All language subtitles for Lovelace.2013.1080p.BluRay.REMUX.MULTi[Ben The Men].eng

BEN.THE.MEN.TORRENTS

BEN.THE.MEN.TORRENTS
# My imagination

# My imagination

# Mm, to think
of good reasons #

# To keep on keepin' on

# Keep on keepin' on

- # Got to make the best of
- # Best of, best of

- # A bad situation
- # Bad situation

# Ever since that day

# I woke up and found
that you were gone #

# Gone, gone

# Darkness all around me

# Blackin' out the sun

# Old friends call me

# But I just don't feel
like talkin' to anyone #

# Emptiness has found me

# And it just won't let me go

# Go right on livin'

# But why,
I just don't know

Ladies and gentlemen,

the moment we've
all been waiting for,

the one, the only
Linda Lovelace!

- What's your name?
- Linda Lovelace.

I meant what's
your real name?

- That's my real name.
- So, what did you do

before you were the first ever
pornographic film superstar?

How does it feel
to be the poster girl

for the sexual revolution?

The pornographic film
Deep Throat

has become one
of the most popular

and profitable
blue movies of all time.

Today a Manhattan criminal court
judge ruled the film obscene

and ordered it removed from
theaters in New York City.

This is kind of a strange country, isn't it?
Judges can see Deep Throat,

- but they can't listen to those tapes.
- Deep Throat,

a trendsetting film that brought
pornography into popular culture.

How did you become Linda
Lovelace in the first place,

if you were born
as Linda Boreman?

I think you can be a star,

and I don't mean just
an adult-movie star.

I mean a real star.

Is your name Linda Lovelace?

So tell me,

who's the real
Linda Lovelace?

# Just give me some
kind of sign, girl #

# Oh, my baby, to show me
that you're mine, girl, oh, yeah #

# Just give me some
kind of sign, girl #

# Oh, my darlin', to show me
that you're mine, girl #

# All right
So if you do want me #

# Give me little sweet talk
If you don't want me #

# Don't lead me on, girl

# But if you need me
Show me that you love me #

# And when I'm feeling down

- No! Patsy! Come on.
- Jeez! Come on, Miss Holy Holy.

- You want to get tan lines?
- Mm.

You're gonna
thank me later.

So have you slept
with that guy yet?

- No. Patsy, come on.
- Don't be such a prude.

- You're 21 years old.
- Prude?

How am I a prude?
I think I've learned

my lesson that one time,
thank you very much.

There are other things
that you can do.

Ugh. I don't even know
how to talk to you anymore.

Seriously, that's disgusting.

That's disgusting.

- Linda!
- Shit, is that your mom?

I thought you said
she was work.

- Linda.
- Take this, please.

- Yeah.
- Put it out.

Linda, are you out back?

Honestly, what is this,
a nudist colony?

- What are you wearing?
- Ma!

Get in the house.

# I'm gonna be out all night

# I'm gonna
be out all night #

OK? 'Cause everybody's
going fast.

- Ready?
- Ready.

- Careful.
- All I can see is your butt.

Oh, my God!

Cool band. They're missing
something, though,

- don't you think?
- Like what?

- Go-go dancers.
- You volunteering?

# Never met a girl
who makes me feel #

- Come on, babe.
- # The way that you do

- Move your hips!
- # You're all right

# Whenever I'm asked
what makes my dreams real #

- # I tell 'em you do
- Feel it!

# So fee fi fo fum

# Look out, baby
'Cause here I come #

# Now I'm bringing you
a love that's true #

# So get ready
Get ready #

- # 'Cause here I come
- # Get ready

# 'Cause here I come

- Actually, like...
- Do that again.

- I know.
- You enjoyed it.

I need, like, a week off.

- You two move pretty
good up there. - Thanks.

You ever think about
doing that professionally?

Yeah, right.

Yeah! Dancing girls in Vegas,
they make two or 300 bucks a night.

What? Ha. Someone would pay
that much to see me dance?

I would.

I'm Chuck Traynor, by the way.

- I'm Patsy.
- Linda.

- You guys smoke grass?
- Yeah, sure.

Patsy, I have
to go home now.

It's a little bit of grass.
Come on, babe.

OK.

I'm good.

In accordance with your hopes,

mindful of your concerns,

sustained by your prayers,

- thank you, and good night.
- Thanks, honey.

President Nixon addressing
the nation live from...

Bye, Mom. Bye, Dad.
See you later. I'm going.

Linda!

Where do you think you're going?

The beach.

It's dark.

And what on Earth
do you have on?

- It's a party.
- And whose party is it?

Uh, I'm going with Patsy and her
boyfriend Ray. It's a friend of his.

- And what does this Ray do?
- I don't know, Ma.

It's not like I made him
fill out a questionnaire.

Mm-mm.

I think Patsy said he was
a bartender, all right?

But I did tell them that I had to
be home by 11:00 on the nose.

Any later, and I'll call you,
swear to God.

See you, sweetheart.

# How long have we been

# Traveling, my friend?

The French Connection.

You know that one?

- The one with that guy?
- Exactly.

My God, I was so stoned
when I saw that.

I couldn't figure out
what was going on.

I kept expecting there
to be subtitles.

- Yeah, there weren't.
- No, I know.

They were speaking American.

No, but by the time
I figured that out,

it was, like,
halfway through the movie.

Hey, guys.
Let's go skinny-dipping.

No! I gotta go, so...

- What?
- Yeah.

You're such a drag.

We're gonna go. Whoo!

Come on.
I'm going in!

Jump in!

- You don't dig the ocean?
- No.

I don't know.

- Ow.
- What?

- You bit me.
- I did?

- Yeah.
- No, I didn't.

It's cool.

You don't think I'm a drag?

Well, I don't think
you're a drag at all.

- No?
- No way.

Thanks for the ride home.

Wait. Wait, wait,
wait, wait! Come on!

Come on!

You haven't said a word
since we got in the car.

You can tell me.

What is it?
What's going on?

OK.

- I got pregnant.
- Mm.

And I had a baby last year,

and that's why we
moved here from Yonkers.

Where's this...
Where's this baby now?

I don't even know.

My mom put him up
for adoption.

She told me I was signing
circumcision papers.

- Damn.
- Yeah.

I'd like to meet your folks.

- Really?
- I think they'd dig me.

No, they don't dig anybody.

They don't even dig themselves.

Listen, I'll make you a bet.

You have me over for dinner,

and by the end of the night,

if they say,
"What a lovely young man,"

- then I win.
- What do you win?

You spend the night at my house.

And if they don't,
what do I win?

You spend the night
at my house.

- Yeah?
- Mm-hmm.

OK. Right there.

Lord, make us
thankful for these

and all our many
blessings. Amen.

- Amen.
- Amen.

Chuck, I'd like
to thank you again

- for those lovely flowers.
- My pleasure.

Linda tells us that
you were in the service.

Yes, ma'am, Marine Corps.

Mr. Boreman was
in World War II.

Oh, yeah?
You in the Corps?

- No, Army. Italy, mostly.
- I was stationed in Korea.

I won a couple of
marksmanship competitions,

but that's about all
the action I ever saw.

I bet you would have
been brave, though.

The guys that served
with your father,

they're some of the bravest men
that I ever met.

So, what do you do now?

- I own a bar and restaurant.
- That's interesting.

What kind of bar
and restaurant?

Just good food
and pretty waitresses.

What do you do for work,
Mr. Boreman?

I was a cop in New York
before we moved to Florida.

Now I do security
at the airport.

Mr. Boreman has
a million stories, Chuck.

Is that right?

Johnny, you better go in the
kitchen and warm his milk.

Milk. OK.

Mugs are above the sink, Linda.

- Jesus.
- Forget about them.

- Yeah, right.
- Yeah.

Where are you?
Where are you right now?

- I'm with you.
- Yeah.

Yeah, that's my girl.

You're my girl, hmm?
Right?

Yeah.

They don't eat with
their hands, you dope.

- Say it.
- I... I'm...

I'm your girl.

How's it coming
out there, Linda?

Uh, almost there, Ma!

What time's the
movie get out?

- I told you, 10:30.
- Be home at 11:00.

I know.

Seems like a nice young man.

Oh, right. Um...

Hey!

Hey!

Just cut it out.

What are you
so uptight about?

- My scar. It's gross.
- Come on. Foxy girl like you

should love
to show off her body.

Come on. Come on.
Let me see.

Come on.
Let me see it.

- It's gross.
- Please?

This is it?
This little thing?

Ah.

It's ugly. I hate it.

Why? 'Cause it's different?
'Cause it's not perfect?

All those uptight idiots
in the suburbs.

All those cookie-cutter robots

that your mama
goes to church with.

# I fooled around and fell...

Screw 'em.

Screw 'em.

'Cause this and you,

mm, are beautiful.

# A girl that I liked

- # I'd get out my book...
- Hey. I love your freckles.

You're late.

Come on, baby.

Yeah!

# Whoo Baby #

# Lord, Lord, Lord...

To... Keep going.
Keep going. Boom.

And here we go.

You put a lot
of margarita mix in there.

Uh, yeah. OK.

# To keep a flower growing

Margarita?

- Thanks.
- Hey.

Hey.

Mmm.

- You like porno?
- I like some.

You like 'em.

- No.
- I can tell.

- Yeah, you do.
- I don't.

- Yeah.
- I don't actually.

Trust me.

- I love your XXX.
- What are you doing?

- Hey! - But Linda won't
mind. She's cool.

OK?

I wouldn't go in there
if I were you.

# Oh, baby

# We're making love
and I like it #

- Oh, my God.
- Home movie.

My parents took one of me once,
but it didn't look like this.

I bet.

I've never seen
a porno before.

Is it turning you on?

Good girls
don't do that stuff.

Oh, 'cause you're
a good girl?

I can tell you're
such a good girl.

That's what I love about you.
You're such a good girl.

Come on.

I don't want to.

You know, maybe that's cause
you're not any good at it.

- Come on. You're gonna love it.
- Really?

- Yeah. - I'm gonna like it?
Choking myself?

I could teach you. Remember how
I got you to quit smoking?

Yeah. You gonna
hypnotize me?

It's the same mind-body
control technique.

Yeah?

Out of sight. Ah!

Hey, your mind has control.

Come on. A little more.
There you go.

Take it in. That's right.

Don't forget to breathe.
Come here.

Don't forget
to breathe, OK?

You got it. OK? Go.

Oh, yeah.

# When I die and
they lay me to rest #

# Gonna go to the place
that's the best #

# When I lay me down to die

# Going up to the spirit
in the sky #

# Going up to the
spirit in the sky #

# Spirit in the sky

# It's where I'm
gonna go when I die #

# When I die

# When I die and
they lay me to rest #

# I'm gonna go to the place
that's the best #

# Prepare yourself
you know it's a must #

# Gotta have a friend
in Jesus #

# So you know
that when you die... #

Congratulations,
Mrs. Chuck Traynor.

I've never done it with
a married man before.

- Me neither.
- Good.

# That's where you're
gonna go when you die #

# When you die

# When they die and
they lay you to rest #

# You're gonna go to the place
that's the best #

- Hello.
- Hi. It's me.

Where are you? I've been really
worried about you.

Get some money,
and come get me.

- I'm in jail.
- Ha-ha. Very funny.

Here you go, ma'am.

Oh! OK.

What happened, Chuck?

What did I say?

But this is different.

Whoo!

You said never ask
about your work.

That's right.

Some girls were
turning tricks out back.

What do you mean by...
Prostitution?

Yeah. Linda, it's a titty bar.

What do you think these girls live off?
Minimum wage?

Wait. The cops gonna
come ask me questions?

No. No, no, no,
no, no, no, baby.

Wives can't testify
against husbands.

Hey.

Look, all I need is money.

Look, after paying your bail,
I have, um, $32, $33.

Linda, real money.

It's the IRS and the Miami PD,

and it's all just
that shakedown.

- Do you have enough?
- "We. "

Baby, do we have enough, right?

- No, we don't.
- Mm-mm.

- Not yet.
- So, what are we gonna do?

Mary had a little lamb,
whose fleece was white as snow,

and everywhere
that Mary went...

...the lamb was sure to go.

Yeah, right?

That... That was great.

- Did I tell you, or what, right?
- You did. You told us.

Sweetheart, there's
a little diner on the corner.

Why don't you run down,
grab us four coffees, regular?

- OK.
- All right?

- On the corner?
- Yeah.

- Thanks a lot, darling.
- Beautiful work.

Jesus fucking Christ, Chuck.
What the fuck was that?

Does she even know what
she was auditioning for?

I know. I know. She's new at this
professionally. I could show you this thing.

Well, Chuck, she's really cute.
She's adorable.

She's like a sexy
Raggedy Ann or something.

- Cute freckles. - Really dug
her freckles. It was very...

But, you know, for this industry,
I don't... I don't know.

You don't know what, Jerry?

Go ahead. Be honest.

- Yeah?
- Yeah.

No, look, the point is,
we traffic in fantasy here.

Yeah, she's very real, the kind of
girl you sit next to her in class.

You see her out on the street,
you want to ball her.

But, you know, you've seen the
girls that come in and do this now.

I mean, they've all
been to the surgeon.

I mean, you can't light
your cigarette around 'em.

You're afraid their tits
are gonna go up

like the Hindenburg
or something.

Linda has tits.

She does. Nice ones, too.

Not the point.

It's not like the old days, you know,
where you just point a camera

at two people screwing,
and you call it art.

I mean, the audiences
expect a lot more.

She's beautiful, but,
you know, more pizzazz.

- We need more pizzazz.
- No offense.

I'm gonna show you
what Jerry's talking about.

- No, I...
- Nicky, come here for a sec.

I want to show you this... I want
to show you this movie we made.

Now, this is
the prototype, right?

People want blonde hair,
huge tits,

and a nice,
beautiful round ass.

It's the harsh reality
of our chosen profession.

- Dynamite work, Nicky.
- Thanks, Butch.

I'm gonna show you this.

Chuck, we are
making a movie here

on 35 millimeter.
Jerry even wrote a script.

- Forty-two pages. - You hear that?
Forty-two fucking pages.

This thing is
gonna be in theaters,

and, look, people
want what they want.

Chuck, your girl,

she's cute, she's skinny.
She's got no hips.

It's like making a war movie
without the fighting.

Tits and ass,
that's the action.

Chuck, I don't want to bum you out.
Can she type?

Maybe I could find some work
for her in the office.

Look at this! Look at the...

I don't care about this.
Listen to me.

I know she doesn't
have it. Chuck.

- Look at that!
- We just saw what she could do.

- She acted? Couldn't act.
- Look what she can do.

- Look! See?
- Whoa, Butchie.

But... Are you...
Did you see this?

Look at this. Look at this.
Are you seeing this?

- Holy shit.
- Oh!

Wait. Is that real?

Is she actually
doing that?

Yeah, right.

Ho ho!
Oh, my God!

Yeah, can she do that
with a big cock?

- No offense.
- She can do that with anything.

Ah, that's far out.
That is... You see that?

That is art, baby.
That's art.

# If you ain't
getting your thing #

# Like you ought to be
getting your thing #

# Somebody else be getting
your thing for you #

# Better listen what
I'm saying now, fellas #

# If you ain't
getting your thing #

# Like you ought to be
getting your thing #

# Somebody else be getting
your thing for you #

- Anybody want a hit?
- Jerry?

- Yeah?
- Not a cloud in the sky.

What's with all
the fucking lights?

Shadows, Butchie, shadows.

Your shadows are costing me
hundreds of dollars.

You want to turn the lights off?
You want it to look like shit?

No problem.
I'll turn 'em all off.

Fucking artist, huh?

- Bad toupee. - Wants to
make a movie without lights.

How long have you been
a makeup person?

Oh, I'm not
a professional.

I mean, not in makeup, anyway.

You know, when you get to
be my age in this business,

it helps to have
as many skills as you can.

I don't have any skills.

That's not what I heard.

There she is.
Here's our star, huh?

What'd I tell you?
The girl next door.

Linda, this is our financier,
Anthony Romano.

It's very nice to meet you.

Sweetheart, let me
tell you something.

If what these guys
are saying is true,

this is gonna be the best
investment of my life.

I can't wait to see your work.

Yeah. Oh, and this is Dolly.

- This is Linda's costar and
makeup artist. - A pleasure.

- I have many skills.
- Yeah? Do you?

Let's let the stars get
back to work, huh?

All right.
We'll see you later.

Easy there, sister.
Don't cover her freckles.

OK.

Hey. What are you doing?

Her freckles are her thing.

- All right?
- OK.

Be cool.

You look good.

All right.
Just not too much, OK?

- You hear me?
- Yeah, I hear you.

Wow, he's pretty intense.

I used to have
an old man like that once.

You know, I should probably...

...do something about those.

Mr. Damiano will be really pissed
if I just leave 'em like that.

- I'm so clumsy.
- I know, sweetie.

We all are.

There's just got to be more
to life than screwing around.

Than screwing around.

Sex, I don't enjoy it.

Sex, I don't enjoy it.

Linda? Harry.

We're getting it on
in the next scene.

Oh, hey.
It's nice to meet you.

I thought your name was Dick.

My stage name used
to be Dick Long,

but it sounded kind of obvious,
so you know...

Yeah. I agree.

This is a great business, isn't it?

Anyway, I just
thought I'd come by

and introduce myself before
we started going at it.

You OK?

I'm a little nervous.

I've never had lines
to talk before.

We got the best job
in the world.

We just tune everybody out,
live in the moment,

like we're the only two people
on the planet.

Tune everybody out.

- Live in the moment.
- Exactly.

You're gonna do great.

And I cannot wait
to get it on.

Action!

- Whoa. Whoa. You all right?
- Yeah.

You OK? Yeah?

You're just gonna
drive normally.

You know what
we're doing, right?

- Mm-hmm. Right.
- OK.

It's just I don't know
how I normally drive.

- You...
- I just drive, you know.

Yeah, that's exactly right.
Just drive,

and pretend we're not here, OK?
Whatever you'd normally do.

All right, we rolling?
Let's roll.

BEN.THE.MEN.TORRENTS

Doing beautiful,
baby, beautiful!

All right, sound, speed.

And action.

It's not that I'm
turned off to sex.

I enjoy it. In fact,

I could spend the rest
of my life getting laid.

Then what seems
to be the problem?

Well, I don't know.
Something's different.

I mean, there's just
got to be more to it

- than just a lot of little tingles.
- Little tingles?

- I want to hear bells ringing.
- Bells?

- Dams bursting!
- Dams bursting?

- Bombs going off!
- Bombs going off!

- Something. - Nurse, Mrs. Lovelace
is done with her bubbles.

- Thank you, Dr. Young.
- Open your mouth for me.

Wider. Ah.

- Ahh...
- Ah, ah, ah.

- Ah? Ah? Ah?
- Ah.

Well, there it is!

There it is,
you little bugger!

- What?
- Your clitoris.

It's down in the bottom
of your throat.

Oh now, now,
Mrs. Lovelace.

There, there. Listen.
It's better to have a clitoris

deep down in the bottom of your
throat than to have no clitoris at all.

That's easy for you to say.

Suppose your balls
were in your ears.

Well, then, I could
hear myself coming.

And cut!

That was great.
That was great!

- That was fantastic, really.
We good? - Yeah.

Great work, everybody.
That's a wrap.

Two days down.
Five to go. Nice work.

You see?

You see that?
That's gonna be a problem.

- I need you to do me a favor, Chuck.
- What's that?

I need you to go to Miami,
pick up some film tomorrow.

Tomorrow? Tomorrow? Why?

- Why?
- Yeah.

Because the stores
are all closed,

and if we run out of film
tomorrow, we're screwed.

But tomorrow's Linda's big day.
She needs me.

- Send somebody else.
- OK.

How about I send
Linda for the film,

and you can spend tomorrow
with Harry's cock

- down your throat?
- Man.

You got no movie
without my girl, right?

- You know that, right, Butchie?
- Yeah.

And we ain't got no movie
without no film neither.

Yeah.

All right, this is it,
everybody. Here we go. Places!

Camera! And action!

You can try it on me.

You'll like it.

Well, what do I have to lose?

Not bad.
We're all gonna win Oscars.

Cut. Cut. Cut.
Whoa! Harry?

- Mm!
- What's the matter?

What's happening?
What'd you...

- I don't... I'm... I...
- He came.

- Yeah. - He what? He came?
You came? Get outta here.

What is this,
your junior prom?

I know. I didn't...
I just wasn't...

- Just give me three minutes.
I can go again. - I'm really sorry.

- Did I do something wrong?
- No.

- Whoo-hoo!
- No, thanks.

Hey! Hey, this is silk!

- Oyster?
- Thank you.

- Thanks.
- How you doing?

Hey, oyster man! Yeah, come here.
We gotta talk.

- Oyster, sir? - Best oysters
in Miami. Come here, baby.

You know, these are natural
aphrodisiacs, honey.

- Yeah?
- Yeah, they make you horny.

I'm always horny.

Marry me.

No girl for you?
I can fix that.

- No, thanks, Charlie.
- Hey, Linda.

Why don't you come
sit on Mr. Romano's lap?

I'm having an interesting
conversation, Chuck.

Why don't you sit on his lap?

All right, come on.

Party's moving up to my room.
Where you going?

- Up to my room. Come on.
- We're going upstairs anyway.

# Help me, help me

# Let me hold it, baby

Hey, quiet.

Quiet. Quiet.

Oh, my God, that...
that's unbelievable.

- Who's in the next room?
- That's Linda and Chuck.

Girl should be in the
fucking Olympics.

I'm a little nervous.

Let's try this. Forget I'm even here.
Forget about all this stuff.

Just be yourself.

OK, um, I don't think
for the movie poster,

we can be so anatomical.

Just don't want to disappoint
anybody... I guess.

Tell me about the role
you're playing.

A girl whose clit...

- I know all that.
- OK.

Um, tell me about
the person you're playing.

Well, at first,

I'm closed up
like a flower...

- Mm-hmm. Yeah?
- ... bud.

And, um...

And then, gradually,

the petals start to... to open,

and... and then...

...I finally learn about myself,

and I learn how to...

- ... to enjoy sex.
- Beautiful.

Then I feel free.

Don't worry.
They're just Polaroid shots.

Oh, I know. It's not that.
It's just...

You made me beautiful.

All right, all right, all right.
Hey, what's the matter?

Your girl is gonna be a star.

Yeah, great, but who
the hell's Lovelace?

It's a dynamite name.
You got to admit that.

What about my name?
Linda and I are a team.

- What's wrong with Traynor?
- Nothing. Chuck Traynor.

- Good name for a producer.
- So I'm a producer now? That's funny.

I thought I was
a production assistant.

A girl like Linda,

you want to see her name in lights.
Like "Linda Lovelace. "

That's gotta go up
on a billboard, right?

"Lovely lace, Lovelace. "

- You're gonna be filthy rich.
- Me? No. You're gonna make a fortune.

- Ah. - Come on, Charlie.
You don't think

the investors deserve to make
a little bit of money?

That's not what I'm saying.

And, you know,
my name isn't Charlie.

- Chuck.
- You got it.

Your girl's gonna be a star.

That's the value, man, and you,
you own the product.

- Two consenting adults.
- $6.00.

- Is it all guys in there?
- What do you care?

# Keep on truckin', baby

Will you pass me
a cigarette, hon?

Do you mind if I
smoke while you eat?

Hey, did you hear
about Goldstein?

His magazine gave us 100 percent
on the peter meter.

Looks like we got
a full-blown big-titted hit!

What's the peter meter?

Did they say anything about
how the film was shot?

Who gives a fuck, Jerry?
A hit's a hit.

Well, then, I could
hear myself coming.

This is Chief Rocker
Frankie Crocker,

on WNYJ Radio, New York City.
We're back with the star

of the scintillating skin flick,
Deep Throat, Linda Lovelace,

and the film director,
Jerry Damiano.

- Hi.
- Hello. Hello, New York.

Now, Jerry, you were saying earlier
how you as an artist

were able to transcend
the pornographic medium.

Yeah. Well, you know,
it wasn't that difficult to do.

I mean, it was... The industry was
getting pretty stale, you know.

Everything was just screwing, screwing,
screwing, and then cut to a money shot.

You know, how many times you
supposed to look at that?

This film is becoming
bigger than that, right?

I mean, this is a phenomenon.

# Baby, that's bad

# So hard to bear, yeah...

I went to see Deep Throat 'cause
I'm fond of animal pictures.

I thought it was
about giraffes.

# Feel like I'm on fire

# And I'll keep
on trucking, baby #

Linda, right here.
Big smile, Miss Lovelace.

# I gotta keep on truckin'

# I got to get
your sweet lovin' #

How does it feel to be

the poster girl for the
sexual revolution?

It's just a goof.

To me, it's... it's a movie,

like any other movie,

only it has so many
better things in it.

- Like what?
- Like me.

# Now now

# Keep on truckin'

# Yes, I got...

Now, Linda, I mean, what do you want
to do with the future here, baby?

I hope to make movies,
real movies,

and maybe do a play.

I want to be
an actress, you know.

The Mississippi River.

What's the only thing that has a
bigger mouth than Linda Lovelace?

Right here!

- Please, Miss Lovelace!
- Linda!

- Linda. - That's what I call
a welcoming committee.

- Right on.
- Linda.

- Hi, Mr. Hefner.
- Hef, please.

Welcome to your party.
How about I trade you

- two blondes for a brunette?
- Yeah.

# Hear your mama come

# You're the best
that she ever had #

You come with me.

# Yeah, mama
won't you ride... #

- Look at this.
- Butchie Peraino.

- Big fan of yours, Mr. Hefner.
- Thanks.

Anthony Romano, Mr. Hefner.

Love the magazine. Love the
article about the swinger parties.

Thank you. You, Harry,
I'm a big fan of your work.

It is truly an honor, sir.

Oh, I used to tell people
that I had the best job

in the world until I
saw what you do.

We'll see you
gentlemen inside.

- Look at these two cool cats.
- Mr. Sammy Davis Jr.

- Miss Lovelace.
- Sammy Davis Jr.

Better not miss this show.

- They love you. - Makes me
feel sort of tingly all over,

and then nothing.
There's got to be more to sex

than just a lot
of little tingles.

There's gotta be bells ringing

and dams bursting
and bombs going off, something!

You wanna get off,
or you want to wreck a city?

I think you can be a star.

I don't mean just
an adult-movie star.

I mean a real star.

Oh, I wish
I could believe that.

Well, trust me.
I see tons of girls

go through this town every year.

Most of them...

...go just like that.

I hear bells ringing...

...and dams bursting,

and bombs going off!

- Fabulous.
- Very sexy, right? Right?

No question.
We're getting laid tonight.

- We got a hit. We got a hit!
- No question.

Ladies and gentlemen, the moment
we've all been waiting for,

the one, the only,
Linda Lovelace!

Are you ready for this?

I want to set the record straight.

All right, the first few are
just to establish a baseline,

so just answer yes or no.

Is your name Linda Lovelace?

Can we start
with an easier question?

All right. Are you currently
working on a book

- about your life with
Chuck Traynor? - Yes.

Are you taking this polygraph
at the request of the publisher?

Yes.

Were you married
to Chuck Traynor?

- Chuck, you're hurting me.
- I know. I know. I know.

- Chuck...
- Sh!

Chuck! Easy.

Chuck!

Stop it. Stop it, Chuck.

Chuck, s...

Oh, shh.

Hey.

Oh, God, that was
fucking far out.

Hey, come on.

Baby, you're my wife.

Don't trip out.

Hey.

You really hurt me, Chuck.

That was passion.

I love you.

Where's my girl?
Where's my girl?

You're my girl, right?

- Right.
- Yeah? Say it.

Say it.

- I'm your girl.
- Don't...

Hey. Hey.

What do you mean by...
Prostitution?

Wives can't testify
against husbands.

All just that shakedown.

All I need is money.

Baby, do we have enough?

It's just you and me.
We can't miss.

# Hold up

# Ah, ah, ah, ah, ah

# Who's that girl
knocking 'em dead #

# Whenever she's in town?

This is sure as shit more fun
than the convention, huh?

What do you do for a living?

I sell medical supplies.
How about you?

- Uh, I'm a part-time gynecologist.
- Really? Oh, that's so funny.

We're actually coming out with a new
set of stirrups that make it a lot...

I get it.
That's very funny, yeah.

- Should I take some drink orders?
- Yeah, yeah. What do you want?

- Oh, wow. A Cuba Libre would be great.
- Two Cuba Libres.

Don't worry about that.
I got it. Here you go.

Boy, she's... she's great.

- Mm-hmm.
- You guys married?

- Yeah, she's gonna be a star.
- Wow.

Hey, is that
what I think it is?

It is if you think it's coke.

Do you, uh, think
I could get a little?

You let people use your, um,
medical supplies for free?

- OK. No, I get it.
- Yeah.

Yeah. Um...
Well, how much?

How much for what?
The pussy or the blow?

- Seriously?
- Seriously.

# Would you let it ride?
Would you let it... #

It's your lucky day.
I'm gonna go get Linda.

# Try, try, try
Let it ride #

# Try, try, try
Let it ride #

Hey, look at me.

# Try, try, try

# Let it ride

- Hi, Ma.
- For the love of Christ, it's 2 a. m.

I know. I know.

Don't wake your father.

You want something to eat?
I got leftovers.

- You're a bag of bones, Linda.
- No, I'm not hungry, Mom.

So, what'd you wake me up
in the middle of the night for?

I was really hoping
that, uh, I could, um...

...move back in here
for a while.

- Here?
- Yeah.

No. You know
that's not possible.

- Why not? - How would it
look for a married woman

to move in with her parents
apart from her husband?

He hits me, Ma.

I can't say I'm surprised.

What did you do?

What do you mean,
what'd I do?

What did you do
to make him angry?

He didn't just hit you
out of the blue.

I guess I didn't do
what he wanted me to.

You took a vow,

a very serious vow.

Can't I just stay, like,
a few days, Ma, please?

And then what?
You gonna get a divorce?

What do you think we are,
Protestant?

Ma, you just don't understand.

Linda, I was...

I was 18 years old
when I had your sister,

unmarried...

...and all alone,

before I met your father.

I'd suffered long and hard.

How dare you come here and
tell me I don't understand.

I understand.

Now, God gave you a husband,

who provides for you.

And you...

Look at me.

Go home to Chuck.

Be a good wife.

Listen to him, and obey him.

Can't I just stay for
a little while, Mom, please?

Just please?

Mom, I just need,
like, a day, please.

- If you knew...
- That's enough.

- Hello?
- Dorothy, it's Chuck.

Hi, Chuck.

- I'm sorry. It's late.
- Yeah.

I'm looking for Linda.
You know where she is?

Yah!

I can't do it.

I can't do it anymore.

Yeah?

You can't do what?

Everything.
I can't do it.

You're doing
the movie, Linda.

You know me, right?

Huh? You believe me?

Right? You believe me?

Do you believe me?

OK.

'Cause I worked
too fucking hard

to get you this part.

Now, you watch.

This movie is gonna make us.

You and me, OK?

Oh.

Oh, there, there,
Mrs. Lovelace.

It's all right. Listen.
It's better to have a clitoris

deep down in the bottom
of your throat than to have

- no clitoris at all.
- That's easy for you say.

What if your balls
were in your ears?

Well, then,
I'd hear myself coming.

And cut!

That was great. That was great!
That was fantastic.

- We good?
- Yeah, we got it.

Great work, everybody.
That's a wrap.

Two days down.
Five to go.

Here's your damn film.

Why don't you sit on his lap?

Who's in the next room?

Man, I don't think
that's them balling.

Oh!

If I tell you to sit,

stay, screw, fuck,

you'll do it, hmm?

# Woman

- # Take me in your arms
- Hi!

- Hi!
- Hey.

Oh, my God. Oh, my God,
you look so beautiful.

And you look like
a poodle with a perm.

I'm kidding.
You look beautiful.

- Hey, Chuck.
- Hey, Patsy.

You look older.

All right, hurry it up.
You guys want to be quick?

I got some real important people
we gotta meet up with later.

Yeah. Picked out some dresses.
They're in the changing room.

Go on.

Wow, you look stunning.

Linda, can I be honest
with you about something?

- Yeah, of course.
- I'm worried about you.

- Why? Because of the movie?
- No.

I don't care about the movie.

It's everything. It's Chuck.
It's the people you...

Don't be crazy.

What is going on?

It's Chuck, isn't it?

Just tell me so I can help you.

Please? Please?

Do you know how lucky I am?

I mean, a... a girl like me
landing a guy like Chuck?

I'm nothing without him.

Jesus, Linda,
you know we're in a hurry.

Sorry.

OK.

- Hey, little toast. - No, no.
I'd like to propose a toast.

- All right, Harry.
- Oh.

To Linda, for sharing with me

the ten best minutes
of my professional career.

I heard it was the best ten seconds
of your career on the first day.

- Leave it to the broad to get honest.
- What about me?

You fucked me. If the movie's
such a hit, where's my cut?

I told Linda we're gonna double
her salary on Deep Throat 2.

She's gonna get $2,500.
How about that?

- You told Linda?
- Yeah.

Let me see the picture.
It's a full-on irregular pose.

No.

No. No!
Chuck. Chuck, no!

Chuck, it's freezing! God!

Chuck!

It was stupid.
I spoke to Butchie Peraino

about my salary for the sequel.

I never spoke to anybody
about money after that,

that's for sure.

Did Chuck control
your finances?

Yes, he controlled everything.

I never saw a penny, not even
after we moved to Malibu.

Yeah, but the price
break doesn't...

I get pitched this
shit all the time.

It's gotta be something special.

- These are special.
- Could you make it glow?

- Huh?
- Like glow in the dark?

Yeah, that'd be
groovy, right?

And it should say
"Lovelace" on the side,

and then Chuck Traynor
on the other side.

- Why would you want your name
on the side? - It's America, man!

Why wouldn't I want my name
on the side of a dildo?

You got it.
I'll send 'em out right away.

- All right. OK.
- Thanks.

Talk to you later.

All right,
where'd we leave off?

Uh, part about the first time
I screwed Linda?

"Chuck pushed me back.

His fat, rock-like
muscle tore into me.

- 'Oh, my God,' I said"
- What do you think?

- Sounds good.
- But you got a problem with it.

It's just that
your rock-like muscle

seems to play
an inordinately large role

- in Linda's autobiography.
- "Inordinately. "

- How'd you get here?
- Mr. Hefner sent me.

Right. And how about the next
time I want your opinion,

I'll ask you what
my cock tastes like.

Yes, sir, boss. Reckon
it tastes like a piña colada.

Anthony.

- Hey, Chuck. - How you doing?
Look who's here.

- Hi, Anthony.
- Look at you. Look at you.

You're like a... You're like a regular
California girl. Come here.

- I thought you were in Vegas.
- Yeah. I just came back from the pa...

- What, are you kidding me?
- It's gonna look more like her.

Come outside.
I want to show you something.

Great to see you, kid.

- Jesus.
- Gonna put freckles.

Ah, Jesus.

How you been?
Good to see you.

I bet you $10 the only thing

rock-like on that man
is his brain.

You're gonna get us into trouble.

Baby, look at us. I think
we're already in trouble.

Good afternoon. Lovelace Enterprises.
Marsha speaking.

Nice car, Chuck.
Must have cost you a few dimes.

- I know why you're here.
- I should hope so.

I need a couple more weeks.

We got the Linda Lovelace blow-up dolls.
We got all the sex toys.

Hey, you're getting, like,
five times your money back.

Man, you want a blow-up doll?
I got a couple in the house.

I don't want a fucking blow-up doll.
I want my 25 grand.

You'll get it. You're in on
the ground floor. We got the...

We got the Playboy
spread coming out.

- Mm-hmm.
- She's a brand name.

She's like Betty fucking Crocker.

No, she's Linda
fucking Lovelace.

Listen to me.
You want to pay us back,

you get her doing
what she's good at.

Now, I got Deep Throat 2, 3, 4
lined up, ready to go.

- No... - Now, this is big business
we're talking about,

not some fucking nickel-and-dime
shit you're talking about.

See, that's where you're wrong.
This isn't small-time.

I'm meeting this guy
at Hef's party, OK?

This guy, he owns half
the adult bookstores

on the West Coast,
millions in merchandise.

Linda, like,
sweet talks this guy, right?

Or better yet,
she sweet sucks this guy,

we're made in the shade!

Come on.
You worry too much.

We're talking
about money, Chuck.

I always worry about money.

Well, what do I have to lose?

You know how sometimes...
life imitates art?

I think, um...

I think this is one
of those moments.

Chuck seems to have
left with the car.

Yeah. I see he hasn't changed.

- Well, come on. I'll give you a lift.
- Really?

Hey, why don't
we go someplace?

Let's grab a drink somewhere.

- You don't want to? - It's probably
best just to take you home, Linda.

- I'm sorry.
- OK.

Chuck!

Hello?

Hi, Daddy. Did I wake you?

No. No, no, no.
We're just getting up.

It's late out there, huh?
It's Linda.

Well, who else would it be
at this time of day?

I just got home from a party.

Yeah, why am I
not surprised?

No, Daddy, it was
a business party.

But I met Sammy Davis Jr.

- Who's Sammy Davis Jr.?
- You know who he is. He's that colored guy,

you know,
"Mr. Bojangles. "

- She's right.
- I know who he is, Dorothy.

I was just joshing.

Your mother, she, uh...

Every time that Johnny Carson
mentions your name,

she changes the channel.

I saw your movie.

I don't even know
who that was up there.

That's certainly
not my little girl.

I had to walk out.

Was it something that we did?

I keep thinking
that it has to be.

I gotta go, Daddy.

I'll tell your mother
you said you're all right.

I love you.

I'm sorry, Chuck.
I looked everywhere for you.

You lost us
a movie deal tonight,

just sitting up onstage
taking bows like...

...Princess fucking Grace.

- I'm sorry, Chuck.
- Fifty, maybe 100,000.

- To do another fuck film?
- No, Linda, it's Shakespeare.

I told them you do
a great English accent,

particularly with
a cock down your throat.

Hey. Hey! Hey!

I'm sorry, Chuck. I'm...

I'm not doing any more porn... ever.

We're going to a party.
Come on.

- We just came from a party.
- Yeah.

All right, here it is.

- Hey.
- How you doing?

- Welcome to the party.
- Good to see you.

This is Mr. Shapiro. He's a big-time
Hollywood producer.

I'm a huge fan. I've seen
Throat, like, ten times.

You look like... Let's go inside.
It's cool. It's...

In fact, I'm shooting
something right now.

- It'd be perfect for you.
- All right.

Oh, is that what this...
Is this an audition?

Linda Lovelace audition?
No, no.

- Give me a second.
- Absolutely. Sure.

Just give us some privacy
for a minute. OK.

You just sit down right here.
Just have a seat.

You will sit here
and say nothing, OK?

# Keep shaking
everything you got #

# Rock and boogie

Chuck!

Chuck!

- Ah, man, you know what?
- What?

- No. - No, no, no.
Come on. Come on.

What are you gonna do?

No, it's gonna be six times
the money. Hey!

Listen to me!
Come here. Come here.

- This is crazy.
- Come here.

Come back in here. Shh!
Shut your mouth, OK?

- You're gonna do this,
you understand me? - What?

You're gonna do...
Just shut it.

You're gonna do this,
and there's nothing you

or Hugh fucking Hefner
can do about it, all right?

- We're OK?
- OK.

OK, OK.
I'll talk to her.

Chuck.

You know what? I don't
think this is gonna...

- Oh, no, no. This'll work fine.
- No.

Just... Yeah, it's just...
OK, all right. That's...

- Baby, got a good one.
- Chuck! Chuck!

No...

Aw, man. Hi.

You all right?

Hey! Hey!

Linda! Linda! Hey!

Oh, honey, honey, honey, honey!
Stay down. stay down.

Oh, my God.

Oh, my God.

Oh, Jesus. Get up.

Get up.

Oh, shit.

Step away from the lady!

- Sir, step away from the lady!
- She's my wife.

- Step away from the lady now!
- Look, I'm her husband.

- Is that true, ma'am?
- Yeah.

Ma'am, are you OK?

Wait a minute. I know you.
You're that chick, right?

- That's Linda Lovelace.
- Blow-job girl?

Sir, take her home,
and get her cleaned up, OK?

- You have a good night.
- Yeah.

Uh, hey, Miss Lovelace?

Uh, think I could
have your autograph?

Hi, operator.

I'd like to make
a collect call.

I wanted to talk to you
about the money Chuck owes.

You mean, uh,
the money you and Chuck owe?

Chuck always
handled the money,

so I've never
seen any of it.

OK, Linda, listen to me.
Just do another movie.

Call it whatever you want,
Really Deep Throat, I don't care.

One more movie,
and youse both out of debt.

The world wants
to see you, Linda,

but they only want
to see you do one thing.

You do another movie,
I'm gonna make sure

it's a classy production, and you're
gonna have any director you want.

I'm gonna bring Harry back.
Come on. It'll be like old times.

Jesus.

I just can't do it anymore.

- Here you go. Thanks.
- Thank you.

Hello? Linda?

- Shh. Shh.
- Can I help you?

Linda, it's Chuck, and I told you
I wanted to say I'm sorry.

- This is the hotel operator.
- Oh.

Um...

Traynor. Traynor's room.

Could you spell that, please?

Traynor,
T - r - a - y - n - o - r?

- T - r - a - y - n - o - r?
- Yeah.

Checking.

I'm sorry. I don't see
a guest by that name.

Try Boreman.
B - o - r - e - e - m - a - n?

- B - o - r - e - e - m - a - n?
- Um...

Any other...
another name?

Uh, Lovelace?

I'm sorry. There isn't
a guest under that name.

Hello?

You stupid bitch.

Fuck.

Linda? Linda?

Linda?

Hey, Charlie.

Um... I thought you said
Linda was staying here.

She was.
We switched rooms this morning.

You're gonna have to find yourself
a new porn star, Charlie.

Um...

Hey. Hey, man. Is...?

No. No, no, no, no.

- Turn around. Turn around.
- No.

Aah!

Fucker.
You're not gonna...

You're not gonna see her!

You're not gonna
think about her!

Hello?

This is Linda Marchiano.

Oh, my God.

OK.

OK. OK, bye.

That was my publisher.

I passed the polygraph.

They believe me.

You really want this?

I just really want people to
know what happened, you know.

Well, we'll explain
in just a moment, uh,

why she is no longer
this person.

I hope she won't be offended
if I identify her by the name

that really has
become world-famous,

a woman who starred
in what has been called

the Gone With the Wind
of pornography.

Would you please welcome
Linda Lovelace?

Linda Lovelace's book
is titled Ordeal,

and it really was. This is the...

This is the grimmest book
I've ever read in my life.

I mean, you've been
beaten, knocked around,

I mean, every liberty
in the world.

How'd you get involved
with all that stuff?

I mean, how could a nice girl like you...
How do you answer that?

Well, I had the misfortune
of meeting Chuck Traynor.

But it didn't start out
like you're describing.

He was a... a gentleman
when I first met him.

He was always opening doors for
me and lighting my cigarettes,

and he was very charming
when he wanted to be.

And I was young, you know.
I was...

I was 21 when I went
to live with him.

And it wasn't until after that that
things just started to change.

Uh, he started talking about
different sexual things,

things that I had
never heard of before,

things that I couldn't
imagine, you know.

I didn't want to.
You know, I was raised...

I was raised
to obey my husband,

to please him,
for better or for worse,

- so that's what I did.
- Dear God.

Linda, I have read
your book, Ordeal,

and I still find it very hard
to relate to you

and to believe that you have
become a changed person.

I expect people
to have great difficulty

realizing how hard it
was for me to get out,

but I think people
who have known fear

will understand it,
though, immediately.

Linda, do you think this book
will help bring about,

you know, any change for other girls
that are in this predicament?

I do have that hope. I... God forbid
there's somebody out there

that's going through
what I went through.

And maybe they can get the
courage to get out of it.

I hope this book helps her
to realize that...

...that you can come out of this
a complete person again.

Linda, you really were, and are,
but especially in the early seventies,

you were quite a celebrity.
Everybody talked about you.

All conversations about you
include a normal statement

that comes out dirty
because of the context.

That's an awful way for you...

That's gonna
follow you forever.

You know,
I spent exactly 17 days

in the pornography industry,
and somehow these 17 days

are supposed to define who I am
for the rest of my life,

but I hope that people
can see me

for who I really am.

I mean, Linda Lovelace
was a fictitious character.

My name is Linda Marchiano.

I can finally be myself.

I'm a mother and a wife,

and that is where
I found my joy.

Go ahead. We'll give
you a minute, all right?

OK.

You made it.

I love you, Mom.

Oh, let's not make
a federal case out of this.

- Hey.
- Hi.

- Hey, how are you?
- Good.

Let's get you
something to eat.

Good to see you. How you doing?
What have we got here?

Oh. Good to see you, man.
How you doing?