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These are the user uploaded subtitles that are being translated: 1 00:00:06,440 --> 00:00:12,180 When we reached the last night at Wembley Stadium in London, all of us 2 00:00:12,180 --> 00:00:13,720 satisfaction. 3 00:00:15,220 --> 00:00:20,920 We've had so many special moments where just like, it just reminds me what a 4 00:00:20,920 --> 00:00:23,980 concert can do if you give it your all. 5 00:00:26,960 --> 00:00:32,900 Then again, no matter how good a tour is, it's a huge, massive undertaking. 6 00:00:33,260 --> 00:00:34,520 It's hard work. 7 00:00:35,280 --> 00:00:40,000 That's the challenge, that's the adventure, and that's what every person 8 00:00:40,000 --> 00:00:41,700 tour is doing. 9 00:00:45,760 --> 00:00:51,120 Every single night, no matter what's going on, we're going to do everything 10 00:00:51,120 --> 00:00:52,440 our power to blow your mind. 11 00:01:17,040 --> 00:01:21,040 My goal for the ERA tour is that I didn't want the fans to leave thinking 12 00:01:21,040 --> 00:01:22,040 they missed out on anything. 13 00:01:22,560 --> 00:01:26,680 One thing I've always tried to do is, like, give something to the fans that 14 00:01:26,680 --> 00:01:27,680 didn't expect. 15 00:01:28,040 --> 00:01:33,400 When we had done the first half of the tour, what the fans didn't know at the 16 00:01:33,400 --> 00:01:36,540 time was that I was writing a brand -new album, the tour for Poets Department. 17 00:01:36,920 --> 00:01:41,960 And in the middle of me releasing the album, we had to be all hands on deck, 18 00:01:42,100 --> 00:01:45,640 creating a brand -new ERA to put into the show to represent that album. 19 00:01:52,300 --> 00:01:53,540 We're doing theater. 20 00:01:54,540 --> 00:01:59,300 Doing all of this completely secretly, all in like a tiny little break that we 21 00:01:59,300 --> 00:02:01,280 had between Asia and Europe. 22 00:02:01,500 --> 00:02:05,400 Are there sounds from Fortnite that are not the synth sound? 23 00:02:05,880 --> 00:02:07,940 Or do we go into like strings? 24 00:02:08,500 --> 00:02:11,960 Like this feels like a highly elevated chapter. 25 00:02:12,520 --> 00:02:17,820 We build this top secret rehearsal facility for us to lock in the set list. 26 00:02:18,940 --> 00:02:21,060 Go. Who's afraid? 27 00:02:21,900 --> 00:02:27,160 A little bit of down bass, probably a verse and a chorus, or a pre -chorus and 28 00:02:27,160 --> 00:02:28,420 chorus, that might be it. 29 00:02:28,820 --> 00:02:32,940 Like, I would kind of do surgical tweaking to each song, be like, okay, 30 00:02:32,940 --> 00:02:35,400 songs, but cut out the bridge and the second verse of this. 31 00:02:39,480 --> 00:02:42,320 And then, so tell me everything is not about me. 32 00:02:42,740 --> 00:02:46,340 To make it so that we could fit this many songs in the show. 33 00:02:47,200 --> 00:02:50,040 And say they didn't do it to her. 34 00:02:50,440 --> 00:02:57,300 me everyone in and i want and and and double as big for i want it's not like 35 00:02:57,300 --> 00:03:03,000 gonna have a mental breakdown during the song like it's gonna be so fun and then 36 00:03:03,000 --> 00:03:09,780 we put together all new choreography learning choreography all just hearing 37 00:03:09,780 --> 00:03:13,120 in our heads because they can't play the music on speakers because it's not out 38 00:03:13,120 --> 00:03:17,360 yet the first line is did you really beam me up what i want 39 00:03:18,350 --> 00:03:24,090 It's for a light to spotlight right on me like it's the alien ship. Right into 40 00:03:24,090 --> 00:03:27,410 this, like, crazy, like, alien light. 41 00:03:28,630 --> 00:03:32,910 And then I found that right back. Woo! 42 00:03:33,110 --> 00:03:34,110 Yeah. 43 00:03:34,810 --> 00:03:37,610 There's an entirely new order of the chapters. 44 00:03:37,850 --> 00:03:40,130 So I'm relearning the entire show, essentially. 45 00:03:40,350 --> 00:03:41,350 It feels... 46 00:03:41,630 --> 00:03:46,050 Crazy to like take all the pieces apart and then put them together in different 47 00:03:46,050 --> 00:03:50,910 order Yeah, and I think I'd rather feel this way where I'm a little bit confused 48 00:03:50,910 --> 00:03:52,770 a little bit like what what? 49 00:03:53,630 --> 00:03:57,790 Then being like it's on autopilot. Yeah, cuz I could do the show we were doing 50 00:03:57,790 --> 00:04:01,610 in Asia I could do in my first we're all like we all fear change, but then 51 00:04:01,610 --> 00:04:07,830 Because we accepted challenges our whole lives. Oh my god, that was a rift that 52 00:04:07,830 --> 00:04:08,930 could have gone so bad 53 00:04:09,740 --> 00:04:13,260 There was the danger that it could have felt like we had sort of shoehorned 54 00:04:13,260 --> 00:04:18,060 something in or that, you know, people didn't like the new show as much as they 55 00:04:18,060 --> 00:04:20,860 liked the old show. I swear to God, if I heard people online being like, I 56 00:04:20,860 --> 00:04:24,540 missed the old show, I was going to be like, oh, my God, you have no idea how 57 00:04:24,540 --> 00:04:25,540 hard this was to do. 58 00:04:26,400 --> 00:04:31,660 We're going to get to watch 45 ,000 people experience the fact that they're 59 00:04:31,660 --> 00:04:33,280 seeing something that's never been seen before. 60 00:04:33,800 --> 00:04:37,480 I went out to play our first show of the new set. 61 00:04:38,140 --> 00:04:42,740 In Paris, the crowd has no idea that we've added a completely new section and 62 00:04:42,740 --> 00:04:43,740 rearranged things. 63 00:04:43,980 --> 00:04:47,280 And I am so, so excited. 64 00:04:47,500 --> 00:04:49,400 I love having a good secret. 65 00:04:49,700 --> 00:04:56,500 When we brought out this new show in Paris, it was so rewarding because all 66 00:04:56,500 --> 00:05:00,880 of that secrecy and all of that working during our only time off paid off so 67 00:05:00,880 --> 00:05:07,000 much because the fans were so excited. It was such a dynamic new addition to 68 00:05:07,000 --> 00:05:08,000 show. 69 00:05:10,440 --> 00:05:16,560 Now, going into the last show in London, I have the opportunity to add to their 70 00:05:16,560 --> 00:05:18,520 experience, even on top of that. 71 00:05:20,340 --> 00:05:24,460 Taylor wants to make the last London show as powerful as possible. 72 00:05:24,980 --> 00:05:27,800 She's like, I want to blow this thing out. We're going to do this right. 73 00:05:28,140 --> 00:05:32,480 She wants to do Florida with Florence Welch, Florence and the Machine. 74 00:05:33,220 --> 00:05:37,460 Performing Florida with Florence is something I've wanted to do ever since. 75 00:05:37,770 --> 00:05:40,470 The two of us wrote that song. And then it just so happened that she was going 76 00:05:40,470 --> 00:05:41,770 to be available in London. 77 00:05:42,270 --> 00:05:46,410 You're not nervous about the show. You know how it runs, and suddenly it's 78 00:05:46,410 --> 00:05:48,730 something like Florence coming to do Florida. 79 00:05:49,430 --> 00:05:56,130 The choreography meets the music, meets automation, which is the stage movement, 80 00:05:56,330 --> 00:06:00,970 and is starting from scratch again. I know that when I say to them, I want to 81 00:06:00,970 --> 00:06:03,750 perform Florida with Florence, and I really want to do it with full 82 00:06:03,950 --> 00:06:08,170 I know that it's... some kind of creative brainstorming sessions, but I 83 00:06:08,170 --> 00:06:12,630 it's doable because all the dancers, the choreographers, the production 84 00:06:12,630 --> 00:06:18,910 designers, the crew, the entire band, every person we have is the best one 85 00:06:18,910 --> 00:06:20,010 it in the entire industry. 86 00:06:29,070 --> 00:06:30,170 This is kind of funny. 87 00:06:30,590 --> 00:06:32,570 We have to rehearse the song. 88 00:06:34,040 --> 00:06:40,880 kind of do what we usually do in the comfort of a studio from the road, but 89 00:06:40,880 --> 00:06:43,720 also trying to keep things from leaking before the surprise. 90 00:06:44,380 --> 00:06:48,280 It's a stadium with no roof, so there's, like, fans outside, and so you have to 91 00:06:48,280 --> 00:06:51,340 turn the PA off, and we have to do it quietly, you know? 92 00:06:52,580 --> 00:06:59,380 It is so much extra work to keep things a 93 00:06:59,380 --> 00:07:01,180 surprise. Let me tell you. 94 00:07:01,900 --> 00:07:06,480 I need a nap just thinking about it. But it's so worth it when we can actually 95 00:07:06,480 --> 00:07:07,480 pull it off. 96 00:07:08,520 --> 00:07:09,940 Your programming sounds. 97 00:07:10,180 --> 00:07:15,680 At Soundcheck, the dancers are finding a place to work on choreography for it 98 00:07:15,680 --> 00:07:17,220 where people can't find out what's happening. 99 00:07:17,480 --> 00:07:21,660 You know, before you know it, I'm in a random ballroom in the middle of a hotel 100 00:07:21,660 --> 00:07:23,600 with Amanda at like 9 .30 at night. 101 00:07:26,240 --> 00:07:28,240 Maybe then, maybe you'd come off there. 102 00:07:29,920 --> 00:07:32,920 Florence, open up on the, into the diagonal, maybe? 103 00:07:33,140 --> 00:07:34,140 Yeah. 104 00:07:34,520 --> 00:07:39,880 With choreography, I asked one of my friends, Emma Stone, who's done a lot of 105 00:07:39,880 --> 00:07:43,040 work in dance in her films, you know, who have you worked with that you would 106 00:07:43,040 --> 00:07:45,620 recommend for this? And she's like, there's only one person that needs to be 107 00:07:45,620 --> 00:07:46,620 your list, and it's Mandy Moore. 108 00:07:47,620 --> 00:07:52,120 I never would have thought that I would be in the same sentence as Taylor Swift 109 00:07:52,120 --> 00:07:55,240 ever in my life. You know, I've always been a big fan, but I... 110 00:07:55,840 --> 00:07:59,580 Funny enough, I come from really more film and television. I don't really do 111 00:07:59,580 --> 00:08:00,800 artist performance. 112 00:08:01,160 --> 00:08:04,100 Now I understand why I was brought in, because she really wanted to do 113 00:08:04,100 --> 00:08:06,680 different. And she likes the storytelling. 114 00:08:07,040 --> 00:08:09,000 I mean, her songs are mini movies. 115 00:08:09,380 --> 00:08:15,040 So when I listen to them, it's just lyrics and melody swirling with ideas in 116 00:08:15,040 --> 00:08:17,840 head. And then you just start making something. 117 00:08:18,040 --> 00:08:20,320 And there's something about that, like, that. 118 00:08:20,760 --> 00:08:22,980 And then all of a sudden, it comes out. 119 00:08:26,960 --> 00:08:29,900 Do you want to do seven? 120 00:08:30,500 --> 00:08:31,500 Beautiful. 121 00:08:32,039 --> 00:08:36,740 Gorgeous, Amanda. Up. Like one, two, three. Amanda Balin, the first time that 122 00:08:36,740 --> 00:08:42,799 saw her do her thing, she was choreographing the tour. She was not a 123 00:08:42,799 --> 00:08:45,940 job was to show me what I'd be doing with the dancers. 124 00:08:48,120 --> 00:08:54,100 I would just get so much inspiration from what she was doing as a performer. 125 00:08:54,790 --> 00:08:56,950 I just kept saying, like, you're such a pop star, Amanda. 126 00:08:57,290 --> 00:09:00,530 In the middle of the night, in my dreams. 127 00:09:00,990 --> 00:09:01,990 This was my dream. 128 00:09:02,090 --> 00:09:06,530 Truly. It was my dream to do live shows and tour like this. More so than 129 00:09:06,530 --> 00:09:10,070 Broadway or anything. I just, I always was drawn to this. 130 00:09:11,090 --> 00:09:14,430 I actually haven't looked at these. I just keep throwing them in. 131 00:09:16,070 --> 00:09:18,110 I started out by doing small things. 132 00:09:18,750 --> 00:09:22,530 And then I booked a job as a swing for a Janet Jackson tour, which was... 133 00:09:22,730 --> 00:09:24,510 Oh, I'd always wanted to dance for her. 134 00:09:24,990 --> 00:09:26,950 I went on to tour with Celine Dion. 135 00:09:27,550 --> 00:09:28,790 What else have I done? 136 00:09:29,110 --> 00:09:32,890 Oh, oh, I danced for Lady Gaga for five plus years. 137 00:09:33,250 --> 00:09:34,950 I toured for five years straight. 138 00:09:35,210 --> 00:09:39,350 I worked on Glee, which was a longstanding dancing TV show for a 139 00:09:39,350 --> 00:09:42,770 a wonderful job. I went on to do some films like La La Land. 140 00:09:43,290 --> 00:09:47,290 I've performed at probably every major award show with different artists. 141 00:09:47,530 --> 00:09:49,790 And I've been a part of many tours. 142 00:09:53,430 --> 00:09:58,550 As much as you want it to last forever, dance isn't a forever career. 143 00:09:58,910 --> 00:10:01,470 The demand on your body is not sustainable. 144 00:10:01,890 --> 00:10:06,430 If we can get this strong when you do all those, you know, wild movements, 145 00:10:06,430 --> 00:10:11,010 this can stabilize your spine, helping... I have two labral tears in my 146 00:10:11,010 --> 00:10:13,110 flexors. Like, things are just breaking down. 147 00:10:13,510 --> 00:10:18,050 I kind of just decided it was a very tough decision, but to gracefully start 148 00:10:18,050 --> 00:10:19,050 to... 149 00:10:19,280 --> 00:10:25,040 peel myself away from being a professional dancer and to do things 150 00:10:25,040 --> 00:10:26,040 scenes. 151 00:10:28,100 --> 00:10:33,740 I remember asking Mandy, I wonder if Amanda would ever dance with us. And 152 00:10:33,740 --> 00:10:35,040 was like, ah, she's retired. 153 00:10:35,400 --> 00:10:38,020 She hung up her dancing shoes a while ago. 154 00:10:38,540 --> 00:10:42,820 At some point, Mandy came to me and said, hey, the team wants to know if you 155 00:10:42,820 --> 00:10:43,820 want to do the show. 156 00:10:43,860 --> 00:10:47,960 My first response to being asked to the tour was a chuckle and a, oh, hell no. 157 00:10:48,430 --> 00:10:49,890 I don't even know if I could do it. 158 00:10:50,430 --> 00:10:54,230 Being involved in the behind the scenes and then doing it on stage, those are 159 00:10:54,230 --> 00:10:55,230 two different things. 160 00:10:56,310 --> 00:11:00,510 I had doubts in my ability. I was worried that I wasn't going to be as 161 00:11:00,510 --> 00:11:01,850 was when I was dancing. 162 00:11:03,110 --> 00:11:07,690 But at the end of the day, even though there was a lot of fear, it was just too 163 00:11:07,690 --> 00:11:09,210 wonderful of an opportunity. 164 00:11:10,130 --> 00:11:11,890 A second chance, I get chills. 165 00:11:12,150 --> 00:11:14,850 It was a second chance that most people don't get to have. 166 00:11:20,300 --> 00:11:26,000 We're counting this song in fast pace. So it'll be a 1, 2, 3, 4, 5, 6, 7, 8. A 167 00:11:26,000 --> 00:11:32,520 1, 2, 3, 4, 5, 7, 8. She says, and a 5, 2, 3, 4. On 5, 168 00:11:32,920 --> 00:11:36,460 it's the word weed. And you guys are going to kind of do like a little bit of 169 00:11:36,460 --> 00:11:39,140 deflate. And my friends all smell like weed. 170 00:11:39,660 --> 00:11:40,660 Yeah, yeah. 171 00:11:41,440 --> 00:11:43,260 Weed or little babies. 172 00:11:44,240 --> 00:11:45,240 And you'll roll up. 173 00:11:45,680 --> 00:11:50,840 And on the five of the fifth. And my friends all smell like wee or little. 174 00:11:50,980 --> 00:11:55,200 two, three, four, five, six, seven, eight. Okay? Just so you have an idea. 175 00:11:55,600 --> 00:11:56,720 And then, guys, what looks... 176 00:12:05,189 --> 00:12:08,530 Amanda and I were in, like, an empty ballroom last night, just like, okay, 177 00:12:08,530 --> 00:12:09,129 just get open. 178 00:12:09,130 --> 00:12:10,130 Like idiots. 179 00:12:10,610 --> 00:12:12,710 Amanda and I. As you can imagine, this is normal. 180 00:12:13,090 --> 00:12:16,310 Okay. Florida won't gang, gang, gang, gang. 181 00:12:16,510 --> 00:12:17,870 It's a hell of a drug. 182 00:12:19,810 --> 00:12:23,050 It is always weird, I think, with choreography, because it is true. It's 183 00:12:23,090 --> 00:12:24,770 literally a week ago, this thing didn't exist. 184 00:12:25,090 --> 00:12:28,290 And my friends all smell like weed. Okay, so with the exact. 185 00:12:28,550 --> 00:12:30,790 Oh, do you already do this? Just roughly, but. Oh, freaking great. 186 00:12:31,290 --> 00:12:33,150 I was like, why do they all do this? 187 00:12:35,069 --> 00:12:40,410 And then the dancers become the accessories to Taylor and to the stage 188 00:12:40,410 --> 00:12:41,409 the whole experience. 189 00:12:41,410 --> 00:12:44,870 So it's a really important thing, and I take it very seriously. 190 00:12:45,970 --> 00:12:50,310 I always get nervous when I'm showing Taylor something for the first time 191 00:12:50,310 --> 00:12:55,070 because ultimately I just want to do well. I want to make her happy because I 192 00:12:55,070 --> 00:12:57,610 just have so much respect for her. I love her. 193 00:12:58,350 --> 00:13:00,990 I mean, I was really terrified the first time I had to show her something. 194 00:13:02,920 --> 00:13:04,220 We can figure this out together. 195 00:13:06,700 --> 00:13:11,060 But luckily, you know, since the very early stages of this, her and I have a 196 00:13:11,060 --> 00:13:12,260 really nice communication. 197 00:13:12,820 --> 00:13:14,060 We'll put something in here. 198 00:13:14,640 --> 00:13:15,740 Together we'll figure this out. 199 00:13:16,240 --> 00:13:19,400 Actually, I'm going to need to travel back to A stage during this part. Okay. 200 00:13:19,800 --> 00:13:20,800 Taylor can give me. 201 00:13:21,230 --> 00:13:24,690 thoughts or colors or ideas and i think i'm able to understand what she wants 202 00:13:24,690 --> 00:13:29,570 visually i want to kind of channel like uh rights of spring florence machine 203 00:13:29,570 --> 00:13:36,350 like like like taking our body yeah like like fully like like reaching you know 204 00:13:36,350 --> 00:13:42,710 like like kind of like um like girl in an insane asylum slash wood nymph love 205 00:13:42,710 --> 00:13:47,410 yeah so i mean yeah wasn't nervous i'm always nervous i'm always sweating i'm 206 00:13:47,410 --> 00:13:50,010 like oh god did i make the right thing this is bad choices 207 00:13:51,020 --> 00:13:52,020 Hello. 208 00:13:52,100 --> 00:13:54,480 How are you? Really good. How are you doing? I'm good. 209 00:13:54,760 --> 00:13:56,760 All right. I'm excited. Do you want to watch one? I would love to. And kind of 210 00:13:56,760 --> 00:13:58,460 see. I'll do a quarantine track. 211 00:13:59,060 --> 00:14:02,000 We're just doing the speaker right here. Yeah. I love it. Yeah. Okay, guys. 212 00:14:02,040 --> 00:14:03,039 Ready to move? 213 00:14:03,040 --> 00:14:05,000 Yeah. Okay. Go for 43. 214 00:14:06,040 --> 00:14:07,900 One, two, three. 215 00:14:08,640 --> 00:14:10,440 Stand by for 42. Six points. 216 00:14:21,480 --> 00:14:25,780 And my friends all fell like weed, oh, little baby. 217 00:14:26,420 --> 00:14:31,780 Oh, I love that. Go. And the city reeks of driving blind of me. 218 00:14:34,080 --> 00:14:40,160 Little did you know your home's really only a town you're just a -getting. 219 00:14:40,640 --> 00:14:47,360 So you work your life away just to pay for a time dead down in Bedford, 220 00:15:10,260 --> 00:15:11,940 I didn't feel like you guys can play here. 221 00:15:14,440 --> 00:15:17,120 And then, yeah, we made this like wave. 222 00:15:17,380 --> 00:15:19,580 Wow. Could it be kind of cool, huh? Cool. 223 00:15:20,440 --> 00:15:22,320 I hate that it's happening without us there. 224 00:15:24,280 --> 00:15:25,380 Could do it earlier if you want. 225 00:15:26,020 --> 00:15:27,160 Just didn't know if it was. Whoa. 226 00:15:27,950 --> 00:15:30,990 So epic back there, and no one's going to look at it. 227 00:15:31,190 --> 00:15:32,450 No, because they're going to be looking at you. 228 00:15:32,710 --> 00:15:36,890 And I almost wish that me and Florence could be on that. 229 00:15:37,410 --> 00:15:40,570 I mean, that would be fucking amazing. And she's up for it, yeah. 230 00:15:40,830 --> 00:15:45,230 I'm worried if me and Florence are here, people aren't going to look at it, and 231 00:15:45,230 --> 00:15:49,770 that bothers me. And also, I think Florence is going to be really, she's 232 00:15:49,770 --> 00:15:54,590 down for being in the mix and doing cool stuff. And I did my best. 233 00:15:54,830 --> 00:15:55,830 And there. 234 00:15:56,620 --> 00:16:02,060 All of the bodies that have been within my body and in my mind, they think into 235 00:16:02,060 --> 00:16:03,060 the moon. 236 00:16:03,600 --> 00:16:05,100 That would be awesome if it goes down. 237 00:16:05,450 --> 00:16:09,770 That a bad thing to say in the song. Then it rises. Little did you know. 238 00:16:10,310 --> 00:16:11,510 Totally, right? 239 00:16:11,750 --> 00:16:16,690 Then it all rises at the same fucking time. And it's awesome. And everyone 240 00:16:16,690 --> 00:16:18,250 it. Good. OK. 241 00:16:18,590 --> 00:16:22,670 Let's run one more time. And now that I've had this chat with Taylor, then I 242 00:16:22,670 --> 00:16:23,870 fix up. We have all the elements. 243 00:16:24,090 --> 00:16:27,350 I just now need to rework them, OK? Good job, guys. Great job. 244 00:16:27,590 --> 00:16:34,420 A lot of the time when you are casting for a tour, you know, Choreographers 245 00:16:34,420 --> 00:16:40,100 will sometimes have it in their head that they want a specific body type, 246 00:16:40,100 --> 00:16:43,520 want a specific look, they want only women, they want only men. 247 00:16:44,120 --> 00:16:49,220 People can get very opinionated about things looking very uniform. 248 00:16:49,920 --> 00:16:51,700 That's not what I wanted to do with the Eros tour. 249 00:16:51,940 --> 00:16:56,620 I feel like when you look up on stage as a fan, if you see people that represent 250 00:16:56,620 --> 00:17:01,420 you, your friends, the people you see in the world, that's... 251 00:17:01,640 --> 00:17:05,420 I think much more emotional and more connective and powerful. 252 00:17:05,680 --> 00:17:10,440 I really wanted everyone to look up on that stage and think, I see myself in 253 00:17:10,440 --> 00:17:11,440 that person. 254 00:17:13,540 --> 00:17:20,380 Spaces like the space that Taylor is curating on a night -to -night basis, I 255 00:17:20,380 --> 00:17:22,500 wish we had more of that, right? 256 00:17:23,099 --> 00:17:29,780 Even outside of entertaining, it's so important to be seen, to be heard, to be 257 00:17:29,780 --> 00:17:30,780 understood. 258 00:17:34,600 --> 00:17:39,920 My background as a dancer, I had a lot of teachers and professors who were not 259 00:17:39,920 --> 00:17:42,500 so kind, mostly around my size. 260 00:17:43,000 --> 00:17:46,420 And if I wanted to be a professional dancer, I would need to lose weight. 261 00:17:47,120 --> 00:17:51,560 I remember doing an audition, and the director of the company said to me, 262 00:17:51,600 --> 00:17:56,960 so what are we going to do about your body in life? Some people are going to 263 00:17:56,960 --> 00:18:00,740 to tear you down. They want you to do something else other than the things 264 00:18:00,740 --> 00:18:01,740 you are in love with. 265 00:18:02,890 --> 00:18:06,530 And then there are kind people who ground you. 266 00:18:06,730 --> 00:18:11,990 And in my experience, that's my mom and my brother, it's important to know I 267 00:18:11,990 --> 00:18:18,990 came from a family with an excess of love, right? My mother sacrificed a 268 00:18:18,990 --> 00:18:22,610 lot for my brother and I to just have experiences. 269 00:18:24,570 --> 00:18:27,610 And so my brother, he fell in love with sports. 270 00:18:28,430 --> 00:18:33,590 I fell in love with dance, and we were sort of navigating our training at the 271 00:18:33,590 --> 00:18:36,090 same time, middle school, high school, college. 272 00:18:36,430 --> 00:18:42,630 And it has been the joy of my life to watch him 273 00:18:42,630 --> 00:18:45,510 thrive in something that he loved so, so much. 274 00:18:46,570 --> 00:18:51,370 Now he plays in the NFL, and I watched my brother go to the Super Bowl three 275 00:18:51,370 --> 00:18:52,370 times. 276 00:18:52,730 --> 00:18:57,210 I graduated college and thought I was going to be teaching dance for the rest 277 00:18:57,210 --> 00:18:58,039 my life. 278 00:18:58,040 --> 00:19:02,700 And I remember getting an email that said, there's a closed audition. 279 00:19:03,060 --> 00:19:06,280 We cannot disclose who the artist is when it's being choreographed by Mandy 280 00:19:06,280 --> 00:19:09,960 Moore. I didn't have, like, a dollar to my name at the time. 281 00:19:10,700 --> 00:19:17,160 And I called my brother. I was like, listen, I don't know what this is, 282 00:19:17,280 --> 00:19:24,020 but something is telling me that I have to be in this 283 00:19:24,020 --> 00:19:26,000 room. He was like, OK. 284 00:19:26,670 --> 00:19:27,670 We will make it happen. 285 00:19:27,810 --> 00:19:28,810 And he bought me a flight. 286 00:19:35,890 --> 00:19:39,350 When he came into the audition, I was like, he's magnetic. 287 00:19:39,710 --> 00:19:43,770 I mean, he's a great dancer. His smile is like the thousand watt smile. 288 00:19:44,150 --> 00:19:49,790 You know, he's really well trained. He just embodies what I felt was like the 289 00:19:49,790 --> 00:19:51,470 spirit of what these people need to be. 290 00:19:51,830 --> 00:19:57,830 Pam is someone who absolutely lights up not only the stage, but just our entire 291 00:19:57,830 --> 00:19:59,030 vibe as a tour. 292 00:19:59,310 --> 00:20:01,350 He's just so himself. 293 00:20:02,650 --> 00:20:06,570 I don't want dancers that blend in. I don't care about them pulling focus. I 294 00:20:06,570 --> 00:20:12,350 want them to pull focus. I want you to feel like you saw an entire crew of 295 00:20:12,350 --> 00:20:14,290 individual stars on the stage. 296 00:20:16,470 --> 00:20:23,200 Now, knowing that space is like this, do exist for me that 297 00:20:23,200 --> 00:20:29,880 allow me to be the fullest version of me with all I have to offer in 298 00:20:29,880 --> 00:20:36,640 this body as it exists right now, this feels like my super 299 00:20:36,640 --> 00:20:37,640 goal. 300 00:20:47,629 --> 00:20:49,550 I woke up with a cat on my head. 301 00:20:51,210 --> 00:20:51,630 Bonus 302 00:20:51,630 --> 00:21:05,910 day 303 00:21:05,910 --> 00:21:10,590 is so important because setting a precedent with the Aris tour is really 304 00:21:10,590 --> 00:21:14,250 important to me because people who work on the road, if the tour grosses more, 305 00:21:14,390 --> 00:21:15,390 they get more. 306 00:21:15,550 --> 00:21:20,330 of a bonus and these people just work so hard and they are the best at what they 307 00:21:20,330 --> 00:21:26,110 do so every single person on the crew i've handwritten them a note it took me 308 00:21:26,110 --> 00:21:32,130 couple weeks but it's fun to write the notes it's like fun to to think about 309 00:21:32,130 --> 00:21:34,630 everybody's lives that they're going to go back to and the time off they're 310 00:21:34,630 --> 00:21:37,590 going to have and you know the kids they haven't seen because they've been away 311 00:21:37,590 --> 00:21:43,030 from months and it's just making that worthwhile for them is like really 312 00:21:43,790 --> 00:21:47,390 It just, it feels like Christmas morning when you finally get to say thank you. 313 00:21:49,450 --> 00:21:55,450 A little bonus day, a little bonus day. So each one is in its own baggie, and I 314 00:21:55,450 --> 00:21:57,130 was thinking we can lay them out. 315 00:21:58,250 --> 00:22:00,890 Oh, let me see the wax seal. 316 00:22:01,970 --> 00:22:04,550 You wax sealed every one of these things? Yeah. 317 00:22:05,150 --> 00:22:07,830 And the fire department almost had to come. 318 00:22:09,790 --> 00:22:15,550 show you this taylor six of the audio guys got this tattoo says cruel summer 319 00:22:15,550 --> 00:22:21,610 shows oh my god and then i don't know crazy i don't know if you remember but 320 00:22:21,610 --> 00:22:25,910 reputation why is it a grim reaper i have no idea they have to keep it like 321 00:22:25,910 --> 00:22:31,230 scary they can't like have like a tattoo of like a butterfly and a kitty cat i 322 00:22:31,230 --> 00:22:36,010 think what that means is 152 days almost killed them but they made it 323 00:22:37,230 --> 00:22:39,670 That's exactly what it is. That's what it means. That's the reality of it. 324 00:22:40,250 --> 00:22:41,650 I'm going to go behind today. 325 00:22:42,430 --> 00:22:44,250 Get rid of the bag. It's a bit forensic. 326 00:23:00,400 --> 00:23:04,400 Everybody has the same message on their card, so I was hoping you could open it. 327 00:23:04,480 --> 00:23:09,620 But before you look at yours, I just wanted to say, guys, this leg of this 328 00:23:09,620 --> 00:23:15,060 has been harder than anything I've ever done in a live setting. And you guys 329 00:23:15,060 --> 00:23:20,080 have taken this on with such excitement and such curiosity and such the 330 00:23:20,080 --> 00:23:21,280 endurance you've shown. 331 00:23:22,200 --> 00:23:25,980 But the spirit you've shown, how much you've given to these crowds, that gives 332 00:23:25,980 --> 00:23:28,780 to me every single night. The tour has done really well. 333 00:23:29,610 --> 00:23:34,330 Thanks to all of our hard work. So if you will kindly read today's message. 334 00:23:35,930 --> 00:23:36,930 Taylor Swift. 335 00:23:39,210 --> 00:23:40,210 Okay. 336 00:23:40,630 --> 00:23:41,630 Oh. 337 00:23:43,110 --> 00:23:48,610 There's Cam. We traveled the world like we set out to do. We dazzled the crowds, 338 00:23:48,830 --> 00:23:50,150 but we missed family too. 339 00:23:50,410 --> 00:23:54,090 My full gratitude doesn't come from a bank, but here's... 340 00:24:12,199 --> 00:24:19,160 Father was the one that presented the checks to 341 00:24:19,160 --> 00:24:24,430 our drivers and He presented handwritten letters from Taylor. It's incredible. 342 00:24:24,770 --> 00:24:28,490 I know tour truck drivers, and I've asked, do artists usually give out these 343 00:24:28,490 --> 00:24:29,490 bonuses? 344 00:24:29,550 --> 00:24:30,550 Unheard of. 345 00:24:33,690 --> 00:24:34,690 Turn back. 346 00:24:35,730 --> 00:24:36,730 He's emotional. 347 00:24:37,010 --> 00:24:39,670 Oh, my God. Do you need a hug? Are you okay? I'm going to pass out. 348 00:25:01,610 --> 00:25:06,210 And so the first walk, you know, it felt nice that you were going to slow first 349 00:25:06,210 --> 00:25:07,210 and then you round the corner. 350 00:25:08,990 --> 00:25:11,030 Everybody's got their thing they're good at. 351 00:25:12,130 --> 00:25:16,030 It's taken me a really long time to be even fine at choreography. 352 00:25:17,030 --> 00:25:23,430 Mandy knows how to approach teaching me choreography from a lyrical perspective. 353 00:25:24,010 --> 00:25:28,050 what were you doing with these little steps yeah they're just steps um yeah so 354 00:25:28,050 --> 00:25:31,830 just starting with your uh did you think oh yeah i 355 00:25:31,830 --> 00:25:38,510 don't do eight counts i learn based on what 356 00:25:38,510 --> 00:25:43,490 syllable of the lyric i'm attaching a movement to and i can't really learn any 357 00:25:43,490 --> 00:25:47,870 other way i've tried texas florida should be yeah i didn't know if it 358 00:25:47,870 --> 00:25:48,870 like 359 00:25:49,310 --> 00:25:53,710 Sing it, then throw to them, or sing, floor it up. There you go, that's what I 360 00:25:53,710 --> 00:26:00,470 thought. To get out there and learn the choreography in 30 minutes, and remember 361 00:26:00,470 --> 00:26:05,550 to hit this spot, hit this mark, this dancer's going to come over and stand 362 00:26:05,550 --> 00:26:10,970 to me for this moment, in front of 90 ,000 people, like my brain would 363 00:26:14,700 --> 00:26:16,260 It's an absolute challenge. 364 00:26:16,500 --> 00:26:20,480 Not to mention, the whole time she's doing this, she's singing and doing all 365 00:26:20,480 --> 00:26:22,180 these things at the same time. 366 00:26:22,580 --> 00:26:25,540 So it's a lot like juggling for three and a half hours. 367 00:26:25,920 --> 00:26:30,200 Learning the choreography, it's not just doing a step for the sake of doing a 368 00:26:30,200 --> 00:26:35,960 step. It's all very visual, and it made sense to me, narratively. 369 00:26:36,260 --> 00:26:40,760 It also is interesting to be in a position where, like, you know, this is 370 00:26:40,760 --> 00:26:41,760 of experts. 371 00:26:41,770 --> 00:26:46,670 And there's something about that that keeps me on my game and focused and 372 00:26:46,670 --> 00:26:50,430 in. It's one of the elements of, like, where that kind of pressure is a 373 00:26:50,430 --> 00:26:56,010 privilege because they're not messing up, so it better not be me. 374 00:26:58,110 --> 00:27:00,550 Okay, so I feel good. 375 00:27:00,770 --> 00:27:04,110 Is it okay if I? Yeah, because we're going to put Florence in tomorrow, so 376 00:27:04,110 --> 00:27:05,630 have you with her there. Okay, perfect, perfect. 377 00:27:05,890 --> 00:27:09,070 We're happy if you go. I love it. I love it. I love it. I think it's going to be 378 00:27:09,070 --> 00:27:10,070 so special. 379 00:27:10,320 --> 00:27:11,820 Beautiful job, guys. Beautiful job. 380 00:27:12,040 --> 00:27:13,040 Thanks for the song. 381 00:27:13,960 --> 00:27:16,540 My only job. 382 00:27:21,520 --> 00:27:23,520 I'm excited about seeing the show again. 383 00:27:23,760 --> 00:27:27,140 The driver asked me, oh, is this your first time to the show? 384 00:27:27,400 --> 00:27:28,820 I was like, uh, no. 385 00:27:29,680 --> 00:27:33,140 I don't, you know, my knee is doing better. 386 00:27:33,400 --> 00:27:36,180 And I don't really want to be in the wheelchair. 387 00:27:36,460 --> 00:27:37,720 I need it a little bit. 388 00:27:38,520 --> 00:27:42,560 But. To get you there. Yeah. But I want to dance. Tell them. I'm going to tell 389 00:27:42,560 --> 00:27:45,800 them. Because I feel like a hypocrite if I'm sitting in the wheelchair section 390 00:27:45,800 --> 00:27:49,160 and I start popping off, you know. I think they'll come and take the 391 00:27:49,160 --> 00:27:50,160 You're going to start what? 392 00:27:50,640 --> 00:27:51,499 Popping off. 393 00:27:51,500 --> 00:27:52,500 And is that the move? 394 00:27:53,080 --> 00:27:54,080 Something like that. 395 00:27:54,480 --> 00:27:57,840 At what? Sometimes it's a shimmy. Uh -huh. Sometimes it's a roll. 396 00:27:58,200 --> 00:27:59,460 And when does that, when do? 397 00:27:59,920 --> 00:28:04,380 It is. I have so many. And a lot of times it's you guys' choreography too, 398 00:28:06,300 --> 00:28:07,300 It's this way. 399 00:28:07,820 --> 00:28:14,580 Something like that. I do that. Shake it off. Yeah. Shake it off. Shake it. I do 400 00:28:14,580 --> 00:28:15,580 that move too. 401 00:28:15,760 --> 00:28:17,860 Oh, are you ready for it? 402 00:28:20,940 --> 00:28:22,740 That's my song. 403 00:28:23,360 --> 00:28:24,940 I love that one. 404 00:28:25,260 --> 00:28:28,800 This experience has been really amazing for me. 405 00:28:41,640 --> 00:28:44,960 I've watched you make so many sacrifices. 406 00:28:47,500 --> 00:28:48,500 It's OK. 407 00:28:50,900 --> 00:28:57,500 So many for us to be able to do what we're doing and to 408 00:28:57,500 --> 00:29:02,780 follow those dreams with every part of us. 409 00:29:08,940 --> 00:29:10,900 I'm grateful that you're here to see it. 410 00:29:11,680 --> 00:29:12,680 Yeah. 411 00:29:13,060 --> 00:29:19,440 Because Colin and I, being able to do what we love to do in such grand 412 00:29:19,440 --> 00:29:25,160 places, it's a product of how you love us. 413 00:29:26,240 --> 00:29:27,240 And do. 414 00:29:27,960 --> 00:29:34,460 So I'm grateful that you're able to see the 415 00:29:37,210 --> 00:29:39,250 fruits of your labor in this way. 416 00:29:39,950 --> 00:29:46,910 And I will never not have you in these spaces with me and celebrating with 417 00:29:46,910 --> 00:29:47,910 me. 418 00:29:48,130 --> 00:29:54,630 Because just as hard as I've worked, I'm very clear and very 419 00:29:54,630 --> 00:29:58,510 conscious of how hard you've worked for us to be able to do so. 420 00:29:59,710 --> 00:30:03,430 Which is why I try my hardest to take so much care of you. I know. I know. 421 00:30:03,870 --> 00:30:05,630 I love you so much. I love you. 422 00:30:08,670 --> 00:30:11,130 It's going to be a good show. I know. You're going to enjoy it. 423 00:30:11,350 --> 00:30:12,370 I'm going to dance. I know. 424 00:30:17,030 --> 00:30:18,230 Oh, yay. 425 00:30:21,170 --> 00:30:22,169 You're here. 426 00:30:22,170 --> 00:30:23,170 You made it. 427 00:30:26,090 --> 00:30:27,430 Hi. I'm Mandy. 428 00:30:27,630 --> 00:30:30,250 This is Lauren. Oh, my gosh. What an honor. Hi. 429 00:30:30,490 --> 00:30:34,510 Hi. I saw the show the other night, and it was so amazing. 430 00:30:38,190 --> 00:30:39,169 This is going to be amazing. 431 00:30:39,170 --> 00:30:40,089 So big. 432 00:30:40,090 --> 00:30:42,550 This is so big. No, it is. 433 00:30:42,930 --> 00:30:45,710 It is. And it's also, it's like a lot of ground to cover here. 434 00:30:46,110 --> 00:30:50,050 So we're going to show you. And then like the choreography is like we do 435 00:30:50,050 --> 00:30:53,250 something and it affects them. Like where we're just like Florida. 436 00:30:53,450 --> 00:30:54,450 And they're like. 437 00:30:55,410 --> 00:30:58,930 I have performed on big stages, but this is not like. 438 00:30:59,640 --> 00:31:01,880 I thought I'd just show up and I'd run around. 439 00:31:02,100 --> 00:31:05,620 Like, because that's what I do at my own shows. I just show up and I run, like, 440 00:31:05,700 --> 00:31:06,700 I just run around. 441 00:31:06,900 --> 00:31:09,320 You're going to come up on that back lift, but you'll see it. 442 00:31:09,640 --> 00:31:12,080 I have never done a lift. You haven't? 443 00:31:12,280 --> 00:31:13,300 Oh, that's so fun. 444 00:31:13,580 --> 00:31:15,020 You're going to have so much fun. 445 00:31:15,320 --> 00:31:18,860 When I got there, I was like, okay, now this is your choreo. I was like, oh, no, 446 00:31:18,900 --> 00:31:20,120 no, wait, wait, you got me confused. 447 00:31:20,600 --> 00:31:21,600 I don't do this. 448 00:31:22,180 --> 00:31:23,500 I'm going to fuck this up. 449 00:31:25,300 --> 00:31:27,960 Jenny, one, two, three. 450 00:31:28,480 --> 00:31:29,480 You split. 451 00:31:37,340 --> 00:31:38,340 Good. 452 00:31:40,900 --> 00:31:41,900 You're good. 453 00:31:49,420 --> 00:31:50,420 Great. 454 00:31:53,560 --> 00:31:54,660 Okay. Great. 455 00:31:55,130 --> 00:32:00,150 So now, this is Karen, and Nat, and Tamia's behind you, and Raph here. So 456 00:32:00,150 --> 00:32:01,149 guys are nice and safe. 457 00:32:01,150 --> 00:32:05,130 This is going to start rising up on, so I did my best, okay? Oh, great. And 458 00:32:05,130 --> 00:32:07,910 she's going to lay down, or she's going to kind of come into, if you're okay 459 00:32:07,910 --> 00:32:11,510 with this, and she's just going to lay her head here. And it would be great if 460 00:32:11,510 --> 00:32:15,450 you wanted to connect to her head. I did my best to lay to rest all of the 461 00:32:15,450 --> 00:32:18,630 bodies that have ever been on my body. So it kind of makes sense. So I did my 462 00:32:18,630 --> 00:32:20,650 best to lay to rest. Good. 463 00:32:21,230 --> 00:32:24,870 All of the buddies that have been on my body and in my mind. 464 00:32:25,290 --> 00:32:27,850 They think into the swamp. Raise your arms up. 465 00:32:28,370 --> 00:32:29,530 Beautiful. No, sorry. 466 00:32:29,990 --> 00:32:33,810 Is that a bad thing to say in a song? Sorry about that, yeah. So think into 467 00:32:33,810 --> 00:32:34,810 swamp, you're still down. 468 00:32:35,010 --> 00:32:36,890 Yes. Think into the swamp. 469 00:32:39,530 --> 00:32:40,530 Song up. 470 00:32:42,030 --> 00:32:43,730 Okay, good. Now it's good. 471 00:32:43,990 --> 00:32:46,030 Let me pack your life away. 472 00:32:47,010 --> 00:32:48,990 Sit on back and check. 473 00:32:51,000 --> 00:32:52,000 Beautiful. 474 00:32:52,640 --> 00:32:54,340 Back center. 475 00:32:54,760 --> 00:32:55,760 Do it again. 476 00:32:58,200 --> 00:33:00,020 What a treat. 477 00:33:01,760 --> 00:33:05,460 We're similar in that the persona is huge, but the person is soft. 478 00:33:05,740 --> 00:33:07,640 And so I think that's why we get along. 479 00:33:08,460 --> 00:33:11,180 Externally, this thing is really big. 480 00:33:11,780 --> 00:33:14,900 But when we're together, we're just silly and goofy. 481 00:33:16,620 --> 00:33:21,020 Seeing the show, the most beautiful thing was the crowd. 482 00:33:21,340 --> 00:33:24,900 It was just like the love and the vibe. 483 00:33:25,240 --> 00:33:30,460 I was just like, all the pockets of girls in their dresses dancing. 484 00:33:31,220 --> 00:33:38,060 There's so much joy and femininity. There's no shame around 485 00:33:38,060 --> 00:33:39,840 it. It was so beautiful. 486 00:33:40,640 --> 00:33:43,940 Natalie and Odie are standing right here. She just heads to the back to the 487 00:33:43,940 --> 00:33:44,940 girls. 488 00:33:45,120 --> 00:33:48,720 And then you're going to have your footprint right there, and you just got 489 00:33:48,720 --> 00:33:50,420 in the middle. And I think turn back front. 490 00:33:50,880 --> 00:33:52,060 Yeah, and then we'll take you down. 491 00:33:52,560 --> 00:33:55,380 And then Dewey will be there to get you at the end, okay? 492 00:33:56,320 --> 00:33:57,320 Yeah. 493 00:33:57,920 --> 00:33:59,860 Oh, God, this is going to be so fun. Can we? 494 00:34:00,160 --> 00:34:03,420 Yes, I would love. Taylor, are you good to run this, too, from the top with the 495 00:34:03,420 --> 00:34:04,820 lifts and everything? No, that was all we got. 496 00:34:05,720 --> 00:34:08,500 Can you imagine? You're like, Florence, good luck. It's going to be great. 497 00:34:08,980 --> 00:34:09,980 I'm sure you'll be fine. 498 00:34:10,800 --> 00:34:11,800 Good. You want to try one? 499 00:34:12,480 --> 00:34:13,480 All right. 500 00:34:13,719 --> 00:34:14,719 Yes. 501 00:34:16,460 --> 00:34:17,460 Ready to go down? 502 00:34:17,620 --> 00:34:18,620 Let's go. 503 00:34:18,780 --> 00:34:22,380 And are you okay if I kind of talk you through and I go right? 504 00:34:22,659 --> 00:34:23,659 Perfect. 505 00:34:24,500 --> 00:34:25,500 What? 506 00:34:46,230 --> 00:34:52,170 I've been feeling so alone. I keep waiting for you, but you never come as 507 00:34:52,170 --> 00:34:58,950 in my head. I don't know what to think. Even out to the ground and roll down the 508 00:34:58,950 --> 00:35:05,330 ranks and marry me. Juliet, you never have to be alone. I love you. 509 00:35:46,440 --> 00:35:49,800 I still love you. And I'm like, I'm just, I mean, this is exhausting. 510 00:35:50,060 --> 00:35:52,280 You know, like we are never getting back together. 511 00:35:52,880 --> 00:35:53,880 Nah, bro. 512 00:36:16,910 --> 00:36:18,450 Welcome, let's be true. 513 00:36:20,430 --> 00:36:25,190 And my friends all smell like weed or little babies. 514 00:36:26,910 --> 00:36:31,530 And the city reeks of driving myself crazy. 515 00:36:33,490 --> 00:36:39,710 Little did you know, your home's really only a town you're just a guest in. 516 00:36:40,010 --> 00:36:44,970 So you look your back and wait to pay for a time set down. 517 00:36:46,420 --> 00:36:47,420 Thank you. 518 00:37:15,240 --> 00:37:18,040 I got drunk and I dated to watch more. 519 00:37:18,480 --> 00:37:21,300 They're hated in the bathroom where the bottle was. 520 00:37:21,620 --> 00:37:26,320 Well, me and my ghost, we had a hell of a time. Yes, I'm haunted, but I'm 521 00:37:26,320 --> 00:37:27,340 feeling just fine. 522 00:37:28,320 --> 00:37:31,340 All my girls got their laces and their cries. 523 00:37:31,620 --> 00:37:37,100 My cheating husband disappeared when no one asked any questions. 524 00:37:55,250 --> 00:37:58,050 Thank you. 525 00:38:19,790 --> 00:38:24,210 of coming up for the first time in that lift it was kind of landing on mars 526 00:38:24,210 --> 00:38:29,430 because i'd never seen the stage lit up before the sound of the crowd that was 527 00:38:29,430 --> 00:38:33,930 really extraordinary you know it's like you see this cultural moment from the 528 00:38:33,930 --> 00:38:38,530 outside and i suddenly was like inside of it it was wild but it was it was 529 00:38:38,530 --> 00:38:44,650 really fun and completely terrifying also taylor's my friend and i know her 530 00:38:44,650 --> 00:38:49,810 this like very cozy person and i came out of that lift i was like oh my god 531 00:38:49,810 --> 00:38:50,810 fucking Taylor Swift. 532 00:39:40,040 --> 00:39:44,340 You know, I used to kind of be leaving the shows and seeing people walk home 533 00:39:44,340 --> 00:39:47,920 think, I really hope they got what they've been waiting for. 534 00:39:49,520 --> 00:39:53,140 I hope they got what they've been saving up their money for. 535 00:39:57,320 --> 00:40:04,120 There's a feeling I have of such pride and satisfaction because when I leave 536 00:40:04,120 --> 00:40:05,440 Eretor, I never wonder that. 537 00:40:10,160 --> 00:40:12,080 They're just like this magic in the air. 538 00:40:12,720 --> 00:40:19,560 All these particles of shimmer and glitter and confetti and girlhood 539 00:40:19,560 --> 00:40:24,880 and friendship bracelet beads and, you know, magic in the air. 45893

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