Original subtitles

(whistling) (road noise)

(dishes clanking)

- Hey.

- Hi, Barry. - How're you doing?

- Okay, Barry.

- Hey Gish, your buddy's here.

- Hi, guys.

- Hi. - Hi.

- Hi. Hi.

Hey, you hear the radio? - What?

- They got an Italian hijacker up there.

- Yeah? - Yeah.

He just ordered two dollars and 5,000 parachutes.

(laughter)

- How 'bout some more of your horrible coffee.

- Yeah. Well, I guess we can spare a little of that.

Hey, listen, I got you two guys together and all.

I want to hear that story about that green door

you've been promising me, huh?

It's been a long time.

How about, uh, telling me what happened there?

Huh?

- I don't know Dudley, what do you think?

- You tell him.

- Well, nobody tells it like you do.

- Gish, I'll tell ya.

You warm up my coffee, and I'll tell you the story.

- Okay. Okay.

(gentle music)

(background chatter)

- Thank you very much.

I hope your stay with us will be very pleasant.

(phone rings)

- She's here.

- That's fine. You got the job.

So I give him, I give him six bucks,

and I took the bus, the Short Line bus up to Swan Lake

in the mountains, take the eh, the bus.

I hitchhiked over there up to the little resort, see?

It was a little resort.

It was called Schindler's In The Pines

But jeez, I come there, there was no pines there.

Everything was burned down, see?

Jeez, it looked bare as hell, quick, and at three o'clock I was sitting

on the dining room hall porch waiting to get in to hit the groceries.

Man how I ate, (chuckhng)

Iike it was the last day on earth.

Sour cream and borscht, and herring, and chicken and banana.

Man, the busboy used to plead with me.

He'd come up to me and say, “Yank, for God's sake,

give us a break, will you? Please, will you leave the table?

I mean, we've got to clean up for the next meal.

Get out, will ya?"

So, I get up, I load my pockets with bananas,

and I have bananas hanging in my pockets, like six shooters.

He says, "Gee, please give me a break, will ya?"

He says, "By the way, have you been in the water since you've been here?"

I said, "What do you mean? Today?"

"No. I mean, since you've been here, have you been in the water?"

I said, "No.“

He says, "Well, you better-- You're a lifesaver today."

I tie the top of the rope to the inner tube,

and I dropped the rope down, and I tied a stone on the other end.

I get that rubber inner tube.

I tie the top of the rope to the inner tube.

I drop the rope down, and on the other end of the rope,

I put a big stone.

On the right side of the inner tube,

I tie a rope and I tie it to a tree on the beach.

On the left side of the inner tube, I take a piece of rope,

I tie it, so I create a lagoon, see?

Then I get a big sign and I put it up.

It says, "Beyond this point is dangerous.

Poisonous frogs.

Snapping Turtles."

(gentle music)

- She was a-- a girl used to come down.

A girl'd come down.

Her name is-- Sarah Rosenberg, yeah, I remember now.

She'd come down to the beach, and she says to me--

Uh--

Nobody would dance with her in the recreation hall at night, see.

She's down at the beach, she says, "Yank, row me around the water,

will ya?" I row her around the lagoon, yunno?

Well, eight or ten strokes and then I tell her--

(gentle music)

She said, "Let me go, let me go, will you?"

I said, "No," I said, "Sarah--" I said, “No, I can't swim."

She said, “You're a lifesaver, aren't you?"

I said, "No," I said, "I can't swim. I came here to eat."

"What's the matter with ya?" "Please don't let me go."

She said, "Please, you've gotta get off my back.

Otherwise, it's ridiculous."

I said, "Ridiculous for you." I said, "It's a lifesaver for me."

(gentle music) (indistinct talk)

- The way I got into trucking was, I was in Hawaii.

(indistinct talk)

(gentle music continues)

(crickets chirping)

(engine rumbling)

(screams)

- Hey! - Get her in.

(screams)

- Hey!

Hey, you son of a bitch, stop!

- Wait a minute, Barry.

(indistinct chatter)

(football bursts)

- What do you two want?

- Uh, Barry Clark, reservations for two.

- References?

- Uh, John Stewart.

- You've been here before, Clark. You know the rules,

and tell 'em to your buddy too.

(snaps fingers)

Escort these gentlemen to their seats, Coco.

- It'll be my pleasure.

Follow me, please.

Daughs)

(background chatter)

(road noise)

(engine rumbles)

(indistinct dialogue)

- Oh!

- That'll do.

Leave us.

Don't be afraid.

Oh, poor child.

I know exactly how you feel, but please believe me,

no one's going to hurt you.

Now Gloria, I'm going to tell you everything

that's going to take place,

so there's no need to be frightened,

but first, you must try to relax,

please.

You're trembling.

Here baby, let me try to relax your body for you.

Come on, sit down here, that's a good girl.

That's it.

Goodness me, you're freezing.

Let me try to warm you.

Gloria, please try to relax. Hmm?

Calm down.

Everything's going to be all right, I promise you.

Nothing to be afraid of.

You know, a long time ago,

I lay on this very same bed as you are now,

and I felt exactly the way that you do,

and a kind and lovely woman came,

and she ministered to me as I'm going to do to you.

She prepared me for the most exquisite moment of my life.

Try to relax your toes, Gloria.

Feel them tingle.

Relax them one by one

until they are totally and completely relaxed.

Now try to imagine this feeling creeping slowly,

ever so slowly,

up into your feet 'til they feel that they don't really belong to your body

but exist independently.

That's it.

Now your calves.

Try to think of them as part of your feet, warm and heavy.

It would be very difficult for you to move them.

Concentrate, Gloria.

Concentrate on your legs.

Now extend these feelings up into your thighs.

Think about your thighs,

how light they seem,

as if they float on nothing.

You're such a lovely child.

Lie still and think of your body

and how good it feels.

Think only of how you want to entrust your body to my care.

I'm your friend, and you can be assured of my love

and compassion.

See how the muscles of your belly soothe under

my touch,

melting

without form or shape,

floating with your legs

ever so lightly in space.

Now your arms.

Light as air.

Feel them floating.

Floating, the rest of you.

That's my good girl.

Your breasts, Gloria.

The sensations that you've been feeling through the rest of your body

have traveled and now envelop you entirely.

Your breasts will begin to feel warm, and your nipples

tingle with anticipation.

Feelyour nipples grow erect,

and the pleasure that you feel from them will go to your very depths

and consume you.

- Ladies and gentlemen,

you are about to witness the ravishment of a woman

who has been abducted,

a woman whose initial fear and anxiety has mellowed into curious expectation.

Although at first

her reactions may lead you to believe that she is being tortured,

quite the contrary is true,

for no harm will come to those being ravished.

In the morning, she will be set free,

unaware of anything except that she has been loved as never before.

Perhaps you'll recognize one of your friends in the role of victim.

Remember, you are sworn to observe silence.

If you break this rule, you will be dealt with severely.

With the knowledge that you are powerless to stop the performance,

just relax and enjoy yourself to the fullest extent.

(heavy breathing)

(gentle moaning)

(heavy breathing)

(gentle moaning)

(heavy breathing)

(gasping)

(panting)

(gasping)

(moaning)

- Mmm. (kissing)

(soft moan) (gaSPS)

(bass playing)

(indistinct chatter)

(bass playing continues)

- Wow.

(gentle moaning)

(heavy breathing)

(gentle moaning)

(moaning)

(groans)

(heavy breathing)

(moaning)

(groaning)

(moaning)

(gentle music) (moaning)

(music accelerates) (moaning continues)

(music continues) (heavy breathing)

(music intensifies)

(heavy breathing)

(gaSping) (moaning)

(panting)

(screams in pleasure)

(heavy breathing)

(heavy moaning)

(music tapers) (gaSping)

(moaning)

- Mmm,

ooh.

Mmm.

(gasping)

(heavy breathing)

(heavy exhale)

(cat meowing)

(moaning)

(sighing)

- No. (chuckles)

Oh.

Oh, mmh, fuck me harder.

(moaning)

- Mm-hmm.

- Go ahead, baby.

(moaning)

- Hold up. Hold up.

(heavy breathing)

(moaning)

- 0h fuck, mm, mm.

(moaning)

(grunting) (moaning)

- Oh, fuck me.

(heavy breathing)

(moaning)

(moaning)

(moaning)

(rhythmic music)

(electronic music)

- Oh, yeah, fuck. (moaning)

(heavy breathing)

(moaning)

- Mm-hmm.

Oh.

Mm-hmm.

Ohh.

Oh.

Mm-hmm.

(heavy breathing) (music continues)

- Ooh, fuck me.

(moaning)

- Ohh,

ohh.

Ohh...

(groaning)

(moaning) (heavy breathing)

- Ah, ah, ah, ah.

Ooh, ah, ah.

Ah, ah, ah, ah. Ah, yeah.

(moaning)

(mixed moaning) (grunting)

(heavy breathing)

(moaning)

(groaning)

- Mm, fuck me.

(moaning)

(mixed moaning)

(heavy breathing)

(moaning)

(heavy breathing) (moaning)

- Mm, fuck me, Barry.

Mm, fuck me.

(groaning)

- Fuck me, baby.

(moaning)

(gasping)

(moaning)

(eerie music)

(eerie music continues)

(eerie music continues)

(eerie music continues)

(eerie music continues)

(moaning)

- Well, what happened? What happened?

- When I went through the green door was the last I saw them.

- Well, what happened, Barry?

Huh?

- Some other time, Gitch.

See you around, buddy. - Okay, okay, Barry.

(engine rumbling)

(whistling)

(engine rumbling) (whistling continues)

(gentle music)

(gentle music continues)

(moaning)

- Oh, God.

Oh.

- Oh honey.

(moaning) (licking)

(music)

(kissing)

(heavy breathing)

(moaning)

(moaning) (music continues)

(chuckles)

(moaning)

(heavy breathing)

- Oh.

(heavy breathing)

- Ah, like that.

Mm. (moaning)

(heavy breathing)

(chuckles) (groans)

(panting)

(moaning)

(gasping)

(soft music)

(twangy music)

(gentle music)

(gentle music continues)

(gentle music continues)