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1
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When we reached the last night at
Wembley Stadium in London, all of us
2
00:00:12,180 --> 00:00:13,720
satisfaction.
3
00:00:15,220 --> 00:00:20,920
We've had so many special moments where
just like, it just reminds me what a
4
00:00:20,920 --> 00:00:23,980
concert can do if you give it your all.
5
00:00:26,960 --> 00:00:32,900
Then again, no matter how good a tour
is, it's a huge, massive undertaking.
6
00:00:33,260 --> 00:00:34,520
It's hard work.
7
00:00:35,280 --> 00:00:40,000
That's the challenge, that's the
adventure, and that's what every person
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00:00:40,000 --> 00:00:41,700
tour is doing.
9
00:00:45,760 --> 00:00:51,120
Every single night, no matter what's
going on, we're going to do everything
10
00:00:51,120 --> 00:00:52,440
our power to blow your mind.
11
00:01:17,040 --> 00:01:21,040
My goal for the ERA tour is that I
didn't want the fans to leave thinking
12
00:01:21,040 --> 00:01:22,040
they missed out on anything.
13
00:01:22,560 --> 00:01:26,680
One thing I've always tried to do is,
like, give something to the fans that
14
00:01:26,680 --> 00:01:27,680
didn't expect.
15
00:01:28,040 --> 00:01:33,400
When we had done the first half of the
tour, what the fans didn't know at the
16
00:01:33,400 --> 00:01:36,540
time was that I was writing a brand -new
album, the tour for Poets Department.
17
00:01:36,920 --> 00:01:41,960
And in the middle of me releasing the
album, we had to be all hands on deck,
18
00:01:42,100 --> 00:01:45,640
creating a brand -new ERA to put into
the show to represent that album.
19
00:01:52,300 --> 00:01:53,540
We're doing theater.
20
00:01:54,540 --> 00:01:59,300
Doing all of this completely secretly,
all in like a tiny little break that we
21
00:01:59,300 --> 00:02:01,280
had between Asia and Europe.
22
00:02:01,500 --> 00:02:05,400
Are there sounds from Fortnite that are
not the synth sound?
23
00:02:05,880 --> 00:02:07,940
Or do we go into like strings?
24
00:02:08,500 --> 00:02:11,960
Like this feels like a highly elevated
chapter.
25
00:02:12,520 --> 00:02:17,820
We build this top secret rehearsal
facility for us to lock in the set list.
26
00:02:18,940 --> 00:02:21,060
Go. Who's afraid?
27
00:02:21,900 --> 00:02:27,160
A little bit of down bass, probably a
verse and a chorus, or a pre -chorus and
28
00:02:27,160 --> 00:02:28,420
chorus, that might be it.
29
00:02:28,820 --> 00:02:32,940
Like, I would kind of do surgical
tweaking to each song, be like, okay,
30
00:02:32,940 --> 00:02:35,400
songs, but cut out the bridge and the
second verse of this.
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00:02:39,480 --> 00:02:42,320
And then, so tell me everything is not
about me.
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To make it so that we could fit this
many songs in the show.
33
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And say they didn't do it to her.
34
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me everyone in and i want and and and
double as big for i want it's not like
35
00:02:57,300 --> 00:03:03,000
gonna have a mental breakdown during the
song like it's gonna be so fun and then
36
00:03:03,000 --> 00:03:09,780
we put together all new choreography
learning choreography all just hearing
37
00:03:09,780 --> 00:03:13,120
in our heads because they can't play the
music on speakers because it's not out
38
00:03:13,120 --> 00:03:17,360
yet the first line is did you really
beam me up what i want
39
00:03:18,350 --> 00:03:24,090
It's for a light to spotlight right on
me like it's the alien ship. Right into
40
00:03:24,090 --> 00:03:27,410
this, like, crazy, like, alien light.
41
00:03:28,630 --> 00:03:32,910
And then I found that right back. Woo!
42
00:03:33,110 --> 00:03:34,110
Yeah.
43
00:03:34,810 --> 00:03:37,610
There's an entirely new order of the
chapters.
44
00:03:37,850 --> 00:03:40,130
So I'm relearning the entire show,
essentially.
45
00:03:40,350 --> 00:03:41,350
It feels...
46
00:03:41,630 --> 00:03:46,050
Crazy to like take all the pieces apart
and then put them together in different
47
00:03:46,050 --> 00:03:50,910
order Yeah, and I think I'd rather feel
this way where I'm a little bit confused
48
00:03:50,910 --> 00:03:52,770
a little bit like what what?
49
00:03:53,630 --> 00:03:57,790
Then being like it's on autopilot. Yeah,
cuz I could do the show we were doing
50
00:03:57,790 --> 00:04:01,610
in Asia I could do in my first we're all
like we all fear change, but then
51
00:04:01,610 --> 00:04:07,830
Because we accepted challenges our whole
lives. Oh my god, that was a rift that
52
00:04:07,830 --> 00:04:08,930
could have gone so bad
53
00:04:09,740 --> 00:04:13,260
There was the danger that it could have
felt like we had sort of shoehorned
54
00:04:13,260 --> 00:04:18,060
something in or that, you know, people
didn't like the new show as much as they
55
00:04:18,060 --> 00:04:20,860
liked the old show. I swear to God, if I
heard people online being like, I
56
00:04:20,860 --> 00:04:24,540
missed the old show, I was going to be
like, oh, my God, you have no idea how
57
00:04:24,540 --> 00:04:25,540
hard this was to do.
58
00:04:26,400 --> 00:04:31,660
We're going to get to watch 45 ,000
people experience the fact that they're
59
00:04:31,660 --> 00:04:33,280
seeing something that's never been seen
before.
60
00:04:33,800 --> 00:04:37,480
I went out to play our first show of the
new set.
61
00:04:38,140 --> 00:04:42,740
In Paris, the crowd has no idea that
we've added a completely new section and
62
00:04:42,740 --> 00:04:43,740
rearranged things.
63
00:04:43,980 --> 00:04:47,280
And I am so, so excited.
64
00:04:47,500 --> 00:04:49,400
I love having a good secret.
65
00:04:49,700 --> 00:04:56,500
When we brought out this new show in
Paris, it was so rewarding because all
66
00:04:56,500 --> 00:05:00,880
of that secrecy and all of that working
during our only time off paid off so
67
00:05:00,880 --> 00:05:07,000
much because the fans were so excited.
It was such a dynamic new addition to
68
00:05:07,000 --> 00:05:08,000
show.
69
00:05:10,440 --> 00:05:16,560
Now, going into the last show in London,
I have the opportunity to add to their
70
00:05:16,560 --> 00:05:18,520
experience, even on top of that.
71
00:05:20,340 --> 00:05:24,460
Taylor wants to make the last London
show as powerful as possible.
72
00:05:24,980 --> 00:05:27,800
She's like, I want to blow this thing
out. We're going to do this right.
73
00:05:28,140 --> 00:05:32,480
She wants to do Florida with Florence
Welch, Florence and the Machine.
74
00:05:33,220 --> 00:05:37,460
Performing Florida with Florence is
something I've wanted to do ever since.
75
00:05:37,770 --> 00:05:40,470
The two of us wrote that song. And then
it just so happened that she was going
76
00:05:40,470 --> 00:05:41,770
to be available in London.
77
00:05:42,270 --> 00:05:46,410
You're not nervous about the show. You
know how it runs, and suddenly it's
78
00:05:46,410 --> 00:05:48,730
something like Florence coming to do
Florida.
79
00:05:49,430 --> 00:05:56,130
The choreography meets the music, meets
automation, which is the stage movement,
80
00:05:56,330 --> 00:06:00,970
and is starting from scratch again. I
know that when I say to them, I want to
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00:06:00,970 --> 00:06:03,750
perform Florida with Florence, and I
really want to do it with full
82
00:06:03,950 --> 00:06:08,170
I know that it's... some kind of
creative brainstorming sessions, but I
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00:06:08,170 --> 00:06:12,630
it's doable because all the dancers, the
choreographers, the production
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00:06:12,630 --> 00:06:18,910
designers, the crew, the entire band,
every person we have is the best one
85
00:06:18,910 --> 00:06:20,010
it in the entire industry.
86
00:06:29,070 --> 00:06:30,170
This is kind of funny.
87
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We have to rehearse the song.
88
00:06:34,040 --> 00:06:40,880
kind of do what we usually do in the
comfort of a studio from the road, but
89
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also trying to keep things from leaking
before the surprise.
90
00:06:44,380 --> 00:06:48,280
It's a stadium with no roof, so there's,
like, fans outside, and so you have to
91
00:06:48,280 --> 00:06:51,340
turn the PA off, and we have to do it
quietly, you know?
92
00:06:52,580 --> 00:06:59,380
It is so much extra work to keep things
a
93
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surprise. Let me tell you.
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00:07:01,900 --> 00:07:06,480
I need a nap just thinking about it. But
it's so worth it when we can actually
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00:07:06,480 --> 00:07:07,480
pull it off.
96
00:07:08,520 --> 00:07:09,940
Your programming sounds.
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00:07:10,180 --> 00:07:15,680
At Soundcheck, the dancers are finding a
place to work on choreography for it
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00:07:15,680 --> 00:07:17,220
where people can't find out what's
happening.
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00:07:17,480 --> 00:07:21,660
You know, before you know it, I'm in a
random ballroom in the middle of a hotel
100
00:07:21,660 --> 00:07:23,600
with Amanda at like 9 .30 at night.
101
00:07:26,240 --> 00:07:28,240
Maybe then, maybe you'd come off there.
102
00:07:29,920 --> 00:07:32,920
Florence, open up on the, into the
diagonal, maybe?
103
00:07:33,140 --> 00:07:34,140
Yeah.
104
00:07:34,520 --> 00:07:39,880
With choreography, I asked one of my
friends, Emma Stone, who's done a lot of
105
00:07:39,880 --> 00:07:43,040
work in dance in her films, you know,
who have you worked with that you would
106
00:07:43,040 --> 00:07:45,620
recommend for this? And she's like,
there's only one person that needs to be
107
00:07:45,620 --> 00:07:46,620
your list, and it's Mandy Moore.
108
00:07:47,620 --> 00:07:52,120
I never would have thought that I would
be in the same sentence as Taylor Swift
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00:07:52,120 --> 00:07:55,240
ever in my life. You know, I've always
been a big fan, but I...
110
00:07:55,840 --> 00:07:59,580
Funny enough, I come from really more
film and television. I don't really do
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00:07:59,580 --> 00:08:00,800
artist performance.
112
00:08:01,160 --> 00:08:04,100
Now I understand why I was brought in,
because she really wanted to do
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00:08:04,100 --> 00:08:06,680
different. And she likes the
storytelling.
114
00:08:07,040 --> 00:08:09,000
I mean, her songs are mini movies.
115
00:08:09,380 --> 00:08:15,040
So when I listen to them, it's just
lyrics and melody swirling with ideas in
116
00:08:15,040 --> 00:08:17,840
head. And then you just start making
something.
117
00:08:18,040 --> 00:08:20,320
And there's something about that, like,
that.
118
00:08:20,760 --> 00:08:22,980
And then all of a sudden, it comes out.
119
00:08:26,960 --> 00:08:29,900
Do you want to do seven?
120
00:08:30,500 --> 00:08:31,500
Beautiful.
121
00:08:32,039 --> 00:08:36,740
Gorgeous, Amanda. Up. Like one, two,
three. Amanda Balin, the first time that
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00:08:36,740 --> 00:08:42,799
saw her do her thing, she was
choreographing the tour. She was not a
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00:08:42,799 --> 00:08:45,940
job was to show me what I'd be doing
with the dancers.
124
00:08:48,120 --> 00:08:54,100
I would just get so much inspiration
from what she was doing as a performer.
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I just kept saying, like, you're such a
pop star, Amanda.
126
00:08:57,290 --> 00:09:00,530
In the middle of the night, in my
dreams.
127
00:09:00,990 --> 00:09:01,990
This was my dream.
128
00:09:02,090 --> 00:09:06,530
Truly. It was my dream to do live shows
and tour like this. More so than
129
00:09:06,530 --> 00:09:10,070
Broadway or anything. I just, I always
was drawn to this.
130
00:09:11,090 --> 00:09:14,430
I actually haven't looked at these. I
just keep throwing them in.
131
00:09:16,070 --> 00:09:18,110
I started out by doing small things.
132
00:09:18,750 --> 00:09:22,530
And then I booked a job as a swing for a
Janet Jackson tour, which was...
133
00:09:22,730 --> 00:09:24,510
Oh, I'd always wanted to dance for her.
134
00:09:24,990 --> 00:09:26,950
I went on to tour with Celine Dion.
135
00:09:27,550 --> 00:09:28,790
What else have I done?
136
00:09:29,110 --> 00:09:32,890
Oh, oh, I danced for Lady Gaga for five
plus years.
137
00:09:33,250 --> 00:09:34,950
I toured for five years straight.
138
00:09:35,210 --> 00:09:39,350
I worked on Glee, which was a
longstanding dancing TV show for a
139
00:09:39,350 --> 00:09:42,770
a wonderful job. I went on to do some
films like La La Land.
140
00:09:43,290 --> 00:09:47,290
I've performed at probably every major
award show with different artists.
141
00:09:47,530 --> 00:09:49,790
And I've been a part of many tours.
142
00:09:53,430 --> 00:09:58,550
As much as you want it to last forever,
dance isn't a forever career.
143
00:09:58,910 --> 00:10:01,470
The demand on your body is not
sustainable.
144
00:10:01,890 --> 00:10:06,430
If we can get this strong when you do
all those, you know, wild movements,
145
00:10:06,430 --> 00:10:11,010
this can stabilize your spine,
helping... I have two labral tears in my
146
00:10:11,010 --> 00:10:13,110
flexors. Like, things are just breaking
down.
147
00:10:13,510 --> 00:10:18,050
I kind of just decided it was a very
tough decision, but to gracefully start
148
00:10:18,050 --> 00:10:19,050
to...
149
00:10:19,280 --> 00:10:25,040
peel myself away from being a
professional dancer and to do things
150
00:10:25,040 --> 00:10:26,040
scenes.
151
00:10:28,100 --> 00:10:33,740
I remember asking Mandy, I wonder if
Amanda would ever dance with us. And
152
00:10:33,740 --> 00:10:35,040
was like, ah, she's retired.
153
00:10:35,400 --> 00:10:38,020
She hung up her dancing shoes a while
ago.
154
00:10:38,540 --> 00:10:42,820
At some point, Mandy came to me and
said, hey, the team wants to know if you
155
00:10:42,820 --> 00:10:43,820
want to do the show.
156
00:10:43,860 --> 00:10:47,960
My first response to being asked to the
tour was a chuckle and a, oh, hell no.
157
00:10:48,430 --> 00:10:49,890
I don't even know if I could do it.
158
00:10:50,430 --> 00:10:54,230
Being involved in the behind the scenes
and then doing it on stage, those are
159
00:10:54,230 --> 00:10:55,230
two different things.
160
00:10:56,310 --> 00:11:00,510
I had doubts in my ability. I was
worried that I wasn't going to be as
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00:11:00,510 --> 00:11:01,850
was when I was dancing.
162
00:11:03,110 --> 00:11:07,690
But at the end of the day, even though
there was a lot of fear, it was just too
163
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wonderful of an opportunity.
164
00:11:10,130 --> 00:11:11,890
A second chance, I get chills.
165
00:11:12,150 --> 00:11:14,850
It was a second chance that most people
don't get to have.
166
00:11:20,300 --> 00:11:26,000
We're counting this song in fast pace.
So it'll be a 1, 2, 3, 4, 5, 6, 7, 8. A
167
00:11:26,000 --> 00:11:32,520
1, 2, 3, 4, 5, 7, 8. She says, and a 5,
2, 3, 4. On 5,
168
00:11:32,920 --> 00:11:36,460
it's the word weed. And you guys are
going to kind of do like a little bit of
169
00:11:36,460 --> 00:11:39,140
deflate. And my friends all smell like
weed.
170
00:11:39,660 --> 00:11:40,660
Yeah, yeah.
171
00:11:41,440 --> 00:11:43,260
Weed or little babies.
172
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And you'll roll up.
173
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And on the five of the fifth. And my
friends all smell like wee or little.
174
00:11:50,980 --> 00:11:55,200
two, three, four, five, six, seven,
eight. Okay? Just so you have an idea.
175
00:11:55,600 --> 00:11:56,720
And then, guys, what looks...
176
00:12:05,189 --> 00:12:08,530
Amanda and I were in, like, an empty
ballroom last night, just like, okay,
177
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just get open.
178
00:12:09,130 --> 00:12:10,130
Like idiots.
179
00:12:10,610 --> 00:12:12,710
Amanda and I. As you can imagine, this
is normal.
180
00:12:13,090 --> 00:12:16,310
Okay. Florida won't gang, gang, gang,
gang.
181
00:12:16,510 --> 00:12:17,870
It's a hell of a drug.
182
00:12:19,810 --> 00:12:23,050
It is always weird, I think, with
choreography, because it is true. It's
183
00:12:23,090 --> 00:12:24,770
literally a week ago, this thing didn't
exist.
184
00:12:25,090 --> 00:12:28,290
And my friends all smell like weed.
Okay, so with the exact.
185
00:12:28,550 --> 00:12:30,790
Oh, do you already do this? Just
roughly, but. Oh, freaking great.
186
00:12:31,290 --> 00:12:33,150
I was like, why do they all do this?
187
00:12:35,069 --> 00:12:40,410
And then the dancers become the
accessories to Taylor and to the stage
188
00:12:40,410 --> 00:12:41,409
the whole experience.
189
00:12:41,410 --> 00:12:44,870
So it's a really important thing, and I
take it very seriously.
190
00:12:45,970 --> 00:12:50,310
I always get nervous when I'm showing
Taylor something for the first time
191
00:12:50,310 --> 00:12:55,070
because ultimately I just want to do
well. I want to make her happy because I
192
00:12:55,070 --> 00:12:57,610
just have so much respect for her. I
love her.
193
00:12:58,350 --> 00:13:00,990
I mean, I was really terrified the first
time I had to show her something.
194
00:13:02,920 --> 00:13:04,220
We can figure this out together.
195
00:13:06,700 --> 00:13:11,060
But luckily, you know, since the very
early stages of this, her and I have a
196
00:13:11,060 --> 00:13:12,260
really nice communication.
197
00:13:12,820 --> 00:13:14,060
We'll put something in here.
198
00:13:14,640 --> 00:13:15,740
Together we'll figure this out.
199
00:13:16,240 --> 00:13:19,400
Actually, I'm going to need to travel
back to A stage during this part. Okay.
200
00:13:19,800 --> 00:13:20,800
Taylor can give me.
201
00:13:21,230 --> 00:13:24,690
thoughts or colors or ideas and i think
i'm able to understand what she wants
202
00:13:24,690 --> 00:13:29,570
visually i want to kind of channel like
uh rights of spring florence machine
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00:13:29,570 --> 00:13:36,350
like like like taking our body yeah like
like fully like like reaching you know
204
00:13:36,350 --> 00:13:42,710
like like kind of like um like girl in
an insane asylum slash wood nymph love
205
00:13:42,710 --> 00:13:47,410
yeah so i mean yeah wasn't nervous i'm
always nervous i'm always sweating i'm
206
00:13:47,410 --> 00:13:50,010
like oh god did i make the right thing
this is bad choices
207
00:13:51,020 --> 00:13:52,020
Hello.
208
00:13:52,100 --> 00:13:54,480
How are you? Really good. How are you
doing? I'm good.
209
00:13:54,760 --> 00:13:56,760
All right. I'm excited. Do you want to
watch one? I would love to. And kind of
210
00:13:56,760 --> 00:13:58,460
see. I'll do a quarantine track.
211
00:13:59,060 --> 00:14:02,000
We're just doing the speaker right here.
Yeah. I love it. Yeah. Okay, guys.
212
00:14:02,040 --> 00:14:03,039
Ready to move?
213
00:14:03,040 --> 00:14:05,000
Yeah. Okay. Go for 43.
214
00:14:06,040 --> 00:14:07,900
One, two, three.
215
00:14:08,640 --> 00:14:10,440
Stand by for 42. Six points.
216
00:14:21,480 --> 00:14:25,780
And my friends all fell like weed, oh,
little baby.
217
00:14:26,420 --> 00:14:31,780
Oh, I love that. Go. And the city reeks
of driving blind of me.
218
00:14:34,080 --> 00:14:40,160
Little did you know your home's really
only a town you're just a -getting.
219
00:14:40,640 --> 00:14:47,360
So you work your life away just to pay
for a time dead down in Bedford,
220
00:15:10,260 --> 00:15:11,940
I didn't feel like you guys can play
here.
221
00:15:14,440 --> 00:15:17,120
And then, yeah, we made this like wave.
222
00:15:17,380 --> 00:15:19,580
Wow. Could it be kind of cool, huh?
Cool.
223
00:15:20,440 --> 00:15:22,320
I hate that it's happening without us
there.
224
00:15:24,280 --> 00:15:25,380
Could do it earlier if you want.
225
00:15:26,020 --> 00:15:27,160
Just didn't know if it was. Whoa.
226
00:15:27,950 --> 00:15:30,990
So epic back there, and no one's going
to look at it.
227
00:15:31,190 --> 00:15:32,450
No, because they're going to be looking
at you.
228
00:15:32,710 --> 00:15:36,890
And I almost wish that me and Florence
could be on that.
229
00:15:37,410 --> 00:15:40,570
I mean, that would be fucking amazing.
And she's up for it, yeah.
230
00:15:40,830 --> 00:15:45,230
I'm worried if me and Florence are here,
people aren't going to look at it, and
231
00:15:45,230 --> 00:15:49,770
that bothers me. And also, I think
Florence is going to be really, she's
232
00:15:49,770 --> 00:15:54,590
down for being in the mix and doing cool
stuff. And I did my best.
233
00:15:54,830 --> 00:15:55,830
And there.
234
00:15:56,620 --> 00:16:02,060
All of the bodies that have been within
my body and in my mind, they think into
235
00:16:02,060 --> 00:16:03,060
the moon.
236
00:16:03,600 --> 00:16:05,100
That would be awesome if it goes down.
237
00:16:05,450 --> 00:16:09,770
That a bad thing to say in the song.
Then it rises. Little did you know.
238
00:16:10,310 --> 00:16:11,510
Totally, right?
239
00:16:11,750 --> 00:16:16,690
Then it all rises at the same fucking
time. And it's awesome. And everyone
240
00:16:16,690 --> 00:16:18,250
it. Good. OK.
241
00:16:18,590 --> 00:16:22,670
Let's run one more time. And now that
I've had this chat with Taylor, then I
242
00:16:22,670 --> 00:16:23,870
fix up. We have all the elements.
243
00:16:24,090 --> 00:16:27,350
I just now need to rework them, OK? Good
job, guys. Great job.
244
00:16:27,590 --> 00:16:34,420
A lot of the time when you are casting
for a tour, you know, Choreographers
245
00:16:34,420 --> 00:16:40,100
will sometimes have it in their head
that they want a specific body type,
246
00:16:40,100 --> 00:16:43,520
want a specific look, they want only
women, they want only men.
247
00:16:44,120 --> 00:16:49,220
People can get very opinionated about
things looking very uniform.
248
00:16:49,920 --> 00:16:51,700
That's not what I wanted to do with the
Eros tour.
249
00:16:51,940 --> 00:16:56,620
I feel like when you look up on stage as
a fan, if you see people that represent
250
00:16:56,620 --> 00:17:01,420
you, your friends, the people you see in
the world, that's...
251
00:17:01,640 --> 00:17:05,420
I think much more emotional and more
connective and powerful.
252
00:17:05,680 --> 00:17:10,440
I really wanted everyone to look up on
that stage and think, I see myself in
253
00:17:10,440 --> 00:17:11,440
that person.
254
00:17:13,540 --> 00:17:20,380
Spaces like the space that Taylor is
curating on a night -to -night basis, I
255
00:17:20,380 --> 00:17:22,500
wish we had more of that, right?
256
00:17:23,099 --> 00:17:29,780
Even outside of entertaining, it's so
important to be seen, to be heard, to be
257
00:17:29,780 --> 00:17:30,780
understood.
258
00:17:34,600 --> 00:17:39,920
My background as a dancer, I had a lot
of teachers and professors who were not
259
00:17:39,920 --> 00:17:42,500
so kind, mostly around my size.
260
00:17:43,000 --> 00:17:46,420
And if I wanted to be a professional
dancer, I would need to lose weight.
261
00:17:47,120 --> 00:17:51,560
I remember doing an audition, and the
director of the company said to me,
262
00:17:51,600 --> 00:17:56,960
so what are we going to do about your
body in life? Some people are going to
263
00:17:56,960 --> 00:18:00,740
to tear you down. They want you to do
something else other than the things
264
00:18:00,740 --> 00:18:01,740
you are in love with.
265
00:18:02,890 --> 00:18:06,530
And then there are kind people who
ground you.
266
00:18:06,730 --> 00:18:11,990
And in my experience, that's my mom and
my brother, it's important to know I
267
00:18:11,990 --> 00:18:18,990
came from a family with an excess of
love, right? My mother sacrificed a
268
00:18:18,990 --> 00:18:22,610
lot for my brother and I to just have
experiences.
269
00:18:24,570 --> 00:18:27,610
And so my brother, he fell in love with
sports.
270
00:18:28,430 --> 00:18:33,590
I fell in love with dance, and we were
sort of navigating our training at the
271
00:18:33,590 --> 00:18:36,090
same time, middle school, high school,
college.
272
00:18:36,430 --> 00:18:42,630
And it has been the joy of my life to
watch him
273
00:18:42,630 --> 00:18:45,510
thrive in something that he loved so, so
much.
274
00:18:46,570 --> 00:18:51,370
Now he plays in the NFL, and I watched
my brother go to the Super Bowl three
275
00:18:51,370 --> 00:18:52,370
times.
276
00:18:52,730 --> 00:18:57,210
I graduated college and thought I was
going to be teaching dance for the rest
277
00:18:57,210 --> 00:18:58,039
my life.
278
00:18:58,040 --> 00:19:02,700
And I remember getting an email that
said, there's a closed audition.
279
00:19:03,060 --> 00:19:06,280
We cannot disclose who the artist is
when it's being choreographed by Mandy
280
00:19:06,280 --> 00:19:09,960
Moore. I didn't have, like, a dollar to
my name at the time.
281
00:19:10,700 --> 00:19:17,160
And I called my brother. I was like,
listen, I don't know what this is,
282
00:19:17,280 --> 00:19:24,020
but something is telling me that I have
to be in this
283
00:19:24,020 --> 00:19:26,000
room. He was like, OK.
284
00:19:26,670 --> 00:19:27,670
We will make it happen.
285
00:19:27,810 --> 00:19:28,810
And he bought me a flight.
286
00:19:35,890 --> 00:19:39,350
When he came into the audition, I was
like, he's magnetic.
287
00:19:39,710 --> 00:19:43,770
I mean, he's a great dancer. His smile
is like the thousand watt smile.
288
00:19:44,150 --> 00:19:49,790
You know, he's really well trained. He
just embodies what I felt was like the
289
00:19:49,790 --> 00:19:51,470
spirit of what these people need to be.
290
00:19:51,830 --> 00:19:57,830
Pam is someone who absolutely lights up
not only the stage, but just our entire
291
00:19:57,830 --> 00:19:59,030
vibe as a tour.
292
00:19:59,310 --> 00:20:01,350
He's just so himself.
293
00:20:02,650 --> 00:20:06,570
I don't want dancers that blend in. I
don't care about them pulling focus. I
294
00:20:06,570 --> 00:20:12,350
want them to pull focus. I want you to
feel like you saw an entire crew of
295
00:20:12,350 --> 00:20:14,290
individual stars on the stage.
296
00:20:16,470 --> 00:20:23,200
Now, knowing that space is like this, do
exist for me that
297
00:20:23,200 --> 00:20:29,880
allow me to be the fullest version of me
with all I have to offer in
298
00:20:29,880 --> 00:20:36,640
this body as it exists right now, this
feels like my super
299
00:20:36,640 --> 00:20:37,640
goal.
300
00:20:47,629 --> 00:20:49,550
I woke up with a cat on my head.
301
00:20:51,210 --> 00:20:51,630
Bonus
302
00:20:51,630 --> 00:21:05,910
day
303
00:21:05,910 --> 00:21:10,590
is so important because setting a
precedent with the Aris tour is really
304
00:21:10,590 --> 00:21:14,250
important to me because people who work
on the road, if the tour grosses more,
305
00:21:14,390 --> 00:21:15,390
they get more.
306
00:21:15,550 --> 00:21:20,330
of a bonus and these people just work so
hard and they are the best at what they
307
00:21:20,330 --> 00:21:26,110
do so every single person on the crew
i've handwritten them a note it took me
308
00:21:26,110 --> 00:21:32,130
couple weeks but it's fun to write the
notes it's like fun to to think about
309
00:21:32,130 --> 00:21:34,630
everybody's lives that they're going to
go back to and the time off they're
310
00:21:34,630 --> 00:21:37,590
going to have and you know the kids they
haven't seen because they've been away
311
00:21:37,590 --> 00:21:43,030
from months and it's just making that
worthwhile for them is like really
312
00:21:43,790 --> 00:21:47,390
It just, it feels like Christmas morning
when you finally get to say thank you.
313
00:21:49,450 --> 00:21:55,450
A little bonus day, a little bonus day.
So each one is in its own baggie, and I
314
00:21:55,450 --> 00:21:57,130
was thinking we can lay them out.
315
00:21:58,250 --> 00:22:00,890
Oh, let me see the wax seal.
316
00:22:01,970 --> 00:22:04,550
You wax sealed every one of these
things? Yeah.
317
00:22:05,150 --> 00:22:07,830
And the fire department almost had to
come.
318
00:22:09,790 --> 00:22:15,550
show you this taylor six of the audio
guys got this tattoo says cruel summer
319
00:22:15,550 --> 00:22:21,610
shows oh my god and then i don't know
crazy i don't know if you remember but
320
00:22:21,610 --> 00:22:25,910
reputation why is it a grim reaper i
have no idea they have to keep it like
321
00:22:25,910 --> 00:22:31,230
scary they can't like have like a tattoo
of like a butterfly and a kitty cat i
322
00:22:31,230 --> 00:22:36,010
think what that means is 152 days almost
killed them but they made it
323
00:22:37,230 --> 00:22:39,670
That's exactly what it is. That's what
it means. That's the reality of it.
324
00:22:40,250 --> 00:22:41,650
I'm going to go behind today.
325
00:22:42,430 --> 00:22:44,250
Get rid of the bag. It's a bit forensic.
326
00:23:00,400 --> 00:23:04,400
Everybody has the same message on their
card, so I was hoping you could open it.
327
00:23:04,480 --> 00:23:09,620
But before you look at yours, I just
wanted to say, guys, this leg of this
328
00:23:09,620 --> 00:23:15,060
has been harder than anything I've ever
done in a live setting. And you guys
329
00:23:15,060 --> 00:23:20,080
have taken this on with such excitement
and such curiosity and such the
330
00:23:20,080 --> 00:23:21,280
endurance you've shown.
331
00:23:22,200 --> 00:23:25,980
But the spirit you've shown, how much
you've given to these crowds, that gives
332
00:23:25,980 --> 00:23:28,780
to me every single night. The tour has
done really well.
333
00:23:29,610 --> 00:23:34,330
Thanks to all of our hard work. So if
you will kindly read today's message.
334
00:23:35,930 --> 00:23:36,930
Taylor Swift.
335
00:23:39,210 --> 00:23:40,210
Okay.
336
00:23:40,630 --> 00:23:41,630
Oh.
337
00:23:43,110 --> 00:23:48,610
There's Cam. We traveled the world like
we set out to do. We dazzled the crowds,
338
00:23:48,830 --> 00:23:50,150
but we missed family too.
339
00:23:50,410 --> 00:23:54,090
My full gratitude doesn't come from a
bank, but here's...
340
00:24:12,199 --> 00:24:19,160
Father was the one that presented the
checks to
341
00:24:19,160 --> 00:24:24,430
our drivers and He presented handwritten
letters from Taylor. It's incredible.
342
00:24:24,770 --> 00:24:28,490
I know tour truck drivers, and I've
asked, do artists usually give out these
343
00:24:28,490 --> 00:24:29,490
bonuses?
344
00:24:29,550 --> 00:24:30,550
Unheard of.
345
00:24:33,690 --> 00:24:34,690
Turn back.
346
00:24:35,730 --> 00:24:36,730
He's emotional.
347
00:24:37,010 --> 00:24:39,670
Oh, my God. Do you need a hug? Are you
okay? I'm going to pass out.
348
00:25:01,610 --> 00:25:06,210
And so the first walk, you know, it felt
nice that you were going to slow first
349
00:25:06,210 --> 00:25:07,210
and then you round the corner.
350
00:25:08,990 --> 00:25:11,030
Everybody's got their thing they're good
at.
351
00:25:12,130 --> 00:25:16,030
It's taken me a really long time to be
even fine at choreography.
352
00:25:17,030 --> 00:25:23,430
Mandy knows how to approach teaching me
choreography from a lyrical perspective.
353
00:25:24,010 --> 00:25:28,050
what were you doing with these little
steps yeah they're just steps um yeah so
354
00:25:28,050 --> 00:25:31,830
just starting with your uh did you think
oh yeah i
355
00:25:31,830 --> 00:25:38,510
don't do eight counts i learn based on
what
356
00:25:38,510 --> 00:25:43,490
syllable of the lyric i'm attaching a
movement to and i can't really learn any
357
00:25:43,490 --> 00:25:47,870
other way i've tried texas florida
should be yeah i didn't know if it
358
00:25:47,870 --> 00:25:48,870
like
359
00:25:49,310 --> 00:25:53,710
Sing it, then throw to them, or sing,
floor it up. There you go, that's what I
360
00:25:53,710 --> 00:26:00,470
thought. To get out there and learn the
choreography in 30 minutes, and remember
361
00:26:00,470 --> 00:26:05,550
to hit this spot, hit this mark, this
dancer's going to come over and stand
362
00:26:05,550 --> 00:26:10,970
to me for this moment, in front of 90
,000 people, like my brain would
363
00:26:14,700 --> 00:26:16,260
It's an absolute challenge.
364
00:26:16,500 --> 00:26:20,480
Not to mention, the whole time she's
doing this, she's singing and doing all
365
00:26:20,480 --> 00:26:22,180
these things at the same time.
366
00:26:22,580 --> 00:26:25,540
So it's a lot like juggling for three
and a half hours.
367
00:26:25,920 --> 00:26:30,200
Learning the choreography, it's not just
doing a step for the sake of doing a
368
00:26:30,200 --> 00:26:35,960
step. It's all very visual, and it made
sense to me, narratively.
369
00:26:36,260 --> 00:26:40,760
It also is interesting to be in a
position where, like, you know, this is
370
00:26:40,760 --> 00:26:41,760
of experts.
371
00:26:41,770 --> 00:26:46,670
And there's something about that that
keeps me on my game and focused and
372
00:26:46,670 --> 00:26:50,430
in. It's one of the elements of, like,
where that kind of pressure is a
373
00:26:50,430 --> 00:26:56,010
privilege because they're not messing
up, so it better not be me.
374
00:26:58,110 --> 00:27:00,550
Okay, so I feel good.
375
00:27:00,770 --> 00:27:04,110
Is it okay if I? Yeah, because we're
going to put Florence in tomorrow, so
376
00:27:04,110 --> 00:27:05,630
have you with her there. Okay, perfect,
perfect.
377
00:27:05,890 --> 00:27:09,070
We're happy if you go. I love it. I love
it. I love it. I think it's going to be
378
00:27:09,070 --> 00:27:10,070
so special.
379
00:27:10,320 --> 00:27:11,820
Beautiful job, guys. Beautiful job.
380
00:27:12,040 --> 00:27:13,040
Thanks for the song.
381
00:27:13,960 --> 00:27:16,540
My only job.
382
00:27:21,520 --> 00:27:23,520
I'm excited about seeing the show again.
383
00:27:23,760 --> 00:27:27,140
The driver asked me, oh, is this your
first time to the show?
384
00:27:27,400 --> 00:27:28,820
I was like, uh, no.
385
00:27:29,680 --> 00:27:33,140
I don't, you know, my knee is doing
better.
386
00:27:33,400 --> 00:27:36,180
And I don't really want to be in the
wheelchair.
387
00:27:36,460 --> 00:27:37,720
I need it a little bit.
388
00:27:38,520 --> 00:27:42,560
But. To get you there. Yeah. But I want
to dance. Tell them. I'm going to tell
389
00:27:42,560 --> 00:27:45,800
them. Because I feel like a hypocrite if
I'm sitting in the wheelchair section
390
00:27:45,800 --> 00:27:49,160
and I start popping off, you know. I
think they'll come and take the
391
00:27:49,160 --> 00:27:50,160
You're going to start what?
392
00:27:50,640 --> 00:27:51,499
Popping off.
393
00:27:51,500 --> 00:27:52,500
And is that the move?
394
00:27:53,080 --> 00:27:54,080
Something like that.
395
00:27:54,480 --> 00:27:57,840
At what? Sometimes it's a shimmy. Uh
-huh. Sometimes it's a roll.
396
00:27:58,200 --> 00:27:59,460
And when does that, when do?
397
00:27:59,920 --> 00:28:04,380
It is. I have so many. And a lot of
times it's you guys' choreography too,
398
00:28:06,300 --> 00:28:07,300
It's this way.
399
00:28:07,820 --> 00:28:14,580
Something like that. I do that. Shake it
off. Yeah. Shake it off. Shake it. I do
400
00:28:14,580 --> 00:28:15,580
that move too.
401
00:28:15,760 --> 00:28:17,860
Oh, are you ready for it?
402
00:28:20,940 --> 00:28:22,740
That's my song.
403
00:28:23,360 --> 00:28:24,940
I love that one.
404
00:28:25,260 --> 00:28:28,800
This experience has been really amazing
for me.
405
00:28:41,640 --> 00:28:44,960
I've watched you make so many
sacrifices.
406
00:28:47,500 --> 00:28:48,500
It's OK.
407
00:28:50,900 --> 00:28:57,500
So many for us to be able to do what
we're doing and to
408
00:28:57,500 --> 00:29:02,780
follow those dreams with every part of
us.
409
00:29:08,940 --> 00:29:10,900
I'm grateful that you're here to see it.
410
00:29:11,680 --> 00:29:12,680
Yeah.
411
00:29:13,060 --> 00:29:19,440
Because Colin and I, being able to do
what we love to do in such grand
412
00:29:19,440 --> 00:29:25,160
places, it's a product of how you love
us.
413
00:29:26,240 --> 00:29:27,240
And do.
414
00:29:27,960 --> 00:29:34,460
So I'm grateful that you're able to see
the
415
00:29:37,210 --> 00:29:39,250
fruits of your labor in this way.
416
00:29:39,950 --> 00:29:46,910
And I will never not have you in these
spaces with me and celebrating with
417
00:29:46,910 --> 00:29:47,910
me.
418
00:29:48,130 --> 00:29:54,630
Because just as hard as I've worked, I'm
very clear and very
419
00:29:54,630 --> 00:29:58,510
conscious of how hard you've worked for
us to be able to do so.
420
00:29:59,710 --> 00:30:03,430
Which is why I try my hardest to take so
much care of you. I know. I know.
421
00:30:03,870 --> 00:30:05,630
I love you so much. I love you.
422
00:30:08,670 --> 00:30:11,130
It's going to be a good show. I know.
You're going to enjoy it.
423
00:30:11,350 --> 00:30:12,370
I'm going to dance. I know.
424
00:30:17,030 --> 00:30:18,230
Oh, yay.
425
00:30:21,170 --> 00:30:22,169
You're here.
426
00:30:22,170 --> 00:30:23,170
You made it.
427
00:30:26,090 --> 00:30:27,430
Hi. I'm Mandy.
428
00:30:27,630 --> 00:30:30,250
This is Lauren. Oh, my gosh. What an
honor. Hi.
429
00:30:30,490 --> 00:30:34,510
Hi. I saw the show the other night, and
it was so amazing.
430
00:30:38,190 --> 00:30:39,169
This is going to be amazing.
431
00:30:39,170 --> 00:30:40,089
So big.
432
00:30:40,090 --> 00:30:42,550
This is so big. No, it is.
433
00:30:42,930 --> 00:30:45,710
It is. And it's also, it's like a lot of
ground to cover here.
434
00:30:46,110 --> 00:30:50,050
So we're going to show you. And then
like the choreography is like we do
435
00:30:50,050 --> 00:30:53,250
something and it affects them. Like
where we're just like Florida.
436
00:30:53,450 --> 00:30:54,450
And they're like.
437
00:30:55,410 --> 00:30:58,930
I have performed on big stages, but this
is not like.
438
00:30:59,640 --> 00:31:01,880
I thought I'd just show up and I'd run
around.
439
00:31:02,100 --> 00:31:05,620
Like, because that's what I do at my own
shows. I just show up and I run, like,
440
00:31:05,700 --> 00:31:06,700
I just run around.
441
00:31:06,900 --> 00:31:09,320
You're going to come up on that back
lift, but you'll see it.
442
00:31:09,640 --> 00:31:12,080
I have never done a lift. You haven't?
443
00:31:12,280 --> 00:31:13,300
Oh, that's so fun.
444
00:31:13,580 --> 00:31:15,020
You're going to have so much fun.
445
00:31:15,320 --> 00:31:18,860
When I got there, I was like, okay, now
this is your choreo. I was like, oh, no,
446
00:31:18,900 --> 00:31:20,120
no, wait, wait, you got me confused.
447
00:31:20,600 --> 00:31:21,600
I don't do this.
448
00:31:22,180 --> 00:31:23,500
I'm going to fuck this up.
449
00:31:25,300 --> 00:31:27,960
Jenny, one, two, three.
450
00:31:28,480 --> 00:31:29,480
You split.
451
00:31:37,340 --> 00:31:38,340
Good.
452
00:31:40,900 --> 00:31:41,900
You're good.
453
00:31:49,420 --> 00:31:50,420
Great.
454
00:31:53,560 --> 00:31:54,660
Okay. Great.
455
00:31:55,130 --> 00:32:00,150
So now, this is Karen, and Nat, and
Tamia's behind you, and Raph here. So
456
00:32:00,150 --> 00:32:01,149
guys are nice and safe.
457
00:32:01,150 --> 00:32:05,130
This is going to start rising up on, so
I did my best, okay? Oh, great. And
458
00:32:05,130 --> 00:32:07,910
she's going to lay down, or she's going
to kind of come into, if you're okay
459
00:32:07,910 --> 00:32:11,510
with this, and she's just going to lay
her head here. And it would be great if
460
00:32:11,510 --> 00:32:15,450
you wanted to connect to her head. I did
my best to lay to rest all of the
461
00:32:15,450 --> 00:32:18,630
bodies that have ever been on my body.
So it kind of makes sense. So I did my
462
00:32:18,630 --> 00:32:20,650
best to lay to rest. Good.
463
00:32:21,230 --> 00:32:24,870
All of the buddies that have been on my
body and in my mind.
464
00:32:25,290 --> 00:32:27,850
They think into the swamp. Raise your
arms up.
465
00:32:28,370 --> 00:32:29,530
Beautiful. No, sorry.
466
00:32:29,990 --> 00:32:33,810
Is that a bad thing to say in a song?
Sorry about that, yeah. So think into
467
00:32:33,810 --> 00:32:34,810
swamp, you're still down.
468
00:32:35,010 --> 00:32:36,890
Yes. Think into the swamp.
469
00:32:39,530 --> 00:32:40,530
Song up.
470
00:32:42,030 --> 00:32:43,730
Okay, good. Now it's good.
471
00:32:43,990 --> 00:32:46,030
Let me pack your life away.
472
00:32:47,010 --> 00:32:48,990
Sit on back and check.
473
00:32:51,000 --> 00:32:52,000
Beautiful.
474
00:32:52,640 --> 00:32:54,340
Back center.
475
00:32:54,760 --> 00:32:55,760
Do it again.
476
00:32:58,200 --> 00:33:00,020
What a treat.
477
00:33:01,760 --> 00:33:05,460
We're similar in that the persona is
huge, but the person is soft.
478
00:33:05,740 --> 00:33:07,640
And so I think that's why we get along.
479
00:33:08,460 --> 00:33:11,180
Externally, this thing is really big.
480
00:33:11,780 --> 00:33:14,900
But when we're together, we're just
silly and goofy.
481
00:33:16,620 --> 00:33:21,020
Seeing the show, the most beautiful
thing was the crowd.
482
00:33:21,340 --> 00:33:24,900
It was just like the love and the vibe.
483
00:33:25,240 --> 00:33:30,460
I was just like, all the pockets of
girls in their dresses dancing.
484
00:33:31,220 --> 00:33:38,060
There's so much joy and femininity.
There's no shame around
485
00:33:38,060 --> 00:33:39,840
it. It was so beautiful.
486
00:33:40,640 --> 00:33:43,940
Natalie and Odie are standing right
here. She just heads to the back to the
487
00:33:43,940 --> 00:33:44,940
girls.
488
00:33:45,120 --> 00:33:48,720
And then you're going to have your
footprint right there, and you just got
489
00:33:48,720 --> 00:33:50,420
in the middle. And I think turn back
front.
490
00:33:50,880 --> 00:33:52,060
Yeah, and then we'll take you down.
491
00:33:52,560 --> 00:33:55,380
And then Dewey will be there to get you
at the end, okay?
492
00:33:56,320 --> 00:33:57,320
Yeah.
493
00:33:57,920 --> 00:33:59,860
Oh, God, this is going to be so fun. Can
we?
494
00:34:00,160 --> 00:34:03,420
Yes, I would love. Taylor, are you good
to run this, too, from the top with the
495
00:34:03,420 --> 00:34:04,820
lifts and everything? No, that was all
we got.
496
00:34:05,720 --> 00:34:08,500
Can you imagine? You're like, Florence,
good luck. It's going to be great.
497
00:34:08,980 --> 00:34:09,980
I'm sure you'll be fine.
498
00:34:10,800 --> 00:34:11,800
Good. You want to try one?
499
00:34:12,480 --> 00:34:13,480
All right.
500
00:34:13,719 --> 00:34:14,719
Yes.
501
00:34:16,460 --> 00:34:17,460
Ready to go down?
502
00:34:17,620 --> 00:34:18,620
Let's go.
503
00:34:18,780 --> 00:34:22,380
And are you okay if I kind of talk you
through and I go right?
504
00:34:22,659 --> 00:34:23,659
Perfect.
505
00:34:24,500 --> 00:34:25,500
What?
506
00:34:46,230 --> 00:34:52,170
I've been feeling so alone. I keep
waiting for you, but you never come as
507
00:34:52,170 --> 00:34:58,950
in my head. I don't know what to think.
Even out to the ground and roll down the
508
00:34:58,950 --> 00:35:05,330
ranks and marry me. Juliet, you never
have to be alone. I love you.
509
00:35:46,440 --> 00:35:49,800
I still love you. And I'm like, I'm
just, I mean, this is exhausting.
510
00:35:50,060 --> 00:35:52,280
You know, like we are never getting back
together.
511
00:35:52,880 --> 00:35:53,880
Nah, bro.
512
00:36:16,910 --> 00:36:18,450
Welcome, let's be true.
513
00:36:20,430 --> 00:36:25,190
And my friends all smell like weed or
little babies.
514
00:36:26,910 --> 00:36:31,530
And the city reeks of driving myself
crazy.
515
00:36:33,490 --> 00:36:39,710
Little did you know, your home's really
only a town you're just a guest in.
516
00:36:40,010 --> 00:36:44,970
So you look your back and wait to pay
for a time set down.
517
00:36:46,420 --> 00:36:47,420
Thank you.
518
00:37:15,240 --> 00:37:18,040
I got drunk and I dated to watch more.
519
00:37:18,480 --> 00:37:21,300
They're hated in the bathroom where the
bottle was.
520
00:37:21,620 --> 00:37:26,320
Well, me and my ghost, we had a hell of
a time. Yes, I'm haunted, but I'm
521
00:37:26,320 --> 00:37:27,340
feeling just fine.
522
00:37:28,320 --> 00:37:31,340
All my girls got their laces and their
cries.
523
00:37:31,620 --> 00:37:37,100
My cheating husband disappeared when no
one asked any questions.
524
00:37:55,250 --> 00:37:58,050
Thank you.
525
00:38:19,790 --> 00:38:24,210
of coming up for the first time in that
lift it was kind of landing on mars
526
00:38:24,210 --> 00:38:29,430
because i'd never seen the stage lit up
before the sound of the crowd that was
527
00:38:29,430 --> 00:38:33,930
really extraordinary you know it's like
you see this cultural moment from the
528
00:38:33,930 --> 00:38:38,530
outside and i suddenly was like inside
of it it was wild but it was it was
529
00:38:38,530 --> 00:38:44,650
really fun and completely terrifying
also taylor's my friend and i know her
530
00:38:44,650 --> 00:38:49,810
this like very cozy person and i came
out of that lift i was like oh my god
531
00:38:49,810 --> 00:38:50,810
fucking Taylor Swift.
532
00:39:40,040 --> 00:39:44,340
You know, I used to kind of be leaving
the shows and seeing people walk home
533
00:39:44,340 --> 00:39:47,920
think, I really hope they got what
they've been waiting for.
534
00:39:49,520 --> 00:39:53,140
I hope they got what they've been saving
up their money for.
535
00:39:57,320 --> 00:40:04,120
There's a feeling I have of such pride
and satisfaction because when I leave
536
00:40:04,120 --> 00:40:05,440
Eretor, I never wonder that.
537
00:40:10,160 --> 00:40:12,080
They're just like this magic in the air.
538
00:40:12,720 --> 00:40:19,560
All these particles of shimmer and
glitter and confetti and girlhood
539
00:40:19,560 --> 00:40:24,880
and friendship bracelet beads and, you
know, magic in the air.
45893
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