All language subtitles for Ghost Adventures S30E13 Midnight at the Museum 1080p DSCP WEB-DL DDP2 0 H 264-SNAKE_track3_[eng]

[woman] I felt almost like
there were claws in my back.

It wanted us to be scared.

Whoa, whoa, whoa!

He would let you know that
he is a savage killer.

"I will chew your lips
off your face."

[woman speaking]

[man] Oh, look! "Coffin!"

[growling]

Feels like
it's inside my body.

[Zak] How did he kill you?

Steve Bell!

Oh, my God!

There are things in this world
that we will
never fully understand.

[man] Understand.

[Zak reading]

We have worked years
to build our credibility.

Our reputation.

Working alongside the most
renowned professionals
in the field.

Capturing groundbreaking proof
of the paranormal.

- It's working!
- [man] Whoa.

I can't give you
an explanation.

[Zak] This is our evidence.

Our Ghost Adventures.

It has been years

since we last conducted

an official
Ghost Adventures investigation

at my haunted museum
in Las Vegas.

But because of a string
of deeply disturbing events,

we're back for what I can
only describe

as an emergency intervention.

On July 15th, 2024,

I was on the road
in California.

At 01:05 a.m.,
I did a quick check

of the museum's
security cameras on my phone.

And at that time,

I started hearing sounds.

Very loud, unusual,
unrecognizable sounds.

But then, something happened

that gave
a chill down my body.

These very loud,
growling sounds.

It sounded
like a Tyrannosaurus rex
was inside my museum.

And this lasted
for about 15 minutes.

There was also a voice

of a woman

saying the name...

David.

[woman speaking]

[Zak] Now, we tried
to debunk these noises.

I tried to explain them,

but we just could not find

any logical explanation

as to why this occurred.

There are other events
that occurred,

and I'm talking
as recent as last week,

involving a woman,

who claims she has seen

a very tall,
menacing male figure...

[woman speaking]

[Zak] ...right near
the exhibit

where I just placed

the remains of America's
most prolific serial killer.

Samuel Little,
who died in 2020,

preyed on marginalized women,

killing multiple victims

by strangulation
over approximately 30 years.

[Zak] He confessed
to 93 murders

and law enforcement says

they have confirmed
at least 60 of them.

I'm deeply concerned

that the introduction
of his remains to the museum

have given extra fuel
to some of the most

spiritually combustible items
in the world.

And that
this evil monster's spirit

has been summoned
by the other cursed artifacts.

We will begin by examining
the already intense level

of paranormal activity here

before the introduction
of Samuel Little's ashes.

John Shaw has been performing
sideshow acts

at the museum for six years

and has extensive knowledge
of Satanism and the occult.

[growling]

I talked to him about
the terrifying growls

heard on the ballroom
security camera.

Every single effort
has been exhausted...

- Yes.
- ...in trying to debunk this.

And we are still inconclusive.

[growling]

Now let's talk about
the cause.

The building's background.

Back in the '70s,
the devil worshipping

that was factually...

- Mm-hmm.
- ...taken place here.

In 2016,

I interviewed a woman
who observed clear evidence

of Satanic rituals
in the basement
of the museum building.

First thing I saw was...

a pentagram on the floor.

And then there was a circle
around that pentagram.

And I also saw blood drops.

You're for sure you saw blood?

Positive.

[Zak] A previous occupant
of the building,

with government documentation
of her
family's residence here,

testified that her father

participated in dark rituals
in the basement.

And that this is a place
of unspeakable horror.

There could, in theory,

still be portals left here

that maybe
were not ever closed.

Yeah. That sound to me...

[growling]

If you were going to create
a sound that was going

to sound like a portal opening

to another realm of reality,

- that is exactly
what I would think.
- Right.

And it sounded
like something opening,

like a tear in the veil.

You just gave me a chill
when you said that

- for some reason.
- Yeah.

[Zak] In the Bible,
the tearing of the veil occurs

at the time of Jesus' death.

It signifies a new kind
of access to the afterlife.

I asked John to take me
to the sideshow room

where there have been
hundreds of sightings

of a little girl's spirit

inside an unfinished room

that can only be accessed
by entering this old wagon.

John believes this little girl

could be something much darker

mimicking the innocence
of a child.

And trying to attach itself
to unguarded living souls.

On the way
to the sideshow room,

we stop at the ballroom

where the demonic sounds
were captured
on the security camera.

Right over here,

this is the security camera

that captured the sounds.

[growling]

And just to the left
of the security camera

is this room here

that is really at a focus
for me

as being a potential source
of those sounds.

This is the devil's
rocking chair.

The devil's rocking chair,

which was
involved in the exorcism

of 12-year-old David Glatzel,

caused so many
disturbing incidents
at the museum

that I was forced
to temporarily close
that exhibit in 2019.

Not only
do David Glatzel's growls

during his exorcism
sound eerily similar

to those captured
in the museum.

I'm doing it.
[laughs wickedly]

[growling]

[Zak] ...but the name David
is spoken aloud.

[woman speaking]a

So I wanna focus
a little bit more

on investigations in here
as well when we do--

Whoa.

- [Billy] You all right?
- Yeah, I just got
really dizzy.

I did not like that.

Yeah, it looks like
you're about to fall over.

Yeah, I didn't like that.

I just got dizzy.
I just got vertigo really bad.

This room has a history

of causing
debilitating dizziness.

Two museum visitors
have lost consciousness

and collapsed
in this exact same spot.

Okay, right now, we are going
to go through
this hallway here.

This is gonna lead
to the sideshow area.

Um, this is where
the sightings

of the little girl
have been, hundreds.

Since Aaron is the most
childlike of us,

I send him inside
the circus wagon

where the little girl
is often seen,

to see if he can draw her out.

Little girl, we wanna know
who you are.

Can you appear for Aaron
so we can take your picture?

Aaron's Polaroids show that
he is completely alone
inside this wagon.

But then he feels
something unexplained

just as I'm attempting
to summon
the little girl's spirit.

[Zak] Was Aaron just touched
by the little girl's spirit?

[growling]

[Zak] We turn now
to troubling
paranormal activity

that may have been stirred up

by the addition
of Samuel Little's remains.

I meet with Joy Foster
at my headquarters
next door to the museum.

- [stomps foot]
- [gasps] God. [laughs]

What the heck?

- You okay?
- Yeah, you just scared me.

It's okay.
I do that sometimes.

It is no surprise
that Joy is jumpy.

Just a week ago, she had
a horrifying experience
in the room

where I keep the van
that Dr. Jack Kevorkian used

for illegal assisted suicides.

Last week,
I stopped by the museum

and it was around 09:30 p.m.,

I noticed you
and a couple of your friends.
And you were crying.

And at that time,

you said that you saw
somebody in the museum.

What did you see
and what area?

[Joy] When we were
about to turn
into the Kevorkian office,

down the hallway,
there was a very tall shadow,

but it was not quite a shadow.
It was, like, white.

So, this thing crouches down

and is, like,
right by me, smiling.

And I'm very...

uncomfortable at that point.

And I felt almost like
there were claws
right in my back right here.

So, that's when
I just, like, lost it.

I felt, like, I couldn't go.

I feel like I was just
so overwhelmed and scared.

And it just felt like
a million things were
just yelling at me

that I was going
to hurt someone.

And I just, like, didn't know
how to stop it
from hurting someone.

[Zak] That this entity was?

- Yeah.
- Okay.

And then it follows us
into one other room.

- What other room?
- It followed us into the room

that had Samuel Little's ashes
and, like,

all the, kind of,
serial killer stuff
in there. Um--

You mentioned
Samuel Little's ashes.

I didn't even mention him
to you.

- You mentioned that.
- Yeah.

I just remember that was
one of the things
I noticed in the room.

I kind of almost focused
on his ashes
because they were in the back.

And I just headed there.

And then when I headed
back out, it was just gone.

So, we just added his remains
into the museum.

I mean, just over about
a month ago.

As these events unfolded,

I was alarmed
by Joy's breakdown

and took the Ovilus
to the Kevorkian van room.

And every single thing
that you would say
or I would say,

we would then get the message.

I said, "Wow, this room
feels really heavy."

- It said, "Heavy."
- Mm-hmm.

I said, "Where's the entity?"

And you said
it's on the ceiling.

What did we get on the Ovilus?

- Ceiling.
- Ceiling.

We went and asked you,
think of a number.
You said 1-1.

And what was on the Ovilus?

- Eleven.
- Eleven.

It was letting us know
that it's listening to us.

It can see us.

It wanted us to be scared.

And at that time, I remember
both of my fists
were stuck in this position.

You ever had lockjaw?

You know, you're biting
so hard, you're just,

you're waiting
for your teeth to explode.

I was waiting
for my fists to explode.

And I think
that the aggression
of this entity

where you said you thought
it was going to hurt somebody,
I was feeling it.

I was connecting to it.

Why don't we walk in there
real quick?

- You want to?
- Yeah.

- All right, let's do it.
- Okay.

[Zak] Before we even enter
the building,

the Ovilus transmits
an ominous message.

But because of this--

[Jay] I've never seen
that before, right?

- That's crazy.
- Wait, what?

- "Follow me for death."
- [Jay] Yeah.

What the [bleep]?

They know that we're coming.

[Zak] We enter the building
and I direct Billy

to follow Joy with the XLS

to the room containing
Samuel Little's ashes.

[Joy] It does not feel good
in here.

- Am I gonna be
the only one in here?
- [Billy] Hold on.

[Zak] Whoa, whoa, whoa.
What was that?

Something did
like an acrobat move.

[Joy] There's something
in here.

[Zak] What are you feeling
in here right now?

It just feels like
something is just, like,
right here.

[Zak] At exactly the same time
a figure appears on the XLS,

Joy says she feels
a presence in the room.

It just feels like something
is just like right here.

Hey, Samuel Little,
why don't you give us the name
of some of your victims?

A lot of them
haven't been identified.

Where are they at?

Oh, look! Creek, casket.

- [Aaron] No way!
- What the is that all about?

[Jay] It's really direct.

[Zak] This is breathtaking.

I ask a deceased serial killer

where his victim's
remains are.

And I get some disturbingly
specific direct communication.

But then
the communication continues.

Can you give me
another victim's name?

Coffin! Again!

What are the [bleep] odds
in that, bro?

Where are you?

Oh, he says linger
in the cellar.

- Go down there. Go.
- [Billy] All right.

[Zak] Billy takes Joy
to the basement

to see if a female presence
provokes a response

from this serial killer
of women.

But Joy doesn't
feel comfortable
going any farther.

I feel like he definitely
wants me back there, alone.

I just don't know
if it's gonna be
a good thing.

[Zak] Author Jillian Lauren

wrote Behold The Monster

after spending three years

interviewing serial killer Samuel Little.

I meet with her
to get some insight

on what kind
of spiritual chaos

his remains could be causing.

What was his presence like?

What was his energy like?

Was there something about him
that felt inhuman?

I had three nicknames for Sam.

Perv Grandpa,

Snake Monster
and Three-Card Monte.

And Snake Monster
was the frightening one.

[chuckles]

That was if I challenged him
or talked too much,

"You know, shut your mouth
or I'll crawl across
this table.

And I will chew your lips
off your face."

- He would say that?
- Yeah.

The monster inside of him
was always there.

- Yeah.
- He would let you know
that he is a savage killer.

[Jillian] He believed
he owned his victims.

- Like he took their soul.
- Yeah.

Like he took their breath.

Like, "I take
your breathing from you."

And then
he gave it back sometimes.

He gave his victims CPR.

After he killed them?

No, brought them back to life.

And then killed them again.

- Are you serious?
- Yes.

He was a soul taker.

[Zak] Jillian says
Samuel Little

left his personal effects
to her in his will,

including the ashes
from his cremation.

You provided me with

Samuel Little's ashes.

His remains.

And also some
of the hand-drawn portraits

that he did
of some of the victims.

So, I do gotta tell you,

once we put his remains
on display in the jail room,

where there's also the remains
of Charles Manson,

there has been
some strange phenomena

occurring in that room.

And also a sighting.

Um... Why your
reaction like that?

Well, I had his--

I had his remains in my house.

When you received the ashes

and you brought them
into your house,

- um, you know
this is my field of research.
- Mmm.

And we've investigated
numerous cases
involving remains and ashes.

And that was always
a common denominator
in attachments and families.

Especially, when that person,
whose ashes they were,

were an evil person,
were a bad person,
were possessed.

Did you ever have
any weird, um,

feelings or anything like that

when the ashes
were in your house?

Any changes with you,
your family, or anything?

Yes.

- You did?
- Yeah.

It just got darker.

And I got
more and more depressed.

And, uh, I just, like,

started to kind of fold.

Every time I walked
into the room.

You know? And I--
I got, like, a weird tremor.

It wasn't okay
having those ashes
in the house.

It wasn't okay.

[Zak] We take Jillian
to the jail room

to assess the energy generated

by Samuel Little's ashes
and his victim portraits.

This portrait here says,

"Jillian Lauren,
my book writer."

[Jillian] Yeah.
He had this incredible

memory for faces.

- And also, he learned to draw
in the Ohio State Reformatory.
- Mmm.

- Ohio State Reformatory?
- Uh-huh.

- Mansfield?
- Mm-hmm.

- Really? I investigated there.
- That's where
he learned to draw.

He was there when, uh,
there was a suicide.

Like, uh, someone
set himself on fire

above his cell.

- What? Really?
- Mm-hmm.

- Yeah.
- We spoke to an inmate

who walked us to a cell

where an inmate set himself
on fire and committed suicide.

That's the one, yeah.

God, it's so weird
when these connections

start happening, these,
like, synchronicities.

How does it feel to be around
his ashes right now?

You evil [bleep].

He was so evil.

He was so evil, Zak.

[Zak] We step outside
to process

these extremely
chilling revelations.

Holy [bleep].

Was that heavy or what?

Billy was off-camera.

Billy, come here.

Were you feeling
that same [bleep]?

- Oh, my God.
- My stomach

feels nauseous,
like I'm gonna puke.

[Zak] Aaron makes
a disturbing connection

to the messages we got
on the Ovilus with Joy.

And hey, he was saying
where another body was.

You know,
the river and the coffin.

Like, I wonder
if he was trying to tell us

- where other bodies
that he murdered were.
- [Billy] It is weird.

And then it did it twice.

Whoa. Look at this.

[Aaron] No way!

What the [bleep]?

Coffin!

Now, it [bleep]
said coffin!

But there's yet another
chilling connection here.

Along with coffin,
the Ovilus says
creek and river.

Are these actually
the words of a very specific
Samuel Little victim?

[Zak] Jillian appears
from inside the museum

and tells us something
that blows us all away.

[Jillian]
That's really important.

- Those details
are really important.
- [Aaron] Yeah.

Did he ever put, like,
people in coffins and stuff?

- [Jillian] Um--
- Caskets?

Yes.

- [exclaiming]
- [Billy] What?

[Joy] Yeah, boxes.

Yes.

[Zak] Was the diabolical
serial killer

taunting us by sending
the words coffin and casket?

And did he
threaten our lives?

"Follow me for death."

What the [bleep]?

- [man] Like, that's--
- They know that we're coming.

[Zak] As we are getting ready
to start our investigation,

all four of us
are at nerve center,

when I see
an unexplained light
in the ballroom.

There was, like,
two lights here,

like, bright white
lights right here.

- And nobody
is inside the museum.
- [Jay] No.

There was
two lights right here.

[Aaron] Oh, yeah, yeah.

So, we're just
starting right now,
our investigation.

As we were setting up,

Billy and I
were in the doll room,

and we started receiving
just some really chaotic EMFs
that we could not explain.

And every time I mentioned
the name Gretchen,

which is one of
the most haunted dolls
here at the museum.

And then as we're
all here observing,

I just saw
some lights over here,

a couple of lights,
and we're all outside.

What mic are you
listening to right now?

- Uh, I'm just listening
to all of them.
- [Zak] You are?

And if I start
hearing something,

- I can kind of isolate
which one's which.
- Okay.

But right now,
it's a mix of everything.

So where are
the four microphones?

So the four microphones,

- you can see one
right here in the ballroom.
- [Zak] Okay.

[Jay] That's a low, subsonic
frequency microphone.

- Okay.
- It picks up everything,

- but it really
intensifies the low end.
- Mm-hm.

[Jay] There's another
mic right here.

You can see the stand here.

- [Zak] In the hallway.
- [Jay] That's a shotgun
boom mic.

- It's shooting
down the hallway.
- Okay. Okay.

And here,
you can actually see it.

- See that cable there?
- Yes.

[Jay] That's a microphone
that I placed into that room.

- [Zak] Into the little girl--
- [Jay] Exactly.

- Just drop it.
- That goes to the
little girl's room?

- The unfinished room.
- Yep. Just drop it down there.

Okay. Awesome.

[Jay] And then,
the other microphone,

it's laying on the Devil's
Rocking Chair right now.

[Zak] Billy and I
now enter the museum
and head to the ballroom,

where the disturbing sounds
were recently captured on the
museum's security cameras.

All right, so it's all
come down to this.

There's so many
unknown reasons that
I have personally

about why you chose me,

because I know you did.

Why did you do
those sounds on July 15th?

Did you know that was
my father's birthday?

As I ask this question...

Did you know that was
my father's birthday?

...my infrared light
unexplainably turns off
and then on by itself.

- [Billy] Zak.
- What?

[Billy] I got a really
weird, prickly feeling

around my ears and my neck
when you said that.

It feels like something
just moved in behind me.

[Zak] Now watch,
as this strange anomaly

manifests out
of the same mirror

that we just captured
this light from.

[Zak] What were those lights?

I want to hear
those sounds again.

Do it for me
now that I'm here.

I want you
to come through the veil.

I want you to open it
and tear it open.

Whatever you are,
I demand you to show
yourself now!

[Billy] Zak,
there's literally something
standing behind me right now

with its hands
on my shoulders.

Because I can--
I can feel.

It's like a tingly--

I'm being
dead serious, dude.

[Zak] During this moment,
Billy and I start heading
upstairs,

when Aaron and Jay
hear a strange sound
in the ballroom.

[unexplained strange sound]

Did you just hear that?

There was this sound like...

[mimics unexplained
strange sound]

when you guys were walking.

[Zak]
We didn't hear anything.

- Yeah, that was clear.
- [Zak] Where did it
come from?

What camera?

Did you just hear that?

[Zak] With this unexplained
sound captured,

Billy and I now try
to elicit more activity

by playing the actual audio
of the disturbing sounds

captured on the
security camera.

I'm gonna play the sounds
that we captured on that
camera right there.

Not only did we
capture it on that camera,

we captured it on the camera
on the other side of the wall.

Once I play these sounds,

let us experience it with
our own ears and our eyes.

[Billy] [bleep]

[entity growling]

[bleep] Damn, dude.

I'm getting
full body chills, man.

[entity speaking]

It said, "David."

David.

Hey.

- [Billy] Yeah.
- What if I brought the
Devil's Rocking Chair out?

Put it out in the ballroom.

Bring it out.

[Zak]
As I start trying to remove
the Devil's Rocking Chair,

I realize it won't fit
through the narrow doorway.

We sealed it
inside of this room

with a very thick
piece of Plexiglas
through this opening,

so I now begin to remove it.

I feel like this room
had something to do
with those sounds.

- [Billy] Really?
- [Zak] Because of
the name David.

[entity speaking]

- [Billy] Slide it down.
- [Zak grunts]

[Zak] Is this
what you want?

Ed and Lorraine Warren
claimed this Chair

was the throne of the beast
that possessed David Glatzel.

They would also witness
the Chair rock violently
back and forth, levitate

and move throughout
the house by an unseen force.

Why are you so quiet?

We capture this
light anomaly once again
by the mirror,

shooting towards the Chair.

Then it does
a 180-degree turn
and retreats.

Whoa!

Whoa!

That's the first spike I got,
and it was on you.

I get a spike near Billy
with a 12.8 milligauss peak.

I'll go by his camera.

You see
his camera right here?

The meter is on the camera,
and it's a 0.2, 0.1.

It's not the camera.

But I'm just showing.

Look how fast
I'm swinging this.

[Billy] I am withholding
from telling you

what the [bleep]
I'm going through
right now because--

[Zak] It was on you.

It did it twice on you.

It was out there,
and it jumped on me,

and I literally feel like
there's just, like, this

force field around my body,

just holding on
to me like this.

And I don't like
the feeling that I have.

[Zak] We want to take
a moment and show
just how black

Billy's eyes
look right now.

And when we compare
this footage

with other footage
taken from the same camera,

it doesn't make sense
why Billy's eyes look
pitch black right now.

Aaron, bring in ITC.

Bro, I'm--

I'm really angry
right now, dude.

[Zak] As Aaron now
enters the museum,

I feel it's a good idea

to get Billy
out of this chair.

So we make our way to the
other side of the building,
to the jail exhibit.

I begin to use
the APF-D Processor,

an audio ITC device,

to see if I can communicate
with Samuel Little,

the most prolific serial
killer in American history,

and whose remains

are contained
in this very case.

We asked you questions
the other day,

and you gave us
where they were buried.

Who are you?

What's your name?

The only reason we're trying
to initiate communication
with this monster

is to see if he will give
any further information

regarding the unsolved
murders he committed,

as he confessed
to killing 93 individuals.

And more than
sixty of those murders

have been matched
to victims' identities,

leaving over 30
still in question.

[entity 1] Come.

- Whoa!
- [Zak] "Come." Whoa!

[entity 1 speaking]

- [Zak] "Come."
- Whoa!

[entity 1 speaking]

- Whoa!
- [Zak] "Come." Whoa!

Right after we receive
this crystal-clear voice
saying "Come,"

the APF-D Processor
stops working,

so Aaron activates
the PolterPod.

What do you think
about your victims, Samuel?

[entity 1] I love 'em.

"I love 'em"?

"I love 'em."

- [entity 1] Yes.
- "Yes."

What do you think
about your victims, Samuel?

[entity 1 speaking]

"I love 'em"?

"I love 'em."

- [entity 1 speaking]
- "Yes."

"I love 'em."

- [entity 1 speaking]
- "Yes."

Samuel Little!

[entity 1] That's me.

- Oh.
- [Zak] Whoa!

Samuel Little!

- [entity 1 speaking]
- Oh!

[entity 1 speaking]

- Oh.
- [Zak] Whoa!

[entity 1
speaking indistinctly]

[Billy] What did it say?

Hey, Samuel Little,
you're a piece of [bleep]!

[entity 1] Bagans.

- [Billy] Did it say "Bagans"?
- Your last name.

Yeah, that's my name.

[entity 1] Hey, Zak.

[Zak] This spirit knows
what it's doing right now.

It's letting me know
that it's getting personal

by first saying my last name
and then saying my first.

[entity 1 speaking]

- [Billy] Did it say "Bagans"?
- Your last name.

Ouch.

Ow, ow!

[Billy] Where are you
getting pains right now?

There's a lot of other victims
that are still unknown.

Can you tell us
the name of a victim

so that we can give
closure to their family?

How did Samuel Little--

He liked to strangle women.

How did he kill you?

[entity 2] Seatbelt.

"Seatbelt!"

[Billy] Are you
[bleep] kidding me?

Oh, my God!

[Billy]
Plain as day, "seatbelt."

How did Samuel Little--

He liked to strangle women.

How did he kill you?

[entity 2] Seatbelt.

Seat--

[entity 2 speaking]

"Seatbelt!"

What did he do with your body
after he strangled you?

[entity 3] Need help.

[Zak] Are there
any protective spirits here

that can help us right now,
or the victims?

[entity 3] I want help.

- Something can help?
- [Billy] Something.

[Zak] Suddenly, this male
voice asks for help.

- [entity 3 speaking]
- [Zak] Not once, but twice.

Could this be one of
Samuel Little's male victims

begging to be identified?

Are there
any protective spirits here

that can help us right now,
or the victims?

[entity 3 speaking]

Something can help?

Who are we talking to?

Robert.

Robert?

- Did it say "Robert"?
- [Billy] Yeah.

Who's in the hallway?

- [entity 3] The man.
- "The man."

Who's in the hallway?

- [entity 3 speaking]
- The--

- [entity 3 speaking]
- "The man."

- Can I say something now?
- [Aaron] Yeah.

There's somebody
in that [bleep] hallway.

I agree.

[Zak] I got over there,
and I could not get past that.

[Billy] That wasn't so bad.

[bleep] amazing
and scary [bleep]
inside that cell.

All the stuff
that just happened.

He even called out
Zak's last name.

[entity speaking]

[Zak] What's wrong?
What did you do?

It's, uh,
like, encompassing--

It's that
encompassing feeling,
where it's just--

It feels like
it's inside my body,

grabbing me like this.

Doing weird [bleep].

[Zak] We now head back
to nerve center

and regroup
for a new plan of attack.

Okay, right now,
I sent Aaron to the ballroom.

And Aaron is setting up
his Polaroid camera.

Looks like some kind of
professional one.

I don't know
the details of it.

While he's doing that,
Jay is setting up
his slow-mo cam

that's gonna capture, like,
anywhere from 200 to 300
frames per second.

Very high tech.

We're going
full visual right now.

And Billy is gonna follow me

as I scan the museum
with the XLS camera.

We're gonna
immediately head back
to the jail cell room

to see if we can document
who was just talking to us.

Whoever we were
just talking to,
let us see you.

With no figures
in the jail area,

we now head
to the doll closet,

where something incredible
is about to happen.

- Whoa, Billy.
- [Billy] You got something?

[Zak] Yeah,
he's grabbing the doll.

[Billy] Which one?

- [Zak] I don't know, dude.
- [Billy] I'm over here--

[Zak] He's grabbing
the head of this doll.

He can't stop grabbing
the head of this doll.

Now he's playing
with the other doll.

[Billy] Wait,
is it a stick figure?

[Zak] He's a big figure.
He's playing with the doll.

Whoa! Now he's
grabbing another doll.

This is amazing.

Watch as this entity
is literally playing
with the dolls

and grabbing them.

Could this entity
be infusing them

or taking their
spirit energy?

Dude, he's grabbing
all the dolls.

[Billy] How tall is it?

[Zak] Probably about six feet,
bent over right now.

[Billy] Are you serious?

[Zak] Playing with
one of the dolls.

- Now he just disappeared.
- [Billy] No way.

[Zak] Now he just disappeared.

I just captured a tall figure
in the doll closet,

grabbing all the dolls.

It was grabbing
this doll's head.

Can we find out
what doll that is?

[Billy] Wait, which one?

- Point to it.
- [Zak] This one.

He was grabbing
this doll's head,

and then grabbing Gretchen.

Can you see in there?

- [Billy] Yeah.
- [Zak] Do you see the
creepy doll to the left?

[Billy] This guy.

[Zak]
From what I remember, he was
grabbing that doll's head.

Can you move your eyes?

Whatever entity that was
grabbing that doll's head,

can you move
the eyes of that doll?

[Aaron] Right now,
I'm just shooting the room,

with the Chair
and everything in it.

So hopefully,
if there's something
going on with all that,

hopefully I'll capture it.

All right, so I just switched
over to the slo-mo camera,

and I just moved it
over here with Aaron to shoot
the Devil's Rocking Chair.

My setting is at
240 frames per second.

So if anything
is coming out of the Chair

or sitting in the Chair
and moving around the Chair,

we should
definitely pick it up.

[Zak] Jay decides to sit
in the Devil's Rocking Chair,

while Aaron takes UV photos.

Show yourself.

[Zak]
Billy and I now descend
into the basement.

There should be
fun stuff up there.

[footsteps overhead]

- [Zak] I just heard it.
- [Billy] Oh, my God. Whoa.

[Zak] I just heard it.

- Whoa, Billy.
- [Billy] Yeah.

[Zak] What the [bleep]?

- Where are the guys at?
- [Billy] They're in
the ballroom.

[Zak] I immediately call
Aaron and Jay to make sure
they aren't in the jail room.

Where are you right now?

[Aaron] Right now,
I'm sitting in the same spot
with the Polaroid,

and Jay is
sitting in the Chair.

[Zak] How long have
you guys been there?

[Aaron] The whole time.

[Zak] You were never over
at the jail room, right?

No. Uh-uh.

[Zak] We are
in the basement, Aaron,

and we just heard someone,

loud footstep,
walking above us.

For real?

[Zak] Like, somebody was
in the jail room.

[metallic clicking]

- [Zak] Oh, my God!
- [Billy] What the [bleep]?

[Zak] Not only
did we hear footsteps,

but now these
strange sounds occur.

And when we checked
the jail room footage,

not only is
no one inside there,

but the light
turns on by itself.

Who the [bleep]
is walking up there?

- [Billy] I don't know.
- [Zak] That's the jail room.

- Did you hear that?
- Yes.

[Zak] Who's above us?

[Billy] Go.

[Zak] Aaron!

[Billy]
Dude, they're back there.

Why is the light on?

- [Zak] Why is the light on?
- [Billy] Oh, my God.

[Zak] Who or what was making
the footstep sounds
in this room?

- [Zak] Whoa, Billy.
- [Billy] Yeah.

- [Zak] Whoa, Billy.
- [Billy] Yeah.

[Zak] And why did this
motion-activated light
turn on

while nobody was inside?

We firmly believe
these are the spirits
that we experienced

incredible communication
with in here earlier.

And we ask ourselves,
is the man who made
himself known

and whom our
interviewee, Joy,
is terrified of,

the spirit of Samuel Little?

After Aaron's
Polaroids develop,

we make a startling discovery

while Jay was sitting
in the Devil's Rocking Chair.

As you can see
in this first photo,
it's normal.

Then something starts
appearing around him.

And in the third photo,

these strange
light beams appear.

And when Jay
exits the Chair,

something truly
shocking appears.

An energy form seems to be
traveling out of the Chair,

with several unusual speckles
and spots around the Chair.

Could this be evidence
of the very portal

that we believe
opened and caused

the disturbing sounds
captured on our
security camera?

[entity growling]