Original subtitles

HEY!

(Richard Thompson) * WHEN I LOOK OUT MY WINDOW *

* SO MANY SIGHTS TO SEE *

* WHEN I LOOK IN MY WINDOW *

* SO MANY DIFFERENT PEOPLE TO BE *

* IT'S STRANGE *

* SO STRANGE *

* YOU'VE GOT TO PICK UP EVERY STITCH *

* YOU'VE GOT TO PICK UP EVERY STITCH *

* YOU'VE GOT TO PICK UP EVERY STITCH *

* OH, NO *

* MUST BE THE SEASON OF THE WITCH, YEAH *

* MUST BE THE SEASON OF THE WITCH, YEAH *

* MUST BE THE SEASON OF THE WITCH... *

[sirens, police radio traffic]

EXCUSE ME.

THAT'S NASTY.

WHERE IS SHE?

ALL RIGHT, GUYS, YOU'RE ON.

I'M ACTUALLY GONNA ASK YOU HOW YOU CAME TO CALL THIS IN,

KNOWING FULL WELL YOU'RE GOING TO LIE TO ME.

WE GOTTA STOP HANGIN' OUT TOGETHER.

YOU'RE LEARNIN' ALL MY MOVES.

I WAS HAVING A VERY PLEASANT, SLIGHTLY EROTIC DREAM

JUST 40 MINUTES AGO, JORDAN.

THEN I GUESS YOU AND WOODY JR. ARE GOING TO BE DISAPPOINTED,

BECAUSE I'M NOT IN THE MOOD TO ANALYZE YOUR DREAMS.

HOW DID YOU FIND HIM, JORDAN?

AN ANONYMOUS TIP.

I SWEAR TO GOD--

DETECTIVE HOYT!

I THINK WE'VE GOT AN I.D.

EXCUSE ME. EXCUSE ME.

HE WAS A COP.

[suspenseful rock music]

* *

SO YOU TOOK THE KEY.

OH, UH, YOU HEARD ABOUT THAT.

NOT A LOT OF SECRETS AROUND HERE.

WHAT CAN I SAY? I FELL OFF THE WAGON.

YOU KNOW, I'VE REALLY TRIED TO BE A FRIEND TO YOU, JORDAN.

DON'T PLAY THE FRIEND CARD, GARRET, IT'S CHEAP.

AS YOUR FRIEND, YOU GIVE ME NO CHOICE

BUT TO TAKE AWAY THE BOTTLE.

IT'S OVER. WHAT DO YOU MEAN, IT'S OVER?

THERE WAS A DEAD COP IN THE TRUNK OF THAT CAR. EXACTLY WHAT I'M TALKIN' ABOUT.

THIS IS THE FIRST REAL BREAK I'VE EVER HAD IN THIS CASE.

SOMEBODY LED ME TO THAT TRUNK.

I NEED TO FIGURE OUT WHO IT WAS--

NO, JORDAN-- [slams hand] YOU'RE DONE!

YOU'RE DONE.

DO YOU HAVE ANY IDEA HOW FAR UP MY ASS

CITY HALL IS GONNA BE ON THIS ONE?

WOW, THERE'S AN IMAGE.

A 40-FOOT BLADE IS ABOUT TO SWING THROUGH THIS BUILDING.

IF I WERE YOU, I'D HIDE OUT.

HIDE OUT? [laughs]

HAVE WE MET?

I'M DEAD SERIOUS, JORDAN.

IF I SO MUCH AS CATCH YOU

RUNNING A FIBER SAMPLE ON THIS CASE,

I WILL FIRE YOUR ASS.

AND DON'T EVEN THINK ABOUT DRAGGING BUG OR NIGEL INTO THIS.

DO YOU UNDERSTAND ME?

YOU KNOW, YOU'D SAVE ME A HELL OF A LOT OF TROUBLE

IF YOU TOLD ME WHAT ELSE I'M GONNA FIND IN THAT CAR.

I DON'T KNOW ANYTHING ELSE.

I SWEAR.

(Woody) HIS NAME WAS CARL JEFFERS, JOINED THE FORCE IN 1973,

REPORTED MISSING ON SEPTEMBER 20, 1979.

HE WAS 31 YEARS OLD--

SHOULDN'T JORDAN BE HERE?

WHAT, YOU DIDN'T HEAR?

MACY KICKED HER OFF THE CASE.

REALLY? WHY?

I DON'T KNOW.

MAYBE IT HAS SOMETHING TO DO WITH THE FACT

THAT M.E.s USUALLY GET TO THE BODY AFTER THE POLICE.

OKAY, ONE SHOT TO THE BACK OF THE HEAD.

AND THIS IS A .38 CALIBER LEAD SEMI-WADCUTTER.

NON-JACKETED.

THEY FLATTEN WHEN THEY GO IN.

THE COPS USED THEM IN THE SEVENTIES

TO KEEP BULLETS FROM HITTING BYSTANDERS.

YOU'RE SAYIN' IT WAS A POLICE-ISSUE GUN?

(Bug) "SMITH & WESSON, MODEL 10,

"FOUR-INCH BARREL, SIX-BULLET CHAMBER,

USED BY THE BOSTON P.D. UNTIL 1981."

MAYBE HE WAS SHOT WITH HIS OWN GUN.

NO, IF HE'D SHOT HIMSELF,

WE WOULD HAVE FOUND THE GUN THERE.

TAKE A LOOK AT THIS.

THIS WAS THE BLANKET THAT HE WAS LAYING ON.

YOU SEE THIS PALE IMPRESSION? WHAT DOES IT LOOK LIKE TO YOU?

A GUN.

THERE WAS A GUN THERE.

YEAH, "WAS" BEING THE OPERATIVE WORD.

QUESTION IS, WHAT HAPPENED TO IT?

[cell phone ringing]

THIS IS HOYT.

DETECTIVE HOYT. CAPTAIN MALDEN.

YOU WANTED TO SEE ME, SIR?

THANKS FOR COMING UP SO QUICKLY.

I'VE BEEN HEARING A LOT OF POSITIVE THINGS

ABOUT YOU LATELY, SON. THANK YOU, SIR.

THE, UH, REMAINS OF THE MAN YOU FOUND TODAY...

CARL JEFFERS.

HE WAS MY PARTNER.

YOUR PARTNER?

WHEN I WAS A DETECTIVE.

ABOUT YOUR AGE.

I'VE KEPT THE CASE OPEN FOR 23 YEARS.

I'M A REALIST AND A COP.

BUT I'D ALWAYS HELD OUT SOME KIND OF HOPE THAT, UH...

CARL JEFFERS WAS LIKE A BROTHER TO ME.

I WILL BE HEADING UP THIS CASE PERSONALLY.

BUT, UM...

I, UH...

COULD USE SOME EYES AND EARS.

I DON'T NEED TO TELL YOU THAT THIS IS THE KIND OF CASE

THAT...MAKES CAREERS.

YES, SIR.

SO...WHO FOUND THE BODY?

UM...

IT WAS AN ANONYMOUS TIP

TO THE MEDICAL EXAMINER'S OFFICE...SIR.

WELL, THEN, THAT'S WHERE I'LL START.

HEY. HEY.

WHATCHA DOIN'?

MM, POOR GUY SLIPPED IN THE BATHTUB.

LIFE, HUH? I MEAN, IT JUST GOES TO SHOW YOU,

JUST--JUST WHAM!

OH, YEAH.

SOMETHING I CAN HELP YOU WITH?

NO, NO.

JUST, UH, HAD A FREE MINUTE,

THOUGHT I'D DROP BY, SAY HELLO.

YOU KNOW, YOU AND I HAVEN'T REALLY

HAD TIME TO GET TO KNOW ONE ANOTHER.

WHAT DID YA HAVE IN MIND?

WELL, I THOUGHT THAT IF WE WORKED TOGETHER

ON A LITTLE SIDE PROJECT...

YOU KNOW, THAT MIGHT HELP US DEVELOP A WORKING RELATIONSHIP.

OKAY.

I-I NEED YOU TO TRACE THIS WEAPON.

JUST TELL ME ANYTHING YOU CAN ABOUT IT.

WHY CAN'T YOU DO IT?

OH, 'CAUSE I'M REALLY BUSY

WITH A WHOLE BUNCH OF OTHER STUFF RIGHT NOW.

AND, UH, LET'S KEEP IT ON THE DOWN LOW.

SURE, SURE, SURE.

SO THIS IS HOW WE'RE GONNA GET TO KNOW ONE ANOTHER,

WE'RE GONNA DEVELOP A BOND,

YOU KNOW, A SENSE OF TRUST AND UNDERSTANDING?

WELL, LET'S NOT GET AHEAD OF OURSELVES.

JUST TAKE CARE OF IT, ALL RIGHT?

WE'LL GO FROM THERE.

JORDAN.

OH, HI.

YOU SAVED ME A TRIP.

I WAS JUST GONNA GO FIND YOU.

I-I THOUGHT WE'D TALK.

UH, WH-WHAT ABOUT?

UH...

WHAT DO YOU MEAN, "WHAT ABOUT"?

YOU OPENED THE TRUNK, JORDAN.

YEAH...I KNOW.

I GUESS I JUST GOT A LITTLE TOO CURIOUS.

OH.

WELL, YOU SEEM PRETTY CALM.

WE SPENT A WHOLE NIGHT TALKING ABOUT THIS.

I NEARLY HAD TO CHAIN YOU TO A RADIATOR.

I-I CAN'T BELIEVE THAT YOU TOLD MACY.

WE'RE ALL JUST TRYING TO HELP YOU, JORDAN.

YOU CALLED ME IN THE MIDDLE OF THE NIGHT, DESPERATE.

YOU GAVE ME THE KEY,

AND WHEN I SAW THAT IT WAS MISSING-- IT TURNED OUT FINE.

LIKE YOU SAID,

I-I NEEDED TO CONFRONT IT.

LOOK, LILY, I'VE GOT A LOT OF WORK I NEED TO DO.

SINCE THE BODY WAS FOUND INSIDE THE CAR,

THE VEHICLE CONTAINS VITAL AND PERTINENT FORENSIC EVIDENCE.

WE'LL PASS OUR FINDINGS ALONG

ONCE WE'VE FINISHED EVALUATING THEM.

AND WHEN WILL THAT BE?

ALL DUE RESPECT, MS. WALCOTT,

THE MAN'S BEEN DEAD 23 YEARS.

I DON'T SEE THE URGENCY.

THE MAN WAS MY PARTNER.

I UNDERSTAND AN M.E. FOUND THE BODY.

AND WE'LL NEED TO SPEAK WITH HIM.

THAT PARTICULAR MEDICAL EXAMINER'S BEEN REASSIGNED.

REASSIGNED?

SHE HAD OTHER COMMITMENTS. SHE?

DR. CAVANAUGH.

JORDAN.

WHY DOESN'T THAT SURPRISE ME?

JORDAN CAVANAUGH?

YOU'VE HAD THE PLEASURE.

I KNEW HER FATHER.

WHEN HE WAS ON THE FORCE.

I'D LIKE A MOMENT WITH THE REMAINS.

PAY MY RESPECTS.

OF COURSE. I'LL HAVE SOMEONE FROM ADMITTANCE

SHOW YOU INTO THE CRYPT.

I'LL MEET YOU DOWNSTAIRS.

I GET THE FEELING YOU'RE STALLING HERE, GARRET.

THIS IS A COP KILLING.

TOM MALDEN DOES NOT PERSONALLY

COME DOWN TO THE MORGUE VERY OFTEN.

I'D PAY ATTENTION TO THE SIGNS IF I WERE YOU.

THANKS FOR THE ADVICE.

SO THIS IS WHERE IT STARTS, HUH?

THAT'S ENTIRELY UP TO YOU.

DR. CAVANAUGH. TOM MALDEN.

YEAH, I KNOW WHO YOU ARE.

YOU'VE GOT A GOOD MEMORY.

YOU MUST HAVE BEEN, WHAT, 12?

TEN.

YEAH, YOU HELD MY HAND AS YOU WALKED ME

INTO THE DEPARTMENT OF CHILDREN'S SERVICES.

THAT WAS RIGHT AFTER YOU LED MY FATHER AWAY IN HANDCUFFS.

I KNOW THERE'S BEEN SOME BAD BLOOD HERE,

BUT IT'S BEEN A LOTTA YEARS, JORDAN.

OUT OF CURIOSITY,

HOW DID YOU FIND CARL JEFFERS' BODY?

I WAS...JUST LUCKY,

I GUESS.

(Jordan) HEY.

YOU'LL NEVER GUESS WHO I RAN INTO TODAY.

I'M NOT IN THE MOOD FOR 20 QUESTIONS, JORDAN.

TOM MALDEN.

WHAT'D HE SAY TO YOU?

NOTHING.

WE FOUND THE REMAINS OF HIS PARTNER

FROM 23 YEARS AGO.

YOU FOUND CARL JEFFERS?

YEAH...THAT'S WHY I'M HERE.

I NEED TO KNOW EVERYTHING YOU KNOW ABOUT HIM.

GET A TABLE IN THE BACK.

I'LL GRAB US A COUPLE OF DRINKS.

JEFFERS HAD A REPUTATION ON THE FORCE.

THE KINDA GUY YOU GOT TO ROUGH PEOPLE UP.

HE AND MALDEN WERE WORKING A DRUG CASE AT THE TIME

WITH IRISH MOB MONEY INVOLVED.

A GUY NAMED CAHILL RAN COCAINE THROUGH SOUTHIE.

ALWAYS SMELLED LIKE HE WAS INVOLVED

WITH JEFFERS' DISAPPEARANCE.

WELL, THAT'S VERY INTERESTING,

BUT I NEED TO KNOW HOW IT ALL CONNECTS.

TO WHAT?

TO MOM'S MURDER.

I THOUGHT WE HAD THIS CONVERSATION LAST NIGHT.

I FOUND THE BODY IN A '66 FAIRLANE.

I GOT THE KEY FROM HERMAN REDDING.

HERMAN REDDING?

BACK IN L.A., BEFORE HE DIED.

HE TOLD ME THAT THE CLUES TO MOM'S MURDER WERE IN THAT CAR.

WHEN WERE YOU PLANNING TO TELL ME ABOUT THIS?

I'M TELLING YOU RIGHT NOW.

WELL, IT'S A LITTLE LATE IN THE GAME, ISN'T IT?

HEY, YOU WERE THE ONE WHO TOLD ME

NEVER TO SPEAK OF THIS AGAIN.

AND NOW I'M NOT EVEN SO SURE

HOW MUCH I SHOULD TELL YOU ANYMORE.

MEANING WHAT, EXACTLY?

MEANING THAT YOU'RE KEEPING THINGS FROM ME TOO.

LIKE WHAT?

LIKE WHERE JAMES IS.

WHY WOULD I KNOW THAT?

YOU FOUND HIM ONCE. HOW?

I HAD MY WAYS.

I THINK YOU ALWAYS KNOW WHERE HE IS.

I THINK YOU'VE KEPT TABS ON HIM HIS WHOLE LIFE,

OUT OF GUILT, OUT OF SHAME--

I DON'T KNOW WHERE HE IS, JORDAN.

I THINK YOU'VE SAID ENOUGH FOR ONE NIGHT.

DAD!

[cell phone ringing]

YEAH, CAVANAUGH.

ALL RIGHT, WHAT DID YOU FIND?

NIGEL?

HOW DO YOU DO IT, JORDAN?

HOW...DO I DO WHAT?

DR. MACY GAVE ME SPECIFIC ORDERS NOT TO SPEAK TO YOU,

BUT YOU... PULL ME INTO IT ANYWAY.

A BLACK HOLE OF LIES AND DECEIT INEXORABLY ENDING

IN THE TERMINATION OF MY EMPLOYMENT.

WHAT ARE YOU TALKIN' ABOUT?

WE ALL CARE FOR YOU, JORDAN.

THAT'S THE SAD PART.

NO ONE MORE THAN I.

BUT EVEN I HAVE A PAIN THRESHOLD

UPON WHICH TIME I WILL SCREAM "UNCLE."

N-NIGEL, WHAT IS IT YOU'D LIKE ME TO SAY?

THAT I'M SORRY?

UH, THIS PRINT...

I MATCHED IT TO THE ONES I FOUND IN THE CAR.

IT'S THE SAME ONE.

WHAT ONE?

THEPRINT, THE--THE...

THE PHANTOM PRINT, THE ONE FROM YOUR MOTHER'S CRIME SCENE.

ALL RIGHT, UH...

LISTEN, NOT A WORD OF THIS TO MACY, YOU UNDERSTAND?

NO, LOOK, YOU'VE GOTTA HIDE IT FROM HIM, BURY IT.

NO!

NO. IF I'M GONNA GO OUT ON A LIMB HERE,

YOU NEED TO TELL ME WHOSE PRINT THIS IS.

IT BELONGS TO MY BROTHER.

(Macy) YOUR WHAT?

DID I, OR DID I NOT ASK YOU

IF THERE WAS SOMETHING ELSE I SHOULD KNOW?

OKAY, YOU'RE RIGHT.

SO, I MAY HAVE LEFT OUT A FEW MINOR DETAILS.

YOU HAVE SOME PSYCHO LONG LOST BROTHER,

WHO MAY OR MAY NOT HAVE KILLED YOUR MOTHER.

YOU CALL THAT A MINOR DETAIL?

IT WAS COMPLICATED. WELL, IT'S NOT ANYMORE.

I'M GIVIN' THAT CAR TO WALCOTT.

YOU CAN'T DO THAT. WATCH ME.

SHE'S BREATHIN' DOWN MY NECK, JORDAN.

I'VE DODGED THREE CALLS IN THE LAST TWO HOURS.

BUT THEY'RE GONNA FIND THAT PRINT.

SO WHAT? IT'S A PHANTOM.

YOU SAID YOURSELF YOU CAN'T FIND THE GUY.

CHANCES ARE, THEY WON'T BE ABLE TO EITHER.

OKAY, JUST GIVE ME 24 HOURS.

WHY?

WHAT GOOD IS THAT GONNA DO?

PLEASE, THINK OF ALL THE YEARS THAT WE'VE KNOWN EACH OTHER,

ALL THE TRUST THAT WE'VE BUILT UP.

YOU'RE JOKING, RIGHT?

OKAY, OKAY.

SO THAT ARGUMENT'S A LITTLE FLAWED.

SO...DO IT FOR ME.

YOU DIDN'T RETURN MY CALLS.

IT'S BEEN A BUSY DAY, RENEE.

I KNOW WHEN I'M BEING AVOIDED.

I WANT THE EVIDENCE,

I WANT THAT CAR.

HE'S PROTECTING YOU, ISN'T HE?

DO I LOOK LIKE I NEED PROTECTION?

SO...WHO'S IT GONNA BE, GARRET?

NO.

I'M NOT GONNA PLAY THAT GAME.

TICK TOCK.

HEY, YOU, UH, RUN THE TRACE ON THAT GUN YET?

OH, YEAH, YEAH, I RAN IT.

LEMME ASK YOU SOMETHING.

DO I LOOK STUPID?

NOT PARTICULARLY.

THEN YOU MUST THINK I'M SOME KIND OF CHUMP, HUH?

PETER, I JUST ASKED YOU TO DO ME A FAVOR.

NO, YOU ASKED ME TO BREAK ABOUT 100 DIFFERENT LAWS.

THAT GUN WAS A KEY PIECE OF EVIDENCE IN A COP-KILLING CASE.

I NEVER SAID IT WASN'T. YOU NEVER SAID IT WAS.

LOOK, I'M SORRY IF I DIDN'T GET THE MEMO

THAT WE'RE ALL SUPPOSED TO PUT OUR JOBS ON THE LINE FOR YOU,

BUT, IN CASE YOU HAVEN'T NOTICED,

I'M HANGIN' ON BY A THIN THREAD HERE.

OKAY, ALL RIGHT, FINE.

UH, LOOK, WHERE IS THE GUN? I'LL JUST DO IT MYSELF.

I TURNED IT INTO THE D.A. YOU WHAT?

YES, I HAD TO. IT WAS EVIDENCE.

OKAY, GREAT, UH, LOOK, CAN YOU AT LEAST

TELL ME WHO THE GUN WAS REGISTERED TO?

NOW YOU REALLY THINK I'M STUPID, HUH?

WHAT ARE YOU TALKING ABOUT?

THE GUN BELONGED TO YOUR FATHER, JORDAN.

SO THEY COULD MARCH IN THE SHADE.

[laughter]

MAX, WHAT A SURPRISE.

WHAT BRINGS YOU HERE?

THOUGHT WE'D HAVE A LITTLE TALK.

SURE. ABOUT WHAT?

STAY AWAY FROM MY DAUGHTER.

W--I JUST HAD ONE CONVERSATION WITH HER.

WHAT'S GOIN' ON HERE?

DON'T SCREW WITH ME, TOM.

I'M NOT KEVIN CAHILL. I TAKE CARE OF MY FAMILY.

MAX, IT'S BEEN A LOT OF YEARS.

THERE'S A LOT OF WATER UNDER THE BRIDGE.

EVERYONE WHO TOUCHED THAT CASE GOT BURNED.

SOME ENDED UP IN THE TRUNK OF A CAR,

SOME OF US OPENED BUSINESSES AND ARE KEEPING TO OURSELVES,

OTHERS GOT PROMOTIONS THEY DIDN'T DESERVE,

BUT EVERYONE ELSE IS DEAD.

DEAD.

SO LEAVE MY DAUGHTER ALONE.

YOU HEAR ME?

IT'S A LITTLE EARLY IN THE DAY TO BE DRINKIN', MAX.

WHY DON'T YOU GO HOME AND SLEEP IT OFF?

NIGEL, ANY LUCK WITH THOSE PRINTS?

WHAT PRINTS?

THE PRINTS FROM THE CAR.

OH, YEAH, THOSE.

UM...NO.

NO, NOTHING YET.

YEAH, ME NEITHER. I'M STRIKING OUT.

I TRIED TO PULL UP CARL JEFFERS' PERSONNEL FILE,

BUT I COULDN'T EVEN FIND IT.

I FOUND IT.

IT'S IN THE POLICE DATABASE,

BUT I COULDN'T OPEN IT.

IT'S GOT A THREE-DIGIT SECURITY CODE ON IT, LOOK.

IT'D BEEN SEALED ABOUT A MONTH BEFORE HE DISAPPEARED.

BEFORE HE DISAPPEARED?

YEAH.

THREE DIGITS, THAT'S AN I.A. CODE.

INTERNAL AFFAIRS?

WELL, WELL, WELL.

LOOKS LIKE OUR BOY JEFFERS WAS IN A BIT OF HOT WATER.

YES, CAN I HELP YOU?

(Walcott) YEAH, YOU CAN FORK OVER

EVERY PIECE OF EVIDENCE IN THE JEFFERS CASE.

I'M SORRY, BUT THIS EVIDENCE BELONGS--

SAVE IT FOR YOUR INTERROGATION.

YOU'LL RECOGNIZE ME.

I'LL BE THE ONE NOT WEARING HANDCUFFS.

AND YOU.

I NEED SOME ANSWERS.

ME?

THE FAIRLANE HAD A FORGED REGISTRATION

IN THE NAME OF HERMAN REDDING.

SOUND FAMILIAR?

HERMAN REDDING?

FUNNY, I THINK I'D REMEMBER THE NAME OF A MAN

I SHOT AND KILLED.

OH, HIM.

M-MAYBE I SHOULD SPEAK TO A LAWYER.

I AM A LAWYER.

NOW...

WHOSE PRINT IS THIS?

IT WAS IN YOUR COMPUTER,

DATED FOUR MONTHS AGO,

AND MATCHES 27 IDENTICAL PRINTS IN THAT CAR.

I SEE A LOT OF FINGERPRINTS.

NOT LIKE THIS.

THE PRINT MATCHES NO STATE, LOCAL, OR FEDERAL DATABASE.

(Walcott) IT'S A PHANTOM.

(Nigel) I TOLD YOU, I DON'T KNOW.

YOU GOT IT FROM JORDAN CAVANAUGH, DIDN'T YOU?

YOU THINK YOU'RE REALLY PROTECTING HER

BY NOT TELLING ME?

THE GUY'S A COP KILLER.

SHE GOES AFTER HIM, SHE COULD BE NEXT.

NOW WHERE DID SHE GET IT?

FROM THE CRIME SCENE, WHEN HER MOTHER WAS MURDERED.

THAT'S ALL I KNOW.

SPOKE TO WALCOTT ABOUT HERMAN REDDING.

I CAN EXPLAIN ABOUT THAT, SIR.

SEEMS YOU AND THE CAVANAUGHS HAVE A LITTLE HISTORY.

YES, SIR.

MIGHT BE A GOOD IDEA IF YOU...

KEPT AN EYE ON THEM.

RENEE.

WHAT THE HELL DO YOU THINK YOU'RE DOIN'?

YOU'RE A DAY LATE AND A DOLLAR SHORT, GARRET.

I GOT WHAT I CAME FOR.

THESE ARE MY PEOPLE, AND THAT IS MY MORGUE.

I'M SORRY, BUT ALL COMPLAINTS MUST BE SUBMITTED IN WRITING.

LISTEN, EXCUSE ME FOR ASSUMING THAT WE WERE PAST THIS.

MAYBE I SHOULD HAVE MADE THE GROUND RULES A LITTLE CLEARER.

THEY'RE VERY SIMPLE.

YOU CAN SCREW ME,

BUT YOU CAN'T SCREW WITH ME.

SHOULDN'T YOU BE OPEN?

DIDN'T FEEL LIKE IT.

MY PREROGATIVE.

BESIDES, YOU'RE ON DUTY, RIGHT?

I'M NOT HERE TO DRINK, MAX.

I'M HERE FOR SOME ANSWERS.

YOU AND EVERYONE ELSE.

I'M WORKING THE JEFFERS CASE.

I'M SURE JORDAN TOLD YOU ABOUT THE BODY SHE FOUND.

SHE TOLD ME.

JUST WANTED TO GIVE YOU THE HEADS-UP.

CAPTAIN MALDEN SEEMS TO THINK

THAT YOU TWO KNOW MORE THAN YOU'RE SAYING.

DOES HE NOW? YEAH, HE DOES.

AND I GOTTA TELL YOU, I DON'T DISAGREE.

WE FOUND PRINTS IN THAT CAR, MAX.

A LOT OF PRINTS.

OLD PRINTS, 27 TO BE EXACT.

THEY MATCH THE PHANTOM PRINT FROM YOUR WIFE'S MURDER.

HOW ABOUT THAT? HOW ABOUT THAT?

YOU WANNA TELL ME WHY THAT IS?

WISH I KNEW.

SHE'S IN TROUBLE, MAX.

SHE'S NOT GONNA GET OUT OF THIS ONE LIKE THE OTHERS.

SHE'S IN DEEP.

I THINK YOU SHOULD LET ME IN THE LOOP.

THERE IS NO LOOP!

I CAN HELP YOU, MAX.

I GOTTA OPEN UP.

LOCK THE DOOR ON YOUR WAY OUT.

(Richard Thompson) * OH, NO *

* MUST BE THE SEASON OF THE WITCH *

* YEAH *

* MUST BE THE SEASON OF THE WITCH *

* YEAH *

* MUST BE THE SEASON OF THE WITCH... *

[tea kettle whistling]

(Woody) STILL DON'T WANT TO TELL ME WHAT'S GOING ON?

YOU SHOULDN'T HAVE FOLLOWED ME, WOODY.

YOU SHOULDN'T HAVE LIED.

YOU'RE IN TROUBLE, MAX.

I'M PROBABLY THE LAST FRIEND YOU'VE GOT RIGHT NOW.

SORRY.

A FRIEND'S NOT WHAT I'M LOOKIN' FOR.

* MUST BE THE SEASON OF THE WITCH *

* YES... *

(James) HELLO, SIS.

RUMOR HAS IT YOU'RE LOOKIN' FOR ME.

WHAT DO YOU WANT FROM ME?

DID YOU KILL MY MOTHER?

NO.

WHY SHOULD I BELIEVE YOU?

BECAUSE I GOT NO REASON TO LIE.

THEN WHO DID?

I DON'T KNOW.

I JUST WANNA BE LEFT ALONE!

THEN WHY DID YOU LEAD ME TO THAT BODY?

WHAT BODY? PEOPLE ARE AFTER ME BECAUSE OF YOU!

YOUR PRINTS WERE IN A CAR WITH A DEAD COP IN THE TRUNK!

I NEED TO KNOW.

DID YOU KILL HIM?

I DIDN'T KNOW HE WAS A COP.

I WAS--I WAS JUST HIDIN' OUT.

YOU WENT TO SEE MOM THAT NIGHT.

THE NEXT DAY, SHE WAS DEAD.

THREE DAYS LATER,

THE LEAD INVESTIGATOR'S PARTNER TURNS UP MISSING.

HE TRIED TO KILL ME, OKAY?

WHERE'D YOU GET THE GUN THAT NIGHT?

MOM GAVE IT TO ME.

SHE SAID THINGS WERE CRAZY FOR HER,

THAT SOMEONE WAS AFTER HER,

AND HE MIGHT COME AFTER ME.

SHE GAVE ME THE GUN.

THREE DAYS LATER, THIS...GUY SHOWS UP TO KILL ME.

SO I SHOT HIM.

IN SELF DEFENSE.

I-I STUCK HIM IN THE TRUNK OF HIS CAR,

AND THEN I DROVE HIM TO AN ABANDONED WAREHOUSE.

AND THEN I WENT TO MEXICO FOR THE NEXT SIX YEARS.

WHO SENT HIM?

WHO HAD THE MOST TO GAIN IF I WAS DEAD?

THE MOST TO LOSE IF I WAS ALIVE?

YOUR FATHER.

WHOEVER HE IS.

OBVIOUSLY, HE COULDN'T AFFORD

TO HAVE A NEW FAMILY MEMBER SHOW UP.

MAYBE HE'S SOMEONE IMPORTANT.

I'M SORRY.

UM...

C-CAN I STAY HERE?

WHAT?

JUST--JUST FOR A DAY OR TWO.

IT MIGHT BE THE ONLY PLACE THAT'S SAFE FOR ME.

(Steve Tyrell) * I SAW YOU LAST NIGHT *

* AND GOT THAT OLD FEELIN'... *

SO, WE GOT RAIDED BY THE D.A.'S OFFICE TODAY.

YEAH, I KNOW. I SPOKE TO NIGEL.

HE'S PRETTY FREAKED.

THEY WANNA TALK TO JORDAN TOO.

WELL, THEY'RE GONNA HAVE TO FIND HER FIRST,

AND I'VE TRIED HER CELL PHONE, HER APARTMENT, NOTHIN'.

HM.

YOU'RE NOT GONNA TAKE

ANY RESPONSIBILITY FOR THIS, ARE YOU?

LISTEN, LILY, I'VE KNOWN JORDAN A LONG TIME.

SOMETIMES SHE DISAPPEARS, SHE COMES BACK.

IT'S LIKE THE SEASONS. DON'T GET SUCKED IN.

SEE, I THINK IT WORKS FOR YOU

THAT SHE'S OBSESSIVE AND COMPULSIVE...

CHASING GHOSTS SHE'LL NEVER FIND.

I THINK IT MAKES YOU FEEL...SUPERIOR,

IN CONTROL.

IF SHE'S NOT HER, THEN YOU'RE NOT YOU.

I'M SORRY, AM I GETTING PSYCHOANALYZED HERE?

NO.

I'M JUST TIRED OF NOT SAYING THE THINGS THAT I FEEL.

THINGS I SHOULD'VE SAID A YEAR AGO.

I TAKE IT YOU'RE TALKING ABOUT US NOW.

YEAH, GARRET.

I'M TALKING ABOUT US.

FINE.

WHAT DO YOU WANT TO SAY TO ME?

WHAT DO YOU WANNA SAY TO ME?

FORGET IT.

* FOR THAT OLD FEELIN' * *

[sighing]

I GOTTA GET ANOTHER JOB.

HEARD ABOUT YOUR INQUISITION.

OTHERWISE KNOWN AS MY FINEST HOUR.

I FEEL LIKE JUDAS.

THIS IS WHERE YOU'RE SUPPOSED TO TELL ME

THAT I DID THE RIGHT THING.

HOW COULD YOU, NIGEL?

ET TU, BUG?

I MEAN, WHAT WERE YOU THINKING?

I WAS THINKING OF MY OWN ASS, IF YOU REALLY MUST KNOW.

WE ARE NOTHING IF WE DON'T STICK TOGETHER.

WE ARE MISFITS.

WE'RE CRETINS.

LOOK AT US, WE DON'T EVEN THE GIRL IN THE END.

SPEAK FOR YOURSELF, MATE.

WE DON'T LIVE HAPPILY EVER AFTER.

NO, WE HUDDLE TOGETHER, EN MASSE,

AND COLLECTIVELY FIGHT FOR OUR PATCH OF DRY LAND.

YEAH, RIGHT, SO YOU'RE TELLING ME

YOU WOULDN'T HAVE DONE THE EXACT SAME THING?

I WOULD HAVE SUNG LIKE A CANARY.

YOU KNOW WHAT THE PATHETIC THING IS?

I'D HELP HER AGAIN.

YEAH, WELL, THAT'S BECAUSE SHE'S HOT.

WHO, JORDAN?

YOU'RE TELLING ME YOU'VE NEVER NOTICED?

WELL, YEAH, I MEAN, SHE'S CERTAINLY EXTREMELY ATTRACTIVE,

BUT THAT CAN'T BE THE REASON.

THINK ABOUT IT, NIGEL.

WHY DO BLOKES LIKE US DO HALF OF THE THINGS WE DO IN LIFE?

SEE, THERE YOU GO AGAIN, LUMPING US TOGETHER.

FACE IT. WE'RE TIED TO HER LIKE PUPPETS.

AND SHE PULLS OUR STRINGS AND WE DANCE.

PUPPETS, INDEED.

knock knock

WHAT'S UP?

I GOT THAT I.A. FILE ON CARL JEFFERS.

I GIVE IT TO YOU UNDER PENALTY OF DEATH. THANK YOU.

I DID NOT WANNA HAVE TO GO TO MALDEN WITH THIS YET.

YEAH, WELL THAT WAS PROBABLY SMART.

WHY'S THAT?

BECAUSE IT WASN'T JEFFERS THEY WERE AFTER.

IT WAS MALDEN.

IT WAS A COCAINE BUST IN AUGUST OF '79.

200 GRAND CONVENIENTLY WENT MISSING

FROM THE IRISH MOBSTER NAMED CAHILL.

THEY WERE TRYING TO FLIP MALDEN'S PARTNER.

GET HIM TO RAT HIM OUT.

TEN DAYS AFTER JEFFERS WENT MISSING,

THE CASE AGAINST MALDEN WAS DROPPED.

TRIED TO GET THE THIRD ONE TO FLIP,

BUT HE WOULDN'T BUDGE.

THIRD ONE?

THERE WAS ANOTHER COP INVOLVED.

GUY BY THE NAME OF CAVANAUGH.

MAX CAVANAUGH.

WELL, YOU'RE PERSISTENT, I'LL GIVE YOU THAT.

I FOUND JEFFERS' INTERNAL AFFAIRS FILE.

NICE LITTLE SECTION ON YOU IN HERE.

JAMES THEODORE, JAMES MATHEWS, JAMES OLSON, AND JAMES STANWELL.

FOUND 'EM ALL AT HIS PLACE.

I ALSO FOUND $2,000 IN CASH AND A PASSPORT.

SOUNDS TO ME LIKE A GUY ON THE RUN.

WHO IS HE, MAX?

JAMES HORTON.

FOR CLOSE TO 40 YEARS, I BELIEVED HE WAS MY SON.

(Woody) HOW DOES HE FIGURE INTO ALL THIS?

(Max) I DON'T KNOW.

IT'S ALL CONNECTED, MAX.

EVERYTHING. NOT SO SURE.

THINK ABOUT IT. I HAVE THOUGHT ABOUT IT.

YOU, MALDEN, JEFFERS. ALL INVOLVED IN A DRUG BUST

WHERE 200 GRAND GOES MISSING.

I NEVER SAW A PENNY--

TWO WEEKS LATER, YOUR WIFE IS MURDERED, AND THREE DAYS LATER,

JEFFERS ENDS UP IN THE TRUNK OF A CAR,

AND 23 YEARS LATER, JORDAN FINDS HIM.

YOU'RE GONNA TELL ME THAT'S NOT ALL CONNECTED?

THE ANSWER LIES SOMEWHERE IN YOUR WIFE'S MURDER.

JAMES CAME TO SEE HER THE NIGHT BEFORE SHE DIED.

DO YOU THINK HE DID IT?

NO.

I THINK HE SET OFF A CHAIN OF EVENTS

THAT GOT HER KILLED.

I PULLED YOUR WIFE'S FILE FROM POLICE RECORDS.

YEAH, WELL, I'VE BEEN ALL OVER THIS STUPID STUFF.

WHAT'S THIS? THIS IS NEW.

PHONE RECORDS FROM THAT NIGHT.

I WAS NEVER ABLE TO GET THESE.

(Woody) SHE MADE THREE CALLS.

I RECOGNIZE THIS NUMBER.

IT'S THE MAIN NUMBER FOR SEVENTH PRECINCT.

I WAS WORKING THE SEVENTH.

AT 10:14, SHE SPOKE TO YOU FOR 14 MINUTES.

DO YOU REMEMBER WHAT YOU GUYS TALKED ABOUT?

I NEVER TALKED TO HER THAT NIGHT.

I WAS WORKING A STAKEOUT.

WHO'D SHE TALK TO, THEN?

I DON'T GET THIS.

IF MALDEN WAS THE LEAD INVESTIGATOR,

WHY WOULDN'T HE FOLLOW A LEAD LIKE THIS?

BECAUSE SHE WAS TALKING TO HIM.

(Woody) TO MALDEN--WHY? WHY WOULD SHE TALK TO MALDEN

THE NIGHT THAT JAMES SHOWED UP?

BECAUSE HE WAS HIS FATHER.

[knock on door]

COME IN.

DR. CAVANAUGH.

I KNOW WHO YOU ARE.

I'M SORRY. I DON'T UNDERSTAND.

I TALKED TO YOUR SON.

JAMES.

WELL...

I GUESS A PART OF ME WAS EXPECTING THIS.

I WANT ANSWERS.

NOW.

YES, I SUPPOSE YOU DO.

YOU TRIED TO HAVE HIM KILLED.

THERE'S A LONG STORY TO THIS, JORDAN.

ONE YOU DESERVE TO KNOW.

YOU WANT ANSWERS?

HAVE A SEAT, WE'LL DISCUSS THIS.

NOW, HOW DO YOU TAKE YOUR SCOTCH?

NEAT.

THE NIGHT OF SEPTEMBER 17, 1979.

THAT'S RIGHT.

WHAT TIME DID HE CLOCK IN?

THANK YOU. THANK YOU VERY MUCH.

THAT CONFIRMS IT.

TOM MALDEN WAS WORKING THAT NIGHT AT THE SEVENTH.

WE WERE ROOKIES IN OUR EARLY 20s.

I BROUGHT HIM HOME A FEW TIMES FOR DINNER.

HE AND EMILY USED TO LAUGH A LOT.

I JUST... NEVER THOUGHT...

WHAT ARE WE GONNA DO NOW?

TOM MALDEN'S A PRETTY POWERFUL GUY.

I DON'T KNOW. I'M THINKING.

[phone ringing]

WE'RE CLOSED.

YEAH, SPEAKING.

WHAT'D YOU SAY?

I'M COMING OVER THERE RIGHT NOW.

MAX, WHAT'S GOING ON? MAX, WHO WAS THAT?

WHOA, WHOA, MAX, MAX, CALM DOWN! THINK ABOUT THIS.

DO NOT GO AFTER THIS GUY YOURSELF.

LET'S DO THIS THE RIGHT WAY.

MAX, GIMME BACK MY CAR KEYS!

YOU ARE NOT FOLLOWING ME THIS TIME.

I WANT YOU TO KNOW THAT YOUR MOTHER AND I...

CARED FOR ONE ANOTHER.

LIKE I GIVE A RAT'S ASS WHETHER YOU DID OR NOT.

SHE CALLED YOU THE NIGHT THAT JAMES WENT TO SEE HER.

YEAH. SHE WAS SCARED TO DEATH.

OF JAMES? NO. OF MAX.

JORDAN, YOUR FATHER WAS A VERY DANGEROUS MAN.

NO, MY MOTHER WAS A VERY SICK WOMAN.

YOU ONLY KNOW HALF THE STORY.

THEN FILL IN THE REST.

'CAUSE ALL I KNOW IS SOMEONE KILLED HER

15 HOURS AFTER SHE CALLED YOU.

THAT LEFT ONLY ONE OTHER PERSON ALIVE

WHO KNEW THE TRUTH ABOUT JAMES.

IT WAS JAMES HIMSELF.

SO IF YOU WEREN'T THE ONE COVERING THE TRACKS,

THEN WHO WAS?

THIS THING GOES DEEPER THAN EVEN I KNOW.

WHERE DOES IT LEAD?

I THINK THE SECRETS LIVE AND DIE WITH JAMES.

THAT'S WHY YOU'RE GOING TO TELL ME WHERE HE IS.

WHAT THE HELL MAKES YOU THINK I WOULD DO THAT?

BECAUSE YOU'VE JUST INGESTED 40 MILLIGRAMS OF METHYLHEXITAL.

YOU SHOULD BE READY TO TELL ME ANY MINUTE NOW.

YOU SON OF A--

DON'T--DON'T--IT'S ALL RIGHT.

DON'T WORRY ABOUT IT. YOU WON'T REMEMBER ANY OF THIS.

NOT A THING.

IT'S PAINLESS, I PROMISE.

I AM...NOT...TELLING YOU... A THING.

IT'S OKAY. DON'T FIGHT IT, JORDAN.

JUST...

RELAX.

SHHH....

[Comedian Harmonists playing Night and Day]

* *

* NIGHT AND DAY *

* YOU ARE THE ONE *

[screaming]

* ONLY YOU BENEATH THE MOON AND UNDER THE SUN *

* WHETHER NEAR TO ME OR FAR *

* IT'S NO MATTER, DARLING, WHERE YOU ARE *

* I THINK OF YOU *

* NIGHT AND DAY *

* DAY AND NIGHT *

* WHY IS IT SO *

* THAT THIS LONGING FOR YOU FOLLOWS WHEREVER I GO *

* IN THE ROARING TRAFFIC'S BOOM *

* IS A SILENCE... * *

SO I WANNA HEAR IT. WHAT DID YOU WANNA SAY TO ME?

GARRET...

IT'S NOT IMPORTANT.

REALLY. I'M SORRY I EVEN SAID ANYTHING.

I KNOW YOU HAVE SOMETHING TO SAY.

I THINK IT'D DO US BOTH SOME GOOD

FOR YOU TO GET IT OFF YOUR CHEST.

ALL RIGHT.

I THINK YOU'RE A COWARD.

YOU TALKED A BIG GAME:

"I'M EVOLVING, I'M CHANGING, IT'S THE DAWN OF A NEW DAY."

A LOAD OF CRAP.

YOU'RE STILL THE SAME REPRESSED, TORTURED GUY

YOU WERE THE DAY I MET YOU.

AND THE SAD THING IS,

YOU HAD A CHANCE TO CHANGE IT ALL.

I WAS THAT CHANCE, GARRET.

YOU--YOU CHOKED.

AND WHY?

TO EVOLVE, TO CHANGE, TO GROW?

NO.

TO RUN BACK TO YOUR EX-WIFE.

WOW. HOW'S THAT FOR GROWTH?

SO LET ME GET THIS STRAIGHT. YOU'RE SAYING I'M A COWARD?

YEAH, THAT'S WHAT I'M SAYING.

YOU'RE SAYING I DON'T KNOW HOW TO TAKE A RISK?

I'M SAYING YOU WOULDN'T KNOW A RISK

IF IT STOOD UP ON ITS HIND LEGS

AND BIT YOU ON YOUR ASS.

I DON'T TAKE RISKS? NO.

YEAH.

OKAY.

(Walcott) IS THIS A BAD TIME?

THOUGHT I'D TAKE YOUR SUGGESTION AND GIVE YOU FAIR WARNING.

WE'RE BRINGING JORDAN CAVANAUGH AND HER FATHER

IN FOR QUESTIONING IN CONNECTION WITH THE DEATH OF CARL JEFFERS.

OH, I'M SORRY.

I WAS LOOKING FOR CAPTAIN MALDEN.

IS IT OKAY IF I USE YOUR PHONE?

[phone dialing]

[phone ringing]

Dispatch.

HEY, THIS IS DETECTIVE HOYT.

I NEED A 20 ON CAPTAIN MALDEN, ASAP.

I'll check that.

Just spoke to Captain Malden's driver.

He took him to a late night meeting.

Parked at 227 Pearl Street.

PEARL STREET...

* ...MUST BE THE SEASON OF THE WITCH, YEAH *

* MUST BE THE SEASON OF THE WITCH *

* OH, MUST BE THE SEASON OF THE WITCH *

* OH, OH, OH *

* AH, AH, AH *

* MUST BE THE SEASON OF THE WITCH... * *

[gunshots]

(Woody) MAX, DROP THE GUN.

MAX, DROP THE GUN.

Captioning provided by NBC Studios and National Broadcasting Company.

Captioning by CaptionMax www.captionmax.com