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Eߣ�B��B��B�B�B��matroskaB��B��S�g AoM�t�M��S��I�fS��M��S��T�kS���M��S��S�kS����M��S��T�gS��@$�O� I�f@�*ױ�B@M��libebml v1.4.5 + libmatroska v1.7.1WA�mkvmerge v95.0 ('Goodbye Stranger') 64-bitD��AI��� Da�
����Z s��4�?���)���*�ST�k���ׁsň&�l������ �� ��S_TEXT/UTF8"���enSn�English (SDH)U���D C�u@�������� I'm doing a risk analysis��B������ to see what's more expensive:��c�����
+ drilling the well
or getting sued.��
*C�u��&������ What'd you come up with?��Ǡ����+ We're pretty fucked either way.���C�u@��;p����� You know, that place can be
pretty rough at night.��n������ Behind the bar is
the safest spot.��ݠ����
� In front of the bar's
a completely different story.��������� Oh!��+C�u@��Qڠ���� This is Charles Newsom.�� �����B He's a geologist who specializes
in offshore drilling.�� ������m -[Cami] You think that's gas?
-[Nathan] The likelihood��LC�u@��i������ of a successful strike
is ten percent.��������� A ten percent chance of rain
is no chance at all.��A������ And you think it's there?���C�u@�炀Ơ���� -There's no question it's there.
-Go find it.�������z [Rebecca]
I said explain it...��m�����L -Hey.
-...not sell it���C�u@�炗2����� -like a fucking time-share.
-You know, me personally,����6 I prefer
the relationship to evolve��頣��� � just a little bit further��Ҡ����� before I start fucking
lying for somebody.���C�u@�炪ࠩ��� We don't have a "relationship."��7������ [Tommy] You're abandoning
a sure thing for a maybe.��������� It's your company.
Who knows, maybe you're right.���C�u@������� I want success.
Get that for me.��5������ I'm telling you, it won't work.��y�����U I gave her my word, Tommy.���C�u@���נ���� Does it kill the company?
Absolutely,��z������ but that company died
when her husband died.��x������ Her husband was the best,
but she ain't her husband.���C�u��������� * upbeat rock music *��
C�u��V$����� ***��
�C�u@���t�� [Tommy] I need all the shit
on the rig before we tow it.�� Ơ����
Because it'll cost
five times as much��,�ơ��� if we drive the ship down there
onto the barge, that's why.��-C�u@���z�ġ�� [Dale] No, no, no. I need
the specs on the bridge itself.�� ��¡�� � -What? What did you say?
-[Dale] No, no, no! No! I know��
�ʡā it's not a fucking drawbridge,
that's why we're taking it down.���C�u@���𠾡�� -Well, yeah, hey, but...
-Have to p-put me on hold.��������� -Hey, Nate? Nate?
-[Nathan] Hmm?��������
� Does DOT approve of us
taking down the bridge?��X������ Yes, but we also need
MARAD, LOTA and LDNR.���C�u@��
�ơ�� -I'm on with LDNR right now.
-[Dale] Well, this little boy,��������� he's saying that we need
Coast Guard approval��,�����
n -or some shit.
-You there?����� [Nathan]
Once LOTA and LDNR sign off...���C�u@�������� -[Dale] Uh-huh.
-...then we go to MARAD,��A�� -then we go to the Coast Guard.
-[Tommy stammers] Hang on.��8�����A Dale.
Let the lawyer play lawyer.��Ǡ����K -Please.
-All right.��MC�u@��4������ -[Nathan] Yep.
-[Angela] I know.��������� But I don't understand��c������ why she can't stay��X�����
� -at a hotel for the week.
-[Tommy] Are you there?��������k You know what,
it's a little nuts around here.���C�u@��NԠ���� -Let me call you back.
-[Nathan] Here, get me a guy--��6�����y [Tommy]
No, I'm gonna call you back.��������
� What did they say? Mama?��Ҡ����� I'm just gonna call you back.
All right.���C�u@��j������ -Thank you.
-[Dale] ...just yet. Hang on.�������� A You have to stay in the dorm,
baby.��ݠ����� -It's fine.
-[Angela] I'm not fine with it.���C�u��������� I don't care.�������o [groans] My baby's leaving.��������b Tommy, our baby's leaving.���C�u@��������� -[Nathan] Uh-huh. Okay.
-Honey,�������� she's not going to war.��ݠ����W She's going to a fucking
cheerleading camp, okay?���C�u@��������� -Just calm down. Here.
-[Angela groans]��8������ Drink that coffee.��������
� -[Dale] Uh-huh.
-[Nathan] No, I'll wait.��������� [Dale]
Well, put fuckin' Gates on.���C�u���-����� He has some answers.
Apparently, you don't.��n������ I'm here all goddamn day.
I'll--��BC�u@���٠���� Pop, everybody's
running around��B�� like chickens with their heads
cut off this morning, so...��������� if you want breakfast,
you might want���C�u���[����� to put your order in right now.��������� Ah, I don't want breakfast.��L������ [lighter flicks]��nC�u�������� What are you doing?��������� Watching the horses.�� @������ [horse snorts softly]���C�u@��5������ You not gonna ask me
about my day?�������� Said your days are all the same.��X�����4 So you're not gonna ask
to go with me?���C�u��N����� We tried that.
Once was enough.��
Ѡ���� Oh.��XC�u��fˠǡ�� You're just gonna sit there
and not complain about anything?��������� I might watch that View later.��+C�u@��~ ����� You're right,
they're pretty funny.��6������ Hmm.��Ҡ����
� I don't think
they're trying to be funny,��������� but they are.���C�u��������� So that's all you're gonna do?��������� I think I got physical therapy
this afternoon.���C�u@���ˠ���� [chuckles] Okay.��砛���m That explains it.�������� I knew it'd work.��Ƞ����� -That was you?
-Happy birthday,��C�u���5�ǡ�� Merry Christmas, and any other
holiday that warrants a gift.�������� And I think Cheyenne
covers it all.���C�u���~����� That she does.��X������ [Tommy]
Well, just so you know,��������� she ain't exactly got a...��oC�u@���*����� degree in physical therapy,��Ƞ����, so if she asks you to do
any weird backbends�������� or climb up the drainpipe,
don't do it.���C�u@�������� Son, there is very little
Cheyenne can ask me��Ơ����L to do that I wouldn't try.�������� [chuckles]��7�����? Yeah, well...���C�u��$������ I guess there's
worse ways to go.��b������ Hey, scoop that shit
out of there.�� cC�u��;������ I got aqua therapy
this afternoon.��������� [groans] Damn it.��W�����
� * quiet, atmospheric music *��WC�u@��gM����� Okay, you happy now?�������� � This ain't no
fucking frat house.��ޠ����� It's about as close
as you can get to one.��
�C�u��������� I'll see you later.��c������ Yeah.���C�u���Ӡ���� [door opens]��ݠ���� B [door closes]��������a When's the plane get here, Nate?��7C�u@��������� -Plane's ready.
-All right. You ready, honey?��M������ -We're gonna drive.
-To Fort Worth?��������� We need the time to talk.��6C�u@�������� Our baby is a woman now.��������� Yeah, yeah, I know, honey.�������5 I-I don't have time
for all that today.��yC�u@����� Okay? I'll see y'all
at the FBO. All right?��蠞���+ [Nathan]
All right.��������j -[Tommy] Bye, baby.
-Bye.�� �C�u@��������� [smooches]
Have fun at your little camp.��������� -I will.
-Okay. Use good judgement.��頽���K -In regards to what?
-Well, if you and your little���C�u@��Ǡ���� blonde, bouncy cheerleader
friends are out on the town�������� A having fun, contemplating
the fifth margarita,���C�u@��-����� just use good judgement.��+�����n -That's all.
-[Ainsley] Okay.������� � But I typically don't
drink margaritas.�������@ There's too much sugar
in the mix.��LC�u@��C������ I feel better already.��������B [voice breaking]
Okay, well, bye.��M�����
� I'll just suffer
this milestone all alone��
�C�u@��Y۠���� while you go play with
your little oil tankers.�� !����� � Okay?��z�����c And I don't give a fuck
about sugar in my margarita.��
lC�u��s������ It's gonna be okay.��Y������ Don't worry so much. Love you.��C�u@���ߠ���� Don't walk out on me,
you fucking asshole.��
�����
K [groans]��������� [Ainsley] I feel like
I'm forgetting something.���C�u@���>����� -[Angela] Help us with the bags!
-[Ainsley] Daddy!��������� [sighs] I swear to God,
you don't leave this house,��蠥���5 you just fucking escape it.��yC�u���/����� * propulsive music *�� Ơ���� [engine revs]���C�u��
ܠ���� * gentle music *��yC�u��s"����� ***�� �C�u���8����� ***���C�u@��'������ -Oh, fuck!
-Ah, Jesus!��y������ -What the fuck?
-God, you scared the hell--�������x I scared the hell out--
You scared the hell��������l -out of me!
-[sighs] My God.���C�u@��A������ [sighs]��b������ -Good morning.
-Good morning.��
Ѡġ��� Well, this felt pretty over
the last time we spoke, so...���C�u��`7����� I... I made it personal.��5������ I had no business doing that.��nC�u��vĠ���� Well, it was personal.��6������ It is personal. Excuse me.����
� I was upset.��
C�u���$����� [sighs] Yep.
You made that very clear.��C�u��������� Look, what...��������� I...��������
� What I'm trying to say is...�������l Fuck, why is this so hard?�� �C�u�������� I don't want�� �����b our time together...��
������w to be over.��XC�u@���<����� [Charlie] You know,
I don't hear an apology.��������, I'm not offering one.
This is a truce.��y����� Yeah, not looking
for one of those.��C�u��y����� I'm sorry.��������� You were right.���C�u��*������ About me.��蠙���L And it's not...��X����� "one day."��cC�u��H������ I'm lonely now.��������� You know,
lonely is what you chose.�� C�u��_)����� I'm... [sighs]�� A����� � I'm choosing different.�� �C�u��rנ���� [sighs]��y�ġ��
Trying to, anyway. You're not
making it very easy for me.��xC�u��������� * atmospheric music *��ݠ����� Just making you work for it.���C�u���u����� Yeah, you are. [scoffs]��6������ Mm-hmm.��������
� Don't like that very much,
do you?���C�u���O����� -No.
-No?��������z I do not.��X�����6 But, you know...�� C�u@���蠏��� What?��������� But you're smitten.��Ǡ����� [both chuckle]�������J I don't know if "smitten"
is the right word.��yC�u@�������� Oh, no? Standing on my porch
at 7:30 in the morning,��
n�����
� I think you're smitten
about something.��������� No, I'm intellectually
astute enough...���C�u@���Y����� -Oh.
-...to look past the bad jewelry��������� -and worse haircut...
-[scoffs] [chuckles]����ʡā� What are you talking-- This is--
this necklace is David Yurman.�� @C�u�� 䠣��� -Okay, fine.
-No, it is.��8������ -Well, it shows what you know.
-I'm smitten.��6C�u�� 09����� I like you.��������B * romantic music *��������� I like spending time with you.��VC�u�� ^⠐��� And...��������� I love your taste
in grooming products.�� b�����K [Charlie chuckles]��xC�u�� x ����� That's rare in a man.���C�u�� ���ȡ You understand I'm gonna be on
a rig for the next six months?�� Ơ����
* Mm-hmm.��!C�u�� �+����� It's...��������c a shallow rig,
I thought. Just...��������@ -Eh...
-Just right offshore.��WC�u�� �&����� It's not that far away,
I guess.��,�����n Jump on one of those airboats.��������� -You know?
-Mm-hmm.���C�u@�� ������ Dodge a few alligators.��,�����o -Yeah, I'm a lawyer.
-Yeah.��Ǡ����� I deal with alligators��7�����5 -for a living.
-That's right. You're a shark.��6C�u�� �蠔��� [chuckles]���C�u��
����� You know,
six months is a long time.��
������ I might require some, um...��7C�u@��
!����� you know, some home videos.�� �����L Yeah.��o����� Hopefully ones
that violate every�������� moral boundary
that you've set yourself.�� �C�u��
>'����� [both chuckling]��������� -All right? Good.
-[laughs]�� cC�u@��
R|����� I'm, uh, going to process that.�� B����� � -Mm-hmm.
-And then probably sue you.��������� [Charlie]
Well, that's fine.��yC�u��
n����� You can sue me. Just...��������� sue me
after you make the video, yeah?���C�u@��
������ You know, if you were
from Alabama or something,��
�����
L we wouldn't be having
this conversation.��������4 -You know that, right?
-I'm always amazed at���C�u��
�c����� the mileage an accent buys you
in the States.��ܠ����4 I'd never get away
with this in London.���C�u��
�h����� Well, ten percent is
pretty shitty odds.��A������ It's there. You watch.��
nC�u��
�頜��� Let's say it hits.����W Mm-hmm.���C�u��
������ Then what?��������� Well, I'm a treasure hunter.��,�����w It hits...��zC�u��f����� I'm going for the next one.��WC�u��%������ Uh, before I come visit...��z������ Yeah?��W������ ...I'd like to discuss
the mullet.��C�u��=������ [laughs]��������y -[truck door closes]
-[engine starts]��
�C�u��d������ ***���C�u@��ŏ����� [water running]��������B [Miguel babbling]��X������ How long is your day today?��!������ Uh, should be home
by 7:00. You?��
+C�u��� ���� Working a double. So, late.��x������ [sighs]���C�u@���d����� Okay. I'll, uh, I'll swing by
on the way home. Say hi.��
�����
L Oh. No.�������� I don't want you
to watch me bartending.���C�u@��k����� -Why not?
-'Cause it's...��ݠ¡��c I don't know. I don't mind
strangers watching me serve.��
������w Not sure I want you watching.��YC�u@��*ՠ���� Don't need
you getting any ideas.�������y I just want to see you.��z�����W -I don't care what you're doing.
-[chuckles]��
C�u��F۠���� You're not even
kind of my type.��
�����
m But those stray-dog eyes...���C�u��^������ Mm, they get me every time.��������� [chuckles]
I'm gonna take Miguel next door.���C�u��r������ [Miguel cooing]����X Hey, if I'm not your type,
what is your type?��
*C�u@���j����� Guess "stray dog" is
my type now.�������X -[scoffs]
-[Miguel babbles]��Ҡ����� Yeah, that's a compliment.��
C�u��������� Hi.��頚���M You ready to go?��Ǡ����W Yeah.���C�u���k����� Hey, should I get a haircut?��ޠ����B Don't change a thing.��
C�u���h����� I should get a haircut.��M������ * low, discordant music *��
�C�u��
P����� ***��6C�u��
w2����� [yawns]��6C�u��
������� -Ooh, linen?
-Hey.��������� Yeah. I'm gonna be outside,
it's gonna be very hot.��
nC�u��
�J����� Come here.��ޠ����B Outside where?��������
L What's your day like?���C�u��
�f����� Mm, having lunch with the girls.��B������ And maybe I'll go
to the village.��Ҡ����� Mm.��!C�u@��
�l����� Why don't you come with me?��7������ Let me show you the future.��M�����
+ The future?
Do you have a crystal ball?�� �C�u@��
������� I think maybe so.��z������ And you said it's gonna be hot?��������� -Very hot and very humid.
-I think I have��C�u��
����� just the right dress for that.���C�u��#堗��� Such a tease.��L������ * propulsive, exciting music *��C�u@���)����� [Cami]
Morning, everyone.��+�����n -[Dale] Morning, Cami.
-Morning.��������� You feeling lucky
this morning, Tommy?��nC�u���ᠺ��� Well, luck never drilled a well,
Cami. Not one.���C�u���n�š�� Well, maybe not, but how many
men did it inspire to drill?�������� Now, that's the question.��C�u���k����� -Is it?
-Well,�������� that's the question I'm asking.��C�u@�뒠���� I mean, how many times
has your gut lied to you?��6������ Well, that's not
your gut talking. That's greed.��6C�u���Ơ���� Greed's dug a million wells.�������� Now ask me how many times
greed was right.���C�u@��i����� Well, I guess in six months
we'll have our answer.�������W -[mouths]
-All right,��n����� let's get this show on the road.��C�u��:������ [airplane engine whirring]��������� ***���C�u��zm����� * melancholy music *��Ǡ����
My little dove is flying away.�������� It's just a week, Mama.��yC�u��������� It is foreshadowing my future.��c�� [sniffles] I mean, soon it's
just gonna be holidays and...��`C�u�������� [voice breaking]
...weekends...����W [Ainsley groans]��������� ...until you get married��
C�u@�������� and bring over
your little brood of babies.��
+�ȡ
n Dear God, let them be twin girls
that I can dress. [sniffles]���C�u���ՠ���� The whole house is
gonna smell like, uh...��������
diapers and...��LC�u������ baby powder.��a������ I'm gonna call you every night.��
������� Every morning. And I'm gonna��+C�u@������� call you every day
after practice.��Ҡ����W Unless I find
a really good day spa.��
������ Then I'm gonna call you
right after that.���C�u��'砚��� [Angela inhales]�� ����� -Okay. Go, go ahead.
-Okay.���C�u��Pՠ���� [sniffles] Mm.��y������ Here I go.��������
� Okay.��������� -Out into the world.
-Okay.���C�u��jĠ���� [Ainsley]
Love you.��B������ [breathing shakily]��������� If you love something,
set it free.�� �C�u���֠���� [Angela sobs]��������
� [breathing heavily]���C�u���)����� [sobbing]���C�u���렓��� [exhales]��������� God.��Ԡ����6 [breathes heavily]��C�u��ך����� [sobbing]��xC�u���⠒��� [groans]��z������ [sobbing]��砒���
* [groans]��y����� Okay.��yC�u�������� -[engine starts]
-[breathing heavily]��������x [automated voice]
Who do you want to call?��WC�u��*]����� Call Neiman Marcus.��,������ [line ringing]��C�u��=꠴��� [Jamie] Neiman Marcus
Shopping Concierge.��ޠ���� B Jamie.��n�����6 Angela?���C�u��R砕��� I need you.��ݠ���� Oh. Okay, babe. I'm here.��ݠ����` Okay. [sniffles]��MC�u��i������ -I'm coming. [chuckles]
-Okay.��������� -I'll see you soon.
-[Angela] Okay.��nC�u���蠞��� * low, tense music *��������� -The elevator's broken.
-Yeah, thank...��C�u��� ���� -thank you.
-You're welcome.��������@ [grunts]���C�u���n����� [groans loudly]��8�����z ***��������� [sighs]���C�u���3����� Hi.��+������ [quietly]
Uh, three...�� C�u�������� Hi.��������� Oh. Cute.��
�C�u�������� [squeals quietly]���C�u��3������ Hi!��������� Are you...��������
� -Your roommate.
-[Ainsley] Yes.���C�u��H2����� Are you on
the cheerleading team?��頰���M Do I look like
a fucking cheerleader?�� �C�u��^��� I mean, you would make a very
strong base for a pyramid.��
Ѡ����x I'm in the sports
medicine program.��bC�u@��sݠ���� Oh, cool.��������� Looks like they have us
paired up in the fall as well.��n�����
� I'm excited.��������� -I'm Paigyn.
-I'm, uh, Ainsley.�� BC�u���G����� Pagan?��n������ Pay-gin.��C�����x Like the godless religion?��B����� Um, it's actually Latin.��nC�u�������� -It means "country dweller."
-Oh.��W�����
K Are you from the country?��������� I am from Minneapolis.��
nC�u��Ĭ����� [Ainsley]
Is Paigyn Viking?�������� You know, 'cause...
the football team.��C�u���!����� Uh...��d������ it's still Latin,��W�����b -like I said seven seconds ago.
-[gasps softly]��+C�u��������� Is that a pet rat?��c�����
� It's a ferret.��������� What's a ferret?���C�u��P����� From the weasel family.��X������ What's a weasel?��砏���
Uh...���C�u��#������ basically, a big ferret.�� ������
You can say hi.���C�u��9S����� Hi.��頴���, [Paigyn]
Just getting used to your smell.��ܠ����
K [Ainsley sighs]�� C�u@��XX����� Would you be opposed
to a room freshener?�� ����� � A toxic airborne petrochemical��7����� that I breathe into my lungs?��LC�u�������� So, what are your pronouns?��+������ My pronouns?���C�u@�������� Well, I would hope
that's pretty clear.��L������ Yeah, I don't make assumptions.��������5 You could identify
as a sunflower.��nC�u�������� You know, I've been told
I look like one.�� ����� � I use they/them.��C�u@������� You know,
I've always been curious...��
m�����
� why they/them?��ǠɡÁ� 'Cause there's just one of you,
and those are plural pronouns.�� �C�u��쬠���� Just never really understood
the hoopla of pronouns.������l My name's Ainsley��C�u��p����� and I just can't
really come up with a reason��������A why you would address me
in third person���C�u@�������� in a conversation
that I'm a part of.��������� So, if you do,
I'm probably not there,��X�ȡ so I wouldn't really know what
pronouns you're using anyways,��
�C�u@��0������ so why would it matter?�������� You smell like the beach.��������5 [Ainsley]
Everyone says that. You know,��B�¡��� I think it's 'cause I use
coconut oil as a moisturizer.���C�u@��Km����� Of all the oils,
it penetrates the deepest.�� ������
+ This one smells
like coconut, too.��������) I would appreciate�� !C�u��e����� if you didn't use that word.�������� -Coconut?
-"Penetrate."��������� It's triggering.��yC�u��y������ It insinuates the patriarchal
power of the phallus.��������� -Phallus?
-Penis.����U [sighs]���C�u@�������� They sure can be triggering.��������6 Dude, I dated a boy one time��y����� and his was like,��n������ it was like a third forearm.��,C�u@��������� And I used to just spit on it
and stroke it��y������ and pretend to pass out,��B�ǡ��@ 'cause there was no way that
tree trunk was going inside me.�� C�u���J����� Do... do you eat meat?��������@ Are we still talking
about penises?��y����� [Paigyn]
I'm vegan.���C�u@��垠���� I would prefer you don't
eat meat in this room.��6������ I would really appreciate it�������
� if you didn't bring
any animal products��!C�u����� in this room, like those shoes
are probably cowhide.�������V Oh, no, babe.
These are Jimmy Choo.��BC�u��Π���� I meditate at noon.��������� Okay.��!�����x And I don't like music.��Ҡ����� Well, I'm not a musician.��zC�u@��%|����� I mean I don't like it
played in the room.��n������ This is my safe space��+������ and I need
my environment crafted��XC�u@�=������ to support my mental health.��������+ I think the...��Ҡ����� more attention
you give your mental health,��MC�u��T������ the better, Pagan.��!������ Pay-gin.������� That's what I said.���C�u��j������ No.��������X You said it different.��BC�u���(����� * uneasy music *���C�u���u����� Uh... I'm gonna let you,��ݠ����A um, they--
I'm gonna let you--��
C�u���#����� they-- meditate.��y������ And I will see they later.��������� I'll be back.��yC�u��
����� [breathes deeply]��+������ [creaking]��6C�u@��5^����� [BR] Man, I ain't seen
one of these in ages.��n������ You don't ever see 'em
around here.��������
� -No.
-Up in the Panhandle, maybe.��
MC�u��Mࠠ��� How deep is this well?��6������ 'Bout 1,000 feet.��n������ Hmm. Boy, they just prayed��6C�u��g����� and drilled
back in the day, huh?�� B������ Still producing
five barrels a day.��c�����J That two inch?��yC�u@���8����� This is where
our next one's going.��y������ But Coop, this is just sucking
on a little pocket.��7�����x You drill any further,
there's no guarantees.��C�u�������� This is a fault line.��������� Ten, 20,000 years ago,
an earthquake opened up a seam���C�u@��Ƴ����� to a reservoir
about 6,000 feet down.��������� You got seismic to back that up?��A�����w I got six wells to back it up.�� �C�u���_����� We keep drilling on this line,
we keep hitting.�� A�����
* Next one goes here.���C�u���q����� Let me tell it to Tommy
and Dale. See what they--��������
Hey. This is my crew now.���C�u��砞��� Are you not my crew?��������* Yes or no?���C�u��(R����� Yeah, we're your crew.��������c Okay, then.��蠮���
� We're not running
anything by Dale.���C�u��>����� It's your job to drill,
it's my job to choose where.�������� I choose right here.��+C�u��U������ ***���C�u��m������ All right.��������� All right.
Let's start working on a pad.�� ������� [grunts]���C�u���ݠ���� Just wildcatting now.��y������ -Fucking love it.
-Cool.��M������ [BR]
Yeehaw. Here we go.��C�u@�������� If this thing doesn't work,
it's our asses.�� Ǡ����
+ Boss,
if this thing doesn't work,�������� it's a couple million dollars
down a dry hole.���C�u���ʠ���� Our asses ain't gonna
begin to cover it.�� C�u���~����� [engine starts]��xC�u�������� * propulsive music *�� Ǡ���� [indistinct chatter]�� �C�u������� Hi, Gretel.��������� Picking up where we left off.��!������ Greta. Greta!
Gosh, I'm so sorry.�� C�u@��U%����� I just need a quick word.��K�����
� Well, I got
my dorm assignment today��������) and I met my roommate, and...��6C�u��mǠ���� you know, I don't feel
like we're a match.�������
� Let's see.��X�����k Uh... Paigyn Meester. Sophomore.��6C�u@���̠���� Majoring in sports medicine.����š�� Would seem like it's a good fit,
as you are a cheerleader,�� 砧���` and that is a sport, sort of.��zC�u���
����� Yeah, it's just more of
a personality thing.����W How so?��������x [Ainsley]
Well, for example,��XC�u@���_����� she wants our room
to be a safe space.�� ������ � And you oppose
your dorm room being a place��Ơ����� where a student feels safe?���C�u@���P����� No, no. But--��ޠ����B Well, but
she's deciding what is safe,��
������4 which for her is like,
no music, no talking,���C�u@��킠���� only vegan snacks
in the room, like--��X�ơ��� [chuckles] Hello, let's just
have a diet that's only carbs.�� Ơ����� And she has a ferret.��WC�u@�� $����� Can we even have pets��,������ -in the dorm room?
-A ferret?�������
I didn't know what it was,
either.�������� But you know
those sausage dogs?��WC�u@��Ѡ���� A Dachshund?��������! Yeah, it's like
the hamster version of that.����x And it kind of smells
like a hamster, but worse.��
�C�u@��9<����� Ainsley, one of
the many benefits��������� of university housing
is the opportunity�� A�����w to learn how
to both express yourself��yC�u@��S������ while accommodating those��������� who express themselves
differently.�������` Yeah, I don't get the sense
that she wants me��7C�u��k������ to express myself at all.��Ƞ����, How so?��頮���y Well, for example,
their pronouns--���C�u@���렞��� -Here we go.
-What?��������! Nothing. I'm just preparing
myself to be offended.��������6 -By all means...
-No, I-I-I don't care���C�u���L����� what someone's pronouns are.��蠛���+ I-I just, I mean,��M������ using a-a plural pronoun
for one person��xC�u@��� ���� is just kind of incorrect.�������X -Says who?
-Well, the English language.��6�����
� Ainsley, I'm not going to argue��cC�u@���{����� the evolving nature of
pronoun usage with you.��M������ They would prefer
you use they/them.��Ҡ���� -Why is that an issue for you?
-It's not,���C�u��ٍ����� but, so, she's telling...��������� ...they're telling me
what to call them���C�u���F����� and they're telling me
no music and...������5 all the things that they need
to feel comfortable,��
�C�u@��
m�¡�� but they're not asking
what I need to feel comfortable.��
������
� Did you inform them��!�����x of what you need
to feel comfortable?��+C�u��#t����� They didn't give me a chance to.��n�ˡŁ� Then it sounds like you and your
roommate have a lot to discuss.��C�u@��7꠲��� Ainsley, I'm not here
to referee issues��
+�����
n between you and your roommate.��������� That's your job now.��,C�u��O����� Assert yourself.��y������ Start acting like the adult��������� your driver's license says
you are.���C�u��d;����� I'm calling my mom.��7������ Or ignore my advice
and act like you're 11.��)C�u���m����� [gentle piano music playing]��7�����y [Angela sighs]
Jamie...��z�����6 Someday, it'll happen to you.��
�C�u��������� You'll pump all your love
into a child��w������ only to watch them
outgrow you and--�� �C�u���ߠ���� Ooh, that's nice.��6�����y Cavalli?��Ӡ����
� Summer collection.��n�����a -Mm.
-[phone buzzing]���C�u���3����� [sighs]��Ҡ����@ Baby?��頡���l [voice breaking]
Mama?���C�u�������� My roommate...��������� she's mean and scary and...��������� and she hates music.��
�C�u���� Can you switch?��n������ I asked
the admissions counselor.��c������ She said no.��yC�u@��ˠ���� [sighs]�������� She said to "act like an adult."�� !�����x She said what?�������� She said "act like an adult,��
C�u@��0������ like it says
on my driver's license."��
�����
L Which it doesn't say anywhere.��������� [Angela]
Oh, oh. Well, don't unpack.��,C�u��I����� I'm on my way. Okay, baby?��������c Okay. Thank you.��Ҡ����x [Angela]
Okay, I love you.���C�u��`-����� [call beeps off]�� C�u��y3����� [sniffles]���C�u@���ˠ���� Looks like she hasn't
outgrown me just yet.��
������
� I'll be back in an hour.��Ҡ����) [indistinct chatter]��yC�u���Ѡ���� * atmospheric music *��WC�u���f����� Turn it off.��������� Oh, but I can't see.��X������ I'm meditating.��C�u�������� [Ainsley]
Sorry.��Ǡ����+ [groans] Just...��,������ invading my safe space.��+C�u��ꠤ��� * upbeat, dramatic music *���C�u��`J����� -[knock at door]
-Come in.��z�����@ Let me guess:
Ainsley Norris' mother.��
+C�u@��}����� Oh, you've got a little
name placard, isn't that cute?��Ҡ���� Everything makes
so much sense now.��������� So, it sounds like we have
a little housing issue.�� �C�u@������� Oh, we don't have
an issue at all.��������� -Hmm.
-Ainsley and her roommate���ǡ��
� have some problems they need
to work out between themselves.���C�u@��������� See, when my daughter
has a problem,��y������ I have a problem.��n�����
� And when I have a problem,��6�����k everyone in the path
of my solution���C�u���n����� has a bigger fucking problem.�������� That sounds like
a threat of some sort.���C�u@��†���� I've read that
visualization is a tool��
Ѡ����5 that universities are using��,������ to help students
achieve their goals.���C�u���9����� Yes, we, um--��頣���M We find it very effective��蠮���� for athletes
and public speakers...��
�C�u@������� So, let's visualize.��������� Let's visualize
the level of fucking tornado�� Ǡ����� that I am prepared to become
over this housing issue.��
�C�u@��/������ Just close your eyes�� �����d and imagine that.��������� I don't need to close my eyes.
I can see it clearly.��
lC�u��G����� [Angela]
Mm-hmm.��Ԡ����
You know where you are?���C�u��Z������ M-My office?��������� Mm-mm.��6�����@ Not my office.��!C�u��pO����� Nope.��Ҡ����6 I am...��
�C�u���ܠ���� ...blocking the path
to your solution?��
)����� Boy. [sighs] That visualization
really does work.���C�u@���.�¡�� What would be your solution
to this particular problem?��������� -I have three, actually. Okay?
-Oh. Okay.�������� One, move Ainsley
into another dorm.���C�u@���W����� -Uh...
-Two,��y������ move her roommate
to another dorm.����š��
� Or three-- and I think you're
gonna really like this one--���C�u���F����� give her a waiver to the
freshman housing requirements��砳���
L and I will get her
an apartment in town.���C�u���Ӡ���� -That is by far my favorite.
-Great.��c������ However, she requires
a medical reason.���C�u@�� ������ She has allergies.��蠥���+ -Allergies it is.
-Mm-hmm.��A�����
� I will draft up a waiver
and add it to her file.���C�u��$����� When you have an address��Ӡ����7 -for the apartment, you can--
-[clicks tongue]��B����� � ***�� �C�u��=������ [line ringing]�� ������ [Angela sighs]��
C�u@��T����� Bowie House.��n������ -Hey, Rick.
-Angela,��������
� -how are you?
-[Angela chuckles]��������� Any better
and I'd still be me.��6C�u@��o������ Hey, is the Sorrel Suite
available?�������� A For you, it is.��-�����
� I'm gonna need it for the week.�������K It's yours.���C�u��������� Love it. Hey,�������X what's the address there?��������6 -Uh, 3700 Camp Bowie.
-Got that?��yC�u@���Ƞ���� [stammers]����á��
Thank you, doll. I'll see you
in about 30 minutes, okay?��������� Hey, do you want me to, uh,
reserve any loungers��C�u@�������� by the pool for you?��������� What a great idea. Yes.��z����� � How many girls are on
the cheerleading squad?��b�����L -I wouldn't have that inf--
-Eight, ten?��6C�u���ʠ���� -Uh, something like that.
-Uh-huh.��X������ Save me ten, Rick.��!�����A Done.��Ǡ����l Thank you.���C�u��Ꭰ���� Thank you, Greta.�������� I'm not sure what I did.��������� [sighs] You got out of my way.�� AC�u@������� That's really sad,��X������ because if TCU really cared
about horned frogs,��ܠ����� I mean, obviously,
they're lizards, but, like,��cC�u@��ݠ���� if they actually cared
about their mascot��M������ or the namesake of their mascot,��
������ they would do something
about the reality��7C�u@��+u����� that they're endangered, right?��������c Because, basically, there's
this influx of fire ants--��c�����
-[knocking at door]
-[Angela] Baby?�������� Did you invite someone?
'Cause I really���C�u��C������ don't want
a stranger in my space.�������� It's my mom.��6������ Aww.���C�u@��`?����� Grab your little suitcase, baby.��������� I booked you the Sorrel Suite
at the Bowie House.��!�����b -Really?
-Mm-hmm.��6������ -How long can I stay there?
-All of camp.���C�u@��y$����� Then we're gonna rent you
an apartment for the fall.��Ơ���� You're leaving?��Ӡ����w That's what you wanted,
isn't it?��7C�u@���6����� God forbid you try
to make her a friend.�� b����� � Speaking of friends,
I reserved the pool.��7�ġ��� You ought to invite all your
little cheerleaders to come.�� �C�u���ᠠ��� [Ainsley]
Great idea.��-������ [Angela]
That's the only kind I have.���C�u@��§����� I would invite you, too, but��ܠ����b you said that
you don't like music��������a and there's gonna be music
and dancing and fun,��
�C�u@���^����� and all the things
that you said you don't like.�� B����� � Quite the missed opportunity.��������m Bunch of dizzy cheerleaders
playing Marco Polo?��
�C�u��������� What's the big opportunity?��n������ To make a friend.
Come on, baby.���C�u�� ������ Bye.��������� -[door opens]
-[receding footsteps]���C�u@�� .O����� -[door closes]
-[sighs]��o������ -[Angela sighs]
-Thank you, Mama.�� �����W -[Angela grunts]
-She was so mean.��������l You ever notice how mean people
smell like leftovers?��
mC�u@�� L������ Your little eyes
and your little nose��6������ and your little heart
are all connected.��m�����
L She treated you bad, so you felt
like she smelled bad.�� C�u@�� c}����� She smelled bad
before she was mean.��
�����M Might be the ferret.��������@ How am I gonna get to camp?��B�ġ�� Guess I'm just gonna have
to stay the week and drive you.���C�u@�� ������ I wish you could stay with me
all of college.�� c����� � [chuckles] Well, baby girl,��������� that just might be the plan.��C�u�� �⠣��� -Yes.
-[Angela chuckles]��������
Please.��������� [whoops]��
C�u�� �m����� [engine starts]��X�����x [Angela]
Okay.���C�u�� ˡ����� Bye.��L������ Bye!��b�����V * propulsive music *��xC�u��!7k����� ***��
C�u��!hѠ���� [chuckles]���C�u��!�E����� [Bella gasps]��������� [Cami]
Oh!�� �����l Oh, my God.��!C�u@��!��š�� Well, there's humid, and then
there's the Louisiana bayou.�� ����� � Welcome to Louisiana.��,�����5 [exhales] What's that smell?��XC�u@��!�'����� That's money.����6 There's 73 billion barrels
of oil in the Gulf.��b������ And 440 trillion cubic feet
of natural gas.��xC�u@��!�ݠ���� Well, thank you
for joining, partner.��蠬���
L I wouldn't miss it
for the world.��X������ -[Bella] Hello.
-Let me just say��+C�u��!�2����� what a cute little jet you have.��������� Uh-huh. [laughs]��B�����
� $60 million dollar airplane.�� �C�u��"������ Costs $10,000 an hour to fly it.��
C�u��" w����� [Gallino]
Big day, partner.��+�����n Big day's about
six months from now.��y�����K Mmm.���C�u��"M������ [engine starts]�� C�u��"g������ ***���C�u��"�砡��� [echoing knock at door]��+�����
� [Cheyenne echoing]
T.L.?��
MC�u��"�ࠏ��� T.L.?��YC�u��"�ڠ���� Trying to decide
if I'm still asleep.��
K�����
� You dreaming?��B�����4 Mm. That's the debate.��BC�u@��"ﴠ���� What happens in
the dream version of this?��
�����
m If I tell you,��y�����) the awake version
might tuck tail and haul ass.��wC�u��#h����� Yep, this is how
the dream version goes.��
������ [chuckles]���C�u��#<������ I remembered a bathing suit.��������c Shit, I can't tell
if I'm awake or not.��C�u��#W������ Let's get to work.��zC�u��#pY����� [door creaks open]��x������ [door closes]���C�u��#�àɡÁ This is the strangest fucking
neighborhood I've ever lived in.��
�� * rhythmic country music *���C�u��#�㠱��� * You can set my house
on fire, baby *��������� * You can turn it
into cinder and smoke *��WC�u��#��� * 'Cause this house
is mighty cold *��X������ * And I feel like *���C�u��$&����� * Melting all the snow away *�� �C�u��$C㠍��� ***�� C�u��$[z����� * You see these boots
I'm wearing *��b������ * They're tough enough
to go... *���C�u��$q����� What?��Ӡ���� � Nothing.��7����� ***���C�u��$�M����� * You can set my house
on fire, baby *��������a * You ain't gotta die
to be dead to me *���C�u��$�j����� -[cheering]
-***��+������ * You ain't gotta die
to be dead to me *��C�u@��$ͧ����� [whooping]�� �����d * Well, you ain't gotta be
six feet deep *��
������w * Pushing up daisies
through concrete *��MC�u��$�𠬡�� -[sighs]
-* You ain't gotta die *��ޠ����! * To be dead to me *��c�����
� ***��yC�u��$�}����� * He was a-drinkin'
and a-hollerin' *��
+�����
� * And you know... *�� C�u@��%������ -I ordered snacks.
-What kind?�������� Shrimp cocktail,
chips and guacamole.����� -Yes.
-[chuckles]��nC�u��%#𠩡�� Tuna poke, whoo!
Ceviche, yum.��b�����a [Angela sighs]���C�u��%;#����� Thank you.��������� [Ainsley sighs]��M�����l This is how I imagined
college would be.���C�u��%W������ I mean,
this is how it should be.��ޠ����K This is how
life should be, baby.��C�u��%pQ����� -I agree.
-You know, every day,��
������
� you got to find a way
to celebrate life.�� �C�u��%�,����� I mean, that's the trick.��������� If you don't...��!�����@ Well, then you're my roommate.��WC�u��%�I����� Ex-roommate.��Ӡ����7 She's just mad at the world.��������
* -Mm.
-For no reason.��
*C�u��%�|����� I mean, she has a reason.��L�����
L What's her reason?�������� She doesn't like herself.���C�u��%͂����� Instead of fixing
the things she doesn't like,��5�����x she blames it on everyone else.�� �C�u��%�Q����� That's so sad.����6 It's so sad.��7�����
� Ainsley, we're gonna
play margarita Marco Polo.���C�u@��%�c����� [chuckling]
Wait, what is that?��������B If whoever's it tags you,
you gotta drink a margarita.��������
K -[laughs]
-You in?��頣���� -Yes. Want to play?
-No.���C�u��&ؠ���� [Ainsley giggles]��蠱���, -[chuckles]
-Look at that little butt.���C�u��&/������ -[girls whooping]
-[Angela] That's my baby.�� ����� � Grab life by the balls
and twist.���C�u@��&FU����� -Marco!
-Polo!�������� [cheerleader]
Marco!��,�����
� [cheerleaders]
Polo!����� * propulsive music *��
�C�u��&�~����� All right. Are we ready?��
�C�u@��&������� [Nathan]
30 years in this business,��������A I have never seen a viewing
party for a rig launch.����ơ��? Yeah. She put her own stamp
on this thing, that's for sure.��
�C�u��&�7����� [busy chatter]���C�u��&������� Thank y'all for coming.�������? Ah, Ms. Falcone.�� cC�u@��'������ This, uh,
this wasn't what we meant��+�����n when we said proof of launch.��ݠ����
� Well, I'd say this proves it,
though. Wouldn't you?��yC�u@��'-����� When I see a rig float by.��
�����L We appreciate the swiftness
you put this together.��������@ And I must say, I'm impressed
with the ceremony.��
�C�u@��'G\����� It's unnecessary, but...��B������ impressive nonetheless.��������x Well, hopefully,
you see our commitment��y�����V to honoring our obligations.��VC�u��'i����� It's pretty hard to miss.��,�����
� -Here we go.
-¿Que es esto?�� �����? -Mint julep.
-Okay.��XC�u@��'������ I like your style.��,������ Well, if you're
gonna take a risk,��M����� b you might as well celebrate.��o����� -Cheers. Tommy?
-Cheers to that.��������K No, I'm good.���C�u��'�M����� [overlapping chatter]��������� -[Cami] Mm.
-Mm. This is lovely.�������� [Cami]
Very fresh.���C�u@��'ĝ����� There goes the diet, Dale.��6������ Told you, I ain't on
no fucking diet, all right?�� �����a These Cajuns can cook.
I'm eating.���C�u��'�_����� Come sit with me for a minute.��
L������ * dramatic music *���C�u��(������ Oh, perfect timing.��蠗���� [Tommy]
Yep.��6C�u��(u����� Excuse me, hi. What are those?��+������ Alligator po'boys.��B����� Alligator po'boys?���C�u��(������ -Mm-hmm.
-[Dale] Shit.�������� Mmm.��BC�u@��(������ Oh...��Y������ -Damn.
-[Nathan] Dale.�������� -Yeah?
-[Nathan] It's coming.��Ǡ����J [Dale]
Yeah, yeah.��!C�u@��(������� -The rig's about to pass.
-[Dale] Look, man,�� �¡��c I spent two years on one of
them sons of bitches, okay?��������
� I do not need
to watch one float past.�� C�u@��(ϭ����� I'm here for moral support
and the food,��
�����
n all right? You need to try
one of these po'boys.��!������ -What is it?
-[Dale] Alligator.�� C�u��(�᠔��� Delicious.��z�����y Very well done.��������x -Oh!
-Mm-hmm.���C�u@��(�7����� -Yeah.
-Fuck yeah.����W Yeah, okay. It's good.������� � [Dale muffled]
I know, man.��������I * gentle music *���C�u��).������ I understand it now.��M������ What drove him.���C�u��)K������ There's a rush...��
+����� ...an exhilaration,
to the risk.�� bC�u��)cZ����� Las Vegas was built
on that rush.��
�C�u��)})����� Don't you feel it?��������
* No, ma'am. I don't.��LC�u��)�O����� But you felt it once,
didn't you?��
��5 I sure did.���C�u��)�K����� And that rush
cost me everything.�� ����� Now, I do anything I can
to avoid it.���C�u��)Շ����� And yet you work for
a company built on that risk.��x������ Built by my husband,
who thrived on it.��
�C�u��)������� Who built a fortune
because of it.��
�����l He died because of it, Cami.��yC�u��*렙��� No, I disagree.��n������ I'd say
it's what allowed him to live.���C�u��*<����� * melancholy music *��������
� President of my company
can't be averse�� cC�u��*SԠ���� to the very thing that built it.�� �C�u��*v^����� What are you saying?���C�u��*�Ԡ���� I'm saying you're fired.��
�C�u��*������ ***��yC�u��*������ Thanks.��������6 ***��yC�u��+n������ ***��yC�u@��+�Ƞ���� I used to live in Houston.��
�����
L And when you look up
at the sky there,��������` there ain't any stars.��7C�u@��+�堭��� All the city lights
drown 'em out,��Ơ����L so Houston ain't really
got a night.�������� It's just this...���C�u��+�#����� ...this muddy sky
until the sun rises. [sighs]��VC�u��,a����� What were you doing in Houston?��6�����x Same thing I'm doing here.��
MC�u��,h����� Minus the physical therapy.��M������ -[chuckles]
-[chuckles]��xC�u��,7@����� What's going on in that
silver-headed brain of yours?��
Ҡ����l Just thinking.���C�u@��,O����� If I was 30 years younger,��+������ I'd be chasing you around
this pool like a water bug.��
Ѡ����� [chuckles]��zC�u��,j������ T.L., if you was
30 years younger,��
L�����
� I just might let you catch me.�� bC�u��,�T����� -[chuckles]
-[chuckles]�� C�u��,�ࠩ��� You want to know what I wonder?��x������ About life,
like, my life in particular.�� bC�u��,������ * gentle music *��,������ What's the plan for me?���C�u��,�:����� Life ain't got a plan for you.�� ������ You got to have the plan.���C�u��,�7����� Then you wrestle with life
to make it come true.��������4 Hmm.���C�u��,�٠���� What do you want?��������� What everybody wants, I guess.��������� To be in love, and...��C�u��-N����� to see the world.��n�����b Want to know how much money
I've saved up?���C�u��-/����� How much?��蠓���+ [inhales]�������� $162,000.��蠦���? That is a pretty good chunk.��WC�u��-Iᠲ��� Want to know
what I'm gonna do with it?�������� [chuckles] Ain't got a clue.��������
� Me, neither.���C�u��-_b����� Not a clue.��L������ So, I figure I'll just keep�� A�����U socking it away until I know.���C�u��-vؠ���� See, you do have a plan.����W [giggles]��������� What was your plan?���C�u��-������� My plan didn't work out.�������� No?�� C�u��-������ So what's your plan now?��������W I'm working on it.���C�u��-�q����� Looks like
we have the same plan.��XC�u��-�$����� My name ain't really Cheyenne.��������@ Is that a fact? [chuckles]��WC�u��.ܠ���� It's Penny.�������� Don't tell anybody.��B������ It'll be our secret.��
*C�u��.+⠿��� And since we're coming
clean about everything, um...��������� I'm not really
a physical therapist.���C�u��.Cy����� You don't say?��
��� -[T.L. chuckles]
-[laughs] But I like it.���C�u��.at����� I don't think
I'm any good at it, but...�������W Don't sell yourself short,
Penny.��
nC�u��.xȠ���� This is the best therapy
I've ever had.��WC�u��.�֠���� -[loud rock music playing]
-[overlapping chatter]���C�u��.������ * I's made in a field *��������� * Full of stick tights
and thistles *��
*C�u��/������ * Ready from the jump like
a kettle when it whistles *���C�u@��/2b����� * Hot to the touch... *��������� -Hey.
-Yeah?��������� I'm all caught up.��������� I'm gonna go check on my son.���C�u@��/HH����� You want to watch
my side for me, Yoda?��������� Cover your patrons, I will.��6�����
m I don't understand
the Pig Latin.���C�u@��/\ࠩ��� Oh, come on, that's Yoda-Latin.�������� -Oh, is it?
-We've been over this.��Ҡ����
m -Oh, come on. Nerd!
-[Barney] Yeah.��X�����) -Beer. Yeah.
-* A panhandle twister *��nC�u��/w۠���� * Couldn't break this chain *��n������ * By the power
of the desert high sun... *��@C�u��/������ -[music continues muffled]
-[line ringing]��������� Hola, hola.��n������ [speaking Spanish]���C�u��/־����� All right. Bye.����á��
[Johnny] All you spic bitches
with your nose in the air.���C�u@��/�Ġ���� When your job was to serve me.�� Ơ����
You're banned from the cafe.��������� -We're not in the cafe.
-[grunts]���C�u��0����� We're behind the cafe.��W������ Well, you're banned
from the property.��,�����K You're trespassing.��+C�u��0&栦��� [scoffs] You're trespassing.��M������ You got some ID on you,
wetback?��XC�u��0>����� [panting]��ݠ����
� [grunting]��C�u��0U,����� [Johnny groans]��頙���M [both grunting]��������� No! No!���C�u��0u~����� [Johnny yells]��Ƞ����M [both grunting]��C�u��0������ [coughs]��������7 [Johnny grunting]��������
* My reckless *�������� * Is like prayin' for rain *��C�u��0�-����� * In Texas *�� �����@ * Oh-oh-oh-oh, oh... *��C�u@��0������ [Cooper]
Hey, man. Ariana here?��ݠ����A Who's asking?��,�����
� Fiancé. Cooper.�������� [laughs] Says you, man.���C�u��0�E����� [scoffs]��,������ * A thousand stallions *��X�����
L * Couldn't settle me straight *���C�u��1������ * A panhandle twister
couldn't break this chain... *��
K������ Oh, shit.���C�u@��1"t����� All right, well,
I guess you're Cooper.��Ǡ����+ [chuckles]
Oh, yeah. She's out back.�������� -That door?
-Yeah, that's the one.���C�u@��1;������ -Appreciate it.
-Yep.��y������ -[overlapping chatter]
-* Don't change *��,�����
l * Asking me to hang up... *���C�u��1R)����� [Ariana grunting, panting]�������� [Ariana]
No! No!��n������ No!��yC�u��1h����� [crying]
Stop!�� ������ [grunting]���C�u��1������ [both grunting]���C�u��1������� [panting]��������� [grunting]�������� Cooper. Cooper.��yC�u��1�w����� [grunting]��M������ Cooper!��������� [grunting]�� AC�u@��1ֶ����� Stop! You're killing him!��������X [sobs]
Cooper!��������
� You're goddamn right
I'm killing him. [grunts]�� C�u@��1�ɠ���� -[Ariana] Cooper!
-[grunting]��������� -[Cooper panting]
-Don't go to jail��c�����
� for this piece of shit. Please.��
C�u��1�栞��� Don't do that to me.��
�����n [Cooper and Ariana panting]��z�����
� [panting]��+C�u��2����� -[both panting]
-I got you.�� �C�u��2*d����� -You okay?
-[Ariana panting] Mm-hmm.�� �����a Hey, we're starting to get--��,C�u��2D٠���� What the fuck? Are you okay?��6������ He was waiting for me.��
�����
* I'm gonna, uh, call Odessa PD.���C�u@��2^"����� Hey, stay on your fucking back!��c������ [groaning] I'm hurt.�������@ -You're hurt, pendejo?
-No, hey, hey!��!������ -[Ariana grunts]
-[Barney] Hey, hey, hey,���C�u��2t���� stop, stop, stop, stop.��������6 -[Cooper] I got her, I got her.
-Stop.��Ƞ���� b -Come on.
-[whimpers]��zC�u��2�O����� -[sobbing]
-It's okay.��������
* It's okay.���C�u��2������� [crying]��XC�u@��2�0����� [Barney]
Okay. Fucking��Ƞ����N just... watch him, all right?��Ǡ����y Make sure he doesn't
fucking move. No, no, no.��c����� Hey, man. Uh...
the cops are gonna come.��
C�u@��2ڽ����� Stay, make sure that
they get back here.��Ǡ����+ That they can get around.�� �����
� * tense, dramatic music *���C�u��3������ * gentle music *���S�k fL���������������B�������������)��c����(��������R��
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