Original subtitles

- BUMPER, YOU STINK.

BUT SO YOU'RE CUTE.

- GOOD MORNING, TOMMY.

- RIGHT HERE.

- HERE, HERE, HERE, YEAH.

RIGHT.

- WHOO.

All: ALL RIGHT.

- YEE-HAW.

- WHAT THE HELL ARE YOU DOING UNDER THERE?

I TOLD YOU YESTERDAY THERE'RE NO MOTOR MOUTHS

FOR THIS ANTIQUE MEAT GRINDER ANYWHERE IN THE COUNTRY.

SO THERE'S NO POINT WASTING ANY MORE TIME ON IT, OKAY?

I'LL JUST CALL THAT JUNIOR MILLIONAIRE FELLA

AND TELL HIM TO COME BY AND PICK UP HIS CAR, OKAY?

ARE YOU LISTENING TO ME, TOMMY?

- YOU CAN CALL HIM.

TELL MR. ERNIE LEEDS JUNIOR HIS CAR IS READY.

- WHERE'D YOU FIND THE MOUNTS?

- I MADE 'EM.

- I'LL SEE YOU LATER.

IN ABOUT AN HOUR OR SO.

- WELL, WHAT DO YOU THINK?

- I THINK YOU'D BETTER LEARN HOW TO DRIVE, SEVILLE.

- I'M TALKING ABOUT THE EYE SHADOW, MYSTIC MAUVE.

IT'S FOR THE BACKERS AUDITION.

DON'T TELL ME YOU DIDN'T NOTICE.

- WONDERFUL.

- THIS COULD BE A REAL CAREER MOVE, TOMMY.

WE'LL DO THE SHOW HERE FOR A MONTH OR TWO.

THEN WE COULD TAKE IT ON THE ROAD.

I DON'T KNOW. MAYBE CHICAGO, NEW YORK.

- SEVILLE, ARE YOU SURE THESE INVESTORS

ARE GONNA COME UP WITH THE MONEY?

- IT'S IN THE BAG.

OH, HONEY, CAN YOU FILL IT UP?

- GUESS I CAN LIVE WITH THE DAMAGE.

SEVILLE, HUH?

LIKE THE CADILLAC SEVILLE?

- BETTER AND MORE EXPENSIVE.

WHO'S HE?

ARE YOU ANYBODY?

- MY NAME IS HAROLD.

HOW WOULD YOU LIKE TO GO OUT WITH ME?

- MOVE UP, SEVILLE.

- YOU DON'T LOOK TO ME LIKE A CAREER MOVE, HAROLD.

SORRY.

- OH!

TOMMY, WHAT ABOUT YOU?

- SORRY, BIG TOURNAMENT COMING UP.

GOT TO PRACTICE.

MAYBE SOME OTHER TIME.

- BUT I GOT TO DATE SOMEBODY, AND SOON.

- BETTER WATCH YOURSELF, HAROLD.

BEFORE YOU KNOW IT, YOU'LL BURN OUT YOUR WHOLE ENGINE.

- WHY DON'T YOU GO OUT WITH HIM?

ALL RIGHT, I'M NOT TELLING YOU WHAT TO DO,

BUT YOU REALLY SHOULD GO OUT WITH SOMEBODY SOME TIME.

- WHY?

- YOU KNOW DAMN WELL WHY.

IT'S NOT NATURAL FOR A GIRL TO BE FIXING ENGINES

AND PLAYING BALL ALL THE TIME.

FACE IT, HONEY.

YOU CAN'T BE A TOMBOY ALL YOUR LIFE.

YOU SHOULD BE...

- WEARING MYSTIC MAUVE EYE SHADOW?

- AIN'T IT TOO MUCH?

- I'D SAY SO.

THAT WILL BE 10 BUCKS, MS. BIG-TIME BROADWAY DANCER.

- WELL, I GUESS WE'LL HAVE TO PUT THIS ONE

ON THE CUFF FOR NOW, JUST TILL I GET MY FIRST PAYCHECK.

WELL, GOT TO RUN.

DON'T FORGET THE BACKERS AUDITION.

- WOULDN'T MISS IT FOR THE WORLD.

- UH, IT'S FOR YOU.

- WHAT'S THIS STUFF DO?

- MAKES YOU SMELL GREAT WHERE A GIRL SHOULD SMELL GREAT.

- YAY, SEVILLE.

ALL RIGHT.

- WHAT CAN I SAY?

ALL INVESTORS ARE FLAKES.

- SO IT WAS ALL FOR NOTHING?

- WELL, CAN'T SAY I DIDN'T ENJOY IT.

- BET I KNOW WHY.

- CARLOS?

FORGET IT.

LOOK, MEN ARE SMALL.

THEIR BRAINS ARE SMALL AND THEIR DICKS ARE EVEN SMALLER.

AND CARLOS, I HAPPEN TO KNOW FOR A FACT ALL HE'S GOT

DOWN THERE, EXTRA PAIR OF SOCKS.

All: WHOA, WHOA.

- OOH, I'D LIKE TO CATCH HER LATER.

- MY GIRLFRIEND SHERRIE WENT OUT WITH HIM.

SHE SAYS, "FORGET IT."

HE'S, LIKE, SO TINY HE COULD GET LAID AND NOT EVEN KNOW IT.

OH, TOMMY, CAN YOU HAND ME A TOWEL.

THANKS.

SURE IS...

HI.

- HI.

- SHERRIE IS A LIAR.

- SHE CERTAINLY IS.

- YEAH.

SO DO YOU WANT TO GO UP TO MY APARTMENT

FOR A MONTH OR TWO?

- THANKS, BUT I DON'T THINK MY HUSBAND WOULD APPRECIATE IT.

- YOU DON'T MEAN...

YOU'RE NOT...

- GAY.

- SHIT.

- BUT IF ANYTHING CHANGES, I'LL LET YOU KNOW.

- THANKS FOR THE TOWEL.

- ANY TIME.

- WHAT A WASTE.

TOMMY, THAT'S THE STORY OF MY LIFE.

OF COURSE I NEVER REALLY BELIEVED

THAT OLD CORNBALL MUSICAL WOULD GET OFF THE GROUND ANYWAY.

- CORNBALL?

ALL YOU'VE BEEN TALKING ABOUT FOR THAT LAST MONTH

IS THE BIG BACKERS AUDITION.

SEVILLE, WHEN ARE YOU GOING TO LEARN?

NOBODY IS GOING TO DO ANYTHING FOR YOU.

THE MORE YOU DEPEND ON OTHER PEOPLE,

THE MORE PUNISHMENT YOU SET UP FOR YOURSELF.

DON'T YOU UNDERSTAND THAT?

- YOU'RE RIGHT, TOMMY.

I'M GONNA CHANGE MY WHOLE LIFE.

I'M GOING INTO TV.

- TV?

- YEAH, THERE'S THIS GOODLEY'S AUDITION

FOR A DONUT COMMERCIAL THAT I'VE HAD MY EYE ON.

- YOU'RE SETTING YOURSELF UP AGAIN.

- WHAT DO YOU MEAN?

- THERE'S GOT TO BE 100 GIRLS AUDITIONING FOR THAT COMMERCIAL.

WHAT MAKES YOU THINK THEY'LL PICK YOU?

- BECAUSE I'M RIGHT FOR IT.

AND I HAPPEN TO GO FOR WHAT I WANT, UNLIKE CERTAIN PEOPLE.

- WHAT DO YOU MEAN?

- I MEAN, ERNIE LEEDS JUNIOR.

- JUNIOR?

WHAT DO I WANT WITH HIM?

- WELL, YOU FIX HIS CAR, DON'T YOU?

- SO WHAT?

- SO I FIGURE HE OWES YOU ONE.

WELL, YOU SHOULD BE GOING TO HIS PARTIES,

MEETING HIS MILLIONAIRE FRIENDS.

WELL, THAT'S WHAT I'D DO.

TOMMY, THERE IS A GOLD MINE THERE IN CONTACTS ALONE.

- NO, THANKS.

I'LL GET BY WITHOUT ANYBODY'S FAVORS.

- I'M JUST SAYING THAT JUNIOR IS A TICKET OUT OF THIS HICK TOWN,

AND IF I WAS YOU, I...

OH, GOD.

CREEPY TIME.

- WELL, IF IT AIN'T THE BASKETBALL STAR.

MM.

WHO'S THIS? YOUR HUSBAND?

- HOLD IT, SEVILLE.

- HEY, I'M TALKING TO YOU, FRIENDLY.

- WE HEARD YOU, FRIENDLY.

- HEY. - COME ON, MAN.

- I'M IN LOVE. CAN'T YOU SEE IT?

- BABY, I GOT TO HAVE YOU.

I GOT TO HAVE YOU, BABY.

OH, COME ON.

COME ON, GIRLS, HUH?

AND WHAT WOULD YOU SAY TO A LITTLE FUCK?

- ME?

I'D SAY, "GOODNIGHT, LITTLE FUCK."

- WHOO, WHOO, WHOO-HOO.

- OH, SHIT.

- WHOO.

- HOW LONG DOES THIS GO ON?

- TILL WE LOSE 'EM.

- WHOO-HOO, COME ON.

- HEY, BEAUTIFUL.

- DID YOU SEE THE JUGS ON THAT ONE BABE?

- OOH.

- MAN, THAT THING LOOKED LIKE...

THAT THING LOOKED LIKE THE GUNS OF NAVARONE.

- HEY.

- COME ON, MAMA. COME TO PAPA.

COME TO PAPA.

OOH.

- I LOVE YOU.

- WON'T IT JUST BE EASIER TO FUCK 'EM?

- COME ON, BABY.

GET CLOSER, GET CLOSER, GET CLOSER.

COME ON, GET CLOSER, GET CLOSER.

OOH.

- COME ON, BEAUTIFUL. - OOH.

COME TO PAPA, COME TO PAPA, COME TO PAPA.

OOH.

YOU'RE SO BEAUTIFUL.

YOU KNOW YOU WANT, BABE.

COME ON.

LET ME GET IT, COME ON.

- WHAT DO YOU SAY TO A LITTLE FUCK?

Both: GOODNIGHT, LITTLE FUCK.

WHOO!

- WHOO, YEE-HAW.

- THEY RIPPED OFF MY PAN.

THEY FUCKED UP MY WHOLE ENGINE.

YOU...

OH.

NOT ON MY FUCKING CAR.

MY FUCKING CAR.

- YOU FELLAS OUGHT TO GO OUT ON DATES

INSTEAD OF SMASHING UP YOUR CAR.

I'D COST YOU A LOT LESS.

THAT'S FOR SURE.

- SHUT UP, OLD MAN.

- HEY, HEY, WHERE IS EVERYBODY, HUH?

- HOWDY, MR. LEEDS.

- HEY, POPS, HOW YOU DOING?

LOOKING PRETTY GOOD THERE.

- MORNING, MA'AM.

- MORNING.

MY GOD, WHAT TIME IS IT?

- SO HOW IS MY CAR?

- IT'S READY.

- HEY, POPS, YOU GOT A JOHN?

- OH, IT'S BACKED THERE.

IT'S MARKED THE LADIES' ROOM, BUT YOU CAN USE IT.

- HEY, RANDY, COME OVER HERE.

TAKE A LOOK AT THIS BEAUTY.

- HEY, THAT IS REALLY NICE.

- YOU'RE RANDY STARR, THE RACING DRIVER.

HELL, YOU'RE FAMOUS.

CAN I SHAKE YOUR HAND?

- SURE.

HEY, JUNIOR HERE TELLS ME YOU MADE YOUR OWN

MOTOR MOUTHS FOR HIS PACKARD.

THAT'S PRETTY GOOD.

- OH, IT'S DAMN GOOD,

BUT I DIDN'T HAVE ANYTHING TO DO WITH BUILDING IT.

THEY WERE MADE BY TOMMY.

- WHAT KIND OF PLACE WE RUNNING HERE THIS MORNING, CHESTER?

- TOMMY, YOU KNOW MR. LEEDS.

THIS IS RANDY STARR.

- I KNOW WHO YOU ARE.

YOU'RE THE BEST.

YOU'RE WONDERFUL.

YOU'RE AN INCREDIBLE DRIVER.

- THANKS.

YOU'RE KIND OF CUTE YOURSELF.

- WHAT ARE YOU DOING HERE?

- WELL, YOU SEE, RANDY'S GONNA RACE MY STOCK CAR IN DAYTONA.

I'M HAVING IT FIXED UP SPECIALLY FOR HIM.

- SO YOU'RE TOMMY.

WE HEAR YOU'RE THE BEST GIRL MECHANIC

IN THIS WHOLE DAMN TOWN.

- BEST MECHANIC PERIOD, GIRL, BOYS, AND EVERYTHING IN BETWEEN.

I MEAN, SHE'S BUILT HER OWN CAR.

SHE'S EVEN DESIGNED HER OWN ENGINE.

- CHESTER. - OH.

- SAY, POPS, CAN THIS THING ROLL?

LET'S TAKE A LOOK AT IT. - OH, SURE, MR. LEEDS.

- WHAT A BEAUTY.

- YEAH. - DYNAMITE.

- SO YOU BUILD ENGINES, HUH?

- I WORK AT IT.

- TOMMY THE TOMBOY.

NICE POSTER YOU GOT THERE.

- SO RANDY, I'M GONNA TRY THIS GIRL OUT.

MEET YOU BACK AT THE HOUSE.

- YEAH, SURE. I'LL SEE YOU LATER.

WHAT DO YOU SAY YOU COME UP TO JUNIOR'S SOME TIME?

I'LL SHOW YOU MINE IF YOU SHOW ME YOURS.

- AS LONG AS WE'RE TALKING ABOUT CARS, SURE.

I'D REALLY LIKE TO SEE WHAT YOU'RE DRIVING.

- ARE WE GETTING OUT OF HERE OR WHAT?

- YEAH, SURE.

- SO I'LL SEE YOU, TOMBOY.

- SHUT UP, CHESTER.

- WHEN GOODLEY GETS HERE, SEND HIS ASS

RIGHT UP HERE IN THE BOOTH.

WE'RE WAY BEHIND.

HOW MANY MORE BIMBOS DO I HAVE TO SEE TODAY?

AH, MR. GOODLEY, HOW YOU DOING?

DID YOU HAVE A GOOD LUNCH?

YOU'RE JUST IN TIME.

WE GOT A LOT OF GIRLS WE'RE GONNA AUDITION HERE.

THAT'S SEVILLE RITZ.

HOW DO YOU LIKE HER, HUH?

WHAT WE'RE GONNA DO IS LET THE GIRLS IMPROVISE

TO GET A SENSE OF THEIR STYLE,

FIND OUT HOW THEY CREATE RIGHT THERE ON THE SPOT

FOR THE PRODUCT TO GIVE IT A FEELING OF SPONTANEITY AND...

SEVILLE, HONEY, READY TO LAY ONE DOWN?

GOOD.

OKAY, ROLL CAMERA, AND ACTION.

- EAT IT.

EAT IT ALL.

- FANTASTIC!

- BET YOU CAN'T EAT JUST ONE.

- FANTASTIC.

- YEAH, GREAT, GREAT.

YEAH.

- COME ON, BOYS, LET'S GO.

- SEVILLE, YOU'RE IN LUCK.

MR. GOODLEY WANTS TO MEET YOU.

- MY KIND OF GUY.

OH, THANKS, HAROLD.

- WHAT'S GOING ON?

THE OLD FART SAID IT WAS FINISHED.

IT DON'T LOOK FINISHED TO ME.

HEY, SHIT FACE, I'M TALKING TO YOU.

IS IT READY OR ISN'T IT?

'CAUSE IF IT AIN'T, I'M PULLING THE JOB.

AND I'LL TAKE MY MONEY BACK.

YOU CATCH MY DRIFT?

YOU, YOU'RE A MECHANIC?

HEY, GET OVER HERE.

- WHAT'S THE PROBLEM, YOUNG FELLA?

- I THOUGHT YOU WERE SUPPOSED TO HAVE

THIS GREAT MECHANIC WORKING HERE.

- TOMMY IS A FINE MECHANIC.

ONE OF THE BEST I'VE EVER HAD.

- LOOK, WHEN I WANT A PIECE OF ASS, I KNOW WHERE TO GO.

I LET YOU WORK ON MY CAR 'CAUSE YOU'RE SUPPOSED TO KNOW

WHAT YOU'RE DOING.

NOW, WHAT ARE YOU TRYING TO PULL?

- IS THE GUARD ON?

- IT'S CHERRY.

PARDON MY LANGUAGE.

- THEN WHY DON'T YOU TAKE IT FOR A TRIAL RIDE, HUH?

AND IF YOU'RE NOT SATISFIED,

I'LL BE HAPPY TO GIVE YOUR MONEY BACK.

YOUNG PEOPLE ARE REALLY NERVOUS THESE DAYS.

GO AHEAD, TOMMY. TAKE HIM FOR A RUN.

- I CAN DRIVE MY OWN CAR. - I KNOW.

I FOUND THAT OUT WHEN I HAD TO TOW YOU IN THE OTHER NIGHT.

- I'D REALLY LIKE TO MAKE SURE YOU'RE SATISFIED.

- SURE, YOU WANT TO DRIVE?

WHY NOT?

THAT WAY I GOT BOTH HANDS FREE.

YOU CATCH MY DRIFT?

- I COULDN'T MISS IT.

- MY CAR'S GOT A LOT OF BALLS.

YOU THINK YOU CAN HANDLE IT, LITTLE GIRL?

COME ON, CHERRY, TAKE FRANKIE FOR A LITTLE SPIN.

DON'T WAIT UP FOR US.

THIS COULD TAKE A WHILE.

WHOA.

TAKE IT EASY, HUH?

TAKE IT EASY.

WHOA.

JESUS, YOU'RE CRAZY.

WHAT ARE YOU, NUTS?

YOU'RE TRYING TO GET US BOTH KILLED?

- HOW DO LIKE THE WAY THE CAR HANDLES NOW?

WELL?

DID I DO A GOOD JOB OR NOT?

- YEAH, YEAH.

JUST LET ME OUT, HUH?

- HOLD ON, HOT SHOT.

- OH, GOD.

OH.

- MY SUSPENSION SUCKS.

WHAT IS THIS?

- THE SON OF A BITCH PAID ME IN DONUTS.

- YOU WANT TO PAY YOUR BILL WITH THESE?

- IT'S A GOOD DEAL, CHESTER.

YOU BETTER TAKE IT BEFORE I CHANGE MY MIND.

- WELL, DID YOU GET THE COMMERCIAL?

- I WAS GREAT.

THEY LOVED ME, EVEN ALEX.

THAT'S MR. GOODLEY.

AND THE DAMN TV STATION SAID

THEY WOULDN'T EVEN PUT IT ON THE AIR.

CAN YOU BELIEVE THAT?

- I'M SORRY, SEVILLE, REALLY.

- OH, WHAT THE HELL.

HEY, I MADE SOME GREAT CONTACTS.

THE DIRECTOR EVEN SAYS I'M GOOD ENOUGH TO HAVE MY OWN TV PILOT.

ALL I NEED IS AN INVESTOR.

- REALLY?

HOW MUCH DO YOU NEED?

- OH, NOT MUCH.

$500,000, $600,000.

- THAT'S A LITTLE OUT OF MY LEAGUE.

- HEY, MAYBE ONE OF YOUR CUSTOMERS COULD GIVE ME A LOAN.

I'D PAY IT BACK WITH INTEREST.

- ARE YOU NUTS?

- NOBODY AROUND HERE HAS THAT KIND OF MONEY, EXCEPT...

- RIGHT. YOUR OLD PAL JUNIOR.

HE INVITED YOU OUT TO HIS HOUSE, DIDN'T HE?

- NO, HE DIDN'T.

RANDY STARR SAID I COULD COME BY AND TAKE A LOOK

AT HIS NEW STOCK CAR.

HE NEVER MEANT...

- HOW DO YOU KNOW WHAT HE MEANT?

HE'S A MAN, ISN'T HE?

MEN ONLY HAVE ONE THING ON THEIR MINDS.

BELIEVE ME, I KNOW.

COME ON, TOMMY, AREN'T YOU JUST A LITTLE BIT CURIOUS

ABOUT HOW A MILLIONAIRE LIVES?

TOMMY, DO THIS FOR ME.

I NEED NEW CONTACTS.

- MAY I HELP YOU?

- TOMMY BOYD OF CHESTER'S GARAGE IS HERE

TO CHECK ONE OF MR. LEEDS' CARS.

RELAX.

YOU'RE AN INVITED GUEST.

- YEAH, YEAH, OKAY.

SURE.

FINE.

YOU KNOW, BUT JUST LISTEN TO ME, ALL RIGHT?

I MEAN, I GREW UP IN THIS BUSINESS.

DO YOU KNOW WHO MY DAD... JUST SHUT UP AND LISTEN.

DO YOU KNOW WHO MY DAD WAS?

YEAH, JUST SHUT UP AND LISTEN.

I EAT PEOPLE LIKE YOU FOR BREAKFAST.

NOW... HELLO?

YOU KNOW WHAT, I HAVE TO HANG UP

ON YOU NOW, YOU SCUMBAG.

OW.

WHAT THE HELL ARE YOU DOING, YOU STUPID BITCH?

- I'M SORRY, JUNIOR, BUT YOU HAVE TO SIT STILL.

- OUT.

- JUNIOR, WE'RE GOING TO TALK.

- LATER. OUT.

NOW, GO ON.

GET OUT OF HERE, YOU CLUMSY THING, YOU.

I'LL CATCH YOU LATER.

IT'S OKAY, TOMMY.

I DON'T BITE.

I'M GLAD YOU FINALLY CAME UP TO SEE ME,

EVEN IF IT WASN'T TO SEE ME.

NOW, DID YOU BRING ME A PRESENT?

- SAY HELLO TO SEVILLE.

- OOH.

- SEVILLE, I HAVE A FEELING YOU GIVE GOOD MANICURE.

- THE BEST.

- YEAH, HELLO?

EARL, YOU OLD SON OF A BITCH.

WE WERE JUST TALKING ABOUT YOU.

HOW ARE YOU?

NO, REALLY, WE WERE.

DIDN'T I JUST SAY THAT WE HAVE TO CALL EARL DELARUE, HUH?

WHAT'S GOING ON?

UH-HUH.

NO, I'M IN CONFERENCE RIGHT NOW, BUT I COULD DROP IT FOR YOU.

NO, DON'T WORRY ABOUT IT.

WHEN? SURE.

UH-HUH.

ANYTHING, ANYTHING FOR YOU.

NO PROBLEM.

- DAMN, WHY DIDN'T I THINK OF THAT?

I CAN DO THAT.

THEY HAVEN'T GOT WHAT MINE'S GOT.

- YOU'RE RIGHT ABOUT THAT.

- WHAT? OW.

- I LIKE WHAT I SEE.

HOW ABOUT YOU?

- I LIKE JET PULSION AFTERBURNERS

WITH OVERHEAD AIR SCOOP.

- SO YOU'RE INTO THAT AEROSPACE CRAP?

- IT WORKS.

- BULLSHIT.

WHAT MATTERS IS THE HANDING.

- MIND IF I CHECK YOUR SUSPENSION?

- SURE, BE MY GUEST.

NO WONDER.

KRAMER SWAY BARS.

I'VE BEEN JERKING AROUND WITH JACKSON FORSBERG'S.

- AMATEUR TIME.

WHAT YOU NEED...

TOMMY, WHAT EXACTLY IS WRONG WITH YOU?

NOTHING. WHY?

- YOU LOOK LIKE A HEALTHY FEMALE.

I MEAN, DON'T YOU EVER JUST RELAX

AND LET IT ALL HANG OUT?

- I KNOW WHAT YOU MEAN.

- COME ON, TOMBOY, LET'S GO HAVE SOME FUN.

- I PREFER TO DRIVE MYSELF.

- I DON'T RECOMMEND IT.

IT'S ROUGH TERRAIN OUT THERE.

- WHAT ARE YOU LAUGHING AT?

I MADE YOU EAT MY DUST ALL THE WAY.

- YOU SHOULD BE CAREFUL, TOMBOY.

YOU GET ALL THAT GREASE WASHED UP,

YOU MIGHT DISCOVER YOU'RE A GIRL AFTER ALL.

CAN YOU HIT THE KICKS DOWN?

HERE, PUT THIS ON.

- THANKS.

- WHERE YOU GOING?

- TO WORK ON MY SUSPENSION.

- HEY, TOMMY?

- WELL, DID YOU GET THE MONEY FOR YOUR TV PILOT YET?

- NO, I'M WORKING ON IT.

TOMMY, JUNIOR'S HAVING THIS BIG BASH TONIGHT,

AND HE WANTS ME TO BRING YOU.

- WHY ME?

- BECAUSE RANDY WANTS YOU THERE.

AND JUNIOR DAMN WELL BETTER KEEP RANDY STARR HAPPY.

WHAT IS IT WITH YOU, GIRL?

RANDY STARR IS THE BEST THING THAT EVER HAPPENED TO THIS TOWN,

AND HE'S HOT FOR YOU.

COME ON.

HEY, WHAT HAVE YOU GOT TO LOSE?

IF YOU DON'T LIKE IT, YOU CAN JUST GO HOME.

- MM-MM.

- OH, COME ON.

OH, COME ON.

- WHAT WOULD I WEAR?

- COME ON.

CLARK.

OH, THANK YOU.

OH!

- BABY, COME ON. LET'S DANCE.

OH, BABY.

- WHOA, TOMBOY THE MECHANIC.

WELL, I'LL BE DAMNED.

RANDY SURE KNOWS A FINE CUT OF MEAT WHEN HE SEES IT.

HE WAS RIGHT.

COME ON.

HEY, IT'S COOL.

RANDY AND I SHARE EVERYTHING.

- SEVILLE, IT'S GETTING LATE.

I THINK I'LL GO.

- HEY, WHAT ARE YOU TALKING ABOUT?

DON'T BE CRAZY.

RANDY'S EXPECTING YOU.

HEY.

KEEP THIS WARM FOR ME.

COME ON.

- THIS IS THE GAME ROOM.

HEY, SAM, GOOD TO SEE YOU.

BEEN TOO LONG.

ARE YOU HAVING A GOOD TIME?

AMANDA.

THIS IS AMANDA.

- HI, SAM.

HI, HOW HAVE YOU BEEN?

I'M A SCORPIO.

WHAT ARE YOU, SIR?

- YOU KNOW THAT GUY?

NOW, HE'S AN I.R.S. JUDGE.

I WANT TO MAKE SURE HE HAS A GOOD TIME TONIGHT.

WELL, LOOK WHO'S HERE.

GLAD YOU COULD MAKE IT.

NICE TO SEE YOU TOO.

MM.

MM.

ENJOY.

NOW, THIS ONE OVER HERE, HE JUST GOT OUT OF A SWISS JAIL

FOR EMBEZZLING $1/2 BILLION.

WHAT A GUY.

NOW, THE ONE OVER THERE, HE... TOMMY.

HEY, RANDY, RIGHT?

HE'S BEEN WAITING FOR YOU ALL EVENING.

PLEASE?

HE'S RIGHT DOWN THE COURT.

HEY.

- WHOO!

WHOO-HOO.

WHOO!

- YOU'VE GOT TO BE KIDDING.

YOU'RE NOT GONNA STAND HERE AND TAKE OFF YOUR CLOTHES, ARE YOU?

THIS IS HUMILIATING.

I'M NOT GONNA STAND HERE AND WATCH THIS RIDICULOUS BEHAVIOR.

OH, COME ON, YOU GOT TO CUT THAT OUT.

I'M NOT GONNA STAY. YOU KNOW, I'M LEAVING.

I'M LEAVING, AND I DON'T WANT YOU TO CALL ME.

- SHAKE IT, YEAH!

- YOU REALLY SHOULD BE EMBARRASSED.

YOU KNOW, I'M EMBARRASSED FOR YOU.

YOU SHOULD BE EMBARRASSED.

- WHOO!

All: WHOO.

- I'M GOING.

I'M NOT GONNA STAY HERE FOR THIS.

- OH, GOD. GOD, TAKE ME WITH YOU.

OOH!

- HEY, TOMMY, TOMMY.

- RANDY?

- WHERE HAVE YOU BEEN?

I THOUGHT YOU WOULDN'T SHOW UP.

GREAT PARTY, ISN'T IT?

- PLACE IS A ZOO.

WHAT ARE YOU WATCHING?

THAT'S DISGUSTING.

YOU'RE DISGUSTING.

- HEY, TOMMY, WAIT.

- HEY, BABY, YOU WANT TO DANCE?

OH, NO.

NO, NO.

- YOU KNOW, YOU CAN DO WITH A FEW SOCIAL GRACES,

LIKE "HELLO, IT'S NICE TO SEE YOU.

SORRY I KNOCKED YOU DOWN,"

INSTEAD OF STOMPING AROUND LIKE A SPOILED CHILD.

WOULD YOU STOP THAT?

I'M TRYING TO TALK TO YOU.

- BUZZ OFF.

- LOOK, MS. HICK TOWN MECHANIC, I'M SORRY IF I OFFENDED YOU,

BUT I NEVER MET ANYONE LIKE YOU.

I JUST DON'T KNOW HOW TO TURN YOU ON.

- RANDY, YOU'RE PATHETIC.

- TOMMY, I LIKE YOU.

WON'T YOU GIVE ME A CHANCE TO GET CLOSE TO YOU?

- SURE.

HERE.

- TOMMY, YOU REALLY DON'T WANT TO DO THIS.

- THE HELL I DON'T.

- WELL, HERE I AM.

- COME ON.

COME ON, HIT ME.

COME ON, HIT ME.

COME ON.

- COME ON.

COME ON, LAY ONE ON ME, TOMBOY.

HEY, RIGHT THERE.

COME ON.

- TELL YOUR FAN CLUB YOU MISSED.

COME ON.

COME ON.

- WAIT A MINUTE. WAIT A MINUTE.

SOMEBODY'S GONNA GET HURT HERE.

- YOU KNOW, YOU'RE RIGHT.

COME ON.

- I'M WARNING YOU.

- I'M SO SCARED.

COME ON. COME ON.

COME ON, FIGHT ME.

HIT ME.

- OH, MY GOD, TOMMY.

- HI.

- HEY.

- HI. YOU HAD A PINA COLADA.

- NO. - YOU HAD A PINA COLADA.

- NO, BABY. - COME ON, I'LL DRINK IT.

- OKAY.

- THAT'S NOT A PINA COLADA.

- IT'S NOT? - NO.

IT'S OKAY.

- HELLO.

- EARL, YOU'VE DEALT WITH MY DAD FOR YEARS.

YOU MADE MILLIONS FROM OUR RACERS.

- OH, SURE, I DEALT WITH YOUR DADDY, REST HIS SOUL,

BUT I NEVER TRUSTED THE SON OF A BITCH.

- BUT YOU NEVER LOST ANY MONEY EITHER.

HOW MUCH DID YOU MAKE FROM THE SALE OF THOSE TOY CARS

AND DOLLS ON OUR LAST WINNER, HUH?

NOT TO MENTION THE PATENTS.

- THAT'S BECAUSE YOUR OLD MAN, TRICKY BASTARD THAT HE WAS,

ALWAYS KNEW HOW TO SNIFF OUT A WINNER.

NOW, THAT DOESN'T MEAN, JUNIOR,

THAT YOU'VE INHERITED HIS NOSE.

OF WHAT I SAW IN YOUR GARAGE THIS MORNING,

I WOULDN'T... I WOULDN'T COMMIT ONE PENNY

TO THAT CAR OF YOURS.

- IT'S A WINNER, EARL.

I'M TELLING YOU.

YOU JUST WAIT TILL YOU SEE IT ON THE TRACK

WITH RANDY STARR BEHIND THE WHEEL.

- I INTEND TO.

- HOW'S EVERYTHING?

- OH, JUST FINE.

I'LL TELL YOU ONE THING.

THAT RANDY REALLY KNOWS HOW TO HANDLE A CAR.

- DO I KNOW HOW TO SNIFF OUT A WINNER, OR DON'T I?

- OH, NOT BAD.

NOT BAD.

- HOW'D YOU LIKE THAT CAR, MR. DELARUE?

- HEY, RANDY.

HEY, WHO'S DRIVING THAT CAR?

WHO IS THAT FELLA?

- A FRIEND OF MINE.

- OH.

- EARL DELARUE, TOMMY BOYD.

TOMMY, EARL DELARUE.

HIS COMPANY FRANCHISE, THEY MANUFACTURE TOYS, DOLLS,

ALL THAT STUFF.

HE'S THE REAL MONEY BEHIND THE RACING GAME.

- WELL, HELLO.

- TOMMY, HM?

THAT'S A STRANGE NAME FOR A GIRL,

BUT YOU DON'T DRIVE LIKE A GIRL, DO YOU?

- HEY, EARL, THIS CAR'S REALLY SOMETHING.

- CAR, MY TURTLE. THAT WAS A FINE PIECE OF HANDLING, MA'AM.

YOU KNOW, IT'S TOO BAD THAT TOMMY HASN'T GOT A CAR,

ELSE YOU MIGHT FIND YOURSELF IN HOT WATER, JUNIOR.

- I HAVE A CAR.

- OH, YOU HAVE...

- HE MEANS A PROFESSIONAL STOCK CAR.

- I KNOW DAMN WELL WHAT HE MEANS.

- WELL, ANY CHANCE OF MY SEEING THIS CAR OF YOURS?

- HEY, EARL, WHAT THE HELL ARE YOU TRYING TO COOK UP HERE?

I MEAN, THIS CHICK, SHE'S AN AMATEUR.

SHE'S A BROAD THAT GETS OFF ON RACE CARS.

WELL, RANDY, YOU BETTER TELL HIM, HUH?

HE'S LIABLE TO GET THE WRONG IDEA.

- WELL, TOMMY'S AN UNUSUAL GIRL.

SHE'S PROBABLY THE FINEST FEMALE MECHANIC, DESIGNER,

AND MAYBE EVEN FINEST AMATEUR DRIVER I'VE EVER SEEN.

BUT WHO KNOWS? MAYBE SOMEDAY.

- RANDY.

- WHAT ARE YOU GETTING UPSET FOR?

I SAID YOU WERE GOOD, DIDN'T I?

- WHY ARE YOU BEING SUCH A SHIT?

- WELL, WHAT DO YOU SAY, TOMMY?

WHEN AM I GONNA SEE THAT CAR OF YOURS?

IN A RACE, I MEAN, AGAINST HIS.

- HEY, WHOA, THIS THING'S GONE FAR ENOUGH.

NOW, I'M NOT GONNA CLOBBER TOMMY

JUST TO PLEASE YOU OR ANYBODY ELSE.

- YOU CLOBBER ME?

HA, THAT WOULD BE THE DAY.

JUST NAME THE TIME AND THE PLACE.

- A WEEK FROM TODAY, RIGHT HERE.

AND TOMMY, THERE'S A LOT OF MONEY IN THIS

FOR YOU IF YOUR CAR BEATS HIS.

- YOU'VE GOT YOURSELF A DEAL.

- YOU DON'T KNOW WHAT YOU'RE GETTING YOURSELF IN FOR.

- I KNOW A LOT MORE THAN YOU THINK.

ONE WEEK FROM TODAY, I'LL BE HERE.

- COME ON, JUNIOR, BUY US A DRINK.

- THOUGHT YOU WERE GONNA TAKE A COUPLE OF WEEKS OFF.

ANYTHING WRONG?

- DAMN RIGHT, SOMETHING'S WRONG.

I'VE TOLD YOU 1,000 TIMES NO ONE COMES NEAR MY WORKBENCH.

WHEN I PUT THINGS AWAY, I KNOW WHERE THEY ARE,

AND EVERYBODY COMES CREEPING AROUND.

BEFORE YOU KNOW IT, ALL MY TOOLS ARE GONE.

- WHAT ARE YOU LOOKING FOR?

- MY GOGGLES, THAT'S ALL.

WHERE THE HELL ARE THEY?

- THEY'RE THERE WHERE YOU LEFT 'EM.

- NOT MY MASK.

MY GOGGLES.

- ON THE TANK.

- WHERE'S MY SPARKER?

- ON THE BENCH WHERE YOU LEFT IT.

UH, WHY DON'T WE GO HAVE A BITE, HM?

I CAN'T LOOK AT ANOTHER DONUT.

HOW'D YOU GET SO MESSED UP?

I MEAN, YOU AND HIM WERE DOING SO NICE.

I FIGURED YOU FINALLY FOUND YOURSELF A BEAU.

- HOW CAN I RESPECT SOMEONE WHO PUTS ME DOWN?

- HM, PUTS YOU IN YOUR PLACE IS MORE LIKE IT.

- WHAT THE HELL DOES THAT MEAN?

- NO, WAIT A MINUTE.

YOU ARE CRAZY TO THINK THAT YOU CAN BEAT A BIG TIME DRIVER

LIKE RANDY STARR IN A CAR ERNIE LEEDS JUNIOR

SPENT THOUSANDS OF DOLLARS TO BUILD.

- WHY, 'CAUSE I'M A GIRL?

- OH, THAT'S GOT NOTHING TO DO WITH IT.

THESE ARE BIG PEOPLE, AND YOU AND I

ARE JUST A COUPLE OF SMALL TOWN GREASE MONKEYS.

DON'T YOU UNDERSTAND THAT?

- NO, CHESTER, AND I DON'T BELIEVE IT FOR A SECOND.

I'M NOT TRYING TO BE SOME BIG TIME RACER,

BUT THIS IS ONE TIME I HAVE TO BEAT RANDY STARR.

CAN YOU UNDERSTAND THAT?

I'M GONNA DO IT WITH OR WITHOUT YOU.

NOW, WILL YOU HELP ME OR NOT?

WELL?

WHAT'S THIS?

- OPEN IT.

- OH.

- WE BETTER GET CRACKING ON THAT SUSPENSION.

CAR IS BEAUTIFUL.

ELECTRONIC PROPULSION WORKS JUST LIKE YOU SAID IT WOULD.

- BUT?

- BUT YOU DON'T GET TO BE A GREAT DRIVER OVERNIGHT.

TAKES EXPERIENCE.

WELL, I SUPPOSE WE OUGHT TO PACK IT IN AND TRY AGAIN TOMORROW.

- NO WAY.

- WHERE ARE YOU GOING?

- TO GET EXPERIENCE.

- BUY YOU A DRINK, BEAUTIFUL?

THE USUAL.

- WHAT'S THAT?

- YOU KNOW, THE USUAL.

I'VE SEEN THIS ALL BEFORE.

I MEAN, IN MY FANTASIES.

I SEE US IN THIS GREAT PLACE MEETING BY ACCIDENT.

- $12.

- $12?

WOULD YOU LIKE TO COME OVER TO MY PLACE?

I DIDN'T THINK SO.

- COME ON, HAROLD.

- TOMMY, WHAT ARE YOU DOING HERE?

WE GOT TO TALK, HUN.

- DO YOU BELIEVE WHAT RANDY SAID?

- RANDY WHO?

- THE CREEP?

- JUNIOR.

- WHO'S JUNIOR?

- NEVER MIND ABOUT JUNIOR.

WHAT ARE YOU GONNA DO?

- RACE.

I DON'T HAVE A CHOICE.

- RACE WHO?

- HAROLD, WILL YOU GET THE HELL OUT OF HERE?

WE'RE TRYING TO TALK.

- BUT I JUST GOT HERE.

- HAROLD, YOU BETTER GO.

MAYBE SOME OTHER TIME?

- MOVE IT, HAROLD.

- RANDY'S RIGHT.

HE'S GONNA CLOBBER ME.

WHAT AM I GONNA DO?

- YOU JUST GO OUT THERE AND GIVE IT YOUR BEST SHOT.

WHO KNOWS?

YOU JUST MIGHT BEAT HIM.

- WELL, HOW'D IT FEEL?

- THIS IS A TERRIBLE TRACK FOR RACING.

SOME OF THOSE CURVES ARE SO NARROW,

THERE'S BARELY ENOUGH ROOM FOR ONE CAR TO GET THROUGH.

TOMMY MIGHT GET HURT.

- OH, MY HEART BLEEDS.

LOOK, YOU JUST KICK HER ASS GOOD.

SHE DESERVES IT.

- I THINK ABOUT YOU AND YOUR MONEY SOMETIMES, JUNIOR,

AND I WONDER IF YOU'D BE AS BIG AN ASSHOLE IF YOU WERE POOR.

- EARL, TAKE A LOOK AT THE TIME.

- TOMMY, ISN'T THERE SOMETHING WE CAN SAY TO EACH OTHER?

- IT'S ALL BEEN SAID.

- OKAY, THEN.

MAY THE BEST... WHAT?

- CAR.

- OKAY, MAY THE BEST CAR WIN.

AND BE CAREFUL.

THIS TRACK IS REALLY DANGEROUS.

- YOU GONNA USE YOUR CAR,

OR ARE YOU GONNA BEAT ME ON FOOT?

- AND WHAT ARE YOU SMILING AT?

- I THINK SHE'S GONNA WHIP YOUR ASS, PRETTY BOY.

- NO FUCKING WAY, BABY.

- DON'T YOU WORRY ABOUT A THING, EARL.

OUR CAR IS GONNA RUN CIRCLES AROUND THAT TOMBOY.

- WELL, I HOPE SO, JUNIOR, FOR YOUR SAKE.

- THIS IS EXCITING.

- SHE'LL DO IT, CHESTER. YOU JUST WAIT.

- THEY GO AROUND ONCE TO WARM UP,

THEN THEY GO TEN LAPS.

- COME ON, TOMMY.

GO!

- GO, TOMMY.

HA-HA.

- GO AHEAD. GO, GO.

- WHAT DID I TELL YOU, EARL?

- WHOO-HOO.

COME ON, TOMBOY, EAT MY DIRT, BABY.

- OH, MY... WHOO!

I DON'T BELIEVE IT.

- OKAY, TOMMY, THIS ONE'S FOR YOU, BABE.

- SHIT.

- COME ON, RANDY.

MOVE THAT SUCKER! COME ON.

- YOU KNOW, I THINK THEY REALLY LOVE EACH OTHER.

- THE WAY THEY'RE DRIVING, I THINK THEY HATE EACH OTHER.

- WHOA.

- GO, TOMMY.

- KICK HIS ASS, TOMMY.

- HOLY SHIT.

- THAT'S MY GIRL.

- HOLY SHIT.

- SHE WON!

SHE WON! - YOU DID IT.

- STAND CLEAR. COME ON, STAND CLEAR.

- TOMMY!

TOMMY, WHOO!

- GET THE FUEL.

- WE DID IT, GIRL.

- OKAY, ALL RIGHT.

- YOU OKAY?

- YEAH, I'M OKAY.

THAT'S ONE FINE CAR YOU BUILT, TOMMY.

YOU'RE GOOD.

- THANKS.

YOU'RE KIND OF CUTE TOO.

- YOU ALL RIGHT, SON?

- YEAH, I'M FINE.

- WE ALL RIGHT HERE?

- EVERYTHING'S FINE.

- LITTLE LADY, I DON'T KNOW WHAT YOU PUT

IN THAT ENGINE OF YOURS, BUT WHATEVER IT IS,

I'D LOVE TO HAVE IT RACING FOR US IN DAYTONA

WITH RANDY DRIVING, OF COURSE.

AND I'M SURE THAT JUNIOR HERE WILL MAKE IT WORTH YOUR WHILE.

- OH, WELL, SURE.

EARL'S RIGHT.

- 50%, AND ALL EXPENSES COME OUT OF YOUR END.

- WHAT?

ARE YOU CRAZY?

THE LEEDS FAMILY'S NEVER PAID MORE THAN 10 FOR A CAR.

- MY CAR WASN'T BUILT FOR THE LEEDS FAMILY,

AND NOBODY'S GONNA CALL IT A LEEDS CAR.

YOUR FAMILY HAS BEEN RIPPING OFF DESIGNERS LIKE ME FOR YEARS.

THAT'S ALL OVER NOW.

- THAT'S MY TOMMY.

- WELL, WHAT ARE WE GONNA CALL IT THEN?

- YOU HEARD HIM.

TOMMY.

- TOMMY?

A TOMMY CAR.

- WELL, JUNIOR, DO WE HAVE A DEAL?

- COME ON, JUNIOR.

- WHAT ABOUT YOU, TOMMY?

WILL YOU BE GOING TO DAYTONA?

- YOU'VE GOT MY CAR.

WHAT DO YOU NEED ME FOR?

- BUT THAT'S NOT THE SAME.

- WELL?

ARE YOU GOING TO DAYTONA OR NOT?

- MAYBE.