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(gentle orchestral music)
(gentle orchestral music continues)
(gentle orchestral music continues)
(all chattering)
(sheep bleating)
(all chattering)
Look behind you, Miss.
(all clapping)
(all clapping)
It's not wise to encourage them, Miss Sarah.
Your father never believed in it.
Oh, Geoffrey, don't be such a fuddy-duddy!
Your father paid me well to be a fuddy-duddy,
and I shall continue to be so
until I get you safely home to London.
(dramatic orchestral music)
There's bloody cheek for you.
Your father would've taken the patch off them
I dare say.
(dramatic orchestral music continues)
(El-Aziz speaking foreign language)
What's he saying?
My dear Miss, unless they speak the King's English,
I'm as much at a loss are you are.
The King's English
is fit for selling pigs,
not for praising the beauty
of such a perfect desert flower.
El-Aziz.
Leave her alone.
She is under my protection.
Oh, Haboush.
And what is the protection for?
(El-Aziz speaking foreign language)
(metal clinks)
(coins clinking)
(coins clinking)
(dramatic orchestral music)
Thank you for helping us.
I'm afraid Geoffrey and I
would have been quite lost without you.
The British East India Company did much business here.
Your father was greatly respected, and a good friend to me.
Well, that last fellow was certainly a nuisance.
Sheik Hab El-Aziz is much more than a nuisance.
He's known as El Talab: The Jackal.
He is a slaver.
Pray to God you never meet such a man alone.
Why was he offering you money?
He wanted to buy something that caught his eye.
My father's watch?
No.
You.
He must have been quite taken by you.
He offered an extremely handsome price.
Bloody wogs!
Oh, excuse me, sir.
I didn't mean you, sir.
You must trust no one, Miss Sarah.
The people of the desert look upon the ferengia,
the foreigners like yourself,
much like the hawk looks upon the sparrow.
Excuse me.
(all chattering)
(person speaking foreign language)
(fabric ripping)
(El-Aziz grunting)
(El-Aziz speaking foreign language)
(person speaking foreign language)
- David, what happened? - Nothing, mother.
David, it is a sin against God
to look upon such wickedness!
They are heathens, nonbelievers.
They will burn in Hell.
Come with me.
Bashi, I wish only to hire a caravan not to purchase one,
so do not try your thieving tricks on me, my friend.
I must employ extra guards.
The way to Damascus is most dangerous.
The sun rises magnificent over Baghdad.
It will be sad if you were not around to see the next one.
[Geoffrey] No!
No!
Watch that trunk!
Careful with that, man.
(person speaking foreign language)
[Person] "Dr. Han's Medical Journal"?
It was Sarah's father's.
Lord Scott did not trust any doctor outside of London.
Not without reason, rest his soul.
Bloody cholera.
(Sarah laughing)
(monkey squealing)
(Sarah laughing)
Excuse me!
Excuse me, sir.
You.
Yes, you, sir.
How do you do?
My name is McBride.
The Reverend James McBride from Boston.
My wife Rachel, my son David.
[Rachel] How do you do?
Ahmed Haboush.
This is Miss Scott
and her manservant Geoffrey.
Bashi, we are losing precious time!
I wonder if we might join your private caravan.
We have some money, hot much,
but people of God are not always able to give.
We will be traveling fairly fast.
Perhaps you will be more comfortable
with one of the large merchant caravans.
Sir, we have been trying to get to Damascus
for nearly three months.
It would be an act of Christian charity.
Oh, yes.
We Muslims have always been very concerned
with Christian charity.
[Geoffrey] They won't give us any trouble.
(gentle orchestral music)
(gentle orchestral music continues)
(dramatic orchestral music)
(gentle orchestral music)
(gentle orchestral music continues)
(gentle orchestral music continues)
(camel grunting)
(person speaking foreign language)
(gentle orchestral music continues)
Dear Lord, bless this food to our use
that it may nurture us,
and give us strength for our journey
and for thy holy work among the heathens...
Bloody camels!
What this country needs is a fine English coachmaker.
Bring 'em into the 19th century.
(all chanting in foreign language)
(percussive music)
(person whistles) (percussive music continues)
(percussive music continues)
(person whistling)
(percussive music continues)
(all laughing)
[Geoffrey] I'll make you some tea, Miss.
[Sarah] Oh, thank you, Geoffrey.
(crickets chirping) (percussive music)
David!
David, what's keeping you?
Oh, David, your mother and I
have been discussing your future,
and I've decided that you
will go into the ministry directly
we're back in Boston.
I'm not sure that's what I want.
Well, it's not up to you to be sure.
It's up to God.
His will be done.
What your father means is
we think you'd be happiest in the ministry.
Well, that's not right.
Oh, well, dear, that is what you said.
Oh, no, no, no, no, no, no.
Not that.
The Dog Star.
It should be over there.
Not up there.
[David] Perhaps we're taking
a different route to Damascus.
Yes, perhaps.
(owl hooting)
(camel grunts)
(camel grunts)
(man shouts) (suspenseful orchestral music)
(men yelling)
(woman screams)
(all shouting)
(horse neighing)
(all shouting)
(swords clanging)
(person grunting)
(Reverend screaming)
Vengeance is mine, sayeth the Lord.
Aah!
Aah!
James!
James!
(horse neighing)
(Reverend groaning)
(swords clanging) (suspenseful orchestral music)
(woman screaming)
Mother!
(suspenseful orchestral music)
(horse neighing)
(all shouting)
(person screaming)
Run, child, run.
Run to the well.
The well?
To the water well.
Hurry up!
(suspenseful orchestral music)
Hyah!
Hyah!
(Sarah screaming)
(horse neighing)
[Geoffrey] Well done, sir!
Come on, David!
Hurry up, let's go!
Come on!
(suspenseful orchestral music)
Hurry up!
We have no time!
What about the water?
There's a small cave on one side. Hurry up!
- Come with us. - Quick.
Hold on tight.
(suspenseful orchestral music)
Aah!
(Sarah screaming)
[David] Hurry!
[Geoffrey] Quickly!
Into the well!
(women screaming)
El-Aziz,
I delivered them into your hands as agreed.
I demand my payment.
Payment for what?
The girl escaped.
There is little else of value.
You have captured many women, El-Aziz.
They will bring you a good price.
One less will not make you a poor man.
(chuckling) The English girl will not be for sale.
She's for me.
(spitting) This water is foul!
Traitorous dog!
(person grunting)
(water splashing)
Perhaps that will improve the water's taste.
(dramatic orchestral music)
(Geoffrey straining)
[Geoffrey] Thank you, Miss Sarah.
(dramatic orchestral music continues)
(camel grunts)
[David] And we commend these souls to thy keeping,
sure in certain knowledge of the resurrection
and eternal life.
Ashes to ashes,
dust to dust.
Amen.
[Both] Amen.
(David sobbing)
Now, now, sir.
(dramatic orchestral music)
(dramatic orchestral music continues)
(dramatic orchestral music continues)
(Sarah gasping)
Sun's up, Miss.
Time we were on our way.
[Sarah] Where are we?
[David] Further than we were yesterday.
[Sarah] Where's the trail?
- It's gone, Miss. - What?
We lost it last night.
Look, don't worry, Miss.
We'll head due west.
Should we miss Damascus,
we'll still reach Alexandria.
Alexandria?
That's hundreds of miles from Baghdad.
It could take us months.
What about food and water?
I don't know, Miss.
All I know is we'll die if we don't move.
Then let's go.
And we'll die if we do.
Water!
I found water!
(gentle orchestral music)
Down here!
Well, what do you think?
- Incredible. - Remarkable!
Like the Canterbury Cathedral.
Right, and over here's the fall.
(water splashing)
This place must be used by the desert people.
We'll have to be careful.
After you.
It's sweet.
I already tried it.
Oh, it's warm.
It's also wet.
Try it!
Oh, that's good.
Ahh!
That's so good!
Mmm.
Where you going?
To the camel to get a cup, sir.
(Sarah laughing)
(Geoffrey groaning)
- Hey. - Geoffrey?
Geoffrey?
I do apologize, Miss.
This is quite unforgivable.
No.
Shh.
Be quiet.
Does it say what to do for him?
No.
I can't find anything.
It's all kind of technical.
(Sarah laughing)
You look funny.
(chuckling) So do you.
W-w-we shouldn't be looking at this.
Why not?
Could be a sin.
But they're beautiful.
How could looking at something so beautiful be a sin?
My father told me it was wrong to look upon nakedness.
Well, Adam and Eve were naked.
They were not.
They wore leaves.
Big ones.
(laughing) How do you know?
Were you there?
No, but I've seen lots of pictures in churches
and they always wore leaves.
Hmm.
Well, anyway, this is, this is different.
This is a book for doctors.
Doctors have to look at you with no clothes on.
The doctors have no clothes on?
(laughing) No!
You have no clothes on.
The doctor's dressed.
Ohh!
(Sarah laughing)
(gentle orchestral music)
This thing works! (laughing)
(gentle orchestral music)
(Sarah humming) (birds chirping)
(water splashing)
(gentle orchestral music)
(gentle orchestral music continues)
(gentle orchestral music continues)
(David whistling)
The mighty hunter returns!
Shh!
Oh.
How's Geoffrey?
He's still asleep.
Oh.
Did you see anything?
Yup, I sure did.
What?
This.
Oh!
Well, I'm glad you're feeling better, sir.
Oh, just a tough of the sun, lad.
Nothing serious.
Bit more of this fresh air,
and I'll be right as rain in the morning,
then we should be on our way.
We've a long way to go, you know.
To get to where?
Home, of course.
Miss Sarah has a boat to catch.
And I'm sure you're anxious to get back to,
to your people.
My mother and father were all I had.
Thank you.
(sheep bleating)
(gentle orchestral music)
(dramatic orchestral music)
Steady, sir!
Steady on there!
The Arabs!
They're here!
Where?
About a mile away.
Very well, sir.
Take that beast up to the cave and gather our things,
if you please, sir.
Where are you going?
For a closer look.
If they're friendly,
they could help us to get out.
No.
No, we can't trust anyone.
I shall be very careful.
Now go.
Get packing.
And mind you look after Miss Sarah.
This country's not fit for a proper young lady of breeding.
(birds chirping)
I wonder what's happened to Geoffrey.
I don't know.
He should be back by now.
I'm going to look for him.
He may need help.
Wait!
Be sure to come back.
I can't even get on the stupid camel by myself.
I forget the word to make him kneel.
No, it's easy-
No.
No, don't tell me now.
Just show me later, all right?
Yeah.
Your mighty hunter shall return.
(gentle orchestral music)
(all chattering)
(person speaking foreign language)
(both speaking foreign language)
(dramatic orchestral music)
[David] Sarah's trunk.
(chickens clucking)
(camel grunts)
(dramatic orchestral music continues)
(horse neighs)
(dramatic orchestral music continues)
We'll look again tomorrow.
The girl cannot be far away.
[Person] Lying English! (spits)
Who would believe he would send us on a false trail?
Indeed.
He died more bravely than I thought.
Sarah!
Sarah!
The camel!
We gotta get out here!
Well, what happened?
Where's Geoffrey?
The Jackal killed him!
They did awful things to him!
God, let's get out of here before he finds us!
They've, they've killed him?
Oh, no.
Sarah, we gotta get out of here!
(dramatic orchestral music)
(dramatic orchestral music)
How long have we been going?
(sighs) What does it matter?
We just can't give up.
We can't.
We'll never get home, will we?
(dramatic orchestral music continues)
(camel grunting)
(dramatic orchestral music continues)
(camel grunting)
What's the matter?
I don't know.
I can't get him to move.
Here.
Hold this.
Well, that's it then.
We've had it.
We can't walk out.
We're dead! (grunting)
[Sarah] David, where are you going?
[David] What's the difference?
Come on.
(camel grunting)
David?
Help!
David, the camel!
David!
David!
Help!
Sarah!
Sarah, wait for me.
[Sarah] But I can't stop the camel!
(dramatic orchestral music)
Sarah!
Where are you?
(gentle orchestral music)
Sarah?
Sarah!
(water splashing)
(Sarah laughs)
[Sarah] Got a reservation?
Whooo! (laughing)
I don't believe it.
I don't believe it!
(Sarah laughs)
Looks good, looks good!
Hurry up!
(Sarah laughing)
[Sarah] I'm going to be in first.
No, you won't.
I'm going to be in first.
You're slow.
[Sarah] You want to make a bet?
Uh-oh.
(both laughing)
I'm too slow?
Yeah, I'm going in first.
No, you're going in last.
Hurry up.
Hurry up.
I'm going in without you, if you don't hurry up.
Come on.
Come on.
Ready? - Yeah.
[David] Set!
Go!
(gentle orchestral music)
(both laughing)
(Sarah screaming)
(water splashing) (both laughing)
(water splashing)
(Sarah laughing)
(gentle orchestral music)
(waves lapping)
[Sarah] Can we stay here?
[David] I'm not moving until at least forever.
(Sarah laughs)
[Sarah] Mmm.
It's so quiet.
[David] Sometimes it feels like we're the only two people
left in the world.
Our very own paradise.
That's what it's called in the Bible.
[Sarah] Paradise.
I like that.
I wonder what the first house looked like.
(soft flute music)
Sarah?
Sarah, is that you?
Sarah?
(Sarah laughing)
Where did that come from?
I made it.
You make it?
It's great.
I didn't know you could make things.
Well, you made this house.
I didn't know you could make things either.
Try it.
(flute honking)
(Sarah laughing)
(soft flute music)
It's beautiful.
Really beautiful.
(object clattering)
David, what was that?
I don't know.
Stay here.
Well, wait.
Maybe it'll go away.
Maybe it won't.
(object clattering)
All right.
Hold it right there, buster!
Sarah, come here quick.
Look.
[Sarah] Aw, it's a dinner guest.
[David] Think he's friendly?
Well, he's eating my cooking and not complaining.
What could be friendlier than that?
(gentle orchestral music)
Sarah.
Sarah!
Come here, I won't hurt you.
This is David. - Hello.
And I'm Sarah.
Nice to meet you.
Here. (laughing)
You speak pretty good chimpanese.
(gentle orchestral music continues)
Well, what should we name him?
I don't know.
How about Doc?
Doc?
Why Doc?
We have to have someone that can read that medical book.
(both laughing)
Okay, Doc it is.
(gentle orchestral music continues)
Okay.
Let's see how this thing works.
(arrow thwacking)
No.
Wait a minute.
I read "Robin Hood!"
I know what I'm doing wrong.
(gentle orchestral music)
(Doc grunting)
Thanks, Doc.
(gentle orchestral music continues)
Okay.
(Doc screeching)
Good thinking.
(Doc laughing)
Just what I need, a critic.
(gentle orchestral music)
(gentle orchestral music continues)
(Doc grunting)
(Sarah laughing)
(camel grunting)
Hi.
Have a nice day?
(Sarah clearing throat)
What's the matter?
Something wrong with your back?
No.
[David] Then what's the matter?
David, tell me.
Do I look any bigger?
[David] Taller, you mean?
Maybe.
No.
Not taller.
Bigger.
Oh, you mean fat?
No!
Forget it.
Sarah, what do you mean?
Sarah, what are you talking about?
[Sarah] I said forget it!
It doesn't matter.
Well, I'm not mind reader, you know.
No, just blind!
Sarah, what... (sighing)
Do you know what she's talking about?
Do you know what she's-
(Doc screeching)
I don't know what she's talking about.
Nobody knows what she's talking about.
Women! (grunting)
(gentle orchestral music)
(gentle orchestral music continues)
(crickets chirping)
(gentle orchestral music)
(camel grunting)
What are you doing climbing trees?
Where's your modesty?
What?
It's not nice.
People might see you.
What people?
That's not the point!
All right then, what is the point?
The point is you're not supposed to gather the food.
I'm supposed to gather the food.
Why?
Because I'm the man
and the man's supposed to gather the food.
Everybody knows that.
I told you I was a tomboy.
I like doing it.
Well, it's not right!
It's just not right.
What are you getting so mad about?
I'm not getting mad!
You're yelling at me!
I'm not yelling.
This is yelling!
What did I do?
I'm sorry, okay?
Just stop taking over.
Let me do that stuff.
(Doc laughing)
[Sarah] You keep outta this!
(gentle orchestral music)
(water splashing)
Stupid, stupid, stupid!
What a stupid thing to say!
Where's your modesty?
For crying out loud, people might see you.
What am I talking about?
It's just plain dumb.
Just plain old dumb.
For crying out loud.
Stupid, stupid, stupid!
(water splashing)
Stupid!
(gentle orchestral music)
(Doc grunting)
Shhh.
(David screaming)
(Doc laughing)
Sarah, did you put that thing on me?
No.
Doc did it.
Doc, did you do it?
(Doc screeching)
Now you've had it.
Tattletale!
Thanks, Doc.
Sarah, come back here!
(Doc laughing)
Sarah, when I get a hold of you...
Come back here!
(Sarah screaming and laughing)
Sarah?
If you ever that to me again...
(Sarah laughing)
Promise?
No! (laughing)
Promise!
I promise! I promise!
I promise, I promise.
I'll never lay a finger on your gorgeous body ever again.
That's better.
[Sarah] I lied! (laughing)
(water splashing)
(Sarah laughing)
(gentle orchestral music)
(gentle orchestral music)
[David] Sarah, are you all right?
[Sarah] Yes, go back to sleep.
Here.
Cover yourself with this blanket.
What's the matter?
[Sarah] I have stomach pains.
Maybe it was something you ate.
(Doc grunting)
(both laughing)
Yeah.
[Sarah] Well.
Good luck.
I'll need it.
(laughing) David, look at Doc.
Hey!
Hey, stop that!
Stop, Sarah, don't look.
Come on.
Don't look!
Doc, get outta here.
Go on.
Go on.
Get outta here!
Get outta here, Doc.
Come on.
Get outta here!
(Sarah laughing)
I said get outta here, Doc.
Go on.
Go on.
Come on.
Get outta here, Doc.
(Sarah laughing)
It's not funny.
Yes, it is.
[David] It is not!
I bet you do that.
I do not!
I bet you do.
The books says all boys do.
It's a natural thing.
I do not!
It's not natural!
People that do that go crazy.
Well then, it's too late. You're already crazy.
(Doc grunting)
(arrow thudding)
(Doc screeching)
(arrow thudding) (gentle orchestral music)
(Doc screeching)
(camel grunting)
(suspenseful orchestral music)
God!
He's back!
Hyah.
Hyah.
Sarah, hurry!
- Maybe they'll just go on by. - They won't go on by.
They'll stop for water.
Yeah, but if we leave now, they'll see us.
We'll hide in the dunes and sneak away tonight.
This is our Paradise.
We can't just leave it.
Wait, David.
What about Doc?
Doc?
Ooh, Doc.
Where are you?
The camel!
Jesus, Sarah, stop it.
(camel grunting)
Oh, God!
(suspenseful orchestral music) (horses neighing)
It's gone!
It's gone.
I couldn't catch the dawn thing.
It ran out into the desert.
David, I'm sorry.
You're sorry?
The only reason we're in this mess
is because you were flirting with that guy
in the marketplace!
David, that's not fair.
Fair?
He killed my mother and father, he killed Geoffrey,
and he'll probably kill us!
So don't tell me about fair!
If he just kills me, I'll be lucky.
(suspenseful orchestral music)
(person speaking foreign language)
(person speaking foreign language)
(all shouting)
(horse neighing)
(all shouting)
(person speaking foreign language)
(Doc screeching)
(El-Aziz speaking foreign language)
[David] I don't believe this.
Two chimps?
[Sarah] Well, we've got a Doc.
Why not an Eve?
[David] Why not Adam?
Take a look.
[David] Eve it is.
(suspenseful orchestral music)
(dramatic orchestral music)
(fire crackling) (all shouting)
(horse neighing)
(El-Aziz speaking foreign language)
(all shouting)
(fire crackling)
(Doc grunting)
It's okay, we'll build a new one.
I didn't like the view anyway.
(chimp whimpering)
(waves lapping)
I'm sorry I yelled at you when the camel ran away.
I know.
I really didn't mean it.
I know you didn't.
I promise I'll never let anything happen to you.
(gentle orchestral music)
(chimp grunting)
Son of a bitch.
Oh, sorry.
(gentle orchestral music)
(waves crashing) (birds squawking)
(gentle orchestral music)
(gentle orchestral music continues)
(gentle orchestral music continues)
(gentle orchestral music continues)
(Sarah laughing)
Hold on. - Okay.
- You ready? - Mm-hmm.
Here we go!
(both laughing)
Ya-hoo! (laughs)
(both laughing)
(laughing) That was fun. (laughing)
Ah.
David, what are you doing?
Stop.
I, I can't.
I'm sorry.
I don't think I'm ready.
You'll never be ready!
It's all because you've been reading that damn book so much!
David?
David!
Wait.
David, will you wait?
(David grunting)
David?
Don't!
Give it to me.
What are you doing?
Please. - Get away from me!
Please don't!
- Leave me alone! - Give it to me.
Come on, David.
You know, you're crazy.
You're really crazy, you know that?
Yes, because I've been doing it by myself too long.
(water splashing)
(chimps grunting)
(Doc grunting)
(chimp whimpering)
(gentle orchestral music)
(gentle orchestral music continues)
(both grunting)
Doc!
Evie, what's wrong?
(both grunting)
Doc!
(chimps screeching)
(suspenseful orchestral music)
They got Sarah.
(horse neighs)
(suspenseful orchestral music)
(person speaking foreign language)
(horse neighs)
(all chattering)
(dramatic orchestral music)
(person speaking foreign language)
(El-Aziz speaking foreign language)
(person speaking foreign language)
You need to bathe and have fresh clothes.
Then you'll be fit to come to me.
(horse neighing) (all chattering)
(person speaking foreign language)
(horse neighing)
(El-Aziz speaking foreign language)
(all chattering)
(suspenseful orchestral music)
You two stay here.
I'm gonna try and find Sarah.
If I don't come back...
I said stay there.
(gentle orchestral music)
(person speaking foreign language)
(person speaking foreign language)
Stop!
(person speaking foreign language)
(David screaming)
David!
(person screams)
(person speaking foreign language)
(person grunting)
(Doc screeches)
(all shouting)
Am I glad you guys never listen to me.
Come on!
(suspenseful orchestral music)
(all shouting)
(gentle orchestral music)
I couldn't believe it.
I looked up, and this ugly woman came in the tent.
And I thought, "Oh, God, not another one."
And it was you.
You were really fantastic.
(David groaning)
David, what's wrong?
Scorpion got me on the arm.
Let me see.
Oh my God!
(chimps grunting)
(David shivering)
If only we had the book.
Oh, I shouldn't have made you angry.
I'm sorry.
It wasn't you, it was me.
- Shh. - I was crazy.
Now I'm going to die.
No, you're not.
Don't talk.
You're going to be all right.
I'll take care of you.
(gentle orchestral music)
It's all right.
(dramatic orchestral music)
(dramatic orchestral music continues)
(chimps screeching) (gentle orchestral music)
(gentle orchestral music continues)
Please don't leave me, David.
Don't go away.
Everyone I ever loved went away.
Please, David.
I love you, David.
(gentle orchestral music)
Sarah.
Oh, David.
David?
Hmm?
You know, I really thought I'd lost you.
I really thought that I was going to be left all alone.
I'd never leave you alone.
You know, last night,
when you didn't move,
I thought of all the things I wish I had said to you.
And all the things I wished we'd done.
Like what?
(gentle orchestral music)
It's all right.
You're not scared anymore?
No.
(gentle orchestral music continues)
(gentle orchestral music continues)
(gentle orchestral music continues)
(gentle orchestral music continues)
(gentle orchestral music continues)
(Sarah laughing)
(water splashing)
(gentle orchestral music)
(gentle orchestral music continues)
(gentle orchestral music continues)
(water splashing)
(Sarah laughing)
Atta boy, Doc. Haul him in.
Haul him in, Doc. Haul him in. I'll get him.
(water splashing)
(Doc screeches)
Too bad, Doc, he got away.
Must have been a big one.
(Doc screeches)
Spoken like a true fisherman.
(Doc screeches)
(gentle orchestral music)
(Sarah laughing)
(gentle orchestral music continues)
Hope you like this.
I made it especially for you.
It took me all day long to make.
Looks real good.
(David coughing)
It's too spicy?
(gasping) No, it's perfect!
It's perfect?
Oh, okay.
I'll give you seconds.
No, no, no, no, I'm full.
(soft flute music)
(chimps grunting)
(gentle orchestral music)
(gentle orchestral music continues)
(gentle orchestral music continues)
(chimps grunting)
Come on in, lazy bones, the water's great.
[Sarah] No.
I'll swim with you tomorrow, okay?
Oh, that's what you said yesterday.
And the day before that.
And the day before that.
The only exercise you've been getting, lately is this.
Uh, uh, uh, uh.
(laughing) Come on, David.
I haven't had a bite all morning.
That's 'cause you ate all night.
David, if you want to see fat,
look at Evie.
(David laughs)
(both laughing)
We better be moving soon.
Yeah.
I know.
(David gasping)
(water splashing)
(Sarah laughing)
(water splashing)
Here, Evie.
No, take it in this hand.
(Sarah laughs)
No, not your tummy.
Brush your hair.
See how beautiful you are?
Yes.
That's a good girl.
(soft flute music)
David, come here, quick.
What is it?
Come on.
Hurry up.
Look.
Evie's had her baby.
(gentle orchestral music) (chimps grunting)
Come on.
(chimps grunting)
You mean we're going to have one of these?
Uh-huh.
Only ours will have a little less hair.
My God.
(Evie whimpering)
Here, Doc, take your baby.
Take him.
(suspenseful orchestral music)
Can't you ever leave us alone!
(suspenseful orchestral music)
Sarah!
Sarah, we've got to get out of here.
He's coming! - [Sarah] How did he find us?
[David] How does he ever find us?
Let's get out of here!
[Sarah] Doc, Evie, hurry up!
(chimps screeching)
Come on!
[David] Sarah, let's go!
(suspenseful orchestral music)
(El-Aziz speaking foreign language)
[El-Aziz] Wait here!
I will take the girl alone!
(suspenseful orchestral music)
(horse neighing)
(suspenseful orchestral music)
(suspenseful orchestral music)
[David] Hyah, hyah!
(suspenseful orchestral music)
(camel grunting)
Hyah, come on!
(suspenseful orchestral music)
(camel grunting)
David, the camel just can't run anymore.
He's got to, we've got to keep going.
Hyah!
Come on, move!
(suspenseful orchestral music)
He killed her,
just like he's killed everything else.
What'll we do?
Wait.
Can't we just keep on running?
He's coming.
He'll catch us.
If he's not, we'll move at night when it's a lot cooler.
(wind howling)
I love you.
I love you, too.
He's coming.
I can't see anything, but I know it's him.
Wait here.
David, maybe he'd let us go.
Stay here.
Promise?
Keep this.
(suspenseful orchestral music)
(suspenseful orchestral music)
(suspenseful orchestral music continues)
(suspenseful orchestral music continues)
(horse neighs)
(arrow thudding) (horse neighing)
(horse neighing)
David!
(chimp screeches)
David, are you all right?
(chimps grunting)
David?
It's all right.
I'm okay.
I'm okay.
(wind howling)
(horse neighs)
[Sarah] David, be careful.
(suspenseful orchestral music)
It's all right, Sarah.
He's dead.
(dramatic orchestral music)
(dramatic orchestral music)
(gentle orchestral music)
(gentle orchestral music continues)
[Sarah] There are people down there!
Civilized people.
A hot bath, clean sheets.
Shoes.
And chocolate.
Chocolate, anything.
(sighing) Oh, no!
What?
Doc and Evie, they'll put them in cages.
And the baby too.
I never thought of that.
I guess I never really thought we'd make it.
Oh, oh, David.
What?
(gasping) It moved.
What are you talking about?
It moved just now.
Here.
It hit me!
It's gonna be a fighter.
Just like his father.
You're gonna need help. We better get down there.
Yeah, I know.
What about Doc and Evie and the baby?
We've got to decide what to do.
It isn't our decision anymore.
Look.
(chimps grunting)
Doc!
Eve!
Wait, Doc!
Goodbye.
It's better this way.
This is where they belong.
We'd better get going.
Yeah, we better.
♪ Song: Paradise, Phoebe Cates Could ♪ ♪ it be the little things you do to me? ♪
♪ Like waking up beside ♪ ♪ you, it's so new to me ♪
♪ Life can be so full of danger ♪ ♪ In the dark, there lurks a stranger ♪
♪ I just can't imagine what he wants of me ♪
♪ When I'm with you, it's paradise ♪
♪ No place on earth could be so nice ♪
♪ Through the crystal waterfall ♪
♪ I hear you call ♪
♪ Just take my hand, it's paradise ♪
♪ You kiss me once, I'll kiss you twice ♪
♪ And as I gaze into your eyes ♪
♪ I realize, it's paradise ♪
♪ It's right out of ♪ ♪ something from a fairy tale ♪
♪ A terribly exciting and a scary tale ♪
♪ It's nothing I could ever make up ♪
♪ Am I dreaming? Will I wake up? ♪
♪ Just to find out this is true reality ♪
♪ When I'm with you, it's paradise ♪
♪ No place on earth could be so nice ♪
♪ Through the crystal waterfall ♪
♪ I hear you call ♪
♪ Just take my hand, it's paradise ♪
♪ You kiss me once, I'll kiss you twice ♪
♪ And as I gaze into your eyes ♪
♪ I realize, it's paradise ♪
♪ Just take my hand, it's paradise ♪
♪ You kiss me once, I'll kiss you twice ♪
♪ And as I gaze into your ♪ ♪ eyes, I realize it's paradise ♪
♪ And as I gaze into your ♪ ♪ eyes, I realize it's paradise ♪
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