All language subtitles for Criminal Minds (2005) - S01E01_eng_rip

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified) Download
zh-TW Chinese (Traditional) Download
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English Download
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
el Greek
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranî)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,569 --> 00:00:05,406 CAPTIONING MADE POSSIBLE BY TOUCHSTONE TELEVISION PRODUCTIONS, LLC AND CBS 2 00:00:28,162 --> 00:00:30,198 * THERE'S NO NEED TO BLEED 3 00:01:00,128 --> 00:01:01,495 HEY. 4 00:01:03,364 --> 00:01:05,199 WOW! 5 00:01:05,833 --> 00:01:07,868 HEY, I'M HEATHER. 6 00:01:07,901 --> 00:01:10,238 NICE TO MEET YA. 7 00:01:12,673 --> 00:01:15,409 IT'S A 2.4 LITER 6-CYLINDER ENGINE. 8 00:01:15,443 --> 00:01:17,278 WITH HITACHI SIDE-DRAFT CARBS. 9 00:01:17,311 --> 00:01:18,579 THAT'S RIGHT. 10 00:01:18,612 --> 00:01:21,315 WANNA TAKE A LOOK UNDER THE HOOD? 11 00:01:21,349 --> 00:01:22,483 YEAH! 12 00:01:22,516 --> 00:01:24,852 YOU KNOW YOUR Zs. I'M IMPRESSED. 13 00:01:24,885 --> 00:01:27,288 YOU SHOULD HAVE YOUR MECHANIC CHECK IT OUT ANYWAY. 14 00:01:27,321 --> 00:01:30,358 HOW 'BOUT I LEAVE YOU MY NUMBER AND WE CAN SET IT UP? 15 00:01:30,391 --> 00:01:32,092 THANK YOU. 16 00:01:45,506 --> 00:01:49,210 SO IT'S JUST... RIGHT UP HERE. 17 00:01:50,278 --> 00:01:51,912 OH! THAT WAS-- HA HA... 18 00:01:51,945 --> 00:01:55,349 HELLO! THERE WAS THE RIGHT. 19 00:01:55,683 --> 00:01:57,885 UH, MAYBE JUST... PULL OVER HERE, 20 00:01:57,918 --> 00:02:01,222 AND WE CAN TRY AND DO A U-TURN. 21 00:02:05,393 --> 00:02:07,861 WHAT ARE YOU DOING? 22 00:02:13,367 --> 00:02:15,569 OK. 23 00:02:15,603 --> 00:02:18,272 STOP THE CAR NOW. 24 00:02:20,208 --> 00:02:22,410 PULL OVER NOW! 25 00:02:34,688 --> 00:02:36,357 AAH! 26 00:02:42,396 --> 00:02:44,932 HOW 'BOUT ANDREW? IT'S GREEK FOR VALIANT. 27 00:02:44,965 --> 00:02:47,435 LET'S CALL HIM...SERGIO. 28 00:02:47,468 --> 00:02:50,438 HA HA! PLEASE TELL ME YOU'RE KIDDING. 29 00:02:50,471 --> 00:02:51,305 BUTCH? 30 00:02:51,339 --> 00:02:53,274 HOW ABOUT DONALD? HANS. 31 00:02:53,307 --> 00:02:56,210 NO! WAIT, WAIT. UM... 32 00:02:56,244 --> 00:02:57,845 OK. GIDEON. 33 00:02:57,878 --> 00:02:59,780 NOT A CHANCE. 34 00:02:59,813 --> 00:03:01,682 IT'S HEBREW. LOOK WHAT IT MEANS. 35 00:03:01,715 --> 00:03:04,552 IT'S PERFECT. GIDEON HOTCHNER. 36 00:03:04,585 --> 00:03:05,853 NO. YES. 37 00:03:05,886 --> 00:03:07,388 YES. NO. 38 00:03:07,421 --> 00:03:08,556 GIDEON. 39 00:03:20,368 --> 00:03:21,402 1940s. 40 00:03:21,435 --> 00:03:23,837 HE PUT BOMBS IN TRAIN STATIONS AND MOVIE THEATERS. 41 00:03:23,871 --> 00:03:25,839 UH, THE MAD BOMBER. GEORGE METESKY. 42 00:03:25,873 --> 00:03:28,642 NICE. THE WINNERS SIT. LOSERS, DRINK. 43 00:03:28,676 --> 00:03:29,510 CHEERS. 44 00:03:29,543 --> 00:03:31,612 HOLD ON. METESKY WASN'T A SERIAL KILLER. 45 00:03:31,645 --> 00:03:33,314 NONE OF HIS BOMBS EVER KILLED ANYONE. 46 00:03:33,347 --> 00:03:35,349 WELL, YOU THINK ALL WE DO IS SERIAL KILLERS? 47 00:03:35,383 --> 00:03:37,518 TRUST ME, WE COVER THE WHOLE SPECTRUM OF PSYCHOS. 48 00:03:37,551 --> 00:03:39,520 WE PROFILED THE D.C. SNIPER, THE UNABOMBER. 49 00:03:39,553 --> 00:03:41,021 WE DO TERRORISTS, ARSONISTS-- 50 00:03:41,054 --> 00:03:43,724 SUPERVISORY AGENTS TRYING TO GET TRAINEES DRUNK? 51 00:03:45,426 --> 00:03:46,894 'SCUSE ME. 52 00:03:48,329 --> 00:03:51,732 WOW. BEHAVIORAL ANALYSIS UNIT. YOU WORK WITH GIDEON? 53 00:03:51,765 --> 00:03:54,935 WERE YOU WITH HIM IN BOSTON? 54 00:03:54,968 --> 00:03:57,405 I WAS SUPPOSED TO BE. 55 00:03:57,438 --> 00:04:01,475 YEAH. THIS IS MORGAN. 56 00:04:02,543 --> 00:04:05,613 ANYONE RECOGNIZE THESE FACES? 57 00:04:05,646 --> 00:04:07,014 VICTIMS OF THE FOOTPATH KILLER. 58 00:04:07,047 --> 00:04:09,049 THAT'S WHAT VIRGINIA NEWSPAPERS ARE CALLING HIM. 59 00:04:09,082 --> 00:04:13,554 WE REFER TO HIM AS THE UNKNOWN SUBJECT OR UNSUB. 60 00:04:13,587 --> 00:04:15,623 I TOLD VIRGINIA P.D... 61 00:04:15,656 --> 00:04:19,360 WE'RE LOOKING FOR A WHITE MALE IN HIS 20s... 62 00:04:19,393 --> 00:04:22,363 WHO OWNS AN AMERICAN-MADE TRUCK IN DISREPAIR. 63 00:04:22,396 --> 00:04:24,632 WORKS A MENIAL JOB. 64 00:04:25,399 --> 00:04:27,368 I TOLD 'EM WHEN YOU FIND HIM... 65 00:04:27,401 --> 00:04:30,671 DON'T BE SURPRISED TO HEAR HIM SPEAK WITH A SEVERE STUTTER. 66 00:04:30,704 --> 00:04:33,841 NOT TO SOUND SKEPTICAL, BUT COME ON... 67 00:04:33,874 --> 00:04:35,743 A STUTTER? 68 00:04:35,776 --> 00:04:38,346 WHERE'D THE MURDERS OCCUR? 69 00:04:38,379 --> 00:04:40,348 HIKING PATHS. ISOLATED. 70 00:04:40,381 --> 00:04:45,085 IF I'M A KILLER WHO HAS TO USE AN IMMEDIATE APPLICATION OF OVERPOWERING FORCE, 71 00:04:45,118 --> 00:04:47,388 EVEN OUT IN THE MIDDLE OF NOWHERE, 72 00:04:47,421 --> 00:04:48,756 I LACK CONFIDENCE. 73 00:04:48,789 --> 00:04:52,493 I CAN'T CHARM THEM INTO MY CAR LIKE TED BUNDY DID. 74 00:04:52,526 --> 00:04:57,498 I CAN'T BECAUSE I AM ASHAMED OF SOMETHING. 75 00:05:01,469 --> 00:05:02,736 EXCUSE ME. 76 00:05:02,770 --> 00:05:05,038 THEY'RE CALLING HIM THE SEATTLE STRANGLER. 4 VICTIMS IN 4 MONTHS. 77 00:05:05,072 --> 00:05:08,509 HE KEEPS 'EM ALIVE 7 DAYS. THE HANDLE SERVES AS A CRANK. 78 00:05:08,542 --> 00:05:11,545 ALLOWING HIM TO CONTROL THE RATE OF SUFFOCATION. 79 00:05:11,579 --> 00:05:13,113 TO PROLONG IT? TO ENJOY IT. 80 00:05:13,146 --> 00:05:14,382 SEATTLE'S HIT A WALL? 81 00:05:14,415 --> 00:05:17,084 PHYSICAL EVIDENCE IS NONEXISTENT. THERE ARE NO TANGIBLE LEADS. 82 00:05:17,117 --> 00:05:19,953 AND ANOTHER GIRL IS MISSING. 83 00:05:21,455 --> 00:05:24,592 I LOOKED THE CASE FILE OVER. I'LL GET SOME THOUGHTS TO YOU ASAP. 84 00:05:24,625 --> 00:05:28,028 YOU'RE GONNA BE WITH US IN SEATTLE ASAP. 85 00:05:32,666 --> 00:05:35,002 22-YEAR-OLD HEATHER WOODLAND. 86 00:05:35,035 --> 00:05:36,236 BEFORE SHE LEFT FOR LUNCH, 87 00:05:36,269 --> 00:05:39,773 SHE DOWNLOADED AN EMAIL WITH A TIME-DELAYED VIRUS ATTACHED. 88 00:05:39,807 --> 00:05:41,875 THE KILLER'S VIRUS WIPED HER HARD DRIVE 89 00:05:41,909 --> 00:05:44,545 AND LEFT THIS ON THE SCREEN. 90 00:05:49,950 --> 00:05:53,821 "FOR HEAVEN'S SAKE, CATCH ME BEFORE I KILL MORE. 91 00:05:53,854 --> 00:05:57,558 I CANNOT CONTROL MYSELF." 92 00:06:00,528 --> 00:06:02,730 HE NEVER KEEPS THEM FOR MORE THAN 7 DAYS, 93 00:06:02,763 --> 00:06:06,567 WHICH MEANS WE HAVE FEWER THAN 36 HOURS TO FIND HER. 94 00:06:06,600 --> 00:06:09,937 THEY WANT YOU BACK IN THE SADDLE. YOU READY? 95 00:06:09,970 --> 00:06:12,473 LOOKS LIKE MEDICAL LEAVE'S OVER, BOSS. 96 00:06:12,506 --> 00:06:14,508 THEY SURE THEY WANT ME? 97 00:06:14,542 --> 00:06:18,111 THE ORDER CAME FROM THE DIRECTOR. 98 00:06:22,716 --> 00:06:26,487 WELL, WE'D BETTER GET STARTED. 99 00:06:37,665 --> 00:06:40,901 JOSEPH CONRAD SAID, 100 00:06:40,934 --> 00:06:43,837 "THE BELIEF IN A SUPERNATURAL SOURCE OF EVIL 101 00:06:43,871 --> 00:06:45,105 "IS NOT NECESSARY. 102 00:06:45,138 --> 00:06:49,577 MEN ALONE ARE QUITE CAPABLE OF EVERY WICKEDNESS." 103 00:06:51,812 --> 00:06:53,080 THIS GIRL MAY ONLY HAVE 36 HOURS TO LIVE. 104 00:06:53,113 --> 00:06:55,949 WE'RE NOT ASKING FOR A JUDGMENT OF GIDEON. WE WANT AN ASSESSMENT. 105 00:06:55,983 --> 00:07:00,621 WE WANT TO KNOW YOU'RE THERE TO STEP IN IF HE CAN'T PERFORM. 106 00:07:00,654 --> 00:07:02,856 ARE WE CLEAR? 107 00:07:02,890 --> 00:07:04,958 OF COURSE. 108 00:07:08,562 --> 00:07:11,765 HIS FIRST VICTIM WAS 26-YEAR-OLD MELISSA KIRSH. 109 00:07:11,799 --> 00:07:13,200 STAB WOUNDS, STRANGULATION. 110 00:07:13,233 --> 00:07:14,401 WAIT, WAIT. BACK UP. BACK UP. 111 00:07:14,434 --> 00:07:17,204 HE STABBED HER... AND THEN STRANGLED HER TO FINISH HER OFF? 112 00:07:17,237 --> 00:07:19,039 OTHER WAY AROUND. WHY DO YOU THINK HE STARTED 113 00:07:19,072 --> 00:07:20,874 USING THE BELT WITH THE SECOND MURDER? 114 00:07:20,908 --> 00:07:22,743 STRANGULATION WITH YOUR BARE HANDS 115 00:07:22,776 --> 00:07:24,011 IS NOT AS EASY AS ONE WOULD BELIEVE. 116 00:07:24,044 --> 00:07:26,714 HE TRIED, PROBABLY FOUND THAT IT TOOK TOO LONG... 117 00:07:26,747 --> 00:07:27,815 SO HE STABBED HER INSTEAD. 118 00:07:27,848 --> 00:07:30,083 AND REALIZED IT WOULD BE HOURS CLEANING UP THE BLOOD. 119 00:07:30,117 --> 00:07:32,986 NEXT TIME, OUR BOY'S GOT A METHOD-- THE BELT. 120 00:07:33,020 --> 00:07:36,657 HE'S LEARNING, PERFECTING HIS SCENARIO. 121 00:07:36,690 --> 00:07:39,760 BECOMING A BETTER KILLER. 122 00:07:45,966 --> 00:07:49,169 WHAT DID I TELL YOU ABOUT THE TAPE? 123 00:07:51,805 --> 00:07:52,706 AAH! 124 00:07:52,740 --> 00:07:54,808 I'M SORRY, I'M SORRY, 125 00:07:54,842 --> 00:07:56,677 I'M SORRY, I'M SORRY. 126 00:07:56,710 --> 00:07:59,547 I'M SORRY, I'M SORRY! 127 00:07:59,580 --> 00:08:00,714 I'M SORRY! 128 00:08:03,784 --> 00:08:06,654 AAH! AAH! 129 00:08:06,687 --> 00:08:13,193 AAH! 130 00:08:32,312 --> 00:08:34,782 HE NEVER STANDS WITH HIS BACK TO A WINDOW. 131 00:08:34,815 --> 00:08:36,750 WHEN I WAS BETWEEN HIM AND A DOORWAY, HE ASKED ME TO MOVE. 132 00:08:36,784 --> 00:08:40,287 THAT'S HYPER VIGILANCE. IT'S NOT UNCOMMON IN POST TRAUMATIC STRESS DISORDER. 133 00:08:40,320 --> 00:08:42,623 JUST HOW MUCH DISORDER ARE WE TALKING ABOUT? 134 00:08:42,656 --> 00:08:45,959 MORGAN, IT'S BEEN 6 MONTHS. EVERYTHING'S OK. 135 00:08:45,993 --> 00:08:47,761 THIS IS SPECIAL AGENT GIDEON, 136 00:08:47,795 --> 00:08:50,698 SPECIAL AGENT MORGAN, OUR EXPERT ON OBSESSIONAL CRIMES, 137 00:08:50,731 --> 00:08:51,832 SPECIAL AGENT REID. 138 00:08:51,865 --> 00:08:52,733 DR. REID. 139 00:08:52,766 --> 00:08:54,735 DR. REID, OUR EXPERT ON, WELL, EVERYTHING, 140 00:08:54,768 --> 00:08:57,571 AND AFTER 2 YEARS BUSTING MY BUTT IN THIS OFFICE, 141 00:08:57,605 --> 00:08:59,206 I HOPE YOU REMEMBER ME. 142 00:08:59,239 --> 00:09:01,575 HE'S WILLING TO TRAVEL WITH THE BODY. 143 00:09:01,609 --> 00:09:03,777 THEN HE DRIVES A VEHICLE CAPABLE OF CONCEALING ONE. 144 00:09:03,811 --> 00:09:06,580 1 IN 7.4 DRIVERS IN SEATTLE OWNS AN SUV. 145 00:09:06,614 --> 00:09:07,981 EXPLORER WITH TINTED WINDOWS. 146 00:09:08,015 --> 00:09:09,850 EXPLORERS RATE HIGHER WITH WOMEN. 147 00:09:09,883 --> 00:09:11,952 BUT HOW DO WE KNOW IT'S HIS CAR? 148 00:09:11,985 --> 00:09:13,787 TED BUNDY DROVE A VW BUG. 149 00:09:13,821 --> 00:09:15,656 WHAT ABOUT A JEEP CHEROKEE? 150 00:09:15,689 --> 00:09:16,924 JEEPS ARE MORE MASCULINE. 151 00:09:16,957 --> 00:09:19,660 WE ALL KNOW HOW AN UNSUB FEELS ABOUT ASSERTING HIS MASCULINITY. 152 00:09:19,693 --> 00:09:21,995 WHEN DID THE BUREAU BECOME INVOLVED IN THE CASE? 153 00:09:22,029 --> 00:09:23,096 AFTER THE FOURTH BODY. 154 00:09:23,130 --> 00:09:25,132 HE DUMPED THAT ONE OUT OF STATE. 155 00:09:25,165 --> 00:09:25,899 ON PURPOSE. 156 00:09:25,933 --> 00:09:27,134 IF SO, KNOWLEDGE OF LAW ENFORCEMENT 157 00:09:27,167 --> 00:09:28,836 DOES SUGGEST A CRIMINAL RECORD. 158 00:09:28,869 --> 00:09:30,871 OR THAT HE WATCHES TELEVISION. MAY I? 159 00:09:30,904 --> 00:09:32,305 SO YOU WANNA SEE OUR SUSPECT LIST? 160 00:09:32,339 --> 00:09:33,941 NO, WE WON'T LOOK AT A SUSPECT LIST 161 00:09:33,974 --> 00:09:35,709 UNTIL AFTER WE COME UP WITH A PROFILE. 162 00:09:35,743 --> 00:09:36,610 IT KEEPS OUR PERSPECTIVE UNBIASED. 163 00:09:36,644 --> 00:09:39,847 WHEN DO WE SIT DOWN WITH YOUR TASK FORCE? 164 00:09:39,880 --> 00:09:40,614 00. 165 00:09:40,648 --> 00:09:43,617 00 TODAY? 166 00:09:43,651 --> 00:09:45,085 THAT'S NOT A PROBLEM. 167 00:09:45,118 --> 00:09:49,623 AGENT GIDEON, WHERE WOULD YOU LIKE TO START? 168 00:09:50,991 --> 00:09:55,228 LET'S START AT THE SITE OF THE LAST MURDER. 169 00:09:59,700 --> 00:10:02,803 SO THAT'S GIDEON? THE GIDEON. 170 00:10:02,836 --> 00:10:05,773 THE ONE WHO CAUGHT THAT GUY, ADRIAN BAAL, 171 00:10:05,806 --> 00:10:06,774 IN BOSTON. 172 00:10:06,807 --> 00:10:08,676 YEP. THAT'S HIM. 173 00:10:08,709 --> 00:10:13,113 BUT CATCHING HIM COST US 6 AGENTS. 174 00:10:30,463 --> 00:10:33,934 22-YEAR-OLD ANNE CUSHING WAS FOUND RIGHT HERE. 175 00:10:33,967 --> 00:10:35,903 NAILS CLIPPED JUST LIKE THE OTHERS. 176 00:10:35,936 --> 00:10:37,938 HE WANTS THEM TO FIGHT BACK. 177 00:10:37,971 --> 00:10:40,674 BUT NOT ENOUGH TO HURT HIM. 178 00:10:40,708 --> 00:10:42,810 AND HE LEFT THE BELT AROUND HER NECK. 179 00:10:42,843 --> 00:10:44,978 HE'S PROBABLY IN HIS EARLY 20s. 180 00:10:45,012 --> 00:10:47,681 WHAT'S YOUR REASONING? 181 00:10:48,481 --> 00:10:51,184 YOUTHFUL ARROGANCE. 182 00:10:52,052 --> 00:10:55,388 HE CLOTHED THE BODY BEFORE DUMPING IT. 183 00:10:56,023 --> 00:10:57,457 THAT'S A SIGN OF REMORSE. 184 00:10:57,490 --> 00:11:00,093 IT'S NOT CONSISTENT. LOOK WHERE WE ARE. 185 00:11:00,127 --> 00:11:02,963 HIS OPINION OF WOMEN IS PRETTY CLEAR, DON'T YOU THINK? 186 00:11:02,996 --> 00:11:04,431 THEY'RE DISPOSABLE. 187 00:11:04,464 --> 00:11:07,434 WHY SHOW REMORSE BY TAKING THE TIME TO DRESS HER 188 00:11:07,467 --> 00:11:11,038 BUT THEN DUMP HER HERE? 189 00:11:14,407 --> 00:11:15,375 SANDY, NO, NO, NO. I'M SO SORRY. 190 00:11:15,408 --> 00:11:17,978 NO, IT'S OK. IT'S WHAT WE CALL THE REID EFFECT. 191 00:11:18,011 --> 00:11:20,047 HAPPENS WITH CHILDREN, TOO. I'M AGENT HOTCHNER. 192 00:11:20,080 --> 00:11:21,081 THIS IS SPECIAL AGENT DR. REID. 193 00:11:21,114 --> 00:11:23,851 YOU LOOK TOO YOUNG TO HAVE GONE TO MEDICAL SCHOOL. 194 00:11:23,884 --> 00:11:25,418 THEY'RE Ph.D.s. 3 OF THEM. 195 00:11:25,452 --> 00:11:27,287 ARE YOU A GENIUS OR SOMETHING? 196 00:11:27,320 --> 00:11:28,488 I DON'T BELIEVE THAT INTELLIGENCE 197 00:11:28,521 --> 00:11:30,991 CAN BE ACCURATELY QUANTIFIED--BUT I DO HAVE AN I.Q. OF 187 198 00:11:31,024 --> 00:11:35,796 AND AN EIDETIC MEMORY AND CAN READ 20,000 WORDS PER MINUTE. 199 00:11:36,396 --> 00:11:39,066 YES, I'M A GENIUS. 200 00:11:40,033 --> 00:11:41,969 SANDY, YOU GET A LOT OF ATTENTION, DON'T YOU? 201 00:11:42,002 --> 00:11:42,936 YEAH, HEATHER LOVES THIS DOG. 202 00:11:42,970 --> 00:11:44,738 I FEED HER WHEN HEATHER'S AWAY. 203 00:11:44,772 --> 00:11:47,074 USUALLY, SHE'S FINE, BUT...LATELY, SHE WON'T EAT. 204 00:11:47,107 --> 00:11:49,977 IT'S ALMOST LIKE SHE CAN SENSE SOMETHING'S WRONG. 205 00:11:50,010 --> 00:11:50,944 NOT SENSE. SMELL. 206 00:11:50,978 --> 00:11:52,913 OUR APOCRINE SWEAT GLAND RELEASES SECRETIONS 207 00:11:52,946 --> 00:11:54,347 IN RESPONSE TO EMOTIONAL STRESS. 208 00:11:54,381 --> 00:11:57,751 SANDY'S WORRIED BECAUSE SHE KNOWS YOU ARE. 209 00:11:57,951 --> 00:12:00,353 DAVID, DOES YOUR SISTER DRIVE A DATSUN Z? 210 00:12:00,387 --> 00:12:04,457 NO, BUT SHE'S IN THE MARKET FOR ONE. HOW'D YOU KNOW? 211 00:12:06,293 --> 00:12:09,096 COME ON, SANDY. 212 00:12:10,030 --> 00:12:14,768 THERE'S AN IMMEDIATE RELATIONSHIP ESTABLISHED BETWEEN A BUYER AND A SELLER, 213 00:12:14,802 --> 00:12:15,735 A LEVEL OF TRUST. 214 00:12:15,769 --> 00:12:19,006 IF I WANT TO COAX A YOUNG WOMAN INTO MY CAR... 215 00:12:19,039 --> 00:12:20,507 OFFER HER A TEST DRIVE. 216 00:12:20,540 --> 00:12:24,912 OK, THEN HOW 'BOUT THE FACT THAT ON ONE HAND, WE HAVE PARANOID PSYCHOSIS... 217 00:12:24,945 --> 00:12:26,513 BUT THE AUTOPSY PROTOCOL SAYS WHAT? 218 00:12:26,546 --> 00:12:30,217 ADHESIVE RESIDE SHOWS HE PUT LAYER AFTER LAYER OF DUCT TAPE 219 00:12:30,250 --> 00:12:31,484 OVER HIS VICTIMS' EYES. 220 00:12:31,518 --> 00:12:34,321 HE KNOWS HE WANTS TO KILL THEM, BUT HE STILL COVERS THEIR EYES. 221 00:12:34,354 --> 00:12:36,156 HE DOESN'T WANT 'EM LOOKING AT HIM, APPARENTLY. 222 00:12:36,189 --> 00:12:39,426 OK, BUT THEN HE TAKES THE BODY AND DUMPS IT RIGHT OUT IN THE OPEN, 223 00:12:39,459 --> 00:12:40,828 MURDER WEAPON NEARBY. 224 00:12:40,861 --> 00:12:41,995 NOT THE M.O. OF A PARANOID 225 00:12:42,029 --> 00:12:43,230 CONVINCED HE'S BEING WATCHED OR SURVEILLED. 226 00:12:43,263 --> 00:12:45,398 PARANOID PSYCHOSIS, BUT BEHAVIOR THAT'S NOT PARANOID. 227 00:12:45,432 --> 00:12:46,699 MAYBE HE'S SCHIZOPHRENIC. 228 00:12:46,733 --> 00:12:48,568 MAYBE WE JUST DON'T HAVE ENOUGH FOR A COMPLETE PROFILE. 229 00:12:48,601 --> 00:12:49,870 WE HAVE ENOUGH TO NARROW OUR LIST OF SUSPECTS. 230 00:12:49,903 --> 00:12:53,373 WE'RE LOOKING AT LESS THAN 12 HOURS TO HAVE TO FIND THIS WOMAN. 231 00:12:53,406 --> 00:12:54,875 WE DON'T KNOW EXACTLY WHAT-- 232 00:12:54,908 --> 00:12:56,576 HOTCH, WE DON'T KNOW ANYTHING! 233 00:12:56,609 --> 00:12:57,244 ALL RIGHT, ENOUGH. 234 00:12:57,277 --> 00:13:01,014 LET'S TELL THEM WE'RE READY. 235 00:13:02,883 --> 00:13:05,919 WE'RE READY? 236 00:13:09,089 --> 00:13:10,090 REID. 237 00:13:10,123 --> 00:13:11,291 YOU'RE GOOD WITH THIS? 238 00:13:11,324 --> 00:13:12,792 WE'VE GOT A WOMAN WHO'S ONLY GOT A FEW HOURS LEFT TO LIVE, 239 00:13:12,826 --> 00:13:16,429 AN INCOMPLETE PROFILE, AND A UNIT CHIEF ON THE VERGE OF A NERVOUS BREAKDOWN. 240 00:13:16,463 --> 00:13:19,967 THEY DON'T CALL THEM NERVOUS BREAKDOWNS ANYMORE. 241 00:13:20,000 --> 00:13:22,535 IT'S CALLED A MAJOR DEPRESSIVE EPISODE. 242 00:13:22,569 --> 00:13:25,072 I KNOW, REID. 243 00:13:28,008 --> 00:13:31,011 THE UNIDENTIFIED SUBJECT IS WHITE AND IN HIS LATE 20s. 244 00:13:31,044 --> 00:13:33,446 HE'S SOMEONE YOU WOULDN'T NOTICE AT FIRST. 245 00:13:33,480 --> 00:13:37,117 HE'S SOMEONE WHO'D BLEND INTO ANY CROWD. 246 00:13:39,086 --> 00:13:40,353 THE VIOLENT NATURE OF THE CRIME 247 00:13:40,387 --> 00:13:42,455 SUGGESTS A PREVIOUS CRIMINAL RECORD-- 248 00:13:42,489 --> 00:13:44,992 PETTY CRIMES. MAYBE AUTO THEFT. 249 00:13:45,025 --> 00:13:47,995 WE'VE CLASSIFIED HIM AS AN ORGANIZED KILLER-- 250 00:13:48,028 --> 00:13:51,164 CAREFUL. PSYCHOPATHIC AS OPPOSED TO PSYCHOTIC. 251 00:13:51,198 --> 00:13:54,101 HE FOLLOWS THE NEWS, HAS GOOD HYGIENE. HE'S SMART. 252 00:13:54,134 --> 00:13:57,270 'CAUSE HE'S SMART, THE ONLY PHYSICAL EVIDENCE YOU'LL FIND 253 00:13:57,304 --> 00:13:59,506 IS WHAT HE WANTS YOU TO FIND. 254 00:13:59,539 --> 00:14:02,075 HE'S MOBILE, CAR IN GOOD CONDITION. 255 00:14:02,109 --> 00:14:04,011 OUR GUESS--JEEP CHEROKEE, TINTED WINDOWS. 256 00:14:04,044 --> 00:14:06,579 THE MURDERS HAVE ALL INVOLVED RAPES. 257 00:14:06,613 --> 00:14:09,082 BUT RAPE WITHOUT PENETRATION 258 00:14:09,116 --> 00:14:12,619 IS A FORM OF PIQUERISM, AND THAT TELLS US HE'S SEXUALLY INADEQUATE. 259 00:14:12,652 --> 00:14:17,057 PSYCHIATRIC EVALUATIONS WILL SHOW A HISTORY OF PARANOIA 260 00:14:17,090 --> 00:14:19,192 STEMMING FROM A CHILDHOOD TRAUMA-- 261 00:14:19,226 --> 00:14:23,596 DEATH OF A PARENT OR FAMILY MEMBER. 262 00:14:25,132 --> 00:14:29,169 AND NOW HE FEELS PERSECUTED AND WATCHED. 263 00:14:31,171 --> 00:14:32,572 MURDER GIVES HIM A SENSE OF POWER. 264 00:14:32,605 --> 00:14:36,109 ORGANIZED KILLERS HAVE A FASCINATION 265 00:14:36,143 --> 00:14:38,011 WITH LAW ENFORCEMENT. 266 00:14:38,045 --> 00:14:42,315 THEY WILL INJECT THEMSELVES INTO THE INVESTIGATION. 267 00:14:42,349 --> 00:14:45,352 THEY WILL EVEN COME FORWARD AS WITNESSES 268 00:14:45,385 --> 00:14:48,388 TO SEE JUST HOW MUCH THE POLICE REALLY KNOW. 269 00:14:48,421 --> 00:14:53,426 THAT MAKES THEM FEEL POWERFUL, IN CONTROL. 270 00:14:53,460 --> 00:14:56,529 WHICH IS WHY I ALSO THINK... 271 00:14:56,563 --> 00:14:59,032 IN FACT, I KNOW... 272 00:14:59,066 --> 00:15:03,903 YOU HAVE ALREADY INTERVIEWED HIM. 273 00:15:19,519 --> 00:15:20,520 HI. 274 00:15:20,553 --> 00:15:22,355 I'M SORRY TO BOTHER YOU. 275 00:15:22,389 --> 00:15:23,656 I'M HOUSE-SITTING DOWN THE STREET, 276 00:15:23,690 --> 00:15:26,226 AND WHEN I GOT BACK, THE DOOR WAS WIDE OPEN, 277 00:15:26,259 --> 00:15:27,961 AND THE LIGHTS WEREN'T WORKING. 278 00:15:27,995 --> 00:15:30,730 I FEEL STUPID ASKING THIS, 279 00:15:30,763 --> 00:15:31,764 BUT IS THERE SOMEONE 280 00:15:31,798 --> 00:15:34,701 WHO MIGHT BE ABLE TO TAKE A LOOK INSIDE WITH ME? 281 00:15:34,734 --> 00:15:39,539 RICHARD. RICHARD, GET DOWN HERE! 282 00:15:44,044 --> 00:15:46,413 ARE YOU SURE YOU LOCKED IT? 283 00:15:46,446 --> 00:15:48,515 YEAH. 284 00:15:53,220 --> 00:15:55,155 HELLO? 285 00:16:12,305 --> 00:16:13,106 HELLO! 286 00:16:13,140 --> 00:16:14,607 FBI! FREEZE! FREEZE! 287 00:16:15,675 --> 00:16:17,444 GET HIM DOWN! 288 00:16:17,477 --> 00:16:19,579 RICHARD SLESSMAN, FBI. 289 00:16:19,612 --> 00:16:23,483 YOU ARE UNDER ARREST FOR THE MURDER... 290 00:16:27,554 --> 00:16:30,457 EMERSON SAID, "ALL IS RIDDLE, 291 00:16:30,490 --> 00:16:35,595 AND THE KEY TO A RIDDLE... IS ANOTHER RIDDLE." 292 00:16:38,198 --> 00:16:39,666 THERE'S NO SIGN OF THE GIRL HERE. 293 00:16:39,699 --> 00:16:41,168 WE CAN ARREST HIM WITH PROBABLE CAUSE, 294 00:16:41,201 --> 00:16:42,535 BUT WE WON'T BE ABLE TO HOLD HIM. 295 00:16:42,569 --> 00:16:45,572 SLESSMAN'S BEEN AT THE TOP OF THE SUSPECT LIST. 296 00:16:45,605 --> 00:16:46,706 IS THAT THE MOTHER? 297 00:16:46,739 --> 00:16:49,242 GRANDMOTHER. THE MOTHER DIED IN A FIRE WHEN HE WAS 13. 298 00:16:49,276 --> 00:16:51,778 PROBABLY NOT THE ONLY FIRE IN HIS CHILDHOOD. 299 00:16:51,811 --> 00:16:55,615 BEFORE HIS SON OF SAM MURDERS, DAVID BERKOWITZ SET A MULTITUDE OF FIRES. 300 00:16:55,648 --> 00:16:57,550 EXACTLY HOW MUCH IS A MULTITUDE? 301 00:16:57,584 --> 00:17:00,187 ACCORDING TO HIS DIARY, 1,400 AND... 302 00:17:00,220 --> 00:17:01,154 88. 303 00:17:01,188 --> 00:17:03,356 LURING HIM OUT WAS YOUR IDEA, RIGHT 304 00:17:03,390 --> 00:17:06,559 ELLE. I DON'T SEND A SWAT TEAM INTO A HOUSE WITH CHILDREN. 305 00:17:06,593 --> 00:17:09,796 HOTCH SAYS YOUR BACKGROUND IS IN SEX OFFENDER CASES. 306 00:17:09,829 --> 00:17:10,963 WHAT CAN YOU TELL US? 307 00:17:10,997 --> 00:17:13,833 THE LAST 4 MURDERS SHOW HE'S AN ANGER-EXCITATION RAPIST. 308 00:17:13,866 --> 00:17:16,169 HE'LL KEEP A VICTIM FOR A COUPLE OF DAYS. 309 00:17:16,203 --> 00:17:18,738 HE PROBABLY RECORDS OR VIDEOTAPES THEM 310 00:17:18,771 --> 00:17:20,373 SO THAT HE CAN KEEP RELIVING THE FANTASY. 311 00:17:20,407 --> 00:17:22,475 YOU OK WITH HOTCH BEING IN ON THE INTERVIEW? 312 00:17:22,509 --> 00:17:24,511 I'D LIKE HIM TO LEAD, ACTUALLY. 313 00:17:24,544 --> 00:17:26,379 FINE. BUT HOLD OFF. 314 00:17:26,413 --> 00:17:29,116 SLESSMAN'S DONE TIME, AND HE KNOWS THE PROCESS. 315 00:17:29,149 --> 00:17:32,219 AND ALL YOU WILL GET NOW IS A DEMAND FOR A LAWYER. 316 00:17:32,252 --> 00:17:34,421 HOTCH, LET'S CHECK THE GARAGE, 317 00:17:34,454 --> 00:17:36,089 THEN SHOW ME WHAT YOU GOT. 318 00:17:36,123 --> 00:17:39,092 NEXT TIME, SHOW A LITTLE LEG. 319 00:17:39,126 --> 00:17:42,529 MORGAN, THE ONLY TIME YOU'RE GONNA SEE A LITTLE LEG FROM ME 320 00:17:42,562 --> 00:17:44,597 IS WHEN I'M ABOUT TO KICK YOUR ASS. 321 00:17:44,631 --> 00:17:46,766 I STILL TEACH HAND-TO-HAND OVER AT QUANTICO 322 00:17:46,799 --> 00:17:49,469 IF YOU NEED A LITTLE BRUSH-UP TRAINING. 323 00:17:49,502 --> 00:17:50,437 SERIOUSLY... 324 00:17:50,470 --> 00:17:52,639 I WANT THAT OPENING AT BAU. 325 00:17:52,672 --> 00:17:54,841 YOU GOT ANY ADVICE? 326 00:17:54,874 --> 00:17:57,810 JUST TRUST YOUR INSTINCTS. 327 00:18:02,182 --> 00:18:03,883 WELL, WE GOT THE JEEP RIGHT. 328 00:18:03,916 --> 00:18:05,685 AND EVERYTHING ELSE WRONG. 329 00:18:05,718 --> 00:18:07,620 THE BODIES HAD DEFENSIVE WOUNDS. 330 00:18:07,654 --> 00:18:10,790 RICHARD DOESN'T HAVE A MARK ON HIM. 331 00:18:11,391 --> 00:18:14,461 WE'RE MISSIN' SOMETHING. 332 00:18:26,473 --> 00:18:29,642 SOMETHING'S NOT RIGHT ABOUT THIS. 333 00:18:31,578 --> 00:18:33,846 THIS IS A BOY'S ROOM... 334 00:18:33,880 --> 00:18:36,783 NOT A MAN'S. 335 00:18:47,860 --> 00:18:50,197 LOG IN PASSWORD. 336 00:18:50,563 --> 00:18:52,765 NO, NO-- 337 00:18:52,799 --> 00:18:54,834 WAIT, WAIT! 338 00:18:55,968 --> 00:18:58,438 IT'S NOT TURNING BACK ON. 339 00:18:58,471 --> 00:19:00,807 YEAH. AND IT WON'T. 340 00:19:00,840 --> 00:19:03,776 IT WAS A FALSE PASSWORD. 341 00:19:17,657 --> 00:19:19,426 WHAT KIND OF GAME IS IT? 342 00:19:19,459 --> 00:19:21,228 IN CHINA, IT'S CALLED WEI-CHI. 343 00:19:21,261 --> 00:19:22,862 HERE WE CALL IT "GO". IT'S CONSIDERED TO BE 344 00:19:22,895 --> 00:19:25,365 THE MOST DIFFICULT BOARD GAME EVER CONCEIVED. 345 00:19:25,398 --> 00:19:27,900 CHAIRMAN MAO REQUIRED HIS GENERALS TO LEARN IT. 346 00:19:27,934 --> 00:19:30,837 IT ALSO LOOKS LIKE HE'S PLAYING HIMSELF. 347 00:19:30,870 --> 00:19:33,840 HOW CAN YOU TELL? 348 00:19:34,974 --> 00:19:37,810 THIS MIGHT PROVIDE AN ADVANTAGE, ACTUALLY. 349 00:19:37,844 --> 00:19:38,811 GO IS CONSIDERED TO BE 350 00:19:38,845 --> 00:19:40,713 A PARTICULARLY PSYCHOLOGICALLY REVEALING GAME. 351 00:19:40,747 --> 00:19:42,349 THERE ARE PROFILES FOR EVERY PLAYER-- 352 00:19:42,382 --> 00:19:44,784 THE CONSERVATIVE POINT COUNTER, THE AGGRESSOR, 353 00:19:44,817 --> 00:19:45,518 THE FINESSER. 354 00:19:45,552 --> 00:19:48,821 WHAT KIND OF PLAYER IS SLESSMAN? 355 00:19:50,022 --> 00:19:53,226 EXTREME AGGRESSOR. 356 00:19:55,928 --> 00:19:58,898 OK, HERE WE GO. 357 00:20:00,300 --> 00:20:02,602 WHAT'S THE NUMBER 6 AT THE BOTTOM OF THE SCREEN? 358 00:20:02,635 --> 00:20:06,473 NUMBER OF PASSWORD ATTEMPTS BEFORE THE PROGRAM WIPES THE HARD DRIVE. 359 00:20:06,506 --> 00:20:09,809 THERE COULD BE AN EMAIL OR A JOURNAL IN THE COMPUTER, 360 00:20:09,842 --> 00:20:12,579 SOMETHING THAT TELLS US WHERE HEATHER IS. 361 00:20:12,612 --> 00:20:15,815 DO YOU THINK YOU CAN BREAK IN? 362 00:20:15,848 --> 00:20:18,385 IN 6 TRIES? 363 00:20:18,651 --> 00:20:20,653 TRY AGAIN. FAIL AGAIN. 364 00:20:20,687 --> 00:20:22,955 FAIL BETTER. 365 00:20:22,989 --> 00:20:25,525 SAMUEL BECKETT. 366 00:20:26,293 --> 00:20:31,230 TRY NOT. DO OR DO NOT. 367 00:20:32,365 --> 00:20:34,233 YODA. 368 00:20:53,486 --> 00:20:56,489 I WANNA TALK TO HIM. 369 00:21:04,964 --> 00:21:06,733 YOU READ MY PAPER. 370 00:21:06,766 --> 00:21:09,268 LEARN ANYTHING? 371 00:21:09,702 --> 00:21:11,871 HEIRENS SAID A MAN LIVING INSIDE OF HIS HEAD 372 00:21:11,904 --> 00:21:14,941 WAS THE ONE WHO COMMITTED THE MURDERS. 373 00:21:14,974 --> 00:21:15,775 YOU SAID HE WAS LYING, 374 00:21:15,808 --> 00:21:17,944 THAT THERE'D NEVER BEEN AN ACTUAL CASE 375 00:21:17,977 --> 00:21:19,779 OF MULTIPLE PERSONALITIES. 376 00:21:19,812 --> 00:21:22,515 YOU HAVE AN ACADEMIC INTEREST 377 00:21:22,549 --> 00:21:24,851 IN DISASSOCIATIVE IDENTITY DISORDER, 378 00:21:24,884 --> 00:21:27,086 OR YOU JUST PLANNING YOUR DEFENSE? 379 00:21:34,927 --> 00:21:39,466 YOU A FAN OF ADRIEN BAAL'S WORK? 380 00:21:39,899 --> 00:21:41,668 NO. 381 00:21:42,502 --> 00:21:45,638 I'M A FAN OF YOURS. 382 00:21:46,739 --> 00:21:48,475 YOU KNOW... 383 00:21:49,108 --> 00:21:52,912 THEY NEVER GIVE YOU THE REAL FACTS ABOUT CPR... 384 00:21:52,945 --> 00:21:58,785 THAT OUTSIDE OF A HOSPITAL, IT'S ONLY EFFECTIVE 7% OF THE TIME. 385 00:21:58,818 --> 00:22:03,122 YOUR FRIEND HAD A 93% CERTAINTY OF DYING, 386 00:22:03,155 --> 00:22:05,024 BUT YOU KEPT TRYING... 387 00:22:05,057 --> 00:22:07,994 EVEN AFTER YOU'D BROKEN HIS RIBS, 388 00:22:08,027 --> 00:22:13,032 EVEN AFTER HIS BLOOD WAS ALL OVER YOUR HANDS. 389 00:22:15,935 --> 00:22:20,440 WHY DON'T YOU TELL US WHERE HEATHER WOODLAND IS? 390 00:22:28,848 --> 00:22:29,949 WOODLAND... 391 00:22:29,982 --> 00:22:33,986 ISN'T SHE THE GIRL THAT WENT MISSING A COUPLE DAYS AGO? 392 00:22:46,766 --> 00:22:49,536 GET HIM OUT OF HERE. 393 00:23:10,690 --> 00:23:12,892 HEY. 394 00:23:13,460 --> 00:23:15,061 HE IS "ISN'T SHE THE GIRL..." 395 00:23:15,094 --> 00:23:18,030 IF HE'D ALREADY KILLED HER, HE WOULD HAVE SAID-- 396 00:23:18,064 --> 00:23:19,466 "WASN'T SHE THE GIRL..." 397 00:23:19,499 --> 00:23:22,034 SHE'S ALIVE. WE DON'T KNOW FOR HOW LONG. 398 00:23:22,068 --> 00:23:26,105 IS IT TRUE WHAT HE SAID ABOUT CPR? I MEAN, I DIDN'T KNOW. 399 00:23:26,138 --> 00:23:28,608 YOU WANT STATISTICS ON CPR, ASK REID. 400 00:23:28,641 --> 00:23:30,810 I WANNA KNOW IF YOU'RE OK. 401 00:23:30,843 --> 00:23:32,679 I'M FINE. 402 00:23:32,712 --> 00:23:34,080 ARE YOU? 403 00:23:34,113 --> 00:23:36,516 THINK I CAN'T DO THE JOB? 404 00:23:36,549 --> 00:23:40,820 I THINK YOU CAN'T BE 2 DIFFERENT PEOPLE AT ONCE. 405 00:23:48,094 --> 00:23:50,129 WHAT IS IT? 406 00:23:52,231 --> 00:23:55,502 CONFLICTS IN THE PROFILE. 407 00:23:59,138 --> 00:24:00,940 2 DIFFERENT BEHAVIORS. 408 00:24:00,973 --> 00:24:04,076 2 DIFFERENT PEOPLE. 409 00:24:04,110 --> 00:24:05,778 THERE'S A SECOND KILLER. 410 00:24:12,719 --> 00:24:13,786 A SECOND UNSUB. 411 00:24:13,820 --> 00:24:14,687 IT'S NOT UNUSUAL. 412 00:24:14,721 --> 00:24:15,922 REMEMBER LAWRENCE BITTAKER AND ROY NORRIS? 413 00:24:15,955 --> 00:24:16,756 1979. THEY OUTFITTED A VAN 414 00:24:16,789 --> 00:24:18,057 TO RAPE AND MURDER GIRLS IN CALIFORNIA. 415 00:24:18,090 --> 00:24:20,927 WE'RE LOOKING FOR SOMEONE WHO FITS A SIMILAR RELATIONSHIP? 416 00:24:20,960 --> 00:24:23,062 THEY'RE NOT EQUALS. SLESSMAN'S SMART, 417 00:24:23,095 --> 00:24:26,566 BUT HE IS A SUBMISSIVE PERSONALITY. 418 00:24:26,599 --> 00:24:28,568 SO NUMBER 2 IS THE DOMINANT. 419 00:24:28,601 --> 00:24:29,335 AUTHORITATIVE, ARROGANT. 420 00:24:29,368 --> 00:24:30,537 PROBABLY NOT AS SMART AS SLESSMAN. 421 00:24:30,570 --> 00:24:31,904 HE'S LIKE THE SCHOOLYARD BULLY RECRUITING A GOOD UNDERLING-- 422 00:24:31,938 --> 00:24:36,108 HE'LL BE PROTECTIVE OF RICHARD. HE'LL MAKE HIM FEEL LIKE HE OWES HIM. 423 00:24:36,142 --> 00:24:37,510 IF RICHARD'S BEEN UP IN THE ATTIC 424 00:24:37,544 --> 00:24:39,078 FANTASIZING ABOUT BEING AN EXTREME AGGRESSOR, 425 00:24:39,111 --> 00:24:40,279 THIS GUY SHOWED HIM HOW TO DO IT. 426 00:24:40,312 --> 00:24:41,413 HE HELPED HIM TAKE THE FIRST STEP. 427 00:24:41,447 --> 00:24:43,983 I THINK WE SHOULD INTERVIEW HIM, USE THIS AS PRESSURE. 428 00:24:44,016 --> 00:24:46,085 NO, NO. WE NEED LEVERAGE. A NAME. 429 00:24:46,118 --> 00:24:47,186 FROM THE SUSPECT LIST? 430 00:24:47,219 --> 00:24:49,889 THAT'LL TAKE TOO LONG. THERE'S GOTTA BE A FASTER WAY. 431 00:24:49,922 --> 00:24:50,657 THERE IS. 432 00:24:50,690 --> 00:24:51,758 HERE. THIS MIGHT BE A LITTLE HOT. 433 00:24:51,791 --> 00:24:55,662 MRS. SLESSMAN, I DON'T THINK WE'VE GOT THE RIGHT GUY. 434 00:24:55,695 --> 00:24:57,730 I THINK THE PERSON WE'RE LOOKING FOR 435 00:24:57,764 --> 00:24:59,966 MIGHT BE A FRIEND OF RICHARD'S. 436 00:24:59,999 --> 00:25:01,267 RICHARD NEVER HAD MANY FRIENDS. 437 00:25:01,300 --> 00:25:04,236 YOU SURE? THERE'S GOTTA BE SOMEONE. 438 00:25:05,271 --> 00:25:06,839 YOU'VE REACHED PENELOPE GARCIA 439 00:25:06,873 --> 00:25:08,941 IN THE FBI'S OFFICE OF SUPREME GENIUS. 440 00:25:08,975 --> 00:25:10,076 HEY, IT'S MORGAN. 441 00:25:10,109 --> 00:25:12,311 NEED YOU TO WORK ME SOME MAGIC HERE. 442 00:25:12,344 --> 00:25:14,113 I GOT A PROGRAM CALLED DEADBOLT DEFENSE 443 00:25:14,146 --> 00:25:17,850 AND A GIRL WITH ONLY A COUPLE OF HOURS TO LIVE, SO WHAT DO YOU KNOW? 444 00:25:17,884 --> 00:25:19,251 THEN YOU'VE GOT A PROBLEM. 445 00:25:19,285 --> 00:25:20,587 DEADBOLT'S THE NUMBER ONE PASSWORD CRACK-RESISTANT SOFTWARE OUT THERE. 446 00:25:20,620 --> 00:25:24,090 YOU'RE GONNA HAVE TO GET INSIDE THIS GUY'S HEAD TO GET THE PASSWORD. 447 00:25:24,123 --> 00:25:26,959 I THOUGHT I WAS CALLING THE OFFICE OF SUPREME GENIUS. 448 00:25:26,993 --> 00:25:30,162 WELL, GORGEOUS, YOU'VE BEEN REROUTED TO THE OFFICE 449 00:25:30,196 --> 00:25:31,764 OF TOO FRIGGIN' BAD. 450 00:25:31,798 --> 00:25:32,765 THANKS ANYWAY. 451 00:25:32,799 --> 00:25:36,102 WELL, THERE WAS... THERE WAS THIS ONE YOUNG MAN. 452 00:25:36,135 --> 00:25:38,571 I THINK HIS NAME WAS CHARLIE. 453 00:25:38,605 --> 00:25:42,141 CROSS-REFERENCE CHARLIE FOR THE SECOND UNSUB. 454 00:25:44,210 --> 00:25:47,213 CHARLIE IS PROBABLY CHARLES LINDER. 455 00:25:47,246 --> 00:25:48,781 HE WAS SLESSMAN'S CELLMATE 456 00:25:48,815 --> 00:25:50,950 AND RECEIVED A DISHONORABLE DISCHARGE FROM THE MILITARY. 457 00:25:50,983 --> 00:25:54,353 HE'S BIGGER, TOUGHER. HE COULD HAVE PROTECTED RICHARD IN PRISON. 458 00:25:54,386 --> 00:25:55,722 WHERE WERE THEY INCARCERATED? 459 00:25:55,755 --> 00:25:58,257 CASCADIA. LESS THAN A MILE FROM HERE. 460 00:25:58,290 --> 00:26:00,192 LET'S GO. 461 00:26:01,327 --> 00:26:03,963 MY NAME IS RICHARD SLESSMAN, AND I HAVE TROUBLE SLEEPING. 462 00:26:03,996 --> 00:26:08,935 OK. WHAT DO I DO WHEN I'M TRYING TO GET TO SLEEP? 463 00:26:20,279 --> 00:26:21,948 GUYS, A LITTLE HELP. 464 00:26:21,981 --> 00:26:23,282 WE'RE GOING THROUGH EVERY ONE OF THESE CDs-- 465 00:26:23,315 --> 00:26:26,986 SCRATCHES, WEAR AND TEAR. I WANNA KNOW WHICH CD HE PLAYS THE MOST. 466 00:26:27,019 --> 00:26:28,788 LET'S GO. 467 00:26:28,821 --> 00:26:30,923 WE GET AN ADDRESS ON LINDER? 468 00:26:30,957 --> 00:26:32,091 IT'S COMING RIGHT NOW. 469 00:26:32,124 --> 00:26:35,327 DOES SENIOR MANAGEMENT WANT A FIELD ASSESSMENT ON GIDEON? 470 00:26:35,361 --> 00:26:36,262 DON'T WORRY ABOUT IT. 471 00:26:36,295 --> 00:26:37,529 ARE THEY NERVOUS ABOUT HIM BEING IN CHARGE? 472 00:26:37,563 --> 00:26:41,300 AREN'T YOU ON YOUR WAY BACK TO SLESSMAN'S HOUSE TO HELP MORGAN? 473 00:26:41,333 --> 00:26:44,737 DO YOU KNOW WHY HE ALWAYS INTRODUCES ME AS DR. REID? 474 00:26:44,771 --> 00:26:47,406 BECAUSE HE KNOWS THAT PEOPLE SEE YOU AS A KID, 475 00:26:47,439 --> 00:26:50,677 AND HE WANTS TO MAKE SURE THAT THEY RESPECT YOU. 476 00:26:50,710 --> 00:26:51,744 WHAT'S THE ADDRESS? 477 00:26:51,778 --> 00:26:54,413 DON'T THINK IT MATTERS ANYMORE. 478 00:26:58,985 --> 00:27:01,187 WINSTON CHURCHILL SAID, 479 00:27:01,220 --> 00:27:03,255 "THE FARTHER BACKWARD YOU CAN LOOK, 480 00:27:03,289 --> 00:27:06,993 THE FARTHER FORWARD YOU WILL SEE." 481 00:27:09,328 --> 00:27:12,164 ANYONE WHO CAN TELL US MORE ABOUT SLESSMAN? 482 00:27:12,198 --> 00:27:15,267 TIM VOGEL WAS THE SECURITY GUARD COVERING SLESSMAN'S BLOCK. 483 00:27:15,301 --> 00:27:19,305 THAT'S HIM OVER THERE. I'LL GET HIM FOR YOU. 484 00:27:20,072 --> 00:27:24,276 THAT WAS HOTCH. LINDER'S NAME CAME UP ON A POLICE REPORT. 485 00:27:24,310 --> 00:27:25,177 AND? 486 00:27:25,211 --> 00:27:26,412 HE'S DEAD. 487 00:27:26,445 --> 00:27:28,280 CAR ACCIDENT, 2 MONTHS AGO. 488 00:27:28,314 --> 00:27:31,818 LINDER IS DEAD. 489 00:27:34,921 --> 00:27:37,289 TOO BAD YOU GUYS CAME HERE FOR NOTHING. 490 00:27:37,323 --> 00:27:38,424 I MEAN, TALK ABOUT SCUM. 491 00:27:38,457 --> 00:27:42,394 I CAN'T REMEMBER HOW MANY TIMES I PUT LINDER IN SOLITARY 492 00:27:42,428 --> 00:27:45,397 FOR CAUSING TROUBLE WITH US. 493 00:27:46,398 --> 00:27:49,468 YOU'D THINK THE INMATES WOULD TRY TO STAY ON OUR GOOD SIDE, RIGHT? 494 00:27:49,501 --> 00:27:55,374 ESPECIALLY SINCE HALF OUR JOB IS PROTECTING THEM FROM EACH OTHER. 495 00:27:57,209 --> 00:27:59,378 YOU PROTECT THEM? 496 00:27:59,411 --> 00:28:01,881 IF YOU'RE A LITTLE WHITE GUY? 497 00:28:01,914 --> 00:28:04,416 ESPECIALLY IN A PRISON LIKE THIS. 498 00:28:04,450 --> 00:28:09,188 LINDER'S 6'4". YOU TALKING ABOUT SLESSMAN? 499 00:28:09,221 --> 00:28:11,423 OH, YEAH. 500 00:28:12,825 --> 00:28:15,895 THANKS FOR YOUR HELP. 501 00:28:17,196 --> 00:28:19,331 HE BEFRIENDED RICHARD, PROTECTED HIM, 502 00:28:19,365 --> 00:28:21,333 MADE HIM FEEL LIKE HE OWED HIM. 503 00:28:21,367 --> 00:28:24,403 HE FITS THE PROFILE. AND DID YOU SEE THEM? 504 00:28:24,436 --> 00:28:26,205 THE KEYS. 505 00:28:48,828 --> 00:28:51,263 HOTCH, I JUST FOUND YOUR LEVERAGE. 506 00:28:51,297 --> 00:28:55,367 HIS NAME IS TIMOTHY VOGEL. 507 00:28:59,305 --> 00:29:00,339 WHAT'S HE DOING? 508 00:29:00,372 --> 00:29:01,573 LOWERING THE ROOM TEMP. THE COLD PUTS THEM ON EDGE. 509 00:29:01,607 --> 00:29:04,276 OK, SO I WANT AN SPD, AND I WANT A SEATTLE AGENT IN THE ROOM. 510 00:29:04,310 --> 00:29:07,313 I WANT HIM TO SEE THAT WE'VE GOT EVERY DEPARTMENT WORKING ON THIS. 511 00:29:07,346 --> 00:29:08,915 AND I NEED SOME FILE BOXES. 512 00:29:08,948 --> 00:29:12,051 FILL THEM. I DON'T CARE IF THE PAPER'S BLANK. 513 00:29:12,084 --> 00:29:15,087 AND I WANT YOU TO WRITE THE NAME ON THE SIDES. 514 00:29:15,121 --> 00:29:15,955 WHOSE NAME? 515 00:29:15,988 --> 00:29:17,924 4 MONTHS OF INVESTIGATIVE WORK, 1 FILE, 516 00:29:17,957 --> 00:29:20,860 AND GUESS WHAT, RICHARD. IT'S NOT YOUR FILE. 517 00:29:20,893 --> 00:29:23,863 SEE, WE DON'T CARE ABOUT YOU. 518 00:29:27,934 --> 00:29:29,869 IT'S VOGEL WE WANT. 519 00:29:38,210 --> 00:29:41,280 I NEED A PASSWORD. I NEED A PASSWORD. 520 00:29:41,313 --> 00:29:43,315 WHAT AM I LOOKING FOR? 521 00:29:43,349 --> 00:29:46,218 WHAT COULD I POSSIBLY BE LOOKING FOR? 522 00:29:46,252 --> 00:29:48,220 I'VE BEEN THINKING ABOUT THE CDs. 523 00:29:48,254 --> 00:29:50,089 OH, REID, COME ON. WE TRIED THE CDs. 524 00:29:50,122 --> 00:29:52,058 WE SEARCHED, SIFTED, AND SORTED THROUGH EVERY ONE 525 00:29:52,091 --> 00:29:54,593 OF THIS GUY'S HEAD-BANGING HEAVY METAL COLLECTION. 526 00:29:54,626 --> 00:29:57,229 WE GOTTA FIND SOMETHING, OR THIS GIRL IS DEAD. 527 00:29:57,263 --> 00:30:00,032 THINK WE MAY HAVE MISSED THE OBVIOUS. 528 00:30:00,632 --> 00:30:02,568 WHAT ARE YOU DOING? 529 00:30:06,405 --> 00:30:08,841 REID, WHAT MADE YOU THINK OF THIS? 530 00:30:08,875 --> 00:30:11,878 IT WAS THE ONLY EMPTY CASE. 531 00:30:13,212 --> 00:30:16,148 ALL RIGHT. I'M AN INSOMNIAC WHO LISTENS TO METALLICA 532 00:30:16,182 --> 00:30:17,917 TO GO TO SLEEP AT NIGHT. 533 00:30:17,950 --> 00:30:20,019 WHAT SONG COULD POSSIBLY SPEAK TO ME? 534 00:30:20,052 --> 00:30:23,956 ENTER SANDMAN. 535 00:30:25,557 --> 00:30:28,961 WE FOUND OUT HEATHER WAS BUYING A USED CAR. 536 00:30:28,995 --> 00:30:31,998 YOU KNOW HOW CAR SALESMEN GET US TO BUY A CAR? 537 00:30:32,031 --> 00:30:34,266 THEY CALL IT RECIPROCITY. 538 00:30:34,300 --> 00:30:36,202 THEY DROP THE PRICE AND... 539 00:30:36,235 --> 00:30:38,170 FEELS LIKE THEY'VE DONE US A FAVOR. 540 00:30:38,204 --> 00:30:39,471 WE FEEL OBLIGATED. 541 00:30:39,505 --> 00:30:44,877 THERE'S A SUDDEN PRESSURE TO RECIPROCATE THIS ONE LITTLE FAVOR. 542 00:30:44,911 --> 00:30:46,145 AND IT'S SO POWERFUL THAT WE'LL... 543 00:30:46,178 --> 00:30:50,649 PUT A DEPOSIT DOWN ON A CAR WE'RE NOT EVEN SURE WE REALLY WANT. 544 00:30:50,682 --> 00:30:51,550 SO WHAT? 545 00:30:51,583 --> 00:30:54,220 SO VOGEL DID YOU A FAVOR. 546 00:30:54,253 --> 00:30:56,355 HE PROTECTED YOU IN PRISON, 547 00:30:56,388 --> 00:30:59,491 AND NOW YOU FEEL LIKE YOU OWE HIM 548 00:30:59,525 --> 00:31:01,493 AND YOU NEED TO PROTECT HIM. 549 00:31:01,527 --> 00:31:03,495 GUYS LIKE VOGEL LEARN IN THE SCHOOLYARD 550 00:31:03,529 --> 00:31:06,032 WHICH KIDS TO BULLY AND WHICH KIDS TO PROTECT, 551 00:31:06,065 --> 00:31:09,168 AND HE'S GOT YOU CONVINCED THAT YOU OWE HIM SO MUCH 552 00:31:09,201 --> 00:31:12,304 THAT YOU'LL GO TO JAIL FOR HIM. 553 00:31:14,006 --> 00:31:15,407 RICHARD... 554 00:31:15,441 --> 00:31:18,310 I'M HERE TO REMIND YOU OF SOMETHING. 555 00:31:18,344 --> 00:31:21,547 YOU OWE HIM NOTHING. 556 00:31:26,718 --> 00:31:28,955 THERE'S SOMETHING WRONG. 557 00:31:28,988 --> 00:31:30,289 WE GOTTA HIM PULL OVER. I CAN FEEL IT. 558 00:31:30,322 --> 00:31:34,226 YOU WANNA KNOW THE WORD REPEATED MORE THAN ANY OTHER IN YOUR FILE? 559 00:31:34,260 --> 00:31:36,362 IMPATIENT. 560 00:31:36,695 --> 00:31:40,466 YOU WANNA STOP HIM, YOU GIVE ME A REASON. 561 00:31:40,499 --> 00:31:41,433 HIS BEHAVIOR. 562 00:31:41,467 --> 00:31:43,402 WHEN WE LEFT HIM, HE WAS NERVOUS, UNSETTLED. 563 00:31:43,435 --> 00:31:45,304 BUT NOW HE'S STOPPING AT EVERY STOP SIGN. 564 00:31:45,337 --> 00:31:47,239 HE'S USING HIS BLINKER AT EVERY TURN. 565 00:31:47,273 --> 00:31:49,041 HE'S SLOWING AT YELLOW LIGHTS. 566 00:31:49,075 --> 00:31:53,345 THIS IS NOT SOMEONE WHO IS RUSHING TO KILL AND DUMP A BODY. 567 00:31:55,747 --> 00:31:58,284 OK. DO IT. 568 00:32:15,334 --> 00:32:19,638 FBI. PUT YOUR HANDS UP WHERE WE CAN SEE THEM! 569 00:32:20,706 --> 00:32:24,043 PUT YOUR HANDS THROUGH THE WINDOW NOW! 570 00:32:24,076 --> 00:32:25,944 NOW! 571 00:32:30,416 --> 00:32:34,220 ALL RIGHT, WITH YOUR LEFT HAND I WANT YOU TO OPEN THE CAR DOOR 572 00:32:34,253 --> 00:32:36,555 FROM THE OUTSIDE. 573 00:32:39,391 --> 00:32:40,492 GET OUT! 574 00:32:42,128 --> 00:32:43,329 IT'S NOT HIM! 575 00:32:43,362 --> 00:32:44,296 WHERE IS HE 576 00:32:44,330 --> 00:32:45,097 I DON'T KNOW! 577 00:32:45,131 --> 00:32:46,198 WHAT ARE YOU DOIN' DRIVING HIS CAR?! 578 00:32:46,232 --> 00:32:48,467 HE CAME UP TO ME IN THE GARAGE AFTER OUR SHIFT ENDED. 579 00:32:48,500 --> 00:32:49,601 HE ASKED IF HE COULD BORROW MY TRUCK. 580 00:32:49,635 --> 00:32:51,737 WHAT KIND OF TRUCK? HE'S DUMPING THE BODY. 581 00:32:51,770 --> 00:32:53,672 WHAT'S THE MAKE ! 582 00:32:53,705 --> 00:32:55,207 DODGE! DODGE DAKOTA! 583 00:32:57,409 --> 00:32:59,411 GIDEON, HEATHER'S ALIVE. 584 00:32:59,445 --> 00:33:00,679 HOW DO YOU KNOW? 585 00:33:00,712 --> 00:33:04,383 'CAUSE WE'RE WATCHING HER RIGHT NOW. 586 00:33:13,825 --> 00:33:15,361 HOTCH, HE'S GONNA KILL HER. 587 00:33:15,394 --> 00:33:17,396 HE'S HEADING THERE NOW. WE NEED A LOCATION. 588 00:33:17,429 --> 00:33:19,031 I DON'T HAVE ENOUGH TIME TO GET IT OUT OF HIM. 589 00:33:19,065 --> 00:33:22,368 FIND SOMETHING, HOTCH, OR THAT GIRL IS DEAD. 590 00:33:24,370 --> 00:33:29,541 MORGAN, CAN YOU SHOW ME THE LAST 12 IMAGES LINED UP NEXT TO EACH OTHER? 591 00:33:29,575 --> 00:33:31,610 YEAH. 592 00:33:35,414 --> 00:33:37,083 RIGHT THERE. RIGHT THERE. 593 00:33:37,116 --> 00:33:39,685 YOU SEE THAT 594 00:33:39,718 --> 00:33:41,153 YEAH, WHAT ABOUT IT? 595 00:33:41,187 --> 00:33:43,189 IT'S SHIFTING POSITIONS 596 00:33:43,222 --> 00:33:44,790 LIKE IT'S SWAYING... 597 00:33:44,823 --> 00:33:47,126 LIKE THE EARTH IS TILTING. 598 00:33:47,159 --> 00:33:49,095 NOT THE EARTH, DOC. 599 00:33:49,128 --> 00:33:50,362 THE OCEAN. 600 00:33:50,396 --> 00:33:51,497 SHE'S ON A BOAT 601 00:33:51,530 --> 00:33:53,832 IT'S A PIER OR A DOCK. HE WOULDN'T BE ABLE TO TRANSMIT 602 00:33:53,865 --> 00:33:56,435 THE WEBCAM IMAGE FROM THE MIDDLE OF THE OCEAN. 603 00:33:56,468 --> 00:33:57,469 YOU'RE SURE ABOUT THIS. 604 00:33:57,503 --> 00:33:59,105 IT'S THE BEST WE GOT, HOTCH. EVEN IF WE'RE RIGHT, 605 00:33:59,138 --> 00:34:01,573 GETTING THE EXACT LOCATION'S ON YOU, MY FRIEND. 606 00:34:01,607 --> 00:34:03,175 WHAT IS IT YOU ALWAYS ASK GARCIA? 607 00:34:03,209 --> 00:34:07,279 TO WORK ME A LITTLE MAGIC. 608 00:34:08,814 --> 00:34:10,416 JUST TO LET YOU KNOW... 609 00:34:10,449 --> 00:34:12,518 GIDEON'S TALKING TO VOGEL... 610 00:34:12,551 --> 00:34:15,687 AND VOGEL'S NAILING YOU TO THE WALL. 611 00:34:15,721 --> 00:34:18,224 YEAH, WHATEVER. 612 00:34:20,726 --> 00:34:25,197 HE SAID IT WAS YOUR IDEA TO KEEP THE GIRLS ON A BOAT. 613 00:34:28,167 --> 00:34:31,069 HE'S TALKING, RICHARD. 614 00:34:31,903 --> 00:34:34,173 RECIPROCITY. 615 00:34:34,573 --> 00:34:38,210 TELL ME WHERE SHE IS, AND WE MAKE A DEAL. 616 00:34:40,379 --> 00:34:43,182 IS IT A DOCK? 617 00:34:43,215 --> 00:34:45,484 A PIER? 618 00:34:51,857 --> 00:34:54,426 IT'S A SHIPYARD. 619 00:34:54,460 --> 00:34:57,196 ALLIED SHIPYARD. 620 00:35:28,727 --> 00:35:31,263 REID, HE'S INSIDE. 621 00:35:35,634 --> 00:35:38,170 GET ELLE ON THE PHONE. 622 00:35:41,807 --> 00:35:43,709 LISTEN TO ME. YOU NEED TO WAIT FOR BACKUP. 623 00:35:43,742 --> 00:35:45,244 IF WE WAIT, THE GIRL IS DEAD. 624 00:35:45,277 --> 00:35:47,179 AND IF WE HAD WAITED IN BOSTON-- 625 00:35:47,213 --> 00:35:47,946 I CAN'T. 626 00:35:47,979 --> 00:35:50,716 YOU TOLD ME TO TRUST MY INSTINCTS. 627 00:36:08,334 --> 00:36:10,236 AAH! STOP! STOP! 628 00:36:10,269 --> 00:36:11,870 STOP! 629 00:36:11,903 --> 00:36:13,272 STOP. 630 00:36:13,305 --> 00:36:14,606 GET BACK! I'LL SHOOT HER. 631 00:36:14,640 --> 00:36:17,609 I WOULDN'T. IF I WERE YOU, I'D AIM THE GUN AT ME. 632 00:36:17,643 --> 00:36:19,611 YOU SHOOT THE GIRL, YOU GOT NOTHING. 633 00:36:19,645 --> 00:36:20,979 GET...BACK! 634 00:36:21,012 --> 00:36:22,548 SHOOT ME INSTEAD. 635 00:36:22,581 --> 00:36:26,618 COME ON. WHAT, ARE YOU A LOUSY SHOT? 636 00:36:27,453 --> 00:36:30,856 50 FEET AWAY. YOU GOT A PERFECT SHOT. SHOOT ME. 637 00:36:30,889 --> 00:36:31,957 YOU THINK I'M STUPID? 638 00:36:31,990 --> 00:36:33,959 I THINK YOU'RE AN ABSOLUTE MORON. 639 00:36:33,992 --> 00:36:35,160 I KNOW ALL ABOUT YA, TIM. 640 00:36:35,193 --> 00:36:38,297 YOU'RE AT THE GYM 5 TIMES A WEEK. YOU DRIVE A FLASHY CAR, 641 00:36:38,330 --> 00:36:40,632 YOU STINK OF COLOGNE, AND YOU CAN'T GET IT UP. 642 00:36:40,666 --> 00:36:43,702 NOT EVEN VIAGRA'S WORKIN' FOR YA. YOU KNOW WHAT THAT TELLS ME? 643 00:36:43,735 --> 00:36:45,771 THAT TELLS ME YOU ARE HOPELESSLY COMPENSATING, 644 00:36:45,804 --> 00:36:47,839 AND IT'S NOT JUST IN YOUR HEAD. 645 00:36:47,873 --> 00:36:49,174 IT IS PHYSICAL. 646 00:36:49,207 --> 00:36:51,310 WHAT DID THE GIRLS CALL YOU IN HIGH SCHOOL? WHAT'D THEY COME UP WITH 647 00:36:51,343 --> 00:36:52,744 WHEN YOU FUMBLED YOUR WAY INTO SOME GIRL'S PANTS, 648 00:36:52,778 --> 00:36:54,280 AND SHE STARTED LAUGHING WHEN SHE GOT A GOOD LOOK 649 00:36:54,313 --> 00:36:56,014 AT JUST HOW LITTLE YOU HAD TO OFFER? 650 00:36:56,047 --> 00:36:57,783 SHUT UP! SHORT STACK? 651 00:36:57,816 --> 00:37:00,986 VERY LITTLE VOGEL? I GOT IT. TINY TIM. 652 00:37:04,290 --> 00:37:05,391 GIDEON! 653 00:37:08,026 --> 00:37:09,295 YOU OK? 654 00:37:09,328 --> 00:37:10,329 I'M FINE. 655 00:37:10,362 --> 00:37:13,265 GO LOOK AFTER THE GIRL. 656 00:37:29,315 --> 00:37:32,351 SO WHAT KIND OF REPORT DO THEY WANT ON HIM? 657 00:37:32,384 --> 00:37:34,686 I SUPPOSE WHETHER HE'S FIT TO BE A FIELD AGENT. 658 00:37:34,720 --> 00:37:37,789 YOU KNOW, HALEY AND I WERE LOOKING AT A BABY NAMES BOOK. 659 00:37:37,823 --> 00:37:40,359 GUESS WHAT GIDEON MEANS IN HEBREW. 660 00:37:40,392 --> 00:37:41,693 MIGHTY WARRIOR. 661 00:37:41,727 --> 00:37:44,463 APPROPRIATE. 662 00:37:45,597 --> 00:37:48,400 SO WHAT ARE YOU GONNA TELL THEM? 663 00:37:48,434 --> 00:37:51,269 WHAT WOULD YOU SAY? 664 00:37:52,771 --> 00:37:54,773 GIDEON SAVED HER LIFE. 665 00:37:54,806 --> 00:37:58,276 THAT'S GOOD ENOUGH FOR ME. 666 00:38:27,573 --> 00:38:29,441 HEY. 667 00:38:31,577 --> 00:38:35,347 YOU AND HALEY PICK THE BABY'S NAME YET? 668 00:38:35,681 --> 00:38:39,818 IT'S FUNNY... HALEY LIKED THE NAME CHARLES, 669 00:38:39,851 --> 00:38:43,389 BUT, YOU KNOW... ALL I COULD THINK OF... 670 00:38:43,422 --> 00:38:44,923 MANSON. 671 00:38:44,956 --> 00:38:46,458 THEN THERE WAS HENRY. 672 00:38:46,492 --> 00:38:47,393 LEE LUCAS. 673 00:38:47,426 --> 00:38:48,694 UH...JEFFREY. 674 00:38:48,727 --> 00:38:49,395 DAHMER. 675 00:38:49,428 --> 00:38:52,431 THERE'S JUST TOO MANY OF THEM. 676 00:38:53,965 --> 00:38:55,934 KIND OF HARD TO FEEL GOOD ABOUT CATCHING ONE 677 00:38:55,967 --> 00:39:00,338 WHEN YOU KNOW THERE ARE 50 MORE STILL OUT THERE. 678 00:39:04,910 --> 00:39:07,413 HOW'S YOUR REPORT GOING? 679 00:39:09,881 --> 00:39:11,917 DIDN'T THINK YOU COULD HIDE THAT 680 00:39:11,950 --> 00:39:15,353 FROM AN OLD PROFILER, NOW, DID YA? 681 00:39:16,688 --> 00:39:19,458 YOU KNOW, YOU SAVED THAT GIRL TODAY. 682 00:39:19,491 --> 00:39:22,894 YOU CAN FEEL GOOD ABOUT THAT. 683 00:39:22,928 --> 00:39:24,963 IT IS GOOD. 684 00:39:25,564 --> 00:39:27,999 IT'S A GOOD THING. 685 00:39:33,505 --> 00:39:35,441 NIETZSCHE ONCE SAID, 686 00:39:35,474 --> 00:39:38,444 "WHEN YOU LOOK LONG INTO AN ABYSS, 687 00:39:38,477 --> 00:39:42,113 THE ABYSS LOOKS INTO YOU." 688 00:40:10,676 --> 00:40:13,512 I'LL TAKE THIS. 689 00:40:30,529 --> 00:40:32,564 HAVE A N-N- 690 00:40:32,598 --> 00:40:34,199 A N-N-N-- 691 00:40:34,232 --> 00:40:36,635 NICE DAY. 692 00:41:08,700 --> 00:41:11,837 CAPTIONING MADE POSSIBLE BY TOUCHSTONE TELEVISION PRODUCTIONS, LLC AND CBS 693 00:41:11,870 --> 00:41:16,107 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org-- 51007

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.