All language subtitles for Behind.the.Green.Door.1972_Legendas01.ENG

(whistling)
(road noise)

(dishes clanking)

- Hey.

- Hi, Barry.
- How're you doing?

- Okay, Barry.

- Hey Gish,
your buddy's here.

- Hi, guys.

- Hi.
- Hi.

- Hi.
Hi.

Hey, you hear the radio?
- What?

- They got an Italian
hijacker up there.

- Yeah?
- Yeah.

He just ordered two dollars
and 5,000 parachutes.

(laughter)

- How 'bout some more
of your horrible coffee.

- Yeah. Well, I guess we
can spare a little of that.

Hey, listen, I got you
two guys together and all.

I want to hear that story
about that green door

you've been
promising me, huh?

It's been
a long time.

How about, uh, telling
me what happened there?

Huh?

- I don't know Dudley,
what do you think?

- You tell him.

- Well, nobody
tells it like you do.

- Gish,
I'll tell ya.

You warm up my coffee,
and I'll tell you the story.

- Okay.
Okay.

(gentle music)

(background chatter)

- Thank you
very much.

I hope your stay with us
will be very pleasant.

(phone rings)

- She's here.

- That's fine.
You got the job.

So I give him, I
give him six bucks,

and I took the bus, the
Short Line bus up to Swan Lake

in the mountains,
take the eh, the bus.

I hitchhiked over there
up to the little resort, see?

It was
a little resort.

It was called
Schindler's In The Pines

But jeez, I come there,
there was no pines there.

Everything was
burned down, see?

Jeez, it looked bare as hell, quick,
and at three o'clock I was sitting

on the dining room hall porch
waiting to get in to hit the groceries.

Man how I ate,
(chuckhng)

Iike it was the
last day on earth.

Sour cream and borscht, and
herring, and chicken and banana.

Man, the busboy
used to plead with me.

He'd come up to me and
say, “Yank, for God's sake,

give us a break, will you?
Please, will you leave the table?

I mean, we've got to
clean up for the next meal.

Get out,
will ya?"

So, I get up, I load
my pockets with bananas,

and I have bananas hanging
in my pockets, like six shooters.

He says, "Gee, please
give me a break, will ya?"

He says, "By the way, have you been
in the water since you've been here?"

I said, "What do
you mean? Today?"

"No. I mean, since you've been
here, have you been in the water?"

I said, "No.“

He says, "Well, you better--
You're a lifesaver today."

I tie the top of the
rope to the inner tube,

and I dropped the rope down,
and I tied a stone on the other end.

I get that
rubber inner tube.

I tie the top of the
rope to the inner tube.

I drop the rope down, and
on the other end of the rope,

I put a
big stone.

On the right side
of the inner tube,

I tie a rope and I tie it
to a tree on the beach.

On the left side of the inner
tube, I take a piece of rope,

I tie it, so I
create a lagoon, see?

Then I get a big
sign and I put it up.

It says, "Beyond
this point is dangerous.

Poisonous frogs.

Snapping Turtles."

(gentle music)

- She was a-- a girl
used to come down.

A girl'd
come down.

Her name is-- Sarah Rosenberg,
yeah, I remember now.

She'd come down to the
beach, and she says to me--

Uh--

Nobody would dance with her
in the recreation hall at night, see.

She's down at the beach, she says,
"Yank, row me around the water,

will ya?" I row her
around the lagoon, yunno?

Well, eight or ten
strokes and then I tell her--

(gentle music)

She said, "Let me
go, let me go, will you?"

I said, "No," I said, "Sarah--"
I said, “No, I can't swim."

She said, “You're a
lifesaver, aren't you?"

I said, "No," I said, "I can't
swim. I came here to eat."

"What's the matter with ya?"
"Please don't let me go."

She said, "Please, you've
gotta get off my back.

Otherwise,
it's ridiculous."

I said, "Ridiculous for you."
I said, "It's a lifesaver for me."

(gentle music)
(indistinct talk)

- The way I got into trucking
was, I was in Hawaii.

(indistinct talk)

(gentle music continues)

(crickets chirping)

(engine rumbling)

(screams)

- Hey!
- Get her in.

(screams)

- Hey!

Hey, you son
of a bitch, stop!

- Wait a
minute, Barry.

(indistinct chatter)

(football bursts)

- What do
you two want?

- Uh, Barry Clark,
reservations for two.

- References?

- Uh, John Stewart.

- You've been here before,
Clark. You know the rules,

and tell 'em to
your buddy too.

(snaps fingers)

Escort these gentlemen
to their seats, Coco.

- It'll be
my pleasure.

Follow me, please.

Daughs)

(background chatter)

(road noise)

(engine rumbles)

(indistinct dialogue)

- Oh!

- That'll do.

Leave us.

Don't be afraid.

Oh, poor child.

I know exactly how you
feel, but please believe me,

no one's
going to hurt you.

Now Gloria, I'm going
to tell you everything

that's going
to take place,

so there's no
need to be frightened,

but first, you
must try to relax,

please.

You're trembling.

Here baby, let me try
to relax your body for you.

Come on, sit down
here, that's a good girl.

That's it.

Goodness me,
you're freezing.

Let me try
to warm you.

Gloria, please
try to relax. Hmm?

Calm down.

Everything's going to be
all right, I promise you.

Nothing to
be afraid of.

You know,
a long time ago,

I lay on this very
same bed as you are now,

and I felt exactly
the way that you do,

and a kind and
lovely woman came,

and she ministered to me
as I'm going to do to you.

She prepared me for the
most exquisite moment of my life.

Try to relax
your toes, Gloria.

Feel them tingle.

Relax them
one by one

until they are totally
and completely relaxed.

Now try to imagine
this feeling creeping slowly,

ever
so slowly,

up into your feet 'til they feel that
they don't really belong to your body

but exist
independently.

That's it.

Now your calves.

Try to think of them as part
of your feet, warm and heavy.

It would be very difficult
for you to move them.

Concentrate, Gloria.

Concentrate
on your legs.

Now extend these feelings
up into your thighs.

Think about
your thighs,

how light
they seem,

as if they
float on nothing.

You're such
a lovely child.

Lie still and
think of your body

and how
good it feels.

Think only of how you want
to entrust your body to my care.

I'm your friend, and you
can be assured of my love

and compassion.

See how the muscles
of your belly soothe under

my touch,

melting

without form
or shape,

floating with
your legs

ever so
lightly in space.

Now
your arms.

Light as air.

Feel them
floating.

Floating,
the rest of you.

That's my
good girl.

Your
breasts, Gloria.

The sensations that you've been feeling
through the rest of your body

have traveled and now
envelop you entirely.

Your breasts will begin
to feel warm, and your nipples

tingle with
anticipation.

Feelyour
nipples grow erect,

and the pleasure that you feel
from them will go to your very depths

and consume you.

- Ladies
and gentlemen,

you are about to witness
the ravishment of a woman

who has
been abducted,

a woman whose initial fear and anxiety
has mellowed into curious expectation.

Although
at first

her reactions may lead you to
believe that she is being tortured,

quite the
contrary is true,

for no harm will come
to those being ravished.

In the morning,
she will be set free,

unaware of anything except that
she has been loved as never before.

Perhaps you'll recognize one of
your friends in the role of victim.

Remember, you are sworn
to observe silence.

If you break this rule,
you will be dealt with severely.

With the knowledge that you are
powerless to stop the performance,

just relax and enjoy
yourself to the fullest extent.

(heavy breathing)

(gentle moaning)

(heavy breathing)

(gentle moaning)

(heavy breathing)

(gasping)

(panting)

(gasping)

(moaning)

- Mmm.
(kissing)

(soft moan)
(gaSPS)

(bass playing)

(indistinct chatter)

(bass playing continues)

- Wow.

(gentle moaning)

(heavy breathing)

(gentle moaning)

(moaning)

(groans)

(heavy breathing)

(moaning)

(groaning)

(moaning)

(gentle music)
(moaning)

(music accelerates)
(moaning continues)

(music continues)
(heavy breathing)

(music intensifies)

(heavy breathing)

(gaSping)
(moaning)

(panting)

(screams in pleasure)

(heavy breathing)

(heavy moaning)

(music tapers)
(gaSping)

(moaning)

- Mmm,

ooh.

Mmm.

(gasping)

(heavy breathing)

(heavy exhale)

(cat meowing)

(moaning)

(sighing)

- No.
(chuckles)

Oh.

Oh, mmh,
fuck me harder.

(moaning)

- Mm-hmm.

- Go ahead, baby.

(moaning)

- Hold up.
Hold up.

(heavy breathing)

(moaning)

- 0h fuck,
mm, mm.

(moaning)

(grunting)
(moaning)

- Oh, fuck me.

(heavy breathing)

(moaning)

(moaning)

(moaning)

(rhythmic music)

(electronic music)

- Oh, yeah, fuck.
(moaning)

(heavy breathing)

(moaning)

- Mm-hmm.

Oh.

Mm-hmm.

Ohh.

Oh.

Mm-hmm.

(heavy breathing)
(music continues)

- Ooh, fuck me.

(moaning)

- Ohh,

ohh.

Ohh...

(groaning)

(moaning)
(heavy breathing)

- Ah, ah,
ah, ah.

Ooh, ah, ah.

Ah, ah, ah, ah.
Ah, yeah.

(moaning)

(mixed moaning)
(grunting)

(heavy breathing)

(moaning)

(groaning)

- Mm, fuck me.

(moaning)

(mixed moaning)

(heavy breathing)

(moaning)

(heavy breathing)
(moaning)

- Mm, fuck
me, Barry.

Mm, fuck me.

(groaning)

- Fuck me, baby.

(moaning)

(gasping)

(moaning)

(eerie music)

(eerie music continues)

(eerie music continues)

(eerie music continues)

(eerie music continues)

(moaning)

- Well, what happened?
What happened?

- When I went through the green
door was the last I saw them.

- Well, what
happened, Barry?

Huh?

- Some other
time, Gitch.

See you around, buddy.
- Okay, okay, Barry.

(engine rumbling)

(whistling)

(engine rumbling)
(whistling continues)

(gentle music)

(gentle music continues)

(moaning)

- Oh, God.

Oh.

- Oh honey.

(moaning)
(licking)

(music)

(kissing)

(heavy breathing)

(moaning)

(moaning)
(music continues)

(chuckles)

(moaning)

(heavy breathing)

- Oh.

(heavy breathing)

- Ah, like that.

Mm.
(moaning)

(heavy breathing)

(chuckles)
(groans)

(panting)

(moaning)

(gasping)

(soft music)

(twangy music)

(gentle music)

(gentle music continues)

(gentle music continues)