Original subtitles

Here's adventure!

Here's romance!

Here's O. Henry's famous Robin Hood of the Old West,

The Cisco Kid!

Cisco-- Hey, Pancho, what are you

stopping for?

What is the day today, Cisco?

Today is Tuesday.

No, the number of the day and the month, I mean.

The sixth.

The sixth, what month?

September, Pancho, but why?

Oh, Cisco, don't 'restract' me now, because, uh,

I am thinking, let's see.

Si, 30 days...

April, June, and sombrero.

The sixth is 'Septober' and Tuesday, and from there,

the 21st to... 'Augustember' the twenty-- we got just about

enough time to get there, Cisco!

We must fly to make that post office place in Soledad, Cisco.

Pancho, would you mind telling me what you're talking

about?

Well, Cisco, I got no time to draw pictures, now.

Cisco, we-- right now, we must went!

Andale.

Hey, Pancho, Pancho.

I've been trying to catch you for miles.

Now, before you go in there and do something very foolish, why

are we racing here?

Because from the 21st of 'Septober' is just time for it

to get here, Cisco.

"For it to get here"?

Yeah.

For what to get here?

Oh, Cisco, don't ask so silly questions.

If you just listen with your two ears!

Pancho, I will listen to you if you'll only talk some sense,

amigo.

It's a present from Mama Maria, because on the 21st of

'Septober' is her birthday.

Well, then you should have sent her a present.

No, no, in my family we do it different.

On my birthday, I send the presents; on her birthday, she

sends the presents.

I go see, huh?

Well, Diablo, I hope Pancho's not disappointed, and we didn't

chase him for nothing.

(Pancho laughing) Hey, Cisco!

Cisco!

Y-y-you open it! (giggling) I'm so nervous, I don't know, I

got 14 thumbs and no fingers, I can't feel nothing.

What's inside, Cisco, huh?

(stammering) Why, Pancho.

What?

That's a portrait of the family!

Look, Cisco.

You see this one there?

That's my grandmother's brother, whose sister was my cousin, and,

uh-- not my cousin, was my father's cousin, and then the

old man with the bald head and no hair, that's the compadre, or

the brother-in-law to the uncle on the another side where the

little kid is sitting there with they.

Pancho, I think they were very nice to have this picture

taken for you.

But Cisco, I can't send my face to them, 'cause I don't got

no picture of my face.

There are no cameras around here.

Pancho, I have a way.

How?

Send yourself.

Me?

(giggling) I can't get in no mailbag, I

don't fit, Cisco, in the mailbag.

Not in a mailbag, Pancho, on Loco.

We'll pay them a visit, amigo.

You know, Cisco, I've been thinking to do that and wishing

for a long distance, you know?

All right, Pancho, I'll tell you what we'll do.

What?

First we'll have something to eat.

Then we'll feed our horses.

Then we'll cut across Lone Mountain, eh?

Fine, let's went, come on!

What'd you put in your pocket?

That's my business.

Me and my brother own 2/3 of this claim, here.

We got a right to know.

All right, Red.

Bring your brother out here and I'll show you.

That's the best way to run a partnership, nobody trusts

anybody.

Cut your yammering and show me what you put in your pocket.

Don't bother me.

Ah, you are holding out, aren't you?

Show me what you got in that pocket!

Hey!

No, Red!

(gun firing) You killed him, Red.

Hey, who was that?

I don't know.

Maybe he saw us.

(gun firing) Stupid!

I'll see if I can find out.

Don't leave me, Chuck.

You stay here and get rid of that body or we'll both hang.

(gun firing) (gun firing)

Hey, Cisco!

Hey, it's a holdup!

What were you doing out at Lone Mountain?

Uh, where's Lone Mountain?

You know where I mean.

Quick, put your hands down.

Hey, what's going on here?

He shot at me.

If I'd shot at you, you'd be dead, I wanted to stop you.

Why?

That's my business.

Why is it your business to stop him?

That's what I'd like to know.

Isn't there any law in this territory?

Yes, there is.

There is a Sheriff about a mile from here at Pawnee.

Well then I'll talk to him and nobody else.

All right, then, come along.

Both of you!

Come on!

Howdy, boys.

Who's this hombre?

He tried to hold up this young fellow here outside of the

town.

Do you know this man?

I never saw him before.

But he might as well try our cell for size.

Wait a minute, Sheriff, you're locking up the wrong man.

What?

But didn't he try to hold you up?

Yes, but he isn't the one that killed a man on Lone

Mountain.

Killed what man?

The one I saw shot.

He's imagining things, Sheriff.

A murder, you don't imagine.

Now, what happened there?

Did he kill a man on Lone Mountain?

No, not him.

Then who did?

Well, I don't know.

Now look, son.

I don't care what this man threatened to do to you, he's

gonna be locked up right now.

Come on.

(cell door closing) If he shot a man in cold blood,

you don't need to be afraid to tell me.

But Sheriff, he didn't do the killing, I can prove it.

How you can prove it?

You got a corpse to show the Sheriff?

No, but I've got a picture of the whole thing.

He can see it for himself.

Heh, you must draw pictures pretty fast, eh?

Say, who you are, anyhow?

I'm Ted Miller, and I don't draw pictures, I take 'em.

I'm a photographer.

Photogr-- you just said your name was Miller.

Suppose you are a photographer.

What are you doing around here?

Well, I was told that the Lone Mountain Mine's a famous

landmark.

Well, what of it?

Well, my job is taking pictures of famous Western

landmarks.

I work for a lecturer back east, and he uses the pictures as

lantern slides for people to look at while he talks.

What does that got to do with this man over here?

Well, don't you understand?

He's in my picture, too!

Señor Miller, if I'm not mistaken, both you and that man

over there witnessed a murder.

And you were on your way to town to tell the Sheriff about it

when he stopped you.

Am I right?

That's right.

I didn't kill nobody.

He even told you I didn't.

Well, somebody did.

Did they?

Not 'they,' he.

Who was it?

I don't know.

Was it in Lone Mountain?

I said I don't know.

He won't talk until he thinks we have some proof.

I'll form a posse and scour that Lone Mountain country

today.

If there's a killer or dead man there, we'll find him.

Well, Sheriff, both Pancho and I will be glad to go with

you.

No, I'd feel a lot safer with you two here in town.

And keep an eye on Mr. Lantern Slides there.

Just see that he don't leave.

So long, boys.

All right, Sheriff.

You know, Cisco, there's something I don't understand,

this lantern sliding business.

Come over to the hotel with me and I'll show you.

I can develop my evidence at the same time.

You coming, Cisco?

I'm going to stay here and keep our prisoner company for a

while.

You can tell me all about it later.

Bueno.

And Pancho-- What?

You better stay with Señor Miller all the time, he may need

you.

Heh, Cisco, maybe he's ahead of us, but we're way behind him.

I take care of it, huh?

All right, pal.

Wait a minute, Mr. Lantern Slides, I just think of

something.

Wait a minute, I show you, huh?

Look at that.

Inside.

What do you call that?

Well, it's an ordinary black and white photograph, printed on

Solio paper and fixed in hypo.

Printed on Solio paper, fixed in hypo-- I asked you a simple

question, you get me all confused.

You can do something like that?

Well, sure.

It's the simplest kind of photography.

Ha ha, simple!

It don't sound simple the way you tell it.

Come on, let's went and look at those sliding lantern

slidings business you've got.

Say, Mr. Ted, what kind of machine is a sliding lantern?

It's not a sliding lantern, they're lantern slides.

Here we are.

Hey, what's the-- What's this thing over here?

Oh, that's my camera.

Camera?

So it is a camera, so, so.

Camera, yeah.

It got a little hose, and you squirt water in the--

No, you squeeze this and that, uh, takes care of this--

What do you call this?

...people stand out here, see?

Little blob?

No, bulb.

Bulb, yes.

Squeeze that.

And what's-- look, uh, bed sheets don't belong on the

wall, they belong on the bed.

No, that's not a bed sheet, that's a screen.

A screen?

Yeah, we project the pictures onto this from the projector

over here.

What's this?

Now, this is a lantern slide I finished, uh, last night.

I took it from this camera, see?

You mean, the-- this color, they jump out of the camera?

No, no, I put the colors on there.

The camera takes a black and white picture, and I supply the

colors from memory and from a paintbrush.

Here, I'll show you, hold that a minute.

You got colors in your head, and...?

Everything is-- What's that, is it a stove?

You'll see.

No.

Yeah, and where do we put it?

Now...

Oh.

Watch that wall over there-- I got it in backwards-- here we

are.

I know, I'm backwards some-- There!

Oh, look, look!

We ain't here no more, we're outside someplace!

Yeah, and if I put down the shade and darken the room, you

can see it even better.

Wait a minute.

We're looking at things.

Pancho, come here, quick!

That's the man the Sheriff's looking for!

Hey, you sure?

I'm positive!

He's the one that killed a man on Lone Mountain.

I'd know him anywhere.

Your prisoner tried to stop him, but couldn't.

I think I'll go down and have a little talk with that hombre.

Be careful, Pancho.

You be careful, and stay right here.

I sure will.

I'll be developing my evidence.

Say, mister.

Are you the Cisco Kid?

That's right.

Do you think this fellow Miller can prove that I'm in

the clear?

I'm not so sure about that.

But I have a little word of advice for you.

If you are protecting someone-- and I'm sure you are-- you are

just as guilty as the man that committed the murder.

Now, you want to talk?

As you wish.

Want something to eat?

No.

Chuck.

What are you doing here?

I got worried.

They got a posse out on Lone Mountain.

They won't find Tracy, will they?

No.

You cover the spot good?

Aw, don't talk about it, Chuck.

Brave brother I got.

Kills a man at the drop of a hat but it hurts him to talk about

it.

One of these days I won't be around to pull you out and

you'll swing.

Aw, why talk about it.

Chuck, wait.

I brought you a gun.

I don't need it.

What do you mean, you don't need it?

They'll hang you.

No, they won't hang me.

Now listen carefully.

This galoot that was driving the wagon saw everything and he

swears I didn't do it.

As far as this town is concerned, there's nobody

working the Lone Mountain mine.

Unless they find you, we're both safe.

Well, this Tracy was pretty well known, Chuck.

Once they start missing him, they'll hang you without a

trial.

Not a chance.

Now, you go back to the cabin and hide out until I get there.

This fellow I was chasin' swears he can prove that I didn't do

the killing.

Then maybe he can prove that I did.

That's not so good.

I'd better-- You better get out of here,

Cisco's coming back.

Did the Sheriff find out anything?

He's not back yet.

Was there anything for him to find out there?

I didn't kill anybody, you've gotta believe that.

You're only being held as a witness... so far.

Mr. Ted?

Mr. Ted, where you are?

Oh, here I am.

What-- oh, what are you doing in that little tent in there?

I was developing, what happened?

Oh, he got away, but he left his brand, look.

Well, he won't get far.

I've got his picture right here.

Come here and look at it.

What, picture?

Yeah.

Hey-- hey, look at-- That's him, that's him!

And you took his picture just as he shoot the gun, eh?

Yeah, that's right.

Look, tell you what you do.

You, here, write a description of him for the Sheriff so he can

make a poster, huh?

Okay.

I will go and bring Cisco.

Go right away.

Right.

Shut the door, Pancho.

Did you forget something?

Tracy!

You!

Cisco!

Cisco, how, how you got time to eat at a time like this,

Cisco?

Because, Pancho, it just happens to be time to eat.

Now, would you like to join me?

Join you?

What do you mean, join?

Help me-- wait, Cisco, no, you got no time to eat.

You got no time to eat and I got no time to eat.

You come to the hotel with me, pronto, come on.

The hotel?

Something happen to Ted?

No, nothing happened to Ted, something happened to me!

What happened to you, Pancho?

Cisco, you know you won't believe me and I can't believe

what my ears can see.

I look in that machine, he's got that slide machine, you

know, Cisco, and pretty soon I ain't there no more.

I'm out in the country.

I'm out in the-- I'm out-- And Cisco, you ain't listening

to a thing I'm telling you.

Yes, I am, Pancho, but I'm also very hungry.

And Cisco, when I look out the window, I see that man, you

know, and I go to get him-- and when I come back I, and I

woke up, I got a big bump on my head, like a watermelon.

Bump like a watermelon?

Yeah.

If I only knew what you were talking about, Pancho, I'd help

you.

You come to the hotel, Cisco, I will show you.

Can't you let me finish my dinner?

Oh, Cisco, you are always the one who say, "Pancho, we ain't

got no time to eat," "Pancho, we eat later," "Pancho, we don't

eat at all."

Cisco, how in the world can you sit there with a bare face and,

and eat?

All right, Pancho.

I've stopped eating.

Is that better?

No, that's no better, Cisco.

You come to the hotel with me, come on.

But Pancho, we can't leave here the prisoner alone.

Let's wait until the Sheriff gets back.

Cisco, we don't-- we don't need the Sheriff.

Why not?

When I look in the machine, I see this killer, Cisco, and I,

I see the smoke from his gun.

Pancho, why didn't you say that in the first place?

Come on, let's go!

Come on!

(door closing) Hyah! Hyah!

Chuck.

Now what are you doing?

I'm springing you.

You ain't got no more chance than I have.

The fellow with the wagon got a picture of the killing, and

we're both in it!

I don't know who's seen it, but I ain't waitin' around to find

out.

Where did you find out all this?

I seen it, and the kid's out cold in the wagon.

I'm gonna rip these bars out with the wagon and keep going.

You take my horse.

He's in the back of the jail.

All right?

Let's go.

Cisco, this is the most wonderful thing you'll ever see!

Open that door then, Pancho.

Ted?

Cisco, look, look, the-- Pancho-- he's gone.

Everything is upside down, Cisco, in here.

Looks like somebody wrecked everything, Pancho.

Hey, what's that?

It's one of those slides.

Maybe the right one.

Let me see.

That's right, Pancho, this is it.

Let's find Ted.

Come on, come on.

Let's go.

Cisco!

He has went and the bars has went, too!

They probably have pulled them out with a wagon, Pancho.

Come on, let's go.

Hey, Chuck.

What's the matter?

We got a frozen wheel.

Won't get very far with that.

Well, we'll have to unhook one of the horses.

What about him?

Leave him here, he's still out.

(horses approaching) It's Cisco and Pancho!

Red!

Drop your gun, Charlie.

You all right, Ted?

Yeah, I'm all right.

Where's his partner, Ted?

It's his brother, Cisco.

He took his horse and went down the road.

This one is yours, Pancho.

I'll take care of the other one.

Hyah!

You've gotten other people in trouble for the last time.

Now get that rope off of you, and get your horse.

Mr. Miller, that's an amazing little machine.

With your photograph as evidence, there was never any

doubt who the killer was.

I'm only sorry we caused you so much trouble around here.

Well, Sheriff, it was worth it.

Ted, to keep a man from being executed is worth anything.

Well, thanks, all of you.

Thank you, Sheriff.

Goodbye, Sheriff.

Bye.

Goodbye, Sheriff.

If it hadn't been for you two, I wouldn't be alive today.

If there's ever anything I can do for you, just let me know,

will you?

See, now that you mention that, uh, I want you to take a

picture of me to send home to my family, eh?

Why, of course, Pancho, I'll be glad to.

Ted, you don't know what you're getting yourself into.

I only want to take a picture so I can send back to my Mama

Maria.

And to your brother Orlochio.

Yeah, and to my nephew, Jose.

And to your cousin Carmelita.

And to my nieces, Juanita and Rosita and Margarita.

Oh, no!

(Ted laughing) Oh, Pancho!

(all laughing) Oh, Cisco!

(laughing) Cisco, do we have to leave

all our good friends now?

Only until next time, Pancho.

Adios, amigos!