All language subtitles for Everybody Loves Raymond 30th Anniversary s10e02

Raymond. Yes, Philip. Still here.

I got nowhere else to go.

Welcome, everybody, to part two of the
Everybody Loves Raymond 30th Anniversary

Reunion Special.

Some of you may be wondering, why?

Why part two?

Money? No.

No. No.

We're not getting money.

We got stuff you haven't seen, stuff.

Stuff from behind the scenes. We got
stuff we did at the reunion that we

to put in but didn't have enough time.

And this is it. There's not going to be
a part three because I don't have

another jacket. I'm going to be honest
with you.

This is it.

What if they didn't see part one?

Oh, you mean my family?

No, of course.

Everybody saw part one. But in case you
didn't, I've always wanted to say this.

Previously on part one. A little deeper.
A little serious.

Really?

Previous. Hold on.

Previously. Previously.

You do it.

Previously on part one.

Ray was somebody you wanted in your
home. You wanted to be part of that

Love you. I love you. Thank you.

Please welcome Phil Rosenthal.

I have one new joke. My twins were born
here. Hi.

And what I didn't know about Ray's
family, I filled in with the

from my family. We can't go out and get
our own fruit.

Ladies and gentlemen, Patricia Heaton.

Ray Barrett, everybody.

Here's Monica.

Madeline and Sullivan Sweetin, are you
here?

During that first audition.

I kissed him. And when she walked out, I
go, that's the one.

You know what?

Who hyperventilates? Say the line.

Everything you saw Peter do, my father
did in real life without pants on.

To Dorsen Peter.

Yes. Yes.

Yes.

You have this amazing, iconic dance. I
wanted to ask if we can recreate it

now and boogie down a little.

What you don't see are all the people
that really made the show

with us.

Thanks for the good life.

Thank you, everybody.

Thank you, everybody.

So that was great. That was fun.

And, you know, off the top of my head,
one thing they didn't see was the first

time that you and I actually walked out
onto the set. Right. It was right before

we started the taping. And there was a
curtain in front of the set, so the

audience couldn't see it yet. But they
let Ray and I come out and take a look.

And for the first time, we're seeing
this set that, you know, we've lived on

nine years on. Yeah, it's been 20 years.

Wow. Down to the turkey.

I mean, like no time has passed.

Beautiful.

What have we done?

You know, it was emotional. I got
emotional.

I know you did, too. You didn't see me
cry, but because, you know, I have an

image. I'm going to be a Marvel hero, I
hope.

Great job.

Yeah, yeah. How are you?

Very good. Thank you.

Thank you.

Oh,

my goodness.

This is where I got pushed up against.
Yes, yes.

Yeah, no kidding. Listen, if I had PMS,
and I'm not saying that I have, is that

how you help me? By taping me? By
telling me I have PMS? That doesn't help

That doesn't help me.

What do you want me to do?

I don't know what to do.

Show me what you're doing. Just draw it
out for me. Have you ever thought about

giving me a hug? A hug?

Beautiful. All right. This is amazing.

I still smell Ray.

This is not a bather.

You look gorgeous.

It's a lighting. You look gorgeous. Look
how I look here.

Oh, it's a little different.

Isn't this better?

This is incredible.

Wow. I am like for glad from all this.
This is very nice.

It's such a different vibe without Ray
and Phil.

You know, it's like it feels free.

It feels like we can try things.

What, is Ray stuck under his wallet?
Where is he? I can't believe this. Hey,

man. Good to see you. It's been a while.

Yeah, it has.

I thought you would grow.

Remember you asked me, will I grow,
Brad? I said, of course you will.

Funniest guy in the world, in my
opinion, Brad Garrett.

At my expense.

I would agree with that. I love it. I
love it. The guy that he hugs, they live

together now.

Well, the truth is, he's never seen that
guy before.

That's his go -to, no matter who he
sees.

I know we talked about how the show
started, but we didn't talk about how

title came about.

Here's how that happened. To my chagrin.

The title, Everybody Loves Raymond, is
based on my real -life brother doing

exactly what...

Brad does in the pilot. He sees an award
that I get, and he goes, When did you

get this?

Oh, that's an award your brother got for
his sports column.

Never ends for Raymond.

Poor Robbie.

Everybody loves Raymond.

You used it as a working title, but you
promised me we could change it when the

time came.

And when the time came, the network fell
in love with the title, and here we

are.

Do you remember?

We already had the cups made, so we had
to do it.

Before the pilot reached the network
schedule, I get a call from Ray, and Ray

said, can you help me out with
something?

And this says more about me than about
anybody else in this story.

Of course I can help you. What do you
need? I really thought.

I'm the guy. I can help. I can solve
problems.

What's the issue?

The title of the show.

What's the matter with the title of the
show? It makes me self -conscious. What

if the show fails? Then everybody in
print is going to say, not everybody

Raymond. And I thought, you know what?

You're exactly right. I know Les Moonves
personally.

He loves the project.

He loves you. He loves me. Now, the last
part's not true.

But I did know him.

So I called Les Moonves. Hi, Les. How's
it going? Listen, I just talked to Ray

Romano. Yeah, fantastic.

We love the show. You love the show.
Everybody loves the show. Here's the

problem. Ray would like to change the
title.

Les Moonves, without missing a beat,
said absolutely not. And I said, okay,

great. Nice talking with you, Les.

I had to call Ray back.

Hey, yeah, Ray, get used to it.

It's not going to be anything, but
everybody loves Raymond.

The one thing he asked for and I
couldn't accomplish.

I'm so sorry, Ray.

I hate the name, too.

It's not too late, Dave.

Come on.

It's too late.

That Raymond guy.

That Raymond guy.

We don't need love in it. We'll be right
back with a lot more stuff, more of the

cast on the set, more classic clips.
We're going to see a lot of our guest

that we love.

Outtake. Outtake. Yeah.

Everybody loves the outtake.

That's the title. No.

I knew one day this would happen.

The cast was extraordinary.

Everyone was gently and carefully
chosen.

This is my notebook from the pilot of
Everybody Loves Raymond. April 9th,

this was the day Patty finally came in,
and she read with Ray, and I wrote

Bingo. I just want to say this one
thing, and we won't have to discuss it

anymore.

You're not blowing this for me, pal.

So you got to just be as creative as you
possibly could because you knew you had

these home run hitters making it great.

To me, it was like all in the family. It
was the same kind of brilliant acting

and brilliant timing.

I mean, everyone seemed so in tune to
each other.

You'd see it for the first time at the
table read, which is pure joy.

You're like, here's what we wrote, and
then you watch it come alive, and you're

like, oh, my God, what Brad Garrett just
added to this? Did not see that coming.

Well,

Brad, I used to call him the human blow.

You know, the blow to the scene is the
final scene, and the scene is supposed

get a laugh.

And you could put anything in Brad's
mouth.

You just have... Brad, say a word.

Pretzel?

Laugh. Get a big laugh.

Okay, this is Doris and Brad, and this
is March 18th.

Doris was on my original list, and I had
tried to get her in the door from day

one, but I could not get her in the
room. And finally, when she did come,

stopped me at the door, and she grabbed
my wrist. Then she said, listen to me.

If I don't get this role... I'm tearing
up my SAG card.

And I said, okay, well, that's a lot of
pressure.

But she was right. I mean, she knew she
was right for it. We knew she was right

for it. And that was that.

Okay, go golfing.

Have a good time.

To write for such sure -footed actors is
just a privilege.

The wife in a sitcom is very, very
important.

You want to find someone who's sweet and
tough and vulnerable and good -looking

and so many things.

People always think the show revolved
around Raymond, but I think in reality

revolved around Patty.

She's kind of the voice of reason in the
world, and you're almost seeing the

show through her eyes. Yes, yes, yes.

I have to do everything around this
house. If I don't do it, it doesn't get

done. Well, that's because, now take it
easy, that's how it's supposed to be.

That's how it's supposed to be?

I said take it easy.

Okay, now let me tell you something.

If I'm the one that has to do the
laundry, why should I be the one to drag

thing upstairs, huh?

Isn't the man supposed to carry stuff?
Isn't that the manny thing to do, huh?

Isn't that how that's supposed to be?

Obviously, you spent a lot more time
thinking about this than I have.

The show is so evergreen.

Because from generation to generation,
new young married people are watching it

and completely relating to it. And it
doesn't feel dated because it's this

eternal thing that everybody is dealing
with. And I think the reason the show is

so internationally renowned because I
was just doing some charity work in

Uganda. Wow. And a Ugandan fellow and I
were driving along and he started

telling me.

how bummed he was because that weekend
he had to go to a wedding from someone

that his wife worked with.

And he didn't know anybody there, and he
really didn't want to go. And I said,

even in Uganda, marriage is exactly the
same, right?

You travel a lot.

In real life, Ray's older brother is
shorter than him. Yes. And I

thought, oh, how great.

One of the reasons he's jealous is that
he's shorter than his younger brother.

So we were only looking for short
people. I was in New York during that

and I got a phone call from one of the
producers, and they said, we found the

brother. We found Brad Garrett.

And I was a comic.

Well, I had to kiss you, but Brad
didn't.

Oh, he did.

But you're better. You're a better
kisser.

They told me Brad Garrett. All I
remember from Brad Garrett was he had

first season of Star Search.

It's kind of neat when you're tall. I've
always been very large. As a matter of

fact, my mom is still in traction from
the birth.

I'm talking a big kid. The doctor had to
deliver me like this. It was, all

right, bring him back now.

I remember because of the comic I'm
watching, this six foot eight guy.

And he's telling me, yeah, we found your
brother. And I'm going, you found two

of them? I found two of my brothers.

And I was like, how is that going to
work?

And this is one of the beauties of how
you've got to get lucky in this. We

didn't really write that guy.

What he brought to it was his own thing,
you know?

Are you saying that I don't love my
mother?

Not as much as me.

You take her for granted.

But me, I cherish every ounce of
affection that woman gives me because I

fight for it like a dirty dog in the
street.

But you, you don't even have to try.

She makes it so easy for you.

You're just a fat kid sitting with his
mouth open at the end of a chocolate

assembly line.

You know, we see them periodically, but
we don't see everybody together.

Yeah. That was what was cool about the
whole thing.

And I loved when we all got to sit
around the kitchen table on the set and

through our favorite moments. There are
a lot of them. So when we come back,

here's some more.

How about we go upstairs and enjoy the
rest of today?

Okay.

Well, the wallpaper show, I said, you
know, the neighbor across the street

us used to routinely back his car out of
his driveway and smash into my parents'

cars. And I said, yeah, so maybe we
could do that where Frank and Marie back

into the car and Phil goes, no, no, this
is the Barones.

Hear that?

In true Raymond fashion, the biggest
laughs do not come from any joke.

It was the faces of Doris and Peter
getting out of the car.

At that time, it sort of encapsulated
everything that the

series was about, how intrusive the
parents had become. So I thought the

was sort of at its best in that moment.

Oh, and Deborah.

I've run out of things to put them in,
so I came to get the canister. What

canister? My canister with the blue
horses around the edge. Oh, yeah, I

that back.

Really? Yeah. The canister, it was
written by a friend of mine named David

Regal, and he wanted to run some Raymond
ideas about me just to do a spec

script. The first one he tells me about
is this dispute in his family between a

mother and a daughter -in -law about a
cookie canister that the mother -in -law

claimed had never been returned.

And I immediately said, forget your spec
script. I think... We could do this.

Oh, I'm sorry, Deborah.

I mean, now she sees. She's not always
right.

Is this what Grandma was looking for?

It was a great episode because it was a
good Deborah episode.

I got an apology.

Okay, do you have any idea what that
means? She apologized to me.

Patty had to play three things at once.

She had to play...

surprise that Marie took the fall, and
then gratitude, and then convince

everybody that she's mad at Marie, even
though she's actually really grateful

that Marie let her off the hook at that
moment.

Happy Easter, Raymond.

The fun of that, the whole second act is
this farce about the canister. Raymond,

happy Easter. Thank you.

Please, Frank, don't say anything. If
she finds out I had this thing. You're

big trouble, lady.

And that episode won her her second
Emmy.

It was just one little problem.

What?

It's really not a problem. I shouldn't
even use the word problem. It's just a

minor, minor, minor thing.

All right, what?

What is it?

She thinks I'm you.

There was a Steve Scrovan episode called
Raybert. She just assumes that I'm Ray

Barone from New York Newsday.

Robert is mistaken for Ray when he meets
a woman in a bar and they have an

encounter. And Ray at one point says,
wait a minute, but if she's a fan of

she must know I'm married. If she knows
my writing, then she must know I have a

wife. Had, had a wife.

You killed Debra?

Had to be done.

This woman shows up at the door, and the
reason I love this with Joy is here's a

wife, and here's a girl that is cheating
on his wife. And you're like, this is

going to explode.

Wait, how do you know Ray?

We met at a bar.

Ray and I are kind of dating.

Is there a problem?

No, there's no problem.

I'm just surprised that my husband has
time today.

You know, and it's like, wow, what an
opposite reaction that you're expecting.

I come to fix Sprinkler.

Isn't it great to see the writers?

You know, we usually keep them in a
hole, so it's nice to see them. We throw

food in.

The happiest place on earth was that
writer's room.

As a comedian, you don't laugh out loud
yourself a lot. I've never laughed more

than in that room with you guys. Me too.

Yeah, it was a magic place. And, you
know, the magic place on stage was

the kitchen table, which is why it was
great when we all sat around there

talking about our memories and our
favorite moments. We got more of that,

sure. Give a look.

All right, let's do a fast, like, what
do they call it? A lightning round.

Lightning round. Favorite scenes or
moments.

No fat with the tofu turkey.

We are all eating some.

Swallow it.

an aftertaste, doesn't it?

Oh, my God.

Madeline, do you have one? Yeah, I think
my favorite is another Peter one. He

was so incredible to work with. But my
favorite was Grandpa Steeles.

the Mexican fire chief name his two
sons?

Jose and Jose B.

Hey, listen.

stuck inside when the electricity went
out, I got to dance with Peter.

Don't worry about a thing, Amy. You're
in good hands.

This is wonderful, Frank.

Okay, okay. It's my turn again.

Please, Marie. She's waited her whole
life for this.

Another great one.

I loved when Debra was giving birth and
we were in the cop car.

All

right,

I'm going to need something to wrap the
baby in. Raymond, give me your shirt.

What? No, no, no, no.

Shall not look at thy brother's wife
there.

I don't think I'm seeing what I'm
supposed to be seeing.

What else are you supposed to see?

No,

maybe

it's not hurting so much anymore.

Will you stop looking then? Stop
looking.

Both our fathers have made little
appearances on the show.

Neither one of them is an actor.

We're doing your bachelor party. Oh, my
God. And we go to the Elks Lodge or

whatever it is, and they're the guys
that run the Elks Lodge. And I tell them

get a banner that says, Congratulations,
Robert.

And they mess it up, and they have,
like, two lines each, and they crush it

these two lines with no inflection at
all.

Hey, hey, hey.

What is this?

It's the banner you ordered.

It's supposed to say congratulations,
Robert.

I think on the phone you said Woody.

No, no.

Robert, congratulations, Robert. I can't
use this.

Well, we've got some balloons, but we
can't blow them up.

One of the joys of my life is having our
dads on the show.

Max and Albert.

They live on television.

If you like that, you know, every
episode is streaming on Paramount+. You

see it uncut without commercials.

Oh, I got to get a TV.

Yeah. My wife has strict rules.

Hey, but seriously, though, one of my
favorite things was the Q &A with the

audience. And we had a bunch of that.

This is great because we can show more
of it.

When we come back.

Yeah.

My question is, was anyone hurt in any
scene with physical comedy?

Yes. This young man. I think all of us
might have been hurt a little bit. No,

but you actually stopped tape.

Yeah, we.

We did a scene where I went to your
apartment.

You were a single man then.

And I wanted to hang out with you
because there's all these single women.

I go, what do you got here?

Look, you got cheese and crackers.

And I cut the cheese and I cut my
finger.

And I had to go get stitches. And the
audience stuck around.

And I came back like an hour later.

And they had recast you.

No, I remember telling you I did a
stupid joke. I go, well, thank you for

sticking around. I'll let you know what
happened. I went there, they sewed it

up, and they took a testicle. I don't
know what the... And then

we got a big laugh because then we did
the scene again.

And I start and I go, well, you got some
cheese here? I go, I don't want any

cheese like that, yeah.

Yeah, yeah, yeah.

I got hurt one time actually running
down the stairs.

I told you not to run.

I ran down the stairs. I hit my head on
the coffee table.

Oh, I didn't know that. Yeah, but they
were panning over to the kitchen. Oh. So

I held the cry in until they yelled cut.
And then, and then.

You know, my mom tells me that story. I
don't remember it. And that's why

Madeline owns the entire show.

Hi, my question was, do you guys have
any like pre or post rituals

from your show?

Just the sacrifices.

But Marie made, she made soup a lot,
Doris. She made soup in her dressing

didn't she?

She'd make, like, these big pots of
soup. And we would always do a feed

before taping where we would just sit
together on couches and chairs, and we'd

just say our lines really, really
quickly. And usually in the makeup room.

the makeup chairs while we're getting
touched up. And then afterwards, we all

went over to, what was the bar?

Columbia Bar and Grill. That's it.
That's it. Columbia Bar and Grill.

Gower. Yeah, with all the laugh out loud
moments from the show, I'm just

wondering if there are scenes you can
remember that it was hardest for you not

to break character.

Who would break? I had one where you can
see me laugh. You can see it on the

tape. We were just talking about it. It
was the funeral. We were at the funeral

for the neighbor who died. Yes. And if
you look upstage, you can see me

with Robert next to the casket and
pretending I'm crying, but I'm laughing,

you can tell.

Because he was being funny.

There's no one in there.

I was dying.

Hi, my question's for Patricia and Ray.

Patricia, when you were coming down the
stairs, I saw you look at the luggage.

I recently got married, and this is a
constant battle in my household as well.

So for your TV marriage and my real
marriage, can you guys finally resolve

and one of you move the luggage?

Now?

Right now.

I can have my assistant move it.

I don't have an assistant.

No, you made me move it. I'm not that
guy.

I keep it real.

Real with me.

You know, one of the things that people
said after the part one was, where was

the guest cast? Where was Stefania?
Where's Gianni? Well, when we come back.

We'll find out.

Yeah? Hey, got your futon delivered.

Robert, have you met Amy's brother,
Peter? Never had the pleasure.

We need a new captain. Who wants the
job? Hey, I do.

That ain't funny.

And you don't talk when we on the radio.
Now sit back.

Stefania! Gotta learn how to chill out a
little.

What's with this guy?

He's my father.

People are always wondering, how did you
get on the show?

Well, I am an actor. No, no, no, no, no,
no.

You. I'm talking about you.

You, Andy Kindler. The guy goes, hey,
what do you got going in there?

I remember the moment I got the gig. I
just quit my job two weeks prior as a

legal secretary.

And I was like, this is it.

think or swim. And I got the audition
and I didn't have a car because they

repossessed my car. So I had to take the
bus all the way to Colfax Studio for

the audition.

And my agent told me that the role was
for Queen Latifah. Give me the usual.

going to the ladies room.

I said, Lord, like, I don't want her
legs broken, but let her book something

else because I need this job.

Why are we taking a break?

What are we taking a break from?

How about a break from your mouth?

I walked in.

And I saw Ray Romano and he smiled at me
and I thought that was a really good

sign. She seems nice.

Well, Ray and I met in the 80s doing
stand -up. I had just moved out here and

got a phone call.

It was Ray. I got a table guy.

And he was like almost afraid to ask me,
you know what I mean? You think you

would want Ray?

Are you kidding me? Of course I would do
it.

You're the futon guy.

You're the assistant futon guy.

Me and Stefania, she's nothing.

You are beautiful.

Yeah.

Hello, Debra.

Oh, hello. I am Stefania.

I was so nervous to go in and audition
for A.

They'd already won everything in the
world.

It was already a top show.

Brad was making me laugh constantly.

So my audition was terrible.

They called two weeks later. Guess what?
You got it. You're going to Italy. They

couldn't find the Italian girl that they
wanted.

The frowny, frowny face.

He's always, I don't like, I don't want,
I don't think.

It is annoying.

I want to be able to call you guys, both
of you, brother man.

embraced me with open arms um but i was
a little nervous about joining these are

just amazing actors with amazing timing
putting on a one -act play i didn't

think i would be able to you know handle
that because i don't consider myself an

actor and if you've seen my work i think
you'd you'd agree now if you'll excuse

me miss putz and i have some cocoa on
the stove

My favorite moment being on Everybody
Loves Raymond was going to the club with

Brad Garrett.

Being at a club with all of these black
people in the club and him having to

dance. That was the one time he got to
do the robot.

He did it so well.

They wrote me really, really wonderful
lines.

What? What does he say? Sit back. I'm
not going to tell you again.

You just lost your tip.

And then I got to kiss Christine
Cavanaugh.

I never kissed my wife.

because we feel like it's just too much
aggravation.

When Ray and Deborah meet... What are
you doing?

Nothing. Hey, how are you?

He's hitting on her and flopping
terribly, right?

So maybe I'll see you there sometime.

Where? China Star.

Oh, well, yeah.

Probably be there for lunch tomorrow.

Actually, I just said Chinese today.

And my line was just...

As I'm walking away, I turn away, and my
line was, oh, my God.

And it just got the biggest laugh.

Things like that, I mean, they just make
you feel so good.

I told you I was going to be a writer,
right? Yeah. Yeah.

Yeah. What a way with words.

Literally. I will be at the airport and
somebody will go, Sergeant Judy!

And I turn around like, did somebody
call my name?

Every time I would go back to New York,
Johnny, Johnny, Johnny!

Hey, what's the matter, you can't put a
stove in?

For my parents, it was huge.

My parents started getting free food
everywhere because they were Stefania's

parents. When I would go back to JFK
International Airport, I was a hero

the show. All I had to do was stand on a
revolving platform and sold DVDs.

Really, really proud to be part of this
show. It's television history.

Okay, so a little fun fact is John
Manfalati and I met doing stand -up at

Improv in New York 35 years ago.

Wow, and he still talks to you?

Once in a while, when he needs money.

When we come back, everybody loves
outtakes.

See, that's the title. Better title.

You're right.

I am going to give you the secret to
marital bliss.

After you give it to him, why don't you
let me in on it?

We knew we had something special.

We also knew we were lucky as hell.

There is that lightning in a bottle feel
with great shows.

Will you stop your killing Christmas?

And by the way.

Sometimes the noodles in your lasagna
are overcooked.

Everybody knows Raymond has stood the
test of time and will stand the test of

time because these situations are so
relatable still.

It's just what families are, a universal
family life.

It's fine with me if you're gay, dear.

Everyone's mother is slightly
overbearing and everyone's mother

everyone's mother asks an uncomfortable
question.

You love him. You hate him. He disgusts
you. Look how he eats.

I think the show works today because it
actually comes from the heart. How do

you get along with your spouse? How do
you get along with your in -laws?

You know, what do you do with your
sibling rivalry?

These are problems that aren't going
away.

Oh, no.

And so it's just resolving all these
issues within this.

prison of family. I think it's worked
out very well.

It's so different from who you really
are.

Caring for each other, teaching each
other, loving each other, being mad at

other, that doesn't change.

Gobble, gobble, gobble.

Gobble, gobble, gobble. Yeah.

All right, here's one of our favorite
things. Tell the people...

how we would do these second takes on
shoot nights. About an hour before we

shot, I would go into my dressing room
with about two other writers, and we

would look at anything that was
interchangeable, a punchline that we

new line in or a new action in without
telling the cast.

Right, and it didn't affect the story.
Right, and it would be new for the

audience because the audience is seeing
it three, four times, so it was

something new.

So that was always fun. And then there
were outtakes.

Outtakes are different from second
takes.

Outtakes just happen on the cuff.

Usually mistake, or Brad likes to insult
me, that kind of thing. Those were fun.

And deserved.

I hope she's not there tonight, really.

She was such a nice girl, I was such an
idiot.

That's your line, Emmy winner.

Could it not be Gail?

Because I have a superior named Gail.

Look, I... Sorry,

sorry, sorry, sorry.

What's the matter, Raymond? Too many
scenes?

This is wonderful.

Oh, I love you.

Okay, here we go.

Is it?

What, Ray?

Nothing.

The only good thing in this room, my
penis is going to look huge.

once in a while. I'll read, and that's
your answer for everything, right? Do

even know how to read? Oh, I read. I
dance. I'm pretty.

All right, all right, all right.

Here, save your marriage.

I'm his brother, Russell. He owns a
comic book shop.

He's got cards there.

Russell's comic vintage... Russell's
vintage comics?

You should read more. Russell's...

When I come, I tell her. I want you to
tell her. It's time to rise up. Cast off

these shackles.

We're getting a lot of spit on us over
here.

Is that you crying in there?

It's all right, Robbie.

You're never too big to cry.

But you are too big for my underwear.

It's all right, Robbie.

You're never too big to cry.

That could be the title to your book.

Oh, Frank, it's all right, Robbie.

You're never too big to cry.

But the bedwetting's got to stop.

It's all right, Robbie.

You're never too big to cry.

Doo -dah, doo -dah.

Hey,

how's it going?

All right.

Can I just get you to sign for this?

Thanks a lot. All right.

What'd you get?

Hmm.

I think it might be in my throat.

Well,

you know, I was a little skeptical.

Do we need a part two? And I think we
did need it. We did. That was fun to see

all that. It was very nice.

We might need a part three. Don't get
greedy, Raymond. Just show us putting

makeup on.

But anyway.

What else do we want to say? Paramount
Plus, you can watch them all. Watch them

all without commercials, all the shows.

And we want to say happy holidays to the
people, right? Merry Christmas, happy

Hanukkah, happy Kwanzaa, whatever you
like. Happy New Year, happy everything.

Yes. Although when they rerun this,
that's going to look stupid. You're

look stupid. Maybe you look stupid for
saying that. No, it's going to be March,

and you're saying happy holidays.

You can still, people like holidays.
There's still holidays all year round.

hungry.