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(Transcrito por TurboScribe.ai. Actualizar a Ilimitado para eliminar este mensaje.) It was the largest migration of young people
in the history of America.
From every direction they came, from the biggest
cities and from the smallest towns, all bound
for San Francisco in the summer of 1967.
A hundred thousand is the minimum estimate of
what's happening.
I think it will be a major historical
event for this country.
We're trying to do what no one else
has ever done before in this culture, and
that is to find a new way for
humanity.
Mines are up for grabs.
It's up for grabs.
Civilization's up for grabs.
I think everybody knows that.
Drawn by the city's new hippie counterculture, with
its vision of changing the world through peace
and love, they arrived in numbers great enough
to create a crisis in San Francisco and
threaten the utopian dream itself.
There were people who were coming who were
just coming for the drugs, who weren't coming
for, say, a spiritual awakening.
Kids were coming from all over the country.
They were straining the infrastructure of the city.
They were straining the resources.
What could there be but trouble?
It got ugly, and the original people that
really went out there for peace and love
left.
Yet thousands would be swept up by a
revolutionary movement that would shape American life far
beyond that turbulent summer.
January 14, 1967, Golden Gate Park in San
Francisco.
Never before had America witnessed such an unusual
gathering.
There was no lineup of big stars swelling
the crowd, no tickets were sold, no political
candidates spoke.
It was simply a coming together.
They called it a gathering of the tribes,
a human being.
There were like 20,000 people, and it
was this gloriously beautiful day, as you can
only have in certain times in San Francisco.
The sun was shining.
People were wonderful.
You know, it was like, my God, look
at how many there are of us.
To most of the country, the be-in
must have seemed like a world turned upside
down.
A Harvard professor exhorted the crowd to reject
the traditional path to success.
Turn on, tune in, drop out.
I mean drop out of high school, drop
out of college, drop out of graduate school.
Hindu chanting melded with motorcycles and rock music.
It was such an exciting, heady time to
find out that under the official reality, there
was this seething turmoil of young people learning
new music, new thoughts, new ideas, new literature,
new poetry, new ways of being.
This turmoil of young people was, in part,
due to sheer numbers.
Never before had so many Americans been under
25.
There were over 90 million of them, nearly
half the population, and many were disillusioned with
the world around them.
The president many had found inspiring had been
assassinated barely three years earlier.
War in Vietnam was killing a hundred American
soldiers every week.
Month after month, dozens of young men were
being drafted into the army.
And the struggle for civil rights at home
had grown increasingly militant.
Those gathered in the park that sunny January
day sought a different world.
It would be a world where people lived
gently on the planet without the sense that
they have to exploit nature or make war
upon nature and find basic security.
A simpler way of life, less urban, less
consumption-oriented, much more concerned about spiritual values,
about companionship, friendship, community, sharing ideas, values, insights.
A world in which that was considered more
important than the gross domestic product.
The first hippies were children of the 1950s,
the baby boom generation.
Their parents had endured years of economic depression
and a brutal world war.
Now the future looked bright.
Millions of Americans started families, encouraged by the
unprecedented prosperity of the post-war economic boom.
We came out of World War II as
the richest, most powerful country on the planet.
And our families built the suburbs.
And the fathers went off to work and
the mothers stayed home.
And the kids were basically left to run
around.
The new standard of living in 1950s America
offered an abundance of affordable homes, sleek new
automobiles, miracle drugs.
Science and technology seemed to have an answer
for everything.
But beneath the surface lurked a deep anxiety.
Peacetime had devolved into a bitter cold war
between superpowers.
Americans linked to communist groups were hounded and
persecuted.
An atomic arms race fueled fears of
annihilation.
That combination of affluence and anxiety is a
crazy-making combination to live with, to grow
up with.
So you had a generation of kids who
arrived at high school and then in college
trying to make sense of a world which
they've been told is just grand and wonderful
and there's nothing to complain about anymore.
And on the other hand, you look a
little deeper into it and it's just awful
and scary.
There was a deep issue here.
Whether material affluence is what life is all
about.
Because that is what an industrial society, a
market economy can give you.
But what if that's not good enough?
Cats die, caught in my head, all over
the kitchen.
It wasn't good enough for the so-called
Beat Generation, who, starting in the late 1940s,
congregated in the North Beach district of San
Francisco, a city long known as a sanctuary
for those outside the mainstream.
The Beatniks, or hipsters, rejected the conformity and
materialism of 1950s America and embraced poetry and
jazz, mysticism and marijuana.
Even in my early years, I knew I
wanted something different than the world I saw
around me.
I used to get on the bus and
ride to North Beach and sit in the
coffee houses and listen to people read poetry
and listen to folk music.
That was the first time I'd seen women
who didn't have their hair done every week
and who didn't wear girdles routinely.
By the mid-1960s, as North Beach became
commercialized, baby boomers drawn to a bohemian lifestyle
began moving into a low-rent neighborhood across
town, the Haight-Ashbury district.
They shared the Beatniks' disdain for corporate America
and the politics of inequality and war.
But they preferred the sunshine of nearby Golden
Gate Park to the darkness of coffee houses,
the passion of rock and roll to the
cool of modern jazz, wild, expressive colors to
Beatnik black.
They were derided by some as junior-grade
hipsters, hippies for short.
Many began experimenting with communal living in the
large Victorian houses of the Haight and visions
of a utopian society began taking shape.
A new drug called LSD, or acid.
The LSD use was a fundamental building block
in a new way of thinking in a
new community.
Why do we have war?
What is the power of love?
Who is God and why is he here
and what has he done for me lately
anyway?
I mean, these were questions that were being
debated by young people who were just growing
into their bodies and their minds and their
selves.
We really thought that drugs were going to
change the world.
We really did.
We thought if you turned on, if you
took acid, you would really change because we
had changed from those experiences.
Experiences of cosmic oneness, where I truly felt
I was no different than you, I was
no different than my black friends, I was
no different than anyone who lived in any
other part of the world, nor was I
that different than my dog.
God lived inside all of us is a
cliched way of putting it.
You were going through a door and you
wanted to be in the rooms on the
other side of that door.
You wanted to know what was there and
you wanted to take that knowledge back with
you.
There's a sense of being in communion with
powers greater than yourself and intelligence which far
outstrips the human mind and energies which are
very ancient.
You have a sense of being brought into
God's workshop or that the veil is pulled
away and for the first time you see
how things really are.
Hey, you know, we're trying to learn to
live better and to think better and to
be better human beings and to be a
better race and to be a better civilization
and to make this whole thing work.
What we're thinking about is a peaceful planet.
We're not thinking about anything else.
We're not thinking about any kind of power.
We're not thinking about any of those kind
of struggles.
We're not thinking about revolution or war or
any of that.
We would all like to be able to
live an uncluttered life, a simple life, a
good life, you know, and like think about
moving the whole human race ahead a step.
And one of the ways of achieving that
being is through drugs.
I think personally that the more people turn
on, the better the world is going to
be.
The music changed just immediately.
I cannot explain to you what it's like
to be in a crowd of 5,000
people on LSD with a Grateful Dead also
on LSD leading the crowd through a series
of improvisations.
And before that, rock and roll songs for
three minutes.
Period paragraph, we're out of here.
One of the peculiar things about LSD was
that for a very long time it was
legal.
It seemed illegal.
I mean, it was so wild, you figured
that if anybody hears about this, they're definitely
going to make it illegal.
Well, I'm terribly frightened by the problem of
LSD.
I think there's been a great deal of
misinformation by those who seem to see no
harm in it.
But I think our only hope lies in
a concerted effort of education so that young
people will be aware that there is nothing
smart, there is nothing grown up or sophisticated
in taking an LSD trip at all.
They're just being complete fools.
California did make LSD illegal on October 6,
1966.
The hippies openly flaunted the new law with
a love pageant rally in the hate and
their own declaration of independence.
The creation endows us with certain inalienable rights,
it read, that among these are the freedom
of body, the pursuit of joy, and the
expansion of consciousness.
On the heels of the love pageant, a
group of anarchist street performers called the Diggers
began distributing free food.
We're trying to start a pilot program here.
It's called a Digger Feed-In.
You go home, you cook whatever you can
cook in your kitchen, and you bring it
out and you serve it to hungry people
on the street, you know?
And if everybody does it, we'll all have
a bowl, you know?
The street theater that we had been doing
was now going to be acted out as
an alternative society where food, shelter, entertainment was
going to be free without ideology.
The Diggers salvaged food from restaurant and supermarket
overflow, prepared it in their communal kitchen, and
brought it twice a day to the park.
I used to go to the wholesale produce
markets and get produce for the free food
that we did.
Unbelievable amounts of food were thrown away.
I remember once there were crates and crates
and crates of cantaloupes that came in.
They didn't quite meet the standards for sweetness.
They couldn't be sold.
They stood in back of the produce market.
We came there twice a week.
We picked up ten cases every time we
came.
For the Diggers, the free feed-ins also
served to push people to examine their own
values.
We were looking for the people driving by,
going to work, who would see people gathered
in the park eating food free, and that
this would provoke them, provoke their idea of
what they were doing by going to work.
We thought culture is much more important than
politics.
Let's just start getting people living the way
they want to live.
You want to live in a world where
you don't have to work?
Let's make it.
You want to live in a world where
you can get food for free?
Let's make it.
You want to live in a house with,
you know, lots of women and men and
live the way you want?
Let's do it.
Let's make the world that you imagine real
by acting it out.
And if you can act it out, it's
real.
In December, the Diggers dramatized another hippie belief,
that the pursuit of money interfered with a
fulfilling life.
They staged a happening.
They called it the death of money.
People dressed in animal heads took huge pieces
of money, stage money, and put them in
and out of an enormous coffin in a
march down Haight Street, singing, get out my
life, why don't you babe, to Chopin's Death
March.
And it went, get out my life, why
don't you babe.
We certainly on some level thought money was
the root of all evil, and thought having
a lot of money was not a good
thing for your soul.
We were not living without money because we
had lots of it, and it made it
easy.
We were living without money because we wanted
our time, and we wanted to be authentic,
and we didn't want to get jobs.
The Be-In in January 1967 put San
Francisco's hippies in the national spotlight for the
first time.
While Beatniks wanted the world to leave them
alone, the New York Times said, the new
hippies want to change the world.
Newsweek wrote of their regimen of all embracing
love, nonviolent, mystical, and bizarre.
These stories of hippies resonated with young people
across the country.
The Boston Globe had pictures of Haight Street,
pictures of people dancing.
And I can remember saying, I thought, oh,
look, everybody looks so happy.
And I'm thinking, oh, I'd really like to
go there.
Sandy Stein was only 13, questioning and impressionable.
She anguished over the grief that permeated her
Boston neighborhood because of the Vietnam War.
When somebody was killed in Vietnam, they would
put a flag in the window, and there
was not a block that you could walk
in that working-class, middle-class neighborhood.
But you didn't see flags in the windows.
And my home was full of fighting, arguing,
and so I think also that those ideas
of peace and love were wonderful.
You know, that looked good.
San Francisco looked good, too, to Claudia King.
At 23, she was frustrated with the slow
pace of civil rights gains she'd been working
on since high school in Chicago.
Every time an idea came up, it would
be, okay, how are you going to fund
this?
Who's going to do this?
Who's going to do that?
You know, I was young.
I wanted heaven now.
You know, and I really believed that it
should just change, and we should all smarten
up and do better.
I was really ready to go to the
Haight-Ashbury.
So was Phil Morningstar, a restless teenager living
in a conservative town east of Los Angeles.
It was a semi-rural area, kind of
Southern California Bible Belt.
And I was reading Berkley Barb, the S
.F. Oracle, and I was looking at all
that stuff, and they're talking about, you know,
crash pads, free food.
And my father was very intolerant of any
views that disagreed with him.
And so at 14, I took a walk
down to Greyhound Bus Station and bought a
bus ticket.
Next stop, San Francisco.
In March, hundreds of kids on spring break
flooded into the Haight.
They heard by word of mouth.
I mean, if you went to one of
the great public events like the rock dances,
you would meet people.
And they would say, hey, man, you got
to come to the Haight.
Man, it's really beautiful there.
Kids were looking at pictures of kids like
them, sitting on the stoops, cupping a joint,
looking around for the cops, and saying, holy
cow, people are living free in San Francisco.
And they came out here to invent whatever
that meant to them.
Everybody had a different entrance point.
Some people came in because of the sexual
liberation prospects.
Some people came in because of the appeal
to music.
Some people came in because they were angry
and scared about the draft and the war.
But once you were in that vortex, once
you were in that swirling miasma of social
and personal change, all the doors were open.
For many longtime residents of Haight-Ashbury, the
growing hippie community was unwelcome.
We had an influx of all people from
all over the country.
I mean, they were from all over the
country.
I mean, we'd stop them, we'd find out
they were from Midwest, from back east, and
they wanted to come out and experience what
was going on in the Haight-Ashbury.
Art Gerens was born in the Haight and
joined the San Francisco Police Department at age
22, assigned to Park Station.
It was kind of a quiet station until
the hippies came.
The old timers that lived out there didn't
like it.
They were used to having a nice, quiet
neighborhood.
Our neighborhood here was just really lovely.
We could push our buggies and strollers down
Haight Street.
There were three or four bakeries.
There was a candy shop.
There was a Woolworth's.
I was annoyed with them for changing my
neighborhood.
By late March, Haight Street was already bursting
with hippies and hippie wannabes.
Many feared that when schools let out for
the summer, San Francisco would erupt into chaos.
There were these headlines, hippies warn San Francisco.
Big print, hippies warn San Francisco about all
these kids coming.
And then a couple days later, the mayor
warns hippies.
The hippies seem to be a new way
of life, that's their right.
But they have no right to inflict their
way of life on everybody else to the
detriment and the exclusion of people continuing their
way.
And when they block the streets, then it
is interference with the normal, routine life of
a community.
It will be stopped.
Hippie leaders were incredulous.
The mayor is, this is really very insidious
what he's up to.
He wants to stop human growth.
He's trying to throw the seeds of this
growth out of the sandbox.
Which is a presumption that it's his sandbox,
and it isn't because it's a very cosmic
sandbox.
It just happens to be occurring here.
I took a trip in December, you know,
and talked to a lot of kids in
some other cities about whether or not they
were coming out here.
And a lot of kids would say, well,
we read the magazines and we've heard a
lot of talk, but I don't know.
We got a scene here, we're happy.
But as soon as the mayor comes out
and puts a taboo on this, I tell
them that they're not welcome.
He should have thought about it first.
What I think he doesn't know is that
we don't want him to come yet.
This neighborhood is by no means prepared to
handle that many people.
Haight-Ashbury cannot handle 100,000 because there
isn't room.
The city of San Francisco can, the state
of California can, everyone can.
And if they open up their hearts, they
can.
And I say that, welcome them.
The city of San Francisco has been warned
of a hippie invasion come summer in numbers
almost too staggering to comprehend.
The Park and Recreation Department has ruled that
no longer will the hippies be allowed to
sleep in Golden Gate Park.
And Police Chief Thomas Cahill says the rule
will be rigidly enforced.
If they come in and you have them
in the park where there are no facilities
for them, then you are going to have
a health problem.
Chief, are you threatening to kick them out
of San Francisco?
I never said a word about that, but
I will take whatever police action is necessary
and I'm not going to cross bridges until
I come to them.
And certainly nobody should let their young children
come into San Francisco unsupervised to become a
part of a group such as that.
The powers to be in the city wanted
to erect a way in which no newcomers
would be welcome to the Haight-Ashbury.
There was an assumption that this was an
absolute drug out culture, this was a place
where all of the so-called family values
were challenged.
I was just absolutely blown away by how
distant what the Supes and the mayor were
attempting to do was, from my understanding of
democracy.
The white middle class establishment starts reacting to
this movement with anger and vehemence and they
move to repress this thing and shut it
down, acting just like we thought they would.
The clash of cultures reverberated throughout the city.
Now certainly these shaggies and hippies with their
talk about peace and brotherhood and understanding and
international amity, all this ridiculous nonsense, naturally the
newspapers are going to play up the things
they say, especially when these people bang tambourines
and like Allen Ginsberg, go into these absurd
chants, these Hindu chants.
Well naturally they're going to play this sort
of thing up.
It would be absurd to expect that they're
not going to do this.
I grew up in my neighborhood, mostly Irish
and Italian kids and we'd go to church
together.
But we had work ethics and mostly blue
collar workers and you learn from your mother
and your father about going to work and
being responsible and doing the right thing.
And with these kids here, they didn't want
to work.
They wanted to fall out, they didn't want
to work, they didn't want responsibility, they didn't
want nobody telling them what to do.
They wanted to have sex, they wanted to
have dope and just sightsee and go in
the park, get stoned and they were sort
of wasting their life.
They weren't going nowhere.
Why don't you like the hippies around here?
I don't like their morals.
I don't like the example they're setting for
younger people.
I don't like being pushed off of the
streets, walking in their filth on the streets.
I don't like to look at them.
I don't like their sound of their voices
and the filthy words they use.
I don't like their filthy posters.
I just don't like them.
A sightseeing company began running a bus down
Haight Street, calling it the only foreign tour
in the domestic United States.
The hippies take many trips.
The trip of the hippies is generally an
unusual one.
A world about themselves and of themselves.
And marijuana, of course, with LSD, is being
used.
Tourists were even provided with definitions of hippie
slang.
A teeny bopper is a hippie in early
teens.
Speed, a combination of heroin and methadone.
Stoned, high as on LSD.
Straight, square, conventional.
Trip is an LSD experience.
Turn on is to commence a far out
experience as to turn on with LSD.
Weed is marijuana.
We've seen the better or the worst of
the Haight-Ashbury district.
And now back into Golden Gate Park and
our next stop will be the Japanese Tea
Garden.
In April, the hippies sought to ease growing
tensions in the city, presenting an optimistic vision
of the coming summer to the local media.
The Haight-Ashbury community has created the Council
for a Summer of Love in San Francisco.
Within the Haight-Ashbury population, there are many
strata of imaginative and creative energies whose spirit
extends throughout San Francisco and the world.
Our purpose is to provide an atmosphere which
is more healthy than the kind of atmosphere
that the city government and the newspapers have
tended to put out about the influx of
young people to the city.
We don't believe that the young people who
are coming here are the sort of thing
that has been associated with vagrants.
In fact, we believe in them.
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