Original subtitles

THE NIGHT OF THE DEVILS

Do you recognize this face?

TeII me.

Who are you?

What's your name?

Come on. Try to remember.

Who are you?

He was found not very farfrom the border.

But, you know, he might just as weII have come from the other side.

Do you understand our Ianguage?

Do you understand what we are saying?

He couIdn't have got across the border without documents.

WeII, I suppose he couId have escaped the surveiIIance

waIking through the woods.

He was exhausted and fuII of abrasions.

It was pretty obvious he'd come a Iong way on foot.

He's in an observation site right now.

Here we are. This is the one, Inspector.

-May I? -Come in.

Good evening, Professor.

Oh, Inspector. Any news yet?

I'm sorry, I've got no information at aII on him.

Shh.

We gave his photo to the press

and aIerted the other poIice stations.

How about his cIothes? Any marks anywhere?

Nothing that makes any sense.

His shoes and pants have ItaIian tags.

The rest of his things have EngIish tags.

Top quaIity, too.

He must be quite weaIthy.

Any progress here? Something to heIp us?

Take a Iook in there.

To me, he Iooks fine.

Right at this moment, yes.

However, I've been noticing a certain reaction pattern

that foIIows the 24-hour day-and-night cycIe.

What are you saying?

I can't swearto it, but the trauma that produced

his mentaI confusion, his totaI amnesia,

I wouId say is cIoseIy connected with night or at Ieast darkness.

In fact, the second that we turn off the Iights,

he becomes very agitated.

He stands at the window aII night, every night,

just Iooking into the darkness Iike a scared, cornered animaI.

It's as though he were waiting for someone.

PIease hurry, driver.

How much further is it to get to the SaIus CIinic?

About five minutes. That's aII.

But I don't think they'II Iet you in at this time.

The mentaI patients wiII aII be asIeep by now.

Yes. It's him.

I'm sure about it.

You're his wife?

No.

Are you reIated?

No.

We met Iast week in Zehdenick.

He said he was there to buy Iumberfor his company.

You shouId know his name, then.

Yes. It's NicoIa.

Nothing more?

That's aII I know. I met him very briefIy.

Did you have a Iove affair with him?

I'm sorry. It's not important anyhow.

HeIIo, can I speak to the inspector, pIease?

Yes, it's Tosi.

Professor Tosi. That's right.

Was he mentaIIy baIanced when you met him?

Oh, yes. CompIeteIy.

I'd say just a bit preoccupied with what he was doing,

his business affairs.

WeII, business probIems

are what brings most of the patients here.

Yes, heIIo. It's Tosi.

Yes, I've got a young Iady sitting here in front of me

who says she knows our nameIess patient.

Yes. Just by chance, she was passing through ItaIy

and saw one of the photographs that you'd circuIated.

No, very IittIe, reaIIy.

Just that his name is NicoIa and he's a Iumber importer.

AII right, Inspector, aII right.

Doctor, may I see him?

NaturaIIy. I want you to identify him.

PIease foIIow me.

NicoIa!

NicoIa.

Don't you recognize me?

It's your Sdenka.

No. No!

No!

No!

Let go of me!

Let go of me!

Now, just take it easy, aII right?

Try to reIax and sIeep.

There's nothing to be afraid of.

-Professor. -What?

I'II do it Iater.

The girI who was here, where is she?

I don't know. I guess she must have Ieft.

-I haven't seen her. -Check with the gateman, wiII you?

And teII him to stop her if he sees her.

Okay.

HeIIo?

Yes?

Are you sure?

AII right.

PIease caII me if you see her again, aII right?

The man at the gate hasn't seen her, though she couId have Ieft, I guess.

They're Iooking for her anyway.

I'II be very annoyed if we can't find her again.

We are never going to break this case without heIp of some kind.

How did your Iab tests go?

The anaIysis and the report are compIeted.

They're right here if you want to see them.

Thanks.

I'd think it was somebody eIse

if I didn't know these tests were done on that patient.

It's amazing, reaIIy. CouId be a perfectIy normaI man.

There's the one probIem pattern on the right side.

It's nothing. Everybody has patterns Iike that.

Come in.

There you go.

Excuse me, Professor.

That woman's nowhere around. She must have gone.

But someone Ieft this behind.

It's her purse, aII right. I remember it, yeah.

-Thank you. -You're weIcome.

It's empty. There's nothing in here.

Nothing at aII? Not even Iipstick, powder, or documents?

Not one thing.

It's compIeteIy empty.

I find that pretty strange.

Just Iike everything eIse.

What was she Iike?

Just a young woman Iike many others.

OnIy one thing.

Our patient had a very interesting reaction to the Iady.

It had a traumatic effect. He went berserk.

As if that woman was part of a reaIity

that his mind distorted,

a traumatic experience that he's trying to forget now.

Oh, no!

The sump's gone.

Who was it?

I don't know. Never seen him before.

Aforeigner, I think.

He was heading towards the house.

-CouId he be Iooking for us? -I guess it's possibIe.

That is enough.

Come on.

What are you waiting for?

Someone needed to kiII him.

And I did it.

He's dead now.

And he won't be coming back.

May God give you peace in heaven

and this cIean water wash away your sins.

May these seeds sprout to great height and strength

and find the nourishment it requires from your bIood and entraiIs,

that Iife may be created out of death.

Amen.

Take with you the things dearest to you.

What do we do if that foreigner finds the house?

So much the worse for him.

Is there anyone here?

Is there anyone around?

Anyone here?

Take it easy, boy.

Hey, heIIo.

Hi, there.

WouId you Iet me in?

Can you pIease open the door?

Can you hear me through the window?

Are you aIone?

Hey, wait. Wait a second.

HeIIo, there.

Excuse me.

I'm afraid I'm gonna need a hand with my car.

Ran over a Iog back down there a way,

and the sump's gone.

Some crazy woman standing in the road,

and I had to swerve to avoid her.

You must be mistaken. There are no women around here.

In fact, everybody has Ieft.

It's onIy us Ieft here.

WeII, I'm teIIing you, I saw her as cIear as a beII.

She came from nowhere then disappeared.

I'm afraid I, uh...

If I've arrived at the wrong moment, I'm sorry.

We buried my dear brother just a coupIe of hours ago.

Oh, that's terribIe.

I reaIIy am very sorry to hearthat, but I need your heIp with my car.

I'm aIready very Iate, and I've got to get to Zehdenick.

Tomorrow.

Have patience tiII tomorrow.

But there's got to be a viIIage that's cIose.

I mean, a pIace to stay.

Why don't you stay here?

It'II be dark soon.

And it's dangerous to be in the forest around here.

WeII, I appreciate it, but I don't want to cause any bother.

You won't.

Come in.

Through there.

Lord, pIease Iisten to our words.

I beg you to heIp my brother to find peace,

the peace he couId not find on this earth,

and give his young widow the strength and wisdom

to guide the steps of his chiIdren Mira and Irina,

who are stiII too young to fuIIy understand.

Lord, protect us and bIess the food that is before us.

Amen.

Amen.

-Enjoy your meaI, everyone. -Thank you.

Thank you.

Is there a chance someone couId give me a ride

to the nearest town in the morning?

NaturaIIy, they'II be paid.

It's not a question of money.

It's a Iong way,

and we onIy do that journey once ortwice a year.

And that's a decision that Pa makes.

WeII, what about if you need something urgentIy

or even just a doctor?

We don't, ever.

But doesn't anyone near here have a car or something --

a motorcycIe?

I aIready toId you, everybody's Ieft.

They Ieft, but why?

Because up here Iife is hard and the rewards are smaII.

The younger generation Iikes money.

They don't want to break their backs aII day for practicaIIy nothing.

They want the good Iife.

My oIdest son, Jovan.

It's a pIeasure.

-I had a IittIe troubIe with my car. -I know. I heard.

I did a bit of mechanics years ago.

It was the one thing I Iearned in miIitary service.

I might be abIe to fix your car.

But tomorrow.

Tomorrow, when the sun is shining.

Come on, Irina. It's bedtime.

It couIdn't be. PIease, Ma.

Yes, it is. Come aIong now.

Off you go. It's bedtime.

May I take my doIIy to bed with me, pIease?

She hates sIeeping aIone. She gets afraid.

No, no, you'II crush her dress

if you take her to bed with you, dear.

She can sIeep here.

You needn't worry.

Oh, pIease.

I know she cries if she's Ieft aIone aII night.

Let her come to sIeep with me. She'II be good company.

You'II have company tonight.

You chiIdren are going to sIeep with me.

Come aIong. Off we go.

-WouId you Iike some grappa? -Yes, thank you.

Sdenka made this herseIf.

Then it must be good.

I compIiment you.

Thank you.

Excuse me, but somebody's at the door.

It is the wind.

But it sounds to me more Iike somebody knocking.

Then you're mistaken.

At night, no one is around.

It's getting Iate.

We get up very earIy in the morning.

There is work to be done.

-Sdenka? -Yes?

I'II Ieave you to show our guest up to his room.

AII right.

I haven't been to bed this earIy since I was 16 or 17.

I can understand that.

In a city at night, there are pIaces to go and see.

The restaurants are open untiI midnight,

and one can dance, too.

WeII, to be quite honest, I generaIIy have to work untiI Iate.

Then, if I'm Iucky,

I sit in the armchair and watch teIevision.

TeIevision?

That's something I've never seen.

PIease foIIow me. I'II show you to your room.

TeII me, haven't you been in a city?

Oh, yes. At Christmas, to go shopping.

But why are you stiII out here when everybody eIse is gone?

Because Pa cannot Ieave this area.

AII of his ancestors are buried down there in the woods.

Sorry about the mess in here. It's not exactIy cIean.

But this is the onIy room we have foryou.

It was my uncIe's room and where he used to work.

He did wood carving.

He Iived in here and onIy came out for meaIs.

He had a crippIed Ieg,

so it meant he couIdn't work with Pa and the others

out in the forest.

He's a reaI artist. They're beautifuIIy made.

ExtremeIy originaI styIe.

He soId a Iot of them in the city markets,

mostIy to foreigners.

You see that one up there?

He was carving it on the day he died.

It's a pity that he wasn't abIe to compIete it.

It was to be a present to me.

It's a great pity.

It's a beautifuI piece.

Yes.

Over in that pitcher there is some water.

You want anything eIse?

No, I'm fine, thank you.

WeII, good night, then.

Wait a minute.

Why do you cIose up the house so tightIy with these bars?

Why are you aII so afraid?

Don't!

Don't ever open the window at night!

What's the matter?

Just don't open it, pIease.

Have you gone mad, Jovan?

The way you acted in front of that stranger at supper,

you couId have jeopardized everything.

It is my right to move into his pIace. He's dead.

-And I intend to cIaim my right. -You wiII not, Jovan!

As Iong as I Iive, I wiII be the one who wiII make the decisions,

and you wiII nevertake the pIace of my dead brother.

He was dirt.

And you know that.

Dirt who betrayed his own famiIy in heaven,

betrayed his wife with that crazy woman

who was never much better than a souIIess animaI

and who's trying to drag us into her heII.

It's aII your brother's fauIt if the curse struck us.

No. It's my fauIt.

I shouId never have aIIowed

that witch to wander around the house every night.

She spread her curses amongst us

to make us become Iike her --

Iiving dead.

You better send them to bed in their own bedroom.

Didn't you hear me? Send them to their room.

Go on. To your bedroom, chiIdren.

No. I want to stay here with you.

PIease send him away.

PIease, go and take care of Mira.

Put herto bed and cover her properIy.

Go on, now.

Come on, Mira.

Don't, Jovan.

Don't.

You want this as much as I do.

More than me.

Don't. Leave me aIone.

No.

No.

I'd be aImost out of my head

wheneverthat crippIe of yours went to bed with you,

but now you're free.

I've wanted you so much for so Iong.

The onIy reason I stayed here was because of you.

Don't, Jovan.

We reaIIy mustn't do this. He was buried onIy just today.

It's more than a month that your damn husband has been dead.

AwhoIe month that we couId have spent together.

Is that where your uncIe is buried?

Yes.

What happened?

It was an accident.

What kind of accident?

Accidents are aII the same.

Hey! Go on!

Mira! Mira! Give me that doIIy! It's mine!

WeII, the sump is distorted and puIIed away from the crankcase.

-You think you can fix it? -Yeah, I expect so.

Good enough to get you to town, anyhow.

How much time wiII it take?

I don't have many tooIs, so I reaIIy can't say.

Jovan, my mind is made up.

I must go now.

If you shouId faiI in this...

it won't just mean compIete destruction foryou,

but forthe whoIe famiIy.

Don't go.

I am going whetheryou Iike it or not.

I'm not a coward. I'm going.

I cannot Iive with this curse any Ionger.

It's up to you, Pa, but you Iisten to me.

I'II give you untiI sunset,

but if you're not in the house by 6:00,

you're finished.

I won't have mercy foryou, even if you are my father.

I agree to that.

Give me the bIanket. We have to cover her up properIy.

Oh, what a beautifuI doII. Where did you get her?

You mustn't touch her. She's terribIy iII.

-Oh. What's wrong with her? -It's a speciaI iIIness.

She doesn't speak anymore. She has to sIeep now.

Listen, I shouId teII you that I'm a very famous doctor,

and if you want, I can cure --

Shh!

TaIk quietIy. Otherwise you'II wake her.

Oh, I'm sorry.

Hey! Come over here a moment, quickIy!

-What is it? -Over here.

Look at that.

-Put yourfingers there. -What for?

Put yourfingernaiIs in there.

WeII, it couId be fingernaiI marks, I suppose,

but no human being's that strong.

They weren't done by a human being.

But you needn't be afraid.

By tomorrow, the danger wiII have disappeared

and gone underground.

So, don't worry about ending the way my uncIe did.

But your uncIe didn't pass away yesterday, did he?

No! A month ago.

Jovan kiIIed him.

Jovan?

Hey, VIado, get over here!

Come on!

You damn witch!

I'm not going to end up Iike my brother!

You want another bIanket on the bed?

No, no. Thank you. It's fine as it is.

Look at this. There's a button coming Ioose.

WeII, it happens quite often.

Your wife shouId take care of this.

Yes, I agree, if I had one, but I haven't found the right girI.

I Iike that. AII of you men say those things.

You know, when you're smiIing, you're reaIIy IoveIy.

You're the first man who has ever said that.

There isn't very much to smiIe at here.

By the way, Sdenka...

TeII me what the heII's going on around here.

I get the impression that you're aII trying very hard

to hide something from me.

I can't teII you what's going on. You wouId think I'm mad.

How do you know? Why don't you at Ieast try me?

No. It's better not.

-May I pIease taIk to you, Doc? -Of course you can, Irina.

What is it?

She's awake, and she's much better.

Her voice is good as come back. Listen.

Ah, I must say I'm impressed.

-May I see her? -Yes.

Ah, her puIse is now steady. Hertemperature has gone down.

And her voice?

I'd say she's compIeteIy cured.

Hey.

Just now, I overheard you speaking to Sdenka,

and she was afraid to teII you, but I know what's going on here.

Oh? What's that?

WeII, there's a bIoodthirsty oId witch out there in the woods,

and at night she comes around to try to get us.

ReaIIy?

And why doesn't she come around during the day?

WeII, because...

Because witches are Iike eviI spirits.

AII bad things go around after dark.

But you needn't worry. Grandpa went to kiII her.

Grandpa went to kiII her?

And it's not easy.

You have to pierce her in the heart with a stick.

The troubIe is is that she's very strong.

-She might win against Grandpa. -And what if she does?

If she wins, Grandpa wiII turn into the same as what she is.

WeII, it seems Iike a pretty contagious disease, huh?

Oh, what's that?

It means an iIIness you catch easiIy, Iike measIes.

Oh.

-Listen, teII me. -What?

The others... do they know about this?

Yes, sure.

If Grandpa gets home when it's dark, after 6:00,

Jovan wiII have to pierce his heart,

because it means that even Grandpa

has become Iike that witch.

Just what do you intend to do with that?

Mind your own business.

WeII, I do mind my own business normaIIy.

But I want to give you a IittIe advice.

Leave yourfather aIone.

Mind your own business.

You are just an intruder.

And I'm teIIing you, if you so much as Iay a hand on yourfather,

I wiII make you pay for it.

Go away.

Get away from here.

Put that thing down.

I'm not afraid of you.

And don't take my advice too IightIy.

Don't forget what you said, Jovan.

No. Just a minute.

The Iast chime was stiII being rung when he opened the door.

And that means he was too Iate. 6:00 had passed.

No! It means it was stiII 6:00.

The curse has been broken.

There is the proof.

Hey!

Who's there?

Who's there? Wait a minute!

NicoIa!

NicoIa!

Come back in. It's coId. Why did you get out?

I thought I heard something,

and sure enough, there was somebody out there.

-Where? -There. Behind the house.

Behind the house?

That's where the chiIdren's bedroom is.

Who's there?

What do you want, Sdenka?

Nothing, darIing. Nothing at aII.

Have you heard any noises out in the forest?

-No, I was sIeeping deep. -So was I.

Good girIs, go back to sIeep now.

Mom is coming.

That door was open. That's why I went out.

I mean, it seemed rather strange.

WeII, there couIdn't have been anyone out there.

But I saw somebody. It wasn't imagination.

-You've been drinking this? -Yes.

If you're not used to it, it's a kiIIer.

Your imagination was pIaying tricks.

What the heII is going on down here?

Give a man a IittIe peace and quiet, can't you?

You're supposed to sIeep at night.

Go to bed.

Sorry, Father.

Ijust wanted to say I'm sorry about that.

The troubIe is we're simpIe, countrified peopIe, unsophisticated.

It's not yourfauIt, Sdenka.

You're the onIy one who's shown nothing but kindness to me.

What annoys me is that everybody eIse here has made it cIear

that they expect me to act as the wise owI.

WeII, it's not important.

Tomorrow, you'II Ieave, and this wiII mean nothing to you.

You're saying it as if you were sad about it.

Of course I'm sad about it.

Because we won't see each other anymore.

What you're saying is,

if we don't meet again, it's important, is that it?

For me, yes.

But you are different. You'II soon forget.

A IittIe time and I won't exist in yourthoughts.

No, you're wrong.

I was drawn to you, Sdenka, right from the first moment.

From the first time I saw you.

You onIy say that to make me feeI happy.

I'd much ratheryou didn't.

You see, I think I'm in Iove with you, NicoIa.

It's stiII Ieaking. But onIy a coupIe of spots.

It wiII be ready in a coupIe of hours. You can turn it off now.

HeIIo, Mira!

Are you trying to bIind me?

What a beautifuI watch.

Does it reaIIy work?

Yes. It aIso makes a sound.

Listen.

And who gave it to you?

That beIongs to my father.

Where'd you get it?

Grandpa gave it to me.

And why did he give it to you?

-It's a secret. -What secret?

I wasn't supposed to say that Irina had gone off with him.

-Gone where? -In the woods.

They Ieft earIy this morning. He came to get her.

WhiIe it was stiII dark?

Yes.

Irina!

Irina!

Irina!

Irina!

those deer wouIdn't be in the area now.

Irina!

They didn't go up the hiII.

Why don't we try this passage together?

-Wait a minute, Jovan. -Irina!

We've been Iooking for hours, and there's not a sign of her.

She's gone, and she's not coming back.

Why do you say that?

I'm frightened, Jovan.

I'm frightened at the thought that even yourfather...

Oh, no! No!

Had I been Ieft to do what I shouId have done,

my the oId man wouId have been dead

and the curse wouId have finaIIy been broken.

Sorry to be Ieaving Iike this,

without knowing what's happened to that poor girI.

Oh, but I'm so frightened, NicoIa. I'm so frightened.

A girI Iike you deserves a different Iife.

I'd Iike...

I'd Iike to take you away from this crazy pIace.

EIena is so upset right now. I couIdn't just desert her.

TeII me you'II come back in a whiIe, NicoIa,

that you'II eventuaIIy come and take me away.

Why isn't Sdenka back in the house yet?

What is she doing with that foreigner?

Bring her in, EIena.

Go on, get her!

Go on.

Gorca!

-Where is Irina? -I don't know.

-She was with you. -It's not true.

Irina Ieft with you.

Where is Irina? What have you done with her?

You bastard! What have you done to the girI?

TeII me!

What have you done with Irina?

No!

It's monstrous!

Murderers...

You're aII murderers.

I had to do it.

You saw him to. He wasn't Iike us.

He wasn't a human being.

But you can't understand this.

Maybe not.

But maybe we shouId Iet the poIice decide on it.

NicoIa! Wait a minute!

NicoIa, wait!

Don't, NicoIa! PIease don't!

Forget what you saw.

Forget the whoIe thing for me.

PIease don't go and teII the poIice! Don't teII anybody!

It couId be the end for aII of us.

So Iong, Sdenka.

NicoIa!

If you go to the poIice, then taIk to Kovachich --

Brigadier Kovachich.

He's Iived here. He'II understand what happened.

It's time to go to bed, EIena.

You go ahead. I won't be Iong.

PIease yourseIf.

Irina!

Irina!

Irina!

Irina!

Irina, what happened?

Where have you been, my darIing?

Oh, sweetheart, I've been going out of my mind with worry.

I thought I'd Iost you forever.

We searched aII day foryou. Where have you been, my darIing?

You're frozen, Irina.

Your cheeks are freezing.

EIena!

EIena!

Where are you?

EIena!

EIena!

Answer me!

EIena!

Are you aII right, EIena? EIena!

20, and with that makes 25 stacks.

You're Iucky to stiII find them here. I very nearIy soId them.

Then I thought I'd give you another day.

I had troubIe with the car

on the shortcut that runs through the hiIIs.

-How did you manage to get this far? -A man out there fixed it.

You know, I thought they'd aII moved out of the forest.

They were very strange.

TotaIIy ignorant and hardheaded.

From what I heard, they Ieft the area

because they were frightened witIess

by aII the IocaI crazy Iegends, fairy taIes, and --

Listen, is there a poIice post here in Zehdenick?

Yeah, sure, there's a smaII one.

Two orthree agents, but they're pretty difficuIt to find.

They shift 'em out a Iot.

Do you know a Brigadier Kovachich?

Yeah, sure, I know him.

I'd Iike to see him.

WeII, at this time you'II find him in the viIIage, in the church.

He goes up there and pIays the organ during his free time.

Excuse me, are you Brigadier Kovachich?

My name is Kovachich, but I'm no Ionger a Brigadier.

I was fired for being too superstitious,

for practicing exorcism.

They got rid of me

the same way they got rid of witches in the oId days.

What do you want with me?

I thought you were with the poIice here.

I want to report a murder.

Whose?

Gorca CiuveIak.

And I Iooked foryou because his daughter Sdenka toId me to.

Sdenka.

Such a pretty IittIe girI.

And somebody used a wooden stake to pierce his heart, right?

Yes.

Don't Iet it worry your conscience any Ionger, then.

That isn't cIassed as murder

because what it means is that poor Gorca was a VourdaIak

and aIready dead.

Dead bodies don't waIk about.

Those type of dead bodies do.

The VourdaIak are incorporeaI materiaI creatures.

Something Iike the notes of this music.

It's the terror of siIence on which they feed,

the terror of IoneIiness.

They kiII others primariIy because they want company,

especiaIIy those persons

they happened to have been in Iove with.

And their victims search fortheir own company.

A never-ending chain of death

unIess one can break a Iink.

But you don't beIieve me, do you?

No, actuaIIy no.

A viIIage Iike this is stiII attached to ancient traditions.

You must say nothing,

orthey'II go there and burn everything down

the same way they have aIways done.

Did you see aII those ruins?

Yes, I saw them.

If you care about Sdenka, go to her now.

Take her away before they pierce her heart

and they burn her with the whoIe famiIy.

Go for her now before it's too Iate.

Sdenka.

What happened, Sdenka?

Everybody's dead.

Irina murdered her mother.

EIena, Jovan -- and then everybody eIse.

You're so coId.

Why?

I was so terribIy afraid

because I didn't think you were going to come back.

How come you're stiII aIive and the others are dead?

I don't know.

Maybe because they Ioved me Iess than the others.

I want you to stay with me forever.

We won't be apart anymore.

We must not Iet anybody come between us, darIing.

There's bIood aII overyour neck.

What happened to you?

I don't know.

I haven't even noticed it.

It was probabIy a chip from the door.

I sIipped before when I Iocked myseIf in.

Anyway, it's not important. It doesn't hurt.

Don't be frightened, NicoIa.

You'II stay here with me tonight.

Next to me.

It'II be beautifuI, Iike ourfirst night together.

We'II be together...

Forever.

NicoIa?

NicoIa?

NicoIa!

-NicoIa. -No.

No. Go away!

Why are you afraid?

PIease caIm down, caIm down.

It's onIy Sdenka, your Sdenka.

Don't touch me!

But I Iove you.

I can't stay without you.

I came to take you away so that we can be together.

NicoIa.

Why are you running away from me, NicoIa?

I came here foryou.

CaIm down, NicoIa.

CaIm down.

What are you afraid of?

What are you doing?

No!

No! Let go of me!

Let go of me!

I'm not a murderer!

She was coId! She was aIready dead!

Go on, Iook at her!

Go on, Iook at herface if you think I'm Iying to you!

Have a Iook at what I've aIready seen!

You'II see the bIood running out, herface putrefying, too.

I'm not crazy!

I had to do it!

Look at her!

Go on, Iook at her!

Sdenka.

Sdenka!

Sdenka!