All language subtitles for CC SRT A1-3

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified) Download
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
el Greek
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranî)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:01:05,132 --> 00:01:05,987 [MUSIC PLAYING] 2 00:01:05,988 --> 00:01:06,843 [DRAMATIC MUSIC PLAYING] 3 00:01:06,844 --> 00:01:07,699 ROBSON, YOUR MASTER IS UNWELL. 4 00:01:07,734 --> 00:01:10,535 WE MUST STOP AT THE VERY NEXT VILLAGE YOU COME TO. 5 00:01:10,570 --> 00:01:12,737 RIGHT YOU ARE, MISS. 6 00:02:17,170 --> 00:02:18,369 HE IS ILL. 7 00:02:18,405 --> 00:02:20,138 WE NEED A BEDROOM, IF YOU PLEASE. 8 00:02:20,173 --> 00:02:22,073 TAKE THE GENTLEMAN TO THE FIRST FLOOR FRONT, MARK. 9 00:02:22,108 --> 00:02:23,108 RIGHT, MRS. LUPIN. 10 00:02:23,143 --> 00:02:24,242 SHALL I CALL A DOCTOR 11 00:02:24,277 --> 00:02:26,144 OR THE APOTHECARY IN THE NEXT VILLAGE? 12 00:02:26,179 --> 00:02:29,847 NO. NO DOCTORS, NO APOTHECARIES. 13 00:02:36,623 --> 00:02:39,524 HERE, PA. BRANDY AND WATER. 14 00:02:52,939 --> 00:02:54,939 THAT'LL DO. I'M BETTER. 15 00:02:54,974 --> 00:02:56,040 OH! 16 00:02:56,076 --> 00:02:57,375 [LAUGHTER] 17 00:02:58,679 --> 00:03:01,178 AND I HAVE SOME NEWS FOR YOU. 18 00:03:01,214 --> 00:03:02,247 OH. 19 00:03:04,251 --> 00:03:07,619 I'M GLAD TO REPORT THAT I'VE FOUND ANOTHER STUDENT 20 00:03:07,654 --> 00:03:10,121 TO REPLACE THE INGRATE WESTLOCK. 21 00:03:10,156 --> 00:03:12,123 OH, PA! WHO IS HE? 22 00:03:12,158 --> 00:03:15,627 A YOUNG MAN, ANXIOUS TO AVAIL HIMSELF 23 00:03:15,662 --> 00:03:18,196 OF THE ELIGIBLE OPPORTUNITY WHICH NOW OFFERS 24 00:03:18,231 --> 00:03:22,233 FOR UNITING THE BEST PRACTICAL ARCHITECTURAL EDUCATION 25 00:03:22,269 --> 00:03:25,469 WITH THE COMFORTS OF A HOME AND A FAMILY 26 00:03:25,505 --> 00:03:27,138 OF THE HIGHEST MORAL STANDARDS. 27 00:03:27,173 --> 00:03:28,773 AS PER ADVERTISEMENT. 28 00:03:28,808 --> 00:03:30,541 IS HE HANDSOME, PA? 29 00:03:30,576 --> 00:03:33,177 OH, SILLY MERRY. WHAT'S THE PREMIUM, PA? 30 00:03:33,213 --> 00:03:35,780 GRACIOUS, CHARITY, WHAT A MERCENARY GIRL YOU ARE. 31 00:03:35,816 --> 00:03:37,782 GIRLS, GIRLS, GIRLS. 32 00:03:38,952 --> 00:03:40,451 [BOTH LAUGH] 33 00:03:44,391 --> 00:03:45,856 HE'S WELL-LOOKING ENOUGH. 34 00:03:47,694 --> 00:03:52,230 I DO NOT EXPECT ANY IMMEDIATE PREMIUM WITH HIM. 35 00:04:12,586 --> 00:04:15,486 HAVE YOU SEEN YOUR GRANDPAPA LIKE THIS BEFORE, MISS? 36 00:04:15,522 --> 00:04:17,154 MANY TIMES. 37 00:04:17,190 --> 00:04:19,624 BUT HE'S NOT MY GRANDFATHER. 38 00:04:19,659 --> 00:04:22,293 FATHER, I SHOULD HAVE SAID. 39 00:04:22,329 --> 00:04:25,663 HE'S NOT MY FATHER OR MY UNCLE. 40 00:04:27,534 --> 00:04:29,267 OR MY HUSBAND. 41 00:04:29,302 --> 00:04:30,868 WE ARE NOT RELATED. 42 00:04:30,904 --> 00:04:34,939 OH! UH, WHY IT'S... A PROVIDENCE 43 00:04:34,975 --> 00:04:36,574 YOU HAVE THE MEDICINE, THEN. 44 00:04:36,609 --> 00:04:38,209 WE NEVER TRAVEL WITHOUT THEM. 45 00:04:38,244 --> 00:04:40,311 BRING ME MY WRITING CASE. 46 00:04:41,481 --> 00:04:43,781 AND MOVE THE CANDLE NEARER. 47 00:04:46,687 --> 00:04:48,719 MARTIN, YOU SHOULD REST. 48 00:04:48,754 --> 00:04:50,788 BRING IT, I TELL YOU! 49 00:04:50,823 --> 00:04:54,859 THE YOUNG LADY'S RIGHT, SIR. YOU'RE IN NO FIT STATE TO BE WRITING. 50 00:04:54,894 --> 00:04:58,663 AND WHAT BUSINESS IS IT OF YOURS, MA'AM? 51 00:04:58,698 --> 00:05:02,533 AHEM. NO BUSINESS, SIR, EXCEPT COMMON SENSE AND CHRISTIAN CHARITY. 52 00:05:02,569 --> 00:05:04,836 I WANT TO SEE YOU GET BETTER. 53 00:05:04,871 --> 00:05:08,640 HMM. VERY SOLICITOUS. 54 00:05:08,675 --> 00:05:11,876 BUT YOU BEGIN TOO SOON. 55 00:05:11,912 --> 00:05:16,114 YOU DO YOUR ERRAND, AND YOU EARN YOUR FEE. 56 00:05:17,317 --> 00:05:18,783 WHO IS YOUR CLIENT? 57 00:05:18,818 --> 00:05:20,451 MY CLIENT, SIR? WHAT DO YOU MEAN? 58 00:05:20,486 --> 00:05:22,019 HUSH, MARTIN. 59 00:05:22,054 --> 00:05:24,789 CONSIDER HOW SHORT A TIME WE'VE BEEN IN THIS HOUSE 60 00:05:24,824 --> 00:05:26,390 AND QUITE BY CHANCE. 61 00:05:26,426 --> 00:05:28,860 EVEN YOUR NAME IS UNKNOWN HERE. 62 00:05:28,895 --> 00:05:33,931 DIDN'T YOU SAY THIS PLACE WAS CALLED LITTLE HADDING? 63 00:05:33,967 --> 00:05:37,969 AH. THEN THERE IS SOMEONE HERE 64 00:05:38,004 --> 00:05:40,472 WHO KNOWS MY NAME. 65 00:05:43,509 --> 00:05:46,243 HAS THE REPROBATE DEPARTED YET? 66 00:05:46,279 --> 00:05:49,947 HE GOES TO LONDON TONIGHT BY THE MAIL COACH. 67 00:05:49,982 --> 00:05:51,549 [KNOCK ON DOOR] 68 00:05:51,585 --> 00:05:53,217 COME IN. 69 00:05:56,022 --> 00:05:58,589 I--I BEG YOUR PARDON FOR INTRUDING, MR. PECKSNIFF. 70 00:05:58,625 --> 00:06:02,126 PRAY BE SEATED, MR. PINCH, BUT HAVE THE GOODNESS TO SHUT THE DOOR. 71 00:06:02,162 --> 00:06:04,128 THANK YOU, SIR. 72 00:06:04,164 --> 00:06:06,197 BUT...MR. WESTLOCK IS HERE, TOO, SIR, 73 00:06:06,233 --> 00:06:08,766 AND, L-LEAVING TONIGHT FOR GOOD AND ALL, 74 00:06:08,801 --> 00:06:10,768 WISHES TO LEAVE NONE BUT FRIENDS BEHIND. 75 00:06:10,803 --> 00:06:13,037 OH, MR. PINCH, MR. PINCH, 76 00:06:13,073 --> 00:06:15,973 I HAVE NOT DESERVED THIS OF YOU. 77 00:06:16,008 --> 00:06:17,475 COME, MR. PECKSNIFF, 78 00:06:17,511 --> 00:06:19,511 DON'T LET THERE BE ANY ILL WILL 79 00:06:19,546 --> 00:06:20,979 BETWEEN US AT PARTING. 80 00:06:21,014 --> 00:06:24,148 I BEAR NO ILL WILL TO ANY MAN ON EARTH. 81 00:06:24,183 --> 00:06:26,484 I TOLD YOU HE DIDN'T. 82 00:06:28,455 --> 00:06:30,455 YOU'LL SHAKE HANDS, THEN. 83 00:06:31,557 --> 00:06:34,192 NO, JOHN, I WILL NOT SHAKE HANDS. 84 00:06:34,227 --> 00:06:35,693 I HAVE FORGIVEN YOU. 85 00:06:35,729 --> 00:06:38,262 I HAVE EMBRACED YOU IN THE SPIRIT, JOHN, 86 00:06:38,297 --> 00:06:40,531 WHICH IS BETTER THAN SHAKING HANDS. 87 00:06:40,566 --> 00:06:43,501 WHAT DID I TELL YOU? 88 00:06:43,537 --> 00:06:45,403 AS FOR YOUR FORGIVENESS, 89 00:06:45,438 --> 00:06:47,205 I'LL NOT HAVE IT UPON SUCH TERMS. 90 00:06:47,240 --> 00:06:48,339 Charity: FOR SHAME! 91 00:06:48,374 --> 00:06:50,575 OH, BUT YOU MUST. YOU HAVE NO CHOICE. 92 00:06:50,610 --> 00:06:55,613 I FORGAVE YOU EVEN AS YOU WRONGED ME WITH YOUR REPROACHES. 93 00:06:55,648 --> 00:06:57,081 I WRONGED YOU? 94 00:06:57,116 --> 00:06:58,583 HERE'S A PRETTY FELLOW. 95 00:06:58,618 --> 00:07:00,718 WHAT ABOUT THE �500 YOU HAD FROM ME 96 00:07:00,753 --> 00:07:01,853 FOR TEACHING ME NOTHING? 97 00:07:01,888 --> 00:07:04,922 OR THE �70 A YEAR FOR BOARD AND LODGING 98 00:07:04,957 --> 00:07:07,024 WHICH WOULD HAVE BEEN DEAR AT 17? 99 00:07:07,060 --> 00:07:09,027 I FORGAVE YOU. 100 00:07:09,062 --> 00:07:12,163 JUST AS I FORGIVE THE THOUGHTLESS PERSON 101 00:07:12,198 --> 00:07:14,532 WHO INTRODUCED YOU TO MY QUIET HEARTH TONIGHT, 102 00:07:14,567 --> 00:07:16,434 DISTURBING ITS PEACE AND HARMONY. 103 00:07:16,469 --> 00:07:18,570 MR. PECKSNIFF, I-- 104 00:07:18,605 --> 00:07:20,037 NAY. 105 00:07:20,073 --> 00:07:24,775 I BEG THAT INDIVIDUAL NOT TO OFFER A REMARK JUST NOW. 106 00:07:24,810 --> 00:07:28,145 IN TIME, I TRUST, I SHALL HAVE SUFFICIENT FORTITUDE 107 00:07:28,180 --> 00:07:32,450 TO CONVERSE WITH HIM AS IF THESE EVENTS HAD NEVER HAPPENED. 108 00:07:32,485 --> 00:07:34,685 BUT NOT NOW. 109 00:07:34,721 --> 00:07:35,986 NOT NOW. 110 00:07:37,457 --> 00:07:38,489 BAH! 111 00:07:39,792 --> 00:07:42,527 COME, PINCH. IT'S NOT WORTH THINKING OF. 112 00:07:43,596 --> 00:07:46,097 LADIES, GOOD NIGHT. 113 00:07:57,510 --> 00:08:00,377 A MESSAGE FROM THE BLUE DRAGON, SIR. 114 00:08:00,413 --> 00:08:02,413 [DRAMATIC MUSIC PLAYING] 115 00:08:12,726 --> 00:08:15,159 BOTH HANDS, TOM. BOTH HANDS. 116 00:08:15,194 --> 00:08:17,495 GOOD-BYE... MY DEAR FELLOW. 117 00:08:18,764 --> 00:08:20,098 I'LL WRITE TO YOU FROM LONDON, MIND. 118 00:08:21,902 --> 00:08:24,201 I CAN HARDLY BELIEVE YOU'RE GOING. 119 00:08:24,236 --> 00:08:26,237 SEEMS BUT YESTERDAY YOU CAME. 120 00:08:26,272 --> 00:08:28,439 IT WAS 5 YEARS. 121 00:08:28,474 --> 00:08:30,441 5 WASTED YEARS... 122 00:08:30,476 --> 00:08:33,477 BUT FOR THE PLEASURE OF KNOWING YOU. 123 00:08:35,215 --> 00:08:37,314 GOOD-BYE, JOHN. 124 00:08:38,752 --> 00:08:40,218 GOOD-BYE, TOM. 125 00:08:48,194 --> 00:08:50,594 Man: GET ON! WHOOPAH! 126 00:08:54,233 --> 00:08:56,033 [HORSE NEIGHS] 127 00:09:25,397 --> 00:09:27,431 GOOD EVENING, MRS. LUPIN. 128 00:09:27,466 --> 00:09:28,733 GOOD EVENING, MR. PECKSNIFF. 129 00:09:28,768 --> 00:09:31,368 I--I AM SO VERY GLAD YOU HAVE COME. 130 00:09:31,404 --> 00:09:36,007 I AM SO VERY GLAD I HAVE COME, MRS. LUPIN, IF I CAN BE OF SERVICE. 131 00:09:36,042 --> 00:09:37,508 WHAT IS THE MATTER? 132 00:09:37,543 --> 00:09:39,677 AN ELDERLY GENTLEMAN TAKEN ILL UPON THE ROAD 133 00:09:39,712 --> 00:09:42,246 HAS BEEN SO VERY BAD UPSTAIRS, SIR. 134 00:09:42,281 --> 00:09:44,915 A GENTLEMAN TAKEN ILL UPON THE ROAD 135 00:09:44,951 --> 00:09:47,552 HAS BEEN SO VERY BAD UPSTAIRS, HAS HE? 136 00:09:47,587 --> 00:09:50,488 WELL, WELL. AND HOW IS HE NOW? 137 00:09:51,757 --> 00:09:53,590 I AM VERY MUCH AFRAID, SIR, 138 00:09:53,626 --> 00:09:55,459 THAT HIS CONSCIENCE IS TROUBLED 139 00:09:55,494 --> 00:09:59,597 BY HIS NOT BEING RELATED TO...OR MARRIED TO 140 00:09:59,632 --> 00:10:01,966 THE YOUNG LADY WHO IS WITH HIM. 141 00:10:02,001 --> 00:10:05,202 YOU MEAN YOUNG PERSON, MRS. LUPIN. 142 00:10:05,238 --> 00:10:07,705 YOUNG PERSON, SIR, YES. I DO BEG YOUR PARDON. 143 00:10:08,141 --> 00:10:10,341 I HAVE BEEN SO RUSHED TONIGHT, I DON'T KNOW WHAT I SAY, 144 00:10:10,376 --> 00:10:15,413 BUT TO BE SURE, SHE LOOKS AND ACTS JUST LIKE A LADY. 145 00:10:15,448 --> 00:10:19,083 APPEARANCES ARE OFTEN DECEPTIVE. 146 00:10:19,119 --> 00:10:21,885 I WILL WAIT UPON THESE TRAVELERS, MRS. LUPIN. 147 00:10:26,959 --> 00:10:29,427 THIS LOOKS ARTFUL... 148 00:10:29,462 --> 00:10:31,362 VERY ARTFUL, MRS. LUPIN. 149 00:10:31,397 --> 00:10:33,497 SHALL I KNOCK, SIR? 150 00:10:33,533 --> 00:10:35,299 NO. 151 00:10:35,334 --> 00:10:36,600 [UNLATCHES DOOR] 152 00:10:40,005 --> 00:10:41,805 WHAT GENTLEMAN IS THIS? 153 00:10:41,840 --> 00:10:43,774 DON'T TROUBLE YOURSELF, MA'AM. 154 00:10:43,809 --> 00:10:47,978 THIS YOUNG, EH...STRANGER WILL EXCUSE ME 155 00:10:48,014 --> 00:10:52,750 FOR REPLYING BRIEFLY THAT I RESIDE IN THIS VILLAGE. 156 00:10:52,786 --> 00:10:57,221 IT MAY BE IN AN INFLUENTIAL MANNER, HOWEVER UNDESERVED, 157 00:10:57,256 --> 00:10:59,189 AND I WAS SUMMONED HERE BY YOU. 158 00:10:59,225 --> 00:11:03,227 I AM HERE AS I AM EVERYWHERE, I HOPE, 159 00:11:03,263 --> 00:11:07,031 IN SYMPATHY WITH THE SICK AND SORRY. 160 00:11:24,850 --> 00:11:26,650 YOU ARE MARTIN CHUZZLEWIT! 161 00:11:28,654 --> 00:11:30,254 YES... 162 00:11:30,289 --> 00:11:33,524 I AM MARTIN CHUZZLEWIT. 163 00:11:33,560 --> 00:11:36,894 AND MARTIN CHUZZLEWIT WISHES YOU WERE HANGED 164 00:11:36,929 --> 00:11:40,331 BEFORE YOU'D COME HERE TO DISTURB HIM IN HIS SLEEP. 165 00:11:40,366 --> 00:11:42,233 MY GOOD COUSIN, I-- 166 00:11:42,268 --> 00:11:44,335 THERE, WITH HIS VERY FIRST WORDS, 167 00:11:44,370 --> 00:11:46,903 HE PROCLAIMS HIS RELATIONSHIP TO ME. 168 00:11:46,939 --> 00:11:49,640 I KNEW HE WOULD. THEY ALL DO IT. 169 00:11:50,076 --> 00:11:52,643 NEAR OR DISTANT, BLOOD OR WATER, 170 00:11:52,678 --> 00:11:54,077 IT'S ALL ONE. 171 00:11:54,113 --> 00:11:55,145 UGH! 172 00:11:55,181 --> 00:11:57,981 PRAY...COMPOSE YOURSELF, MR. CHUZZLEWIT. 173 00:11:58,017 --> 00:12:01,185 AND YOU, MISTRESS, I KNEW YOU WERE HIS SPY! 174 00:12:01,220 --> 00:12:03,554 A SPY? MARTIN, HUSH! 175 00:12:03,589 --> 00:12:06,657 DO NOT BE HASTY, MR. CHUZZLEWIT. 176 00:12:06,693 --> 00:12:10,127 I ASSURE YOU MRS. LUPIN HAD NO IDEA WE WERE RELATED. 177 00:12:10,163 --> 00:12:11,395 BAH. 178 00:12:11,430 --> 00:12:14,998 I CAME HERE TO SUCCOR A STRANGER, SO I THOUGHT, 179 00:12:15,034 --> 00:12:17,902 AND I HAVE JUST THAT AMOUNT OF INTEREST IN YOU 180 00:12:17,937 --> 00:12:21,105 AS I SHOULD FEEL IN ANY STRANGER CIRCUMSTANCED AS YOU ARE, 181 00:12:21,140 --> 00:12:24,174 NO MORE...AND NO LESS. 182 00:12:33,118 --> 00:12:34,452 HMM? 183 00:12:34,487 --> 00:12:39,256 OH, I-- I BEG YOUR PARDON. 184 00:12:40,626 --> 00:12:41,992 I THOUGHT YOU SPOKE. 185 00:12:52,404 --> 00:12:55,706 MRS. LUPIN, I AM NOT AWARE THAT I CAN BE OF ANY FURTHER SERVICE HERE. 186 00:12:55,741 --> 00:12:59,776 SHALL WE CONVERSE AS STRANGERS, THEN? 187 00:13:02,248 --> 00:13:06,283 IF THAT WOULD BE A RELIEF TO YOU, SIR. 188 00:13:06,319 --> 00:13:07,952 LEAVE US ALONE. 189 00:13:25,471 --> 00:13:28,139 I AM A WEALTHY MAN. 190 00:13:30,209 --> 00:13:32,943 WEALTHIER THAN MY BROTHER ANTHONY, FOR INSTANCE. 191 00:13:32,978 --> 00:13:35,679 HE GETS SOME PLEASURE FROM HOARDING HIS MONEY. 192 00:13:35,715 --> 00:13:38,682 MINE HAS BROUGHT ME NOTHING BUT MISERY. 193 00:13:38,717 --> 00:13:43,521 IT HAS POISONED EVERY TIE OF FAMILY OR FRIENDSHIP. 194 00:13:43,556 --> 00:13:47,091 NO ONE LOVES ME FOR MYSELF... 195 00:13:47,126 --> 00:13:50,361 ONLY FOR WHAT THEY HOPE TO GET OUT OF ME. 196 00:13:50,396 --> 00:13:53,164 MR. CHUZZLEWIT, I CAN ASSURE YOU-- 197 00:13:53,199 --> 00:13:55,265 I THOUGHT WE WERE STRANGERS. 198 00:13:55,300 --> 00:13:57,067 HEAR ME OUT. 199 00:13:59,004 --> 00:14:00,837 FOR YEARS... 200 00:14:00,873 --> 00:14:04,541 I'VE BEEN PESTERED BY A HORDE OF AVARICIOUS RELATIVES, 201 00:14:04,577 --> 00:14:06,576 ALL CLAMORING FOR MY ATTENTION, 202 00:14:06,612 --> 00:14:09,613 ALL STAKING A CLAIM ON MY ESTATE. 203 00:14:11,050 --> 00:14:15,519 THE YOUNG GIRL, WHOM YOU SAW JUST NOW... 204 00:14:15,554 --> 00:14:19,556 AND WHOM I SEE YOU HATE ALREADY... 205 00:14:19,591 --> 00:14:20,725 MY DEAR SIR, I-- 206 00:14:20,760 --> 00:14:23,193 SHE IS AN ORPHAN... 207 00:14:23,229 --> 00:14:25,796 WHOM I ADOPTED TO BE MY COMPANION. 208 00:14:25,832 --> 00:14:28,765 HER NAME IS MARY GRAHAM. 209 00:14:28,801 --> 00:14:31,502 I HAVE MADE, AS SHE KNOWS, A SOLEMN VOW 210 00:14:31,537 --> 00:14:34,671 NOT TO LEAVE HER SO MUCH AS SIXPENCE WHEN I DIE. 211 00:14:34,707 --> 00:14:39,210 BUT WHILE I LIVE, I MAKE HER A MODEST ANNUAL ALLOWANCE, 212 00:14:39,245 --> 00:14:46,116 SO SHE IS BOUND TO ME IN LIFE BY SELF-INTEREST... 213 00:14:46,152 --> 00:14:49,653 BUT HAS NOTHING TO GAIN FROM MY DEATH. 214 00:14:51,290 --> 00:14:54,291 THAT'S THE ONLY KIND OF FRIEND I HAVE NOW. 215 00:14:54,327 --> 00:14:57,327 OR WILL EVER HAVE. 216 00:14:58,564 --> 00:15:01,198 NOW LEAVE ME. 217 00:15:01,233 --> 00:15:03,867 AND JUDGE HOW POINTLESS IT WOULD BE 218 00:15:03,902 --> 00:15:05,503 FOR YOU TO RETURN. 219 00:15:11,044 --> 00:15:13,577 I WILL LEAVE YOU, SIR. 220 00:15:13,612 --> 00:15:15,679 BUT BEFORE I GO... 221 00:15:15,715 --> 00:15:18,349 I MUST SPEAK. 222 00:15:18,384 --> 00:15:21,485 I WILL NOT SAY THAT YOU ARE MISTAKEN IN ME. 223 00:15:21,520 --> 00:15:25,322 WHILE YOU ARE IN YOUR PRESENT MOOD, IT WOULD BE IN VAIN. 224 00:15:25,358 --> 00:15:29,093 BUT I OWE IT TO MYSELF AND TO MY CHARACTER 225 00:15:29,128 --> 00:15:31,928 TO TELL YOU ON BEHALF OF ANOTHER 226 00:15:31,964 --> 00:15:38,736 THAT YOUR CONDUCT IS WRONG, UNNATURAL, INDEFENSIBLE... 227 00:15:38,771 --> 00:15:39,870 MONSTROUS. 228 00:15:42,108 --> 00:15:43,373 WHAT OTHER? 229 00:15:43,409 --> 00:15:45,542 YOUR GRANDSON, SIR. 230 00:15:45,578 --> 00:15:50,414 YOUR NAMESAKE, WHO HAS THE STRONGEST NATURAL CLAIM UPON YOU 231 00:15:50,449 --> 00:15:52,783 AND FROM WHOM, I BELIEVE, YOU ARE ESTRANGED. 232 00:15:52,818 --> 00:15:56,319 WHY SHOULD YOU PLEAD FOR HIM? 233 00:15:56,355 --> 00:15:59,123 IT IS MERE NATURAL JUSTICE. 234 00:15:59,158 --> 00:16:01,858 YOU MUST PROVIDE FOR THAT YOUNG MAN. 235 00:16:01,894 --> 00:16:05,129 YOU WILL PROVIDE FOR HIM. 236 00:16:06,532 --> 00:16:07,765 PERHAPS... 237 00:16:09,568 --> 00:16:11,435 YOU HAVE ALREADY DONE SO. 238 00:16:13,973 --> 00:16:15,906 I PRAY YOU HAVE. 239 00:16:20,045 --> 00:16:22,179 GOOD NIGHT, MR. CHUZZLEWIT. 240 00:16:43,736 --> 00:16:45,836 [DRAMATIC MUSIC PLAYING] 241 00:17:12,498 --> 00:17:15,232 [ROOSTER CROWS] 242 00:17:32,951 --> 00:17:35,419 [CHURCH ORGAN PLAYS] 243 00:19:01,540 --> 00:19:04,641 I WOULDN'T BOTHER GOING UP THERE IF I WERE YOU. 244 00:19:04,677 --> 00:19:06,577 I BEG YOUR PARDON? 245 00:19:06,612 --> 00:19:11,414 WELL, THE DOOR'S LOCKED, AND THE KEY IS IN THE KEYHOLE. 246 00:19:11,450 --> 00:19:15,652 ARE YOU INSINUATING THAT I WOULD STOOP-- WHO ARE YOU? 247 00:19:15,688 --> 00:19:18,755 JUST THE QUESTION THAT WAS ON THE TIP OF ME OWN TONGUE. 248 00:19:18,790 --> 00:19:20,891 WELL, YOU CAN'T BE HIS NIECE'S HUSBAND, 249 00:19:20,926 --> 00:19:23,026 BECAUSE HE'S BEEN HERE ALREADY. 250 00:19:23,062 --> 00:19:24,027 WHAT? 251 00:19:24,062 --> 00:19:25,095 WAIT A BIT. 252 00:19:25,131 --> 00:19:28,064 ARE YOU THE COUSIN WHO LIVES IN THIS PLACE? 253 00:19:28,100 --> 00:19:29,166 PECKSNIFF? 254 00:19:29,201 --> 00:19:31,468 THAT IS MY NAME. 255 00:19:33,239 --> 00:19:35,672 I BEG YOUR PARDON, SIR. 256 00:19:35,707 --> 00:19:38,108 MONTAGUE TIGG... 257 00:19:38,144 --> 00:19:39,609 AT YOUR SERVICE, SIR. 258 00:19:41,580 --> 00:19:43,079 YOU BEHOLD IN ME, SIR, 259 00:19:43,115 --> 00:19:47,017 A MAN WHO ALSO HAS AN INTEREST IN THE GENTLEMAN UPSTAIRS. 260 00:19:47,052 --> 00:19:49,653 ARE YOU... RELATED TO HIM? 261 00:19:49,688 --> 00:19:51,388 NOT EXACTLY. NO, SIR, 262 00:19:51,423 --> 00:19:54,825 BUT MY FRIEND AND ASSOCIATE, MR. CHEVY SLYME, 263 00:19:54,860 --> 00:19:57,228 IS HIS NEPHEW TWICE REMOVED. 264 00:19:57,263 --> 00:19:59,596 YOU KNOW MR. SLYME, I BELIEVE. 265 00:19:59,631 --> 00:20:01,598 I AM AWARE OF HIS EXISTENCE. 266 00:20:01,633 --> 00:20:04,935 THEN NOW'S YOUR CHANCE TO MAKE HIS ACQUAINTANCE. 267 00:20:04,971 --> 00:20:06,503 CHEV! 268 00:20:16,381 --> 00:20:17,715 CHEV... 269 00:20:17,750 --> 00:20:19,983 MR. PECKSNIFF. 270 00:20:20,018 --> 00:20:24,588 MR. PECKSNIFF... MR. CHEVY SLYME, ESQUIRE. 271 00:20:24,623 --> 00:20:26,456 NOW, YOU TWO ARE RELATED, 272 00:20:26,492 --> 00:20:27,991 AND RELATIVES NEVER AGREE, I KNOW, 273 00:20:28,027 --> 00:20:30,060 BUT IF I MAY BE SO BOLD, 274 00:20:30,095 --> 00:20:34,531 YOU HAVE EVERYTHING TO GAIN BY COMBINING WITH THE OTHERS. 275 00:20:34,566 --> 00:20:35,699 [WHISPERING] 276 00:20:35,734 --> 00:20:38,902 YES, CHEV, I SHALL COME TO THAT PRESENTLY. 277 00:20:38,937 --> 00:20:41,038 I'M SURE MR. PECKSNIFF WOULD THINK NOTHING 278 00:20:41,073 --> 00:20:45,342 OF SO TRIFLING A LOAN AS A CROWN PIECE TOWARD A MAN OF YOUR TALENTS. 279 00:20:45,378 --> 00:20:48,478 YOU SPOKE OF OTHERS. WHAT OTHERS? 280 00:20:48,514 --> 00:20:51,481 WELL, THERE'S ANTHONY CHUZZLEWIT, HIS BROTHER, 281 00:20:51,516 --> 00:20:53,550 AND HIS SON JONAS, TO BEGIN WITH. 282 00:20:53,585 --> 00:20:56,052 THEY ARE HERE? 283 00:20:56,088 --> 00:21:00,124 AND THE OTHER BROTHER'S WIDOW WITH HER 3 DAUGHTERS... 284 00:21:00,159 --> 00:21:02,526 AND THE SPOTTLETOES. 285 00:21:02,561 --> 00:21:04,594 THE SPOTTLETOES?! 286 00:21:04,629 --> 00:21:06,329 THE SPOTTLETOES, YES. 287 00:21:06,364 --> 00:21:09,767 WORD HAS GOT AROUND, YOU SEE, MR. PECKSNIFF. 288 00:21:09,802 --> 00:21:12,669 THE WHOLE FAMILY IS POURING INTO THE VILLAGE BY THE HOUR. 289 00:21:12,705 --> 00:21:14,604 UPON MY SOUL, THIS IS SCANDALOUS. 290 00:21:14,640 --> 00:21:17,074 IT IS! SCANDALOUS. 291 00:21:17,109 --> 00:21:18,876 AND THE OLD GENTLEMAN UPSTAIRS, 292 00:21:18,911 --> 00:21:20,844 AT DEATH'S DOOR FOR ALL WE KNOW, 293 00:21:20,880 --> 00:21:22,946 HIS GRANDSON DISINHERITED, 294 00:21:22,982 --> 00:21:24,881 A FORTUNE GOING BEGGING, 295 00:21:24,916 --> 00:21:27,317 AND WE CAN'T GET ANYWHERE NEAR HIM. 296 00:21:27,352 --> 00:21:31,588 MEANWHILE, HE IS POURING HIS CONFIDENCE 297 00:21:31,623 --> 00:21:34,657 INTO THE BOSOM OF A STRANGER. 298 00:21:34,693 --> 00:21:39,396 YOU REFER TO HIS PAID COMPANION AND NURSE, I PRESUME. 299 00:21:39,431 --> 00:21:40,597 [BOTH SNICKER] 300 00:21:40,632 --> 00:21:44,200 COMPANION AND NURSE. 301 00:21:44,236 --> 00:21:46,837 YOU MAY DEPEND UPON IT, SIR. 302 00:21:46,872 --> 00:21:50,541 SHE HAS HER EYE ON THE MAIN CHANCE. 303 00:21:50,576 --> 00:21:52,842 THERE MAY BE SOMETHING IN WHAT YOU SAY. 304 00:21:52,877 --> 00:21:54,077 OF COURSE THERE IS! 305 00:21:54,113 --> 00:21:56,513 THAT'S WHY WE MUST COMBINE FORCES 306 00:21:56,548 --> 00:21:58,115 AGAINST HER INFLUENCE! 307 00:21:59,618 --> 00:22:01,652 CHEV, MY DEAR FELLOW, 308 00:22:01,687 --> 00:22:04,921 GO OUTSIDE AND SEE WHAT KIND OF A DAY IT IS, WOULD YOU? 309 00:22:11,363 --> 00:22:15,398 PERHAPS I SHOULD CONVENE A FAMILY COUNCIL. 310 00:22:15,433 --> 00:22:17,200 CAPITAL IDEA. 311 00:22:17,235 --> 00:22:19,402 CAPITAL. 312 00:22:19,438 --> 00:22:20,704 [DOOR CLOSES] 313 00:22:20,740 --> 00:22:24,574 MEANWHILE, YOU HEARD CHEV WHISPER ME, I THINK. 314 00:22:24,609 --> 00:22:27,878 ONLY A MERE TRIFLING 5 SHILLINGS 315 00:22:27,913 --> 00:22:32,382 TO BE REPAID PUNCTUALLY NEXT WEEK, THAT'S THE BEST OF IT. 316 00:22:32,417 --> 00:22:34,184 YOU HEARD THAT? 317 00:22:36,321 --> 00:22:38,956 YOU'RE NOT IN WANT OF CHANGE, ARE YOU? 318 00:22:38,991 --> 00:22:41,725 NO, THANK YOU, I'M NOT. 319 00:22:41,760 --> 00:22:43,259 GOOD DAY TO YOU. 320 00:22:43,295 --> 00:22:46,797 BECAUSE IF YOU HAD BEEN, I WOULD HAVE GOT IT FOR YOU! 321 00:22:48,600 --> 00:22:52,869 PERHAPS YOU WOULD RATHER NOT LEND SLYME 5 SHILLINGS. 322 00:22:52,905 --> 00:22:54,771 I WOULD MUCH RATHER NOT. 323 00:22:58,510 --> 00:23:00,977 WOULD YOU HAVE THE SAME OBJECTION 324 00:23:01,013 --> 00:23:02,746 TO LENDING ME 5 SHILLINGS? 325 00:23:02,781 --> 00:23:04,615 I WOULD. NOT EVEN HALF A CROWN? 326 00:23:04,650 --> 00:23:06,016 NOT EVEN HALF A CROWN. 327 00:23:06,051 --> 00:23:08,251 WHY, THEN WE COME TO THE RIDICULOUSLY SMALL AMOUNT 328 00:23:08,287 --> 00:23:09,386 OF 18 PENCE. 329 00:23:09,421 --> 00:23:11,354 THAT WOULD BE EQUALLY OBJECTIONABLE. 330 00:23:11,389 --> 00:23:14,724 THEN LET ME TELL YOU, MR. PECKSNIFF... 331 00:23:14,759 --> 00:23:19,663 YOU ARE THE MOST REMARKABLE AND CONSISTENT MAN 332 00:23:19,698 --> 00:23:21,798 THAT EVER I HAVE MET, 333 00:23:21,834 --> 00:23:24,467 AND I HOPE FOR THE HONOR OF YOUR FUTURE ACQUAINTANCE. 334 00:23:27,540 --> 00:23:30,574 BE SURE TO LET US KNOW ABOUT THE FAMILY COUNCIL. 335 00:23:30,609 --> 00:23:33,376 A MESSAGE WILL ALWAYS FIND US HERE. 336 00:23:50,395 --> 00:23:52,495 HAS IT STARTED YET? 337 00:23:52,531 --> 00:23:53,997 NO, NOT YET. 338 00:24:00,072 --> 00:24:02,506 THIS DOES ME GOOD. 339 00:24:02,541 --> 00:24:04,508 IT DOES MY DAUGHTERS GOOD. 340 00:24:04,543 --> 00:24:06,976 WE THANK YOU FOR ASSEMBLING HERE. 341 00:24:07,012 --> 00:24:09,045 YOU ASSUME TOO MUCH TO YOURSELF, PECKSNIFF. 342 00:24:09,080 --> 00:24:10,313 [MURMURS OF AGREEMENT] 343 00:24:10,348 --> 00:24:12,216 I'M NO STRANGER TO YOUR PREPOSTEROUS DESIRE 344 00:24:12,251 --> 00:24:14,050 TO BE REGARDED AS THE HEAD OF THIS FAMILY. 345 00:24:14,085 --> 00:24:17,488 AND I SUPPOSE YOU CLAIM THAT DISTINCTION FOR YOURSELF, MR. SPOTTLETOE. 346 00:24:17,523 --> 00:24:19,289 WELL, I--I DON'T SAY-- 347 00:24:19,325 --> 00:24:21,858 AS THE WIDOW OF MR. MARTIN CHUZZLEWIT'S ELDEST BROTHER-- 348 00:24:21,893 --> 00:24:24,594 AND A HAPPY RELEASE IT WAS FOR HIM, TOO. 349 00:24:24,630 --> 00:24:25,695 COME, GIRLS! 350 00:24:25,731 --> 00:24:27,931 I HAVE NOT COME HERE TO BE INSULTED 351 00:24:27,966 --> 00:24:30,300 BY A NOTORIOUS DEBAUCHEE! 352 00:24:30,335 --> 00:24:32,269 FRIENDS, FRIENDS, I BESEECH YOU. 353 00:24:32,304 --> 00:24:35,004 LADIES, PRAY BE SEATED. 354 00:24:35,040 --> 00:24:37,207 GENTLEMEN, PLEASE. 355 00:24:38,643 --> 00:24:42,579 I'M NOT SORRY THIS LITTLE INCIDENT HAS HAPPENED. 356 00:24:42,614 --> 00:24:46,049 IT'S GOOD TO KNOW THAT WE HAVE NO RESERVE BEFORE EACH OTHER 357 00:24:46,084 --> 00:24:49,552 AND ARE APPEARING FREELY IN OUR OWN CHARACTERS. 358 00:24:49,588 --> 00:24:53,723 DON'T YOU BE A HYPOCRITE, PECKSNIFF! 359 00:24:53,758 --> 00:24:55,825 A WHAT, MY DEAR SIR? 360 00:24:55,861 --> 00:24:58,061 YOU HEARD ME. 361 00:24:58,096 --> 00:24:59,896 A HYPOCRITE. 362 00:25:02,968 --> 00:25:06,536 CHARITY, WHEN I TAKE MY CHAMBER CANDLESTICK TONIGHT, 363 00:25:06,571 --> 00:25:09,306 REMIND ME TO BE MORE THAN USUALLY PARTICULAR 364 00:25:09,341 --> 00:25:12,642 IN PRAYING FOR MR. ANTHONY CHUZZLEWIT, 365 00:25:12,678 --> 00:25:14,577 WHO HAS DONE ME AN INJUSTICE. 366 00:25:14,613 --> 00:25:16,546 CAN WE GET DOWN TO THE BUSINESS OF THIS MEETING? 367 00:25:16,582 --> 00:25:19,415 QUITE SO. I AM GRATEFUL TO MR. JONAS CHUZZLEWIT 368 00:25:19,451 --> 00:25:22,119 FOR HIS PERTINENT INTERVENTION. 369 00:25:22,154 --> 00:25:25,922 OUR BUSINESS IS TO CONSIDER HOW TO OPEN THE EYES 370 00:25:25,958 --> 00:25:28,357 OF OUR VALUED RELATIVE TO THE-- 371 00:25:30,262 --> 00:25:32,295 TO THE, UM... 372 00:25:32,330 --> 00:25:33,597 GO ON, PA. 373 00:25:33,632 --> 00:25:36,366 WHY, THE--THE TRUTH IS, MY DEAR, 374 00:25:36,401 --> 00:25:39,602 THAT I'M AT-- I'M AT A LOSS FOR A WORD. 375 00:25:39,637 --> 00:25:42,539 THE NAME OF THOSE FABULOUS CREATURES-- 376 00:25:42,574 --> 00:25:44,307 PAGAN, I REGRET TO SAY-- 377 00:25:44,343 --> 00:25:47,977 THAT USED TO SING IN THE WATERS 378 00:25:48,013 --> 00:25:49,278 QUITE ESCAPED ME. 379 00:25:49,314 --> 00:25:51,247 SWANS? 380 00:25:52,384 --> 00:25:54,017 NO, NOT SWANS. 381 00:25:54,052 --> 00:25:55,785 VERY LIKE SWANS, THOUGH. 382 00:25:55,821 --> 00:25:56,886 OYSTERS. 383 00:25:56,922 --> 00:25:58,287 [SNORTS] 384 00:25:58,323 --> 00:26:01,191 AH, NO, BUT BY NO MEANS UNLIKE OYSTERS. 385 00:26:01,226 --> 00:26:04,260 AN EXCELLENT SUGGESTION. THANK YOU. 386 00:26:04,296 --> 00:26:05,362 WAIT. 387 00:26:06,765 --> 00:26:09,132 SIRENS...SIRENS. 388 00:26:09,168 --> 00:26:13,169 YES, I--I WAS GOING TO SAY THAT WE MUST RELEASE OUR VALUED RELATIVE 389 00:26:13,204 --> 00:26:16,273 FROM THE SIREN SPELL OF THIS YOUNG FEMALE 390 00:26:16,308 --> 00:26:18,574 WHOSE POSITION IN REFERENCE TO HIMSELF IS SO SCANDALOUS. 391 00:26:18,610 --> 00:26:21,010 [MURMURS OF AGREEMENT] 392 00:26:21,046 --> 00:26:22,312 WHAT THEN? 393 00:26:24,883 --> 00:26:28,751 WHAT HAPPENS AFTER WE'VE GOT RID OF THE GIRL? 394 00:26:28,787 --> 00:26:30,887 I SUBMIT TO YOU, MY FRIENDS, 395 00:26:30,922 --> 00:26:35,792 WHETHER WE MIGHT NOT REMOVE MR. CHUZZLEWIT'S DISTRUST OF US ALL 396 00:26:35,827 --> 00:26:39,462 BY PLEADING THE CAUSE... OF HIS GRANDSON. 397 00:26:40,699 --> 00:26:43,433 A YOUNG MAN FOR WHOM I HAVE A DEEP REGARD. 398 00:26:44,736 --> 00:26:46,569 WHAT'S YOUR GAME, PECKSNIFF? 399 00:26:46,604 --> 00:26:48,938 MY GAME, SIR? 400 00:26:48,974 --> 00:26:52,675 I ASSURE YOU, I HAVE THE MOST DISINTERESTED MOTIVES. 401 00:26:54,546 --> 00:26:56,179 SIR, THIS IS A FAMILY CONFERENCE. 402 00:26:56,214 --> 00:26:58,481 I AM NOT AWARE THAT YOU ARE A MEMBER OF THIS FAMILY. 403 00:26:58,517 --> 00:27:02,218 ONLY BY ASSOCIATION WITH MR. SLYME, I GRANT YOU. 404 00:27:02,254 --> 00:27:04,855 BUT KNOWING THE SUBJECT OF YOUR DISCUSSION, 405 00:27:04,890 --> 00:27:06,957 I THOUGHT YOU MIGHT BE INTERESTED TO KNOW 406 00:27:06,992 --> 00:27:10,093 THAT THE BIRD HAS FLOWN. 407 00:27:10,129 --> 00:27:12,795 WHAT IS YOUR MEANING, SIR? 408 00:27:12,831 --> 00:27:15,031 ACCORDING TO THE HOSTLER AT THE BLUE DRAGON, 409 00:27:15,066 --> 00:27:16,933 THE OLD MAN AND THE YOUNG WOMAN 410 00:27:16,968 --> 00:27:19,135 DEPARTED IN THEIR CARRIAGE AN HOUR AGO 411 00:27:19,171 --> 00:27:22,739 AND LEFT NO FORWARDING ADDRESS! 412 00:27:22,774 --> 00:27:23,940 COME, CHEV! 413 00:27:23,975 --> 00:27:26,075 YOU WERE PRIVY TO THIS, SIR! 414 00:27:26,111 --> 00:27:29,212 HE'S DECOYED US HERE WITH THIS CHARADE OF A MEETING 415 00:27:29,247 --> 00:27:30,780 SO THE PAIR COULD MAKE THEIR ESCAPE! 416 00:27:30,816 --> 00:27:32,716 I ASSURE YOU, I KNEW NOTHING ABOUT IT. 417 00:27:32,751 --> 00:27:34,584 TAH! COME, MY DEAR. 418 00:27:34,620 --> 00:27:36,786 LET US NOT LINGER IN THIS HOUSE OF DECEIT! 419 00:27:36,821 --> 00:27:37,921 OUTRAGEOUS! 420 00:27:37,956 --> 00:27:40,957 [INDIGNANT MURMURING] 421 00:27:40,992 --> 00:27:43,894 Deaf cousin: WHAT DID HE SAY? 422 00:27:43,929 --> 00:27:46,096 I BELIEVE YOU, PECKSNIFF. 423 00:27:47,800 --> 00:27:49,299 FOR ONCE! 424 00:27:51,469 --> 00:27:53,769 POOR PAPA! 425 00:27:53,805 --> 00:27:56,439 TO BE INSULTED BY THOSE ODIOUS PEOPLE. 426 00:27:56,475 --> 00:27:59,876 AND AFTER ALL YOUR EFFORTS TO POUR OIL ON TROUBLED WATERS. 427 00:27:59,911 --> 00:28:03,713 AND THE OLD MAN, SPIRITED AWAY BY THAT HUSSY! 428 00:28:03,748 --> 00:28:05,815 NOBODY KNOWS WHERE! THAT'S THE WORST OF IT. 429 00:28:05,851 --> 00:28:07,083 NEVER MIND, MY DEARS. 430 00:28:07,118 --> 00:28:09,619 IT MAY BE JUST AS WELL HE IS NOT IN RESIDENCE 431 00:28:09,655 --> 00:28:11,321 WHEN MY NEW PUPIL ARRIVES. 432 00:28:11,356 --> 00:28:15,225 THE NEW PUPIL! WHO IS HE? 433 00:28:15,260 --> 00:28:18,762 YOU ARE TO MEET HIM IN THE KING'S ARMS AT HALF PAST 1:00. 434 00:28:18,797 --> 00:28:20,430 HIS NAME IS MARTIN. 435 00:28:20,465 --> 00:28:21,698 MR. MARTIN. RIGHT, SIR. 436 00:28:21,733 --> 00:28:23,766 OH, AND, PINCH... DON'T SAY ANYTHING 437 00:28:23,802 --> 00:28:26,136 ABOUT THE OLD GENTLEMAN THAT WAS AT THE BLUE DRAGON. 438 00:28:26,171 --> 00:28:27,603 LEAVE THAT TO ME. 439 00:28:27,639 --> 00:28:29,172 VERY WELL, MR. PECKSNIFF. 440 00:28:29,207 --> 00:28:30,840 UM... 441 00:28:30,875 --> 00:28:35,378 YOU MAY, UM... TREAT THE YOUNG MAN 442 00:28:35,413 --> 00:28:37,213 TO, UM... 443 00:28:37,249 --> 00:28:39,115 SOME REFRESHMENT. 444 00:28:40,285 --> 00:28:41,451 AND YOURSELF, TOO. 445 00:28:41,486 --> 00:28:44,487 THANK YOU, MR. PECKSNIFF. 446 00:28:45,623 --> 00:28:47,057 WALK ON. 447 00:28:50,195 --> 00:28:52,128 [WHISTLING] 448 00:29:06,644 --> 00:29:09,245 MARK TAPLEY. I DIDN'T RECOGNIZE YOU. 449 00:29:09,281 --> 00:29:11,814 HOW SPRUCE YOU LOOK. AND IT GOOD SPIRITS, TOO, BY THE SOUND OF YOU. 450 00:29:11,849 --> 00:29:14,751 OH, WELL, ANY MAN MAY BE IN GOOD SPIRITS WHEN HE'S WELL-DRESSED. 451 00:29:14,786 --> 00:29:16,753 IF I WAS VERY RAGGED AND VERY JOLLY, 452 00:29:16,789 --> 00:29:20,123 THEN I SHOULD BEGIN TO THINK I'D GAINED A POINT, MR. PINCH. 453 00:29:20,158 --> 00:29:21,992 I'M GOING TO SALISBURY. WILL YOU GET IN? 454 00:29:22,027 --> 00:29:23,593 THANK YOU, MR. PINCH. 455 00:29:27,432 --> 00:29:28,297 WALK ON. 456 00:29:34,439 --> 00:29:36,606 I THOUGHT, SEEING YOU LOOKING SO SMART, MARK, 457 00:29:36,641 --> 00:29:38,808 PERHAPS YOU WERE GOING TO BE MARRIED. NO. 458 00:29:38,844 --> 00:29:40,710 I'M GOING TO LOOK FOR A NEW POSITION. 459 00:29:40,746 --> 00:29:43,146 YOU'RE LEAVING THE BLUE DRAGON? WHY? 460 00:29:43,182 --> 00:29:46,249 THERE'S NO CREDIT TO BE GAINED AT THE DRAGON, SIR. 461 00:29:46,285 --> 00:29:48,218 ANY MAN COULD BE JOLLY THERE. 462 00:29:48,253 --> 00:29:50,686 IT'S THE SNUGGEST, FRIENDLIEST TAVERN IN THE COUNTRY. 463 00:29:50,722 --> 00:29:53,489 FROM WHAT I'VE HEARD, YOU YOURSELF HAVE DONE MUCH TO MAKE IT SO. 464 00:29:53,525 --> 00:29:55,392 YOU ONLY KNOW THE HALF OF IT, SIR. 465 00:29:55,427 --> 00:29:57,260 I DON'T BELIEVE THERE WAS EVER A MAN 466 00:29:57,295 --> 00:29:59,362 AS COULD COME OUT SO STRONG UNDER CIRCUMSTANCES 467 00:29:59,398 --> 00:30:01,364 THAT WILL KEEP OTHER MEN MISERABLE AS I COULD. 468 00:30:01,400 --> 00:30:03,099 IF I COULD ONLY GET A CHANCE. 469 00:30:03,135 --> 00:30:06,035 SO YOU'RE GOING TO LOOK FOR A MISERABLE POSITION. 470 00:30:06,070 --> 00:30:08,037 THAT'S RIGHT, SIR. 471 00:30:08,073 --> 00:30:10,340 I WAS THINKING OF SOMETHING IN THE GRAVE-DIGGING WAY. 472 00:30:10,375 --> 00:30:11,574 GOOD GRACIOUS. 473 00:30:11,609 --> 00:30:14,044 OH, IT'S A GOOD DAMP, WORMY SORT OF BUSINESS, 474 00:30:14,079 --> 00:30:15,979 AND THERE MIGHT BE SOME CREDIT IN BEING JOLLY 475 00:30:16,014 --> 00:30:17,780 WITH ONE'S MIND IN THAT PURSUIT. 476 00:30:17,816 --> 00:30:20,182 ON MY WORD, YOU'RE THE STRANGEST YOUNG MAN 477 00:30:20,218 --> 00:30:22,052 I EVER MET IN MY LIFE. 478 00:30:23,221 --> 00:30:25,655 WHAT DOES MRS. LUPIN THINK ABOUT YOU LEAVING? 479 00:30:27,758 --> 00:30:29,459 I HAVEN'T BROKE IT TO HER YET. 480 00:30:31,363 --> 00:30:35,065 I ALWAYS SUPPOSED YOU AND SHE WOULD MAKE A MATCH OF IT ONE OF THESE DAYS. 481 00:30:35,100 --> 00:30:37,233 SO DID EVERYONE IN THE VILLAGE. 482 00:30:37,268 --> 00:30:41,003 I NEVER SAID NOTHING AS WAS IN A DIRECT WAY COURTING-LIKE TO HER. 483 00:30:41,039 --> 00:30:43,806 NOR SHE TO ME. 484 00:30:43,842 --> 00:30:46,308 BUT I DON'T KNOW WHAT I MIGHTN'T SAY ONE OF THESE ODD TIMES 485 00:30:46,344 --> 00:30:48,878 AND WHAT SHE MIGHTN'T SAY IN ANSWER. 486 00:30:48,913 --> 00:30:52,248 WHICH IS ANOTHER REASON WHY I MUST CHANGE MY SITUATION... 487 00:30:52,283 --> 00:30:53,849 BEFORE IT'S TOO LATE! 488 00:30:53,885 --> 00:30:56,319 IF YOU'D JUST DROP ME AROUND THE NEXT BEND, MR. PINCH, 489 00:30:56,354 --> 00:30:58,521 I CAN MAKE MY OWN WAY TO THE CEMETERY. 490 00:31:00,358 --> 00:31:02,292 [LAUGHTER AND CHATTER] 491 00:31:18,142 --> 00:31:20,610 VERY COLD. YES, SIR. 492 00:31:20,645 --> 00:31:23,113 NO, DON'T DISTURB YOURSELF, I BEG. 493 00:31:50,241 --> 00:31:53,509 WE BOTH SEEM TO BE RATHER PARTICULAR ABOUT THE TIME. 494 00:31:53,544 --> 00:31:55,811 THE FACT IS, I HAVE AN ENGAGEMENT TO MEET A GENTLEMAN HERE. 495 00:31:55,847 --> 00:31:57,580 AND SO HAVE I... 496 00:31:57,615 --> 00:32:00,083 AT HALF PAST 1:00. AT HALF PAST 1:00. 497 00:32:00,118 --> 00:32:02,785 I AM EARLY, AS YOU SEE. YOU MUST BE MR. PINCH. 498 00:32:02,820 --> 00:32:05,054 AND YOU MUST BE MR. MARTIN. 499 00:32:05,090 --> 00:32:07,991 I AM VERY GLAD YOU TURN OUT TO BE THE PARTY I WAS EXPECTING. 500 00:32:08,026 --> 00:32:09,258 I WAS THINKING BUT A MINUTE AGO 501 00:32:09,294 --> 00:32:10,827 I COULD WISH HIM TO BE LIKE YOU. 502 00:32:10,862 --> 00:32:12,528 I HAD THE SAME THOUGHT. 503 00:32:12,564 --> 00:32:14,797 YOU AND I WILL GET ON EXCELLENTLY WELL, I KNOW, 504 00:32:14,833 --> 00:32:16,666 WHICH IS NO SMALL RELIEF TO ME, 505 00:32:16,701 --> 00:32:19,735 FOR I'M NOT THE SORT OF FELLOW WHO CAN GET ON WITH EVERYBODY. 506 00:32:21,606 --> 00:32:23,339 DO ME A FAVOR TO RING THE BELL, WOULD YOU? 507 00:32:23,374 --> 00:32:25,975 AND ALLOW ME TO ORDER US A GLASS OF PUNCH APIECE. 508 00:32:26,011 --> 00:32:28,878 WE MAY USHER IN OUR FRIENDSHIP IN A BECOMING MANNER. 509 00:32:28,913 --> 00:32:30,713 WITH ALL MY HEART... 510 00:32:30,748 --> 00:32:34,050 BUT I MUST TREAT YOU, FOR MR. PECKSNIFF BADE ME DO SO. 511 00:32:34,086 --> 00:32:35,151 [RINGS BELL] 512 00:32:35,186 --> 00:32:37,886 PITY. THAT WAS CIVIL OF HIM. 513 00:32:37,922 --> 00:32:39,922 HE'S A SORT OF RELATION OF MINE, YOU KNOW. 514 00:32:39,957 --> 00:32:42,592 NO, I DIDN'T KNOW. IS MARTIN YOUR CHRISTIAN NAME, THEN? 515 00:32:42,627 --> 00:32:44,995 OF COURSE. I WISH IT WERE MY SURNAME, 516 00:32:45,030 --> 00:32:46,830 FOR MINE IS NOT A PRETTY ONE. 517 00:32:46,865 --> 00:32:48,998 IT TAKES A DEVIL OF A TIME TO SIGN. 518 00:32:49,033 --> 00:32:50,433 IT IS CHUZZLEWIT. 519 00:32:50,468 --> 00:32:52,101 INDEED! THEN-- 520 00:32:53,438 --> 00:32:54,971 WHAT? 521 00:32:55,006 --> 00:32:57,840 TRULY, YOU'RE NOT SURPRISED AT MY HAVING 2 NAMES? 522 00:32:57,876 --> 00:32:59,242 MOST PEOPLE DO. 523 00:32:59,277 --> 00:33:00,977 NO. HEH. 524 00:33:01,012 --> 00:33:02,678 NO, NOT AT ALL. 525 00:33:03,981 --> 00:33:05,181 [RINGS BELL] 526 00:33:22,566 --> 00:33:24,267 Martin: THAT'S A PRETTY CHURCH. 527 00:33:24,302 --> 00:33:28,137 ISN'T IT? AND IT HAS THE SWEETEST LITTLE ORGAN YOU EVER HEARD. 528 00:33:28,172 --> 00:33:31,174 I PLAY IT FOR THEM. 529 00:33:31,209 --> 00:33:33,143 AND HOW MUCH DO YOU GET PAID FOR THAT? 530 00:33:33,178 --> 00:33:36,078 OH, NOTHING. NOTHING?! 531 00:33:36,114 --> 00:33:38,882 WELL, YOU ARE A STRANGE FELLOW. 532 00:33:38,917 --> 00:33:41,317 WELL, I MEAN, I GET NO MONEY FOR IT. 533 00:33:41,352 --> 00:33:42,751 I'M WELL REWARDED, THOUGH, 534 00:33:42,787 --> 00:33:45,154 BECAUSE I GET A GREAT DEAL OF PLEASURE OUT OF PLAYING... 535 00:33:46,958 --> 00:33:49,892 AND IT LED TO SOMETHING ELSE THE OTHER DAY. 536 00:33:49,928 --> 00:33:52,228 IT LED TO MY SEEING ONE OF THE LOVELIEST FACES 537 00:33:52,263 --> 00:33:53,396 YOU CAN POSSIBLY IMAGINE. 538 00:33:53,431 --> 00:33:57,166 A FEMALE ONE, I PRESUME? 539 00:33:57,202 --> 00:33:59,768 SHE CAME FOR THE FIRST TIME VERY EARLY IN THE MORNING, 540 00:33:59,804 --> 00:34:01,771 WHEN IT WAS HARDLY LIGHT. 541 00:34:03,075 --> 00:34:05,941 I ALMOST BELIEVED HER TO BE A SPIRIT. 542 00:34:07,745 --> 00:34:10,680 I SAW HER IN THE MIRROR. SHE WAS BEAUTIFUL. 543 00:34:10,715 --> 00:34:12,215 I WENT ON PLAYING 544 00:34:12,250 --> 00:34:14,550 SO THAT SHE SHOULD NOT THINK I HAD NOTICED HER, 545 00:34:14,585 --> 00:34:17,253 AND AFTER A WHILE, SHE GLIDED AWAY. 546 00:34:17,288 --> 00:34:19,722 I WENT ON PLAYING UNTIL SHE WAS OUT OF HEARING. 547 00:34:19,758 --> 00:34:21,157 AND DID SHE COME BACK? 548 00:34:21,192 --> 00:34:24,093 INDEED SHE DID... EARLY IN THE MORNING, 549 00:34:24,128 --> 00:34:26,462 SOMETIMES IN THE EVENING, ALWAYS ALONE, 550 00:34:26,498 --> 00:34:29,232 UNTIL THE DAY BEFORE YESTERDAY, WHEN SHE DIDN'T COME. 551 00:34:29,267 --> 00:34:31,333 AND I HAVEN'T SEEN HER SINCE. 552 00:34:31,369 --> 00:34:33,736 DIDN'T YOU FOLLOW HER WHEN SHE LEFT THE CHURCH? 553 00:34:33,771 --> 00:34:36,372 NO. WHY SHOULD I DO THAT? 554 00:34:36,408 --> 00:34:38,208 [LAUGHS] 555 00:34:38,243 --> 00:34:40,343 IS IT LIKELY SHE WANTED MY COMPANY? 556 00:34:40,378 --> 00:34:43,379 NO. SHE ONLY CAME TO LISTEN TO THE ORGAN. 557 00:34:43,415 --> 00:34:47,016 I DON'T SUPPOSE I SHALL EVER SEE HER AGAIN. 558 00:34:47,051 --> 00:34:49,919 BUT I SHALL NEVER FORGET HER. 559 00:34:49,954 --> 00:34:52,956 SHE HAD THE SWEETEST FACE YOU EVER SAW. 560 00:34:55,460 --> 00:34:57,827 I DOUBT IT, PINCH. 561 00:35:02,934 --> 00:35:04,400 WHOA. 562 00:35:31,129 --> 00:35:32,261 [THUMP] 563 00:35:37,535 --> 00:35:39,602 [DOOR UNLATCHES] 564 00:35:40,772 --> 00:35:41,971 Pinch: ...WITH HIS DAUGHTERS. 565 00:35:42,006 --> 00:35:43,273 JUST FOLLOW ME, MARTIN. 566 00:35:43,308 --> 00:35:44,840 [APPROACHING FOOTSTEPS] 567 00:35:44,876 --> 00:35:46,542 [KNOCK ON DOOR] 568 00:35:48,112 --> 00:35:51,014 MR. CHUZZLEWIT IS HERE, MR. PECKSNIFF. 569 00:35:51,049 --> 00:35:54,016 BLESS MY LIFE! HERE ALREADY. 570 00:35:54,052 --> 00:35:57,653 MARTIN, MY DEAR BOY, I AM DELIGHTED TO WELCOME YOU 571 00:35:57,689 --> 00:35:59,154 TO MY HUMBLE ABODE. 572 00:35:59,190 --> 00:36:00,523 AND I AM VERY PLEASED TO BE HERE. 573 00:36:00,559 --> 00:36:03,693 THESE ARE MY 2 DAUGHTERS, MARTIN, 574 00:36:03,728 --> 00:36:06,562 LIVING REMINDERS TO ME OF THEIR DEAR, DEPARTED MOTHER. 575 00:36:06,597 --> 00:36:10,065 CHARITY, WHO IS SOMETIMES CALLED CHERRY 576 00:36:10,101 --> 00:36:12,468 IN THE INTIMACY OF THE FAMILY CIRCLE... 577 00:36:12,503 --> 00:36:13,570 MISS CHARITY. 578 00:36:13,605 --> 00:36:15,571 AND HER YOUNGER SISTER MERCY, 579 00:36:15,606 --> 00:36:18,474 FAMILIARLY KNOWN AS MERRY, AND VERY APPROPRIATELY, TOO. 580 00:36:18,510 --> 00:36:19,575 OH, PA! 581 00:36:19,610 --> 00:36:21,110 MISS MERCY. 582 00:36:21,145 --> 00:36:22,111 OH. 583 00:36:22,146 --> 00:36:23,546 NAY, NAY, GIRLS. 584 00:36:23,581 --> 00:36:26,649 WHY DO YOU BLUSH WHEN DETECTED IN YOUR EVERYDAY PURSUITS? 585 00:36:26,684 --> 00:36:30,686 CHERRY IS MAKING NIGHTCAPS FOR THE PARISH POOR, 586 00:36:30,722 --> 00:36:34,790 AND MERRY IS DRESSING A DOLL FOR A NEIGHBOR'S CHILD. 587 00:36:34,826 --> 00:36:38,761 WE WERE GOING TO HAVE A PROPER RECEPTION FOR YOU, MARTIN, 588 00:36:38,797 --> 00:36:40,696 IN OUR LITTLE ROOM OF STATE, 589 00:36:40,732 --> 00:36:42,531 BUT I LIKE THIS BETTER. 590 00:36:42,567 --> 00:36:45,000 I LIKE THIS BETTER. 591 00:36:46,972 --> 00:36:50,806 AND HOW HAS OUR FRIEND HERE BEEN USING YOU, MARTIN? 592 00:36:50,841 --> 00:36:52,242 VERY WELL, INDEED, SIR. 593 00:36:52,277 --> 00:36:54,743 WE ARE ON THE VERY BEST OF TERMS, I ASSURE YOU. 594 00:36:54,779 --> 00:36:56,812 TOM PINCH. 595 00:36:56,847 --> 00:37:01,217 HONEST, FAITHFUL TOM PINCH. 596 00:37:01,252 --> 00:37:03,519 HOW MANY YEARS HAVE WE WALKED TOGETHER 597 00:37:03,554 --> 00:37:05,888 DOWN LIFE'S PATHWAY? HMM? 598 00:37:05,923 --> 00:37:08,291 NOT SO MANY THAT WE'VE TIRED 599 00:37:08,326 --> 00:37:11,193 OF EACH OTHER'S COMPANY, I'LL WARRANT, EH, TOM? 600 00:37:11,228 --> 00:37:13,863 OH, NO, SIR. INDEED NOT, SIR. 601 00:37:16,367 --> 00:37:18,568 WELL, WELL. 602 00:37:18,603 --> 00:37:21,537 NOW, MARTIN, SO THAT YOU'LL FEEL AT HOME 603 00:37:21,572 --> 00:37:23,205 WITHIN THESE 4 WALLS, 604 00:37:23,241 --> 00:37:26,775 LET ME SHOW YOU HOW WE LIVE AND WHERE. 605 00:37:26,811 --> 00:37:27,910 THANK YOU. 606 00:37:35,086 --> 00:37:37,386 OUR LITTLE ROOM OF STATE. 607 00:37:37,421 --> 00:37:40,656 VIDELICET, THE BEST PARLOR. 608 00:37:40,692 --> 00:37:42,258 PORTRAIT OF MYSELF. 609 00:37:44,128 --> 00:37:45,127 BY SPILLER. 610 00:37:48,032 --> 00:37:50,532 BUST...BY SPOKER. 611 00:37:53,772 --> 00:37:55,438 A VERY GOOD LIKENESS. 612 00:37:55,473 --> 00:37:57,540 SO OTHERS HAVE TOLD ME. 613 00:37:57,575 --> 00:38:00,109 I SEEM TO RECOGNIZE SOMETHING ABOUT THE-- 614 00:38:00,144 --> 00:38:03,345 THE LEFT-HAND CORNER OF THE NOSE, MYSELF. 615 00:38:03,381 --> 00:38:04,547 HMM. 616 00:38:04,582 --> 00:38:05,848 HMM? HMM. 617 00:38:16,828 --> 00:38:17,894 NO. 618 00:38:20,732 --> 00:38:23,433 BUT THEN AGAIN... WHY NOT? 619 00:38:29,607 --> 00:38:31,473 MY DAUGHTERS' ROOM. 620 00:38:31,509 --> 00:38:35,678 A POOR FIRST-FLOOR TO US, BUT A BOWER TO THEM. 621 00:38:35,713 --> 00:38:39,081 VERY NEAT. VERY AIRY. 622 00:38:39,116 --> 00:38:42,284 PLANTS, YOU'LL OBSERVE. 623 00:38:42,319 --> 00:38:44,419 HYACINTHS. 624 00:38:44,455 --> 00:38:46,756 BOOKS... 625 00:38:46,791 --> 00:38:48,858 BIRDS. 626 00:38:48,893 --> 00:38:50,359 CHARMING. 627 00:38:54,432 --> 00:38:59,234 THIS IS A ROOM WHERE SOME TALENT HAS BEEN DEVELOPED, I BELIEVE. 628 00:39:01,906 --> 00:39:05,274 SOME ARCHITECTS HAVE BEEN BRED IN THIS ROOM, EH, MR. PINCH? 629 00:39:05,309 --> 00:39:07,376 [PANTING] YES, MR. PECKSNIFF. 630 00:39:07,411 --> 00:39:08,744 INDEED, SIR. 631 00:39:09,948 --> 00:39:13,349 SOME TRACES OF OUR LABORS HERE, EH, MARTIN? 632 00:39:13,384 --> 00:39:15,084 [CHUCKLES] 633 00:39:15,119 --> 00:39:17,853 SALISBURY CATHEDRAL FROM THE NORTH, 634 00:39:17,888 --> 00:39:20,055 FROM THE SOUTH... 635 00:39:20,091 --> 00:39:21,557 FROM THE EAST... 636 00:39:21,592 --> 00:39:22,992 [CHUCKLES] 637 00:39:23,027 --> 00:39:24,494 FROM THE WEST... 638 00:39:26,964 --> 00:39:29,298 FROM THE SOUTHEAST... 639 00:39:29,333 --> 00:39:31,600 FROM THE NORTHWEST... 640 00:39:31,636 --> 00:39:34,369 PLANS, ELEVATIONS... 641 00:39:34,405 --> 00:39:36,639 OH, EVERY KIND OF THING. 642 00:39:36,674 --> 00:39:38,774 I CAN'T WAIT TO START WORK. 643 00:39:43,181 --> 00:39:46,048 IT WAS VERY GENEROUS OF YOU TO DEFER THE PREMIUM. 644 00:39:47,184 --> 00:39:49,218 OH, EH... 645 00:39:49,253 --> 00:39:51,286 FAMILY FEELING...MARTIN. 646 00:39:52,657 --> 00:39:54,390 FAMILY FEELING. 647 00:39:57,862 --> 00:39:59,929 ONE DAY, YOU'LL BE RESTORED 648 00:39:59,964 --> 00:40:02,198 TO YOUR PROPER STATION IN LIFE, I'M SURE. 649 00:40:02,233 --> 00:40:03,165 WELL... 650 00:40:05,903 --> 00:40:08,370 YOUR OWN ROOM IS NEXT DOOR. 651 00:40:12,610 --> 00:40:15,844 YOU SHARE WITH MR. PINCH. 652 00:40:15,880 --> 00:40:17,613 A SOUTHERN ASPECT... 653 00:40:17,648 --> 00:40:19,715 A CHARMING PROSPECT. 654 00:40:19,750 --> 00:40:21,517 WOULD YOU NOT AGREE, MR. PINCH? 655 00:40:21,552 --> 00:40:23,218 [PANTING] 656 00:40:23,254 --> 00:40:26,289 [ROOSTER CROWS] 657 00:40:53,852 --> 00:40:55,985 AH, GOOD MORNING, MARTIN. MR. PINCH. 658 00:40:56,020 --> 00:40:57,019 GOOD MORNING, SIR. 659 00:40:57,054 --> 00:40:58,654 MISS CHARITY. MISS MERCY. 660 00:40:58,689 --> 00:41:00,389 PRAY, HELP YOURSELF TO BREAKFAST. 661 00:41:00,424 --> 00:41:01,823 THANK YOU. 662 00:41:01,859 --> 00:41:04,026 WOULD YOU BE SO GOOD AS TO PASS ME THE BACON? 663 00:41:04,061 --> 00:41:05,293 MARTIN... 664 00:41:05,329 --> 00:41:07,996 THAT IS MR. PECKSNIFF'S OWN PARTICULAR BACON. 665 00:41:09,166 --> 00:41:10,633 OF COURSE. 666 00:41:14,705 --> 00:41:18,140 I AM SORRY TO DESERT YOU SO SOON AFTER YOUR ARRIVAL, MARTIN, 667 00:41:18,175 --> 00:41:20,243 BUT I AM SUMMONED--MM-- 668 00:41:20,278 --> 00:41:22,778 I AM SUMMONED TO LONDON. 669 00:41:22,813 --> 00:41:24,713 Martin: OH. ON BUSINESS. 670 00:41:24,749 --> 00:41:25,848 I UNDERSTAND. 671 00:41:25,884 --> 00:41:27,849 I AM EVEN SORRIER TO DEPRIVE YOU 672 00:41:27,885 --> 00:41:29,451 OF THE COMPANY OF MY FAIR DAUGHTERS. 673 00:41:29,486 --> 00:41:32,221 REALLY, PAPA, WHY SHOULD MR. CHUZZLEWIT MISS US? 674 00:41:32,256 --> 00:41:35,157 BUT I MUST REDEEM A PROMISE TO TAKE THEM WITH ME. 675 00:41:35,192 --> 00:41:37,726 WE TAKE THE MAIL COACH TONIGHT. 676 00:41:37,762 --> 00:41:39,762 INDEED. I HOPE THE YOUNG LADIES WILL ENJOY THEIR TRIP. 677 00:41:39,797 --> 00:41:42,131 WHY, OF COURSE WE SHALL. I CAN'T WAIT. 678 00:41:42,166 --> 00:41:44,933 JUST THINK, CHERRY-- THE PARKS, THE SHOPS! 679 00:41:44,969 --> 00:41:46,468 ARDENT CHILD. HEH HEH HEH. 680 00:41:46,503 --> 00:41:48,470 PERSONALLY, I HAVE NO GREAT DESIRES 681 00:41:48,506 --> 00:41:50,439 FOR THE VANITIES OF LONDON, BUT... 682 00:41:50,474 --> 00:41:53,108 I MUST GO, I SUPPOSE, TO KEEP MERRY COMPANY. 683 00:41:53,144 --> 00:41:55,444 DON'T INSINUATE THAT I AM VAIN, CHERRY. 684 00:41:55,479 --> 00:41:57,879 HA HA HA HA. 685 00:41:57,915 --> 00:41:59,514 BUT, MARTIN, UM--AHEM-- 686 00:41:59,550 --> 00:42:01,116 HOW WILL YOU... 687 00:42:01,151 --> 00:42:03,385 OCCUPY YOURSELF WHILE I'M AWAY? 688 00:42:03,420 --> 00:42:06,656 HMM? SUPPOSE YOU GIVE ME YOUR IDEA... 689 00:42:06,691 --> 00:42:08,124 OF A COWHOUSE? 690 00:42:08,159 --> 00:42:10,258 A COWHOUSE? 691 00:42:10,294 --> 00:42:12,627 OR A LAMPPOST? 692 00:42:12,663 --> 00:42:15,130 I HAVE FOUND THAT A LAMPPOST 693 00:42:15,166 --> 00:42:17,366 IS CALCULATED TO REFINE THE MIND 694 00:42:17,401 --> 00:42:19,335 AND GIVE IT A CLASSICAL TENDENCY. 695 00:42:19,370 --> 00:42:21,437 WHATEVER YOU THINK FIT, SIR. 696 00:42:21,873 --> 00:42:23,038 STAY. 697 00:42:23,074 --> 00:42:25,474 SINCE YOU ARE AMBITIOUS AND A VERY NEAT DRAFTSMAN, 698 00:42:25,509 --> 00:42:28,477 AS I'VE SEEN FROM THE SKETCHES YOU'VE SENT ME, 699 00:42:28,513 --> 00:42:32,548 YOU SHALL TRY YOUR HAND AT THESE PROPOSALS 700 00:42:32,583 --> 00:42:34,350 FOR A GRAMMAR SCHOOL, 701 00:42:34,385 --> 00:42:37,853 REGULATING YOUR PLAN TO THE PRINTED PARTICULARS. 702 00:42:37,889 --> 00:42:40,489 MERELY AS A-- AS AN EXERCISE, OF COURSE. 703 00:42:40,524 --> 00:42:41,690 [LAUGHING] UPON MY WORD, 704 00:42:41,726 --> 00:42:44,292 IT SHOULD BE A GREAT AMUSEMENT TO ME 705 00:42:44,328 --> 00:42:46,595 TO SEE WHAT YOU MAKE OF THE GRAMMAR SCHOOL. 706 00:42:46,631 --> 00:42:48,564 MR. PECKSNIFF? YES, MR. PINCH? 707 00:42:48,599 --> 00:42:50,265 SINCE YOU ARE GOING TO LONDON, 708 00:42:50,301 --> 00:42:51,934 I WONDER IF YOU WOULD BE SO GOOD 709 00:42:51,969 --> 00:42:54,103 AS TO DELIVER A LETTER FOR ME TO MY SISTER RUTH. 710 00:42:54,138 --> 00:42:55,738 [GIGGLING] 711 00:42:55,773 --> 00:42:57,406 SHE IS GOVERNESS... 712 00:42:57,441 --> 00:43:01,477 TO A COPPER FOUNDER'S FAMILY IN CAMBERWELL, I BELIEVE. 713 00:43:01,512 --> 00:43:03,579 YES, SIR. SHE WOULD CONSIDER IT A GREAT HONOR 714 00:43:03,614 --> 00:43:05,047 TO MAKE YOUR ACQUAINTANCE, I KNOW. 715 00:43:05,082 --> 00:43:09,351 WELL, IF MY BUSINESS ENGAGEMENTS PERMIT, 716 00:43:09,387 --> 00:43:10,920 WE WILL CALL UPON HER. 717 00:43:10,955 --> 00:43:12,821 THANK YOU, SIR. YOU ARE VERY KIND. 718 00:43:12,857 --> 00:43:15,157 OH, MR. PINCH, WOULD YOU BE SO GOOD 719 00:43:15,193 --> 00:43:17,459 AS TO CARRY MY TRUNK DOWNSTAIRS WHEN IT IS PACKED? 720 00:43:17,494 --> 00:43:18,527 AND MINE. 721 00:43:18,562 --> 00:43:20,496 OH, YES, TOM, AND TAKE MINE, TOO, 722 00:43:20,531 --> 00:43:22,498 AND PUT THE TRUNKS ON THE GIG, WOULD YOU? 723 00:43:22,533 --> 00:43:24,800 AND TAKE THEM TO THE CROSSROADS IN GOOD TIME. 724 00:43:24,835 --> 00:43:26,368 CERTAINLY, MR. PECKSNIFF. 725 00:43:40,684 --> 00:43:42,685 WHOA. WHOA. 726 00:43:42,720 --> 00:43:44,920 NOW, MIND, ME AND MY SON GO INSIDE 727 00:43:44,956 --> 00:43:46,789 BECAUSE THE ROOF IS FULL, 728 00:43:46,824 --> 00:43:49,725 BUT YOU AGREE TO CHARGE ONLY OUTSIDE PRICES. 729 00:43:49,760 --> 00:43:51,326 IS THAT UNDERSTOOD? 730 00:43:51,362 --> 00:43:52,428 Guard: YES, SIR. 731 00:43:58,468 --> 00:44:00,435 [COUGHING] 732 00:44:02,706 --> 00:44:04,306 OHH. 733 00:44:04,341 --> 00:44:05,774 THAT WAS LUCKY. 734 00:44:05,809 --> 00:44:09,178 IT WAS A GREAT STROKE OF YOURS TO NOTICE THE ROOF WAS FULL. 735 00:44:09,213 --> 00:44:11,680 I COULD NEVER HAVE GONE UP THERE WITH THIS COUGH. 736 00:44:11,715 --> 00:44:13,315 OOH. 737 00:44:13,350 --> 00:44:14,684 [COUGHS] 738 00:44:14,719 --> 00:44:16,585 THERE REALLY IS NO ROOM IN HERE 739 00:44:16,621 --> 00:44:19,688 FOR A GENTLEMAN WITH A COLD IN HIS HEAD. 740 00:44:19,723 --> 00:44:23,859 MINE IS ON ME CHEST, PECKSNIFF. 741 00:44:23,895 --> 00:44:25,260 OH... 742 00:44:25,296 --> 00:44:27,496 OH, I'M SORRY. 743 00:44:27,531 --> 00:44:29,598 I THOUGHT I WAS ADDRESSING A STRANGER. 744 00:44:29,634 --> 00:44:33,635 IT'S MR. ANTHONY CHUZZLEWIT, MY DEARS, AND HIS SON JONAS. 745 00:44:33,670 --> 00:44:36,772 I--I--I BEG YOUR PARDON, MR. CHUZZLEWIT. I-- 746 00:44:36,808 --> 00:44:38,340 I DID NOT MEAN TO BE RUDE. 747 00:44:38,375 --> 00:44:42,578 I MAY BE A HYPOCRITE, BUT I AM NOT A BRUTE. 748 00:44:42,613 --> 00:44:45,080 AH! WHAT MEANS THAT WORD? 749 00:44:45,115 --> 00:44:47,149 WE'RE ALL HYPOCRITES IN OUR FAMILY. 750 00:44:47,184 --> 00:44:50,152 I WOULDN'T HAVE BEEN AT YOUR HOUSE THE OTHER DAY 751 00:44:50,188 --> 00:44:52,120 IF WE WEREN'T. 752 00:44:52,155 --> 00:44:55,424 THE ONLY DIFFERENCE BETWEEN YOU AND THE REST OF US 753 00:44:55,460 --> 00:44:57,092 IS, UH... 754 00:44:57,128 --> 00:45:00,829 SHALL I TELL YOU NOW, PECKSNIFF? 755 00:45:00,865 --> 00:45:02,531 IF YOU PLEASE, SIR. 756 00:45:02,566 --> 00:45:04,633 WHY, THE ANNOYING THING ABOUT YOU 757 00:45:04,669 --> 00:45:07,269 IS YOU NEVER HAVE A PARTNER IN YOUR JUGGLING. 758 00:45:07,304 --> 00:45:08,970 I CONFIDE IN JONAS, 759 00:45:09,006 --> 00:45:11,507 BUT YOU WOULD DECEIVE EVERYBODY 760 00:45:11,542 --> 00:45:13,242 AND HAVE A WAY WITH YOU 761 00:45:13,277 --> 00:45:15,577 AS IF YOU REALLY BELIEVED YOURSELF. 762 00:45:15,613 --> 00:45:18,981 [COUGHING] 763 00:45:19,016 --> 00:45:22,083 I HOPE YOU'RE NOT OFFENDED, PECKSNIFF. 764 00:45:22,119 --> 00:45:25,020 OH, NOT IN THE LEAST, MY DEAR SIR. 765 00:45:25,056 --> 00:45:26,722 BUT I AM SURPRISED 766 00:45:26,757 --> 00:45:29,357 TO FIND YOU AND YOUR SON STILL IN THE COUNTRY. 767 00:45:29,393 --> 00:45:33,762 OH, WE WERE LOOKING AT ONE OR TWO LIKELY INVESTMENTS, 768 00:45:33,797 --> 00:45:36,131 PECKSNIFF, WHILE WE WERE DOWN HERE. 769 00:45:36,167 --> 00:45:38,334 KILLING 2 BIRDS WITH ONE STONE. 770 00:45:38,369 --> 00:45:40,503 AH! HA HA! 771 00:45:40,538 --> 00:45:42,171 HA HA! 772 00:45:42,206 --> 00:45:44,239 SO, YOU'RE GOING TO LONDON, COUSINS? 773 00:45:44,274 --> 00:45:46,508 AHEM. WE ARE COUSINS, YOU KNOW-- 774 00:45:46,543 --> 00:45:48,377 OH, A FEW TIMES REMOVED. 775 00:45:48,412 --> 00:45:49,545 [GIGGLING] 776 00:45:49,580 --> 00:45:52,113 YES. PAPA HAS BUSINESS IN TOWN. 777 00:45:52,149 --> 00:45:54,850 I'LL JOIN YOU, IF YOU DON'T MIND. 778 00:45:54,886 --> 00:45:56,919 OHH. 779 00:45:56,954 --> 00:45:59,221 LOTS OF BEAUX IN LONDON, COUSIN. 780 00:45:59,256 --> 00:46:00,656 [GIGGLES] INDEED. 781 00:46:00,691 --> 00:46:02,424 THEY WON'T HURT US, I DARESAY. 782 00:46:02,460 --> 00:46:05,126 MERCY, HOW CAN YOU GO ON SO, YOU WILD THING? 783 00:46:05,162 --> 00:46:08,130 OH, I DON'T MIND. I LIKE A GIRL WITH A BIT OF SPIRIT. 784 00:46:08,165 --> 00:46:09,832 WHAT AN OLD-FASHIONED FRIGHT. 785 00:46:09,867 --> 00:46:11,667 CHERRY, MY DEAR, YOU MUST SIT NEXT TO HIM. 786 00:46:11,702 --> 00:46:14,269 I SHALL DIE IF HE SPEAKS TO ME ANYMORE. 787 00:46:18,709 --> 00:46:22,010 YOU'RE THE SENSIBLE ONE, AIN'T YA? 788 00:46:22,045 --> 00:46:25,147 MERCY IS A LITTLE GIDDY, BUT SHE WILL SOBER DOWN IN TIME. 789 00:46:26,817 --> 00:46:29,451 TAKE A LITTLE MORE ROOM, WHY DON'T YOU? 790 00:46:29,486 --> 00:46:32,020 I DON'T MIND BEING CROWDED BY GIRLS. 791 00:46:32,056 --> 00:46:33,055 [GIGGLING] 792 00:46:33,090 --> 00:46:34,823 AHEM. 793 00:46:34,858 --> 00:46:36,124 OHH. 794 00:46:41,699 --> 00:46:44,333 Charity: WHAT PART OF LONDON IS THIS, PA? 795 00:46:44,368 --> 00:46:46,334 WE ARE QUITE NEAR THE MONUMENT 796 00:46:46,370 --> 00:46:49,137 AND THE GENERAL POST OFFICE, MY DEAR. 797 00:46:52,543 --> 00:46:54,410 Mercy: "TODGERS"? 798 00:46:54,445 --> 00:46:57,379 Pecksniff: MRS. TODGERS IS A MOST RESPECTABLE WIDOW 799 00:46:57,414 --> 00:47:00,115 WITH WHOM I LODGED IN MY BACHELOR DAYS. 800 00:47:04,855 --> 00:47:06,688 [KNOCK ON DOOR] 801 00:47:06,723 --> 00:47:08,657 [DOGS BARKING] 802 00:47:13,097 --> 00:47:15,730 IS THE HOUSEHOLD STILL ABED, MY MAN? 803 00:47:15,766 --> 00:47:18,734 STILL ABED? I WISH THEY WAS. 804 00:47:18,769 --> 00:47:21,102 THEY'RE ALL A-CALLIN' FOR THEIR BOOTS AT ONCE. 805 00:47:21,138 --> 00:47:22,904 I THOUGHT YOU WAS THE PAPER. 806 00:47:22,940 --> 00:47:25,240 I WONDERED WHY YOU DIDN'T PUSH YOUR WAY THROUGH THE GRATING 807 00:47:25,275 --> 00:47:26,574 AS USUAL. 808 00:47:26,610 --> 00:47:27,810 WHAT DO YOU WANT? 809 00:47:27,845 --> 00:47:30,679 KINDLY GIVE THIS TO MRS. TODGERS 810 00:47:30,714 --> 00:47:32,147 AND THEN SEE TO THE LUGGAGE. 811 00:47:32,182 --> 00:47:34,316 IF THERE'S A FIRE IN THE EATING PARLOR, 812 00:47:34,351 --> 00:47:36,418 I KNOW THE WAY THERE MYSELF. 813 00:47:36,453 --> 00:47:39,021 COME, MY DEARS. 814 00:47:39,056 --> 00:47:40,689 Man: HAVE YOU CLEANED MY BOOTS? 815 00:47:40,725 --> 00:47:42,357 Second man: BAILEY! 816 00:47:42,393 --> 00:47:43,525 HOT WATER! 817 00:47:43,560 --> 00:47:44,627 BAILEY! 818 00:47:44,662 --> 00:47:46,295 Third man: THIS WATER'S COLD! 819 00:47:47,898 --> 00:47:49,731 [CLOCK TICKING] 820 00:47:55,005 --> 00:47:57,640 [KEYS JANGLING] 821 00:47:57,675 --> 00:48:00,842 MR. PECKSNIFF! 822 00:48:00,878 --> 00:48:02,277 [GASPS] 823 00:48:05,983 --> 00:48:07,448 MRS. TODGERS. 824 00:48:07,484 --> 00:48:09,985 OHH! 825 00:48:10,020 --> 00:48:13,288 WHO WOULD HAVE THOUGHT... 826 00:48:13,323 --> 00:48:16,991 AFTER SO MANY YEARS? 827 00:48:17,027 --> 00:48:20,795 HOW DO YOU DO, MR. PECKSNIFF? 828 00:48:20,831 --> 00:48:22,964 [LAUGHS] 829 00:48:23,000 --> 00:48:26,668 DON'T TELL ME THESE 2 YOUNG LADIES ARE YOUR DAUGHTERS. 830 00:48:26,704 --> 00:48:27,835 THEY ARE. 831 00:48:27,871 --> 00:48:30,672 CHARITY AND MERCY. CHERRY AND MERRY. 832 00:48:30,708 --> 00:48:33,008 CHARMED TO MAKE YOUR ACQUAINTANCE, MRS. TODGERS. 833 00:48:33,043 --> 00:48:34,342 YES, WE ARE. 834 00:48:34,378 --> 00:48:37,712 MY DEAR MISS PECKSNIFFS. 835 00:48:37,748 --> 00:48:39,047 OHH... 836 00:48:39,082 --> 00:48:44,119 YOU DON'T KNOW HOW HAPPY YOUR PA HAS MADE ME. 837 00:48:46,190 --> 00:48:49,258 MRS. TODGERS, I KNOW THE RULES OF THIS ESTABLISHMENT 838 00:48:49,293 --> 00:48:51,593 AND THAT YOU ONLY RECEIVE GENTLEMEN BOARDERS, 839 00:48:51,629 --> 00:48:53,695 BUT PERHAPS, UM... 840 00:48:53,730 --> 00:48:55,564 AS A SPECIAL FAVOR, 841 00:48:55,599 --> 00:48:59,534 YOU COULD GIVE MY DAUGHTERS HOUSEROOM. 842 00:49:03,340 --> 00:49:06,641 WELL, YOU KNOW I WOULD DO ANYTHING TO OBLIGE YOU, 843 00:49:06,676 --> 00:49:07,976 MR. PECKSNIFF. 844 00:49:08,012 --> 00:49:10,212 ANYWHERE WHERE THEY COULD BE COMFORTABLE, 845 00:49:10,247 --> 00:49:12,614 UH, WITHOUT APPEARING AT THE, UM... 846 00:49:12,649 --> 00:49:13,949 GENERAL TABLE. 847 00:49:16,820 --> 00:49:20,155 I THINK I KNOW HOW TO ARRANGE IT. 848 00:49:20,190 --> 00:49:21,690 OHH! HA. 849 00:49:21,726 --> 00:49:23,325 COME, MY DEARS. 850 00:49:23,360 --> 00:49:25,794 LET ME SHOW YOU AT ONCE. 851 00:49:25,829 --> 00:49:29,064 THE GENTLEMEN WILL BE HERE DIRECTLY. 852 00:49:29,100 --> 00:49:31,099 WILL YOU COME, TOO, MR. PECKSNIFF? 853 00:49:31,134 --> 00:49:32,800 NO. NO, NO, NO, NO. 854 00:49:32,836 --> 00:49:35,737 I--I WILL LEAVE THEM IN YOUR...CAPABLE HANDS. 855 00:49:35,773 --> 00:49:39,541 I MUST GO TO THE POST OFFICE AS SOON AS IT OPENS. 856 00:49:39,577 --> 00:49:41,410 Man: BAILEY! HOT WATER! 857 00:49:41,445 --> 00:49:44,913 I WON'T ASK YOU HOW YOU LIKE LONDON YET. 858 00:49:44,948 --> 00:49:46,915 WE--WE HAVEN'T SEEN ANYTHING OF IT. 859 00:49:46,951 --> 00:49:49,485 IT--IT WAS DARK WHEN--WHEN WE ARRIVED. 860 00:49:49,520 --> 00:49:51,953 Man: BAILEY! WHERE THE DEVIL ARE MY BOOTS? 861 00:49:51,988 --> 00:49:53,788 Bailey: COMING, MR. JINKINS! 862 00:49:53,824 --> 00:49:55,557 OH, I BEG YOUR PARDON, MRS. TODGERS. 863 00:49:55,592 --> 00:49:57,759 GOOD MORNING, MR. JINKINS. 864 00:49:57,795 --> 00:49:59,728 Bailey: HERE YOU ARE AGAIN, THEN. 865 00:49:59,763 --> 00:50:02,231 YOU BE CAREFUL, YOU RUDE BOY! 866 00:50:02,266 --> 00:50:04,733 OHH! OH, EXCUSE ME, MR. MODDLE. 867 00:50:04,768 --> 00:50:05,767 THANK YOU. 868 00:50:11,741 --> 00:50:13,208 HAVE SOME BREAKFAST, MARTIN. 869 00:50:13,243 --> 00:50:15,210 I HAVEN'T ANY APPETITE. 870 00:50:16,747 --> 00:50:18,814 [BIRDS CHIRPING] 871 00:50:18,849 --> 00:50:20,515 I'M SORRY, PINCH. 872 00:50:20,551 --> 00:50:22,784 THE FACT IS I'M IN DEUCED LOW SPIRITS. 873 00:50:22,820 --> 00:50:24,519 I HARDLY SLEPT LAST NIGHT. 874 00:50:24,555 --> 00:50:26,121 THEN I MUST CHEER YOU UP. 875 00:50:26,156 --> 00:50:28,690 I DOUBT IF IT'S IN YOUR POWER. 876 00:50:28,725 --> 00:50:30,591 I HAD A PRIVATE CONFERENCE 877 00:50:30,627 --> 00:50:32,727 WITH PECKSNIFF BEFORE HE LEFT. 878 00:50:32,762 --> 00:50:34,462 HE TOLD ME MY GRANDFATHER WAS HERE, 879 00:50:34,497 --> 00:50:36,331 IN THIS VILLAGE, JUST A FEW DAYS AGO. 880 00:50:36,366 --> 00:50:39,368 YES, HE WAS. I DIDN'T MENTION IT 881 00:50:39,403 --> 00:50:41,703 BECAUSE MR. PECKSNIFF SAID HE WANTED TO TELL YOU HIMSELF. 882 00:50:41,738 --> 00:50:44,206 I SUPPOSE YOU KNOW MY GRANDFATHER HAS DISINHERITED ME. 883 00:50:44,241 --> 00:50:46,441 WELL, I HAVE HEARD ALLUSIONS. 884 00:50:46,477 --> 00:50:49,143 MY PARENTS DIED IN MY INFANCY, YOU SEE? 885 00:50:49,179 --> 00:50:51,846 SO DID MINE. DEAR ME. 886 00:50:51,882 --> 00:50:55,050 WELL, AS TO THAT, PINCH, PARENTS ARE ALL VERY WELL IF YOU HAVE THEM, 887 00:50:55,085 --> 00:50:57,285 BUT AS I HAVE NO RECOLLECTION OF MINE TO SPEAK OF, 888 00:50:57,321 --> 00:50:59,822 I CAN'T GET VERY SENTIMENTAL ABOUT THEM. 889 00:50:59,857 --> 00:51:02,590 I WAS BROUGHT UP BY MY GRANDFATHER, 890 00:51:02,626 --> 00:51:04,659 WHO HAS 2 GREAT FAULTS OF CHARACTER-- 891 00:51:04,695 --> 00:51:07,795 HE IS ABOMINABLY SELFISH AND ABOMINABLY OBSTINATE. 892 00:51:07,831 --> 00:51:09,231 I AM SORRY TO HEAR IT. 893 00:51:09,266 --> 00:51:11,833 I HAVE BORNE A GREAT DEAL FROM HIM. 894 00:51:15,038 --> 00:51:16,904 I FELL IN LOVE. 895 00:51:18,576 --> 00:51:21,409 I FELL IN LOVE WITH ONE OF THE SWEETEST, LOVELIEST GIRLS 896 00:51:21,445 --> 00:51:22,877 THE SUN EVER SHONE UPON. 897 00:51:22,913 --> 00:51:23,979 INDEED. 898 00:51:24,014 --> 00:51:25,380 UNFORTUNATELY, 899 00:51:25,416 --> 00:51:28,550 SHE IS WHOLLY AND ENTIRELY DEPENDENT ON MY GRANDFATHER. 900 00:51:28,585 --> 00:51:29,784 HOW IS THAT? 901 00:51:29,819 --> 00:51:33,088 SHE IS A KIND OF PAID COMPANION TO HIM. 902 00:51:33,123 --> 00:51:36,124 SHE IS AN ORPHAN WHOM HE BROUGHT UP TO THE EMPLOYMENT. 903 00:51:36,159 --> 00:51:38,193 ANOTHER ORPHAN. DEAR ME. 904 00:51:38,228 --> 00:51:40,529 YOU KNOW THE YOUNG LADY YOU SAW IN THE CHURCH? 905 00:51:40,564 --> 00:51:43,565 THAT WAS HER. I'M SURE OF IT. 906 00:51:43,600 --> 00:51:46,401 I KNEW YOU WERE GOING TO SAY THAT BEFORE YOU SPOKE. 907 00:51:46,437 --> 00:51:48,403 HER NAME IS MARY. 908 00:51:48,438 --> 00:51:51,306 HAVING SEEN HER, YOU WON'T BE SURPRISED I FELL IN LOVE WITH HER. 909 00:51:51,341 --> 00:51:53,041 NO, INDEED. 910 00:51:53,076 --> 00:51:55,444 ANY MAN MIGHT FALL IN LOVE WITH HER AT FIRST SIGHT. 911 00:51:55,479 --> 00:51:57,279 NOT ANY MAN, PERHAPS. 912 00:51:57,314 --> 00:51:59,248 AFTER ALL, SHE HAS NO FORTUNE, NO FAMILY. 913 00:51:59,283 --> 00:52:01,516 SOME MEN WOULD BE PUT OFF BY THAT. 914 00:52:01,551 --> 00:52:05,020 BUT A CHIEF INGREDIENT OF MY CHARACTER IS A MOST DETERMINED... 915 00:52:05,055 --> 00:52:06,354 OBSTINACY? 916 00:52:07,757 --> 00:52:10,726 WHAT A FELLOW YOU ARE...PINCH! 917 00:52:10,761 --> 00:52:13,328 I WAS GOING TO SAY RESOLUTENESS. 918 00:52:13,363 --> 00:52:14,929 I BEG YOUR PARDON. 919 00:52:14,965 --> 00:52:16,731 THE DEVIL OF IT WAS I KNEW MY GRANDFATHER 920 00:52:16,766 --> 00:52:19,134 WOULD BE VIOLENTLY OPPOSED TO OUR MARRYING. 921 00:52:19,170 --> 00:52:19,735 WHY? 922 00:52:19,770 --> 00:52:21,202 BECAUSE HE INSISTS 923 00:52:21,238 --> 00:52:24,238 THAT MARY MUST NOT BENEFIT FINANCIALLY FROM HIS DEATH. 924 00:52:24,274 --> 00:52:26,441 THAT'S THE STRANGE CONTRACT BETWEEN THEM. 925 00:52:26,476 --> 00:52:28,042 THAT'S WHY HE TRUSTS HER. 926 00:52:28,078 --> 00:52:30,745 SO YOU COULD NOT DISCLOSE YOUR FEELINGS FOR HER? 927 00:52:30,781 --> 00:52:32,648 OF COURSE I DISCLOSED MY FEELINGS TO HER. 928 00:52:32,683 --> 00:52:35,216 I KEPT THEM FROM MY GRANDFATHER. 929 00:52:35,252 --> 00:52:37,452 BUT HE MUST HAVE SUSPECTED SOMETHING 930 00:52:37,487 --> 00:52:41,222 BECAUSE HE TRIED TO MAKE ME DENY ANY ATTACHMENT TO MARY. 931 00:52:41,258 --> 00:52:42,924 I REFUSED. 932 00:52:42,959 --> 00:52:44,893 WE QUARRELED BITTERLY. 933 00:52:44,928 --> 00:52:48,329 HE TORE UP HIS WILL IN FRONT OF MY FACE. 934 00:52:48,365 --> 00:52:50,665 AND I WALKED OUT OF HIS HOUSE, 935 00:52:50,700 --> 00:52:53,601 VOWING TO BE INDEPENDENT OF HIS WHIMS. 936 00:52:53,636 --> 00:52:56,204 AND THE YOUNG LADY-- 937 00:52:56,239 --> 00:52:58,473 SHE RECIPROCATES YOUR FEELINGS? 938 00:52:58,508 --> 00:53:01,242 OF COURSE SHE DOES. 939 00:53:01,679 --> 00:53:03,011 SHE HAD SOME SILLY SCRUPLES AT FIRST, 940 00:53:03,046 --> 00:53:05,012 BUT HER HEART IS MINE. 941 00:53:05,048 --> 00:53:07,449 ALL WILL BE WELL IN TIME, 942 00:53:07,484 --> 00:53:09,584 I HAVE NO DOUBT. 943 00:53:09,620 --> 00:53:13,288 I HAVE NO POWER AT ALL, I NEEDN'T TELL YOU THAT. 944 00:53:13,323 --> 00:53:16,424 BUT IF I COULD EVER BE OF USE TO YOU... 945 00:53:16,460 --> 00:53:18,627 YOU'RE A GOOD FELLOW, PINCH, UPON MY WORD, 946 00:53:18,662 --> 00:53:20,462 AND SPEAK VERY KINDLY. 947 00:53:20,497 --> 00:53:22,063 BUT MERCY ON US, 948 00:53:22,099 --> 00:53:25,067 YOU MIGHT AS WELL BE A TOASTING-FORK OR A FRYING PAN 949 00:53:25,102 --> 00:53:27,368 FOR ANY HELP YOU CAN RENDER ME. 950 00:53:27,404 --> 00:53:28,904 EXCEPT IN THE INCLINATION. 951 00:53:28,939 --> 00:53:31,706 OH, YES. TO BE SURE. 952 00:53:31,742 --> 00:53:34,409 I VALUE THAT, OF COURSE. 953 00:53:36,146 --> 00:53:37,612 [KNOCK ON DOOR] 954 00:53:38,748 --> 00:53:41,583 OH, WELL, MY DEARS... 955 00:53:42,986 --> 00:53:45,287 DO YOU THINK YOU WILL BE COMFORTABLE? 956 00:53:45,322 --> 00:53:46,654 OH! 957 00:53:46,690 --> 00:53:48,890 MRS. TODGERS, IT'S PERFECT. 958 00:53:48,926 --> 00:53:50,558 OH! HA HA HA! 959 00:53:50,594 --> 00:53:53,361 THE BED IN THE SIDE ROOM IS RATHER SMALL, 960 00:53:53,396 --> 00:53:56,331 BUT I THINK IT WILL SERVE. 961 00:53:56,767 --> 00:53:59,401 AND DURING THE DAY, YOU MUST TREAT MY LITTLE PARLOR 962 00:53:59,436 --> 00:54:00,735 AS YOUR OWN. 963 00:54:00,770 --> 00:54:03,905 YOU ARE TOO KIND, MRS. TODGERS. 964 00:54:05,175 --> 00:54:07,175 IT'S MY PLEASURE. 965 00:54:08,912 --> 00:54:11,712 YOUR PA WAS ONCE A LITTLE PARTICULAR 966 00:54:11,748 --> 00:54:15,650 IN HIS ATTENTIONS... MY DEAR. 967 00:54:15,685 --> 00:54:18,053 BUT TO BE YOUR MA WAS... 968 00:54:18,088 --> 00:54:21,723 TOO MUCH HAPPINESS DENIED ME. 969 00:54:23,193 --> 00:54:24,859 UH... 970 00:54:24,894 --> 00:54:27,696 IS THIS YOUR PORTRAIT, MRS. TODGERS? 971 00:54:27,731 --> 00:54:32,333 OH. IT WAS THOUGHT A LIKENESS ONCE. 972 00:54:33,937 --> 00:54:37,506 BUT PRESIDING OVER AN ESTABLISHMENT LIKE THIS 973 00:54:37,541 --> 00:54:40,909 PLAYS SAD HAVOC WITH THE FEATURES. 974 00:54:40,944 --> 00:54:42,610 THE GRAVY ALONE IS ENOUGH 975 00:54:42,646 --> 00:54:45,713 TO ADD 20 YEARS TO ONE'S AGE, I ASSURE YOU. 976 00:54:45,749 --> 00:54:46,915 LOR! 977 00:54:46,950 --> 00:54:49,784 THERE IS NO PASSION IN HUMAN NATURE 978 00:54:49,820 --> 00:54:51,453 AS THE PASSION FOR GRAVY 979 00:54:51,488 --> 00:54:53,688 AMONGST COMMERCIAL GENTLEMEN. 980 00:54:53,724 --> 00:54:56,724 IT'S NOTHING TO SAY A JOINT WON'T YIELD THE AMOUNT OF GRAVY 981 00:54:56,760 --> 00:54:58,860 THEY EXPECT EACH DAY. 982 00:54:58,895 --> 00:55:00,962 A WHOLE ANIMAL WOULDN'T YIELD IT. 983 00:55:01,398 --> 00:55:04,032 I'VE NOTICED THE SAME APPETITE ON OUR MR. PINCH. 984 00:55:04,067 --> 00:55:05,933 PAPA'S ASSISTANT, YOU KNOW. 985 00:55:05,969 --> 00:55:07,702 [CHOMPING] 986 00:55:07,737 --> 00:55:09,570 [LAUGHS] HE HAS A SISTER 987 00:55:09,606 --> 00:55:11,706 WHO'S A GOVERNESS IN CAMBERWELL. 988 00:55:11,741 --> 00:55:13,608 IF SHE TAKES AFTER HER FATHER, 989 00:55:13,643 --> 00:55:15,176 SHE MUST BE A PERFECT FRIGHT. 990 00:55:15,211 --> 00:55:17,745 [CHARITY AND MERCY LAUGHING] 991 00:55:20,951 --> 00:55:23,485 [MRS. TODGERS LAUGHS] 992 00:55:23,520 --> 00:55:25,153 I AM HERE, MISS PINCH, 993 00:55:25,188 --> 00:55:28,155 IN PURSUANCE OF A PROMISE MADE TO YOUR BROTHER. 994 00:55:28,191 --> 00:55:29,524 THOMAS IS WELL, 995 00:55:29,560 --> 00:55:32,126 AND SENDS HIS LOVE AND THIS LETTER. 996 00:55:32,162 --> 00:55:34,729 OH. THANK YOU, MR. PECKSNIFF. 997 00:55:34,765 --> 00:55:35,897 YOU'RE VERY KIND. 998 00:55:35,932 --> 00:55:37,966 I CANNOT SAY, POOR FELLOW, 999 00:55:38,001 --> 00:55:40,968 THAT HE WILL EVER BE DISTINGUISHED IN OUR PROFESSION, 1000 00:55:41,004 --> 00:55:42,903 BUT HE HAS A WILL TO DO WELL, 1001 00:55:42,939 --> 00:55:45,840 AND WE MUST BEAR WITH HIM, EH? 1002 00:55:45,876 --> 00:55:47,709 I KNOW HE HAS THE WILL, SIR, 1003 00:55:47,744 --> 00:55:49,611 AND I KNOW HOW KINDLY YOU CHERISH IT, 1004 00:55:49,646 --> 00:55:53,281 FOR WHICH NEITHER HE NOR I CAN BE GRATEFUL ENOUGH. 1005 00:55:53,316 --> 00:55:55,049 THE YOUNG LADIES, AS WELL. 1006 00:55:55,085 --> 00:55:57,685 I KNOW HOW MUCH WE OWE TO THEM BOTH. 1007 00:55:57,721 --> 00:56:00,755 WE CAN'T TAKE ANY MERIT TO OURSELVES, PAPA. 1008 00:56:00,791 --> 00:56:03,624 MR. PINCH'S BEING SO WELL PROVIDED FOR 1009 00:56:03,660 --> 00:56:05,593 IS OWING TO YOU ALONE. 1010 00:56:06,029 --> 00:56:08,196 IT WAS VERY KIND OF YOU ALL TO COME. 1011 00:56:09,633 --> 00:56:12,534 AND HOW DO YOU DO, MY VERY INTERESTING YOUNG LADY? 1012 00:56:12,569 --> 00:56:14,502 QUITE WELL, THANK YOU. 1013 00:56:17,107 --> 00:56:19,708 MISSUS'S COMPLIMENTS TO MISS PINCH, 1014 00:56:19,743 --> 00:56:23,044 AND BEGS TO KNOW WHAT MY YOUNG LADY IS A-LEARNING OF JUST NOW. 1015 00:56:23,080 --> 00:56:27,048 OH, MY DEARS, WE ARE INTERRUPTING THE STUDIES. 1016 00:56:27,084 --> 00:56:28,483 LET US GO. 1017 00:56:28,518 --> 00:56:31,953 BE SO KIND AS TO GIVE THIS CARD TO YOUR MASTER. 1018 00:56:34,358 --> 00:56:35,657 GOOD-BYE, MISS PINCH. 1019 00:56:35,692 --> 00:56:37,258 GOOD-BYE, SIR. 1020 00:56:37,294 --> 00:56:40,528 GOOD-BYE, YOUNG LADY. 1021 00:56:50,307 --> 00:56:51,706 [DOOR CLOSES] 1022 00:56:51,741 --> 00:56:54,175 IF YOU READ THAT LETTER DURING MY LESSONS, 1023 00:56:54,611 --> 00:56:55,810 I SHALL TELL MAMA. 1024 00:57:03,420 --> 00:57:06,154 A MAN OF SUBSTANCE, CLEARLY. 1025 00:57:06,189 --> 00:57:08,756 SUBSTANCE AND TASTE. 1026 00:57:09,593 --> 00:57:12,460 WE SHOULD BE GLAD TO MAKE HIS ACQUAINTANCE. 1027 00:57:14,063 --> 00:57:16,564 SOMETHING MAY COME OF IT. HMM. 1028 00:57:18,368 --> 00:57:20,034 IF YOU LOOK, MY DEARS, 1029 00:57:20,069 --> 00:57:22,036 AT THE CORNICE WHICH SUPPORTS THE ROOF, 1030 00:57:22,072 --> 00:57:25,807 AND OBSERVE THE AIRINESS OF ITS CONSTRUCTION, 1031 00:57:25,842 --> 00:57:30,011 ESPECIALLY AS IT SWEEPS THE SOUTHERN ANGLE OF THE BUILDING, 1032 00:57:30,046 --> 00:57:31,145 YOU WILL SEE-- 1033 00:57:31,181 --> 00:57:32,314 HEY! YOU! 1034 00:57:32,349 --> 00:57:34,916 YOUR SERVANT, SIR. 1035 00:57:34,951 --> 00:57:37,318 COME OFF THE GRASS! 1036 00:57:37,354 --> 00:57:39,220 I BEG YOUR PARDON? 1037 00:57:39,256 --> 00:57:42,323 I SAID, COME OFF THE GRASS! 1038 00:57:42,359 --> 00:57:44,025 YOU SEE THE GRAVEL, DON'T YOU? 1039 00:57:44,060 --> 00:57:45,793 WHAT DO YOU THINK IT'S FOR? 1040 00:57:46,230 --> 00:57:47,962 WE ARE UNWILLING TO INTRUDE, SIR-- 1041 00:57:47,998 --> 00:57:49,731 BUT YOU ARE INTRUDING, SIR! 1042 00:57:49,766 --> 00:57:51,766 YOU'RE INTRUDING ON MY LAWN 1043 00:57:51,801 --> 00:57:54,102 AND MY DAUGHTER'S EDUCATION! 1044 00:57:54,137 --> 00:57:57,071 OPEN THE GATE THERE! SHOW THIS PARTY OUT! 1045 00:57:59,476 --> 00:58:01,709 [HUMMING] 1046 00:58:24,434 --> 00:58:26,134 WHAT'S THE MATTER, MARTIN? 1047 00:58:26,169 --> 00:58:30,005 IT'S CONFOUNDEDLY DULL WITH JUST THE TWO OF US HERE. 1048 00:58:30,040 --> 00:58:31,439 WELL... 1049 00:58:31,475 --> 00:58:33,575 I HAVE SOME GOOD NEWS FOR YOU. 1050 00:58:33,610 --> 00:58:34,709 WHAT'S THAT? 1051 00:58:34,744 --> 00:58:36,578 I DIDN'T LIKE TO DISTRACT YOU BEFORE-- 1052 00:58:36,613 --> 00:58:37,879 THIS IS WONDERFUL. 1053 00:58:37,914 --> 00:58:39,647 IS THIS THE GRAMMAR SCHOOL? 1054 00:58:39,682 --> 00:58:41,649 WELL, IT'S JUST A ROUGH SKETCH. 1055 00:58:41,684 --> 00:58:44,218 I COULD NEVER PRODUCE ANYTHING LIKE THIS 1056 00:58:44,254 --> 00:58:46,354 IF I LABORED FOR 10 YEARS. 1057 00:58:46,389 --> 00:58:49,724 WHY, EVEN MR. PECKSNIFF HIMSELF-- 1058 00:58:49,759 --> 00:58:52,193 YOU HAVE A REAL GIFT. 1059 00:58:52,228 --> 00:58:54,495 SO I'VE BEEN TOLD. WHAT'S YOUR NEWS, THEN? 1060 00:58:54,530 --> 00:58:56,664 I HAD ANOTHER LETTER FROM JOHN WESTLOCK THIS MORNING. 1061 00:58:56,699 --> 00:58:58,933 HE HAS COME INTO HIS PROPERTY. 1062 00:58:58,968 --> 00:59:01,369 HE'S A LUCKY DOG. I WISH IT WERE MINE. 1063 00:59:01,405 --> 00:59:03,405 THERE WAS A DISPUTED WILL, I BELIEVE. 1064 00:59:03,440 --> 00:59:05,706 BUT NOW... 1065 00:59:05,742 --> 00:59:07,742 "THE EXECUTORS HAVE CASHED UP," HE SAYS. 1066 00:59:07,777 --> 00:59:09,610 "AND I'M COMING DOWN TO SALISBURY 1067 00:59:09,646 --> 00:59:12,013 TO GIVE YOU A DINNER ON PURPOSE, PINCH, TO CELEBRATE." 1068 00:59:12,048 --> 00:59:13,481 NOW, ISN'T THAT KIND? 1069 00:59:13,516 --> 00:59:15,216 VERY. FURTHERMORE... 1070 00:59:15,251 --> 00:59:17,719 SINCE I WROTE TO HIM THAT THERE WAS A NEW PUPIL HERE 1071 00:59:17,754 --> 00:59:19,854 AND WHAT A FINE FELLOW YOU WERE, 1072 00:59:19,890 --> 00:59:21,790 AND WHAT FRIENDS WE HAD BECOME, 1073 00:59:21,825 --> 00:59:23,591 HE SENDS HIS COMPLIMENTS TO YOU 1074 00:59:23,627 --> 00:59:26,828 AND BEGS THAT WE THREE MAY HAVE THE PLEASURE OF DINING TOGETHER 1075 00:59:26,863 --> 00:59:30,398 AT THE VERY FIRST HOTEL IN THE TOWN. 1076 00:59:30,433 --> 00:59:31,732 VERY WELL. 1077 00:59:33,236 --> 00:59:35,269 MUCH OBLIGED TO HIM. I'M AGREEABLE. 1078 00:59:35,304 --> 00:59:37,605 [KNOCK ON DOOR] COME IN. 1079 00:59:37,640 --> 00:59:39,073 MR. PINCH, 1080 00:59:39,108 --> 00:59:41,242 THERE'S A GENTLEMAN ASKING TO SEE YOU. 1081 00:59:41,277 --> 00:59:43,478 GOOD MORNING TO YOU GENTS BOTH. 1082 00:59:43,513 --> 00:59:47,048 I'M SORRY TO INTERRUPT YOUR ARCHITECTURAL LABORS. 1083 00:59:47,083 --> 00:59:48,549 I'M NOT INDUSTRIOUS MYSELF, 1084 00:59:48,585 --> 00:59:51,419 BUT I DO KNOW HOW TO APPRECIATE THE QUALITY IN OTHERS. 1085 00:59:51,454 --> 00:59:54,889 MY NAME IS TIGG... MONTAGUE TIGG. 1086 00:59:54,924 --> 00:59:56,491 MR. PINCH... 1087 00:59:56,526 --> 00:59:57,825 NO, I'M MR. PINCH. 1088 00:59:57,860 --> 00:59:59,327 THIS IS MR. CHUZZLEWIT. 1089 01:00:00,630 --> 01:00:01,996 INDEED. 1090 01:00:06,803 --> 01:00:09,270 AHEM. UH... 1091 01:00:09,305 --> 01:00:10,905 I'VE, UH...AHEM. 1092 01:00:10,940 --> 01:00:13,241 I'VE COME FOR MY LETTER. 1093 01:00:13,276 --> 01:00:14,341 WHAT LETTER? 1094 01:00:14,377 --> 01:00:16,344 WHY, THE LETTER THAT MY GOOD FRIEND PECKSNIFF 1095 01:00:16,379 --> 01:00:17,512 LEFT WITH YOU, 1096 01:00:17,547 --> 01:00:19,481 ADDRESSED TO MY COMRADE AND ASSOCIATE 1097 01:00:19,516 --> 01:00:21,216 CHEVY SLYME, ESQUIRE. 1098 01:00:21,251 --> 01:00:22,717 DID YOU SAY CHEVY SLYME? 1099 01:00:22,752 --> 01:00:24,786 I DID INDEED, SIR. 1100 01:00:24,821 --> 01:00:26,688 I AM AN AMBASSADOR 1101 01:00:26,723 --> 01:00:29,089 FROM THE COURT OF CHIV. 1102 01:00:29,125 --> 01:00:31,158 I KNOW OF NO LETTER ADDRESSED TO HIM. 1103 01:00:31,194 --> 01:00:32,494 WELL, THE MONEY, THEN. 1104 01:00:32,529 --> 01:00:34,762 IT IS NOT SO DELICATELY DONE BY FRIEND PECKSNIFF 1105 01:00:34,797 --> 01:00:36,697 AS I COULD HAVE WISHED, BUT 'TIS ALL THE SAME. 1106 01:00:36,733 --> 01:00:38,299 THE MONEY? 1107 01:00:38,335 --> 01:00:40,234 EXACTLY SO. 1108 01:00:40,269 --> 01:00:41,503 WHAT'S THIS ALL ABOUT? 1109 01:00:41,538 --> 01:00:44,105 GENTS BOTH, I WILL TELL YOU. 1110 01:00:44,140 --> 01:00:48,075 THERE IS AT THE BLUE DRAGON IN THIS VILLAGE 1111 01:00:48,111 --> 01:00:49,677 A COMMON ALE-HOUSE. 1112 01:00:49,712 --> 01:00:52,013 AN INDIVIDUAL OF WHOM IT MAY BE SAID, 1113 01:00:52,048 --> 01:00:53,848 IN THE LANGUAGE OF THE POET, 1114 01:00:53,883 --> 01:00:58,720 THAT NOBODY BUT HIMSELF CAN IN ANY WAY COME UP TO HIM, 1115 01:00:58,755 --> 01:01:01,622 WHO IS DETAINED THERE FOR HIS BILL. 1116 01:01:01,658 --> 01:01:05,059 HAD IT BEEN FOR ANYTHING OTHER THAN A PALTRY BILL, 1117 01:01:05,094 --> 01:01:07,428 I COULD HAVE BORNE IT, BUT-- 1118 01:01:07,464 --> 01:01:09,330 I'M VERY SORRY TO HEAR 1119 01:01:09,366 --> 01:01:11,366 OF YOUR FRIEND'S PREDICAMENT, MR. TIGG, 1120 01:01:11,401 --> 01:01:13,734 BUT I REALLY DON'T SEE WHAT IT HAS TO DO WITH MR. PECKSNIFF. 1121 01:01:13,769 --> 01:01:15,936 WHY, THEY ARE RELATED, SIR! 1122 01:01:15,972 --> 01:01:18,539 AS INDEED, I BELIEVE, IS THIS GENTLEMAN HERE. 1123 01:01:18,575 --> 01:01:22,143 WELL, AS SOON AS MR. PECKSNIFF RETURNS FROM LONDON-- 1124 01:01:22,178 --> 01:01:24,979 NO, NO, IT IS VERY URGENT, MR. PINCH. 1125 01:01:25,014 --> 01:01:27,415 WOULD YOU MIND LOOKING OUT OF THAT WINDOW? 1126 01:01:29,786 --> 01:01:31,820 YOU SEE THAT FELLOW DOWN THERE 1127 01:01:31,855 --> 01:01:33,688 IN THE RED NECK CLOTH? 1128 01:01:33,723 --> 01:01:36,124 OF COURSE. THAT'S MARK TAPLEY FROM THE BLUE DRAGON. 1129 01:01:36,159 --> 01:01:39,627 WELL, MARK TAPLEY NOT ONLY HAD THE GREAT POLITENESS 1130 01:01:39,662 --> 01:01:41,262 TO FOLLOW ME TO THIS HOUSE, 1131 01:01:41,298 --> 01:01:44,399 BUT IS NOW WAITING TO ESCORT ME BACK TO THE BLUE DRAGON, 1132 01:01:44,434 --> 01:01:47,001 FOR WHICH ATTENTION, I CAN TELL YOU, GENTLEMEN, 1133 01:01:47,036 --> 01:01:50,238 THAT MARK TAPLEY HAD BETTER BEEN FED TO SUFFOCATION 1134 01:01:50,273 --> 01:01:51,939 IN HIS INFANCY BY MRS. TAPLEY 1135 01:01:51,975 --> 01:01:53,741 THAN PRESERVED TO THIS TIME! 1136 01:01:53,776 --> 01:01:55,343 DEAR ME. 1137 01:01:55,378 --> 01:01:56,478 YES. 1138 01:01:58,581 --> 01:02:00,414 MARK! 1139 01:02:00,851 --> 01:02:03,051 COULD YOU STEP UP HERE FOR A MOMENT PLEASE? 1140 01:02:03,086 --> 01:02:04,452 SURE. 1141 01:02:04,487 --> 01:02:05,953 HOW MUCH IS THE BILL? 1142 01:02:05,988 --> 01:02:08,389 OH, A MERE TRIFLE. 1143 01:02:08,424 --> 01:02:10,024 �3. 1144 01:02:11,460 --> 01:02:13,027 PINCH... 1145 01:02:13,062 --> 01:02:14,462 A WORD WITH YOU. 1146 01:02:15,732 --> 01:02:17,298 IT'S TRUE THAT THIS SLYME 1147 01:02:17,333 --> 01:02:18,600 IS A RELATION OF MINE-- 1148 01:02:18,635 --> 01:02:20,068 A NE'ER-DO-WELL 1149 01:02:20,103 --> 01:02:21,703 THAT I DON'T WISH TO ASSOCIATE WITH. 1150 01:02:21,738 --> 01:02:24,438 HE WOULD BE CHEAPLY GOT RID OF FOR �3, 1151 01:02:24,473 --> 01:02:27,709 BUT...UNFORTUNATELY, I AM OUT OF FUNDS... 1152 01:02:27,744 --> 01:02:29,744 AT THE MOMENT. 1153 01:02:29,779 --> 01:02:33,580 YOU DON'T HAPPEN TO HAVE THAT SUM OF MONEY ABOUT YOU, I SUPPOSE? 1154 01:02:33,616 --> 01:02:35,450 HALF A SOVEREIGN'S ALL I HAVE IN THE WORLD. 1155 01:02:35,485 --> 01:02:37,651 PITY. I WOULD HAVE BORROWED IT FROM YOU. 1156 01:02:37,687 --> 01:02:39,286 [KNOCK ON DOOR] 1157 01:02:41,958 --> 01:02:44,692 MARK. I'M GLAD YOU'RE STILL AT THE BLUE DRAGON. 1158 01:02:44,727 --> 01:02:48,096 NOW, WHAT'S THE MATTER BETWEEN MRS. LUPIN AND THIS GENTLEMAN? 1159 01:02:49,732 --> 01:02:51,232 WHAT GENTLEMAN, SIR? 1160 01:02:52,535 --> 01:02:54,568 DON'T SEE NO GENTLEMAN HERE, SIR. 1161 01:02:54,604 --> 01:02:56,737 WELL, EXCEPTING YOURSELF AND THE NEW GENTLEMAN. 1162 01:02:56,773 --> 01:02:58,739 AND THERE'S NOTHING WRONG BETWEEN MRS. LUPIN 1163 01:02:58,775 --> 01:03:00,474 AND EITHER OF YOU, I THINK. 1164 01:03:00,510 --> 01:03:04,011 MARK, YOU SEE MR. TIGG HERE. 1165 01:03:04,046 --> 01:03:05,713 OH, HIM. 1166 01:03:05,748 --> 01:03:07,015 YES, I SEE HIM. 1167 01:03:07,050 --> 01:03:08,816 SHOULD SEE HIM A LITTLE BETTER 1168 01:03:08,852 --> 01:03:10,851 IF HE'D SHAVE HIMSELF, GET HIS HAIR CUT. 1169 01:03:10,886 --> 01:03:13,220 NOW, MARK, YOU'RE NOT OUT OF TEMPER, I HOPE. 1170 01:03:13,256 --> 01:03:15,122 WHY, NO, SIR. 1171 01:03:15,158 --> 01:03:16,991 I'M QUITE JOLLY. 1172 01:03:17,026 --> 01:03:20,494 THERE'S A LITTLE CREDIT--NOT MUCH-- IN BEING JOLLY, 1173 01:03:20,529 --> 01:03:22,997 WITH SUCH FELLOWS AS HIM ROARING ABOUT LIKE LIONS... 1174 01:03:24,634 --> 01:03:29,103 IF THERE IS ANY BREED OF LIONS AS IS ALL ROAR AND MANE. 1175 01:03:29,139 --> 01:03:31,906 WHAT IS THERE BETWEEN HIM AND MRS. LUPIN, SIR? 1176 01:03:31,941 --> 01:03:35,943 WHY, THERE'S A SCORE BETWEEN HIM AND HIS FRIEND AND MRS. LUPIN, 1177 01:03:35,979 --> 01:03:38,112 AND I THINK MRS. LUPIN LETS THEM OFF VERY EASY 1178 01:03:38,148 --> 01:03:40,047 IN NOT CHARGING THEM DOUBLE PRICES 1179 01:03:40,083 --> 01:03:43,150 FOR BEING A DISGRACE TO THE DRAGON. 1180 01:03:43,186 --> 01:03:44,585 THAT'S MY OPINION. 1181 01:03:44,620 --> 01:03:46,854 I SUPPOSE IF WE WERE TO GUARANTEE 1182 01:03:46,889 --> 01:03:48,890 TO THE LANDLADY THAT HER BILL WOULD BE PAID 1183 01:03:48,925 --> 01:03:50,391 WHEN MR. PECKSNIFF RETURNS, 1184 01:03:50,426 --> 01:03:52,660 THAT WOULD ANSWER THE PURPOSE? 1185 01:03:52,695 --> 01:03:54,562 I DARE SAY IT WOULD, SIR. 1186 01:03:54,597 --> 01:03:56,564 SHE'D BE GLAD TO SEE THE BACKS OF THEM. 1187 01:03:56,599 --> 01:03:58,499 THEN LET US ALL GO DOWN TO THE BLUE DRAGON AND SETTLE THE MATTER. 1188 01:03:58,535 --> 01:04:00,067 SPOKEN LIKE A GENTLEMAN. 1189 01:04:00,103 --> 01:04:02,470 THOUGH I WOULD ASK ONLY THAT YOU TREAT CHEV WITH DELICACY. 1190 01:04:02,505 --> 01:04:05,172 HE HATES TO BE UNDER AN OBLIGATION TO OTHERS. 1191 01:04:07,310 --> 01:04:10,044 THERE YOU ARE AGAIN, THEN. 1192 01:04:10,080 --> 01:04:12,346 WHAT DO YOU WANT, BAILEY? 1193 01:04:12,381 --> 01:04:14,348 JUST PASSING THE TIME OF DAY. 1194 01:04:14,383 --> 01:04:15,949 THERE'S SOUP FOR SUPPER TONIGHT. 1195 01:04:15,985 --> 01:04:18,018 AIN'T SHE A-PUTTIN' IN THE WATER? 1196 01:04:18,054 --> 01:04:20,321 OH, NO. NOT AT ALL, NEITHER. 1197 01:04:20,356 --> 01:04:21,422 YOU LITTLE VILLAIN! 1198 01:04:21,457 --> 01:04:22,824 BAD, FALSE BOY! 1199 01:04:22,859 --> 01:04:25,293 NO WORSE THAN YOURSELF. DO THAT AGAIN, WILL YA? 1200 01:04:25,328 --> 01:04:27,862 GO DOWNSTAIRS, YOU VICIOUS BOY! 1201 01:04:29,398 --> 01:04:33,367 OHH! HE IS THE MOST DREADFUL CHILD. 1202 01:04:33,402 --> 01:04:35,603 THE GENTLEMEN SPOIL HIM SO, 1203 01:04:35,638 --> 01:04:37,138 TEACH HIM SUCH THINGS 1204 01:04:37,173 --> 01:04:39,607 THAT I DON'T KNOW WHAT TO DO WITH HIM. 1205 01:04:39,643 --> 01:04:41,042 [SIGHS] 1206 01:04:41,077 --> 01:04:42,677 IS YOUR PA OUT? 1207 01:04:42,712 --> 01:04:44,979 [KNOCK ON DOOR] 1208 01:04:47,516 --> 01:04:50,651 MAY I ENTER THIS BOWER OF BLISS? 1209 01:04:50,687 --> 01:04:52,052 OH! HA HA! 1210 01:04:52,088 --> 01:04:54,422 MR. PECKSNIFF! 1211 01:04:54,457 --> 01:04:56,357 PRAY, COME IN. 1212 01:04:56,392 --> 01:04:57,959 THANK YOU, MY DEAR. 1213 01:05:00,296 --> 01:05:01,996 [SIGHS] 1214 01:05:02,031 --> 01:05:06,067 I HAVE A ROUND ROBIN TO DELIVER TO YOU, SIR. 1215 01:05:06,102 --> 01:05:08,302 A ROUND ROBIN? FROM WHOM? 1216 01:05:08,337 --> 01:05:11,172 FROM MY GENTLEMEN, OF COURSE-- 1217 01:05:11,207 --> 01:05:13,540 DESIRING THAT YOUR DAUGHTERS, 1218 01:05:13,576 --> 01:05:16,010 AS WELL AS YOUR GOOD SELF, 1219 01:05:16,045 --> 01:05:18,112 WOULD HONOR THE GENERAL TABLE 1220 01:05:18,147 --> 01:05:22,716 WITH YOUR PRESENCE AT DINNER TOMORROW. 1221 01:05:22,751 --> 01:05:24,752 OH! 1222 01:05:24,787 --> 01:05:26,921 WHAT DO YOU SAY, MY DEARS? 1223 01:05:26,956 --> 01:05:28,156 YES, PAPA! 1224 01:05:28,191 --> 01:05:31,158 IF YOU THINK IT PROPER, PAPA. 1225 01:05:31,194 --> 01:05:33,861 I HAVE NO OBJECTION. 1226 01:05:33,896 --> 01:05:36,096 TOMORROW EVENING WILL DO VERY NICELY, MRS. TODGERS. 1227 01:05:36,132 --> 01:05:37,931 THEN I'LL GO DOWNSTAIRS, 1228 01:05:37,967 --> 01:05:40,434 AND I'LL TELL MR. JINKINS IMMEDIATELY. 1229 01:05:40,470 --> 01:05:43,537 HE'S THE MOVING SPIRIT IN THIS. 1230 01:05:43,572 --> 01:05:46,874 Pecksniff: MR. JINKINS IS A MAN OF SUPERIOR TALENTS. 1231 01:05:46,909 --> 01:05:49,577 I TAKE HIS DESIRE TO PAY POLITE ATTENTION 1232 01:05:49,612 --> 01:05:51,946 TO MYSELF AND MY DAUGHTERS... 1233 01:05:51,981 --> 01:05:53,247 VERY KINDLY. 1234 01:05:54,483 --> 01:05:56,951 YOUR YOUNGEST DAUGHTER IS AS WITTY 1235 01:05:56,986 --> 01:05:59,454 AS SHE IS LOVELY, MR. PECKSNIFF. 1236 01:05:59,489 --> 01:06:01,455 YOUR VERY GOOD HEALTH. 1237 01:06:01,491 --> 01:06:02,957 THANK YOU, SIR. 1238 01:06:02,992 --> 01:06:04,425 I'M OBLIGED TO YOU. 1239 01:06:06,930 --> 01:06:08,462 LADIES AND GENTLEMEN, 1240 01:06:08,498 --> 01:06:10,130 THE PUNCH! 1241 01:06:10,166 --> 01:06:11,999 ALL RIGHT! FINE! 1242 01:06:12,035 --> 01:06:13,500 WELL DONE, JINKS. 1243 01:06:13,536 --> 01:06:15,002 SET IT ON THE TABLE, 1244 01:06:15,037 --> 01:06:16,937 SPLENDID, SPLENDID GOOD BOY. 1245 01:06:19,976 --> 01:06:23,377 LADIES, I SEE YOU ARE CONCERNED 1246 01:06:23,413 --> 01:06:24,912 AT THE SMALLNESS OF THE BOWL. 1247 01:06:24,947 --> 01:06:27,415 REST ASSURED, WE HAVE ENOUGH INGREDIENTS IN RESERVE 1248 01:06:27,450 --> 01:06:30,384 TO FILL IT SEVERAL TIMES OVER. 1249 01:06:33,589 --> 01:06:36,123 IS IT VERY STRONG? 1250 01:06:36,158 --> 01:06:37,725 ABSOLUTELY HARMLESS. 1251 01:06:37,760 --> 01:06:39,794 ALLOW ME. THANK YOU. 1252 01:06:43,165 --> 01:06:45,699 THERE WE ARE, MISS MERCY. AND MISS CHARITY, MAY I? 1253 01:06:45,735 --> 01:06:47,602 Charity: JUST A LITTLE. OF COURSE. 1254 01:06:49,171 --> 01:06:51,606 [COUGHS] GOOD HEAVENS, IT NEEDS DILUTING. 1255 01:06:51,641 --> 01:06:53,107 Men: NO, NO! 1256 01:06:53,142 --> 01:06:55,876 OH, DEAR, I SEEM TO HAVE DROPPED MY NAPKIN. 1257 01:06:55,911 --> 01:06:58,012 [RUSTLING] 1258 01:07:02,251 --> 01:07:04,018 HERE IT IS, MISS PECKSNIFF, 1259 01:07:04,020 --> 01:07:05,386 CAUGHT ON YOUR DRESS. 1260 01:07:05,421 --> 01:07:07,020 Mercy: OH, HOW SILLY OF ME. 1261 01:07:10,893 --> 01:07:13,427 [SIGHS] 1262 01:07:16,599 --> 01:07:18,899 THAT WAS A MELANCHOLY SIGH 1263 01:07:18,935 --> 01:07:23,204 FOR SUCH A FESTIVE OCCASION, MR. PECKSNIFF. 1264 01:07:23,239 --> 01:07:26,641 I AM A MAN, MRS. TODGERS, 1265 01:07:26,676 --> 01:07:28,108 AND A WIDOWER. 1266 01:07:29,445 --> 01:07:33,948 THE GAIETY OF THE YOUNG REMINDS ME OF MY LONELINESS. 1267 01:07:36,785 --> 01:07:39,887 SHE WAS BEAUTIFUL, MRS. TODGERS. 1268 01:07:40,990 --> 01:07:44,725 SHE HAD A SMALL... 1269 01:07:44,760 --> 01:07:45,892 PROPERTY. 1270 01:07:45,928 --> 01:07:49,297 SO I HAVE HEARD. 1271 01:07:49,332 --> 01:07:53,901 YOU ARE LIKE HER, MRS. TODGERS. 1272 01:07:55,571 --> 01:07:58,939 DON'T SQUEEZE MY ARM SO, MR. PECKSNIFF. 1273 01:07:58,974 --> 01:08:01,542 THE GENTLEMEN MIGHT NOTICE. 1274 01:08:01,577 --> 01:08:05,713 MY FEELINGS, MRS. TODGERS, 1275 01:08:05,748 --> 01:08:08,916 WILL NOT CONSENT TO BE SMOTHERED 1276 01:08:08,951 --> 01:08:12,953 LIKE THE YOUNG CHILDREN IN THE TOWER. 1277 01:08:12,989 --> 01:08:14,822 THEY ARE GROWN UP, 1278 01:08:14,857 --> 01:08:17,958 AND THE MORE I PRESS THE BOLSTER ON THEM, 1279 01:08:17,993 --> 01:08:20,561 THE MORE THEY LOOK ROUND THE CORNER OF IT. 1280 01:08:20,596 --> 01:08:24,998 HUSH, SIR, YOU MUSTN'T. 1281 01:08:25,033 --> 01:08:28,702 SIT DOWN, SIT DOWN. MR. CHUZZLEWIT, THIS SIDE. 1282 01:08:28,737 --> 01:08:29,703 THANK YOU. 1283 01:08:31,941 --> 01:08:33,407 JOHN... 1284 01:08:33,443 --> 01:08:35,977 CONGRATULATIONS ON YOUR GOOD FORTUNE. 1285 01:08:36,012 --> 01:08:38,979 MAY YOU ENJOY THE SAME YOURSELF ONE DAY. 1286 01:08:39,015 --> 01:08:40,647 AND YOU, TOO, MR. CHUZZLEWIT. 1287 01:08:40,683 --> 01:08:42,116 I'LL DRINK TO THAT. 1288 01:08:47,790 --> 01:08:51,825 MMM. SO YOU REALLY ARE A GENTLEMAN AT LAST. 1289 01:08:51,861 --> 01:08:54,328 I DON'T SUPPOSE YOU CARRY YOUR OWN BOX TO THE MAIL NOW. 1290 01:08:54,364 --> 01:08:56,596 THAT'S ALL YOU KNOW ABOUT IT. 1291 01:08:56,632 --> 01:08:58,832 IT WOULD HAVE TO BE A VERY HEAVY BOX 1292 01:08:58,867 --> 01:09:01,636 FOR ME NOT TO CARRY IT TO GET AWAY FROM PECKSNIFF'S. 1293 01:09:01,671 --> 01:09:03,371 THERE, I TOLD YOU SO. 1294 01:09:03,406 --> 01:09:06,440 THE GREAT FAULT IN JOHN'S CHARACTER IS HIS INJUSTICE TO PECKSNIFF. 1295 01:09:06,475 --> 01:09:08,442 YOU MUSTN'T MIND A WORD HE SAYS ON THAT SUBJECT. 1296 01:09:08,477 --> 01:09:10,477 HIS PREJUDICE IS MOST EXTRAORDINARY. 1297 01:09:10,513 --> 01:09:12,680 THE ABSENCE OF ANYTHING LIKE PREJUDICE ON TOM'S PART, YOU KNOW, 1298 01:09:12,715 --> 01:09:14,615 IS PERFECTLY WONDERFUL. 1299 01:09:14,651 --> 01:09:16,116 SO I'VE OBSERVED. 1300 01:09:16,152 --> 01:09:18,653 IF YOU KNEW MR. PECKSNIFF AS I DO, JOHN, 1301 01:09:18,688 --> 01:09:21,221 YOU'D RESPECT AND ADMIRE HIM AS I DO. 1302 01:09:21,257 --> 01:09:23,090 YOU COULDN'T HELP YOURSELF. 1303 01:09:24,561 --> 01:09:26,960 YOU WOUNDED HIS FEELINGS SORELY WHEN YOU QUARRELED WITH HIM. 1304 01:09:26,996 --> 01:09:28,963 IF I'D KNOWN WHERE HIS FEELINGS LAY, TOM, 1305 01:09:28,998 --> 01:09:31,966 I'D HAVE TRIED MY BEST WITH THAT END IN VIEW. YOU MAY DEPEND UPON IT. 1306 01:09:32,001 --> 01:09:34,301 BUT SINCE I COULD NOT WOUND HIM IN WHAT HE DOES NOT HAVE 1307 01:09:34,336 --> 01:09:35,936 AND KNOWS NOTHING OF, 1308 01:09:35,971 --> 01:09:39,273 I'M AFRAID I CAN LAY NO CLAIM TO YOUR COMPLIMENT. 1309 01:09:39,309 --> 01:09:41,274 WHAT'S THE MATTER? 1310 01:09:41,310 --> 01:09:42,943 I CAN'T BEAR IT. 1311 01:09:42,978 --> 01:09:45,679 NO, REALLY, I CANNOT. YOU MUST EXCUSE ME, JOHN. 1312 01:09:45,714 --> 01:09:47,681 I HAVE A GREAT ESTEEM AND FRIENDSHIP FOR YOU, 1313 01:09:47,717 --> 01:09:50,050 I LOVE YOU VERY MUCH, BUT I CANNOT LISTEN TO THIS. 1314 01:09:50,086 --> 01:09:52,153 YOU ARE QUITE RIGHT, AND I AM QUITE WRONG. 1315 01:09:52,188 --> 01:09:54,688 I DON'T KNOW HOW WE STUMBLED UPON THIS UNLUCKY THEME. 1316 01:09:54,723 --> 01:09:56,657 I BEG YOUR PARDON, TOM. 1317 01:09:56,692 --> 01:09:58,425 YOU'VE NO NEED TO ASK MY PARDON. 1318 01:09:58,461 --> 01:09:59,926 YOU'VE DONE ME NOTHING BUT KINDNESS. 1319 01:09:59,962 --> 01:10:02,930 WELL, THEN PECKSNIFF'S PARDON, ANYBODY'S PARDON, 1320 01:10:02,965 --> 01:10:04,231 JUST SO LONG AS YOU WILL SIT DOWN. HERE. 1321 01:10:07,269 --> 01:10:10,437 WE WILL DRINK HIS HEALTH. WILL THAT DO? 1322 01:10:10,473 --> 01:10:12,072 THANK YOU. 1323 01:10:13,142 --> 01:10:15,576 I'LL DRINK TO THAT WITH ALL MY HEART. 1324 01:10:17,981 --> 01:10:19,880 PECKSNIFF. 1325 01:10:19,916 --> 01:10:20,948 GOD BLESS HIM. 1326 01:10:20,983 --> 01:10:23,150 WHEREVER HE IS NOW. 1327 01:10:24,353 --> 01:10:28,155 All: MR. PECKSNIFF AND THE MISS PECKSNIFFS. 1328 01:10:35,497 --> 01:10:37,965 I AM MOVED. 1329 01:10:38,000 --> 01:10:40,468 I AM GREATLY MOVED... 1330 01:10:40,503 --> 01:10:42,036 AS A MAN... 1331 01:10:43,839 --> 01:10:45,539 AS A WIDOWER... 1332 01:10:48,344 --> 01:10:49,710 AS A PARENT. 1333 01:10:53,349 --> 01:10:55,650 TO PARENTS AND GUARDIANS, 1334 01:10:55,685 --> 01:10:58,652 THE ELIGIBLE OPPORTUNITY NOW OFFERS 1335 01:10:58,688 --> 01:11:02,757 FOR UNITING THE BEST PRACTICAL ARCHITECTURAL EDUCATION 1336 01:11:02,792 --> 01:11:04,091 WITH THE COMF-- 1337 01:11:04,126 --> 01:11:05,993 NO! NO, NO. 1338 01:11:06,028 --> 01:11:06,994 [MEN LAUGH] 1339 01:11:07,029 --> 01:11:08,529 NO, WAIT! 1340 01:11:08,564 --> 01:11:09,530 [LAUGHTER CONTINUES] 1341 01:11:09,565 --> 01:11:11,866 Pecksniff: NO. UH... 1342 01:11:11,901 --> 01:11:14,067 I AM MOVED. 1343 01:11:15,471 --> 01:11:19,906 BUT DO NOT REPINE FOR ME. 1344 01:11:21,244 --> 01:11:22,710 DO NOT... 1345 01:11:23,846 --> 01:11:25,912 WEEP FOR ME, MY FRIENDS. 1346 01:11:30,319 --> 01:11:32,453 IT IS... 1347 01:11:32,488 --> 01:11:33,921 CHRONIC. 1348 01:11:37,827 --> 01:11:38,859 AAH! 1349 01:11:38,894 --> 01:11:40,560 OH! 1350 01:11:40,596 --> 01:11:42,063 STAND BACK THERE. 1351 01:11:42,098 --> 01:11:44,264 GIVE THE MAN ROOM TO BREATHE. 1352 01:11:44,300 --> 01:11:46,667 HERE. LET ME LOOSEN HIS COLLAR. 1353 01:11:46,702 --> 01:11:48,202 Mercy: OH, PA. 1354 01:11:48,237 --> 01:11:50,571 SPEAK TO US. PA! 1355 01:11:50,606 --> 01:11:52,506 HOW ARE YOU, SIR? 1356 01:11:52,542 --> 01:11:53,874 MOVED. 1357 01:11:56,212 --> 01:11:59,646 MUCH MOVED. 1358 01:12:02,151 --> 01:12:04,317 IT IS CHRONIC. 1359 01:12:06,422 --> 01:12:09,356 [SNORES] 1360 01:12:09,392 --> 01:12:11,192 Charity: PA! [GRUNTS] 1361 01:12:11,227 --> 01:12:13,260 PA, WAKE UP. 1362 01:12:13,296 --> 01:12:14,962 Mercy: DO YOU HEAR US, PA? 1363 01:12:14,997 --> 01:12:18,566 GO AWAY. I AM INDISPOSED. 1364 01:12:18,601 --> 01:12:21,035 PA, THERE'S A LETTER COME FOR YOU. 1365 01:12:22,971 --> 01:12:24,638 SPECIAL DELIVERY! 1366 01:12:28,077 --> 01:12:31,011 [GROANING] 1367 01:12:36,752 --> 01:12:38,519 GIVE ME THE LETTER. 1368 01:12:48,731 --> 01:12:51,231 [READS TO HIMSELF] 1369 01:12:51,266 --> 01:12:52,566 THIS MORNING! 1370 01:12:52,602 --> 01:12:53,967 WHAT IS IT, PA? 1371 01:12:54,003 --> 01:12:56,469 FETCH ME A PINT OF COFFEE, 1372 01:12:56,505 --> 01:12:58,204 HOT AND STRONG. 1373 01:12:59,442 --> 01:13:01,041 GO! 1374 01:13:10,686 --> 01:13:13,920 Pecksniff: THE LETTER WHICH SUMMONED ME TO LONDON 1375 01:13:13,956 --> 01:13:15,923 WAS IN FACT FROM HIM, 1376 01:13:15,958 --> 01:13:18,392 INTIMATING I COMMUNICATE MY ADDRESS 1377 01:13:18,428 --> 01:13:20,294 VIA THE GENERAL POST OFFICE. 1378 01:13:20,329 --> 01:13:22,796 HOW HE HAS COME TO CHANGE SO MUCH 1379 01:13:22,831 --> 01:13:25,800 IN HIS ATTITUDE TO US, WE NEED NOT INQUIRE. 1380 01:13:25,835 --> 01:13:28,168 WE SHALL NOT BE PROUD... 1381 01:13:28,203 --> 01:13:29,769 OR RESENTFUL... 1382 01:13:31,474 --> 01:13:33,140 OR UNFORGIVING. 1383 01:13:35,477 --> 01:13:37,177 AND IF WE CAN BE THE MEANS 1384 01:13:37,212 --> 01:13:39,946 OF RECONCILING HIM TO HIS GRANDSON, 1385 01:13:39,982 --> 01:13:42,416 THAT WILL BE ITS OWN REWARD... 1386 01:13:43,886 --> 01:13:44,718 EH, MY DEARS? 1387 01:13:56,498 --> 01:13:58,732 OLD GENTLEMAN TO SEE YOU, MR. PECKSNIFF. 1388 01:14:05,507 --> 01:14:07,507 GOOD MORNING, PECKSNIFF. 1389 01:14:09,511 --> 01:14:11,144 MR. CHUZZLEWIT! 1390 01:14:12,248 --> 01:14:14,114 PARDON ME, MY DEAR SIR, 1391 01:14:14,150 --> 01:14:16,883 I WAS QUITE LOST IN DR. WATTS' MORAL SONGS, 1392 01:14:16,919 --> 01:14:20,120 ONE OF MY FAVORITE WORKS. 1393 01:14:20,155 --> 01:14:23,090 PRAY, SIT DOWN. 1394 01:14:25,094 --> 01:14:26,693 THANK YOU. 1395 01:14:32,468 --> 01:14:34,167 THAT WILL BE ALL, BAILEY. 1396 01:14:41,977 --> 01:14:44,377 ARE YOU UNWELL, PECKSNIFF? 1397 01:14:44,413 --> 01:14:46,413 NO. NO, IT IS NOTHING. 1398 01:14:46,448 --> 01:14:49,016 JUST A TOUCH OF NEURALGIA 1399 01:14:49,051 --> 01:14:51,918 TO WHICH I AM CONSTITUTIONALLY PRONE IN DAMP WEATHER. 1400 01:14:51,953 --> 01:14:54,254 BUT YOU, MR. CHUZZLEWIT, 1401 01:14:54,290 --> 01:14:57,590 I REJOICE TO SEE THAT YOU ARE QUITE RECOVERED. 1402 01:14:57,626 --> 01:14:59,759 I AM VERY WELL, THANK YOU. 1403 01:14:59,795 --> 01:15:05,398 I FANCY MY MALADY WAS MORE OF THE MIND THAN THE BODY. 1404 01:15:05,434 --> 01:15:07,133 AND YOUR DAUGHTERS? 1405 01:15:07,169 --> 01:15:10,137 THEY ARE VERY WELL, I'M GLAD TO SAY. 1406 01:15:10,172 --> 01:15:12,639 I SHOULD LIKE TO MEET THEM. 1407 01:15:12,674 --> 01:15:14,675 ARE THEY NEAR AT HAND? 1408 01:15:15,811 --> 01:15:16,977 Pecksniff: INDEED. 1409 01:15:24,620 --> 01:15:27,520 MY OWN DARLINGS, WHERE ARE YOU? 1410 01:15:27,556 --> 01:15:30,357 HERE, MY DEAR PAPA. 1411 01:15:30,393 --> 01:15:33,093 COME INTO THE DRAWING ROOM IF YOU PLEASE, MY DEAR. 1412 01:15:33,128 --> 01:15:35,596 AND BRING YOUR SISTER WITH YOU. 1413 01:15:38,366 --> 01:15:42,168 IT WAS GOOD OF YOU TO COME TO LONDON AT MY REQUEST, 1414 01:15:42,204 --> 01:15:45,738 AND, I NEED HARDLY ADD, AT MY COST. 1415 01:15:45,774 --> 01:15:48,509 AT YOUR COST, SIR. 1416 01:15:48,544 --> 01:15:52,813 IT IS NOT MY HABIT TO PUT MY RELATIVES TO ANY PERSONAL EXPENSE 1417 01:15:52,848 --> 01:15:55,883 TO GRATIFY MY CAPRICES. 1418 01:15:55,918 --> 01:15:58,118 OH, I HARDLY THINK YOU WOULD INDULGE 1419 01:15:58,154 --> 01:16:00,187 IN CAPRICES, MR. CHUZZLEWIT. 1420 01:16:00,222 --> 01:16:01,655 NO, YOU ARE RIGHT. 1421 01:16:01,690 --> 01:16:04,157 I AM NOT A CAPRICIOUS MAN. 1422 01:16:04,192 --> 01:16:06,559 I NEVER WAS. 1423 01:16:06,595 --> 01:16:09,062 AH, HERE ARE YOUR DAUGHTERS. 1424 01:16:09,098 --> 01:16:13,033 MR. CHUZZLEWIT HAS DONE US THE HONOR OF A VISIT, MY DEARS. 1425 01:16:14,603 --> 01:16:18,071 CHARITY AND MERCY, MY DEAR SIR. 1426 01:16:18,107 --> 01:16:19,673 MR. CHUZZLEWIT. 1427 01:16:19,708 --> 01:16:23,476 PERHAPS YOU HAD BETTER WRITE YOUR NAMES DOWN FOR MR. CHUZZLEWIT. 1428 01:16:23,512 --> 01:16:26,913 YOUR HUMBLE AUTOGRAPHS ARE OF NO VALUE IN THEMSELVES, 1429 01:16:26,948 --> 01:16:30,250 BUT FAMILY AFFECTION MAY PRIZE THEM. 1430 01:16:30,285 --> 01:16:32,819 YOU NEED NOT TROUBLE YOURSELVES, GIRLS. 1431 01:16:32,855 --> 01:16:36,590 I SHALL NOT FORGET CHARITY AND MERCY. 1432 01:16:38,293 --> 01:16:42,362 I FEAR I WAS SOMEWHAT LACKING IN BOTH VIRTUES WHEN WE LAST MET. 1433 01:16:42,398 --> 01:16:45,365 OH, MY NOBLE SIR, SAY NOTHING MORE OF IT. 1434 01:16:45,400 --> 01:16:48,369 YOU WERE UNWELL. YOU WERE NOT YOURSELF. 1435 01:16:48,404 --> 01:16:51,371 DID I NOT SAY, MY DEARS, AT THE TIME, 1436 01:16:51,407 --> 01:16:53,373 "HE KNOWS NOT WHAT HE DOES"? 1437 01:16:53,408 --> 01:16:54,774 OH, YES, PAPA. OH, YES, PAPA. 1438 01:16:54,810 --> 01:16:58,611 THAT WAS GENEROUS OF YOU, COUSIN. 1439 01:16:58,647 --> 01:17:03,250 AND IT WAS GENEROUS OF YOU TO DRAW OFF THAT HERD OF HARPIES FROM ME 1440 01:17:03,285 --> 01:17:05,618 AND BE THEIR VICTIM YOURSELF. 1441 01:17:05,654 --> 01:17:07,054 HARPIES, SIR? 1442 01:17:07,089 --> 01:17:10,057 MY RELATIVES. YOU FELT FOR ME 1443 01:17:10,092 --> 01:17:12,726 AND DREW THEM OFF WHILE I MADE MY ESCAPE, 1444 01:17:12,762 --> 01:17:15,662 FOR WHICH I OWE YOU MANY THANKS. 1445 01:17:15,698 --> 01:17:17,063 OH, BUT-- NO. SH-- 1446 01:17:17,099 --> 01:17:19,199 IT WAS NOTHING, SIR. 1447 01:17:21,937 --> 01:17:24,337 DO YOU EVER SIT DOWN, PECKSNIFF? 1448 01:17:25,941 --> 01:17:29,376 WHY...YES...SIR, 1449 01:17:29,411 --> 01:17:30,377 OCCASIONALLY. 1450 01:17:30,412 --> 01:17:33,380 WILL YOU SIT DOWN NOW... 1451 01:17:33,416 --> 01:17:35,381 AND YOUR GIRLS, TOO? 1452 01:17:38,420 --> 01:17:39,486 SIT. 1453 01:17:45,961 --> 01:17:48,928 CAN YOU ASK US, DEAR MR. CHUZZLEWIT, 1454 01:17:48,964 --> 01:17:53,634 WHETHER WE WILL DO ANYTHING THAT YOU DESIRE? 1455 01:17:53,669 --> 01:17:56,937 ON THAT EARLIER OCCASION, 1456 01:17:56,972 --> 01:18:01,407 YOU SPOKE TO ME ON BEHALF OF A YOUNG RELATIVE OF MINE. 1457 01:18:02,478 --> 01:18:04,945 QUITE DISINTERESTEDLY, I ASSURE YOU. 1458 01:18:04,980 --> 01:18:07,414 I DO NOT DOUBT IT. 1459 01:18:08,850 --> 01:18:12,785 THE YOUNG MAN HAS SINCE JOINED YOUR HOUSEHOLD, I BELIEVE. 1460 01:18:12,821 --> 01:18:15,689 THAT IS TRUE. YES. 1461 01:18:15,724 --> 01:18:18,925 I FEAR HE HAS DECEIVED YOU... 1462 01:18:20,061 --> 01:18:22,462 AS HE DECEIVED ME. 1463 01:18:22,498 --> 01:18:24,063 IN WHAT WAY? 1464 01:18:25,334 --> 01:18:27,201 CLEARLY YOU ARE UNAWARE 1465 01:18:27,236 --> 01:18:30,637 THAT HE HAS ALREADY MADE HIS MATRIMONIAL CHOICE. 1466 01:18:30,673 --> 01:18:33,807 OHH, NOT WITHOUT HIS GRANDFATHER'S CONSENT AND APPROBATION? 1467 01:18:33,842 --> 01:18:35,475 YOU CANNOT MEAN THAT. 1468 01:18:35,511 --> 01:18:39,579 IN THE TEETH OF MY EXPRESS DISAPPROVAL. 1469 01:18:39,615 --> 01:18:42,415 SHE IS SOMEONE QUITE UNSUITABLE. 1470 01:18:42,852 --> 01:18:44,417 OHH. 1471 01:18:44,452 --> 01:18:47,787 HAVE I NOURISHED SUCH A VIPER IN MY BOSOM? 1472 01:18:47,822 --> 01:18:50,891 HAVE I UNWITTINGLY EXPOSED MY INNOCENT DAUGHTERS 1473 01:18:50,926 --> 01:18:54,161 TO HIS...CONTAMINATION? 1474 01:18:54,196 --> 01:18:56,296 I'M AFRAID YOU HAVE. 1475 01:18:56,332 --> 01:18:58,198 YOU MUST EXPEL HIM. 1476 01:18:58,233 --> 01:19:00,833 CONSIDER IT DONE! 1477 01:19:00,869 --> 01:19:03,370 [PIECES DROP] 1478 01:19:03,405 --> 01:19:06,572 THERE IS ANOTHER FAVOR I HAVE TO ASK YOU. 1479 01:19:06,608 --> 01:19:11,411 ASK, MY DEAR SIR, ASK AWAY. 1480 01:19:11,447 --> 01:19:13,413 DO YOU REMEMBER MARY GRAHAM? 1481 01:19:14,483 --> 01:19:15,815 OH, INDEED. 1482 01:19:15,851 --> 01:19:18,618 THE YOUNG LADY I MENTIONED TO YOU, MY DEARS, 1483 01:19:18,654 --> 01:19:21,955 AS HAVING INTERESTED ME SO VERY MUCH. 1484 01:19:21,990 --> 01:19:24,925 SILLY GIRLS, THEY WERE QUITE MOVED BY HER HISTORY. 1485 01:19:24,960 --> 01:19:26,959 I'M CONCERNED ABOUT HER. 1486 01:19:26,995 --> 01:19:29,396 IT'S A HARD LIFE FOR A YOUNG WOMAN 1487 01:19:29,431 --> 01:19:32,165 LOOKING AFTER A CRUSTY OLD MAN LIKE ME, 1488 01:19:32,201 --> 01:19:34,333 WITH NO FEMALE SOCIETY, 1489 01:19:34,369 --> 01:19:36,703 NO PERMANENT HOME. 1490 01:19:38,006 --> 01:19:40,974 OH, MY DEAR SIR, SAY NO MORE. 1491 01:19:41,010 --> 01:19:44,611 CONSIDER MY HUMBLE ABODE YOUR OWN. 1492 01:19:44,646 --> 01:19:46,647 VISIT US WHENEVER YOU PLEASE. 1493 01:19:46,682 --> 01:19:48,780 ARE YOU SINCERE? 1494 01:19:48,816 --> 01:19:50,115 OH... 1495 01:19:51,484 --> 01:19:54,152 YOU WOULD RECEIVE HER COURTEOUSLY, YOUNG LADIES, 1496 01:19:54,187 --> 01:19:56,154 AND BE KIND TO HER? 1497 01:19:56,190 --> 01:19:58,923 OF COURSE WE SHOULD, MR. CHUZZLEWIT. 1498 01:19:58,958 --> 01:20:01,659 I AM DYING TO MEET HER. 1499 01:20:01,695 --> 01:20:04,495 THEN I ACCEPT YOUR GENEROUS OFFER. 1500 01:20:06,299 --> 01:20:08,767 I AM... 1501 01:20:08,802 --> 01:20:10,468 OVERJOYED. 1502 01:20:12,606 --> 01:20:18,076 WILL YOU HAVE A GLASS OF THIS PORT WINE, MR. CHUZZLEWIT, 1503 01:20:18,111 --> 01:20:20,579 AND A MORSEL OF THIS HOMELY CAKE? 1504 01:20:20,614 --> 01:20:21,612 THANK YOU. 1505 01:20:27,788 --> 01:20:32,657 IT MAY BE SOME LITTLE WHILE BEFORE MARY AND I CAN VISIT YOU. 1506 01:20:32,692 --> 01:20:36,561 I FEAR YOU WILL BE SUBJECTED TO MUCH CALUMNY 1507 01:20:36,596 --> 01:20:38,329 FROM THE REST OF THE FAMILY 1508 01:20:38,365 --> 01:20:42,433 WHEN OUR NEW RELATIONSHIP BECOMES KNOWN. 1509 01:20:42,469 --> 01:20:44,369 WE SHALL NOT CARE, SIR. 1510 01:20:44,404 --> 01:20:48,373 THEY WILL SAY THAT, TO PUNISH MY GRANDSON FOR HIS INGRATITUDE, 1511 01:20:48,408 --> 01:20:50,675 AND THEMSELVES FOR THEIR GREED, 1512 01:20:50,711 --> 01:20:54,680 THAT I CHOSE FROM AMONG THEM THE VERY WORST 1513 01:20:54,715 --> 01:20:58,249 AND PAMPERED AND ENRICHED HIM 1514 01:20:58,284 --> 01:21:00,651 AT THE COST OF ALL THE REST. 1515 01:21:01,955 --> 01:21:03,588 CAN YOU BEAR THAT? 1516 01:21:07,695 --> 01:21:11,963 OH, MY--MY DEAR MR. CHUZZLEWIT, 1517 01:21:11,998 --> 01:21:16,934 FOR A MAN SUCH AS YOU HAVE SHOWN YOURSELF TO BE THIS DAY, 1518 01:21:16,970 --> 01:21:19,905 FOR A MAN SO... 1519 01:21:21,842 --> 01:21:23,942 UH... 1520 01:21:23,977 --> 01:21:26,444 I--I AM AT A LOSS... 1521 01:21:26,479 --> 01:21:29,080 TO KNOW WHAT PRECISE TERM TO USE. 1522 01:21:29,116 --> 01:21:32,984 FOR SUCH A MAN, I AND MY DAUGHTERS, 1523 01:21:33,020 --> 01:21:36,020 WOULD BEAR ANYTHING WHATEVER. 1524 01:21:37,590 --> 01:21:39,557 I THANK YOU... 1525 01:21:39,592 --> 01:21:42,427 FROM THE BOTTOM OF MY HEART. 1526 01:21:45,933 --> 01:21:48,300 I LITTLE THOUGHT A MONTH AGO 1527 01:21:48,335 --> 01:21:51,937 THAT I SHOULD BE BREAKING BREAD AND POURING WINE... 1528 01:21:53,273 --> 01:21:54,739 [CHUCKLES] 1529 01:21:54,774 --> 01:21:56,607 WITH YOU. 1530 01:21:56,643 --> 01:21:57,809 HA HA HA. 1531 01:21:57,845 --> 01:22:00,111 [LAUGHS] 1532 01:22:00,146 --> 01:22:01,546 [LAUGHING] 1533 01:22:06,720 --> 01:22:07,451 BYE-BYE! 1534 01:22:07,487 --> 01:22:08,553 SEE YOU SOON! 1535 01:22:08,589 --> 01:22:10,255 BYE! BYE! 1536 01:22:12,059 --> 01:22:14,659 GOOD-BYE, MR. CHUZZLEWIT! 1537 01:22:14,694 --> 01:22:16,527 GOOD-BYE! 1538 01:22:19,466 --> 01:22:22,300 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org-- 1539 01:23:23,462 --> 01:23:24,428 [MUSIC PLAYING] 1540 01:24:06,772 --> 01:24:09,172 [KNOCK ON DOOR] COME IN! 1541 01:24:10,375 --> 01:24:14,044 GENTLEMAN DOWNSTAIRS FOR MISS CHARITY PECKSNIFF. 1542 01:24:14,079 --> 01:24:16,246 FOR ME? 1543 01:24:16,282 --> 01:24:17,714 OH, MY GRACIOUS. 1544 01:24:17,749 --> 01:24:19,650 AH, WOULDN'T I BE GRACIOUS, NEITHER. 1545 01:24:20,819 --> 01:24:22,585 NOT IF I WAS HIM. HA! 1546 01:24:22,621 --> 01:24:25,188 OH, DON'T BE ABSURD, BAILEY. 1547 01:24:25,224 --> 01:24:29,259 I--I DON'T KNOW ANY GENTLEMEN IN LONDON. 1548 01:24:29,295 --> 01:24:30,961 THERE MUST BE SOME MISTAKE. 1549 01:24:30,996 --> 01:24:32,128 DON'T YOU THINK SO, MERRY? 1550 01:24:32,164 --> 01:24:33,663 OBVIOUSLY. 1551 01:24:34,867 --> 01:24:37,700 YOU NEED NOT BE QUITE SO POSITIVE, MERRY. 1552 01:24:37,736 --> 01:24:40,437 YOU NEED NOT PRESUME YOU ARE THE ONLY PERSON IN THE WORLD 1553 01:24:40,473 --> 01:24:43,373 TO ATTRACT THE ATTENTION OF GENTLEMEN. 1554 01:24:43,408 --> 01:24:45,876 I WILL SEE THE VISITOR. 1555 01:24:45,911 --> 01:24:48,145 SHOW HIM INTO THE DRAWING ROOM. 1556 01:24:51,016 --> 01:24:52,415 AHEM! 1557 01:24:56,488 --> 01:24:58,588 AH. COUSIN. 1558 01:24:59,691 --> 01:25:01,725 HERE I AM, YOU SEE. 1559 01:25:01,760 --> 01:25:03,860 HOW DO YOU FIND YOURSELF? 1560 01:25:03,896 --> 01:25:05,962 QUITE WELL, THANK YOU. 1561 01:25:05,998 --> 01:25:07,798 AND HOW'S THE OTHER ONE? 1562 01:25:07,833 --> 01:25:09,766 WELL, I BELIEVE. 1563 01:25:09,801 --> 01:25:12,502 HMM. DID YOU THINK I WAS LOST 1564 01:25:12,537 --> 01:25:13,871 SINCE WE LAST MET? 1565 01:25:13,906 --> 01:25:16,506 I DIDN'T THINK ABOUT YOU AT ALL. 1566 01:25:16,541 --> 01:25:17,840 AH, HEH HEH HEH. 1567 01:25:17,876 --> 01:25:19,843 AND WHAT ABOUT THE OTHER ONE? 1568 01:25:19,879 --> 01:25:22,646 I'M SURE I DON'T KNOW. WOULD YOU LIKE TO ASK HER YOURSELF? 1569 01:25:22,681 --> 01:25:25,082 NO. THERE'S NO CAUSE FOR THAT. 1570 01:25:25,117 --> 01:25:26,783 SIT DOWN. 1571 01:25:28,654 --> 01:25:30,721 SHE'D ONLY LAUGH AT ME, ANYWAY. 1572 01:25:30,756 --> 01:25:33,456 SHE'S A TERROR FOR LAUGHING, ISN'T SHE? 1573 01:25:33,492 --> 01:25:36,026 MERCY IS RATHER LIVELY. HA HA HA. 1574 01:25:36,061 --> 01:25:38,561 WELL, LIVELINESS CAN BE A PLEASANT THING... 1575 01:25:38,597 --> 01:25:41,698 WHEN IT DON'T NEED SPENDING MONEY. 1576 01:25:41,734 --> 01:25:44,100 THAT'S YOUR KIND OF LIVELINESS, I THINK. 1577 01:25:44,135 --> 01:25:45,268 HA HA HA. 1578 01:25:45,304 --> 01:25:47,271 I SHOULD HAVE CALLED ON YOU BEFORE, 1579 01:25:47,306 --> 01:25:49,439 BUT, UM... I DIDN'T KNOW WHERE YOU WERE STAYING 1580 01:25:49,474 --> 01:25:51,641 TILL I HAPPENED TO MEET YOUR PA IN THE STREET THIS MORNING. 1581 01:25:51,676 --> 01:25:54,377 WHAT A SLEEK, SLY CHAP HE IS. 1582 01:25:54,413 --> 01:25:56,046 BIT LIKE A TOMCAT, AIN'T HE? 1583 01:25:56,081 --> 01:25:58,215 REALLY, MR. JONAS, I CANNOT ALLOW YOU 1584 01:25:58,250 --> 01:26:00,384 TO SPEAK OF MY FATHER SO... 1585 01:26:00,419 --> 01:26:02,285 DISRESPECTFULLY, EVEN IN JEST. 1586 01:26:02,321 --> 01:26:05,889 ECOD! YOU CAN SAY WHAT YOU LIKE OF MY FATHER. 1587 01:26:05,925 --> 01:26:07,891 I THINK IT'S LIQUID AGGRAVATION 1588 01:26:07,926 --> 01:26:10,627 THAT RUNS THROUGH HIS VEINS, NOT REGULAR BLOOD. 1589 01:26:10,662 --> 01:26:12,929 HOW OLD SHOULD YOU THINK HE WAS? 1590 01:26:14,833 --> 01:26:17,033 WELL...I REALLY COULDN'T SAY. UH-- 1591 01:26:17,069 --> 01:26:18,802 80! INDEED? 1592 01:26:18,837 --> 01:26:20,203 HMM. 1593 01:26:20,239 --> 01:26:21,938 OH, A FINE OLD AGE. 1594 01:26:21,974 --> 01:26:24,575 FINE OLD AGE? WHERE'S HIS RELIGION, I'D LIKE TO KNOW, 1595 01:26:24,610 --> 01:26:26,543 WHEN HE FLIES IN THE FACE OF THE BIBLE LIKE THAT? 1596 01:26:26,578 --> 01:26:28,511 3 SCORE AND 10-- THAT'S THE MARK. 1597 01:26:28,546 --> 01:26:31,047 AND NO MAN WITH A CONSCIENCE AND A PROPER SENSE OF DUTY 1598 01:26:31,083 --> 01:26:33,250 HAS ANY RIGHT TO LIVE ANY LONGER. 1599 01:26:33,285 --> 01:26:34,751 [LAUGHING] OH. TUT, TUT. 1600 01:26:34,786 --> 01:26:36,953 [SNORTS] OH. 1601 01:26:36,988 --> 01:26:39,489 YES, WELL... 1602 01:26:39,525 --> 01:26:41,491 ENOUGH OF HIM. 1603 01:26:41,526 --> 01:26:43,960 I CALLED ROUND TO SEE IF YOU WOULD LIKE TO... 1604 01:26:43,995 --> 01:26:45,829 TAKE A WALK... 1605 01:26:45,864 --> 01:26:48,031 SEE SOME OF THE SIGHTS... 1606 01:26:48,066 --> 01:26:51,367 COME BACK TO OUR HOUSE AFTERWARDS AND... 1607 01:26:51,403 --> 01:26:53,603 HAVE A BIT OF SOMETHING. 1608 01:26:54,440 --> 01:26:55,906 PECKSNIFF WILL... 1609 01:26:55,941 --> 01:26:59,075 COME ROUND LATER AND BRING YOU HOME. 1610 01:26:59,110 --> 01:27:01,311 HERE'S HIS NOTE. 1611 01:27:01,346 --> 01:27:03,647 YOU'LL BRING THE OTHER ONE, YOU KNOW, 1612 01:27:03,682 --> 01:27:05,115 FOR APPEARANCES' SAKE. 1613 01:27:06,885 --> 01:27:08,618 MM. 1614 01:27:08,653 --> 01:27:10,120 [VENDOR YELLS] 1615 01:27:13,291 --> 01:27:14,991 [VENDOR YELLS] 1616 01:27:17,062 --> 01:27:18,528 [GIGGLING] 1617 01:27:19,765 --> 01:27:22,199 I DECLARE, I CAN'T WALK ANOTHER STEP. 1618 01:27:22,234 --> 01:27:24,368 YOU'RE ALWAYS COMPLAINING, MERRY. 1619 01:27:24,403 --> 01:27:25,969 CAN'T WE TAKE A CAB? 1620 01:27:26,004 --> 01:27:29,439 YOU DON'T WANT TO WASTE MONEY ON CABS. 1621 01:27:29,474 --> 01:27:31,775 YOU SEE THE SIGHTS BETTER ON FOOT. 1622 01:27:32,211 --> 01:27:33,776 WHAT SIGHTS? 1623 01:27:33,811 --> 01:27:36,079 ANYWAY, WE'RE NEARLY THERE. 1624 01:27:36,114 --> 01:27:37,547 JUST ALONG HERE. 1625 01:27:53,131 --> 01:27:55,432 THIS IS YOUR HOME? 1626 01:27:55,467 --> 01:27:58,434 YES. WE LIVE ABOVE THE SHOP, YOU MIGHT SAY. 1627 01:27:58,470 --> 01:27:59,769 SHALL WE GO IN? 1628 01:27:59,804 --> 01:28:01,738 [BELL TOLLING] 1629 01:28:03,108 --> 01:28:04,474 CHUZZLEWIT. 1630 01:28:04,509 --> 01:28:06,610 WHAT THE DEVIL DO YOU WANT? 1631 01:28:06,645 --> 01:28:07,811 I NEED TO TALK TO YOU. 1632 01:28:07,846 --> 01:28:09,479 NOT NOW. CAN'T YOU SEE I'VE GOT COMPANY? 1633 01:28:09,514 --> 01:28:11,414 WHEN, THEN? 1634 01:28:11,449 --> 01:28:13,516 TOMORROW AT THE TAVERN. 1635 01:28:13,552 --> 01:28:14,751 USUAL TIME. 1636 01:28:14,786 --> 01:28:16,552 DON'T FORGET TO BRING THE MONEY. 1637 01:28:16,588 --> 01:28:17,888 THAT'S WHAT I WANTED TO-- 1638 01:28:24,062 --> 01:28:25,295 [DOOR OPENS] 1639 01:28:33,638 --> 01:28:35,404 HERE, YOU, UM... 1640 01:28:35,440 --> 01:28:38,041 SIT ON MY RIGHT SIDE, COUSIN. 1641 01:28:38,076 --> 01:28:40,509 AND I'LL HAVE THE OTHER ONE ON MY LEFT. 1642 01:28:40,545 --> 01:28:42,279 WILL YOU COME HERE, OTHER ONE? 1643 01:28:42,314 --> 01:28:43,380 Maid: AHEM, AHEM. 1644 01:28:43,415 --> 01:28:45,181 I SUPPOSE I MUST, 1645 01:28:45,217 --> 01:28:47,217 THOUGH YOU'RE ENOUGH TO TAKE AWAY ONE'S APPETITE. 1646 01:28:47,252 --> 01:28:48,818 HA HA. AIN'T SHE LIVELY? 1647 01:28:48,853 --> 01:28:50,854 I REALLY DON'T KNOW. I'M SICK AND TIRED 1648 01:28:50,889 --> 01:28:53,556 OF BEING ASKED SUCH RIDICULOUS QUESTIONS. 1649 01:28:53,591 --> 01:28:55,892 WHAT'S MY AGGRAVATING FATHER DOING NOW? 1650 01:28:55,927 --> 01:28:58,328 I LOST ME GLASSES, JONAS. 1651 01:28:58,363 --> 01:29:00,363 [SIGHS] WELL, SIT DOWN WITHOUT THEM. 1652 01:29:00,399 --> 01:29:04,800 YOU DON'T NEED YOUR GLASSES TO EAT AND DRINK. 1653 01:29:04,836 --> 01:29:08,338 AND WHERE'S THAT OLD CHUFFEY? 1654 01:29:08,373 --> 01:29:10,773 CHUFFEY! 1655 01:29:21,420 --> 01:29:24,387 Jonas: OUR CLERK-- OLD CHUFFEY. 1656 01:29:25,824 --> 01:29:28,358 [WINE POURING] 1657 01:29:28,393 --> 01:29:29,659 IS HE BLIND? 1658 01:29:29,694 --> 01:29:31,227 NO. 1659 01:29:31,262 --> 01:29:33,363 I DON'T THINK HE'S BLIND. IS HE, FATHER? 1660 01:29:33,398 --> 01:29:37,433 CERTAINLY NOT. 1661 01:29:37,469 --> 01:29:40,070 IS HE DEAF? 1662 01:29:40,105 --> 01:29:42,038 NO, I DON'T KNOW THAT HE'S DEAF. 1663 01:29:42,073 --> 01:29:43,939 WELL, WHAT IS HE, THEN? 1664 01:29:43,975 --> 01:29:47,277 WELL, HE'S PRECIOUS OLD, I'LL TELL YOU THAT. 1665 01:29:47,312 --> 01:29:50,947 I THINK MY FATHER MUST HAVE CAUGHT IT OFF HIM. 1666 01:29:50,983 --> 01:29:53,516 AND HE DON'T UNDERSTAND HARDLY ANYONE 1667 01:29:53,551 --> 01:29:55,051 EXCEPT HIM. 1668 01:29:56,588 --> 01:29:58,321 [SIGHS] 1669 01:29:58,357 --> 01:30:00,656 HE'S BEEN A BOOKKEEPER ALL HIS LIFE. 1670 01:30:00,692 --> 01:30:02,625 HA HA HA HA. 1671 01:30:02,660 --> 01:30:04,527 [SIGHING] OH. 1672 01:30:04,562 --> 01:30:07,263 20 YEARS AGO, 1673 01:30:07,299 --> 01:30:09,466 HE WENT AND TOOK A FEVER. 1674 01:30:09,501 --> 01:30:11,767 AND ALL THE TIME THAT HE WAS ILL, 1675 01:30:11,803 --> 01:30:14,003 HE NEVER LEFT OFF ADDING UP. 1676 01:30:14,039 --> 01:30:16,439 AND HE GOT TO SO MANY MILLIONS AT LAST 1677 01:30:16,474 --> 01:30:20,610 THAT I DON'T THINK HE'S EVER BEEN QUITE RIGHT IN THE HEAD SINCE. 1678 01:30:20,646 --> 01:30:23,112 HELP YOURSELVES TO VEGETABLES. 1679 01:30:24,816 --> 01:30:26,816 AREN'T YOU GOING TO SERVE HIM? 1680 01:30:26,851 --> 01:30:29,319 WELL, HE'LL EAT WHEN HE'S HELPED. 1681 01:30:29,354 --> 01:30:32,922 HE DON'T MIND IF HE WAITS A MINUTE OR AN HOUR. HA HA. 1682 01:30:32,957 --> 01:30:35,525 AND WHEN I'M SHARP SET, LIKE I AM TODAY, 1683 01:30:35,560 --> 01:30:39,129 I COME TO HIM AFTER I'VE TAKEN THE EDGE OFF MY APPETITE. 1684 01:30:39,164 --> 01:30:40,263 HA HA. 1685 01:30:42,200 --> 01:30:45,168 ARE YOU READY FOR YOUR DINNER, CHUFFEY? 1686 01:30:46,939 --> 01:30:48,538 ASK HIM, WILL YOU, FATHER? 1687 01:30:49,975 --> 01:30:53,576 ARE YOU READY FOR YOUR DINNER, CHUFFEY?! 1688 01:30:53,612 --> 01:30:57,213 YES, YES. QUITE READY, MR. CHUZZLEWIT. 1689 01:30:57,248 --> 01:30:58,648 QUITE READY, SIR. 1690 01:30:58,683 --> 01:31:01,351 ALL READY. ALL READY. ALL READY. 1691 01:31:01,386 --> 01:31:03,819 HE'LL BE MOST DISAGREEABLE. HA HA HA. 1692 01:31:03,855 --> 01:31:05,988 HE NORMALLY CHOKES IF IT AIN'T BROTH. 1693 01:31:06,024 --> 01:31:07,957 HA HA HA! HA HA! 1694 01:31:07,992 --> 01:31:10,493 DID YOU EVER SEE SUCH A WALLEYED EXPRESSION 1695 01:31:10,529 --> 01:31:11,728 AS HE'S GOT? 1696 01:31:11,763 --> 01:31:13,997 I WASN'T GONNA LET HIM COME TODAY, 1697 01:31:14,032 --> 01:31:16,366 BUT I THOUGHT HE MIGHT AMUSE YOU. 1698 01:31:16,401 --> 01:31:18,368 EH, HE'S BETTER THAN THE WAXWORKS, 1699 01:31:18,403 --> 01:31:20,736 AND NO CHARGE FOR ADMISSION. HA HA! 1700 01:31:20,772 --> 01:31:22,538 HA HA! 1701 01:31:22,574 --> 01:31:25,175 HA HA HA! 1702 01:31:25,210 --> 01:31:27,410 HA HA! UHH! 1703 01:31:27,446 --> 01:31:30,413 THEY RETURN TOMORROW MORNING BY THE OVERNIGHT COACH. 1704 01:31:30,448 --> 01:31:31,714 INDEED? 1705 01:31:31,749 --> 01:31:34,016 MR. PECKSNIFF WISHES TO BE MET AT THE CROSSROADS 1706 01:31:34,052 --> 01:31:36,219 WITH THE GIG AND A CART FOR THE LUGGAGE... 1707 01:31:36,254 --> 01:31:37,620 AT 6:00. 1708 01:31:37,655 --> 01:31:39,889 YOU NEED NOT COME WITH ME. 1709 01:31:39,925 --> 01:31:41,257 NO. 1710 01:31:41,292 --> 01:31:43,326 I'LL KEEP YOU COMPANY. 1711 01:31:43,361 --> 01:31:45,662 THAT'S VERY KIND. 1712 01:31:45,697 --> 01:31:48,131 YOU'RE AN HONEST FELLOW, TOM. 1713 01:31:48,166 --> 01:31:50,100 YOU KNOW, WHEN I'M A FAMOUS ARCHITECT, 1714 01:31:50,135 --> 01:31:51,601 I'M GOING TO TAKE YOU INTO MY EMPLOY. 1715 01:31:52,037 --> 01:31:54,671 NO. REALLY? YES. 1716 01:31:54,706 --> 01:31:56,839 YOU COULD BE USEFUL TO ME IN 100 WAYS-- 1717 01:31:56,875 --> 01:31:59,442 OVERSEEING THE CONSTRUCTION OF MY BUILDINGS, 1718 01:31:59,477 --> 01:32:01,177 RECEIVING CLIENTS, 1719 01:32:01,212 --> 01:32:04,280 KEEPING THE BOOKS, LIKE YOU DO FOR PECKSNIFF. 1720 01:32:04,316 --> 01:32:06,982 OF COURSE, I'LL BE MARRIED BY THEN. 1721 01:32:07,018 --> 01:32:08,351 OF COURSE. 1722 01:32:08,386 --> 01:32:10,886 AND MARY WOULD LIKE YOU. 1723 01:32:10,922 --> 01:32:12,488 I'M SURE SHE WOULD. 1724 01:32:12,523 --> 01:32:16,326 SHE'D SMILE WHEN FIRST SHE MET YOU, BUT YOU WOULDN'T MIND THAT. 1725 01:32:16,762 --> 01:32:18,594 NO, I WOULDN'T MIND THAT. 1726 01:32:18,630 --> 01:32:21,231 THE BRIGHTEST SMILE YOU EVER KNEW. 1727 01:32:21,266 --> 01:32:22,999 AND ONCE SHE GOT TO KNOW YOU PROPERLY, 1728 01:32:23,034 --> 01:32:24,934 SHE'D TAKE TO YOU UNCOMMONLY, 1729 01:32:24,970 --> 01:32:28,705 NEVER TIRE OF TELLING ME WHAT A HARMLESS, GENTLE, 1730 01:32:28,740 --> 01:32:30,974 WELL-INTENTIONED FELLOW YOU ARE. 1731 01:32:33,144 --> 01:32:35,144 I MUST GET ON WITH MY BOOKKEEPING. 1732 01:32:41,019 --> 01:32:43,253 SO YOU'RE GOING HOME, WORSE LUCK? 1733 01:32:43,288 --> 01:32:45,288 YES, BAILEY, WE'RE GOING HOME. 1734 01:32:45,323 --> 01:32:47,323 AIN'T YOU GONNA LEAVE NONE OF THE GENTS A LOCK OF YOUR HAIR? 1735 01:32:47,359 --> 01:32:48,524 HA HA HA HA! 1736 01:32:48,560 --> 01:32:50,059 CERTAINLY NOT. 1737 01:32:50,094 --> 01:32:51,327 IT'S REAL, AIN'T IT? 1738 01:32:51,363 --> 01:32:52,896 OF COURSE IT'S REAL. 1739 01:32:52,931 --> 01:32:55,165 HERS AIN'T. WHY, I SEEN IT HANGING UP ONCE 1740 01:32:55,200 --> 01:32:56,499 ONE THE NAIL BY THAT WINDOW. 1741 01:32:56,534 --> 01:32:58,034 HA HA HA HA! 1742 01:32:58,069 --> 01:32:59,101 HEH HEH HEH. 1743 01:32:59,136 --> 01:33:01,303 I SAY, YOUNG LADIES... 1744 01:33:01,339 --> 01:33:03,005 WHATEVER YOU MEAN TO GIVE ME, 1745 01:33:03,040 --> 01:33:04,573 YOU'D BETTER GIVE ME ALL AT ONCE. 1746 01:33:04,609 --> 01:33:06,876 IF YOU EVER COME BACK, I WON'T BE HERE. 1747 01:33:06,911 --> 01:33:08,011 WHY NOT? 1748 01:33:08,046 --> 01:33:09,579 YOU'RE GOING TO LEAVE MRS. TODGERS? 1749 01:33:09,614 --> 01:33:12,615 I AIN'T GONNA STAND BEING CALLED NAMES BY HER NO LONGER, 1750 01:33:12,650 --> 01:33:15,652 NOR BEING KNOCKED ABOUT WHEN THE GENTLEMEN'S APPETITES ARE SHARP. 1751 01:33:15,687 --> 01:33:18,321 IT AIN'T MY FAULT IF THEY CONSUME THE PROVISIONS, IS IT? 1752 01:33:18,356 --> 01:33:19,855 BUT WHAT WILL YOU DO? 1753 01:33:19,891 --> 01:33:21,091 I DON'T KNOW. 1754 01:33:21,126 --> 01:33:23,292 MAYBE I'LL JOIN THE ARMY AS A DRUMMER BOY. 1755 01:33:23,327 --> 01:33:25,461 I FANCY MYSELF IN A UNIFORM. 1756 01:33:25,496 --> 01:33:27,730 YOU'LL GET YOURSELF SHOT. 1757 01:33:27,765 --> 01:33:30,733 I'D RATHER BE SHOT WITH A CANNONBALL THAN HIT WITH A ROLLING PIN. 1758 01:33:32,670 --> 01:33:34,737 WELL, BAILEY... 1759 01:33:34,772 --> 01:33:36,806 YOU'VE BEEN AN ENTERTAINMENT TO US, 1760 01:33:36,841 --> 01:33:38,674 I MUST ADMIT. 1761 01:33:39,944 --> 01:33:42,578 HERE YOU ARE. UHH... 1762 01:33:42,614 --> 01:33:44,380 OH. HEH HEH. 1763 01:33:44,416 --> 01:33:46,315 AND HERE. 1764 01:33:46,351 --> 01:33:48,918 OHH. COR! 1765 01:33:48,954 --> 01:33:51,253 THANKS, YOUNG LADIES. 1766 01:33:51,289 --> 01:33:52,688 OHH. 1767 01:33:54,059 --> 01:33:56,092 [LAUGHING] 1768 01:33:57,629 --> 01:33:59,662 Men boarders: � GO WHERE THE GLORY � 1769 01:33:59,698 --> 01:34:00,963 WHAT'S THAT? 1770 01:34:00,999 --> 01:34:02,698 � WAITS THEE � 1771 01:34:02,734 --> 01:34:08,437 � BUT WHILE FAME ELATES THEE � 1772 01:34:08,473 --> 01:34:14,377 � OH, STILL REMEMBER ME � 1773 01:34:14,412 --> 01:34:20,283 � WHEN THE PRAISE THOU MEETEST � 1774 01:34:20,318 --> 01:34:26,189 � TO THINE EAR IS SWEETEST � 1775 01:34:26,224 --> 01:34:31,261 � OH, THEN REMEMBER ME � 1776 01:34:31,296 --> 01:34:37,933 � OTHER ARMS MAY PRESS THEE � 1777 01:34:37,969 --> 01:34:43,606 � DEARER FRIENDS CARESS THEE � 1778 01:34:43,641 --> 01:34:49,512 � ALL THE JOYS THAT BLESS THEE � 1779 01:34:49,547 --> 01:34:53,015 � SWEETER FAR MAY BE... � 1780 01:34:53,051 --> 01:34:55,718 JONAS IS A SHREWD LAD. 1781 01:34:55,754 --> 01:34:58,454 HE APPEARS TO BE VERY SHREWD. 1782 01:34:58,489 --> 01:35:01,957 I TAUGHT HIM THE FIRST RULE OF BUSINESS-- 1783 01:35:01,993 --> 01:35:05,861 "DO OTHER MEN, OR THEY WOULD DO YOU." 1784 01:35:05,897 --> 01:35:08,932 HA HA HA HA! 1785 01:35:08,967 --> 01:35:11,400 AND HE'S CAREFUL, TOO. 1786 01:35:12,604 --> 01:35:14,537 WITH MONEY, I MEAN. 1787 01:35:14,573 --> 01:35:17,940 AN ADMIRABLE QUALITY, I'M SURE. 1788 01:35:17,976 --> 01:35:21,644 LOOK YE, PECKSNIFF, I THINK HE'S SWEET UPON YOUR ELDEST DAUGHTER. 1789 01:35:21,680 --> 01:35:24,747 OH, TUT-TUT, SIR. 1790 01:35:24,782 --> 01:35:28,518 YOUNG PEOPLE, YOUNG PEOPLE, NO MORE THAN THAT. 1791 01:35:28,553 --> 01:35:30,720 BUT WHAT IF IT SHOULD BE MORE? 1792 01:35:30,755 --> 01:35:32,555 OH, HO HO. 1793 01:35:32,590 --> 01:35:34,423 OH, I KNOW WHAT YOU'RE GOING TO SAY-- 1794 01:35:34,459 --> 01:35:37,259 THAT YOU NEVER THOUGHT OF IT FOR A MOMENT, 1795 01:35:37,295 --> 01:35:40,196 AND IN MATTERS AFFECTING THE HAPPINESS OF YOUR DAUGHTER, 1796 01:35:40,232 --> 01:35:44,501 YOU COULDN'T EXPRESS AN OPINION, ET CETERA, ET CETERA. 1797 01:35:44,536 --> 01:35:46,702 HA HA HA HA HA. 1798 01:35:47,139 --> 01:35:50,472 BUT YOU'VE FEATHERED YOUR NEST PRETTY WELL... 1799 01:35:52,043 --> 01:35:53,643 AND SO HAVE I. 1800 01:35:55,046 --> 01:35:59,481 OUR FAMILIES ARE LIKE 2 HALVES OF A PAIR OF SCISSORS. 1801 01:36:01,385 --> 01:36:04,053 TOGETHER WE MIGHT DO SOMETHING. 1802 01:36:06,057 --> 01:36:10,693 I WILL PONDER VERY CAREFULLY WHAT YOU'VE SAID. 1803 01:36:10,728 --> 01:36:12,528 THANK YE, PECKSNIFF. 1804 01:36:22,507 --> 01:36:24,440 GOOD-BYE, MRS. TODGERS. 1805 01:36:27,512 --> 01:36:30,012 AND THANK YOU AGAIN. 1806 01:36:30,048 --> 01:36:31,981 OH... 1807 01:36:32,016 --> 01:36:33,649 MR. PECKSNIFF. 1808 01:36:35,486 --> 01:36:41,557 Men boarders: � BUT WHEN FRIENDS ARE NEAREST � 1809 01:36:41,593 --> 01:36:47,430 � AND WHEN JOYS ARE DEAREST � 1810 01:36:47,465 --> 01:36:55,271 � OH, THEN REMEMBER ME � 1811 01:37:22,066 --> 01:37:23,532 HERE IT COMES! 1812 01:37:23,568 --> 01:37:24,933 AT LAST. 1813 01:37:37,682 --> 01:37:39,615 Driver: WHOA! WHOA! 1814 01:37:42,019 --> 01:37:43,319 MR. PINCH. 1815 01:37:43,355 --> 01:37:46,856 DEAR ME, HAVE YOU COME TO MEET US IN PERSON 1816 01:37:46,891 --> 01:37:48,992 ON THIS VERY INCLEMENT MORNING? 1817 01:37:49,027 --> 01:37:51,293 YES, SIR. AND MR. CHUZZLEWIT, TOO, SIR. 1818 01:37:51,329 --> 01:37:52,995 GOOD MORNING, SIR. 1819 01:37:53,030 --> 01:37:55,999 BE SO KIND AS TO SEE TO THE TRUNKS, MR. PINCH, IF YOU PLEASE. 1820 01:37:56,034 --> 01:37:56,966 YES, SIR. 1821 01:37:58,036 --> 01:37:59,469 GOOD MORNING, LADIES. 1822 01:38:19,390 --> 01:38:21,056 Pecksniff: WALK ON. 1823 01:38:38,142 --> 01:38:39,375 [KNOCK ON DOOR] 1824 01:38:42,080 --> 01:38:44,213 AH, MR. PINCH, COME IN. 1825 01:38:46,351 --> 01:38:47,783 TAKE SOME TEA. 1826 01:38:47,819 --> 01:38:49,051 AHEM. 1827 01:38:49,086 --> 01:38:52,054 YOU MUST BE VERY DAMP AND COLD. 1828 01:38:52,089 --> 01:38:53,556 THANK YOU, SIR. 1829 01:38:53,591 --> 01:38:55,525 PRAY, BE SEATED, MR. PINCH. 1830 01:38:59,163 --> 01:39:03,599 SO, HOW HAVE THINGS GONE ON IN OUR ABSENCE? 1831 01:39:05,002 --> 01:39:07,136 YOU WILL BE MUCH PLEASED WITH MARTIN'S-- 1832 01:39:07,171 --> 01:39:09,538 MR. CHUZZLEWIT'S DESIGNS FOR THE GRAMMAR SCHOOL. 1833 01:39:09,573 --> 01:39:11,774 NEVER MIND THAT NOW. WHAT HAVE YOU BEEN DOING, MR. PINCH? 1834 01:39:11,809 --> 01:39:14,877 MR. PECKSNIFF, IF YOU HAVE QUITE RECOVERED YOURSELF, 1835 01:39:14,912 --> 01:39:17,647 I WOULD BE GLAD TO HEAR WHAT YOU MEAN BY THIS TREATMENT OF ME. 1836 01:39:17,682 --> 01:39:19,882 HMM? WHAT HAVE YOU BEEN DOING, TOM? 1837 01:39:19,918 --> 01:39:22,551 Martin: DO ME THE FAVOR OF ANSWERING MY QUESTION. 1838 01:39:22,586 --> 01:39:25,321 I WILL TALK TO YOU, SIR, IN DUE COURSE. 1839 01:39:25,757 --> 01:39:28,724 NOW! IN DUE COURSE WILL NOT DO! NOW! 1840 01:39:28,760 --> 01:39:31,894 DO YOU THREATEN ME? 1841 01:39:31,929 --> 01:39:35,431 I LAMENT TO SAY IT WOULD BE ENTIRELY CONSISTENT 1842 01:39:35,466 --> 01:39:36,965 WITH YOUR CHARACTER. 1843 01:39:41,005 --> 01:39:42,738 YOU HAVE DECEIVED ME. 1844 01:39:42,773 --> 01:39:46,475 YOU HAVE OBTAINED ADMISSION TO MY HOUSE ON FALSE PRETENSES. 1845 01:39:46,510 --> 01:39:48,644 GO ON. I THINK I UNDERSTAND THIS. WHAT MORE? 1846 01:39:48,679 --> 01:39:51,147 THIS MUCH MORE SINCE YOU FORCE ME TO PUBLISH YOUR SHAME 1847 01:39:51,182 --> 01:39:52,648 BEFORE A THIRD PARTY. 1848 01:39:52,684 --> 01:39:55,450 NOT ONLY HAVE YOU DECEIVED ME, 1849 01:39:55,486 --> 01:39:58,087 YOU'VE DECEIVED AN HONORABLE, BELOVED, 1850 01:39:58,122 --> 01:40:00,222 VENERATED, VENERABLE GENTLEMAN-- 1851 01:40:00,258 --> 01:40:02,091 YOUR OWN GRANDFATHER. 1852 01:40:02,126 --> 01:40:04,893 I THOUGHT SO. YOU'VE WORMED YOUR WAY INTO HIS CONFIDENCE, HAVE YOU? 1853 01:40:04,929 --> 01:40:06,828 AND LAST BUT NOT LEAST, 1854 01:40:06,864 --> 01:40:08,997 YOU HAVE DECEIVED MY DAUGHTERS 1855 01:40:09,033 --> 01:40:10,699 AND EXPLOITED THEIR INNOCENT TRUST. 1856 01:40:10,734 --> 01:40:12,635 YOUR DAUGHTERS? DO YOU PRETEND 1857 01:40:12,670 --> 01:40:15,004 THAT I EVER SHOWED THEM ANYTHING MORE THAN COMMON COURTESY, 1858 01:40:15,039 --> 01:40:17,707 IN SPITE OF YOUR PUFFING THEIR ATTRACTIONS TO ME AT EVERY OPPORTUNITY? 1859 01:40:17,742 --> 01:40:21,443 BE GONE, SIR! I CANNOT HAVE A SERPENT AND A LEPER 1860 01:40:21,478 --> 01:40:23,012 AS AN INMATE OF MY HOUSE. 1861 01:40:23,047 --> 01:40:25,081 MARTIN, DON'T DO SOMETHING YOU'LL REGRET. 1862 01:40:25,116 --> 01:40:27,215 PAH! DO YOU THINK I WOULD SOIL MYSELF 1863 01:40:27,251 --> 01:40:29,418 BY LAYING MY HANDS ON HIM? LOOK AT HIM THERE! 1864 01:40:29,453 --> 01:40:31,487 THE FLOOR IS THE RIGHT PLACE FOR HIM. 1865 01:40:31,522 --> 01:40:33,022 HE'S A MAT FOR DIRTY FEET, 1866 01:40:33,057 --> 01:40:35,124 A CLOTH FOR DIRTY HANDS. 1867 01:40:35,159 --> 01:40:37,727 MARK MY WORDS. DON'T PRETEND YOU DON'T HEAR ME. 1868 01:40:37,762 --> 01:40:40,228 THE DAY WILL COME WHEN THE WHOLE WORLD-- 1869 01:40:40,264 --> 01:40:43,232 EVEN THIS POOR DELUDED, EXPLOITED FELLOW HERE-- 1870 01:40:43,267 --> 01:40:45,701 WILL KNOW WHAT A HYPOCRITE YOU ARE. 1871 01:40:52,710 --> 01:40:53,776 [DOOR SLAMS] 1872 01:40:55,079 --> 01:40:56,012 MARTIN! 1873 01:40:58,583 --> 01:41:00,049 MARTIN! 1874 01:41:00,084 --> 01:41:01,517 WHAT NOW? 1875 01:41:02,586 --> 01:41:04,053 ARE YOU GOING, MARTIN? 1876 01:41:04,088 --> 01:41:06,054 GOING?! GOING?! 1877 01:41:06,090 --> 01:41:08,524 LEAVING AT ONCE, I MEAN, IN THIS WEATHER, ON FOOT, WITH NO MONEY? 1878 01:41:08,559 --> 01:41:10,559 YES, I AM! 1879 01:41:10,594 --> 01:41:12,061 TAKE THIS WITH YOU. 1880 01:41:12,096 --> 01:41:13,662 A BOOK? YES. 1881 01:41:13,697 --> 01:41:15,464 LOOK LATER WHERE I HAVE TURNED DOWN THE PAGE. 1882 01:41:15,499 --> 01:41:18,568 IT MAY LIFT YOUR SPIRITS A LITTLE. 1883 01:41:18,603 --> 01:41:20,169 WHERE WILL YOU GO? 1884 01:41:20,204 --> 01:41:21,570 LONDON, FIRST, THEN WHO KNOWS? 1885 01:41:21,606 --> 01:41:23,071 WHEREVER OPPORTUNITY BECKONS. 1886 01:41:23,107 --> 01:41:24,706 WHAT ABOUT YOUR CLOTHES AND OTHER THINGS? 1887 01:41:24,742 --> 01:41:26,342 PACK THEM UP AND SEND THEM TO LONDON, WOULD YOU, 1888 01:41:26,377 --> 01:41:28,077 TO BE CALLED FOR AT THE COACH OFFICE? 1889 01:41:28,112 --> 01:41:31,046 WHAT ARE YOU GOING TO DO? I DON'T KNOW! 1890 01:41:33,484 --> 01:41:36,118 YES, I DO. I'LL GO TO AMERICA AND MAKE MY FORTUNE. 1891 01:41:36,153 --> 01:41:37,686 NOT AMERICA, MARTIN. 1892 01:41:37,721 --> 01:41:39,322 YOUR SITUATION ISN'T THAT DESPERATE. 1893 01:41:39,357 --> 01:41:40,723 GOOD-BYE, TOM. 1894 01:41:57,709 --> 01:42:00,442 YOU'RE DETERMINED TO LEAVE US THEN, MARK... 1895 01:42:00,477 --> 01:42:03,179 EVEN IN THIS WEATHER? 1896 01:42:03,214 --> 01:42:07,282 THERE'S A CARTER FROM SALISBURY WHO'S GOING TO LONDON TODAY. 1897 01:42:07,317 --> 01:42:09,318 SAID HE'D TAKE ME FOR 6 SHILLINGS. 1898 01:42:09,353 --> 01:42:11,487 WHAT WILL YOU DO IN LONDON? 1899 01:42:11,522 --> 01:42:14,924 DON'T KNOW EXACTLY. SOMETHING WILL TURN UP. 1900 01:42:16,827 --> 01:42:18,861 I THOUGHT YOU WAS FOND OF THE DRAGON. 1901 01:42:18,896 --> 01:42:21,096 WELL, SO I AM. 1902 01:42:21,132 --> 01:42:24,166 WHY DO YOU LEAVE US THEN? 1903 01:42:29,474 --> 01:42:32,742 I DON'T KNOW HOW I SHALL MANAGE WITHOUT YOU, I'M SURE. 1904 01:42:34,479 --> 01:42:37,112 DANIEL EVANS WILL DO THE HEAVY WORK. 1905 01:42:37,147 --> 01:42:38,614 HE'S A GOOD MAN. 1906 01:42:38,649 --> 01:42:40,616 WON'T BE THE SAME, THOUGH. 1907 01:42:40,652 --> 01:42:43,619 WOULD YOU TAKE SOMETHING BEFORE YOU GO? 1908 01:42:43,654 --> 01:42:45,187 WHAT'LL IT BE? 1909 01:42:50,160 --> 01:42:54,129 WHY, IF I TOOK WHAT I LIKE MOST... 1910 01:42:54,164 --> 01:42:56,632 I'D TAKE YOU. 1911 01:42:56,667 --> 01:42:59,801 AND NO MAN WOULDN'T WONDER IF I DID. 1912 01:42:59,837 --> 01:43:01,804 OH, MARK TAPLEY, WHAT DO YOU MEAN? 1913 01:43:01,839 --> 01:43:04,139 IF THERE'S A BONNIER WOMAN IN THE WHOLE VILLAGE, 1914 01:43:04,175 --> 01:43:06,308 I'D LIKE TO SEE HER. OR A KINDER. 1915 01:43:06,344 --> 01:43:09,878 BLESS MY SOUL IF I UNDERSTAND WHAT YOU WANT. 1916 01:43:09,914 --> 01:43:11,781 I'LL BE PLAIN WITH YOU, THEN. 1917 01:43:11,816 --> 01:43:14,016 AS LONG AS IT'S UNDERSTOOD, I AIN'T MAKING NO LOVE, YOU KNOW? 1918 01:43:14,052 --> 01:43:15,618 QUITE UNDERSTOOD. 1919 01:43:15,653 --> 01:43:17,853 HADN'T YOU BETTER TAKE YOUR ARMS AWAY THEN? 1920 01:43:17,888 --> 01:43:21,357 WHY? THEY AIN'T DOING NO HARM, ARE THEY? 1921 01:43:23,694 --> 01:43:25,661 LET ME ASK YOU... 1922 01:43:25,696 --> 01:43:29,231 WHAT WOULD BE THE CONSEQUENCES OF OUR GETTING MARRIED? 1923 01:43:29,266 --> 01:43:32,568 I THOUGHT YOU WEREN'T GOING TO TALK SUCH FOOLISHNESS. 1924 01:43:33,004 --> 01:43:35,671 I'D BE THE ENVY OF EVERY MAN IN THE PARISH. 1925 01:43:35,706 --> 01:43:38,373 I'D NEVER HAVE A REASON TO LEAVE THE DRAGON 1926 01:43:38,408 --> 01:43:40,142 IN MY WHOLE LIFE. 1927 01:43:41,212 --> 01:43:42,811 THEN WHY GO NOW? 1928 01:43:48,152 --> 01:43:51,187 I WANT TO TRY MYSELF... 1929 01:43:52,823 --> 01:43:55,624 FIND OUT WHAT I'M MADE OF, DO YOU SEE? 1930 01:43:55,659 --> 01:43:57,926 IF WE WERE TO MARRY, YOU'D ALWAYS BE ON THE FRET, 1931 01:43:57,962 --> 01:43:59,695 WORRYING YOU WERE GETTING TOO OLD FOR MY TASTE, 1932 01:43:59,730 --> 01:44:03,465 AND A-PICTURING ME TO YOURSELF CHAINED UP TO THE DRAGON DOOR, 1933 01:44:03,501 --> 01:44:05,434 WANTING TO BREAK AWAY. 1934 01:44:07,037 --> 01:44:10,005 I DON'T KNOW, BUT... 1935 01:44:10,040 --> 01:44:12,641 BUT IT MIGHTN'T BE TRUE, 1936 01:44:12,676 --> 01:44:14,643 SO I'M GOING NOW... 1937 01:44:14,679 --> 01:44:16,846 BEFORE IT'S TOO LATE. 1938 01:44:19,250 --> 01:44:21,783 YOU'RE A GOOD MAN, MARK. 1939 01:44:23,620 --> 01:44:26,655 I BELIEVE YOU'VE BEEN A BETTER FRIEND TO ME THIS DAY 1940 01:44:26,691 --> 01:44:28,424 THAN I'VE EVER HAD IN ALL MY LIFE. 1941 01:44:29,727 --> 01:44:31,961 THAT'S NONSENSE. 1942 01:44:31,996 --> 01:44:33,462 Man outside: WHOA! 1943 01:44:36,199 --> 01:44:37,967 THERE'S THE CARTER. 1944 01:44:40,204 --> 01:44:41,770 GOOD-BYE, DEAR LADY. 1945 01:45:04,562 --> 01:45:06,161 STILL RAINING. 1946 01:45:07,231 --> 01:45:09,765 WELL... IT'LL BE MY FIRST TEST 1947 01:45:09,800 --> 01:45:12,534 TO REMAINING JOLLY UNDER TRYING CONDITIONS. 1948 01:45:16,073 --> 01:45:17,873 GOOD-BYE, MRS. LUPIN. 1949 01:45:17,908 --> 01:45:19,708 GOOD-BYE, MARK. 1950 01:45:19,744 --> 01:45:21,143 GOD BLESS YOU. 1951 01:45:34,258 --> 01:45:36,057 [TAPS TWICE WITH CANE] 1952 01:45:44,268 --> 01:45:46,034 Carter: WALK ON TOGETHER. 1953 01:46:46,163 --> 01:46:48,630 YOU SEE, ORNAMENTAL ARCHITECTURE 1954 01:46:48,666 --> 01:46:50,632 APPLIED TO DOMESTIC PURPOSES 1955 01:46:50,667 --> 01:46:53,902 CAN HARDLY FAIL TO BE IN GREAT DEMAND IN AMERICA, 1956 01:46:53,937 --> 01:46:56,138 FOR MEN ARE CONSTANTLY MOVING WESTWARDS THERE, 1957 01:46:56,173 --> 01:46:58,407 AND NEW TOWNS MUST BE BUILT TO ACCOMMODATE THEM. 1958 01:46:58,442 --> 01:47:00,275 I SHOULD SAY, SIR, THAT'S A STATE OF THINGS 1959 01:47:00,311 --> 01:47:03,144 AS OPENS ONE OF THE JOLLIEST LOOKOUTS FOR DOMESTIC ARCHITECTURE 1960 01:47:03,180 --> 01:47:04,779 AS I'VE EVER HEARD TELL ON. 1961 01:47:04,815 --> 01:47:07,316 AND ALTHOUGH I AM NOT-- 1962 01:47:07,351 --> 01:47:10,485 STRICTLY SPEAKING-- QUALIFIED YET, 1963 01:47:10,520 --> 01:47:13,221 I HAVE DEMONSTRATED A NATURAL APTITUDE FOR ARCHITECTURAL DESIGN, 1964 01:47:13,257 --> 01:47:16,057 AND THE AMERICANS ARE NOT LIKELY TO BE OVERPARTICULAR ON THAT SCORE. 1965 01:47:16,093 --> 01:47:18,527 THEY DURSN'T BE, SIR, FOR THEIR OWN GOOD. 1966 01:47:18,562 --> 01:47:19,928 SOME MORE CHEESE? 1967 01:47:19,963 --> 01:47:22,498 IF YOU'RE SURE YOU HAVE ENOUGH. THANK YOU. 1968 01:47:22,533 --> 01:47:24,800 FROM ALL I HEAR, AMERICA'S A PLACE 1969 01:47:24,835 --> 01:47:27,869 WHERE A MAN MIGHT EARN SOME CREDIT FOR BEING JOLLY. 1970 01:47:27,905 --> 01:47:30,172 MIGHT I BE SO BOLD AS TO ASK YOU, SIR, 1971 01:47:30,207 --> 01:47:31,673 WHY YOU'RE GOING SO SOON, 1972 01:47:31,709 --> 01:47:34,176 INSTEAD OF STAYING AT MR. PECKSNIFF'S? 1973 01:47:34,212 --> 01:47:36,111 WELL... 1974 01:47:36,147 --> 01:47:39,114 NOW, WHEN MY GRANDFATHER, OLD MR. CHUZZLEWIT, 1975 01:47:39,149 --> 01:47:41,116 STAYED AT THE BLUE DRAGON, 1976 01:47:41,152 --> 01:47:44,119 DID YOU HAVE ANY DEALINGS WITH THE YOUNG LADY WHO ACCOMPANIED HIM? 1977 01:47:44,154 --> 01:47:46,621 MISS GRAHAM? INDEED I DID. 1978 01:47:46,657 --> 01:47:49,091 SWEETER YOUNG LADY NEVER BREATHED. 1979 01:47:49,126 --> 01:47:51,626 YOU SPEAK THE TRUTH, TAPLEY. 1980 01:47:51,662 --> 01:47:53,128 SHE IS THE REASON 1981 01:47:53,164 --> 01:47:55,530 WHY I'M SEEKING MY FORTUNE IN AMERICA. 1982 01:47:56,701 --> 01:47:58,766 INDEED, SIR. YES. 1983 01:48:19,523 --> 01:48:22,157 UM, ARE THERE LODGINGS HERE, SIR? 1984 01:48:22,192 --> 01:48:24,626 OH, YES. GO ON INSIDE. 1985 01:48:40,911 --> 01:48:42,244 HOW MUCH IS IT? 1986 01:48:42,279 --> 01:48:44,680 9 SHILLING A WEEK WITH COALS. 1987 01:48:46,016 --> 01:48:47,348 I'LL TAKE IT. 1988 01:48:47,384 --> 01:48:49,284 CASH IN ADVANCE, SIR. 1989 01:48:49,319 --> 01:48:50,852 OH, UH... 1990 01:48:54,125 --> 01:48:56,758 I SHALL HAVE TO, UH... 1991 01:48:56,793 --> 01:48:59,194 WOULD YOU KEEP IT FOR ME? I'LL BE BACK IN AN HOUR. 1992 01:48:59,230 --> 01:49:00,562 THANK YOU. 1993 01:49:04,635 --> 01:49:06,101 SPARE A SHILLING, SIR? 1994 01:49:06,136 --> 01:49:08,069 SPARE A SHILLING? 1995 01:49:08,105 --> 01:49:10,072 SPARE A SHILLING, SIR? 1996 01:49:10,107 --> 01:49:11,873 SPARE A SHILLING? 1997 01:49:13,510 --> 01:49:15,510 SPARE A SHILLING? 1998 01:49:15,545 --> 01:49:17,145 SPARE A SHILLING? 1999 01:49:17,180 --> 01:49:18,714 SPARE A SHILLING? 2000 01:49:25,088 --> 01:49:27,689 SPARE A SHILLING, SIR? SPARE A SHILLING? 2001 01:49:33,130 --> 01:49:36,231 Tigg: HOW MUCH WILL YOU GIVE ME FOR THIS SHIRT, DAVID? 2002 01:49:36,266 --> 01:49:39,334 Pawnbroker: WHAT I ALWAYS GIVE YOU FOR IT--2 SHILLINGS. 2003 01:49:39,369 --> 01:49:41,737 Tigg: OH, MAKE IT 2 SHILLINGS AND SIXPENCE, DAVID. 2004 01:49:41,772 --> 01:49:44,606 IT'S A KIND OF MATERIAL THAT IMPROVES WITH AGE. 2005 01:49:44,642 --> 01:49:47,476 Pawnbroker: HA. A FLORIN. 2006 01:49:47,511 --> 01:49:49,578 TAKE IT OR LEAVE IT. 2007 01:49:52,649 --> 01:49:54,416 WHAT CAN I DO FOR YOU? 2008 01:49:57,954 --> 01:50:00,389 PLEASE TO GIVE ME THE MOST YOU CAN FOR THIS WATCH. 2009 01:50:03,327 --> 01:50:06,562 I THOUGH I RECOGNIZED THE VOICE, BY GAD. 2010 01:50:06,597 --> 01:50:09,431 THIS IS ONE OF THE MOST TREMENDOUS MEETINGS 2011 01:50:09,466 --> 01:50:11,767 IN ANCIENT OR MODERN HISTORY. HOW ARE YOU, SIR? 2012 01:50:11,802 --> 01:50:13,635 WHAT NEWS OF THE AGRICULTURAL DISTRICTS? 2013 01:50:13,670 --> 01:50:15,270 NOTHING I WISH TO COMMUNICATE TO YOU. 2014 01:50:15,305 --> 01:50:17,339 I UNDERSTAND YOUR RESERVE, SIR. 2015 01:50:17,374 --> 01:50:20,508 OUR LAST MEETING WAS NOT AUSPICIOUS. 2016 01:50:20,544 --> 01:50:23,579 BUT I'VE PARTED FROM SLYME. MY TALENTS WERE WASTED ON HIM, YOU KNOW? 2017 01:50:23,614 --> 01:50:25,580 IT MATTERS VERY LITTLE TO ME 2018 01:50:25,615 --> 01:50:27,916 WHETHER YOU HAVE SET UP AS A VAGABOND ON YOUR OWN ACCOUNT 2019 01:50:27,951 --> 01:50:30,519 OR ARE STILL TRADING ON BEHALF OF MR. SLYME. 2020 01:50:30,554 --> 01:50:33,421 YOU'RE INVOLVED IN A LITTLE TRADE YOURSELF, 2021 01:50:33,457 --> 01:50:35,924 I SEE, SIR. 2022 01:50:36,360 --> 01:50:37,225 YES, WELL... 2023 01:50:37,261 --> 01:50:40,095 UH, I'M GOING ABROAD ON A... 2024 01:50:40,130 --> 01:50:41,730 SORT OF TOUR. 2025 01:50:41,765 --> 01:50:43,799 I NEED TO SUPPLEMENT MY FUNDS. 2026 01:50:43,834 --> 01:50:46,100 WELL, YOU COULDN'T HAVE COME TO A BETTER PLACE. 2027 01:50:46,136 --> 01:50:49,037 DAVID, PAY PARTICULAR ATTENTION TO THIS GENTLEMAN, 2028 01:50:49,072 --> 01:50:51,440 WHO IS A FRIEND OF MINE. 2029 01:50:51,475 --> 01:50:54,409 WELL... A GOLD HUNTING WATCH, DAVID. 2030 01:50:54,444 --> 01:50:57,112 ENGINE TURNED, JEWELED, AND CAPPED. 2031 01:50:57,148 --> 01:50:59,113 ESCAPE MOVEMENT, HORIZONTAL LEVER, 2032 01:50:59,149 --> 01:51:01,116 AND WARRANTED TO PERFORM ACCURATELY 2033 01:51:01,151 --> 01:51:03,418 UPON MY PERSONAL OBSERVATION OVER MANY YEARS. 2034 01:51:03,453 --> 01:51:07,623 THAT WATCH, DAVID, IS WORTH �4 ANY DAY OF THE WEEK. 2035 01:51:07,658 --> 01:51:09,792 I AM CERTAIN IT COST MY GRANDFATHER A GREAT DEAL MORE THAN THAT. 2036 01:51:09,827 --> 01:51:11,860 DID YOU HEAR THAT, DAVID? 2037 01:51:11,896 --> 01:51:13,928 HIS GRANDFATHER'S GIFT. 2038 01:51:13,963 --> 01:51:17,632 WELL, IT'S WORTH A POUND FOR SENTIMENTAL VALUE ALONE. 2039 01:51:17,667 --> 01:51:19,301 TO HIM PERHAPS... 2040 01:51:19,336 --> 01:51:21,136 BUT NOT TO ME. 2041 01:51:21,172 --> 01:51:23,038 I'LL LEND YOU �3 ON IT. 2042 01:51:23,073 --> 01:51:24,740 IS THAT ALL? 2043 01:51:25,809 --> 01:51:27,676 VERY WELL, THEN. 2044 01:51:27,711 --> 01:51:29,644 WE ACCEPT THE OFFER. 2045 01:51:29,680 --> 01:51:32,147 ON THE, UH... 2046 01:51:32,182 --> 01:51:35,183 USUAL TERMS AND CONDITIONS? 2047 01:51:36,553 --> 01:51:39,154 YES. ON THE USUAL TERMS AND CONDITIONS. 2048 01:51:39,189 --> 01:51:41,490 Pawnbroker: NAME AND ADDRESS? 2049 01:51:41,525 --> 01:51:43,758 MARTIN CHUZZLEWIT, ESQUIRE. 2050 01:51:43,793 --> 01:51:46,494 THE LAMB AND FLAG. I DON'T KNOW THE NAME OF THE STREET. 2051 01:51:46,530 --> 01:51:48,029 IT'S NEAR CHARING CROSS. 2052 01:51:53,570 --> 01:51:54,703 GOOD DAY. 2053 01:52:01,211 --> 01:52:03,145 [DOOR SHUTS] 2054 01:52:05,716 --> 01:52:08,082 THIS WATCH... 2055 01:52:08,118 --> 01:52:11,419 IS WORTH A LOT MORE THAN 3 OR �4. 2056 01:52:11,454 --> 01:52:13,688 OF COURSE IT IS. 2057 01:52:13,723 --> 01:52:16,358 IF I'M NOT MISTAKEN, IT'S A RARITY, 2058 01:52:16,393 --> 01:52:18,694 MADE BY A MASTER WATCHMAKER, 2059 01:52:18,729 --> 01:52:20,195 A SWISS. 2060 01:52:20,230 --> 01:52:21,696 OHH... 2061 01:52:21,732 --> 01:52:24,299 WE COULD RAISE 50 GUINEAS ON SUCH A WATCH, DAVID. 2062 01:52:24,335 --> 01:52:26,435 UH, "WE"? 2063 01:52:26,470 --> 01:52:29,204 WELL, GIVE ME CREDIT FOR SPOTTING THE OPPORTUNITY. 2064 01:52:29,239 --> 01:52:31,707 YOU HEARD THE YOUNG FELLOW. HE'S GOING ABROAD. 2065 01:52:31,742 --> 01:52:34,542 THERE'S NO RISK HE'LL REDEEM THE WATCH FOR SOME WHILE. 2066 01:52:34,578 --> 01:52:36,511 HE MAY EVEN FORFEIT IT ALTOGETHER, 2067 01:52:36,547 --> 01:52:39,081 HE'S SUCH A NOVICE IN THIS SORT OF TRADE. 2068 01:52:39,116 --> 01:52:42,217 MEANWHILE, WE CAN TURN IT INTO CAPITAL. 2069 01:52:42,252 --> 01:52:45,587 WE CAN DO A LOT WITH 50 GUINEAS, DAVID. 2070 01:52:45,622 --> 01:52:47,722 RENT AN OFFICE, PRINT NOTEPAPER, 2071 01:52:47,758 --> 01:52:49,390 START UP A COMPANY. 2072 01:53:19,723 --> 01:53:20,822 [KNOCK ON DOOR] 2073 01:53:21,959 --> 01:53:24,559 IS THAT THE BOY WITH THE COALS? 2074 01:53:26,463 --> 01:53:27,462 COME IN. 2075 01:53:29,632 --> 01:53:30,866 YOUR SERVANT, SIR. 2076 01:53:34,304 --> 01:53:36,004 I HOPE YOU'RE PRETTY WELL, SIR. 2077 01:53:36,039 --> 01:53:37,972 TAPLEY... 2078 01:53:38,008 --> 01:53:39,240 HOW DID YOU COME HERE? 2079 01:53:39,275 --> 01:53:41,776 RIGHT THROUGH THE PASSAGE AND UP THE STAIRS, SIR. 2080 01:53:41,812 --> 01:53:44,879 NO, I MEAN, HOW DID YOU FIND ME OUT? 2081 01:53:44,914 --> 01:53:48,050 WELL, SIR, WHEN YOU AND I PARTED, 2082 01:53:48,085 --> 01:53:49,917 I TOOK THE LIBERTY OF FOLLOWING YOU HERE. 2083 01:53:49,953 --> 01:53:52,120 OH, DID YOU INDEED? 2084 01:53:52,155 --> 01:53:55,223 YES, SIR, JUST TO SEE YOU CAME TO NO HARM. 2085 01:53:55,259 --> 01:53:57,859 IT WAS STILL DARK NIGHT WHEN THE CARTER DROPPED US, 2086 01:53:57,894 --> 01:53:59,328 IF YOU REMEMBER, SIR. 2087 01:53:59,363 --> 01:54:01,997 VERY WELL. SIT DOWN, TAPLEY. 2088 01:54:02,032 --> 01:54:03,966 THANK YOU, SIR. I'LL AS LIEVE STAND. 2089 01:54:04,001 --> 01:54:05,733 IF YOU WON'T SIT DOWN, I WON'T TALK TO YOU. 2090 01:54:05,769 --> 01:54:07,135 VERY WELL, SIR. 2091 01:54:14,678 --> 01:54:16,544 AND WHAT HAVE YOU BEEN DOING IN LONDON? 2092 01:54:16,579 --> 01:54:18,046 NOTHING, SIR. 2093 01:54:18,081 --> 01:54:19,247 WHY IS THAT? 2094 01:54:19,283 --> 01:54:21,383 WELL, I JUST CAN'T SEEM TO FIND A PLACE 2095 01:54:21,418 --> 01:54:23,252 THAT SUITS ME. 2096 01:54:23,287 --> 01:54:25,653 OH, LORD BLESS YOU, SIR. WHAT'S THE USE OF MY GOING AROUND AND AROUND 2097 01:54:25,688 --> 01:54:28,757 WHEN I CAN COME STRAIGHT TO THE POINT IN 6 WORDS? 2098 01:54:28,792 --> 01:54:30,392 WILL YOU TAKE ME WITH YOU? 2099 01:54:30,427 --> 01:54:31,826 TAKE YOU WHERE? 2100 01:54:31,862 --> 01:54:33,995 WHY, TO AMERICA. HERE I AM, 2101 01:54:34,031 --> 01:54:35,864 WITH A LIKING FOR WHAT'S VENTURESOME, 2102 01:54:35,899 --> 01:54:37,499 AND A LIKING FOR YOU, 2103 01:54:37,534 --> 01:54:39,501 AND I WISH TO COME OUT STRONG UNDER CIRCUMSTANCES 2104 01:54:39,536 --> 01:54:41,369 AS WOULD KEEP OTHER MEN DOWN. 2105 01:54:41,405 --> 01:54:43,238 AS SOON AS YOU MENTIONED AMERICA, 2106 01:54:43,273 --> 01:54:45,040 I SAW CLEAR AT ONCE, THAT WAS THE PLACE 2107 01:54:45,075 --> 01:54:47,375 FOR ME TO BE JOLLY IN. 2108 01:54:47,411 --> 01:54:49,244 I CAN PAY FOR MY OWN PASSAGE. 2109 01:54:49,680 --> 01:54:52,647 WELL, THEN, YOU'D BETTER DO SO. GO TO AMERICA ON YOUR OWN. 2110 01:54:52,683 --> 01:54:54,416 WHAT DO YOU MEAN, SIR? 2111 01:54:54,451 --> 01:54:57,351 WELL, I HAVEN'T GOT ENOUGH MONEY EVEN TO TRAVEL STEERAGE. 2112 01:54:57,387 --> 01:54:59,220 I'VE PAWNED EVERYTHING I CAN SPARE 2113 01:54:59,256 --> 01:55:01,356 JUST TO PAY FOR MY FOOD AND LODGING. 2114 01:55:01,391 --> 01:55:03,992 I'VE APPLIED TO WORK MY PASSAGE AS A COMMON SEAMAN, 2115 01:55:04,028 --> 01:55:06,227 BUT THE SHIP OWNERS LAUGH AT ME. 2116 01:55:06,262 --> 01:55:08,963 I'VE ADVERTISED IN THE NEWSPAPER FOR A POSITION ON SHIPBOARD, 2117 01:55:08,999 --> 01:55:11,166 BUT I HAVEN'T HAD A SINGLE REPLY. 2118 01:55:11,201 --> 01:55:13,235 I'VE BEEN IN LONDON FOR 3 WEEKS NOW 2119 01:55:13,270 --> 01:55:14,836 AND I'M NO NEARER TO ATTAINING MY GOAL 2120 01:55:14,872 --> 01:55:16,972 THAN I WAS WHEN I ARRIVED HERE. 2121 01:55:17,007 --> 01:55:20,208 HMM. I THOUGHT THERE WAS A SCREW LOOSE IN YOUR AFFAIRS. 2122 01:55:20,243 --> 01:55:21,542 [KNOCK ON DOOR] 2123 01:55:21,578 --> 01:55:22,510 YES, WHAT IS IT? 2124 01:55:25,682 --> 01:55:27,816 UH, THIS IS MR. TAPLEY. MRS. BROWNLOW. 2125 01:55:27,851 --> 01:55:28,916 YOUR SERVANT, MA'AM. 2126 01:55:28,952 --> 01:55:30,718 OH. A LETTER CAME FOR YOU 2127 01:55:30,753 --> 01:55:32,420 WHILE YOU WERE OUT, MR. CHUZZLEWIT. 2128 01:55:32,455 --> 01:55:34,355 A LETTER. THANK YOU. 2129 01:55:35,726 --> 01:55:37,158 IF YOU'D CARE TO SEND THE BOY OUT 2130 01:55:37,194 --> 01:55:38,793 WITH A SCUTTLE OF COALS, MRS. BROWNLOW, 2131 01:55:38,829 --> 01:55:40,495 THAT WOULD BE VERY MUCH APPRECIATED. 2132 01:55:44,735 --> 01:55:47,635 THIS MUST BE A REPLY TO MY ADVERTISEMENT. 2133 01:55:47,670 --> 01:55:49,237 AT LAST. 2134 01:55:49,272 --> 01:55:51,472 [OPENING LETTER] 2135 01:55:59,382 --> 01:56:01,483 A �20-NOTE! 2136 01:56:05,322 --> 01:56:06,721 MY WORD. 2137 01:56:06,756 --> 01:56:07,889 SO IT IS. 2138 01:56:10,460 --> 01:56:12,827 THERE'S NOT A WORD OF WRITING TO SAY WHO THIS COMES FROM. 2139 01:56:14,631 --> 01:56:16,665 WELL, THAT SOLVES THE PROBLEM OF YOUR FARE, SIR. 2140 01:56:19,503 --> 01:56:21,836 TAPLEY, DO YOU KNOW ANYTHING ABOUT THIS MONEY? 2141 01:56:21,872 --> 01:56:24,405 NOT A THING, SIR. ON MY WORD OF HONOR. 2142 01:56:27,444 --> 01:56:30,011 THEN WHO ON EARTH HAS SENT IT? 2143 01:56:31,281 --> 01:56:33,348 WHO KNOWS I'M HERE APART FROM YOU? 2144 01:56:35,752 --> 01:56:37,252 THE PAWNBROKER. 2145 01:56:37,287 --> 01:56:39,487 THERE WAS A PAWNBROKER 2146 01:56:39,522 --> 01:56:42,924 WHO GAVE ME A MISERABLE �3 FOR MY GRANDFATHER'S WATCH. 2147 01:56:42,959 --> 01:56:44,792 HE MUST HAVE SUFFERED A TWINGE OF CONSCIENCE 2148 01:56:44,827 --> 01:56:46,695 AND SENT THIS TO MAKE UP FOR IT. 2149 01:56:46,730 --> 01:56:48,596 A TWINGE OF CONSCIENCE? 2150 01:56:48,631 --> 01:56:49,931 A PAWNBROKER? 2151 01:56:49,967 --> 01:56:51,332 WELL, THERE'S NO OTHER EXPLANATION. 2152 01:56:51,368 --> 01:56:52,533 IF I WERE YOU, SIR, 2153 01:56:52,569 --> 01:56:54,102 I WOULDN'T LOOK A GIFT HORSE IN THE MOUTH. 2154 01:56:54,138 --> 01:56:56,137 GET ROUND TO THAT SHIPPING OFFICE AS SOON AS YOU CAN. 2155 01:56:56,172 --> 01:56:57,372 I WILL. 2156 01:57:00,811 --> 01:57:03,245 I KNOW THERE'S A BOAT LEAVING FROM LIVERPOOL IN A WEEK'S TIME. 2157 01:57:03,280 --> 01:57:06,614 AND YOU WILL TAKE ME WITH YOU? 2158 01:57:06,650 --> 01:57:09,751 TAPLEY, IN SPITE OF THIS WINDFALL, 2159 01:57:09,786 --> 01:57:11,653 I CAN'T AFFORD TO KEEP A MANSERVANT. 2160 01:57:11,688 --> 01:57:13,655 BUT WHEN YOU MAKE YOUR FORTUNE, THEN YOU'D WANT A SERVANT, WOULDN'T YOU? 2161 01:57:13,690 --> 01:57:15,056 WHY, YES. 2162 01:57:15,091 --> 01:57:16,524 WELL, I HAVE A LITTLE MONEY SAVED UP 2163 01:57:16,559 --> 01:57:18,860 THAT SHOULD LAST ME FOR A YEAR OR SO. 2164 01:57:18,895 --> 01:57:20,962 TAPLEY, THIS IS VERY GENEROUS OF YOU, 2165 01:57:20,997 --> 01:57:22,096 BUT IS IT PRUDENT? 2166 01:57:22,131 --> 01:57:24,031 LORD, SIR, IF PRUDENCE CAME INTO IT, 2167 01:57:24,067 --> 01:57:26,835 I'D BE SITTING BY THE FIRE AT THE BLUE DRAGON NOW. 2168 01:57:28,705 --> 01:57:31,606 YOU'LL FIND SOME WAY OF SAYING GOOD-BYE TO MISS GRAHAM, I EXPECT. 2169 01:57:31,641 --> 01:57:33,875 HOW CAN I, 2170 01:57:33,910 --> 01:57:36,278 WHEN I DON'T KNOW WHERE MY GRANDFATHER HAS TAKEN HER? 2171 01:57:36,313 --> 01:57:37,712 I CAN TELL YOU WHERE. 2172 01:57:37,747 --> 01:57:39,247 YOU CAN? 2173 01:57:39,282 --> 01:57:42,717 WHERE SHE WAS, ANYHOW. BROWN'S HOTEL, MAYFAIR. 2174 01:57:42,752 --> 01:57:44,685 THE HEARD THE OLD GENTLEMAN TELL HIS DRIVER 2175 01:57:44,721 --> 01:57:46,688 WHEN THEY HAD TO LEAVE THE DRAGON SO SUDDENLY. 2176 01:57:46,723 --> 01:57:49,557 THIS IS WONDERFUL. YOU MUST GO TO THE HOTEL IMMEDIATELY. 2177 01:57:49,593 --> 01:57:52,527 IF THEY ARE STILL THERE, DO YOU THINK YOU COULD GET A MESSAGE TO MISS GRAHAM 2178 01:57:52,562 --> 01:57:54,062 WITHOUT MY GRANDFATHER'S KNOWLEDGE? 2179 01:57:55,531 --> 01:57:57,431 LEAVE IT TO ME, SIR. 2180 01:57:57,467 --> 01:58:00,835 I AM VERY GLAD YOU CAME, TAPLEY. 2181 01:58:00,871 --> 01:58:02,570 MY LUCK HAS CHANGED. 2182 01:58:02,606 --> 01:58:04,372 I'M SURE OF IT. 2183 01:58:44,748 --> 01:58:45,880 MARTIN. 2184 01:58:45,915 --> 01:58:47,182 MARY. 2185 01:58:48,418 --> 01:58:49,550 THANK YOU, MARK. 2186 01:58:49,586 --> 01:58:51,552 RIGHT YOU ARE, SIR. 2187 01:58:52,856 --> 01:58:55,256 YOU LOOK MORE BEAUTIFUL THAN EVER. 2188 01:58:55,291 --> 01:58:57,892 BUT YOU LOOK CAREWORN. 2189 01:58:57,928 --> 01:59:00,895 THAT'S HARDLY SURPRISING. 2190 01:59:00,930 --> 01:59:03,765 I'M AFRAID YOU'VE PAID A DEAR PRICE FOR A POOR HEART. 2191 01:59:03,800 --> 01:59:05,366 DON'T SAY THAT. 2192 01:59:05,402 --> 01:59:09,337 YOU'RE WORTH EVERY SACRIFICE I HAVE MADE. 2193 01:59:09,372 --> 01:59:12,540 IS IT REALLY TRUE, AS MR. TAPLEY TOLD ME, 2194 01:59:12,576 --> 01:59:14,509 THAT YOU ARE GOING TO AMERICA? 2195 01:59:14,544 --> 01:59:16,411 IT'S THE ONLY SOLUTION TO OUR PROBLEMS. 2196 01:59:16,446 --> 01:59:18,146 IT'S A LAND OF OPPORTUNITY. 2197 01:59:18,181 --> 01:59:20,515 BUT IT'S SO FAR AWAY. 2198 01:59:20,550 --> 01:59:23,785 WHEN SHALL I SEE YOU AGAIN? 2199 01:59:23,820 --> 01:59:26,787 AS SOON AS I HAVE A CHANCE TO ESTABLISH MYSELF. 2200 01:59:28,858 --> 01:59:30,325 A YEAR OR SO. 2201 01:59:30,761 --> 01:59:32,493 A YEAR? PERHAPS LESS. 2202 01:59:32,930 --> 01:59:34,896 AS SOON AS I CAN CLAIM YOU AS MY WIFE 2203 01:59:34,931 --> 01:59:37,131 AND FREE YOU FROM YOUR DEPENDENCE 2204 01:59:37,167 --> 01:59:39,034 ON THAT MALEVOLENT OLD MAN. 2205 01:59:39,069 --> 01:59:41,936 MARTIN, SINCE THE DAY YOU LEFT, 2206 01:59:41,971 --> 01:59:44,539 HE HAS NEVER SAID AN UNKIND WORD TO ME ABOUT YOU. 2207 01:59:44,574 --> 01:59:46,508 NOR A KIND ONE NEITHER, I'LL BE BOUND. 2208 01:59:51,314 --> 01:59:52,947 WELL, WHAT'S THE MATTER? 2209 01:59:54,383 --> 01:59:56,717 IT JUST MAKES ME FEEL SO WRETCHED 2210 01:59:56,753 --> 01:59:59,754 TO BE THE CAUSE OF DIVISION BETWEEN YOU. 2211 01:59:59,790 --> 02:00:02,957 I CAN NEVER FORGET THAT HE TOOK ME OUT OF THAT ORPHANAGE. 2212 02:00:02,993 --> 02:00:04,792 PURELY FOR HIS OWN SELFISH ENDS. 2213 02:00:04,828 --> 02:00:06,160 NEVERTHELESS, 2214 02:00:06,195 --> 02:00:08,964 EVEN BEING HERE WITHOUT HIS KNOWLEDGE 2215 02:00:08,999 --> 02:00:10,565 MAKES ME UNEASY. 2216 02:00:13,269 --> 02:00:16,070 YOU DO LOVE ME, DON'T YOU, MARY? 2217 02:00:17,340 --> 02:00:19,741 OF COURSE I DO, MARTIN. 2218 02:00:19,776 --> 02:00:22,210 BUT PERHAPS IF YOU WERE TO APPEAL TO HIM-- 2219 02:00:22,245 --> 02:00:25,480 NO. I HAVE MY PRIDE, TOO. 2220 02:00:25,515 --> 02:00:28,115 [BELL TOLLING] 2221 02:00:28,151 --> 02:00:29,950 THERE'S MY GIRL... 2222 02:00:31,587 --> 02:00:33,821 MY LITTLE WIFE-TO-BE. 2223 02:00:36,493 --> 02:00:37,758 AHEM. 2224 02:00:37,794 --> 02:00:39,927 EXCUSE ME, SIR, BUT, UM... 2225 02:00:39,963 --> 02:00:42,096 THE HORSE GUARD'S CLOCK HAS JUST STRUCK THE QUARTER. 2226 02:00:42,132 --> 02:00:43,965 I ONLY MENTION IT 2227 02:00:44,000 --> 02:00:45,934 BECAUSE THE YOUNG LADY PARTICULARLY ASKED ME TO. 2228 02:00:45,969 --> 02:00:48,169 QUITE RIGHT. I DID. 2229 02:00:48,205 --> 02:00:50,471 I DARE NOT STAY FOR LONG. 2230 02:00:50,506 --> 02:00:52,673 THEN LET ME BE BRIEF. 2231 02:00:52,709 --> 02:00:54,609 YOU KNOW MY RELATIVE PECKSNIFF? 2232 02:00:54,644 --> 02:00:57,412 YES. YOUR GRANDFATHER HAS SPOKEN OF HIM 2233 02:00:57,447 --> 02:00:58,947 A GREAT DEAL LATELY. 2234 02:00:58,982 --> 02:01:01,416 IT SEEMS HE IS A BETTER MAN THAN WE SUPPOSED. 2235 02:01:01,451 --> 02:01:02,684 [SCOFFS] 2236 02:01:02,719 --> 02:01:05,319 WE ARE GOING TO STAY WITH HIM AND HIS DAUGHTERS. 2237 02:01:05,355 --> 02:01:07,455 PECKSNIFF IS A SCOUNDREL, 2238 02:01:07,490 --> 02:01:10,158 IN THOUGHT AND DEED AND EVERYTHING ELSE. 2239 02:01:10,193 --> 02:01:12,793 AS FOR HIS DAUGHTERS, 2240 02:01:12,829 --> 02:01:15,396 WELL, I WILL ONLY SAY THAT THEY ARE DUTIFUL YOUNG LADIES 2241 02:01:15,432 --> 02:01:17,331 AND TAKE AFTER THEIR FATHER. 2242 02:01:17,367 --> 02:01:19,300 I'M SORRY TO HEAR IT. 2243 02:01:19,336 --> 02:01:21,569 I WAS HOPING THEY WOULD BE FRIENDS. 2244 02:01:21,605 --> 02:01:24,405 THAT IS THE VERY POINT I'M COMING TO. 2245 02:01:24,441 --> 02:01:26,574 IN PECKSNIFF'S EMPLOY, 2246 02:01:26,610 --> 02:01:29,977 THERE IS A MAN CALLED TOM PINCH. 2247 02:01:30,013 --> 02:01:31,512 REMEMBER THE NAME. 2248 02:01:31,547 --> 02:01:33,214 TOM PINCH. 2249 02:01:33,249 --> 02:01:35,683 A POOR, STRANGE, ODD-LOOKING FELLOW, 2250 02:01:35,719 --> 02:01:38,519 BUT VERY HONEST AND WITH A SPECIAL REGARD FOR ME. 2251 02:01:38,554 --> 02:01:40,088 I LIKE HIM ALREADY. 2252 02:01:40,123 --> 02:01:42,223 HE ALSO KNOWS YOU, TOO, IN A SENSE. 2253 02:01:42,259 --> 02:01:45,226 YOU USED TO VISIT THE PARISH CHURCH WHERE HE PLAYED THE ORGAN. 2254 02:01:45,262 --> 02:01:46,561 THE ORGANIST? 2255 02:01:46,596 --> 02:01:48,562 YES, AND HE GETS NOTHING FOR IT, EITHER. 2256 02:01:48,598 --> 02:01:50,431 THERE NEVER WAS SUCH A SIMPLE FELLOW, 2257 02:01:50,867 --> 02:01:53,101 BUT A VERY GOOD SORT OF CREATURE, I ASSURE YOU. 2258 02:01:53,136 --> 02:01:55,636 WHEN I WRITE TO YOU FROM AMERICA, 2259 02:01:55,672 --> 02:01:58,439 I WILL SEND THE LETTERS CARE OF PINCH. 2260 02:01:58,475 --> 02:02:00,308 AND WHILE I'M GONE, 2261 02:02:00,343 --> 02:02:02,443 IT WILL BE A GREAT CONSOLATION TO YOU 2262 02:02:02,479 --> 02:02:04,411 TO HAVE SOMEONE TO TALK TO. 2263 02:02:04,447 --> 02:02:07,114 ABOUT ME, YOU KNOW. 2264 02:02:07,150 --> 02:02:09,517 I'VE WRITTEN A LETTER TO HIM WHICH EXPLAINS ALL THIS. 2265 02:02:09,953 --> 02:02:11,653 AHEM. EXCUSE ME, SIR. 2266 02:02:11,688 --> 02:02:13,154 THE HALF HOUR. 2267 02:02:13,189 --> 02:02:14,822 I MUST GO AT ONCE. 2268 02:02:19,329 --> 02:02:21,962 GOOD-BYE, MARY. 2269 02:02:21,998 --> 02:02:23,998 MARTIN, ARE YOU SURE THIS IS WISE? 2270 02:02:24,033 --> 02:02:25,299 ABSOLUTELY. 2271 02:02:25,334 --> 02:02:27,301 DO YOU HAVE ENOUGH MONEY? 2272 02:02:27,337 --> 02:02:31,572 DO YOU THINK I WOULD SET OFF ON SUCH A VENTURE OTHERWISE? 2273 02:02:31,608 --> 02:02:33,441 PUT YOUR PURSE AWAY. 2274 02:02:40,350 --> 02:02:42,083 GOOD-BYE, MY LOVE. 2275 02:02:53,262 --> 02:02:54,995 GOOD-BYE, MARTIN. 2276 02:03:12,549 --> 02:03:15,016 MR. TAPLEY, I WANT TO GO TO BOND STREET 2277 02:03:15,051 --> 02:03:17,018 BEFORE WE RETURN TO THE HOTEL. 2278 02:03:17,053 --> 02:03:18,486 YES, MISS. 2279 02:03:18,522 --> 02:03:19,954 [KNOCK ON DOOR] 2280 02:03:24,561 --> 02:03:25,693 WELL, MARK? 2281 02:03:25,728 --> 02:03:28,729 WELL, SIR, I SEEN THE YOUNG LADY SAFE HOME. 2282 02:03:28,764 --> 02:03:30,931 SHE SENT A LOT OF KIND WORDS, SIR... 2283 02:03:30,967 --> 02:03:32,800 AND THIS... 2284 02:03:32,836 --> 02:03:34,502 FOR A KEEPSAKE. 2285 02:03:42,178 --> 02:03:43,611 DIAMONDS. 2286 02:03:44,714 --> 02:03:47,114 AND SPLENDID ONES. 2287 02:03:47,150 --> 02:03:49,550 MY GRANDFATHER MUST HAVE GIVEN HER THIS, MARK. 2288 02:03:50,987 --> 02:03:52,653 SIR, YOU DON'T THINK, UH... 2289 02:03:52,688 --> 02:03:54,822 SHE MIGHT HAVE BOUGHT IT HERSELF SO TO GIVE TO YOU 2290 02:03:54,857 --> 02:03:56,924 SO YOU'D HAVE SOMETHING OF VALUE FOR A RAINY DAY? 2291 02:03:56,959 --> 02:03:59,227 NO, NO, NO. THIS WAS MY GRANDFATHER'S GIFT. DEPEND ON IT. 2292 02:04:01,031 --> 02:04:03,097 I'M SURE YOU KNOW BEST, SIR. 2293 02:04:03,133 --> 02:04:05,166 I SHOULD WEAR IT... 2294 02:04:05,201 --> 02:04:06,534 ON... 2295 02:04:07,803 --> 02:04:09,204 THIS FINGER. 2296 02:04:11,073 --> 02:04:13,073 AND THERE IT SHALL STAY 2297 02:04:13,109 --> 02:04:16,777 UNTIL THE DAY WHEN I PUT IT BACK ON HER OWN DEAR HAND. 2298 02:04:20,316 --> 02:04:22,449 SHE IS QUITE WORTHY OF THE SACRIFICES I HAVE MADE. 2299 02:04:24,921 --> 02:04:26,520 JOLLY! 2300 02:04:37,266 --> 02:04:39,200 [MAN GROANING] 2301 02:04:40,536 --> 02:04:43,738 [MAN COUGHING GROTESQUELY] 2302 02:04:58,888 --> 02:05:00,488 LET THE FIRE BE! 2303 02:05:00,523 --> 02:05:02,390 IT'S A COLD SPRING! 2304 02:05:02,425 --> 02:05:05,459 [WHINY VOICE] "WASTE NOT, WANT NOT." 2305 02:05:05,494 --> 02:05:07,795 [CHUCKLING] 2306 02:05:07,831 --> 02:05:10,631 THERE'S LITTLE TIME LEFT FOR THAT, JONAS. 2307 02:05:10,666 --> 02:05:12,232 FOR WHAT? 2308 02:05:12,268 --> 02:05:15,536 FOR ME TO COME TO WANT. 2309 02:05:15,572 --> 02:05:19,240 HE'S YOUR OWN SON, MR. CHUZZLEWIT. 2310 02:05:19,275 --> 02:05:22,076 YOUR ONLY SON, SIR. 2311 02:05:22,111 --> 02:05:24,378 YES, YES, CHUFFEY, 2312 02:05:24,414 --> 02:05:27,381 HE'S A CHIP OFF THE OLD BLOCK. 2313 02:05:27,416 --> 02:05:29,183 [ANTHONY CHUCKLES] 2314 02:05:29,218 --> 02:05:32,719 IT'S A VERY OLD BLOCK NOW, CHUFFEY. 2315 02:05:32,755 --> 02:05:36,590 NO, NO, NO, MR. CHUZZLEWIT, 2316 02:05:36,626 --> 02:05:38,859 NOT OLD. NOT OLD AT ALL. 2317 02:05:38,894 --> 02:05:40,594 HE'S GETTING WORSE, FATHER. 2318 02:05:40,629 --> 02:05:42,630 HOLD YOUR TONGUE! 2319 02:05:46,302 --> 02:05:48,269 HE SAYS YOU'RE WRONG! 2320 02:05:48,304 --> 02:05:51,105 TUT, TUT, I KNOW BETTER. 2321 02:05:51,141 --> 02:05:52,607 I SAY HE'S WRONG. 2322 02:05:52,642 --> 02:05:56,043 HE'S JUST A BOY, THAT'S WHAT HE IS. 2323 02:05:56,079 --> 02:05:58,112 SO ARE YOU, MR. CHUZZLEWIT. 2324 02:05:58,148 --> 02:06:00,515 COMPARED TO ME, YOU'RE BOTH BOYS. 2325 02:06:00,550 --> 02:06:02,450 [CHUFFEY LAUGHING] 2326 02:06:02,886 --> 02:06:05,386 WHAT'S POSSESSED THE OLD MOLE? 2327 02:06:05,421 --> 02:06:07,355 I HAVEN'T HEARD HIM SAY SO MUCH IN YEARS. 2328 02:06:07,390 --> 02:06:10,591 I GROW DEAF, CHUFFEY. 2329 02:06:10,626 --> 02:06:12,626 WHAT IF YOU DO? 2330 02:06:12,662 --> 02:06:14,862 I'VE BEEN DEAF THIS 20 YEARS. 2331 02:06:14,897 --> 02:06:17,898 AND BLINDER, TOO. 2332 02:06:17,933 --> 02:06:20,368 IT'S A GOOD SIGN. 2333 02:06:21,604 --> 02:06:24,572 THE BEST SIGN IN THE WORLD. 2334 02:06:24,607 --> 02:06:27,040 YOU SAW TOO WELL BEFORE. 2335 02:06:29,846 --> 02:06:33,080 OH, I SEE WHAT YOU'RE DOING. 2336 02:06:33,115 --> 02:06:37,385 YOU'RE LEGACY-HUNTING, MR. CHUFFEY, ARE YOU? 2337 02:06:38,688 --> 02:06:40,688 WELL... 2338 02:06:40,723 --> 02:06:43,557 YOU'RE WASTING YOUR TIME. 2339 02:06:45,195 --> 02:06:47,595 NOT... 2340 02:06:47,630 --> 02:06:49,229 AT ALL. 2341 02:06:53,135 --> 02:06:56,937 �30 YOU GET, CHUFFEY. 2342 02:06:59,909 --> 02:07:04,612 �30 A YEAR MAINTENANCE, OLD BOY. 2343 02:07:04,647 --> 02:07:06,614 AND THE REST... 2344 02:07:06,649 --> 02:07:09,616 TO HIS ONLY SON... JONAS. 2345 02:07:09,652 --> 02:07:12,687 SO YOU NEEDN'T BOTHER YOURSELF TO BE TOO AFFECTIONATE-- 2346 02:07:17,660 --> 02:07:20,328 WHAT ARE YOU DOING PEERING AND PRYING AROUND FOR, PECKSNIFF? 2347 02:07:20,363 --> 02:07:22,629 WHY DIDN'T YOU KNOCK? 2348 02:07:22,665 --> 02:07:24,999 SO I DID, BUT NOBODY HEARD IT. 2349 02:07:25,034 --> 02:07:27,168 THE DOOR BEING OPEN, I CAME UP. 2350 02:07:27,203 --> 02:07:30,771 I'M AFRAID I STARTLED YOU IN YOUR, UM... 2351 02:07:30,806 --> 02:07:32,306 READING. 2352 02:07:32,341 --> 02:07:34,675 ECOD, IT'S ENOUGH TO STARTLE A MAN TO SEE A FELLOW 2353 02:07:34,710 --> 02:07:37,045 LOOKING DIRECTLY AT HIM WHO HE THOUGHT WAS 80 MILES AWAY! 2354 02:07:37,080 --> 02:07:39,413 I AM SUMMONED TO LONDON BY A LITTLE MATTER OF BUSINESS. 2355 02:07:39,448 --> 02:07:41,048 I CAME TO PAY MY RESPECTS. 2356 02:07:41,083 --> 02:07:43,083 OH, IS THAT ALL? 2357 02:07:43,119 --> 02:07:45,552 WELL, YOU'D, UH, BETTER HAVE SOME TEA. 2358 02:07:47,623 --> 02:07:49,590 WAKE UP, FATHER. PECKSNIFF'S HERE! 2359 02:07:49,626 --> 02:07:51,359 [KNOCK ON DOOR] 2360 02:07:51,394 --> 02:07:54,094 OH, I'M EXPECTING A PARCEL. 2361 02:07:54,129 --> 02:07:56,597 YOU MUST EXCUSE ME, PECKSNIFF. 2362 02:07:56,632 --> 02:07:59,600 ADD SOME MORE BOILING WATER TO THE TEAPOT. 2363 02:07:59,635 --> 02:08:02,570 THERE'S PLENTY OF STRENGTH LEFT IN THE LEAVES. 2364 02:08:15,652 --> 02:08:17,919 NOW THAT WE ARE ALONE... 2365 02:08:20,055 --> 02:08:22,322 I AM RIGHT IN THINKING 2366 02:08:22,358 --> 02:08:23,991 THAT, UH, METAPHYSICALLY SPEAKING, 2367 02:08:24,026 --> 02:08:25,892 OUR DEAR FRIEND MR. CHUFFEY HERE 2368 02:08:25,928 --> 02:08:28,596 IS WHAT IS JOCULARLY CALLED A DUMMY? 2369 02:08:28,631 --> 02:08:32,500 HE NEITHER SEES NOR HEARS YOU. 2370 02:08:32,535 --> 02:08:34,835 POKE UP THE FIRE, WILL YOU, PECKSNIFF? 2371 02:08:34,870 --> 02:08:38,639 I FEEL A CHILL ON ME LIKE THE INSIDE OF A TOMB. 2372 02:08:47,116 --> 02:08:49,983 I WAS NEVER SO SURPRISED IN MY WHOLE LIFE 2373 02:08:50,019 --> 02:08:52,720 WHEN I RECEIVED YOUR LETTER ASKING TO SEE ME 2374 02:08:52,755 --> 02:08:54,355 WITHOUT JONAS' KNOWLEDGE. 2375 02:08:54,390 --> 02:08:58,092 JONAS IS SWEET UPON YOUR DAUGHTER. 2376 02:08:58,127 --> 02:09:00,794 SO YOU OBSERVED THE LAST TIME WE MET. 2377 02:09:00,829 --> 02:09:02,563 HAVE YOU THOUGHT ON WHAT I SAID THEN? 2378 02:09:02,599 --> 02:09:06,000 YES. AND FIND MUCH TO RECOMMEND IT. 2379 02:09:06,035 --> 02:09:09,003 CHARITY IS A CHARMING GIRL WHOM ANY MAN-- 2380 02:09:09,038 --> 02:09:10,271 SHE'S NOT YOUNG... 2381 02:09:10,306 --> 02:09:12,205 AND HEEDLESS. 2382 02:09:12,241 --> 02:09:14,608 SHE COMES FROM A GOOD, GRIPING STOCK, 2383 02:09:15,044 --> 02:09:16,577 I GRANT YOU THAT. 2384 02:09:18,515 --> 02:09:20,981 AS LONG AS SHE DON'T EXPECT LOVE... 2385 02:09:22,151 --> 02:09:23,617 OR TENDERNESS 2386 02:09:23,652 --> 02:09:25,452 OR ANYTHING OF THAT SORT. 2387 02:09:25,488 --> 02:09:27,554 REALLY, SIR, YOU SHOCK ME. 2388 02:09:27,590 --> 02:09:29,824 MATRIMONY IS SURELY INSEPARABLE 2389 02:09:29,859 --> 02:09:32,893 FROM THE MUTUAL REGARD OF THE SPOUSES, THE EXTREME-- 2390 02:09:32,928 --> 02:09:37,431 YOU ALWAYS WAS A HYPOCRITE, PECKSNIFF. 2391 02:09:37,466 --> 02:09:40,701 WELL, DON'T SAY LATER I DIDN'T WARN YOU. 2392 02:09:42,104 --> 02:09:43,571 I MEAN, WHEN I'M-- 2393 02:09:43,606 --> 02:09:45,539 [COUGHING] 2394 02:09:48,444 --> 02:09:50,277 WHEN I'M DEAD. 2395 02:09:50,313 --> 02:09:52,913 WARN ME? WHAT ABOUT? 2396 02:09:52,948 --> 02:09:56,584 WHEN I PROPOSED THE MATCH, 2397 02:09:56,619 --> 02:10:00,555 I THOUGHT I HAD PLENTY OF YEARS AHEAD OF ME. 2398 02:10:03,125 --> 02:10:05,426 I SEE THINGS... 2399 02:10:05,461 --> 02:10:06,994 DIFFERENTLY NOW. 2400 02:10:07,029 --> 02:10:08,896 [WHEEZING GRUESOMELY] 2401 02:10:17,139 --> 02:10:18,539 MR. CHUZZLEWIT... 2402 02:10:18,574 --> 02:10:20,141 OH. 2403 02:10:20,176 --> 02:10:22,943 OHH... THE BOTTLE OF PHYSIC. 2404 02:10:22,978 --> 02:10:24,578 OHH. 2405 02:10:32,321 --> 02:10:33,754 ONE SPOONFUL? 2406 02:10:43,465 --> 02:10:45,532 [WHEEZES] 2407 02:10:48,338 --> 02:10:49,603 MR. CHUZZLEWIT. 2408 02:10:51,173 --> 02:10:52,373 MR. CHUZZLEWIT, 2409 02:10:52,408 --> 02:10:54,775 I AM AT A LOSS TO UNDERSTAND YOU. 2410 02:10:54,810 --> 02:10:58,712 WHEN YOU HAVE RECOVERED YOURSELF, WE MUST SPEAK FURTHER. 2411 02:11:02,217 --> 02:11:03,650 WHAT ARE YOU DOING? 2412 02:11:05,622 --> 02:11:08,088 YOUR FATHER HAD A BAD COUGHING FIT. 2413 02:11:08,123 --> 02:11:10,591 I--I GAVE HIM SOME OF THIS MEDICINE. 2414 02:11:10,626 --> 02:11:13,393 I--I HOPE I DID RIGHT. 2415 02:11:13,429 --> 02:11:14,861 OH, YES. 2416 02:11:14,897 --> 02:11:17,464 YES. YES, YOU DID RIGHT. 2417 02:11:24,306 --> 02:11:26,273 YOU KNOW, NOW, MR. JONAS, 2418 02:11:26,308 --> 02:11:28,275 I--I DON'T WISH TO ALARM YOU, 2419 02:11:28,310 --> 02:11:31,245 BUT IT SEEMS TO ME THAT HE IS, UM... 2420 02:11:32,648 --> 02:11:33,914 SINKING. 2421 02:11:33,949 --> 02:11:36,250 NO, NO. YOU DON'T KNOW HOW TOUGH HE IS. 2422 02:11:36,285 --> 02:11:38,619 HE'S HAD THAT COUGH ALL WINTER. 2423 02:11:38,655 --> 02:11:40,621 COME, LET US SIT DOWN 2424 02:11:40,656 --> 02:11:43,490 AND HAVE SOME BREAD AND BUTTER. 2425 02:11:49,198 --> 02:11:51,131 AHH. 2426 02:11:51,167 --> 02:11:52,900 SO, HOW IS CHARITY? 2427 02:11:52,935 --> 02:11:55,035 BLOOMING. 2428 02:11:56,605 --> 02:11:58,238 AND THE OTHER ONE? 2429 02:11:58,274 --> 02:12:01,241 AH, MY VOLATILE HUMMINGBIRD. 2430 02:12:01,276 --> 02:12:03,377 WELL, WELL. 2431 02:12:03,412 --> 02:12:05,512 WOULD SHE WERE A LITTLE LESS GIDDY. 2432 02:12:05,948 --> 02:12:08,382 IS SHE SO VERY, VERY GIDDY THEN? 2433 02:12:08,417 --> 02:12:11,285 BESIDES HER SISTER CHERRY, SHE SOMETIMES SEEMS SO. 2434 02:12:12,988 --> 02:12:16,189 [DEEP-TONED TICKING] 2435 02:12:23,299 --> 02:12:26,934 MY WORD, THAT IS A MOST EXTRAORDINARY CLOCK. 2436 02:12:32,041 --> 02:12:33,173 MASTER! 2437 02:12:35,077 --> 02:12:37,043 [THROAT CLUCKING] 2438 02:12:37,079 --> 02:12:39,079 [JABBERING INCOHERENTLY] 2439 02:12:41,250 --> 02:12:43,818 HE SEEMS TO BE TRYING TO SAY SOMETHING. 2440 02:12:49,559 --> 02:12:52,893 [WHEEZES] 2441 02:12:58,668 --> 02:13:00,634 OH, DEAR ME! 2442 02:13:00,669 --> 02:13:02,303 I FEAR HE MAY BE, UM... 2443 02:13:02,338 --> 02:13:04,138 I'LL FETCH A DOCTOR. 2444 02:13:04,173 --> 02:13:05,906 DON'T GO, PECKSNIFF. 2445 02:13:05,942 --> 02:13:07,641 Pecksniff: NO, NO, NO, OF COURSE NOT. 2446 02:13:07,677 --> 02:13:09,310 IT WAS A MERCY YOU WERE PRESENT. 2447 02:13:09,345 --> 02:13:10,777 SOMEONE COULD SAY IT WAS MY FAULT! 2448 02:13:10,813 --> 02:13:12,913 YOUR FAULT, MR. JONAS? 2449 02:13:12,948 --> 02:13:14,481 WELL, PEOPLE SAY SUCH THINGS. 2450 02:13:14,517 --> 02:13:18,051 I USED TO JOKE, YOU KNOW, BUT I NEVER WISHED HIM DEAD! 2451 02:13:18,087 --> 02:13:20,888 SIT HIM UP IN HIS CHAIR. HE'LL SOON BE BETTER. 2452 02:13:20,923 --> 02:13:24,258 SOON BETTER. SOON BETTER. 2453 02:13:24,293 --> 02:13:25,893 SOON BETTER. 2454 02:13:28,097 --> 02:13:31,031 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org-- 2455 02:15:14,335 --> 02:15:15,835 [BABY CRYING] 2456 02:15:15,904 --> 02:15:18,371 [TAPPING] 2457 02:15:22,710 --> 02:15:24,810 KNOCK AT THE WINDOW, SIR, 2458 02:15:24,879 --> 02:15:26,679 KNOCK AT THE FIRST FLOOR WINDOW. 2459 02:15:26,748 --> 02:15:29,148 DON'T LOSE MORE TIME THAN YOU CAN HELP. 2460 02:15:34,222 --> 02:15:36,656 MAY I BORROW YOUR WHIP, MY MAN? 2461 02:15:54,442 --> 02:15:56,075 HE'S AS PALE AS A MUFFIN. 2462 02:15:56,144 --> 02:15:59,311 WELL, HE OUGHT TO BE, IF HE'S ANY FEELINGS. 2463 02:15:59,380 --> 02:16:01,347 [WINDOWSILL SQUEAKS] 2464 02:16:01,415 --> 02:16:02,348 MRS. GAMP? 2465 02:16:02,417 --> 02:16:04,250 IS IT MRS. PERKINS? 2466 02:16:04,319 --> 02:16:06,219 NO, NO, NOTHING OF THE SORT. 2467 02:16:06,287 --> 02:16:09,522 OH, DON'T SAY IT'S YOU, MR. WHILKES-- 2468 02:16:09,591 --> 02:16:12,891 AND THAT POOR CREATURE MRS. WHILKES WITH NOT EVEN A PINCUSHION READY. 2469 02:16:12,960 --> 02:16:14,960 NO. NO, IT IS NOT MR. WHILKES. 2470 02:16:15,029 --> 02:16:17,963 MY NAME IS PECKSNIFF. A GENTLEMAN IS DEAD, 2471 02:16:18,032 --> 02:16:20,499 AND SOME PERSON BEING WANTED IN THE HOUSE, 2472 02:16:20,568 --> 02:16:22,434 YOU HAVE BEEN RECOMMENDED 2473 02:16:22,503 --> 02:16:25,071 BY MR. MOULD THE UNDERTAKER. 2474 02:16:25,139 --> 02:16:28,307 OH. OH, I--I'LL BE DOWN DIRECTLY. 2475 02:16:35,550 --> 02:16:38,483 OH. OH, YOU MUST EXCUSE ME 2476 02:16:38,552 --> 02:16:40,820 BEING A-BED WHEN YOU CALLED, SIR, 2477 02:16:40,888 --> 02:16:42,821 BUT I WAS SUMMONED LAST NIGHT 2478 02:16:42,890 --> 02:16:45,057 TO ASSIST IN A CASE OF TWINS. 2479 02:16:51,599 --> 02:16:54,400 WAS IT A CLOSE RELATION OF YOURN, SIR, 2480 02:16:54,469 --> 02:16:58,437 THE DECEASED, SIR? OH, DEAR, OH, DEAR. 2481 02:16:58,506 --> 02:17:02,308 OH, WHEN MR. GAMP WAS CALLED TO HIS HOME ON HIGH 2482 02:17:02,377 --> 02:17:06,412 AND I SEEN HIM A-LYIN' IN GUY'S HOSPITAL 2483 02:17:06,480 --> 02:17:08,480 WITH A PENNY PIECE ON EACH EYE 2484 02:17:08,549 --> 02:17:10,983 AND HIS WOODEN LEG UNDER HIS LEFT ARM, 2485 02:17:11,052 --> 02:17:13,986 OOH, I THOUGHT I SHOULD HAVE FAINTED AWAY. 2486 02:17:14,054 --> 02:17:17,489 BUT I BORE UP. OH, I EXPECT YOU THINK 2487 02:17:17,558 --> 02:17:21,393 I'M INDIFFERENT TO SUCH SIGHTS BY NOW, SIR. 2488 02:17:21,462 --> 02:17:22,495 [SNIFF SNIFF] 2489 02:17:22,564 --> 02:17:23,829 AH-CHOO! 2490 02:17:23,898 --> 02:17:25,831 BUT I CAN ASSURE YOU, 2491 02:17:25,900 --> 02:17:29,068 IF IT WASN'T FOR THE NERVE 2492 02:17:29,136 --> 02:17:31,470 THAT A LITTLE SIP OF LIQUOR GIVES ME, 2493 02:17:31,539 --> 02:17:32,972 I COULDN'T GO THROUGH 2494 02:17:33,040 --> 02:17:34,974 WITH WHAT I SOMETIMES HAS TO DO. 2495 02:17:35,043 --> 02:17:36,475 "MRS. HARRIS," I SAYS, 2496 02:17:36,544 --> 02:17:38,477 AT THE LAST CASE I WAS EVER IN, 2497 02:17:38,546 --> 02:17:41,481 WHICH IT WAS BUT A YOUNG PERSON, OH. 2498 02:17:41,549 --> 02:17:43,482 "MRS. HARRIS," I SAYS, 2499 02:17:43,550 --> 02:17:46,485 "LEAVE THE BOTTLE ON THE CHIMNEY PIECE. 2500 02:17:46,554 --> 02:17:48,488 "DON'T ASK ME TO HAVE NONE, 2501 02:17:48,556 --> 02:17:51,423 "BUT LET ME PUT MY LIPS TO IT 2502 02:17:51,492 --> 02:17:52,825 "WHEN I'M SO DISPOSED, 2503 02:17:52,893 --> 02:17:55,127 "AND THEN I WILL DO WHAT I WAS ENGAGED TO DO, 2504 02:17:55,196 --> 02:17:57,797 ACCORDING TO THE BEST OF MY ABILITY." 2505 02:17:57,865 --> 02:17:58,998 OH. 2506 02:17:59,066 --> 02:18:01,934 "OH, MRS. GAMP," SHE SAYS, 2507 02:18:02,002 --> 02:18:04,637 "IF EVER THERE WAS A SOBER CREATURE 2508 02:18:04,705 --> 02:18:07,006 "TO BE GOT FOR 18 PENCE A DAY"-- 2509 02:18:07,075 --> 02:18:08,507 WORKING FOLK, 2510 02:18:08,576 --> 02:18:09,875 3 AND 6, GENTLE PEOPLE, 2511 02:18:09,944 --> 02:18:12,278 AND NIGHT WATCHING AN EXTRA CHARGE-- 2512 02:18:12,347 --> 02:18:15,481 "YOU ARE THAT INVALUABLE PERSON." 2513 02:18:17,919 --> 02:18:20,419 WELL, MRS. GAMP. 2514 02:18:20,488 --> 02:18:21,988 AND HOW ARE YOU? 2515 02:18:22,056 --> 02:18:23,556 OH, PRETTY WELL, THANK YOU, SIR. 2516 02:18:23,625 --> 02:18:26,491 YOU'LL BE VERY PARTICULAR HERE, MRS. GAMP. 2517 02:18:26,560 --> 02:18:28,828 THIS IS NOT A COMMON CASE. 2518 02:18:28,896 --> 02:18:30,129 OH, I SHALL BE, SIR. 2519 02:18:30,197 --> 02:18:32,364 YOU KNOW ME OF OLD, I HOPE, SIR. 2520 02:18:32,433 --> 02:18:33,832 I DO. 2521 02:18:33,901 --> 02:18:37,403 THIS PROMISES TO BE ONE OF THE MOST IMPRESSIVE FUNERALS, SIR, 2522 02:18:37,472 --> 02:18:39,838 THAT I HAVE SEEN IN THE WHOLE COURSE 2523 02:18:39,907 --> 02:18:41,039 OF MY PROFESSIONAL EXPERIENCE. 2524 02:18:41,108 --> 02:18:42,074 INDEED. 2525 02:18:42,143 --> 02:18:45,945 OH. SUCH--SUCH AFFECTIONATE REGRET, SIR. 2526 02:18:46,013 --> 02:18:49,047 SUCH--SUCH FILIAL FEELING I NEVER SAW. 2527 02:18:49,116 --> 02:18:50,549 THERE IS NO LIMITATION, 2528 02:18:50,618 --> 02:18:52,185 POSITIVELY NO LIMITATION IN POINT OF EXPENSE. 2529 02:18:52,253 --> 02:18:53,686 I HAVE ORDERS, SIR, 2530 02:18:53,755 --> 02:18:59,091 TO PUT ON MY WHOLE ESTABLISHMENT OF MUTES. 2531 02:18:59,160 --> 02:19:03,729 AND MUTES COME VERY DEAR, MR. PECKSNIFF. HA HA! 2532 02:19:03,797 --> 02:19:06,098 NOT TO MENTION THEIR DRINK. 2533 02:19:06,167 --> 02:19:07,599 [FOOTSTEPS ON STAIRS] 2534 02:19:07,668 --> 02:19:11,236 MY FRIEND MR. JONAS IS AN EXCELLENT MAN. 2535 02:19:11,305 --> 02:19:12,738 AH! HERE HE IS. 2536 02:19:12,806 --> 02:19:15,241 MR. JONAS, THIS IS MRS. GAMP. 2537 02:19:15,309 --> 02:19:19,378 UM, WOULD YOU CARE TO SHOW HER THE, UH... 2538 02:19:19,447 --> 02:19:20,880 WELL, CAN'T MOULD, SIR? 2539 02:19:20,948 --> 02:19:24,116 OH, BE A PLEASURE, MR. CHUZZLEWIT. 2540 02:19:24,184 --> 02:19:25,618 OH, THANK YOU, SIR. 2541 02:19:25,686 --> 02:19:27,286 I'LL SEE MYSELF OUT AFTERWARDS. 2542 02:19:27,355 --> 02:19:29,122 THIS WAY, SIR. 2543 02:19:33,861 --> 02:19:35,761 YOU'LL STAY FOR THE FUNERAL, PECKSNIFF? 2544 02:19:35,830 --> 02:19:37,997 OF COURSE, MY DEAR SIR. 2545 02:19:38,065 --> 02:19:41,400 IS THERE ANYONE YOU'D LIKE TO ASK? 2546 02:19:41,469 --> 02:19:46,171 NO, I--I THINK NOT, MR. JONAS, 2547 02:19:46,240 --> 02:19:47,306 BUT, UM... 2548 02:19:47,375 --> 02:19:49,809 THANK YOU FOR YOUR HOSPITABLE THOUGHT. 2549 02:19:49,878 --> 02:19:54,546 THEN YOU, ME, CHUFFEY, AND THE DOCTOR 2550 02:19:54,615 --> 02:19:56,415 WILL BE JUST A COACHFUL. 2551 02:19:56,484 --> 02:19:57,983 THE DOCTOR? 2552 02:19:58,052 --> 02:19:59,985 MM. JOBLING. AN EXCELLENT MAN. 2553 02:20:00,054 --> 02:20:02,488 HE SAYS HE DIED OF A STROKE, YOU KNOW? 2554 02:20:02,557 --> 02:20:05,224 WOULD YOU CARE FOR A LITTLE SOMETHING? 2555 02:20:05,292 --> 02:20:06,825 OH, THANK YOU. 2556 02:20:06,894 --> 02:20:09,294 A LITTLE GLASS OF BRANDY WOULD BE MOST WELCOME. 2557 02:20:17,905 --> 02:20:20,506 I WAS WONDERING WHETHER YOU WOULD CARE 2558 02:20:20,574 --> 02:20:22,842 TO PAY US A LITTLE VISIT IN WILTSHIRE 2559 02:20:22,911 --> 02:20:23,942 AFTER THE FUNERAL. 2560 02:20:24,011 --> 02:20:25,511 BY GAD, YES. 2561 02:20:25,579 --> 02:20:28,814 YES. I COULD DO WITH A CHANGE OF AIR. 2562 02:20:28,883 --> 02:20:31,316 IT WOULD, I THINK, BE RESTORATIVE 2563 02:20:31,385 --> 02:20:32,818 AFTER THE STRAIN OF RECENT EVENTS. 2564 02:20:32,887 --> 02:20:35,354 MY DAUGHTERS WOULD BE GLAD TO WELCOME YOU, 2565 02:20:35,423 --> 02:20:38,356 ESPECIALLY, I THINK I MAY SAFELY SAY, CHARITY. 2566 02:20:39,427 --> 02:20:40,793 SHE WOULD, EH? 2567 02:20:42,396 --> 02:20:43,529 MRS. GAMP. 2568 02:20:43,598 --> 02:20:46,999 I HAVE BEEN IN MANY PLACES IN MY TIME, GENTLEMEN, 2569 02:20:47,068 --> 02:20:49,835 AND I HOPES I KNOWS WHAT MY DUTIES IS. 2570 02:20:49,904 --> 02:20:54,373 I HAVE SEEN A DEAL OF TROUBLE MY OWN SELF, 2571 02:20:54,442 --> 02:20:56,041 AND I CAN FEEL FOR THEM 2572 02:20:56,110 --> 02:20:57,442 WHAT HAS THEIR FEELINGS TRIED, 2573 02:20:57,511 --> 02:20:59,945 BUT I AM NOT A RUSSIAN 2574 02:21:00,014 --> 02:21:01,447 NOR A PRUSSIAN, 2575 02:21:01,516 --> 02:21:04,650 AND CONSEQUENTLY I CANNOT SUFFER 2576 02:21:04,718 --> 02:21:07,553 TO HAVE SPIES SET OVER ME. 2577 02:21:12,894 --> 02:21:16,896 I-IF I UNDERSTAND THIS GOOD LADY, 2578 02:21:16,964 --> 02:21:20,466 MR. CHUFFEY IS TROUBLESOME TO HER. 2579 02:21:23,470 --> 02:21:27,072 WOULD YOU BRING HIM DOWN, PECKSNIFF? 2580 02:21:27,141 --> 02:21:29,675 OH, CERTAINLY, MR. JONAS. 2581 02:21:29,744 --> 02:21:33,746 UM... MAY I? 2582 02:21:42,089 --> 02:21:43,989 OH, THANK YOU, SIR. 2583 02:21:51,833 --> 02:21:55,033 [SOBBING QUIETLY] 2584 02:22:04,678 --> 02:22:07,612 COME, MR. CHUFFEY. COME WITH ME. 2585 02:22:10,351 --> 02:22:12,351 3 SCORE AND 10. 2586 02:22:13,687 --> 02:22:16,989 SOME MEN LIVE TO 4 SCORE. 2587 02:22:17,058 --> 02:22:19,124 4 TIMES NAUGHT IS NAUGHT, 2588 02:22:19,193 --> 02:22:20,625 AND 4 2s ARE 8... 2589 02:22:20,694 --> 02:22:21,794 80! 2590 02:22:23,197 --> 02:22:27,132 WHY DIDN'T HE LIVE TO 4 SCORE AND 10? 2591 02:22:27,201 --> 02:22:29,535 WHY DID HE HAVE TO DIE 2592 02:22:29,603 --> 02:22:31,637 BEFORE HIS POOR OLD SERVANT? 2593 02:22:31,706 --> 02:22:33,805 HUSH, MR. CHUFFEY. 2594 02:22:33,874 --> 02:22:36,008 OH, WHAT A WALE OF GRIEF. 2595 02:22:36,077 --> 02:22:39,444 I LOVED HIM. 2596 02:22:39,513 --> 02:22:42,681 HE WAS GOOD TO ME. 2597 02:22:42,749 --> 02:22:45,784 TAKE HIM AWAY... 2598 02:22:45,853 --> 02:22:48,220 AND WHAT REMAINS? 2599 02:22:48,288 --> 02:22:51,891 MR. JONAS REMAINS, MY DEAR SIR. 2600 02:22:51,959 --> 02:22:55,461 HIS ONLY SON. 2601 02:22:55,530 --> 02:22:57,330 [SOBBING] 2602 02:22:57,398 --> 02:22:59,365 [BELL TOLLS] 2603 02:23:19,454 --> 02:23:20,819 GLOVES, EH? 2604 02:23:20,888 --> 02:23:23,155 UPON MY WORD, MR. PECKSNIFF, 2605 02:23:23,224 --> 02:23:25,291 YOUR NEPHEW'S DOING THE THING IN STYLE. 2606 02:23:25,359 --> 02:23:27,159 HE IS INDEED, DR. JOBLING. 2607 02:23:27,228 --> 02:23:28,861 HE HAS BEEN AFFECTED BY HIS FATHER'S DEATH 2608 02:23:28,930 --> 02:23:31,229 TO AN EXTENT THAT HAS SURPRISED EVEN MYSELF. 2609 02:23:31,298 --> 02:23:33,398 COME ALONG, MR. CHUFFEY, 2610 02:23:33,467 --> 02:23:35,300 HOLD YOUR FINGERS STRAIGHT. 2611 02:23:35,369 --> 02:23:37,502 YOU WANT TO BE PROPERLY DRESSED 2612 02:23:37,571 --> 02:23:39,505 FOR YOUR MASTER'S FUNERAL, DON'T YOU? 2613 02:23:39,573 --> 02:23:41,740 MY POOR MASTER. 2614 02:23:41,809 --> 02:23:42,774 NOW, COME, COME. STOP THAT. 2615 02:23:42,843 --> 02:23:45,076 BE A MAN, MR. CHUFFEY. 2616 02:23:45,145 --> 02:23:46,478 Mrs. Gamp: WHERE'S YOUR HANKY? 2617 02:23:47,681 --> 02:23:51,950 OH. WHAT'S THE USE OF KEEPING IT THERE? 2618 02:23:52,019 --> 02:23:54,853 YOU'RE SUPPOSED TO HOLD IT UP TO YOUR FACE 2619 02:23:54,922 --> 02:23:57,923 SO PEOPLE IN THE STREET CAN SEE YOU'RE GRIEVING. 2620 02:23:57,992 --> 02:24:01,460 HE'S NOT RIGHT IN THE HEAD, YOU KNOW? 2621 02:24:01,529 --> 02:24:02,961 I SHOULDN'T BE SURPRISED 2622 02:24:03,030 --> 02:24:04,963 IF HE WERE TO TALK SOME PRECIOUS NONSENSE TODAY. 2623 02:24:05,032 --> 02:24:06,965 BUT DON'T YOU MIND HIM, 2624 02:24:07,034 --> 02:24:08,467 ANY OF YOU. 2625 02:24:08,535 --> 02:24:10,468 MY FATHER LEFT HIM TO MY CHARGE. 2626 02:24:10,537 --> 02:24:12,471 AND WHATEVER HE MAY SAY OR DO, 2627 02:24:12,539 --> 02:24:14,206 THAT'S ENOUGH. 2628 02:24:14,274 --> 02:24:15,474 I'LL TAKE CARE OF HIM. 2629 02:24:15,543 --> 02:24:17,742 WHICH DOES YOU CREDIT, SIR. 2630 02:24:17,811 --> 02:24:20,045 INDEED IT DOES. 2631 02:24:20,114 --> 02:24:21,480 OH, SEE... 2632 02:24:21,548 --> 02:24:24,016 SEE HOW NEAT HE CAN LOOK, SIR, 2633 02:24:24,085 --> 02:24:25,283 WITH A LITTLE HELP? 2634 02:24:25,352 --> 02:24:27,285 ARE YOU READY, MR. MOULD? 2635 02:24:27,354 --> 02:24:28,788 QUITE READY, SIR. 2636 02:24:28,856 --> 02:24:32,791 THEN LET US NOT LOSE ANY MORE TIME. 2637 02:24:39,634 --> 02:24:41,066 MY POOR MASTER. 2638 02:24:41,135 --> 02:24:42,634 TSK. 2639 02:24:48,108 --> 02:24:51,643 I'M THE MASTER NOW, MR. CHUFFEY. 2640 02:25:20,608 --> 02:25:22,208 WHOSE FUNERAL IS THIS? 2641 02:25:22,276 --> 02:25:23,876 OLD ANTHONY CHUZZLEWIT'S. 2642 02:25:23,945 --> 02:25:25,510 CHUZZLEWIT? 2643 02:25:25,579 --> 02:25:26,711 NO. 2644 02:25:26,780 --> 02:25:28,247 YES. HE DIED SUDDENLY LAST MONDAY. 2645 02:25:28,315 --> 02:25:29,414 SUDDENLY? 2646 02:25:29,483 --> 02:25:30,849 A STROKE, THEY SAY. 2647 02:25:30,918 --> 02:25:35,387 WHY, WHAT'S THE MATTER, MAN? YOU LOOK PALE AS A GHOST. 2648 02:25:35,456 --> 02:25:37,056 GOOD LORD. 2649 02:25:52,405 --> 02:25:54,106 PECKSNIFF, WHAT DO YOU INTEND TO GIVE YOUR DAUGHTERS 2650 02:25:54,175 --> 02:25:55,541 WHEN THEY MARRY? 2651 02:25:55,610 --> 02:25:59,178 OH, MY DEAR JONAS, WHAT A VERY SINGULAR INQUIRY. 2652 02:25:59,246 --> 02:26:01,280 OH, NATURALLY, 2653 02:26:01,349 --> 02:26:03,515 IT WOULD DEPEND IN GREAT MEASURE 2654 02:26:03,583 --> 02:26:06,351 WHAT KIND OF HUSBANDS THEY MIGHT CHOOSE. 2655 02:26:06,420 --> 02:26:09,154 WELL, SUPPOSE ONE OF THEM WAS TO CHOOSE ME. 2656 02:26:09,222 --> 02:26:13,859 AH. I SEE WHICH WAY THE WIND IS BLOWING. 2657 02:26:13,928 --> 02:26:17,696 OH, MY DEAR CHERRY, MY STAFF, MY TREASURE. 2658 02:26:17,765 --> 02:26:19,899 WELL, IT IS IN THE NATURE OF THINGS 2659 02:26:19,967 --> 02:26:22,000 THAT ONE DAY I MUST PART WITH HER. 2660 02:26:22,069 --> 02:26:23,902 I AM PREPARED FOR IT. 2661 02:26:23,970 --> 02:26:28,140 YOU'VE BEEN PREPARED A PRETTY LONG TIME, I SHOULD THINK. 2662 02:26:28,208 --> 02:26:30,075 OH, MANY HAVE TRIED TO BEAR HER AWAY, 2663 02:26:30,143 --> 02:26:32,678 BUT SHE SAID TO ME ONE DAY, 2664 02:26:32,746 --> 02:26:35,847 "I WILL NEVER GIVE MY HAND, PAPA, 2665 02:26:35,916 --> 02:26:37,449 UNTIL MY HEART IS WON." 2666 02:26:37,517 --> 02:26:40,152 THOSE WERE HER VERY WORDS. 2667 02:26:40,221 --> 02:26:44,923 SHE HAS SEEMED PREOCCUPIED OF LATE. 2668 02:26:44,992 --> 02:26:46,892 I DON'T KNOW WHY. 2669 02:26:46,960 --> 02:26:49,094 YOU STILL HAVEN'T ANSWERED MY QUESTION. 2670 02:26:49,163 --> 02:26:50,595 YOUR QUESTION? 2671 02:26:50,664 --> 02:26:51,664 HOW MUCH? 2672 02:26:51,732 --> 02:26:53,599 OH, HO HO! 2673 02:26:53,668 --> 02:26:56,935 YOU'VE RECOVERED YOUR OLD ENERGY AND DIRECTNESS, 2674 02:26:57,004 --> 02:26:59,305 I SEE, MR. JONAS. 2675 02:26:59,373 --> 02:27:01,106 WHY, THEN, UM... 2676 02:27:01,174 --> 02:27:02,608 TO BE PLAIN WITH YOU, 2677 02:27:02,676 --> 02:27:04,610 IF SOMEONE AS ELIGIBLE AS YOURSELF 2678 02:27:04,679 --> 02:27:06,612 WERE TO PROPOSE FOR MY DAUGHTER'S HAND, 2679 02:27:06,681 --> 02:27:09,614 I WOULD ENDOW HER WITH, UM... 2680 02:27:09,683 --> 02:27:12,117 �4,000. 2681 02:27:12,186 --> 02:27:13,619 WOULD YOU NOW? 2682 02:27:13,688 --> 02:27:16,421 I SHOULD SADLY PINCH AND CRAMP MYSELF TO DO SO, 2683 02:27:16,490 --> 02:27:18,123 BUT THAT WOULD BE MY DUTY. 2684 02:27:18,191 --> 02:27:19,625 FOR MYSELF, 2685 02:27:19,694 --> 02:27:22,494 MY CONSCIENCE IS MY BANK. 2686 02:27:22,563 --> 02:27:25,630 I HAVE A TRIFLE INVESTED THERE, MR. JONAS, 2687 02:27:25,699 --> 02:27:27,066 A MERE TRIFLE, 2688 02:27:27,134 --> 02:27:29,701 BUT I PRIZE IT AS A STORE OF GREAT VALUE. 2689 02:27:29,770 --> 02:27:33,639 OH, UH...I'M SURE YOU DO, PECKSNIFF. 2690 02:27:33,707 --> 02:27:36,274 ARE THE GALS EXPECTING US? 2691 02:27:36,343 --> 02:27:39,812 NO. I THOUGHT IT MIGHT BE AMUSING 2692 02:27:39,880 --> 02:27:44,783 TO SURPRISE THEM. HA HA! I HAVE NOT SENT WORD. 2693 02:28:09,610 --> 02:28:11,843 MRS. GAMP, COME IN. 2694 02:28:11,912 --> 02:28:14,413 OH, THANK YOU, SIR. 2695 02:28:14,481 --> 02:28:16,248 TAKE A SEAT. 2696 02:28:16,316 --> 02:28:18,049 AND, UH... 2697 02:28:18,118 --> 02:28:20,052 AND HOW ARE YOU? 2698 02:28:20,120 --> 02:28:21,553 OH, ALL THE BETTER 2699 02:28:21,621 --> 02:28:23,889 FOR SEEING MRS. MOULD JUST NOW 2700 02:28:24,358 --> 02:28:26,458 AND LOOKING SO WELL. 2701 02:28:26,527 --> 02:28:29,294 AND THEM 2 HANDSOME YOUNG LADIES 2702 02:28:29,363 --> 02:28:31,196 WHAT I'VE KNOWED SINCE AFORE 2703 02:28:31,265 --> 02:28:33,565 A TOOTH IN THEIR PRETTY HEADS WAS CUT. 2704 02:28:33,634 --> 02:28:35,967 OH, AND MANY A DAY 2705 02:28:36,036 --> 02:28:39,004 I'VE SEEN 'EM PLAYING AT BURYIN'S IN THE SHOP. 2706 02:28:39,073 --> 02:28:42,941 BUT ALL THAT'S PAST AND OVER NOW, SIR, AIN'T IT? 2707 02:28:43,010 --> 02:28:46,078 YOUNG LADIES WITH SUCH FACES 2708 02:28:46,146 --> 02:28:50,082 THINKS ABOUT SOMETHING ELSE BESIDES BURYIN'S. 2709 02:28:50,150 --> 02:28:51,416 HEH HEH! 2710 02:28:51,485 --> 02:28:52,884 I'M SURE I DON'T KNOW, MRS. GAMP. 2711 02:28:52,953 --> 02:28:54,619 WELL, I KNOWS, SIR, 2712 02:28:54,688 --> 02:28:56,988 EVEN THOUGH THE BLESSINGS 2713 02:28:57,057 --> 02:28:59,124 OF A DAUGHTER WAS DENIED ME, 2714 02:28:59,193 --> 02:29:00,592 WHICH IF WE HAD HAD ONE, 2715 02:29:00,660 --> 02:29:02,594 GAMP WOULD HAVE DRUNK ITS LITTLE SHOES 2716 02:29:02,663 --> 02:29:04,095 RIGHT OFF ITS FEET, 2717 02:29:04,164 --> 02:29:06,598 SAME AS HE DID OUR PRECIOUS BOY. 2718 02:29:06,667 --> 02:29:09,601 SO, WHAT'S YOUR NEWS, MRS. GAMP? 2719 02:29:09,669 --> 02:29:11,103 HOW'S MR. CHUFFEY? 2720 02:29:11,172 --> 02:29:14,707 OH, MR. CHUFFEY, SIR, WELL, UM... 2721 02:29:14,775 --> 02:29:16,108 HE'S JUST AS USUAL. 2722 02:29:16,176 --> 02:29:18,744 HE AIN'T NO BETTER, HE AIN'T NO WORSE. 2723 02:29:18,813 --> 02:29:21,913 BUT...THERE IS ANOTHER GENT, SIR, 2724 02:29:21,982 --> 02:29:25,817 WHAT WAS TAKEN ILL AT THE BULL IN HOLBORN, 2725 02:29:25,886 --> 02:29:27,552 AND HE'S BAD ABED. 2726 02:29:27,621 --> 02:29:31,189 NOW THEY HAS A DAY NURSE, AND WELL I KNOWS HER, 2727 02:29:31,258 --> 02:29:33,624 HER NAME BEING MRS. PRIG-- 2728 02:29:33,693 --> 02:29:35,027 OH, BEST OF CREATURES-- 2729 02:29:35,096 --> 02:29:38,363 BUT THEY ARE IN WANTS OF A-NIGHT WATCHING, 2730 02:29:38,432 --> 02:29:41,466 AND BETSY PRIG HAS OFFERED TO PUT MY NAME FORWARD, 2731 02:29:41,535 --> 02:29:44,203 SEEING AS HOW I COULD UNITE THE WORK 2732 02:29:44,271 --> 02:29:47,138 WITH LOOKING AFTER MR. CHUFFEY BY DAY. 2733 02:29:47,207 --> 02:29:48,640 "NOT," I SAYS, 2734 02:29:48,708 --> 02:29:51,343 "NOT UNBEKNOWNST TO MR. MOULD 2735 02:29:51,411 --> 02:29:55,280 "WHO RECOMMENDED ME TO MR. JONAS CHUZZLEWIT. 2736 02:29:55,349 --> 02:30:00,352 "BUT, UH, I WILL GO AND ASK MR. MOULD, IF YOU LIKE." 2737 02:30:00,420 --> 02:30:02,788 NIGHT WATCHING, EH? 2738 02:30:03,257 --> 02:30:05,657 YES, SIR. 8:00 TO 8:00. AND THEN QUITE FREE 2739 02:30:05,725 --> 02:30:07,659 TO ATTEND TO MR. CHUFFEY. 2740 02:30:07,728 --> 02:30:09,661 I WILL NOT DENY, SIR, 2741 02:30:09,730 --> 02:30:12,297 THAT I AM BUT A POOR WOMAN, 2742 02:30:12,366 --> 02:30:15,634 AND, UH... MONEY IS AN OBJECT. 2743 02:30:15,702 --> 02:30:18,503 BUT DON'T LET THAT SWAY YOU, MR. MOULD. 2744 02:30:18,572 --> 02:30:20,805 RICH FOLK MAY RIDE ON CAMELS, 2745 02:30:20,874 --> 02:30:22,340 BUT IT AIN'T SO EASY FOR THEM 2746 02:30:22,409 --> 02:30:24,676 TO SEE OUT OF A NEEDLE'S EYE. 2747 02:30:24,745 --> 02:30:28,279 THAT'S MY COMFORT. I HOPES I KNOWS IT. 2748 02:30:28,348 --> 02:30:30,983 WELL, I DON'T SEE ANY OBJECTION 2749 02:30:31,051 --> 02:30:34,720 TO YOUR EARNING AN HONEST PENNY UNDER SUCH CIRCUMSTANCES. 2750 02:30:34,788 --> 02:30:36,188 OH, THANK YOU, SIR. 2751 02:30:36,257 --> 02:30:38,790 BUT I WOULDN'T MENTION IT TO MR. CHUZZLEWIT 2752 02:30:38,859 --> 02:30:40,559 WHEN HE RETURNS FROM THE COUNTRY, 2753 02:30:40,627 --> 02:30:43,027 UNLESS IT WAS ABSOLUTELY NECESSARY. 2754 02:30:43,096 --> 02:30:45,998 THEM VERY WORDS WAS ON MY OWN LIPS, SIR. 2755 02:30:47,635 --> 02:30:49,934 GOOD DAY TO YOU, MRS. GAMP. 2756 02:31:09,323 --> 02:31:12,757 MY DUTIFUL GIRL IS DOING THE HOUSEKEEPING ACCOUNTS. 2757 02:31:12,826 --> 02:31:16,194 A PLEASANT PICTURE, IS IT NOT? 2758 02:31:16,263 --> 02:31:18,997 PLEASANT TO A FATHER'S HEART. 2759 02:31:20,567 --> 02:31:24,503 SHALL WE LET HER KNOW WE ARE HERE, MR. JONAS? 2760 02:31:24,571 --> 02:31:25,937 YOU'D BETTER, 2761 02:31:26,006 --> 02:31:28,106 UNLESS WE'RE TO SPEND THE NIGHT IN THE WOODSHED. 2762 02:31:28,175 --> 02:31:29,274 OH! OH! 2763 02:31:34,414 --> 02:31:36,314 AH! 2764 02:31:36,382 --> 02:31:38,616 WHO IS IT? 2765 02:31:38,685 --> 02:31:41,019 SPEAK, OR I WILL CALL MY PA! 2766 02:31:42,522 --> 02:31:44,790 MY DEAR CHERRY. 2767 02:31:44,858 --> 02:31:47,625 PA. OH! 2768 02:31:47,694 --> 02:31:50,629 IT WAS THOUGHTLESS OF US, MR. JONAS. 2769 02:31:50,697 --> 02:31:53,465 MY DAUGHTER, YOU SEE, I AM NOT ALONE. 2770 02:31:53,533 --> 02:31:54,700 MR. JONAS. 2771 02:31:54,768 --> 02:31:55,700 EVENING, COUSIN. 2772 02:31:55,769 --> 02:31:57,201 WHERE IS MERRY? 2773 02:31:57,270 --> 02:31:58,970 READING IN HER ROOM, I THINK. 2774 02:31:59,039 --> 02:32:02,040 READING? OH, THE CARELESS PLEASURES OF YOUTH. 2775 02:32:02,109 --> 02:32:05,443 PA! WHAT A SURPRISE. 2776 02:32:06,713 --> 02:32:08,313 YOU HERE, TOO, FRIGHT? 2777 02:32:08,381 --> 02:32:09,981 YOU'RE AS LIVELY AS EVER, I SEE. 2778 02:32:10,050 --> 02:32:11,250 WHAT'S IT TO YOU? 2779 02:32:11,318 --> 02:32:13,352 MY DEARS, LET US ALL HAVE SOME TEA. 2780 02:32:13,420 --> 02:32:15,520 RING FOR JANE, CHARITY. 2781 02:32:21,428 --> 02:32:22,560 HMM. 2782 02:32:29,236 --> 02:32:31,637 NO SIGN OF MR. PINCH? 2783 02:32:31,705 --> 02:32:33,671 HE'S PRACTICING AT HIS ORGAN. 2784 02:32:33,740 --> 02:32:36,674 AH, YES. 2785 02:32:36,743 --> 02:32:38,176 WELL, UM... 2786 02:32:38,245 --> 02:32:42,747 IF YOU'LL EXCUSE ME FOR HALF AN HOUR, 2787 02:32:42,816 --> 02:32:46,051 THERE ARE SOME LETTERS AWAITING MY ATTENTION. 2788 02:32:50,591 --> 02:32:53,191 AND I MUST GET BACK TO MY BOOK. 2789 02:32:53,260 --> 02:32:54,358 DON'T GO. 2790 02:32:54,427 --> 02:32:56,028 OH, I DARE SAY, YOU'RE VERY ANXIOUS 2791 02:32:56,096 --> 02:32:58,196 I SHOULD STAY, AREN'T YOU, FRIGHT? 2792 02:32:58,264 --> 02:33:00,198 YES, I AM. 2793 02:33:00,267 --> 02:33:02,634 UPON MY WORD, MERRY, I WONDER AT YOU. 2794 02:33:02,702 --> 02:33:05,170 THERE ARE BOUNDS EVEN TO ABSURDITY, MY DEAR. 2795 02:33:05,239 --> 02:33:07,072 MANY THANKS FOR THE ADVICE, SISTER. 2796 02:33:07,141 --> 02:33:10,141 OH! DO LEAVE ME ALONE, YOU MONSTER, DO. 2797 02:33:10,210 --> 02:33:12,477 NOW I HAVE BOTH ARMS FULL, HAVEN'T I? 2798 02:33:12,546 --> 02:33:14,546 PINCH HIM FOR ME, CHERRY, PLEASE. 2799 02:33:14,614 --> 02:33:16,548 I NEVER HATED ANYBODY SO MUCH IN MY LIFE 2800 02:33:16,617 --> 02:33:17,782 AS THIS CREATURE. 2801 02:33:17,851 --> 02:33:21,219 NO, DON'T, BECAUSE I WANT TO TALK SERIOUSLY. 2802 02:33:22,956 --> 02:33:24,622 I SAY, COUSIN CHARITY. 2803 02:33:24,691 --> 02:33:26,624 WELL, WHAT? 2804 02:33:26,693 --> 02:33:28,726 SHE'S NOT GOING TO BELIEVE WHAT I'M GOING TO SAY, 2805 02:33:28,795 --> 02:33:29,894 IS SHE, COUSIN? 2806 02:33:29,963 --> 02:33:31,329 HOW SHOULD I KNOW? 2807 02:33:31,398 --> 02:33:33,965 WELL, YOU SEE HER WAY ALWAYS BEING TO MAKE GAME OF PEOPLE, 2808 02:33:34,034 --> 02:33:36,334 I KNOW SHE'LL LAUGH OR AT LEAST PRETEND TO. 2809 02:33:36,403 --> 02:33:38,236 BUT YOU CAN TELL HER I'M IN EARNEST, COUSIN, 2810 02:33:38,305 --> 02:33:39,738 CAN'T YOU? 2811 02:33:39,806 --> 02:33:41,239 NO ONE KNOWS LIKE YOU 2812 02:33:41,307 --> 02:33:42,741 HOW MUCH I TRIED TO GET INTO HER COMPANY 2813 02:33:42,809 --> 02:33:44,242 WHILE YOU WERE BOTH IN LONDON 2814 02:33:44,311 --> 02:33:46,244 WITHOUT SEEMING TO WISH IT. HMM? 2815 02:33:46,312 --> 02:33:49,313 I ALWAYS ASKED YOU ABOUT HER AND HOW SHE WAS 2816 02:33:49,382 --> 02:33:52,049 AND SAID HOW LIVELY SHE WAS AND ALL THAT, DIDN'T I? 2817 02:33:52,118 --> 02:33:55,520 I KNOW YOU'LL TELL HER SO IF YOU HAVEN'T DONE SO ALREADY. 2818 02:33:55,589 --> 02:33:57,155 COUSIN MERCY, 2819 02:33:57,224 --> 02:33:58,924 YOU'VE HEARD WHAT I'VE BEEN SAYING. 2820 02:33:58,992 --> 02:34:01,526 SHE'LL CONFIRM IT, EVERY SINGLE WORD. 2821 02:34:01,594 --> 02:34:04,729 WILL YOU HAVE ME FOR YOUR HUSBAND, EH? 2822 02:34:05,932 --> 02:34:07,132 YOU... 2823 02:34:09,502 --> 02:34:11,202 YOU... 2824 02:34:11,271 --> 02:34:13,404 YOU D... 2825 02:34:13,473 --> 02:34:14,539 OH... 2826 02:34:14,607 --> 02:34:16,641 NO...PLEASE... 2827 02:34:16,710 --> 02:34:19,710 PLEASE, NO! 2828 02:34:19,779 --> 02:34:23,281 [SOBBING] NO! NO! 2829 02:34:23,350 --> 02:34:24,883 I MUST GO TO HER. 2830 02:34:24,952 --> 02:34:27,019 NOT TILL YOU SAY YES. WILL YOU HAVE ME FOR YOUR HUSBAND? 2831 02:34:27,087 --> 02:34:28,954 NO, I WON'T. 2832 02:34:29,022 --> 02:34:30,589 I CAN'T BEAR THE SIGHT OF YOU. 2833 02:34:30,657 --> 02:34:32,890 BESIDES, I ALWAYS THOUGHT YOU LIKED MY SISTER BEST. 2834 02:34:32,959 --> 02:34:34,259 WE ALL THOUGHT SO. 2835 02:34:34,328 --> 02:34:35,993 NO, YOU DIDN'T. I DID. 2836 02:34:36,062 --> 02:34:38,096 YOU NEVER COULD THINK I PREFERRED HER WHILE YOU WERE BY! 2837 02:34:38,165 --> 02:34:39,964 LET ME GO TO HER. 2838 02:34:39,966 --> 02:34:40,999 SAY YES, AND I WILL. 2839 02:34:41,067 --> 02:34:43,768 IF EVER I BROUGHT MYSELF TO SAY SO, 2840 02:34:43,837 --> 02:34:46,638 IT SHOULD ONLY BE THAT I MIGHT HATE AND TEASE YOU ALL MY LIFE. 2841 02:34:46,706 --> 02:34:48,807 WELL, THAT'S AS GOOD AS SAYING IT RIGHT OUT. 2842 02:34:48,875 --> 02:34:51,375 IT'S A BARGAIN, COUSIN. 2843 02:34:51,444 --> 02:34:52,844 WE'RE A PAIR. 2844 02:35:11,698 --> 02:35:14,365 DON'T...COME... NEAR...ME... 2845 02:35:14,434 --> 02:35:16,868 YOU TREACHEROUS LITTLE VIXEN! 2846 02:35:16,937 --> 02:35:18,803 DON'T COME NEAR ME, BECAUSE THIS TIME-- 2847 02:35:18,872 --> 02:35:20,472 I'LL NEVER FORGIVE YOU FOR THIS! 2848 02:35:20,540 --> 02:35:22,140 Mercy: IT'S NOT MY FAULT! 2849 02:35:22,209 --> 02:35:23,808 [SOBBING] YOU'VE BROKEN MY HEART! 2850 02:35:23,877 --> 02:35:26,311 I DIDN'T KNOW HE MEANT TO CHOOSE ME! 2851 02:35:26,380 --> 02:35:27,979 [SOBBING] I CAN'T BEAR IT! 2852 02:35:28,048 --> 02:35:29,981 YOU'RE ALWAYS DOING THIS TO ME, 2853 02:35:30,050 --> 02:35:32,484 BUT THIS TIME, YOU'VE GONE TOO FAR! 2854 02:35:32,552 --> 02:35:34,452 YOU LED HIM ON. 2855 02:35:34,520 --> 02:35:35,954 NO, I DIDN'T. 2856 02:35:36,022 --> 02:35:37,955 YES, YOU DID! YOU KNOW YOU-- 2857 02:35:38,024 --> 02:35:39,424 GIRLS. 2858 02:35:39,493 --> 02:35:41,593 DAUGHTERS. 2859 02:35:41,661 --> 02:35:43,094 WHAT IS THIS? 2860 02:35:43,163 --> 02:35:45,930 [SOBS] 2861 02:35:45,999 --> 02:35:47,932 OH, THAT WRETCH, 2862 02:35:48,001 --> 02:35:51,603 THAT MEAN, FALSE, ODIOUS VILLAIN 2863 02:35:51,671 --> 02:35:55,773 HAS PROPOSED TO MERCY BEFORE MY VERY FACE! 2864 02:35:55,842 --> 02:35:57,742 WHO HAS PROPOSED TO MERCY? 2865 02:35:57,811 --> 02:36:00,411 THAT THING DOWNSTAIRS. JONAS. 2866 02:36:00,480 --> 02:36:02,480 [SOBS] 2867 02:36:04,016 --> 02:36:05,550 INDEED. 2868 02:36:07,854 --> 02:36:09,587 "INDEED." 2869 02:36:11,191 --> 02:36:14,125 I-IS THAT ALL YOU CAN SAY? 2870 02:36:14,194 --> 02:36:15,326 "INDEED." 2871 02:36:17,029 --> 02:36:18,463 AM...AM I TO-- 2872 02:36:18,632 --> 02:36:21,299 AM I TO BE DRIVEN MAD? 2873 02:36:21,367 --> 02:36:24,102 HE HAS PROPOSED TO MERCY 2874 02:36:24,171 --> 02:36:26,637 AND NOT TO ME! 2875 02:36:26,706 --> 02:36:28,305 AAAHHH! 2876 02:36:28,374 --> 02:36:30,308 [SOBS AND CRIES OUT INDISTINCTLY] 2877 02:36:34,714 --> 02:36:37,648 OH, FIE. FOR SHAME, CHARITY. 2878 02:36:37,717 --> 02:36:39,650 CAN THE TRIUMPH OF A SISTER 2879 02:36:39,719 --> 02:36:42,654 MOVE YOU TO THIS TERRIBLE DISPLAY, MY CHILD? 2880 02:36:42,723 --> 02:36:45,323 OH, REALLY, THIS IS VERY SAD. 2881 02:36:48,795 --> 02:36:50,195 MERCY, MY CHILD. 2882 02:36:53,400 --> 02:36:54,499 BLESS YOU. 2883 02:36:57,971 --> 02:37:00,838 SEE TO HER. SEE TO HER. 2884 02:37:00,907 --> 02:37:02,039 YES, PAPA. 2885 02:37:05,745 --> 02:37:07,678 [SOBS] 2886 02:37:09,616 --> 02:37:11,349 UHH! 2887 02:37:12,619 --> 02:37:14,019 JONAS! 2888 02:37:14,087 --> 02:37:18,156 THE DEAREST WISH OF MY HEART IS NOW FULFILLED. 2889 02:37:18,225 --> 02:37:19,824 MMM. I'M GLAD TO HEAR IT. 2890 02:37:19,893 --> 02:37:21,693 YOU AIN'T SURPRISED BY MY CHOICE THEN? 2891 02:37:21,762 --> 02:37:24,195 A LITTLE. JUST A LITTLE, MY DEAR BOY. 2892 02:37:24,263 --> 02:37:27,698 BUT THE IMPORTANT THING IS THAT OUR TWO FAMILIES ARE TO BE UNITED. 2893 02:37:29,436 --> 02:37:31,803 AS IT AIN'T THE ONE YOU'RE SO FOND OF, 2894 02:37:31,871 --> 02:37:34,372 YOU MUST COME UP WITH AN EXTRA THOUSAND, PECKSNIFF. 2895 02:37:37,343 --> 02:37:40,544 IT'S WORTH THAT TO KEEP YOUR LITTLE TREASURE TO YOURSELF, YOU KNOW? 2896 02:37:40,613 --> 02:37:43,214 HA HA HA HA! 2897 02:37:43,283 --> 02:37:44,816 YOU JEST, JONAS. 2898 02:37:44,884 --> 02:37:47,351 NO, I DON'T. NEVER JEST ABOUT MONEY. 2899 02:37:47,420 --> 02:37:48,452 MR. PECKSNIFF! 2900 02:37:48,521 --> 02:37:50,121 MR. PINCH? 2901 02:37:50,189 --> 02:37:52,790 I BEG YOUR PARDON, SIR, FOR COMING IN WITHOUT KNOCKING-- 2902 02:37:52,859 --> 02:37:54,793 BETTER BEG THIS GENTLEMAN'S PARDON, MR. PINCH. 2903 02:37:54,861 --> 02:37:57,362 JONAS, THIS IS MY YOUNG MAN. 2904 02:37:57,430 --> 02:37:58,697 I DO BEG YOUR PARDON, SIR. 2905 02:37:58,765 --> 02:38:00,965 COULD I SPEAK A WORD WITH YOU, SIR, IF YOU PLEASE? 2906 02:38:01,033 --> 02:38:02,300 IT IS RATHER PRESSING. 2907 02:38:05,438 --> 02:38:08,039 PLEASE, UH, EXCUSE ME FOR A MOMENT. 2908 02:38:13,113 --> 02:38:15,213 WHAT IS THE MEANING OF THIS ROUGH INTRUSION? 2909 02:38:15,282 --> 02:38:17,716 WELL, SIR, WHILE I WAS IN THE CHURCH JUST NOW, 2910 02:38:17,784 --> 02:38:19,717 TOUCHING THE ORGAN FOR MY OWN AMUSEMENT, 2911 02:38:19,785 --> 02:38:22,720 A GENTLEMAN AND A LADY CAME INTO THE CHURCH AND SAT DOWN TO LISTEN. 2912 02:38:22,789 --> 02:38:25,023 I KNEW THE YOUNG LADY AT ONCE, SO I WENT ON PLAYING. 2913 02:38:25,092 --> 02:38:28,359 SHE WAS KIND ENOUGH TO THANK ME AFTERWARDS. THE OLD GENTLEMAN, TOO. 2914 02:38:28,428 --> 02:38:31,162 IN FACT...THEY SAID, "DELICIOUS MUSIC." 2915 02:38:31,231 --> 02:38:32,997 OR AT LEAST SHE DID. 2916 02:38:33,066 --> 02:38:34,899 MR. PINCH, OF WHOM ARE YOU SPEAKING? 2917 02:38:34,967 --> 02:38:38,402 OH, I--I BEG YOUR PARDON, SIR, BUT I'M RATHER FLURRIED. 2918 02:38:38,471 --> 02:38:39,904 I'M AFRAID I'VE WANDERED RATHER FROM THE POINT. 2919 02:38:39,972 --> 02:38:41,339 IF YOU WOULD COME BACK TO IT, MR. PINCH, 2920 02:38:41,408 --> 02:38:42,907 I SHOULD BE MUCH OBLIGED. 2921 02:38:42,976 --> 02:38:45,110 WELL, SIR, THEY ASKED ME IF THERE WAS A FOOTPATH 2922 02:38:45,178 --> 02:38:46,344 FROM THE CHURCH TO YOUR HOUSE. 2923 02:38:46,413 --> 02:38:47,845 I TOLD THEM THERE WAS, 2924 02:38:47,914 --> 02:38:49,347 SO THEY SENT THEIR CARRIAGE TO THE DRAGON 2925 02:38:49,416 --> 02:38:50,749 AND SAID THEY WOULD WALK HERE, IT BEING A FINE EVENING-- 2926 02:38:50,817 --> 02:38:52,784 WHO IS WALKING HERE? 2927 02:38:52,853 --> 02:38:54,953 WHY, OLD MR. MARTIN CHUZZLEWIT, SIR, 2928 02:38:55,022 --> 02:38:56,954 AND THE YOUNG LADY WHO ATTENDED HIM 2929 02:38:57,023 --> 02:38:58,223 LAST TIME THEY WERE STAYING AT THE DRAGON. 2930 02:38:58,291 --> 02:38:59,223 MR. CHUZZLEWIT! 2931 02:38:59,292 --> 02:39:00,458 YES, SIR. I RAN ON AHEAD. 2932 02:39:00,527 --> 02:39:01,626 THEY SHOULD BE HERE AT ANY MOMENT. 2933 02:39:01,695 --> 02:39:03,428 [KNOCK ON DOOR] 2934 02:39:03,496 --> 02:39:04,929 [GLASS BREAKS UPSTAIRS] 2935 02:39:04,998 --> 02:39:06,397 Charity: I HATE YOU! 2936 02:39:06,466 --> 02:39:08,066 YOU'VE ALWAYS DONE THIS TO ME, 2937 02:39:08,535 --> 02:39:10,568 BUT THIS TIME YOU'VE JUST GONE TOO FAR! 2938 02:39:10,637 --> 02:39:12,003 [HUSHED VOICE] MR. PINCH, RUN UPSTAIRS 2939 02:39:12,071 --> 02:39:13,438 AND TELL MY DAUGHTERS WHO IS HERE. 2940 02:39:13,507 --> 02:39:14,939 SAY "SILENCE. SILENCE IMMEDIATELY, 2941 02:39:15,008 --> 02:39:16,941 OR I DISINHERIT THEM ON THE SPOT." YOU UNDERSTAND? 2942 02:39:17,010 --> 02:39:19,443 YES, SIR. [KNOCKING] 2943 02:39:20,513 --> 02:39:21,779 HELLO, PECKSNIFF. 2944 02:39:21,848 --> 02:39:23,781 ISN'T SOMEBODY A-GOING TO ANSWER 2945 02:39:23,850 --> 02:39:26,284 THAT PRECIOUS OLD DOOR OF YOURS? 2946 02:39:26,353 --> 02:39:27,619 [SCREAMING UPSTAIRS CONTINUES] 2947 02:39:27,687 --> 02:39:29,120 IMMEDIATELY. IMMEDIATELY, JONAS. 2948 02:39:29,188 --> 02:39:32,456 PRAY, UH, REMAIN IN THIS ROOM QUIETLY 2949 02:39:32,525 --> 02:39:34,025 UNTIL I REJOIN YOU. 2950 02:39:39,032 --> 02:39:41,132 THIS IS VERY STRANGE. 2951 02:39:41,201 --> 02:39:44,035 Pecksniff: � LITTLE TOM COBLEY AND ALL � 2952 02:39:45,538 --> 02:39:46,638 AH! 2953 02:39:46,707 --> 02:39:47,838 [DOOR OPENS] 2954 02:39:47,907 --> 02:39:48,840 � ALL � 2955 02:39:50,009 --> 02:39:51,642 MR. CHUZZLEWIT! 2956 02:39:51,711 --> 02:39:53,544 CAN I BELIEVE MY EYES? 2957 02:39:53,613 --> 02:39:56,981 I--I THOUGHT I HEARD A KNOCK ON THE DOOR FROM THE GARDEN, 2958 02:39:57,050 --> 02:40:00,585 BUT NEVER DID I DARE TO HOPE THAT IT MIGHT BE... 2959 02:40:00,653 --> 02:40:02,586 WALK IN, MY DEAR SIR. 2960 02:40:02,655 --> 02:40:05,023 WALK IN, MISS GRAHAM. 2961 02:40:11,097 --> 02:40:14,932 YOU WILL EXCUSE MY GARDEN DRESS, I KNOW. 2962 02:40:15,001 --> 02:40:20,671 IT IS AN ANCIENT PURSUIT WHICH I FIND SOOTHING TO THE SPIRIT. 2963 02:40:20,740 --> 02:40:24,742 PRAY, COME IN TO OUR LITTLE-ROOMED ESTATE. 2964 02:40:24,811 --> 02:40:27,812 MY DAUGHTERS WILL BE DELIGHTED TO SEE YOU, MR. CHUZZLEWIT, 2965 02:40:27,881 --> 02:40:29,414 AND TO MEET THEIR FAIR YOUNG FRIEND, 2966 02:40:29,482 --> 02:40:31,916 FOR FRIEND SHE WILL SURELY BE. 2967 02:40:31,984 --> 02:40:34,218 I TRUST I FIND HER WELL? 2968 02:40:34,287 --> 02:40:35,920 VERY WELL, THANK YOU. 2969 02:40:35,988 --> 02:40:39,090 I'M SORRY IF WE TOOK YOU BY SURPRISE, PECKSNIFF. 2970 02:40:39,159 --> 02:40:41,959 I THOUGHT MR. UH, MR.-- 2971 02:40:42,028 --> 02:40:42,960 PINCH. 2972 02:40:43,029 --> 02:40:45,229 MR. PINCH WOULD HAVE ARRIVED BEFORE US. 2973 02:40:45,298 --> 02:40:47,665 HE DID. AND WAS, I DARE SAY, 2974 02:40:47,734 --> 02:40:50,001 ABOUT TO WARN ME OF YOUR APPROACH 2975 02:40:50,069 --> 02:40:52,369 WHEN I BEGGED HIM FIRST TO KNOCK ON MY DAUGHTER'S CHAMBER 2976 02:40:52,438 --> 02:40:55,939 AND INQUIRE ABOUT THE HEALTH OF CHARITY. 2977 02:40:56,008 --> 02:40:58,075 WHO IS NOT AS WELL AS I COULD WISH. 2978 02:40:58,144 --> 02:40:59,544 AH! HERE IS HE. 2979 02:40:59,612 --> 02:41:02,480 PRAY, COME IN. 2980 02:41:02,549 --> 02:41:05,616 THOMAS IS A FRIEND OF MINE OF RATHER LONG STANDING, 2981 02:41:05,685 --> 02:41:07,184 MR. CHUZZLEWIT. 2982 02:41:07,253 --> 02:41:09,587 HOW IS MY DAUGHTER, TOM? 2983 02:41:09,656 --> 02:41:10,888 A LITTLE BETTER, SIR. 2984 02:41:10,957 --> 02:41:12,056 GOOD, GOOD, GOOD. 2985 02:41:12,125 --> 02:41:13,558 WOULD YOU BE SO KIND, MR. PINCH, 2986 02:41:13,626 --> 02:41:15,459 AS TO TELL HER AND MERRY 2987 02:41:15,528 --> 02:41:18,663 THAT OUR GUESTS WILL BE STAYING FOR SUPPER? 2988 02:41:18,732 --> 02:41:20,364 DON'T PUT YOURSELF OUT, PECKSNIFF. 2989 02:41:20,433 --> 02:41:22,633 WE HAVE DINED WELL AT THE BLUE DRAGON. 2990 02:41:22,702 --> 02:41:24,034 WE SHALL STAY THERE, YOU KNOW. 2991 02:41:24,103 --> 02:41:27,071 MRS. LUPIN MADE US VERY COMFORTABLE LAST TIME. 2992 02:41:27,139 --> 02:41:29,941 NAY, MY GOOD SIR, I INSIST. 2993 02:41:32,145 --> 02:41:33,611 THANK YOU, TOM. 2994 02:41:33,679 --> 02:41:35,146 YES, SIR. 2995 02:41:40,353 --> 02:41:43,688 [HARPSICHORD PLAYS] 2996 02:41:48,294 --> 02:41:49,994 PECKSNIFF... 2997 02:41:52,131 --> 02:41:55,099 I WAS MUCH...SHOCKED... 2998 02:41:55,167 --> 02:41:57,401 BY THE NEWS OF MY BROTHER'S DEATH. 2999 02:41:59,138 --> 02:42:01,505 YOUR FEELINGS DO YOU CREDIT, SIR. 3000 02:42:01,574 --> 02:42:04,509 WE HAD BEEN STRANGERS MANY YEARS... 3001 02:42:04,578 --> 02:42:07,812 ENEMIES, I MIGHT ALMOST SAY. 3002 02:42:07,881 --> 02:42:11,149 BUT WE WERE PLAYFELLOWS ONCE. 3003 02:42:11,217 --> 02:42:14,652 THOSE MEMORIES WILL BE A SOLACE TO YOU, MR. CHUZZLEWIT. 3004 02:42:14,721 --> 02:42:17,655 AND THE EVENING OF YOUR BROTHER'S LIFE WAS MADE HAPPY 3005 02:42:17,723 --> 02:42:20,825 IN THE AFFECTIONATE CARE OF HIS EXCELLENT SON JONAS-- 3006 02:42:20,894 --> 02:42:23,460 A PATTERN, MY DEAR SIR, TO ALL SONS. 3007 02:42:23,529 --> 02:42:25,062 WHAT? 3008 02:42:25,131 --> 02:42:28,999 A PATTERN OF GREED AND IMPATIENCE, YOU MEAN. 3009 02:42:29,068 --> 02:42:32,370 WHY, HE BEGRUDGED HIS FATHER EVERY DAY AND EVERY HOUR 3010 02:42:32,438 --> 02:42:34,705 THAT STOOD BETWEEN HIM AND HIS INHERITANCE. 3011 02:42:34,774 --> 02:42:36,941 OH, NO, SIR, YOU WRONG HIM. 3012 02:42:37,009 --> 02:42:38,943 EVEN UNDERTAKERS AND COFFIN MAKERS 3013 02:42:39,012 --> 02:42:41,679 WERE MOVED BY THE GRIEF HE EXHIBITED. 3014 02:42:41,748 --> 02:42:43,781 MUTES HAVE SPOKEN IN HIS PRAISE. 3015 02:42:46,419 --> 02:42:48,887 YOU WENT TO HIS FUNERAL? 3016 02:42:50,390 --> 02:42:52,256 ARE YOU A LEGATEE, THEN? 3017 02:42:54,761 --> 02:42:59,196 YOU DO NOT QUITE UNDERSTAND MY NATURE YET, SIR, I FIND. 3018 02:42:59,265 --> 02:43:01,699 YES, I WENT TO HIS FUNERAL. 3019 02:43:01,768 --> 02:43:04,702 AT THE RISK OF OFFENDING EVEN YOU, SIR, 3020 02:43:04,770 --> 02:43:06,871 YES, I DID IT. 3021 02:43:06,939 --> 02:43:09,873 WITH JONAS I SAT BESIDE HIS BED... 3022 02:43:09,942 --> 02:43:14,512 AND WITH JONAS I STOOD BESIDE HIS GRAVE. 3023 02:43:14,581 --> 02:43:18,215 BUT I AM NOT A LEGATEE, AND I NEVER EXPECTED TO BE. 3024 02:43:18,284 --> 02:43:20,919 OH, I BEG YOUR PARDON, PECKSNIFF, 3025 02:43:20,987 --> 02:43:24,455 BUT YOUR ACCOUNT OF JONAS AMAZES ME. 3026 02:43:24,523 --> 02:43:27,758 THE YOUNG MAN IS EVEN NOW IN THIS HOUSE, 3027 02:43:27,827 --> 02:43:29,694 SEEKING IN A CHANGE OF SCENE 3028 02:43:29,763 --> 02:43:31,596 THE PEACE OF MIND HE HAS LOST. 3029 02:43:31,664 --> 02:43:35,600 JONAS IS HERE? LET ME SEE HIM. 3030 02:43:35,669 --> 02:43:38,102 IN A FRIENDLY SPIRIT, I HOPE? 3031 02:43:38,170 --> 02:43:41,339 I WILL SHAKE HIS HAND IF HE WILL SHAKE MINE. 3032 02:43:42,676 --> 02:43:45,108 OHHH... 3033 02:43:45,177 --> 02:43:46,678 MY GOOD SIR. 3034 02:43:48,515 --> 02:43:51,449 I--I WILL BREAK THIS HAPPINESS TO HIM, 3035 02:43:51,517 --> 02:43:54,451 IF YOU WILL EXCUSE ME FOR A MOMENT... 3036 02:43:54,520 --> 02:43:55,553 GENTLY. 3037 02:44:05,364 --> 02:44:07,365 [BELL TOLLS] 3038 02:44:12,505 --> 02:44:13,704 NO BETTER, THEN? 3039 02:44:13,773 --> 02:44:14,972 WORSE, MR. WESTLOCK. 3040 02:44:15,040 --> 02:44:16,274 OH, MUCH WORSE. 3041 02:44:16,342 --> 02:44:17,508 POOR FELLOW. 3042 02:44:19,178 --> 02:44:22,680 UNFORTUNATELY, I HAVE NO IDEA WHAT FRIENDS OR RELATIONS HE MIGHT HAVE 3043 02:44:22,748 --> 02:44:24,348 OR WHERE THEY MAY LIVE. 3044 02:44:24,417 --> 02:44:27,352 WE APPLIED TO YOU, SIR, WHEN HE WAS TAKEN ILL, 3045 02:44:27,420 --> 02:44:29,020 'CAUSE WE FOUND YOUR LETTER BY HIS BEDSIDE. 3046 02:44:29,489 --> 02:44:31,521 YES. HE WROTE TO ME THE OTHER DAY 3047 02:44:31,590 --> 02:44:33,891 REQUESTING A MEETING, AND I REPLIED, BUT... 3048 02:44:33,960 --> 02:44:36,394 I HAVE NOT SEEN HIM FOR YEARS, 3049 02:44:36,463 --> 02:44:38,896 NOT SINCE WE WERE SCHOOLFELLOWS TOGETHER. 3050 02:44:38,965 --> 02:44:41,465 WELL, AS THE DOCTOR SAYS, 3051 02:44:41,534 --> 02:44:43,033 THE FEVER MUST TAKE ITS COURSE. 3052 02:44:43,102 --> 02:44:44,468 NOTHING CAN BE DONE JUST NOW 3053 02:44:44,536 --> 02:44:46,004 BEYOND CAREFULLY ATTENDING HIM 3054 02:44:46,072 --> 02:44:47,972 UNTIL SUCH TIME AS HE CAN GIVE US SOME INFORMATION. 3055 02:44:50,543 --> 02:44:52,944 I WILL UNDERTAKE TO PAY THE DOCTOR AND THE NURSES. 3056 02:44:53,012 --> 02:44:55,513 A REAL GENTLEMAN! 3057 02:44:55,581 --> 02:44:57,314 Landlady: THIS IS THE NIGHT NURSE, SIR. 3058 02:44:58,718 --> 02:45:02,153 UH, MRS. GAMP OF KINGSGATE STREET, SIR, 3059 02:45:02,221 --> 02:45:05,456 WELL BEKNOWN TO MRS. PRIG, THE DAY NURSE. 3060 02:45:07,960 --> 02:45:10,427 I WAS BEGINNING TO THINK YOU WEREN'T A-COMING. 3061 02:45:10,496 --> 02:45:14,098 OH, IT SHALL BE MADE GOOD TOMORROW NIGHT, BETSY. 3062 02:45:14,167 --> 02:45:16,734 HONORABLE. I HAD TO FETCH ME THINGS. 3063 02:45:16,803 --> 02:45:19,236 YEH. HOW'S THE PATIENT? 3064 02:45:19,305 --> 02:45:21,738 OH, HE'S QUIET NOW, BUT HIS WITS IS GONE. 3065 02:45:21,807 --> 02:45:26,243 OH. ANYTHING ELSE TO TELL AFORE YOU GOES, MY DEAR? 3066 02:45:26,312 --> 02:45:28,245 THE PICKLED SALMON IS DELICIOUS. 3067 02:45:28,314 --> 02:45:31,049 BUT DON'T HAVE NOTHING TO DO WITH THE COLD MEAT, 3068 02:45:31,117 --> 02:45:33,083 FOR IT TASTES OF THE STABLE. 3069 02:45:33,152 --> 02:45:35,252 THE DRINKS IS ALL GOOD. 3070 02:45:35,321 --> 02:45:37,254 THE EASY CHAIR AIN'T SOFT ENOUGH, 3071 02:45:37,323 --> 02:45:40,257 SO YOU'LL WANT HIS PILLOW. I'LL BE OFF, THEN. 3072 02:45:40,326 --> 02:45:42,259 I'LL SEE YOU IN THE MORNING. 3073 02:45:42,328 --> 02:45:45,262 YOU MIGHT TELL THE MAID ON YOUR WAY OUT 3074 02:45:45,331 --> 02:45:48,265 IF THEY DRAWS THE BRIGHTON OLD TIPPER HERE, 3075 02:45:48,334 --> 02:45:50,768 I TAKES THAT ALE AT NIGHT, 3076 02:45:50,837 --> 02:45:53,771 IT BEING CONSIDERED WAKEFUL BY THE DOCTORS. 3077 02:45:53,839 --> 02:45:55,806 HEH HEH HEH. 3078 02:45:59,111 --> 02:46:00,044 THERE. 3079 02:46:02,015 --> 02:46:06,950 OH, I'M GLAD TO SEE THERE'S A PARAPETS IN CASE OF FIRE. 3080 02:46:07,019 --> 02:46:09,854 LOTS OF ROOFS AND CHIMNEY POTS TO WALK UPON. 3081 02:46:09,923 --> 02:46:10,921 AHHH... 3082 02:46:13,859 --> 02:46:16,293 [SNIFFING] 3083 02:46:16,362 --> 02:46:18,295 AH-CHOO! [SNORTS] 3084 02:46:20,166 --> 02:46:23,634 MAKE A LOVELY CORPSE. HEH HEH. 3085 02:46:23,703 --> 02:46:24,635 [THUD] 3086 02:46:25,805 --> 02:46:27,771 MR. CHUZZLEWIT! 3087 02:46:29,475 --> 02:46:31,509 HERE IS JONAS. 3088 02:46:31,577 --> 02:46:33,077 WELL, NEPHEW. 3089 02:46:33,146 --> 02:46:35,780 YOU'VE BEEN A DUTIFUL SON, I HEAR... 3090 02:46:35,782 --> 02:46:38,749 A PATTERN TO ALL SONS. 3091 02:46:38,818 --> 02:46:41,919 I'VE BEEN AS GOOD A SON AS EVER YOU WERE A BROTHER, I THINK. 3092 02:46:41,987 --> 02:46:43,254 OH...HEH. 3093 02:46:43,323 --> 02:46:46,023 MR. CHUZZLEWIT KNOWS YOUR FONDNESS FOR REPARTEE, JONAS. 3094 02:46:46,092 --> 02:46:48,025 HE WILL NOT BE OFFENDED. 3095 02:46:48,094 --> 02:46:50,595 YOU SPEAK IN THE VIOLENCE OF YOUR GRIEF. 3096 02:46:53,165 --> 02:46:54,598 GIVE ME YOUR HAND. 3097 02:47:06,178 --> 02:47:08,111 COME IN, COME IN, MY DEARS. 3098 02:47:08,180 --> 02:47:09,913 THOMAS, PRAY COME IN. 3099 02:47:11,350 --> 02:47:13,116 WHAT A DAY THIS IS. 3100 02:47:13,185 --> 02:47:16,621 WE SHALL ALL SIT DOWN AT TABLE IN PEACE AND HARMONY. 3101 02:47:16,689 --> 02:47:20,624 JONAS, UH, WILL YOU TAKE MERCY TO THE DINING ROOM, 3102 02:47:20,692 --> 02:47:22,126 AND WE'LL FOLLOW. 3103 02:47:22,195 --> 02:47:24,661 I DON'T MIND, PECKSNIFF. 3104 02:47:26,198 --> 02:47:27,131 [SOBS] 3105 02:47:29,235 --> 02:47:30,968 [PECKSNIFF LAUGHS NERVOUSLY] 3106 02:47:31,037 --> 02:47:32,569 IT'S--IT'S MERELY 3107 02:47:32,638 --> 02:47:33,904 AN HYSTERICAL AFFECTION, NOTHING MORE. 3108 02:47:33,973 --> 02:47:36,974 I'M NOT UNEASY. SHE WILL RETURN. 3109 02:47:37,043 --> 02:47:39,476 SO. LET'S GO IN TO SUPPER, AND, UH, AFTERWARDS 3110 02:47:39,545 --> 02:47:41,645 I WILL ESCORT YOU AND MISS GRAHAM 3111 02:47:41,714 --> 02:47:43,080 BACK TO THE DRAGON. 3112 02:47:43,148 --> 02:47:45,616 NO, NO. LET MR. PINCH DO THAT, 3113 02:47:45,685 --> 02:47:48,119 SINCE HE SHOWED US THE WAY HERE. 3114 02:47:48,188 --> 02:47:50,187 WHATEVER YOU WISH, SIR. 3115 02:48:03,069 --> 02:48:04,669 AND YOU ARE QUITE CONTENT 3116 02:48:04,737 --> 02:48:06,170 WITH YOUR SITUATION HERE, 3117 02:48:06,238 --> 02:48:07,671 ARE YOU, MR. PINCH? 3118 02:48:07,740 --> 02:48:10,508 YES, INDEED, SIR. I'M UNDER MANY OBLIGATIONS TO MR. PECKSNIFF. 3119 02:48:10,576 --> 02:48:12,509 I COULDN'T REPAY THEM IN A LIFETIME. 3120 02:48:12,578 --> 02:48:15,012 A LIFETIME, INDEED. 3121 02:48:15,481 --> 02:48:17,514 AND HOW LONG HAVE YOU KNOWN MY NEPHEW? 3122 02:48:17,583 --> 02:48:19,517 YOUR NEPHEW, SIR? YOU DON'T MEAN-- 3123 02:48:19,585 --> 02:48:21,018 MR. JONAS CHUZZLEWIT. 3124 02:48:21,087 --> 02:48:23,020 OH, DEAR ME. TO BE SURE. 3125 02:48:23,089 --> 02:48:25,522 I NEVER SPOKE TO HIM BEFORE THIS EVENING. 3126 02:48:25,591 --> 02:48:28,025 PERHAPS HALF A LIFETIME WILL SUFFICE 3127 02:48:28,094 --> 02:48:30,527 FOR THE ACKNOWLEDGMENT OF HIS KINDNESS. 3128 02:48:31,697 --> 02:48:35,532 THE PATH IS NARROW, AND THE GRASS IS WET. 3129 02:48:35,601 --> 02:48:37,568 YOU GO AHEAD, MARY. 3130 02:48:39,271 --> 02:48:41,205 TAKE MR. PINCH'S ARM. 3131 02:48:41,273 --> 02:48:42,706 MAY I? 3132 02:48:42,775 --> 02:48:43,708 OF COURSE. 3133 02:49:06,666 --> 02:49:08,399 GOOD NIGHT, MISS GRAHAM. 3134 02:49:08,467 --> 02:49:10,233 GOOD NIGHT, SIR. 3135 02:49:17,643 --> 02:49:19,910 [WHISTLING] 3136 02:49:26,319 --> 02:49:28,919 HA! GOODNESS ME, MR. JONAS. 3137 02:49:28,987 --> 02:49:30,921 WHAT ARE YOU DOING HERE? 3138 02:49:30,990 --> 02:49:34,425 I SUPPOSE I HAVE AS MUCH RIGHT TO BE HERE AS YOU, 3139 02:49:34,493 --> 02:49:36,693 MR. PITCH...OR STITCH... 3140 02:49:36,762 --> 02:49:39,196 OR WHATEVER IT IS YOUR NAME IS. 3141 02:49:39,265 --> 02:49:41,699 UH, CERTAINLY. BUT MY NAME IS PINCH. 3142 02:49:41,768 --> 02:49:44,768 HAVE THE GOODNESS TO CALL ME BY IT. 3143 02:49:44,837 --> 02:49:46,770 HA HA HA! HOITY-TOITY. 3144 02:49:46,839 --> 02:49:49,806 PAUPER APPRENTICES ARE LOOKING UP. 3145 02:49:49,875 --> 02:49:52,810 WE MANAGE 'EM MUCH BETTER IN THE CITY. 3146 02:49:52,879 --> 02:49:54,412 LET ME PASS, PLEASE. 3147 02:49:54,480 --> 02:49:56,746 NOT SO FAST. 3148 02:49:56,815 --> 02:49:58,982 LET ME GIVE YOU A WORD OF ADVICE, MY FRIEND. 3149 02:49:59,051 --> 02:50:01,485 IF YOU ESCORT MY UNCLE HOME, 3150 02:50:01,554 --> 02:50:03,921 THEN YOU WALK BEHIND HIM... 3151 02:50:03,990 --> 02:50:05,589 LIKE ANY OTHER SERVANT. 3152 02:50:06,659 --> 02:50:08,091 THAT'S A DESPICABLE REMARK. 3153 02:50:08,160 --> 02:50:10,494 BUT THE LESS I SAY, THE BETTER. 3154 02:50:10,563 --> 02:50:11,995 THE LESS YOU SAY. 3155 02:50:12,064 --> 02:50:13,497 [CHUCKLES] 3156 02:50:13,565 --> 02:50:16,934 YOU SAY VERY LITTLE, DON'T YOU? 3157 02:50:17,003 --> 02:50:19,436 ECOD, I'D LIKE TO KNOW WHAT THERE IS 3158 02:50:19,505 --> 02:50:23,707 BETWEEN YOU AND A CERTAIN VAGABOND MEMBER OF MY FAMILY. 3159 02:50:23,776 --> 02:50:27,444 IF YOU MEAN YOUR UNCLE'S NAMESAKE, HE IS NO VAGABOND. 3160 02:50:27,513 --> 02:50:29,947 AND ANY COMPARISON BETWEEN YOU AND HIM 3161 02:50:30,016 --> 02:50:31,916 IS IMMEASURABLY TO YOUR DISADVANTAGE. 3162 02:50:31,984 --> 02:50:33,984 HA HA! INDEED. 3163 02:50:34,052 --> 02:50:37,988 AND WHAT DO YOU THINK OF HIS BEGGARLY LEAVINGS, EH, MR. PINCH? 3164 02:50:38,056 --> 02:50:39,990 IT LOOKED TO ME 3165 02:50:40,059 --> 02:50:43,794 AS IF YOU'D BE QUITE HAPPY TO TAKE HER OFF HIS HANDS. 3166 02:50:43,863 --> 02:50:45,796 LET ME PASS. 3167 02:50:45,864 --> 02:50:47,364 I HAVEN'T FINISHED YET. 3168 02:50:49,201 --> 02:50:51,635 ARE YOU BADLY HURT? I'M SORRY FOR IT. 3169 02:50:52,871 --> 02:50:54,404 GO TO HELL. 3170 02:50:54,473 --> 02:50:58,142 I'M SURE I NEVER GAVE YOU ANY CAUSE TO QUARREL WITH ME. 3171 02:50:58,210 --> 02:50:59,309 HERE. 3172 02:51:07,220 --> 02:51:11,789 YOU'D BETTER STAY OUT OF MY WAY IN FUTURE, PINCH. 3173 02:51:11,857 --> 02:51:13,523 [KNOCK ON DOOR] 3174 02:51:15,661 --> 02:51:16,960 [KNOCK KNOCK] 3175 02:51:24,837 --> 02:51:27,771 MR. PINCH... TELL ME THE TRUTH. 3176 02:51:27,839 --> 02:51:30,207 JONAS CAME BACK JUST AFTER YOU 3177 02:51:30,276 --> 02:51:31,808 WITH A WOUND TO HIS HEAD, 3178 02:51:31,877 --> 02:51:34,144 SAYING HE HAD RUN AGAINST A TREE, BUT I THINK 3179 02:51:34,213 --> 02:51:37,781 THAT THERE WAS SOME QUARREL BETWEEN YOU AND YOU STRUCK HIM. 3180 02:51:37,850 --> 02:51:38,582 WAS IT SO, OR NOT? 3181 02:51:38,651 --> 02:51:40,317 I WAS VERY MUCH PROVOKED. 3182 02:51:40,386 --> 02:51:42,252 THEN IT WAS. 3183 02:51:42,321 --> 02:51:45,890 WE HAD A STRUGGLE FOR THE PATH, BUT I DID NOT MEAN TO HURT HIM. 3184 02:51:45,958 --> 02:51:48,892 DON'T SAY THAT. IT WAS BRAVE OF YOU. 3185 02:51:48,961 --> 02:51:51,361 OH, I HONOR YOU FOR IT. 3186 02:51:51,430 --> 02:51:54,364 IF YOU SHOULD EVER QUARREL WITH HIM AGAIN, 3187 02:51:54,433 --> 02:51:57,468 DON'T SPARE HIM FOR THE WORLD. 3188 02:53:51,450 --> 02:53:54,351 [ROOSTER CROWS] 3189 02:54:05,264 --> 02:54:07,197 [HARPSICHORD PLAYS] 3190 02:54:21,580 --> 02:54:23,714 [KNOCK ON DOOR] 3191 02:54:23,783 --> 02:54:25,048 [PLAYING STOPS] 3192 02:54:25,117 --> 02:54:27,551 I'M SORRY TO INTERRUPT YOUR PLAYING, MISS GRAHAM. 3193 02:54:27,620 --> 02:54:28,885 IT DOESN'T MATTER. 3194 02:54:28,954 --> 02:54:30,220 YOU PLAY SO BEAUTIFULLY. 3195 02:54:30,289 --> 02:54:31,589 THANK YOU. 3196 02:54:31,657 --> 02:54:34,691 I'M SURPRISED HOW WELL THIS INSTRUMENT RESPONDS NOW, 3197 02:54:34,760 --> 02:54:37,794 COMPARED TO WHEN I FIRST TRIED IT. 3198 02:54:37,863 --> 02:54:41,565 I THINK SOME KIND PERSON HAS SPENT MANY HOURS TUNING IT. 3199 02:54:42,802 --> 02:54:44,902 WELL, HE WAS WELL REWARDED THEN. 3200 02:54:46,972 --> 02:54:48,038 MISS GRAHAM... 3201 02:54:49,875 --> 02:54:51,475 I HAVE A LETTER FOR YOU. 3202 02:54:51,544 --> 02:54:52,475 FROM MARTIN? 3203 02:54:52,544 --> 02:54:54,144 IT WAS DELIVERED TO THE DRAGON 3204 02:54:54,212 --> 02:54:56,513 ENCLOSED IN ONE ADDRESSED TO ME. THANK GOD. 3205 02:54:56,581 --> 02:54:58,515 HE'S REACHED AMERICA SAFELY, THEN? 3206 02:54:58,584 --> 02:55:00,984 YES. HE WRITES FROM NEW YORK. 3207 02:55:01,053 --> 02:55:02,486 GIVE ME THE LETTER. 3208 02:55:02,554 --> 02:55:03,487 OH. 3209 02:55:10,596 --> 02:55:12,029 PLEASE EXCUSE ME. 3210 02:55:18,770 --> 02:55:20,203 THANK YOU, MR. PINCH. 3211 02:55:43,095 --> 02:55:45,161 Martin: MY DEAREST LOVE, 3212 02:55:45,230 --> 02:55:47,030 WE ARRIVED HERE A WEEK AGO 3213 02:55:47,099 --> 02:55:50,233 AFTER A VOYAGE THAT TESTED EVEN MY RESOLUTION. 3214 02:55:50,302 --> 02:55:51,935 THE WEATHER WAS BAD, 3215 02:55:52,003 --> 02:55:54,938 THE CONDITIONS BELOWDECKS VERY SHOCKING. 3216 02:55:55,007 --> 02:55:58,174 AT LAST, AFTER 5 WRETCHED WEEKS, 3217 02:55:58,243 --> 02:56:00,577 WE REACHED THE MOUTH OF THE RIVER HUDSON 3218 02:56:00,646 --> 02:56:02,780 AND THE ISLAND OF MANHATTAN. 3219 02:56:02,848 --> 02:56:05,515 ON THE PADDLE BOAT THAT TOOK US TO THE WHARF, 3220 02:56:05,584 --> 02:56:08,018 I MADE THE ACQUAINTANCE OF AN AMERICAN GENTLEMAN: 3221 02:56:08,087 --> 02:56:11,521 A GENERAL DIVER, WHO HAD COME OUT TO MEET OUR SHIP. 3222 02:56:11,590 --> 02:56:14,023 HE HAD NO IDEA THAT I HAD TRAVELED IN STEERAGE, 3223 02:56:14,092 --> 02:56:16,026 AND WE GOT ON FAMOUSLY. 3224 02:56:16,095 --> 02:56:19,029 LUCKILY FOR US, HE TURNED OUT TO BE A SHAREHOLDER 3225 02:56:19,098 --> 02:56:21,365 IN THE EDEN LAND CORPORATION, 3226 02:56:21,434 --> 02:56:24,368 EDEN BEING THE NAME OF A THRIVING NEW COMMUNITY 3227 02:56:24,436 --> 02:56:27,370 AT THE JUNCTION OF THE OHIO AND MISSISSIPPI RIVERS. 3228 02:56:27,439 --> 02:56:29,973 HE WAS THUS ABLE TO INTRODUCE ME 3229 02:56:30,042 --> 02:56:33,109 TO THE AGENT OF THE COMPANY AT THEIR NEW YORK OFFICE. 3230 02:56:33,178 --> 02:56:36,113 WHY, I HAD NO IDEA IT WAS A CITY. 3231 02:56:36,182 --> 02:56:38,348 OH, IT'S A CITY, ALL RIGHT. 3232 02:56:38,416 --> 02:56:40,750 DEAR ME, IT'S A MOST IMPORTANT-LOOKING PLACE. 3233 02:56:40,819 --> 02:56:42,152 LOOK AT THIS, MARK. 3234 02:56:42,220 --> 02:56:44,654 THERE'S A MARKETPLACE, A CHURCH, A THEATER. 3235 02:56:44,723 --> 02:56:46,089 THE ONLY THING IS, 3236 02:56:46,158 --> 02:56:48,692 I'M NOT SURE THERE'S ANYTHING LEFT FOR ME TO DO HERE. 3237 02:56:48,761 --> 02:56:51,094 WELL, IT AIN'T BUILT YET. NOT QUITE. 3238 02:56:51,163 --> 02:56:52,429 AH. GOOD. 3239 02:56:52,498 --> 02:56:55,098 THE MARKETPLACE, NOW. IS THAT BUILT? 3240 02:56:55,167 --> 02:56:57,667 THAT? LET ME SEE. 3241 02:57:00,506 --> 02:57:02,939 NO. THAT AIN'T BUILT. 3242 02:57:03,008 --> 02:57:05,776 RATHER A GOOD JOB TO BEGIN WITH. 3243 02:57:07,179 --> 02:57:09,279 I SUPPOSE THERE ARE SEVERAL ARCHITECTS THERE? 3244 02:57:09,348 --> 02:57:11,348 NO, THERE AIN'T A SINGLE ONE. 3245 02:57:12,484 --> 02:57:13,917 DO YOU HEAR THAT? 3246 02:57:15,854 --> 02:57:18,288 BUT WHOSE WORK IS THIS BEFORE US, THEN? 3247 02:57:18,357 --> 02:57:20,290 THE SOIL BEING VERY FRUITFUL, 3248 02:57:20,359 --> 02:57:21,725 PUBLIC BUILDINGS GROW SPONTANEOUS, PERHAPS. 3249 02:57:21,793 --> 02:57:22,759 MARK. 3250 02:57:22,828 --> 02:57:24,794 NEVER MIND WHOSE WORK IT IS OR ISN'T. 3251 02:57:24,863 --> 02:57:27,698 MAYBE HE CLEARED OFF HANDSOME WITH A HEAP OF DOLLARS. 3252 02:57:27,766 --> 02:57:30,767 MAYBE THAT DESK AND STOOL AIN'T MADE FROM EDEN LUMBER. 3253 02:57:30,836 --> 02:57:33,270 MAYBE NO END OF SETTLERS AIN'T GONE OUT THERE. 3254 02:57:33,339 --> 02:57:35,272 MAYBE THERE AIN'T NO SUCH LOCATION 3255 02:57:35,340 --> 02:57:38,508 IN THE TERRITORY OF THE GREAT UNITED STATES. OH, NO. 3256 02:57:38,577 --> 02:57:40,343 WE BEG YOUR PARDON, MR. SCADDER. 3257 02:57:40,412 --> 02:57:42,846 TELL THEM ABOUT THAT LITTLE LOT OF 50 ACRES 3258 02:57:42,915 --> 02:57:44,447 WITH THE HOUSE UPON IT, SCADDER-- 3259 02:57:44,516 --> 02:57:46,116 THE ONE THAT'S JUST BECOME AVAILABLE. 3260 02:57:46,184 --> 02:57:47,784 YOU'RE A GREAT DEAL TOO OPENHANDED 3261 02:57:47,853 --> 02:57:49,452 WITH THE COMPANY'S ASSETS, GENERAL. 3262 02:57:49,521 --> 02:57:51,955 YOU KNOW AS IT'S A LOT WE HAD CONCLUDED 3263 02:57:52,024 --> 02:57:54,258 TO RESERVE FOR PARTICULAR FRIENDS. 3264 02:57:54,326 --> 02:57:56,492 BUT THESE ARE MY PARTICULAR FRIENDS. 3265 02:57:56,561 --> 02:57:58,028 WHERE IS THIS LOT? 3266 02:58:01,466 --> 02:58:03,833 Martin: THE PRICE WAS VERY REASONABLE, 3267 02:58:03,902 --> 02:58:06,603 BUT ALAS BEYOND MY MEANS. 3268 02:58:06,672 --> 02:58:09,605 I CONSEQUENTLY INVITED MARK TO BECOME MY PARTNER 3269 02:58:09,674 --> 02:58:12,609 AND TO INVEST HIS SAVINGS IN A JOINT BUSINESS 3270 02:58:12,678 --> 02:58:14,678 TO BE CALLED CHUZZLEWIT & TAPLEY. 3271 02:58:14,747 --> 02:58:17,013 THE GOOD FELLOW WAS HIGHLY DELIGHTED 3272 02:58:17,082 --> 02:58:20,117 AND MODESTLY REQUESTED THAT WE SHOULD BE KNOWN AS CHUZZLEWIT AND CO., 3273 02:58:20,186 --> 02:58:23,119 SAYING, "I OFTEN THOUGHT AS I'D LIKE TO MEET A CO., 3274 02:58:23,188 --> 02:58:26,123 BUT I LITTLE THOUGHT AS I SHOULD LIVE TO BE ONE." 3275 02:58:26,192 --> 02:58:28,124 BY THE TIME YOU RECEIVE THIS, 3276 02:58:28,193 --> 02:58:30,627 MARK AND I WILL BE ON OUR WAY WESTWARD 3277 02:58:30,696 --> 02:58:32,562 TO TAKE POSSESSION OF OUR PROPERTY. 3278 02:58:32,631 --> 02:58:36,132 DON'T EXPECT TO HEAR FROM ME AGAIN FOR SOME TIME. 3279 02:58:36,201 --> 02:58:39,969 I KISS THIS LETTER AND THROUGH IT, YOU. 3280 02:58:40,038 --> 02:58:41,938 YOUR EVERLOVING MARTIN. 3281 02:58:46,878 --> 02:58:48,312 IS THAT YOU, GRIFFIN? 3282 02:58:48,380 --> 02:58:50,813 HAVE YOU COME TO BOTHER ME AGAIN? 3283 02:58:50,882 --> 02:58:53,316 OH, I BEG YOUR PARDON, MR. CHUZZLEWIT. 3284 02:58:53,385 --> 02:58:57,154 I THOUGHT YOU WERE THAT IMPOSSIBLE MAN OF MINE. 3285 02:58:57,222 --> 02:58:59,856 [BELL TOLLS] 3286 02:59:04,229 --> 02:59:06,396 WHEN ARE YOU TO BE MARRIED? 3287 02:59:06,465 --> 02:59:08,565 OH, GOODNESS ME, I DON'T KNOW. 3288 02:59:08,634 --> 02:59:10,067 NOT YET AWHILE, I HOPE. 3289 02:59:10,135 --> 02:59:13,837 COME, MERCY. I THINK MR. JONAS IS GROWING IMPATIENT. 3290 02:59:13,906 --> 02:59:15,972 YOU MUST HAVE SOME HEART. 3291 02:59:16,041 --> 02:59:19,109 I HAVEN'T GIVEN IT ALL AWAY YET, I CAN TELL YOU. 3292 02:59:19,178 --> 02:59:21,144 HAVE YOU PARTED WITH ANY OF IT? 3293 02:59:21,213 --> 02:59:24,714 LOR, MR. CHUZZLEWIT. YOU DO ASK SUCH ODD QUESTIONS. 3294 02:59:24,783 --> 02:59:29,185 IS IT SO ODD TO INQUIRE WHETHER YOU LOVE THE MAN YOU'RE ENGAGED TO MARRY? 3295 02:59:29,254 --> 02:59:32,656 I TOLD THE WRETCH WHEN HE ASKED ME THAT IF EVER I DID MARRY HIM, 3296 02:59:32,725 --> 02:59:35,692 IT WOULD ONLY BE THAT I MIGHT HATE AND TEASE HIM ALL MY LIFE. 3297 02:59:35,761 --> 02:59:39,195 FOR HEAVEN'S SAKE, CHILD, SPEAK AND THINK FOR ONCE 3298 02:59:39,264 --> 02:59:42,398 LIKE A REASONABLE CREATURE. 3299 02:59:42,467 --> 02:59:45,602 ARE YOU BEING FORCED INTO THIS MATCH BY... 3300 02:59:45,671 --> 02:59:47,103 ANYONE? 3301 02:59:47,172 --> 02:59:51,208 NO. I DON'T KNOW THAT I AM. 3302 02:59:51,277 --> 02:59:55,646 I'M TOLD HE WAS AT FIRST SUPPOSED TO BE YOUR SISTER'S ADMIRER. 3303 02:59:55,648 --> 02:59:57,680 OH, GOOD GRACIOUS, MR. CHUZZLEWIT. 3304 02:59:57,749 --> 03:00:00,450 POOR DEAR CHERRY IS THE VAINEST DARLING. 3305 03:00:00,519 --> 03:00:02,852 IT WAS HER MISTAKE, THEN? 3306 03:00:02,921 --> 03:00:04,087 I HOPE IT WAS. 3307 03:00:04,156 --> 03:00:07,156 AND YOU'RE QUITE HAPPY IN YOUR ENGAGEMENT? 3308 03:00:08,493 --> 03:00:09,893 I DON'T MIND IT. 3309 03:00:10,362 --> 03:00:13,330 HAS IT EVER OCCURRED TO YOU-- 3310 03:00:13,399 --> 03:00:15,332 EXCUSE ME FOR BEING SO BLUNT, 3311 03:00:15,400 --> 03:00:18,334 BUT I HAVE YOUR INTEREST AT HEART-- 3312 03:00:18,403 --> 03:00:20,337 THAT A MARRIAGE WITHOUT LOVE 3313 03:00:20,405 --> 03:00:24,174 MAY PERHAPS BE FULL OF BITTERNESS... 3314 03:00:24,543 --> 03:00:25,608 AND MOST UNHAPPY? 3315 03:00:25,677 --> 03:00:29,779 GOOD GRACIOUS, MR. CHUZZLEWIT, WHAT VERY SHOCKING WORDS. 3316 03:00:29,848 --> 03:00:32,182 OF COURSE I SHALL QUARREL WITH HIM. 3317 03:00:32,251 --> 03:00:35,018 MARRIED PEOPLE ALWAYS DO QUARREL, I THINK. 3318 03:00:35,487 --> 03:00:38,021 BUT I DON'T SEE WHY I SHOULD BE MISERABLE... 3319 03:00:38,090 --> 03:00:40,523 UNLESS HE ALWAYS GETS THE BEST OF IT. 3320 03:00:40,592 --> 03:00:44,194 AND I MEAN TO HAVE THE BEST OF IT MYSELF. [GIGGLING] 3321 03:00:44,262 --> 03:00:45,761 I ALWAYS DO NOW, 3322 03:00:45,830 --> 03:00:49,665 FOR I MAKE A PERFECT SLAVE OF THE CREATURE. 3323 03:00:49,734 --> 03:00:51,400 [GIGGLES] 3324 03:00:51,469 --> 03:00:52,636 VERY WELL. 3325 03:00:53,972 --> 03:00:57,907 I SOUGHT TO KNOW YOUR MIND, MY DEAR... 3326 03:00:57,976 --> 03:01:00,243 AND YOU HAVE SHOWN IT TO ME. 3327 03:01:03,148 --> 03:01:05,081 I WISH YOU JOY. 3328 03:01:10,989 --> 03:01:12,055 JOY. 3329 03:01:23,669 --> 03:01:24,600 OH! 3330 03:01:24,669 --> 03:01:26,102 HA HA HA! 3331 03:01:26,171 --> 03:01:27,604 OH, YOU HIDEOUS CREATURE. 3332 03:01:27,673 --> 03:01:30,974 WHAT DO YOU MEAN BY FRIGHTENING PEOPLE OUT OF THEIR WITS? 3333 03:01:31,043 --> 03:01:33,577 DON'T YOU DARE SIT DOWN BESIDE ME, GRIFFIN. 3334 03:01:36,948 --> 03:01:39,382 WHAT'S MY UNCLE BEEN A-TALKING ABOUT? 3335 03:01:39,450 --> 03:01:40,884 ABOUT YOU. 3336 03:01:40,953 --> 03:01:43,886 HE SAYS YOU'RE NOT HALF GOOD ENOUGH FOR ME. 3337 03:01:43,955 --> 03:01:45,755 HA HA! I DARESAY. 3338 03:01:45,824 --> 03:01:49,592 HE MEANS TO GIVE YOU SOME PRESENT WORTH HAVING, I HOPE. 3339 03:01:49,661 --> 03:01:50,927 WHAT ARE YOU DOING? 3340 03:01:50,996 --> 03:01:52,929 ONLY GIVING YOU A SQUEEZE. 3341 03:01:52,997 --> 03:01:55,866 THERE'S NO HARM IN THAT, I SUPPOSE. 3342 03:01:55,934 --> 03:01:58,368 THERE'S A GREAT DEAL OF HARM IN IT 3343 03:01:58,436 --> 03:02:00,369 IF I DON'T CONSIDER IT AGREEABLE. 3344 03:02:00,438 --> 03:02:02,305 AND I DON'T. 3345 03:02:02,374 --> 03:02:05,474 KINDLY TAKE YOUR ARM AWAY. 3346 03:02:14,052 --> 03:02:15,485 I SAY, NOW... 3347 03:02:15,553 --> 03:02:17,654 WHEN IS IT TO BE? 3348 03:02:18,890 --> 03:02:21,391 OUR WEDDING, I MEAN. 3349 03:02:21,460 --> 03:02:24,961 I CAN'T CARRY ON DAWDLING ABOUT DOWN HERE HALF MY LIFE, YOU KNOW. 3350 03:02:25,030 --> 03:02:27,464 WHAT DO YOU SAY TO NEXT WEEK? 3351 03:02:27,533 --> 03:02:29,065 NEXT WEEK? 3352 03:02:29,134 --> 03:02:31,134 IF YOU HAD SAID NEXT QUARTER, 3353 03:02:31,203 --> 03:02:33,636 I SHOULD HAVE WONDERED AT YOUR IMPUDENCE. 3354 03:02:33,705 --> 03:02:34,804 BUT I DIDN'T SAY NEXT QUARTER. 3355 03:02:34,873 --> 03:02:37,473 I SAID NEXT WEEK. 3356 03:02:38,811 --> 03:02:41,177 IF IT'S NEXT MONTH, THAT'S THE VERY EARLIEST. 3357 03:02:41,246 --> 03:02:44,647 AND IF YOU FOLLOW ME ABOUT AND WON'T LEAVE ME ALONE 3358 03:02:44,716 --> 03:02:46,616 AND DON'T DO EVERYTHING I ORDER YOU TO, 3359 03:02:46,684 --> 03:02:50,019 IT SHALL NEVER BE AT ALL, SO THERE. 3360 03:02:50,088 --> 03:02:52,689 DO YOU UNDERSTAND ME, GRIFFIN? 3361 03:02:52,757 --> 03:02:55,691 SHOW YOU DO BY NOT FOLLOWING ME NOW. 3362 03:03:00,933 --> 03:03:03,867 ECOD, MY LADY... 3363 03:03:03,935 --> 03:03:06,703 YOU SHALL PAY FOR THIS WHEN WE ARE MARRIED. 3364 03:03:36,467 --> 03:03:38,335 Mrs. Gamp: THINGS HAVE BEEN MADE AS COMFORTABLE 3365 03:03:38,403 --> 03:03:40,336 AS THEY COULD BE, MY PRETTY DEAR. 3366 03:03:40,405 --> 03:03:42,738 BUT THERE'S MANY YOU'LL HAVE TO ALTER YOUR OWN SELF 3367 03:03:42,807 --> 03:03:45,041 WHEN YOU'VE HAD TIME TO LOOK AROUND. 3368 03:03:50,482 --> 03:03:53,416 SO THERE YOU ARE, MR. CHUFF. 3369 03:04:00,425 --> 03:04:02,758 STILL IN THE LAND OF THE LIVING, I SEE. 3370 03:04:02,827 --> 03:04:05,662 SO HE IS, AND HAS YOU TO THANK FOR IT. 3371 03:04:05,730 --> 03:04:08,297 MANY A TIME I'VE TOLD HIM. 3372 03:04:08,366 --> 03:04:11,034 WE SHAN'T BE NEEDING YOU ANYMORE, MRS. GAMP. 3373 03:04:11,103 --> 03:04:13,903 I'LL BE GOING IMMEDIATE, SIR. 3374 03:04:13,971 --> 03:04:17,107 UNLESS THERE'S ANYTHING I CAN DO FOR YOU, MA'AM. 3375 03:04:17,176 --> 03:04:18,608 NO, THANK YOU. 3376 03:04:18,677 --> 03:04:20,810 WOULD YOU BE SO GOOD, 3377 03:04:20,879 --> 03:04:23,780 MY DARLING DOVEY OF A DEAR YOUNG MARRIED LADY, 3378 03:04:23,848 --> 03:04:27,416 AS TO PUT THIS SOMEWHERE WHERE YOU CAN KEEP IT IN YOUR MIND? 3379 03:04:27,485 --> 03:04:31,020 GAMP'S THE NAME. LIVING QUITE HANDY. 3380 03:04:31,089 --> 03:04:33,890 I'LL BE SO BOLD AS TO CALL IN NOW AND AGAIN 3381 03:04:33,959 --> 03:04:36,926 TO INQUIRE ABOUT YOUR HEALTH 3382 03:04:36,995 --> 03:04:40,263 AND YOUR SPIRITS, MY PRETTY CHICK. 3383 03:04:40,331 --> 03:04:42,766 GOOD DAY, SIR. 3384 03:04:52,711 --> 03:04:55,044 OH, IT'S NOT GOOD ENOUGH FOR YOU, I SUPPOSE. 3385 03:04:55,113 --> 03:04:57,447 IT IS A LITTLE DREARY, JONAS. 3386 03:04:57,516 --> 03:04:59,783 PERHAPS WITH SOME NEW FURNITURE. 3387 03:04:59,851 --> 03:05:01,351 NEW FURNITURE? 3388 03:05:01,420 --> 03:05:03,987 WHY, THESE PIECES ARE GOOD ENOUGH FOR ANOTHER 50 YEARS. 3389 03:05:04,055 --> 03:05:06,289 YOU'RE A NICE ARTICLE TO TURN SULKY 3390 03:05:06,357 --> 03:05:09,759 ON YOUR FIRST COMING HOME. 3391 03:05:09,827 --> 03:05:11,394 THE WOMAN'S DOWNSTAIRS. RING THE BELL FOR SUPPER 3392 03:05:11,462 --> 03:05:13,063 WHILE I TAKE OFF MY BOOTS. 3393 03:05:25,277 --> 03:05:26,876 ARE YOU THE ONE THEY CALL MERRY? 3394 03:05:26,945 --> 03:05:27,878 YES. 3395 03:05:27,946 --> 03:05:30,246 YOU'RE NOT MARRIED, ARE YOU? 3396 03:05:30,314 --> 03:05:32,248 NOT MARRIED TO JONAS? 3397 03:05:32,317 --> 03:05:33,283 YES, OF COURSE, I AM. 3398 03:05:33,351 --> 03:05:34,283 OH! 3399 03:05:34,352 --> 03:05:37,387 WHY, GOOD HEAVENS, WHAT IS THE MATTER? 3400 03:05:37,455 --> 03:05:41,691 OH, WOE, WOE UPON THIS WICKED HOUSE. 3401 03:05:45,062 --> 03:05:47,430 [SNORING] 3402 03:05:51,903 --> 03:05:52,935 Lewsome: OHH! 3403 03:05:53,004 --> 03:05:55,505 [SNORTS] AHH, SHH... 3404 03:05:55,574 --> 03:05:57,507 OH, I THOUGHT I WAS A... 3405 03:05:57,576 --> 03:05:59,476 A-SLEEPING TOO PLEASANT TO LAST. 3406 03:05:59,544 --> 03:06:02,545 OHH! [COUGHS] 3407 03:06:02,614 --> 03:06:06,215 DON'T MAKE NONE OF THAT NOISE IN HERE! 3408 03:06:06,284 --> 03:06:09,418 OOH. IT'S A CHILLY NIGHT. 3409 03:06:09,487 --> 03:06:12,288 [SHIVERING] LOOK THERE. 3410 03:06:13,959 --> 03:06:15,758 DO YOU SEE THEM? 3411 03:06:15,827 --> 03:06:16,893 SEE WHO? 3412 03:06:16,961 --> 03:06:18,761 THE MEN PASSING THROUGH THIS ROOM. 3413 03:06:18,830 --> 03:06:21,197 IN AT THE WINDOW AND OUT AT THE DOOR. 3414 03:06:22,500 --> 03:06:25,268 ALL OF THEM WEARING BLACK CREPE AROUND THEIR HATS. 3415 03:06:26,838 --> 03:06:29,772 LET ME BE SURE OF THIS! 3416 03:06:29,841 --> 03:06:31,774 TOUCH ME! 3417 03:06:31,843 --> 03:06:33,376 YOU'LL HAVE YOUR SLEEPING DRAUGHT 3418 03:06:33,444 --> 03:06:35,645 AS SOON AS I'VE MADE A KETTLE BOILED, 3419 03:06:35,713 --> 03:06:37,313 AND YOU'LL GET TOUCHED THEN 3420 03:06:37,382 --> 03:06:39,248 IF YOU DON'T TAKE IT QUIET. NO, NO! 3421 03:06:39,317 --> 03:06:40,250 CHUZZLEWIT! 3422 03:06:41,853 --> 03:06:42,852 CHUZZLEWIT? 3423 03:06:43,955 --> 03:06:44,987 NO! 3424 03:06:46,191 --> 03:06:47,891 NO! 3425 03:07:36,674 --> 03:07:39,609 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org-- 341276

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.