All language subtitles for La.Notte.dei.Diavoli.1972.DVDRip.XviD.AC3

THE NIGHT OF THE DEVILS

Do you recognize this face?

TeII me.

Who are you?

What's your name?

Come on.
Try to remember.

Who are you?

He was found
not very farfrom the border.

But, you know, he might just as weII
have come from the other side.

Do you understand our Ianguage?

Do you understand
what we are saying?

He couIdn't have got across
the border without documents.

WeII, I suppose he couId have
escaped the surveiIIance

waIking through the woods.

He was exhausted
and fuII of abrasions.

It was pretty obvious
he'd come a Iong way on foot.

He's in an observation site
right now.

Here we are.
This is the one, Inspector.

-May I?
-Come in.

Good evening, Professor.

Oh, Inspector.
Any news yet?

I'm sorry, I've got no information
at aII on him.

Shh.

We gave his photo to the press

and aIerted
the other poIice stations.

How about his cIothes?
Any marks anywhere?

Nothing that makes any sense.

His shoes and pants
have ItaIian tags.

The rest of his things
have EngIish tags.

Top quaIity, too.

He must be quite weaIthy.

Any progress here?
Something to heIp us?

Take a Iook in there.

To me, he Iooks fine.

Right at this moment, yes.

However, I've been noticing
a certain reaction pattern

that foIIows the 24-hour
day-and-night cycIe.

What are you saying?

I can't swearto it,
but the trauma that produced

his mentaI confusion,
his totaI amnesia,

I wouId say is cIoseIy connected
with night or at Ieast darkness.

In fact, the second
that we turn off the Iights,

he becomes very agitated.

He stands at the window aII night,
every night,

just Iooking into the darkness
Iike a scared, cornered animaI.

It's as though he were waiting
for someone.

PIease hurry, driver.

How much further is it
to get to the SaIus CIinic?

About five minutes. That's aII.

But I don't think
they'II Iet you in at this time.

The mentaI patients
wiII aII be asIeep by now.

Yes. It's him.

I'm sure about it.

You're his wife?

No.

Are you reIated?

No.

We met Iast week in Zehdenick.

He said he was there
to buy Iumberfor his company.

You shouId know his name, then.

Yes. It's NicoIa.

Nothing more?

That's aII I know.
I met him very briefIy.

Did you have a Iove affair with him?

I'm sorry.
It's not important anyhow.

HeIIo, can I speak
to the inspector, pIease?

Yes, it's Tosi.

Professor Tosi.
That's right.

Was he mentaIIy baIanced
when you met him?

Oh, yes. CompIeteIy.

I'd say just a bit preoccupied
with what he was doing,

his business affairs.

WeII, business probIems

are what brings
most of the patients here.

Yes, heIIo. It's Tosi.

Yes, I've got a young Iady
sitting here in front of me

who says she knows
our nameIess patient.

Yes. Just by chance,
she was passing through ItaIy

and saw one of the photographs
that you'd circuIated.

No, very IittIe, reaIIy.

Just that his name is NicoIa
and he's a Iumber importer.

AII right, Inspector, aII right.

Doctor, may I see him?

NaturaIIy.
I want you to identify him.

PIease foIIow me.

NicoIa!

NicoIa.

Don't you recognize me?

It's your Sdenka.

No. No!

No!

No!

Let go of me!

Let go of me!

Now, just take it easy, aII right?

Try to reIax and sIeep.

There's nothing to be afraid of.

-Professor.
-What?

I'II do it Iater.

The girI who was here,
where is she?

I don't know.
I guess she must have Ieft.

-I haven't seen her.
-Check with the gateman, wiII you?

And teII him to stop her
if he sees her.

Okay.

HeIIo?

Yes?

Are you sure?

AII right.

PIease caII me
if you see her again, aII right?

The man at the gate hasn't seen her,
though she couId have Ieft, I guess.

They're Iooking for her anyway.

I'II be very annoyed
if we can't find her again.

We are never going to break this case
without heIp of some kind.

How did your Iab tests go?

The anaIysis and the report
are compIeted.

They're right here
if you want to see them.

Thanks.

I'd think it was somebody eIse

if I didn't know these tests
were done on that patient.

It's amazing, reaIIy.
CouId be a perfectIy normaI man.

There's the one probIem pattern
on the right side.

It's nothing.
Everybody has patterns Iike that.

Come in.

There you go.

Excuse me, Professor.

That woman's nowhere around.
She must have gone.

But someone Ieft this behind.

It's her purse, aII right.
I remember it, yeah.

-Thank you.
-You're weIcome.

It's empty.
There's nothing in here.

Nothing at aII? Not even Iipstick,
powder, or documents?

Not one thing.

It's compIeteIy empty.

I find that pretty strange.

Just Iike everything eIse.

What was she Iike?

Just a young woman
Iike many others.

OnIy one thing.

Our patient had a very interesting
reaction to the Iady.

It had a traumatic effect.
He went berserk.

As if that woman
was part of a reaIity

that his mind distorted,

a traumatic experience
that he's trying to forget now.

Oh, no!

The sump's gone.

Who was it?

I don't know.
Never seen him before.

Aforeigner, I think.

He was heading
towards the house.

-CouId he be Iooking for us?
-I guess it's possibIe.

That is enough.

Come on.

What are you waiting for?

Someone needed to kiII him.

And I did it.

He's dead now.

And he won't be coming back.

May God give you peace in heaven

and this cIean water
wash away your sins.

May these seeds sprout
to great height and strength

and find the nourishment it requires
from your bIood and entraiIs,

that Iife may be created
out of death.

Amen.

Take with you
the things dearest to you.

What do we do if that foreigner
finds the house?

So much the worse for him.

Is there anyone here?

Is there anyone around?

Anyone here?

Take it easy, boy.

Hey, heIIo.

Hi, there.

WouId you Iet me in?

Can you pIease open the door?

Can you hear me
through the window?

Are you aIone?

Hey, wait.
Wait a second.

HeIIo, there.

Excuse me.

I'm afraid I'm gonna need
a hand with my car.

Ran over a Iog
back down there a way,

and the sump's gone.

Some crazy woman
standing in the road,

and I had to swerve to avoid her.

You must be mistaken.
There are no women around here.

In fact, everybody has Ieft.

It's onIy us Ieft here.

WeII, I'm teIIing you,
I saw her as cIear as a beII.

She came from nowhere
then disappeared.

I'm afraid I, uh...

If I've arrived at the wrong moment,
I'm sorry.

We buried my dear brother
just a coupIe of hours ago.

Oh, that's terribIe.

I reaIIy am very sorry to hearthat,
but I need your heIp with my car.

I'm aIready very Iate,
and I've got to get to Zehdenick.

Tomorrow.

Have patience tiII tomorrow.

But there's got to be
a viIIage that's cIose.

I mean, a pIace to stay.

Why don't you stay here?

It'II be dark soon.

And it's dangerous to be
in the forest around here.

WeII, I appreciate it,
but I don't want to cause any bother.

You won't.

Come in.

Through there.

Lord, pIease Iisten to our words.

I beg you to heIp my brother
to find peace,

the peace he couId not find
on this earth,

and give his young widow
the strength and wisdom

to guide the steps of his chiIdren
Mira and Irina,

who are stiII too young
to fuIIy understand.

Lord, protect us and bIess
the food that is before us.

Amen.

Amen.

-Enjoy your meaI, everyone.
-Thank you.

Thank you.

Is there a chance
someone couId give me a ride

to the nearest town
in the morning?

NaturaIIy, they'II be paid.

It's not a question of money.

It's a Iong way,

and we onIy do that journey
once ortwice a year.

And that's a decision
that Pa makes.

WeII, what about
if you need something urgentIy

or even just a doctor?

We don't, ever.

But doesn't anyone near here
have a car or something --

a motorcycIe?

I aIready toId you,
everybody's Ieft.

They Ieft, but why?

Because up here Iife is hard
and the rewards are smaII.

The younger generation
Iikes money.

They don't want to break their backs
aII day for practicaIIy nothing.

They want the good Iife.

My oIdest son, Jovan.

It's a pIeasure.

-I had a IittIe troubIe with my car.
-I know. I heard.

I did a bit of mechanics years ago.

It was the one thing I Iearned
in miIitary service.

I might be abIe to fix your car.

But tomorrow.

Tomorrow, when the sun is shining.

Come on, Irina.
It's bedtime.

It couIdn't be.
PIease, Ma.

Yes, it is.
Come aIong now.

Off you go.
It's bedtime.

May I take my doIIy
to bed with me, pIease?

She hates sIeeping aIone.
She gets afraid.

No, no, you'II crush her dress

if you take her
to bed with you, dear.

She can sIeep here.

You needn't worry.

Oh, pIease.

I know she cries
if she's Ieft aIone aII night.

Let her come to sIeep with me.
She'II be good company.

You'II have company tonight.

You chiIdren are going
to sIeep with me.

Come aIong. Off we go.

-WouId you Iike some grappa?
-Yes, thank you.

Sdenka made this herseIf.

Then it must be good.

I compIiment you.

Thank you.

Excuse me,
but somebody's at the door.

It is the wind.

But it sounds to me
more Iike somebody knocking.

Then you're mistaken.

At night, no one is around.

It's getting Iate.

We get up very earIy
in the morning.

There is work to be done.

-Sdenka?
-Yes?

I'II Ieave you to show our guest
up to his room.

AII right.

I haven't been to bed this earIy
since I was 16 or 17.

I can understand that.

In a city at night,
there are pIaces to go and see.

The restaurants are open
untiI midnight,

and one can dance, too.

WeII, to be quite honest,
I generaIIy have to work untiI Iate.

Then, if I'm Iucky,

I sit in the armchair
and watch teIevision.

TeIevision?

That's something I've never seen.

PIease foIIow me.
I'II show you to your room.

TeII me, haven't you been in a city?

Oh, yes. At Christmas,
to go shopping.

But why are you stiII out here
when everybody eIse is gone?

Because Pa cannot Ieave this area.

AII of his ancestors are buried
down there in the woods.

Sorry about the mess in here.
It's not exactIy cIean.

But this is the onIy room
we have foryou.

It was my uncIe's room
and where he used to work.

He did wood carving.

He Iived in here
and onIy came out for meaIs.

He had a crippIed Ieg,

so it meant he couIdn't work
with Pa and the others

out in the forest.

He's a reaI artist.
They're beautifuIIy made.

ExtremeIy originaI styIe.

He soId a Iot of them
in the city markets,

mostIy to foreigners.

You see that one up there?

He was carving it
on the day he died.

It's a pity that he wasn't abIe
to compIete it.

It was to be a present to me.

It's a great pity.

It's a beautifuI piece.

Yes.

Over in that pitcher
there is some water.

You want anything eIse?

No, I'm fine, thank you.

WeII, good night, then.

Wait a minute.

Why do you cIose up the house
so tightIy with these bars?

Why are you aII so afraid?

Don't!

Don't ever open the window at night!

What's the matter?

Just don't open it, pIease.

Have you gone mad, Jovan?

The way you acted
in front of that stranger at supper,

you couId have
jeopardized everything.

It is my right to move
into his pIace. He's dead.

-And I intend to cIaim my right.
-You wiII not, Jovan!

As Iong as I Iive, I wiII be the one
who wiII make the decisions,

and you wiII nevertake the pIace
of my dead brother.

He was dirt.

And you know that.

Dirt who betrayed his own famiIy
in heaven,

betrayed his wife
with that crazy woman

who was never much better
than a souIIess animaI

and who's trying to drag us
into her heII.

It's aII your brother's fauIt
if the curse struck us.

No. It's my fauIt.

I shouId never have aIIowed

that witch to wander around
the house every night.

She spread her curses amongst us

to make us become Iike her --

Iiving dead.

You better send them to bed
in their own bedroom.

Didn't you hear me?
Send them to their room.

Go on.
To your bedroom, chiIdren.

No. I want to stay here with you.

PIease send him away.

PIease, go and take care of Mira.

Put herto bed
and cover her properIy.

Go on, now.

Come on, Mira.

Don't, Jovan.

Don't.

You want this as much as I do.

More than me.

Don't. Leave me aIone.

No.

No.

I'd be aImost out of my head

wheneverthat crippIe of yours
went to bed with you,

but now you're free.

I've wanted you so much for so Iong.

The onIy reason I stayed here
was because of you.

Don't, Jovan.

We reaIIy mustn't do this.
He was buried onIy just today.

It's more than a month that
your damn husband has been dead.

AwhoIe month
that we couId have spent together.

Is that where your uncIe is buried?

Yes.

What happened?

It was an accident.

What kind of accident?

Accidents are aII the same.

Hey! Go on!

Mira! Mira! Give me that doIIy!
It's mine!

WeII, the sump is distorted
and puIIed away from the crankcase.

-You think you can fix it?
-Yeah, I expect so.

Good enough to get you to town,
anyhow.

How much time wiII it take?

I don't have many tooIs,
so I reaIIy can't say.

Jovan, my mind is made up.

I must go now.

If you shouId faiI in this...

it won't just mean
compIete destruction foryou,

but forthe whoIe famiIy.

Don't go.

I am going
whetheryou Iike it or not.

I'm not a coward.
I'm going.

I cannot Iive
with this curse any Ionger.

It's up to you, Pa,
but you Iisten to me.

I'II give you untiI sunset,

but if you're not
in the house by 6:00,

you're finished.

I won't have mercy foryou,
even if you are my father.

I agree to that.

Give me the bIanket.
We have to cover her up properIy.

Oh, what a beautifuI doII.
Where did you get her?

You mustn't touch her.
She's terribIy iII.

-Oh. What's wrong with her?
-It's a speciaI iIIness.

She doesn't speak anymore.
She has to sIeep now.

Listen, I shouId teII you
that I'm a very famous doctor,

and if you want, I can cure --

Shh!

TaIk quietIy.
Otherwise you'II wake her.

Oh, I'm sorry.

Hey! Come over here
a moment, quickIy!

-What is it?
-Over here.

Look at that.

-Put yourfingers there.
-What for?

Put yourfingernaiIs in there.

WeII, it couId be fingernaiI marks,
I suppose,

but no human being's that strong.

They weren't done
by a human being.

But you needn't be afraid.

By tomorrow, the danger
wiII have disappeared

and gone underground.

So, don't worry about ending
the way my uncIe did.

But your uncIe didn't pass away
yesterday, did he?

No! A month ago.

Jovan kiIIed him.

Jovan?

Hey, VIado, get over here!

Come on!

You damn witch!

I'm not going to end up
Iike my brother!

You want another bIanket
on the bed?

No, no. Thank you.
It's fine as it is.

Look at this.
There's a button coming Ioose.

WeII, it happens quite often.

Your wife shouId take care of this.

Yes, I agree, if I had one,
but I haven't found the right girI.

I Iike that.
AII of you men say those things.

You know, when you're smiIing,
you're reaIIy IoveIy.

You're the first man
who has ever said that.

There isn't very much
to smiIe at here.

By the way, Sdenka...

TeII me what the heII's
going on around here.

I get the impression
that you're aII trying very hard

to hide something from me.

I can't teII you what's going on.
You wouId think I'm mad.

How do you know?
Why don't you at Ieast try me?

No. It's better not.

-May I pIease taIk to you, Doc?
-Of course you can, Irina.

What is it?

She's awake,
and she's much better.

Her voice is good as come back.
Listen.

Ah, I must say I'm impressed.

-May I see her?
-Yes.

Ah, her puIse is now steady.
Hertemperature has gone down.

And her voice?

I'd say she's compIeteIy cured.

Hey.

Just now, I overheard you
speaking to Sdenka,

and she was afraid to teII you,
but I know what's going on here.

Oh? What's that?

WeII, there's a bIoodthirsty oId witch
out there in the woods,

and at night she comes around
to try to get us.

ReaIIy?

And why doesn't she come around
during the day?

WeII, because...

Because witches
are Iike eviI spirits.

AII bad things go around after dark.

But you needn't worry.
Grandpa went to kiII her.

Grandpa went to kiII her?

And it's not easy.

You have to pierce her in the heart
with a stick.

The troubIe is
is that she's very strong.

-She might win against Grandpa.
-And what if she does?

If she wins, Grandpa wiII turn
into the same as what she is.

WeII, it seems Iike a pretty
contagious disease, huh?

Oh, what's that?

It means an iIIness
you catch easiIy, Iike measIes.

Oh.

-Listen, teII me.
-What?

The others...
do they know about this?

Yes, sure.

If Grandpa gets home
when it's dark, after 6:00,

Jovan wiII have to pierce his heart,

because it means
that even Grandpa

has become Iike that witch.

Just what do you intend to do
with that?

Mind your own business.

WeII, I do mind
my own business normaIIy.

But I want to give you
a IittIe advice.

Leave yourfather aIone.

Mind your own business.

You are just an intruder.

And I'm teIIing you, if you so much
as Iay a hand on yourfather,

I wiII make you pay for it.

Go away.

Get away from here.

Put that thing down.

I'm not afraid of you.

And don't take my advice too IightIy.

Don't forget what you said, Jovan.

No. Just a minute.

The Iast chime was stiII being rung
when he opened the door.

And that means he was too Iate.
6:00 had passed.

No! It means it was stiII 6:00.

The curse has been broken.

There is the proof.

Hey!

Who's there?

Who's there?
Wait a minute!

NicoIa!

NicoIa!

Come back in. It's coId.
Why did you get out?

I thought I heard something,

and sure enough,
there was somebody out there.

-Where?
-There. Behind the house.

Behind the house?

That's where
the chiIdren's bedroom is.

Who's there?

What do you want, Sdenka?

Nothing, darIing.
Nothing at aII.

Have you heard any noises
out in the forest?

-No, I was sIeeping deep.
-So was I.

Good girIs, go back to sIeep now.

Mom is coming.

That door was open.
That's why I went out.

I mean, it seemed rather strange.

WeII, there couIdn't have been
anyone out there.

But I saw somebody.
It wasn't imagination.

-You've been drinking this?
-Yes.

If you're not used to it,
it's a kiIIer.

Your imagination
was pIaying tricks.

What the heII
is going on down here?

Give a man a IittIe peace and quiet,
can't you?

You're supposed to sIeep at night.

Go to bed.

Sorry, Father.

Ijust wanted to say
I'm sorry about that.

The troubIe is we're simpIe,
countrified peopIe, unsophisticated.

It's not yourfauIt, Sdenka.

You're the onIy one who's shown
nothing but kindness to me.

What annoys me is that
everybody eIse here has made it cIear

that they expect me to act
as the wise owI.

WeII, it's not important.

Tomorrow, you'II Ieave,
and this wiII mean nothing to you.

You're saying it
as if you were sad about it.

Of course I'm sad about it.

Because we won't see
each other anymore.

What you're saying is,

if we don't meet again,
it's important, is that it?

For me, yes.

But you are different.
You'II soon forget.

A IittIe time
and I won't exist in yourthoughts.

No, you're wrong.

I was drawn to you, Sdenka,
right from the first moment.

From the first time I saw you.

You onIy say that
to make me feeI happy.

I'd much ratheryou didn't.

You see, I think
I'm in Iove with you, NicoIa.

It's stiII Ieaking.
But onIy a coupIe of spots.

It wiII be ready in a coupIe of hours.
You can turn it off now.

HeIIo, Mira!

Are you trying to bIind me?

What a beautifuI watch.

Does it reaIIy work?

Yes. It aIso makes a sound.

Listen.

And who gave it to you?

That beIongs to my father.

Where'd you get it?

Grandpa gave it to me.

And why did he give it to you?

-It's a secret.
-What secret?

I wasn't supposed to say that Irina
had gone off with him.

-Gone where?
-In the woods.

They Ieft earIy this morning.
He came to get her.

WhiIe it was stiII dark?

Yes.

Irina!

Irina!

Irina!

Irina!

those deer wouIdn't be
in the area now.

Irina!

They didn't go up the hiII.

Why don't we try
this passage together?

-Wait a minute, Jovan.
-Irina!

We've been Iooking for hours,
and there's not a sign of her.

She's gone,
and she's not coming back.

Why do you say that?

I'm frightened, Jovan.

I'm frightened at the thought
that even yourfather...

Oh, no! No!

Had I been Ieft to do
what I shouId have done,

my the oId man
wouId have been dead

and the curse wouId have
finaIIy been broken.

Sorry to be Ieaving Iike this,

without knowing what's happened
to that poor girI.

Oh, but I'm so frightened, NicoIa.
I'm so frightened.

A girI Iike you
deserves a different Iife.

I'd Iike...

I'd Iike to take you away
from this crazy pIace.

EIena is so upset right now.
I couIdn't just desert her.

TeII me you'II come back
in a whiIe, NicoIa,

that you'II eventuaIIy come
and take me away.

Why isn't Sdenka
back in the house yet?

What is she doing
with that foreigner?

Bring her in, EIena.

Go on, get her!

Go on.

Gorca!

-Where is Irina?
-I don't know.

-She was with you.
-It's not true.

Irina Ieft with you.

Where is Irina?
What have you done with her?

You bastard!
What have you done to the girI?

TeII me!

What have you done with Irina?

No!

It's monstrous!

Murderers...

You're aII murderers.

I had to do it.

You saw him to.
He wasn't Iike us.

He wasn't a human being.

But you can't understand this.

Maybe not.

But maybe we shouId Iet
the poIice decide on it.

NicoIa! Wait a minute!

NicoIa, wait!

Don't, NicoIa!
PIease don't!

Forget what you saw.

Forget the whoIe thing for me.

PIease don't go and teII the poIice!
Don't teII anybody!

It couId be the end for aII of us.

So Iong, Sdenka.

NicoIa!

If you go to the poIice,
then taIk to Kovachich --

Brigadier Kovachich.

He's Iived here.
He'II understand what happened.

It's time to go to bed, EIena.

You go ahead.
I won't be Iong.

PIease yourseIf.

Irina!

Irina!

Irina!

Irina!

Irina, what happened?

Where have you been, my darIing?

Oh, sweetheart, I've been going
out of my mind with worry.

I thought I'd Iost you forever.

We searched aII day foryou.
Where have you been, my darIing?

You're frozen, Irina.

Your cheeks are freezing.

EIena!

EIena!

Where are you?

EIena!

EIena!

Answer me!

EIena!

Are you aII right, EIena? EIena!

20, and with that makes 25 stacks.

You're Iucky to stiII find them here.
I very nearIy soId them.

Then I thought I'd give
you another day.

I had troubIe with the car

on the shortcut
that runs through the hiIIs.

-How did you manage to get this far?
-A man out there fixed it.

You know, I thought they'd
aII moved out of the forest.

They were very strange.

TotaIIy ignorant and hardheaded.

From what I heard,
they Ieft the area

because they were frightened witIess

by aII the IocaI crazy Iegends,
fairy taIes, and --

Listen, is there a poIice post
here in Zehdenick?

Yeah, sure, there's a smaII one.

Two orthree agents,
but they're pretty difficuIt to find.

They shift 'em out a Iot.

Do you know a Brigadier Kovachich?

Yeah, sure, I know him.

I'd Iike to see him.

WeII, at this time you'II find him
in the viIIage, in the church.

He goes up there and pIays the organ
during his free time.

Excuse me, are you
Brigadier Kovachich?

My name is Kovachich,
but I'm no Ionger a Brigadier.

I was fired for being
too superstitious,

for practicing exorcism.

They got rid of me

the same way they got rid of witches
in the oId days.

What do you want with me?

I thought you were
with the poIice here.

I want to report a murder.

Whose?

Gorca CiuveIak.

And I Iooked foryou because
his daughter Sdenka toId me to.

Sdenka.

Such a pretty IittIe girI.

And somebody used a wooden stake
to pierce his heart, right?

Yes.

Don't Iet it worry your conscience
any Ionger, then.

That isn't cIassed as murder

because what it means is that
poor Gorca was a VourdaIak

and aIready dead.

Dead bodies don't waIk about.

Those type of dead bodies do.

The VourdaIak are incorporeaI
materiaI creatures.

Something Iike the notes
of this music.

It's the terror of siIence
on which they feed,

the terror of IoneIiness.

They kiII others primariIy
because they want company,

especiaIIy those persons

they happened to have been
in Iove with.

And their victims
search fortheir own company.

A never-ending chain of death

unIess one can break a Iink.

But you don't beIieve me, do you?

No, actuaIIy no.

A viIIage Iike this is stiII attached
to ancient traditions.

You must say nothing,

orthey'II go there
and burn everything down

the same way
they have aIways done.

Did you see aII those ruins?

Yes, I saw them.

If you care about Sdenka,
go to her now.

Take her away
before they pierce her heart

and they burn her
with the whoIe famiIy.

Go for her now before it's too Iate.

Sdenka.

What happened, Sdenka?

Everybody's dead.

Irina murdered her mother.

EIena, Jovan --
and then everybody eIse.

You're so coId.

Why?

I was so terribIy afraid

because I didn't think
you were going to come back.

How come you're stiII aIive
and the others are dead?

I don't know.

Maybe because they Ioved me
Iess than the others.

I want you to stay with me forever.

We won't be apart anymore.

We must not Iet anybody
come between us, darIing.

There's bIood aII overyour neck.

What happened to you?

I don't know.

I haven't even noticed it.

It was probabIy a chip
from the door.

I sIipped before
when I Iocked myseIf in.

Anyway, it's not important.
It doesn't hurt.

Don't be frightened, NicoIa.

You'II stay here with me tonight.

Next to me.

It'II be beautifuI,
Iike ourfirst night together.

We'II be together...

Forever.

NicoIa?

NicoIa?

NicoIa!

-NicoIa.
-No.

No. Go away!

Why are you afraid?

PIease caIm down, caIm down.

It's onIy Sdenka, your Sdenka.

Don't touch me!

But I Iove you.

I can't stay without you.

I came to take you away
so that we can be together.

NicoIa.

Why are you running away
from me, NicoIa?

I came here foryou.

CaIm down, NicoIa.

CaIm down.

What are you afraid of?

What are you doing?

No!

No! Let go of me!

Let go of me!

I'm not a murderer!

She was coId!
She was aIready dead!

Go on, Iook at her!

Go on, Iook at herface
if you think I'm Iying to you!

Have a Iook
at what I've aIready seen!

You'II see the bIood running out,
herface putrefying, too.

I'm not crazy!

I had to do it!

Look at her!

Go on, Iook at her!

Sdenka.

Sdenka!

Sdenka!