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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:01:35,596 --> 00:01:36,597 MR. ASBY. 2 00:01:39,057 --> 00:01:39,808 IT'S ME, JESSE. 3 00:01:39,933 --> 00:01:41,893 JUST, UH, GO ABOUT WHAT YOU'RE DOING. 4 00:03:17,280 --> 00:03:18,323 Asby: Hello? 5 00:03:19,116 --> 00:03:20,200 Hello? 6 00:03:21,326 --> 00:03:22,326 John? 7 00:03:23,078 --> 00:03:24,079 John? 8 00:03:25,163 --> 00:03:26,498 Can you hear me? 9 00:03:27,874 --> 00:03:29,000 John! 10 00:03:29,835 --> 00:03:31,545 What's the matter? John! 11 00:03:33,171 --> 00:03:34,715 Answer me... John! 12 00:03:35,298 --> 00:03:36,508 Can you hear me? 13 00:03:37,926 --> 00:03:40,345 John, are you there? 14 00:03:40,721 --> 00:03:41,722 YEAH. 15 00:03:42,431 --> 00:03:43,807 I GOTTA SEE YOU. 16 00:03:45,100 --> 00:03:45,934 IS THIS CAL? 17 00:03:46,059 --> 00:03:47,102 It's me. 18 00:03:49,271 --> 00:03:50,397 IT'S YOUR BROTHER. 19 00:03:51,565 --> 00:03:52,733 DOES HE KNOW YOU'RE HERE? 20 00:03:52,858 --> 00:03:54,109 MNH-MNH. 21 00:03:55,819 --> 00:03:58,071 AT 2:00 IN THE MORNING, MAN? 22 00:03:58,488 --> 00:04:00,031 I'M AT THE OFFICE. 23 00:04:00,365 --> 00:04:02,033 That's your problem, baby. 24 00:04:02,200 --> 00:04:03,285 WHERE YOU BEEN ALL DAY? 25 00:04:03,702 --> 00:04:04,786 AROUND. 26 00:04:05,245 --> 00:04:06,997 I've been trying to reach you. 27 00:04:07,622 --> 00:04:11,418 I PUT $5,000 IN YOUR BANK ACCOUNT THIS AFTERNOON... 28 00:04:11,668 --> 00:04:12,794 PAYMENT IN ADVANCE. 29 00:04:13,044 --> 00:04:14,171 FOR WHAT? 30 00:04:14,838 --> 00:04:17,048 Pick me up... now. 31 00:04:17,257 --> 00:04:19,342 I'm in deep trouble. 32 00:04:20,302 --> 00:04:21,636 WHAT'S UP? 33 00:04:22,304 --> 00:04:23,972 GET HERE... FAST, 34 00:04:24,514 --> 00:04:26,475 AND I'LL TELL YOU WHEN I SEE YOU. 35 00:04:27,476 --> 00:04:28,602 YEAH, OKAY. 36 00:04:28,894 --> 00:04:31,438 I'VE BEEN TRYING TO REACH MY SISTER ARNA... 37 00:04:31,646 --> 00:04:32,647 GOT TO WARN HER. 38 00:04:32,898 --> 00:04:34,232 Have you heard from her? 39 00:04:34,900 --> 00:04:36,651 I THINK I CAN PUT A HAND ON HER. 40 00:04:39,196 --> 00:04:41,615 IF YOU CAN REACH HER, TELL HER TO GET HOME, 41 00:04:41,865 --> 00:04:43,700 KEEP THE DOORS LOCKED TILL WE GET THERE. 42 00:04:44,868 --> 00:04:45,952 YEAH, OKAY. 43 00:06:26,052 --> 00:06:27,052 NOW, LOOK HERE. 44 00:06:53,204 --> 00:06:55,874 THAT MAN'S TROUBLE! HE'S BEEN TO MY HOUSE! 45 00:07:34,037 --> 00:07:36,289 HE'LL PUT A HOLE IN YOUR SOUL, HONEY! 46 00:09:29,611 --> 00:09:31,946 CHECK TO SEE IF THERE ARE ANY OTHER BODIES INSIDE. 47 00:09:42,582 --> 00:09:45,335 LOOKS LIKE CAL ASBY TO ME. WHAT'S HE LOOK LIKE TO YOU? 48 00:09:46,336 --> 00:09:47,837 WHAT'S LEFT OF HIM. 49 00:09:48,880 --> 00:09:51,091 MAYBE YOU TWO HAD A LITTLE CONVERSATION 50 00:09:51,216 --> 00:09:52,216 BEFORE THIS HAPPENED. 51 00:09:54,552 --> 00:09:56,054 WHAT DID HE TELL YOU, SHAFT? 52 00:09:56,513 --> 00:09:58,139 "STAY AWAY FROM BLACK HONKIES 53 00:09:58,264 --> 00:10:00,600 WITH BIG, FLAT FEET." 54 00:10:18,326 --> 00:10:20,537 LOOK LIKE THERE'S ONLY ONE DEAD, CAPTAIN. 55 00:10:55,655 --> 00:10:58,324 I WAS HOPING MAYBE YOU COULD SHED SOME LIGHT ON THAT. 56 00:11:06,499 --> 00:11:08,376 HE NEVER HURT ANYONE IN HIS LIFE. 57 00:11:09,335 --> 00:11:11,212 HE LOVED THIS COMMUNITY, 58 00:11:11,379 --> 00:11:13,298 AND EVERYBODY HERE LOVED HIM. 59 00:11:13,798 --> 00:11:15,592 HE WAS PLANNING TO BREAK GROUND 60 00:11:15,675 --> 00:11:18,261 FOR THAT CHILDCARE CLINIC OVER IN HARLEM 61 00:11:18,386 --> 00:11:20,013 SOMETIME NEXT MONTH. 62 00:11:22,015 --> 00:11:23,099 BUT NOW... 63 00:11:24,100 --> 00:11:25,351 AND HOW DID YOU FEEL ABOUT THAT? 64 00:11:26,060 --> 00:11:29,397 WITH HIM... ALL THE WAY. 65 00:11:29,772 --> 00:11:31,524 DON'T SHIT ME, KELLY. 66 00:11:32,859 --> 00:11:33,979 YOU FOUGHT HIM TOOTH AND NAIL 67 00:11:34,027 --> 00:11:35,904 ABOUT LAYING BREAD ON THAT GHETTO CLINIC. 68 00:11:59,177 --> 00:12:01,471 HEY, UM, FELLAS... 69 00:12:02,430 --> 00:12:04,057 HELP ME MOVE THIS NEXT DOOR. 70 00:12:04,307 --> 00:12:06,309 AFTER ALL, I CAN'T LEAVE IT HERE. 71 00:12:07,727 --> 00:12:08,811 OKAY? 72 00:12:16,653 --> 00:12:18,321 YEAH, RIGHT THERE IS FINE. 73 00:12:19,739 --> 00:12:20,823 THANKS A LOT. 74 00:12:21,157 --> 00:12:22,176 WOULD YOU, UH, CLOSE THE DOOR 75 00:12:22,200 --> 00:12:23,409 ON YOUR WAY OUT, PLEASE? 76 00:14:24,447 --> 00:14:25,698 AHHH. 77 00:14:28,534 --> 00:14:30,036 WELL, LISTEN, BEFORE I FORGET... 78 00:14:31,162 --> 00:14:34,040 HAVE JACK CHECK THOSE TWO FRONT DOORS ON THE CHOPPER. 79 00:14:34,499 --> 00:14:36,459 WHAT THE HELL YOU GOT THE IDIOT THERE FOR, ANYWAY? 80 00:14:37,335 --> 00:14:38,127 BECAUSE HE'S THE BEST. 81 00:14:38,252 --> 00:14:40,129 WHAT DO YOU THINK I'VE GOT HIM THERE FOR? 82 00:15:49,532 --> 00:15:51,325 SORRY, GUS. I'LL GO USE THE PHONE... 83 00:15:51,451 --> 00:15:52,660 IN THE BEDROOM. 84 00:16:54,472 --> 00:16:56,140 KELLY SAYS THE SAFE'S EMPTY. 85 00:16:58,100 --> 00:16:58,768 GUS! 86 00:16:58,935 --> 00:17:00,269 DO YOU HEAR ME? 87 00:17:00,978 --> 00:17:03,022 KELLY SAID THE SAFE'S EMPTY. 88 00:17:19,622 --> 00:17:20,623 POUR. 89 00:17:23,960 --> 00:17:24,794 I DON'T UNDERSTAND 90 00:17:24,919 --> 00:17:27,129 HOW KELLY SAYS THE SAFE IS EMPTY. 91 00:17:28,548 --> 00:17:33,386 DID YOU ASK MR. KELLY TO POP... BY? 92 00:17:33,886 --> 00:17:35,012 YES. 93 00:17:35,638 --> 00:17:38,766 I TOLD HIM IF HE DIDN'T HAVE THE $250,000, 94 00:17:38,891 --> 00:17:40,768 I'D PERSONALLY HAVE HIS ASS. 95 00:17:41,060 --> 00:17:44,397 POSSIBLY MR. KELLY NEEDS A LITTLE MORE TIME, HMM? 96 00:17:44,897 --> 00:17:46,857 YOU SHOULDN'T CROWD PEOPLE, ANDY. 97 00:17:46,983 --> 00:17:48,192 IT'S NOT COOL. 98 00:17:48,401 --> 00:17:51,320 YOU, UH, GOT TO GIVE A MAN A LITTLE ELBOW ROOM. 99 00:17:51,445 --> 00:17:52,863 YEAH, I'LL GIVE HIM ELBOW ROOM... 100 00:17:53,030 --> 00:17:54,365 BLACK SON OF A BITCH! 101 00:17:54,490 --> 00:17:56,576 UNH-UNH-UNH-UNH-UNH. 102 00:17:56,701 --> 00:17:59,412 YOU HAVE A TENDENCY TO OVERREACT, ANDREW. 103 00:17:59,829 --> 00:18:02,665 YOU SEE, MR. KELLY MEANS 104 00:18:02,790 --> 00:18:05,167 NOT ONLY THE QUARTER OF A MILLION DOLLARS HE OWES ME. 105 00:18:05,293 --> 00:18:08,588 BUT REMEMBER... HE'S GOT THE KEY TO QUEENS. 106 00:18:10,715 --> 00:18:11,924 RELAX. 107 00:18:12,883 --> 00:18:13,968 RELAX. 108 00:20:06,288 --> 00:20:08,332 I DON'T WANT TOO MANY BOYS HANGING AROUND. 109 00:20:08,708 --> 00:20:09,708 THEY WON'T BE THERE. 110 00:20:09,750 --> 00:20:11,460 ALL RIGHT. MAKE SURE THEY'RE NOT THERE. 111 00:20:11,585 --> 00:20:12,878 WHAT ARE YOU WUSSES DOING HERE? 112 00:20:13,170 --> 00:20:14,505 WELL, WELL. 113 00:20:15,131 --> 00:20:17,133 YOU GO TO A LOT OF FUNERALS, SHAFT. 114 00:20:17,550 --> 00:20:18,592 WILLY AND ME, 115 00:20:19,135 --> 00:20:21,429 ONE DAY WE'LL DROP IN ON YOURS. 116 00:20:21,637 --> 00:20:23,139 REAL SOON. 117 00:20:24,223 --> 00:20:25,223 YOU'RE NOT INVITED. 118 00:20:25,307 --> 00:20:26,016 IN THAT CASE, 119 00:20:26,142 --> 00:20:28,602 WE'LL SEND YOU A WREATH... WITH LOVE. 120 00:20:29,145 --> 00:20:30,438 HEH HEH HEH. 121 00:20:34,859 --> 00:20:36,944 WHAT ABOUT ASBY AND THOSE NUMBERS? 122 00:20:37,069 --> 00:20:39,363 WHAT ARE WE GONNA DO ABOUT THAT BUSINESS? 123 00:20:39,488 --> 00:20:40,698 AIN'T OUR WAR, WILLY. 124 00:20:42,032 --> 00:20:43,951 KELLY'S IN CHARGE NOW. 125 00:20:44,285 --> 00:20:46,620 WE GOT ENOUGH TROUBLES OF OUR OWN. 126 00:21:23,365 --> 00:21:24,575 OH, MY GOD. 127 00:21:25,159 --> 00:21:26,911 OH, MY GOD, WHAT HAPPENED?! 128 00:21:45,429 --> 00:21:46,429 KEEP AN EYE ON HER. 129 00:21:46,555 --> 00:21:47,555 YEAH. 130 00:22:08,869 --> 00:22:10,037 AAAH! 131 00:22:21,298 --> 00:22:23,384 RIGHT ON TIME, MR. KELLY. 132 00:22:24,593 --> 00:22:26,136 JUST TRYING TO HELP, MAN. 133 00:22:27,429 --> 00:22:28,472 YEAH, RIGHT. 134 00:22:30,599 --> 00:22:32,017 LOOK, DO ME A FAVOR... 135 00:22:32,768 --> 00:22:33,936 IF YOU GET A MOMENT, 136 00:22:34,103 --> 00:22:36,272 LET ME TAKE A LOOK AT THOSE PARTNERSHIP PAPERS, OKAY? 137 00:22:36,355 --> 00:22:37,355 OKAY. 138 00:23:02,172 --> 00:23:04,550 I WANNA THANK YOU FOR BEING SO HELPFUL, MR. KELLY. 139 00:23:05,259 --> 00:23:08,053 AT A TIME LIKE THIS, JOHN, IT'S THE LEAST I CAN DO. 140 00:23:09,555 --> 00:23:10,824 ARNA TELLS ME YOU'RE GONNA BE HANDLING 141 00:23:10,848 --> 00:23:11,932 HER END OF THE BUSINESS. 142 00:23:12,433 --> 00:23:14,768 YOU DON'T HAVE ANY OBJECTIONS TO THAT, DO YOU? 143 00:23:15,644 --> 00:23:16,937 NO, NO. 144 00:23:17,605 --> 00:23:19,833 FACT IS, I FIGURED SINCE YOU'RE IN SUCH A BEREAVED STATE, 145 00:23:19,857 --> 00:23:22,359 I MIGHT HANG AROUND AND KINDA HELP YOU OUT. 146 00:23:23,193 --> 00:23:24,462 WHO KNOWS? BETWEEN THE TWO OF US, 147 00:23:24,486 --> 00:23:27,489 MAYBE WE CAN FIGURE OUT WHO KNOCKED OFF CAL. 148 00:23:43,213 --> 00:23:44,298 SHAFT. 149 00:23:45,424 --> 00:23:46,424 YEP. 150 00:23:47,593 --> 00:23:48,969 LATELY WE SEEM TO BE TRAVELING 151 00:23:49,094 --> 00:23:50,304 IN THE SAME CIRCLES... 152 00:23:50,804 --> 00:23:54,308 BOMBINGS, FUNERALS, AND HOUSES OF THE DECEASED. 153 00:23:56,644 --> 00:23:57,895 SAD CIRCLES. 154 00:23:58,228 --> 00:24:00,108 LET'S GO DOWN TO THE PRECINCT AND TALK ABOUT IT. 155 00:24:01,857 --> 00:24:02,857 OKAY, BABY. 156 00:24:03,025 --> 00:24:04,068 GET IN THE VEHICLE. 157 00:24:06,153 --> 00:24:07,488 I GOT MY OWN SHORT. 158 00:24:07,947 --> 00:24:09,031 I'LL FOLLOW YOU. 159 00:24:10,658 --> 00:24:11,658 OKAY. 160 00:25:10,134 --> 00:25:12,428 COME ON, COME ON! 161 00:25:14,221 --> 00:25:15,573 Captain: WHAT THE HELL'S GOING ON HERE? 162 00:25:15,597 --> 00:25:16,890 CHIEF... HEY, CHIEF, 163 00:25:17,016 --> 00:25:18,183 GET THIS BASTARD OFF MY BACK. 164 00:25:18,267 --> 00:25:19,685 YOU LITTLE SON OF A BITCH! 165 00:25:20,102 --> 00:25:21,186 TELL HIM I GOT RIGHTS! 166 00:25:22,271 --> 00:25:23,271 WHAT DID HE DO? 167 00:25:23,564 --> 00:25:25,324 THE DELI ON NORTHERN BOULEVARD FOR 300 BUCKS, 168 00:25:25,441 --> 00:25:27,026 A GAS STATION FOR 27, 169 00:25:27,151 --> 00:25:29,403 THEN HE RAN A STOLEN CHEVY INTO THE SIDE OF A SQUAD CAR! 170 00:25:29,862 --> 00:25:30,862 I GOT RIGHTS! 171 00:25:31,530 --> 00:25:33,198 FUCK YOUR RIGHTS. 172 00:25:33,782 --> 00:25:34,825 GO SUE THE CITY. 173 00:25:35,409 --> 00:25:36,409 COME ON. 174 00:25:38,537 --> 00:25:40,372 COME ON. COME ON, KID. 175 00:25:41,915 --> 00:25:43,000 RELAX, HUH? 176 00:25:44,918 --> 00:25:47,379 DON'T YOU KNOW THEY'RE TRYING TO REHABILITATE YOU HERE? 177 00:25:47,504 --> 00:25:48,714 SHIT. 178 00:25:58,766 --> 00:25:59,516 NOW, YOU LOOK... 179 00:25:59,641 --> 00:26:01,268 YOU TRY ANY OF THAT SHIT ON ME, 180 00:26:01,685 --> 00:26:03,729 AND NONE OF US WILL WALK OUT OF THIS ROOM! 181 00:26:04,396 --> 00:26:05,564 COME ON, SHAFT. 182 00:26:09,068 --> 00:26:10,068 SIT DOWN, SHAFT. 183 00:26:11,403 --> 00:26:12,237 I'LL SIT WHEN I'M SURE 184 00:26:12,362 --> 00:26:13,864 THAT APE WILL STAY IN HIS CAGE. 185 00:26:14,573 --> 00:26:16,575 NOW, WHAT THE HELL DO YOU WANT WITH ME? 186 00:26:17,117 --> 00:26:19,536 WHAT ARE YOU INTO WITH CAL ASBY AND JOHNNY KELLY? 187 00:26:19,995 --> 00:26:22,164 I WAS INTO A FUNERAL FOR AN OLD FRIEND. 188 00:26:23,832 --> 00:26:25,918 HOW'S THAT ANY BUSINESS OF YOURS? 189 00:26:26,043 --> 00:26:29,004 IT'S BEEN THE BUSINESS OF EVERY MAN IN THIS BUILDING 190 00:26:29,379 --> 00:26:30,881 EVER SINCE ASBY AND KELLY SET UP 191 00:26:31,006 --> 00:26:32,758 A NUMBERS RACKET IN QUEENS. 192 00:26:34,760 --> 00:26:36,136 WHAT'S YOUR CONNECTION WITH IT? 193 00:26:36,470 --> 00:26:37,930 WHAT'S WRONG WITH NUMBERS? 194 00:26:38,889 --> 00:26:40,516 A MAN NEEDS A LITTLE ACTION. 195 00:26:41,433 --> 00:26:43,519 LOOK, YOU GOT OFF-TRACK BETTING HERE IN NEW YORK, 196 00:26:44,019 --> 00:26:45,604 GOT A LOTTERY SYSTEM ALL OVER THE WORLD. 197 00:26:46,438 --> 00:26:48,357 EVERYBODY NEEDS A LONG SHOT. 198 00:26:48,732 --> 00:26:49,983 NOW, AIN'T THAT RIGHT, CAPTAIN? 199 00:26:50,359 --> 00:26:51,568 YOU'RE GONNA MAKE ME THROW UP 200 00:26:51,693 --> 00:26:53,612 IF YOU KEEP LECTURING ME ON THE PSYCHO-DYNAMICS 201 00:26:53,737 --> 00:26:55,864 OF WHAT PEOPLE NEED. 202 00:26:59,118 --> 00:27:01,453 IT'S AGAINST THE LAW. THAT'S WHAT'S WRONG WITH IT. 203 00:27:03,038 --> 00:27:06,083 WELL, NOW, I'M GLAD YOU CLUED ME IN, CAPTAIN. 204 00:27:10,379 --> 00:27:12,131 GET US SOME COFFEE, COOPER. 205 00:27:13,632 --> 00:27:14,967 YOU TALKING TO ME, CAPTAIN? 206 00:27:15,092 --> 00:27:16,593 WHAT DO YOU WANT ME TO DO, SING? 207 00:27:17,302 --> 00:27:18,303 GET THE COFFEE, MAN. 208 00:27:25,519 --> 00:27:26,519 MAKE MINE BLACK. 209 00:27:33,735 --> 00:27:35,696 YOU DIDN'T HAVE TO SAY THAT TO COOPER. 210 00:27:38,532 --> 00:27:40,450 SOMETHING JUST CAME OVER ME, CAPTAIN. 211 00:27:42,035 --> 00:27:43,787 I'M REALLY ASHAMED. 212 00:27:48,792 --> 00:27:50,210 TELL YOU WHAT I GOT, SHAFT... 213 00:27:52,880 --> 00:27:54,590 YOU JIVIN' ASBY'S SISTER, 214 00:27:55,966 --> 00:27:57,676 HE CATCHES A BOMB, 215 00:27:58,552 --> 00:27:59,761 AND KELLY TAKES OVER. 216 00:28:02,347 --> 00:28:05,058 YOU KNOW, MAYBE YOU TWO GOT IT BRACKETED. 217 00:28:06,602 --> 00:28:09,271 AND NOW YOU FIGURE TO RUN THE NUMBERS IN QUEENS. 218 00:28:09,938 --> 00:28:10,938 LIKE THAT SO FAR? 219 00:28:13,942 --> 00:28:14,942 RAP ON. 220 00:28:16,111 --> 00:28:19,531 AND AT THE FUNERAL, WHO DO I SEE YOU WITH? 221 00:28:19,865 --> 00:28:20,865 BUMPY. 222 00:28:23,493 --> 00:28:26,121 AND YOU FIGURE I'M BRINGING BUMPY IN. 223 00:28:26,580 --> 00:28:27,664 WHY NOT? 224 00:28:29,958 --> 00:28:32,753 YOU FINGER ASBY AND BRING IN BUMPY? 225 00:28:35,464 --> 00:28:38,175 YOU PRIVATE SHITS WILL DO ANYTHING FOR A BUCK. 226 00:28:39,051 --> 00:28:40,636 YOU PULL HARLEM AND QUEENS TOGETHER, 227 00:28:40,761 --> 00:28:42,304 AND HELL, MAN, YOU'RE FAT. 228 00:28:43,055 --> 00:28:45,432 DO YOU JUST SIT AROUND AND THINK THESE THINGS UP, 229 00:28:45,599 --> 00:28:48,101 OR DO THEY JUST COME TO YOU IN A FLASH? 230 00:28:51,730 --> 00:28:54,024 HOW COME WE NEVER HASSLED CAL ASBY? 231 00:28:55,067 --> 00:28:56,068 GO AHEAD... ASK ME. 232 00:28:57,069 --> 00:28:58,504 YOU NEVER HASSLED HIM 'CAUSE HE'S PROBABLY LAYING 233 00:28:58,528 --> 00:29:01,365 SOME HEAVY BREAD ON YOU GUYS EVERY MONTH AT THE PRECINCT. 234 00:29:05,035 --> 00:29:06,703 HE RAN A WHEEL, OKAY. 235 00:29:07,955 --> 00:29:09,289 POOR MAN'S RACETRACK, 236 00:29:09,414 --> 00:29:11,541 BUT, MAN, YOU CAN'T CUT THAT OUT. 237 00:29:14,002 --> 00:29:19,508 BUT HE DIDN'T DEAL IN SHIT OR WHORES OR LOANSHARKING. 238 00:29:19,841 --> 00:29:21,468 EVERYTHING WAS COOL. 239 00:29:24,429 --> 00:29:28,725 AND NOW, WITH ASBY DEAD AND KELLY RUNNING THINGS, 240 00:29:29,101 --> 00:29:30,310 WHO KNOWS? 241 00:29:31,436 --> 00:29:33,897 ANYBODY CAN MOVE INTO THE VACUUM... 242 00:29:34,982 --> 00:29:39,695 MAYBE YOUR PAL BUMPY, OR MASCOLA FROM DOWNTOWN. 243 00:29:40,112 --> 00:29:41,321 OH, YOU'VE HEARD OF MASCOLA? 244 00:29:42,906 --> 00:29:43,906 YEP. 245 00:29:45,117 --> 00:29:46,535 DOES A LOT OF TV WORK... 246 00:29:46,660 --> 00:29:49,204 EVERY TIME A SENATE CRIME COMMITTEE IS IN TOWN. 247 00:29:55,085 --> 00:29:56,169 THREE SUGARS... 248 00:29:59,172 --> 00:30:00,257 ...WITH CREAM. 249 00:30:02,592 --> 00:30:04,177 SO, WHAT DO YOU WANT FROM ME, CAPTAIN? 250 00:30:04,303 --> 00:30:05,637 PUT THE WORD OUT... 251 00:30:06,013 --> 00:30:07,389 NOBODY BETTER TRY TO COME IN HERE 252 00:30:07,514 --> 00:30:09,182 AND MESS UP THE STATUS QUO. 253 00:30:10,767 --> 00:30:13,395 AND NOBODY'S COMING IN HERE TO SELL SHIT TO OUR KIDS 254 00:30:13,478 --> 00:30:15,022 OR PUT WHORES ON OUR STREETS. 255 00:30:15,897 --> 00:30:17,733 IS THIS PROGRAM BEING RECORDED, 256 00:30:17,858 --> 00:30:19,401 OR ARE WE GOING OUT LIVE? 257 00:30:20,944 --> 00:30:22,112 LOOK, MAN... 258 00:30:23,071 --> 00:30:25,198 I CAN COOL YOU OFF THE OLD-FASHIONED WAY. 259 00:30:25,365 --> 00:30:27,159 WE HAVE A NICE STEEL PAD BACK THERE. 260 00:30:28,702 --> 00:30:30,662 OKAY. LET'S GO. 261 00:30:38,920 --> 00:30:42,841 BUT I CAN'T BE ANY HELP TO ANYONE IN A STEEL PAD. 262 00:30:50,432 --> 00:30:53,185 OKAY, SHAFT... ON THE STREET. 263 00:30:54,603 --> 00:30:55,937 BUT IF YOU'RE SMART, 264 00:30:58,148 --> 00:30:59,441 YOU'LL KEEP IN TOUCH. 265 00:31:17,584 --> 00:31:19,169 ASBY-KELLY MAN. 266 00:31:23,382 --> 00:31:24,633 SANTA CLAUS. 267 00:31:24,758 --> 00:31:26,551 YOU HAVE HIT THE NUMBER, BROTHER. 268 00:31:27,803 --> 00:31:28,803 COUNT IT. 269 00:31:31,223 --> 00:31:33,558 THANK YOU, BROTHER. SAME THING TOMORROW, RIGHT? 270 00:31:33,642 --> 00:31:35,060 OKAY. 271 00:31:37,938 --> 00:31:39,606 ASBY-KELLY MAN. 272 00:31:44,736 --> 00:31:45,736 ALL RIGHT, BROTHER. 273 00:31:52,702 --> 00:31:55,163 802 IS THE FIGURE FOR TODAY, BROTHER. 274 00:31:56,623 --> 00:32:00,252 SEE, THAT'S $3 ON YOUR WIFE'S BURIAL POLICY... 275 00:32:01,586 --> 00:32:05,549 $1.50 ON YOURS, AND, UH... 276 00:32:05,841 --> 00:32:08,093 SHE SAYS SHE WANTS 717. 277 00:32:08,218 --> 00:32:11,471 717 FOR 50 CENTS. 278 00:32:12,264 --> 00:32:13,390 THANK YOU, BROTHER. 279 00:32:23,108 --> 00:32:24,901 OH, SHHH... 280 00:32:35,120 --> 00:32:36,204 UGH! 281 00:32:38,457 --> 00:32:40,500 HEY, MAN, PLEASE, MAN, D-D-DON'T SHOOT ME. 282 00:32:40,876 --> 00:32:42,836 HEY, LOOK, MAN, TAKE THE MONEY. 283 00:32:43,003 --> 00:32:46,173 I GOT A WIFE AND SIX KIDS AND AN OLD BUICK TO SUPPORT. 284 00:32:46,465 --> 00:32:48,300 YOU WON'T GET HURT LONG AS YOU KEEP TALKING. 285 00:32:48,967 --> 00:32:50,385 NOW, WHERE'S KELLY OPERATING OUT OF? 286 00:32:50,552 --> 00:32:51,428 HEY, MAN, I CAN'T... 287 00:32:52,596 --> 00:32:54,222 HEY, PLEASE, BROTHER, TAKE THE MONEY. 288 00:32:54,347 --> 00:32:55,932 LOOK, MAN, I'M JUST A RUNNER, MAN. 289 00:32:56,057 --> 00:32:57,057 WHERE?! 290 00:32:57,100 --> 00:32:58,935 HEY, BROTHER, I CAN'T. KELLY'S GONNA KILL ME. 291 00:32:59,102 --> 00:33:00,270 I SAID, "WHERE?!" 292 00:33:00,520 --> 00:33:04,065 Woman: 293 00:33:15,535 --> 00:33:16,578 Kelly: SHUT UP! 294 00:33:28,757 --> 00:33:31,635 YOU USED TO SAY I HAD AN OPERATIC VOICE. 295 00:33:32,385 --> 00:33:34,179 YOU WERE GONNA GIVE ME VOICE LESSONS. 296 00:33:34,304 --> 00:33:36,223 JUST KNOCK IT OFF. 297 00:33:38,099 --> 00:33:39,684 NO DAMN FLUID. 298 00:33:40,810 --> 00:33:42,395 MAYBE IT'S THE WICK. 299 00:33:43,188 --> 00:33:45,857 IT'S THE WICKS THAT ALWAYS GO FIRST. 300 00:33:48,193 --> 00:33:49,236 BITCH. 301 00:33:51,988 --> 00:33:54,574 YOU GONNA HANG AROUND HERE ALL DAY AND SHAKE? 302 00:33:54,699 --> 00:33:55,699 LISTEN! 303 00:33:57,452 --> 00:33:59,496 HERE, I PAY THE RENT. 304 00:33:59,621 --> 00:34:01,289 IF I WANNA HANG AROUND ALL DAY, 305 00:34:01,414 --> 00:34:02,499 THAT'S MY BUSINESS. 306 00:34:02,624 --> 00:34:04,709 YOU THINK I NEED YOU. 307 00:34:07,170 --> 00:34:08,713 I DON'T SEE YOU PACKING. 308 00:34:10,382 --> 00:34:11,883 JUST WATCH! 309 00:34:19,808 --> 00:34:21,268 WHAT THE HELL ARE YOU DOING? 310 00:34:21,393 --> 00:34:22,435 YOU BETTER NOT! 311 00:34:24,771 --> 00:34:26,565 THAT'S JUST FOR OPENERS. 312 00:34:36,491 --> 00:34:37,491 BITCH! 313 00:34:37,909 --> 00:34:38,909 YEAH? 314 00:34:39,411 --> 00:34:40,704 SO? 315 00:34:41,246 --> 00:34:42,539 Oh, it's you. 316 00:34:43,290 --> 00:34:44,457 IT'S ANOTHER DAY GONE BY, 317 00:34:44,583 --> 00:34:46,543 AND WE'RE GETTING NOTHING BUT WEATHER REPORTS. 318 00:34:46,793 --> 00:34:49,004 EASY ON MR. KELLY, NOW. 319 00:34:49,170 --> 00:34:51,298 LOOK, MAN, I NEED MORE TIME. 320 00:34:52,841 --> 00:34:54,384 YOU HAVE A FRIEND IN COURT. 321 00:34:55,176 --> 00:34:57,387 THE MAN SAYS TO GO EASY ON YOU. 322 00:34:58,138 --> 00:34:59,740 YOU MIGHT SUGGEST IF HE'S IN THE NEIGHBORHOOD 323 00:34:59,764 --> 00:35:02,601 HE STOP BY, AND WE, UH, HAVE A LITTLE CHAT. 324 00:35:04,436 --> 00:35:06,313 THE BOSS SAYS IF YOU WOULDN'T MIND, 325 00:35:06,688 --> 00:35:09,274 I'D GET YOUR ASS OVER HERE RIGHT NOW. 326 00:35:10,275 --> 00:35:11,651 NO CLASS... 327 00:35:11,985 --> 00:35:13,737 SIMPLY NO CLASS. 328 00:35:20,702 --> 00:35:22,162 I'LL SEE YOU IN A COUPLE OF HOURS. 329 00:35:22,871 --> 00:35:25,040 RITA! I SAID I'LL SEE YOU IN A COUPLE OF HOURS. 330 00:35:26,249 --> 00:35:28,793 MAKE IT A COUPLE OF YEARS. 331 00:36:29,771 --> 00:36:30,563 YES? 332 00:36:30,730 --> 00:36:31,856 Shaft: IS KELLY THERE? 333 00:36:33,233 --> 00:36:35,819 WE DON'T GIVE OUT THAT KIND OF INFORMATION. 334 00:36:35,944 --> 00:36:38,029 TELL KELLY THAT JOHN SHAFT WANTS HIM. 335 00:36:39,531 --> 00:36:41,571 AND IF HE'S NOT IN MY OFFICE BY 5:00 THIS AFTERNOON, 336 00:36:41,616 --> 00:36:44,077 I'M COMING BACK HERE AND TAKING THIS DOOR OFF THE HINGES. 337 00:36:48,707 --> 00:36:50,625 WHY WAIT TILL 5:00? 338 00:36:52,460 --> 00:36:54,713 OBVIOUSLY YOU'RE NOT A FRIEND OF THE FAMILY. 339 00:36:55,338 --> 00:36:57,215 NOT ANYMORE, I'M NOT... 340 00:36:59,134 --> 00:37:02,595 NOT AFTER THIS NASTY SLAP IN THE FACE. 341 00:37:03,805 --> 00:37:05,974 BEST THING FOR THAT IS AN ICE PACK. 342 00:37:07,767 --> 00:37:10,103 WHY, THANK YOU, MR. SHAFT. 343 00:37:10,979 --> 00:37:14,232 WHY DON'T YOU COME IN AND SHOW ME HOW TO APPLY IT? 344 00:37:21,197 --> 00:37:22,323 ON SECOND THOUGHT... 345 00:37:24,200 --> 00:37:25,368 NO ICE. 346 00:37:27,704 --> 00:37:29,164 YOU MIGHT CATCH COLD. 347 00:37:33,001 --> 00:37:34,502 I SUPPOSE IT'S IMMODEST OF ME 348 00:37:34,669 --> 00:37:37,255 TO WALK AROUND LIKE THIS IN FRONT OF A STRANGER. 349 00:37:40,008 --> 00:37:42,469 BUT ANY ENEMY OF JOHN KELLY'S 350 00:37:42,594 --> 00:37:44,471 IS AN OLD FRIEND OF MINE. 351 00:37:50,977 --> 00:37:51,977 FUNNY... 352 00:37:53,938 --> 00:37:55,398 I USED TO LOVE THE GUY. 353 00:37:56,941 --> 00:37:59,235 UH, WHEN DO YOU EXPECT HIM BACK? 354 00:37:59,569 --> 00:38:01,237 I HOPE NEVER. 355 00:38:02,947 --> 00:38:05,158 SO, WHAT AM I DOING IN A PLACE LIKE THIS? 356 00:38:05,658 --> 00:38:07,202 WHY DON'T YOU TELL ME? 357 00:38:11,039 --> 00:38:12,499 WHY DON'T YOU TAKE YOUR THINGS OFF? 358 00:38:24,469 --> 00:38:25,470 HEY... 359 00:38:26,221 --> 00:38:27,305 WAIT A MINUTE. 360 00:38:29,390 --> 00:38:31,017 I DIDN'T MEAN ALL THAT. 361 00:38:31,601 --> 00:38:33,645 HEY, BABY, LOOK, IT'S HOT IN HERE. 362 00:38:34,229 --> 00:38:37,315 BESIDES, I DON'T WANT YOU TO FEEL... OVERDRESSED. 363 00:38:59,045 --> 00:39:00,755 YOU'LL NEVER GUESS WHERE WE FOUND IT. 364 00:39:00,922 --> 00:39:02,090 HOW MANY TIMES HAVE I TOLD YOU 365 00:39:02,215 --> 00:39:03,633 NOT TO FRISK OUR GUESTS, ANDY? 366 00:39:03,758 --> 00:39:05,301 MR. KELLY IS NO HOODLUM. 367 00:39:05,969 --> 00:39:08,304 YOU'RE SITTING ON MY TABLE, MR. KELLY. 368 00:39:10,431 --> 00:39:11,599 THAT'S BETTER. 369 00:39:13,142 --> 00:39:13,935 TSK, TSK, TSK, TSK. 370 00:39:14,018 --> 00:39:15,645 NOW, I THOUGHT THIS WAS GOING TO BE 371 00:39:15,728 --> 00:39:18,022 A FRIENDLY CONVERSATION. 372 00:39:18,231 --> 00:39:20,608 BEEN CARRYING THAT PIECE SINCE I WAS 10 YEARS OLD. 373 00:39:21,818 --> 00:39:24,404 A LOUSY .25 CALIBER. 374 00:39:25,029 --> 00:39:26,948 ALWAYS FIGURED HE WAS A FAGGOT. 375 00:39:30,660 --> 00:39:31,660 WATCH IT. 376 00:39:32,871 --> 00:39:35,081 NOW, MR. KELLY, 377 00:39:36,082 --> 00:39:37,834 YOU BRING ME UP TO THE MOMENT 378 00:39:38,001 --> 00:39:39,127 ON OUR SITUATION. 379 00:39:39,627 --> 00:39:42,213 IT'S NOT GOOD, GUS. IT'S NOT GOOD AT ALL. 380 00:39:42,463 --> 00:39:44,007 HOW SO, MR. KELLY? 381 00:39:44,090 --> 00:39:46,467 PASCAL, GIVE ME THE PASTA, HMM? 382 00:39:52,223 --> 00:39:53,766 HE HAD THE MONEY IN THE SAFE. 383 00:39:54,183 --> 00:39:55,393 YOU'RE SURE ABOUT THAT? 384 00:39:55,727 --> 00:39:58,438 HE SIGNED THE PAPERS. HE WAS BUYING ME OUT... 385 00:39:58,605 --> 00:39:59,689 IN CASH. 386 00:40:01,608 --> 00:40:03,443 I HAD A COUPLE OF MY BOYS OUTSIDE. 387 00:40:04,736 --> 00:40:06,654 THEY SAW HIM TAKE A SHOPPING BAG 388 00:40:06,905 --> 00:40:08,031 AND SOMETHING OUT OF THE SAFE 389 00:40:08,156 --> 00:40:09,699 AND GO INTO THE FUNERAL HOME. 390 00:40:10,366 --> 00:40:12,076 THE MONEY MUST HAVE BEEN IN THAT BAG. 391 00:40:12,201 --> 00:40:14,078 HAS IT OCCURRED TO YOU, MR. KELLY, 392 00:40:14,203 --> 00:40:15,872 THAT WHEN YOU BLEW UP YOUR PARTNER 393 00:40:16,039 --> 00:40:18,499 THAT YOU MAY HAVE ALSO BLOWN UP MY MONEY? 394 00:40:19,500 --> 00:40:21,961 YEAH, I HAD NIGHTMARES ABOUT THAT, TOO. 395 00:40:22,670 --> 00:40:24,297 BUT THEN I GOT A PHOTOSTATIC COPY 396 00:40:24,464 --> 00:40:26,174 OF THE BOMB SQUAD REPORT. 397 00:40:26,299 --> 00:40:27,926 THERE WAS NO MONEY IN THE DEBRIS, 398 00:40:28,051 --> 00:40:30,291 SO I FIGURE IT'S GOTTA BE SOMEWHERE IN THAT FUNERAL HOME. 399 00:40:32,096 --> 00:40:33,556 MM-HMM. 400 00:40:40,855 --> 00:40:41,648 NICE. 401 00:40:41,773 --> 00:40:42,773 THANK YOU. 402 00:40:43,107 --> 00:40:44,418 I'D INVITE YOU TO DINNER, MR. KELLY, 403 00:40:44,442 --> 00:40:47,445 BUT I SUGGEST YOU HAVE MORE... PRESSING ENGAGEMENTS. 404 00:40:47,737 --> 00:40:50,865 LIKE GETTING OUT $250,000... 405 00:40:51,824 --> 00:40:53,284 BY TONIGHT. 406 00:40:53,618 --> 00:40:56,371 THERE YOU GO AGAIN CREATING PRESSURES, 407 00:40:56,871 --> 00:40:58,539 IMPOSING DEADLINES. 408 00:41:00,083 --> 00:41:01,417 NO, MR. KELLY. 409 00:41:02,085 --> 00:41:02,752 WHAT I HAD IN MIND 410 00:41:02,877 --> 00:41:05,505 WAS SOMETHING ALTOGETHER DIFFERENT. 411 00:41:06,047 --> 00:41:08,108 YOU SEE, NOT ONLY DO I WANT THE MONEY YOU GAMBLED AWAY 412 00:41:08,132 --> 00:41:09,133 ON MY CRAP TABLES, 413 00:41:09,258 --> 00:41:12,220 BUT I WANT HALF YOUR ACTION IN QUEENS. 414 00:41:12,345 --> 00:41:13,179 AW, COME ON, MAN. 415 00:41:13,304 --> 00:41:15,098 OH, COME ON, MAN. 416 00:41:15,598 --> 00:41:18,935 WELL, WE SHOULD MAKE SUPERB PARTNERS, MR. KELLY. 417 00:41:19,060 --> 00:41:21,479 AFTER ALL, WE'RE BOTH CREATIVE MEN. 418 00:41:21,980 --> 00:41:24,482 WHO ELSE PLAYS THE CLARINET BETTER THAN I DO? 419 00:41:24,607 --> 00:41:26,609 OR MAKES A BETTER SHRIMP NEWBURG, HMM? 420 00:41:26,734 --> 00:41:29,070 NO WAY. IT'S ALL TIED IN 421 00:41:29,195 --> 00:41:32,281 TO THE INSURANCE AND FUNERAL OPERATION OUT FRONT. 422 00:41:32,407 --> 00:41:35,410 BESIDES, CAL'S SISTER OWNS HIS SHARE. 423 00:41:35,702 --> 00:41:38,454 WELL, IF YOU WANT YOUR HALF, YOU GET IT FROM HER. 424 00:41:38,579 --> 00:41:40,623 YOU HARDLY EXPECT ME TO GIVE UP MY HALF. 425 00:41:42,542 --> 00:41:43,626 LOOK, MAN... 426 00:41:44,419 --> 00:41:45,211 SHE'S GOT A GUY. 427 00:41:45,336 --> 00:41:47,964 HIS NAME IS JOHN SHAFT, AND HE'S A BAD DUDE. 428 00:41:48,131 --> 00:41:49,757 I CAN'T MESS WITH HER HALF. 429 00:41:50,133 --> 00:41:51,467 EVER HEAR OF JOHN SHAFT? 430 00:41:54,470 --> 00:41:56,723 YOU SEE, MR. KELLY? NOTHING TO WORRY ABOUT. 431 00:41:56,848 --> 00:41:59,017 PASCAL HASN'T EVER EVEN HEARD OF HIM. 432 00:42:00,601 --> 00:42:02,270 HE'S ALREADY INTO IT... 433 00:42:02,770 --> 00:42:04,105 SITTING ON MY SHOULDERS, GUS. 434 00:42:04,188 --> 00:42:05,815 I CAN'T MAKE A MOVE. 435 00:42:11,779 --> 00:42:13,865 COULD WE BE OF ANY ASSISTANCE WITH THE PROBLEM... 436 00:42:14,032 --> 00:42:15,676 ASSUMING, OF COURSE, THAT WE'RE PARTNERS... 437 00:42:15,700 --> 00:42:17,577 50/50... IN YOUR WHEEL? 438 00:42:22,915 --> 00:42:24,834 TRY TO THINK FAST, MR. KELLY. 439 00:42:31,632 --> 00:42:32,632 HMM? 440 00:42:38,598 --> 00:42:40,058 YOU'LL TAKE CARE OF SHAFT? 441 00:42:40,183 --> 00:42:41,601 DEPEND ON IT. 442 00:45:11,584 --> 00:45:12,293 WHERE THE HELL YOU BEEN 443 00:45:12,418 --> 00:45:14,253 WITH THE GODDAMNED ELEVATOR? 444 00:45:16,088 --> 00:45:19,300 YOU OUGHTN'T TALK TO A LADY THAT WAY. 445 00:45:19,800 --> 00:45:22,845 WHERE'S YOUR FUCKING MANNERS, ANYWAY? 446 00:45:40,571 --> 00:45:42,031 DO YOU HAVE TO GO? 447 00:45:42,657 --> 00:45:43,991 GOTTA SPLIT, BABY. 448 00:46:03,469 --> 00:46:04,262 RITA? 449 00:46:05,972 --> 00:46:07,265 STILL WANNA SEE HIM? 450 00:46:08,641 --> 00:46:10,101 DRIVE THAT CAT CRAZY? 451 00:46:10,434 --> 00:46:12,770 RITA! OPEN THE DOOR. 452 00:46:15,731 --> 00:46:17,024 RITA! 453 00:46:19,068 --> 00:46:21,737 RITA, OPEN THE DAMN DOOR! 454 00:46:21,904 --> 00:46:22,655 GOT A BACK ENTRANCE? 455 00:46:22,780 --> 00:46:23,906 MM-HMM. 456 00:46:24,240 --> 00:46:26,117 RITA, OPEN THE DOOR. 457 00:46:27,785 --> 00:46:29,912 GOD DAMN IT, WOMAN, OPEN THE FUCKING DOOR! 458 00:46:30,037 --> 00:46:31,580 WHAT'S THE MATTER WITH YOU? 459 00:46:32,707 --> 00:46:34,583 RITA, OPEN THE GODDAMN DOOR, WOMAN, 460 00:46:34,750 --> 00:46:36,585 BEFORE I KICK THE SON OF A BITCH IN! 461 00:46:37,295 --> 00:46:39,005 I SAID OPEN THE DOOR! 462 00:46:39,880 --> 00:46:41,924 RITA, OPEN THE DAMN DOOR! 463 00:46:42,049 --> 00:46:43,801 WHAT'S THE MATTER WITH YOU? 464 00:46:43,968 --> 00:46:44,969 RITA? 465 00:46:46,470 --> 00:46:48,264 YOU MEAN THIS DOOR? 466 00:46:52,184 --> 00:46:53,686 CIAO, BABY. 467 00:46:57,815 --> 00:46:59,984 OPEN THE DAMN DOOR! RITA! 468 00:47:01,193 --> 00:47:03,487 WHAT'S WRONG WITH YOU, WOMAN? OPEN THE DAMN DOOR! 469 00:47:05,239 --> 00:47:06,699 OPEN THE GODDAMN DOOR! 470 00:47:08,826 --> 00:47:10,178 WHAT THE HELL'S THE MATTER WITH YOU, WOMAN? 471 00:47:10,202 --> 00:47:11,537 OPEN THIS GODDAMN DOOR! 472 00:47:13,998 --> 00:47:15,750 I'LL KICK THE SON OF A BITCH IN! 473 00:47:19,003 --> 00:47:20,003 I CAN'T BELIEVE IT, 474 00:47:20,755 --> 00:47:22,173 BUT THERE IT IS IN WRITING. 475 00:47:23,466 --> 00:47:24,592 SORRY, BABY. 476 00:47:25,634 --> 00:47:26,994 I WANTED TO OPEN YOUR EYES EARLIER. 477 00:47:27,219 --> 00:47:29,099 I WANTED TO LET YOU KNOW WHAT KELLY'S SCENE WAS. 478 00:47:29,472 --> 00:47:30,890 BUT TO DO THAT, 479 00:47:31,015 --> 00:47:33,100 I HAD TO LET YOU KNOW WHAT YOUR BROTHER WAS INTO. 480 00:47:34,560 --> 00:47:35,895 IT'S UNBELIEVABLE, 481 00:47:36,020 --> 00:47:38,060 ESPECIALLY WHEN YOU THINK ABOUT THE CHILDCARE CENTER 482 00:47:38,105 --> 00:47:39,648 HE WAS PLANNING TO BUILD UP IN HARLEM. 483 00:47:39,857 --> 00:47:41,734 YEAH, YOUR BROTHER WAS A GOOD MAN. 484 00:47:41,859 --> 00:47:43,819 AT LEAST HE PUT THE MONEY BACK WHERE IT CAME FROM. 485 00:47:45,738 --> 00:47:47,365 THAT'S MORE THAN I CAN SAY FOR KELLY. 486 00:47:49,408 --> 00:47:50,534 JOHN... 487 00:47:52,995 --> 00:47:55,081 EXACTLY WHAT DO THESE PAPERS MEAN? 488 00:47:55,456 --> 00:47:56,582 THAT'S SIMPLE... 489 00:47:56,707 --> 00:47:58,769 KELLY WAS BORROWING MONEY FROM YOUR BROTHER FOR YEARS 490 00:47:58,793 --> 00:48:00,002 TO PAY OFF HIS GAMBLING DEBTS. 491 00:48:02,088 --> 00:48:04,048 YOUR BROTHER FINALLY DREW THE LINE... 492 00:48:04,173 --> 00:48:05,800 THE PAPER'S AN AGREEMENT FROM KELLY 493 00:48:06,050 --> 00:48:07,635 FOR HIS INTEREST IN THE BUSINESS... 494 00:48:11,097 --> 00:48:13,766 ...IN RETURN FOR $250,000. 495 00:48:14,934 --> 00:48:15,952 IF YOUR BROTHER WERE ALIVE, 496 00:48:15,976 --> 00:48:18,437 KELLY WOULD BE BROKEN... OUT ON HIS ASS. 497 00:48:20,272 --> 00:48:21,565 THE REST OF IT IS OBVIOUS. 498 00:48:21,732 --> 00:48:23,025 COME ON. COME ON. 499 00:48:23,984 --> 00:48:24,985 - WHAT IS IT? - UPSTAIRS. 500 00:48:25,111 --> 00:48:26,237 WHAT IS IT?! 501 00:48:34,036 --> 00:48:35,036 YEAH? 502 00:48:35,121 --> 00:48:36,121 FLOWERS. 503 00:48:36,205 --> 00:48:37,623 JUST LEAVE THEM AT THE DOOR. 504 00:48:37,748 --> 00:48:38,999 SORRY, YOU GOTTA SIGN. 505 00:48:40,334 --> 00:48:41,669 JUST A MINUTE. 506 00:48:52,471 --> 00:48:53,471 HUH! 507 00:49:01,355 --> 00:49:02,565 UGH! 508 00:49:07,903 --> 00:49:09,655 WHO PUT A CONTRACT OUT ON ME? 509 00:49:23,627 --> 00:49:25,671 ARNA! GET SOME THINGS TOGETHER, 510 00:49:25,796 --> 00:49:27,339 AND LET'S GET THE HELL OUT OF HERE. 511 00:49:41,979 --> 00:49:43,189 I WANNA SEE YOUR BOSS. 512 00:49:43,314 --> 00:49:44,440 WHAT ABOUT? 513 00:49:45,065 --> 00:49:46,525 INSURANCE. 514 00:49:46,650 --> 00:49:48,986 THE ONLY INSURANCE HE NEEDS IS ME, SWEET PEA. 515 00:49:49,111 --> 00:49:50,831 LOOK, I'M NOT HERE SELLING INSURANCE, CLOWN, 516 00:49:50,905 --> 00:49:52,281 AND YOU KNOW IT. WHERE IS BUMPY? 517 00:49:52,406 --> 00:49:55,534 AIN'T BUYIN' NO COFFINS, UNLESS HE'S BUYING YOURS. 518 00:49:55,659 --> 00:49:57,036 Bumpy: BRING HIM IN, WILLY. 519 00:50:00,748 --> 00:50:02,666 HE'S CLEAN, BOSS... 520 00:50:02,958 --> 00:50:05,211 CLEAN AS MR. CLEAN HIMSELF. 521 00:50:05,419 --> 00:50:08,380 "CLEAN" KELLY... PRISTINE AND CLEAN. 522 00:50:08,547 --> 00:50:09,673 HAVE A DRINK. 523 00:50:10,007 --> 00:50:11,425 THANKS, BUMPY. 524 00:50:11,926 --> 00:50:12,635 TAKE A SEAT. 525 00:50:12,885 --> 00:50:14,678 NO, NO, MAN. I'M ON THE MOVE. 526 00:50:14,803 --> 00:50:17,306 AIN'T A DAMN THING WRONG WITH STANDING. 527 00:50:18,474 --> 00:50:20,559 I'VE BEEN EXPECTING YOU, KELLY. 528 00:50:22,269 --> 00:50:23,349 WHAT KIND OF HELP YOU NEED? 529 00:50:23,604 --> 00:50:25,523 WHAT MAKES YOU THINK I NEED HELP? 530 00:50:25,773 --> 00:50:28,234 A MAN DON'T COME CALLING ON HIS COMPETITORS 531 00:50:28,400 --> 00:50:29,443 UNLESS HE NEEDS HELP. 532 00:50:29,568 --> 00:50:31,862 WE'RE NOT COMPETITORS, BUMPY. 533 00:50:32,112 --> 00:50:34,365 ANYBODY IN MY BUSINESS IS A COMPETITOR. 534 00:50:34,532 --> 00:50:36,659 A MAN WHO KNOWS MY GAME CAN ALWAYS COME 535 00:50:36,784 --> 00:50:39,203 INTO MY NEIGHBORHOOD AND TRY TO PLAY IT. 536 00:50:39,370 --> 00:50:40,955 SO, WHAT DO YOU WANT? 537 00:50:41,080 --> 00:50:43,707 I'M SHOPPING FOR A NEW PARTNER. 538 00:50:43,832 --> 00:50:45,668 KINDA DANGEROUS BEING YOUR PARTNER. 539 00:50:47,253 --> 00:50:48,587 HOW MUCH IT GONNA COST ME? 540 00:50:49,547 --> 00:50:50,547 QUARTER OF A MILLION... 541 00:50:50,631 --> 00:50:51,799 UP FRONT. 542 00:50:52,466 --> 00:50:53,801 WHAT DOES THAT BUY ME? 543 00:50:54,468 --> 00:50:56,345 25% OF THE ACTION. 544 00:50:56,720 --> 00:50:57,888 GUS MASCOLA WOULD ASK YOU 545 00:50:58,013 --> 00:51:00,057 FOR A HELL OF A LOT MORE THAN THAT, BABY. 546 00:51:01,392 --> 00:51:02,476 HOW ABOUT 50%? 547 00:51:04,728 --> 00:51:05,728 NO... 548 00:51:07,439 --> 00:51:10,067 WHY DON'T WE MAKE IT 60% OF THE ACTION? 549 00:51:10,359 --> 00:51:12,069 WHAT'S THAT EXTRA 10%? 550 00:51:12,778 --> 00:51:15,698 JUST IN CASE WE NEED A CONTRACT ON MASCOLA. 551 00:51:17,241 --> 00:51:19,285 MAN, YOU'RE REALLY PUTTING THE SCREWS TO ME. 552 00:51:19,410 --> 00:51:21,036 MASCOLA... HE MIGHT NOT LIKE THE IDEA 553 00:51:21,203 --> 00:51:24,123 OF THIS NEW ARRANGEMENT BETWEEN BROTHERS. 554 00:51:24,665 --> 00:51:26,625 HE MIGHT WANNA TAKE A LITTLE COUNTERACTION. 555 00:51:26,750 --> 00:51:28,043 I CAN HANDLE THAT. 556 00:51:28,919 --> 00:51:29,962 BUT, UM... 557 00:51:31,797 --> 00:51:34,758 THERE IS ONE MORE... LITTLE PROBLEM. 558 00:51:35,217 --> 00:51:37,344 NOTHING WE CAN'T HANDLE TOGETHER, BROTHER. 559 00:51:38,053 --> 00:51:41,390 NOW, IF, UM, CAL'S LITTLE SISTER OWNS HALF THE BUSINESS, 560 00:51:41,473 --> 00:51:43,183 AND YOU OWN 60%, 561 00:51:44,143 --> 00:51:46,270 THAT DON'T LEAVE NOTHING FOR ME. 562 00:51:46,478 --> 00:51:48,647 NOW, LOOK, BABY BOO, 563 00:51:48,939 --> 00:51:51,066 THERE'S TROUBLES AND TROUBLES, 564 00:51:51,191 --> 00:51:52,776 AND THIS ONE IS YOURS. 565 00:51:53,861 --> 00:51:54,861 WILLY! 566 00:51:55,112 --> 00:51:56,155 Willy: YEAH, BOSS? 567 00:51:56,822 --> 00:51:58,198 WILLY WILL SHOW YOU OUT. 568 00:52:00,534 --> 00:52:02,815 SEE THAT HE GETS THE MONEY THE FIRST THING IN THE MORNING. 569 00:52:03,203 --> 00:52:04,204 YEAH. 570 00:52:06,665 --> 00:52:07,833 YEAH, OKAY. 571 00:52:19,386 --> 00:52:22,806 BOSS, YOU TRUST THIS NEGRO HERE? 572 00:52:24,600 --> 00:52:25,809 Bumpy: HOLD IT, WILLY! 573 00:52:31,565 --> 00:52:35,319 YOU DON'T HAVE TO WORRY ABOUT TRUSTING A DEAD MAN. 574 00:53:54,732 --> 00:53:55,858 CIGARETTE? 575 00:53:56,233 --> 00:53:57,568 NO, THANK YOU, BABY. 576 00:53:57,860 --> 00:53:59,236 WHAT ELSE CAN YOU OFFER ME? 577 00:53:59,903 --> 00:54:02,114 WELL, I'M OFF AT 4:00. 578 00:54:59,546 --> 00:55:01,924 HEY, BABY, WHERE'S YOUR WOMAN? 579 00:55:02,800 --> 00:55:04,301 I'M TRAVELING KIND OF LIGHT TONIGHT. 580 00:55:04,802 --> 00:55:06,053 OH? 581 00:55:08,722 --> 00:55:10,390 100 BUCKS SAYS THAT BACK DOOR DOESN'T LEAD 582 00:55:10,516 --> 00:55:11,600 TO THE PARKING LOT. 583 00:55:18,816 --> 00:55:20,192 I'M NOT A GAMBLING WOMAN. 584 00:55:21,151 --> 00:55:22,236 I'M A GAMBLING MAN. 585 00:55:23,403 --> 00:55:25,447 I THOUGHT IT WAS MY ACTION YOU WERE DIGGING HERE. 586 00:55:26,240 --> 00:55:28,158 I NEVER TOOK YOU FOR A GAMBLER. 587 00:55:29,535 --> 00:55:30,536 BUT... 588 00:55:30,702 --> 00:55:32,871 IF THAT'S YOUR MEAT, THAT'S THE DOOR. 589 00:55:33,455 --> 00:55:35,123 YOU'RE PUSHING MIGHTY HARD, MY MAN. 590 00:55:38,460 --> 00:55:39,979 MAYBE I OUGHTA PUSH THE BOYS IN THE BACK 591 00:55:40,003 --> 00:55:41,883 THAT HAVE BEEN TAKING ALL YOUR MONEY, MR. KELLY. 592 00:55:51,640 --> 00:55:52,724 OKAY. 593 00:55:53,058 --> 00:55:54,369 YOU EXTEND HIM FOR ANOTHER FIVE GRAND 594 00:55:54,393 --> 00:55:56,770 AND NOT ONE CENT MORE. DO YOU UNDERSTAND? 595 00:56:00,607 --> 00:56:01,400 OKAY. 596 00:56:01,567 --> 00:56:02,693 Kelly: LISTEN, GUS... 597 00:56:07,030 --> 00:56:08,030 YOU, UM... 598 00:56:08,949 --> 00:56:10,993 YOU TOLD ME YOU WERE GONNA TAKE CARE OF SHAFT. 599 00:56:11,118 --> 00:56:12,118 THAT'S WHAT I TOLD YOU. 600 00:56:12,369 --> 00:56:13,569 WELL, MAN, HE'S RIGHT OUT THERE 601 00:56:13,704 --> 00:56:15,038 AT A RINGSIDE TABLE. 602 00:56:15,831 --> 00:56:17,541 AND HE'S NOT HERE TO SEE THE FLOOR SHOW. 603 00:56:18,000 --> 00:56:19,167 THERE'S GONNA BE TROUBLE. 604 00:56:19,918 --> 00:56:21,587 THAT'S FINE WITH ME. 605 00:56:21,712 --> 00:56:22,754 WE MADE A DEAL. 606 00:56:22,880 --> 00:56:24,214 AND I JUST CALLED IT OFF. 607 00:56:25,257 --> 00:56:26,609 YOU SEE, MR. KELLY, I MADE A TEST RUN... 608 00:56:26,633 --> 00:56:29,094 A SORT OF A HOUSE CALL... ON MR. SHAFT. 609 00:56:29,219 --> 00:56:30,387 DIDN'T WORK OUT SO WELL. 610 00:56:31,138 --> 00:56:32,890 IT COST ME A DEAD SECOND COUSIN 611 00:56:33,265 --> 00:56:36,059 AND A FRIEND'S KID BROTHER WITH TWO HITS IN THE CHEST. 612 00:56:41,064 --> 00:56:42,733 AREN'T YOU GONNA SETTLE THE SCORE? 613 00:56:43,066 --> 00:56:44,401 THE QUESTION IS, 614 00:56:44,735 --> 00:56:46,236 WHO IS HE HERE TO SETTLE WITH... 615 00:56:46,361 --> 00:56:48,113 ME OR YOU? 616 00:56:49,740 --> 00:56:50,860 YOU'RE A GAMBLER, MR. KELLY. 617 00:56:50,908 --> 00:56:51,908 SO AM I. 618 00:56:53,201 --> 00:56:54,745 NOW, I'M BETTING THAT, UH... 619 00:56:55,913 --> 00:56:57,706 YOU'RE SHAFT'S TARGET FOR TONIGHT. 620 00:56:58,624 --> 00:56:59,976 SUPPOSE I JUST LET HIM DO HIS THING... 621 00:57:00,000 --> 00:57:01,752 SAY, UH, KNOCK YOU OFF? 622 00:57:02,753 --> 00:57:04,230 AFTER ALL, YOU'RE THE ONE THAT TOTALED 623 00:57:04,254 --> 00:57:05,589 HIS GIRLFRIEND'S BIG BROTHER. 624 00:57:07,090 --> 00:57:08,508 AND WHEN YOU COME TO THINK ABOUT IT, 625 00:57:08,675 --> 00:57:10,636 WHY SHOULD I DO ANYTHING TO KEEP YOU ALIVE? 626 00:57:10,761 --> 00:57:12,864 YOU HAVEN'T EVEN COME UP WITH THE MONEY YOU OWE ME YET. 627 00:57:12,888 --> 00:57:15,891 TOMORROW, I TOLD YOU! GOT IT? 628 00:57:16,475 --> 00:57:17,935 HAVE YOU CONSIDERED RENEWING 629 00:57:18,101 --> 00:57:20,312 YOUR PARTNERSHIP WITH CAL ASBY? 630 00:57:20,479 --> 00:57:21,855 COME ON, MAN. HE'S DEAD. 631 00:57:23,690 --> 00:57:25,150 PRECISELY. 632 00:57:27,402 --> 00:57:29,279 YOU DON'T KNOW WHAT THAT DUDE IS INTO. 633 00:57:29,404 --> 00:57:30,614 HE'S BUMPY'S BOY. 634 00:57:31,740 --> 00:57:33,033 UNDERSTAND THAT? 635 00:57:33,158 --> 00:57:35,535 AND THEY'RE LOOKING TO TAKE OVER MY WHEEL IN QUEENS. 636 00:57:36,536 --> 00:57:37,955 SHAFT IS WORKING FOR BUMPY? 637 00:57:40,999 --> 00:57:42,542 NOW YOU'RE GETTING SMART. 638 00:58:10,570 --> 00:58:11,822 WELL... 639 00:58:13,365 --> 00:58:15,951 WE'LL SEND MR. SHAFT BACK TO BUMPY 640 00:58:17,327 --> 00:58:19,788 WITH A MESSAGE THEY UNDERSTAND UPTOWN. 641 00:58:20,539 --> 00:58:21,748 PASCAL... 642 00:58:43,103 --> 00:58:44,438 IT'S IN THERE. 643 00:58:45,188 --> 00:58:46,314 LET HIM IN. 644 00:58:58,994 --> 00:59:00,078 YOU LOOKING FOR ME? 645 00:59:01,997 --> 00:59:03,999 I'VE BEEN HEARING QUITE A BIT ABOUT YOU, MR. SHAFT. 646 00:59:04,124 --> 00:59:06,001 YOU'RE, UH, QUITE A BOY. 647 00:59:07,335 --> 00:59:09,171 I PREFER MAN. 648 00:59:09,337 --> 00:59:12,424 ALL RIGHT... MAN. 649 00:59:14,718 --> 00:59:16,428 WHAT BRINGS YOU AROUND HERE? 650 00:59:18,680 --> 00:59:21,475 FORGOT TO TIP YOUR BOYS WHEN THEY DELIVERED THE FLOWERS. 651 00:59:25,020 --> 00:59:26,700 THE ONLY REASON I DON'T SPILL YOUR GUTS OUT 652 00:59:26,730 --> 00:59:28,398 RIGHT HERE AND NOW, MAN, 653 00:59:28,565 --> 00:59:31,151 IS THAT IT'S EASIER FOR ME TO SEND YOU BACK TO BUMPY 654 00:59:31,276 --> 00:59:34,029 WITH MY MESSAGE THAN TO CALL WESTERN UNION. 655 00:59:34,154 --> 00:59:35,739 AND THE MESSAGE IS 656 00:59:35,864 --> 00:59:38,366 YOU KEEP THE HELL OUT OF QUEENS. 657 01:03:06,199 --> 01:03:08,743 HA HA HA HA HA HA HA HA! 658 01:03:09,035 --> 01:03:11,162 WHAT ROUND DID YOU GO OUT IN, MAN? 659 01:03:11,621 --> 01:03:13,331 YOU AIN'T AS PRETTY AS YOU USED TO BE. 660 01:03:14,332 --> 01:03:16,602 Shaft: YOU BETTER SEE A PLASTIC SURGEON ABOUT YOUR CONDITION. 661 01:03:16,626 --> 01:03:17,836 WHAT CONDITION? 662 01:03:18,003 --> 01:03:19,629 YOUR MOUTH IS TOO CLOSE TO YOUR ASSHOLE. 663 01:03:19,754 --> 01:03:23,133 SIT DOWN, SHAFT. SAVE YOUR ENERGY. 664 01:03:23,508 --> 01:03:25,760 THAT'S REAL PROFESSIONAL WORK. 665 01:03:26,344 --> 01:03:27,178 WHO DID THE JOB? 666 01:03:27,345 --> 01:03:29,931 HE WAS TALKING WHEN HE SHOULD HAVE BEEN LISTENING. 667 01:03:30,098 --> 01:03:31,099 DUDE NAMED MASCOLA. 668 01:03:31,891 --> 01:03:33,091 FIGURED I WAS WORKING WITH YOU. 669 01:03:33,226 --> 01:03:35,270 I'M YOUR LIVING MESSAGE. "STAY OUT OF QUEENS." 670 01:03:35,395 --> 01:03:36,730 THAT'S WHAT THE MAN SAID. 671 01:03:36,855 --> 01:03:38,565 WHAT BUSINESS I GOT IN QUEENS, WILLY? 672 01:03:39,607 --> 01:03:41,127 KELLY BEEN AROUND HERE TO SEE YOU LATELY? 673 01:03:41,151 --> 01:03:43,236 LOTS OF CATS COME AND GO AROUND HERE. 674 01:03:43,361 --> 01:03:44,446 FIGURED YOU OUGHT TO KNOW 675 01:03:44,571 --> 01:03:46,823 KELLY'S BEEN HANGING AROUND WITH MASCOLA A LOT LATELY. 676 01:03:47,157 --> 01:03:48,825 YEAH, THAT KELLY... 677 01:03:49,409 --> 01:03:50,702 HE'S A BUSY BOY. 678 01:03:51,202 --> 01:03:53,413 DEAL HERE, DEAL THERE, HUH? 679 01:03:56,416 --> 01:03:58,668 UNDESIRABLE CHARACTER. 680 01:03:58,960 --> 01:04:00,503 WAIT OUTSIDE, WILLY. 681 01:04:07,427 --> 01:04:08,845 WHAT DO YOU WANT FROM ME, SHAFT? 682 01:04:10,555 --> 01:04:11,806 I DIDN'T ASK YOU FOR ANYTHING. 683 01:04:11,931 --> 01:04:13,558 JUST DELIVERED MASCOLA'S MESSAGE. 684 01:04:15,226 --> 01:04:16,266 AND I'LL SEE HIM TOMORROW. 685 01:04:37,999 --> 01:04:40,335 THAT DAMN ITALIAN IS SERIOUS. 686 01:04:43,671 --> 01:04:46,257 WILLY, GET YOUR ASS IN HERE! 687 01:04:46,383 --> 01:04:47,884 I'M COMING, BUMPY! 688 01:04:50,303 --> 01:04:53,473 USED TO BE COWBOYS AND INDIANS. NOW IT'S US AND THEM. 689 01:05:00,063 --> 01:05:01,731 YOU CALL KELLY. 690 01:05:02,732 --> 01:05:04,984 YOU TELL HIM HIS LOAN'S BEEN CANCELED. 691 01:05:05,402 --> 01:05:07,153 THEN TOMORROW YOU'LL GO ALONG WITH SHAFT 692 01:05:07,237 --> 01:05:08,822 TO GET THAT MASCOLA, 693 01:05:08,905 --> 01:05:11,908 'CAUSE I WANT HIM BAD... REAL BAD. 694 01:05:12,200 --> 01:05:13,827 NOW, GET TO IT, BABY. 695 01:05:25,088 --> 01:05:27,632 OH, HONEY, YOU SURE WERE RIGHT 696 01:05:27,799 --> 01:05:29,259 ABOUT THAT WATER BED. 697 01:05:29,426 --> 01:05:30,552 WOW. 698 01:05:30,885 --> 01:05:33,596 Woman: I THOUGHT YOU'D DIG THAT, BABY. 699 01:05:33,721 --> 01:05:36,433 $10,000 FOR THIS THING. YOU'VE GOT TO BE KIDDING. 700 01:05:36,558 --> 01:05:37,392 HO, HO. 701 01:05:37,517 --> 01:05:39,185 HO, HO. HO, HO, HO. 702 01:05:39,644 --> 01:05:41,688 YOU WANT ME TO LOOK NICE, DON'T YOU? 703 01:05:42,522 --> 01:05:44,041 WHAT THE HELL DO I CARE WHAT YOU LOOK LIKE 704 01:05:44,065 --> 01:05:45,692 WITH YOUR CLOTHES ON, HUH? 705 01:05:48,069 --> 01:05:48,903 SERVICE. 706 01:05:52,282 --> 01:05:53,867 HAVEN'T YOU HAD ENOUGH SERVICE? 707 01:05:54,742 --> 01:05:57,078 ZIP MY DRESS, PLEASE. 708 01:05:59,289 --> 01:06:00,290 YOU KNOW... 709 01:06:01,958 --> 01:06:04,586 I HAVE A TENDENCY TO SPOIL YOU, BABY. 710 01:06:07,255 --> 01:06:09,674 MMM. DO IT, DO IT, DO IT. 711 01:06:19,559 --> 01:06:22,061 IS THIS TRIP ABSOLUTELY NECESSARY? 712 01:06:23,938 --> 01:06:25,815 JUST WASH THE WINDOW, MAN. 713 01:06:28,693 --> 01:06:29,861 AHH. 714 01:06:37,577 --> 01:06:39,704 OH. AGAIN? 715 01:06:40,747 --> 01:06:42,165 YOU LOVE IT. 716 01:06:44,334 --> 01:06:45,418 I LOVE IT. 717 01:06:54,010 --> 01:06:55,762 WHAT ARE THEY DOING? 718 01:06:56,971 --> 01:06:58,431 THEY'VE ALREADY DONE IT. 719 01:06:59,599 --> 01:07:00,683 NOW IT'S OUR TURN. 720 01:07:07,941 --> 01:07:09,901 MMM. GOTTA GO. 721 01:07:13,279 --> 01:07:15,240 YOU'RE LOOKIN' GOOD, BABY. 722 01:07:18,159 --> 01:07:19,285 DO YOUR NUMBER. 723 01:07:54,988 --> 01:07:55,863 YOU READY? 724 01:07:55,989 --> 01:07:57,031 YEAH, I'M READY. 725 01:08:18,553 --> 01:08:21,306 I'LL TAKE THE WHITE BOY AND GIVE ANYBODY $65 726 01:08:21,472 --> 01:08:23,349 THEY DON'T GO ANOTHER TWO ROUNDS. 727 01:08:25,518 --> 01:08:26,518 OHH! 728 01:08:29,022 --> 01:08:30,273 RUMBLE WITH HIM, JUNIOR. 729 01:08:44,203 --> 01:08:45,705 COME ON, MAN. 730 01:08:46,914 --> 01:08:48,041 COME ON!! 731 01:08:52,462 --> 01:08:54,839 WHAT THE HELL DID YOU COME ALONG FOR, THE RIDE, MAN?! 732 01:08:54,964 --> 01:08:56,257 I HEARD YOU WAS GOOD, SHAFT. 733 01:08:56,382 --> 01:08:59,177 I WANNA SEE HOW GOOD YOU CAN DO YOUR THING. 734 01:09:02,013 --> 01:09:03,306 COME ON!! 735 01:09:12,148 --> 01:09:13,148 AAH! 736 01:09:19,072 --> 01:09:20,072 GOOD, JUNIOR. 737 01:09:34,712 --> 01:09:36,255 THAT'S HOW IT'S DONE, JUNIOR. 738 01:09:39,467 --> 01:09:41,803 I'D STEP ON YOUR GODDAMN THROAT, 739 01:09:42,178 --> 01:09:45,181 BUT I'D RATHER SEE YOU AND KELLY FRY FOR KILLING CAL ASBY. 740 01:09:45,973 --> 01:09:47,600 AND HE'S MY NEXT VISIT. 741 01:09:48,184 --> 01:09:49,185 I OWE IT TO HIM. 742 01:09:50,019 --> 01:09:53,773 YEAH. AND HE OWES ME. 743 01:09:54,107 --> 01:09:56,025 LIKE WHAT, $250 GRAND? 744 01:09:58,236 --> 01:10:00,321 I SEE YOU'VE BEEN DOING YOUR HOMEWORK, BOY. 745 01:10:06,828 --> 01:10:08,079 LET'S GET THE HELL OUTTA HERE. 746 01:10:08,329 --> 01:10:10,123 YOU'RE GONNA LEAVE HIM LIKE THAT? 747 01:10:10,248 --> 01:10:12,709 A MAN CAN FALL OUT THE WINDOW, YOU KNOW? 748 01:10:14,502 --> 01:10:15,712 AND HIM, TOO. 749 01:10:16,003 --> 01:10:18,464 WE ALREADY GOT ENOUGH SHIT ON THE SIDEWALK. 750 01:11:14,812 --> 01:11:15,938 I'M SORRY, GUS. 751 01:11:17,523 --> 01:11:19,358 WHERE THE HELL WERE YOU? 752 01:11:20,818 --> 01:11:23,070 YOU SENT ME OUT TO GET THE PEPPERS. 753 01:11:25,072 --> 01:11:26,574 YOU GET THE REAL HOT ONES? 754 01:11:27,867 --> 01:11:31,204 YEAH, I GOT THE REAL... GOT THE REAL HOT ONES. 755 01:11:31,370 --> 01:11:32,455 GOOD. 756 01:11:33,706 --> 01:11:35,124 I'LL TELL YOU WHAT YOU DO. 757 01:11:37,794 --> 01:11:39,462 YOU TAKE THEM ONE AT A TIME 758 01:11:41,297 --> 01:11:43,341 AND YOU SHOVE THEM UP YOUR ASS. 759 01:12:40,273 --> 01:12:41,899 BEEN KEEPING THIS ROOM CLEAN BACK HERE? 760 01:12:42,024 --> 01:12:43,024 YEAH. 761 01:12:44,652 --> 01:12:46,612 UH, TELL ME, JESSE, 762 01:12:47,280 --> 01:12:50,116 DID YOU SEE MR. ASBY THE NIGHT THAT HE WAS KILLED? 763 01:12:50,616 --> 01:12:52,618 YEAH. I WAS STRAIGHTENING UP IN THE CHAPEL, 764 01:12:52,702 --> 01:12:55,955 HEARD SOMEBODY IN HERE, CAME IN TO SEE. 765 01:12:56,038 --> 01:12:57,456 IT WAS MR. ASBY, ALL RIGHT. 766 01:12:57,582 --> 01:12:58,708 WHAT WAS HE DOING? 767 01:12:59,125 --> 01:13:00,626 JUST STANDING. 768 01:13:00,751 --> 01:13:04,797 MM-HMM. AND DID HE HAVE ANYTHING WITH HIM? 769 01:13:05,256 --> 01:13:06,591 I DON'T... 770 01:13:07,800 --> 01:13:08,885 YEAH. 771 01:13:10,011 --> 01:13:11,679 I THINK HE DID HAVE SOMETHING WITH HIM. 772 01:13:12,680 --> 01:13:15,641 YEAH, I REMEMBER... A SHOPPING BAG... 773 01:13:17,143 --> 01:13:20,146 LIKE HE HAD GONE TO THE STORE AND WAS TAKING GROCERIES. 774 01:13:20,521 --> 01:13:21,772 GROCERIES? 775 01:13:22,440 --> 01:13:24,233 - THAT COULDN'T BE, THOUGH. - WELL, WHY NOT? 776 01:13:24,400 --> 01:13:25,902 HE DIDN'T HAVE IT WHEN HE LEFT. 777 01:13:25,985 --> 01:13:27,278 I CAME OUT TO SAY GOODNIGHT, 778 01:13:27,445 --> 01:13:29,488 BUT HE HAD ALREADY GONE NEXT DOOR 779 01:13:30,239 --> 01:13:31,741 TO THE INSURANCE OFFICE, 780 01:13:31,866 --> 01:13:33,492 AND HE DIDN'T HAVE IT WITH HIM THEN. 781 01:13:33,618 --> 01:13:35,953 HMM. THAT'S FUNNY. 782 01:13:39,498 --> 01:13:41,584 NOTHING IN THERE, MR. KELLY. 783 01:13:41,834 --> 01:13:45,004 I DUST AND VACUUM THESE BOXES TWICE EVERY WEEK. 784 01:13:45,463 --> 01:13:46,839 MM-HMM. 785 01:13:47,256 --> 01:13:49,175 AND THEY'RE ALL STILL HERE... 786 01:13:50,509 --> 01:13:51,510 EXCEPT THE ONE OVER THERE 787 01:13:51,677 --> 01:13:53,721 THAT POOR MR. ASBY WAS BURIED IN. 788 01:13:58,601 --> 01:13:59,727 THANK YOU, JESSE. 789 01:14:01,646 --> 01:14:02,897 THANK YOU VERY MUCH. 790 01:15:11,757 --> 01:15:13,134 Bollin: STAY ON THAT TAIL. 791 01:15:59,638 --> 01:16:00,681 Bollin: HEY, SHAFT... 792 01:16:02,099 --> 01:16:03,559 WHAT THE HELL DO YOU WANT? 793 01:16:06,062 --> 01:16:08,189 I THOUGHT WE WAS GONNA KEEP IN TOUCH. 794 01:16:08,481 --> 01:16:09,732 DIDN'T YOU GET MY MESSAGE? 795 01:16:11,150 --> 01:16:12,943 I LEFT IT ON CAL'S DOORSTEP. 796 01:16:13,235 --> 01:16:14,235 YEAH. 797 01:16:15,571 --> 01:16:16,571 WHERE'S ARNA ASBY? 798 01:16:18,365 --> 01:16:20,659 YOU SHOULD HAVE ASKED THAT QUESTION YESTERDAY, 799 01:16:20,785 --> 01:16:22,828 BEFORE MASCOLA SENT HER FLOWERS. 800 01:16:23,037 --> 01:16:24,830 I'M ASKING YOU NOW. 801 01:16:25,998 --> 01:16:28,167 ARE YOU GONNA PROTECT HER, OR ARE YOU GONNA HASSLE HER? 802 01:16:28,876 --> 01:16:30,377 YOU LEAVE THAT TO ME. 803 01:16:31,212 --> 01:16:34,757 I KNOW SHE'S HERE IN YOUR PAD, AND I'M GONNA SEE HER. 804 01:16:34,882 --> 01:16:36,092 OPEN IT UP. 805 01:16:37,301 --> 01:16:38,427 BE MY GUEST. 806 01:17:03,869 --> 01:17:04,703 SON OF A BITCH! 807 01:17:04,870 --> 01:17:06,080 SHE'LL GO TO JAIL FOR THAT. 808 01:17:06,205 --> 01:17:07,706 TOLD YOU SHE DIDN'T WANNA TALK. 809 01:17:08,457 --> 01:17:09,792 WAIT A MINUTE, WAIT A MINUTE. 810 01:17:09,917 --> 01:17:12,378 THAT'S A VERY IMPORTANT BLACK LADY IN THERE, 811 01:17:13,003 --> 01:17:15,131 AND YOU WOULDN'T WANT HER DEATH ON YOUR RECORD... 812 01:17:15,256 --> 01:17:17,716 ESPECIALLY AFTER PROTECTING HER SO. 813 01:17:20,344 --> 01:17:21,762 OPEN THIS DOOR, MISS ASBY! 814 01:17:22,346 --> 01:17:23,389 THIS IS CAPTAIN BOLLIN. 815 01:17:23,514 --> 01:17:26,225 YOU GET AWAY FROM THERE! I DON'T KNOW WHO YOU ARE! 816 01:17:27,893 --> 01:17:30,146 I'LL BE BACK WITH A WARRANT AND WITNESSES. 817 01:17:31,313 --> 01:17:32,857 YOU TWO BETTER BE HERE. 818 01:17:38,904 --> 01:17:39,904 IT'S ME, BABY. 819 01:17:48,164 --> 01:17:49,790 YOU ALMOST SHOT A CAPTAIN. 820 01:17:53,961 --> 01:17:56,338 MAN'S GONNA BE BACK HERE WITH A WARRANT 821 01:17:56,630 --> 01:17:58,757 AS SOON AS HE CAN FIND A JUDGE TO SIGN IT. 822 01:18:01,051 --> 01:18:02,178 FOR ME? 823 01:18:02,678 --> 01:18:05,472 NO SWEAT. THE GUN'S REGISTERED. 824 01:18:06,599 --> 01:18:08,642 LOOK, YOU THOUGHT SOMEONE WAS BREAKING IN, 825 01:18:08,767 --> 01:18:09,911 YOU WANTED TO PROTECT YOURSELF, 826 01:18:09,935 --> 01:18:12,021 YOU PICKED UP A GUN, FIRED OFF A COUPLE OF SHOTS. 827 01:18:12,146 --> 01:18:13,898 BUT WHY ARE THEY AFTER ME? 828 01:18:14,481 --> 01:18:15,900 NOTHING PERSONAL. 829 01:18:16,400 --> 01:18:20,613 THEY'RE AFTER CAL'S MONEY AND HIS OPERATION IN QUEENS, 830 01:18:20,946 --> 01:18:22,740 AND ANYBODY WHO GETS IN HIS WAY... 831 01:18:22,865 --> 01:18:25,034 INCLUDING HIS KID SISTER AND ME... 832 01:18:28,954 --> 01:18:31,123 BUT CAN'T WE JUST LET THEM HAVE IT? 833 01:18:33,542 --> 01:18:35,270 YOU'RE FORGETTING THE CLINIC THAT CAL WANTED TO BUILD 834 01:18:35,294 --> 01:18:36,545 FOR THE KIDS UP IN HARLEM. 835 01:18:38,547 --> 01:18:40,799 THE FUNERAL BUSINESS, THE INSURANCE COMPANY... 836 01:18:40,925 --> 01:18:42,343 IT'S ALL GOOD BUSINESS. 837 01:18:43,093 --> 01:18:44,637 YOU DON'T WANT TO JUST GIVE IT AWAY. 838 01:18:47,723 --> 01:18:50,601 LOOK, WHEN BOLLIN GETS HERE... THAT'S THE CAPTAIN'S NAME... 839 01:18:51,352 --> 01:18:53,938 LET HIM IN, TALK TO HIM, TELL HIM ANYTHING YOU WANT, 840 01:18:54,063 --> 01:18:55,522 BUT JUST KEEP HIM HERE. 841 01:19:02,196 --> 01:19:06,075 AS LONG AS HE'S HERE, NO ONE CAN GET TO YOU. 842 01:19:12,122 --> 01:19:13,122 JOHN... 843 01:19:13,207 --> 01:19:14,875 NOT NOW, BABY, NOT NOW. 844 01:19:34,645 --> 01:19:36,397 BOLLIN'S LEFT HIS BABYSITTERS. 845 01:19:55,374 --> 01:19:57,334 WHAT THE HELL IS SHE DOING HERE? 846 01:19:59,128 --> 01:20:01,588 YOU SURE ARE A HARD MAN TO FIND. 847 01:20:02,673 --> 01:20:04,466 TOO MANY PEOPLE LOOKING FOR ME, BABY. 848 01:20:05,592 --> 01:20:06,592 CAN YOU DRIVE THAT THING? 849 01:20:08,929 --> 01:20:11,598 ANYTHING WITH A STICK SHIFT IS MY MEAT. 850 01:20:12,141 --> 01:20:13,559 IS THAT RIGHT? 851 01:20:14,018 --> 01:20:16,020 HOW ABOUT DRIVING IT UP A ONE-WAY STREET FOR ME? 852 01:20:16,145 --> 01:20:17,021 ALL RIGHT. 853 01:20:17,146 --> 01:20:18,146 HERE'S THE KEYS. 854 01:20:18,230 --> 01:20:19,732 JUST JUMP IN AND START IT UP, OKAY? 855 01:20:46,258 --> 01:20:48,135 HEY, YOU LEFT HIM AT THE POST. 856 01:20:50,137 --> 01:20:51,513 YOU DO THAT GOOD. 857 01:20:51,764 --> 01:20:54,224 BEEN RACING SINCE I WAS 14. 858 01:20:54,892 --> 01:20:56,602 MEN OR CARS? 859 01:20:58,270 --> 01:21:00,773 HEY, BABY, KEEP BOTH HANDS ON THE WHEEL, HUH? 860 01:21:01,940 --> 01:21:03,859 HEY, IS THAT SNOW? 861 01:21:03,984 --> 01:21:05,652 IT SURE AIN'T COTTON. 862 01:21:47,444 --> 01:21:48,695 HELLO? 863 01:21:50,155 --> 01:21:51,240 YEAH. 864 01:21:52,199 --> 01:21:53,325 UH-HUH. 865 01:21:54,326 --> 01:21:55,326 WHAT'S HE DOING? 866 01:21:55,411 --> 01:21:57,329 THEY'RE DIGGING A GRAVE, GUS. 867 01:21:59,123 --> 01:22:00,934 THAT'S A HELL OF A TIME. NOW, WHERE HAVE YOU BEEN? 868 01:22:00,958 --> 01:22:01,750 MOTHER IKE'S. 869 01:22:01,875 --> 01:22:03,419 MOTHER IKE'S, MY ASS. 870 01:22:05,003 --> 01:22:06,003 MOTHER IKE'S, MY ASS. 871 01:22:06,046 --> 01:22:08,507 COME ON. COME ON, I SAID, HUH?! 872 01:22:10,426 --> 01:22:11,677 SHITHEAD! 873 01:22:11,760 --> 01:22:13,554 I'LL GIVE YOU SHITHEAD. 874 01:22:16,473 --> 01:22:17,599 I'M SORRY. GO AHEAD. 875 01:22:18,976 --> 01:22:20,018 YEAH. 876 01:22:20,102 --> 01:22:21,913 ALL RIGHT, NOW, YOU STICK WITH THEM, YOU UNDERSTAND? 877 01:22:21,937 --> 01:22:23,355 WE'RE GONNA BE RIGHT THERE. 878 01:22:24,648 --> 01:22:25,648 OKAY. 879 01:22:28,277 --> 01:22:29,445 PASCAL... 880 01:22:31,530 --> 01:22:32,739 PASCAL!! 881 01:22:33,449 --> 01:22:34,158 YEAH? 882 01:22:34,283 --> 01:22:35,868 - PASCAL! - YEAH?! 883 01:22:36,869 --> 01:22:38,203 GET JACK AND AL RIGHT AWAY. 884 01:22:40,706 --> 01:22:42,624 JACK! JACK, GET UP! 885 01:22:42,749 --> 01:22:45,419 AL! COME ON! GET YOUR ASS UP! 886 01:23:52,110 --> 01:23:53,695 GOOD MORNING, MR. KELLY. 887 01:23:53,862 --> 01:23:54,947 WHAT HAVE YOU GOT THERE? 888 01:23:55,072 --> 01:23:56,073 MONEY. 889 01:23:56,865 --> 01:23:58,033 THE MONEY'S IN THE BOX, 890 01:23:58,158 --> 01:23:59,478 AND ALL I GOT TO DO IS GET IT OUT. 891 01:24:00,744 --> 01:24:02,287 THEN WHAT, MR. KELLY? 892 01:24:02,704 --> 01:24:04,081 YOU'LL GET WHAT I OWE YOU. 893 01:24:04,623 --> 01:24:06,041 HEY, THEN IT'S ME AND YOU, GUS, 894 01:24:06,208 --> 01:24:08,460 RUNNING THE WHEEL TOGETHER AND EVERYTHING ELSE, MAN. 895 01:24:08,544 --> 01:24:10,045 GO AHEAD. GET IT. 896 01:24:11,380 --> 01:24:12,673 GO AHEAD. 897 01:24:16,760 --> 01:24:18,470 FIND IT, MR. KELLY? 898 01:24:19,179 --> 01:24:21,098 MAYBE IT'S IN HIS WALLET. 899 01:24:25,143 --> 01:24:26,353 I CAN'T. 900 01:24:27,145 --> 01:24:28,564 GIVE HIM A HAND. 901 01:24:36,822 --> 01:24:37,864 ROLL IT IN. 902 01:24:37,990 --> 01:24:39,491 - HEY, COME ON, GUS... - ROLL IT IN! 903 01:24:53,589 --> 01:24:56,383 LOOKS LIKE IT'S PAYDAY, MR. KELLY. 904 01:24:56,842 --> 01:24:59,303 TOSS IT INTO THE BAG. I'LL COUNT IT LATER. 905 01:25:29,416 --> 01:25:30,709 THAT'S ALL OF IT. 906 01:25:34,046 --> 01:25:35,922 OKAY, KELLY. 907 01:25:41,219 --> 01:25:43,930 HEY, COME ON, GUS. NOW, WAIT A MINUTE... 908 01:25:55,108 --> 01:25:56,276 DROP THE GUNS AND FREEZE. 909 01:25:56,985 --> 01:25:58,004 WHEN THIS BABY STARTS KICKIN', 910 01:25:58,028 --> 01:25:59,446 IT WON'T STOP, SO NOBODY GET CUTE. 911 01:26:02,574 --> 01:26:03,617 WHO'S NEXT? 912 01:26:04,660 --> 01:26:05,827 MOVE! 913 01:26:05,952 --> 01:26:07,079 MOVE OVER THERE! 914 01:26:09,498 --> 01:26:10,499 COME ON, GET DOWN THERE! 915 01:26:19,049 --> 01:26:21,009 ALL RIGHT, MASCOLA, LET'S GO. 916 01:28:55,038 --> 01:28:56,373 GET DOWN. 917 01:28:59,167 --> 01:29:00,752 2-4 WHISKEY, WHERE THE HELL ARE YOU? 918 01:29:00,919 --> 01:29:02,546 COME IN. 2-4 WHISKEY, COME IN. 919 01:29:33,493 --> 01:29:35,161 CAREFUL, AL! THE BOSS IS IN THERE! 920 01:29:35,579 --> 01:29:37,080 HARASS HIM, BUT DON'T HIT HIM! 921 01:30:01,146 --> 01:30:03,940 Jack: GOTTA PULL OUT! TOO DAMN MANY WIRES AHEAD! 922 01:31:18,473 --> 01:31:19,473 RITA, GET OUT! 923 01:31:19,724 --> 01:31:20,724 GET OUT! 924 01:31:22,936 --> 01:31:23,936 GET OUT! 925 01:31:24,187 --> 01:31:26,064 MOVE IT! MOVE IT! 926 01:31:28,775 --> 01:31:29,859 MOVE! 927 01:31:49,045 --> 01:31:50,045 COME ON! 928 01:31:58,680 --> 01:32:00,056 WE'VE LOST HIM IN THE BOATYARD. 929 01:32:17,323 --> 01:32:19,284 MOVE! MOVE IT! 930 01:32:22,579 --> 01:32:24,748 GET OUTTA THERE! GET OUT! 931 01:32:26,249 --> 01:32:27,249 GET IN! 932 01:32:28,877 --> 01:32:31,087 GET UP THERE! GET UP THERE! 933 01:33:09,751 --> 01:33:10,919 WHAT HAPPENED? 934 01:33:11,086 --> 01:33:13,379 THE BASTARD GOT A BOAT. LET'S GO. 935 01:33:15,381 --> 01:33:17,884 COME ON! COME ON! 936 01:35:35,188 --> 01:35:36,188 WE HIT HIM! 937 01:40:29,982 --> 01:40:32,652 AAAAAAH! 938 01:41:46,684 --> 01:41:47,684 AAAH! 939 01:43:19,860 --> 01:43:21,487 WHAT HAPPENED HERE, SHAFT? 940 01:43:22,238 --> 01:43:23,698 MASCOLA'S OVER THERE. 941 01:43:24,407 --> 01:43:26,742 KELLY'S ALREADY AT OAKLAND CEMETERY, 942 01:43:26,867 --> 01:43:29,161 RIGHT NEXT TO CAL ASBY. 943 01:43:30,204 --> 01:43:32,123 AND YOU'VE STILL GOT A LOT OF BURYING TO DO. 944 01:43:32,832 --> 01:43:34,583 THAT'S ALL WELL AND GOOD, 945 01:43:35,251 --> 01:43:37,420 BUT WHERE'S THE DAMN MONEY, MAN? 946 01:43:38,003 --> 01:43:40,840 I DON'T KNOW, BUT I GOT A FEELING 947 01:43:40,965 --> 01:43:42,317 IT'S ON ITS WAY BACK UP TO WHERE IT CAME FROM, 948 01:43:42,341 --> 01:43:43,718 BACK UP IN HARLEM. 949 01:43:46,178 --> 01:43:47,388 OKAY. 950 01:43:48,639 --> 01:43:49,639 ADIOS. 951 01:43:52,476 --> 01:43:54,061 YEAH, ADIOS, MOTHERF... 952 01:43:56,647 --> 01:43:58,691 CAPTAIN BOLLIN. 60953

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