All language subtitles for Nathan.for.You.S01E05.The.Claw.of.Shame.1080p.AMZN.WEB-DL.DD+2.0.H.264-playWEB_track3_[eng]

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:03,313 --> 00:00:04,590 GOOD EVENING. 2 00:00:04,694 --> 00:00:06,144 WE'RE COMING TO YOU FROM THE HISTORIC ELYSIAN PARK 3 00:00:06,247 --> 00:00:08,042 IN LOS ANGELES, CALIFORNIA. 4 00:00:08,146 --> 00:00:09,871 NOW, EVERY WEEK ON MY SHOW, I CHALLENGE PEOPLE 5 00:00:09,975 --> 00:00:11,494 TO TAKE BIG RISKS. 6 00:00:11,597 --> 00:00:14,635 BUT SOME HAVE BEEN CRITICAL THAT I NEVER TAKE RISKS MYSELF. 7 00:00:14,738 --> 00:00:17,051 WELL, TONIGHT, THAT'S ALL GONNA CHANGE. 8 00:00:17,155 --> 00:00:18,673 OVER THE PAST MONTH, I'VE BEEN LEARNING 9 00:00:18,777 --> 00:00:21,642 HOW TO PICK THE LOCK ON THESE POLICE-GRADE HANDCUFFS. 10 00:00:21,745 --> 00:00:23,126 "WHY?" YOU ASK. 11 00:00:23,230 --> 00:00:25,059 BECAUSE TONIGHT I'M GONNA TAKE A BIGGER RISK 12 00:00:25,163 --> 00:00:28,166 THAN ANYONE HAS EVER TAKEN ON TELEVISION BEFORE. 13 00:00:28,269 --> 00:00:30,271 IN JUST A FEW MOMENTS, I'M GOING TO BE HANDCUFFED 14 00:00:30,375 --> 00:00:32,170 TO THIS SOLID STEEL FRAME, 15 00:00:32,273 --> 00:00:35,035 AND I'LL HAVE EXACTLY 90 SECONDS TO FREE MYSELF 16 00:00:35,138 --> 00:00:37,761 BEFORE THE CLAW ON THIS ROBOTIC ARM 17 00:00:37,865 --> 00:00:39,591 UNDOES MY PANTS, 18 00:00:39,694 --> 00:00:43,215 EXPOSING ME TO AN AUDIENCE OF CHILDREN. 19 00:00:43,319 --> 00:00:45,735 IF THAT HAPPENS, AN L.A.P.D. OFFICER 20 00:00:45,838 --> 00:00:49,256 IS STANDING BY TO ARREST ME FOR INDECENT EXPOSURE. 21 00:00:49,359 --> 00:00:52,880 WE'VE ALL SEEN ESCAPE ARTISTS RISK DEATH BEFORE. 22 00:00:52,983 --> 00:00:56,918 BUT TONIGHT, I'M GOING TO RISK 23 00:00:57,022 --> 00:00:59,956 BECOMING A REGISTERED SEX OFFENDER FOR LIFE. 24 00:01:00,060 --> 00:01:03,373 AND WHAT YOU'RE GOING TO SEE TONIGHT IS 100% REAL. 25 00:01:03,477 --> 00:01:05,237 WELCOME TO NATHAN FOR YOU. 26 00:01:05,341 --> 00:01:08,240 THIS IS THE CLAW OF SHAME. 27 00:01:10,449 --> 00:01:11,933 NOW, YOU KNOW THIS IS CONTROVERSIAL, RIGHT? 28 00:01:12,037 --> 00:01:14,522 - WHAT DO I GAIN BY DOING THIS? - NOTHING. 29 00:01:14,626 --> 00:01:17,318 IF HE'S GONNA ESCAPE, IF HE'S GONNA GO TO JAIL. 30 00:01:17,422 --> 00:01:19,872 I MIGHT NOT EVEN ATTEMPT IT. 31 00:01:19,976 --> 00:01:23,048 HE'S TAKING A BIG RISK. 32 00:01:23,152 --> 00:01:24,498 IF YOU'VE SEEN MY SHOW BEFORE, 33 00:01:24,601 --> 00:01:27,328 YOU KNOW I USUALLY FOCUS ON HELPING SMALL BUSINESSES 34 00:01:27,432 --> 00:01:29,365 BY BRINGING THEM BIG IDEAS. 35 00:01:29,468 --> 00:01:32,333 BUT TONIGHT'S EPISODE IS GOING TO BE A BIT DIFFERENT. 36 00:01:32,437 --> 00:01:35,785 RIGHT NOW, YOU'RE SEEING MY FINAL PRACTICE RUN, 37 00:01:35,888 --> 00:01:37,959 MY LAST CHANCE TO GET THE ESCAPE RIGHT 38 00:01:38,063 --> 00:01:40,997 BEFORE RISKING LIFE AS A SEX OFFENDER. 39 00:01:41,101 --> 00:01:42,481 BUT TO GET TO THIS POINT, 40 00:01:42,585 --> 00:01:47,072 IT TOOK MONTHS OF PLANNING AND PREPARATION. 41 00:01:47,176 --> 00:01:49,385 FIRSTLY, I AM NOT AN ESCAPE ARTIST. 42 00:01:49,488 --> 00:01:51,283 AND THOUGH I HAVE SOME EXPERIENCE DOING MAGIC 43 00:01:51,387 --> 00:01:52,698 AS A TEENAGER... 44 00:01:52,802 --> 00:01:54,562 THERE'S NOTHING IN THE BAG, RIGHT? 45 00:01:54,666 --> 00:01:55,667 YEAH. 46 00:01:55,770 --> 00:01:56,840 BAG IS COMPLETELY EMPTY. 47 00:01:56,944 --> 00:01:57,841 YOU CAN SEE RIGHT THROUGH IT. 48 00:01:57,945 --> 00:01:59,740 I QUIT PERFORMING YEARS AGO 49 00:01:59,843 --> 00:02:02,294 AND HAVE NEVER DONE AN ESCAPE BEFORE. 50 00:02:02,398 --> 00:02:03,847 SO I BOOKED A TRAINING SESSION 51 00:02:03,951 --> 00:02:05,608 WITH ESCAPE MASTER MARK PASKELL 52 00:02:05,711 --> 00:02:10,302 SO I COULD LEARN HOW TO PICK THE LOCKS ON A PAIR OF CUFFS. 53 00:02:10,406 --> 00:02:12,132 HOW DO I ESCAPE FROM HANDCUFFS? 54 00:02:12,235 --> 00:02:13,512 - A SHIM. - OH. 55 00:02:13,616 --> 00:02:15,721 IF YOU HAVE A SHIM, YOU CAN-- 56 00:02:15,825 --> 00:02:17,689 - IS THAT A HAIR CLIP? - THIS IS A HAIR CLIP, 57 00:02:17,792 --> 00:02:19,242 BUT IT'S-- IT'S ADAPTED A LITTLE BIT. 58 00:02:19,346 --> 00:02:22,003 YOU GET IN THERE... 59 00:02:22,107 --> 00:02:24,661 AND PUSH. 60 00:02:24,765 --> 00:02:26,007 - RIGHT. - THEN YOU CAN GET OUT. 61 00:02:26,111 --> 00:02:27,940 EVEN AFTER HE TAUGHT ME, IT TOOK ME 62 00:02:28,044 --> 00:02:29,977 OVER 30 MINUTES TO PICK THE LOCK. 63 00:02:30,080 --> 00:02:32,082 I HAD A LOT OF WORK AHEAD OF ME TO GET MY TIME DOWN 64 00:02:32,186 --> 00:02:33,394 TO 90 SECONDS. 65 00:02:33,498 --> 00:02:35,948 AND AFTER SOME PRACTICING, I TOLD MARK MY IDEA 66 00:02:37,674 --> 00:02:41,091 TO HAVE TWO STAGEHANDS PULLING DOWN MY PANTS WITH ROPES, 67 00:02:41,195 --> 00:02:42,576 EXPOSING ME TO THE PUBLIC. 68 00:02:42,679 --> 00:02:45,510 AND SINCE MARK WAS CLEARLY AN EXPERT ON THIS STUFF, 69 00:02:45,613 --> 00:02:47,719 I WAS HOPING TO HAVE HIM AS AN OFFICIAL ADVISOR 70 00:02:47,822 --> 00:02:48,720 ON THE ESCAPE. 71 00:02:48,823 --> 00:02:49,790 I MEAN, WHAT DO YOU THINK? 72 00:02:49,893 --> 00:02:51,861 MM, I DON'T KNOW. 73 00:02:51,964 --> 00:02:53,932 IT'S MOVING A LITTLE BIT OUT OF MY FIELD. 74 00:02:54,035 --> 00:02:55,175 I GUESS I COULD SAY 75 00:02:55,278 --> 00:02:57,315 YOU'RE A CONSULTANT ON THE ESCAPE. 76 00:03:03,321 --> 00:03:05,461 MM, I DON'T KNOW. I'LL HAVE TO GET BACK TO YOU. 77 00:03:05,564 --> 00:03:06,876 WOULD YOU WANT THAT? 78 00:03:06,979 --> 00:03:08,257 I'LL HAVE TO GET BACK TO YOU ON THAT, THINK ON IT. 79 00:03:08,360 --> 00:03:10,707 WE'LL JUST CREDIT YOU AS A CONSULTANT ON THE ESCAPE. 80 00:03:10,811 --> 00:03:12,088 - I APPRECIATE THAT. - IT'S NO BIG DEAL. 81 00:03:12,192 --> 00:03:13,434 - WE'LL JUST GIVE IT TO YOU. - APPRECIATE THAT, BUT-- 82 00:03:13,538 --> 00:03:14,608 IT'S DONE. IT'S AS GOOD AS DONE. 83 00:03:14,711 --> 00:03:15,781 I APPRECIATE IT, BUT WHAT I'M SAYING IS, 84 00:03:15,885 --> 00:03:17,024 I WILL GET BACK TO YOU. 85 00:03:17,127 --> 00:03:18,198 YOU'LL GET BACK TO ME ABOUT THE CREDIT? 86 00:03:18,301 --> 00:03:19,371 YEAH. 87 00:03:19,475 --> 00:03:21,408 WELL, WE'LL JUST PUT IT IN ANYWAYS. 88 00:03:21,511 --> 00:03:24,204 JUST, WE'LL PUT IT IN THE CREDITS OF THE SHOW. 89 00:03:24,307 --> 00:03:25,619 I NEVER HEARD BACK FROM MARK, 90 00:03:25,722 --> 00:03:28,000 BUT AT LEAST I KNEW HOW TO PICK HANDCUFFS. 91 00:03:28,104 --> 00:03:30,382 WHAT I DIDN'T KNOW WAS THE LEGAL REQUIREMENT 92 00:03:30,486 --> 00:03:32,212 FOR BECOMING A SEX OFFENDER. 93 00:03:32,315 --> 00:03:34,283 SO I FOUND AN ACTUAL CALIFORNIA JUDGE 94 00:03:34,386 --> 00:03:37,251 THAT WOULD AGREE TO ADVISE ME ON THE ESCAPE ON CAMERA, 95 00:03:37,355 --> 00:03:39,253 THE HONORABLE ANTHONY FILOSA. 96 00:03:39,357 --> 00:03:41,497 SO IF I DON'T ESCAPE IN 90 SECONDS, 97 00:03:41,600 --> 00:03:43,775 I'LL BE EXPOSED TO SOME PEOPLE. 98 00:03:43,878 --> 00:03:45,121 WHAT ARE "SOME PEOPLE"? 99 00:03:45,225 --> 00:03:47,054 JUST, LIKE, ADULTS OR SOMETHING? 100 00:03:47,157 --> 00:03:48,538 - I DON'T KNOW. - CHILDREN? ADULTS? 101 00:03:48,642 --> 00:03:51,610 IS CHILDREN BETTER? 102 00:03:53,647 --> 00:03:54,751 INTERESTING QUESTION. 103 00:03:54,855 --> 00:03:56,960 BOTH COULD BE OFFENDED. 104 00:03:57,064 --> 00:03:58,341 MORE LIKELY CHILDREN, 105 00:03:58,445 --> 00:04:01,206 INSOFAR AS THAT IT'S OFFENSIVE, PERIOD. 106 00:04:01,310 --> 00:04:04,451 SO YOU'RE SAYING IT'S BETTER TO USE CHILDREN? 107 00:04:04,554 --> 00:04:06,867 I-I DON'T REALLY THINK IT'S MY PLACE 108 00:04:06,970 --> 00:04:07,971 TO SUGGEST IT. 109 00:04:08,075 --> 00:04:10,319 - OKAY. SURE. - ALL RIGHT? 110 00:04:10,422 --> 00:04:11,699 YEAH, I REALLY DON'T. 111 00:04:11,803 --> 00:04:12,907 I TOOK THE JUDGE'S SUGGESTION 112 00:04:13,011 --> 00:04:14,840 THAT I SHOULD EXPOSE MYSELF TO CHILDREN, 113 00:04:14,944 --> 00:04:16,739 AND ON TOP OF THAT, 114 00:04:16,842 --> 00:04:18,050 HE WAS A TREASURE TROVE OF INFORMATION 115 00:04:18,154 --> 00:04:19,707 ON HOW TO BECOME A SEX OFFENDER. 116 00:04:19,811 --> 00:04:21,571 THERE WOULD HAVE TO BE THE ELEMENT 117 00:04:21,675 --> 00:04:23,953 OF WILLFULNESS PROVEN. 118 00:04:24,056 --> 00:04:25,782 SO WOULD IT HELP IF, RIGHT BEFORE I DID IT, 119 00:04:25,886 --> 00:04:29,441 I SAID, "I'M DOING THIS ON PURPOSE TO EXPOSE MYSELF"? 120 00:04:29,545 --> 00:04:32,651 WELL, YOU JUST ABANDON ANY PRECAUTION. 121 00:04:32,755 --> 00:04:34,204 "YOU KNOW, FOLKS, SOMETHING COULD HAPPEN, 122 00:04:34,308 --> 00:04:36,966 "YOU KNOW, AND IF IT DOES, 123 00:04:37,069 --> 00:04:38,485 SO WHAT?" 124 00:04:38,588 --> 00:04:40,107 SOMETHING LIKE THAT. 125 00:04:40,210 --> 00:04:42,005 SO IT'S LIKE, YOU KNOW, IF THIS GOES WRONG, 126 00:04:42,109 --> 00:04:43,075 I DON'T REALLY CARE. 127 00:04:43,179 --> 00:04:44,353 - TOO BAD, 'CAUSE I-- - TOO BAD. 128 00:04:44,456 --> 00:04:45,733 - I'M GONNA-- - TOO BAD, I-- 129 00:04:45,837 --> 00:04:47,148 I'M GONNA GET OFF. IT'S GONNA MAKE ME HORNY. 130 00:04:47,252 --> 00:04:48,529 WELL, WHATEVER. 131 00:04:48,633 --> 00:04:49,910 THE MOST TROUBLING THING I LEARNED FROM HIM, THOUGH, 132 00:04:50,013 --> 00:04:52,602 WAS THAT IF ANYONE HELPED ME PULL MY PANTS DOWN, 133 00:04:52,706 --> 00:04:53,983 THEY COULD GO TO JAIL TOO. 134 00:04:54,086 --> 00:04:56,951 THAT PERSON IS AS GUILTY AS YOU ARE. 135 00:04:57,055 --> 00:04:58,125 SO I CAN'T HAVE ANY HELPERS. 136 00:04:58,228 --> 00:04:59,575 - RIGHT. - I DIDN'T WANT TO PUT 137 00:04:59,678 --> 00:05:01,231 ANYONE AT RISK BESIDES MYSELF. 138 00:05:01,335 --> 00:05:03,130 SO IF NO HUMAN COULD DO IT, 139 00:05:03,233 --> 00:05:05,650 I WAS GONNA HAVE TO USE A ROBOT. 140 00:05:05,753 --> 00:05:07,652 AND THE SEARCH TOOK MONTHS, WITH EVERYONE 141 00:05:07,755 --> 00:05:10,310 FROM U.S. DEFENSE COMPANIES TO NASA TELLING US 142 00:05:10,413 --> 00:05:12,346 THE TECHNOLOGY DIDN'T EXIST TO HAVE A ROBOT 143 00:05:12,450 --> 00:05:14,624 PULL DOWN SOMEONE'S PANTS. 144 00:05:14,728 --> 00:05:16,108 BUT I DIDN'T GIVE UP, AND EVENTUALLY, 145 00:05:16,212 --> 00:05:17,765 I FOUND A COMPANY THAT SAID THEY COULD DO IT. 146 00:05:17,869 --> 00:05:20,078 SO THIS IS IT. 147 00:05:20,181 --> 00:05:23,909 THIS IS A KUKA-ROBOTICS K.R. 15-2. 148 00:05:24,013 --> 00:05:25,290 AFTER JOHN SHOWED ME THE ROBOT, 149 00:05:25,394 --> 00:05:28,155 I EXPLAINED TO HIM SPECIFICALLY WHAT I NEEDED IT TO DO. 150 00:05:28,258 --> 00:05:29,467 THEN, ONCE THE PANTS ARE DOWN, 151 00:05:29,570 --> 00:05:31,779 I WANT IT TO COME UP HERE, 152 00:05:31,883 --> 00:05:34,472 HOOK ONTO THE BOXERS, AND PULL THOSE DOWN. 153 00:05:34,575 --> 00:05:36,370 JOHN SUGGESTED MAKING CUSTOM-DESIGNED PANTS 154 00:05:36,474 --> 00:05:39,339 WITH LOOPS THAT WOULD MAKE IT EASIER FOR THE ROBOT 155 00:05:39,442 --> 00:05:40,823 TO REMOVE THEM, 156 00:05:40,926 --> 00:05:42,134 SO I HIRED A TAILOR TO MAKE THE PANTS 157 00:05:42,238 --> 00:05:44,309 TO JOHN'S SPECIFICATIONS. 158 00:05:44,413 --> 00:05:45,828 AND OVER THE WEEK THEY WERE BEING MADE, 159 00:05:45,931 --> 00:05:48,106 HE INFORMALLY BECAME MY PRACTICE PARTNER. 160 00:05:48,209 --> 00:05:49,349 I BORROWED A PAIR OF HIS UNDERWEAR 161 00:05:49,452 --> 00:05:51,868 SO WE COULD PULL DOWN MY PANTS ALL THE WAY 162 00:05:51,972 --> 00:05:53,076 WITHOUT SEEING MY PENIS. 163 00:05:53,180 --> 00:05:56,183 90. 164 00:05:58,841 --> 00:06:01,015 THE PANTS BEING TAKEN OFF WAS DEFINITELY DISTRACTING, 165 00:06:01,119 --> 00:06:03,224 BUT I WAS GETTING CLOSER TO MY 90-SECOND GOAL. 166 00:06:03,328 --> 00:06:05,503 TIME, TIME, STOP IT. WHAT DO I GOT? 167 00:06:05,606 --> 00:06:06,607 OKAY, 150. 168 00:06:06,711 --> 00:06:08,402 AND AFTER GETTING AN HOUR OR SO 169 00:06:08,506 --> 00:06:09,645 OF TRAINING IN, THE COMPLETED PANTS 170 00:06:09,748 --> 00:06:12,682 WERE PACKAGED UP AND DELIVERED TO REEL EFX 171 00:06:12,786 --> 00:06:15,271 SO THE ROBOT COULD BEGIN BEING PROGRAMMED. 172 00:06:15,375 --> 00:06:17,100 IN THE MEANTIME, I WANTED TO FIND OUT 173 00:06:17,204 --> 00:06:19,344 THE REAL CONSEQUENCES OF GOING TO PRISON 174 00:06:19,448 --> 00:06:20,863 AS A SEX OFFENDER, SO I MET UP 175 00:06:20,966 --> 00:06:24,176 WITH JIMMY MURPHY, WHO'S SERVED OVER 11 YEARS 176 00:06:24,280 --> 00:06:26,351 FOR A VARIETY OF VIOLENT CRIMES. 177 00:06:26,455 --> 00:06:27,973 I'LL TELL YOU THIS. 178 00:06:28,077 --> 00:06:30,528 IN THERE, IT'S THE LAST THING YOU WANT TO BE. 179 00:06:30,631 --> 00:06:31,701 IT'S THE LOWEST. 180 00:06:31,805 --> 00:06:34,773 WHAT WOULD HAPPEN TO ME IN THERE? 181 00:06:34,877 --> 00:06:37,500 WELL, YOU KNOW, YOU'D PROBABLY, UH, GO-- 182 00:06:37,604 --> 00:06:38,639 GO TO YOUR CELL, AND YOU'D FIND 183 00:06:38,743 --> 00:06:41,711 A COUPLE OF SNICKERS BARS ON YOUR PILLOW. 184 00:06:41,815 --> 00:06:42,885 - OH, WOW. - AND THEN-- 185 00:06:42,988 --> 00:06:43,989 SO THIS DOESN'T SOUND THAT BAD AT ALL. 186 00:06:44,093 --> 00:06:45,128 NO, YOU'D GO IN THERE, 187 00:06:45,232 --> 00:06:46,716 AND YOU'D SAY, "OH, WOW, WHAT A GIFT." 188 00:06:46,820 --> 00:06:48,304 YOU KNOW, AND YOU'D EAT THE STUFF. 189 00:06:48,408 --> 00:06:51,514 WELL, SOMEONE'S GONNA COME AND SAY, "HEY. 190 00:06:51,618 --> 00:06:53,205 WHAT HAPPENED TO MY CHOCOLATE?" 191 00:06:53,309 --> 00:06:55,276 AND YOU'RE GONNA GO, "OH, I, UH, I ATE THAT." 192 00:06:55,380 --> 00:06:56,277 AND THEN THEY'RE GONNA GO, 193 00:06:56,381 --> 00:06:57,969 "WELL, YOU NEED TO PAY FOR THAT." 194 00:06:58,072 --> 00:07:00,178 YEAH, HOW? I DON'T HAVE ANY MONEY. 195 00:07:00,281 --> 00:07:01,524 WELL, THEN YOU MIGHT FIND YOUR HEAD BOUNCING 196 00:07:01,628 --> 00:07:03,457 OFF SOMEBODY'S BELT BUCKLE. 197 00:07:03,561 --> 00:07:04,458 I DON'T WANT TO DO THAT. 198 00:07:04,562 --> 00:07:05,873 NO, OF COURSE YOU DON'T. 199 00:07:05,977 --> 00:07:07,703 'CAUSE THERE'S A LOT OF BELT BUCKLES IN THERE. 200 00:07:07,806 --> 00:07:09,429 - REALLY? - OH, YEAH, YOU'LL GROW TIRED. 201 00:07:09,532 --> 00:07:10,878 THEY ALLOW YOU TO WEAR BELTS IN PRISON? 202 00:07:10,982 --> 00:07:12,915 - NO, IT'S A-- - SO HOW WOULD IT WORK? 203 00:07:13,018 --> 00:07:14,157 THEY JUST GIVE YOU THE BUCKLE? 204 00:07:14,261 --> 00:07:16,090 WELL, NO, I, UH-- 205 00:07:16,194 --> 00:07:17,885 - SO THERE'S NO BELT BUCKLE. - WELL, NO, NOT REALLY. 206 00:07:17,989 --> 00:07:18,921 - I MEANT-- - SO MY HEAD WOULDN'T BE 207 00:07:19,024 --> 00:07:21,061 BOUNCING AROUND ANY BELT BUCKLES. 208 00:07:21,164 --> 00:07:22,856 SO, IN OTHER WORDS, YOU'D HAVE A IN YOUR MOUTH. 209 00:07:22,959 --> 00:07:24,513 I MEAN, IT PROBABLY WOULDN'T BOUNCE, TOO, 210 00:07:24,616 --> 00:07:27,170 BECAUSE I WOULD STOP WHEN I GOT TO THE BALLS 211 00:07:27,274 --> 00:07:29,172 BEFORE I GOT IN. 212 00:07:29,276 --> 00:07:30,657 I DON'T KNOW HOW YOU DO IT. 213 00:07:30,760 --> 00:07:32,624 WELL, THAT'S HOW I WOULD. 214 00:07:32,728 --> 00:07:34,143 I'D NEVER REALLY BEEN FORCED TO PICTURE 215 00:07:34,246 --> 00:07:36,386 HOW I'D GIVE ORAL SEX TO A MAN, 216 00:07:36,490 --> 00:07:38,803 BUT AFTER VISUALIZING IT, I BEGAN TO QUESTION 217 00:07:38,906 --> 00:07:41,806 IF THIS ENTIRE STUNT WAS ACTUALLY WORTH IT. 218 00:07:41,909 --> 00:07:44,567 MY CONCERNS WERE HEIGHTENED WHEN I RETURNED TO REEL EFX 219 00:07:44,671 --> 00:07:46,811 TO FIND THE ROBOT ACTING UNPREDICTABLY. 220 00:07:48,468 --> 00:07:50,090 TO MAKE MATTERS WORSE, I FOUND OUT 221 00:07:50,193 --> 00:07:52,713 THAT THE ROBOT WHOSE PRECISION WOULD DETERMINE MY FATE 222 00:07:52,817 --> 00:07:55,198 - RAN ON WINDOWS 95. - IT'S AS GOOD-- 223 00:07:55,302 --> 00:07:56,614 YOU'VE GOTTA BE KIDDING ME. 224 00:07:56,717 --> 00:07:58,098 MY PARENTS THREW OUT THEIR COMPUTER 225 00:07:58,201 --> 00:08:01,101 THAT RAN WINDOWS 95, LIKE, SEVEN YEARS AGO 226 00:08:01,204 --> 00:08:03,759 BECAUSE MINESWEEPER WASN'T WORKING PROPERLY. 227 00:08:03,862 --> 00:08:05,726 IT'S OKAY. 'CAUSE WHAT HAPPENS-- 228 00:08:05,830 --> 00:08:06,865 HONESTLY, LIKE, MY LIFE, LIKE-- 229 00:08:06,969 --> 00:08:09,178 THIS IS MOVING WITHIN AN-- 230 00:08:09,281 --> 00:08:10,593 - RIGHT. - MILLIMETERS OF MY BODY. 231 00:08:10,697 --> 00:08:13,009 I WAS MAINLY CONCERNED BECAUSE ON THE DAY OF THE ESCAPE, 232 00:08:13,113 --> 00:08:15,771 JOHN WOULD HAVE TO STEP AWAY FROM THE CONTROLS 233 00:08:15,874 --> 00:08:18,221 AND LET THE PROGRAM RUN AUTOMATICALLY. 234 00:08:18,325 --> 00:08:20,465 BUT HE ASSURED ME THE SOFTWARE WOULD WORK. 235 00:08:20,569 --> 00:08:23,399 SO THE ROBOT WAS TRANSPORTED TO ELYSIAN PARK, 236 00:08:23,503 --> 00:08:26,091 WHERE A CREW OF OVER 50 PEOPLE WORKED 237 00:08:26,195 --> 00:08:27,437 FOR TWO STRAIGHT DAYS TO PREPARE 238 00:08:27,541 --> 00:08:30,475 FOR TONIGHT'S HISTORIC STUNT. 239 00:08:33,029 --> 00:08:34,134 TONIGHT, NATHAN FIELDER 240 00:08:34,237 --> 00:08:36,067 RISKS THE ULTIMATE SHAME, 241 00:08:36,170 --> 00:08:39,001 FACING A HEARTLESS ROBOT THATS ONLY MISSION 242 00:08:39,104 --> 00:08:41,693 IS TO EXPOSE HIS PRIVATE PARTS. 243 00:08:41,797 --> 00:08:43,833 THIS MIGHT BE THE MOST DANGEROUS STUNT 244 00:08:43,937 --> 00:08:45,076 EVER IMAGINED. 245 00:08:45,179 --> 00:08:46,836 CHILDREN WATCHING... 246 00:08:46,940 --> 00:08:49,045 L.A.P.D. PRESENT... 247 00:08:49,149 --> 00:08:50,909 AND ALL IN THE DARK OF NIGHT. 248 00:08:51,013 --> 00:08:52,739 YOU KNOW, I'VE BEEN PUT ON EARTH FOR A REASON, 249 00:08:52,842 --> 00:08:54,982 AND I BELIEVE THIS IS GOD'S PLAN FOR ME. 250 00:08:55,086 --> 00:08:56,950 THE WORLD IS WATCHING. 251 00:08:57,053 --> 00:08:59,331 WILL HE INSPIRE MILLIONS 252 00:08:59,435 --> 00:09:01,368 AND HONOR HIS HOME COUNTRY OF CANADA 253 00:09:01,471 --> 00:09:05,441 OR END UP BEHIND BARS AND RISK DEPORTATION? 254 00:09:05,545 --> 00:09:08,720 NEVER BEFORE ATTEMPTED IN THE HISTORY OF TELEVISION... 255 00:09:08,824 --> 00:09:10,619 I MEAN, THIS IS A COMEDY CENTRAL SHOW. 256 00:09:10,722 --> 00:09:13,518 I MEAN, THIS IS-- IT'S CRAZY WHAT WE'RE DOING. 257 00:09:13,622 --> 00:09:16,694 WILL HE ESCAPE, OR WON'T HE? 258 00:09:16,797 --> 00:09:20,767 NATHAN FIELDER TAKES ON... 259 00:09:22,803 --> 00:09:25,116 WE'RE JUST MOMENTS AWAY FROM THE ESCAPE, 260 00:09:25,219 --> 00:09:27,532 AND TONIGHT, I CANNOT RISK FAILURE. 261 00:09:27,636 --> 00:09:29,189 BUT ONE THING I'VE LEARNED OVER THE YEARS IS THAT 262 00:09:29,292 --> 00:09:31,467 YOU CAN'T BE AFRAID OF FAILING. 263 00:09:31,571 --> 00:09:33,711 IN FACT, ON MY SHOW, WHEN I HELP BUSINESSES, 264 00:09:33,814 --> 00:09:35,436 I FAIL ALL THE TIME. 265 00:09:35,540 --> 00:09:37,266 AND I'M NORMALLY SHY TO SHOW THOSE MOMENTS, 266 00:09:37,369 --> 00:09:39,820 BUT TONIGHT, I'M GOING TO MAKE AN EXCEPTION. 267 00:09:39,924 --> 00:09:43,410 SO LET'S TAKE A LOOK NOW AT SOME OF MY GREATEST FAILURES. 268 00:09:43,513 --> 00:09:44,894 ONE OF MY LEAST POPULAR IDEAS 269 00:09:44,998 --> 00:09:47,517 WAS FOR A COMPLETELY GERM-FREE HOT DOG STAND. 270 00:09:47,621 --> 00:09:49,761 AT OUTDOOR FOOD CARTS, IT'S EASY FOR GERMS 271 00:09:49,865 --> 00:09:52,902 TO TRANSFER FROM MONEY TO YOUR FOOD, 272 00:09:53,006 --> 00:09:53,972 SO TO COMPLETELY ELIMINATE THIS, 273 00:09:54,076 --> 00:09:55,698 I DESIGNED A HANDS-FREE METHOD 274 00:09:55,802 --> 00:09:58,114 TO APPLY CONDIMENTS TO THE WIENER. 275 00:09:58,218 --> 00:09:59,978 ALSO, THERE WOULD BE A SECOND EMPLOYEE 276 00:10:00,082 --> 00:10:01,808 WHOSE ONLY JOB IS TO HANDLE THE MONEY. 277 00:10:01,911 --> 00:10:02,981 WHAT ARE YOU DOING WITH THE WALLET? 278 00:10:03,085 --> 00:10:04,983 WE'RE DOING A GERM-FREE EXPERIENCE, 279 00:10:05,087 --> 00:10:06,053 SO YOU DON'T HANDLE YOUR OWN MONEY. 280 00:10:06,157 --> 00:10:07,572 OH, REALLY? 281 00:10:07,676 --> 00:10:09,436 BUT PEOPLE WERE A BIT ANNOYED WITH THE MONEY HANDLING PART. 282 00:10:09,539 --> 00:10:10,575 CAN I HAVE MY WALLET BACK? 283 00:10:10,679 --> 00:10:12,163 AND THE HANDS-FREE ONION DISPENSER 284 00:10:12,266 --> 00:10:13,958 PROVED TO BE PROBLEMATIC AS WELL. 285 00:10:14,061 --> 00:10:15,235 SO YOU HAVE TO UP-- ONE UP, ONE DOWN. 286 00:10:15,338 --> 00:10:17,064 WHEN IT HITS THE TABLE, THE ONIONS WILL FALL. 287 00:10:17,168 --> 00:10:18,341 AND DROP IT. KEEP DROPPING IT. 288 00:10:18,445 --> 00:10:19,515 UP AND DOWN, DROP IT. 289 00:10:19,619 --> 00:10:22,069 FAST. 290 00:10:22,173 --> 00:10:23,070 OOPS. 291 00:10:23,174 --> 00:10:24,485 - OH. - UGH. 292 00:10:24,589 --> 00:10:26,453 THIS IS NOT GONNA WORK. IT'S NOT GONNA WORK. 293 00:10:26,556 --> 00:10:27,627 THAT'S NOTHING TO DO WITH THE CONTRAPTION. 294 00:10:27,730 --> 00:10:29,456 IF YOU DROP A HOT DOG, YOU DROP A HOT DOG. 295 00:10:29,559 --> 00:10:30,560 THE PUBLIC JUST WASN'T READY 296 00:10:30,664 --> 00:10:32,804 FOR THE GERM-FREE HOT DOG EXPERIENCE, 297 00:10:32,908 --> 00:10:35,427 SO I LAID THE CONCEPT TO REST. 298 00:10:35,531 --> 00:10:38,051 NEXT, I HAD AN IDEA FOR A TEARLESS WAY 299 00:10:38,154 --> 00:10:40,605 TO TELL A CHILD THAT THEIR PET HAS DIED, 300 00:10:40,709 --> 00:10:42,711 TO BE AN UP-SELL SERVICE FOR AN ANIMAL HOSPITAL. 301 00:10:42,814 --> 00:10:44,333 THE CONCEPT WAS TO MAKE A VIDEO 302 00:10:44,436 --> 00:10:46,128 OF THE PET WHILE IT'S STILL ALIVE, 303 00:10:46,231 --> 00:10:48,475 TELLING THE CHILD IT'S IN ANIMAL HEAVEN NOW. 304 00:10:48,578 --> 00:10:50,753 I HIRED THE ONLY VOICE ACTOR THAT RESPONDED 305 00:10:50,857 --> 00:10:52,755 TO MY CRAIGSLIST AD TO BE THE DOG. 306 00:10:52,859 --> 00:10:54,308 BUT WHEN WE SHOWED IT TO THE OWNER'S CHILD... 307 00:10:56,690 --> 00:10:58,416 OH, IT'S ME, MADI. 308 00:10:58,519 --> 00:11:00,936 I'M IN HEAVEN NOW. 309 00:11:01,039 --> 00:11:02,316 SO SORRY I DIED. 310 00:11:02,420 --> 00:11:03,870 I MISS YOU SO MUCH. 311 00:11:03,973 --> 00:11:06,873 I'M HAPPY HERE, SO I'M NOT COMING HOME. 312 00:11:11,360 --> 00:11:12,879 - NO, SHE DOESN'T. - NO. 313 00:11:12,982 --> 00:11:13,949 WHAT--AW. 314 00:11:14,052 --> 00:11:15,709 IT'S OKAY. 315 00:11:15,813 --> 00:11:17,262 HE HATED HIS DOG'S VOICE. 316 00:11:17,366 --> 00:11:19,817 ANOTHER FLUBBED IDEA. 317 00:11:19,920 --> 00:11:21,301 AND LASTLY, MY FAVORITE IDEAS 318 00:11:21,404 --> 00:11:23,199 DON'T JUST HELP WITH BUSINESS. 319 00:11:23,303 --> 00:11:24,891 THEY'RE GOOD FOR THE COMMUNITY AS WELL. 320 00:11:24,994 --> 00:11:26,755 SO I APPROACHED A BAR WITH AN INNOVATIVE WAY 321 00:11:26,858 --> 00:11:29,033 TO STOP DRUNKS FROM GETTING BEHIND THE WHEEL. 322 00:11:29,136 --> 00:11:31,173 THE CONCEPT WAS TO HAVE A STREET MAGICIAN 323 00:11:31,276 --> 00:11:32,795 STATIONED OUTSIDE THE BAR, 324 00:11:32,899 --> 00:11:34,555 PERFORMING A MAGIC TRICK THAT ALLOWS HIM 325 00:11:34,659 --> 00:11:36,661 TO SECRETLY TEST THE BLOOD ALCOHOL LEVELS 326 00:11:36,765 --> 00:11:38,801 OF PATRONS AS THEY LEAVE. 327 00:11:38,905 --> 00:11:41,217 AND WITH MY BACKGROUND IN MAGIC, I OFFERED TO TEST IT OUT. 328 00:11:41,321 --> 00:11:44,048 FOR MY FINAL TRICK, I'M GOING TO NEED YOUR KEYS. 329 00:11:44,151 --> 00:11:46,257 - MY KEYS? - YES. 330 00:11:46,360 --> 00:11:50,261 GREAT. GIVE THE WAND A BLOW. 331 00:11:50,364 --> 00:11:53,333 OKAY, A LITTLE BIT HARDER, RIGHT INTO THE TOP. 332 00:11:56,785 --> 00:11:59,408 OKAY, AND YOU ARE OVER THE LEGAL LIMIT. 333 00:11:59,511 --> 00:12:00,581 - OKAY. - BLOOD ALCOHOL. 334 00:12:00,685 --> 00:12:02,514 - SO YOUR KEYS ARE GONE. - OH! 335 00:12:02,618 --> 00:12:04,137 AND I CANNOT GIVE THEM BACK TO YOU. 336 00:12:04,240 --> 00:12:06,933 - OKAY. - SORRY. 337 00:12:07,036 --> 00:12:09,418 BUT THAT'S WHEN I REALIZED THE FLAW IN MY IDEA. 338 00:12:09,521 --> 00:12:11,558 IF I HELD ON TO HIS KEYS AND HE TOOK A CAB, 339 00:12:11,661 --> 00:12:13,663 THE GUY COULDN'T GET INTO HIS APARTMENT. 340 00:12:13,767 --> 00:12:14,837 COULD I GET MY KEYS, PLEASE? 341 00:12:14,941 --> 00:12:16,356 I CAN'T, BECAUSE YOU'RE DRUNK. 342 00:12:16,459 --> 00:12:17,564 PLEASE GIVE ME MY KEYS. 343 00:12:17,667 --> 00:12:19,531 AND THE ONLY SOLUTION AT THAT POINT 344 00:12:19,635 --> 00:12:20,705 WAS TO DRIVE HIM HOME. 345 00:12:20,809 --> 00:12:22,086 YOU LIVE FAR. 346 00:12:22,189 --> 00:12:24,019 I KNOW I DO. 347 00:12:24,122 --> 00:12:25,537 ALSO, ONCE I GOT HIM HOME, 348 00:12:25,641 --> 00:12:27,574 I REALIZED I COULDN'T JUST GIVE HIM HIS KEYS 349 00:12:27,677 --> 00:12:29,300 UNTIL HE WAS ASLEEP, OR ELSE HE MIGHT GO OUT 350 00:12:29,403 --> 00:12:30,404 AND DRIVE AGAIN. 351 00:12:30,508 --> 00:12:31,923 YOU NEED TO SEE ME SLEEPING? 352 00:12:32,027 --> 00:12:34,374 I NEED TO SEE YOU FALL ASLEEP BEFORE I LEAVE YOUR KEYS, 353 00:12:34,477 --> 00:12:38,274 OR ELSE YOU MIGHT TAKE THEM AND GO OUT AGAIN. 354 00:12:38,378 --> 00:12:40,035 YOU DON'T BRUSH YOUR TEETH BEFORE BED? 355 00:12:40,138 --> 00:12:41,105 USUALLY NOT. 356 00:12:41,208 --> 00:12:42,175 I USUALLY BRUSH MY TEETH IN THE MORNING. 357 00:12:42,278 --> 00:12:43,866 - REALLY? - YEP. 358 00:12:43,970 --> 00:12:45,488 I KNOW IT'S KIND OF GROSS, 359 00:12:45,592 --> 00:12:47,421 BUT NOBODY ELSE IS REALLY PAYING ATTENTION 360 00:12:47,525 --> 00:12:48,940 TO THE WAY MY BREATH SMELLS. 361 00:12:49,044 --> 00:12:50,700 SO I HAD TO PUT HIM TO BED AND MAKE SURE 362 00:12:50,804 --> 00:12:51,943 HE WENT TO SLEEP... 363 00:12:52,047 --> 00:12:55,844 ♪ AND IF THAT LOOKING GLASS GETS BROKE ♪ 364 00:12:55,947 --> 00:12:59,157 ♪ MAMA'S GONNA GET YOU A BILLY GOAT ♪ 365 00:12:59,261 --> 00:13:01,711 BEFORE I LEFT HIS KEYS. 366 00:13:01,815 --> 00:13:03,092 SO, AS YOU CAN SEE, 367 00:13:03,196 --> 00:13:05,439 EVEN THE GREATEST MINDS FAIL SOMETIMES. 368 00:13:05,543 --> 00:13:06,786 OHH! 369 00:13:06,889 --> 00:13:10,099 BUT FAILING TONIGHT IS NOT AN OPTION. 370 00:13:10,203 --> 00:13:11,480 BESIDES THE RISK TO ME, 371 00:13:11,583 --> 00:13:13,102 THERE ARE TEN INNOCENT CHILDREN 372 00:13:13,206 --> 00:13:14,897 PARTICIPATING IN TONIGHT'S EVENT, 373 00:13:15,001 --> 00:13:16,934 AND I DON'T TAKE THAT LIGHTLY. 374 00:13:17,037 --> 00:13:18,798 SO EARLIER TODAY, I SPOKE WITH THEIR PARENTS 375 00:13:18,901 --> 00:13:21,007 TO ASSURE THEM THEY HAD NOTHING TO WORRY ABOUT. 376 00:13:21,110 --> 00:13:22,732 HEY, GUYS. HOW'S EVERYONE DOING? 377 00:13:22,836 --> 00:13:24,113 - GREAT, THANK YOU. - GREAT. 378 00:13:24,217 --> 00:13:25,528 GOOD. 379 00:13:25,632 --> 00:13:27,185 SO, BEFORE WE BEGIN, I JUST WANTED TO GIVE YOU 380 00:13:27,289 --> 00:13:28,497 SOME ASSURANCE. 381 00:13:28,600 --> 00:13:30,637 UH, WE'RE GONNA BE BLURRING ALL YOUR FACES, 382 00:13:30,740 --> 00:13:31,845 SO YOU DON'T HAVE TO WORRY 383 00:13:31,949 --> 00:13:34,710 ABOUT, YOU KNOW, COWORKERS BEING LIKE, 384 00:13:34,814 --> 00:13:37,471 "WHY DID YOU LET YOUR KID DO THAT FOR $100?" 385 00:13:37,575 --> 00:13:39,715 YOU KNOW, OR QUESTIONS LIKE THAT 386 00:13:39,819 --> 00:13:41,544 FROM, YOU KNOW, THE COMMUNITY OR ANYTHING. 387 00:13:41,648 --> 00:13:43,926 YOU DON'T HAVE TO WORRY ABOUT THAT. 388 00:13:44,030 --> 00:13:47,309 OKAY, GREAT. WISH ME LUCK. 389 00:13:47,412 --> 00:13:49,069 OKAY. 390 00:13:49,173 --> 00:13:52,245 SO I NOW HAVE ON THE CUSTOM-MADE PANTS 391 00:13:52,348 --> 00:13:54,316 THAT THE ROBOT WILL BE REMOVING. 392 00:13:54,419 --> 00:13:56,870 UM, YOU KNOW, WE'RE GONNA GIVE THESE KIDS 393 00:13:56,974 --> 00:13:58,768 A BIT OF A BATHROOM BREAK BEFORE I BEGIN, 394 00:13:58,872 --> 00:14:02,393 BUT WHEN WE RETURN, IT WILL BE THE ESCAPE. 395 00:14:07,398 --> 00:14:09,710 ALL RIGHT, SO WE'RE ABOUT READY TO BEGIN. 396 00:14:09,814 --> 00:14:12,161 EVERYONE HAS BEEN CLEARED OUT OF THE ESCAPE AREA 397 00:14:12,265 --> 00:14:13,922 BESIDES THE NECESSARY PEOPLE. 398 00:14:14,025 --> 00:14:16,683 OFFICER BILLY SMALLING IS HERE, 399 00:14:16,786 --> 00:14:17,787 OBVIOUSLY THE CHILDREN, 400 00:14:17,891 --> 00:14:19,962 AND JUDGE ANTHONY FILOSA 401 00:14:20,066 --> 00:14:23,207 TO DO SOME FINAL CHECKS. 402 00:14:23,310 --> 00:14:24,967 I'M NOW GOING TO HAND OVER THE REINS 403 00:14:25,071 --> 00:14:27,728 TO MATT "MONEY" SMITH, NATIONAL SPORTSCASTER, 404 00:14:27,832 --> 00:14:28,868 WHO'LL BE CALLING THE EVENT. 405 00:14:28,971 --> 00:14:30,421 MATT, THANKS FOR DOING THIS. 406 00:14:30,524 --> 00:14:32,492 WELL, THANKS FOR HAVING ME, NATHAN. 407 00:14:32,595 --> 00:14:33,665 AND DO YOU HAVE ANY QUESTIONS FOR ME? 408 00:14:33,769 --> 00:14:34,632 WELL, I THINK THE OBVIOUS ONE IS, 409 00:14:34,735 --> 00:14:37,221 WHY ARE YOU DOING THIS? 410 00:14:37,324 --> 00:14:39,533 YOU KNOW, FOR-- FOR THE SHOW AND STUFF. 411 00:14:39,637 --> 00:14:40,741 YEAH. 412 00:14:40,845 --> 00:14:42,605 WELL, I-I JUST GET THE SENSE THAT PERHAPS-- 413 00:14:42,709 --> 00:14:44,573 I MEAN, YOU KNOW THIS IS CONTROVERSIAL, RIGHT? 414 00:14:44,676 --> 00:14:46,920 YEAH, YEAH. YEAH. 415 00:14:47,024 --> 00:14:48,094 - OKAY. GOOD LUCK. - ALL RIGHT. 416 00:14:48,197 --> 00:14:49,578 - ALL RIGHT. - THANKS, MATT. 417 00:14:49,681 --> 00:14:52,132 AND WITH THAT, THE ESCAPE IS JUST MOMENTS AWAY, 418 00:14:52,236 --> 00:14:55,515 SO LET'S LEARN A LITTLE MORE ABOUT NATHAN FIELDER. 419 00:14:55,618 --> 00:14:57,586 NATHAN WAS BORN IN 1983, 420 00:14:57,689 --> 00:14:59,760 THE ONLY SON OF TWO CANADIAN CIVIL SERVANTS, 421 00:14:59,864 --> 00:15:01,659 ERIC AND DEBORAH. 422 00:15:03,661 --> 00:15:05,352 WHICH BRINGS US TO TONIGHT. 423 00:15:05,456 --> 00:15:07,458 AND WE ARE MINUTES AWAY FROM THE BIG ESCAPE, 424 00:15:07,561 --> 00:15:09,598 AND RIGHT NOW, IT LOOKS LIKE NATHAN IS HAVING 425 00:15:09,701 --> 00:15:13,395 SOME FINAL WORDS WITH THE HONORABLE JUDGE FILOSA, 426 00:15:13,498 --> 00:15:14,775 SO LET'S LISTEN IN. 427 00:15:14,879 --> 00:15:17,261 SO DOES EVERYTHING LOOK GOOD IN TERMS OF THE SETUP 428 00:15:17,364 --> 00:15:20,989 FOR AN INDECENT EXPOSURE CONVICTION IF I-- 429 00:15:21,092 --> 00:15:24,440 IF I FAIL TONIGHT TO ESCAPE? 430 00:15:24,544 --> 00:15:26,718 UH, APPARENTLY IT DOES. 431 00:15:26,822 --> 00:15:27,857 UM-- 432 00:15:27,961 --> 00:15:29,135 GOOD. THAT'S ALL I NEEDED TO KNOW. 433 00:15:29,238 --> 00:15:31,102 THANK YOU. AND, OFFICER SMALLING... 434 00:15:31,206 --> 00:15:34,071 AND NOW NATHAN'S STEPPING OVER TO OFFICER SMALLING, 435 00:15:34,174 --> 00:15:37,281 AND HE IS GOING TO GO AHEAD AND INSPECT THOSE HANDCUFFS 436 00:15:37,384 --> 00:15:39,593 AND MAKE SURE THEY ARE UP TO STANDARD. 437 00:15:39,697 --> 00:15:41,388 DOUBLE-LOCKED... 438 00:15:41,492 --> 00:15:42,769 SMITH & WESSON POLICE HANDCUFFS, 439 00:15:42,872 --> 00:15:44,909 JUST LIKE WE WERE ISSUED IN THE POLICE ACADEMY. 440 00:15:45,013 --> 00:15:47,325 OKAY, GREAT, AND HERE IS THE KEY. 441 00:15:47,429 --> 00:15:48,533 WELL, EVERYTHING SEEMS TO BE IN ORDER, 442 00:15:48,637 --> 00:15:51,502 AND NOW NATHAN IS STEPPING OVER TO A LAPTOP, 443 00:15:51,605 --> 00:15:54,332 WHERE HIS MOM AND DAD ARE STANDING BY VIA SKYPE. 444 00:15:54,436 --> 00:15:56,507 AND THEY DON'T KNOW WHAT NATHAN HAS PLANNED TONIGHT. 445 00:15:56,610 --> 00:15:57,991 - HI, GUYS. - BUT HE WANTED 446 00:15:58,095 --> 00:16:00,269 TO HEAR THEIR VOICES BEFORE STEPPING TO THE STAGE. 447 00:16:00,373 --> 00:16:01,788 I DON'T KNOW IF YOU CAN HEAR ME, 448 00:16:01,891 --> 00:16:05,412 BUT, UH, I'M ABOUT TO DO SOMETHING VERY RISKY, 449 00:16:05,516 --> 00:16:09,175 UM, SO THE NEXT TIME I TALK TO YOU 450 00:16:09,278 --> 00:16:12,419 MIGHT BE BEHIND BULLETPROOF GLASS. 451 00:16:14,456 --> 00:16:17,183 - OH, WOW. - WHY? 452 00:16:17,286 --> 00:16:18,701 I CAN'T REALLY GET INTO IT RIGHT NOW. 453 00:16:18,805 --> 00:16:20,151 I DON'T HAVE TIME. BUT I JUST WANT TO SAY 454 00:16:20,255 --> 00:16:22,774 THAT I LOVE YOU GUYS. 455 00:16:22,878 --> 00:16:25,812 AND, YOU KNOW, WISH ME LUCK, OKAY? 456 00:16:25,915 --> 00:16:27,503 WELL, NATHAN, WHAT ARE YOU-- WHAT ARE YOU-- 457 00:16:27,607 --> 00:16:28,918 WHAT'S GOING ON? 458 00:16:29,022 --> 00:16:32,025 YOU GUYS? CAN YOU HEAR ME? 459 00:16:32,129 --> 00:16:33,509 HELLO? 460 00:16:33,613 --> 00:16:34,786 WELL, APPARENTLY A LACK 461 00:16:34,890 --> 00:16:36,098 OF AN INTERNET CONNECTION UP HERE. 462 00:16:36,202 --> 00:16:38,135 DON'T KNOW WHETHER OR NOT THEY HEARD THAT MESSAGE. 463 00:16:38,238 --> 00:16:40,033 BUT HEARTFELT, NONETHELESS. 464 00:16:42,346 --> 00:16:44,417 AND IT'S TIME NOW FOR NATHAN 465 00:16:44,520 --> 00:16:46,660 TO MAKE HIS WAY TO THE STAGE. 466 00:16:46,764 --> 00:16:48,076 YOU KNOW, YOU WONDER WHAT'S GOING ON 467 00:16:48,179 --> 00:16:50,526 IN NATHAN'S MIND RIGHT NOW AND IF ANY AMOUNT 468 00:16:50,630 --> 00:16:51,838 OF PREPARATION IS ENOUGH... 469 00:16:51,941 --> 00:16:53,046 - ALL RIGHT. - FOR THE PRESSURE 470 00:16:53,150 --> 00:16:55,014 THAT HE'S FACING HERE TONIGHT. 471 00:16:55,117 --> 00:16:56,877 NATHAN NOW MAKING HIS WAY INTO POSITION. 472 00:16:56,981 --> 00:16:59,259 YOU CAN SEE OFFICER SMALLING LOCKING HIM 473 00:16:59,363 --> 00:17:02,952 INTO THAT LOOP, AND THAT IS A SOLID STEEL FRAME. 474 00:17:03,056 --> 00:17:04,023 PUT THIS AROUND MY WRIST. 475 00:17:04,126 --> 00:17:06,335 CERTAINLY AN ADORABLE GROUP OF KIDS 476 00:17:06,439 --> 00:17:07,854 BROUGHT IN TONIGHT. 477 00:17:07,957 --> 00:17:09,097 CERTAINLY HOPE THE NIGHT DOESN'T END 478 00:17:09,200 --> 00:17:12,962 WITH THEM SEEING A MAN EXPOSE HIMSELF TO THEM. 479 00:17:13,066 --> 00:17:14,240 WELL, NOW THAT NATHAN'S LOCKED IN, 480 00:17:14,343 --> 00:17:16,311 THE CREW GONNA DO ONE LAST LOOK-OVER, 481 00:17:16,414 --> 00:17:18,037 SO WE'LL STEP AWAY FOR A COMMERCIAL, 482 00:17:18,140 --> 00:17:20,970 AND WHEN WE RETURN, THE ESCAPE. 483 00:17:27,977 --> 00:17:29,151 ALL RIGHT, WE'RE BACK, AND THIS IS IT. 484 00:17:29,255 --> 00:17:30,532 THE STAGE IS SET. 485 00:17:30,635 --> 00:17:32,844 NATHAN HAS 90 SECONDS TO FREE HIMSELF 486 00:17:32,948 --> 00:17:34,294 FROM THOSE CUFFS AND HIT THAT RED BUTTON 487 00:17:34,398 --> 00:17:35,709 TO HIS RIGHT. 488 00:17:35,813 --> 00:17:36,917 THE BUTTON IS A KILL SWITCH. 489 00:17:37,021 --> 00:17:38,816 IT IS THE ONLY THING THAT CAN STOP 490 00:17:38,919 --> 00:17:40,611 THE PROGRAMMED MOTION OF THE ROBOT 491 00:17:40,714 --> 00:17:44,408 FROM TAKING OFF NATHAN'S PANTS IN FRONT OF THESE KIDS. 492 00:17:44,511 --> 00:17:46,341 AND NOW HE WILL DELIVER THE LINE 493 00:17:46,444 --> 00:17:49,758 GIVEN TO HIM BY JUDGE FILOSA. 494 00:17:49,861 --> 00:17:51,794 SOMETHING MIGHT HAPPEN HERE, 495 00:17:51,898 --> 00:17:54,625 AND IF IT DOES, SO WHAT? 496 00:17:54,728 --> 00:17:55,660 AND WITH THAT, 497 00:17:55,764 --> 00:17:57,076 HE HAS ESTABLISHED WILLFUL INTENT. 498 00:17:57,179 --> 00:17:59,733 SO IF HE EXPOSES HIMSELF TONIGHT, 499 00:17:59,837 --> 00:18:01,287 IN THE EYES OF THE LAW, 500 00:18:01,390 --> 00:18:02,909 IT WILL NOT BE CONSIDERED AN ACCIDENT. 501 00:18:03,012 --> 00:18:04,290 READY! 502 00:18:04,393 --> 00:18:06,430 GO! 503 00:18:06,533 --> 00:18:07,879 AND WE ARE UNDERWAY NOW. 504 00:18:07,983 --> 00:18:09,467 HMM, STRUGGLING. LOOKED AS THOUGH HE-- 505 00:18:09,571 --> 00:18:12,367 HE PULLED A PICK STRAIGHT FROM HIS HAIR. 506 00:18:12,470 --> 00:18:15,370 NATHAN WORKING ON THOSE HANDCUFFS. 507 00:18:15,473 --> 00:18:17,372 WE ARE 80 SECONDS AWAY 508 00:18:17,475 --> 00:18:19,581 FROM A LIFETIME OF SCORN 509 00:18:19,684 --> 00:18:20,582 FOR NATHAN. 510 00:18:22,549 --> 00:18:24,068 NOW THE ROBOT GOING TO THAT-- 511 00:18:24,172 --> 00:18:25,276 THAT FLY. THE FLY IS DOWN. 512 00:18:25,380 --> 00:18:26,933 AND WHILE HE'S WORKING 513 00:18:27,036 --> 00:18:28,797 ON THE HANDCUFFS, THE ROBOT 514 00:18:28,900 --> 00:18:30,592 CONTINUES TO WORK ON THE PANTS. 515 00:18:32,628 --> 00:18:33,698 APPEARS AS THOUGH HE'S TAUNTING. 516 00:18:33,802 --> 00:18:34,906 NO, HE'S GOING FOR THAT LOOP. 517 00:18:35,010 --> 00:18:36,908 NOW HAS THE BUTTON UNDONE. 518 00:18:38,807 --> 00:18:40,153 AND THE KIDS LAUGHING ALONG 519 00:18:40,257 --> 00:18:41,430 WITH THE ROBOT'S ANTICS. 520 00:18:43,363 --> 00:18:46,918 NATHAN STRUGGLING WITH THAT PICK. 521 00:18:47,022 --> 00:18:47,988 HE DROPPED THE PICK. 522 00:18:51,026 --> 00:18:52,234 IT LOOKS LIKE IT'S CAUGHT ON HIS CLOTHING, 523 00:18:52,338 --> 00:18:54,478 AND NOW HE'S TRYING TO RETRIEVE IT, 524 00:18:54,581 --> 00:18:55,686 AND HE'S GOT IT. 525 00:18:55,789 --> 00:18:57,619 GOT IT WITH HIS-- WHAT A CLOSE CALL, 526 00:18:57,722 --> 00:18:59,345 AS HE RETRIEVES THE PICK WITH HIS TONGUE. 527 00:18:59,448 --> 00:19:00,898 HAD THAT FALLEN TO THE GROUND, 528 00:19:01,001 --> 00:19:03,521 IT WOULD HAVE BEEN ALL OVER. 529 00:19:03,625 --> 00:19:05,282 NEXT IS GOING TO BE THOSE LOOPS 530 00:19:05,385 --> 00:19:07,215 ON THE HIP. 531 00:19:07,318 --> 00:19:08,768 THIS IS GETTING TIGHT HERE. 532 00:19:08,871 --> 00:19:10,839 THE ROBOT NOW HAS BOTH PANT LEGS DOWN, 533 00:19:10,942 --> 00:19:12,220 IS ABOUT TO SECURE 534 00:19:12,323 --> 00:19:13,704 THE LOOP ON THE UNDERPANTS, 535 00:19:13,807 --> 00:19:15,499 AND NATHAN'S STILL WORKING ON THOSE CUFFS. 536 00:19:15,602 --> 00:19:16,672 WE ARE JUST 20 SECONDS AWAY. 537 00:19:16,776 --> 00:19:20,020 NATHAN WORKING THOSE HANDCUFFS. 538 00:19:20,124 --> 00:19:21,919 AND NOW IT LOOKS AS THOUGH, WITH THE PANTS DOWN, 539 00:19:22,022 --> 00:19:24,991 THE ROBOT GOING FOR THAT UNDERWEAR LOOP. 540 00:19:25,094 --> 00:19:27,062 WE ARE NOW AT TEN SECONDS AND COUNTING. 541 00:19:29,168 --> 00:19:30,859 WE HAVE JUST A COUPLE SECONDS LEFT. 542 00:19:30,962 --> 00:19:32,067 OH, NO, WE ARE SEEING PUBIC HAIR. 543 00:19:32,171 --> 00:19:34,483 BUT HE HAS ESCAPED. 544 00:19:34,587 --> 00:19:38,142 NATHAN FIELDER HAS MANAGED TO ESCAPE 545 00:19:38,246 --> 00:19:41,007 AND SAVE HIMSELF FROM A LIFETIME OF SHAME. 546 00:19:41,110 --> 00:19:42,974 THERE'S THE REPLAY. 547 00:19:43,078 --> 00:19:45,045 THE MOMENT WHERE HE WAS ABLE TO PICK THE CUFFS, 548 00:19:45,149 --> 00:19:47,772 HIT THE BUTTON JUST IN TIME. 549 00:19:47,876 --> 00:19:49,740 AND YOU CAN SEE THE RELIEF ON HIS FACE. 550 00:19:52,294 --> 00:19:53,226 WELL, THERE YOU SEE IT. 551 00:19:53,330 --> 00:19:54,503 HE TOOK ON GREAT RISK, 552 00:19:54,607 --> 00:19:57,265 AND NOW THIS, HIS REWARD. 553 00:19:57,368 --> 00:19:59,198 CONGRATULATIONS FROM THE JUDGE AND OFFICER. 554 00:19:59,301 --> 00:20:01,027 - GOOD JOB. - THANK YOU. 555 00:20:01,130 --> 00:20:04,306 UM, SO THE ROBOT 556 00:20:04,410 --> 00:20:06,722 PULLED HIS PANTS DOWN. 557 00:20:06,826 --> 00:20:07,930 BUT HE WON. 558 00:20:08,034 --> 00:20:09,069 SO-- 559 00:20:09,173 --> 00:20:10,209 IT WAS REALLY FUNNY. 560 00:20:10,312 --> 00:20:11,934 I REALLY WANTED HIS PANTS TO FALL DOWN 561 00:20:12,038 --> 00:20:13,764 'CAUSE IT'S HILARIOUS. 562 00:20:13,867 --> 00:20:15,973 I WOULD HAVE BEEN SORT OF OFFENDED 563 00:20:16,076 --> 00:20:19,632 IF IT--IF HIS UNDERWEAR FELL DOWN, 564 00:20:19,735 --> 00:20:21,392 BUT NOT THAT MUCH. 565 00:20:21,496 --> 00:20:24,119 HE PRESSED THE BUTTON, AND THEN IT DIDN'T FALL DOWN. 566 00:20:24,223 --> 00:20:26,259 I WAS LIKE, "YES!" 567 00:20:26,363 --> 00:20:27,536 I WAS LIKE, "HALLELUJAH." 568 00:20:32,058 --> 00:20:34,854 OKAY, BEFORE YOU GUYS-- BEFORE YOU GUYS LEAVE, 569 00:20:34,957 --> 00:20:38,582 REMEMBER TO ALWAYS TAKE BIG RISKS 570 00:20:38,685 --> 00:20:40,204 AND BELIEVE IN YOURSELF 571 00:20:40,308 --> 00:20:44,829 AND FOLLOW YOUR DREAMS, JUST LIKE I DID. 572 00:20:44,933 --> 00:20:46,314 I DRE--WELL, YEAH, I DID. 573 00:20:46,417 --> 00:20:47,522 IT WAS-- IT WAS A DREAM OF-- 574 00:20:52,251 --> 00:20:54,218 YOU KIND OF TALKED OVER MY SPEECH. 575 00:20:54,322 --> 00:20:55,840 - OKAY. FINE. - LET'S GO. LET'S GO. 576 00:21:02,261 --> 00:21:04,435 I MADE SO MANY NEW FRIENDS UP THERE. 577 00:21:04,539 --> 00:21:07,231 HOWEVER, I THINK ABOUT YOU ALL THE TIME. 578 00:21:07,335 --> 00:21:10,061 GOOD-BYE. I LOVE YOU. 579 00:21:10,165 --> 00:21:13,064 I WISH I COULD DO MORE FOR YOU. 42574

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