Original subtitles

It's the first X -rated war movie shot on location in the South Pacific.

Prisoner of Paradise stars such film greats as Sika.

Sika!

American, I said over here!

Fuck me!

And John C. Holmes.

Here's a weapon.

They thought you had the gun down there.

Pretty good joke, yeah?

Jade Wong, the sexiest Japanese soldier you'll ever see.

Miko Moto, John's lovelorn girlfriend.

Nicky Edison as Private Carol Finley. Brenda Vargo as Ensign Gloria Gianelli.

And newcomer Sue Carroll as Hans von Schlemel's hand -picked she -wolves of

SS. Are my girls ready for a little relaxation now?

Yeah. We will have some fun with the Americans, yeah?

Yeah.

American girls are lovely creatures.

They are so full of fight and spirit.

Nilsa, tie her up.

We will teach this American spy champ how to behave.

They have their high points, too, you know.

Cunning.

Intelligence.

And obedience.

Don't you come at me, you Americans.

Fine.

John C. Hall.

star cast.

Gail Palmer's Prisoner of Paradise, an explicit war movie rated triple A.

It's a hot and saucy pizza girl.

They deliver. I say deliver.

That peach's girl is back.

Desiree Custo.

I don't care. It's the fringe benefits I like the best.

if I made you wait a while.

You're nothing at all like the boys back home. All they want is pussy and pussy

and more pussy.

This reminds me of Alabama.

Yes,

Desiree is back and she's in the pizza business.

Delivery, that is.

She's got her girl.

She's got John home.

She's got trouble.

Holy fuck.

Who's the night chicken?

You said protection.

That son of a bitch just attacked me.

But you better guarantee that that job is finished tonight.

Well, I quit.

I'm not about to get hit by any six -foot chicken. I just don't want to get

fucked by no chicken. Folks, it's Desiree.

Candida.

Lorian. Well, it's due when your time's up.

Vicki.

Christine. And the great John Holmes.

She's got her pizzas.

Conventioneer special.

Head cheese, head cheese, bell pepper, bell pepper, and the high -protein

delight.

See hot and saucy pizza girls. The Country Girl Pizza Parlor has very high

standards, and since I do the hiring, I feel that I should check your references

closely. I don't like that chicken pie. No, no, I don't want no apple pie. No,

no, all I want is a pizza.

I don't like that chicken pie. They deliver.

She blew it, man. She just blew it. She comes walking right in the door. There's

Tia and Ellen.

Oh, you've got to be kidding.

No. Don't even more.

Well, I just cannot wait to get back at her is all I can say after all that.

After the way it's been. Yeah.

What's going on?

Listen,

I've got to get back to work. Okay, bye -bye. Okay, bye -bye. See you later. Bye

-bye.

You must be here for your appointment with Hal.

Yeah, right.

Well, Hal is really a promoter.

In the business, knows what he's doing, got the money backing, got the car, got

the connection.

That's really fantastic.

Annie, if you want to make it, this is your chance. Really a chance.

Don't pass this one up.

What were you guys talking about when I came in?

What are you doing here?

Well, you got us there.

Well, Lou was out a couple nights ago.

Went over to visit Sherry. You met Sherry, haven't you? Yeah.

Well, went inside.

And you're just not going to believe this. This is so out of sight. It's so

incredible.

There. Sherry and John?

Yeah. I find that hard to believe.

Yeah. Are you spying on us?

Oh, no.

No. I walked in the door, you know. Like, I was just walking the door over

there.

And there they were.

God.

It's really going to be a bummer if Sherry's old man finds out.

I hope he does.

As a matter of fact, I think I'm going to make a point of making sure he does

find out.

Why?

Well, that bitch stole my old man from me one time, and so I think I'll just

make a little bit of trouble for her.

Who in the hell is that?

That must be Marge. Oh, right.

Come on in.

How you doing?

Well, I just happened to have some of this 97 % good dope that I thought maybe

you might like to share with me, huh?

You want to do it?

Sure.

Never passed up a chance.

Take a hit, it's a bomber.

You're a lucky traveler, huh? Oh, yes.

Just keeps rolling right along.

Really nice.

Kind of sweet, isn't it? It's tough.

Why don't you do that number that you showed me about a month ago, you know?

you remember that. Yeah, I kind of like that. I don't think you've seen it. No,

I haven't. This is fun. Let me see if I can ask you.

Okay, you ready? I'm ready.

I'm going to fart out.

I don't want to do it.

No, you just smile.

That's all right.

Suck in.

I want some.

What's my Bogart, you guys?

Yes?

Good idea, good idea

Kind of, huh?

Oh,

yeah?

She wanted a good idea.

I don't have my chance at blackmail.

Lou was just furious.

Blame her. I mean, really.

You know, that sherry check did one for the old man before. You're kidding.

No, and it was, well, she was pretty upset about it anyhow.

What's that?

Hi, Jimmy. Ray.

How's it going?

Going. Busy, huh?

Oh, yeah.

Coming, going.

I've got a friend here I'd like for you to meet. This is Annie.

Annie, how you doing? Good, how are you? Nice meeting you.

You're sending the fellas to work?

Yeah, they went down to the studio to be in. We just got here a minute ago.

Oh, yeah?

I've got to do a thing for a couple of hours, but I'll be finished by 8.

Oh. Something happened.

Well... Well,

I'll probably be busy.

All right.

No, it's not.

I'm in school.

I'll be back up.

Let me know.

Annie, nice meeting you. Nice meeting you, too. All right.

The last story's about that one. Oh, really? Yeah.

Let me tell you.

What's happening, man?

What's up, D?

What's all right?

Man, you look at you, man.

Where you been, brother?

Where you been? Hey,

man, get out of the way.

We might as well do something, man.

Get out there and do something. See what happens.

Come up, man.

See what it is.

Let's see if we can get off on that old song we made up. See what happens.

Yeah, give me some power.

Yeah,

there you go.

Come on the bass over here.

Come on drum.

Come on, come on.

Come

on,

come on.

Thank you.

You buy that dress just for today?

Yeah, I did. I had to have something.

It was a good choice.

It was. You think so? Yeah, it's a good idea.

Oh, it's a good idea. He's a... You just can't make any business without a good

contact, man. And if you're going on a good one, he's a good one.

Here he comes now. Come in.

Hi, Al. Hi, Nia.

Here are your messages.

Oh, thanks.

And this is your appointment this afternoon.

This is Ann.

Hi, Ann.

She's ready to discuss.

the details of contracts.

Good, good, amazing.

Do you have much experience?

I have a little bit, yeah.

Get off into that.

Little black rose.

What did you

think of that band?

They're really good. Yeah, they're really good. Fantastic.

Listen now, you haven't seen the rest of the studio, have you?

No, I haven't seen any of it yet. Why don't we get to look around?

That sounds like a really good idea.

See?

Hey, hello. What's going on?

Showing Annie around the studio. Annie? Hi, how are you? Hi.

Hey, how's the film going along, huh?

Pretty good, man. I've been working on it here.

Yeah?

Yeah. Good.

Look, you know, I'm doing a lunch break. You don't mind if I take a nap, do you?

Oh, no, no.

Go ahead. Take it.

Take an hour and a half.

Okay. I will.

Hey, Annie. It was nice to meet you. Nice to meet you.

Keep together, then. Yeah, I'll see you.

Hey, what kind of films are you making here anyway?

Uh, promotional stuff.

Uh, make the stars big, you know. Push their records.

So what do you think about it?

Yeah, but sometimes it gets in the way.

Yeah, it did.

Yeah, I, uh... Let me lock the door.

We'll run right home.

Thank you.

I'm sorry.

Thank you.

Thank you.

Thank you.

If you want to prove it,

if you want to prove it, I'll live with you.

Thank you.

Thank you.

Thank you.

Oh, no. I had one of the all -time big things.

What? Jimmy's here.

Oh, he is?

Mm -hmm.

That's good.

Don't believe me? Oh, no.

Get behind that action. Yeah. Yeah, last time we were out, it was his dad's baby

trip. But that's not really the headliner this morning.

What?

Tell us.

You know Hal from L .A., record promoter.

Well, little Annie came in, the new one that wants to cut the record. Have you

met her yet?

Long hair. Yeah, yeah.

She's here, right?

And so he finds out that she wants to cut a record, and he lays the trip on

He's just checking in, he's trying it all, just moving in on her.

Gets her in the corner, slips through the editing room. I'm sitting there, you

know, and right there.

In front of everything.

Oh, yeah.

He didn't even take... Yeah, he didn't take any time at all. Hi, Marcia. How

you? Hi, Jimmy. This is... Oh, you know everybody, don't you? Hi, everybody.

How's everybody today?

Why don't you get a chair and sit with us?

I don't have time today, baby. I've got to go. I've got a short lunch hour.

You got any place special in mind? Can I do anything for you?

As a matter of fact, I do.

Well, my meter's just about out. I'd be happy to give you a blip. Would you

really? Sure, be happy. Thank you very much. Let's go. Oh, wait a minute. We'll

see you on the air. See you, Doctor.

Okay. Here, just for the check.

I'll remember you.

I'll tell you the rest of the stuff later. Yeah, I'm here.

Well, here we are again.

It's been a long time.

Sure has.

Too long.

This will get together much more often.

You're probably right.

Oh, I know I'm right.

Mm -hmm.

I'll pick out your shoes for you.

Thank you.

... ...

Hmm.

So we have Studio B reserved for you for 4 o 'clock tomorrow afternoon.

Okay. Bye -bye.

Thanks for pulling that exit line for me. Yeah, you're welcome.

I'll do it for you next week, right?

Okay. Okay. Get back to my work now.

Hey, Lou, how's it going? Hi there. All right.

See you later.

Coach Hannity, have a little lunch.

Well, I hate to tell you this, but I just got back from lunch.

Look here. Why are you putting the freeze on me?

I mean, I thought we were supposed to have at least a little something.

Well, you know, here at work, it's a little difficult.

Yeah, I know. I know what you mean.

Oh, excuse me.

Well, look here, I'm going to take off anyway, because I've got to go back to

the studio and do a little rehearsing, but maybe something tonight, huh?

Maybe. All right. Okay.

All right. See you.

Hi, Ellen.

Yeah. Right.

Mm -hmm.

I have a little story for you.

Yeah. I took Marcia and Ginny home after lunch, and I thought that

maybe Marcia had picked up some stuff of mine, so I went in after to see that

and walked through the house, and you'll never believe what I saw.

They were doing their own little special thing for lunch.

Hey, that's wild.

Yeah. I don't think I'm going to do too much tonight.

I think I'll just go to bed with a good book or something.

Yeah, okay.

I'll see you later.

Oh, baby.

Hmm. Hi.

Thank you.

How you doing? Are you finished recording?

A little while. A couple of hours.

Why don't you get going?

Well, I tell you, I have this new bottle of wine at home. Oh, yeah? And I

haven't encroached it yet.

What do you plan on doing with it?

Well, maybe I could find somebody to unscrew it for me. Maybe. Maybe I could.

See what happens? Yeah. All right.

Thank you.

What's happening there?

Me? Yeah. I'll see you later, babe.

Yeah. Right.