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1
00:01:05,132 --> 00:01:05,987
[MUSIC PLAYING]
2
00:01:05,988 --> 00:01:06,843
[DRAMATIC MUSIC PLAYING]
3
00:01:06,844 --> 00:01:07,699
ROBSON,
YOUR MASTER IS UNWELL.
4
00:01:07,734 --> 00:01:10,535
WE MUST STOP AT
THE VERY NEXT VILLAGE
YOU COME TO.
5
00:01:10,570 --> 00:01:12,737
RIGHT YOU ARE, MISS.
6
00:02:17,170 --> 00:02:18,369
HE IS ILL.
7
00:02:18,405 --> 00:02:20,138
WE NEED A BEDROOM,
IF YOU PLEASE.
8
00:02:20,173 --> 00:02:22,073
TAKE THE GENTLEMAN
TO THE FIRST FLOOR
FRONT, MARK.
9
00:02:22,108 --> 00:02:23,108
RIGHT, MRS. LUPIN.
10
00:02:23,143 --> 00:02:24,242
SHALL I CALL
A DOCTOR
11
00:02:24,277 --> 00:02:26,144
OR THE APOTHECARY
IN THE NEXT VILLAGE?
12
00:02:26,179 --> 00:02:29,847
NO. NO DOCTORS,
NO APOTHECARIES.
13
00:02:36,623 --> 00:02:39,524
HERE, PA.
BRANDY AND WATER.
14
00:02:52,939 --> 00:02:54,939
THAT'LL DO.
I'M BETTER.
15
00:02:54,974 --> 00:02:56,040
OH!
16
00:02:56,076 --> 00:02:57,375
[LAUGHTER]
17
00:02:58,679 --> 00:03:01,178
AND I HAVE
SOME NEWS FOR YOU.
18
00:03:01,214 --> 00:03:02,247
OH.
19
00:03:04,251 --> 00:03:07,619
I'M GLAD TO REPORT THAT
I'VE FOUND ANOTHER STUDENT
20
00:03:07,654 --> 00:03:10,121
TO REPLACE
THE INGRATE WESTLOCK.
21
00:03:10,156 --> 00:03:12,123
OH, PA!
WHO IS HE?
22
00:03:12,158 --> 00:03:15,627
A YOUNG MAN,
ANXIOUS TO AVAIL HIMSELF
23
00:03:15,662 --> 00:03:18,196
OF THE ELIGIBLE OPPORTUNITY
WHICH NOW OFFERS
24
00:03:18,231 --> 00:03:22,233
FOR UNITING
THE BEST PRACTICAL
ARCHITECTURAL EDUCATION
25
00:03:22,269 --> 00:03:25,469
WITH THE COMFORTS OF A HOME
AND A FAMILY
26
00:03:25,505 --> 00:03:27,138
OF THE HIGHEST
MORAL STANDARDS.
27
00:03:27,173 --> 00:03:28,773
AS PER ADVERTISEMENT.
28
00:03:28,808 --> 00:03:30,541
IS HE HANDSOME, PA?
29
00:03:30,576 --> 00:03:33,177
OH, SILLY MERRY.
WHAT'S THE PREMIUM, PA?
30
00:03:33,213 --> 00:03:35,780
GRACIOUS, CHARITY,
WHAT A MERCENARY GIRL
YOU ARE.
31
00:03:35,816 --> 00:03:37,782
GIRLS, GIRLS, GIRLS.
32
00:03:38,952 --> 00:03:40,451
[BOTH LAUGH]
33
00:03:44,391 --> 00:03:45,856
HE'S WELL-LOOKING ENOUGH.
34
00:03:47,694 --> 00:03:52,230
I DO NOT EXPECT ANY IMMEDIATE
PREMIUM WITH HIM.
35
00:04:12,586 --> 00:04:15,486
HAVE YOU SEEN YOUR
GRANDPAPA LIKE THIS
BEFORE, MISS?
36
00:04:15,522 --> 00:04:17,154
MANY TIMES.
37
00:04:17,190 --> 00:04:19,624
BUT HE'S NOT
MY GRANDFATHER.
38
00:04:19,659 --> 00:04:22,293
FATHER,
I SHOULD HAVE SAID.
39
00:04:22,329 --> 00:04:25,663
HE'S NOT MY FATHER
OR MY UNCLE.
40
00:04:27,534 --> 00:04:29,267
OR MY HUSBAND.
41
00:04:29,302 --> 00:04:30,868
WE ARE NOT RELATED.
42
00:04:30,904 --> 00:04:34,939
OH! UH, WHY IT'S...
A PROVIDENCE
43
00:04:34,975 --> 00:04:36,574
YOU HAVE
THE MEDICINE, THEN.
44
00:04:36,609 --> 00:04:38,209
WE NEVER TRAVEL
WITHOUT THEM.
45
00:04:38,244 --> 00:04:40,311
BRING ME MY WRITING CASE.
46
00:04:41,481 --> 00:04:43,781
AND MOVE THE CANDLE NEARER.
47
00:04:46,687 --> 00:04:48,719
MARTIN, YOU SHOULD REST.
48
00:04:48,754 --> 00:04:50,788
BRING IT,
I TELL YOU!
49
00:04:50,823 --> 00:04:54,859
THE YOUNG LADY'S RIGHT, SIR.
YOU'RE IN NO FIT STATE
TO BE WRITING.
50
00:04:54,894 --> 00:04:58,663
AND WHAT BUSINESS
IS IT OF YOURS, MA'AM?
51
00:04:58,698 --> 00:05:02,533
AHEM. NO BUSINESS, SIR,
EXCEPT COMMON SENSE
AND CHRISTIAN CHARITY.
52
00:05:02,569 --> 00:05:04,836
I WANT TO SEE YOU
GET BETTER.
53
00:05:04,871 --> 00:05:08,640
HMM. VERY SOLICITOUS.
54
00:05:08,675 --> 00:05:11,876
BUT YOU BEGIN TOO SOON.
55
00:05:11,912 --> 00:05:16,114
YOU DO YOUR ERRAND,
AND YOU EARN YOUR FEE.
56
00:05:17,317 --> 00:05:18,783
WHO IS YOUR CLIENT?
57
00:05:18,818 --> 00:05:20,451
MY CLIENT, SIR?
WHAT DO YOU MEAN?
58
00:05:20,486 --> 00:05:22,019
HUSH, MARTIN.
59
00:05:22,054 --> 00:05:24,789
CONSIDER HOW SHORT A TIME
WE'VE BEEN IN THIS HOUSE
60
00:05:24,824 --> 00:05:26,390
AND QUITE BY CHANCE.
61
00:05:26,426 --> 00:05:28,860
EVEN YOUR NAME
IS UNKNOWN HERE.
62
00:05:28,895 --> 00:05:33,931
DIDN'T YOU SAY
THIS PLACE WAS CALLED
LITTLE HADDING?
63
00:05:33,967 --> 00:05:37,969
AH. THEN THERE IS
SOMEONE HERE
64
00:05:38,004 --> 00:05:40,472
WHO KNOWS MY NAME.
65
00:05:43,509 --> 00:05:46,243
HAS THE REPROBATE
DEPARTED YET?
66
00:05:46,279 --> 00:05:49,947
HE GOES
TO LONDON TONIGHT
BY THE MAIL COACH.
67
00:05:49,982 --> 00:05:51,549
[KNOCK ON DOOR]
68
00:05:51,585 --> 00:05:53,217
COME IN.
69
00:05:56,022 --> 00:05:58,589
I--I BEG YOUR PARDON
FOR INTRUDING,
MR. PECKSNIFF.
70
00:05:58,625 --> 00:06:02,126
PRAY BE SEATED, MR. PINCH,
BUT HAVE THE GOODNESS
TO SHUT THE DOOR.
71
00:06:02,162 --> 00:06:04,128
THANK YOU, SIR.
72
00:06:04,164 --> 00:06:06,197
BUT...MR. WESTLOCK
IS HERE, TOO, SIR,
73
00:06:06,233 --> 00:06:08,766
AND, L-LEAVING TONIGHT
FOR GOOD AND ALL,
74
00:06:08,801 --> 00:06:10,768
WISHES TO LEAVE NONE
BUT FRIENDS BEHIND.
75
00:06:10,803 --> 00:06:13,037
OH, MR. PINCH, MR. PINCH,
76
00:06:13,073 --> 00:06:15,973
I HAVE NOT DESERVED
THIS OF YOU.
77
00:06:16,008 --> 00:06:17,475
COME, MR. PECKSNIFF,
78
00:06:17,511 --> 00:06:19,511
DON'T LET THERE BE
ANY ILL WILL
79
00:06:19,546 --> 00:06:20,979
BETWEEN US
AT PARTING.
80
00:06:21,014 --> 00:06:24,148
I BEAR NO ILL WILL
TO ANY MAN ON EARTH.
81
00:06:24,183 --> 00:06:26,484
I TOLD YOU HE DIDN'T.
82
00:06:28,455 --> 00:06:30,455
YOU'LL SHAKE HANDS,
THEN.
83
00:06:31,557 --> 00:06:34,192
NO, JOHN,
I WILL NOT SHAKE HANDS.
84
00:06:34,227 --> 00:06:35,693
I HAVE FORGIVEN YOU.
85
00:06:35,729 --> 00:06:38,262
I HAVE EMBRACED YOU
IN THE SPIRIT, JOHN,
86
00:06:38,297 --> 00:06:40,531
WHICH IS BETTER
THAN SHAKING HANDS.
87
00:06:40,566 --> 00:06:43,501
WHAT DID I TELL YOU?
88
00:06:43,537 --> 00:06:45,403
AS FOR YOUR
FORGIVENESS,
89
00:06:45,438 --> 00:06:47,205
I'LL NOT HAVE IT
UPON SUCH TERMS.
90
00:06:47,240 --> 00:06:48,339
Charity:
FOR SHAME!
91
00:06:48,374 --> 00:06:50,575
OH, BUT YOU MUST.
YOU HAVE NO CHOICE.
92
00:06:50,610 --> 00:06:55,613
I FORGAVE YOU
EVEN AS YOU WRONGED ME
WITH YOUR REPROACHES.
93
00:06:55,648 --> 00:06:57,081
I WRONGED YOU?
94
00:06:57,116 --> 00:06:58,583
HERE'S
A PRETTY FELLOW.
95
00:06:58,618 --> 00:07:00,718
WHAT ABOUT THE �500
YOU HAD FROM ME
96
00:07:00,753 --> 00:07:01,853
FOR TEACHING ME
NOTHING?
97
00:07:01,888 --> 00:07:04,922
OR THE �70 A YEAR
FOR BOARD AND LODGING
98
00:07:04,957 --> 00:07:07,024
WHICH WOULD HAVE
BEEN DEAR AT 17?
99
00:07:07,060 --> 00:07:09,027
I FORGAVE YOU.
100
00:07:09,062 --> 00:07:12,163
JUST AS I FORGIVE
THE THOUGHTLESS PERSON
101
00:07:12,198 --> 00:07:14,532
WHO INTRODUCED YOU
TO MY QUIET HEARTH TONIGHT,
102
00:07:14,567 --> 00:07:16,434
DISTURBING ITS PEACE
AND HARMONY.
103
00:07:16,469 --> 00:07:18,570
MR. PECKSNIFF, I--
104
00:07:18,605 --> 00:07:20,037
NAY.
105
00:07:20,073 --> 00:07:24,775
I BEG THAT INDIVIDUAL
NOT TO OFFER A REMARK
JUST NOW.
106
00:07:24,810 --> 00:07:28,145
IN TIME, I TRUST, I SHALL
HAVE SUFFICIENT FORTITUDE
107
00:07:28,180 --> 00:07:32,450
TO CONVERSE WITH HIM
AS IF THESE EVENTS
HAD NEVER HAPPENED.
108
00:07:32,485 --> 00:07:34,685
BUT NOT NOW.
109
00:07:34,721 --> 00:07:35,986
NOT NOW.
110
00:07:37,457 --> 00:07:38,489
BAH!
111
00:07:39,792 --> 00:07:42,527
COME, PINCH.
IT'S NOT WORTH
THINKING OF.
112
00:07:43,596 --> 00:07:46,097
LADIES, GOOD NIGHT.
113
00:07:57,510 --> 00:08:00,377
A MESSAGE FROM
THE BLUE DRAGON, SIR.
114
00:08:00,413 --> 00:08:02,413
[DRAMATIC MUSIC PLAYING]
115
00:08:12,726 --> 00:08:15,159
BOTH HANDS, TOM.
BOTH HANDS.
116
00:08:15,194 --> 00:08:17,495
GOOD-BYE...
MY DEAR FELLOW.
117
00:08:18,764 --> 00:08:20,098
I'LL WRITE TO YOU
FROM LONDON, MIND.
118
00:08:21,902 --> 00:08:24,201
I CAN HARDLY BELIEVE
YOU'RE GOING.
119
00:08:24,236 --> 00:08:26,237
SEEMS BUT YESTERDAY
YOU CAME.
120
00:08:26,272 --> 00:08:28,439
IT WAS 5 YEARS.
121
00:08:28,474 --> 00:08:30,441
5 WASTED YEARS...
122
00:08:30,476 --> 00:08:33,477
BUT FOR THE PLEASURE
OF KNOWING YOU.
123
00:08:35,215 --> 00:08:37,314
GOOD-BYE, JOHN.
124
00:08:38,752 --> 00:08:40,218
GOOD-BYE, TOM.
125
00:08:48,194 --> 00:08:50,594
Man: GET ON!
WHOOPAH!
126
00:08:54,233 --> 00:08:56,033
[HORSE NEIGHS]
127
00:09:25,397 --> 00:09:27,431
GOOD EVENING,
MRS. LUPIN.
128
00:09:27,466 --> 00:09:28,733
GOOD EVENING,
MR. PECKSNIFF.
129
00:09:28,768 --> 00:09:31,368
I--I AM SO VERY GLAD
YOU HAVE COME.
130
00:09:31,404 --> 00:09:36,007
I AM SO VERY GLAD
I HAVE COME, MRS. LUPIN,
IF I CAN BE OF SERVICE.
131
00:09:36,042 --> 00:09:37,508
WHAT IS THE MATTER?
132
00:09:37,543 --> 00:09:39,677
AN ELDERLY GENTLEMAN
TAKEN ILL UPON THE ROAD
133
00:09:39,712 --> 00:09:42,246
HAS BEEN SO VERY BAD
UPSTAIRS, SIR.
134
00:09:42,281 --> 00:09:44,915
A GENTLEMAN TAKEN ILL
UPON THE ROAD
135
00:09:44,951 --> 00:09:47,552
HAS BEEN SO VERY BAD
UPSTAIRS, HAS HE?
136
00:09:47,587 --> 00:09:50,488
WELL, WELL.
AND HOW IS HE NOW?
137
00:09:51,757 --> 00:09:53,590
I AM VERY MUCH AFRAID,
SIR,
138
00:09:53,626 --> 00:09:55,459
THAT HIS CONSCIENCE
IS TROUBLED
139
00:09:55,494 --> 00:09:59,597
BY HIS NOT BEING RELATED
TO...OR MARRIED TO
140
00:09:59,632 --> 00:10:01,966
THE YOUNG LADY
WHO IS WITH HIM.
141
00:10:02,001 --> 00:10:05,202
YOU MEAN YOUNG PERSON,
MRS. LUPIN.
142
00:10:05,238 --> 00:10:07,705
YOUNG PERSON, SIR, YES.
I DO BEG YOUR PARDON.
143
00:10:08,141 --> 00:10:10,341
I HAVE BEEN
SO RUSHED TONIGHT,
I DON'T KNOW WHAT I SAY,
144
00:10:10,376 --> 00:10:15,413
BUT TO BE SURE,
SHE LOOKS AND ACTS
JUST LIKE A LADY.
145
00:10:15,448 --> 00:10:19,083
APPEARANCES ARE
OFTEN DECEPTIVE.
146
00:10:19,119 --> 00:10:21,885
I WILL WAIT UPON
THESE TRAVELERS,
MRS. LUPIN.
147
00:10:26,959 --> 00:10:29,427
THIS LOOKS ARTFUL...
148
00:10:29,462 --> 00:10:31,362
VERY ARTFUL,
MRS. LUPIN.
149
00:10:31,397 --> 00:10:33,497
SHALL I KNOCK, SIR?
150
00:10:33,533 --> 00:10:35,299
NO.
151
00:10:35,334 --> 00:10:36,600
[UNLATCHES DOOR]
152
00:10:40,005 --> 00:10:41,805
WHAT GENTLEMAN
IS THIS?
153
00:10:41,840 --> 00:10:43,774
DON'T TROUBLE YOURSELF,
MA'AM.
154
00:10:43,809 --> 00:10:47,978
THIS YOUNG, EH...STRANGER
WILL EXCUSE ME
155
00:10:48,014 --> 00:10:52,750
FOR REPLYING BRIEFLY THAT
I RESIDE IN THIS VILLAGE.
156
00:10:52,786 --> 00:10:57,221
IT MAY BE IN
AN INFLUENTIAL MANNER,
HOWEVER UNDESERVED,
157
00:10:57,256 --> 00:10:59,189
AND I WAS SUMMONED HERE
BY YOU.
158
00:10:59,225 --> 00:11:03,227
I AM HERE AS I AM
EVERYWHERE, I HOPE,
159
00:11:03,263 --> 00:11:07,031
IN SYMPATHY WITH
THE SICK AND SORRY.
160
00:11:24,850 --> 00:11:26,650
YOU ARE MARTIN CHUZZLEWIT!
161
00:11:28,654 --> 00:11:30,254
YES...
162
00:11:30,289 --> 00:11:33,524
I AM MARTIN CHUZZLEWIT.
163
00:11:33,560 --> 00:11:36,894
AND MARTIN CHUZZLEWIT
WISHES YOU WERE HANGED
164
00:11:36,929 --> 00:11:40,331
BEFORE YOU'D COME HERE
TO DISTURB HIM
IN HIS SLEEP.
165
00:11:40,366 --> 00:11:42,233
MY GOOD COUSIN, I--
166
00:11:42,268 --> 00:11:44,335
THERE, WITH HIS
VERY FIRST WORDS,
167
00:11:44,370 --> 00:11:46,903
HE PROCLAIMS
HIS RELATIONSHIP TO ME.
168
00:11:46,939 --> 00:11:49,640
I KNEW HE WOULD.
THEY ALL DO IT.
169
00:11:50,076 --> 00:11:52,643
NEAR OR DISTANT,
BLOOD OR WATER,
170
00:11:52,678 --> 00:11:54,077
IT'S ALL ONE.
171
00:11:54,113 --> 00:11:55,145
UGH!
172
00:11:55,181 --> 00:11:57,981
PRAY...COMPOSE YOURSELF,
MR. CHUZZLEWIT.
173
00:11:58,017 --> 00:12:01,185
AND YOU, MISTRESS,
I KNEW YOU WERE HIS SPY!
174
00:12:01,220 --> 00:12:03,554
A SPY?
MARTIN, HUSH!
175
00:12:03,589 --> 00:12:06,657
DO NOT BE HASTY,
MR. CHUZZLEWIT.
176
00:12:06,693 --> 00:12:10,127
I ASSURE YOU
MRS. LUPIN HAD NO IDEA
WE WERE RELATED.
177
00:12:10,163 --> 00:12:11,395
BAH.
178
00:12:11,430 --> 00:12:14,998
I CAME HERE TO SUCCOR
A STRANGER, SO I THOUGHT,
179
00:12:15,034 --> 00:12:17,902
AND I HAVE JUST THAT AMOUNT
OF INTEREST IN YOU
180
00:12:17,937 --> 00:12:21,105
AS I SHOULD FEEL
IN ANY STRANGER
CIRCUMSTANCED AS YOU ARE,
181
00:12:21,140 --> 00:12:24,174
NO MORE...AND NO LESS.
182
00:12:33,118 --> 00:12:34,452
HMM?
183
00:12:34,487 --> 00:12:39,256
OH, I--
I BEG YOUR PARDON.
184
00:12:40,626 --> 00:12:41,992
I THOUGHT YOU SPOKE.
185
00:12:52,404 --> 00:12:55,706
MRS. LUPIN, I AM NOT AWARE
THAT I CAN BE OF ANY FURTHER
SERVICE HERE.
186
00:12:55,741 --> 00:12:59,776
SHALL WE CONVERSE
AS STRANGERS, THEN?
187
00:13:02,248 --> 00:13:06,283
IF THAT WOULD BE
A RELIEF TO YOU, SIR.
188
00:13:06,319 --> 00:13:07,952
LEAVE US ALONE.
189
00:13:25,471 --> 00:13:28,139
I AM A WEALTHY MAN.
190
00:13:30,209 --> 00:13:32,943
WEALTHIER THAN
MY BROTHER ANTHONY,
FOR INSTANCE.
191
00:13:32,978 --> 00:13:35,679
HE GETS SOME PLEASURE
FROM HOARDING HIS MONEY.
192
00:13:35,715 --> 00:13:38,682
MINE HAS BROUGHT ME
NOTHING BUT MISERY.
193
00:13:38,717 --> 00:13:43,521
IT HAS POISONED
EVERY TIE OF FAMILY
OR FRIENDSHIP.
194
00:13:43,556 --> 00:13:47,091
NO ONE LOVES ME
FOR MYSELF...
195
00:13:47,126 --> 00:13:50,361
ONLY FOR WHAT THEY HOPE
TO GET OUT OF ME.
196
00:13:50,396 --> 00:13:53,164
MR. CHUZZLEWIT,
I CAN ASSURE YOU--
197
00:13:53,199 --> 00:13:55,265
I THOUGHT
WE WERE STRANGERS.
198
00:13:55,300 --> 00:13:57,067
HEAR ME OUT.
199
00:13:59,004 --> 00:14:00,837
FOR YEARS...
200
00:14:00,873 --> 00:14:04,541
I'VE BEEN PESTERED BY
A HORDE OF AVARICIOUS
RELATIVES,
201
00:14:04,577 --> 00:14:06,576
ALL CLAMORING
FOR MY ATTENTION,
202
00:14:06,612 --> 00:14:09,613
ALL STAKING A CLAIM
ON MY ESTATE.
203
00:14:11,050 --> 00:14:15,519
THE YOUNG GIRL,
WHOM YOU SAW JUST NOW...
204
00:14:15,554 --> 00:14:19,556
AND WHOM I SEE
YOU HATE ALREADY...
205
00:14:19,591 --> 00:14:20,725
MY DEAR SIR, I--
206
00:14:20,760 --> 00:14:23,193
SHE IS AN ORPHAN...
207
00:14:23,229 --> 00:14:25,796
WHOM I ADOPTED
TO BE MY COMPANION.
208
00:14:25,832 --> 00:14:28,765
HER NAME
IS MARY GRAHAM.
209
00:14:28,801 --> 00:14:31,502
I HAVE MADE,
AS SHE KNOWS,
A SOLEMN VOW
210
00:14:31,537 --> 00:14:34,671
NOT TO LEAVE HER
SO MUCH AS SIXPENCE
WHEN I DIE.
211
00:14:34,707 --> 00:14:39,210
BUT WHILE I LIVE,
I MAKE HER A MODEST
ANNUAL ALLOWANCE,
212
00:14:39,245 --> 00:14:46,116
SO SHE IS
BOUND TO ME IN LIFE
BY SELF-INTEREST...
213
00:14:46,152 --> 00:14:49,653
BUT HAS
NOTHING TO GAIN
FROM MY DEATH.
214
00:14:51,290 --> 00:14:54,291
THAT'S THE ONLY
KIND OF FRIEND
I HAVE NOW.
215
00:14:54,327 --> 00:14:57,327
OR WILL EVER HAVE.
216
00:14:58,564 --> 00:15:01,198
NOW LEAVE ME.
217
00:15:01,233 --> 00:15:03,867
AND JUDGE HOW POINTLESS
IT WOULD BE
218
00:15:03,902 --> 00:15:05,503
FOR YOU TO RETURN.
219
00:15:11,044 --> 00:15:13,577
I WILL LEAVE YOU, SIR.
220
00:15:13,612 --> 00:15:15,679
BUT BEFORE I GO...
221
00:15:15,715 --> 00:15:18,349
I MUST SPEAK.
222
00:15:18,384 --> 00:15:21,485
I WILL NOT SAY THAT
YOU ARE MISTAKEN IN ME.
223
00:15:21,520 --> 00:15:25,322
WHILE YOU ARE
IN YOUR PRESENT MOOD,
IT WOULD BE IN VAIN.
224
00:15:25,358 --> 00:15:29,093
BUT I OWE IT TO MYSELF
AND TO MY CHARACTER
225
00:15:29,128 --> 00:15:31,928
TO TELL YOU
ON BEHALF OF ANOTHER
226
00:15:31,964 --> 00:15:38,736
THAT YOUR CONDUCT IS WRONG,
UNNATURAL, INDEFENSIBLE...
227
00:15:38,771 --> 00:15:39,870
MONSTROUS.
228
00:15:42,108 --> 00:15:43,373
WHAT OTHER?
229
00:15:43,409 --> 00:15:45,542
YOUR GRANDSON, SIR.
230
00:15:45,578 --> 00:15:50,414
YOUR NAMESAKE,
WHO HAS THE STRONGEST
NATURAL CLAIM UPON YOU
231
00:15:50,449 --> 00:15:52,783
AND FROM WHOM, I BELIEVE,
YOU ARE ESTRANGED.
232
00:15:52,818 --> 00:15:56,319
WHY SHOULD YOU
PLEAD FOR HIM?
233
00:15:56,355 --> 00:15:59,123
IT IS MERE
NATURAL JUSTICE.
234
00:15:59,158 --> 00:16:01,858
YOU MUST PROVIDE
FOR THAT YOUNG MAN.
235
00:16:01,894 --> 00:16:05,129
YOU WILL PROVIDE FOR HIM.
236
00:16:06,532 --> 00:16:07,765
PERHAPS...
237
00:16:09,568 --> 00:16:11,435
YOU HAVE ALREADY DONE SO.
238
00:16:13,973 --> 00:16:15,906
I PRAY YOU HAVE.
239
00:16:20,045 --> 00:16:22,179
GOOD NIGHT, MR. CHUZZLEWIT.
240
00:16:43,736 --> 00:16:45,836
[DRAMATIC MUSIC PLAYING]
241
00:17:12,498 --> 00:17:15,232
[ROOSTER CROWS]
242
00:17:32,951 --> 00:17:35,419
[CHURCH ORGAN PLAYS]
243
00:19:01,540 --> 00:19:04,641
I WOULDN'T BOTHER GOING
UP THERE IF I WERE YOU.
244
00:19:04,677 --> 00:19:06,577
I BEG YOUR PARDON?
245
00:19:06,612 --> 00:19:11,414
WELL, THE DOOR'S LOCKED,
AND THE KEY IS IN THE KEYHOLE.
246
00:19:11,450 --> 00:19:15,652
ARE YOU INSINUATING
THAT I WOULD STOOP--
WHO ARE YOU?
247
00:19:15,688 --> 00:19:18,755
JUST THE QUESTION
THAT WAS ON THE TIP
OF ME OWN TONGUE.
248
00:19:18,790 --> 00:19:20,891
WELL, YOU CAN'T BE
HIS NIECE'S HUSBAND,
249
00:19:20,926 --> 00:19:23,026
BECAUSE HE'S BEEN
HERE ALREADY.
250
00:19:23,062 --> 00:19:24,027
WHAT?
251
00:19:24,062 --> 00:19:25,095
WAIT A BIT.
252
00:19:25,131 --> 00:19:28,064
ARE YOU THE COUSIN
WHO LIVES IN THIS PLACE?
253
00:19:28,100 --> 00:19:29,166
PECKSNIFF?
254
00:19:29,201 --> 00:19:31,468
THAT IS MY NAME.
255
00:19:33,239 --> 00:19:35,672
I BEG YOUR PARDON, SIR.
256
00:19:35,707 --> 00:19:38,108
MONTAGUE TIGG...
257
00:19:38,144 --> 00:19:39,609
AT YOUR SERVICE, SIR.
258
00:19:41,580 --> 00:19:43,079
YOU BEHOLD IN ME, SIR,
259
00:19:43,115 --> 00:19:47,017
A MAN WHO ALSO HAS AN INTEREST
IN THE GENTLEMAN UPSTAIRS.
260
00:19:47,052 --> 00:19:49,653
ARE YOU...
RELATED TO HIM?
261
00:19:49,688 --> 00:19:51,388
NOT EXACTLY. NO, SIR,
262
00:19:51,423 --> 00:19:54,825
BUT MY FRIEND AND ASSOCIATE,
MR. CHEVY SLYME,
263
00:19:54,860 --> 00:19:57,228
IS HIS NEPHEW
TWICE REMOVED.
264
00:19:57,263 --> 00:19:59,596
YOU KNOW MR. SLYME,
I BELIEVE.
265
00:19:59,631 --> 00:20:01,598
I AM AWARE
OF HIS EXISTENCE.
266
00:20:01,633 --> 00:20:04,935
THEN NOW'S YOUR CHANCE
TO MAKE HIS ACQUAINTANCE.
267
00:20:04,971 --> 00:20:06,503
CHEV!
268
00:20:16,381 --> 00:20:17,715
CHEV...
269
00:20:17,750 --> 00:20:19,983
MR. PECKSNIFF.
270
00:20:20,018 --> 00:20:24,588
MR. PECKSNIFF...
MR. CHEVY SLYME,
ESQUIRE.
271
00:20:24,623 --> 00:20:26,456
NOW,
YOU TWO ARE RELATED,
272
00:20:26,492 --> 00:20:27,991
AND RELATIVES
NEVER AGREE, I KNOW,
273
00:20:28,027 --> 00:20:30,060
BUT IF I MAY BE
SO BOLD,
274
00:20:30,095 --> 00:20:34,531
YOU HAVE EVERYTHING
TO GAIN BY COMBINING
WITH THE OTHERS.
275
00:20:34,566 --> 00:20:35,699
[WHISPERING]
276
00:20:35,734 --> 00:20:38,902
YES, CHEV, I SHALL
COME TO THAT PRESENTLY.
277
00:20:38,937 --> 00:20:41,038
I'M SURE MR. PECKSNIFF
WOULD THINK NOTHING
278
00:20:41,073 --> 00:20:45,342
OF SO TRIFLING A LOAN
AS A CROWN PIECE TOWARD
A MAN OF YOUR TALENTS.
279
00:20:45,378 --> 00:20:48,478
YOU SPOKE OF OTHERS.
WHAT OTHERS?
280
00:20:48,514 --> 00:20:51,481
WELL, THERE'S
ANTHONY CHUZZLEWIT,
HIS BROTHER,
281
00:20:51,516 --> 00:20:53,550
AND HIS SON JONAS,
TO BEGIN WITH.
282
00:20:53,585 --> 00:20:56,052
THEY ARE HERE?
283
00:20:56,088 --> 00:21:00,124
AND THE OTHER
BROTHER'S WIDOW
WITH HER 3 DAUGHTERS...
284
00:21:00,159 --> 00:21:02,526
AND THE SPOTTLETOES.
285
00:21:02,561 --> 00:21:04,594
THE SPOTTLETOES?!
286
00:21:04,629 --> 00:21:06,329
THE SPOTTLETOES, YES.
287
00:21:06,364 --> 00:21:09,767
WORD HAS GOT AROUND,
YOU SEE, MR. PECKSNIFF.
288
00:21:09,802 --> 00:21:12,669
THE WHOLE FAMILY IS
POURING INTO THE VILLAGE
BY THE HOUR.
289
00:21:12,705 --> 00:21:14,604
UPON MY SOUL,
THIS IS SCANDALOUS.
290
00:21:14,640 --> 00:21:17,074
IT IS! SCANDALOUS.
291
00:21:17,109 --> 00:21:18,876
AND THE OLD
GENTLEMAN UPSTAIRS,
292
00:21:18,911 --> 00:21:20,844
AT DEATH'S DOOR
FOR ALL WE KNOW,
293
00:21:20,880 --> 00:21:22,946
HIS GRANDSON
DISINHERITED,
294
00:21:22,982 --> 00:21:24,881
A FORTUNE
GOING BEGGING,
295
00:21:24,916 --> 00:21:27,317
AND WE CAN'T GET
ANYWHERE NEAR HIM.
296
00:21:27,352 --> 00:21:31,588
MEANWHILE,
HE IS POURING
HIS CONFIDENCE
297
00:21:31,623 --> 00:21:34,657
INTO THE BOSOM
OF A STRANGER.
298
00:21:34,693 --> 00:21:39,396
YOU REFER
TO HIS PAID COMPANION
AND NURSE, I PRESUME.
299
00:21:39,431 --> 00:21:40,597
[BOTH SNICKER]
300
00:21:40,632 --> 00:21:44,200
COMPANION AND NURSE.
301
00:21:44,236 --> 00:21:46,837
YOU MAY DEPEND
UPON IT, SIR.
302
00:21:46,872 --> 00:21:50,541
SHE HAS HER EYE
ON THE MAIN CHANCE.
303
00:21:50,576 --> 00:21:52,842
THERE MAY BE SOMETHING
IN WHAT YOU SAY.
304
00:21:52,877 --> 00:21:54,077
OF COURSE THERE IS!
305
00:21:54,113 --> 00:21:56,513
THAT'S WHY WE MUST
COMBINE FORCES
306
00:21:56,548 --> 00:21:58,115
AGAINST
HER INFLUENCE!
307
00:21:59,618 --> 00:22:01,652
CHEV,
MY DEAR FELLOW,
308
00:22:01,687 --> 00:22:04,921
GO OUTSIDE AND SEE
WHAT KIND OF A DAY
IT IS, WOULD YOU?
309
00:22:11,363 --> 00:22:15,398
PERHAPS I SHOULD CONVENE
A FAMILY COUNCIL.
310
00:22:15,433 --> 00:22:17,200
CAPITAL IDEA.
311
00:22:17,235 --> 00:22:19,402
CAPITAL.
312
00:22:19,438 --> 00:22:20,704
[DOOR CLOSES]
313
00:22:20,740 --> 00:22:24,574
MEANWHILE,
YOU HEARD CHEV
WHISPER ME, I THINK.
314
00:22:24,609 --> 00:22:27,878
ONLY A MERE
TRIFLING 5 SHILLINGS
315
00:22:27,913 --> 00:22:32,382
TO BE REPAID
PUNCTUALLY NEXT WEEK,
THAT'S THE BEST OF IT.
316
00:22:32,417 --> 00:22:34,184
YOU HEARD THAT?
317
00:22:36,321 --> 00:22:38,956
YOU'RE NOT IN WANT
OF CHANGE, ARE YOU?
318
00:22:38,991 --> 00:22:41,725
NO, THANK YOU,
I'M NOT.
319
00:22:41,760 --> 00:22:43,259
GOOD DAY TO YOU.
320
00:22:43,295 --> 00:22:46,797
BECAUSE IF YOU HAD BEEN,
I WOULD HAVE GOT IT FOR YOU!
321
00:22:48,600 --> 00:22:52,869
PERHAPS YOU WOULD RATHER NOT
LEND SLYME 5 SHILLINGS.
322
00:22:52,905 --> 00:22:54,771
I WOULD MUCH RATHER NOT.
323
00:22:58,510 --> 00:23:00,977
WOULD YOU HAVE
THE SAME OBJECTION
324
00:23:01,013 --> 00:23:02,746
TO LENDING ME
5 SHILLINGS?
325
00:23:02,781 --> 00:23:04,615
I WOULD.
NOT EVEN
HALF A CROWN?
326
00:23:04,650 --> 00:23:06,016
NOT EVEN HALF A CROWN.
327
00:23:06,051 --> 00:23:08,251
WHY, THEN WE COME TO
THE RIDICULOUSLY
SMALL AMOUNT
328
00:23:08,287 --> 00:23:09,386
OF 18 PENCE.
329
00:23:09,421 --> 00:23:11,354
THAT WOULD BE EQUALLY
OBJECTIONABLE.
330
00:23:11,389 --> 00:23:14,724
THEN LET ME TELL YOU,
MR. PECKSNIFF...
331
00:23:14,759 --> 00:23:19,663
YOU ARE
THE MOST REMARKABLE
AND CONSISTENT MAN
332
00:23:19,698 --> 00:23:21,798
THAT EVER I HAVE MET,
333
00:23:21,834 --> 00:23:24,467
AND I HOPE FOR
THE HONOR OF YOUR
FUTURE ACQUAINTANCE.
334
00:23:27,540 --> 00:23:30,574
BE SURE TO LET US KNOW
ABOUT THE FAMILY COUNCIL.
335
00:23:30,609 --> 00:23:33,376
A MESSAGE WILL ALWAYS
FIND US HERE.
336
00:23:50,395 --> 00:23:52,495
HAS IT STARTED YET?
337
00:23:52,531 --> 00:23:53,997
NO, NOT YET.
338
00:24:00,072 --> 00:24:02,506
THIS DOES ME GOOD.
339
00:24:02,541 --> 00:24:04,508
IT DOES MY DAUGHTERS GOOD.
340
00:24:04,543 --> 00:24:06,976
WE THANK YOU
FOR ASSEMBLING HERE.
341
00:24:07,012 --> 00:24:09,045
YOU ASSUME TOO MUCH
TO YOURSELF, PECKSNIFF.
342
00:24:09,080 --> 00:24:10,313
[MURMURS OF AGREEMENT]
343
00:24:10,348 --> 00:24:12,216
I'M NO STRANGER TO
YOUR PREPOSTEROUS DESIRE
344
00:24:12,251 --> 00:24:14,050
TO BE REGARDED AS
THE HEAD OF THIS FAMILY.
345
00:24:14,085 --> 00:24:17,488
AND I SUPPOSE YOU CLAIM THAT
DISTINCTION FOR YOURSELF,
MR. SPOTTLETOE.
346
00:24:17,523 --> 00:24:19,289
WELL, I--I DON'T SAY--
347
00:24:19,325 --> 00:24:21,858
AS THE WIDOW OF
MR. MARTIN CHUZZLEWIT'S
ELDEST BROTHER--
348
00:24:21,893 --> 00:24:24,594
AND A HAPPY RELEASE
IT WAS FOR HIM, TOO.
349
00:24:24,630 --> 00:24:25,695
COME, GIRLS!
350
00:24:25,731 --> 00:24:27,931
I HAVE NOT COME HERE
TO BE INSULTED
351
00:24:27,966 --> 00:24:30,300
BY A NOTORIOUS DEBAUCHEE!
352
00:24:30,335 --> 00:24:32,269
FRIENDS, FRIENDS,
I BESEECH YOU.
353
00:24:32,304 --> 00:24:35,004
LADIES,
PRAY BE SEATED.
354
00:24:35,040 --> 00:24:37,207
GENTLEMEN, PLEASE.
355
00:24:38,643 --> 00:24:42,579
I'M NOT SORRY THIS LITTLE
INCIDENT HAS HAPPENED.
356
00:24:42,614 --> 00:24:46,049
IT'S GOOD TO KNOW
THAT WE HAVE NO RESERVE
BEFORE EACH OTHER
357
00:24:46,084 --> 00:24:49,552
AND ARE APPEARING FREELY
IN OUR OWN CHARACTERS.
358
00:24:49,588 --> 00:24:53,723
DON'T YOU BE
A HYPOCRITE,
PECKSNIFF!
359
00:24:53,758 --> 00:24:55,825
A WHAT, MY DEAR SIR?
360
00:24:55,861 --> 00:24:58,061
YOU HEARD ME.
361
00:24:58,096 --> 00:24:59,896
A HYPOCRITE.
362
00:25:02,968 --> 00:25:06,536
CHARITY, WHEN I TAKE
MY CHAMBER CANDLESTICK
TONIGHT,
363
00:25:06,571 --> 00:25:09,306
REMIND ME TO BE MORE
THAN USUALLY PARTICULAR
364
00:25:09,341 --> 00:25:12,642
IN PRAYING FOR
MR. ANTHONY CHUZZLEWIT,
365
00:25:12,678 --> 00:25:14,577
WHO HAS DONE ME
AN INJUSTICE.
366
00:25:14,613 --> 00:25:16,546
CAN WE GET DOWN
TO THE BUSINESS
OF THIS MEETING?
367
00:25:16,582 --> 00:25:19,415
QUITE SO. I AM GRATEFUL
TO MR. JONAS CHUZZLEWIT
368
00:25:19,451 --> 00:25:22,119
FOR HIS PERTINENT
INTERVENTION.
369
00:25:22,154 --> 00:25:25,922
OUR BUSINESS IS TO CONSIDER
HOW TO OPEN THE EYES
370
00:25:25,958 --> 00:25:28,357
OF OUR VALUED RELATIVE
TO THE--
371
00:25:30,262 --> 00:25:32,295
TO THE, UM...
372
00:25:32,330 --> 00:25:33,597
GO ON, PA.
373
00:25:33,632 --> 00:25:36,366
WHY, THE--THE TRUTH IS,
MY DEAR,
374
00:25:36,401 --> 00:25:39,602
THAT I'M AT--
I'M AT A LOSS FOR A WORD.
375
00:25:39,637 --> 00:25:42,539
THE NAME OF THOSE FABULOUS
CREATURES--
376
00:25:42,574 --> 00:25:44,307
PAGAN, I REGRET TO SAY--
377
00:25:44,343 --> 00:25:47,977
THAT USED TO SING
IN THE WATERS
378
00:25:48,013 --> 00:25:49,278
QUITE ESCAPED ME.
379
00:25:49,314 --> 00:25:51,247
SWANS?
380
00:25:52,384 --> 00:25:54,017
NO, NOT SWANS.
381
00:25:54,052 --> 00:25:55,785
VERY LIKE SWANS, THOUGH.
382
00:25:55,821 --> 00:25:56,886
OYSTERS.
383
00:25:56,922 --> 00:25:58,287
[SNORTS]
384
00:25:58,323 --> 00:26:01,191
AH, NO, BUT BY NO MEANS
UNLIKE OYSTERS.
385
00:26:01,226 --> 00:26:04,260
AN EXCELLENT SUGGESTION.
THANK YOU.
386
00:26:04,296 --> 00:26:05,362
WAIT.
387
00:26:06,765 --> 00:26:09,132
SIRENS...SIRENS.
388
00:26:09,168 --> 00:26:13,169
YES, I--I WAS GOING TO SAY
THAT WE MUST RELEASE
OUR VALUED RELATIVE
389
00:26:13,204 --> 00:26:16,273
FROM THE SIREN SPELL
OF THIS YOUNG FEMALE
390
00:26:16,308 --> 00:26:18,574
WHOSE POSITION IN REFERENCE
TO HIMSELF IS SO SCANDALOUS.
391
00:26:18,610 --> 00:26:21,010
[MURMURS OF AGREEMENT]
392
00:26:21,046 --> 00:26:22,312
WHAT THEN?
393
00:26:24,883 --> 00:26:28,751
WHAT HAPPENS AFTER
WE'VE GOT RID OF THE GIRL?
394
00:26:28,787 --> 00:26:30,887
I SUBMIT TO YOU,
MY FRIENDS,
395
00:26:30,922 --> 00:26:35,792
WHETHER WE MIGHT NOT REMOVE
MR. CHUZZLEWIT'S DISTRUST
OF US ALL
396
00:26:35,827 --> 00:26:39,462
BY PLEADING THE CAUSE...
OF HIS GRANDSON.
397
00:26:40,699 --> 00:26:43,433
A YOUNG MAN FOR WHOM
I HAVE A DEEP REGARD.
398
00:26:44,736 --> 00:26:46,569
WHAT'S YOUR GAME,
PECKSNIFF?
399
00:26:46,604 --> 00:26:48,938
MY GAME, SIR?
400
00:26:48,974 --> 00:26:52,675
I ASSURE YOU,
I HAVE THE MOST
DISINTERESTED MOTIVES.
401
00:26:54,546 --> 00:26:56,179
SIR, THIS IS
A FAMILY CONFERENCE.
402
00:26:56,214 --> 00:26:58,481
I AM NOT AWARE
THAT YOU ARE A MEMBER
OF THIS FAMILY.
403
00:26:58,517 --> 00:27:02,218
ONLY BY ASSOCIATION
WITH MR. SLYME,
I GRANT YOU.
404
00:27:02,254 --> 00:27:04,855
BUT KNOWING THE SUBJECT
OF YOUR DISCUSSION,
405
00:27:04,890 --> 00:27:06,957
I THOUGHT YOU MIGHT
BE INTERESTED TO KNOW
406
00:27:06,992 --> 00:27:10,093
THAT THE BIRD HAS FLOWN.
407
00:27:10,129 --> 00:27:12,795
WHAT IS
YOUR MEANING, SIR?
408
00:27:12,831 --> 00:27:15,031
ACCORDING TO THE HOSTLER
AT THE BLUE DRAGON,
409
00:27:15,066 --> 00:27:16,933
THE OLD MAN
AND THE YOUNG WOMAN
410
00:27:16,968 --> 00:27:19,135
DEPARTED IN THEIR CARRIAGE
AN HOUR AGO
411
00:27:19,171 --> 00:27:22,739
AND LEFT
NO FORWARDING ADDRESS!
412
00:27:22,774 --> 00:27:23,940
COME, CHEV!
413
00:27:23,975 --> 00:27:26,075
YOU WERE PRIVY
TO THIS, SIR!
414
00:27:26,111 --> 00:27:29,212
HE'S DECOYED US HERE
WITH THIS CHARADE
OF A MEETING
415
00:27:29,247 --> 00:27:30,780
SO THE PAIR COULD
MAKE THEIR ESCAPE!
416
00:27:30,816 --> 00:27:32,716
I ASSURE YOU, I KNEW
NOTHING ABOUT IT.
417
00:27:32,751 --> 00:27:34,584
TAH! COME, MY DEAR.
418
00:27:34,620 --> 00:27:36,786
LET US NOT LINGER
IN THIS HOUSE OF DECEIT!
419
00:27:36,821 --> 00:27:37,921
OUTRAGEOUS!
420
00:27:37,956 --> 00:27:40,957
[INDIGNANT MURMURING]
421
00:27:40,992 --> 00:27:43,894
Deaf cousin:
WHAT DID HE SAY?
422
00:27:43,929 --> 00:27:46,096
I BELIEVE YOU,
PECKSNIFF.
423
00:27:47,800 --> 00:27:49,299
FOR ONCE!
424
00:27:51,469 --> 00:27:53,769
POOR PAPA!
425
00:27:53,805 --> 00:27:56,439
TO BE INSULTED
BY THOSE ODIOUS PEOPLE.
426
00:27:56,475 --> 00:27:59,876
AND AFTER ALL YOUR EFFORTS
TO POUR OIL ON TROUBLED WATERS.
427
00:27:59,911 --> 00:28:03,713
AND THE OLD MAN,
SPIRITED AWAY
BY THAT HUSSY!
428
00:28:03,748 --> 00:28:05,815
NOBODY KNOWS WHERE!
THAT'S THE WORST OF IT.
429
00:28:05,851 --> 00:28:07,083
NEVER MIND, MY DEARS.
430
00:28:07,118 --> 00:28:09,619
IT MAY BE JUST AS WELL
HE IS NOT IN RESIDENCE
431
00:28:09,655 --> 00:28:11,321
WHEN MY NEW PUPIL ARRIVES.
432
00:28:11,356 --> 00:28:15,225
THE NEW PUPIL!
WHO IS HE?
433
00:28:15,260 --> 00:28:18,762
YOU ARE TO MEET HIM
IN THE KING'S ARMS
AT HALF PAST 1:00.
434
00:28:18,797 --> 00:28:20,430
HIS NAME IS MARTIN.
435
00:28:20,465 --> 00:28:21,698
MR. MARTIN.
RIGHT, SIR.
436
00:28:21,733 --> 00:28:23,766
OH, AND, PINCH...
DON'T SAY ANYTHING
437
00:28:23,802 --> 00:28:26,136
ABOUT THE OLD GENTLEMAN
THAT WAS AT THE BLUE DRAGON.
438
00:28:26,171 --> 00:28:27,603
LEAVE THAT TO ME.
439
00:28:27,639 --> 00:28:29,172
VERY WELL,
MR. PECKSNIFF.
440
00:28:29,207 --> 00:28:30,840
UM...
441
00:28:30,875 --> 00:28:35,378
YOU MAY, UM...
TREAT THE YOUNG MAN
442
00:28:35,413 --> 00:28:37,213
TO, UM...
443
00:28:37,249 --> 00:28:39,115
SOME REFRESHMENT.
444
00:28:40,285 --> 00:28:41,451
AND YOURSELF, TOO.
445
00:28:41,486 --> 00:28:44,487
THANK YOU,
MR. PECKSNIFF.
446
00:28:45,623 --> 00:28:47,057
WALK ON.
447
00:28:50,195 --> 00:28:52,128
[WHISTLING]
448
00:29:06,644 --> 00:29:09,245
MARK TAPLEY.
I DIDN'T RECOGNIZE YOU.
449
00:29:09,281 --> 00:29:11,814
HOW SPRUCE YOU LOOK.
AND IT GOOD SPIRITS, TOO,
BY THE SOUND OF YOU.
450
00:29:11,849 --> 00:29:14,751
OH, WELL, ANY MAN
MAY BE IN GOOD SPIRITS
WHEN HE'S WELL-DRESSED.
451
00:29:14,786 --> 00:29:16,753
IF I WAS VERY RAGGED
AND VERY JOLLY,
452
00:29:16,789 --> 00:29:20,123
THEN I SHOULD BEGIN
TO THINK I'D GAINED
A POINT, MR. PINCH.
453
00:29:20,158 --> 00:29:21,992
I'M GOING TO SALISBURY.
WILL YOU GET IN?
454
00:29:22,027 --> 00:29:23,593
THANK YOU,
MR. PINCH.
455
00:29:27,432 --> 00:29:28,297
WALK ON.
456
00:29:34,439 --> 00:29:36,606
I THOUGHT, SEEING YOU
LOOKING SO SMART, MARK,
457
00:29:36,641 --> 00:29:38,808
PERHAPS YOU WERE GOING
TO BE MARRIED.
NO.
458
00:29:38,844 --> 00:29:40,710
I'M GOING TO LOOK
FOR A NEW POSITION.
459
00:29:40,746 --> 00:29:43,146
YOU'RE LEAVING
THE BLUE DRAGON? WHY?
460
00:29:43,182 --> 00:29:46,249
THERE'S NO CREDIT
TO BE GAINED AT
THE DRAGON, SIR.
461
00:29:46,285 --> 00:29:48,218
ANY MAN COULD BE
JOLLY THERE.
462
00:29:48,253 --> 00:29:50,686
IT'S THE SNUGGEST,
FRIENDLIEST TAVERN
IN THE COUNTRY.
463
00:29:50,722 --> 00:29:53,489
FROM WHAT I'VE HEARD,
YOU YOURSELF HAVE DONE
MUCH TO MAKE IT SO.
464
00:29:53,525 --> 00:29:55,392
YOU ONLY KNOW
THE HALF OF IT, SIR.
465
00:29:55,427 --> 00:29:57,260
I DON'T BELIEVE
THERE WAS EVER A MAN
466
00:29:57,295 --> 00:29:59,362
AS COULD
COME OUT SO STRONG
UNDER CIRCUMSTANCES
467
00:29:59,398 --> 00:30:01,364
THAT WILL KEEP
OTHER MEN MISERABLE
AS I COULD.
468
00:30:01,400 --> 00:30:03,099
IF I COULD ONLY
GET A CHANCE.
469
00:30:03,135 --> 00:30:06,035
SO YOU'RE GOING TO LOOK
FOR A MISERABLE POSITION.
470
00:30:06,070 --> 00:30:08,037
THAT'S RIGHT, SIR.
471
00:30:08,073 --> 00:30:10,340
I WAS THINKING
OF SOMETHING IN
THE GRAVE-DIGGING WAY.
472
00:30:10,375 --> 00:30:11,574
GOOD GRACIOUS.
473
00:30:11,609 --> 00:30:14,044
OH, IT'S A GOOD DAMP,
WORMY SORT OF BUSINESS,
474
00:30:14,079 --> 00:30:15,979
AND THERE MIGHT BE SOME
CREDIT IN BEING JOLLY
475
00:30:16,014 --> 00:30:17,780
WITH ONE'S MIND
IN THAT PURSUIT.
476
00:30:17,816 --> 00:30:20,182
ON MY WORD, YOU'RE
THE STRANGEST YOUNG MAN
477
00:30:20,218 --> 00:30:22,052
I EVER MET IN MY LIFE.
478
00:30:23,221 --> 00:30:25,655
WHAT DOES MRS. LUPIN
THINK ABOUT YOU LEAVING?
479
00:30:27,758 --> 00:30:29,459
I HAVEN'T BROKE IT
TO HER YET.
480
00:30:31,363 --> 00:30:35,065
I ALWAYS SUPPOSED YOU AND SHE
WOULD MAKE A MATCH OF IT
ONE OF THESE DAYS.
481
00:30:35,100 --> 00:30:37,233
SO DID EVERYONE
IN THE VILLAGE.
482
00:30:37,268 --> 00:30:41,003
I NEVER SAID NOTHING
AS WAS IN A DIRECT WAY
COURTING-LIKE TO HER.
483
00:30:41,039 --> 00:30:43,806
NOR SHE TO ME.
484
00:30:43,842 --> 00:30:46,308
BUT I DON'T KNOW
WHAT I MIGHTN'T SAY
ONE OF THESE ODD TIMES
485
00:30:46,344 --> 00:30:48,878
AND WHAT SHE MIGHTN'T
SAY IN ANSWER.
486
00:30:48,913 --> 00:30:52,248
WHICH IS ANOTHER REASON
WHY I MUST CHANGE
MY SITUATION...
487
00:30:52,283 --> 00:30:53,849
BEFORE IT'S TOO LATE!
488
00:30:53,885 --> 00:30:56,319
IF YOU'D JUST DROP ME
AROUND THE NEXT BEND,
MR. PINCH,
489
00:30:56,354 --> 00:30:58,521
I CAN MAKE MY OWN WAY
TO THE CEMETERY.
490
00:31:00,358 --> 00:31:02,292
[LAUGHTER AND CHATTER]
491
00:31:18,142 --> 00:31:20,610
VERY COLD.
YES, SIR.
492
00:31:20,645 --> 00:31:23,113
NO, DON'T DISTURB
YOURSELF, I BEG.
493
00:31:50,241 --> 00:31:53,509
WE BOTH SEEM TO BE
RATHER PARTICULAR
ABOUT THE TIME.
494
00:31:53,544 --> 00:31:55,811
THE FACT IS, I HAVE
AN ENGAGEMENT TO MEET
A GENTLEMAN HERE.
495
00:31:55,847 --> 00:31:57,580
AND SO HAVE I...
496
00:31:57,615 --> 00:32:00,083
AT HALF PAST 1:00.
AT HALF PAST 1:00.
497
00:32:00,118 --> 00:32:02,785
I AM EARLY, AS YOU SEE.
YOU MUST BE MR. PINCH.
498
00:32:02,820 --> 00:32:05,054
AND YOU MUST BE
MR. MARTIN.
499
00:32:05,090 --> 00:32:07,991
I AM VERY GLAD
YOU TURN OUT TO BE
THE PARTY I WAS EXPECTING.
500
00:32:08,026 --> 00:32:09,258
I WAS THINKING
BUT A MINUTE AGO
501
00:32:09,294 --> 00:32:10,827
I COULD WISH HIM
TO BE LIKE YOU.
502
00:32:10,862 --> 00:32:12,528
I HAD THE SAME THOUGHT.
503
00:32:12,564 --> 00:32:14,797
YOU AND I WILL GET ON
EXCELLENTLY WELL,
I KNOW,
504
00:32:14,833 --> 00:32:16,666
WHICH IS
NO SMALL RELIEF TO ME,
505
00:32:16,701 --> 00:32:19,735
FOR I'M NOT THE SORT OF
FELLOW WHO CAN GET ON
WITH EVERYBODY.
506
00:32:21,606 --> 00:32:23,339
DO ME A FAVOR TO RING
THE BELL, WOULD YOU?
507
00:32:23,374 --> 00:32:25,975
AND ALLOW ME TO ORDER US
A GLASS OF PUNCH APIECE.
508
00:32:26,011 --> 00:32:28,878
WE MAY USHER IN
OUR FRIENDSHIP
IN A BECOMING MANNER.
509
00:32:28,913 --> 00:32:30,713
WITH ALL MY HEART...
510
00:32:30,748 --> 00:32:34,050
BUT I MUST TREAT YOU,
FOR MR. PECKSNIFF
BADE ME DO SO.
511
00:32:34,086 --> 00:32:35,151
[RINGS BELL]
512
00:32:35,186 --> 00:32:37,886
PITY. THAT WAS
CIVIL OF HIM.
513
00:32:37,922 --> 00:32:39,922
HE'S A SORT OF RELATION
OF MINE, YOU KNOW.
514
00:32:39,957 --> 00:32:42,592
NO, I DIDN'T KNOW.
IS MARTIN YOUR
CHRISTIAN NAME, THEN?
515
00:32:42,627 --> 00:32:44,995
OF COURSE. I WISH
IT WERE MY SURNAME,
516
00:32:45,030 --> 00:32:46,830
FOR MINE IS NOT
A PRETTY ONE.
517
00:32:46,865 --> 00:32:48,998
IT TAKES A DEVIL
OF A TIME TO SIGN.
518
00:32:49,033 --> 00:32:50,433
IT IS CHUZZLEWIT.
519
00:32:50,468 --> 00:32:52,101
INDEED! THEN--
520
00:32:53,438 --> 00:32:54,971
WHAT?
521
00:32:55,006 --> 00:32:57,840
TRULY, YOU'RE NOT SURPRISED
AT MY HAVING 2 NAMES?
522
00:32:57,876 --> 00:32:59,242
MOST PEOPLE DO.
523
00:32:59,277 --> 00:33:00,977
NO. HEH.
524
00:33:01,012 --> 00:33:02,678
NO, NOT AT ALL.
525
00:33:03,981 --> 00:33:05,181
[RINGS BELL]
526
00:33:22,566 --> 00:33:24,267
Martin:
THAT'S A PRETTY CHURCH.
527
00:33:24,302 --> 00:33:28,137
ISN'T IT? AND IT HAS
THE SWEETEST LITTLE
ORGAN YOU EVER HEARD.
528
00:33:28,172 --> 00:33:31,174
I PLAY IT FOR THEM.
529
00:33:31,209 --> 00:33:33,143
AND HOW MUCH DO YOU
GET PAID FOR THAT?
530
00:33:33,178 --> 00:33:36,078
OH, NOTHING.
NOTHING?!
531
00:33:36,114 --> 00:33:38,882
WELL, YOU ARE
A STRANGE FELLOW.
532
00:33:38,917 --> 00:33:41,317
WELL, I MEAN,
I GET NO MONEY FOR IT.
533
00:33:41,352 --> 00:33:42,751
I'M WELL REWARDED,
THOUGH,
534
00:33:42,787 --> 00:33:45,154
BECAUSE I GET
A GREAT DEAL OF PLEASURE
OUT OF PLAYING...
535
00:33:46,958 --> 00:33:49,892
AND IT LED
TO SOMETHING ELSE
THE OTHER DAY.
536
00:33:49,928 --> 00:33:52,228
IT LED TO MY SEEING ONE
OF THE LOVELIEST FACES
537
00:33:52,263 --> 00:33:53,396
YOU CAN
POSSIBLY IMAGINE.
538
00:33:53,431 --> 00:33:57,166
A FEMALE ONE,
I PRESUME?
539
00:33:57,202 --> 00:33:59,768
SHE CAME FOR
THE FIRST TIME VERY
EARLY IN THE MORNING,
540
00:33:59,804 --> 00:34:01,771
WHEN IT WAS
HARDLY LIGHT.
541
00:34:03,075 --> 00:34:05,941
I ALMOST BELIEVED HER
TO BE A SPIRIT.
542
00:34:07,745 --> 00:34:10,680
I SAW HER IN THE MIRROR.
SHE WAS BEAUTIFUL.
543
00:34:10,715 --> 00:34:12,215
I WENT ON PLAYING
544
00:34:12,250 --> 00:34:14,550
SO THAT SHE SHOULD NOT
THINK I HAD NOTICED HER,
545
00:34:14,585 --> 00:34:17,253
AND AFTER A WHILE,
SHE GLIDED AWAY.
546
00:34:17,288 --> 00:34:19,722
I WENT ON PLAYING UNTIL
SHE WAS OUT OF HEARING.
547
00:34:19,758 --> 00:34:21,157
AND DID SHE COME BACK?
548
00:34:21,192 --> 00:34:24,093
INDEED SHE DID...
EARLY IN THE MORNING,
549
00:34:24,128 --> 00:34:26,462
SOMETIMES
IN THE EVENING,
ALWAYS ALONE,
550
00:34:26,498 --> 00:34:29,232
UNTIL THE DAY
BEFORE YESTERDAY,
WHEN SHE DIDN'T COME.
551
00:34:29,267 --> 00:34:31,333
AND I HAVEN'T
SEEN HER SINCE.
552
00:34:31,369 --> 00:34:33,736
DIDN'T YOU FOLLOW HER
WHEN SHE LEFT THE CHURCH?
553
00:34:33,771 --> 00:34:36,372
NO. WHY SHOULD
I DO THAT?
554
00:34:36,408 --> 00:34:38,208
[LAUGHS]
555
00:34:38,243 --> 00:34:40,343
IS IT LIKELY
SHE WANTED MY COMPANY?
556
00:34:40,378 --> 00:34:43,379
NO. SHE ONLY CAME
TO LISTEN TO THE ORGAN.
557
00:34:43,415 --> 00:34:47,016
I DON'T SUPPOSE I SHALL
EVER SEE HER AGAIN.
558
00:34:47,051 --> 00:34:49,919
BUT I SHALL
NEVER FORGET HER.
559
00:34:49,954 --> 00:34:52,956
SHE HAD THE SWEETEST
FACE YOU EVER SAW.
560
00:34:55,460 --> 00:34:57,827
I DOUBT IT, PINCH.
561
00:35:02,934 --> 00:35:04,400
WHOA.
562
00:35:31,129 --> 00:35:32,261
[THUMP]
563
00:35:37,535 --> 00:35:39,602
[DOOR UNLATCHES]
564
00:35:40,772 --> 00:35:41,971
Pinch: ...WITH
HIS DAUGHTERS.
565
00:35:42,006 --> 00:35:43,273
JUST FOLLOW ME,
MARTIN.
566
00:35:43,308 --> 00:35:44,840
[APPROACHING FOOTSTEPS]
567
00:35:44,876 --> 00:35:46,542
[KNOCK ON DOOR]
568
00:35:48,112 --> 00:35:51,014
MR. CHUZZLEWIT IS HERE,
MR. PECKSNIFF.
569
00:35:51,049 --> 00:35:54,016
BLESS MY LIFE!
HERE ALREADY.
570
00:35:54,052 --> 00:35:57,653
MARTIN, MY DEAR BOY,
I AM DELIGHTED
TO WELCOME YOU
571
00:35:57,689 --> 00:35:59,154
TO MY HUMBLE ABODE.
572
00:35:59,190 --> 00:36:00,523
AND I AM VERY PLEASED
TO BE HERE.
573
00:36:00,559 --> 00:36:03,693
THESE ARE MY 2 DAUGHTERS,
MARTIN,
574
00:36:03,728 --> 00:36:06,562
LIVING REMINDERS TO ME OF
THEIR DEAR, DEPARTED MOTHER.
575
00:36:06,597 --> 00:36:10,065
CHARITY, WHO IS SOMETIMES
CALLED CHERRY
576
00:36:10,101 --> 00:36:12,468
IN THE INTIMACY
OF THE FAMILY CIRCLE...
577
00:36:12,503 --> 00:36:13,570
MISS CHARITY.
578
00:36:13,605 --> 00:36:15,571
AND HER YOUNGER SISTER
MERCY,
579
00:36:15,606 --> 00:36:18,474
FAMILIARLY KNOWN AS MERRY,
AND VERY APPROPRIATELY, TOO.
580
00:36:18,510 --> 00:36:19,575
OH, PA!
581
00:36:19,610 --> 00:36:21,110
MISS MERCY.
582
00:36:21,145 --> 00:36:22,111
OH.
583
00:36:22,146 --> 00:36:23,546
NAY, NAY, GIRLS.
584
00:36:23,581 --> 00:36:26,649
WHY DO YOU BLUSH
WHEN DETECTED IN YOUR
EVERYDAY PURSUITS?
585
00:36:26,684 --> 00:36:30,686
CHERRY IS
MAKING NIGHTCAPS
FOR THE PARISH POOR,
586
00:36:30,722 --> 00:36:34,790
AND MERRY IS
DRESSING A DOLL
FOR A NEIGHBOR'S CHILD.
587
00:36:34,826 --> 00:36:38,761
WE WERE GOING TO HAVE
A PROPER RECEPTION
FOR YOU, MARTIN,
588
00:36:38,797 --> 00:36:40,696
IN OUR LITTLE ROOM
OF STATE,
589
00:36:40,732 --> 00:36:42,531
BUT I LIKE THIS BETTER.
590
00:36:42,567 --> 00:36:45,000
I LIKE THIS BETTER.
591
00:36:46,972 --> 00:36:50,806
AND HOW HAS OUR FRIEND
HERE BEEN USING YOU,
MARTIN?
592
00:36:50,841 --> 00:36:52,242
VERY WELL, INDEED, SIR.
593
00:36:52,277 --> 00:36:54,743
WE ARE ON THE VERY BEST
OF TERMS, I ASSURE YOU.
594
00:36:54,779 --> 00:36:56,812
TOM PINCH.
595
00:36:56,847 --> 00:37:01,217
HONEST, FAITHFUL
TOM PINCH.
596
00:37:01,252 --> 00:37:03,519
HOW MANY YEARS
HAVE WE WALKED TOGETHER
597
00:37:03,554 --> 00:37:05,888
DOWN LIFE'S PATHWAY?
HMM?
598
00:37:05,923 --> 00:37:08,291
NOT SO MANY
THAT WE'VE TIRED
599
00:37:08,326 --> 00:37:11,193
OF EACH OTHER'S
COMPANY, I'LL WARRANT,
EH, TOM?
600
00:37:11,228 --> 00:37:13,863
OH, NO, SIR.
INDEED NOT, SIR.
601
00:37:16,367 --> 00:37:18,568
WELL, WELL.
602
00:37:18,603 --> 00:37:21,537
NOW, MARTIN, SO THAT
YOU'LL FEEL AT HOME
603
00:37:21,572 --> 00:37:23,205
WITHIN THESE 4 WALLS,
604
00:37:23,241 --> 00:37:26,775
LET ME SHOW YOU
HOW WE LIVE AND WHERE.
605
00:37:26,811 --> 00:37:27,910
THANK YOU.
606
00:37:35,086 --> 00:37:37,386
OUR LITTLE ROOM OF STATE.
607
00:37:37,421 --> 00:37:40,656
VIDELICET,
THE BEST PARLOR.
608
00:37:40,692 --> 00:37:42,258
PORTRAIT OF MYSELF.
609
00:37:44,128 --> 00:37:45,127
BY SPILLER.
610
00:37:48,032 --> 00:37:50,532
BUST...BY SPOKER.
611
00:37:53,772 --> 00:37:55,438
A VERY GOOD LIKENESS.
612
00:37:55,473 --> 00:37:57,540
SO OTHERS HAVE TOLD ME.
613
00:37:57,575 --> 00:38:00,109
I SEEM TO RECOGNIZE
SOMETHING ABOUT THE--
614
00:38:00,144 --> 00:38:03,345
THE LEFT-HAND CORNER
OF THE NOSE, MYSELF.
615
00:38:03,381 --> 00:38:04,547
HMM.
616
00:38:04,582 --> 00:38:05,848
HMM?
HMM.
617
00:38:16,828 --> 00:38:17,894
NO.
618
00:38:20,732 --> 00:38:23,433
BUT THEN AGAIN...
WHY NOT?
619
00:38:29,607 --> 00:38:31,473
MY DAUGHTERS' ROOM.
620
00:38:31,509 --> 00:38:35,678
A POOR FIRST-FLOOR TO US,
BUT A BOWER TO THEM.
621
00:38:35,713 --> 00:38:39,081
VERY NEAT. VERY AIRY.
622
00:38:39,116 --> 00:38:42,284
PLANTS, YOU'LL OBSERVE.
623
00:38:42,319 --> 00:38:44,419
HYACINTHS.
624
00:38:44,455 --> 00:38:46,756
BOOKS...
625
00:38:46,791 --> 00:38:48,858
BIRDS.
626
00:38:48,893 --> 00:38:50,359
CHARMING.
627
00:38:54,432 --> 00:38:59,234
THIS IS A ROOM WHERE
SOME TALENT HAS BEEN
DEVELOPED, I BELIEVE.
628
00:39:01,906 --> 00:39:05,274
SOME ARCHITECTS HAVE
BEEN BRED IN THIS ROOM,
EH, MR. PINCH?
629
00:39:05,309 --> 00:39:07,376
[PANTING]
YES, MR. PECKSNIFF.
630
00:39:07,411 --> 00:39:08,744
INDEED, SIR.
631
00:39:09,948 --> 00:39:13,349
SOME TRACES OF OUR LABORS
HERE, EH, MARTIN?
632
00:39:13,384 --> 00:39:15,084
[CHUCKLES]
633
00:39:15,119 --> 00:39:17,853
SALISBURY CATHEDRAL
FROM THE NORTH,
634
00:39:17,888 --> 00:39:20,055
FROM THE SOUTH...
635
00:39:20,091 --> 00:39:21,557
FROM THE EAST...
636
00:39:21,592 --> 00:39:22,992
[CHUCKLES]
637
00:39:23,027 --> 00:39:24,494
FROM THE WEST...
638
00:39:26,964 --> 00:39:29,298
FROM THE SOUTHEAST...
639
00:39:29,333 --> 00:39:31,600
FROM THE NORTHWEST...
640
00:39:31,636 --> 00:39:34,369
PLANS, ELEVATIONS...
641
00:39:34,405 --> 00:39:36,639
OH, EVERY KIND OF THING.
642
00:39:36,674 --> 00:39:38,774
I CAN'T WAIT
TO START WORK.
643
00:39:43,181 --> 00:39:46,048
IT WAS VERY GENEROUS OF YOU
TO DEFER THE PREMIUM.
644
00:39:47,184 --> 00:39:49,218
OH, EH...
645
00:39:49,253 --> 00:39:51,286
FAMILY FEELING...MARTIN.
646
00:39:52,657 --> 00:39:54,390
FAMILY FEELING.
647
00:39:57,862 --> 00:39:59,929
ONE DAY,
YOU'LL BE RESTORED
648
00:39:59,964 --> 00:40:02,198
TO YOUR PROPER STATION
IN LIFE, I'M SURE.
649
00:40:02,233 --> 00:40:03,165
WELL...
650
00:40:05,903 --> 00:40:08,370
YOUR OWN ROOM
IS NEXT DOOR.
651
00:40:12,610 --> 00:40:15,844
YOU SHARE WITH MR. PINCH.
652
00:40:15,880 --> 00:40:17,613
A SOUTHERN ASPECT...
653
00:40:17,648 --> 00:40:19,715
A CHARMING PROSPECT.
654
00:40:19,750 --> 00:40:21,517
WOULD YOU NOT AGREE,
MR. PINCH?
655
00:40:21,552 --> 00:40:23,218
[PANTING]
656
00:40:23,254 --> 00:40:26,289
[ROOSTER CROWS]
657
00:40:53,852 --> 00:40:55,985
AH, GOOD MORNING, MARTIN.
MR. PINCH.
658
00:40:56,020 --> 00:40:57,019
GOOD MORNING, SIR.
659
00:40:57,054 --> 00:40:58,654
MISS CHARITY.
MISS MERCY.
660
00:40:58,689 --> 00:41:00,389
PRAY, HELP YOURSELF
TO BREAKFAST.
661
00:41:00,424 --> 00:41:01,823
THANK YOU.
662
00:41:01,859 --> 00:41:04,026
WOULD YOU BE SO GOOD
AS TO PASS ME THE BACON?
663
00:41:04,061 --> 00:41:05,293
MARTIN...
664
00:41:05,329 --> 00:41:07,996
THAT IS MR. PECKSNIFF'S
OWN PARTICULAR BACON.
665
00:41:09,166 --> 00:41:10,633
OF COURSE.
666
00:41:14,705 --> 00:41:18,140
I AM SORRY TO DESERT YOU
SO SOON AFTER YOUR
ARRIVAL, MARTIN,
667
00:41:18,175 --> 00:41:20,243
BUT I AM SUMMONED--MM--
668
00:41:20,278 --> 00:41:22,778
I AM SUMMONED TO LONDON.
669
00:41:22,813 --> 00:41:24,713
Martin: OH.
ON BUSINESS.
670
00:41:24,749 --> 00:41:25,848
I UNDERSTAND.
671
00:41:25,884 --> 00:41:27,849
I AM EVEN SORRIER
TO DEPRIVE YOU
672
00:41:27,885 --> 00:41:29,451
OF THE COMPANY
OF MY FAIR DAUGHTERS.
673
00:41:29,486 --> 00:41:32,221
REALLY, PAPA, WHY SHOULD
MR. CHUZZLEWIT MISS US?
674
00:41:32,256 --> 00:41:35,157
BUT I MUST REDEEM A PROMISE
TO TAKE THEM WITH ME.
675
00:41:35,192 --> 00:41:37,726
WE TAKE
THE MAIL COACH TONIGHT.
676
00:41:37,762 --> 00:41:39,762
INDEED. I HOPE
THE YOUNG LADIES
WILL ENJOY THEIR TRIP.
677
00:41:39,797 --> 00:41:42,131
WHY, OF COURSE WE SHALL.
I CAN'T WAIT.
678
00:41:42,166 --> 00:41:44,933
JUST THINK, CHERRY--
THE PARKS, THE SHOPS!
679
00:41:44,969 --> 00:41:46,468
ARDENT CHILD.
HEH HEH HEH.
680
00:41:46,503 --> 00:41:48,470
PERSONALLY, I HAVE
NO GREAT DESIRES
681
00:41:48,506 --> 00:41:50,439
FOR THE VANITIES
OF LONDON, BUT...
682
00:41:50,474 --> 00:41:53,108
I MUST GO,
I SUPPOSE, TO KEEP
MERRY COMPANY.
683
00:41:53,144 --> 00:41:55,444
DON'T INSINUATE
THAT I AM VAIN, CHERRY.
684
00:41:55,479 --> 00:41:57,879
HA HA HA HA.
685
00:41:57,915 --> 00:41:59,514
BUT, MARTIN, UM--AHEM--
686
00:41:59,550 --> 00:42:01,116
HOW WILL YOU...
687
00:42:01,151 --> 00:42:03,385
OCCUPY YOURSELF
WHILE I'M AWAY?
688
00:42:03,420 --> 00:42:06,656
HMM? SUPPOSE YOU
GIVE ME YOUR IDEA...
689
00:42:06,691 --> 00:42:08,124
OF A COWHOUSE?
690
00:42:08,159 --> 00:42:10,258
A COWHOUSE?
691
00:42:10,294 --> 00:42:12,627
OR A LAMPPOST?
692
00:42:12,663 --> 00:42:15,130
I HAVE FOUND
THAT A LAMPPOST
693
00:42:15,166 --> 00:42:17,366
IS CALCULATED
TO REFINE THE MIND
694
00:42:17,401 --> 00:42:19,335
AND GIVE IT
A CLASSICAL TENDENCY.
695
00:42:19,370 --> 00:42:21,437
WHATEVER YOU
THINK FIT, SIR.
696
00:42:21,873 --> 00:42:23,038
STAY.
697
00:42:23,074 --> 00:42:25,474
SINCE YOU ARE AMBITIOUS
AND A VERY NEAT DRAFTSMAN,
698
00:42:25,509 --> 00:42:28,477
AS I'VE SEEN
FROM THE SKETCHES
YOU'VE SENT ME,
699
00:42:28,513 --> 00:42:32,548
YOU SHALL TRY YOUR HAND
AT THESE PROPOSALS
700
00:42:32,583 --> 00:42:34,350
FOR A GRAMMAR SCHOOL,
701
00:42:34,385 --> 00:42:37,853
REGULATING YOUR PLAN
TO THE PRINTED PARTICULARS.
702
00:42:37,889 --> 00:42:40,489
MERELY AS A--
AS AN EXERCISE, OF COURSE.
703
00:42:40,524 --> 00:42:41,690
[LAUGHING]
UPON MY WORD,
704
00:42:41,726 --> 00:42:44,292
IT SHOULD BE
A GREAT AMUSEMENT TO ME
705
00:42:44,328 --> 00:42:46,595
TO SEE WHAT YOU MAKE
OF THE GRAMMAR SCHOOL.
706
00:42:46,631 --> 00:42:48,564
MR. PECKSNIFF?
YES, MR. PINCH?
707
00:42:48,599 --> 00:42:50,265
SINCE YOU ARE
GOING TO LONDON,
708
00:42:50,301 --> 00:42:51,934
I WONDER IF YOU
WOULD BE SO GOOD
709
00:42:51,969 --> 00:42:54,103
AS TO DELIVER
A LETTER FOR ME
TO MY SISTER RUTH.
710
00:42:54,138 --> 00:42:55,738
[GIGGLING]
711
00:42:55,773 --> 00:42:57,406
SHE IS GOVERNESS...
712
00:42:57,441 --> 00:43:01,477
TO A COPPER FOUNDER'S FAMILY
IN CAMBERWELL, I BELIEVE.
713
00:43:01,512 --> 00:43:03,579
YES, SIR.
SHE WOULD CONSIDER IT
A GREAT HONOR
714
00:43:03,614 --> 00:43:05,047
TO MAKE YOUR
ACQUAINTANCE, I KNOW.
715
00:43:05,082 --> 00:43:09,351
WELL, IF MY BUSINESS
ENGAGEMENTS PERMIT,
716
00:43:09,387 --> 00:43:10,920
WE WILL CALL UPON HER.
717
00:43:10,955 --> 00:43:12,821
THANK YOU, SIR.
YOU ARE VERY KIND.
718
00:43:12,857 --> 00:43:15,157
OH, MR. PINCH,
WOULD YOU BE SO GOOD
719
00:43:15,193 --> 00:43:17,459
AS TO CARRY
MY TRUNK DOWNSTAIRS
WHEN IT IS PACKED?
720
00:43:17,494 --> 00:43:18,527
AND MINE.
721
00:43:18,562 --> 00:43:20,496
OH, YES, TOM,
AND TAKE MINE, TOO,
722
00:43:20,531 --> 00:43:22,498
AND PUT THE TRUNKS
ON THE GIG, WOULD YOU?
723
00:43:22,533 --> 00:43:24,800
AND TAKE THEM
TO THE CROSSROADS
IN GOOD TIME.
724
00:43:24,835 --> 00:43:26,368
CERTAINLY,
MR. PECKSNIFF.
725
00:43:40,684 --> 00:43:42,685
WHOA. WHOA.
726
00:43:42,720 --> 00:43:44,920
NOW, MIND,
ME AND MY SON GO INSIDE
727
00:43:44,956 --> 00:43:46,789
BECAUSE
THE ROOF IS FULL,
728
00:43:46,824 --> 00:43:49,725
BUT YOU AGREE TO CHARGE
ONLY OUTSIDE PRICES.
729
00:43:49,760 --> 00:43:51,326
IS THAT UNDERSTOOD?
730
00:43:51,362 --> 00:43:52,428
Guard: YES, SIR.
731
00:43:58,468 --> 00:44:00,435
[COUGHING]
732
00:44:02,706 --> 00:44:04,306
OHH.
733
00:44:04,341 --> 00:44:05,774
THAT WAS LUCKY.
734
00:44:05,809 --> 00:44:09,178
IT WAS A GREAT STROKE
OF YOURS TO NOTICE
THE ROOF WAS FULL.
735
00:44:09,213 --> 00:44:11,680
I COULD NEVER HAVE GONE
UP THERE WITH THIS COUGH.
736
00:44:11,715 --> 00:44:13,315
OOH.
737
00:44:13,350 --> 00:44:14,684
[COUGHS]
738
00:44:14,719 --> 00:44:16,585
THERE REALLY IS
NO ROOM IN HERE
739
00:44:16,621 --> 00:44:19,688
FOR A GENTLEMAN
WITH A COLD IN HIS HEAD.
740
00:44:19,723 --> 00:44:23,859
MINE IS ON ME CHEST,
PECKSNIFF.
741
00:44:23,895 --> 00:44:25,260
OH...
742
00:44:25,296 --> 00:44:27,496
OH, I'M SORRY.
743
00:44:27,531 --> 00:44:29,598
I THOUGHT I WAS
ADDRESSING A STRANGER.
744
00:44:29,634 --> 00:44:33,635
IT'S MR. ANTHONY CHUZZLEWIT,
MY DEARS, AND HIS SON JONAS.
745
00:44:33,670 --> 00:44:36,772
I--I--I BEG YOUR PARDON,
MR. CHUZZLEWIT. I--
746
00:44:36,808 --> 00:44:38,340
I DID NOT MEAN
TO BE RUDE.
747
00:44:38,375 --> 00:44:42,578
I MAY BE A HYPOCRITE,
BUT I AM NOT A BRUTE.
748
00:44:42,613 --> 00:44:45,080
AH! WHAT MEANS
THAT WORD?
749
00:44:45,115 --> 00:44:47,149
WE'RE ALL HYPOCRITES
IN OUR FAMILY.
750
00:44:47,184 --> 00:44:50,152
I WOULDN'T HAVE BEEN
AT YOUR HOUSE
THE OTHER DAY
751
00:44:50,188 --> 00:44:52,120
IF WE WEREN'T.
752
00:44:52,155 --> 00:44:55,424
THE ONLY DIFFERENCE
BETWEEN YOU AND
THE REST OF US
753
00:44:55,460 --> 00:44:57,092
IS, UH...
754
00:44:57,128 --> 00:45:00,829
SHALL I TELL YOU
NOW, PECKSNIFF?
755
00:45:00,865 --> 00:45:02,531
IF YOU PLEASE, SIR.
756
00:45:02,566 --> 00:45:04,633
WHY, THE ANNOYING
THING ABOUT YOU
757
00:45:04,669 --> 00:45:07,269
IS YOU NEVER
HAVE A PARTNER
IN YOUR JUGGLING.
758
00:45:07,304 --> 00:45:08,970
I CONFIDE IN JONAS,
759
00:45:09,006 --> 00:45:11,507
BUT YOU WOULD
DECEIVE EVERYBODY
760
00:45:11,542 --> 00:45:13,242
AND HAVE
A WAY WITH YOU
761
00:45:13,277 --> 00:45:15,577
AS IF YOU REALLY
BELIEVED YOURSELF.
762
00:45:15,613 --> 00:45:18,981
[COUGHING]
763
00:45:19,016 --> 00:45:22,083
I HOPE YOU'RE NOT
OFFENDED, PECKSNIFF.
764
00:45:22,119 --> 00:45:25,020
OH, NOT IN THE LEAST,
MY DEAR SIR.
765
00:45:25,056 --> 00:45:26,722
BUT I AM SURPRISED
766
00:45:26,757 --> 00:45:29,357
TO FIND YOU AND YOUR SON
STILL IN THE COUNTRY.
767
00:45:29,393 --> 00:45:33,762
OH, WE WERE LOOKING
AT ONE OR TWO
LIKELY INVESTMENTS,
768
00:45:33,797 --> 00:45:36,131
PECKSNIFF, WHILE
WE WERE DOWN HERE.
769
00:45:36,167 --> 00:45:38,334
KILLING 2 BIRDS
WITH ONE STONE.
770
00:45:38,369 --> 00:45:40,503
AH! HA HA!
771
00:45:40,538 --> 00:45:42,171
HA HA!
772
00:45:42,206 --> 00:45:44,239
SO, YOU'RE GOING
TO LONDON, COUSINS?
773
00:45:44,274 --> 00:45:46,508
AHEM. WE ARE
COUSINS, YOU KNOW--
774
00:45:46,543 --> 00:45:48,377
OH, A FEW TIMES
REMOVED.
775
00:45:48,412 --> 00:45:49,545
[GIGGLING]
776
00:45:49,580 --> 00:45:52,113
YES. PAPA
HAS BUSINESS
IN TOWN.
777
00:45:52,149 --> 00:45:54,850
I'LL JOIN YOU,
IF YOU DON'T MIND.
778
00:45:54,886 --> 00:45:56,919
OHH.
779
00:45:56,954 --> 00:45:59,221
LOTS OF BEAUX IN LONDON,
COUSIN.
780
00:45:59,256 --> 00:46:00,656
[GIGGLES]
INDEED.
781
00:46:00,691 --> 00:46:02,424
THEY WON'T HURT US,
I DARESAY.
782
00:46:02,460 --> 00:46:05,126
MERCY, HOW CAN
YOU GO ON SO,
YOU WILD THING?
783
00:46:05,162 --> 00:46:08,130
OH, I DON'T MIND.
I LIKE A GIRL WITH
A BIT OF SPIRIT.
784
00:46:08,165 --> 00:46:09,832
WHAT AN OLD-FASHIONED
FRIGHT.
785
00:46:09,867 --> 00:46:11,667
CHERRY, MY DEAR,
YOU MUST SIT NEXT TO HIM.
786
00:46:11,702 --> 00:46:14,269
I SHALL DIE
IF HE SPEAKS TO ME ANYMORE.
787
00:46:18,709 --> 00:46:22,010
YOU'RE THE SENSIBLE ONE,
AIN'T YA?
788
00:46:22,045 --> 00:46:25,147
MERCY IS A LITTLE GIDDY,
BUT SHE WILL SOBER DOWN
IN TIME.
789
00:46:26,817 --> 00:46:29,451
TAKE A LITTLE MORE ROOM,
WHY DON'T YOU?
790
00:46:29,486 --> 00:46:32,020
I DON'T MIND BEING
CROWDED BY GIRLS.
791
00:46:32,056 --> 00:46:33,055
[GIGGLING]
792
00:46:33,090 --> 00:46:34,823
AHEM.
793
00:46:34,858 --> 00:46:36,124
OHH.
794
00:46:41,699 --> 00:46:44,333
Charity: WHAT PART
OF LONDON IS THIS, PA?
795
00:46:44,368 --> 00:46:46,334
WE ARE QUITE NEAR
THE MONUMENT
796
00:46:46,370 --> 00:46:49,137
AND THE GENERAL
POST OFFICE, MY DEAR.
797
00:46:52,543 --> 00:46:54,410
Mercy: "TODGERS"?
798
00:46:54,445 --> 00:46:57,379
Pecksniff: MRS. TODGERS IS
A MOST RESPECTABLE WIDOW
799
00:46:57,414 --> 00:47:00,115
WITH WHOM I LODGED
IN MY BACHELOR DAYS.
800
00:47:04,855 --> 00:47:06,688
[KNOCK ON DOOR]
801
00:47:06,723 --> 00:47:08,657
[DOGS BARKING]
802
00:47:13,097 --> 00:47:15,730
IS THE HOUSEHOLD
STILL ABED, MY MAN?
803
00:47:15,766 --> 00:47:18,734
STILL ABED?
I WISH THEY WAS.
804
00:47:18,769 --> 00:47:21,102
THEY'RE ALL
A-CALLIN' FOR
THEIR BOOTS AT ONCE.
805
00:47:21,138 --> 00:47:22,904
I THOUGHT
YOU WAS THE PAPER.
806
00:47:22,940 --> 00:47:25,240
I WONDERED WHY YOU
DIDN'T PUSH YOUR WAY
THROUGH THE GRATING
807
00:47:25,275 --> 00:47:26,574
AS USUAL.
808
00:47:26,610 --> 00:47:27,810
WHAT DO YOU WANT?
809
00:47:27,845 --> 00:47:30,679
KINDLY GIVE THIS
TO MRS. TODGERS
810
00:47:30,714 --> 00:47:32,147
AND THEN SEE
TO THE LUGGAGE.
811
00:47:32,182 --> 00:47:34,316
IF THERE'S A FIRE
IN THE EATING PARLOR,
812
00:47:34,351 --> 00:47:36,418
I KNOW THE WAY
THERE MYSELF.
813
00:47:36,453 --> 00:47:39,021
COME, MY DEARS.
814
00:47:39,056 --> 00:47:40,689
Man: HAVE YOU
CLEANED MY BOOTS?
815
00:47:40,725 --> 00:47:42,357
Second man:
BAILEY!
816
00:47:42,393 --> 00:47:43,525
HOT WATER!
817
00:47:43,560 --> 00:47:44,627
BAILEY!
818
00:47:44,662 --> 00:47:46,295
Third man:
THIS WATER'S COLD!
819
00:47:47,898 --> 00:47:49,731
[CLOCK TICKING]
820
00:47:55,005 --> 00:47:57,640
[KEYS JANGLING]
821
00:47:57,675 --> 00:48:00,842
MR. PECKSNIFF!
822
00:48:00,878 --> 00:48:02,277
[GASPS]
823
00:48:05,983 --> 00:48:07,448
MRS. TODGERS.
824
00:48:07,484 --> 00:48:09,985
OHH!
825
00:48:10,020 --> 00:48:13,288
WHO WOULD HAVE
THOUGHT...
826
00:48:13,323 --> 00:48:16,991
AFTER SO MANY YEARS?
827
00:48:17,027 --> 00:48:20,795
HOW DO YOU DO,
MR. PECKSNIFF?
828
00:48:20,831 --> 00:48:22,964
[LAUGHS]
829
00:48:23,000 --> 00:48:26,668
DON'T TELL ME
THESE 2 YOUNG LADIES
ARE YOUR DAUGHTERS.
830
00:48:26,704 --> 00:48:27,835
THEY ARE.
831
00:48:27,871 --> 00:48:30,672
CHARITY AND MERCY.
CHERRY AND MERRY.
832
00:48:30,708 --> 00:48:33,008
CHARMED TO MAKE
YOUR ACQUAINTANCE,
MRS. TODGERS.
833
00:48:33,043 --> 00:48:34,342
YES, WE ARE.
834
00:48:34,378 --> 00:48:37,712
MY DEAR MISS PECKSNIFFS.
835
00:48:37,748 --> 00:48:39,047
OHH...
836
00:48:39,082 --> 00:48:44,119
YOU DON'T KNOW HOW HAPPY
YOUR PA HAS MADE ME.
837
00:48:46,190 --> 00:48:49,258
MRS. TODGERS,
I KNOW THE RULES
OF THIS ESTABLISHMENT
838
00:48:49,293 --> 00:48:51,593
AND THAT YOU
ONLY RECEIVE
GENTLEMEN BOARDERS,
839
00:48:51,629 --> 00:48:53,695
BUT PERHAPS, UM...
840
00:48:53,730 --> 00:48:55,564
AS A SPECIAL FAVOR,
841
00:48:55,599 --> 00:48:59,534
YOU COULD GIVE
MY DAUGHTERS HOUSEROOM.
842
00:49:03,340 --> 00:49:06,641
WELL, YOU KNOW
I WOULD DO ANYTHING
TO OBLIGE YOU,
843
00:49:06,676 --> 00:49:07,976
MR. PECKSNIFF.
844
00:49:08,012 --> 00:49:10,212
ANYWHERE WHERE THEY
COULD BE COMFORTABLE,
845
00:49:10,247 --> 00:49:12,614
UH, WITHOUT APPEARING
AT THE, UM...
846
00:49:12,649 --> 00:49:13,949
GENERAL TABLE.
847
00:49:16,820 --> 00:49:20,155
I THINK I KNOW
HOW TO ARRANGE IT.
848
00:49:20,190 --> 00:49:21,690
OHH! HA.
849
00:49:21,726 --> 00:49:23,325
COME, MY DEARS.
850
00:49:23,360 --> 00:49:25,794
LET ME SHOW YOU
AT ONCE.
851
00:49:25,829 --> 00:49:29,064
THE GENTLEMEN
WILL BE HERE DIRECTLY.
852
00:49:29,100 --> 00:49:31,099
WILL YOU COME, TOO,
MR. PECKSNIFF?
853
00:49:31,134 --> 00:49:32,800
NO. NO, NO, NO, NO.
854
00:49:32,836 --> 00:49:35,737
I--I WILL LEAVE THEM
IN YOUR...CAPABLE HANDS.
855
00:49:35,773 --> 00:49:39,541
I MUST GO TO THE POST OFFICE
AS SOON AS IT OPENS.
856
00:49:39,577 --> 00:49:41,410
Man: BAILEY!
HOT WATER!
857
00:49:41,445 --> 00:49:44,913
I WON'T ASK YOU HOW
YOU LIKE LONDON YET.
858
00:49:44,948 --> 00:49:46,915
WE--WE HAVEN'T SEEN
ANYTHING OF IT.
859
00:49:46,951 --> 00:49:49,485
IT--IT WAS DARK
WHEN--WHEN WE ARRIVED.
860
00:49:49,520 --> 00:49:51,953
Man: BAILEY!
WHERE THE DEVIL
ARE MY BOOTS?
861
00:49:51,988 --> 00:49:53,788
Bailey: COMING,
MR. JINKINS!
862
00:49:53,824 --> 00:49:55,557
OH, I BEG YOUR PARDON,
MRS. TODGERS.
863
00:49:55,592 --> 00:49:57,759
GOOD MORNING,
MR. JINKINS.
864
00:49:57,795 --> 00:49:59,728
Bailey: HERE YOU
ARE AGAIN, THEN.
865
00:49:59,763 --> 00:50:02,231
YOU BE CAREFUL,
YOU RUDE BOY!
866
00:50:02,266 --> 00:50:04,733
OHH! OH, EXCUSE ME,
MR. MODDLE.
867
00:50:04,768 --> 00:50:05,767
THANK YOU.
868
00:50:11,741 --> 00:50:13,208
HAVE SOME BREAKFAST,
MARTIN.
869
00:50:13,243 --> 00:50:15,210
I HAVEN'T
ANY APPETITE.
870
00:50:16,747 --> 00:50:18,814
[BIRDS CHIRPING]
871
00:50:18,849 --> 00:50:20,515
I'M SORRY, PINCH.
872
00:50:20,551 --> 00:50:22,784
THE FACT IS I'M IN
DEUCED LOW SPIRITS.
873
00:50:22,820 --> 00:50:24,519
I HARDLY SLEPT
LAST NIGHT.
874
00:50:24,555 --> 00:50:26,121
THEN I MUST
CHEER YOU UP.
875
00:50:26,156 --> 00:50:28,690
I DOUBT IF IT'S
IN YOUR POWER.
876
00:50:28,725 --> 00:50:30,591
I HAD A PRIVATE
CONFERENCE
877
00:50:30,627 --> 00:50:32,727
WITH PECKSNIFF
BEFORE HE LEFT.
878
00:50:32,762 --> 00:50:34,462
HE TOLD ME
MY GRANDFATHER
WAS HERE,
879
00:50:34,497 --> 00:50:36,331
IN THIS VILLAGE,
JUST A FEW DAYS AGO.
880
00:50:36,366 --> 00:50:39,368
YES, HE WAS.
I DIDN'T MENTION IT
881
00:50:39,403 --> 00:50:41,703
BECAUSE MR. PECKSNIFF
SAID HE WANTED TO
TELL YOU HIMSELF.
882
00:50:41,738 --> 00:50:44,206
I SUPPOSE YOU KNOW
MY GRANDFATHER HAS
DISINHERITED ME.
883
00:50:44,241 --> 00:50:46,441
WELL, I HAVE
HEARD ALLUSIONS.
884
00:50:46,477 --> 00:50:49,143
MY PARENTS DIED
IN MY INFANCY, YOU SEE?
885
00:50:49,179 --> 00:50:51,846
SO DID MINE.
DEAR ME.
886
00:50:51,882 --> 00:50:55,050
WELL, AS TO THAT, PINCH,
PARENTS ARE ALL VERY WELL
IF YOU HAVE THEM,
887
00:50:55,085 --> 00:50:57,285
BUT AS I HAVE NO RECOLLECTION
OF MINE TO SPEAK OF,
888
00:50:57,321 --> 00:50:59,822
I CAN'T GET VERY
SENTIMENTAL ABOUT THEM.
889
00:50:59,857 --> 00:51:02,590
I WAS BROUGHT UP
BY MY GRANDFATHER,
890
00:51:02,626 --> 00:51:04,659
WHO HAS 2 GREAT FAULTS
OF CHARACTER--
891
00:51:04,695 --> 00:51:07,795
HE IS ABOMINABLY SELFISH
AND ABOMINABLY OBSTINATE.
892
00:51:07,831 --> 00:51:09,231
I AM SORRY TO HEAR IT.
893
00:51:09,266 --> 00:51:11,833
I HAVE BORNE
A GREAT DEAL FROM HIM.
894
00:51:15,038 --> 00:51:16,904
I FELL IN LOVE.
895
00:51:18,576 --> 00:51:21,409
I FELL IN LOVE WITH
ONE OF THE SWEETEST,
LOVELIEST GIRLS
896
00:51:21,445 --> 00:51:22,877
THE SUN EVER SHONE UPON.
897
00:51:22,913 --> 00:51:23,979
INDEED.
898
00:51:24,014 --> 00:51:25,380
UNFORTUNATELY,
899
00:51:25,416 --> 00:51:28,550
SHE IS WHOLLY
AND ENTIRELY DEPENDENT
ON MY GRANDFATHER.
900
00:51:28,585 --> 00:51:29,784
HOW IS THAT?
901
00:51:29,819 --> 00:51:33,088
SHE IS A KIND OF
PAID COMPANION TO HIM.
902
00:51:33,123 --> 00:51:36,124
SHE IS AN ORPHAN
WHOM HE BROUGHT UP
TO THE EMPLOYMENT.
903
00:51:36,159 --> 00:51:38,193
ANOTHER ORPHAN.
DEAR ME.
904
00:51:38,228 --> 00:51:40,529
YOU KNOW THE YOUNG LADY
YOU SAW IN THE CHURCH?
905
00:51:40,564 --> 00:51:43,565
THAT WAS HER.
I'M SURE OF IT.
906
00:51:43,600 --> 00:51:46,401
I KNEW YOU WERE
GOING TO SAY THAT
BEFORE YOU SPOKE.
907
00:51:46,437 --> 00:51:48,403
HER NAME IS MARY.
908
00:51:48,438 --> 00:51:51,306
HAVING SEEN HER,
YOU WON'T BE SURPRISED
I FELL IN LOVE WITH HER.
909
00:51:51,341 --> 00:51:53,041
NO, INDEED.
910
00:51:53,076 --> 00:51:55,444
ANY MAN MIGHT FALL
IN LOVE WITH HER
AT FIRST SIGHT.
911
00:51:55,479 --> 00:51:57,279
NOT ANY MAN, PERHAPS.
912
00:51:57,314 --> 00:51:59,248
AFTER ALL, SHE HAS
NO FORTUNE, NO FAMILY.
913
00:51:59,283 --> 00:52:01,516
SOME MEN WOULD BE
PUT OFF BY THAT.
914
00:52:01,551 --> 00:52:05,020
BUT A CHIEF INGREDIENT
OF MY CHARACTER IS
A MOST DETERMINED...
915
00:52:05,055 --> 00:52:06,354
OBSTINACY?
916
00:52:07,757 --> 00:52:10,726
WHAT A FELLOW
YOU ARE...PINCH!
917
00:52:10,761 --> 00:52:13,328
I WAS GOING TO SAY
RESOLUTENESS.
918
00:52:13,363 --> 00:52:14,929
I BEG YOUR PARDON.
919
00:52:14,965 --> 00:52:16,731
THE DEVIL OF IT WAS
I KNEW MY GRANDFATHER
920
00:52:16,766 --> 00:52:19,134
WOULD BE VIOLENTLY OPPOSED
TO OUR MARRYING.
921
00:52:19,170 --> 00:52:19,735
WHY?
922
00:52:19,770 --> 00:52:21,202
BECAUSE HE INSISTS
923
00:52:21,238 --> 00:52:24,238
THAT MARY MUST NOT BENEFIT
FINANCIALLY FROM HIS DEATH.
924
00:52:24,274 --> 00:52:26,441
THAT'S THE STRANGE
CONTRACT BETWEEN THEM.
925
00:52:26,476 --> 00:52:28,042
THAT'S WHY HE TRUSTS HER.
926
00:52:28,078 --> 00:52:30,745
SO YOU COULD NOT
DISCLOSE YOUR
FEELINGS FOR HER?
927
00:52:30,781 --> 00:52:32,648
OF COURSE I DISCLOSED
MY FEELINGS TO HER.
928
00:52:32,683 --> 00:52:35,216
I KEPT THEM
FROM MY GRANDFATHER.
929
00:52:35,252 --> 00:52:37,452
BUT HE MUST HAVE
SUSPECTED SOMETHING
930
00:52:37,487 --> 00:52:41,222
BECAUSE HE TRIED
TO MAKE ME DENY
ANY ATTACHMENT TO MARY.
931
00:52:41,258 --> 00:52:42,924
I REFUSED.
932
00:52:42,959 --> 00:52:44,893
WE QUARRELED BITTERLY.
933
00:52:44,928 --> 00:52:48,329
HE TORE UP HIS WILL
IN FRONT OF MY FACE.
934
00:52:48,365 --> 00:52:50,665
AND I WALKED OUT
OF HIS HOUSE,
935
00:52:50,700 --> 00:52:53,601
VOWING TO BE INDEPENDENT
OF HIS WHIMS.
936
00:52:53,636 --> 00:52:56,204
AND THE YOUNG LADY--
937
00:52:56,239 --> 00:52:58,473
SHE RECIPROCATES
YOUR FEELINGS?
938
00:52:58,508 --> 00:53:01,242
OF COURSE SHE DOES.
939
00:53:01,679 --> 00:53:03,011
SHE HAD SOME SILLY
SCRUPLES AT FIRST,
940
00:53:03,046 --> 00:53:05,012
BUT HER HEART IS MINE.
941
00:53:05,048 --> 00:53:07,449
ALL WILL BE WELL
IN TIME,
942
00:53:07,484 --> 00:53:09,584
I HAVE NO DOUBT.
943
00:53:09,620 --> 00:53:13,288
I HAVE NO POWER AT ALL,
I NEEDN'T TELL YOU THAT.
944
00:53:13,323 --> 00:53:16,424
BUT IF I COULD EVER
BE OF USE TO YOU...
945
00:53:16,460 --> 00:53:18,627
YOU'RE A GOOD FELLOW,
PINCH, UPON MY WORD,
946
00:53:18,662 --> 00:53:20,462
AND SPEAK VERY KINDLY.
947
00:53:20,497 --> 00:53:22,063
BUT MERCY ON US,
948
00:53:22,099 --> 00:53:25,067
YOU MIGHT AS WELL BE
A TOASTING-FORK
OR A FRYING PAN
949
00:53:25,102 --> 00:53:27,368
FOR ANY HELP
YOU CAN RENDER ME.
950
00:53:27,404 --> 00:53:28,904
EXCEPT
IN THE INCLINATION.
951
00:53:28,939 --> 00:53:31,706
OH, YES.
TO BE SURE.
952
00:53:31,742 --> 00:53:34,409
I VALUE THAT,
OF COURSE.
953
00:53:36,146 --> 00:53:37,612
[KNOCK ON DOOR]
954
00:53:38,748 --> 00:53:41,583
OH, WELL,
MY DEARS...
955
00:53:42,986 --> 00:53:45,287
DO YOU THINK
YOU WILL BE COMFORTABLE?
956
00:53:45,322 --> 00:53:46,654
OH!
957
00:53:46,690 --> 00:53:48,890
MRS. TODGERS,
IT'S PERFECT.
958
00:53:48,926 --> 00:53:50,558
OH!
HA HA HA!
959
00:53:50,594 --> 00:53:53,361
THE BED IN THE SIDE ROOM
IS RATHER SMALL,
960
00:53:53,396 --> 00:53:56,331
BUT I THINK
IT WILL SERVE.
961
00:53:56,767 --> 00:53:59,401
AND DURING THE DAY,
YOU MUST TREAT
MY LITTLE PARLOR
962
00:53:59,436 --> 00:54:00,735
AS YOUR OWN.
963
00:54:00,770 --> 00:54:03,905
YOU ARE TOO KIND,
MRS. TODGERS.
964
00:54:05,175 --> 00:54:07,175
IT'S MY PLEASURE.
965
00:54:08,912 --> 00:54:11,712
YOUR PA WAS ONCE
A LITTLE PARTICULAR
966
00:54:11,748 --> 00:54:15,650
IN HIS ATTENTIONS...
MY DEAR.
967
00:54:15,685 --> 00:54:18,053
BUT TO BE YOUR MA
WAS...
968
00:54:18,088 --> 00:54:21,723
TOO MUCH HAPPINESS
DENIED ME.
969
00:54:23,193 --> 00:54:24,859
UH...
970
00:54:24,894 --> 00:54:27,696
IS THIS YOUR PORTRAIT,
MRS. TODGERS?
971
00:54:27,731 --> 00:54:32,333
OH. IT WAS THOUGHT
A LIKENESS ONCE.
972
00:54:33,937 --> 00:54:37,506
BUT PRESIDING OVER
AN ESTABLISHMENT
LIKE THIS
973
00:54:37,541 --> 00:54:40,909
PLAYS SAD HAVOC
WITH THE FEATURES.
974
00:54:40,944 --> 00:54:42,610
THE GRAVY ALONE
IS ENOUGH
975
00:54:42,646 --> 00:54:45,713
TO ADD 20 YEARS
TO ONE'S AGE,
I ASSURE YOU.
976
00:54:45,749 --> 00:54:46,915
LOR!
977
00:54:46,950 --> 00:54:49,784
THERE IS NO PASSION
IN HUMAN NATURE
978
00:54:49,820 --> 00:54:51,453
AS THE PASSION
FOR GRAVY
979
00:54:51,488 --> 00:54:53,688
AMONGST COMMERCIAL
GENTLEMEN.
980
00:54:53,724 --> 00:54:56,724
IT'S NOTHING TO SAY
A JOINT WON'T YIELD
THE AMOUNT OF GRAVY
981
00:54:56,760 --> 00:54:58,860
THEY EXPECT
EACH DAY.
982
00:54:58,895 --> 00:55:00,962
A WHOLE ANIMAL
WOULDN'T YIELD IT.
983
00:55:01,398 --> 00:55:04,032
I'VE NOTICED
THE SAME APPETITE
ON OUR MR. PINCH.
984
00:55:04,067 --> 00:55:05,933
PAPA'S ASSISTANT,
YOU KNOW.
985
00:55:05,969 --> 00:55:07,702
[CHOMPING]
986
00:55:07,737 --> 00:55:09,570
[LAUGHS]
HE HAS A SISTER
987
00:55:09,606 --> 00:55:11,706
WHO'S A GOVERNESS
IN CAMBERWELL.
988
00:55:11,741 --> 00:55:13,608
IF SHE TAKES
AFTER HER FATHER,
989
00:55:13,643 --> 00:55:15,176
SHE MUST BE
A PERFECT FRIGHT.
990
00:55:15,211 --> 00:55:17,745
[CHARITY AND MERCY LAUGHING]
991
00:55:20,951 --> 00:55:23,485
[MRS. TODGERS LAUGHS]
992
00:55:23,520 --> 00:55:25,153
I AM HERE, MISS PINCH,
993
00:55:25,188 --> 00:55:28,155
IN PURSUANCE OF A PROMISE
MADE TO YOUR BROTHER.
994
00:55:28,191 --> 00:55:29,524
THOMAS IS WELL,
995
00:55:29,560 --> 00:55:32,126
AND SENDS HIS LOVE
AND THIS LETTER.
996
00:55:32,162 --> 00:55:34,729
OH. THANK YOU,
MR. PECKSNIFF.
997
00:55:34,765 --> 00:55:35,897
YOU'RE VERY KIND.
998
00:55:35,932 --> 00:55:37,966
I CANNOT SAY,
POOR FELLOW,
999
00:55:38,001 --> 00:55:40,968
THAT HE WILL
EVER BE DISTINGUISHED
IN OUR PROFESSION,
1000
00:55:41,004 --> 00:55:42,903
BUT HE HAS A WILL
TO DO WELL,
1001
00:55:42,939 --> 00:55:45,840
AND WE MUST
BEAR WITH HIM, EH?
1002
00:55:45,876 --> 00:55:47,709
I KNOW
HE HAS THE WILL, SIR,
1003
00:55:47,744 --> 00:55:49,611
AND I KNOW HOW KINDLY
YOU CHERISH IT,
1004
00:55:49,646 --> 00:55:53,281
FOR WHICH NEITHER
HE NOR I CAN BE
GRATEFUL ENOUGH.
1005
00:55:53,316 --> 00:55:55,049
THE YOUNG LADIES,
AS WELL.
1006
00:55:55,085 --> 00:55:57,685
I KNOW HOW MUCH
WE OWE TO THEM BOTH.
1007
00:55:57,721 --> 00:56:00,755
WE CAN'T TAKE ANY MERIT
TO OURSELVES, PAPA.
1008
00:56:00,791 --> 00:56:03,624
MR. PINCH'S BEING
SO WELL PROVIDED FOR
1009
00:56:03,660 --> 00:56:05,593
IS OWING TO YOU ALONE.
1010
00:56:06,029 --> 00:56:08,196
IT WAS VERY KIND
OF YOU ALL TO COME.
1011
00:56:09,633 --> 00:56:12,534
AND HOW DO YOU DO,
MY VERY INTERESTING
YOUNG LADY?
1012
00:56:12,569 --> 00:56:14,502
QUITE WELL, THANK YOU.
1013
00:56:17,107 --> 00:56:19,708
MISSUS'S COMPLIMENTS
TO MISS PINCH,
1014
00:56:19,743 --> 00:56:23,044
AND BEGS TO KNOW
WHAT MY YOUNG LADY
IS A-LEARNING OF JUST NOW.
1015
00:56:23,080 --> 00:56:27,048
OH, MY DEARS,
WE ARE INTERRUPTING
THE STUDIES.
1016
00:56:27,084 --> 00:56:28,483
LET US GO.
1017
00:56:28,518 --> 00:56:31,953
BE SO KIND AS TO
GIVE THIS CARD
TO YOUR MASTER.
1018
00:56:34,358 --> 00:56:35,657
GOOD-BYE, MISS PINCH.
1019
00:56:35,692 --> 00:56:37,258
GOOD-BYE, SIR.
1020
00:56:37,294 --> 00:56:40,528
GOOD-BYE, YOUNG LADY.
1021
00:56:50,307 --> 00:56:51,706
[DOOR CLOSES]
1022
00:56:51,741 --> 00:56:54,175
IF YOU READ THAT LETTER
DURING MY LESSONS,
1023
00:56:54,611 --> 00:56:55,810
I SHALL TELL MAMA.
1024
00:57:03,420 --> 00:57:06,154
A MAN OF SUBSTANCE,
CLEARLY.
1025
00:57:06,189 --> 00:57:08,756
SUBSTANCE AND TASTE.
1026
00:57:09,593 --> 00:57:12,460
WE SHOULD BE GLAD
TO MAKE HIS ACQUAINTANCE.
1027
00:57:14,063 --> 00:57:16,564
SOMETHING MAY
COME OF IT. HMM.
1028
00:57:18,368 --> 00:57:20,034
IF YOU LOOK, MY DEARS,
1029
00:57:20,069 --> 00:57:22,036
AT THE CORNICE
WHICH SUPPORTS THE ROOF,
1030
00:57:22,072 --> 00:57:25,807
AND OBSERVE THE AIRINESS
OF ITS CONSTRUCTION,
1031
00:57:25,842 --> 00:57:30,011
ESPECIALLY AS IT SWEEPS
THE SOUTHERN ANGLE
OF THE BUILDING,
1032
00:57:30,046 --> 00:57:31,145
YOU WILL SEE--
1033
00:57:31,181 --> 00:57:32,314
HEY! YOU!
1034
00:57:32,349 --> 00:57:34,916
YOUR SERVANT,
SIR.
1035
00:57:34,951 --> 00:57:37,318
COME OFF THE GRASS!
1036
00:57:37,354 --> 00:57:39,220
I BEG YOUR PARDON?
1037
00:57:39,256 --> 00:57:42,323
I SAID,
COME OFF THE GRASS!
1038
00:57:42,359 --> 00:57:44,025
YOU SEE THE GRAVEL,
DON'T YOU?
1039
00:57:44,060 --> 00:57:45,793
WHAT DO YOU THINK
IT'S FOR?
1040
00:57:46,230 --> 00:57:47,962
WE ARE UNWILLING
TO INTRUDE, SIR--
1041
00:57:47,998 --> 00:57:49,731
BUT YOU ARE
INTRUDING, SIR!
1042
00:57:49,766 --> 00:57:51,766
YOU'RE INTRUDING
ON MY LAWN
1043
00:57:51,801 --> 00:57:54,102
AND MY DAUGHTER'S
EDUCATION!
1044
00:57:54,137 --> 00:57:57,071
OPEN THE GATE THERE!
SHOW THIS PARTY OUT!
1045
00:57:59,476 --> 00:58:01,709
[HUMMING]
1046
00:58:24,434 --> 00:58:26,134
WHAT'S THE MATTER,
MARTIN?
1047
00:58:26,169 --> 00:58:30,005
IT'S CONFOUNDEDLY DULL
WITH JUST THE TWO
OF US HERE.
1048
00:58:30,040 --> 00:58:31,439
WELL...
1049
00:58:31,475 --> 00:58:33,575
I HAVE SOME
GOOD NEWS FOR YOU.
1050
00:58:33,610 --> 00:58:34,709
WHAT'S THAT?
1051
00:58:34,744 --> 00:58:36,578
I DIDN'T LIKE TO
DISTRACT YOU BEFORE--
1052
00:58:36,613 --> 00:58:37,879
THIS IS WONDERFUL.
1053
00:58:37,914 --> 00:58:39,647
IS THIS
THE GRAMMAR SCHOOL?
1054
00:58:39,682 --> 00:58:41,649
WELL, IT'S JUST
A ROUGH SKETCH.
1055
00:58:41,684 --> 00:58:44,218
I COULD NEVER
PRODUCE ANYTHING
LIKE THIS
1056
00:58:44,254 --> 00:58:46,354
IF I LABORED
FOR 10 YEARS.
1057
00:58:46,389 --> 00:58:49,724
WHY, EVEN
MR. PECKSNIFF
HIMSELF--
1058
00:58:49,759 --> 00:58:52,193
YOU HAVE
A REAL GIFT.
1059
00:58:52,228 --> 00:58:54,495
SO I'VE BEEN TOLD.
WHAT'S YOUR NEWS, THEN?
1060
00:58:54,530 --> 00:58:56,664
I HAD ANOTHER LETTER
FROM JOHN WESTLOCK
THIS MORNING.
1061
00:58:56,699 --> 00:58:58,933
HE HAS COME
INTO HIS PROPERTY.
1062
00:58:58,968 --> 00:59:01,369
HE'S A LUCKY DOG.
I WISH IT WERE MINE.
1063
00:59:01,405 --> 00:59:03,405
THERE WAS
A DISPUTED WILL,
I BELIEVE.
1064
00:59:03,440 --> 00:59:05,706
BUT NOW...
1065
00:59:05,742 --> 00:59:07,742
"THE EXECUTORS
HAVE CASHED UP,"
HE SAYS.
1066
00:59:07,777 --> 00:59:09,610
"AND I'M COMING
DOWN TO SALISBURY
1067
00:59:09,646 --> 00:59:12,013
TO GIVE YOU A DINNER
ON PURPOSE, PINCH,
TO CELEBRATE."
1068
00:59:12,048 --> 00:59:13,481
NOW,
ISN'T THAT KIND?
1069
00:59:13,516 --> 00:59:15,216
VERY.
FURTHERMORE...
1070
00:59:15,251 --> 00:59:17,719
SINCE I WROTE TO HIM
THAT THERE WAS
A NEW PUPIL HERE
1071
00:59:17,754 --> 00:59:19,854
AND WHAT A FINE
FELLOW YOU WERE,
1072
00:59:19,890 --> 00:59:21,790
AND WHAT FRIENDS
WE HAD BECOME,
1073
00:59:21,825 --> 00:59:23,591
HE SENDS HIS
COMPLIMENTS TO YOU
1074
00:59:23,627 --> 00:59:26,828
AND BEGS THAT WE THREE
MAY HAVE THE PLEASURE
OF DINING TOGETHER
1075
00:59:26,863 --> 00:59:30,398
AT THE VERY FIRST HOTEL
IN THE TOWN.
1076
00:59:30,433 --> 00:59:31,732
VERY WELL.
1077
00:59:33,236 --> 00:59:35,269
MUCH OBLIGED TO HIM.
I'M AGREEABLE.
1078
00:59:35,304 --> 00:59:37,605
[KNOCK ON DOOR]
COME IN.
1079
00:59:37,640 --> 00:59:39,073
MR. PINCH,
1080
00:59:39,108 --> 00:59:41,242
THERE'S A GENTLEMAN
ASKING TO SEE YOU.
1081
00:59:41,277 --> 00:59:43,478
GOOD MORNING
TO YOU GENTS BOTH.
1082
00:59:43,513 --> 00:59:47,048
I'M SORRY TO INTERRUPT
YOUR ARCHITECTURAL LABORS.
1083
00:59:47,083 --> 00:59:48,549
I'M NOT INDUSTRIOUS MYSELF,
1084
00:59:48,585 --> 00:59:51,419
BUT I DO KNOW
HOW TO APPRECIATE
THE QUALITY IN OTHERS.
1085
00:59:51,454 --> 00:59:54,889
MY NAME IS TIGG...
MONTAGUE TIGG.
1086
00:59:54,924 --> 00:59:56,491
MR. PINCH...
1087
00:59:56,526 --> 00:59:57,825
NO, I'M
MR. PINCH.
1088
00:59:57,860 --> 00:59:59,327
THIS IS
MR. CHUZZLEWIT.
1089
01:00:00,630 --> 01:00:01,996
INDEED.
1090
01:00:06,803 --> 01:00:09,270
AHEM. UH...
1091
01:00:09,305 --> 01:00:10,905
I'VE, UH...AHEM.
1092
01:00:10,940 --> 01:00:13,241
I'VE COME
FOR MY LETTER.
1093
01:00:13,276 --> 01:00:14,341
WHAT LETTER?
1094
01:00:14,377 --> 01:00:16,344
WHY, THE LETTER THAT
MY GOOD FRIEND PECKSNIFF
1095
01:00:16,379 --> 01:00:17,512
LEFT WITH YOU,
1096
01:00:17,547 --> 01:00:19,481
ADDRESSED TO MY COMRADE
AND ASSOCIATE
1097
01:00:19,516 --> 01:00:21,216
CHEVY SLYME, ESQUIRE.
1098
01:00:21,251 --> 01:00:22,717
DID YOU SAY CHEVY SLYME?
1099
01:00:22,752 --> 01:00:24,786
I DID INDEED, SIR.
1100
01:00:24,821 --> 01:00:26,688
I AM AN AMBASSADOR
1101
01:00:26,723 --> 01:00:29,089
FROM THE COURT
OF CHIV.
1102
01:00:29,125 --> 01:00:31,158
I KNOW OF NO LETTER
ADDRESSED TO HIM.
1103
01:00:31,194 --> 01:00:32,494
WELL, THE MONEY, THEN.
1104
01:00:32,529 --> 01:00:34,762
IT IS NOT
SO DELICATELY DONE
BY FRIEND PECKSNIFF
1105
01:00:34,797 --> 01:00:36,697
AS I COULD HAVE WISHED,
BUT 'TIS ALL THE SAME.
1106
01:00:36,733 --> 01:00:38,299
THE MONEY?
1107
01:00:38,335 --> 01:00:40,234
EXACTLY SO.
1108
01:00:40,269 --> 01:00:41,503
WHAT'S THIS ALL ABOUT?
1109
01:00:41,538 --> 01:00:44,105
GENTS BOTH,
I WILL TELL YOU.
1110
01:00:44,140 --> 01:00:48,075
THERE IS AT THE BLUE DRAGON
IN THIS VILLAGE
1111
01:00:48,111 --> 01:00:49,677
A COMMON ALE-HOUSE.
1112
01:00:49,712 --> 01:00:52,013
AN INDIVIDUAL
OF WHOM IT MAY BE SAID,
1113
01:00:52,048 --> 01:00:53,848
IN THE LANGUAGE OF THE POET,
1114
01:00:53,883 --> 01:00:58,720
THAT NOBODY BUT HIMSELF CAN
IN ANY WAY COME UP TO HIM,
1115
01:00:58,755 --> 01:01:01,622
WHO IS DETAINED THERE
FOR HIS BILL.
1116
01:01:01,658 --> 01:01:05,059
HAD IT BEEN FOR ANYTHING
OTHER THAN A PALTRY BILL,
1117
01:01:05,094 --> 01:01:07,428
I COULD HAVE BORNE IT, BUT--
1118
01:01:07,464 --> 01:01:09,330
I'M VERY SORRY
TO HEAR
1119
01:01:09,366 --> 01:01:11,366
OF YOUR FRIEND'S
PREDICAMENT,
MR. TIGG,
1120
01:01:11,401 --> 01:01:13,734
BUT I REALLY DON'T SEE
WHAT IT HAS TO DO WITH
MR. PECKSNIFF.
1121
01:01:13,769 --> 01:01:15,936
WHY, THEY ARE
RELATED, SIR!
1122
01:01:15,972 --> 01:01:18,539
AS INDEED, I BELIEVE,
IS THIS GENTLEMAN HERE.
1123
01:01:18,575 --> 01:01:22,143
WELL, AS SOON AS
MR. PECKSNIFF RETURNS
FROM LONDON--
1124
01:01:22,178 --> 01:01:24,979
NO, NO, IT IS
VERY URGENT, MR. PINCH.
1125
01:01:25,014 --> 01:01:27,415
WOULD YOU MIND LOOKING
OUT OF THAT WINDOW?
1126
01:01:29,786 --> 01:01:31,820
YOU SEE THAT FELLOW
DOWN THERE
1127
01:01:31,855 --> 01:01:33,688
IN THE RED NECK CLOTH?
1128
01:01:33,723 --> 01:01:36,124
OF COURSE.
THAT'S MARK TAPLEY
FROM THE BLUE DRAGON.
1129
01:01:36,159 --> 01:01:39,627
WELL, MARK TAPLEY
NOT ONLY HAD THE GREAT
POLITENESS
1130
01:01:39,662 --> 01:01:41,262
TO FOLLOW ME
TO THIS HOUSE,
1131
01:01:41,298 --> 01:01:44,399
BUT IS NOW WAITING
TO ESCORT ME BACK
TO THE BLUE DRAGON,
1132
01:01:44,434 --> 01:01:47,001
FOR WHICH ATTENTION,
I CAN TELL YOU,
GENTLEMEN,
1133
01:01:47,036 --> 01:01:50,238
THAT MARK TAPLEY
HAD BETTER BEEN FED
TO SUFFOCATION
1134
01:01:50,273 --> 01:01:51,939
IN HIS INFANCY
BY MRS. TAPLEY
1135
01:01:51,975 --> 01:01:53,741
THAN PRESERVED
TO THIS TIME!
1136
01:01:53,776 --> 01:01:55,343
DEAR ME.
1137
01:01:55,378 --> 01:01:56,478
YES.
1138
01:01:58,581 --> 01:02:00,414
MARK!
1139
01:02:00,851 --> 01:02:03,051
COULD YOU STEP UP HERE
FOR A MOMENT PLEASE?
1140
01:02:03,086 --> 01:02:04,452
SURE.
1141
01:02:04,487 --> 01:02:05,953
HOW MUCH
IS THE BILL?
1142
01:02:05,988 --> 01:02:08,389
OH, A MERE TRIFLE.
1143
01:02:08,424 --> 01:02:10,024
�3.
1144
01:02:11,460 --> 01:02:13,027
PINCH...
1145
01:02:13,062 --> 01:02:14,462
A WORD WITH YOU.
1146
01:02:15,732 --> 01:02:17,298
IT'S TRUE
THAT THIS SLYME
1147
01:02:17,333 --> 01:02:18,600
IS A RELATION
OF MINE--
1148
01:02:18,635 --> 01:02:20,068
A NE'ER-DO-WELL
1149
01:02:20,103 --> 01:02:21,703
THAT I DON'T WISH
TO ASSOCIATE WITH.
1150
01:02:21,738 --> 01:02:24,438
HE WOULD BE CHEAPLY
GOT RID OF FOR �3,
1151
01:02:24,473 --> 01:02:27,709
BUT...UNFORTUNATELY,
I AM OUT OF FUNDS...
1152
01:02:27,744 --> 01:02:29,744
AT THE MOMENT.
1153
01:02:29,779 --> 01:02:33,580
YOU DON'T HAPPEN TO
HAVE THAT SUM OF MONEY
ABOUT YOU, I SUPPOSE?
1154
01:02:33,616 --> 01:02:35,450
HALF A SOVEREIGN'S
ALL I HAVE IN THE WORLD.
1155
01:02:35,485 --> 01:02:37,651
PITY. I WOULD HAVE
BORROWED IT FROM YOU.
1156
01:02:37,687 --> 01:02:39,286
[KNOCK ON DOOR]
1157
01:02:41,958 --> 01:02:44,692
MARK. I'M GLAD YOU'RE
STILL AT THE BLUE DRAGON.
1158
01:02:44,727 --> 01:02:48,096
NOW, WHAT'S THE MATTER
BETWEEN MRS. LUPIN
AND THIS GENTLEMAN?
1159
01:02:49,732 --> 01:02:51,232
WHAT GENTLEMAN, SIR?
1160
01:02:52,535 --> 01:02:54,568
DON'T SEE
NO GENTLEMAN HERE, SIR.
1161
01:02:54,604 --> 01:02:56,737
WELL, EXCEPTING YOURSELF
AND THE NEW GENTLEMAN.
1162
01:02:56,773 --> 01:02:58,739
AND THERE'S NOTHING
WRONG BETWEEN MRS. LUPIN
1163
01:02:58,775 --> 01:03:00,474
AND EITHER OF YOU,
I THINK.
1164
01:03:00,510 --> 01:03:04,011
MARK, YOU SEE
MR. TIGG HERE.
1165
01:03:04,046 --> 01:03:05,713
OH, HIM.
1166
01:03:05,748 --> 01:03:07,015
YES, I SEE HIM.
1167
01:03:07,050 --> 01:03:08,816
SHOULD SEE HIM
A LITTLE BETTER
1168
01:03:08,852 --> 01:03:10,851
IF HE'D
SHAVE HIMSELF,
GET HIS HAIR CUT.
1169
01:03:10,886 --> 01:03:13,220
NOW, MARK, YOU'RE NOT
OUT OF TEMPER, I HOPE.
1170
01:03:13,256 --> 01:03:15,122
WHY, NO, SIR.
1171
01:03:15,158 --> 01:03:16,991
I'M QUITE JOLLY.
1172
01:03:17,026 --> 01:03:20,494
THERE'S A LITTLE
CREDIT--NOT MUCH--
IN BEING JOLLY,
1173
01:03:20,529 --> 01:03:22,997
WITH SUCH FELLOWS
AS HIM ROARING ABOUT
LIKE LIONS...
1174
01:03:24,634 --> 01:03:29,103
IF THERE IS
ANY BREED OF LIONS
AS IS ALL ROAR AND MANE.
1175
01:03:29,139 --> 01:03:31,906
WHAT IS THERE BETWEEN
HIM AND MRS. LUPIN, SIR?
1176
01:03:31,941 --> 01:03:35,943
WHY, THERE'S A SCORE
BETWEEN HIM AND HIS
FRIEND AND MRS. LUPIN,
1177
01:03:35,979 --> 01:03:38,112
AND I THINK MRS. LUPIN
LETS THEM OFF VERY EASY
1178
01:03:38,148 --> 01:03:40,047
IN NOT CHARGING THEM
DOUBLE PRICES
1179
01:03:40,083 --> 01:03:43,150
FOR BEING A DISGRACE
TO THE DRAGON.
1180
01:03:43,186 --> 01:03:44,585
THAT'S MY OPINION.
1181
01:03:44,620 --> 01:03:46,854
I SUPPOSE IF WE WERE
TO GUARANTEE
1182
01:03:46,889 --> 01:03:48,890
TO THE LANDLADY
THAT HER BILL
WOULD BE PAID
1183
01:03:48,925 --> 01:03:50,391
WHEN MR. PECKSNIFF
RETURNS,
1184
01:03:50,426 --> 01:03:52,660
THAT WOULD ANSWER
THE PURPOSE?
1185
01:03:52,695 --> 01:03:54,562
I DARE SAY
IT WOULD, SIR.
1186
01:03:54,597 --> 01:03:56,564
SHE'D BE GLAD
TO SEE THE BACKS
OF THEM.
1187
01:03:56,599 --> 01:03:58,499
THEN LET US ALL GO
DOWN TO THE BLUE DRAGON
AND SETTLE THE MATTER.
1188
01:03:58,535 --> 01:04:00,067
SPOKEN LIKE A GENTLEMAN.
1189
01:04:00,103 --> 01:04:02,470
THOUGH I WOULD ASK ONLY
THAT YOU TREAT CHEV
WITH DELICACY.
1190
01:04:02,505 --> 01:04:05,172
HE HATES TO BE UNDER
AN OBLIGATION TO OTHERS.
1191
01:04:07,310 --> 01:04:10,044
THERE YOU ARE
AGAIN, THEN.
1192
01:04:10,080 --> 01:04:12,346
WHAT DO YOU WANT,
BAILEY?
1193
01:04:12,381 --> 01:04:14,348
JUST PASSING
THE TIME OF DAY.
1194
01:04:14,383 --> 01:04:15,949
THERE'S SOUP
FOR SUPPER TONIGHT.
1195
01:04:15,985 --> 01:04:18,018
AIN'T SHE A-PUTTIN'
IN THE WATER?
1196
01:04:18,054 --> 01:04:20,321
OH, NO.
NOT AT ALL, NEITHER.
1197
01:04:20,356 --> 01:04:21,422
YOU LITTLE
VILLAIN!
1198
01:04:21,457 --> 01:04:22,824
BAD, FALSE BOY!
1199
01:04:22,859 --> 01:04:25,293
NO WORSE THAN YOURSELF.
DO THAT AGAIN, WILL YA?
1200
01:04:25,328 --> 01:04:27,862
GO DOWNSTAIRS,
YOU VICIOUS BOY!
1201
01:04:29,398 --> 01:04:33,367
OHH! HE IS THE MOST
DREADFUL CHILD.
1202
01:04:33,402 --> 01:04:35,603
THE GENTLEMEN
SPOIL HIM SO,
1203
01:04:35,638 --> 01:04:37,138
TEACH HIM SUCH THINGS
1204
01:04:37,173 --> 01:04:39,607
THAT I DON'T KNOW
WHAT TO DO WITH HIM.
1205
01:04:39,643 --> 01:04:41,042
[SIGHS]
1206
01:04:41,077 --> 01:04:42,677
IS YOUR PA OUT?
1207
01:04:42,712 --> 01:04:44,979
[KNOCK ON DOOR]
1208
01:04:47,516 --> 01:04:50,651
MAY I ENTER
THIS BOWER OF BLISS?
1209
01:04:50,687 --> 01:04:52,052
OH! HA HA!
1210
01:04:52,088 --> 01:04:54,422
MR. PECKSNIFF!
1211
01:04:54,457 --> 01:04:56,357
PRAY, COME IN.
1212
01:04:56,392 --> 01:04:57,959
THANK YOU, MY DEAR.
1213
01:05:00,296 --> 01:05:01,996
[SIGHS]
1214
01:05:02,031 --> 01:05:06,067
I HAVE A ROUND ROBIN
TO DELIVER TO YOU, SIR.
1215
01:05:06,102 --> 01:05:08,302
A ROUND ROBIN?
FROM WHOM?
1216
01:05:08,337 --> 01:05:11,172
FROM MY GENTLEMEN,
OF COURSE--
1217
01:05:11,207 --> 01:05:13,540
DESIRING
THAT YOUR DAUGHTERS,
1218
01:05:13,576 --> 01:05:16,010
AS WELL
AS YOUR GOOD SELF,
1219
01:05:16,045 --> 01:05:18,112
WOULD HONOR
THE GENERAL TABLE
1220
01:05:18,147 --> 01:05:22,716
WITH YOUR PRESENCE
AT DINNER TOMORROW.
1221
01:05:22,751 --> 01:05:24,752
OH!
1222
01:05:24,787 --> 01:05:26,921
WHAT DO YOU SAY,
MY DEARS?
1223
01:05:26,956 --> 01:05:28,156
YES, PAPA!
1224
01:05:28,191 --> 01:05:31,158
IF YOU THINK IT
PROPER, PAPA.
1225
01:05:31,194 --> 01:05:33,861
I HAVE NO OBJECTION.
1226
01:05:33,896 --> 01:05:36,096
TOMORROW EVENING
WILL DO VERY NICELY,
MRS. TODGERS.
1227
01:05:36,132 --> 01:05:37,931
THEN I'LL
GO DOWNSTAIRS,
1228
01:05:37,967 --> 01:05:40,434
AND I'LL
TELL MR. JINKINS
IMMEDIATELY.
1229
01:05:40,470 --> 01:05:43,537
HE'S THE MOVING
SPIRIT IN THIS.
1230
01:05:43,572 --> 01:05:46,874
Pecksniff:
MR. JINKINS IS A MAN
OF SUPERIOR TALENTS.
1231
01:05:46,909 --> 01:05:49,577
I TAKE HIS DESIRE
TO PAY POLITE ATTENTION
1232
01:05:49,612 --> 01:05:51,946
TO MYSELF
AND MY DAUGHTERS...
1233
01:05:51,981 --> 01:05:53,247
VERY KINDLY.
1234
01:05:54,483 --> 01:05:56,951
YOUR YOUNGEST DAUGHTER
IS AS WITTY
1235
01:05:56,986 --> 01:05:59,454
AS SHE IS LOVELY,
MR. PECKSNIFF.
1236
01:05:59,489 --> 01:06:01,455
YOUR VERY GOOD
HEALTH.
1237
01:06:01,491 --> 01:06:02,957
THANK YOU, SIR.
1238
01:06:02,992 --> 01:06:04,425
I'M OBLIGED TO YOU.
1239
01:06:06,930 --> 01:06:08,462
LADIES AND GENTLEMEN,
1240
01:06:08,498 --> 01:06:10,130
THE PUNCH!
1241
01:06:10,166 --> 01:06:11,999
ALL RIGHT! FINE!
1242
01:06:12,035 --> 01:06:13,500
WELL DONE, JINKS.
1243
01:06:13,536 --> 01:06:15,002
SET IT
ON THE TABLE,
1244
01:06:15,037 --> 01:06:16,937
SPLENDID,
SPLENDID GOOD BOY.
1245
01:06:19,976 --> 01:06:23,377
LADIES, I SEE
YOU ARE CONCERNED
1246
01:06:23,413 --> 01:06:24,912
AT THE SMALLNESS
OF THE BOWL.
1247
01:06:24,947 --> 01:06:27,415
REST ASSURED, WE HAVE
ENOUGH INGREDIENTS
IN RESERVE
1248
01:06:27,450 --> 01:06:30,384
TO FILL IT
SEVERAL TIMES OVER.
1249
01:06:33,589 --> 01:06:36,123
IS IT VERY STRONG?
1250
01:06:36,158 --> 01:06:37,725
ABSOLUTELY HARMLESS.
1251
01:06:37,760 --> 01:06:39,794
ALLOW ME.
THANK YOU.
1252
01:06:43,165 --> 01:06:45,699
THERE WE ARE, MISS MERCY.
AND MISS CHARITY, MAY I?
1253
01:06:45,735 --> 01:06:47,602
Charity: JUST A LITTLE.
OF COURSE.
1254
01:06:49,171 --> 01:06:51,606
[COUGHS]
GOOD HEAVENS,
IT NEEDS DILUTING.
1255
01:06:51,641 --> 01:06:53,107
Men: NO, NO!
1256
01:06:53,142 --> 01:06:55,876
OH, DEAR, I SEEM
TO HAVE DROPPED
MY NAPKIN.
1257
01:06:55,911 --> 01:06:58,012
[RUSTLING]
1258
01:07:02,251 --> 01:07:04,018
HERE IT IS,
MISS PECKSNIFF,
1259
01:07:04,020 --> 01:07:05,386
CAUGHT ON YOUR DRESS.
1260
01:07:05,421 --> 01:07:07,020
Mercy:
OH, HOW SILLY OF ME.
1261
01:07:10,893 --> 01:07:13,427
[SIGHS]
1262
01:07:16,599 --> 01:07:18,899
THAT WAS
A MELANCHOLY SIGH
1263
01:07:18,935 --> 01:07:23,204
FOR SUCH
A FESTIVE OCCASION,
MR. PECKSNIFF.
1264
01:07:23,239 --> 01:07:26,641
I AM A MAN,
MRS. TODGERS,
1265
01:07:26,676 --> 01:07:28,108
AND A WIDOWER.
1266
01:07:29,445 --> 01:07:33,948
THE GAIETY OF THE YOUNG
REMINDS ME OF MY LONELINESS.
1267
01:07:36,785 --> 01:07:39,887
SHE WAS BEAUTIFUL,
MRS. TODGERS.
1268
01:07:40,990 --> 01:07:44,725
SHE HAD A SMALL...
1269
01:07:44,760 --> 01:07:45,892
PROPERTY.
1270
01:07:45,928 --> 01:07:49,297
SO I HAVE HEARD.
1271
01:07:49,332 --> 01:07:53,901
YOU ARE LIKE HER,
MRS. TODGERS.
1272
01:07:55,571 --> 01:07:58,939
DON'T SQUEEZE MY ARM SO,
MR. PECKSNIFF.
1273
01:07:58,974 --> 01:08:01,542
THE GENTLEMEN
MIGHT NOTICE.
1274
01:08:01,577 --> 01:08:05,713
MY FEELINGS,
MRS. TODGERS,
1275
01:08:05,748 --> 01:08:08,916
WILL NOT CONSENT
TO BE SMOTHERED
1276
01:08:08,951 --> 01:08:12,953
LIKE THE YOUNG CHILDREN
IN THE TOWER.
1277
01:08:12,989 --> 01:08:14,822
THEY ARE GROWN UP,
1278
01:08:14,857 --> 01:08:17,958
AND THE MORE I PRESS
THE BOLSTER ON THEM,
1279
01:08:17,993 --> 01:08:20,561
THE MORE THEY LOOK
ROUND THE CORNER OF IT.
1280
01:08:20,596 --> 01:08:24,998
HUSH, SIR,
YOU MUSTN'T.
1281
01:08:25,033 --> 01:08:28,702
SIT DOWN, SIT DOWN.
MR. CHUZZLEWIT,
THIS SIDE.
1282
01:08:28,737 --> 01:08:29,703
THANK YOU.
1283
01:08:31,941 --> 01:08:33,407
JOHN...
1284
01:08:33,443 --> 01:08:35,977
CONGRATULATIONS
ON YOUR GOOD FORTUNE.
1285
01:08:36,012 --> 01:08:38,979
MAY YOU ENJOY THE SAME
YOURSELF ONE DAY.
1286
01:08:39,015 --> 01:08:40,647
AND YOU, TOO,
MR. CHUZZLEWIT.
1287
01:08:40,683 --> 01:08:42,116
I'LL DRINK TO THAT.
1288
01:08:47,790 --> 01:08:51,825
MMM. SO YOU REALLY ARE
A GENTLEMAN AT LAST.
1289
01:08:51,861 --> 01:08:54,328
I DON'T SUPPOSE YOU CARRY
YOUR OWN BOX TO THE MAIL NOW.
1290
01:08:54,364 --> 01:08:56,596
THAT'S ALL YOU KNOW
ABOUT IT.
1291
01:08:56,632 --> 01:08:58,832
IT WOULD HAVE TO BE
A VERY HEAVY BOX
1292
01:08:58,867 --> 01:09:01,636
FOR ME NOT TO CARRY IT
TO GET AWAY FROM
PECKSNIFF'S.
1293
01:09:01,671 --> 01:09:03,371
THERE, I TOLD YOU SO.
1294
01:09:03,406 --> 01:09:06,440
THE GREAT FAULT
IN JOHN'S CHARACTER IS
HIS INJUSTICE TO PECKSNIFF.
1295
01:09:06,475 --> 01:09:08,442
YOU MUSTN'T MIND A WORD
HE SAYS ON THAT SUBJECT.
1296
01:09:08,477 --> 01:09:10,477
HIS PREJUDICE
IS MOST EXTRAORDINARY.
1297
01:09:10,513 --> 01:09:12,680
THE ABSENCE OF
ANYTHING LIKE PREJUDICE
ON TOM'S PART, YOU KNOW,
1298
01:09:12,715 --> 01:09:14,615
IS PERFECTLY WONDERFUL.
1299
01:09:14,651 --> 01:09:16,116
SO I'VE OBSERVED.
1300
01:09:16,152 --> 01:09:18,653
IF YOU KNEW MR. PECKSNIFF
AS I DO, JOHN,
1301
01:09:18,688 --> 01:09:21,221
YOU'D RESPECT
AND ADMIRE HIM AS I DO.
1302
01:09:21,257 --> 01:09:23,090
YOU COULDN'T HELP YOURSELF.
1303
01:09:24,561 --> 01:09:26,960
YOU WOUNDED HIS FEELINGS
SORELY WHEN YOU QUARRELED
WITH HIM.
1304
01:09:26,996 --> 01:09:28,963
IF I'D KNOWN WHERE
HIS FEELINGS LAY, TOM,
1305
01:09:28,998 --> 01:09:31,966
I'D HAVE TRIED MY BEST
WITH THAT END IN VIEW.
YOU MAY DEPEND UPON IT.
1306
01:09:32,001 --> 01:09:34,301
BUT SINCE I COULD NOT
WOUND HIM IN WHAT
HE DOES NOT HAVE
1307
01:09:34,336 --> 01:09:35,936
AND KNOWS NOTHING OF,
1308
01:09:35,971 --> 01:09:39,273
I'M AFRAID I CAN LAY
NO CLAIM TO YOUR COMPLIMENT.
1309
01:09:39,309 --> 01:09:41,274
WHAT'S THE MATTER?
1310
01:09:41,310 --> 01:09:42,943
I CAN'T BEAR IT.
1311
01:09:42,978 --> 01:09:45,679
NO, REALLY, I CANNOT.
YOU MUST EXCUSE ME, JOHN.
1312
01:09:45,714 --> 01:09:47,681
I HAVE A GREAT ESTEEM
AND FRIENDSHIP FOR YOU,
1313
01:09:47,717 --> 01:09:50,050
I LOVE YOU VERY MUCH,
BUT I CANNOT LISTEN TO THIS.
1314
01:09:50,086 --> 01:09:52,153
YOU ARE QUITE RIGHT,
AND I AM QUITE WRONG.
1315
01:09:52,188 --> 01:09:54,688
I DON'T KNOW
HOW WE STUMBLED UPON
THIS UNLUCKY THEME.
1316
01:09:54,723 --> 01:09:56,657
I BEG YOUR PARDON, TOM.
1317
01:09:56,692 --> 01:09:58,425
YOU'VE NO NEED
TO ASK MY PARDON.
1318
01:09:58,461 --> 01:09:59,926
YOU'VE DONE ME NOTHING
BUT KINDNESS.
1319
01:09:59,962 --> 01:10:02,930
WELL, THEN
PECKSNIFF'S PARDON,
ANYBODY'S PARDON,
1320
01:10:02,965 --> 01:10:04,231
JUST SO LONG AS
YOU WILL SIT DOWN.
HERE.
1321
01:10:07,269 --> 01:10:10,437
WE WILL DRINK
HIS HEALTH.
WILL THAT DO?
1322
01:10:10,473 --> 01:10:12,072
THANK YOU.
1323
01:10:13,142 --> 01:10:15,576
I'LL DRINK TO THAT
WITH ALL MY HEART.
1324
01:10:17,981 --> 01:10:19,880
PECKSNIFF.
1325
01:10:19,916 --> 01:10:20,948
GOD BLESS HIM.
1326
01:10:20,983 --> 01:10:23,150
WHEREVER HE IS NOW.
1327
01:10:24,353 --> 01:10:28,155
All: MR. PECKSNIFF
AND THE MISS PECKSNIFFS.
1328
01:10:35,497 --> 01:10:37,965
I AM MOVED.
1329
01:10:38,000 --> 01:10:40,468
I AM GREATLY MOVED...
1330
01:10:40,503 --> 01:10:42,036
AS A MAN...
1331
01:10:43,839 --> 01:10:45,539
AS A WIDOWER...
1332
01:10:48,344 --> 01:10:49,710
AS A PARENT.
1333
01:10:53,349 --> 01:10:55,650
TO PARENTS AND GUARDIANS,
1334
01:10:55,685 --> 01:10:58,652
THE ELIGIBLE OPPORTUNITY
NOW OFFERS
1335
01:10:58,688 --> 01:11:02,757
FOR UNITING THE BEST PRACTICAL
ARCHITECTURAL EDUCATION
1336
01:11:02,792 --> 01:11:04,091
WITH THE COMF--
1337
01:11:04,126 --> 01:11:05,993
NO! NO, NO.
1338
01:11:06,028 --> 01:11:06,994
[MEN LAUGH]
1339
01:11:07,029 --> 01:11:08,529
NO, WAIT!
1340
01:11:08,564 --> 01:11:09,530
[LAUGHTER CONTINUES]
1341
01:11:09,565 --> 01:11:11,866
Pecksniff: NO. UH...
1342
01:11:11,901 --> 01:11:14,067
I AM MOVED.
1343
01:11:15,471 --> 01:11:19,906
BUT DO NOT REPINE FOR ME.
1344
01:11:21,244 --> 01:11:22,710
DO NOT...
1345
01:11:23,846 --> 01:11:25,912
WEEP FOR ME, MY FRIENDS.
1346
01:11:30,319 --> 01:11:32,453
IT IS...
1347
01:11:32,488 --> 01:11:33,921
CHRONIC.
1348
01:11:37,827 --> 01:11:38,859
AAH!
1349
01:11:38,894 --> 01:11:40,560
OH!
1350
01:11:40,596 --> 01:11:42,063
STAND BACK THERE.
1351
01:11:42,098 --> 01:11:44,264
GIVE THE MAN
ROOM TO BREATHE.
1352
01:11:44,300 --> 01:11:46,667
HERE. LET ME
LOOSEN HIS COLLAR.
1353
01:11:46,702 --> 01:11:48,202
Mercy: OH, PA.
1354
01:11:48,237 --> 01:11:50,571
SPEAK TO US. PA!
1355
01:11:50,606 --> 01:11:52,506
HOW ARE YOU, SIR?
1356
01:11:52,542 --> 01:11:53,874
MOVED.
1357
01:11:56,212 --> 01:11:59,646
MUCH MOVED.
1358
01:12:02,151 --> 01:12:04,317
IT IS CHRONIC.
1359
01:12:06,422 --> 01:12:09,356
[SNORES]
1360
01:12:09,392 --> 01:12:11,192
Charity: PA!
[GRUNTS]
1361
01:12:11,227 --> 01:12:13,260
PA, WAKE UP.
1362
01:12:13,296 --> 01:12:14,962
Mercy: DO YOU
HEAR US, PA?
1363
01:12:14,997 --> 01:12:18,566
GO AWAY.
I AM INDISPOSED.
1364
01:12:18,601 --> 01:12:21,035
PA, THERE'S A LETTER
COME FOR YOU.
1365
01:12:22,971 --> 01:12:24,638
SPECIAL DELIVERY!
1366
01:12:28,077 --> 01:12:31,011
[GROANING]
1367
01:12:36,752 --> 01:12:38,519
GIVE ME THE LETTER.
1368
01:12:48,731 --> 01:12:51,231
[READS TO HIMSELF]
1369
01:12:51,266 --> 01:12:52,566
THIS MORNING!
1370
01:12:52,602 --> 01:12:53,967
WHAT IS IT, PA?
1371
01:12:54,003 --> 01:12:56,469
FETCH ME A PINT OF COFFEE,
1372
01:12:56,505 --> 01:12:58,204
HOT AND STRONG.
1373
01:12:59,442 --> 01:13:01,041
GO!
1374
01:13:10,686 --> 01:13:13,920
Pecksniff: THE LETTER
WHICH SUMMONED ME TO LONDON
1375
01:13:13,956 --> 01:13:15,923
WAS IN FACT FROM HIM,
1376
01:13:15,958 --> 01:13:18,392
INTIMATING I COMMUNICATE
MY ADDRESS
1377
01:13:18,428 --> 01:13:20,294
VIA THE GENERAL POST OFFICE.
1378
01:13:20,329 --> 01:13:22,796
HOW HE HAS COME
TO CHANGE SO MUCH
1379
01:13:22,831 --> 01:13:25,800
IN HIS ATTITUDE TO US,
WE NEED NOT INQUIRE.
1380
01:13:25,835 --> 01:13:28,168
WE SHALL NOT BE PROUD...
1381
01:13:28,203 --> 01:13:29,769
OR RESENTFUL...
1382
01:13:31,474 --> 01:13:33,140
OR UNFORGIVING.
1383
01:13:35,477 --> 01:13:37,177
AND IF WE CAN BE
THE MEANS
1384
01:13:37,212 --> 01:13:39,946
OF RECONCILING HIM
TO HIS GRANDSON,
1385
01:13:39,982 --> 01:13:42,416
THAT WILL BE
ITS OWN REWARD...
1386
01:13:43,886 --> 01:13:44,718
EH, MY DEARS?
1387
01:13:56,498 --> 01:13:58,732
OLD GENTLEMAN TO SEE YOU,
MR. PECKSNIFF.
1388
01:14:05,507 --> 01:14:07,507
GOOD MORNING, PECKSNIFF.
1389
01:14:09,511 --> 01:14:11,144
MR. CHUZZLEWIT!
1390
01:14:12,248 --> 01:14:14,114
PARDON ME, MY DEAR SIR,
1391
01:14:14,150 --> 01:14:16,883
I WAS QUITE LOST
IN DR. WATTS' MORAL SONGS,
1392
01:14:16,919 --> 01:14:20,120
ONE OF MY FAVORITE WORKS.
1393
01:14:20,155 --> 01:14:23,090
PRAY, SIT DOWN.
1394
01:14:25,094 --> 01:14:26,693
THANK YOU.
1395
01:14:32,468 --> 01:14:34,167
THAT WILL BE ALL,
BAILEY.
1396
01:14:41,977 --> 01:14:44,377
ARE YOU UNWELL,
PECKSNIFF?
1397
01:14:44,413 --> 01:14:46,413
NO. NO, IT IS NOTHING.
1398
01:14:46,448 --> 01:14:49,016
JUST A TOUCH
OF NEURALGIA
1399
01:14:49,051 --> 01:14:51,918
TO WHICH I AM
CONSTITUTIONALLY PRONE
IN DAMP WEATHER.
1400
01:14:51,953 --> 01:14:54,254
BUT YOU, MR. CHUZZLEWIT,
1401
01:14:54,290 --> 01:14:57,590
I REJOICE TO SEE THAT
YOU ARE QUITE RECOVERED.
1402
01:14:57,626 --> 01:14:59,759
I AM VERY WELL, THANK YOU.
1403
01:14:59,795 --> 01:15:05,398
I FANCY MY MALADY WAS MORE
OF THE MIND THAN THE BODY.
1404
01:15:05,434 --> 01:15:07,133
AND YOUR DAUGHTERS?
1405
01:15:07,169 --> 01:15:10,137
THEY ARE VERY WELL,
I'M GLAD TO SAY.
1406
01:15:10,172 --> 01:15:12,639
I SHOULD LIKE TO MEET THEM.
1407
01:15:12,674 --> 01:15:14,675
ARE THEY NEAR AT HAND?
1408
01:15:15,811 --> 01:15:16,977
Pecksniff: INDEED.
1409
01:15:24,620 --> 01:15:27,520
MY OWN DARLINGS,
WHERE ARE YOU?
1410
01:15:27,556 --> 01:15:30,357
HERE, MY DEAR PAPA.
1411
01:15:30,393 --> 01:15:33,093
COME INTO THE DRAWING ROOM
IF YOU PLEASE, MY DEAR.
1412
01:15:33,128 --> 01:15:35,596
AND BRING YOUR SISTER
WITH YOU.
1413
01:15:38,366 --> 01:15:42,168
IT WAS GOOD OF YOU TO COME
TO LONDON AT MY REQUEST,
1414
01:15:42,204 --> 01:15:45,738
AND, I NEED HARDLY ADD,
AT MY COST.
1415
01:15:45,774 --> 01:15:48,509
AT YOUR COST, SIR.
1416
01:15:48,544 --> 01:15:52,813
IT IS NOT MY HABIT
TO PUT MY RELATIVES
TO ANY PERSONAL EXPENSE
1417
01:15:52,848 --> 01:15:55,883
TO GRATIFY MY CAPRICES.
1418
01:15:55,918 --> 01:15:58,118
OH, I HARDLY THINK
YOU WOULD INDULGE
1419
01:15:58,154 --> 01:16:00,187
IN CAPRICES,
MR. CHUZZLEWIT.
1420
01:16:00,222 --> 01:16:01,655
NO, YOU ARE RIGHT.
1421
01:16:01,690 --> 01:16:04,157
I AM NOT
A CAPRICIOUS MAN.
1422
01:16:04,192 --> 01:16:06,559
I NEVER WAS.
1423
01:16:06,595 --> 01:16:09,062
AH, HERE ARE
YOUR DAUGHTERS.
1424
01:16:09,098 --> 01:16:13,033
MR. CHUZZLEWIT
HAS DONE US THE HONOR
OF A VISIT, MY DEARS.
1425
01:16:14,603 --> 01:16:18,071
CHARITY AND MERCY,
MY DEAR SIR.
1426
01:16:18,107 --> 01:16:19,673
MR. CHUZZLEWIT.
1427
01:16:19,708 --> 01:16:23,476
PERHAPS YOU HAD BETTER
WRITE YOUR NAMES DOWN
FOR MR. CHUZZLEWIT.
1428
01:16:23,512 --> 01:16:26,913
YOUR HUMBLE AUTOGRAPHS ARE
OF NO VALUE IN THEMSELVES,
1429
01:16:26,948 --> 01:16:30,250
BUT FAMILY AFFECTION
MAY PRIZE THEM.
1430
01:16:30,285 --> 01:16:32,819
YOU NEED NOT TROUBLE
YOURSELVES, GIRLS.
1431
01:16:32,855 --> 01:16:36,590
I SHALL NOT FORGET
CHARITY AND MERCY.
1432
01:16:38,293 --> 01:16:42,362
I FEAR I WAS SOMEWHAT
LACKING IN BOTH VIRTUES
WHEN WE LAST MET.
1433
01:16:42,398 --> 01:16:45,365
OH, MY NOBLE SIR,
SAY NOTHING MORE OF IT.
1434
01:16:45,400 --> 01:16:48,369
YOU WERE UNWELL.
YOU WERE NOT YOURSELF.
1435
01:16:48,404 --> 01:16:51,371
DID I NOT SAY, MY DEARS,
AT THE TIME,
1436
01:16:51,407 --> 01:16:53,373
"HE KNOWS NOT WHAT HE DOES"?
1437
01:16:53,408 --> 01:16:54,774
OH, YES, PAPA.
OH, YES, PAPA.
1438
01:16:54,810 --> 01:16:58,611
THAT WAS GENEROUS
OF YOU, COUSIN.
1439
01:16:58,647 --> 01:17:03,250
AND IT WAS GENEROUS OF YOU
TO DRAW OFF THAT HERD
OF HARPIES FROM ME
1440
01:17:03,285 --> 01:17:05,618
AND BE THEIR VICTIM
YOURSELF.
1441
01:17:05,654 --> 01:17:07,054
HARPIES, SIR?
1442
01:17:07,089 --> 01:17:10,057
MY RELATIVES.
YOU FELT FOR ME
1443
01:17:10,092 --> 01:17:12,726
AND DREW THEM OFF
WHILE I MADE MY ESCAPE,
1444
01:17:12,762 --> 01:17:15,662
FOR WHICH I OWE YOU
MANY THANKS.
1445
01:17:15,698 --> 01:17:17,063
OH, BUT--
NO. SH--
1446
01:17:17,099 --> 01:17:19,199
IT WAS NOTHING, SIR.
1447
01:17:21,937 --> 01:17:24,337
DO YOU EVER SIT DOWN,
PECKSNIFF?
1448
01:17:25,941 --> 01:17:29,376
WHY...YES...SIR,
1449
01:17:29,411 --> 01:17:30,377
OCCASIONALLY.
1450
01:17:30,412 --> 01:17:33,380
WILL YOU SIT DOWN NOW...
1451
01:17:33,416 --> 01:17:35,381
AND YOUR GIRLS, TOO?
1452
01:17:38,420 --> 01:17:39,486
SIT.
1453
01:17:45,961 --> 01:17:48,928
CAN YOU ASK US,
DEAR MR. CHUZZLEWIT,
1454
01:17:48,964 --> 01:17:53,634
WHETHER WE WILL
DO ANYTHING
THAT YOU DESIRE?
1455
01:17:53,669 --> 01:17:56,937
ON THAT EARLIER OCCASION,
1456
01:17:56,972 --> 01:18:01,407
YOU SPOKE TO ME ON BEHALF
OF A YOUNG RELATIVE OF MINE.
1457
01:18:02,478 --> 01:18:04,945
QUITE DISINTERESTEDLY,
I ASSURE YOU.
1458
01:18:04,980 --> 01:18:07,414
I DO NOT DOUBT IT.
1459
01:18:08,850 --> 01:18:12,785
THE YOUNG MAN HAS SINCE
JOINED YOUR HOUSEHOLD,
I BELIEVE.
1460
01:18:12,821 --> 01:18:15,689
THAT IS TRUE. YES.
1461
01:18:15,724 --> 01:18:18,925
I FEAR
HE HAS DECEIVED YOU...
1462
01:18:20,061 --> 01:18:22,462
AS HE DECEIVED ME.
1463
01:18:22,498 --> 01:18:24,063
IN WHAT WAY?
1464
01:18:25,334 --> 01:18:27,201
CLEARLY YOU ARE UNAWARE
1465
01:18:27,236 --> 01:18:30,637
THAT HE HAS ALREADY MADE
HIS MATRIMONIAL CHOICE.
1466
01:18:30,673 --> 01:18:33,807
OHH, NOT WITHOUT HIS
GRANDFATHER'S CONSENT
AND APPROBATION?
1467
01:18:33,842 --> 01:18:35,475
YOU CANNOT MEAN THAT.
1468
01:18:35,511 --> 01:18:39,579
IN THE TEETH
OF MY EXPRESS DISAPPROVAL.
1469
01:18:39,615 --> 01:18:42,415
SHE IS SOMEONE
QUITE UNSUITABLE.
1470
01:18:42,852 --> 01:18:44,417
OHH.
1471
01:18:44,452 --> 01:18:47,787
HAVE I NOURISHED SUCH
A VIPER IN MY BOSOM?
1472
01:18:47,822 --> 01:18:50,891
HAVE I UNWITTINGLY
EXPOSED MY INNOCENT
DAUGHTERS
1473
01:18:50,926 --> 01:18:54,161
TO HIS...CONTAMINATION?
1474
01:18:54,196 --> 01:18:56,296
I'M AFRAID YOU HAVE.
1475
01:18:56,332 --> 01:18:58,198
YOU MUST EXPEL HIM.
1476
01:18:58,233 --> 01:19:00,833
CONSIDER IT DONE!
1477
01:19:00,869 --> 01:19:03,370
[PIECES DROP]
1478
01:19:03,405 --> 01:19:06,572
THERE IS ANOTHER FAVOR
I HAVE TO ASK YOU.
1479
01:19:06,608 --> 01:19:11,411
ASK, MY DEAR SIR,
ASK AWAY.
1480
01:19:11,447 --> 01:19:13,413
DO YOU REMEMBER
MARY GRAHAM?
1481
01:19:14,483 --> 01:19:15,815
OH, INDEED.
1482
01:19:15,851 --> 01:19:18,618
THE YOUNG LADY
I MENTIONED TO YOU,
MY DEARS,
1483
01:19:18,654 --> 01:19:21,955
AS HAVING INTERESTED ME
SO VERY MUCH.
1484
01:19:21,990 --> 01:19:24,925
SILLY GIRLS,
THEY WERE QUITE MOVED
BY HER HISTORY.
1485
01:19:24,960 --> 01:19:26,959
I'M CONCERNED ABOUT HER.
1486
01:19:26,995 --> 01:19:29,396
IT'S A HARD LIFE
FOR A YOUNG WOMAN
1487
01:19:29,431 --> 01:19:32,165
LOOKING AFTER
A CRUSTY OLD MAN LIKE ME,
1488
01:19:32,201 --> 01:19:34,333
WITH NO FEMALE SOCIETY,
1489
01:19:34,369 --> 01:19:36,703
NO PERMANENT HOME.
1490
01:19:38,006 --> 01:19:40,974
OH, MY DEAR SIR,
SAY NO MORE.
1491
01:19:41,010 --> 01:19:44,611
CONSIDER MY HUMBLE ABODE
YOUR OWN.
1492
01:19:44,646 --> 01:19:46,647
VISIT US
WHENEVER YOU PLEASE.
1493
01:19:46,682 --> 01:19:48,780
ARE YOU SINCERE?
1494
01:19:48,816 --> 01:19:50,115
OH...
1495
01:19:51,484 --> 01:19:54,152
YOU WOULD RECEIVE HER
COURTEOUSLY, YOUNG LADIES,
1496
01:19:54,187 --> 01:19:56,154
AND BE KIND TO HER?
1497
01:19:56,190 --> 01:19:58,923
OF COURSE WE SHOULD,
MR. CHUZZLEWIT.
1498
01:19:58,958 --> 01:20:01,659
I AM DYING
TO MEET HER.
1499
01:20:01,695 --> 01:20:04,495
THEN I ACCEPT
YOUR GENEROUS OFFER.
1500
01:20:06,299 --> 01:20:08,767
I AM...
1501
01:20:08,802 --> 01:20:10,468
OVERJOYED.
1502
01:20:12,606 --> 01:20:18,076
WILL YOU HAVE A GLASS
OF THIS PORT WINE,
MR. CHUZZLEWIT,
1503
01:20:18,111 --> 01:20:20,579
AND A MORSEL
OF THIS HOMELY CAKE?
1504
01:20:20,614 --> 01:20:21,612
THANK YOU.
1505
01:20:27,788 --> 01:20:32,657
IT MAY BE SOME LITTLE WHILE
BEFORE MARY AND I
CAN VISIT YOU.
1506
01:20:32,692 --> 01:20:36,561
I FEAR YOU WILL BE
SUBJECTED TO MUCH CALUMNY
1507
01:20:36,596 --> 01:20:38,329
FROM THE REST OF THE FAMILY
1508
01:20:38,365 --> 01:20:42,433
WHEN OUR NEW RELATIONSHIP
BECOMES KNOWN.
1509
01:20:42,469 --> 01:20:44,369
WE SHALL NOT CARE, SIR.
1510
01:20:44,404 --> 01:20:48,373
THEY WILL SAY THAT,
TO PUNISH MY GRANDSON
FOR HIS INGRATITUDE,
1511
01:20:48,408 --> 01:20:50,675
AND THEMSELVES
FOR THEIR GREED,
1512
01:20:50,711 --> 01:20:54,680
THAT I CHOSE FROM AMONG THEM
THE VERY WORST
1513
01:20:54,715 --> 01:20:58,249
AND PAMPERED
AND ENRICHED HIM
1514
01:20:58,284 --> 01:21:00,651
AT THE COST
OF ALL THE REST.
1515
01:21:01,955 --> 01:21:03,588
CAN YOU BEAR THAT?
1516
01:21:07,695 --> 01:21:11,963
OH, MY--MY DEAR
MR. CHUZZLEWIT,
1517
01:21:11,998 --> 01:21:16,934
FOR A MAN SUCH AS YOU
HAVE SHOWN YOURSELF
TO BE THIS DAY,
1518
01:21:16,970 --> 01:21:19,905
FOR A MAN SO...
1519
01:21:21,842 --> 01:21:23,942
UH...
1520
01:21:23,977 --> 01:21:26,444
I--I AM AT A LOSS...
1521
01:21:26,479 --> 01:21:29,080
TO KNOW WHAT
PRECISE TERM TO USE.
1522
01:21:29,116 --> 01:21:32,984
FOR SUCH A MAN,
I AND MY DAUGHTERS,
1523
01:21:33,020 --> 01:21:36,020
WOULD BEAR
ANYTHING WHATEVER.
1524
01:21:37,590 --> 01:21:39,557
I THANK YOU...
1525
01:21:39,592 --> 01:21:42,427
FROM THE BOTTOM
OF MY HEART.
1526
01:21:45,933 --> 01:21:48,300
I LITTLE THOUGHT
A MONTH AGO
1527
01:21:48,335 --> 01:21:51,937
THAT I SHOULD BE
BREAKING BREAD
AND POURING WINE...
1528
01:21:53,273 --> 01:21:54,739
[CHUCKLES]
1529
01:21:54,774 --> 01:21:56,607
WITH YOU.
1530
01:21:56,643 --> 01:21:57,809
HA HA HA.
1531
01:21:57,845 --> 01:22:00,111
[LAUGHS]
1532
01:22:00,146 --> 01:22:01,546
[LAUGHING]
1533
01:22:06,720 --> 01:22:07,451
BYE-BYE!
1534
01:22:07,487 --> 01:22:08,553
SEE YOU SOON!
1535
01:22:08,589 --> 01:22:10,255
BYE!
BYE!
1536
01:22:12,059 --> 01:22:14,659
GOOD-BYE,
MR. CHUZZLEWIT!
1537
01:22:14,694 --> 01:22:16,527
GOOD-BYE!
1538
01:22:19,466 --> 01:22:22,300
CAPTIONED BY THE NATIONAL
CAPTIONING INSTITUTE
--www.ncicap.org--
1539
01:23:23,462 --> 01:23:24,428
[MUSIC PLAYING]
1540
01:24:06,772 --> 01:24:09,172
[KNOCK ON DOOR]
COME IN!
1541
01:24:10,375 --> 01:24:14,044
GENTLEMAN DOWNSTAIRS FOR
MISS CHARITY PECKSNIFF.
1542
01:24:14,079 --> 01:24:16,246
FOR ME?
1543
01:24:16,282 --> 01:24:17,714
OH, MY GRACIOUS.
1544
01:24:17,749 --> 01:24:19,650
AH, WOULDN'T I BE
GRACIOUS, NEITHER.
1545
01:24:20,819 --> 01:24:22,585
NOT IF I WAS HIM.
HA!
1546
01:24:22,621 --> 01:24:25,188
OH, DON'T BE ABSURD,
BAILEY.
1547
01:24:25,224 --> 01:24:29,259
I--I DON'T KNOW ANY
GENTLEMEN IN LONDON.
1548
01:24:29,295 --> 01:24:30,961
THERE MUST BE
SOME MISTAKE.
1549
01:24:30,996 --> 01:24:32,128
DON'T YOU THINK SO,
MERRY?
1550
01:24:32,164 --> 01:24:33,663
OBVIOUSLY.
1551
01:24:34,867 --> 01:24:37,700
YOU NEED NOT BE
QUITE SO POSITIVE, MERRY.
1552
01:24:37,736 --> 01:24:40,437
YOU NEED NOT PRESUME
YOU ARE THE ONLY PERSON
IN THE WORLD
1553
01:24:40,473 --> 01:24:43,373
TO ATTRACT THE ATTENTION
OF GENTLEMEN.
1554
01:24:43,408 --> 01:24:45,876
I WILL SEE
THE VISITOR.
1555
01:24:45,911 --> 01:24:48,145
SHOW HIM INTO
THE DRAWING ROOM.
1556
01:24:51,016 --> 01:24:52,415
AHEM!
1557
01:24:56,488 --> 01:24:58,588
AH. COUSIN.
1558
01:24:59,691 --> 01:25:01,725
HERE I AM, YOU SEE.
1559
01:25:01,760 --> 01:25:03,860
HOW DO YOU
FIND YOURSELF?
1560
01:25:03,896 --> 01:25:05,962
QUITE WELL,
THANK YOU.
1561
01:25:05,998 --> 01:25:07,798
AND HOW'S
THE OTHER ONE?
1562
01:25:07,833 --> 01:25:09,766
WELL, I BELIEVE.
1563
01:25:09,801 --> 01:25:12,502
HMM. DID YOU THINK
I WAS LOST
1564
01:25:12,537 --> 01:25:13,871
SINCE WE LAST MET?
1565
01:25:13,906 --> 01:25:16,506
I DIDN'T THINK
ABOUT YOU AT ALL.
1566
01:25:16,541 --> 01:25:17,840
AH, HEH HEH HEH.
1567
01:25:17,876 --> 01:25:19,843
AND WHAT ABOUT
THE OTHER ONE?
1568
01:25:19,879 --> 01:25:22,646
I'M SURE I DON'T KNOW.
WOULD YOU LIKE TO
ASK HER YOURSELF?
1569
01:25:22,681 --> 01:25:25,082
NO. THERE'S
NO CAUSE FOR THAT.
1570
01:25:25,117 --> 01:25:26,783
SIT DOWN.
1571
01:25:28,654 --> 01:25:30,721
SHE'D ONLY LAUGH
AT ME, ANYWAY.
1572
01:25:30,756 --> 01:25:33,456
SHE'S A TERROR
FOR LAUGHING, ISN'T SHE?
1573
01:25:33,492 --> 01:25:36,026
MERCY IS
RATHER LIVELY.
HA HA HA.
1574
01:25:36,061 --> 01:25:38,561
WELL, LIVELINESS CAN BE
A PLEASANT THING...
1575
01:25:38,597 --> 01:25:41,698
WHEN IT DON'T NEED
SPENDING MONEY.
1576
01:25:41,734 --> 01:25:44,100
THAT'S YOUR KIND
OF LIVELINESS, I THINK.
1577
01:25:44,135 --> 01:25:45,268
HA HA HA.
1578
01:25:45,304 --> 01:25:47,271
I SHOULD HAVE
CALLED ON YOU BEFORE,
1579
01:25:47,306 --> 01:25:49,439
BUT, UM...
I DIDN'T KNOW WHERE
YOU WERE STAYING
1580
01:25:49,474 --> 01:25:51,641
TILL I HAPPENED TO MEET
YOUR PA IN THE STREET
THIS MORNING.
1581
01:25:51,676 --> 01:25:54,377
WHAT A SLEEK,
SLY CHAP HE IS.
1582
01:25:54,413 --> 01:25:56,046
BIT LIKE A TOMCAT,
AIN'T HE?
1583
01:25:56,081 --> 01:25:58,215
REALLY, MR. JONAS,
I CANNOT ALLOW YOU
1584
01:25:58,250 --> 01:26:00,384
TO SPEAK
OF MY FATHER SO...
1585
01:26:00,419 --> 01:26:02,285
DISRESPECTFULLY,
EVEN IN JEST.
1586
01:26:02,321 --> 01:26:05,889
ECOD! YOU CAN SAY WHAT
YOU LIKE OF MY FATHER.
1587
01:26:05,925 --> 01:26:07,891
I THINK IT'S
LIQUID AGGRAVATION
1588
01:26:07,926 --> 01:26:10,627
THAT RUNS
THROUGH HIS VEINS,
NOT REGULAR BLOOD.
1589
01:26:10,662 --> 01:26:12,929
HOW OLD SHOULD YOU
THINK HE WAS?
1590
01:26:14,833 --> 01:26:17,033
WELL...I REALLY
COULDN'T SAY. UH--
1591
01:26:17,069 --> 01:26:18,802
80!
INDEED?
1592
01:26:18,837 --> 01:26:20,203
HMM.
1593
01:26:20,239 --> 01:26:21,938
OH, A FINE OLD AGE.
1594
01:26:21,974 --> 01:26:24,575
FINE OLD AGE?
WHERE'S HIS RELIGION,
I'D LIKE TO KNOW,
1595
01:26:24,610 --> 01:26:26,543
WHEN HE FLIES IN
THE FACE OF THE BIBLE
LIKE THAT?
1596
01:26:26,578 --> 01:26:28,511
3 SCORE AND 10--
THAT'S THE MARK.
1597
01:26:28,546 --> 01:26:31,047
AND NO MAN
WITH A CONSCIENCE AND
A PROPER SENSE OF DUTY
1598
01:26:31,083 --> 01:26:33,250
HAS ANY RIGHT
TO LIVE ANY LONGER.
1599
01:26:33,285 --> 01:26:34,751
[LAUGHING]
OH. TUT, TUT.
1600
01:26:34,786 --> 01:26:36,953
[SNORTS]
OH.
1601
01:26:36,988 --> 01:26:39,489
YES, WELL...
1602
01:26:39,525 --> 01:26:41,491
ENOUGH OF HIM.
1603
01:26:41,526 --> 01:26:43,960
I CALLED ROUND TO SEE
IF YOU WOULD LIKE TO...
1604
01:26:43,995 --> 01:26:45,829
TAKE A WALK...
1605
01:26:45,864 --> 01:26:48,031
SEE SOME
OF THE SIGHTS...
1606
01:26:48,066 --> 01:26:51,367
COME BACK
TO OUR HOUSE
AFTERWARDS AND...
1607
01:26:51,403 --> 01:26:53,603
HAVE A BIT
OF SOMETHING.
1608
01:26:54,440 --> 01:26:55,906
PECKSNIFF WILL...
1609
01:26:55,941 --> 01:26:59,075
COME ROUND LATER
AND BRING YOU HOME.
1610
01:26:59,110 --> 01:27:01,311
HERE'S HIS NOTE.
1611
01:27:01,346 --> 01:27:03,647
YOU'LL BRING
THE OTHER ONE,
YOU KNOW,
1612
01:27:03,682 --> 01:27:05,115
FOR APPEARANCES'
SAKE.
1613
01:27:06,885 --> 01:27:08,618
MM.
1614
01:27:08,653 --> 01:27:10,120
[VENDOR YELLS]
1615
01:27:13,291 --> 01:27:14,991
[VENDOR YELLS]
1616
01:27:17,062 --> 01:27:18,528
[GIGGLING]
1617
01:27:19,765 --> 01:27:22,199
I DECLARE, I CAN'T
WALK ANOTHER STEP.
1618
01:27:22,234 --> 01:27:24,368
YOU'RE ALWAYS
COMPLAINING, MERRY.
1619
01:27:24,403 --> 01:27:25,969
CAN'T WE
TAKE A CAB?
1620
01:27:26,004 --> 01:27:29,439
YOU DON'T WANT
TO WASTE MONEY ON CABS.
1621
01:27:29,474 --> 01:27:31,775
YOU SEE THE SIGHTS
BETTER ON FOOT.
1622
01:27:32,211 --> 01:27:33,776
WHAT SIGHTS?
1623
01:27:33,811 --> 01:27:36,079
ANYWAY,
WE'RE NEARLY THERE.
1624
01:27:36,114 --> 01:27:37,547
JUST ALONG HERE.
1625
01:27:53,131 --> 01:27:55,432
THIS IS
YOUR HOME?
1626
01:27:55,467 --> 01:27:58,434
YES. WE LIVE
ABOVE THE SHOP,
YOU MIGHT SAY.
1627
01:27:58,470 --> 01:27:59,769
SHALL WE GO IN?
1628
01:27:59,804 --> 01:28:01,738
[BELL TOLLING]
1629
01:28:03,108 --> 01:28:04,474
CHUZZLEWIT.
1630
01:28:04,509 --> 01:28:06,610
WHAT THE DEVIL
DO YOU WANT?
1631
01:28:06,645 --> 01:28:07,811
I NEED TO TALK TO YOU.
1632
01:28:07,846 --> 01:28:09,479
NOT NOW. CAN'T YOU SEE
I'VE GOT COMPANY?
1633
01:28:09,514 --> 01:28:11,414
WHEN, THEN?
1634
01:28:11,449 --> 01:28:13,516
TOMORROW
AT THE TAVERN.
1635
01:28:13,552 --> 01:28:14,751
USUAL TIME.
1636
01:28:14,786 --> 01:28:16,552
DON'T FORGET
TO BRING THE MONEY.
1637
01:28:16,588 --> 01:28:17,888
THAT'S WHAT
I WANTED TO--
1638
01:28:24,062 --> 01:28:25,295
[DOOR OPENS]
1639
01:28:33,638 --> 01:28:35,404
HERE, YOU, UM...
1640
01:28:35,440 --> 01:28:38,041
SIT ON MY RIGHT SIDE,
COUSIN.
1641
01:28:38,076 --> 01:28:40,509
AND I'LL HAVE THE OTHER ONE
ON MY LEFT.
1642
01:28:40,545 --> 01:28:42,279
WILL YOU COME HERE,
OTHER ONE?
1643
01:28:42,314 --> 01:28:43,380
Maid:
AHEM, AHEM.
1644
01:28:43,415 --> 01:28:45,181
I SUPPOSE I MUST,
1645
01:28:45,217 --> 01:28:47,217
THOUGH YOU'RE ENOUGH
TO TAKE AWAY
ONE'S APPETITE.
1646
01:28:47,252 --> 01:28:48,818
HA HA.
AIN'T SHE LIVELY?
1647
01:28:48,853 --> 01:28:50,854
I REALLY DON'T KNOW.
I'M SICK AND TIRED
1648
01:28:50,889 --> 01:28:53,556
OF BEING ASKED SUCH
RIDICULOUS QUESTIONS.
1649
01:28:53,591 --> 01:28:55,892
WHAT'S MY AGGRAVATING
FATHER DOING NOW?
1650
01:28:55,927 --> 01:28:58,328
I LOST ME GLASSES,
JONAS.
1651
01:28:58,363 --> 01:29:00,363
[SIGHS] WELL,
SIT DOWN WITHOUT THEM.
1652
01:29:00,399 --> 01:29:04,800
YOU DON'T NEED YOUR GLASSES
TO EAT AND DRINK.
1653
01:29:04,836 --> 01:29:08,338
AND WHERE'S
THAT OLD CHUFFEY?
1654
01:29:08,373 --> 01:29:10,773
CHUFFEY!
1655
01:29:21,420 --> 01:29:24,387
Jonas: OUR CLERK--
OLD CHUFFEY.
1656
01:29:25,824 --> 01:29:28,358
[WINE POURING]
1657
01:29:28,393 --> 01:29:29,659
IS HE BLIND?
1658
01:29:29,694 --> 01:29:31,227
NO.
1659
01:29:31,262 --> 01:29:33,363
I DON'T THINK
HE'S BLIND.
IS HE, FATHER?
1660
01:29:33,398 --> 01:29:37,433
CERTAINLY NOT.
1661
01:29:37,469 --> 01:29:40,070
IS HE DEAF?
1662
01:29:40,105 --> 01:29:42,038
NO, I DON'T KNOW
THAT HE'S DEAF.
1663
01:29:42,073 --> 01:29:43,939
WELL, WHAT IS HE, THEN?
1664
01:29:43,975 --> 01:29:47,277
WELL, HE'S PRECIOUS OLD,
I'LL TELL YOU THAT.
1665
01:29:47,312 --> 01:29:50,947
I THINK MY FATHER
MUST HAVE CAUGHT IT OFF HIM.
1666
01:29:50,983 --> 01:29:53,516
AND HE DON'T UNDERSTAND
HARDLY ANYONE
1667
01:29:53,551 --> 01:29:55,051
EXCEPT HIM.
1668
01:29:56,588 --> 01:29:58,321
[SIGHS]
1669
01:29:58,357 --> 01:30:00,656
HE'S BEEN A BOOKKEEPER
ALL HIS LIFE.
1670
01:30:00,692 --> 01:30:02,625
HA HA HA HA.
1671
01:30:02,660 --> 01:30:04,527
[SIGHING]
OH.
1672
01:30:04,562 --> 01:30:07,263
20 YEARS AGO,
1673
01:30:07,299 --> 01:30:09,466
HE WENT AND TOOK A FEVER.
1674
01:30:09,501 --> 01:30:11,767
AND ALL THE TIME
THAT HE WAS ILL,
1675
01:30:11,803 --> 01:30:14,003
HE NEVER LEFT OFF
ADDING UP.
1676
01:30:14,039 --> 01:30:16,439
AND HE GOT TO
SO MANY MILLIONS AT LAST
1677
01:30:16,474 --> 01:30:20,610
THAT I DON'T THINK
HE'S EVER BEEN QUITE
RIGHT IN THE HEAD SINCE.
1678
01:30:20,646 --> 01:30:23,112
HELP YOURSELVES
TO VEGETABLES.
1679
01:30:24,816 --> 01:30:26,816
AREN'T YOU GOING
TO SERVE HIM?
1680
01:30:26,851 --> 01:30:29,319
WELL, HE'LL EAT
WHEN HE'S HELPED.
1681
01:30:29,354 --> 01:30:32,922
HE DON'T MIND IF HE WAITS
A MINUTE OR AN HOUR. HA HA.
1682
01:30:32,957 --> 01:30:35,525
AND WHEN I'M SHARP SET,
LIKE I AM TODAY,
1683
01:30:35,560 --> 01:30:39,129
I COME TO HIM AFTER
I'VE TAKEN THE EDGE
OFF MY APPETITE.
1684
01:30:39,164 --> 01:30:40,263
HA HA.
1685
01:30:42,200 --> 01:30:45,168
ARE YOU READY
FOR YOUR DINNER, CHUFFEY?
1686
01:30:46,939 --> 01:30:48,538
ASK HIM,
WILL YOU, FATHER?
1687
01:30:49,975 --> 01:30:53,576
ARE YOU READY
FOR YOUR DINNER,
CHUFFEY?!
1688
01:30:53,612 --> 01:30:57,213
YES, YES. QUITE READY,
MR. CHUZZLEWIT.
1689
01:30:57,248 --> 01:30:58,648
QUITE READY, SIR.
1690
01:30:58,683 --> 01:31:01,351
ALL READY.
ALL READY. ALL READY.
1691
01:31:01,386 --> 01:31:03,819
HE'LL BE MOST DISAGREEABLE.
HA HA HA.
1692
01:31:03,855 --> 01:31:05,988
HE NORMALLY CHOKES
IF IT AIN'T BROTH.
1693
01:31:06,024 --> 01:31:07,957
HA HA HA! HA HA!
1694
01:31:07,992 --> 01:31:10,493
DID YOU EVER SEE
SUCH A WALLEYED EXPRESSION
1695
01:31:10,529 --> 01:31:11,728
AS HE'S GOT?
1696
01:31:11,763 --> 01:31:13,997
I WASN'T GONNA LET HIM
COME TODAY,
1697
01:31:14,032 --> 01:31:16,366
BUT I THOUGHT
HE MIGHT AMUSE YOU.
1698
01:31:16,401 --> 01:31:18,368
EH, HE'S BETTER
THAN THE WAXWORKS,
1699
01:31:18,403 --> 01:31:20,736
AND NO CHARGE
FOR ADMISSION. HA HA!
1700
01:31:20,772 --> 01:31:22,538
HA HA!
1701
01:31:22,574 --> 01:31:25,175
HA HA HA!
1702
01:31:25,210 --> 01:31:27,410
HA HA! UHH!
1703
01:31:27,446 --> 01:31:30,413
THEY RETURN TOMORROW MORNING
BY THE OVERNIGHT COACH.
1704
01:31:30,448 --> 01:31:31,714
INDEED?
1705
01:31:31,749 --> 01:31:34,016
MR. PECKSNIFF WISHES
TO BE MET AT THE CROSSROADS
1706
01:31:34,052 --> 01:31:36,219
WITH THE GIG AND A CART
FOR THE LUGGAGE...
1707
01:31:36,254 --> 01:31:37,620
AT 6:00.
1708
01:31:37,655 --> 01:31:39,889
YOU NEED NOT
COME WITH ME.
1709
01:31:39,925 --> 01:31:41,257
NO.
1710
01:31:41,292 --> 01:31:43,326
I'LL KEEP YOU COMPANY.
1711
01:31:43,361 --> 01:31:45,662
THAT'S VERY KIND.
1712
01:31:45,697 --> 01:31:48,131
YOU'RE AN HONEST
FELLOW, TOM.
1713
01:31:48,166 --> 01:31:50,100
YOU KNOW, WHEN I'M
A FAMOUS ARCHITECT,
1714
01:31:50,135 --> 01:31:51,601
I'M GOING TO TAKE YOU
INTO MY EMPLOY.
1715
01:31:52,037 --> 01:31:54,671
NO. REALLY?
YES.
1716
01:31:54,706 --> 01:31:56,839
YOU COULD BE USEFUL TO ME
IN 100 WAYS--
1717
01:31:56,875 --> 01:31:59,442
OVERSEEING THE CONSTRUCTION
OF MY BUILDINGS,
1718
01:31:59,477 --> 01:32:01,177
RECEIVING CLIENTS,
1719
01:32:01,212 --> 01:32:04,280
KEEPING THE BOOKS,
LIKE YOU DO FOR PECKSNIFF.
1720
01:32:04,316 --> 01:32:06,982
OF COURSE,
I'LL BE MARRIED BY THEN.
1721
01:32:07,018 --> 01:32:08,351
OF COURSE.
1722
01:32:08,386 --> 01:32:10,886
AND MARY WOULD LIKE YOU.
1723
01:32:10,922 --> 01:32:12,488
I'M SURE SHE WOULD.
1724
01:32:12,523 --> 01:32:16,326
SHE'D SMILE
WHEN FIRST SHE MET YOU,
BUT YOU WOULDN'T MIND THAT.
1725
01:32:16,762 --> 01:32:18,594
NO, I WOULDN'T
MIND THAT.
1726
01:32:18,630 --> 01:32:21,231
THE BRIGHTEST SMILE
YOU EVER KNEW.
1727
01:32:21,266 --> 01:32:22,999
AND ONCE SHE GOT
TO KNOW YOU PROPERLY,
1728
01:32:23,034 --> 01:32:24,934
SHE'D TAKE TO YOU
UNCOMMONLY,
1729
01:32:24,970 --> 01:32:28,705
NEVER TIRE OF TELLING ME
WHAT A HARMLESS, GENTLE,
1730
01:32:28,740 --> 01:32:30,974
WELL-INTENTIONED FELLOW
YOU ARE.
1731
01:32:33,144 --> 01:32:35,144
I MUST GET ON
WITH MY BOOKKEEPING.
1732
01:32:41,019 --> 01:32:43,253
SO YOU'RE GOING HOME,
WORSE LUCK?
1733
01:32:43,288 --> 01:32:45,288
YES, BAILEY,
WE'RE GOING HOME.
1734
01:32:45,323 --> 01:32:47,323
AIN'T YOU GONNA LEAVE
NONE OF THE GENTS
A LOCK OF YOUR HAIR?
1735
01:32:47,359 --> 01:32:48,524
HA HA HA HA!
1736
01:32:48,560 --> 01:32:50,059
CERTAINLY NOT.
1737
01:32:50,094 --> 01:32:51,327
IT'S REAL, AIN'T IT?
1738
01:32:51,363 --> 01:32:52,896
OF COURSE IT'S REAL.
1739
01:32:52,931 --> 01:32:55,165
HERS AIN'T. WHY,
I SEEN IT HANGING UP ONCE
1740
01:32:55,200 --> 01:32:56,499
ONE THE NAIL
BY THAT WINDOW.
1741
01:32:56,534 --> 01:32:58,034
HA HA HA HA!
1742
01:32:58,069 --> 01:32:59,101
HEH HEH HEH.
1743
01:32:59,136 --> 01:33:01,303
I SAY, YOUNG LADIES...
1744
01:33:01,339 --> 01:33:03,005
WHATEVER YOU MEAN
TO GIVE ME,
1745
01:33:03,040 --> 01:33:04,573
YOU'D BETTER GIVE ME
ALL AT ONCE.
1746
01:33:04,609 --> 01:33:06,876
IF YOU EVER COME BACK,
I WON'T BE HERE.
1747
01:33:06,911 --> 01:33:08,011
WHY NOT?
1748
01:33:08,046 --> 01:33:09,579
YOU'RE GOING
TO LEAVE
MRS. TODGERS?
1749
01:33:09,614 --> 01:33:12,615
I AIN'T GONNA STAND
BEING CALLED NAMES BY HER
NO LONGER,
1750
01:33:12,650 --> 01:33:15,652
NOR BEING KNOCKED ABOUT
WHEN THE GENTLEMEN'S
APPETITES ARE SHARP.
1751
01:33:15,687 --> 01:33:18,321
IT AIN'T MY FAULT
IF THEY CONSUME
THE PROVISIONS, IS IT?
1752
01:33:18,356 --> 01:33:19,855
BUT WHAT
WILL YOU DO?
1753
01:33:19,891 --> 01:33:21,091
I DON'T KNOW.
1754
01:33:21,126 --> 01:33:23,292
MAYBE I'LL JOIN THE ARMY
AS A DRUMMER BOY.
1755
01:33:23,327 --> 01:33:25,461
I FANCY MYSELF
IN A UNIFORM.
1756
01:33:25,496 --> 01:33:27,730
YOU'LL GET
YOURSELF SHOT.
1757
01:33:27,765 --> 01:33:30,733
I'D RATHER BE SHOT
WITH A CANNONBALL THAN
HIT WITH A ROLLING PIN.
1758
01:33:32,670 --> 01:33:34,737
WELL, BAILEY...
1759
01:33:34,772 --> 01:33:36,806
YOU'VE BEEN
AN ENTERTAINMENT
TO US,
1760
01:33:36,841 --> 01:33:38,674
I MUST ADMIT.
1761
01:33:39,944 --> 01:33:42,578
HERE YOU ARE.
UHH...
1762
01:33:42,614 --> 01:33:44,380
OH.
HEH HEH.
1763
01:33:44,416 --> 01:33:46,315
AND HERE.
1764
01:33:46,351 --> 01:33:48,918
OHH. COR!
1765
01:33:48,954 --> 01:33:51,253
THANKS, YOUNG LADIES.
1766
01:33:51,289 --> 01:33:52,688
OHH.
1767
01:33:54,059 --> 01:33:56,092
[LAUGHING]
1768
01:33:57,629 --> 01:33:59,662
Men boarders:
� GO WHERE THE GLORY �
1769
01:33:59,698 --> 01:34:00,963
WHAT'S THAT?
1770
01:34:00,999 --> 01:34:02,698
� WAITS THEE �
1771
01:34:02,734 --> 01:34:08,437
� BUT WHILE FAME
ELATES THEE �
1772
01:34:08,473 --> 01:34:14,377
� OH, STILL REMEMBER ME �
1773
01:34:14,412 --> 01:34:20,283
� WHEN THE PRAISE
THOU MEETEST �
1774
01:34:20,318 --> 01:34:26,189
� TO THINE EAR
IS SWEETEST �
1775
01:34:26,224 --> 01:34:31,261
� OH, THEN REMEMBER ME �
1776
01:34:31,296 --> 01:34:37,933
� OTHER ARMS
MAY PRESS THEE �
1777
01:34:37,969 --> 01:34:43,606
� DEARER FRIENDS
CARESS THEE �
1778
01:34:43,641 --> 01:34:49,512
� ALL THE JOYS
THAT BLESS THEE �
1779
01:34:49,547 --> 01:34:53,015
� SWEETER FAR MAY BE... �
1780
01:34:53,051 --> 01:34:55,718
JONAS IS A SHREWD LAD.
1781
01:34:55,754 --> 01:34:58,454
HE APPEARS TO BE
VERY SHREWD.
1782
01:34:58,489 --> 01:35:01,957
I TAUGHT HIM
THE FIRST RULE
OF BUSINESS--
1783
01:35:01,993 --> 01:35:05,861
"DO OTHER MEN,
OR THEY WOULD DO YOU."
1784
01:35:05,897 --> 01:35:08,932
HA HA HA HA!
1785
01:35:08,967 --> 01:35:11,400
AND HE'S CAREFUL, TOO.
1786
01:35:12,604 --> 01:35:14,537
WITH MONEY, I MEAN.
1787
01:35:14,573 --> 01:35:17,940
AN ADMIRABLE QUALITY,
I'M SURE.
1788
01:35:17,976 --> 01:35:21,644
LOOK YE, PECKSNIFF,
I THINK HE'S SWEET UPON
YOUR ELDEST DAUGHTER.
1789
01:35:21,680 --> 01:35:24,747
OH, TUT-TUT, SIR.
1790
01:35:24,782 --> 01:35:28,518
YOUNG PEOPLE,
YOUNG PEOPLE,
NO MORE THAN THAT.
1791
01:35:28,553 --> 01:35:30,720
BUT WHAT IF
IT SHOULD BE MORE?
1792
01:35:30,755 --> 01:35:32,555
OH, HO HO.
1793
01:35:32,590 --> 01:35:34,423
OH, I KNOW WHAT
YOU'RE GOING TO SAY--
1794
01:35:34,459 --> 01:35:37,259
THAT YOU NEVER THOUGHT
OF IT FOR A MOMENT,
1795
01:35:37,295 --> 01:35:40,196
AND IN MATTERS
AFFECTING THE HAPPINESS
OF YOUR DAUGHTER,
1796
01:35:40,232 --> 01:35:44,501
YOU COULDN'T
EXPRESS AN OPINION,
ET CETERA, ET CETERA.
1797
01:35:44,536 --> 01:35:46,702
HA HA HA HA HA.
1798
01:35:47,139 --> 01:35:50,472
BUT YOU'VE FEATHERED
YOUR NEST PRETTY WELL...
1799
01:35:52,043 --> 01:35:53,643
AND SO HAVE I.
1800
01:35:55,046 --> 01:35:59,481
OUR FAMILIES
ARE LIKE 2 HALVES
OF A PAIR OF SCISSORS.
1801
01:36:01,385 --> 01:36:04,053
TOGETHER WE MIGHT
DO SOMETHING.
1802
01:36:06,057 --> 01:36:10,693
I WILL PONDER
VERY CAREFULLY
WHAT YOU'VE SAID.
1803
01:36:10,728 --> 01:36:12,528
THANK YE, PECKSNIFF.
1804
01:36:22,507 --> 01:36:24,440
GOOD-BYE,
MRS. TODGERS.
1805
01:36:27,512 --> 01:36:30,012
AND THANK YOU AGAIN.
1806
01:36:30,048 --> 01:36:31,981
OH...
1807
01:36:32,016 --> 01:36:33,649
MR. PECKSNIFF.
1808
01:36:35,486 --> 01:36:41,557
Men boarders:
� BUT WHEN FRIENDS
ARE NEAREST �
1809
01:36:41,593 --> 01:36:47,430
� AND WHEN JOYS
ARE DEAREST �
1810
01:36:47,465 --> 01:36:55,271
� OH, THEN REMEMBER ME �
1811
01:37:22,066 --> 01:37:23,532
HERE IT COMES!
1812
01:37:23,568 --> 01:37:24,933
AT LAST.
1813
01:37:37,682 --> 01:37:39,615
Driver: WHOA! WHOA!
1814
01:37:42,019 --> 01:37:43,319
MR. PINCH.
1815
01:37:43,355 --> 01:37:46,856
DEAR ME, HAVE YOU COME
TO MEET US IN PERSON
1816
01:37:46,891 --> 01:37:48,992
ON THIS VERY
INCLEMENT MORNING?
1817
01:37:49,027 --> 01:37:51,293
YES, SIR.
AND MR. CHUZZLEWIT,
TOO, SIR.
1818
01:37:51,329 --> 01:37:52,995
GOOD MORNING,
SIR.
1819
01:37:53,030 --> 01:37:55,999
BE SO KIND
AS TO SEE TO THE TRUNKS,
MR. PINCH, IF YOU PLEASE.
1820
01:37:56,034 --> 01:37:56,966
YES, SIR.
1821
01:37:58,036 --> 01:37:59,469
GOOD MORNING,
LADIES.
1822
01:38:19,390 --> 01:38:21,056
Pecksniff: WALK ON.
1823
01:38:38,142 --> 01:38:39,375
[KNOCK ON DOOR]
1824
01:38:42,080 --> 01:38:44,213
AH, MR. PINCH, COME IN.
1825
01:38:46,351 --> 01:38:47,783
TAKE SOME TEA.
1826
01:38:47,819 --> 01:38:49,051
AHEM.
1827
01:38:49,086 --> 01:38:52,054
YOU MUST BE VERY DAMP
AND COLD.
1828
01:38:52,089 --> 01:38:53,556
THANK YOU, SIR.
1829
01:38:53,591 --> 01:38:55,525
PRAY, BE SEATED,
MR. PINCH.
1830
01:38:59,163 --> 01:39:03,599
SO, HOW HAVE THINGS
GONE ON IN OUR ABSENCE?
1831
01:39:05,002 --> 01:39:07,136
YOU WILL BE MUCH PLEASED
WITH MARTIN'S--
1832
01:39:07,171 --> 01:39:09,538
MR. CHUZZLEWIT'S DESIGNS
FOR THE GRAMMAR SCHOOL.
1833
01:39:09,573 --> 01:39:11,774
NEVER MIND THAT NOW.
WHAT HAVE YOU BEEN DOING,
MR. PINCH?
1834
01:39:11,809 --> 01:39:14,877
MR. PECKSNIFF,
IF YOU HAVE QUITE
RECOVERED YOURSELF,
1835
01:39:14,912 --> 01:39:17,647
I WOULD BE GLAD
TO HEAR WHAT YOU MEAN
BY THIS TREATMENT OF ME.
1836
01:39:17,682 --> 01:39:19,882
HMM? WHAT HAVE YOU
BEEN DOING, TOM?
1837
01:39:19,918 --> 01:39:22,551
Martin: DO ME THE FAVOR
OF ANSWERING MY QUESTION.
1838
01:39:22,586 --> 01:39:25,321
I WILL TALK TO YOU, SIR,
IN DUE COURSE.
1839
01:39:25,757 --> 01:39:28,724
NOW! IN DUE COURSE
WILL NOT DO! NOW!
1840
01:39:28,760 --> 01:39:31,894
DO YOU THREATEN ME?
1841
01:39:31,929 --> 01:39:35,431
I LAMENT TO SAY IT WOULD
BE ENTIRELY CONSISTENT
1842
01:39:35,466 --> 01:39:36,965
WITH YOUR CHARACTER.
1843
01:39:41,005 --> 01:39:42,738
YOU HAVE DECEIVED ME.
1844
01:39:42,773 --> 01:39:46,475
YOU HAVE OBTAINED
ADMISSION TO MY HOUSE
ON FALSE PRETENSES.
1845
01:39:46,510 --> 01:39:48,644
GO ON. I THINK
I UNDERSTAND THIS.
WHAT MORE?
1846
01:39:48,679 --> 01:39:51,147
THIS MUCH MORE
SINCE YOU FORCE ME
TO PUBLISH YOUR SHAME
1847
01:39:51,182 --> 01:39:52,648
BEFORE A THIRD PARTY.
1848
01:39:52,684 --> 01:39:55,450
NOT ONLY HAVE YOU
DECEIVED ME,
1849
01:39:55,486 --> 01:39:58,087
YOU'VE DECEIVED
AN HONORABLE, BELOVED,
1850
01:39:58,122 --> 01:40:00,222
VENERATED,
VENERABLE GENTLEMAN--
1851
01:40:00,258 --> 01:40:02,091
YOUR OWN GRANDFATHER.
1852
01:40:02,126 --> 01:40:04,893
I THOUGHT SO. YOU'VE
WORMED YOUR WAY INTO HIS
CONFIDENCE, HAVE YOU?
1853
01:40:04,929 --> 01:40:06,828
AND LAST BUT NOT LEAST,
1854
01:40:06,864 --> 01:40:08,997
YOU HAVE DECEIVED
MY DAUGHTERS
1855
01:40:09,033 --> 01:40:10,699
AND EXPLOITED
THEIR INNOCENT TRUST.
1856
01:40:10,734 --> 01:40:12,635
YOUR DAUGHTERS?
DO YOU PRETEND
1857
01:40:12,670 --> 01:40:15,004
THAT I EVER SHOWED THEM
ANYTHING MORE THAN
COMMON COURTESY,
1858
01:40:15,039 --> 01:40:17,707
IN SPITE OF YOUR PUFFING
THEIR ATTRACTIONS TO ME
AT EVERY OPPORTUNITY?
1859
01:40:17,742 --> 01:40:21,443
BE GONE, SIR!
I CANNOT HAVE
A SERPENT AND A LEPER
1860
01:40:21,478 --> 01:40:23,012
AS AN INMATE OF MY HOUSE.
1861
01:40:23,047 --> 01:40:25,081
MARTIN, DON'T DO
SOMETHING YOU'LL REGRET.
1862
01:40:25,116 --> 01:40:27,215
PAH! DO YOU THINK
I WOULD SOIL MYSELF
1863
01:40:27,251 --> 01:40:29,418
BY LAYING
MY HANDS ON HIM?
LOOK AT HIM THERE!
1864
01:40:29,453 --> 01:40:31,487
THE FLOOR IS THE
RIGHT PLACE FOR HIM.
1865
01:40:31,522 --> 01:40:33,022
HE'S A MAT
FOR DIRTY FEET,
1866
01:40:33,057 --> 01:40:35,124
A CLOTH
FOR DIRTY HANDS.
1867
01:40:35,159 --> 01:40:37,727
MARK MY WORDS.
DON'T PRETEND
YOU DON'T HEAR ME.
1868
01:40:37,762 --> 01:40:40,228
THE DAY WILL COME
WHEN THE WHOLE WORLD--
1869
01:40:40,264 --> 01:40:43,232
EVEN THIS POOR DELUDED,
EXPLOITED FELLOW HERE--
1870
01:40:43,267 --> 01:40:45,701
WILL KNOW WHAT
A HYPOCRITE YOU ARE.
1871
01:40:52,710 --> 01:40:53,776
[DOOR SLAMS]
1872
01:40:55,079 --> 01:40:56,012
MARTIN!
1873
01:40:58,583 --> 01:41:00,049
MARTIN!
1874
01:41:00,084 --> 01:41:01,517
WHAT NOW?
1875
01:41:02,586 --> 01:41:04,053
ARE YOU GOING, MARTIN?
1876
01:41:04,088 --> 01:41:06,054
GOING?! GOING?!
1877
01:41:06,090 --> 01:41:08,524
LEAVING AT ONCE, I MEAN,
IN THIS WEATHER, ON FOOT,
WITH NO MONEY?
1878
01:41:08,559 --> 01:41:10,559
YES, I AM!
1879
01:41:10,594 --> 01:41:12,061
TAKE THIS WITH YOU.
1880
01:41:12,096 --> 01:41:13,662
A BOOK?
YES.
1881
01:41:13,697 --> 01:41:15,464
LOOK LATER WHERE I HAVE
TURNED DOWN THE PAGE.
1882
01:41:15,499 --> 01:41:18,568
IT MAY LIFT YOUR SPIRITS
A LITTLE.
1883
01:41:18,603 --> 01:41:20,169
WHERE WILL YOU GO?
1884
01:41:20,204 --> 01:41:21,570
LONDON, FIRST,
THEN WHO KNOWS?
1885
01:41:21,606 --> 01:41:23,071
WHEREVER
OPPORTUNITY BECKONS.
1886
01:41:23,107 --> 01:41:24,706
WHAT ABOUT YOUR CLOTHES
AND OTHER THINGS?
1887
01:41:24,742 --> 01:41:26,342
PACK THEM UP
AND SEND THEM
TO LONDON, WOULD YOU,
1888
01:41:26,377 --> 01:41:28,077
TO BE CALLED FOR
AT THE COACH OFFICE?
1889
01:41:28,112 --> 01:41:31,046
WHAT ARE YOU
GOING TO DO?
I DON'T KNOW!
1890
01:41:33,484 --> 01:41:36,118
YES, I DO.
I'LL GO TO AMERICA
AND MAKE MY FORTUNE.
1891
01:41:36,153 --> 01:41:37,686
NOT AMERICA, MARTIN.
1892
01:41:37,721 --> 01:41:39,322
YOUR SITUATION
ISN'T THAT DESPERATE.
1893
01:41:39,357 --> 01:41:40,723
GOOD-BYE, TOM.
1894
01:41:57,709 --> 01:42:00,442
YOU'RE DETERMINED
TO LEAVE US THEN,
MARK...
1895
01:42:00,477 --> 01:42:03,179
EVEN IN THIS WEATHER?
1896
01:42:03,214 --> 01:42:07,282
THERE'S A CARTER
FROM SALISBURY WHO'S
GOING TO LONDON TODAY.
1897
01:42:07,317 --> 01:42:09,318
SAID HE'D TAKE ME
FOR 6 SHILLINGS.
1898
01:42:09,353 --> 01:42:11,487
WHAT WILL YOU DO
IN LONDON?
1899
01:42:11,522 --> 01:42:14,924
DON'T KNOW EXACTLY.
SOMETHING WILL TURN UP.
1900
01:42:16,827 --> 01:42:18,861
I THOUGHT YOU WAS FOND
OF THE DRAGON.
1901
01:42:18,896 --> 01:42:21,096
WELL, SO I AM.
1902
01:42:21,132 --> 01:42:24,166
WHY DO YOU LEAVE US
THEN?
1903
01:42:29,474 --> 01:42:32,742
I DON'T KNOW
HOW I SHALL MANAGE
WITHOUT YOU, I'M SURE.
1904
01:42:34,479 --> 01:42:37,112
DANIEL EVANS WILL DO
THE HEAVY WORK.
1905
01:42:37,147 --> 01:42:38,614
HE'S A GOOD MAN.
1906
01:42:38,649 --> 01:42:40,616
WON'T BE THE SAME,
THOUGH.
1907
01:42:40,652 --> 01:42:43,619
WOULD YOU TAKE SOMETHING
BEFORE YOU GO?
1908
01:42:43,654 --> 01:42:45,187
WHAT'LL IT BE?
1909
01:42:50,160 --> 01:42:54,129
WHY, IF I TOOK
WHAT I LIKE MOST...
1910
01:42:54,164 --> 01:42:56,632
I'D TAKE YOU.
1911
01:42:56,667 --> 01:42:59,801
AND NO MAN WOULDN'T
WONDER IF I DID.
1912
01:42:59,837 --> 01:43:01,804
OH, MARK TAPLEY,
WHAT DO YOU MEAN?
1913
01:43:01,839 --> 01:43:04,139
IF THERE'S A BONNIER WOMAN
IN THE WHOLE VILLAGE,
1914
01:43:04,175 --> 01:43:06,308
I'D LIKE TO SEE HER.
OR A KINDER.
1915
01:43:06,344 --> 01:43:09,878
BLESS MY SOUL
IF I UNDERSTAND
WHAT YOU WANT.
1916
01:43:09,914 --> 01:43:11,781
I'LL BE PLAIN
WITH YOU, THEN.
1917
01:43:11,816 --> 01:43:14,016
AS LONG AS IT'S UNDERSTOOD,
I AIN'T MAKING NO LOVE,
YOU KNOW?
1918
01:43:14,052 --> 01:43:15,618
QUITE UNDERSTOOD.
1919
01:43:15,653 --> 01:43:17,853
HADN'T YOU BETTER TAKE
YOUR ARMS AWAY THEN?
1920
01:43:17,888 --> 01:43:21,357
WHY? THEY AIN'T DOING
NO HARM, ARE THEY?
1921
01:43:23,694 --> 01:43:25,661
LET ME ASK YOU...
1922
01:43:25,696 --> 01:43:29,231
WHAT WOULD BE
THE CONSEQUENCES OF
OUR GETTING MARRIED?
1923
01:43:29,266 --> 01:43:32,568
I THOUGHT
YOU WEREN'T GOING TO
TALK SUCH FOOLISHNESS.
1924
01:43:33,004 --> 01:43:35,671
I'D BE THE ENVY
OF EVERY MAN
IN THE PARISH.
1925
01:43:35,706 --> 01:43:38,373
I'D NEVER HAVE A REASON
TO LEAVE THE DRAGON
1926
01:43:38,408 --> 01:43:40,142
IN MY WHOLE LIFE.
1927
01:43:41,212 --> 01:43:42,811
THEN WHY GO NOW?
1928
01:43:48,152 --> 01:43:51,187
I WANT TO TRY MYSELF...
1929
01:43:52,823 --> 01:43:55,624
FIND OUT WHAT I'M MADE OF,
DO YOU SEE?
1930
01:43:55,659 --> 01:43:57,926
IF WE WERE TO MARRY,
YOU'D ALWAYS BE ON THE FRET,
1931
01:43:57,962 --> 01:43:59,695
WORRYING YOU WERE GETTING
TOO OLD FOR MY TASTE,
1932
01:43:59,730 --> 01:44:03,465
AND A-PICTURING ME
TO YOURSELF CHAINED UP
TO THE DRAGON DOOR,
1933
01:44:03,501 --> 01:44:05,434
WANTING TO BREAK AWAY.
1934
01:44:07,037 --> 01:44:10,005
I DON'T KNOW, BUT...
1935
01:44:10,040 --> 01:44:12,641
BUT IT MIGHTN'T BE TRUE,
1936
01:44:12,676 --> 01:44:14,643
SO I'M GOING NOW...
1937
01:44:14,679 --> 01:44:16,846
BEFORE IT'S TOO LATE.
1938
01:44:19,250 --> 01:44:21,783
YOU'RE A GOOD MAN, MARK.
1939
01:44:23,620 --> 01:44:26,655
I BELIEVE YOU'VE BEEN
A BETTER FRIEND TO ME
THIS DAY
1940
01:44:26,691 --> 01:44:28,424
THAN I'VE EVER HAD
IN ALL MY LIFE.
1941
01:44:29,727 --> 01:44:31,961
THAT'S NONSENSE.
1942
01:44:31,996 --> 01:44:33,462
Man outside: WHOA!
1943
01:44:36,199 --> 01:44:37,967
THERE'S THE CARTER.
1944
01:44:40,204 --> 01:44:41,770
GOOD-BYE, DEAR LADY.
1945
01:45:04,562 --> 01:45:06,161
STILL RAINING.
1946
01:45:07,231 --> 01:45:09,765
WELL...
IT'LL BE MY FIRST TEST
1947
01:45:09,800 --> 01:45:12,534
TO REMAINING JOLLY
UNDER TRYING CONDITIONS.
1948
01:45:16,073 --> 01:45:17,873
GOOD-BYE,
MRS. LUPIN.
1949
01:45:17,908 --> 01:45:19,708
GOOD-BYE, MARK.
1950
01:45:19,744 --> 01:45:21,143
GOD BLESS YOU.
1951
01:45:34,258 --> 01:45:36,057
[TAPS TWICE WITH CANE]
1952
01:45:44,268 --> 01:45:46,034
Carter:
WALK ON TOGETHER.
1953
01:46:46,163 --> 01:46:48,630
YOU SEE,
ORNAMENTAL ARCHITECTURE
1954
01:46:48,666 --> 01:46:50,632
APPLIED TO
DOMESTIC PURPOSES
1955
01:46:50,667 --> 01:46:53,902
CAN HARDLY FAIL TO BE
IN GREAT DEMAND IN AMERICA,
1956
01:46:53,937 --> 01:46:56,138
FOR MEN ARE CONSTANTLY
MOVING WESTWARDS THERE,
1957
01:46:56,173 --> 01:46:58,407
AND NEW TOWNS MUST BE BUILT
TO ACCOMMODATE THEM.
1958
01:46:58,442 --> 01:47:00,275
I SHOULD SAY, SIR,
THAT'S A STATE OF THINGS
1959
01:47:00,311 --> 01:47:03,144
AS OPENS ONE OF
THE JOLLIEST LOOKOUTS
FOR DOMESTIC ARCHITECTURE
1960
01:47:03,180 --> 01:47:04,779
AS I'VE EVER HEARD TELL ON.
1961
01:47:04,815 --> 01:47:07,316
AND ALTHOUGH I AM NOT--
1962
01:47:07,351 --> 01:47:10,485
STRICTLY SPEAKING--
QUALIFIED YET,
1963
01:47:10,520 --> 01:47:13,221
I HAVE DEMONSTRATED
A NATURAL APTITUDE
FOR ARCHITECTURAL DESIGN,
1964
01:47:13,257 --> 01:47:16,057
AND THE AMERICANS ARE NOT
LIKELY TO BE OVERPARTICULAR
ON THAT SCORE.
1965
01:47:16,093 --> 01:47:18,527
THEY DURSN'T BE, SIR,
FOR THEIR OWN GOOD.
1966
01:47:18,562 --> 01:47:19,928
SOME MORE CHEESE?
1967
01:47:19,963 --> 01:47:22,498
IF YOU'RE SURE
YOU HAVE ENOUGH.
THANK YOU.
1968
01:47:22,533 --> 01:47:24,800
FROM ALL I HEAR,
AMERICA'S A PLACE
1969
01:47:24,835 --> 01:47:27,869
WHERE A MAN MIGHT
EARN SOME CREDIT
FOR BEING JOLLY.
1970
01:47:27,905 --> 01:47:30,172
MIGHT I BE SO BOLD
AS TO ASK YOU, SIR,
1971
01:47:30,207 --> 01:47:31,673
WHY YOU'RE GOING
SO SOON,
1972
01:47:31,709 --> 01:47:34,176
INSTEAD OF STAYING
AT MR. PECKSNIFF'S?
1973
01:47:34,212 --> 01:47:36,111
WELL...
1974
01:47:36,147 --> 01:47:39,114
NOW, WHEN MY GRANDFATHER,
OLD MR. CHUZZLEWIT,
1975
01:47:39,149 --> 01:47:41,116
STAYED AT THE BLUE DRAGON,
1976
01:47:41,152 --> 01:47:44,119
DID YOU HAVE ANY DEALINGS
WITH THE YOUNG LADY
WHO ACCOMPANIED HIM?
1977
01:47:44,154 --> 01:47:46,621
MISS GRAHAM?
INDEED I DID.
1978
01:47:46,657 --> 01:47:49,091
SWEETER YOUNG LADY
NEVER BREATHED.
1979
01:47:49,126 --> 01:47:51,626
YOU SPEAK THE TRUTH,
TAPLEY.
1980
01:47:51,662 --> 01:47:53,128
SHE IS THE REASON
1981
01:47:53,164 --> 01:47:55,530
WHY I'M SEEKING
MY FORTUNE IN AMERICA.
1982
01:47:56,701 --> 01:47:58,766
INDEED, SIR.
YES.
1983
01:48:19,523 --> 01:48:22,157
UM, ARE THERE
LODGINGS HERE, SIR?
1984
01:48:22,192 --> 01:48:24,626
OH, YES.
GO ON INSIDE.
1985
01:48:40,911 --> 01:48:42,244
HOW MUCH IS IT?
1986
01:48:42,279 --> 01:48:44,680
9 SHILLING A WEEK
WITH COALS.
1987
01:48:46,016 --> 01:48:47,348
I'LL TAKE IT.
1988
01:48:47,384 --> 01:48:49,284
CASH IN ADVANCE, SIR.
1989
01:48:49,319 --> 01:48:50,852
OH, UH...
1990
01:48:54,125 --> 01:48:56,758
I SHALL HAVE TO, UH...
1991
01:48:56,793 --> 01:48:59,194
WOULD YOU KEEP IT FOR ME?
I'LL BE BACK IN AN HOUR.
1992
01:48:59,230 --> 01:49:00,562
THANK YOU.
1993
01:49:04,635 --> 01:49:06,101
SPARE A SHILLING,
SIR?
1994
01:49:06,136 --> 01:49:08,069
SPARE A SHILLING?
1995
01:49:08,105 --> 01:49:10,072
SPARE A SHILLING,
SIR?
1996
01:49:10,107 --> 01:49:11,873
SPARE A SHILLING?
1997
01:49:13,510 --> 01:49:15,510
SPARE A SHILLING?
1998
01:49:15,545 --> 01:49:17,145
SPARE A SHILLING?
1999
01:49:17,180 --> 01:49:18,714
SPARE A SHILLING?
2000
01:49:25,088 --> 01:49:27,689
SPARE A SHILLING, SIR?
SPARE A SHILLING?
2001
01:49:33,130 --> 01:49:36,231
Tigg: HOW MUCH
WILL YOU GIVE ME
FOR THIS SHIRT, DAVID?
2002
01:49:36,266 --> 01:49:39,334
Pawnbroker:
WHAT I ALWAYS GIVE YOU
FOR IT--2 SHILLINGS.
2003
01:49:39,369 --> 01:49:41,737
Tigg: OH,
MAKE IT 2 SHILLINGS
AND SIXPENCE, DAVID.
2004
01:49:41,772 --> 01:49:44,606
IT'S A KIND OF MATERIAL
THAT IMPROVES WITH AGE.
2005
01:49:44,642 --> 01:49:47,476
Pawnbroker:
HA. A FLORIN.
2006
01:49:47,511 --> 01:49:49,578
TAKE IT OR LEAVE IT.
2007
01:49:52,649 --> 01:49:54,416
WHAT CAN I DO FOR YOU?
2008
01:49:57,954 --> 01:50:00,389
PLEASE TO GIVE ME
THE MOST YOU CAN
FOR THIS WATCH.
2009
01:50:03,327 --> 01:50:06,562
I THOUGH I RECOGNIZED
THE VOICE, BY GAD.
2010
01:50:06,597 --> 01:50:09,431
THIS IS ONE OF THE MOST
TREMENDOUS MEETINGS
2011
01:50:09,466 --> 01:50:11,767
IN ANCIENT
OR MODERN HISTORY.
HOW ARE YOU, SIR?
2012
01:50:11,802 --> 01:50:13,635
WHAT NEWS OF
THE AGRICULTURAL
DISTRICTS?
2013
01:50:13,670 --> 01:50:15,270
NOTHING I WISH TO
COMMUNICATE TO YOU.
2014
01:50:15,305 --> 01:50:17,339
I UNDERSTAND
YOUR RESERVE, SIR.
2015
01:50:17,374 --> 01:50:20,508
OUR LAST MEETING
WAS NOT AUSPICIOUS.
2016
01:50:20,544 --> 01:50:23,579
BUT I'VE PARTED FROM SLYME.
MY TALENTS WERE WASTED
ON HIM, YOU KNOW?
2017
01:50:23,614 --> 01:50:25,580
IT MATTERS
VERY LITTLE TO ME
2018
01:50:25,615 --> 01:50:27,916
WHETHER YOU HAVE
SET UP AS A VAGABOND
ON YOUR OWN ACCOUNT
2019
01:50:27,951 --> 01:50:30,519
OR ARE STILL
TRADING ON BEHALF
OF MR. SLYME.
2020
01:50:30,554 --> 01:50:33,421
YOU'RE INVOLVED IN
A LITTLE TRADE YOURSELF,
2021
01:50:33,457 --> 01:50:35,924
I SEE, SIR.
2022
01:50:36,360 --> 01:50:37,225
YES, WELL...
2023
01:50:37,261 --> 01:50:40,095
UH, I'M GOING
ABROAD ON A...
2024
01:50:40,130 --> 01:50:41,730
SORT OF TOUR.
2025
01:50:41,765 --> 01:50:43,799
I NEED TO SUPPLEMENT
MY FUNDS.
2026
01:50:43,834 --> 01:50:46,100
WELL, YOU COULDN'T HAVE COME
TO A BETTER PLACE.
2027
01:50:46,136 --> 01:50:49,037
DAVID, PAY PARTICULAR
ATTENTION TO THIS GENTLEMAN,
2028
01:50:49,072 --> 01:50:51,440
WHO IS A FRIEND OF MINE.
2029
01:50:51,475 --> 01:50:54,409
WELL...
A GOLD HUNTING WATCH, DAVID.
2030
01:50:54,444 --> 01:50:57,112
ENGINE TURNED, JEWELED,
AND CAPPED.
2031
01:50:57,148 --> 01:50:59,113
ESCAPE MOVEMENT,
HORIZONTAL LEVER,
2032
01:50:59,149 --> 01:51:01,116
AND WARRANTED TO PERFORM
ACCURATELY
2033
01:51:01,151 --> 01:51:03,418
UPON MY PERSONAL OBSERVATION
OVER MANY YEARS.
2034
01:51:03,453 --> 01:51:07,623
THAT WATCH, DAVID, IS WORTH
�4 ANY DAY OF THE WEEK.
2035
01:51:07,658 --> 01:51:09,792
I AM CERTAIN IT COST
MY GRANDFATHER A GREAT
DEAL MORE THAN THAT.
2036
01:51:09,827 --> 01:51:11,860
DID YOU HEAR THAT, DAVID?
2037
01:51:11,896 --> 01:51:13,928
HIS GRANDFATHER'S GIFT.
2038
01:51:13,963 --> 01:51:17,632
WELL, IT'S WORTH A POUND
FOR SENTIMENTAL VALUE ALONE.
2039
01:51:17,667 --> 01:51:19,301
TO HIM PERHAPS...
2040
01:51:19,336 --> 01:51:21,136
BUT NOT TO ME.
2041
01:51:21,172 --> 01:51:23,038
I'LL LEND YOU �3 ON IT.
2042
01:51:23,073 --> 01:51:24,740
IS THAT ALL?
2043
01:51:25,809 --> 01:51:27,676
VERY WELL, THEN.
2044
01:51:27,711 --> 01:51:29,644
WE ACCEPT
THE OFFER.
2045
01:51:29,680 --> 01:51:32,147
ON THE, UH...
2046
01:51:32,182 --> 01:51:35,183
USUAL TERMS
AND CONDITIONS?
2047
01:51:36,553 --> 01:51:39,154
YES. ON THE USUAL TERMS
AND CONDITIONS.
2048
01:51:39,189 --> 01:51:41,490
Pawnbroker:
NAME AND ADDRESS?
2049
01:51:41,525 --> 01:51:43,758
MARTIN CHUZZLEWIT,
ESQUIRE.
2050
01:51:43,793 --> 01:51:46,494
THE LAMB AND FLAG.
I DON'T KNOW THE NAME
OF THE STREET.
2051
01:51:46,530 --> 01:51:48,029
IT'S NEAR CHARING CROSS.
2052
01:51:53,570 --> 01:51:54,703
GOOD DAY.
2053
01:52:01,211 --> 01:52:03,145
[DOOR SHUTS]
2054
01:52:05,716 --> 01:52:08,082
THIS WATCH...
2055
01:52:08,118 --> 01:52:11,419
IS WORTH A LOT MORE
THAN 3 OR �4.
2056
01:52:11,454 --> 01:52:13,688
OF COURSE IT IS.
2057
01:52:13,723 --> 01:52:16,358
IF I'M NOT MISTAKEN,
IT'S A RARITY,
2058
01:52:16,393 --> 01:52:18,694
MADE BY A MASTER
WATCHMAKER,
2059
01:52:18,729 --> 01:52:20,195
A SWISS.
2060
01:52:20,230 --> 01:52:21,696
OHH...
2061
01:52:21,732 --> 01:52:24,299
WE COULD RAISE
50 GUINEAS ON
SUCH A WATCH, DAVID.
2062
01:52:24,335 --> 01:52:26,435
UH, "WE"?
2063
01:52:26,470 --> 01:52:29,204
WELL, GIVE ME
CREDIT FOR SPOTTING
THE OPPORTUNITY.
2064
01:52:29,239 --> 01:52:31,707
YOU HEARD
THE YOUNG FELLOW.
HE'S GOING ABROAD.
2065
01:52:31,742 --> 01:52:34,542
THERE'S NO RISK
HE'LL REDEEM THE WATCH
FOR SOME WHILE.
2066
01:52:34,578 --> 01:52:36,511
HE MAY EVEN FORFEIT IT
ALTOGETHER,
2067
01:52:36,547 --> 01:52:39,081
HE'S SUCH A NOVICE
IN THIS SORT OF TRADE.
2068
01:52:39,116 --> 01:52:42,217
MEANWHILE, WE CAN
TURN IT INTO CAPITAL.
2069
01:52:42,252 --> 01:52:45,587
WE CAN DO A LOT
WITH 50 GUINEAS, DAVID.
2070
01:52:45,622 --> 01:52:47,722
RENT AN OFFICE,
PRINT NOTEPAPER,
2071
01:52:47,758 --> 01:52:49,390
START UP A COMPANY.
2072
01:53:19,723 --> 01:53:20,822
[KNOCK ON DOOR]
2073
01:53:21,959 --> 01:53:24,559
IS THAT THE BOY
WITH THE COALS?
2074
01:53:26,463 --> 01:53:27,462
COME IN.
2075
01:53:29,632 --> 01:53:30,866
YOUR SERVANT, SIR.
2076
01:53:34,304 --> 01:53:36,004
I HOPE YOU'RE
PRETTY WELL, SIR.
2077
01:53:36,039 --> 01:53:37,972
TAPLEY...
2078
01:53:38,008 --> 01:53:39,240
HOW DID YOU COME HERE?
2079
01:53:39,275 --> 01:53:41,776
RIGHT THROUGH
THE PASSAGE AND
UP THE STAIRS, SIR.
2080
01:53:41,812 --> 01:53:44,879
NO, I MEAN,
HOW DID YOU FIND ME OUT?
2081
01:53:44,914 --> 01:53:48,050
WELL, SIR,
WHEN YOU AND I PARTED,
2082
01:53:48,085 --> 01:53:49,917
I TOOK THE LIBERTY
OF FOLLOWING YOU HERE.
2083
01:53:49,953 --> 01:53:52,120
OH, DID YOU INDEED?
2084
01:53:52,155 --> 01:53:55,223
YES, SIR, JUST TO SEE
YOU CAME TO NO HARM.
2085
01:53:55,259 --> 01:53:57,859
IT WAS STILL DARK NIGHT
WHEN THE CARTER
DROPPED US,
2086
01:53:57,894 --> 01:53:59,328
IF YOU REMEMBER, SIR.
2087
01:53:59,363 --> 01:54:01,997
VERY WELL.
SIT DOWN, TAPLEY.
2088
01:54:02,032 --> 01:54:03,966
THANK YOU, SIR.
I'LL AS LIEVE STAND.
2089
01:54:04,001 --> 01:54:05,733
IF YOU WON'T SIT DOWN,
I WON'T TALK TO YOU.
2090
01:54:05,769 --> 01:54:07,135
VERY WELL, SIR.
2091
01:54:14,678 --> 01:54:16,544
AND WHAT HAVE YOU BEEN
DOING IN LONDON?
2092
01:54:16,579 --> 01:54:18,046
NOTHING, SIR.
2093
01:54:18,081 --> 01:54:19,247
WHY IS THAT?
2094
01:54:19,283 --> 01:54:21,383
WELL, I JUST CAN'T SEEM
TO FIND A PLACE
2095
01:54:21,418 --> 01:54:23,252
THAT SUITS ME.
2096
01:54:23,287 --> 01:54:25,653
OH, LORD BLESS YOU, SIR.
WHAT'S THE USE OF MY
GOING AROUND AND AROUND
2097
01:54:25,688 --> 01:54:28,757
WHEN I CAN COME STRAIGHT
TO THE POINT IN 6 WORDS?
2098
01:54:28,792 --> 01:54:30,392
WILL YOU
TAKE ME WITH YOU?
2099
01:54:30,427 --> 01:54:31,826
TAKE YOU WHERE?
2100
01:54:31,862 --> 01:54:33,995
WHY, TO AMERICA.
HERE I AM,
2101
01:54:34,031 --> 01:54:35,864
WITH A LIKING FOR
WHAT'S VENTURESOME,
2102
01:54:35,899 --> 01:54:37,499
AND A LIKING
FOR YOU,
2103
01:54:37,534 --> 01:54:39,501
AND I WISH
TO COME OUT STRONG
UNDER CIRCUMSTANCES
2104
01:54:39,536 --> 01:54:41,369
AS WOULD KEEP
OTHER MEN DOWN.
2105
01:54:41,405 --> 01:54:43,238
AS SOON AS YOU
MENTIONED AMERICA,
2106
01:54:43,273 --> 01:54:45,040
I SAW CLEAR AT ONCE,
THAT WAS THE PLACE
2107
01:54:45,075 --> 01:54:47,375
FOR ME
TO BE JOLLY IN.
2108
01:54:47,411 --> 01:54:49,244
I CAN PAY
FOR MY OWN PASSAGE.
2109
01:54:49,680 --> 01:54:52,647
WELL, THEN,
YOU'D BETTER DO SO.
GO TO AMERICA ON YOUR OWN.
2110
01:54:52,683 --> 01:54:54,416
WHAT DO YOU MEAN, SIR?
2111
01:54:54,451 --> 01:54:57,351
WELL, I HAVEN'T GOT
ENOUGH MONEY EVEN
TO TRAVEL STEERAGE.
2112
01:54:57,387 --> 01:54:59,220
I'VE PAWNED
EVERYTHING I CAN SPARE
2113
01:54:59,256 --> 01:55:01,356
JUST TO PAY FOR
MY FOOD AND LODGING.
2114
01:55:01,391 --> 01:55:03,992
I'VE APPLIED
TO WORK MY PASSAGE
AS A COMMON SEAMAN,
2115
01:55:04,028 --> 01:55:06,227
BUT THE SHIP OWNERS
LAUGH AT ME.
2116
01:55:06,262 --> 01:55:08,963
I'VE ADVERTISED
IN THE NEWSPAPER FOR
A POSITION ON SHIPBOARD,
2117
01:55:08,999 --> 01:55:11,166
BUT I HAVEN'T HAD
A SINGLE REPLY.
2118
01:55:11,201 --> 01:55:13,235
I'VE BEEN IN LONDON
FOR 3 WEEKS NOW
2119
01:55:13,270 --> 01:55:14,836
AND I'M NO NEARER
TO ATTAINING MY GOAL
2120
01:55:14,872 --> 01:55:16,972
THAN I WAS
WHEN I ARRIVED HERE.
2121
01:55:17,007 --> 01:55:20,208
HMM. I THOUGHT
THERE WAS A SCREW LOOSE
IN YOUR AFFAIRS.
2122
01:55:20,243 --> 01:55:21,542
[KNOCK ON DOOR]
2123
01:55:21,578 --> 01:55:22,510
YES, WHAT IS IT?
2124
01:55:25,682 --> 01:55:27,816
UH, THIS IS MR. TAPLEY.
MRS. BROWNLOW.
2125
01:55:27,851 --> 01:55:28,916
YOUR SERVANT, MA'AM.
2126
01:55:28,952 --> 01:55:30,718
OH. A LETTER CAME
FOR YOU
2127
01:55:30,753 --> 01:55:32,420
WHILE YOU WERE OUT,
MR. CHUZZLEWIT.
2128
01:55:32,455 --> 01:55:34,355
A LETTER.
THANK YOU.
2129
01:55:35,726 --> 01:55:37,158
IF YOU'D CARE TO SEND
THE BOY OUT
2130
01:55:37,194 --> 01:55:38,793
WITH A SCUTTLE OF COALS,
MRS. BROWNLOW,
2131
01:55:38,829 --> 01:55:40,495
THAT WOULD BE
VERY MUCH APPRECIATED.
2132
01:55:44,735 --> 01:55:47,635
THIS MUST BE A REPLY
TO MY ADVERTISEMENT.
2133
01:55:47,670 --> 01:55:49,237
AT LAST.
2134
01:55:49,272 --> 01:55:51,472
[OPENING LETTER]
2135
01:55:59,382 --> 01:56:01,483
A �20-NOTE!
2136
01:56:05,322 --> 01:56:06,721
MY WORD.
2137
01:56:06,756 --> 01:56:07,889
SO IT IS.
2138
01:56:10,460 --> 01:56:12,827
THERE'S NOT A WORD
OF WRITING TO SAY
WHO THIS COMES FROM.
2139
01:56:14,631 --> 01:56:16,665
WELL, THAT SOLVES
THE PROBLEM OF
YOUR FARE, SIR.
2140
01:56:19,503 --> 01:56:21,836
TAPLEY, DO YOU KNOW
ANYTHING ABOUT THIS MONEY?
2141
01:56:21,872 --> 01:56:24,405
NOT A THING, SIR.
ON MY WORD OF HONOR.
2142
01:56:27,444 --> 01:56:30,011
THEN WHO ON EARTH
HAS SENT IT?
2143
01:56:31,281 --> 01:56:33,348
WHO KNOWS I'M HERE
APART FROM YOU?
2144
01:56:35,752 --> 01:56:37,252
THE PAWNBROKER.
2145
01:56:37,287 --> 01:56:39,487
THERE WAS A PAWNBROKER
2146
01:56:39,522 --> 01:56:42,924
WHO GAVE ME A MISERABLE �3
FOR MY GRANDFATHER'S WATCH.
2147
01:56:42,959 --> 01:56:44,792
HE MUST HAVE SUFFERED
A TWINGE OF CONSCIENCE
2148
01:56:44,827 --> 01:56:46,695
AND SENT THIS
TO MAKE UP FOR IT.
2149
01:56:46,730 --> 01:56:48,596
A TWINGE OF CONSCIENCE?
2150
01:56:48,631 --> 01:56:49,931
A PAWNBROKER?
2151
01:56:49,967 --> 01:56:51,332
WELL, THERE'S
NO OTHER EXPLANATION.
2152
01:56:51,368 --> 01:56:52,533
IF I WERE YOU, SIR,
2153
01:56:52,569 --> 01:56:54,102
I WOULDN'T LOOK
A GIFT HORSE
IN THE MOUTH.
2154
01:56:54,138 --> 01:56:56,137
GET ROUND TO
THAT SHIPPING OFFICE
AS SOON AS YOU CAN.
2155
01:56:56,172 --> 01:56:57,372
I WILL.
2156
01:57:00,811 --> 01:57:03,245
I KNOW THERE'S A BOAT
LEAVING FROM LIVERPOOL
IN A WEEK'S TIME.
2157
01:57:03,280 --> 01:57:06,614
AND YOU WILL
TAKE ME WITH YOU?
2158
01:57:06,650 --> 01:57:09,751
TAPLEY, IN SPITE
OF THIS WINDFALL,
2159
01:57:09,786 --> 01:57:11,653
I CAN'T AFFORD
TO KEEP A MANSERVANT.
2160
01:57:11,688 --> 01:57:13,655
BUT WHEN YOU MAKE YOUR
FORTUNE, THEN YOU'D WANT
A SERVANT, WOULDN'T YOU?
2161
01:57:13,690 --> 01:57:15,056
WHY, YES.
2162
01:57:15,091 --> 01:57:16,524
WELL, I HAVE
A LITTLE MONEY SAVED UP
2163
01:57:16,559 --> 01:57:18,860
THAT SHOULD LAST ME
FOR A YEAR OR SO.
2164
01:57:18,895 --> 01:57:20,962
TAPLEY, THIS IS
VERY GENEROUS OF YOU,
2165
01:57:20,997 --> 01:57:22,096
BUT IS IT PRUDENT?
2166
01:57:22,131 --> 01:57:24,031
LORD, SIR, IF PRUDENCE
CAME INTO IT,
2167
01:57:24,067 --> 01:57:26,835
I'D BE SITTING
BY THE FIRE AT
THE BLUE DRAGON NOW.
2168
01:57:28,705 --> 01:57:31,606
YOU'LL FIND SOME WAY
OF SAYING GOOD-BYE TO
MISS GRAHAM, I EXPECT.
2169
01:57:31,641 --> 01:57:33,875
HOW CAN I,
2170
01:57:33,910 --> 01:57:36,278
WHEN I DON'T KNOW
WHERE MY GRANDFATHER
HAS TAKEN HER?
2171
01:57:36,313 --> 01:57:37,712
I CAN TELL YOU WHERE.
2172
01:57:37,747 --> 01:57:39,247
YOU CAN?
2173
01:57:39,282 --> 01:57:42,717
WHERE SHE WAS, ANYHOW.
BROWN'S HOTEL, MAYFAIR.
2174
01:57:42,752 --> 01:57:44,685
THE HEARD
THE OLD GENTLEMAN
TELL HIS DRIVER
2175
01:57:44,721 --> 01:57:46,688
WHEN THEY HAD TO LEAVE
THE DRAGON SO SUDDENLY.
2176
01:57:46,723 --> 01:57:49,557
THIS IS WONDERFUL.
YOU MUST GO TO THE HOTEL
IMMEDIATELY.
2177
01:57:49,593 --> 01:57:52,527
IF THEY ARE STILL THERE,
DO YOU THINK YOU COULD GET
A MESSAGE TO MISS GRAHAM
2178
01:57:52,562 --> 01:57:54,062
WITHOUT MY GRANDFATHER'S
KNOWLEDGE?
2179
01:57:55,531 --> 01:57:57,431
LEAVE IT TO ME, SIR.
2180
01:57:57,467 --> 01:58:00,835
I AM VERY GLAD
YOU CAME, TAPLEY.
2181
01:58:00,871 --> 01:58:02,570
MY LUCK HAS CHANGED.
2182
01:58:02,606 --> 01:58:04,372
I'M SURE OF IT.
2183
01:58:44,748 --> 01:58:45,880
MARTIN.
2184
01:58:45,915 --> 01:58:47,182
MARY.
2185
01:58:48,418 --> 01:58:49,550
THANK YOU, MARK.
2186
01:58:49,586 --> 01:58:51,552
RIGHT YOU ARE, SIR.
2187
01:58:52,856 --> 01:58:55,256
YOU LOOK MORE BEAUTIFUL
THAN EVER.
2188
01:58:55,291 --> 01:58:57,892
BUT YOU LOOK CAREWORN.
2189
01:58:57,928 --> 01:59:00,895
THAT'S HARDLY
SURPRISING.
2190
01:59:00,930 --> 01:59:03,765
I'M AFRAID YOU'VE PAID
A DEAR PRICE FOR
A POOR HEART.
2191
01:59:03,800 --> 01:59:05,366
DON'T SAY THAT.
2192
01:59:05,402 --> 01:59:09,337
YOU'RE WORTH
EVERY SACRIFICE
I HAVE MADE.
2193
01:59:09,372 --> 01:59:12,540
IS IT REALLY TRUE,
AS MR. TAPLEY TOLD ME,
2194
01:59:12,576 --> 01:59:14,509
THAT YOU ARE GOING
TO AMERICA?
2195
01:59:14,544 --> 01:59:16,411
IT'S THE ONLY SOLUTION
TO OUR PROBLEMS.
2196
01:59:16,446 --> 01:59:18,146
IT'S A LAND
OF OPPORTUNITY.
2197
01:59:18,181 --> 01:59:20,515
BUT IT'S SO FAR AWAY.
2198
01:59:20,550 --> 01:59:23,785
WHEN SHALL I
SEE YOU AGAIN?
2199
01:59:23,820 --> 01:59:26,787
AS SOON AS I HAVE A CHANCE
TO ESTABLISH MYSELF.
2200
01:59:28,858 --> 01:59:30,325
A YEAR OR SO.
2201
01:59:30,761 --> 01:59:32,493
A YEAR?
PERHAPS LESS.
2202
01:59:32,930 --> 01:59:34,896
AS SOON AS I CAN
CLAIM YOU AS MY WIFE
2203
01:59:34,931 --> 01:59:37,131
AND FREE YOU
FROM YOUR DEPENDENCE
2204
01:59:37,167 --> 01:59:39,034
ON THAT
MALEVOLENT OLD MAN.
2205
01:59:39,069 --> 01:59:41,936
MARTIN, SINCE
THE DAY YOU LEFT,
2206
01:59:41,971 --> 01:59:44,539
HE HAS NEVER SAID
AN UNKIND WORD TO ME
ABOUT YOU.
2207
01:59:44,574 --> 01:59:46,508
NOR A KIND ONE NEITHER,
I'LL BE BOUND.
2208
01:59:51,314 --> 01:59:52,947
WELL, WHAT'S THE MATTER?
2209
01:59:54,383 --> 01:59:56,717
IT JUST MAKES ME
FEEL SO WRETCHED
2210
01:59:56,753 --> 01:59:59,754
TO BE THE CAUSE
OF DIVISION
BETWEEN YOU.
2211
01:59:59,790 --> 02:00:02,957
I CAN NEVER FORGET
THAT HE TOOK ME OUT
OF THAT ORPHANAGE.
2212
02:00:02,993 --> 02:00:04,792
PURELY FOR HIS OWN
SELFISH ENDS.
2213
02:00:04,828 --> 02:00:06,160
NEVERTHELESS,
2214
02:00:06,195 --> 02:00:08,964
EVEN BEING HERE
WITHOUT HIS KNOWLEDGE
2215
02:00:08,999 --> 02:00:10,565
MAKES ME UNEASY.
2216
02:00:13,269 --> 02:00:16,070
YOU DO LOVE ME,
DON'T YOU, MARY?
2217
02:00:17,340 --> 02:00:19,741
OF COURSE I DO, MARTIN.
2218
02:00:19,776 --> 02:00:22,210
BUT PERHAPS IF YOU WERE
TO APPEAL TO HIM--
2219
02:00:22,245 --> 02:00:25,480
NO. I HAVE
MY PRIDE, TOO.
2220
02:00:25,515 --> 02:00:28,115
[BELL TOLLING]
2221
02:00:28,151 --> 02:00:29,950
THERE'S MY GIRL...
2222
02:00:31,587 --> 02:00:33,821
MY LITTLE WIFE-TO-BE.
2223
02:00:36,493 --> 02:00:37,758
AHEM.
2224
02:00:37,794 --> 02:00:39,927
EXCUSE ME, SIR,
BUT, UM...
2225
02:00:39,963 --> 02:00:42,096
THE HORSE GUARD'S CLOCK
HAS JUST STRUCK
THE QUARTER.
2226
02:00:42,132 --> 02:00:43,965
I ONLY MENTION IT
2227
02:00:44,000 --> 02:00:45,934
BECAUSE THE YOUNG LADY
PARTICULARLY
ASKED ME TO.
2228
02:00:45,969 --> 02:00:48,169
QUITE RIGHT.
I DID.
2229
02:00:48,205 --> 02:00:50,471
I DARE NOT STAY
FOR LONG.
2230
02:00:50,506 --> 02:00:52,673
THEN LET ME BE BRIEF.
2231
02:00:52,709 --> 02:00:54,609
YOU KNOW MY RELATIVE
PECKSNIFF?
2232
02:00:54,644 --> 02:00:57,412
YES. YOUR GRANDFATHER
HAS SPOKEN OF HIM
2233
02:00:57,447 --> 02:00:58,947
A GREAT DEAL LATELY.
2234
02:00:58,982 --> 02:01:01,416
IT SEEMS
HE IS A BETTER MAN
THAN WE SUPPOSED.
2235
02:01:01,451 --> 02:01:02,684
[SCOFFS]
2236
02:01:02,719 --> 02:01:05,319
WE ARE GOING
TO STAY WITH HIM
AND HIS DAUGHTERS.
2237
02:01:05,355 --> 02:01:07,455
PECKSNIFF IS A SCOUNDREL,
2238
02:01:07,490 --> 02:01:10,158
IN THOUGHT AND DEED
AND EVERYTHING ELSE.
2239
02:01:10,193 --> 02:01:12,793
AS FOR HIS DAUGHTERS,
2240
02:01:12,829 --> 02:01:15,396
WELL, I WILL ONLY SAY
THAT THEY ARE DUTIFUL
YOUNG LADIES
2241
02:01:15,432 --> 02:01:17,331
AND TAKE AFTER
THEIR FATHER.
2242
02:01:17,367 --> 02:01:19,300
I'M SORRY TO HEAR IT.
2243
02:01:19,336 --> 02:01:21,569
I WAS HOPING
THEY WOULD BE FRIENDS.
2244
02:01:21,605 --> 02:01:24,405
THAT IS THE VERY POINT
I'M COMING TO.
2245
02:01:24,441 --> 02:01:26,574
IN PECKSNIFF'S EMPLOY,
2246
02:01:26,610 --> 02:01:29,977
THERE IS A MAN
CALLED TOM PINCH.
2247
02:01:30,013 --> 02:01:31,512
REMEMBER THE NAME.
2248
02:01:31,547 --> 02:01:33,214
TOM PINCH.
2249
02:01:33,249 --> 02:01:35,683
A POOR, STRANGE,
ODD-LOOKING FELLOW,
2250
02:01:35,719 --> 02:01:38,519
BUT VERY HONEST
AND WITH A SPECIAL
REGARD FOR ME.
2251
02:01:38,554 --> 02:01:40,088
I LIKE HIM ALREADY.
2252
02:01:40,123 --> 02:01:42,223
HE ALSO KNOWS YOU, TOO,
IN A SENSE.
2253
02:01:42,259 --> 02:01:45,226
YOU USED TO VISIT
THE PARISH CHURCH WHERE
HE PLAYED THE ORGAN.
2254
02:01:45,262 --> 02:01:46,561
THE ORGANIST?
2255
02:01:46,596 --> 02:01:48,562
YES, AND HE GETS
NOTHING FOR IT, EITHER.
2256
02:01:48,598 --> 02:01:50,431
THERE NEVER WAS
SUCH A SIMPLE FELLOW,
2257
02:01:50,867 --> 02:01:53,101
BUT A VERY GOOD SORT OF
CREATURE, I ASSURE YOU.
2258
02:01:53,136 --> 02:01:55,636
WHEN I WRITE TO YOU
FROM AMERICA,
2259
02:01:55,672 --> 02:01:58,439
I WILL SEND THE LETTERS
CARE OF PINCH.
2260
02:01:58,475 --> 02:02:00,308
AND WHILE I'M GONE,
2261
02:02:00,343 --> 02:02:02,443
IT WILL BE A GREAT
CONSOLATION TO YOU
2262
02:02:02,479 --> 02:02:04,411
TO HAVE SOMEONE
TO TALK TO.
2263
02:02:04,447 --> 02:02:07,114
ABOUT ME, YOU KNOW.
2264
02:02:07,150 --> 02:02:09,517
I'VE WRITTEN A LETTER TO HIM
WHICH EXPLAINS ALL THIS.
2265
02:02:09,953 --> 02:02:11,653
AHEM.
EXCUSE ME, SIR.
2266
02:02:11,688 --> 02:02:13,154
THE HALF HOUR.
2267
02:02:13,189 --> 02:02:14,822
I MUST GO AT ONCE.
2268
02:02:19,329 --> 02:02:21,962
GOOD-BYE, MARY.
2269
02:02:21,998 --> 02:02:23,998
MARTIN, ARE YOU SURE
THIS IS WISE?
2270
02:02:24,033 --> 02:02:25,299
ABSOLUTELY.
2271
02:02:25,334 --> 02:02:27,301
DO YOU HAVE
ENOUGH MONEY?
2272
02:02:27,337 --> 02:02:31,572
DO YOU THINK I WOULD
SET OFF ON SUCH A VENTURE
OTHERWISE?
2273
02:02:31,608 --> 02:02:33,441
PUT YOUR PURSE AWAY.
2274
02:02:40,350 --> 02:02:42,083
GOOD-BYE, MY LOVE.
2275
02:02:53,262 --> 02:02:54,995
GOOD-BYE, MARTIN.
2276
02:03:12,549 --> 02:03:15,016
MR. TAPLEY, I WANT
TO GO TO BOND STREET
2277
02:03:15,051 --> 02:03:17,018
BEFORE WE RETURN
TO THE HOTEL.
2278
02:03:17,053 --> 02:03:18,486
YES, MISS.
2279
02:03:18,522 --> 02:03:19,954
[KNOCK ON DOOR]
2280
02:03:24,561 --> 02:03:25,693
WELL, MARK?
2281
02:03:25,728 --> 02:03:28,729
WELL, SIR, I SEEN
THE YOUNG LADY
SAFE HOME.
2282
02:03:28,764 --> 02:03:30,931
SHE SENT A LOT OF
KIND WORDS, SIR...
2283
02:03:30,967 --> 02:03:32,800
AND THIS...
2284
02:03:32,836 --> 02:03:34,502
FOR A KEEPSAKE.
2285
02:03:42,178 --> 02:03:43,611
DIAMONDS.
2286
02:03:44,714 --> 02:03:47,114
AND SPLENDID ONES.
2287
02:03:47,150 --> 02:03:49,550
MY GRANDFATHER MUST HAVE
GIVEN HER THIS, MARK.
2288
02:03:50,987 --> 02:03:52,653
SIR, YOU DON'T
THINK, UH...
2289
02:03:52,688 --> 02:03:54,822
SHE MIGHT HAVE
BOUGHT IT HERSELF
SO TO GIVE TO YOU
2290
02:03:54,857 --> 02:03:56,924
SO YOU'D HAVE
SOMETHING OF VALUE
FOR A RAINY DAY?
2291
02:03:56,959 --> 02:03:59,227
NO, NO, NO. THIS WAS
MY GRANDFATHER'S GIFT.
DEPEND ON IT.
2292
02:04:01,031 --> 02:04:03,097
I'M SURE
YOU KNOW BEST, SIR.
2293
02:04:03,133 --> 02:04:05,166
I SHOULD WEAR IT...
2294
02:04:05,201 --> 02:04:06,534
ON...
2295
02:04:07,803 --> 02:04:09,204
THIS FINGER.
2296
02:04:11,073 --> 02:04:13,073
AND THERE IT SHALL STAY
2297
02:04:13,109 --> 02:04:16,777
UNTIL THE DAY
WHEN I PUT IT BACK
ON HER OWN DEAR HAND.
2298
02:04:20,316 --> 02:04:22,449
SHE IS QUITE WORTHY OF
THE SACRIFICES I HAVE MADE.
2299
02:04:24,921 --> 02:04:26,520
JOLLY!
2300
02:04:37,266 --> 02:04:39,200
[MAN GROANING]
2301
02:04:40,536 --> 02:04:43,738
[MAN COUGHING
GROTESQUELY]
2302
02:04:58,888 --> 02:05:00,488
LET THE FIRE BE!
2303
02:05:00,523 --> 02:05:02,390
IT'S A COLD SPRING!
2304
02:05:02,425 --> 02:05:05,459
[WHINY VOICE]
"WASTE NOT, WANT NOT."
2305
02:05:05,494 --> 02:05:07,795
[CHUCKLING]
2306
02:05:07,831 --> 02:05:10,631
THERE'S LITTLE TIME LEFT
FOR THAT, JONAS.
2307
02:05:10,666 --> 02:05:12,232
FOR WHAT?
2308
02:05:12,268 --> 02:05:15,536
FOR ME TO COME TO WANT.
2309
02:05:15,572 --> 02:05:19,240
HE'S YOUR OWN SON,
MR. CHUZZLEWIT.
2310
02:05:19,275 --> 02:05:22,076
YOUR ONLY SON, SIR.
2311
02:05:22,111 --> 02:05:24,378
YES, YES, CHUFFEY,
2312
02:05:24,414 --> 02:05:27,381
HE'S A CHIP
OFF THE OLD BLOCK.
2313
02:05:27,416 --> 02:05:29,183
[ANTHONY CHUCKLES]
2314
02:05:29,218 --> 02:05:32,719
IT'S A VERY OLD BLOCK NOW,
CHUFFEY.
2315
02:05:32,755 --> 02:05:36,590
NO, NO, NO,
MR. CHUZZLEWIT,
2316
02:05:36,626 --> 02:05:38,859
NOT OLD.
NOT OLD AT ALL.
2317
02:05:38,894 --> 02:05:40,594
HE'S GETTING WORSE,
FATHER.
2318
02:05:40,629 --> 02:05:42,630
HOLD YOUR TONGUE!
2319
02:05:46,302 --> 02:05:48,269
HE SAYS YOU'RE WRONG!
2320
02:05:48,304 --> 02:05:51,105
TUT, TUT, I KNOW BETTER.
2321
02:05:51,141 --> 02:05:52,607
I SAY HE'S WRONG.
2322
02:05:52,642 --> 02:05:56,043
HE'S JUST A BOY,
THAT'S WHAT HE IS.
2323
02:05:56,079 --> 02:05:58,112
SO ARE YOU,
MR. CHUZZLEWIT.
2324
02:05:58,148 --> 02:06:00,515
COMPARED TO ME,
YOU'RE BOTH BOYS.
2325
02:06:00,550 --> 02:06:02,450
[CHUFFEY LAUGHING]
2326
02:06:02,886 --> 02:06:05,386
WHAT'S POSSESSED
THE OLD MOLE?
2327
02:06:05,421 --> 02:06:07,355
I HAVEN'T HEARD HIM
SAY SO MUCH IN YEARS.
2328
02:06:07,390 --> 02:06:10,591
I GROW DEAF, CHUFFEY.
2329
02:06:10,626 --> 02:06:12,626
WHAT IF YOU DO?
2330
02:06:12,662 --> 02:06:14,862
I'VE BEEN DEAF
THIS 20 YEARS.
2331
02:06:14,897 --> 02:06:17,898
AND BLINDER, TOO.
2332
02:06:17,933 --> 02:06:20,368
IT'S A GOOD SIGN.
2333
02:06:21,604 --> 02:06:24,572
THE BEST SIGN
IN THE WORLD.
2334
02:06:24,607 --> 02:06:27,040
YOU SAW TOO WELL
BEFORE.
2335
02:06:29,846 --> 02:06:33,080
OH, I SEE
WHAT YOU'RE DOING.
2336
02:06:33,115 --> 02:06:37,385
YOU'RE LEGACY-HUNTING,
MR. CHUFFEY, ARE YOU?
2337
02:06:38,688 --> 02:06:40,688
WELL...
2338
02:06:40,723 --> 02:06:43,557
YOU'RE WASTING
YOUR TIME.
2339
02:06:45,195 --> 02:06:47,595
NOT...
2340
02:06:47,630 --> 02:06:49,229
AT ALL.
2341
02:06:53,135 --> 02:06:56,937
�30 YOU GET, CHUFFEY.
2342
02:06:59,909 --> 02:07:04,612
�30 A YEAR MAINTENANCE,
OLD BOY.
2343
02:07:04,647 --> 02:07:06,614
AND THE REST...
2344
02:07:06,649 --> 02:07:09,616
TO HIS ONLY SON...
JONAS.
2345
02:07:09,652 --> 02:07:12,687
SO YOU NEEDN'T
BOTHER YOURSELF TO BE
TOO AFFECTIONATE--
2346
02:07:17,660 --> 02:07:20,328
WHAT ARE YOU DOING PEERING
AND PRYING AROUND FOR,
PECKSNIFF?
2347
02:07:20,363 --> 02:07:22,629
WHY DIDN'T YOU KNOCK?
2348
02:07:22,665 --> 02:07:24,999
SO I DID,
BUT NOBODY HEARD IT.
2349
02:07:25,034 --> 02:07:27,168
THE DOOR BEING OPEN,
I CAME UP.
2350
02:07:27,203 --> 02:07:30,771
I'M AFRAID
I STARTLED YOU
IN YOUR, UM...
2351
02:07:30,806 --> 02:07:32,306
READING.
2352
02:07:32,341 --> 02:07:34,675
ECOD, IT'S ENOUGH
TO STARTLE A MAN
TO SEE A FELLOW
2353
02:07:34,710 --> 02:07:37,045
LOOKING DIRECTLY AT HIM
WHO HE THOUGHT WAS
80 MILES AWAY!
2354
02:07:37,080 --> 02:07:39,413
I AM SUMMONED TO LONDON
BY A LITTLE MATTER
OF BUSINESS.
2355
02:07:39,448 --> 02:07:41,048
I CAME TO PAY
MY RESPECTS.
2356
02:07:41,083 --> 02:07:43,083
OH, IS THAT ALL?
2357
02:07:43,119 --> 02:07:45,552
WELL, YOU'D, UH,
BETTER HAVE SOME TEA.
2358
02:07:47,623 --> 02:07:49,590
WAKE UP, FATHER.
PECKSNIFF'S HERE!
2359
02:07:49,626 --> 02:07:51,359
[KNOCK ON DOOR]
2360
02:07:51,394 --> 02:07:54,094
OH, I'M EXPECTING
A PARCEL.
2361
02:07:54,129 --> 02:07:56,597
YOU MUST EXCUSE ME,
PECKSNIFF.
2362
02:07:56,632 --> 02:07:59,600
ADD SOME MORE BOILING
WATER TO THE TEAPOT.
2363
02:07:59,635 --> 02:08:02,570
THERE'S PLENTY
OF STRENGTH LEFT
IN THE LEAVES.
2364
02:08:15,652 --> 02:08:17,919
NOW THAT
WE ARE ALONE...
2365
02:08:20,055 --> 02:08:22,322
I AM RIGHT IN THINKING
2366
02:08:22,358 --> 02:08:23,991
THAT, UH,
METAPHYSICALLY SPEAKING,
2367
02:08:24,026 --> 02:08:25,892
OUR DEAR FRIEND
MR. CHUFFEY HERE
2368
02:08:25,928 --> 02:08:28,596
IS WHAT IS JOCULARLY
CALLED A DUMMY?
2369
02:08:28,631 --> 02:08:32,500
HE NEITHER SEES
NOR HEARS YOU.
2370
02:08:32,535 --> 02:08:34,835
POKE UP THE FIRE,
WILL YOU, PECKSNIFF?
2371
02:08:34,870 --> 02:08:38,639
I FEEL A CHILL ON ME
LIKE THE INSIDE
OF A TOMB.
2372
02:08:47,116 --> 02:08:49,983
I WAS NEVER SO SURPRISED
IN MY WHOLE LIFE
2373
02:08:50,019 --> 02:08:52,720
WHEN I RECEIVED YOUR LETTER
ASKING TO SEE ME
2374
02:08:52,755 --> 02:08:54,355
WITHOUT JONAS' KNOWLEDGE.
2375
02:08:54,390 --> 02:08:58,092
JONAS IS SWEET
UPON YOUR DAUGHTER.
2376
02:08:58,127 --> 02:09:00,794
SO YOU OBSERVED
THE LAST TIME WE MET.
2377
02:09:00,829 --> 02:09:02,563
HAVE YOU THOUGHT
ON WHAT I SAID THEN?
2378
02:09:02,599 --> 02:09:06,000
YES. AND FIND MUCH
TO RECOMMEND IT.
2379
02:09:06,035 --> 02:09:09,003
CHARITY IS A CHARMING GIRL
WHOM ANY MAN--
2380
02:09:09,038 --> 02:09:10,271
SHE'S NOT YOUNG...
2381
02:09:10,306 --> 02:09:12,205
AND HEEDLESS.
2382
02:09:12,241 --> 02:09:14,608
SHE COMES FROM A GOOD,
GRIPING STOCK,
2383
02:09:15,044 --> 02:09:16,577
I GRANT YOU THAT.
2384
02:09:18,515 --> 02:09:20,981
AS LONG AS SHE DON'T
EXPECT LOVE...
2385
02:09:22,151 --> 02:09:23,617
OR TENDERNESS
2386
02:09:23,652 --> 02:09:25,452
OR ANYTHING
OF THAT SORT.
2387
02:09:25,488 --> 02:09:27,554
REALLY, SIR,
YOU SHOCK ME.
2388
02:09:27,590 --> 02:09:29,824
MATRIMONY
IS SURELY INSEPARABLE
2389
02:09:29,859 --> 02:09:32,893
FROM THE MUTUAL REGARD
OF THE SPOUSES,
THE EXTREME--
2390
02:09:32,928 --> 02:09:37,431
YOU ALWAYS WAS
A HYPOCRITE, PECKSNIFF.
2391
02:09:37,466 --> 02:09:40,701
WELL, DON'T SAY LATER
I DIDN'T WARN YOU.
2392
02:09:42,104 --> 02:09:43,571
I MEAN, WHEN I'M--
2393
02:09:43,606 --> 02:09:45,539
[COUGHING]
2394
02:09:48,444 --> 02:09:50,277
WHEN I'M DEAD.
2395
02:09:50,313 --> 02:09:52,913
WARN ME? WHAT ABOUT?
2396
02:09:52,948 --> 02:09:56,584
WHEN I PROPOSED
THE MATCH,
2397
02:09:56,619 --> 02:10:00,555
I THOUGHT I HAD PLENTY
OF YEARS AHEAD OF ME.
2398
02:10:03,125 --> 02:10:05,426
I SEE THINGS...
2399
02:10:05,461 --> 02:10:06,994
DIFFERENTLY NOW.
2400
02:10:07,029 --> 02:10:08,896
[WHEEZING GRUESOMELY]
2401
02:10:17,139 --> 02:10:18,539
MR. CHUZZLEWIT...
2402
02:10:18,574 --> 02:10:20,141
OH.
2403
02:10:20,176 --> 02:10:22,943
OHH...
THE BOTTLE OF PHYSIC.
2404
02:10:22,978 --> 02:10:24,578
OHH.
2405
02:10:32,321 --> 02:10:33,754
ONE SPOONFUL?
2406
02:10:43,465 --> 02:10:45,532
[WHEEZES]
2407
02:10:48,338 --> 02:10:49,603
MR. CHUZZLEWIT.
2408
02:10:51,173 --> 02:10:52,373
MR. CHUZZLEWIT,
2409
02:10:52,408 --> 02:10:54,775
I AM AT A LOSS
TO UNDERSTAND YOU.
2410
02:10:54,810 --> 02:10:58,712
WHEN YOU HAVE
RECOVERED YOURSELF,
WE MUST SPEAK FURTHER.
2411
02:11:02,217 --> 02:11:03,650
WHAT ARE YOU DOING?
2412
02:11:05,622 --> 02:11:08,088
YOUR FATHER HAD
A BAD COUGHING FIT.
2413
02:11:08,123 --> 02:11:10,591
I--I GAVE HIM
SOME OF THIS MEDICINE.
2414
02:11:10,626 --> 02:11:13,393
I--I HOPE I DID RIGHT.
2415
02:11:13,429 --> 02:11:14,861
OH, YES.
2416
02:11:14,897 --> 02:11:17,464
YES. YES, YOU DID RIGHT.
2417
02:11:24,306 --> 02:11:26,273
YOU KNOW, NOW,
MR. JONAS,
2418
02:11:26,308 --> 02:11:28,275
I--I DON'T WISH
TO ALARM YOU,
2419
02:11:28,310 --> 02:11:31,245
BUT IT SEEMS TO ME
THAT HE IS, UM...
2420
02:11:32,648 --> 02:11:33,914
SINKING.
2421
02:11:33,949 --> 02:11:36,250
NO, NO. YOU DON'T KNOW
HOW TOUGH HE IS.
2422
02:11:36,285 --> 02:11:38,619
HE'S HAD THAT COUGH
ALL WINTER.
2423
02:11:38,655 --> 02:11:40,621
COME, LET US SIT DOWN
2424
02:11:40,656 --> 02:11:43,490
AND HAVE SOME BREAD
AND BUTTER.
2425
02:11:49,198 --> 02:11:51,131
AHH.
2426
02:11:51,167 --> 02:11:52,900
SO, HOW IS CHARITY?
2427
02:11:52,935 --> 02:11:55,035
BLOOMING.
2428
02:11:56,605 --> 02:11:58,238
AND THE OTHER ONE?
2429
02:11:58,274 --> 02:12:01,241
AH, MY VOLATILE
HUMMINGBIRD.
2430
02:12:01,276 --> 02:12:03,377
WELL, WELL.
2431
02:12:03,412 --> 02:12:05,512
WOULD SHE WERE
A LITTLE LESS GIDDY.
2432
02:12:05,948 --> 02:12:08,382
IS SHE SO VERY,
VERY GIDDY THEN?
2433
02:12:08,417 --> 02:12:11,285
BESIDES HER SISTER CHERRY,
SHE SOMETIMES SEEMS SO.
2434
02:12:12,988 --> 02:12:16,189
[DEEP-TONED TICKING]
2435
02:12:23,299 --> 02:12:26,934
MY WORD, THAT IS A MOST
EXTRAORDINARY CLOCK.
2436
02:12:32,041 --> 02:12:33,173
MASTER!
2437
02:12:35,077 --> 02:12:37,043
[THROAT CLUCKING]
2438
02:12:37,079 --> 02:12:39,079
[JABBERING INCOHERENTLY]
2439
02:12:41,250 --> 02:12:43,818
HE SEEMS TO BE TRYING
TO SAY SOMETHING.
2440
02:12:49,559 --> 02:12:52,893
[WHEEZES]
2441
02:12:58,668 --> 02:13:00,634
OH, DEAR ME!
2442
02:13:00,669 --> 02:13:02,303
I FEAR HE MAY BE, UM...
2443
02:13:02,338 --> 02:13:04,138
I'LL FETCH A DOCTOR.
2444
02:13:04,173 --> 02:13:05,906
DON'T GO, PECKSNIFF.
2445
02:13:05,942 --> 02:13:07,641
Pecksniff: NO, NO, NO,
OF COURSE NOT.
2446
02:13:07,677 --> 02:13:09,310
IT WAS A MERCY
YOU WERE PRESENT.
2447
02:13:09,345 --> 02:13:10,777
SOMEONE COULD SAY
IT WAS MY FAULT!
2448
02:13:10,813 --> 02:13:12,913
YOUR FAULT,
MR. JONAS?
2449
02:13:12,948 --> 02:13:14,481
WELL, PEOPLE SAY
SUCH THINGS.
2450
02:13:14,517 --> 02:13:18,051
I USED TO JOKE, YOU KNOW,
BUT I NEVER WISHED HIM DEAD!
2451
02:13:18,087 --> 02:13:20,888
SIT HIM UP IN HIS CHAIR.
HE'LL SOON BE BETTER.
2452
02:13:20,923 --> 02:13:24,258
SOON BETTER. SOON BETTER.
2453
02:13:24,293 --> 02:13:25,893
SOON BETTER.
2454
02:13:28,097 --> 02:13:31,031
CAPTIONED BY THE NATIONAL
CAPTIONING INSTITUTE
--www.ncicap.org--
2455
02:15:14,335 --> 02:15:15,835
[BABY CRYING]
2456
02:15:15,904 --> 02:15:18,371
[TAPPING]
2457
02:15:22,710 --> 02:15:24,810
KNOCK AT THE WINDOW,
SIR,
2458
02:15:24,879 --> 02:15:26,679
KNOCK AT THE FIRST FLOOR
WINDOW.
2459
02:15:26,748 --> 02:15:29,148
DON'T LOSE MORE TIME
THAN YOU CAN HELP.
2460
02:15:34,222 --> 02:15:36,656
MAY I BORROW
YOUR WHIP, MY MAN?
2461
02:15:54,442 --> 02:15:56,075
HE'S AS PALE
AS A MUFFIN.
2462
02:15:56,144 --> 02:15:59,311
WELL, HE OUGHT TO BE,
IF HE'S ANY FEELINGS.
2463
02:15:59,380 --> 02:16:01,347
[WINDOWSILL SQUEAKS]
2464
02:16:01,415 --> 02:16:02,348
MRS. GAMP?
2465
02:16:02,417 --> 02:16:04,250
IS IT MRS. PERKINS?
2466
02:16:04,319 --> 02:16:06,219
NO, NO,
NOTHING OF THE SORT.
2467
02:16:06,287 --> 02:16:09,522
OH, DON'T SAY IT'S YOU,
MR. WHILKES--
2468
02:16:09,591 --> 02:16:12,891
AND THAT POOR CREATURE
MRS. WHILKES WITH NOT
EVEN A PINCUSHION READY.
2469
02:16:12,960 --> 02:16:14,960
NO. NO, IT IS NOT
MR. WHILKES.
2470
02:16:15,029 --> 02:16:17,963
MY NAME IS PECKSNIFF.
A GENTLEMAN IS DEAD,
2471
02:16:18,032 --> 02:16:20,499
AND SOME PERSON BEING
WANTED IN THE HOUSE,
2472
02:16:20,568 --> 02:16:22,434
YOU HAVE
BEEN RECOMMENDED
2473
02:16:22,503 --> 02:16:25,071
BY MR. MOULD
THE UNDERTAKER.
2474
02:16:25,139 --> 02:16:28,307
OH. OH, I--I'LL BE DOWN
DIRECTLY.
2475
02:16:35,550 --> 02:16:38,483
OH. OH,
YOU MUST EXCUSE ME
2476
02:16:38,552 --> 02:16:40,820
BEING A-BED
WHEN YOU CALLED, SIR,
2477
02:16:40,888 --> 02:16:42,821
BUT I WAS SUMMONED
LAST NIGHT
2478
02:16:42,890 --> 02:16:45,057
TO ASSIST IN A CASE
OF TWINS.
2479
02:16:51,599 --> 02:16:54,400
WAS IT A CLOSE RELATION
OF YOURN, SIR,
2480
02:16:54,469 --> 02:16:58,437
THE DECEASED, SIR?
OH, DEAR, OH, DEAR.
2481
02:16:58,506 --> 02:17:02,308
OH, WHEN MR. GAMP
WAS CALLED TO
HIS HOME ON HIGH
2482
02:17:02,377 --> 02:17:06,412
AND I SEEN HIM A-LYIN'
IN GUY'S HOSPITAL
2483
02:17:06,480 --> 02:17:08,480
WITH A PENNY PIECE
ON EACH EYE
2484
02:17:08,549 --> 02:17:10,983
AND HIS WOODEN LEG
UNDER HIS LEFT ARM,
2485
02:17:11,052 --> 02:17:13,986
OOH, I THOUGHT I SHOULD
HAVE FAINTED AWAY.
2486
02:17:14,054 --> 02:17:17,489
BUT I BORE UP.
OH, I EXPECT YOU THINK
2487
02:17:17,558 --> 02:17:21,393
I'M INDIFFERENT
TO SUCH SIGHTS
BY NOW, SIR.
2488
02:17:21,462 --> 02:17:22,495
[SNIFF SNIFF]
2489
02:17:22,564 --> 02:17:23,829
AH-CHOO!
2490
02:17:23,898 --> 02:17:25,831
BUT I CAN ASSURE YOU,
2491
02:17:25,900 --> 02:17:29,068
IF IT WASN'T
FOR THE NERVE
2492
02:17:29,136 --> 02:17:31,470
THAT A LITTLE SIP
OF LIQUOR GIVES ME,
2493
02:17:31,539 --> 02:17:32,972
I COULDN'T GO THROUGH
2494
02:17:33,040 --> 02:17:34,974
WITH WHAT I SOMETIMES
HAS TO DO.
2495
02:17:35,043 --> 02:17:36,475
"MRS. HARRIS," I SAYS,
2496
02:17:36,544 --> 02:17:38,477
AT THE LAST CASE
I WAS EVER IN,
2497
02:17:38,546 --> 02:17:41,481
WHICH IT WAS BUT
A YOUNG PERSON, OH.
2498
02:17:41,549 --> 02:17:43,482
"MRS. HARRIS," I SAYS,
2499
02:17:43,550 --> 02:17:46,485
"LEAVE THE BOTTLE
ON THE CHIMNEY PIECE.
2500
02:17:46,554 --> 02:17:48,488
"DON'T ASK ME
TO HAVE NONE,
2501
02:17:48,556 --> 02:17:51,423
"BUT LET ME PUT
MY LIPS TO IT
2502
02:17:51,492 --> 02:17:52,825
"WHEN I'M SO DISPOSED,
2503
02:17:52,893 --> 02:17:55,127
"AND THEN I WILL DO WHAT
I WAS ENGAGED TO DO,
2504
02:17:55,196 --> 02:17:57,797
ACCORDING TO THE BEST
OF MY ABILITY."
2505
02:17:57,865 --> 02:17:58,998
OH.
2506
02:17:59,066 --> 02:18:01,934
"OH, MRS. GAMP,"
SHE SAYS,
2507
02:18:02,002 --> 02:18:04,637
"IF EVER THERE WAS
A SOBER CREATURE
2508
02:18:04,705 --> 02:18:07,006
"TO BE GOT FOR
18 PENCE A DAY"--
2509
02:18:07,075 --> 02:18:08,507
WORKING FOLK,
2510
02:18:08,576 --> 02:18:09,875
3 AND 6,
GENTLE PEOPLE,
2511
02:18:09,944 --> 02:18:12,278
AND NIGHT WATCHING
AN EXTRA CHARGE--
2512
02:18:12,347 --> 02:18:15,481
"YOU ARE THAT
INVALUABLE PERSON."
2513
02:18:17,919 --> 02:18:20,419
WELL, MRS. GAMP.
2514
02:18:20,488 --> 02:18:21,988
AND HOW ARE YOU?
2515
02:18:22,056 --> 02:18:23,556
OH, PRETTY WELL,
THANK YOU, SIR.
2516
02:18:23,625 --> 02:18:26,491
YOU'LL BE VERY PARTICULAR
HERE, MRS. GAMP.
2517
02:18:26,560 --> 02:18:28,828
THIS IS NOT A COMMON CASE.
2518
02:18:28,896 --> 02:18:30,129
OH, I SHALL BE, SIR.
2519
02:18:30,197 --> 02:18:32,364
YOU KNOW ME OF OLD,
I HOPE, SIR.
2520
02:18:32,433 --> 02:18:33,832
I DO.
2521
02:18:33,901 --> 02:18:37,403
THIS PROMISES TO BE ONE
OF THE MOST IMPRESSIVE
FUNERALS, SIR,
2522
02:18:37,472 --> 02:18:39,838
THAT I HAVE SEEN
IN THE WHOLE COURSE
2523
02:18:39,907 --> 02:18:41,039
OF MY PROFESSIONAL
EXPERIENCE.
2524
02:18:41,108 --> 02:18:42,074
INDEED.
2525
02:18:42,143 --> 02:18:45,945
OH. SUCH--SUCH
AFFECTIONATE REGRET, SIR.
2526
02:18:46,013 --> 02:18:49,047
SUCH--SUCH FILIAL FEELING
I NEVER SAW.
2527
02:18:49,116 --> 02:18:50,549
THERE IS NO LIMITATION,
2528
02:18:50,618 --> 02:18:52,185
POSITIVELY NO LIMITATION
IN POINT OF EXPENSE.
2529
02:18:52,253 --> 02:18:53,686
I HAVE ORDERS, SIR,
2530
02:18:53,755 --> 02:18:59,091
TO PUT ON MY WHOLE
ESTABLISHMENT OF MUTES.
2531
02:18:59,160 --> 02:19:03,729
AND MUTES COME VERY DEAR,
MR. PECKSNIFF. HA HA!
2532
02:19:03,797 --> 02:19:06,098
NOT TO MENTION
THEIR DRINK.
2533
02:19:06,167 --> 02:19:07,599
[FOOTSTEPS ON STAIRS]
2534
02:19:07,668 --> 02:19:11,236
MY FRIEND MR. JONAS
IS AN EXCELLENT MAN.
2535
02:19:11,305 --> 02:19:12,738
AH! HERE HE IS.
2536
02:19:12,806 --> 02:19:15,241
MR. JONAS,
THIS IS MRS. GAMP.
2537
02:19:15,309 --> 02:19:19,378
UM, WOULD YOU CARE
TO SHOW HER
THE, UH...
2538
02:19:19,447 --> 02:19:20,880
WELL, CAN'T MOULD, SIR?
2539
02:19:20,948 --> 02:19:24,116
OH, BE A PLEASURE,
MR. CHUZZLEWIT.
2540
02:19:24,184 --> 02:19:25,618
OH, THANK YOU, SIR.
2541
02:19:25,686 --> 02:19:27,286
I'LL SEE MYSELF OUT
AFTERWARDS.
2542
02:19:27,355 --> 02:19:29,122
THIS WAY, SIR.
2543
02:19:33,861 --> 02:19:35,761
YOU'LL STAY FOR
THE FUNERAL, PECKSNIFF?
2544
02:19:35,830 --> 02:19:37,997
OF COURSE, MY DEAR SIR.
2545
02:19:38,065 --> 02:19:41,400
IS THERE ANYONE
YOU'D LIKE TO ASK?
2546
02:19:41,469 --> 02:19:46,171
NO, I--I THINK NOT,
MR. JONAS,
2547
02:19:46,240 --> 02:19:47,306
BUT, UM...
2548
02:19:47,375 --> 02:19:49,809
THANK YOU FOR YOUR
HOSPITABLE THOUGHT.
2549
02:19:49,878 --> 02:19:54,546
THEN YOU, ME, CHUFFEY,
AND THE DOCTOR
2550
02:19:54,615 --> 02:19:56,415
WILL BE JUST
A COACHFUL.
2551
02:19:56,484 --> 02:19:57,983
THE DOCTOR?
2552
02:19:58,052 --> 02:19:59,985
MM. JOBLING.
AN EXCELLENT MAN.
2553
02:20:00,054 --> 02:20:02,488
HE SAYS HE DIED
OF A STROKE, YOU KNOW?
2554
02:20:02,557 --> 02:20:05,224
WOULD YOU CARE FOR
A LITTLE SOMETHING?
2555
02:20:05,292 --> 02:20:06,825
OH, THANK YOU.
2556
02:20:06,894 --> 02:20:09,294
A LITTLE GLASS OF BRANDY
WOULD BE MOST WELCOME.
2557
02:20:17,905 --> 02:20:20,506
I WAS WONDERING
WHETHER YOU WOULD CARE
2558
02:20:20,574 --> 02:20:22,842
TO PAY US A LITTLE VISIT
IN WILTSHIRE
2559
02:20:22,911 --> 02:20:23,942
AFTER THE FUNERAL.
2560
02:20:24,011 --> 02:20:25,511
BY GAD, YES.
2561
02:20:25,579 --> 02:20:28,814
YES. I COULD DO
WITH A CHANGE OF AIR.
2562
02:20:28,883 --> 02:20:31,316
IT WOULD, I THINK,
BE RESTORATIVE
2563
02:20:31,385 --> 02:20:32,818
AFTER THE STRAIN
OF RECENT EVENTS.
2564
02:20:32,887 --> 02:20:35,354
MY DAUGHTERS
WOULD BE GLAD
TO WELCOME YOU,
2565
02:20:35,423 --> 02:20:38,356
ESPECIALLY, I THINK
I MAY SAFELY SAY,
CHARITY.
2566
02:20:39,427 --> 02:20:40,793
SHE WOULD, EH?
2567
02:20:42,396 --> 02:20:43,529
MRS. GAMP.
2568
02:20:43,598 --> 02:20:46,999
I HAVE BEEN IN MANY
PLACES IN MY TIME,
GENTLEMEN,
2569
02:20:47,068 --> 02:20:49,835
AND I HOPES I KNOWS
WHAT MY DUTIES IS.
2570
02:20:49,904 --> 02:20:54,373
I HAVE SEEN
A DEAL OF TROUBLE
MY OWN SELF,
2571
02:20:54,442 --> 02:20:56,041
AND I CAN
FEEL FOR THEM
2572
02:20:56,110 --> 02:20:57,442
WHAT HAS THEIR
FEELINGS TRIED,
2573
02:20:57,511 --> 02:20:59,945
BUT I AM NOT
A RUSSIAN
2574
02:21:00,014 --> 02:21:01,447
NOR A PRUSSIAN,
2575
02:21:01,516 --> 02:21:04,650
AND CONSEQUENTLY
I CANNOT SUFFER
2576
02:21:04,718 --> 02:21:07,553
TO HAVE SPIES
SET OVER ME.
2577
02:21:12,894 --> 02:21:16,896
I-IF I UNDERSTAND
THIS GOOD LADY,
2578
02:21:16,964 --> 02:21:20,466
MR. CHUFFEY IS
TROUBLESOME TO HER.
2579
02:21:23,470 --> 02:21:27,072
WOULD YOU BRING HIM
DOWN, PECKSNIFF?
2580
02:21:27,141 --> 02:21:29,675
OH, CERTAINLY,
MR. JONAS.
2581
02:21:29,744 --> 02:21:33,746
UM... MAY I?
2582
02:21:42,089 --> 02:21:43,989
OH, THANK YOU, SIR.
2583
02:21:51,833 --> 02:21:55,033
[SOBBING QUIETLY]
2584
02:22:04,678 --> 02:22:07,612
COME, MR. CHUFFEY.
COME WITH ME.
2585
02:22:10,351 --> 02:22:12,351
3 SCORE AND 10.
2586
02:22:13,687 --> 02:22:16,989
SOME MEN LIVE
TO 4 SCORE.
2587
02:22:17,058 --> 02:22:19,124
4 TIMES NAUGHT
IS NAUGHT,
2588
02:22:19,193 --> 02:22:20,625
AND 4 2s ARE 8...
2589
02:22:20,694 --> 02:22:21,794
80!
2590
02:22:23,197 --> 02:22:27,132
WHY DIDN'T HE LIVE
TO 4 SCORE AND 10?
2591
02:22:27,201 --> 02:22:29,535
WHY DID HE HAVE TO DIE
2592
02:22:29,603 --> 02:22:31,637
BEFORE
HIS POOR OLD SERVANT?
2593
02:22:31,706 --> 02:22:33,805
HUSH, MR. CHUFFEY.
2594
02:22:33,874 --> 02:22:36,008
OH, WHAT A WALE
OF GRIEF.
2595
02:22:36,077 --> 02:22:39,444
I LOVED HIM.
2596
02:22:39,513 --> 02:22:42,681
HE WAS GOOD TO ME.
2597
02:22:42,749 --> 02:22:45,784
TAKE HIM AWAY...
2598
02:22:45,853 --> 02:22:48,220
AND WHAT REMAINS?
2599
02:22:48,288 --> 02:22:51,891
MR. JONAS REMAINS,
MY DEAR SIR.
2600
02:22:51,959 --> 02:22:55,461
HIS ONLY SON.
2601
02:22:55,530 --> 02:22:57,330
[SOBBING]
2602
02:22:57,398 --> 02:22:59,365
[BELL TOLLS]
2603
02:23:19,454 --> 02:23:20,819
GLOVES, EH?
2604
02:23:20,888 --> 02:23:23,155
UPON MY WORD,
MR. PECKSNIFF,
2605
02:23:23,224 --> 02:23:25,291
YOUR NEPHEW'S DOING
THE THING IN STYLE.
2606
02:23:25,359 --> 02:23:27,159
HE IS INDEED,
DR. JOBLING.
2607
02:23:27,228 --> 02:23:28,861
HE HAS BEEN AFFECTED
BY HIS FATHER'S DEATH
2608
02:23:28,930 --> 02:23:31,229
TO AN EXTENT THAT HAS
SURPRISED EVEN MYSELF.
2609
02:23:31,298 --> 02:23:33,398
COME ALONG,
MR. CHUFFEY,
2610
02:23:33,467 --> 02:23:35,300
HOLD YOUR FINGERS
STRAIGHT.
2611
02:23:35,369 --> 02:23:37,502
YOU WANT TO BE
PROPERLY DRESSED
2612
02:23:37,571 --> 02:23:39,505
FOR YOUR MASTER'S
FUNERAL, DON'T YOU?
2613
02:23:39,573 --> 02:23:41,740
MY POOR MASTER.
2614
02:23:41,809 --> 02:23:42,774
NOW, COME, COME.
STOP THAT.
2615
02:23:42,843 --> 02:23:45,076
BE A MAN,
MR. CHUFFEY.
2616
02:23:45,145 --> 02:23:46,478
Mrs. Gamp:
WHERE'S YOUR HANKY?
2617
02:23:47,681 --> 02:23:51,950
OH. WHAT'S THE USE
OF KEEPING IT THERE?
2618
02:23:52,019 --> 02:23:54,853
YOU'RE SUPPOSED TO HOLD
IT UP TO YOUR FACE
2619
02:23:54,922 --> 02:23:57,923
SO PEOPLE IN THE STREET
CAN SEE YOU'RE GRIEVING.
2620
02:23:57,992 --> 02:24:01,460
HE'S NOT RIGHT
IN THE HEAD,
YOU KNOW?
2621
02:24:01,529 --> 02:24:02,961
I SHOULDN'T
BE SURPRISED
2622
02:24:03,030 --> 02:24:04,963
IF HE WERE TO TALK
SOME PRECIOUS
NONSENSE TODAY.
2623
02:24:05,032 --> 02:24:06,965
BUT DON'T YOU
MIND HIM,
2624
02:24:07,034 --> 02:24:08,467
ANY OF YOU.
2625
02:24:08,535 --> 02:24:10,468
MY FATHER LEFT HIM
TO MY CHARGE.
2626
02:24:10,537 --> 02:24:12,471
AND WHATEVER
HE MAY SAY OR DO,
2627
02:24:12,539 --> 02:24:14,206
THAT'S ENOUGH.
2628
02:24:14,274 --> 02:24:15,474
I'LL TAKE
CARE OF HIM.
2629
02:24:15,543 --> 02:24:17,742
WHICH DOES YOU
CREDIT, SIR.
2630
02:24:17,811 --> 02:24:20,045
INDEED IT DOES.
2631
02:24:20,114 --> 02:24:21,480
OH, SEE...
2632
02:24:21,548 --> 02:24:24,016
SEE HOW NEAT
HE CAN LOOK, SIR,
2633
02:24:24,085 --> 02:24:25,283
WITH A LITTLE HELP?
2634
02:24:25,352 --> 02:24:27,285
ARE YOU READY,
MR. MOULD?
2635
02:24:27,354 --> 02:24:28,788
QUITE READY, SIR.
2636
02:24:28,856 --> 02:24:32,791
THEN LET US NOT LOSE
ANY MORE TIME.
2637
02:24:39,634 --> 02:24:41,066
MY POOR MASTER.
2638
02:24:41,135 --> 02:24:42,634
TSK.
2639
02:24:48,108 --> 02:24:51,643
I'M THE MASTER NOW,
MR. CHUFFEY.
2640
02:25:20,608 --> 02:25:22,208
WHOSE FUNERAL IS THIS?
2641
02:25:22,276 --> 02:25:23,876
OLD ANTHONY CHUZZLEWIT'S.
2642
02:25:23,945 --> 02:25:25,510
CHUZZLEWIT?
2643
02:25:25,579 --> 02:25:26,711
NO.
2644
02:25:26,780 --> 02:25:28,247
YES. HE DIED SUDDENLY
LAST MONDAY.
2645
02:25:28,315 --> 02:25:29,414
SUDDENLY?
2646
02:25:29,483 --> 02:25:30,849
A STROKE, THEY SAY.
2647
02:25:30,918 --> 02:25:35,387
WHY, WHAT'S THE MATTER, MAN?
YOU LOOK PALE AS A GHOST.
2648
02:25:35,456 --> 02:25:37,056
GOOD LORD.
2649
02:25:52,405 --> 02:25:54,106
PECKSNIFF, WHAT DO YOU INTEND
TO GIVE YOUR DAUGHTERS
2650
02:25:54,175 --> 02:25:55,541
WHEN THEY MARRY?
2651
02:25:55,610 --> 02:25:59,178
OH, MY DEAR JONAS,
WHAT A VERY
SINGULAR INQUIRY.
2652
02:25:59,246 --> 02:26:01,280
OH, NATURALLY,
2653
02:26:01,349 --> 02:26:03,515
IT WOULD DEPEND
IN GREAT MEASURE
2654
02:26:03,583 --> 02:26:06,351
WHAT KIND OF HUSBANDS
THEY MIGHT CHOOSE.
2655
02:26:06,420 --> 02:26:09,154
WELL, SUPPOSE ONE OF THEM
WAS TO CHOOSE ME.
2656
02:26:09,222 --> 02:26:13,859
AH. I SEE WHICH WAY
THE WIND IS BLOWING.
2657
02:26:13,928 --> 02:26:17,696
OH, MY DEAR CHERRY,
MY STAFF, MY TREASURE.
2658
02:26:17,765 --> 02:26:19,899
WELL, IT IS IN
THE NATURE OF THINGS
2659
02:26:19,967 --> 02:26:22,000
THAT ONE DAY
I MUST PART WITH HER.
2660
02:26:22,069 --> 02:26:23,902
I AM PREPARED FOR IT.
2661
02:26:23,970 --> 02:26:28,140
YOU'VE BEEN PREPARED
A PRETTY LONG TIME,
I SHOULD THINK.
2662
02:26:28,208 --> 02:26:30,075
OH, MANY HAVE TRIED
TO BEAR HER AWAY,
2663
02:26:30,143 --> 02:26:32,678
BUT SHE SAID TO ME
ONE DAY,
2664
02:26:32,746 --> 02:26:35,847
"I WILL NEVER
GIVE MY HAND, PAPA,
2665
02:26:35,916 --> 02:26:37,449
UNTIL MY HEART
IS WON."
2666
02:26:37,517 --> 02:26:40,152
THOSE WERE
HER VERY WORDS.
2667
02:26:40,221 --> 02:26:44,923
SHE HAS SEEMED
PREOCCUPIED OF LATE.
2668
02:26:44,992 --> 02:26:46,892
I DON'T KNOW WHY.
2669
02:26:46,960 --> 02:26:49,094
YOU STILL HAVEN'T
ANSWERED MY QUESTION.
2670
02:26:49,163 --> 02:26:50,595
YOUR QUESTION?
2671
02:26:50,664 --> 02:26:51,664
HOW MUCH?
2672
02:26:51,732 --> 02:26:53,599
OH, HO HO!
2673
02:26:53,668 --> 02:26:56,935
YOU'VE RECOVERED
YOUR OLD ENERGY
AND DIRECTNESS,
2674
02:26:57,004 --> 02:26:59,305
I SEE, MR. JONAS.
2675
02:26:59,373 --> 02:27:01,106
WHY, THEN, UM...
2676
02:27:01,174 --> 02:27:02,608
TO BE PLAIN
WITH YOU,
2677
02:27:02,676 --> 02:27:04,610
IF SOMEONE AS
ELIGIBLE AS YOURSELF
2678
02:27:04,679 --> 02:27:06,612
WERE TO PROPOSE FOR
MY DAUGHTER'S HAND,
2679
02:27:06,681 --> 02:27:09,614
I WOULD ENDOW HER
WITH, UM...
2680
02:27:09,683 --> 02:27:12,117
�4,000.
2681
02:27:12,186 --> 02:27:13,619
WOULD YOU NOW?
2682
02:27:13,688 --> 02:27:16,421
I SHOULD SADLY PINCH
AND CRAMP MYSELF
TO DO SO,
2683
02:27:16,490 --> 02:27:18,123
BUT THAT WOULD
BE MY DUTY.
2684
02:27:18,191 --> 02:27:19,625
FOR MYSELF,
2685
02:27:19,694 --> 02:27:22,494
MY CONSCIENCE
IS MY BANK.
2686
02:27:22,563 --> 02:27:25,630
I HAVE A TRIFLE
INVESTED THERE,
MR. JONAS,
2687
02:27:25,699 --> 02:27:27,066
A MERE TRIFLE,
2688
02:27:27,134 --> 02:27:29,701
BUT I PRIZE IT
AS A STORE
OF GREAT VALUE.
2689
02:27:29,770 --> 02:27:33,639
OH, UH...I'M SURE
YOU DO, PECKSNIFF.
2690
02:27:33,707 --> 02:27:36,274
ARE THE GALS
EXPECTING US?
2691
02:27:36,343 --> 02:27:39,812
NO. I THOUGHT
IT MIGHT BE AMUSING
2692
02:27:39,880 --> 02:27:44,783
TO SURPRISE THEM. HA HA!
I HAVE NOT SENT WORD.
2693
02:28:09,610 --> 02:28:11,843
MRS. GAMP, COME IN.
2694
02:28:11,912 --> 02:28:14,413
OH, THANK YOU, SIR.
2695
02:28:14,481 --> 02:28:16,248
TAKE A SEAT.
2696
02:28:16,316 --> 02:28:18,049
AND, UH...
2697
02:28:18,118 --> 02:28:20,052
AND HOW ARE YOU?
2698
02:28:20,120 --> 02:28:21,553
OH, ALL THE BETTER
2699
02:28:21,621 --> 02:28:23,889
FOR SEEING MRS. MOULD
JUST NOW
2700
02:28:24,358 --> 02:28:26,458
AND LOOKING SO WELL.
2701
02:28:26,527 --> 02:28:29,294
AND THEM 2 HANDSOME
YOUNG LADIES
2702
02:28:29,363 --> 02:28:31,196
WHAT I'VE KNOWED
SINCE AFORE
2703
02:28:31,265 --> 02:28:33,565
A TOOTH IN THEIR
PRETTY HEADS WAS CUT.
2704
02:28:33,634 --> 02:28:35,967
OH, AND MANY A DAY
2705
02:28:36,036 --> 02:28:39,004
I'VE SEEN 'EM PLAYING AT
BURYIN'S IN THE SHOP.
2706
02:28:39,073 --> 02:28:42,941
BUT ALL THAT'S PAST
AND OVER NOW, SIR,
AIN'T IT?
2707
02:28:43,010 --> 02:28:46,078
YOUNG LADIES
WITH SUCH FACES
2708
02:28:46,146 --> 02:28:50,082
THINKS ABOUT
SOMETHING ELSE
BESIDES BURYIN'S.
2709
02:28:50,150 --> 02:28:51,416
HEH HEH!
2710
02:28:51,485 --> 02:28:52,884
I'M SURE I DON'T KNOW,
MRS. GAMP.
2711
02:28:52,953 --> 02:28:54,619
WELL, I KNOWS, SIR,
2712
02:28:54,688 --> 02:28:56,988
EVEN THOUGH
THE BLESSINGS
2713
02:28:57,057 --> 02:28:59,124
OF A DAUGHTER
WAS DENIED ME,
2714
02:28:59,193 --> 02:29:00,592
WHICH IF WE HAD
HAD ONE,
2715
02:29:00,660 --> 02:29:02,594
GAMP WOULD HAVE DRUNK
ITS LITTLE SHOES
2716
02:29:02,663 --> 02:29:04,095
RIGHT OFF ITS FEET,
2717
02:29:04,164 --> 02:29:06,598
SAME AS HE DID
OUR PRECIOUS BOY.
2718
02:29:06,667 --> 02:29:09,601
SO, WHAT'S YOUR NEWS,
MRS. GAMP?
2719
02:29:09,669 --> 02:29:11,103
HOW'S MR. CHUFFEY?
2720
02:29:11,172 --> 02:29:14,707
OH, MR. CHUFFEY, SIR,
WELL, UM...
2721
02:29:14,775 --> 02:29:16,108
HE'S JUST AS USUAL.
2722
02:29:16,176 --> 02:29:18,744
HE AIN'T NO BETTER,
HE AIN'T NO WORSE.
2723
02:29:18,813 --> 02:29:21,913
BUT...THERE IS
ANOTHER GENT, SIR,
2724
02:29:21,982 --> 02:29:25,817
WHAT WAS TAKEN ILL
AT THE BULL IN HOLBORN,
2725
02:29:25,886 --> 02:29:27,552
AND HE'S BAD ABED.
2726
02:29:27,621 --> 02:29:31,189
NOW THEY HAS A DAY NURSE,
AND WELL I KNOWS HER,
2727
02:29:31,258 --> 02:29:33,624
HER NAME
BEING MRS. PRIG--
2728
02:29:33,693 --> 02:29:35,027
OH, BEST OF CREATURES--
2729
02:29:35,096 --> 02:29:38,363
BUT THEY ARE IN WANTS
OF A-NIGHT WATCHING,
2730
02:29:38,432 --> 02:29:41,466
AND BETSY PRIG HAS OFFERED
TO PUT MY NAME FORWARD,
2731
02:29:41,535 --> 02:29:44,203
SEEING AS HOW I COULD
UNITE THE WORK
2732
02:29:44,271 --> 02:29:47,138
WITH LOOKING AFTER
MR. CHUFFEY BY DAY.
2733
02:29:47,207 --> 02:29:48,640
"NOT," I SAYS,
2734
02:29:48,708 --> 02:29:51,343
"NOT UNBEKNOWNST
TO MR. MOULD
2735
02:29:51,411 --> 02:29:55,280
"WHO RECOMMENDED ME
TO MR. JONAS CHUZZLEWIT.
2736
02:29:55,349 --> 02:30:00,352
"BUT, UH, I WILL GO
AND ASK MR. MOULD,
IF YOU LIKE."
2737
02:30:00,420 --> 02:30:02,788
NIGHT WATCHING, EH?
2738
02:30:03,257 --> 02:30:05,657
YES, SIR. 8:00 TO 8:00.
AND THEN QUITE FREE
2739
02:30:05,725 --> 02:30:07,659
TO ATTEND
TO MR. CHUFFEY.
2740
02:30:07,728 --> 02:30:09,661
I WILL NOT DENY, SIR,
2741
02:30:09,730 --> 02:30:12,297
THAT I AM
BUT A POOR WOMAN,
2742
02:30:12,366 --> 02:30:15,634
AND, UH...
MONEY IS AN OBJECT.
2743
02:30:15,702 --> 02:30:18,503
BUT DON'T LET THAT
SWAY YOU, MR. MOULD.
2744
02:30:18,572 --> 02:30:20,805
RICH FOLK MAY
RIDE ON CAMELS,
2745
02:30:20,874 --> 02:30:22,340
BUT IT AIN'T
SO EASY FOR THEM
2746
02:30:22,409 --> 02:30:24,676
TO SEE OUT
OF A NEEDLE'S EYE.
2747
02:30:24,745 --> 02:30:28,279
THAT'S MY COMFORT.
I HOPES I KNOWS IT.
2748
02:30:28,348 --> 02:30:30,983
WELL, I DON'T SEE
ANY OBJECTION
2749
02:30:31,051 --> 02:30:34,720
TO YOUR EARNING
AN HONEST PENNY UNDER
SUCH CIRCUMSTANCES.
2750
02:30:34,788 --> 02:30:36,188
OH, THANK YOU, SIR.
2751
02:30:36,257 --> 02:30:38,790
BUT I WOULDN'T MENTION IT
TO MR. CHUZZLEWIT
2752
02:30:38,859 --> 02:30:40,559
WHEN HE RETURNS
FROM THE COUNTRY,
2753
02:30:40,627 --> 02:30:43,027
UNLESS IT WAS
ABSOLUTELY NECESSARY.
2754
02:30:43,096 --> 02:30:45,998
THEM VERY WORDS WAS
ON MY OWN LIPS, SIR.
2755
02:30:47,635 --> 02:30:49,934
GOOD DAY TO YOU,
MRS. GAMP.
2756
02:31:09,323 --> 02:31:12,757
MY DUTIFUL GIRL IS DOING
THE HOUSEKEEPING ACCOUNTS.
2757
02:31:12,826 --> 02:31:16,194
A PLEASANT PICTURE,
IS IT NOT?
2758
02:31:16,263 --> 02:31:18,997
PLEASANT
TO A FATHER'S HEART.
2759
02:31:20,567 --> 02:31:24,503
SHALL WE LET HER KNOW
WE ARE HERE, MR. JONAS?
2760
02:31:24,571 --> 02:31:25,937
YOU'D BETTER,
2761
02:31:26,006 --> 02:31:28,106
UNLESS WE'RE
TO SPEND THE NIGHT
IN THE WOODSHED.
2762
02:31:28,175 --> 02:31:29,274
OH! OH!
2763
02:31:34,414 --> 02:31:36,314
AH!
2764
02:31:36,382 --> 02:31:38,616
WHO IS IT?
2765
02:31:38,685 --> 02:31:41,019
SPEAK, OR I WILL
CALL MY PA!
2766
02:31:42,522 --> 02:31:44,790
MY DEAR CHERRY.
2767
02:31:44,858 --> 02:31:47,625
PA. OH!
2768
02:31:47,694 --> 02:31:50,629
IT WAS THOUGHTLESS
OF US, MR. JONAS.
2769
02:31:50,697 --> 02:31:53,465
MY DAUGHTER, YOU SEE,
I AM NOT ALONE.
2770
02:31:53,533 --> 02:31:54,700
MR. JONAS.
2771
02:31:54,768 --> 02:31:55,700
EVENING, COUSIN.
2772
02:31:55,769 --> 02:31:57,201
WHERE IS MERRY?
2773
02:31:57,270 --> 02:31:58,970
READING IN HER ROOM,
I THINK.
2774
02:31:59,039 --> 02:32:02,040
READING? OH, THE CARELESS
PLEASURES OF YOUTH.
2775
02:32:02,109 --> 02:32:05,443
PA!
WHAT A SURPRISE.
2776
02:32:06,713 --> 02:32:08,313
YOU HERE, TOO, FRIGHT?
2777
02:32:08,381 --> 02:32:09,981
YOU'RE AS LIVELY
AS EVER, I SEE.
2778
02:32:10,050 --> 02:32:11,250
WHAT'S IT TO YOU?
2779
02:32:11,318 --> 02:32:13,352
MY DEARS, LET US
ALL HAVE SOME TEA.
2780
02:32:13,420 --> 02:32:15,520
RING FOR JANE, CHARITY.
2781
02:32:21,428 --> 02:32:22,560
HMM.
2782
02:32:29,236 --> 02:32:31,637
NO SIGN OF MR. PINCH?
2783
02:32:31,705 --> 02:32:33,671
HE'S PRACTICING
AT HIS ORGAN.
2784
02:32:33,740 --> 02:32:36,674
AH, YES.
2785
02:32:36,743 --> 02:32:38,176
WELL, UM...
2786
02:32:38,245 --> 02:32:42,747
IF YOU'LL EXCUSE ME
FOR HALF AN HOUR,
2787
02:32:42,816 --> 02:32:46,051
THERE ARE SOME LETTERS
AWAITING MY ATTENTION.
2788
02:32:50,591 --> 02:32:53,191
AND I MUST GET BACK
TO MY BOOK.
2789
02:32:53,260 --> 02:32:54,358
DON'T GO.
2790
02:32:54,427 --> 02:32:56,028
OH, I DARE SAY,
YOU'RE VERY ANXIOUS
2791
02:32:56,096 --> 02:32:58,196
I SHOULD STAY,
AREN'T YOU, FRIGHT?
2792
02:32:58,264 --> 02:33:00,198
YES, I AM.
2793
02:33:00,267 --> 02:33:02,634
UPON MY WORD, MERRY,
I WONDER AT YOU.
2794
02:33:02,702 --> 02:33:05,170
THERE ARE BOUNDS EVEN
TO ABSURDITY, MY DEAR.
2795
02:33:05,239 --> 02:33:07,072
MANY THANKS FOR
THE ADVICE, SISTER.
2796
02:33:07,141 --> 02:33:10,141
OH! DO LEAVE ME ALONE,
YOU MONSTER, DO.
2797
02:33:10,210 --> 02:33:12,477
NOW I HAVE BOTH ARMS
FULL, HAVEN'T I?
2798
02:33:12,546 --> 02:33:14,546
PINCH HIM FOR ME,
CHERRY, PLEASE.
2799
02:33:14,614 --> 02:33:16,548
I NEVER HATED ANYBODY
SO MUCH IN MY LIFE
2800
02:33:16,617 --> 02:33:17,782
AS THIS CREATURE.
2801
02:33:17,851 --> 02:33:21,219
NO, DON'T, BECAUSE I WANT
TO TALK SERIOUSLY.
2802
02:33:22,956 --> 02:33:24,622
I SAY, COUSIN CHARITY.
2803
02:33:24,691 --> 02:33:26,624
WELL, WHAT?
2804
02:33:26,693 --> 02:33:28,726
SHE'S NOT GOING TO BELIEVE
WHAT I'M GOING TO SAY,
2805
02:33:28,795 --> 02:33:29,894
IS SHE, COUSIN?
2806
02:33:29,963 --> 02:33:31,329
HOW SHOULD I KNOW?
2807
02:33:31,398 --> 02:33:33,965
WELL, YOU SEE HER WAY
ALWAYS BEING TO MAKE
GAME OF PEOPLE,
2808
02:33:34,034 --> 02:33:36,334
I KNOW SHE'LL LAUGH
OR AT LEAST PRETEND TO.
2809
02:33:36,403 --> 02:33:38,236
BUT YOU CAN TELL HER
I'M IN EARNEST, COUSIN,
2810
02:33:38,305 --> 02:33:39,738
CAN'T YOU?
2811
02:33:39,806 --> 02:33:41,239
NO ONE KNOWS LIKE YOU
2812
02:33:41,307 --> 02:33:42,741
HOW MUCH I TRIED TO GET
INTO HER COMPANY
2813
02:33:42,809 --> 02:33:44,242
WHILE YOU WERE BOTH
IN LONDON
2814
02:33:44,311 --> 02:33:46,244
WITHOUT SEEMING
TO WISH IT. HMM?
2815
02:33:46,312 --> 02:33:49,313
I ALWAYS ASKED YOU ABOUT HER
AND HOW SHE WAS
2816
02:33:49,382 --> 02:33:52,049
AND SAID HOW LIVELY SHE WAS
AND ALL THAT, DIDN'T I?
2817
02:33:52,118 --> 02:33:55,520
I KNOW YOU'LL TELL HER
SO IF YOU HAVEN'T
DONE SO ALREADY.
2818
02:33:55,589 --> 02:33:57,155
COUSIN MERCY,
2819
02:33:57,224 --> 02:33:58,924
YOU'VE HEARD
WHAT I'VE BEEN SAYING.
2820
02:33:58,992 --> 02:34:01,526
SHE'LL CONFIRM IT,
EVERY SINGLE WORD.
2821
02:34:01,594 --> 02:34:04,729
WILL YOU HAVE ME
FOR YOUR HUSBAND, EH?
2822
02:34:05,932 --> 02:34:07,132
YOU...
2823
02:34:09,502 --> 02:34:11,202
YOU...
2824
02:34:11,271 --> 02:34:13,404
YOU D...
2825
02:34:13,473 --> 02:34:14,539
OH...
2826
02:34:14,607 --> 02:34:16,641
NO...PLEASE...
2827
02:34:16,710 --> 02:34:19,710
PLEASE, NO!
2828
02:34:19,779 --> 02:34:23,281
[SOBBING]
NO! NO!
2829
02:34:23,350 --> 02:34:24,883
I MUST GO TO HER.
2830
02:34:24,952 --> 02:34:27,019
NOT TILL YOU SAY YES.
WILL YOU HAVE ME
FOR YOUR HUSBAND?
2831
02:34:27,087 --> 02:34:28,954
NO, I WON'T.
2832
02:34:29,022 --> 02:34:30,589
I CAN'T BEAR
THE SIGHT OF YOU.
2833
02:34:30,657 --> 02:34:32,890
BESIDES, I ALWAYS
THOUGHT YOU LIKED
MY SISTER BEST.
2834
02:34:32,959 --> 02:34:34,259
WE ALL THOUGHT SO.
2835
02:34:34,328 --> 02:34:35,993
NO, YOU DIDN'T.
I DID.
2836
02:34:36,062 --> 02:34:38,096
YOU NEVER COULD THINK
I PREFERRED HER
WHILE YOU WERE BY!
2837
02:34:38,165 --> 02:34:39,964
LET ME GO TO HER.
2838
02:34:39,966 --> 02:34:40,999
SAY YES, AND I WILL.
2839
02:34:41,067 --> 02:34:43,768
IF EVER I BROUGHT MYSELF
TO SAY SO,
2840
02:34:43,837 --> 02:34:46,638
IT SHOULD ONLY BE
THAT I MIGHT HATE AND
TEASE YOU ALL MY LIFE.
2841
02:34:46,706 --> 02:34:48,807
WELL, THAT'S AS GOOD
AS SAYING IT RIGHT OUT.
2842
02:34:48,875 --> 02:34:51,375
IT'S A BARGAIN, COUSIN.
2843
02:34:51,444 --> 02:34:52,844
WE'RE A PAIR.
2844
02:35:11,698 --> 02:35:14,365
DON'T...COME...
NEAR...ME...
2845
02:35:14,434 --> 02:35:16,868
YOU TREACHEROUS
LITTLE VIXEN!
2846
02:35:16,937 --> 02:35:18,803
DON'T COME NEAR ME,
BECAUSE THIS TIME--
2847
02:35:18,872 --> 02:35:20,472
I'LL NEVER FORGIVE YOU
FOR THIS!
2848
02:35:20,540 --> 02:35:22,140
Mercy: IT'S NOT
MY FAULT!
2849
02:35:22,209 --> 02:35:23,808
[SOBBING]
YOU'VE BROKEN MY HEART!
2850
02:35:23,877 --> 02:35:26,311
I DIDN'T KNOW HE MEANT
TO CHOOSE ME!
2851
02:35:26,380 --> 02:35:27,979
[SOBBING]
I CAN'T BEAR IT!
2852
02:35:28,048 --> 02:35:29,981
YOU'RE ALWAYS
DOING THIS TO ME,
2853
02:35:30,050 --> 02:35:32,484
BUT THIS TIME,
YOU'VE GONE TOO FAR!
2854
02:35:32,552 --> 02:35:34,452
YOU LED HIM ON.
2855
02:35:34,520 --> 02:35:35,954
NO, I DIDN'T.
2856
02:35:36,022 --> 02:35:37,955
YES, YOU DID!
YOU KNOW YOU--
2857
02:35:38,024 --> 02:35:39,424
GIRLS.
2858
02:35:39,493 --> 02:35:41,593
DAUGHTERS.
2859
02:35:41,661 --> 02:35:43,094
WHAT IS THIS?
2860
02:35:43,163 --> 02:35:45,930
[SOBS]
2861
02:35:45,999 --> 02:35:47,932
OH, THAT WRETCH,
2862
02:35:48,001 --> 02:35:51,603
THAT MEAN, FALSE,
ODIOUS VILLAIN
2863
02:35:51,671 --> 02:35:55,773
HAS PROPOSED TO MERCY
BEFORE MY VERY FACE!
2864
02:35:55,842 --> 02:35:57,742
WHO HAS PROPOSED TO MERCY?
2865
02:35:57,811 --> 02:36:00,411
THAT THING
DOWNSTAIRS. JONAS.
2866
02:36:00,480 --> 02:36:02,480
[SOBS]
2867
02:36:04,016 --> 02:36:05,550
INDEED.
2868
02:36:07,854 --> 02:36:09,587
"INDEED."
2869
02:36:11,191 --> 02:36:14,125
I-IS THAT ALL
YOU CAN SAY?
2870
02:36:14,194 --> 02:36:15,326
"INDEED."
2871
02:36:17,029 --> 02:36:18,463
AM...AM I TO--
2872
02:36:18,632 --> 02:36:21,299
AM I TO BE
DRIVEN MAD?
2873
02:36:21,367 --> 02:36:24,102
HE HAS PROPOSED
TO MERCY
2874
02:36:24,171 --> 02:36:26,637
AND NOT TO ME!
2875
02:36:26,706 --> 02:36:28,305
AAAHHH!
2876
02:36:28,374 --> 02:36:30,308
[SOBS AND CRIES OUT
INDISTINCTLY]
2877
02:36:34,714 --> 02:36:37,648
OH, FIE.
FOR SHAME, CHARITY.
2878
02:36:37,717 --> 02:36:39,650
CAN THE TRIUMPH
OF A SISTER
2879
02:36:39,719 --> 02:36:42,654
MOVE YOU TO THIS
TERRIBLE DISPLAY,
MY CHILD?
2880
02:36:42,723 --> 02:36:45,323
OH, REALLY,
THIS IS VERY SAD.
2881
02:36:48,795 --> 02:36:50,195
MERCY, MY CHILD.
2882
02:36:53,400 --> 02:36:54,499
BLESS YOU.
2883
02:36:57,971 --> 02:37:00,838
SEE TO HER.
SEE TO HER.
2884
02:37:00,907 --> 02:37:02,039
YES, PAPA.
2885
02:37:05,745 --> 02:37:07,678
[SOBS]
2886
02:37:09,616 --> 02:37:11,349
UHH!
2887
02:37:12,619 --> 02:37:14,019
JONAS!
2888
02:37:14,087 --> 02:37:18,156
THE DEAREST WISH
OF MY HEART
IS NOW FULFILLED.
2889
02:37:18,225 --> 02:37:19,824
MMM. I'M GLAD
TO HEAR IT.
2890
02:37:19,893 --> 02:37:21,693
YOU AIN'T SURPRISED
BY MY CHOICE THEN?
2891
02:37:21,762 --> 02:37:24,195
A LITTLE. JUST A LITTLE,
MY DEAR BOY.
2892
02:37:24,263 --> 02:37:27,698
BUT THE IMPORTANT THING
IS THAT OUR TWO FAMILIES
ARE TO BE UNITED.
2893
02:37:29,436 --> 02:37:31,803
AS IT AIN'T THE ONE
YOU'RE SO FOND OF,
2894
02:37:31,871 --> 02:37:34,372
YOU MUST COME UP
WITH AN EXTRA
THOUSAND, PECKSNIFF.
2895
02:37:37,343 --> 02:37:40,544
IT'S WORTH THAT TO KEEP
YOUR LITTLE TREASURE
TO YOURSELF, YOU KNOW?
2896
02:37:40,613 --> 02:37:43,214
HA HA HA HA!
2897
02:37:43,283 --> 02:37:44,816
YOU JEST, JONAS.
2898
02:37:44,884 --> 02:37:47,351
NO, I DON'T.
NEVER JEST ABOUT MONEY.
2899
02:37:47,420 --> 02:37:48,452
MR. PECKSNIFF!
2900
02:37:48,521 --> 02:37:50,121
MR. PINCH?
2901
02:37:50,189 --> 02:37:52,790
I BEG YOUR PARDON,
SIR, FOR COMING IN
WITHOUT KNOCKING--
2902
02:37:52,859 --> 02:37:54,793
BETTER BEG THIS
GENTLEMAN'S PARDON,
MR. PINCH.
2903
02:37:54,861 --> 02:37:57,362
JONAS, THIS
IS MY YOUNG MAN.
2904
02:37:57,430 --> 02:37:58,697
I DO BEG
YOUR PARDON, SIR.
2905
02:37:58,765 --> 02:38:00,965
COULD I SPEAK
A WORD WITH YOU, SIR,
IF YOU PLEASE?
2906
02:38:01,033 --> 02:38:02,300
IT IS RATHER PRESSING.
2907
02:38:05,438 --> 02:38:08,039
PLEASE, UH,
EXCUSE ME
FOR A MOMENT.
2908
02:38:13,113 --> 02:38:15,213
WHAT IS THE MEANING
OF THIS ROUGH INTRUSION?
2909
02:38:15,282 --> 02:38:17,716
WELL, SIR, WHILE I WAS
IN THE CHURCH JUST NOW,
2910
02:38:17,784 --> 02:38:19,717
TOUCHING THE ORGAN
FOR MY OWN AMUSEMENT,
2911
02:38:19,785 --> 02:38:22,720
A GENTLEMAN AND A LADY
CAME INTO THE CHURCH
AND SAT DOWN TO LISTEN.
2912
02:38:22,789 --> 02:38:25,023
I KNEW THE YOUNG LADY AT ONCE,
SO I WENT ON PLAYING.
2913
02:38:25,092 --> 02:38:28,359
SHE WAS KIND ENOUGH
TO THANK ME AFTERWARDS.
THE OLD GENTLEMAN, TOO.
2914
02:38:28,428 --> 02:38:31,162
IN FACT...THEY SAID,
"DELICIOUS MUSIC."
2915
02:38:31,231 --> 02:38:32,997
OR AT LEAST SHE DID.
2916
02:38:33,066 --> 02:38:34,899
MR. PINCH, OF WHOM
ARE YOU SPEAKING?
2917
02:38:34,967 --> 02:38:38,402
OH, I--I BEG
YOUR PARDON, SIR,
BUT I'M RATHER FLURRIED.
2918
02:38:38,471 --> 02:38:39,904
I'M AFRAID I'VE WANDERED
RATHER FROM THE POINT.
2919
02:38:39,972 --> 02:38:41,339
IF YOU WOULD COME
BACK TO IT, MR. PINCH,
2920
02:38:41,408 --> 02:38:42,907
I SHOULD BE
MUCH OBLIGED.
2921
02:38:42,976 --> 02:38:45,110
WELL, SIR, THEY ASKED ME
IF THERE WAS A FOOTPATH
2922
02:38:45,178 --> 02:38:46,344
FROM THE CHURCH
TO YOUR HOUSE.
2923
02:38:46,413 --> 02:38:47,845
I TOLD THEM THERE WAS,
2924
02:38:47,914 --> 02:38:49,347
SO THEY SENT THEIR
CARRIAGE TO THE DRAGON
2925
02:38:49,416 --> 02:38:50,749
AND SAID THEY WOULD
WALK HERE, IT BEING
A FINE EVENING--
2926
02:38:50,817 --> 02:38:52,784
WHO IS WALKING HERE?
2927
02:38:52,853 --> 02:38:54,953
WHY, OLD MR. MARTIN
CHUZZLEWIT, SIR,
2928
02:38:55,022 --> 02:38:56,954
AND THE YOUNG LADY
WHO ATTENDED HIM
2929
02:38:57,023 --> 02:38:58,223
LAST TIME THEY WERE
STAYING AT THE DRAGON.
2930
02:38:58,291 --> 02:38:59,223
MR. CHUZZLEWIT!
2931
02:38:59,292 --> 02:39:00,458
YES, SIR.
I RAN ON AHEAD.
2932
02:39:00,527 --> 02:39:01,626
THEY SHOULD BE HERE
AT ANY MOMENT.
2933
02:39:01,695 --> 02:39:03,428
[KNOCK ON DOOR]
2934
02:39:03,496 --> 02:39:04,929
[GLASS BREAKS UPSTAIRS]
2935
02:39:04,998 --> 02:39:06,397
Charity:
I HATE YOU!
2936
02:39:06,466 --> 02:39:08,066
YOU'VE ALWAYS
DONE THIS TO ME,
2937
02:39:08,535 --> 02:39:10,568
BUT THIS TIME
YOU'VE JUST GONE TOO FAR!
2938
02:39:10,637 --> 02:39:12,003
[HUSHED VOICE]
MR. PINCH, RUN UPSTAIRS
2939
02:39:12,071 --> 02:39:13,438
AND TELL MY DAUGHTERS
WHO IS HERE.
2940
02:39:13,507 --> 02:39:14,939
SAY "SILENCE.
SILENCE IMMEDIATELY,
2941
02:39:15,008 --> 02:39:16,941
OR I DISINHERIT THEM
ON THE SPOT."
YOU UNDERSTAND?
2942
02:39:17,010 --> 02:39:19,443
YES, SIR.
[KNOCKING]
2943
02:39:20,513 --> 02:39:21,779
HELLO, PECKSNIFF.
2944
02:39:21,848 --> 02:39:23,781
ISN'T SOMEBODY
A-GOING TO ANSWER
2945
02:39:23,850 --> 02:39:26,284
THAT PRECIOUS
OLD DOOR OF YOURS?
2946
02:39:26,353 --> 02:39:27,619
[SCREAMING UPSTAIRS
CONTINUES]
2947
02:39:27,687 --> 02:39:29,120
IMMEDIATELY.
IMMEDIATELY, JONAS.
2948
02:39:29,188 --> 02:39:32,456
PRAY, UH, REMAIN
IN THIS ROOM QUIETLY
2949
02:39:32,525 --> 02:39:34,025
UNTIL I REJOIN YOU.
2950
02:39:39,032 --> 02:39:41,132
THIS IS VERY STRANGE.
2951
02:39:41,201 --> 02:39:44,035
Pecksniff:
� LITTLE TOM COBLEY
AND ALL �
2952
02:39:45,538 --> 02:39:46,638
AH!
2953
02:39:46,707 --> 02:39:47,838
[DOOR OPENS]
2954
02:39:47,907 --> 02:39:48,840
� ALL �
2955
02:39:50,009 --> 02:39:51,642
MR. CHUZZLEWIT!
2956
02:39:51,711 --> 02:39:53,544
CAN I BELIEVE
MY EYES?
2957
02:39:53,613 --> 02:39:56,981
I--I THOUGHT I HEARD
A KNOCK ON THE DOOR
FROM THE GARDEN,
2958
02:39:57,050 --> 02:40:00,585
BUT NEVER DID I DARE TO
HOPE THAT IT MIGHT BE...
2959
02:40:00,653 --> 02:40:02,586
WALK IN, MY DEAR SIR.
2960
02:40:02,655 --> 02:40:05,023
WALK IN, MISS GRAHAM.
2961
02:40:11,097 --> 02:40:14,932
YOU WILL EXCUSE
MY GARDEN DRESS,
I KNOW.
2962
02:40:15,001 --> 02:40:20,671
IT IS AN ANCIENT PURSUIT
WHICH I FIND SOOTHING
TO THE SPIRIT.
2963
02:40:20,740 --> 02:40:24,742
PRAY, COME IN TO OUR
LITTLE-ROOMED ESTATE.
2964
02:40:24,811 --> 02:40:27,812
MY DAUGHTERS WILL BE
DELIGHTED TO SEE YOU,
MR. CHUZZLEWIT,
2965
02:40:27,881 --> 02:40:29,414
AND TO MEET
THEIR FAIR YOUNG FRIEND,
2966
02:40:29,482 --> 02:40:31,916
FOR FRIEND
SHE WILL SURELY BE.
2967
02:40:31,984 --> 02:40:34,218
I TRUST I FIND HER WELL?
2968
02:40:34,287 --> 02:40:35,920
VERY WELL, THANK YOU.
2969
02:40:35,988 --> 02:40:39,090
I'M SORRY IF WE TOOK YOU
BY SURPRISE, PECKSNIFF.
2970
02:40:39,159 --> 02:40:41,959
I THOUGHT MR. UH, MR.--
2971
02:40:42,028 --> 02:40:42,960
PINCH.
2972
02:40:43,029 --> 02:40:45,229
MR. PINCH WOULD HAVE
ARRIVED BEFORE US.
2973
02:40:45,298 --> 02:40:47,665
HE DID. AND WAS,
I DARE SAY,
2974
02:40:47,734 --> 02:40:50,001
ABOUT TO WARN ME
OF YOUR APPROACH
2975
02:40:50,069 --> 02:40:52,369
WHEN I BEGGED HIM
FIRST TO KNOCK ON
MY DAUGHTER'S CHAMBER
2976
02:40:52,438 --> 02:40:55,939
AND INQUIRE ABOUT
THE HEALTH OF CHARITY.
2977
02:40:56,008 --> 02:40:58,075
WHO IS NOT AS WELL
AS I COULD WISH.
2978
02:40:58,144 --> 02:40:59,544
AH! HERE IS HE.
2979
02:40:59,612 --> 02:41:02,480
PRAY, COME IN.
2980
02:41:02,549 --> 02:41:05,616
THOMAS IS A FRIEND OF MINE
OF RATHER LONG STANDING,
2981
02:41:05,685 --> 02:41:07,184
MR. CHUZZLEWIT.
2982
02:41:07,253 --> 02:41:09,587
HOW IS
MY DAUGHTER, TOM?
2983
02:41:09,656 --> 02:41:10,888
A LITTLE BETTER, SIR.
2984
02:41:10,957 --> 02:41:12,056
GOOD, GOOD, GOOD.
2985
02:41:12,125 --> 02:41:13,558
WOULD YOU BE SO KIND,
MR. PINCH,
2986
02:41:13,626 --> 02:41:15,459
AS TO TELL HER AND MERRY
2987
02:41:15,528 --> 02:41:18,663
THAT OUR GUESTS WILL BE
STAYING FOR SUPPER?
2988
02:41:18,732 --> 02:41:20,364
DON'T PUT
YOURSELF OUT,
PECKSNIFF.
2989
02:41:20,433 --> 02:41:22,633
WE HAVE DINED WELL
AT THE BLUE DRAGON.
2990
02:41:22,702 --> 02:41:24,034
WE SHALL STAY THERE,
YOU KNOW.
2991
02:41:24,103 --> 02:41:27,071
MRS. LUPIN MADE US
VERY COMFORTABLE
LAST TIME.
2992
02:41:27,139 --> 02:41:29,941
NAY, MY GOOD SIR,
I INSIST.
2993
02:41:32,145 --> 02:41:33,611
THANK YOU, TOM.
2994
02:41:33,679 --> 02:41:35,146
YES, SIR.
2995
02:41:40,353 --> 02:41:43,688
[HARPSICHORD PLAYS]
2996
02:41:48,294 --> 02:41:49,994
PECKSNIFF...
2997
02:41:52,131 --> 02:41:55,099
I WAS MUCH...SHOCKED...
2998
02:41:55,167 --> 02:41:57,401
BY THE NEWS
OF MY BROTHER'S DEATH.
2999
02:41:59,138 --> 02:42:01,505
YOUR FEELINGS
DO YOU CREDIT, SIR.
3000
02:42:01,574 --> 02:42:04,509
WE HAD BEEN STRANGERS
MANY YEARS...
3001
02:42:04,578 --> 02:42:07,812
ENEMIES,
I MIGHT ALMOST SAY.
3002
02:42:07,881 --> 02:42:11,149
BUT WE WERE
PLAYFELLOWS ONCE.
3003
02:42:11,217 --> 02:42:14,652
THOSE MEMORIES WILL
BE A SOLACE TO YOU,
MR. CHUZZLEWIT.
3004
02:42:14,721 --> 02:42:17,655
AND THE EVENING
OF YOUR BROTHER'S LIFE
WAS MADE HAPPY
3005
02:42:17,723 --> 02:42:20,825
IN THE AFFECTIONATE CARE
OF HIS EXCELLENT SON JONAS--
3006
02:42:20,894 --> 02:42:23,460
A PATTERN, MY DEAR SIR,
TO ALL SONS.
3007
02:42:23,529 --> 02:42:25,062
WHAT?
3008
02:42:25,131 --> 02:42:28,999
A PATTERN OF GREED
AND IMPATIENCE,
YOU MEAN.
3009
02:42:29,068 --> 02:42:32,370
WHY, HE BEGRUDGED
HIS FATHER EVERY DAY
AND EVERY HOUR
3010
02:42:32,438 --> 02:42:34,705
THAT STOOD BETWEEN HIM
AND HIS INHERITANCE.
3011
02:42:34,774 --> 02:42:36,941
OH, NO, SIR,
YOU WRONG HIM.
3012
02:42:37,009 --> 02:42:38,943
EVEN UNDERTAKERS
AND COFFIN MAKERS
3013
02:42:39,012 --> 02:42:41,679
WERE MOVED BY THE GRIEF
HE EXHIBITED.
3014
02:42:41,748 --> 02:42:43,781
MUTES HAVE SPOKEN
IN HIS PRAISE.
3015
02:42:46,419 --> 02:42:48,887
YOU WENT TO HIS FUNERAL?
3016
02:42:50,390 --> 02:42:52,256
ARE YOU A LEGATEE, THEN?
3017
02:42:54,761 --> 02:42:59,196
YOU DO NOT QUITE
UNDERSTAND MY NATURE
YET, SIR, I FIND.
3018
02:42:59,265 --> 02:43:01,699
YES, I WENT TO HIS FUNERAL.
3019
02:43:01,768 --> 02:43:04,702
AT THE RISK OF
OFFENDING EVEN YOU, SIR,
3020
02:43:04,770 --> 02:43:06,871
YES, I DID IT.
3021
02:43:06,939 --> 02:43:09,873
WITH JONAS I SAT
BESIDE HIS BED...
3022
02:43:09,942 --> 02:43:14,512
AND WITH JONAS
I STOOD BESIDE HIS GRAVE.
3023
02:43:14,581 --> 02:43:18,215
BUT I AM NOT A LEGATEE,
AND I NEVER EXPECTED TO BE.
3024
02:43:18,284 --> 02:43:20,919
OH, I BEG YOUR PARDON,
PECKSNIFF,
3025
02:43:20,987 --> 02:43:24,455
BUT YOUR ACCOUNT
OF JONAS AMAZES ME.
3026
02:43:24,523 --> 02:43:27,758
THE YOUNG MAN IS EVEN
NOW IN THIS HOUSE,
3027
02:43:27,827 --> 02:43:29,694
SEEKING
IN A CHANGE OF SCENE
3028
02:43:29,763 --> 02:43:31,596
THE PEACE OF MIND
HE HAS LOST.
3029
02:43:31,664 --> 02:43:35,600
JONAS IS HERE?
LET ME SEE HIM.
3030
02:43:35,669 --> 02:43:38,102
IN A FRIENDLY SPIRIT,
I HOPE?
3031
02:43:38,170 --> 02:43:41,339
I WILL SHAKE HIS HAND
IF HE WILL SHAKE MINE.
3032
02:43:42,676 --> 02:43:45,108
OHHH...
3033
02:43:45,177 --> 02:43:46,678
MY GOOD SIR.
3034
02:43:48,515 --> 02:43:51,449
I--I WILL BREAK
THIS HAPPINESS TO HIM,
3035
02:43:51,517 --> 02:43:54,451
IF YOU WILL EXCUSE ME
FOR A MOMENT...
3036
02:43:54,520 --> 02:43:55,553
GENTLY.
3037
02:44:05,364 --> 02:44:07,365
[BELL TOLLS]
3038
02:44:12,505 --> 02:44:13,704
NO BETTER,
THEN?
3039
02:44:13,773 --> 02:44:14,972
WORSE,
MR. WESTLOCK.
3040
02:44:15,040 --> 02:44:16,274
OH,
MUCH WORSE.
3041
02:44:16,342 --> 02:44:17,508
POOR FELLOW.
3042
02:44:19,178 --> 02:44:22,680
UNFORTUNATELY, I HAVE
NO IDEA WHAT FRIENDS
OR RELATIONS HE MIGHT HAVE
3043
02:44:22,748 --> 02:44:24,348
OR WHERE
THEY MAY LIVE.
3044
02:44:24,417 --> 02:44:27,352
WE APPLIED TO YOU, SIR,
WHEN HE WAS TAKEN ILL,
3045
02:44:27,420 --> 02:44:29,020
'CAUSE
WE FOUND YOUR LETTER
BY HIS BEDSIDE.
3046
02:44:29,489 --> 02:44:31,521
YES. HE WROTE TO ME
THE OTHER DAY
3047
02:44:31,590 --> 02:44:33,891
REQUESTING A MEETING,
AND I REPLIED, BUT...
3048
02:44:33,960 --> 02:44:36,394
I HAVE NOT SEEN HIM
FOR YEARS,
3049
02:44:36,463 --> 02:44:38,896
NOT SINCE WE WERE
SCHOOLFELLOWS TOGETHER.
3050
02:44:38,965 --> 02:44:41,465
WELL, AS THE DOCTOR SAYS,
3051
02:44:41,534 --> 02:44:43,033
THE FEVER MUST TAKE
ITS COURSE.
3052
02:44:43,102 --> 02:44:44,468
NOTHING CAN BE
DONE JUST NOW
3053
02:44:44,536 --> 02:44:46,004
BEYOND CAREFULLY
ATTENDING HIM
3054
02:44:46,072 --> 02:44:47,972
UNTIL SUCH TIME
AS HE CAN GIVE US
SOME INFORMATION.
3055
02:44:50,543 --> 02:44:52,944
I WILL UNDERTAKE TO PAY
THE DOCTOR AND THE NURSES.
3056
02:44:53,012 --> 02:44:55,513
A REAL GENTLEMAN!
3057
02:44:55,581 --> 02:44:57,314
Landlady: THIS IS
THE NIGHT NURSE, SIR.
3058
02:44:58,718 --> 02:45:02,153
UH, MRS. GAMP
OF KINGSGATE
STREET, SIR,
3059
02:45:02,221 --> 02:45:05,456
WELL BEKNOWN
TO MRS. PRIG,
THE DAY NURSE.
3060
02:45:07,960 --> 02:45:10,427
I WAS BEGINNING TO THINK
YOU WEREN'T A-COMING.
3061
02:45:10,496 --> 02:45:14,098
OH, IT SHALL BE
MADE GOOD TOMORROW
NIGHT, BETSY.
3062
02:45:14,167 --> 02:45:16,734
HONORABLE.
I HAD TO FETCH
ME THINGS.
3063
02:45:16,803 --> 02:45:19,236
YEH.
HOW'S THE PATIENT?
3064
02:45:19,305 --> 02:45:21,738
OH, HE'S QUIET NOW,
BUT HIS WITS IS GONE.
3065
02:45:21,807 --> 02:45:26,243
OH. ANYTHING ELSE
TO TELL AFORE YOU GOES,
MY DEAR?
3066
02:45:26,312 --> 02:45:28,245
THE PICKLED SALMON
IS DELICIOUS.
3067
02:45:28,314 --> 02:45:31,049
BUT DON'T HAVE NOTHING
TO DO WITH THE COLD MEAT,
3068
02:45:31,117 --> 02:45:33,083
FOR IT TASTES
OF THE STABLE.
3069
02:45:33,152 --> 02:45:35,252
THE DRINKS IS ALL GOOD.
3070
02:45:35,321 --> 02:45:37,254
THE EASY CHAIR
AIN'T SOFT ENOUGH,
3071
02:45:37,323 --> 02:45:40,257
SO YOU'LL WANT
HIS PILLOW.
I'LL BE OFF, THEN.
3072
02:45:40,326 --> 02:45:42,259
I'LL SEE YOU
IN THE MORNING.
3073
02:45:42,328 --> 02:45:45,262
YOU MIGHT
TELL THE MAID
ON YOUR WAY OUT
3074
02:45:45,331 --> 02:45:48,265
IF THEY DRAWS
THE BRIGHTON
OLD TIPPER HERE,
3075
02:45:48,334 --> 02:45:50,768
I TAKES THAT ALE
AT NIGHT,
3076
02:45:50,837 --> 02:45:53,771
IT BEING CONSIDERED
WAKEFUL BY THE DOCTORS.
3077
02:45:53,839 --> 02:45:55,806
HEH HEH HEH.
3078
02:45:59,111 --> 02:46:00,044
THERE.
3079
02:46:02,015 --> 02:46:06,950
OH, I'M GLAD TO SEE
THERE'S A PARAPETS
IN CASE OF FIRE.
3080
02:46:07,019 --> 02:46:09,854
LOTS OF ROOFS
AND CHIMNEY POTS
TO WALK UPON.
3081
02:46:09,923 --> 02:46:10,921
AHHH...
3082
02:46:13,859 --> 02:46:16,293
[SNIFFING]
3083
02:46:16,362 --> 02:46:18,295
AH-CHOO!
[SNORTS]
3084
02:46:20,166 --> 02:46:23,634
MAKE A LOVELY CORPSE.
HEH HEH.
3085
02:46:23,703 --> 02:46:24,635
[THUD]
3086
02:46:25,805 --> 02:46:27,771
MR. CHUZZLEWIT!
3087
02:46:29,475 --> 02:46:31,509
HERE IS JONAS.
3088
02:46:31,577 --> 02:46:33,077
WELL, NEPHEW.
3089
02:46:33,146 --> 02:46:35,780
YOU'VE BEEN
A DUTIFUL SON,
I HEAR...
3090
02:46:35,782 --> 02:46:38,749
A PATTERN
TO ALL SONS.
3091
02:46:38,818 --> 02:46:41,919
I'VE BEEN AS GOOD A SON
AS EVER YOU WERE
A BROTHER, I THINK.
3092
02:46:41,987 --> 02:46:43,254
OH...HEH.
3093
02:46:43,323 --> 02:46:46,023
MR. CHUZZLEWIT
KNOWS YOUR FONDNESS
FOR REPARTEE, JONAS.
3094
02:46:46,092 --> 02:46:48,025
HE WILL NOT BE
OFFENDED.
3095
02:46:48,094 --> 02:46:50,595
YOU SPEAK
IN THE VIOLENCE
OF YOUR GRIEF.
3096
02:46:53,165 --> 02:46:54,598
GIVE ME YOUR HAND.
3097
02:47:06,178 --> 02:47:08,111
COME IN, COME IN,
MY DEARS.
3098
02:47:08,180 --> 02:47:09,913
THOMAS,
PRAY COME IN.
3099
02:47:11,350 --> 02:47:13,116
WHAT A DAY THIS IS.
3100
02:47:13,185 --> 02:47:16,621
WE SHALL ALL
SIT DOWN AT TABLE
IN PEACE AND HARMONY.
3101
02:47:16,689 --> 02:47:20,624
JONAS, UH,
WILL YOU TAKE MERCY
TO THE DINING ROOM,
3102
02:47:20,692 --> 02:47:22,126
AND WE'LL FOLLOW.
3103
02:47:22,195 --> 02:47:24,661
I DON'T MIND,
PECKSNIFF.
3104
02:47:26,198 --> 02:47:27,131
[SOBS]
3105
02:47:29,235 --> 02:47:30,968
[PECKSNIFF LAUGHS
NERVOUSLY]
3106
02:47:31,037 --> 02:47:32,569
IT'S--IT'S MERELY
3107
02:47:32,638 --> 02:47:33,904
AN HYSTERICAL
AFFECTION,
NOTHING MORE.
3108
02:47:33,973 --> 02:47:36,974
I'M NOT UNEASY.
SHE WILL RETURN.
3109
02:47:37,043 --> 02:47:39,476
SO. LET'S GO IN
TO SUPPER, AND,
UH, AFTERWARDS
3110
02:47:39,545 --> 02:47:41,645
I WILL
ESCORT YOU
AND MISS GRAHAM
3111
02:47:41,714 --> 02:47:43,080
BACK
TO THE DRAGON.
3112
02:47:43,148 --> 02:47:45,616
NO, NO.
LET MR. PINCH DO THAT,
3113
02:47:45,685 --> 02:47:48,119
SINCE HE SHOWED US
THE WAY HERE.
3114
02:47:48,188 --> 02:47:50,187
WHATEVER YOU WISH, SIR.
3115
02:48:03,069 --> 02:48:04,669
AND YOU ARE
QUITE CONTENT
3116
02:48:04,737 --> 02:48:06,170
WITH YOUR
SITUATION HERE,
3117
02:48:06,238 --> 02:48:07,671
ARE YOU,
MR. PINCH?
3118
02:48:07,740 --> 02:48:10,508
YES, INDEED, SIR.
I'M UNDER MANY OBLIGATIONS
TO MR. PECKSNIFF.
3119
02:48:10,576 --> 02:48:12,509
I COULDN'T REPAY THEM
IN A LIFETIME.
3120
02:48:12,578 --> 02:48:15,012
A LIFETIME,
INDEED.
3121
02:48:15,481 --> 02:48:17,514
AND HOW LONG
HAVE YOU KNOWN
MY NEPHEW?
3122
02:48:17,583 --> 02:48:19,517
YOUR NEPHEW, SIR?
YOU DON'T MEAN--
3123
02:48:19,585 --> 02:48:21,018
MR. JONAS CHUZZLEWIT.
3124
02:48:21,087 --> 02:48:23,020
OH, DEAR ME.
TO BE SURE.
3125
02:48:23,089 --> 02:48:25,522
I NEVER SPOKE TO HIM
BEFORE THIS EVENING.
3126
02:48:25,591 --> 02:48:28,025
PERHAPS HALF A LIFETIME
WILL SUFFICE
3127
02:48:28,094 --> 02:48:30,527
FOR THE ACKNOWLEDGMENT
OF HIS KINDNESS.
3128
02:48:31,697 --> 02:48:35,532
THE PATH IS NARROW,
AND THE GRASS IS WET.
3129
02:48:35,601 --> 02:48:37,568
YOU GO AHEAD, MARY.
3130
02:48:39,271 --> 02:48:41,205
TAKE MR. PINCH'S ARM.
3131
02:48:41,273 --> 02:48:42,706
MAY I?
3132
02:48:42,775 --> 02:48:43,708
OF COURSE.
3133
02:49:06,666 --> 02:49:08,399
GOOD NIGHT,
MISS GRAHAM.
3134
02:49:08,467 --> 02:49:10,233
GOOD NIGHT, SIR.
3135
02:49:17,643 --> 02:49:19,910
[WHISTLING]
3136
02:49:26,319 --> 02:49:28,919
HA! GOODNESS ME,
MR. JONAS.
3137
02:49:28,987 --> 02:49:30,921
WHAT ARE YOU
DOING HERE?
3138
02:49:30,990 --> 02:49:34,425
I SUPPOSE I HAVE
AS MUCH RIGHT
TO BE HERE AS YOU,
3139
02:49:34,493 --> 02:49:36,693
MR. PITCH...OR STITCH...
3140
02:49:36,762 --> 02:49:39,196
OR WHATEVER IT IS
YOUR NAME IS.
3141
02:49:39,265 --> 02:49:41,699
UH, CERTAINLY.
BUT MY NAME IS PINCH.
3142
02:49:41,768 --> 02:49:44,768
HAVE THE GOODNESS
TO CALL ME BY IT.
3143
02:49:44,837 --> 02:49:46,770
HA HA HA!
HOITY-TOITY.
3144
02:49:46,839 --> 02:49:49,806
PAUPER APPRENTICES
ARE LOOKING UP.
3145
02:49:49,875 --> 02:49:52,810
WE MANAGE 'EM
MUCH BETTER
IN THE CITY.
3146
02:49:52,879 --> 02:49:54,412
LET ME PASS, PLEASE.
3147
02:49:54,480 --> 02:49:56,746
NOT SO FAST.
3148
02:49:56,815 --> 02:49:58,982
LET ME GIVE YOU
A WORD OF ADVICE,
MY FRIEND.
3149
02:49:59,051 --> 02:50:01,485
IF YOU ESCORT
MY UNCLE HOME,
3150
02:50:01,554 --> 02:50:03,921
THEN YOU WALK
BEHIND HIM...
3151
02:50:03,990 --> 02:50:05,589
LIKE ANY OTHER
SERVANT.
3152
02:50:06,659 --> 02:50:08,091
THAT'S
A DESPICABLE REMARK.
3153
02:50:08,160 --> 02:50:10,494
BUT THE LESS I SAY,
THE BETTER.
3154
02:50:10,563 --> 02:50:11,995
THE LESS YOU SAY.
3155
02:50:12,064 --> 02:50:13,497
[CHUCKLES]
3156
02:50:13,565 --> 02:50:16,934
YOU SAY VERY LITTLE,
DON'T YOU?
3157
02:50:17,003 --> 02:50:19,436
ECOD, I'D LIKE TO KNOW
WHAT THERE IS
3158
02:50:19,505 --> 02:50:23,707
BETWEEN YOU AND
A CERTAIN VAGABOND
MEMBER OF MY FAMILY.
3159
02:50:23,776 --> 02:50:27,444
IF YOU MEAN
YOUR UNCLE'S NAMESAKE,
HE IS NO VAGABOND.
3160
02:50:27,513 --> 02:50:29,947
AND ANY COMPARISON
BETWEEN YOU AND HIM
3161
02:50:30,016 --> 02:50:31,916
IS IMMEASURABLY
TO YOUR DISADVANTAGE.
3162
02:50:31,984 --> 02:50:33,984
HA HA! INDEED.
3163
02:50:34,052 --> 02:50:37,988
AND WHAT DO YOU THINK
OF HIS BEGGARLY LEAVINGS,
EH, MR. PINCH?
3164
02:50:38,056 --> 02:50:39,990
IT LOOKED TO ME
3165
02:50:40,059 --> 02:50:43,794
AS IF YOU'D BE QUITE HAPPY
TO TAKE HER OFF HIS HANDS.
3166
02:50:43,863 --> 02:50:45,796
LET ME PASS.
3167
02:50:45,864 --> 02:50:47,364
I HAVEN'T FINISHED YET.
3168
02:50:49,201 --> 02:50:51,635
ARE YOU BADLY HURT?
I'M SORRY FOR IT.
3169
02:50:52,871 --> 02:50:54,404
GO TO HELL.
3170
02:50:54,473 --> 02:50:58,142
I'M SURE I NEVER
GAVE YOU ANY CAUSE
TO QUARREL WITH ME.
3171
02:50:58,210 --> 02:50:59,309
HERE.
3172
02:51:07,220 --> 02:51:11,789
YOU'D BETTER STAY
OUT OF MY WAY
IN FUTURE, PINCH.
3173
02:51:11,857 --> 02:51:13,523
[KNOCK ON DOOR]
3174
02:51:15,661 --> 02:51:16,960
[KNOCK KNOCK]
3175
02:51:24,837 --> 02:51:27,771
MR. PINCH...
TELL ME THE TRUTH.
3176
02:51:27,839 --> 02:51:30,207
JONAS CAME BACK
JUST AFTER YOU
3177
02:51:30,276 --> 02:51:31,808
WITH A WOUND
TO HIS HEAD,
3178
02:51:31,877 --> 02:51:34,144
SAYING HE HAD RUN
AGAINST A TREE,
BUT I THINK
3179
02:51:34,213 --> 02:51:37,781
THAT THERE WAS SOME
QUARREL BETWEEN YOU
AND YOU STRUCK HIM.
3180
02:51:37,850 --> 02:51:38,582
WAS IT SO, OR NOT?
3181
02:51:38,651 --> 02:51:40,317
I WAS VERY MUCH
PROVOKED.
3182
02:51:40,386 --> 02:51:42,252
THEN IT WAS.
3183
02:51:42,321 --> 02:51:45,890
WE HAD A STRUGGLE
FOR THE PATH, BUT I DID
NOT MEAN TO HURT HIM.
3184
02:51:45,958 --> 02:51:48,892
DON'T SAY THAT.
IT WAS BRAVE OF YOU.
3185
02:51:48,961 --> 02:51:51,361
OH, I HONOR YOU FOR IT.
3186
02:51:51,430 --> 02:51:54,364
IF YOU SHOULD EVER
QUARREL WITH HIM AGAIN,
3187
02:51:54,433 --> 02:51:57,468
DON'T SPARE HIM
FOR THE WORLD.
3188
02:53:51,450 --> 02:53:54,351
[ROOSTER CROWS]
3189
02:54:05,264 --> 02:54:07,197
[HARPSICHORD PLAYS]
3190
02:54:21,580 --> 02:54:23,714
[KNOCK ON DOOR]
3191
02:54:23,783 --> 02:54:25,048
[PLAYING STOPS]
3192
02:54:25,117 --> 02:54:27,551
I'M SORRY TO INTERRUPT
YOUR PLAYING, MISS GRAHAM.
3193
02:54:27,620 --> 02:54:28,885
IT DOESN'T MATTER.
3194
02:54:28,954 --> 02:54:30,220
YOU PLAY SO BEAUTIFULLY.
3195
02:54:30,289 --> 02:54:31,589
THANK YOU.
3196
02:54:31,657 --> 02:54:34,691
I'M SURPRISED HOW WELL
THIS INSTRUMENT
RESPONDS NOW,
3197
02:54:34,760 --> 02:54:37,794
COMPARED TO WHEN
I FIRST TRIED IT.
3198
02:54:37,863 --> 02:54:41,565
I THINK SOME KIND PERSON
HAS SPENT MANY HOURS
TUNING IT.
3199
02:54:42,802 --> 02:54:44,902
WELL, HE WAS WELL
REWARDED THEN.
3200
02:54:46,972 --> 02:54:48,038
MISS GRAHAM...
3201
02:54:49,875 --> 02:54:51,475
I HAVE A LETTER FOR YOU.
3202
02:54:51,544 --> 02:54:52,475
FROM MARTIN?
3203
02:54:52,544 --> 02:54:54,144
IT WAS DELIVERED
TO THE DRAGON
3204
02:54:54,212 --> 02:54:56,513
ENCLOSED IN ONE
ADDRESSED TO ME.
THANK GOD.
3205
02:54:56,581 --> 02:54:58,515
HE'S REACHED AMERICA
SAFELY, THEN?
3206
02:54:58,584 --> 02:55:00,984
YES. HE WRITES
FROM NEW YORK.
3207
02:55:01,053 --> 02:55:02,486
GIVE ME THE LETTER.
3208
02:55:02,554 --> 02:55:03,487
OH.
3209
02:55:10,596 --> 02:55:12,029
PLEASE EXCUSE ME.
3210
02:55:18,770 --> 02:55:20,203
THANK YOU, MR. PINCH.
3211
02:55:43,095 --> 02:55:45,161
Martin: MY DEAREST LOVE,
3212
02:55:45,230 --> 02:55:47,030
WE ARRIVED HERE A WEEK AGO
3213
02:55:47,099 --> 02:55:50,233
AFTER A VOYAGE THAT TESTED
EVEN MY RESOLUTION.
3214
02:55:50,302 --> 02:55:51,935
THE WEATHER WAS BAD,
3215
02:55:52,003 --> 02:55:54,938
THE CONDITIONS BELOWDECKS
VERY SHOCKING.
3216
02:55:55,007 --> 02:55:58,174
AT LAST,
AFTER 5 WRETCHED WEEKS,
3217
02:55:58,243 --> 02:56:00,577
WE REACHED THE MOUTH
OF THE RIVER HUDSON
3218
02:56:00,646 --> 02:56:02,780
AND THE ISLAND
OF MANHATTAN.
3219
02:56:02,848 --> 02:56:05,515
ON THE PADDLE BOAT
THAT TOOK US TO THE WHARF,
3220
02:56:05,584 --> 02:56:08,018
I MADE THE ACQUAINTANCE
OF AN AMERICAN GENTLEMAN:
3221
02:56:08,087 --> 02:56:11,521
A GENERAL DIVER, WHO HAD
COME OUT TO MEET OUR SHIP.
3222
02:56:11,590 --> 02:56:14,023
HE HAD NO IDEA THAT
I HAD TRAVELED IN STEERAGE,
3223
02:56:14,092 --> 02:56:16,026
AND WE GOT ON FAMOUSLY.
3224
02:56:16,095 --> 02:56:19,029
LUCKILY FOR US,
HE TURNED OUT TO BE
A SHAREHOLDER
3225
02:56:19,098 --> 02:56:21,365
IN THE EDEN LAND
CORPORATION,
3226
02:56:21,434 --> 02:56:24,368
EDEN BEING THE NAME OF
A THRIVING NEW COMMUNITY
3227
02:56:24,436 --> 02:56:27,370
AT THE JUNCTION OF THE OHIO
AND MISSISSIPPI RIVERS.
3228
02:56:27,439 --> 02:56:29,973
HE WAS THUS ABLE
TO INTRODUCE ME
3229
02:56:30,042 --> 02:56:33,109
TO THE AGENT OF THE COMPANY
AT THEIR NEW YORK OFFICE.
3230
02:56:33,178 --> 02:56:36,113
WHY, I HAD NO IDEA
IT WAS A CITY.
3231
02:56:36,182 --> 02:56:38,348
OH, IT'S A CITY,
ALL RIGHT.
3232
02:56:38,416 --> 02:56:40,750
DEAR ME, IT'S A MOST
IMPORTANT-LOOKING
PLACE.
3233
02:56:40,819 --> 02:56:42,152
LOOK AT THIS, MARK.
3234
02:56:42,220 --> 02:56:44,654
THERE'S
A MARKETPLACE,
A CHURCH, A THEATER.
3235
02:56:44,723 --> 02:56:46,089
THE ONLY THING IS,
3236
02:56:46,158 --> 02:56:48,692
I'M NOT SURE THERE'S
ANYTHING LEFT
FOR ME TO DO HERE.
3237
02:56:48,761 --> 02:56:51,094
WELL, IT AIN'T
BUILT YET.
NOT QUITE.
3238
02:56:51,163 --> 02:56:52,429
AH. GOOD.
3239
02:56:52,498 --> 02:56:55,098
THE MARKETPLACE, NOW.
IS THAT BUILT?
3240
02:56:55,167 --> 02:56:57,667
THAT? LET ME SEE.
3241
02:57:00,506 --> 02:57:02,939
NO. THAT AIN'T BUILT.
3242
02:57:03,008 --> 02:57:05,776
RATHER A GOOD JOB
TO BEGIN WITH.
3243
02:57:07,179 --> 02:57:09,279
I SUPPOSE THERE ARE
SEVERAL ARCHITECTS
THERE?
3244
02:57:09,348 --> 02:57:11,348
NO, THERE AIN'T
A SINGLE ONE.
3245
02:57:12,484 --> 02:57:13,917
DO YOU HEAR THAT?
3246
02:57:15,854 --> 02:57:18,288
BUT WHOSE WORK
IS THIS BEFORE US,
THEN?
3247
02:57:18,357 --> 02:57:20,290
THE SOIL BEING
VERY FRUITFUL,
3248
02:57:20,359 --> 02:57:21,725
PUBLIC BUILDINGS
GROW SPONTANEOUS,
PERHAPS.
3249
02:57:21,793 --> 02:57:22,759
MARK.
3250
02:57:22,828 --> 02:57:24,794
NEVER MIND WHOSE WORK
IT IS OR ISN'T.
3251
02:57:24,863 --> 02:57:27,698
MAYBE HE CLEARED OFF
HANDSOME WITH
A HEAP OF DOLLARS.
3252
02:57:27,766 --> 02:57:30,767
MAYBE THAT DESK
AND STOOL AIN'T MADE
FROM EDEN LUMBER.
3253
02:57:30,836 --> 02:57:33,270
MAYBE NO END OF SETTLERS
AIN'T GONE OUT THERE.
3254
02:57:33,339 --> 02:57:35,272
MAYBE THERE AIN'T
NO SUCH LOCATION
3255
02:57:35,340 --> 02:57:38,508
IN THE TERRITORY OF
THE GREAT UNITED STATES.
OH, NO.
3256
02:57:38,577 --> 02:57:40,343
WE BEG YOUR PARDON,
MR. SCADDER.
3257
02:57:40,412 --> 02:57:42,846
TELL THEM ABOUT
THAT LITTLE LOT
OF 50 ACRES
3258
02:57:42,915 --> 02:57:44,447
WITH THE HOUSE
UPON IT, SCADDER--
3259
02:57:44,516 --> 02:57:46,116
THE ONE THAT'S
JUST BECOME AVAILABLE.
3260
02:57:46,184 --> 02:57:47,784
YOU'RE A GREAT DEAL
TOO OPENHANDED
3261
02:57:47,853 --> 02:57:49,452
WITH THE COMPANY'S
ASSETS, GENERAL.
3262
02:57:49,521 --> 02:57:51,955
YOU KNOW
AS IT'S A LOT
WE HAD CONCLUDED
3263
02:57:52,024 --> 02:57:54,258
TO RESERVE
FOR PARTICULAR
FRIENDS.
3264
02:57:54,326 --> 02:57:56,492
BUT THESE ARE
MY PARTICULAR FRIENDS.
3265
02:57:56,561 --> 02:57:58,028
WHERE IS THIS LOT?
3266
02:58:01,466 --> 02:58:03,833
Martin: THE PRICE
WAS VERY REASONABLE,
3267
02:58:03,902 --> 02:58:06,603
BUT ALAS BEYOND MY MEANS.
3268
02:58:06,672 --> 02:58:09,605
I CONSEQUENTLY INVITED MARK
TO BECOME MY PARTNER
3269
02:58:09,674 --> 02:58:12,609
AND TO INVEST HIS SAVINGS
IN A JOINT BUSINESS
3270
02:58:12,678 --> 02:58:14,678
TO BE CALLED
CHUZZLEWIT & TAPLEY.
3271
02:58:14,747 --> 02:58:17,013
THE GOOD FELLOW
WAS HIGHLY DELIGHTED
3272
02:58:17,082 --> 02:58:20,117
AND MODESTLY REQUESTED
THAT WE SHOULD BE KNOWN
AS CHUZZLEWIT AND CO.,
3273
02:58:20,186 --> 02:58:23,119
SAYING, "I OFTEN THOUGHT
AS I'D LIKE TO MEET A CO.,
3274
02:58:23,188 --> 02:58:26,123
BUT I LITTLE THOUGHT
AS I SHOULD LIVE TO BE ONE."
3275
02:58:26,192 --> 02:58:28,124
BY THE TIME
YOU RECEIVE THIS,
3276
02:58:28,193 --> 02:58:30,627
MARK AND I WILL BE
ON OUR WAY WESTWARD
3277
02:58:30,696 --> 02:58:32,562
TO TAKE POSSESSION
OF OUR PROPERTY.
3278
02:58:32,631 --> 02:58:36,132
DON'T EXPECT TO HEAR FROM ME
AGAIN FOR SOME TIME.
3279
02:58:36,201 --> 02:58:39,969
I KISS THIS LETTER
AND THROUGH IT, YOU.
3280
02:58:40,038 --> 02:58:41,938
YOUR EVERLOVING MARTIN.
3281
02:58:46,878 --> 02:58:48,312
IS THAT YOU,
GRIFFIN?
3282
02:58:48,380 --> 02:58:50,813
HAVE YOU COME
TO BOTHER ME
AGAIN?
3283
02:58:50,882 --> 02:58:53,316
OH, I BEG
YOUR PARDON,
MR. CHUZZLEWIT.
3284
02:58:53,385 --> 02:58:57,154
I THOUGHT YOU WERE
THAT IMPOSSIBLE MAN
OF MINE.
3285
02:58:57,222 --> 02:58:59,856
[BELL TOLLS]
3286
02:59:04,229 --> 02:59:06,396
WHEN ARE YOU
TO BE MARRIED?
3287
02:59:06,465 --> 02:59:08,565
OH, GOODNESS ME,
I DON'T KNOW.
3288
02:59:08,634 --> 02:59:10,067
NOT YET AWHILE,
I HOPE.
3289
02:59:10,135 --> 02:59:13,837
COME, MERCY.
I THINK MR. JONAS
IS GROWING IMPATIENT.
3290
02:59:13,906 --> 02:59:15,972
YOU MUST HAVE
SOME HEART.
3291
02:59:16,041 --> 02:59:19,109
I HAVEN'T GIVEN IT
ALL AWAY YET,
I CAN TELL YOU.
3292
02:59:19,178 --> 02:59:21,144
HAVE YOU PARTED
WITH ANY OF IT?
3293
02:59:21,213 --> 02:59:24,714
LOR, MR. CHUZZLEWIT.
YOU DO ASK SUCH
ODD QUESTIONS.
3294
02:59:24,783 --> 02:59:29,185
IS IT SO ODD TO INQUIRE
WHETHER YOU LOVE THE MAN
YOU'RE ENGAGED TO MARRY?
3295
02:59:29,254 --> 02:59:32,656
I TOLD THE WRETCH
WHEN HE ASKED ME THAT
IF EVER I DID MARRY HIM,
3296
02:59:32,725 --> 02:59:35,692
IT WOULD ONLY BE
THAT I MIGHT HATE AND
TEASE HIM ALL MY LIFE.
3297
02:59:35,761 --> 02:59:39,195
FOR HEAVEN'S SAKE,
CHILD, SPEAK
AND THINK FOR ONCE
3298
02:59:39,264 --> 02:59:42,398
LIKE A REASONABLE
CREATURE.
3299
02:59:42,467 --> 02:59:45,602
ARE YOU BEING FORCED
INTO THIS MATCH BY...
3300
02:59:45,671 --> 02:59:47,103
ANYONE?
3301
02:59:47,172 --> 02:59:51,208
NO. I DON'T KNOW
THAT I AM.
3302
02:59:51,277 --> 02:59:55,646
I'M TOLD HE WAS AT
FIRST SUPPOSED TO BE
YOUR SISTER'S ADMIRER.
3303
02:59:55,648 --> 02:59:57,680
OH, GOOD GRACIOUS,
MR. CHUZZLEWIT.
3304
02:59:57,749 --> 03:00:00,450
POOR DEAR CHERRY
IS THE VAINEST DARLING.
3305
03:00:00,519 --> 03:00:02,852
IT WAS
HER MISTAKE, THEN?
3306
03:00:02,921 --> 03:00:04,087
I HOPE IT WAS.
3307
03:00:04,156 --> 03:00:07,156
AND YOU'RE QUITE HAPPY
IN YOUR ENGAGEMENT?
3308
03:00:08,493 --> 03:00:09,893
I DON'T MIND IT.
3309
03:00:10,362 --> 03:00:13,330
HAS IT EVER
OCCURRED TO YOU--
3310
03:00:13,399 --> 03:00:15,332
EXCUSE ME FOR
BEING SO BLUNT,
3311
03:00:15,400 --> 03:00:18,334
BUT I HAVE YOUR
INTEREST AT HEART--
3312
03:00:18,403 --> 03:00:20,337
THAT A MARRIAGE
WITHOUT LOVE
3313
03:00:20,405 --> 03:00:24,174
MAY PERHAPS BE FULL
OF BITTERNESS...
3314
03:00:24,543 --> 03:00:25,608
AND MOST UNHAPPY?
3315
03:00:25,677 --> 03:00:29,779
GOOD GRACIOUS, MR. CHUZZLEWIT,
WHAT VERY SHOCKING WORDS.
3316
03:00:29,848 --> 03:00:32,182
OF COURSE I SHALL
QUARREL WITH HIM.
3317
03:00:32,251 --> 03:00:35,018
MARRIED PEOPLE ALWAYS
DO QUARREL, I THINK.
3318
03:00:35,487 --> 03:00:38,021
BUT I DON'T SEE WHY
I SHOULD BE MISERABLE...
3319
03:00:38,090 --> 03:00:40,523
UNLESS HE ALWAYS GETS
THE BEST OF IT.
3320
03:00:40,592 --> 03:00:44,194
AND I MEAN TO HAVE
THE BEST OF IT MYSELF.
[GIGGLING]
3321
03:00:44,262 --> 03:00:45,761
I ALWAYS DO NOW,
3322
03:00:45,830 --> 03:00:49,665
FOR I MAKE
A PERFECT SLAVE
OF THE CREATURE.
3323
03:00:49,734 --> 03:00:51,400
[GIGGLES]
3324
03:00:51,469 --> 03:00:52,636
VERY WELL.
3325
03:00:53,972 --> 03:00:57,907
I SOUGHT TO KNOW
YOUR MIND, MY DEAR...
3326
03:00:57,976 --> 03:01:00,243
AND YOU HAVE
SHOWN IT TO ME.
3327
03:01:03,148 --> 03:01:05,081
I WISH YOU JOY.
3328
03:01:10,989 --> 03:01:12,055
JOY.
3329
03:01:23,669 --> 03:01:24,600
OH!
3330
03:01:24,669 --> 03:01:26,102
HA HA HA!
3331
03:01:26,171 --> 03:01:27,604
OH, YOU HIDEOUS
CREATURE.
3332
03:01:27,673 --> 03:01:30,974
WHAT DO YOU MEAN
BY FRIGHTENING PEOPLE
OUT OF THEIR WITS?
3333
03:01:31,043 --> 03:01:33,577
DON'T YOU DARE
SIT DOWN BESIDE ME,
GRIFFIN.
3334
03:01:36,948 --> 03:01:39,382
WHAT'S MY UNCLE BEEN
A-TALKING ABOUT?
3335
03:01:39,450 --> 03:01:40,884
ABOUT YOU.
3336
03:01:40,953 --> 03:01:43,886
HE SAYS YOU'RE NOT HALF
GOOD ENOUGH FOR ME.
3337
03:01:43,955 --> 03:01:45,755
HA HA!
I DARESAY.
3338
03:01:45,824 --> 03:01:49,592
HE MEANS TO GIVE YOU
SOME PRESENT WORTH
HAVING, I HOPE.
3339
03:01:49,661 --> 03:01:50,927
WHAT ARE YOU DOING?
3340
03:01:50,996 --> 03:01:52,929
ONLY GIVING YOU
A SQUEEZE.
3341
03:01:52,997 --> 03:01:55,866
THERE'S NO HARM
IN THAT, I SUPPOSE.
3342
03:01:55,934 --> 03:01:58,368
THERE'S A GREAT DEAL
OF HARM IN IT
3343
03:01:58,436 --> 03:02:00,369
IF I DON'T CONSIDER IT
AGREEABLE.
3344
03:02:00,438 --> 03:02:02,305
AND I DON'T.
3345
03:02:02,374 --> 03:02:05,474
KINDLY TAKE
YOUR ARM AWAY.
3346
03:02:14,052 --> 03:02:15,485
I SAY, NOW...
3347
03:02:15,553 --> 03:02:17,654
WHEN IS IT TO BE?
3348
03:02:18,890 --> 03:02:21,391
OUR WEDDING, I MEAN.
3349
03:02:21,460 --> 03:02:24,961
I CAN'T CARRY ON
DAWDLING ABOUT DOWN HERE
HALF MY LIFE, YOU KNOW.
3350
03:02:25,030 --> 03:02:27,464
WHAT DO YOU SAY
TO NEXT WEEK?
3351
03:02:27,533 --> 03:02:29,065
NEXT WEEK?
3352
03:02:29,134 --> 03:02:31,134
IF YOU HAD SAID
NEXT QUARTER,
3353
03:02:31,203 --> 03:02:33,636
I SHOULD HAVE WONDERED
AT YOUR IMPUDENCE.
3354
03:02:33,705 --> 03:02:34,804
BUT I DIDN'T SAY
NEXT QUARTER.
3355
03:02:34,873 --> 03:02:37,473
I SAID NEXT WEEK.
3356
03:02:38,811 --> 03:02:41,177
IF IT'S NEXT MONTH,
THAT'S THE VERY EARLIEST.
3357
03:02:41,246 --> 03:02:44,647
AND IF YOU FOLLOW ME ABOUT
AND WON'T LEAVE ME ALONE
3358
03:02:44,716 --> 03:02:46,616
AND DON'T DO EVERYTHING
I ORDER YOU TO,
3359
03:02:46,684 --> 03:02:50,019
IT SHALL NEVER BE
AT ALL, SO THERE.
3360
03:02:50,088 --> 03:02:52,689
DO YOU UNDERSTAND ME,
GRIFFIN?
3361
03:02:52,757 --> 03:02:55,691
SHOW YOU DO BY NOT
FOLLOWING ME NOW.
3362
03:03:00,933 --> 03:03:03,867
ECOD, MY LADY...
3363
03:03:03,935 --> 03:03:06,703
YOU SHALL PAY FOR THIS
WHEN WE ARE MARRIED.
3364
03:03:36,467 --> 03:03:38,335
Mrs. Gamp:
THINGS HAVE BEEN MADE
AS COMFORTABLE
3365
03:03:38,403 --> 03:03:40,336
AS THEY COULD BE,
MY PRETTY DEAR.
3366
03:03:40,405 --> 03:03:42,738
BUT THERE'S MANY
YOU'LL HAVE TO ALTER
YOUR OWN SELF
3367
03:03:42,807 --> 03:03:45,041
WHEN YOU'VE HAD TIME
TO LOOK AROUND.
3368
03:03:50,482 --> 03:03:53,416
SO THERE YOU ARE,
MR. CHUFF.
3369
03:04:00,425 --> 03:04:02,758
STILL IN THE LAND
OF THE LIVING, I SEE.
3370
03:04:02,827 --> 03:04:05,662
SO HE IS, AND HAS YOU
TO THANK FOR IT.
3371
03:04:05,730 --> 03:04:08,297
MANY A TIME
I'VE TOLD HIM.
3372
03:04:08,366 --> 03:04:11,034
WE SHAN'T
BE NEEDING YOU
ANYMORE, MRS. GAMP.
3373
03:04:11,103 --> 03:04:13,903
I'LL BE GOING
IMMEDIATE, SIR.
3374
03:04:13,971 --> 03:04:17,107
UNLESS THERE'S ANYTHING
I CAN DO FOR YOU, MA'AM.
3375
03:04:17,176 --> 03:04:18,608
NO, THANK YOU.
3376
03:04:18,677 --> 03:04:20,810
WOULD YOU BE SO GOOD,
3377
03:04:20,879 --> 03:04:23,780
MY DARLING DOVEY
OF A DEAR YOUNG
MARRIED LADY,
3378
03:04:23,848 --> 03:04:27,416
AS TO PUT THIS SOMEWHERE
WHERE YOU CAN KEEP IT
IN YOUR MIND?
3379
03:04:27,485 --> 03:04:31,020
GAMP'S THE NAME.
LIVING QUITE HANDY.
3380
03:04:31,089 --> 03:04:33,890
I'LL BE SO BOLD
AS TO CALL IN
NOW AND AGAIN
3381
03:04:33,959 --> 03:04:36,926
TO INQUIRE
ABOUT YOUR HEALTH
3382
03:04:36,995 --> 03:04:40,263
AND YOUR SPIRITS,
MY PRETTY CHICK.
3383
03:04:40,331 --> 03:04:42,766
GOOD DAY, SIR.
3384
03:04:52,711 --> 03:04:55,044
OH, IT'S NOT
GOOD ENOUGH
FOR YOU, I SUPPOSE.
3385
03:04:55,113 --> 03:04:57,447
IT IS A LITTLE
DREARY, JONAS.
3386
03:04:57,516 --> 03:04:59,783
PERHAPS WITH
SOME NEW FURNITURE.
3387
03:04:59,851 --> 03:05:01,351
NEW FURNITURE?
3388
03:05:01,420 --> 03:05:03,987
WHY, THESE PIECES
ARE GOOD ENOUGH
FOR ANOTHER 50 YEARS.
3389
03:05:04,055 --> 03:05:06,289
YOU'RE A NICE ARTICLE
TO TURN SULKY
3390
03:05:06,357 --> 03:05:09,759
ON YOUR FIRST
COMING HOME.
3391
03:05:09,827 --> 03:05:11,394
THE WOMAN'S DOWNSTAIRS.
RING THE BELL FOR SUPPER
3392
03:05:11,462 --> 03:05:13,063
WHILE I TAKE OFF
MY BOOTS.
3393
03:05:25,277 --> 03:05:26,876
ARE YOU THE ONE
THEY CALL MERRY?
3394
03:05:26,945 --> 03:05:27,878
YES.
3395
03:05:27,946 --> 03:05:30,246
YOU'RE NOT MARRIED,
ARE YOU?
3396
03:05:30,314 --> 03:05:32,248
NOT MARRIED
TO JONAS?
3397
03:05:32,317 --> 03:05:33,283
YES, OF COURSE, I AM.
3398
03:05:33,351 --> 03:05:34,283
OH!
3399
03:05:34,352 --> 03:05:37,387
WHY, GOOD HEAVENS,
WHAT IS THE MATTER?
3400
03:05:37,455 --> 03:05:41,691
OH, WOE, WOE UPON
THIS WICKED HOUSE.
3401
03:05:45,062 --> 03:05:47,430
[SNORING]
3402
03:05:51,903 --> 03:05:52,935
Lewsome: OHH!
3403
03:05:53,004 --> 03:05:55,505
[SNORTS]
AHH, SHH...
3404
03:05:55,574 --> 03:05:57,507
OH, I THOUGHT
I WAS A...
3405
03:05:57,576 --> 03:05:59,476
A-SLEEPING TOO
PLEASANT TO LAST.
3406
03:05:59,544 --> 03:06:02,545
OHH! [COUGHS]
3407
03:06:02,614 --> 03:06:06,215
DON'T MAKE NONE OF
THAT NOISE IN HERE!
3408
03:06:06,284 --> 03:06:09,418
OOH.
IT'S A CHILLY NIGHT.
3409
03:06:09,487 --> 03:06:12,288
[SHIVERING]
LOOK THERE.
3410
03:06:13,959 --> 03:06:15,758
DO YOU SEE THEM?
3411
03:06:15,827 --> 03:06:16,893
SEE WHO?
3412
03:06:16,961 --> 03:06:18,761
THE MEN PASSING
THROUGH THIS ROOM.
3413
03:06:18,830 --> 03:06:21,197
IN AT THE WINDOW
AND OUT AT THE DOOR.
3414
03:06:22,500 --> 03:06:25,268
ALL OF THEM
WEARING BLACK CREPE
AROUND THEIR HATS.
3415
03:06:26,838 --> 03:06:29,772
LET ME BE SURE OF THIS!
3416
03:06:29,841 --> 03:06:31,774
TOUCH ME!
3417
03:06:31,843 --> 03:06:33,376
YOU'LL HAVE
YOUR SLEEPING DRAUGHT
3418
03:06:33,444 --> 03:06:35,645
AS SOON AS I'VE MADE
A KETTLE BOILED,
3419
03:06:35,713 --> 03:06:37,313
AND YOU'LL GET
TOUCHED THEN
3420
03:06:37,382 --> 03:06:39,248
IF YOU DON'T
TAKE IT QUIET.
NO, NO!
3421
03:06:39,317 --> 03:06:40,250
CHUZZLEWIT!
3422
03:06:41,853 --> 03:06:42,852
CHUZZLEWIT?
3423
03:06:43,955 --> 03:06:44,987
NO!
3424
03:06:46,191 --> 03:06:47,891
NO!
3425
03:07:36,674 --> 03:07:39,609
CAPTIONED BY THE NATIONAL
CAPTIONING INSTITUTE
--www.ncicap.org--
341276
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