31,102
THANK YOU.
AND, OFFICER SMALLING...
434
00:15:31,206 --> 00:15:34,071
AND NOW NATHAN'S STEPPING OVER
TO OFFICER SMALLING,
435
00:15:34,174 --> 00:15:37,281
AND HE IS GOING TO GO AHEAD
AND INSPECT THOSE HANDCUFFS
436
00:15:37,384 --> 00:15:39,593
AND MAKE SURE
THEY ARE UP TO STANDARD.
437
00:15:39,697 --> 00:15:41,388
DOUBLE-LOCKED...
438
00:15:41,492 --> 00:15:42,769
SMITH & WESSON
POLICE HANDCUFFS,
439
00:15:42,872 --> 00:15:44,909
JUST LIKE WE WERE ISSUED
IN THE POLICE ACADEMY.
440
00:15:45,013 --> 00:15:47,325
OKAY, GREAT,
AND HERE IS THE KEY.
441
00:15:47,429 --> 00:15:48,533
WELL, EVERYTHING SEEMS
TO BE IN ORDER,
442
00:15:48,637 --> 00:15:51,502
AND NOW NATHAN IS STEPPING OVER
TO A LAPTOP,
443
00:15:51,605 --> 00:15:54,332
WHERE HIS MOM AND DAD
ARE STANDING BY VIA SKYPE.
444
00:15:54,436 --> 00:15:56,507
AND THEY DON'T KNOW
WHAT NATHAN HAS PLANNED TONIGHT.
445
00:15:56,610 --> 00:15:57,991
- HI, GUYS.
- BUT HE WANTED
446
00:15:58,095 --> 00:16:00,269
TO HEAR THEIR VOICES
BEFORE STEPPING TO THE STAGE.
447
00:16:00,373 --> 00:16:01,788
I DON'T KNOW
IF YOU CAN HEAR ME,
448
00:16:01,891 --> 00:16:05,412
BUT, UH, I'M ABOUT TO DO
SOMETHING VERY RISKY,
449
00:16:05,516 --> 00:16:09,175
UM, SO THE NEXT TIME
I TALK TO YOU
450
00:16:09,278 --> 00:16:12,419
MIGHT BE BEHIND
BULLETPROOF GLASS.
451
00:16:14,456 --> 00:16:17,183
- OH, WOW.
- WHY?
452
00:16:17,286 --> 00:16:18,701
I CAN'T REALLY GET
INTO IT RIGHT NOW.
453
00:16:18,805 --> 00:16:20,151
I DON'T HAVE TIME.
BUT I JUST WANT TO SAY
454
00:16:20,255 --> 00:16:22,774
THAT I LOVE YOU GUYS.
455
00:16:22,878 --> 00:16:25,812
AND, YOU KNOW,
WISH ME LUCK, OKAY?
456
00:16:25,915 --> 00:16:27,503
WELL, NATHAN, WHAT ARE YOU--
WHAT ARE YOU--
457
00:16:27,607 --> 00:16:28,918
WHAT'S GOING ON?
458
00:16:29,022 --> 00:16:32,025
YOU GUYS?
CAN YOU HEAR ME?
459
00:16:32,129 --> 00:16:33,509
HELLO?
460
00:16:33,613 --> 00:16:34,786
WELL, APPARENTLY A LACK
461
00:16:34,890 --> 00:16:36,098
OF AN INTERNET CONNECTION
UP HERE.
462
00:16:36,202 --> 00:16:38,135
DON'T KNOW WHETHER OR NOT
THEY HEARD THAT MESSAGE.
463
00:16:38,238 --> 00:16:40,033
BUT HEARTFELT, NONETHELESS.
464
00:16:42,346 --> 00:16:44,417
AND IT'S TIME NOW
FOR NATHAN
465
00:16:44,520 --> 00:16:46,660
TO MAKE HIS WAY
TO THE STAGE.
466
00:16:46,764 --> 00:16:48,076
YOU KNOW, YOU WONDER
WHAT'S GOING ON
467
00:16:48,179 --> 00:16:50,526
IN NATHAN'S MIND RIGHT NOW
AND IF ANY AMOUNT
468
00:16:50,630 --> 00:16:51,838
OF PREPARATION IS ENOUGH...
469
00:16:51,941 --> 00:16:53,046
- ALL RIGHT.
- FOR THE PRESSURE
470
00:16:53,150 --> 00:16:55,014
THAT HE'S FACING
HERE TONIGHT.
471
00:16:55,117 --> 00:16:56,877
NATHAN NOW MAKING HIS WAY
INTO POSITION.
472
00:16:56,981 --> 00:16:59,259
YOU CAN SEE OFFICER SMALLING
LOCKING HIM
473
00:16:59,363 --> 00:17:02,952
INTO THAT LOOP,
AND THAT IS A SOLID STEEL FRAME.
474
00:17:03,056 --> 00:17:04,023
PUT THIS AROUND MY WRIST.
475
00:17:04,126 --> 00:17:06,335
CERTAINLY AN ADORABLE
GROUP OF KIDS
476
00:17:06,439 --> 00:17:07,854
BROUGHT IN TONIGHT.
477
00:17:07,957 --> 00:17:09,097
CERTAINLY HOPE THE NIGHT
DOESN'T END
478
00:17:09,200 --> 00:17:12,962
WITH THEM SEEING A MAN
EXPOSE HIMSELF TO THEM.
479
00:17:13,066 --> 00:17:14,240
WELL, NOW THAT NATHAN'S
LOCKED IN,
480
00:17:14,343 --> 00:17:16,311
THE CREW GONNA DO
ONE LAST LOOK-OVER,
481
00:17:16,414 --> 00:17:18,037
SO WE'LL STEP AWAY
FOR A COMMERCIAL,
482
00:17:18,140 --> 00:17:20,970
AND WHEN WE RETURN,
THE ESCAPE.
483
00:17:27,977 --> 00:17:29,151
ALL RIGHT, WE'RE BACK,
AND THIS IS IT.
484
00:17:29,255 --> 00:17:30,532
THE STAGE IS SET.
485
00:17:30,635 --> 00:17:32,844
NATHAN HAS 90 SECONDS
TO FREE HIMSELF
486
00:17:32,948 --> 00:17:34,294
FROM THOSE CUFFS
AND HIT THAT RED BUTTON
487
00:17:34,398 --> 00:17:35,709
TO HIS RIGHT.
488
00:17:35,813 --> 00:17:36,917
THE BUTTON IS A KILL SWITCH.
489
00:17:37,021 --> 00:17:38,816
IT IS THE ONLY THING
THAT CAN STOP
490
00:17:38,919 --> 00:17:40,611
THE PROGRAMMED MOTION
OF THE ROBOT
491
00:17:40,714 --> 00:17:44,408
FROM TAKING OFF NATHAN'S PANTS
IN FRONT OF THESE KIDS.
492
00:17:44,511 --> 00:17:46,341
AND NOW HE WILL
DELIVER THE LINE
493
00:17:46,444 --> 00:17:49,758
GIVEN TO HIM
BY JUDGE FILOSA.
494
00:17:49,861 --> 00:17:51,794
SOMETHING MIGHT HAPPEN HERE,
495
00:17:51,898 --> 00:17:54,625
AND IF IT DOES,
SO WHAT?
496
00:17:54,728 --> 00:17:55,660
AND WITH THAT,
497
00:17:55,764 --> 00:17:57,076
HE HAS ESTABLISHED
WILLFUL INTENT.
498
00:17:57,179 --> 00:17:59,733
SO IF HE
EXPOSES HIMSELF TONIGHT,
499
00:17:59,837 --> 00:18:01,287
IN THE EYES OF THE LAW,
500
00:18:01,390 --> 00:18:02,909
IT WILL NOT BE CONSIDERED
AN ACCIDENT.
501
00:18:03,012 --> 00:18:04,290
READY!
502
00:18:04,393 --> 00:18:06,430
GO!
503
00:18:06,533 --> 00:18:07,879
AND WE
ARE UNDERWAY NOW.
504
00:18:07,983 --> 00:18:09,467
HMM, STRUGGLING.
LOOKED AS THOUGH HE--
505
00:18:09,571 --> 00:18:12,367
HE PULLED A PICK
STRAIGHT FROM HIS HAIR.
506
00:18:12,470 --> 00:18:15,370
NATHAN WORKING
ON THOSE HANDCUFFS.
507
00:18:15,473 --> 00:18:17,372
WE ARE
80 SECONDS AWAY
508
00:18:17,475 --> 00:18:19,581
FROM A LIFETIME
OF SCORN
509
00:18:19,684 --> 00:18:20,582
FOR NATHAN.
510
00:18:22,549 --> 00:18:24,068
NOW THE ROBOT
GOING TO THAT--
511
00:18:24,172 --> 00:18:25,276
THAT FLY.
THE FLY IS DOWN.
512
00:18:25,380 --> 00:18:26,933
AND WHILE
HE'S WORKING
513
00:18:27,036 --> 00:18:28,797
ON THE HANDCUFFS,
THE ROBOT
514
00:18:28,900 --> 00:18:30,592
CONTINUES TO WORK
ON THE PANTS.
515
00:18:32,628 --> 00:18:33,698
APPEARS AS THOUGH
HE'S TAUNTING.
516
00:18:33,802 --> 00:18:34,906
NO, HE'S GOING
FOR THAT LOOP.
517
00:18:35,010 --> 00:18:36,908
NOW HAS
THE BUTTON UNDONE.
518
00:18:38,807 --> 00:18:40,153
AND THE KIDS
LAUGHING ALONG
519
00:18:40,257 --> 00:18:41,430
WITH THE ROBOT'S ANTICS.
520
00:18:43,363 --> 00:18:46,918
NATHAN STRUGGLING
WITH THAT PICK.
521
00:18:47,022 --> 00:18:47,988
HE DROPPED THE PICK.
522
00:18:51,026 --> 00:18:52,234
IT LOOKS LIKE IT'S CAUGHT
ON HIS CLOTHING,
523
00:18:52,338 --> 00:18:54,478
AND NOW HE'S TRYING
TO RETRIEVE IT,
524
00:18:54,581 --> 00:18:55,686
AND HE'S GOT IT.
525
00:18:55,789 --> 00:18:57,619
GOT IT WITH HIS--
WHAT A CLOSE CALL,
526
00:18:57,722 --> 00:18:59,345
AS HE RETRIEVES THE PICK
WITH HIS TONGUE.
527
00:18:59,448 --> 00:19:00,898
HAD THAT FALLEN
TO THE GROUND,
528
00:19:01,001 --> 00:19:03,521
IT WOULD HAVE BEEN
ALL OVER.
529
00:19:03,625 --> 00:19:05,282
NEXT IS GOING TO BE
THOSE LOOPS
530
00:19:05,385 --> 00:19:07,215
ON THE HIP.
531
00:19:07,318 --> 00:19:08,768
THIS IS GETTING
TIGHT HERE.
532
00:19:08,871 --> 00:19:10,839
THE ROBOT NOW HAS
BOTH PANT LEGS DOWN,
533
00:19:10,942 --> 00:19:12,220
IS ABOUT TO SECURE
534
00:19:12,323 --> 00:19:13,704
THE LOOP
ON THE UNDERPANTS,
535
00:19:13,807 --> 00:19:15,499
AND NATHAN'S STILL WORKING
ON THOSE CUFFS.
536
00:19:15,602 --> 00:19:16,672
WE ARE JUST
20 SECONDS AWAY.
537
00:19:16,776 --> 00:19:20,020
NATHAN WORKING
THOSE HANDCUFFS.
538
00:19:20,124 --> 00:19:21,919
AND NOW IT LOOKS AS THOUGH,
WITH THE PANTS DOWN,
539
00:19:22,022 --> 00:19:24,991
THE ROBOT GOING
FOR THAT UNDERWEAR LOOP.
540
00:19:25,094 --> 00:19:27,062
WE ARE NOW AT TEN SECONDS
AND COUNTING.
541
00:19:29,168 --> 00:19:30,859
WE HAVE JUST
A COUPLE SECONDS LEFT.
542
00:19:30,962 --> 00:19:32,067
OH, NO, WE ARE SEEING
PUBIC HAIR.
543
00:19:32,171 --> 00:19:34,483
BUT HE HAS ESCAPED.
544
00:19:34,587 --> 00:19:38,142
NATHAN FIELDER
HAS MANAGED TO ESCAPE
545
00:19:38,246 --> 00:19:41,007
AND SAVE HIMSELF
FROM A LIFETIME OF SHAME.
546
00:19:41,110 --> 00:19:42,974
THERE'S THE REPLAY.
547
00:19:43,078 --> 00:19:45,045
THE MOMENT WHERE HE WAS ABLE
TO PICK THE CUFFS,
548
00:19:45,149 --> 00:19:47,772
HIT THE BUTTON
JUST IN TIME.
549
00:19:47,876 --> 00:19:49,740
AND YOU CAN SEE THE RELIEF
ON HIS FACE.
550
00:19:52,294 --> 00:19:53,226
WELL, THERE YOU SEE IT.
551
00:19:53,330 --> 00:19:54,503
HE TOOK ON GREAT RISK,
552
00:19:54,607 --> 00:19:57,265
AND NOW THIS,
HIS REWARD.
553
00:19:57,368 --> 00:19:59,198
CONGRATULATIONS
FROM THE JUDGE AND OFFICER.
554
00:19:59,301 --> 00:20:01,027
- GOOD JOB.
- THANK YOU.
555
00:20:01,130 --> 00:20:04,306
UM, SO THE ROBOT
556
00:20:04,410 --> 00:20:06,722
PULLED HIS PANTS DOWN.
557
00:20:06,826 --> 00:20:07,930
BUT HE WON.
558
00:20:08,034 --> 00:20:09,069
SO--
559
00:20:09,173 --> 00:20:10,209
IT WAS REALLY FUNNY.
560
00:20:10,312 --> 00:20:11,934
I REALLY WANTED HIS PANTS
TO FALL DOWN
561
00:20:12,038 --> 00:20:13,764
'CAUSE IT'S HILARIOUS.
562
00:20:13,867 --> 00:20:15,973
I WOULD HAVE BEEN
SORT OF OFFENDED
563
00:20:16,076 --> 00:20:19,632
IF IT--IF HIS UNDERWEAR
FELL DOWN,
564
00:20:19,735 --> 00:20:21,392
BUT NOT THAT MUCH.
565
00:20:21,496 --> 00:20:24,119
HE PRESSED THE BUTTON,
AND THEN IT DIDN'T FALL DOWN.
566
00:20:24,223 --> 00:20:26,259
I WAS LIKE, "YES!"
567
00:20:26,363 --> 00:20:27,536
I WAS LIKE, "HALLELUJAH."
568
00:20:32,058 --> 00:20:34,854
OKAY, BEFORE YOU GUYS--
BEFORE YOU GUYS LEAVE,
569
00:20:34,957 --> 00:20:38,582
REMEMBER TO ALWAYS TAKE
BIG RISKS
570
00:20:38,685 --> 00:20:40,204
AND BELIEVE IN YOURSELF
571
00:20:40,308 --> 00:20:44,829
AND FOLLOW YOUR DREAMS,
JUST LIKE I DID.
572
00:20:44,933 --> 00:20:46,314
I DRE--WELL, YEAH, I DID.
573
00:20:46,417 --> 00:20:47,522
IT WAS--
IT WAS A DREAM OF--
574
00:20:52,251 --> 00:20:54,218
YOU KIND OF TALKED
OVER MY SPEECH.
575
00:20:54,322 --> 00:20:55,840
- OKAY. FINE.
- LET'S GO. LET'S GO.
576
00:21:02,261 --> 00:21:04,435
I MADE SO MANY
NEW FRIENDS UP THERE.
577
00:21:04,539 --> 00:21:07,231
HOWEVER, I THINK ABOUT YOU
ALL THE TIME.
578
00:21:07,335 --> 00:21:10,061
GOOD-BYE.
I LOVE YOU.
579
00:21:10,165 --> 00:21:13,064
I WISH I COULD DO MORE
FOR YOU.
42574
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