All language subtitles for e05 - Nikki Glaser and sombr.eng

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,414 --> 00:00:04,106 EARLIER 2 00:00:11,447 --> 00:00:15,704 >>> HELLO. I'D LIKE TO THANK PRESIDENT TRUMP FOR HAVING US. 3 00:00:15,704 --> 00:00:20,625 THOSE OF US FROM THE PHARMACEUTICAL INDUSTRY ARE HONORED TO BE HERE TODAY 4 00:00:20,625 --> 00:00:25,384 ALONGSIDE RFK JR. AND DR. OZ. 5 00:00:25,384 --> 00:00:30,112 WE'RE GOING TO DISCUSS LOWERING THE PRICE OF WEIGHT LOSS DRUGS. 6 00:00:30,112 --> 00:00:32,781 FOR YEARS, MY COMPANY, ELI LILLY, 7 00:00:32,781 --> 00:00:37,792 HAS BEEN AT THE FOREFRONT OF PROVIDING AMERICANS WITH -- 8 00:00:37,792 --> 00:00:40,541 >> OH, NO! 9 00:00:43,461 --> 00:00:46,356 >> OH, HI. DIDN'T SEE YOU THERE. 10 00:00:46,356 --> 00:00:48,683 SOMEONE WAS DYING IN MY OFFICE. 11 00:00:48,683 --> 00:00:50,757 I THINK I'M PLAYING THIS VERY NORMAL. 12 00:00:50,757 --> 00:00:54,507 JUST STAND THERE AND STARE LIKE A SOCIOPATH. 13 00:00:54,507 --> 00:00:56,524 PRETEND LIKE I WAS GOING TO HELP, 14 00:00:56,524 --> 00:00:59,710 SOMEONE DROPS SOMETHING AND YOU DO THE FAKE BEND, OH, 15 00:00:59,710 --> 00:01:03,768 LET ME HELP YOU PICK THAT UP, YOU GOT IT 16 00:01:03,768 --> 00:01:09,024 RFK OUT OF HERE LIKE SOMEONE WAS TRYING TO GIVE HIM A VACCINE. 17 00:01:09,024 --> 00:01:11,290 BRAINWORM, TAKE THE WHEEL! 18 00:01:11,290 --> 00:01:14,576 THAT THING RATATOUILLE'D HIM OUT OF THE ROOM. 19 00:01:14,576 --> 00:01:18,263 EACH WEEK, I LIKE TO CREATE A BIG VISUAL 20 00:01:18,263 --> 00:01:20,321 THAT SUMS UP HOW THINGS ARE GOING. 21 00:01:20,321 --> 00:01:23,157 LAST WEEK IT WAS THE DEMOLISHING OF THE EAST WING. 22 00:01:23,157 --> 00:01:27,108 THIS WEEK IT'S A MEDICAL PROFESSIONAL ALMOST DYING IN MY OVAL OFFICE 23 00:01:27,108 --> 00:01:29,908 AT THE MERE THOUGHT OF CHARGING LESS FOR DRUGS. 24 00:01:29,908 --> 00:01:33,097 MAYBE NEXT WEEK A BALD EAGLE WILL FALL DEAD OUT OF THE SKY 25 00:01:33,097 --> 00:01:35,328 AND SPLAT RIGHT ON THE WHITE HOUSE LAWN. 26 00:01:35,328 --> 00:01:39,550 BY LAWN I MEAN BIG OUTDOOR CONCRETE FLOOR. 27 00:01:39,550 --> 00:01:41,415 THERE? 28 00:01:41,415 --> 00:01:44,005 MORE IMPORTANTLY, HOW'S THE FLOOR? OKAY? 29 00:01:44,005 --> 00:01:48,810 A GUY COLLAPSING IN THE OVAL OFFICE, WHO'D HAVE THOUGHT IT WOULD BE NOT ME. 30 00:01:48,810 --> 00:01:53,198 DON'T WORRY, HE'LL BE FINE. DR. OZ IS ON THE CASE. 31 00:01:53,198 --> 00:01:57,016 ANYWAY, ALL IN ALL A GREAT, AWESOME WEEK 32 00:01:57,016 --> 00:02:00,149 EXCEPT FOR ELECTION. THE DEMOCRATS WON. 33 00:02:00,149 --> 00:02:04,809 THE LAMESTREAM MEDIA CALLED THE ELECTIONS A REBUKE OF TRUMP'S POLICIES. 34 00:02:04,809 --> 00:02:08,868 JOKE'S ON THEM, THEY'RE STEPHEN MILLER'S POLICIES, I DON'T READ THAT STUFF. 35 00:02:08,868 --> 00:02:11,505 NO LIKEE READEE. 36 00:02:11,505 --> 00:02:14,216 CAN'T BELIEVE THEY ELECTED MAMDANI. 37 00:02:14,216 --> 00:02:16,105 WE LIKE TO SAY, MAMDANI. 38 00:02:16,105 --> 00:02:20,221 I'M TORN BECAUSE I LIKE A WINNER BUT I'M NOT CRAZY ABOUT A MUSLIM. 39 00:02:20,221 --> 00:02:22,439 MAYBE HE'LL CONVERT. 40 00:02:22,439 --> 00:02:27,256 WE'LL PUT HIM IN LINE BEHIND URSHA VANCE, AND I HOPE I'M PRONOUNCING THAT WRONG. 41 00:02:27,256 --> 00:02:29,794 OUR SIDE HAD SOME WINS THIS WEEK, TOO. 42 00:02:29,794 --> 00:02:32,788 THE SUPREME COURT SAID WE COULD STOP FEEDING POOR PEOPLE. 43 00:02:32,788 --> 00:02:36,555 YOU CAN CLAP FOR THAT. S.N.A.P.! 44 00:02:36,555 --> 00:02:38,302 S.N.A.P.! 45 00:02:38,302 --> 00:02:42,342 FOR THOSE OF YOU WHO CAN AFFORD FOOD, NO, YOU CAN'T. 46 00:02:42,342 --> 00:02:45,099 I PROMISED GROCERY PRICES WOULD PLUMMET, 47 00:02:45,099 --> 00:02:47,459 AND THEY DID, THEY PLUMMETED STRAIGHT UP. 48 00:02:47,459 --> 00:02:53,040 PEOPLE ARE SAYING, BUT SIR, HOW WILL I AFFORD MY THANKSGIVING TURKEY FOR MY FAMILY? 49 00:02:53,040 --> 00:02:57,072 WELL, GOOD NEWS IS YOUR FAMILY'S NOT COMING BECAUSE ALL THE PLANES ARE GONE. 50 00:02:57,072 --> 00:03:00,287 WE CALL THAT PROBLEM SOLVING PROBLEM. 51 00:03:00,287 --> 00:03:05,137 KILLING TWO BIRDS WITH ANOTHER BIRD. NOW YOU GOT A BUNCH OF CRAZY BIRDS. 52 00:03:05,137 --> 00:03:07,835 WE LIKE IT, WE LIKE IT, THAT'S KIND OF OUR THING. 53 00:03:07,835 --> 00:03:10,137 CAN'T AFFORD FOOD, HAVE SOME CHEAP OZEMPIC. 54 00:03:10,137 --> 00:03:14,583 NOW YOU'RE NOT HUNGRY AND YOU GET TO TAKE ONE WEIRD, PAINFUL POOP A WEEK. 55 00:03:14,583 --> 00:03:17,094 HOW'S IT GOING BACK THERE? IS HE DEAD? 56 00:03:17,094 --> 00:03:22,322 THEY'RE DOING THE -- THEY GOT THE LEGS UP, THAT MEANS DEAD IN CARTOON. 57 00:03:22,322 --> 00:03:25,353 ACTUALLY, DON'T TELL ME IF HE'S DEAD, I WANT TO BE SURPRISED. 58 00:03:25,353 --> 00:03:27,975 ANYWAY. GOVERNMENT IS STILL SHUT DOWN. 59 00:03:27,975 --> 00:03:30,763 ALL THANKS TO THE DEMOCRATS AND SOME REPUBLICANS 60 00:03:30,763 --> 00:03:32,923 AND ALL REPUBLICANS AND ME. 61 00:03:32,923 --> 00:03:37,406 PEOPLE SAY, JUST CAVE, DON, GIVE THE DEMOCRATS WHAT THEY WANT, END THIS. 62 00:03:37,406 --> 00:03:40,760 I THINK WE'RE GOING TO DRAG IT OUT. WE'RE GOING TO KEEP THE GOVERNMENT SHUT DOWN. 63 00:03:40,760 --> 00:03:45,123 WE'RE LOOKING INTO PERHAPS STEALING CHRISTMAS. WE'LL BE DOING GRINCH. 64 00:03:45,123 --> 00:03:47,135 I LIKE THE GRINCH. HE'S A GREAT GUY. 65 00:03:47,135 --> 00:03:49,775 OUR WIVES ARE FRIENDS. WE PLAY GOLF SOMETIMES. 66 00:03:49,775 --> 00:03:51,910 IS HE OKAY? HE'S OKAY, ALL RIGHT. 67 00:03:51,910 --> 00:03:53,833 WELL, IF YOU'RE GOING TO TAKE HIM TO GET AN MRI, 68 00:03:53,833 --> 00:03:56,815 USE THIS, THIS IS MY PUNCH CARD. 69 00:03:56,815 --> 00:03:59,026 ONE MORE AND THE NEXT ONE'S FREE. 70 00:03:59,026 --> 00:04:02,868 AND FOR ANYONE WORRIED ABOUT THE STATE OF THE COUNTRY, I'LL SAY THE SAME THING 71 00:04:02,868 --> 00:04:06,086 I SAID TO MELANIA WHEN SHE TRIED TO HELP ME DO MY HAIR. 72 00:04:06,086 --> 00:04:08,792 GO AWAY, WHAT I'M DOING IS VERY COMPLICATED, 73 00:04:08,792 --> 00:04:10,538 AND ONLY I KNOW HOW TO DO IT. 74 00:04:10,538 --> 00:04:14,472 AND LIVE FROM NEW YORK, IT'S SATURDAY NIGHT! 75 00:06:17,336 --> 00:06:21,270 MUSICAL 76 00:06:21,999 --> 00:06:26,506 HOST 77 00:06:29,195 --> 00:06:34,739 LADIES AND GENTLEMEN -- NIKKI GLASER! 78 00:06:56,091 --> 00:06:59,896 >> THANK YOU! THANK YOU, THANK YOU SO MUCH. 79 00:06:59,896 --> 00:07:04,168 HI, I AM NIKKI GLASER, AND I AM SO HAPPY TO BE HERE TONIGHT. 80 00:07:04,168 --> 00:07:06,441 THIS IS TRULY A DREAM COME TRUE. 81 00:07:06,441 --> 00:07:08,696 I LOVE THIS SHOW SO MUCH. 82 00:07:08,696 --> 00:07:10,652 AND HERE I AM IN NEW YORK CITY, 83 00:07:10,652 --> 00:07:13,532 EPSTEIN'S ORIGINAL ISLAND. 84 00:07:14,223 --> 00:07:18,717 OH, IT'S SUCH A SPECIAL NIGHT. I GOT A SPRAY TAN TONIGHT. 85 00:07:18,717 --> 00:07:21,743 THANK YOU, IT DESERVES THAT, THANK YOU. 86 00:07:21,743 --> 00:07:25,901 THERE'S SO MANY PASTY WHITE GIRLS WHO ARE TERRIFIED TO GET SPRAY TANS, 87 00:07:25,901 --> 00:07:28,499 I'M GOING TO LOOK ORANGE. 88 00:07:28,499 --> 00:07:32,299 JUST -- BELIEVE ME, I PROMISE YOU, I PROMISE YOU -- 89 00:07:32,300 --> 00:07:35,134 IT'S BETTER THAN WHAT YOU ARE, OKAY? 90 00:07:35,134 --> 00:07:38,419 DON'T BE SCARED. THEY'RE ALWAYS LIKE, I'M GOING TO LOOK LIKE TRUMP! 91 00:07:38,419 --> 00:07:41,072 BITCH, THAT'S WHY HE WON. 92 00:07:41,072 --> 00:07:45,801 YEAH, HE PICKED AN INSANE SHADE. HE WENT PRETTY DARK. 93 00:07:45,801 --> 00:07:48,893 HE DIDN'T GO KAMALA, BUT HE PICKED A SHADE THAT 94 00:07:48,893 --> 00:07:52,938 HALF OF AMERICA WAS LIKE, OKAY, WE CAN STILL TELL HE'S WHITE. SO, 95 00:07:52,938 --> 00:07:57,764 I MEAN, IT IS KIND OF INSANE THAT WHITE PEOPLE CAN JUST PAINT THEIR SKIN A DIFFERENT COLOR 96 00:07:57,764 --> 00:08:00,279 AND THEY'RE LIKE, THIS IS COOL, RIGHT? 97 00:08:00,279 --> 00:08:03,682 I FEEL LIKE THAT'S CULTURAL APPROPRIATION. I DON'T KNOW. I MEAN, 98 00:08:03,682 --> 00:08:07,433 IT'S NOT BLACKFACE, BUT IT IS GUATEMALAN LEG. 99 00:08:07,433 --> 00:08:10,242 THIS IS NOT MY LEG. 100 00:08:10,242 --> 00:08:13,245 I'M LIKE, OH, MY GOD, ME, I'M ALWAYS NIKKI, 101 00:08:13,245 --> 00:08:16,129 LOOK AT THAT. AM I SAYING THAT RIGHT? 102 00:08:16,129 --> 00:08:19,802 I GET SHE'S SPRAY TANS. I BREATHE THE STUFF IN EVERY WEEK. 103 00:08:19,802 --> 00:08:22,658 I AM DEFINITELY GOING TO GET SOME KIND OF RESPIRATORY ILLNESS FROM IT. 104 00:08:22,658 --> 00:08:26,992 IN 20 YEARS THERE'S GOING TO BE SOME EPIDEMIC CALLED TAN LUNG. 105 00:08:26,992 --> 00:08:31,198 I REALLY WANT TO BE ON THE COMMERCIALS FOR THE CLASS ACTION LAWSUIT. 106 00:08:31,198 --> 00:08:33,407 I THINK THAT'S SUCH A GOOD GIG. 107 00:08:33,407 --> 00:08:35,030 IT WILL BE SO FUN FOR YOU, TOO. 108 00:08:35,030 --> 00:08:37,896 YOU'LL TURN ON YOUR TV IN THE MIDDLE OF THE NIGHT AND BE, WHO IS THAT? 109 00:08:37,896 --> 00:08:40,210 I'LL BE, LIKE, I'M NIKKI GLASER. 110 00:08:40,210 --> 00:08:44,524 YOU MAY RECOGNIZE ME FROM THE ROAST OF TOM BRADY. 111 00:08:44,524 --> 00:08:48,210 IT WILL BE LIKE ME AND SNOOKI. THAT'S FUN. 112 00:08:48,210 --> 00:08:52,914 JUST TALKING THROUGH OUR TRACHS, RFK JUNIOR'ing OUT. 113 00:08:52,914 --> 00:08:55,749 HE'S GOT TAN LUNG. I MEAN, 114 00:08:55,749 --> 00:08:58,140 HE'S STAGE 2, I DON'T KNOW. 115 00:08:58,140 --> 00:09:02,178 I'M NO HEALTH EXPERT, BUT NOTWITHSTANDINGER IS HE. 116 00:09:02,178 --> 00:09:05,440 IT'S JUST CRAZY WE HAVE TO WORRY ABOUT OUR LOOKS SO MUCH. 117 00:09:05,440 --> 00:09:07,911 IT STARTS SO YOUNG AS A GIRL. 118 00:09:07,911 --> 00:09:10,650 I SAW THIS GIRL THE OTHER DAY. SHE WAS PROBABLY 6 YEARS OLD. 119 00:09:10,650 --> 00:09:12,852 AND HER DAD WAS TRYING TO TAKE A PICTURE OF HER. 120 00:09:12,852 --> 00:09:14,497 McKENZIE, LOOK OVER HERE. 121 00:09:14,497 --> 00:09:17,000 DAD, GET MY GOOD SIDE. 122 00:09:17,000 --> 00:09:19,951 SHE'S LIKE, "GOOD SIDE." 6. 123 00:09:19,951 --> 00:09:22,110 SO SAD, BECAUSE SHE DIDN'T HAVE ONE. 124 00:09:22,110 --> 00:09:25,018 IT'S LIKE, WHEN IS SHE GOING TO FIND OUT? 125 00:09:25,018 --> 00:09:27,942 SHE NEEDS TO LEARN A TRADE, YOU KNOW? 126 00:09:27,942 --> 00:09:31,963 HAND HER A WRENCH OR DO COMEDY. I DON'T KNOW. 127 00:09:31,963 --> 00:09:35,982 I JUST THINK THERE'S SO MANY THINGS WE DO FOR BEAUTY THAT ARE IMPORTANT, 128 00:09:35,982 --> 00:09:38,278 BUT THERE'S OTHER ONES I'M LIKE, WHY ARE WE DOING THIS? 129 00:09:38,278 --> 00:09:41,159 WHO CARES? LIKE NAILS. NO ONE CARES. 130 00:09:41,159 --> 00:09:43,131 LIKE, I'VE BEEN WITH MY BOYFRIEND FOR TEN YEARS. 131 00:09:43,131 --> 00:09:45,705 HE'S NEVER ONCE NOTICED THAT I'VE GOTTEN MY NAILS DONE. 132 00:09:45,705 --> 00:09:48,939 AND THEY GO INSIDE HIM. SO IF HE DOESN'T CARE, 133 00:09:48,939 --> 00:09:51,539 WHO DOES? 134 00:09:52,141 --> 00:09:55,896 THE ONLY TIME HE CARED WAS WHEN I WAS THEM BEDAZZLED FOR HIS PLEASURE. 135 00:09:55,896 --> 00:09:58,551 THEN HE LOVED THEM. 136 00:09:58,551 --> 00:10:01,416 GOING TO THE NAIL SALON, IT'S SO BORING. 137 00:10:01,416 --> 00:10:02,733 IT'S SUCH A WASTE OF TIME. 138 00:10:02,733 --> 00:10:05,770 YOU JUST SIT THERE FOR TWO HOURS JUST PARALYZED. 139 00:10:05,770 --> 00:10:08,391 I FEEL LIKE MEN THINK WE GO TO THE NAIL SALON WITH OUR GIRLFRIENDS 140 00:10:08,391 --> 00:10:10,955 AND CHITCHAT THE WHOLE TIME, BUT THAT'S NOT THE CASE. 141 00:10:10,955 --> 00:10:12,685 YOU CAN GO TO THE NAIL SALON WITH A FRIEND, 142 00:10:12,685 --> 00:10:14,499 BUT YOU GET SEPARATED AT THE BORDER. 143 00:10:14,499 --> 00:10:17,809 THEY DO NOT LET YOU SIT NEXT TO EACH OTHER. IT'S SO ANTISOCIAL. 144 00:10:17,810 --> 00:10:21,684 WATCHING ON MUTE 145 00:10:21,684 --> 00:10:24,874 YOU CAN'T TALK TO THE WOMAN DOING YOUR NAILS, BECAUSE 146 00:10:24,874 --> 00:10:26,707 SLAVERY? I MEAN, I DON'T KNOW. 147 00:10:26,707 --> 00:10:31,288 SHE SEEMS STUCK AND SAD. I DON'T KNOW. 148 00:10:31,288 --> 00:10:33,162 I THINK I'M JUST PARANOID. 149 00:10:33,162 --> 00:10:36,241 I'M JUST KIND OF OBSESSED WITH SLAVERY RECENTLY, BECAUSE -- 150 00:10:36,241 --> 00:10:41,220 EVERY TIME YOU GO TO A WOMEN'S RESTROOM, A PUBLIC WOMEN'S RESTROOM, IN THE STALL 151 00:10:41,220 --> 00:10:45,578 THERE'S A POSTER ON THE BACK OF THE STALL ASKING YOU IF YOU'RE BEING TRAFFICKED. 152 00:10:45,578 --> 00:10:48,533 WOMEN, WE HAVE THESE, RIGHT? YES, YES. 153 00:10:48,533 --> 00:10:51,407 IN EVERY STALL, IN EVERY WORLD LANGUAGE. 154 00:10:51,407 --> 00:10:55,285 ENGLISH IS REALLY TINY AND IT'S LIKE, "YOU WISH." BUT IT'S LIKE -- 155 00:10:56,645 --> 00:11:00,089 MEN'SEST RESTROOMS DO NOT HAVE THESE SIGNS. 156 00:11:00,089 --> 00:11:02,802 I DON'T KNOW WHAT SIGNS YOU HAVE. MAYBE YOU HAVE SIGNS LIKE, 157 00:11:02,802 --> 00:11:07,400 "WANT A SLAVE? TEXT "TRAFFIC" TO 6969." 158 00:11:08,081 --> 00:11:11,060 BUT IT'S REALLY A BIG FEAR OF BEING TRAFFICKED. 159 00:11:11,060 --> 00:11:13,076 MOSTLY FOR GEN-Z GIRLS. 160 00:11:13,076 --> 00:11:15,478 I HAVE A LOT OF GEN-Z FRIENDS THAT I BOUGHT. 161 00:11:15,478 --> 00:11:18,384 THEY'RE TERRIFIED. 162 00:11:18,384 --> 00:11:20,682 AND I DON'T RELATE. I'M 41. 163 00:11:20,682 --> 00:11:23,141 THAT WAS LIKE NOT A FEAR OF MINE EVER IN MY 20s. 164 00:11:23,141 --> 00:11:26,541 IN MY 20s I JUST FEARED GOOD OLD-FASHIONED RAPE. 165 00:11:26,541 --> 00:11:30,136 I DIDN'T THINK IT WOULD BE A CAREER. WE DIDN'T THINK -- 166 00:11:30,136 --> 00:11:34,649 IT WAS ANYTHING MORE THAN A TEMP JOB AT A FRAT HOUSE FUTON. BUT 167 00:11:34,649 --> 00:11:38,180 IT'S REAL. I'M GETTING SCARED. IT'S RUBBING OUT WITH ME. 168 00:11:38,180 --> 00:11:41,274 RECENTLY WHAT IF WE GET TRAFFICKED? 169 00:11:41,274 --> 00:11:44,061 THEY'RE LIKE, "YOU'RE GOOD." 170 00:11:45,021 --> 00:11:47,091 THEY'RE LIKE, "WE'RE SAFER WHEN YOU'RE WITH US 171 00:11:47,091 --> 00:11:50,426 BECAUSE THEY THINK YOU'RE OUR MADAM." 172 00:11:50,426 --> 00:11:53,685 "YOU HAVE RESTING GHISLAINE" FACE, SO KEEP THAT UP." 173 00:11:53,685 --> 00:11:55,556 WHAT? 174 00:11:55,556 --> 00:11:59,720 I'M GOING TO GET IT FIXED. I'M GOING TO GET A FACELIFT PRETTY SOON HERE. 175 00:11:59,720 --> 00:12:03,026 MY BOYFRIEND DOESN'T WANT ME TO. HE'S LIKE, NO, DON'T DO YOUR FACE, 176 00:12:03,026 --> 00:12:06,082 I LOVE YOUR FACE, DO YOUR TITS. 177 00:12:06,082 --> 00:12:07,516 WHAT? 178 00:12:07,516 --> 00:12:11,233 THAT'S ALL HE CARES ABOUT. HE'S A SHORT GUY, THEY'RE ALL HE SEES, I THINK. 179 00:12:11,233 --> 00:12:13,491 I THINK THAT'S WHY HE'S FOCUSED ON THEM. 180 00:12:13,491 --> 00:12:17,613 I DO DATE A SHORT GUY, SHORTER THAN ME, BUT REALLY HOT. 181 00:12:17,613 --> 00:12:19,562 I THINK THAT'S WHY I GOT HIM, 182 00:12:19,562 --> 00:12:22,714 BECAUSE I COULD NEVER GET HIS FACE ON A TALLER MODEL. 183 00:12:22,714 --> 00:12:26,652 LIKE, IF YOU WANT TO GET A 10 IN THE FACE, YOU'VE GOT TO GO 5'7" IN THE HEIGHT. 184 00:12:26,652 --> 00:12:30,717 TRICK GETTING A HOT GUY ON DISCOUNT. HE'S MARKED DOWN. 185 00:12:30,717 --> 00:12:34,236 I MET MY BOYFRIEND AT TJ MAXX, CLEARANCE RACK, 186 00:12:34,236 --> 00:12:36,100 HE WAS HIDING IN IT. 187 00:12:36,836 --> 00:12:39,863 IT'S CRAZY. SOMETIMES I'LL POST A PICTURE OF US ONLINE 188 00:12:39,863 --> 00:12:43,657 AND I'LL GET COMMENTS OF, GIRL, HE'S HOT, HOW DID YOU GET HIM? 189 00:12:43,657 --> 00:12:46,459 I'M LIKE, IF YOU ZOOMED OUT, YOU'D SEE HE'S SITTING ON MY LAP. 190 00:12:46,459 --> 00:12:49,404 THIS IS A TINY GUY. 191 00:12:49,404 --> 00:12:52,261 WENT DIGGING IN THE BARGAIN BIN, LADIES. 192 00:12:52,261 --> 00:12:56,046 BUT -- YEAH, GIRLS DON'T LIKE SHORT GUYS. 193 00:12:56,046 --> 00:12:58,915 AND I GUESS IT'S BECAUSE YOU WANT A TALL GUY 194 00:12:58,915 --> 00:13:01,540 SO THAT YOU CAN FEEL LIKE, HE CAN PROTECT ME, 195 00:13:01,540 --> 00:13:05,085 AND MURDER ME SOMEDAY. I DON'T KNOW IF THAT'S IT. 196 00:13:05,085 --> 00:13:08,206 BUT MY BOYFRIEND'S SHORTER THAN ME. I'VE NEVER FELT LIKE HE CAN'T PROTECT ME, 197 00:13:08,206 --> 00:13:11,023 AND I AM CERTAIN HE WILL MURDER ME SOMEDAY. 198 00:13:11,023 --> 00:13:13,774 HE IS SO FILLED WITH RAGE THAT HE'S SHORT. 199 00:13:13,774 --> 00:13:16,508 I MEAN, HE IS JUST SIMMERING WITH ANGER. 200 00:13:16,508 --> 00:13:20,632 AND THAT'S WHY I KEEP OUR GUN ON THE TOP SHELF. I CAN'T RISK THAT. 201 00:13:20,632 --> 00:13:24,635 I NEED HIM TO GO GET A STEPLADDER AND THINK IT THROUGH, YOU KNOW? 202 00:13:24,635 --> 00:13:29,289 THE NUMBER OF TIMES I'VE WALKED INTO OUR CLOSET AND SEEN HIM LIKE -- 203 00:13:30,228 --> 00:13:32,900 AND I'M LIKE, "DOES SOMEONE NEED TO GET UPPY-UPPY 204 00:13:32,900 --> 00:13:36,972 TO GET THE BANG-BANG TO MAKE NIKKI GO BYE-BYE?" 205 00:13:36,972 --> 00:13:40,639 THEN I GIVE HIM A JUICE BOX, AND HE FORGETS WHY HE'S UPSET. 206 00:13:40,639 --> 00:13:44,071 WE DON'T HAVE KIDS BECAUSE I DON'T WANT TO PASS DOWN THAT DNA. 207 00:13:44,071 --> 00:13:48,066 BUT IT'S JUST -- I FEEL LIKE IT'S TOO HARD TO BE A MOM. 208 00:13:48,066 --> 00:13:51,562 I HAVE TOO MUCH ANXIETY ABOUT IT. IT'S HARD BEING AN AUNT. 209 00:13:51,562 --> 00:13:53,939 I WAS STAYING AT MY SISTER'S HOUSE RECENTLY, 210 00:13:53,939 --> 00:13:56,108 AND AT ONE POINT I WAS LIKE, "I'M GOING TO GO TAKE A SHOWER." 211 00:13:56,108 --> 00:14:00,059 MY NEPHEW COMES RUNNING IN, "I TAKE A SHOWER WITH YOU!" 212 00:14:00,059 --> 00:14:01,206 HE'S 18. 213 00:14:01,206 --> 00:14:05,181 I'M LIKE, WHAT'S GOING ON WITH HIS VOICE? 214 00:14:05,181 --> 00:14:06,677 SOMETHING'S WRONG. 215 00:14:06,677 --> 00:14:09,530 NO, NO. HE WAS 4, AND IT WAS VERY CUTE. 216 00:14:09,530 --> 00:14:12,233 MY SISTER'S LIKE, HE CAN TAKE A SHOWER WITH YOU, IT'S FINE, HE DOES IT WITH US. 217 00:14:12,233 --> 00:14:13,773 OKAY, THAT'S FINE FOR YOU GUYS 218 00:14:13,773 --> 00:14:18,209 BUT ARE YOU OKAY WITHN AN ADULT SHOWERING WITH YOUR CHILD? 219 00:14:18,209 --> 00:14:21,191 MAYBE IT'S OKAY IF YOU COME AND SUPERVISE. 220 00:14:21,191 --> 00:14:25,649 SHE WAS LIKE, WHY? AND I WAS LIKE, WHAT AM. I MOLEST HIM? 221 00:14:29,387 --> 00:14:32,622 SHE WAS LIKE, WOULD YOU? I WAS LIKE, NO! 222 00:14:32,622 --> 00:14:34,891 I WOULD NEVER! THAT'S DISGUSTING! 223 00:14:34,891 --> 00:14:36,581 BUT THAT'S WHAT I'D SAY IF I WAS GONNA. 224 00:14:36,581 --> 00:14:40,497 THEY LIE! DON'T TRUST ANYONE. 225 00:14:40,497 --> 00:14:43,287 I DON'T EVEN TRUST MYSELF. I DON'T WANT TO GO IN THERE. 226 00:14:43,287 --> 00:14:47,634 HOW DO YOU BECOME A PEDESTRIAN TILE? YOU DON'T GET TO CHOOSE WHAT YOU'RE INTO, DUDE. 227 00:14:47,634 --> 00:14:51,170 WHAT IF IT'S ONE OF THOSE THINGS YOU DON'T KNOW YOU LIKE TILL YOU GET IN THERE AND YOU'RE LIKE, 228 00:14:51,170 --> 00:14:52,474 WELL, THIS IS MY THING. 229 00:14:52,474 --> 00:14:56,265 AND IT OPENS UP A PART OF MY BRAIN. NO, NO, NO. 230 00:14:56,265 --> 00:14:59,971 I KNOW THAT SOUNDS CRAZY, BUT THERE HAVE BEEN SO MANY THINGS IN MY LIFE 231 00:14:59,971 --> 00:15:03,737 THAT I'VE BEEN, I WOULD NEVER DO THAT. 232 00:15:03,737 --> 00:15:07,499 AND NOW I'M LIKE, LOOKS KIND OF FUN, ACTUALLY. SO I DON'T KNOW. 233 00:15:07,499 --> 00:15:09,027 THANK YOU GUYS SO MUCH. 234 00:15:09,027 --> 00:15:12,558 WE HAVE SUCH AN INCREDIBLE SHOW FOR YOU TONIGHT. 235 00:15:12,558 --> 00:15:14,439 SOMBR IS HERE. 236 00:15:14,439 --> 00:15:18,112 SO STICK AROUND, AND WE'LL BE RIGHT BACK! 237 00:15:41,610 --> 00:15:45,483 >>> I TRIED TO TELL HER, BABE, YOU REALLY DON'T HAVE TO DO THIS. 238 00:15:45,483 --> 00:15:49,035 >> ARE YOU KIDDING? I LOVE THAT YOU GUYS DO FAMILY KARAOKE NIGHTS, 239 00:15:49,035 --> 00:15:50,903 THAT'S SO SWEET. 240 00:15:50,903 --> 00:15:53,051 >> AWW, PETEY, I LIKE HER ALREADY. 241 00:15:53,051 --> 00:15:55,543 >> THANKS FOR COMING TO OUR LITTLE FAMILY TRADITION. 242 00:15:55,543 --> 00:15:57,635 >> I KNOW IT'S SILLY, BUT WE LOVE IT. 243 00:15:57,635 --> 00:16:00,462 >> I'M JUST EXCITED TO MEET YOU GUYS. 244 00:16:00,462 --> 00:16:04,578 >> ALL RIGHT, PARTY PEOPLE, DEEJAY FIG-A-LICIOUS ON THE MIC. 245 00:16:04,578 --> 00:16:08,491 IF YOU ARE THE OWNER OF A 2004 COROLLA, 246 00:16:08,491 --> 00:16:11,402 PLEASE TALK TO ME, I'M CONSIDERING BUYING ONE. 247 00:16:11,402 --> 00:16:15,604 ALL RIGHT, NOW GIVE IT UP FOR BECKY AND PETEY! 248 00:16:15,604 --> 00:16:17,491 >> WAIT, YOU PUT IN OUR SONG ALREADY? 249 00:16:17,491 --> 00:16:19,631 >> YOU KNOW I DID, LITTLE BRO, GET UP THERE. 250 00:16:19,631 --> 00:16:21,860 >> OH, MY GOD. I'M SORRY, BABE, DUTY CALLS. 251 00:16:21,860 --> 00:16:24,074 >> HAVE FUN! 252 00:16:26,730 --> 00:16:30,368 >> THIS IS FOR MY BABY BROTHER. I LOVE YOU, BUDDY. 253 00:16:30,368 --> 00:16:32,464 SIS 254 00:16:32,950 --> 00:16:37,477 ¶ AND I'D GIVE UP FOREVER TO TOUCH YOU 255 00:16:37,477 --> 00:16:41,104 'CAUSE I KNOW THAT E SOMEHOW ¶ 256 00:16:41,104 --> 00:16:42,164 OH, I FEEL IT TOO. 257 00:16:42,164 --> 00:16:46,803 ¶ YOU'RE THE CLOSEST TO HEAVEN I'LL EVER BE 258 00:16:46,803 --> 00:16:50,502 AND I DON'T WANT TO GO HOME RIGHT NOW ¶ 259 00:16:50,502 --> 00:16:51,963 >> NEVER. 260 00:16:51,963 --> 00:16:55,851 >> GO, KIDS! ¶ ALL I CAN SEE IS THIS MOMENT ¶ 261 00:16:55,851 --> 00:17:00,563 ¶ AND ALL I CAN BREATHE IS YOUR LIFE ¶ 262 00:17:00,563 --> 00:17:05,073 ¶ AND SOONER OR LATER IT'S OVER 263 00:17:05,073 --> 00:17:09,493 I JUST DON'T WANT TO MISS YOU TONIGHT ¶ 264 00:17:09,493 --> 00:17:14,255 ¶ AND I DON'T WANT THE WORLD TO SEE ME 265 00:17:14,255 --> 00:17:18,660 'CAUSE I DON'T THINK THAT SHE'D UNDERSTAND ¶ 266 00:17:18,660 --> 00:17:19,386 >> ME? 267 00:17:19,386 --> 00:17:23,415 ¶ WHEN EVERYTHING'S MADE TO BE BROKEN 268 00:17:23,415 --> 00:17:28,052 I JUST WANT YOU TO KNOW WHO I AM ¶ 269 00:17:28,052 --> 00:17:32,422 ¶ I JUST WANT YOU TO KNOW WHO I AM ¶ 270 00:17:32,422 --> 00:17:35,583 >> I DO. >> I KNOW YOU DO. 271 00:17:35,952 --> 00:17:38,835 KIDS 272 00:17:40,075 --> 00:17:43,936 >> AND THEY'RE FULL SIBLINGS? 273 00:17:43,936 --> 00:17:47,687 >> OH, YEAH. VERY FULL. >> GO, KIDS! 274 00:17:47,687 --> 00:17:49,806 >> ALL RIGHT, GIVE IT UP FOR BECKY AND PETEY. 275 00:17:49,806 --> 00:17:51,438 AND NEXT UP, OH-OH -- 276 00:17:51,438 --> 00:17:52,908 IT'S PETEY AND BECKY. 277 00:17:52,908 --> 00:17:56,031 >> WHAT? OH, MY GOSH. DID YOU PUT ONE IN TOO? 278 00:17:56,031 --> 00:18:00,062 >> OF COURSE I DID, SIS, COME ON. >> OH, MY GOSH. 279 00:18:00,062 --> 00:18:01,394 WHAT 280 00:18:01,394 --> 00:18:03,684 ¶ I'LL MAKE LOVE TO YOU 281 00:18:03,684 --> 00:18:06,171 LIKE YOU WANT ME TO ¶ 282 00:18:06,171 --> 00:18:08,710 ¶ AND I'LL HOLD YOU TIGHT 283 00:18:08,710 --> 00:18:11,404 BABY ALL THROUGH THE NIGHT ¶ 284 00:18:11,404 --> 00:18:14,291 ¶ I'LL MAKE LOVE TO YOU ¶ 285 00:18:14,291 --> 00:18:16,828 >> SO PETEY SAYS YOU'RE ON WEGOVY. 286 00:18:16,828 --> 00:18:19,832 >> WHAT? SORRY, I'M A LITTLE DISTRACTED. 287 00:18:19,832 --> 00:18:22,871 HE'S KIND OF HUMPING HIS SISTER. 288 00:18:26,936 --> 00:18:31,160 >> WHAT? WHAT DO YOU MEAN? 289 00:18:31,160 --> 00:18:34,113 >> WHAT THE HELL DID YOU JUST SAY? 290 00:18:34,113 --> 00:18:36,731 >> BABE, WE WERE JUST DANCING. 291 00:18:36,731 --> 00:18:39,884 >> NO, NO. I GET IT, GIRL. IT'S OKAY. 292 00:18:39,884 --> 00:18:42,562 PETE AND I HAVE ALWAYS JUST BEEN BEST FRIENDS. 293 00:18:42,562 --> 00:18:46,203 AND WE JUST LOVE SINGING SONGS THAT WE GREW UP LISTENING TOGETHER. 294 00:18:46,203 --> 00:18:48,584 >> YEAH, I MEAN, WE'VE ALWAYS BEEN SUPER CHOSE. 295 00:18:48,584 --> 00:18:51,585 WE SHARED A BEDROOM TILL SHE LEFT FOR COLLEGE. 296 00:18:51,585 --> 00:18:54,636 >> OH, THAT'S LATE, NO? 297 00:18:54,636 --> 00:18:58,776 >> YEAH, IT WAS FINE. WHEN I TURNED 17, WE GOT SEPARATE BEDS. 298 00:18:58,776 --> 00:19:00,595 >> THE WORST. >> THE WORST. 299 00:19:00,595 --> 00:19:03,617 >> WHAT? WHAT? 300 00:19:03,617 --> 00:19:06,906 >> SPEAKING OF CLOSE, IT'S DADDY-DAUGHTER TIME. COME ON! 301 00:19:06,906 --> 00:19:11,129 >> OH, MY GOSH, DAD, YOU DIDN'T PICK THE SONG WE DANCED TO AT MY WEDDING, DID YOU? 302 00:19:11,129 --> 00:19:13,129 CRY 303 00:19:13,129 --> 00:19:16,572 >> I SURE DID, SWEETHEART. HIT IT, DEEJAY! 304 00:19:18,048 --> 00:19:20,822 ¶ BABY WHEN WE'RE GRINDING 305 00:19:20,822 --> 00:19:23,228 I GET SO EXCITED ¶ 306 00:19:23,228 --> 00:19:25,414 ¶ HOW I LIKE IT 307 00:19:25,414 --> 00:19:27,896 I CAN'T HIDE IT ¶ 308 00:19:27,896 --> 00:19:30,529 ¶ OH YA DANCING REAL CLOSE 309 00:19:30,529 --> 00:19:32,793 AND SWAY IS REAL SLOW ¶ 310 00:19:32,793 --> 00:19:34,618 >> I MISS GRANDMA. >> ME TOO. 311 00:19:34,618 --> 00:19:37,618 ¶ YOU'RE MAKING IT HARD FOR ME. 312 00:19:37,618 --> 00:19:41,585 >> THIS IS MAKING ME FEEL WEIRD, I'M JUST GOING TO GO. 313 00:19:41,585 --> 00:19:43,839 >> WHY, WHY? 314 00:19:43,839 --> 00:19:45,639 >> NO, NO, LET HER GO. 315 00:19:45,639 --> 00:19:50,825 SHE JUST MAD THAT YOU TWO ARE SO CLEARLY SEXUALLY SATISFIED AND IN LOVE. 316 00:19:50,825 --> 00:19:53,760 >> NO, NO, NO, WE'RE BROTHER AND SISTER. 317 00:19:53,760 --> 00:19:56,273 >> YOU THE HECK SAY WHAT, NOW? 318 00:19:56,273 --> 00:19:59,596 >> OKAY, WAIT. WHY DON'T I JUST DO A SONG, 319 00:19:59,596 --> 00:20:01,719 JUST ME, FOR MY BABY GIRL? 320 00:20:01,719 --> 00:20:03,306 I LOVE YOU SO MUCH. 321 00:20:03,306 --> 00:20:05,420 GET UP HERE. HIT IT, DEEJAY. 322 00:20:05,420 --> 00:20:09,799 >> THE SONG THAT YOU TOLD ME WAS SPECIFICALLY RESERVED FOR YOU TO SING TO YOUR GIRLFRIEND 323 00:20:09,799 --> 00:20:11,518 AND NOT YOUR FREAKY DEAKY SISTER? 324 00:20:11,518 --> 00:20:13,833 >> YES, DEEJAY FREAK-A-LICIOUS. 325 00:20:13,833 --> 00:20:16,539 >> ALL RIGHT, YOU GOT IT, PLAYBOY. 326 00:20:19,600 --> 00:20:22,522 ¶ YOU'VE GOT A FRIEND IN ME ¶ 327 00:20:22,522 --> 00:20:24,155 >> WHAT? NO, NO! 328 00:20:24,155 --> 00:20:26,550 ¶ YOU GOT A FRIEND IN ME ¶ 329 00:20:26,550 --> 00:20:29,816 >> YOU FEEL LIKE FAMILY ALREADY, SIS. 330 00:20:37,776 --> 00:20:41,480 >>> ARE YOU ANXIOUS, OVERWHELMED? 331 00:20:41,480 --> 00:20:44,444 HAVE YOU STOPPED FEELING LIKE YOURSELF? 332 00:20:44,444 --> 00:20:49,054 ARE YOU OVERCOME WITH AN INTENSE FEELING OF FOREBODING AND DREAD? 333 00:20:49,054 --> 00:20:52,285 IF SO, YOU MAY BE ONE OF THE MANY CELEBRITIES 334 00:20:52,285 --> 00:20:56,688 WHO ARE SCHEDULED TO DANCE THROUGH THE JENNIFER HUDSON SPIRIT TUNNEL. 335 00:21:01,703 --> 00:21:03,460 >> I LOVE JENNIFER HUDSON. 336 00:21:03,460 --> 00:21:06,670 BUT AS AN UNCOORDINATED WHITE WOMAN, I FELT TRAPPED. 337 00:21:06,670 --> 00:21:11,163 I'D TRIED PRACTICING, BUT EVERYTHING I CAME UP WITH LOOKED CAREER-ENDING. 338 00:21:11,163 --> 00:21:13,812 POINTING. SHOULDER SHRUG. 339 00:21:13,812 --> 00:21:15,544 DRUNK AUNT AT A WEDDING. 340 00:21:15,544 --> 00:21:17,680 I EVEN TRIED TO PUT MY ASS INTO IT. 341 00:21:17,680 --> 00:21:19,716 BUT I DON'T HAVE ONE. 342 00:21:19,716 --> 00:21:23,536 I JUST KEPT IMAGINING MYSELF IN THAT TUNNEL. 343 00:21:23,536 --> 00:21:25,944 ¶ COME ON NIKKI YOU'RE SO FINE YOU'RE SO FINE 344 00:21:25,944 --> 00:21:29,171 YOU BLOW MY MIND HEY NIKKI HEY NIKKI ¶ 345 00:21:29,386 --> 00:21:31,411 >> IT FELT LIKE THERE WAS NO WAY OUT. 346 00:21:31,411 --> 00:21:34,464 THAT'S WHEN MY DOCTOR TOLD ME ABOUT HUDSICILLIN. 347 00:21:34,464 --> 00:21:39,567 HUDSICILLIN IS THE ONLY MEDICATION PROVED TO KILL SPIRIT TUNNEL RELATED SYMPTOMS 348 00:21:39,567 --> 00:21:41,103 WORKS 349 00:21:41,103 --> 00:21:42,998 NOT BY MAKING YOUR BODY AWAY 350 00:21:42,998 --> 00:21:45,438 BIT BY MAKING YOU SO VIOLENTLY ILL. 351 00:21:45,438 --> 00:21:47,372 YOU HAVE NO CHOICE BUT TO CANCEL. 352 00:21:47,372 --> 00:21:50,419 IT WORKS FAST, MAYBE TOO FAST. 353 00:21:50,419 --> 00:21:54,580 30 SECONDS AFTER MY FIRST DOSE, I WAS SHAKING ON THE BATHROOM FLOOR. 354 00:21:54,580 --> 00:21:57,052 NOT KNOWING WHICH END OF ME TO AIM AT THE TOILET. 355 00:21:57,052 --> 00:22:00,074 THAT'S BECAUSE HUDSICILLIN IS MADE FROM A GENTLE BLEND 356 00:22:00,074 --> 00:22:04,096 OF E. COLI, INFLUENZA, C. DIFF. AND RANCID BUTTERMILK. 357 00:22:04,096 --> 00:22:06,563 I FINALLY HAVE MY LIFE BACK. 358 00:22:06,563 --> 00:22:10,065 AND NOW MY SPOT IN THE TUNNEL CAN GO TO SOMEONE WHO REALLY WANTS IT. 359 00:22:10,065 --> 00:22:12,814 MARCELLO 360 00:22:13,500 --> 00:22:15,085 THANKS, HUDSICILLIN. 361 00:22:15,085 --> 00:22:17,441 HUDSICILLIN. WHAT'S THE ALTERNATIVE? 362 00:22:17,441 --> 00:22:20,827 LIGHTENING UP AND BEING FUN? GOOD LUCK. 363 00:22:50,348 --> 00:22:53,579 RETURN 364 00:22:53,579 --> 00:22:56,377 AS TIME. 365 00:22:56,557 --> 00:23:00,330 >> PAPA! PAPA! THANK GOODNESS YOU'RE OKAY! 366 00:23:00,330 --> 00:23:03,803 >> OH, BELLE, WHAT EVERY DOING HERE? YOU MUST LEAVE NOW. 367 00:23:03,803 --> 00:23:07,533 >> I CAME TO RESCUE YOU. >> OH, NO, BELLE, IT'S NOT SAFE. 368 00:23:07,533 --> 00:23:11,385 THE PRINCE WHO OWNS THIS CASTLE WAS CURSED TO BECOME A TERRIBLE BEAST. 369 00:23:11,385 --> 00:23:15,197 >> I'LL DO ANYTHING TO SAVE YOU, FATHER. I'LL TAKE YOUR PLACE. 370 00:23:15,197 --> 00:23:17,277 >> OH, BELLE, YOU DON'T UNDERSTAND. 371 00:23:17,277 --> 00:23:20,579 HE'S NOT JUST ANY BEAST. HE'S -- HE'S -- 372 00:23:20,579 --> 00:23:22,966 MR. BEAST! 373 00:23:22,966 --> 00:23:26,172 >> I'M KEEPING HER DAD TRAPPED IN A DUNGEON FOR 30 DAYS 374 00:23:26,172 --> 00:23:29,603 FOR A CHANCE TO WIN OVER $300,000. 375 00:23:29,603 --> 00:23:33,242 >> DISNEY'S "BEAUTY AND MR. BEAST." 376 00:23:33,242 --> 00:23:36,505 >> LET MY FATHER GO! 377 00:23:36,505 --> 00:23:41,337 >> FOR EVERY POUND HE LOSES, I'LL GIVE A TESLA TO A RANDOM STRANGER. 378 00:23:41,337 --> 00:23:43,844 >> WHY ARE YOU DOING THIS? 379 00:23:43,844 --> 00:23:45,524 >> WHY, HAVEN'T YOU HEARD? 380 00:23:45,524 --> 00:23:49,511 HE USED TO BE A HANDSOME PRINCE UNTIL HE WAS CURSED BY A WITCH. 381 00:23:49,511 --> 00:23:52,210 >> HE WOKE UP THE NEXT MORNING, RANTING AND RAVING 382 00:23:52,210 --> 00:23:56,838 ABOUT SENDING THE WORLD'S LARGEST MAN TO THE WORLD'S SMALLEST ISLAND. 383 00:23:56,838 --> 00:24:01,118 >> AND YOU WERE CURSED TOO? >> OUI, I WAS. 384 00:24:01,118 --> 00:24:06,150 >> AND IF I LIVE FOR ONE YEAR AS A CLOCK, I GET $2,500. 385 00:24:06,150 --> 00:24:10,473 NOW -- WAIT A MINUTE, I'M JUST REALIZING THAT'S NOT A LOT OF MONEY. 386 00:24:10,473 --> 00:24:14,595 >> MADEMOISELLE, DON'T JUDGE OUR MASTER TOO HARSHLY. 387 00:24:14,595 --> 00:24:17,928 HE IS A MAN OF TASTE. LOOK AT HIS ART. 388 00:24:17,928 --> 00:24:20,133 LIVE 389 00:24:20,133 --> 00:24:22,118 >> FROM THE EXECUTIVE PRODUCERS WHO THOUGHT 390 00:24:22,118 --> 00:24:25,031 NOBODY SEES MOVIES ANYMORE SO EFF IT, HAIL MARY? 391 00:24:25,031 --> 00:24:28,786 AND THE DIRECTOR OF KAI-SABLANCA. 392 00:24:29,402 --> 00:24:32,558 >> WHAT HAPPENS WHEN THE LAST PETAL FALLS? 393 00:24:32,558 --> 00:24:37,076 >> A MAN IN ALBANY HAS TO EAT 500 SOFT SHELL CRABS. 394 00:24:37,076 --> 00:24:42,185 >> I DON'T KNOW WHY, BUT I FEEL LIKE I COULD SPEND EIGHT HOURS LISTENING TO YOU. 395 00:24:42,185 --> 00:24:46,056 >> WELL, THAT IS BECAUSE, MADEMOISELLE -- 396 00:24:46,056 --> 00:24:48,893 ¶ YOU'RE DEPRESSED YOU'RE DEPRESSED 397 00:24:48,893 --> 00:24:51,056 WITH A LAPTOP ON YOUR CHEST ¶ 398 00:24:51,056 --> 00:24:53,099 ¶ WATCH YOUR GAME FORGET YOUR STRESS 399 00:24:53,099 --> 00:24:55,951 YOU'RE DEPRESSED ¶ 400 00:24:55,951 --> 00:24:59,246 >> I DON'T GET IT, SAYS EVERY PERSON OVER 25. 401 00:24:59,246 --> 00:25:02,229 AND, I'M BUILDING THE LARGEST LEGO TOWER IN THE WORLD, 402 00:25:02,229 --> 00:25:04,419 RAVES MR. BEAST. 403 00:25:04,693 --> 00:25:07,411 >> I JUST KNOW THERE'S A TENDER HEART UNDER THERE. 404 00:25:07,411 --> 00:25:10,263 I -- I THINK I LOVE YOU, BEAST. 405 00:25:10,263 --> 00:25:13,250 >> REALLY? EVEN THOUGH MY TOP HALF IS BEAST 406 00:25:13,250 --> 00:25:16,044 AND MY BOTTOM HALF IS COMPLETELY SMOOTH? 407 00:25:16,044 --> 00:25:19,282 >> WELL -- I GUESS I DIDN'T KNOW ABOUT THAT. 408 00:25:19,282 --> 00:25:21,921 >> DANCE WITH ME, BELLE. 409 00:25:26,049 --> 00:25:29,499 ¶ TALE AS OLD AS TIME ¶ 410 00:25:30,712 --> 00:25:34,766 ¶ SQUID GAME FOR THE TEENS ¶ 411 00:25:35,102 --> 00:25:40,550 ¶ LIVE IN A CVS - FOR A CHANCE TO WIN 412 00:25:40,550 --> 00:25:44,382 A LAMBORGHINI ¶ 413 00:25:44,382 --> 00:25:47,304 >> OH, BEAST, I WANT TO MARRY YOU. 414 00:25:47,304 --> 00:25:50,835 >> OH, REALLY? A BEAST LIKE ME? 415 00:25:50,835 --> 00:25:54,571 OKAY. I WILL MARRY YOU, BELLE. 416 00:25:55,016 --> 00:25:58,158 IF YOU CAN LIVE FOR 30 DAYS IN A SMART CAR 417 00:25:58,158 --> 00:26:01,816 WITH THESE TWO GREASED-UP SUMO WRESTLERS. 418 00:26:05,800 --> 00:26:09,973 AND YOU'RE A BILLIONAIRE, YOU SAID? >> SURE AM. 419 00:26:09,973 --> 00:26:12,945 >> WELL, THEN I GUESS I'LL TRY. 420 00:26:12,945 --> 00:26:19,202 ¶ BEAUTY AND MR. BEAST ¶ 421 00:26:19,202 --> 00:26:23,296 >> DISNEY'S "BEAUTY AND MR. BEAST." 422 00:26:25,728 --> 00:26:30,543 >>> IF YOU'RE LIKE ME, YOU GREW UP TREASURING YOUR AMERICAN GIRL DOLL. 423 00:26:30,543 --> 00:26:33,908 I HELD ON TO SAMANTHA PARKINGTON UNTIL I WAS ALMOST 12. 424 00:26:33,908 --> 00:26:38,929 AS WE MATURE AS WOMEN, OUR DOLLS DON'T MATURE ALONG WITH US. 425 00:26:38,929 --> 00:26:40,400 UNTIL NOW. 426 00:26:40,400 --> 00:26:43,413 INTRODUCING AMERICAN GIRL XL. 427 00:26:43,413 --> 00:26:46,740 THE SAME HIGH-QUALITY, LOVINGLY CRAFTED DOLLS, 428 00:26:46,740 --> 00:26:49,632 BUT LARGER AND ALL GROWN UP. 429 00:26:49,632 --> 00:26:50,948 JUST LIKE YOU. 430 00:26:50,948 --> 00:26:55,120 >> MY TERESA DOLL HAS THE MOST INSPIRING JOB OF ALL, TEACHER. 431 00:26:55,120 --> 00:26:56,964 >> WITH SUZANNE BY MY SIDE, 432 00:26:56,964 --> 00:26:59,519 I KNOW JUSTICE WILL ALWAYS BE SERVED. 433 00:26:59,519 --> 00:27:02,874 >> AND JESSICA HERE IS A NURSE. HOW COOL IS THAT? 434 00:27:02,874 --> 00:27:05,322 SHE TAKES SUCH GOOD CARE OF ME. 435 00:27:05,789 --> 00:27:08,114 >> AND JUST LIKE OUR REGULAR DOLLS, 436 00:27:08,114 --> 00:27:11,915 OUR XL DOLLS HAVE INCREDIBLE ATTENTION TO DETAIL. 437 00:27:11,915 --> 00:27:13,979 >> JUST LOOK AT THE STITCHING ON MY DOLL'S SUIT. 438 00:27:13,979 --> 00:27:16,914 >> AND ALL THE COOL PATCHES ON MY ASTRONAUT DOLL. 439 00:27:16,914 --> 00:27:19,737 >> AND MY DOLL'S FEET. SO LIFELIKE. 440 00:27:19,737 --> 00:27:22,773 >> WHAT'S REALLY IMPORTANT ARE THEIR STORIES. 441 00:27:22,773 --> 00:27:26,178 SUZANNE HERE WAS THE FIRST FEMALE JUDGE IN MISSOURI. 442 00:27:26,178 --> 00:27:28,324 >> I MADE UP MY OWN BACKSTORY FOR JESSICA. 443 00:27:28,324 --> 00:27:29,542 SHE'S FROM LITHUANIA. 444 00:27:29,542 --> 00:27:33,611 >> NO, SHE'S AMERICAN. >> WELL, SHE IS NOW. 445 00:27:33,611 --> 00:27:36,659 >> MINE HATES HER DAD, AND SHE WANTS TO BE A SINGER. 446 00:27:36,659 --> 00:27:39,299 THAT'S WHY HER MOUTH IS ALWAYS OPEN. 447 00:27:39,847 --> 00:27:43,700 >> THE POINT IS, AMERICAN GIRL XL DOLLS 448 00:27:43,700 --> 00:27:46,083 WILL INSPIRE WOMEN OF ALL AGES. 449 00:27:46,083 --> 00:27:49,751 AND YOU CAN EVEN DESIGN YOUR OWN BASED ON HISTORICAL FIGURES. 450 00:27:49,751 --> 00:27:52,088 >> MINE LOOKS LIKE ROSIE THE RIVETER. 451 00:27:52,088 --> 00:27:54,474 >> MINE LOOKS LIKE AMELIA EARHART. 452 00:27:54,474 --> 00:27:56,658 >> MINE LOOKS LIKE MY BROTHER'S WIFE. 453 00:27:56,658 --> 00:27:59,999 >> NO, THEY'RE SUPPOSED TO BE HISTORICAL FIGURES. 454 00:27:59,999 --> 00:28:03,102 >> THAT'S RIGHT. ABIGAIL HERE IS FROM COLONIAL TIMES. 455 00:28:03,102 --> 00:28:05,895 THAT'S WHY HER HANDS CHURN BUTTER. 456 00:28:05,895 --> 00:28:09,314 >> ARE YOU HERE WITH SOMEBODY? MAYBE YOUR DAUGHTER OR -- 457 00:28:09,314 --> 00:28:11,244 >> CLOSE. MY DAD. 458 00:28:11,244 --> 00:28:14,548 >> MINE'S AN OLYMPIC SKIER. 459 00:28:14,548 --> 00:28:16,120 >> I REALLY DON'T LIKE THAT. 460 00:28:16,120 --> 00:28:18,331 >> AND THE BEST PART IS -- >> WAIT, WHO ARE YOU? 461 00:28:18,331 --> 00:28:21,464 >> YOU CAN TAKE THE CLOTHING FROM YOUR REGULAR AMERICAN GIRL DOLL 462 00:28:21,464 --> 00:28:23,104 AND USE IT ON YOUR XL DOLL. 463 00:28:23,104 --> 00:28:25,419 >> PLEASE, NEVER DO THAT. WHY WOULD YOU DO THIS TO HER? 464 00:28:25,419 --> 00:28:27,565 >> BECAUSE IT'S FUN AND WE'RE IN LOVE. 465 00:28:27,565 --> 00:28:29,474 >> AND THEIR HAIR IS SUPER STRONG. 466 00:28:29,474 --> 00:28:32,419 >> YOU CAN MIX AND MATCH THEIR PARTS. I MADE MINE BIRACIAL. 467 00:28:32,419 --> 00:28:35,667 >> IF YOU FOLD HER IN HALF, SHE FITS RIGHT INTO THE DISHWASHER. 468 00:28:35,667 --> 00:28:38,234 >> HEY, WANT TO TRADE FOR A LITTLE WHILE? >> I'D LOVE THAT. 469 00:28:38,234 --> 00:28:40,480 >> THAT'S IT, WE'RE SHUTTING THE STORE DOWN. 470 00:28:40,480 --> 00:28:42,402 >> AMERICAN GIRL XL. 471 00:28:42,402 --> 00:28:44,931 THEY MADE AN XL MISTAKE. 472 00:28:44,931 --> 00:28:47,557 >> HONEY, SLOW DOWN, THAT'S YOUR THIRD MARTINI. 473 00:28:47,557 --> 00:28:50,715 HERE, HAVE SOME OF YOUR HOT DOG. 474 00:28:55,521 --> 00:28:58,503 >>> ALL RIGHT, ALL RIGHT, 475 00:28:58,503 --> 00:29:01,958 LET'S HEAR IT ONE MORE TIME FOR ALEXIS! 476 00:29:03,962 --> 00:29:07,702 >> OH, MY GOD, THAT WAS SO CRAZY. 477 00:29:07,702 --> 00:29:11,865 >> WHAT'S CRAZY IS THAT I'M GETTING MARRIED IN TWO WEEKS. 478 00:29:12,182 --> 00:29:14,733 >> I WISH IT WAS TO ME. 479 00:29:14,733 --> 00:29:17,344 OOPS, I SAID THAT OUT LOUD. 480 00:29:17,344 --> 00:29:18,824 I'LL BE LEAVING NOW. 481 00:29:18,824 --> 00:29:21,102 >> OKAY. BYE! 482 00:29:21,102 --> 00:29:23,013 YOU GUYS, THIS IS SO MUCH FUN. 483 00:29:23,013 --> 00:29:25,712 WAIT -- WHERE ARE KAYLA AND DELULAH? 484 00:29:25,712 --> 00:29:28,209 >> OH, MY GOD, THEY'RE ON THE BULL. 485 00:29:28,209 --> 00:29:30,081 >> HI, GIRLIES! 486 00:29:30,081 --> 00:29:31,971 >> YEE-HAW, YOU GUYS! 487 00:29:31,971 --> 00:29:36,294 >> ONE AT A TIME, PLEASE, AND YOU'RE MUCH TOO DRUNK. 488 00:29:36,294 --> 00:29:39,849 >> NO, WE'RE NOT. I ONLY HAD A MARTINI WITH A TWIST. 489 00:29:39,849 --> 00:29:43,296 AND THE TWIST, I HAD FOUR MARGARITAS. 490 00:29:43,296 --> 00:29:46,727 >> LET'S GET THIS DONKEY MOVING, Y'ALL! >> YEAH! 491 00:29:46,727 --> 00:29:48,735 >> IT IS NOT A DONKEY. 492 00:29:48,735 --> 00:29:51,555 ANDRE, DO NOT START THAT BULL. 493 00:29:55,395 --> 00:29:58,812 ON THE ONE HAND, I KNOW I'M NOT SUPPOSED TO DO THIS. 494 00:29:58,812 --> 00:30:01,765 BUT ON THE OTHER HAND -- I WOULD LIKE TO SEE 495 00:30:01,765 --> 00:30:04,828 TWO BUXOM BABES BEING BUCKED AROUND ON A BRONCO. 496 00:30:04,828 --> 00:30:08,283 I CALL THIS "ANDRE'S DILEMMA." 497 00:30:08,283 --> 00:30:11,436 DILEMMA SOLVED. I WILL DO IT. 498 00:30:16,539 --> 00:30:19,597 >> ANDRE! WHAT SETTING DID YOU PUT IT ON? 499 00:30:19,597 --> 00:30:23,078 >> OH MY DEAR GOODNESS ME, I AM AFRAID IN MY TITILLATED STATE 500 00:30:23,078 --> 00:30:26,186 I ACCIDENTALLY SET IT TO "BON VOYAGE." 501 00:30:26,186 --> 00:30:31,452 >> NOOOOOOO! 502 00:30:33,641 --> 00:30:36,254 ¶ SO JUST LIKE THAT THEY STARTED THEIR QUEST 503 00:30:36,254 --> 00:30:38,672 TWO BLOTTO BIMBOS HEADED WEST ¶ 504 00:30:38,672 --> 00:30:42,403 ¶ RIDING ACROSS THE USA WITH ALL THE SIGHTS TO SEE ¶ 505 00:30:44,132 --> 00:30:46,644 ¶ COPS ON THE HIGHWAY COULDN'T DECIDE 506 00:30:46,644 --> 00:30:48,859 IF THE SITUATION WAS A DUI ¶ 507 00:30:48,859 --> 00:30:51,958 ¶ JUST TWO DRUNK BITCHES 508 00:30:51,958 --> 00:30:54,893 ON A RUNAWAY MECHANICAL BULL ¶ 509 00:30:54,893 --> 00:30:58,090 >> I'M HUNGRY! >> OPEN OUR MOUTHS FOR SOME BUGS. 510 00:30:58,090 --> 00:30:59,997 >> GOOD IDEA. 511 00:31:02,424 --> 00:31:04,629 BEES! 512 00:31:04,629 --> 00:31:07,278 AND A BIRD! 513 00:31:07,278 --> 00:31:09,777 ¶ SO THEY SAW THE OLD FAITHFUL 514 00:31:09,777 --> 00:31:12,102 THEN SWALLOWED GRAND CANYON DIRT ¶ 515 00:31:12,102 --> 00:31:15,974 ¶ SAW USHER IN VEGAS AND GOT SOILED PANTIES ¶ 516 00:31:15,974 --> 00:31:18,464 OILED 517 00:31:18,464 --> 00:31:21,279 ¶ ATE CHEESE IN WISCONSIN WHICH THEY THOUGHT WAS DELISH 518 00:31:21,279 --> 00:31:23,582 THEN WENT TO NIAGARA GOT SLAPPED BY A FISH ¶ 519 00:31:23,582 --> 00:31:25,934 ¶ WHERE THE BIRD AND BEES AND A BIG BLOCK OF CHEESE ¶ 520 00:31:25,934 --> 00:31:28,987 ¶ JUST TWO DUMB BITCHES ¶ 521 00:31:28,987 --> 00:31:31,736 ¶ ON A RUNAWAY MECHANICAL BULL ¶ 522 00:31:31,736 --> 00:31:34,327 >> WE'RE NOT DUMB, WE WENT TO COLLEGE. 523 00:31:34,327 --> 00:31:36,634 >> I WENT TO UTI. 524 00:31:36,634 --> 00:31:40,707 WAIT -- I HAVE A UTI. 525 00:31:41,323 --> 00:31:44,508 ¶ THE NEXT THING YOU KNOW THEY WERE CROSSING THE OCEAN ¶ 526 00:31:44,508 --> 00:31:46,805 ¶ AND THE NAVY PICKED UP SOME SUSPICIOUS MOTION ¶ 527 00:31:46,805 --> 00:31:50,341 AND THEIR SOFTWARE IDENTIFIED THEM AS HOSTILE ¶ 528 00:31:50,341 --> 00:31:54,649 >> THIS IS U.S. SOUTHERN COMMAND, WE'RE CLEAR TO FIRE ON BOGEYS. 529 00:31:54,649 --> 00:31:55,485 >> HI! 530 00:31:55,485 --> 00:31:58,854 >> ROGER THAT, LAUNCHING HELLFIRE MISSILES. 531 00:32:01,365 --> 00:32:05,637 ¶ WITH THE MILITARY AND THE BIRD AND THE BEES AND THE BIG BLOCK OF CHEESE ¶ 532 00:32:05,637 --> 00:32:09,060 ¶ JUST TWO WORLD-TRAVELING BITCHES 533 00:32:09,060 --> 00:32:12,038 AND A BULL GOING THE SPEED OF LIGHT ¶ 534 00:32:12,739 --> 00:32:16,618 >> LOOK, TWO MINUTES AGO! 535 00:32:16,618 --> 00:32:20,821 >> OH-OH, THINGS ARE GETTING WEIRD. 536 00:32:22,911 --> 00:32:25,601 ¶ SO I WENT BACK IN TIME TO ITALY 537 00:32:25,601 --> 00:32:27,969 AND MET GALILEO GALILEI ¶ 538 00:32:27,969 --> 00:32:31,247 ¶ AND TOLD HIM THE EARTH REVOLVES AROUND THE SUN ¶ 539 00:32:31,247 --> 00:32:32,913 >> YOU'RE COMING WITH US, BIG FELLA. 540 00:32:32,913 --> 00:32:34,574 OKAY 541 00:32:34,574 --> 00:32:37,053 ¶ THEY TRAVELED BACK FARTHER TO LINEAR SPACE 542 00:32:37,053 --> 00:32:39,345 AND COMMUNICATED WITH ANOTHER RACE ¶ 543 00:32:39,345 --> 00:32:42,899 ¶ THEN GOT HIT BY ANOTHER FISH AND A BUCKET OF WATER ¶ 544 00:32:42,899 --> 00:32:45,981 >> THAT ISN'T NECESSARY. >> COOL! 545 00:32:45,981 --> 00:32:48,648 ¶ GALILEO GALILEI AND THE MILITARY 546 00:32:48,648 --> 00:32:51,171 AND THE BIRDS AND THE BEES AND A BIG BLOCK OF CHEESE ¶ 547 00:32:51,171 --> 00:32:56,499 ¶ JUST TWO TRAVELING BITCHES 548 00:32:56,499 --> 00:33:00,166 AND A MAN WHO LOST HIS JOB 549 00:33:00,166 --> 00:33:05,191 ANDRE ¶ ¶ ANDRE ANDRE ¶ 550 00:33:37,332 --> 00:33:41,105 LADIES 551 00:33:41,105 --> 00:33:46,815 12 to 12 552 00:34:00,523 --> 00:34:04,072 ¶ I DON'T WANT ANYONE ELSE 553 00:34:04,072 --> 00:34:08,118 FROM THE HOURS OF 12 TO 12 554 00:34:08,118 --> 00:34:11,802 I AM NOT THE LEAST COMPELLED 555 00:34:11,802 --> 00:34:15,601 BY ANYONE BUT YOURSELF ¶ 556 00:34:15,835 --> 00:34:19,520 ¶ LOOK AT ME IT MAKES ME MELT 557 00:34:19,520 --> 00:34:23,852 I KNOW YOU WANNA SEE ME IN HELL ¶ ¶ MY LOVE 558 00:34:23,852 --> 00:34:27,112 I'M DEALING WITH THE CARDS I'VE DEALT 559 00:34:27,112 --> 00:34:30,908 WHILE YOU'RE DANCING WITH SOMEBODY ELSE ¶ 560 00:34:30,908 --> 00:34:35,006 ¶ WAS IT ALWAYS IN YOUR PLAN TO LEAVE EVENTUALLY ¶ 561 00:34:35,006 --> 00:34:39,825 ¶ BECAUSE TO ME THERE'S NO ONE ELSE THAT COULD MAKE SENSE TO ME ¶ 562 00:34:39,825 --> 00:34:44,755 ¶ THE LAST AND FINAL PUZZLE PIECE ¶ 563 00:34:46,374 --> 00:34:50,872 ¶ IN A ROOM FULL OF PEOPLE I LOOK FOR YOU ¶ 564 00:34:50,872 --> 00:34:55,294 ¶ WOULD YOU AVOID ME OR WOULD YOU LOOK FOR ME TOO ¶ 565 00:34:55,294 --> 00:34:58,680 ¶ TELL ME IS OUR STORY THROUGH 566 00:34:58,680 --> 00:35:02,933 OR DO OUR HEARTS STILL BEAT IN TUNE ¶ 567 00:35:17,896 --> 00:35:21,375 ¶ I'VE NEVER FELT ANYTHING 568 00:35:21,375 --> 00:35:24,480 LIKE THE LOVE FROM MY FINAL DAYS ¶ 569 00:35:24,480 --> 00:35:26,319 ¶ WHY'D YOU WAIT 570 00:35:26,319 --> 00:35:29,982 TO SHOW ME YOU COULD DO IT THIS WAY ¶ 571 00:35:29,982 --> 00:35:33,489 I'LL NEVER LOOK AT YOU LOOK AT YOU THE SAME ¶ 572 00:35:33,489 --> 00:35:36,023 ¶ WE MET IN THE PARIS CAFE 573 00:35:36,023 --> 00:35:38,590 I SAID CAN I SIT WITH YOU 574 00:35:38,590 --> 00:35:41,918 COMMA CA SE FAIT MY MISTAKE OHH ¶ 575 00:35:41,918 --> 00:35:45,009 ¶ IF I'D KNOWN IT WOULD HAVE BEEN THIS WAY 576 00:35:45,009 --> 00:35:48,592 I'D NEVER LOOKED AT YOU LOOKED IN THE FIRST PLACE ¶ 577 00:35:48,592 --> 00:35:52,419 ¶ WAS IT ALWAYS IN YOUR PLAN TO LEAVE EVENTUALLY ¶ 578 00:35:52,419 --> 00:35:57,235 ¶ BECAUSE TO ME THERE'S NO ONE ELSE THAT COULD MAKE SENSE TO ME ¶ 579 00:35:57,235 --> 00:36:01,134 ¶ THE LAST AND FINAL PUZZLE PIECE ¶ 580 00:36:01,134 --> 00:36:04,069 >> I SAID ONE, TWO, THREE, LET'S GO. 581 00:36:04,069 --> 00:36:08,154 ¶ IN A ROOM FULL OF PEOPLE I LOOK FOR YOU 582 00:36:08,154 --> 00:36:12,637 WOULD YOU AVOID ME OR WOULD YOU LOOK FOR ME TOO ¶ 583 00:36:12,637 --> 00:36:16,396 ¶ TELL ME IS OUR STORY THROUGH 584 00:36:16,396 --> 00:36:19,976 OR DO OUR HEARTS STILL BEAT IN TUNE ¶ 585 00:36:19,976 --> 00:36:24,246 ¶ MAYBE I'M DELUSIONAL 586 00:36:24,246 --> 00:36:28,017 AND THE WAY YOU ACT IS USUAL 587 00:36:28,017 --> 00:36:31,824 MAYBE IN ANOTHER WORLD 588 00:36:31,824 --> 00:36:37,321 I WON'T FEEL SO UNLOVABLE ¶ 589 00:36:50,500 --> 00:36:54,610 ¶ IN A ROOM FULL OF PEOPLE I LOOK FOR YOU 590 00:36:54,610 --> 00:36:59,066 WOULD YOU AVOID ME OR WOULD YOU LOOK FOR ME TOO ¶ 591 00:36:59,066 --> 00:37:02,655 ¶ TELL ME IS OUR STORY THROUGH 592 00:37:02,655 --> 00:37:05,956 OR DO OUR HEARTS STILL BEAT IN TUNE ¶ 593 00:37:05,956 --> 00:37:10,001 ¶ IN A ROOM FULL OF PEOPLE I LOOK FOR YOU 594 00:37:10,001 --> 00:37:14,769 WOULD YOU AVOID ME OR WOULD YOU SEE ME THROUGH ¶ 595 00:37:14,769 --> 00:37:18,051 ¶ TELL ME IS OUR STORY THROUGH 596 00:37:18,051 --> 00:37:22,069 OR DO OUR HEARTS STILL BEAT IN TUNE ¶ 48505

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