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These are the user uploaded subtitles that are being translated: 1 00:00:00,560 --> 00:00:02,669 2 00:00:02,669 --> 00:00:02,679 welcome to 20th Century Music and Arts 3 00:00:02,679 --> 00:00:05,190 welcome to 20th Century Music and Arts tonight's episode is a remastered 4 00:00:05,190 --> 00:00:05,200 tonight's episode is a remastered 5 00:00:05,200 --> 00:00:07,630 tonight's episode is a remastered version of part two of my series on Mary 6 00:00:07,630 --> 00:00:07,640 version of part two of my series on Mary 7 00:00:07,640 --> 00:00:10,470 version of part two of my series on Mary Smith in the fall again I have added 8 00:00:10,470 --> 00:00:10,480 Smith in the fall again I have added 9 00:00:10,480 --> 00:00:12,509 Smith in the fall again I have added video clips and I've re-recorded the 10 00:00:12,509 --> 00:00:12,519 video clips and I've re-recorded the 11 00:00:12,519 --> 00:00:14,150 video clips and I've re-recorded the vocals so hopefully everything will be 12 00:00:14,150 --> 00:00:14,160 vocals so hopefully everything will be 13 00:00:14,160 --> 00:00:16,349 vocals so hopefully everything will be much more enjoyable I tell you what's 14 00:00:16,349 --> 00:00:16,359 much more enjoyable I tell you what's 15 00:00:16,359 --> 00:00:18,710 much more enjoyable I tell you what's going to be really enjoyable is this new 16 00:00:18,710 --> 00:00:18,720 going to be really enjoyable is this new 17 00:00:18,720 --> 00:00:21,349 going to be really enjoyable is this new intro that was made by my friend burn 18 00:00:21,349 --> 00:00:21,359 intro that was made by my friend burn 19 00:00:21,359 --> 00:00:24,830 intro that was made by my friend burn power please enjoy this incredible intro 20 00:00:24,830 --> 00:00:24,840 power please enjoy this incredible intro 21 00:00:24,840 --> 00:00:26,669 power please enjoy this incredible intro please check out his sites which are 22 00:00:26,669 --> 00:00:26,679 please check out his sites which are 23 00:00:26,679 --> 00:00:29,429 please check out his sites which are listed below and considering donating to 24 00:00:29,429 --> 00:00:29,439 listed below and considering donating to 25 00:00:29,439 --> 00:00:32,269 listed below and considering donating to help him bring his amazing book and 26 00:00:32,269 --> 00:00:32,279 help him bring his amazing book and 27 00:00:32,279 --> 00:00:34,950 help him bring his amazing book and record collection over from Alaska to 28 00:00:34,950 --> 00:00:34,960 record collection over from Alaska to 29 00:00:34,960 --> 00:00:43,150 record collection over from Alaska to his home now inbl Georgia Thank 30 00:00:43,150 --> 00:00:43,160 31 00:00:43,160 --> 00:00:46,800 32 00:00:46,800 --> 00:00:46,810 33 00:00:46,810 --> 00:00:54,780 34 00:00:54,780 --> 00:00:54,790 35 00:00:54,790 --> 00:00:58,910 36 00:00:58,910 --> 00:00:58,920 37 00:00:58,920 --> 00:01:25,789 38 00:01:25,789 --> 00:01:25,799 39 00:01:25,799 --> 00:01:27,429 40 00:01:27,429 --> 00:01:27,439 it's great because it's a really unique 41 00:01:27,439 --> 00:01:29,230 it's great because it's a really unique band and it's completely original and it 42 00:01:29,230 --> 00:01:29,240 band and it's completely original and it 43 00:01:29,240 --> 00:01:31,469 band and it's completely original and it doesn't sound like any other band it's 44 00:01:31,469 --> 00:01:31,479 doesn't sound like any other band it's 45 00:01:31,479 --> 00:01:33,550 doesn't sound like any other band it's itself and it's really different kind of 46 00:01:33,550 --> 00:01:33,560 itself and it's really different kind of 47 00:01:33,560 --> 00:01:35,870 itself and it's really different kind of music than you know all your synthesized 48 00:01:35,870 --> 00:01:35,880 music than you know all your synthesized 49 00:01:35,880 --> 00:01:37,109 music than you know all your synthesized pop and everything I think it's 50 00:01:37,109 --> 00:01:37,119 pop and everything I think it's 51 00:01:37,119 --> 00:01:38,870 pop and everything I think it's important when I was a teenager I mean I 52 00:01:38,870 --> 00:01:38,880 important when I was a teenager I mean I 53 00:01:38,880 --> 00:01:40,830 important when I was a teenager I mean I always thought accessibility was 54 00:01:40,830 --> 00:01:40,840 always thought accessibility was 55 00:01:40,840 --> 00:01:42,789 always thought accessibility was something to be spat upon anyway you 56 00:01:42,789 --> 00:01:42,799 something to be spat upon anyway you 57 00:01:42,799 --> 00:01:46,149 something to be spat upon anyway you know the way I used to listen to records 58 00:01:46,149 --> 00:01:46,159 know the way I used to listen to records 59 00:01:46,159 --> 00:01:48,469 know the way I used to listen to records Laura Elise Salinger was born in Los 60 00:01:48,469 --> 00:01:48,479 Laura Elise Salinger was born in Los 61 00:01:48,479 --> 00:01:51,469 Laura Elise Salinger was born in Los Angeles California in 1962 she would 62 00:01:51,469 --> 00:01:51,479 Angeles California in 1962 she would 63 00:01:51,479 --> 00:01:53,429 Angeles California in 1962 she would spend part of her life in Chicago and 64 00:01:53,429 --> 00:01:53,439 spend part of her life in Chicago and 65 00:01:53,439 --> 00:01:54,910 spend part of her life in Chicago and study theater and literature at 66 00:01:54,910 --> 00:01:54,920 study theater and literature at 67 00:01:54,920 --> 00:01:56,830 study theater and literature at Bennington College in Vermont she 68 00:01:56,830 --> 00:01:56,840 Bennington College in Vermont she 69 00:01:56,840 --> 00:01:58,429 Bennington College in Vermont she changed her name to Bricks after the 70 00:01:58,429 --> 00:01:58,439 changed her name to Bricks after the 71 00:01:58,439 --> 00:02:01,029 changed her name to Bricks after the song guns of brickton by The Clash and 72 00:02:01,029 --> 00:02:01,039 song guns of brickton by The Clash and 73 00:02:01,039 --> 00:02:03,510 song guns of brickton by The Clash and she joined her first group Branda draing 74 00:02:03,510 --> 00:02:03,520 she joined her first group Branda draing 75 00:02:03,520 --> 00:02:05,389 she joined her first group Branda draing where she played bass eventually she 76 00:02:05,389 --> 00:02:05,399 where she played bass eventually she 77 00:02:05,399 --> 00:02:07,190 where she played bass eventually she dropped out of college traveled back to 78 00:02:07,190 --> 00:02:07,200 dropped out of college traveled back to 79 00:02:07,200 --> 00:02:08,749 dropped out of college traveled back to Chicago where she found herself at a 80 00:02:08,749 --> 00:02:08,759 Chicago where she found herself at a 81 00:02:08,759 --> 00:02:11,790 Chicago where she found herself at a fall gig in April 1983 after buying a 82 00:02:11,790 --> 00:02:11,800 fall gig in April 1983 after buying a 83 00:02:11,800 --> 00:02:13,630 fall gig in April 1983 after buying a drink at the bar she turned around and 84 00:02:13,630 --> 00:02:13,640 drink at the bar she turned around and 85 00:02:13,640 --> 00:02:15,630 drink at the bar she turned around and bumped into a man carrying two beers 86 00:02:15,630 --> 00:02:15,640 bumped into a man carrying two beers 87 00:02:15,640 --> 00:02:17,509 bumped into a man carrying two beers with white powder on his nose that 88 00:02:17,509 --> 00:02:17,519 with white powder on his nose that 89 00:02:17,519 --> 00:02:19,589 with white powder on his nose that should have been a warning sign she says 90 00:02:19,589 --> 00:02:19,599 should have been a warning sign she says 91 00:02:19,599 --> 00:02:21,869 should have been a warning sign she says now in retrospect the man was Mark E 92 00:02:21,869 --> 00:02:21,879 now in retrospect the man was Mark E 93 00:02:21,879 --> 00:02:24,030 now in retrospect the man was Mark E Smith he invited her to a party and she 94 00:02:24,030 --> 00:02:24,040 Smith he invited her to a party and she 95 00:02:24,040 --> 00:02:26,150 Smith he invited her to a party and she plays him a tape of her music upon 96 00:02:26,150 --> 00:02:26,160 plays him a tape of her music upon 97 00:02:26,160 --> 00:02:27,910 plays him a tape of her music upon hearing the music he told her that she 98 00:02:27,910 --> 00:02:27,920 hearing the music he told her that she 99 00:02:27,920 --> 00:02:30,630 hearing the music he told her that she was a genius she in turn said she liked 100 00:02:30,630 --> 00:02:30,640 was a genius she in turn said she liked 101 00:02:30,640 --> 00:02:32,470 was a genius she in turn said she liked his music but had a hard time 102 00:02:32,470 --> 00:02:32,480 his music but had a hard time 103 00:02:32,480 --> 00:02:34,110 his music but had a hard time understanding the words he invited her 104 00:02:34,110 --> 00:02:34,120 understanding the words he invited her 105 00:02:34,120 --> 00:02:35,949 understanding the words he invited her over to Manchester soon they would be 106 00:02:35,949 --> 00:02:35,959 over to Manchester soon they would be 107 00:02:35,959 --> 00:02:37,990 over to Manchester soon they would be married and Bricks would become a member 108 00:02:37,990 --> 00:02:38,000 married and Bricks would become a member 109 00:02:38,000 --> 00:02:40,869 married and Bricks would become a member of the Fall The Bleak landscape of 80s 110 00:02:40,869 --> 00:02:40,879 of the Fall The Bleak landscape of 80s 111 00:02:40,879 --> 00:02:42,630 of the Fall The Bleak landscape of 80s manchesters was shocking to the 112 00:02:42,630 --> 00:02:42,640 manchesters was shocking to the 113 00:02:42,640 --> 00:02:44,710 manchesters was shocking to the Californian bricks but Smith tried to 114 00:02:44,710 --> 00:02:44,720 Californian bricks but Smith tried to 115 00:02:44,720 --> 00:02:46,910 Californian bricks but Smith tried to put a positive spin on the situation 116 00:02:46,910 --> 00:02:46,920 put a positive spin on the situation 117 00:02:46,920 --> 00:02:48,910 put a positive spin on the situation look there's the local prison look 118 00:02:48,910 --> 00:02:48,920 look there's the local prison look 119 00:02:48,920 --> 00:02:50,990 look there's the local prison look there's the boddington's brewery but she 120 00:02:50,990 --> 00:02:51,000 there's the boddington's brewery but she 121 00:02:51,000 --> 00:02:52,949 there's the boddington's brewery but she found herself integrating into the local 122 00:02:52,949 --> 00:02:52,959 found herself integrating into the local 123 00:02:52,959 --> 00:02:55,070 found herself integrating into the local culture she was able to make some 124 00:02:55,070 --> 00:02:55,080 culture she was able to make some 125 00:02:55,080 --> 00:02:56,869 culture she was able to make some musical contributions to the perverted 126 00:02:56,869 --> 00:02:56,879 musical contributions to the perverted 127 00:02:56,879 --> 00:02:58,910 musical contributions to the perverted by language album and made appearances 128 00:02:58,910 --> 00:02:58,920 by language album and made appearances 129 00:02:58,920 --> 00:03:01,390 by language album and made appearances for the videos of of eat yourself fitter 130 00:03:01,390 --> 00:03:01,400 for the videos of of eat yourself fitter 131 00:03:01,400 --> 00:03:04,720 for the videos of of eat yourself fitter wings and kick your 132 00:03:04,720 --> 00:03:04,730 133 00:03:04,730 --> 00:03:13,149 134 00:03:13,149 --> 00:03:13,159 135 00:03:13,159 --> 00:03:15,390 136 00:03:15,390 --> 00:03:15,400 conspiracy the album did have the same 137 00:03:15,400 --> 00:03:17,550 conspiracy the album did have the same Dury sound on most of the tracks that 138 00:03:17,550 --> 00:03:17,560 Dury sound on most of the tracks that 139 00:03:17,560 --> 00:03:19,550 Dury sound on most of the tracks that the fall were known for but the opener 140 00:03:19,550 --> 00:03:19,560 the fall were known for but the opener 141 00:03:19,560 --> 00:03:21,229 the fall were known for but the opener eaty yourself fitter was filled with 142 00:03:21,229 --> 00:03:21,239 eaty yourself fitter was filled with 143 00:03:21,239 --> 00:03:23,430 eaty yourself fitter was filled with humorous observations over a frantic 144 00:03:23,430 --> 00:03:23,440 humorous observations over a frantic 145 00:03:23,440 --> 00:03:25,630 humorous observations over a frantic rockabilly Rhythm John Peele was 146 00:03:25,630 --> 00:03:25,640 rockabilly Rhythm John Peele was 147 00:03:25,640 --> 00:03:27,550 rockabilly Rhythm John Peele was apparently so Overjoyed when he heard 148 00:03:27,550 --> 00:03:27,560 apparently so Overjoyed when he heard 149 00:03:27,560 --> 00:03:29,750 apparently so Overjoyed when he heard the track he fainted and had to be 150 00:03:29,750 --> 00:03:29,760 the track he fainted and had to be 151 00:03:29,760 --> 00:03:31,750 the track he fainted and had to be revived neighborhood of infinity 152 00:03:31,750 --> 00:03:31,760 revived neighborhood of infinity 153 00:03:31,760 --> 00:03:34,110 revived neighborhood of infinity pulsates in Crut Rock Style with Smith 154 00:03:34,110 --> 00:03:34,120 pulsates in Crut Rock Style with Smith 155 00:03:34,120 --> 00:03:36,270 pulsates in Crut Rock Style with Smith ranting about how he used to play link 156 00:03:36,270 --> 00:03:36,280 ranting about how he used to play link 157 00:03:36,280 --> 00:03:39,350 ranting about how he used to play link Ray records on Saturdays Garden evokes 158 00:03:39,350 --> 00:03:39,360 Ray records on Saturdays Garden evokes 159 00:03:39,360 --> 00:03:41,390 Ray records on Saturdays Garden evokes the sound of the early Velvet 160 00:03:41,390 --> 00:03:41,400 the sound of the early Velvet 161 00:03:41,400 --> 00:03:43,509 the sound of the early Velvet Underground albums and on the track 162 00:03:43,509 --> 00:03:43,519 Underground albums and on the track 163 00:03:43,519 --> 00:03:46,830 Underground albums and on the track Hotel bodell bricks provides lead vocals 164 00:03:46,830 --> 00:03:46,840 Hotel bodell bricks provides lead vocals 165 00:03:46,840 --> 00:03:49,350 Hotel bodell bricks provides lead vocals along with the band additional violin 166 00:03:49,350 --> 00:03:49,360 along with the band additional violin 167 00:03:49,360 --> 00:03:55,910 along with the band additional violin and of course Smith's 168 00:03:55,910 --> 00:03:55,920 169 00:03:55,920 --> 00:03:58,670 170 00:03:58,670 --> 00:03:58,680 narration in 171 00:03:58,680 --> 00:04:01,630 narration in subia over the next few years bricks 172 00:04:01,630 --> 00:04:01,640 subia over the next few years bricks 173 00:04:01,640 --> 00:04:03,270 subia over the next few years bricks would bring her shimmering guitar 174 00:04:03,270 --> 00:04:03,280 would bring her shimmering guitar 175 00:04:03,280 --> 00:04:05,350 would bring her shimmering guitar rhythms and melodic vocals and integrate 176 00:04:05,350 --> 00:04:05,360 rhythms and melodic vocals and integrate 177 00:04:05,360 --> 00:04:07,390 rhythms and melodic vocals and integrate them into the fall sound it provided an 178 00:04:07,390 --> 00:04:07,400 them into the fall sound it provided an 179 00:04:07,400 --> 00:04:10,069 them into the fall sound it provided an interesting counterbalance to Smith's 180 00:04:10,069 --> 00:04:10,079 interesting counterbalance to Smith's 181 00:04:10,079 --> 00:04:12,390 interesting counterbalance to Smith's dark satirical approach to his music her 182 00:04:12,390 --> 00:04:12,400 dark satirical approach to his music her 183 00:04:12,400 --> 00:04:14,390 dark satirical approach to his music her inclusion in the band also represented 184 00:04:14,390 --> 00:04:14,400 inclusion in the band also represented 185 00:04:14,400 --> 00:04:16,270 inclusion in the band also represented the many contradictions that make up 186 00:04:16,270 --> 00:04:16,280 the many contradictions that make up 187 00:04:16,280 --> 00:04:18,390 the many contradictions that make up Smith's personality here is a man who 188 00:04:18,390 --> 00:04:18,400 Smith's personality here is a man who 189 00:04:18,400 --> 00:04:20,349 Smith's personality here is a man who defines himself as being a British 190 00:04:20,349 --> 00:04:20,359 defines himself as being a British 191 00:04:20,359 --> 00:04:22,310 defines himself as being a British workingclass punter who has not been 192 00:04:22,310 --> 00:04:22,320 workingclass punter who has not been 193 00:04:22,320 --> 00:04:24,270 workingclass punter who has not been corrupted by the American influence 194 00:04:24,270 --> 00:04:24,280 corrupted by the American influence 195 00:04:24,280 --> 00:04:26,230 corrupted by the American influence consumerism of ' 80s Britain and what 196 00:04:26,230 --> 00:04:26,240 consumerism of ' 80s Britain and what 197 00:04:26,240 --> 00:04:29,390 consumerism of ' 80s Britain and what does Smith do marry a California girl 198 00:04:29,390 --> 00:04:29,400 does Smith do marry a California girl 199 00:04:29,400 --> 00:04:31,790 does Smith do marry a California girl and she brought a ray of sunshine into 200 00:04:31,790 --> 00:04:31,800 and she brought a ray of sunshine into 201 00:04:31,800 --> 00:04:34,670 and she brought a ray of sunshine into Smith's grotesque musical Vision John 202 00:04:34,670 --> 00:04:34,680 Smith's grotesque musical Vision John 203 00:04:34,680 --> 00:04:36,710 Smith's grotesque musical Vision John Peele was asked to appear on the British 204 00:04:36,710 --> 00:04:36,720 Peele was asked to appear on the British 205 00:04:36,720 --> 00:04:39,590 Peele was asked to appear on the British music show the tube Peele only agreed to 206 00:04:39,590 --> 00:04:39,600 music show the tube Peele only agreed to 207 00:04:39,600 --> 00:04:41,710 music show the tube Peele only agreed to do it if he could choose a band to 208 00:04:41,710 --> 00:04:41,720 do it if he could choose a band to 209 00:04:41,720 --> 00:04:43,670 do it if he could choose a band to appear on the show so of course he chose 210 00:04:43,670 --> 00:04:43,680 appear on the show so of course he chose 211 00:04:43,680 --> 00:04:45,670 appear on the show so of course he chose the fall this show usually featured 212 00:04:45,670 --> 00:04:45,680 the fall this show usually featured 213 00:04:45,680 --> 00:04:47,390 the fall this show usually featured artists that were climbing the charts 214 00:04:47,390 --> 00:04:47,400 artists that were climbing the charts 215 00:04:47,400 --> 00:04:49,390 artists that were climbing the charts and who produced music that was easy to 216 00:04:49,390 --> 00:04:49,400 and who produced music that was easy to 217 00:04:49,400 --> 00:04:51,670 and who produced music that was easy to dance to for the live audience watching 218 00:04:51,670 --> 00:04:51,680 dance to for the live audience watching 219 00:04:51,680 --> 00:04:53,629 dance to for the live audience watching the audience attempting to dance to the 220 00:04:53,629 --> 00:04:53,639 the audience attempting to dance to the 221 00:04:53,639 --> 00:04:55,749 the audience attempting to dance to the falls malevolent dissonant rhythms in 222 00:04:55,749 --> 00:04:55,759 falls malevolent dissonant rhythms in 223 00:04:55,759 --> 00:04:57,870 falls malevolent dissonant rhythms in the song Smile was a complete 224 00:04:57,870 --> 00:04:57,880 the song Smile was a complete 225 00:04:57,880 --> 00:05:00,189 the song Smile was a complete manifestation of awkwardness they also 226 00:05:00,189 --> 00:05:00,199 manifestation of awkwardness they also 227 00:05:00,199 --> 00:05:03,390 manifestation of awkwardness they also played the song 2x4 off that would be on 228 00:05:03,390 --> 00:05:03,400 played the song 2x4 off that would be on 229 00:05:03,400 --> 00:05:05,510 played the song 2x4 off that would be on their upcoming album Peele got the fall 230 00:05:05,510 --> 00:05:05,520 their upcoming album Peele got the fall 231 00:05:05,520 --> 00:05:08,590 their upcoming album Peele got the fall their first exposure on national TV and 232 00:05:08,590 --> 00:05:08,600 their first exposure on national TV and 233 00:05:08,600 --> 00:05:10,430 their first exposure on national TV and to an audience that would usually watch 234 00:05:10,430 --> 00:05:10,440 to an audience that would usually watch 235 00:05:10,440 --> 00:05:12,510 to an audience that would usually watch the latest new romantic artist they 236 00:05:12,510 --> 00:05:12,520 the latest new romantic artist they 237 00:05:12,520 --> 00:05:14,670 the latest new romantic artist they actually got their first taste of this 238 00:05:14,670 --> 00:05:14,680 actually got their first taste of this 239 00:05:14,680 --> 00:05:16,670 actually got their first taste of this very unique band you have recognized 240 00:05:16,670 --> 00:05:16,680 very unique band you have recognized 241 00:05:16,680 --> 00:05:19,150 very unique band you have recognized from earlier John you have we asked you 242 00:05:19,150 --> 00:05:19,160 from earlier John you have we asked you 243 00:05:19,160 --> 00:05:21,029 from earlier John you have we asked you when we asked you to choose a band that 244 00:05:21,029 --> 00:05:21,039 when we asked you to choose a band that 245 00:05:21,039 --> 00:05:23,070 when we asked you to choose a band that you'd like to see on the tube you chose 246 00:05:23,070 --> 00:05:23,080 you'd like to see on the tube you chose 247 00:05:23,080 --> 00:05:24,629 you'd like to see on the tube you chose this next ACT who we won't name yet what 248 00:05:24,629 --> 00:05:24,639 this next ACT who we won't name yet what 249 00:05:24,639 --> 00:05:26,830 this next ACT who we won't name yet what were your motives for choosing this act 250 00:05:26,830 --> 00:05:26,840 were your motives for choosing this act 251 00:05:26,840 --> 00:05:27,950 were your motives for choosing this act well it was it was difficult cuz there 252 00:05:27,950 --> 00:05:27,960 well it was it was difficult cuz there 253 00:05:27,960 --> 00:05:29,029 well it was it was difficult cuz there were a lot of bands that I wanted to 254 00:05:29,029 --> 00:05:29,039 were a lot of bands that I wanted to 255 00:05:29,039 --> 00:05:30,150 were a lot of bands that I wanted to choose it would have been easy to have 256 00:05:30,150 --> 00:05:30,160 choose it would have been easy to have 257 00:05:30,160 --> 00:05:31,110 choose it would have been easy to have picked somebody who's like really 258 00:05:31,110 --> 00:05:31,120 picked somebody who's like really 259 00:05:31,120 --> 00:05:32,950 picked somebody who's like really obscure and difficult and by and large 260 00:05:32,950 --> 00:05:32,960 obscure and difficult and by and large 261 00:05:32,960 --> 00:05:34,909 obscure and difficult and by and large unlistenable uh the kind of bands that I 262 00:05:34,909 --> 00:05:34,919 unlistenable uh the kind of bands that I 263 00:05:34,919 --> 00:05:37,309 unlistenable uh the kind of bands that I play on me programs at night but uh I 264 00:05:37,309 --> 00:05:37,319 play on me programs at night but uh I 265 00:05:37,319 --> 00:05:38,670 play on me programs at night but uh I wanted to pick somebody who's like a 266 00:05:38,670 --> 00:05:38,680 wanted to pick somebody who's like a 267 00:05:38,680 --> 00:05:40,270 wanted to pick somebody who's like a favorite of mine for a number of years 268 00:05:40,270 --> 00:05:40,280 favorite of mine for a number of years 269 00:05:40,280 --> 00:05:42,270 favorite of mine for a number of years and funny enough they've never done uh 270 00:05:42,270 --> 00:05:42,280 and funny enough they've never done uh 271 00:05:42,280 --> 00:05:44,510 and funny enough they've never done uh National TV in this country before 272 00:05:44,510 --> 00:05:44,520 National TV in this country before 273 00:05:44,520 --> 00:05:45,670 National TV in this country before they've done a couple of local things 274 00:05:45,670 --> 00:05:45,680 they've done a couple of local things 275 00:05:45,680 --> 00:05:47,350 they've done a couple of local things but they've never been on national TV 276 00:05:47,350 --> 00:05:47,360 but they've never been on national TV 277 00:05:47,360 --> 00:05:49,430 but they've never been on national TV which seemed to me to be shocking so I 278 00:05:49,430 --> 00:05:49,440 which seemed to me to be shocking so I 279 00:05:49,440 --> 00:05:51,430 which seemed to me to be shocking so I quite wanted to go down in history as uh 280 00:05:51,430 --> 00:05:51,440 quite wanted to go down in history as uh 281 00:05:51,440 --> 00:05:53,710 quite wanted to go down in history as uh the man who 282 00:05:53,710 --> 00:05:53,720 the man who 283 00:05:53,720 --> 00:05:56,710 the man who put 284 00:05:56,710 --> 00:05:56,720 put 285 00:05:56,720 --> 00:05:58,469 put smil 286 00:05:58,469 --> 00:05:58,479 smil 287 00:05:58,479 --> 00:06:00,270 smil smiles 288 00:06:00,270 --> 00:06:00,280 smiles 289 00:06:00,280 --> 00:06:04,390 smiles the clock now at 290 00:06:04,390 --> 00:06:04,400 291 00:06:04,400 --> 00:06:09,790 292 00:06:09,790 --> 00:06:09,800 293 00:06:09,800 --> 00:06:12,670 294 00:06:12,670 --> 00:06:12,680 Theus smile the Fall Would sign with 295 00:06:12,680 --> 00:06:14,950 Theus smile the Fall Would sign with Beggar's Banquet a larger label that 296 00:06:14,950 --> 00:06:14,960 Beggar's Banquet a larger label that 297 00:06:14,960 --> 00:06:17,189 Beggar's Banquet a larger label that would give them greater distribution and 298 00:06:17,189 --> 00:06:17,199 would give them greater distribution and 299 00:06:17,199 --> 00:06:18,710 would give them greater distribution and let them still keep their artistic 300 00:06:18,710 --> 00:06:18,720 let them still keep their artistic 301 00:06:18,720 --> 00:06:20,469 let them still keep their artistic Freedom the wonderful and frightening 302 00:06:20,469 --> 00:06:20,479 Freedom the wonderful and frightening 303 00:06:20,479 --> 00:06:22,070 Freedom the wonderful and frightening world of the Fall was released in 304 00:06:22,070 --> 00:06:22,080 world of the Fall was released in 305 00:06:22,080 --> 00:06:24,990 world of the Fall was released in October 1984 brics's guitar playing and 306 00:06:24,990 --> 00:06:25,000 October 1984 brics's guitar playing and 307 00:06:25,000 --> 00:06:26,830 October 1984 brics's guitar playing and backing vocals were a keen component of 308 00:06:26,830 --> 00:06:26,840 backing vocals were a keen component of 309 00:06:26,840 --> 00:06:29,070 backing vocals were a keen component of the overall sound this was also the last 310 00:06:29,070 --> 00:06:29,080 the overall sound this was also the last 311 00:06:29,080 --> 00:06:31,390 the overall sound this was also the last album with the double drum sound as Paul 312 00:06:31,390 --> 00:06:31,400 album with the double drum sound as Paul 313 00:06:31,400 --> 00:06:33,189 album with the double drum sound as Paul Hanley would leave after the tour for 314 00:06:33,189 --> 00:06:33,199 Hanley would leave after the tour for 315 00:06:33,199 --> 00:06:34,870 Hanley would leave after the tour for this album the album's opener is the 316 00:06:34,870 --> 00:06:34,880 this album the album's opener is the 317 00:06:34,880 --> 00:06:37,510 this album the album's opener is the upbeat bar burner lay of the land which 318 00:06:37,510 --> 00:06:37,520 upbeat bar burner lay of the land which 319 00:06:37,520 --> 00:06:39,230 upbeat bar burner lay of the land which starts with a chant taken from the 320 00:06:39,230 --> 00:06:39,240 starts with a chant taken from the 321 00:06:39,240 --> 00:06:41,150 starts with a chant taken from the television series The Quarter Mass 322 00:06:41,150 --> 00:06:41,160 television series The Quarter Mass 323 00:06:41,160 --> 00:06:43,550 television series The Quarter Mass conclusion before igniting into a roxus 324 00:06:43,550 --> 00:06:43,560 conclusion before igniting into a roxus 325 00:06:43,560 --> 00:06:44,950 conclusion before igniting into a roxus rockabilly 326 00:06:44,950 --> 00:06:44,960 rockabilly 327 00:06:44,960 --> 00:06:50,070 rockabilly charge give up 328 00:06:50,070 --> 00:06:50,080 329 00:06:50,080 --> 00:06:54,630 330 00:06:54,630 --> 00:06:54,640 living I'm who 331 00:06:54,640 --> 00:06:58,390 living I'm who [Music] 332 00:06:58,390 --> 00:06:58,400 [Music] 333 00:06:58,400 --> 00:07:00,490 [Music] I 334 00:07:00,490 --> 00:07:00,500 I 335 00:07:00,500 --> 00:07:09,950 I [Music] 336 00:07:09,950 --> 00:07:09,960 [Music] 337 00:07:09,960 --> 00:07:12,070 [Music] on the track elves the band plays A 338 00:07:12,070 --> 00:07:12,080 on the track elves the band plays A 339 00:07:12,080 --> 00:07:14,270 on the track elves the band plays A Sinister Rift that emulates the stoes 340 00:07:14,270 --> 00:07:14,280 Sinister Rift that emulates the stoes 341 00:07:14,280 --> 00:07:20,400 Sinister Rift that emulates the stoes classic I want to be your 342 00:07:20,400 --> 00:07:20,410 343 00:07:20,410 --> 00:07:24,029 344 00:07:24,029 --> 00:07:24,039 [Music] 345 00:07:24,039 --> 00:07:31,070 [Music] dog the St come down 346 00:07:31,070 --> 00:07:31,080 dog the St come down 347 00:07:31,080 --> 00:07:32,909 dog the St come down the band would experiment with dubstyle 348 00:07:32,909 --> 00:07:32,919 the band would experiment with dubstyle 349 00:07:32,919 --> 00:07:35,189 the band would experiment with dubstyle recording with the track bug day the 350 00:07:35,189 --> 00:07:35,199 recording with the track bug day the 351 00:07:35,199 --> 00:07:38,110 recording with the track bug day the ending track Disney's dream de based is 352 00:07:38,110 --> 00:07:38,120 ending track Disney's dream de based is 353 00:07:38,120 --> 00:07:40,230 ending track Disney's dream de based is based on an experience that Smith had 354 00:07:40,230 --> 00:07:40,240 based on an experience that Smith had 355 00:07:40,240 --> 00:07:42,430 based on an experience that Smith had when visiting Disneyland in California 356 00:07:42,430 --> 00:07:42,440 when visiting Disneyland in California 357 00:07:42,440 --> 00:07:44,469 when visiting Disneyland in California Smith felt very uncomfortable after 358 00:07:44,469 --> 00:07:44,479 Smith felt very uncomfortable after 359 00:07:44,479 --> 00:07:46,510 Smith felt very uncomfortable after getting off one of the rides and decided 360 00:07:46,510 --> 00:07:46,520 getting off one of the rides and decided 361 00:07:46,520 --> 00:07:49,350 getting off one of the rides and decided that the ride was Evil later that day a 362 00:07:49,350 --> 00:07:49,360 that the ride was Evil later that day a 363 00:07:49,360 --> 00:07:51,589 that the ride was Evil later that day a woman ended up getting decapitated on 364 00:07:51,589 --> 00:07:51,599 woman ended up getting decapitated on 365 00:07:51,599 --> 00:07:54,070 woman ended up getting decapitated on the ride the song surprisingly mellow 366 00:07:54,070 --> 00:07:54,080 the ride the song surprisingly mellow 367 00:07:54,080 --> 00:07:56,629 the ride the song surprisingly mellow tone supports Mark's grotesque 368 00:07:56,629 --> 00:07:56,639 tone supports Mark's grotesque 369 00:07:56,639 --> 00:07:58,990 tone supports Mark's grotesque description of the day's events a bloody 370 00:07:58,990 --> 00:07:59,000 description of the day's events a bloody 371 00:07:59,000 --> 00:08:01,070 description of the day's events a bloody Cor with people dressed as Disney 372 00:08:01,070 --> 00:08:01,080 Cor with people dressed as Disney 373 00:08:01,080 --> 00:08:02,909 Cor with people dressed as Disney characters trying to comfort people have 374 00:08:02,909 --> 00:08:02,919 characters trying to comfort people have 375 00:08:02,919 --> 00:08:05,530 characters trying to comfort people have witnessed the horrific 376 00:08:05,530 --> 00:08:05,540 witnessed the horrific 377 00:08:05,540 --> 00:08:13,149 witnessed the horrific [Music] 378 00:08:13,149 --> 00:08:13,159 [Music] 379 00:08:13,159 --> 00:08:16,029 [Music] accident the recording of the album was 380 00:08:16,029 --> 00:08:16,039 accident the recording of the album was 381 00:08:16,039 --> 00:08:18,309 accident the recording of the album was an intense experience it was recorded 382 00:08:18,309 --> 00:08:18,319 an intense experience it was recorded 383 00:08:18,319 --> 00:08:20,710 an intense experience it was recorded live in the studio at high volume and 384 00:08:20,710 --> 00:08:20,720 live in the studio at high volume and 385 00:08:20,720 --> 00:08:23,029 live in the studio at high volume and according to producer John Ley mark 386 00:08:23,029 --> 00:08:23,039 according to producer John Ley mark 387 00:08:23,039 --> 00:08:25,670 according to producer John Ley mark would have a can of special Brew vodka 388 00:08:25,670 --> 00:08:25,680 would have a can of special Brew vodka 389 00:08:25,680 --> 00:08:27,670 would have a can of special Brew vodka and a line of speed going at 11:00 in 390 00:08:27,670 --> 00:08:27,680 and a line of speed going at 11:00 in 391 00:08:27,680 --> 00:08:29,589 and a line of speed going at 11:00 in the morning just to start the day this 392 00:08:29,589 --> 00:08:29,599 the morning just to start the day this 393 00:08:29,599 --> 00:08:31,510 the morning just to start the day this album was the first among three albums 394 00:08:31,510 --> 00:08:31,520 album was the first among three albums 395 00:08:31,520 --> 00:08:33,469 album was the first among three albums on Beggars Banquets that are considered 396 00:08:33,469 --> 00:08:33,479 on Beggars Banquets that are considered 397 00:08:33,479 --> 00:08:35,310 on Beggars Banquets that are considered to be among the Fall's best the 398 00:08:35,310 --> 00:08:35,320 to be among the Fall's best the 399 00:08:35,320 --> 00:08:38,110 to be among the Fall's best the follow-up album This Nation Saving Grace 400 00:08:38,110 --> 00:08:38,120 follow-up album This Nation Saving Grace 401 00:08:38,120 --> 00:08:41,269 follow-up album This Nation Saving Grace was recorded in June July 1985 and again 402 00:08:41,269 --> 00:08:41,279 was recorded in June July 1985 and again 403 00:08:41,279 --> 00:08:43,430 was recorded in June July 1985 and again was produced by John Ley the band was 404 00:08:43,430 --> 00:08:43,440 was produced by John Ley the band was 405 00:08:43,440 --> 00:08:45,590 was produced by John Ley the band was down to now to one drummer and basis 406 00:08:45,590 --> 00:08:45,600 down to now to one drummer and basis 407 00:08:45,600 --> 00:08:47,590 down to now to one drummer and basis Steven Hanley went on four months 408 00:08:47,590 --> 00:08:47,600 Steven Hanley went on four months 409 00:08:47,600 --> 00:08:49,430 Steven Hanley went on four months paternity leave and was replaced by 410 00:08:49,430 --> 00:08:49,440 paternity leave and was replaced by 411 00:08:49,440 --> 00:08:51,750 paternity leave and was replaced by Simon Rogers Smith was happy with the 412 00:08:51,750 --> 00:08:51,760 Simon Rogers Smith was happy with the 413 00:08:51,760 --> 00:08:53,430 Simon Rogers Smith was happy with the production on this album as he felt 414 00:08:53,430 --> 00:08:53,440 production on this album as he felt 415 00:08:53,440 --> 00:08:55,310 production on this album as he felt there was more emphasis on the drums and 416 00:08:55,310 --> 00:08:55,320 there was more emphasis on the drums and 417 00:08:55,320 --> 00:08:57,750 there was more emphasis on the drums and bass creating a wall of sound the album 418 00:08:57,750 --> 00:08:57,760 bass creating a wall of sound the album 419 00:08:57,760 --> 00:08:59,389 bass creating a wall of sound the album begins with a creepy instrumental 420 00:08:59,389 --> 00:08:59,399 begins with a creepy instrumental 421 00:08:59,399 --> 00:09:02,829 begins with a creepy instrumental Mansion before Mark declares all those 422 00:09:02,829 --> 00:09:02,839 Mansion before Mark declares all those 423 00:09:02,839 --> 00:09:05,590 Mansion before Mark declares all those who M entitle themselves and whose main 424 00:09:05,590 --> 00:09:05,600 who M entitle themselves and whose main 425 00:09:05,600 --> 00:09:07,949 who M entitle themselves and whose main entitle is themselves shall feel the 426 00:09:07,949 --> 00:09:07,959 entitle is themselves shall feel the 427 00:09:07,959 --> 00:09:11,269 entitle is themselves shall feel the wrath of my bombast this track bombast 428 00:09:11,269 --> 00:09:11,279 wrath of my bombast this track bombast 429 00:09:11,279 --> 00:09:12,829 wrath of my bombast this track bombast grabs the listener's attention with 430 00:09:12,829 --> 00:09:12,839 grabs the listener's attention with 431 00:09:12,839 --> 00:09:14,630 grabs the listener's attention with heavy riffs and Smith occasionally 432 00:09:14,630 --> 00:09:14,640 heavy riffs and Smith occasionally 433 00:09:14,640 --> 00:09:17,350 heavy riffs and Smith occasionally singing through a megaphone all those 434 00:09:17,350 --> 00:09:17,360 singing through a megaphone all those 435 00:09:17,360 --> 00:09:22,150 singing through a megaphone all those who andle themselves and whose enle is 436 00:09:22,150 --> 00:09:22,160 who andle themselves and whose enle is 437 00:09:22,160 --> 00:09:28,110 who andle themselves and whose enle is themselves shall feel the r of my 438 00:09:28,110 --> 00:09:28,120 439 00:09:28,120 --> 00:09:32,170 440 00:09:32,170 --> 00:09:32,180 441 00:09:32,180 --> 00:09:43,269 442 00:09:43,269 --> 00:09:43,279 [Music] 443 00:09:43,279 --> 00:09:46,590 [Music] cling on the repetitive what you need 444 00:09:46,590 --> 00:09:46,600 cling on the repetitive what you need 445 00:09:46,600 --> 00:09:49,230 cling on the repetitive what you need Smith suggests that what people need is 446 00:09:49,230 --> 00:09:49,240 Smith suggests that what people need is 447 00:09:49,240 --> 00:09:52,190 Smith suggests that what people need is a little Iggy stoe the first side ends 448 00:09:52,190 --> 00:09:52,200 a little Iggy stoe the first side ends 449 00:09:52,200 --> 00:09:54,389 a little Iggy stoe the first side ends with the track La this track 450 00:09:54,389 --> 00:09:54,399 with the track La this track 451 00:09:54,399 --> 00:09:56,550 with the track La this track incorporates electronic music which 452 00:09:56,550 --> 00:09:56,560 incorporates electronic music which 453 00:09:56,560 --> 00:09:59,110 incorporates electronic music which pulsates while Smith makes cynical up 454 00:09:59,110 --> 00:09:59,120 pulsates while Smith makes cynical up 455 00:09:59,120 --> 00:10:01,310 pulsates while Smith makes cynical up observations about the same famous city 456 00:10:01,310 --> 00:10:01,320 observations about the same famous city 457 00:10:01,320 --> 00:10:03,150 observations about the same famous city over time the band would integrate more 458 00:10:03,150 --> 00:10:03,160 over time the band would integrate more 459 00:10:03,160 --> 00:10:05,269 over time the band would integrate more use of synthesizers and samples into 460 00:10:05,269 --> 00:10:05,279 use of synthesizers and samples into 461 00:10:05,279 --> 00:10:08,710 use of synthesizers and samples into their 462 00:10:08,710 --> 00:10:08,720 463 00:10:08,720 --> 00:10:09,930 464 00:10:09,930 --> 00:10:09,940 [Music] 465 00:10:09,940 --> 00:10:14,920 [Music] [Applause] 466 00:10:14,920 --> 00:10:14,930 467 00:10:14,930 --> 00:10:24,949 468 00:10:24,949 --> 00:10:24,959 469 00:10:24,959 --> 00:10:27,509 470 00:10:27,509 --> 00:10:27,519 music my new house starts with a 471 00:10:27,519 --> 00:10:29,670 music my new house starts with a repetitive acoustic Rift 472 00:10:29,670 --> 00:10:29,680 repetitive acoustic Rift 473 00:10:29,680 --> 00:10:32,509 repetitive acoustic Rift before a mild cacophony begins and Smith 474 00:10:32,509 --> 00:10:32,519 before a mild cacophony begins and Smith 475 00:10:32,519 --> 00:10:34,630 before a mild cacophony begins and Smith rants about a semidetached home he 476 00:10:34,630 --> 00:10:34,640 rants about a semidetached home he 477 00:10:34,640 --> 00:10:37,269 rants about a semidetached home he purchased he admits to listeners that I 478 00:10:37,269 --> 00:10:37,279 purchased he admits to listeners that I 479 00:10:37,279 --> 00:10:42,509 purchased he admits to listeners that I gets bills and I get mythed my new house 480 00:10:42,509 --> 00:10:42,519 gets bills and I get mythed my new house 481 00:10:42,519 --> 00:10:44,949 gets bills and I get mythed my new house you should see my 482 00:10:44,949 --> 00:10:44,959 you should see my 483 00:10:44,959 --> 00:10:50,310 you should see my house my new house you should see my new 484 00:10:50,310 --> 00:10:50,320 house my new house you should see my new 485 00:10:50,320 --> 00:10:53,350 house my new house you should see my new house the experimental paintwork is a 486 00:10:53,350 --> 00:10:53,360 house the experimental paintwork is a 487 00:10:53,360 --> 00:10:55,990 house the experimental paintwork is a semi-acoustic tape collage that Smith 488 00:10:55,990 --> 00:10:56,000 semi-acoustic tape collage that Smith 489 00:10:56,000 --> 00:10:57,790 semi-acoustic tape collage that Smith accidentally recorded over with a 490 00:10:57,790 --> 00:10:57,800 accidentally recorded over with a 491 00:10:57,800 --> 00:11:00,430 accidentally recorded over with a university lecture on red giant Stars 492 00:11:00,430 --> 00:11:00,440 university lecture on red giant Stars 493 00:11:00,440 --> 00:11:02,350 university lecture on red giant Stars when he took the master tape home the 494 00:11:02,350 --> 00:11:02,360 when he took the master tape home the 495 00:11:02,360 --> 00:11:04,590 when he took the master tape home the accident seemed to fit the track and 496 00:11:04,590 --> 00:11:04,600 accident seemed to fit the track and 497 00:11:04,600 --> 00:11:06,690 accident seemed to fit the track and remained on the Final 498 00:11:06,690 --> 00:11:06,700 remained on the Final 499 00:11:06,700 --> 00:11:08,230 remained on the Final [Music] 500 00:11:08,230 --> 00:11:08,240 [Music] 501 00:11:08,240 --> 00:11:11,030 [Music] Mix really 502 00:11:11,030 --> 00:11:11,040 Mix really 503 00:11:11,040 --> 00:11:13,470 Mix really amazing stars were no good for making 504 00:11:13,470 --> 00:11:13,480 amazing stars were no good for making 505 00:11:13,480 --> 00:11:15,110 amazing stars were no good for making car in 506 00:11:15,110 --> 00:11:15,120 car in 507 00:11:15,120 --> 00:11:17,280 car in this giant 508 00:11:17,280 --> 00:11:17,290 this giant 509 00:11:17,290 --> 00:11:21,230 this giant [Music] 510 00:11:21,230 --> 00:11:21,240 511 00:11:21,240 --> 00:11:24,629 512 00:11:24,629 --> 00:11:24,639 Stars I am Dam Suzuki is a tribute to 513 00:11:24,639 --> 00:11:27,190 Stars I am Dam Suzuki is a tribute to the legendary and unfortunately now late 514 00:11:27,190 --> 00:11:27,200 the legendary and unfortunately now late 515 00:11:27,200 --> 00:11:29,910 the legendary and unfortunately now late can singer and directly references the 516 00:11:29,910 --> 00:11:29,920 can singer and directly references the 517 00:11:29,920 --> 00:11:33,389 can singer and directly references the can Trak oh yeah in its guitar Rift what 518 00:11:33,389 --> 00:11:33,399 can Trak oh yeah in its guitar Rift what 519 00:11:33,399 --> 00:11:36,150 can Trak oh yeah in its guitar Rift what have you got that 520 00:11:36,150 --> 00:11:36,160 have you got that 521 00:11:36,160 --> 00:11:40,110 have you got that b is it a d Vin 522 00:11:40,110 --> 00:11:40,120 b is it a d Vin 523 00:11:40,120 --> 00:11:47,389 b is it a d Vin C ain't got no time for West 524 00:11:47,389 --> 00:11:47,399 525 00:11:47,399 --> 00:11:51,030 526 00:11:51,030 --> 00:11:51,040 L the album is completed with two NK 527 00:11:51,040 --> 00:11:53,790 L the album is completed with two NK roachman yarbles which starts with a 528 00:11:53,790 --> 00:11:53,800 roachman yarbles which starts with a 529 00:11:53,800 --> 00:11:56,430 roachman yarbles which starts with a riff like mansion and references 530 00:11:56,430 --> 00:11:56,440 riff like mansion and references 531 00:11:56,440 --> 00:11:58,990 riff like mansion and references Clockwork Orange the final album in the 532 00:11:58,990 --> 00:11:59,000 Clockwork Orange the final album in the 533 00:11:59,000 --> 00:12:01,509 Clockwork Orange the final album in the this Trilogy produced by John Ley is 534 00:12:01,509 --> 00:12:01,519 this Trilogy produced by John Ley is 535 00:12:01,519 --> 00:12:04,430 this Trilogy produced by John Ley is 1986's Ben Sinister the album's title 536 00:12:04,430 --> 00:12:04,440 1986's Ben Sinister the album's title 537 00:12:04,440 --> 00:12:06,389 1986's Ben Sinister the album's title was taken from the Vladimir Nabokov 538 00:12:06,389 --> 00:12:06,399 was taken from the Vladimir Nabokov 539 00:12:06,399 --> 00:12:08,949 was taken from the Vladimir Nabokov novel of the same name the novel takes 540 00:12:08,949 --> 00:12:08,959 novel of the same name the novel takes 541 00:12:08,959 --> 00:12:10,829 novel of the same name the novel takes place in a dystopian Society where 542 00:12:10,829 --> 00:12:10,839 place in a dystopian Society where 543 00:12:10,839 --> 00:12:12,430 place in a dystopian Society where people are discouraged from being 544 00:12:12,430 --> 00:12:12,440 people are discouraged from being 545 00:12:12,440 --> 00:12:13,750 people are discouraged from being different from one another the 546 00:12:13,750 --> 00:12:13,760 different from one another the 547 00:12:13,760 --> 00:12:16,150 different from one another the protagonist Professor kug refuses to 548 00:12:16,150 --> 00:12:16,160 protagonist Professor kug refuses to 549 00:12:16,160 --> 00:12:17,870 protagonist Professor kug refuses to compromise with the government by 550 00:12:17,870 --> 00:12:17,880 compromise with the government by 551 00:12:17,880 --> 00:12:20,189 compromise with the government by promoting its philosophy this character 552 00:12:20,189 --> 00:12:20,199 promoting its philosophy this character 553 00:12:20,199 --> 00:12:22,990 promoting its philosophy this character is a kindred spirit to Smith the album 554 00:12:22,990 --> 00:12:23,000 is a kindred spirit to Smith the album 555 00:12:23,000 --> 00:12:25,629 is a kindred spirit to Smith the album is sparse in production it contains a 556 00:12:25,629 --> 00:12:25,639 is sparse in production it contains a 557 00:12:25,639 --> 00:12:28,470 is sparse in production it contains a balance of both gloomy durges and upbeat 558 00:12:28,470 --> 00:12:28,480 balance of both gloomy durges and upbeat 559 00:12:28,480 --> 00:12:32,590 balance of both gloomy durges and upbeat Popp songs the dark songs are the opener 560 00:12:32,590 --> 00:12:32,600 Popp songs the dark songs are the opener 561 00:12:32,600 --> 00:12:36,030 Popp songs the dark songs are the opener Rod the base heavy gross japel British 562 00:12:36,030 --> 00:12:36,040 Rod the base heavy gross japel British 563 00:12:36,040 --> 00:12:39,230 Rod the base heavy gross japel British grenadiers Riddler and autot Tech pilot 564 00:12:39,230 --> 00:12:39,240 grenadiers Riddler and autot Tech pilot 565 00:12:39,240 --> 00:12:42,990 grenadiers Riddler and autot Tech pilot Monday night in operation control 566 00:12:42,990 --> 00:12:43,000 Monday night in operation control 567 00:12:43,000 --> 00:12:47,030 Monday night in operation control I 568 00:12:47,030 --> 00:12:47,040 569 00:12:47,040 --> 00:12:49,470 570 00:12:49,470 --> 00:12:49,480 facing 571 00:12:49,480 --> 00:12:52,030 facing monor the lighter songs are exemplified 572 00:12:52,030 --> 00:12:52,040 monor the lighter songs are exemplified 573 00:12:52,040 --> 00:12:54,470 monor the lighter songs are exemplified by the extremely catchy shoulder pads 574 00:12:54,470 --> 00:12:54,480 by the extremely catchy shoulder pads 575 00:12:54,480 --> 00:12:56,670 by the extremely catchy shoulder pads part one and part two the songs have an 576 00:12:56,670 --> 00:12:56,680 part one and part two the songs have an 577 00:12:56,680 --> 00:12:58,949 part one and part two the songs have an insanely poppy hook where Smith rants 578 00:12:58,949 --> 00:12:58,959 insanely poppy hook where Smith rants 579 00:12:58,959 --> 00:13:00,750 insanely poppy hook where Smith rants about having to hang out with people who 580 00:13:00,750 --> 00:13:00,760 about having to hang out with people who 581 00:13:00,760 --> 00:13:03,790 about having to hang out with people who couldn't tell Lou Reed from Doug Yule 582 00:13:03,790 --> 00:13:03,800 couldn't tell Lou Reed from Doug Yule 583 00:13:03,800 --> 00:13:05,670 couldn't tell Lou Reed from Doug Yule Doug Yule was the replacement base 584 00:13:05,670 --> 00:13:05,680 Doug Yule was the replacement base 585 00:13:05,680 --> 00:13:07,189 Doug Yule was the replacement base player in the Velvet Underground who 586 00:13:07,189 --> 00:13:07,199 player in the Velvet Underground who 587 00:13:07,199 --> 00:13:11,180 player in the Velvet Underground who played on the third and fourth 588 00:13:11,180 --> 00:13:11,190 589 00:13:11,190 --> 00:13:18,990 590 00:13:18,990 --> 00:13:19,000 [Music] 591 00:13:19,000 --> 00:13:21,550 [Music] albums his commentary in the song Terry 592 00:13:21,550 --> 00:13:21,560 albums his commentary in the song Terry 593 00:13:21,560 --> 00:13:24,110 albums his commentary in the song Terry weight says ended up backfiring on him 594 00:13:24,110 --> 00:13:24,120 weight says ended up backfiring on him 595 00:13:24,120 --> 00:13:26,670 weight says ended up backfiring on him weight was a famous hostage negotiator 596 00:13:26,670 --> 00:13:26,680 weight was a famous hostage negotiator 597 00:13:26,680 --> 00:13:28,189 weight was a famous hostage negotiator and when he traveled to Lebanon to 598 00:13:28,189 --> 00:13:28,199 and when he traveled to Lebanon to 599 00:13:28,199 --> 00:13:31,189 and when he traveled to Lebanon to secure the released of hostages in 1987 600 00:13:31,189 --> 00:13:31,199 secure the released of hostages in 1987 601 00:13:31,199 --> 00:13:33,269 secure the released of hostages in 1987 Wade himself was also taken hostage 602 00:13:33,269 --> 00:13:33,279 Wade himself was also taken hostage 603 00:13:33,279 --> 00:13:35,470 Wade himself was also taken hostage Mark's criticism of weight's method and 604 00:13:35,470 --> 00:13:35,480 Mark's criticism of weight's method and 605 00:13:35,480 --> 00:13:39,040 Mark's criticism of weight's method and Ideology Now looks seriously 606 00:13:39,040 --> 00:13:39,050 Ideology Now looks seriously 607 00:13:39,050 --> 00:13:43,990 Ideology Now looks seriously [Music] 608 00:13:43,990 --> 00:13:44,000 609 00:13:44,000 --> 00:13:46,069 610 00:13:46,069 --> 00:13:46,079 insensitive another highlight track is 611 00:13:46,079 --> 00:13:48,710 insensitive another highlight track is the cover of the 60s garage rocker the 612 00:13:48,710 --> 00:13:48,720 the cover of the 60s garage rocker the 613 00:13:48,720 --> 00:13:51,509 the cover of the 60s garage rocker the other half's Mr pharmacists there would 614 00:13:51,509 --> 00:13:51,519 other half's Mr pharmacists there would 615 00:13:51,519 --> 00:13:53,710 other half's Mr pharmacists there would be many more covers that the Fall Would 616 00:13:53,710 --> 00:13:53,720 be many more covers that the Fall Would 617 00:13:53,720 --> 00:13:57,749 be many more covers that the Fall Would produce over the 618 00:13:57,749 --> 00:13:57,759 619 00:13:57,759 --> 00:13:59,629 620 00:13:59,629 --> 00:13:59,639 years 621 00:13:59,639 --> 00:14:02,189 years can you help me out 622 00:14:02,189 --> 00:14:02,199 can you help me out 623 00:14:02,199 --> 00:14:06,150 can you help me out today and you're usual lovely way as a 624 00:14:06,150 --> 00:14:06,160 today and you're usual lovely way as a 625 00:14:06,160 --> 00:14:08,870 today and you're usual lovely way as a fall fan these three albums wonderful 626 00:14:08,870 --> 00:14:08,880 fall fan these three albums wonderful 627 00:14:08,880 --> 00:14:11,150 fall fan these three albums wonderful fighting world of the fall this nation 628 00:14:11,150 --> 00:14:11,160 fighting world of the fall this nation 629 00:14:11,160 --> 00:14:13,590 fighting world of the fall this nation Saving Grace and Ben Sinister represent 630 00:14:13,590 --> 00:14:13,600 Saving Grace and Ben Sinister represent 631 00:14:13,600 --> 00:14:15,910 Saving Grace and Ben Sinister represent a real high point in the band sound I 632 00:14:15,910 --> 00:14:15,920 a real high point in the band sound I 633 00:14:15,920 --> 00:14:17,910 a real high point in the band sound I would recommend these albums as the 634 00:14:17,910 --> 00:14:17,920 would recommend these albums as the 635 00:14:17,920 --> 00:14:20,150 would recommend these albums as the starting point for any new fan that is 636 00:14:20,150 --> 00:14:20,160 starting point for any new fan that is 637 00:14:20,160 --> 00:14:21,910 starting point for any new fan that is curious about the band the band were 638 00:14:21,910 --> 00:14:21,920 curious about the band the band were 639 00:14:21,920 --> 00:14:24,430 curious about the band the band were growing in popularity and we're making 640 00:14:24,430 --> 00:14:24,440 growing in popularity and we're making 641 00:14:24,440 --> 00:14:27,269 growing in popularity and we're making more TV appearances Smith looked 642 00:14:27,269 --> 00:14:27,279 more TV appearances Smith looked 643 00:14:27,279 --> 00:14:29,749 more TV appearances Smith looked confident in his long black trench coat 644 00:14:29,749 --> 00:14:29,759 confident in his long black trench coat 645 00:14:29,759 --> 00:14:31,710 confident in his long black trench coat and he would conduct numerous interviews 646 00:14:31,710 --> 00:14:31,720 and he would conduct numerous interviews 647 00:14:31,720 --> 00:14:34,189 and he would conduct numerous interviews with his wife bricks alongside him Smith 648 00:14:34,189 --> 00:14:34,199 with his wife bricks alongside him Smith 649 00:14:34,199 --> 00:14:36,310 with his wife bricks alongside him Smith and his wife had great banter and the 650 00:14:36,310 --> 00:14:36,320 and his wife had great banter and the 651 00:14:36,320 --> 00:14:38,230 and his wife had great banter and the band leader came across as charming and 652 00:14:38,230 --> 00:14:38,240 band leader came across as charming and 653 00:14:38,240 --> 00:14:40,230 band leader came across as charming and witty the BL said to me 654 00:14:40,230 --> 00:14:40,240 witty the BL said to me 655 00:14:40,240 --> 00:14:45,310 witty the BL said to me yesterday said some uh you know the fall 656 00:14:45,310 --> 00:14:45,320 yesterday said some uh you know the fall 657 00:14:45,320 --> 00:14:48,350 yesterday said some uh you know the fall always strikes him as like six talented 658 00:14:48,350 --> 00:14:48,360 always strikes him as like six talented 659 00:14:48,360 --> 00:14:50,550 always strikes him as like six talented people almost like uh fighting against 660 00:14:50,550 --> 00:14:50,560 people almost like uh fighting against 661 00:14:50,560 --> 00:14:52,310 people almost like uh fighting against each other you know bricks was also 662 00:14:52,310 --> 00:14:52,320 each other you know bricks was also 663 00:14:52,320 --> 00:14:54,710 each other you know bricks was also pursuing her side project the adult net 664 00:14:54,710 --> 00:14:54,720 pursuing her side project the adult net 665 00:14:54,720 --> 00:14:56,829 pursuing her side project the adult net the adult net had a much more pop and 666 00:14:56,829 --> 00:14:56,839 the adult net had a much more pop and 667 00:14:56,839 --> 00:14:59,230 the adult net had a much more pop and psychedelic feel than the fall the band 668 00:14:59,230 --> 00:14:59,240 psychedelic feel than the fall the band 669 00:14:59,240 --> 00:15:02,509 psychedelic feel than the fall the band would release many singles between 1985 670 00:15:02,509 --> 00:15:02,519 would release many singles between 1985 671 00:15:02,519 --> 00:15:05,389 would release many singles between 1985 and 1989 including a cover of incense 672 00:15:05,389 --> 00:15:05,399 and 1989 including a cover of incense 673 00:15:05,399 --> 00:15:08,170 and 1989 including a cover of incense and peppermints by the strawbery alarm 674 00:15:08,170 --> 00:15:08,180 and peppermints by the strawbery alarm 675 00:15:08,180 --> 00:15:14,949 and peppermints by the strawbery alarm [Music] 676 00:15:14,949 --> 00:15:14,959 677 00:15:14,959 --> 00:15:17,670 678 00:15:17,670 --> 00:15:17,680 clock and it was this pop influence of 679 00:15:17,680 --> 00:15:19,509 clock and it was this pop influence of bricks that would really start to take 680 00:15:19,509 --> 00:15:19,519 bricks that would really start to take 681 00:15:19,519 --> 00:15:22,910 bricks that would really start to take over the false sound in April of 1987 682 00:15:22,910 --> 00:15:22,920 over the false sound in April of 1987 683 00:15:22,920 --> 00:15:25,389 over the false sound in April of 1987 the fall will release a cover of R Dean 684 00:15:25,389 --> 00:15:25,399 the fall will release a cover of R Dean 685 00:15:25,399 --> 00:15:27,990 the fall will release a cover of R Dean Taylor's Northern Soul classic there's a 686 00:15:27,990 --> 00:15:28,000 Taylor's Northern Soul classic there's a 687 00:15:28,000 --> 00:15:29,710 Taylor's Northern Soul classic there's a ghost in my house house with a much 688 00:15:29,710 --> 00:15:29,720 ghost in my house house with a much 689 00:15:29,720 --> 00:15:32,030 ghost in my house house with a much cleaner sound than most previous fall 690 00:15:32,030 --> 00:15:32,040 cleaner sound than most previous fall 691 00:15:32,040 --> 00:15:34,509 cleaner sound than most previous fall releases the single reached number 30 on 692 00:15:34,509 --> 00:15:34,519 releases the single reached number 30 on 693 00:15:34,519 --> 00:15:40,150 releases the single reached number 30 on the British charts I be shs 694 00:15:40,150 --> 00:15:40,160 the British charts I be shs 695 00:15:40,160 --> 00:15:42,550 the British charts I be shs the 696 00:15:42,550 --> 00:15:42,560 the 697 00:15:42,560 --> 00:15:46,230 the time theion of your smile face they 698 00:15:46,230 --> 00:15:46,240 time theion of your smile face they 699 00:15:46,240 --> 00:15:48,069 time theion of your smile face they would then release hit the North in 700 00:15:48,069 --> 00:15:48,079 would then release hit the North in 701 00:15:48,079 --> 00:15:50,990 would then release hit the North in October 1987 bricks very consciously 702 00:15:50,990 --> 00:15:51,000 October 1987 bricks very consciously 703 00:15:51,000 --> 00:15:53,430 October 1987 bricks very consciously along with member Simon Roger created a 704 00:15:53,430 --> 00:15:53,440 along with member Simon Roger created a 705 00:15:53,440 --> 00:15:55,710 along with member Simon Roger created a pop song that would go up the charts she 706 00:15:55,710 --> 00:15:55,720 pop song that would go up the charts she 707 00:15:55,720 --> 00:15:57,590 pop song that would go up the charts she felt that the band needed to be more 708 00:15:57,590 --> 00:15:57,600 felt that the band needed to be more 709 00:15:57,600 --> 00:16:00,350 felt that the band needed to be more well-known Roger used the sequential 710 00:16:00,350 --> 00:16:00,360 well-known Roger used the sequential 711 00:16:00,360 --> 00:16:03,150 well-known Roger used the sequential circuit Studio 4 sequencer sampler to 712 00:16:03,150 --> 00:16:03,160 circuit Studio 4 sequencer sampler to 713 00:16:03,160 --> 00:16:05,749 circuit Studio 4 sequencer sampler to get the sound that modern New Wave bands 714 00:16:05,749 --> 00:16:05,759 get the sound that modern New Wave bands 715 00:16:05,759 --> 00:16:08,070 get the sound that modern New Wave bands had been using over the past few 716 00:16:08,070 --> 00:16:08,080 had been using over the past few 717 00:16:08,080 --> 00:16:16,110 had been using over the past few [Music] 718 00:16:16,110 --> 00:16:16,120 [Music] 719 00:16:16,120 --> 00:16:18,790 [Music] years the next album the friends 720 00:16:18,790 --> 00:16:18,800 years the next album the friends 721 00:16:18,800 --> 00:16:20,590 years the next album the friends experiment would continue this 722 00:16:20,590 --> 00:16:20,600 experiment would continue this 723 00:16:20,600 --> 00:16:23,069 experiment would continue this trajectory even though Mark's sardonic 724 00:16:23,069 --> 00:16:23,079 trajectory even though Mark's sardonic 725 00:16:23,079 --> 00:16:25,470 trajectory even though Mark's sardonic personality was still present the techn 726 00:16:25,470 --> 00:16:25,480 personality was still present the techn 727 00:16:25,480 --> 00:16:27,590 personality was still present the techn pop atmosphere alleviated some of the 728 00:16:27,590 --> 00:16:27,600 pop atmosphere alleviated some of the 729 00:16:27,600 --> 00:16:31,670 pop atmosphere alleviated some of the darkness 730 00:16:31,670 --> 00:16:31,680 731 00:16:31,680 --> 00:16:34,710 732 00:16:34,710 --> 00:16:34,720 something happened in brma I know 733 00:16:34,720 --> 00:16:38,470 something happened in brma I know something I don't want to soon after the 734 00:16:38,470 --> 00:16:38,480 something I don't want to soon after the 735 00:16:38,480 --> 00:16:40,430 something I don't want to soon after the forward lease their cover of the king's 736 00:16:40,430 --> 00:16:40,440 forward lease their cover of the king's 737 00:16:40,440 --> 00:16:43,350 forward lease their cover of the king's classic Victoria which reached number 35 738 00:16:43,350 --> 00:16:43,360 classic Victoria which reached number 35 739 00:16:43,360 --> 00:16:44,990 classic Victoria which reached number 35 on the 740 00:16:44,990 --> 00:16:45,000 on the 741 00:16:45,000 --> 00:16:50,790 on the charts and the rich with so men Ste hes 742 00:16:50,790 --> 00:16:50,800 charts and the rich with so men Ste hes 743 00:16:50,800 --> 00:16:54,470 charts and the rich with so men Ste hes for the 744 00:16:54,470 --> 00:16:54,480 745 00:16:54,480 --> 00:16:57,309 746 00:16:57,309 --> 00:16:57,319 L Smith's mom would call him and tell 747 00:16:57,319 --> 00:17:00,189 L Smith's mom would call him and tell him she saw that Elton John said that he 748 00:17:00,189 --> 00:17:00,199 him she saw that Elton John said that he 749 00:17:00,199 --> 00:17:01,990 him she saw that Elton John said that he liked the fall because it was rock and 750 00:17:01,990 --> 00:17:02,000 liked the fall because it was rock and 751 00:17:02,000 --> 00:17:04,510 liked the fall because it was rock and roll Smith felt at that moment he must 752 00:17:04,510 --> 00:17:04,520 roll Smith felt at that moment he must 753 00:17:04,520 --> 00:17:07,309 roll Smith felt at that moment he must be doing something wrong so Smith 754 00:17:07,309 --> 00:17:07,319 be doing something wrong so Smith 755 00:17:07,319 --> 00:17:09,549 be doing something wrong so Smith decided to collaborate on a ballet with 756 00:17:09,549 --> 00:17:09,559 decided to collaborate on a ballet with 757 00:17:09,559 --> 00:17:12,230 decided to collaborate on a ballet with Scottish dancer Michael Clark Clark had 758 00:17:12,230 --> 00:17:12,240 Scottish dancer Michael Clark Clark had 759 00:17:12,240 --> 00:17:14,549 Scottish dancer Michael Clark Clark had used the Falls music to dance to in his 760 00:17:14,549 --> 00:17:14,559 used the Falls music to dance to in his 761 00:17:14,559 --> 00:17:17,189 used the Falls music to dance to in his fictionalized biographical film hail the 762 00:17:17,189 --> 00:17:17,199 fictionalized biographical film hail the 763 00:17:17,199 --> 00:17:18,099 fictionalized biographical film hail the new 764 00:17:18,099 --> 00:17:18,109 new 765 00:17:18,109 --> 00:17:27,390 new [Music] 766 00:17:27,390 --> 00:17:27,400 [Music] 767 00:17:27,400 --> 00:17:33,070 [Music] Puritan 768 00:17:33,070 --> 00:17:33,080 769 00:17:33,080 --> 00:17:35,029 770 00:17:35,029 --> 00:17:35,039 Smith came up with the idea of creating 771 00:17:35,039 --> 00:17:37,310 Smith came up with the idea of creating a soundtrack to a ballet that would be 772 00:17:37,310 --> 00:17:37,320 a soundtrack to a ballet that would be 773 00:17:37,320 --> 00:17:39,549 a soundtrack to a ballet that would be performed live the whole concept was 774 00:17:39,549 --> 00:17:39,559 performed live the whole concept was 775 00:17:39,559 --> 00:17:41,630 performed live the whole concept was based on the 300th anniversary of 776 00:17:41,630 --> 00:17:41,640 based on the 300th anniversary of 777 00:17:41,640 --> 00:17:43,669 based on the 300th anniversary of William of Orange coming to the throne 778 00:17:43,669 --> 00:17:43,679 William of Orange coming to the throne 779 00:17:43,679 --> 00:17:47,110 William of Orange coming to the throne the song new big Prince references the 780 00:17:47,110 --> 00:17:47,120 the song new big Prince references the 781 00:17:47,120 --> 00:17:50,350 the song new big Prince references the 1982 song Hip priest from the album hex 782 00:17:50,350 --> 00:17:50,360 1982 song Hip priest from the album hex 783 00:17:50,360 --> 00:17:51,750 1982 song Hip priest from the album hex induction 784 00:17:51,750 --> 00:17:51,760 induction 785 00:17:51,760 --> 00:17:55,789 induction hour track Rec track the rec track the 786 00:17:55,789 --> 00:17:55,799 hour track Rec track the rec track the 787 00:17:55,799 --> 00:17:59,790 hour track Rec track the rec track the guys track record there 788 00:17:59,790 --> 00:17:59,800 guys track record there 789 00:17:59,800 --> 00:18:03,750 guys track record there [Music] 790 00:18:03,750 --> 00:18:03,760 [Music] 791 00:18:03,760 --> 00:18:05,750 [Music] Smith would do a rendition of Blake's 792 00:18:05,750 --> 00:18:05,760 Smith would do a rendition of Blake's 793 00:18:05,760 --> 00:18:08,230 Smith would do a rendition of Blake's Jerusalem on the album the title of the 794 00:18:08,230 --> 00:18:08,240 Jerusalem on the album the title of the 795 00:18:08,240 --> 00:18:11,070 Jerusalem on the album the title of the album I am curious orange was a direct 796 00:18:11,070 --> 00:18:11,080 album I am curious orange was a direct 797 00:18:11,080 --> 00:18:14,510 album I am curious orange was a direct reference to vilgot scan's erotic films 798 00:18:14,510 --> 00:18:14,520 reference to vilgot scan's erotic films 799 00:18:14,520 --> 00:18:17,029 reference to vilgot scan's erotic films I am curious yellow and I am curious 800 00:18:17,029 --> 00:18:17,039 I am curious yellow and I am curious 801 00:18:17,039 --> 00:18:19,390 I am curious yellow and I am curious blue the music was turned into an album 802 00:18:19,390 --> 00:18:19,400 blue the music was turned into an album 803 00:18:19,400 --> 00:18:21,510 blue the music was turned into an album and a live performance with the ballet 804 00:18:21,510 --> 00:18:21,520 and a live performance with the ballet 805 00:18:21,520 --> 00:18:23,110 and a live performance with the ballet and it happened at the N burough 806 00:18:23,110 --> 00:18:23,120 and it happened at the N burough 807 00:18:23,120 --> 00:18:25,070 and it happened at the N burough Festival now the audience was a mixture 808 00:18:25,070 --> 00:18:25,080 Festival now the audience was a mixture 809 00:18:25,080 --> 00:18:27,230 Festival now the audience was a mixture of ballet and Rock Fans the performance 810 00:18:27,230 --> 00:18:27,240 of ballet and Rock Fans the performance 811 00:18:27,240 --> 00:18:30,149 of ballet and Rock Fans the performance had its share of absurdities bricks 812 00:18:30,149 --> 00:18:30,159 had its share of absurdities bricks 813 00:18:30,159 --> 00:18:31,830 had its share of absurdities bricks riding across the stage on a giant 814 00:18:31,830 --> 00:18:31,840 riding across the stage on a giant 815 00:18:31,840 --> 00:18:35,149 riding across the stage on a giant burger Rock fans shocked by Markel Clark 816 00:18:35,149 --> 00:18:35,159 burger Rock fans shocked by Markel Clark 817 00:18:35,159 --> 00:18:37,230 burger Rock fans shocked by Markel Clark doing ballet movements in an outfit that 818 00:18:37,230 --> 00:18:37,240 doing ballet movements in an outfit that 819 00:18:37,240 --> 00:18:39,190 doing ballet movements in an outfit that exposed his buttocks ballet fans 820 00:18:39,190 --> 00:18:39,200 exposed his buttocks ballet fans 821 00:18:39,200 --> 00:18:40,630 exposed his buttocks ballet fans plugging their ears to keep out the 822 00:18:40,630 --> 00:18:40,640 plugging their ears to keep out the 823 00:18:40,640 --> 00:18:42,990 plugging their ears to keep out the cacophony of the fall but the upper 824 00:18:42,990 --> 00:18:43,000 cacophony of the fall but the upper 825 00:18:43,000 --> 00:18:45,350 cacophony of the fall but the upper Classics were beginning to heat Praise 826 00:18:45,350 --> 00:18:45,360 Classics were beginning to heat Praise 827 00:18:45,360 --> 00:18:47,710 Classics were beginning to heat Praise on the fall and Smith wanted no part of 828 00:18:47,710 --> 00:18:47,720 on the fall and Smith wanted no part of 829 00:18:47,720 --> 00:18:50,230 on the fall and Smith wanted no part of their praise getting writeups in Elite 830 00:18:50,230 --> 00:18:50,240 their praise getting writeups in Elite 831 00:18:50,240 --> 00:18:52,510 their praise getting writeups in Elite newspapers went against his ethos of 832 00:18:52,510 --> 00:18:52,520 newspapers went against his ethos of 833 00:18:52,520 --> 00:18:54,990 newspapers went against his ethos of being a workingclass artist but there 834 00:18:54,990 --> 00:18:55,000 being a workingclass artist but there 835 00:18:55,000 --> 00:18:57,110 being a workingclass artist but there were serious issues going on behind the 836 00:18:57,110 --> 00:18:57,120 were serious issues going on behind the 837 00:18:57,120 --> 00:18:59,029 were serious issues going on behind the scenes Smith was was becoming more 838 00:18:59,029 --> 00:18:59,039 scenes Smith was was becoming more 839 00:18:59,039 --> 00:19:01,149 scenes Smith was was becoming more dependent on speed and alcohol his 840 00:19:01,149 --> 00:19:01,159 dependent on speed and alcohol his 841 00:19:01,159 --> 00:19:03,590 dependent on speed and alcohol his marriage to Bricks began to crumble even 842 00:19:03,590 --> 00:19:03,600 marriage to Bricks began to crumble even 843 00:19:03,600 --> 00:19:05,710 marriage to Bricks began to crumble even though she wrote many of the songs on I 844 00:19:05,710 --> 00:19:05,720 though she wrote many of the songs on I 845 00:19:05,720 --> 00:19:08,149 though she wrote many of the songs on I am curious orange she was excluded from 846 00:19:08,149 --> 00:19:08,159 am curious orange she was excluded from 847 00:19:08,159 --> 00:19:10,390 am curious orange she was excluded from the writing credits the couple grew more 848 00:19:10,390 --> 00:19:10,400 the writing credits the couple grew more 849 00:19:10,400 --> 00:19:12,390 the writing credits the couple grew more distant and eventually Smith would be 850 00:19:12,390 --> 00:19:12,400 distant and eventually Smith would be 851 00:19:12,400 --> 00:19:15,669 distant and eventually Smith would be unfaithful to Bricks in 1989 she left 852 00:19:15,669 --> 00:19:15,679 unfaithful to Bricks in 1989 she left 853 00:19:15,679 --> 00:19:18,310 unfaithful to Bricks in 1989 she left him in her eyes smicks had become a 854 00:19:18,310 --> 00:19:18,320 him in her eyes smicks had become a 855 00:19:18,320 --> 00:19:20,350 him in her eyes smicks had become a completely irrational drunk Brooks would 856 00:19:20,350 --> 00:19:20,360 completely irrational drunk Brooks would 857 00:19:20,360 --> 00:19:22,630 completely irrational drunk Brooks would go on tour with the Bengals and become 858 00:19:22,630 --> 00:19:22,640 go on tour with the Bengals and become 859 00:19:22,640 --> 00:19:24,430 go on tour with the Bengals and become romantically involved with violinist 860 00:19:24,430 --> 00:19:24,440 romantically involved with violinist 861 00:19:24,440 --> 00:19:27,430 romantically involved with violinist Nigel KY audition for the band hole and 862 00:19:27,430 --> 00:19:27,440 Nigel KY audition for the band hole and 863 00:19:27,440 --> 00:19:29,549 Nigel KY audition for the band hole and become involved in the fashion business 864 00:19:29,549 --> 00:19:29,559 become involved in the fashion business 865 00:19:29,559 --> 00:19:32,430 become involved in the fashion business this day she has her own band bricks and 866 00:19:32,430 --> 00:19:32,440 this day she has her own band bricks and 867 00:19:32,440 --> 00:19:35,350 this day she has her own band bricks and the extricated that play both fall 868 00:19:35,350 --> 00:19:35,360 the extricated that play both fall 869 00:19:35,360 --> 00:19:37,950 the extricated that play both fall covers and original songs the departure 870 00:19:37,950 --> 00:19:37,960 covers and original songs the departure 871 00:19:37,960 --> 00:19:39,870 covers and original songs the departure of bricks would lead the fall on a 872 00:19:39,870 --> 00:19:39,880 of bricks would lead the fall on a 873 00:19:39,880 --> 00:19:41,789 of bricks would lead the fall on a turbulent Journey throughout the '90s 874 00:19:41,789 --> 00:19:41,799 turbulent Journey throughout the '90s 875 00:19:41,799 --> 00:19:43,750 turbulent Journey throughout the '90s where the band would really hit rock 876 00:19:43,750 --> 00:19:43,760 where the band would really hit rock 877 00:19:43,760 --> 00:19:45,990 where the band would really hit rock bottom tune in to the next episode to 878 00:19:45,990 --> 00:19:46,000 bottom tune in to the next episode to 879 00:19:46,000 --> 00:19:47,950 bottom tune in to the next episode to see the journey through the destruction 880 00:19:47,950 --> 00:19:47,960 see the journey through the destruction 881 00:19:47,960 --> 00:19:49,470 see the journey through the destruction and the Redemption thank you for 882 00:19:49,470 --> 00:19:49,480 and the Redemption thank you for 883 00:19:49,480 --> 00:19:52,029 and the Redemption thank you for watching 20th Century Music and Arts 884 00:19:52,029 --> 00:19:52,039 watching 20th Century Music and Arts 885 00:19:52,039 --> 00:19:56,470 watching 20th Century Music and Arts please like share subscribe and comment 886 00:19:56,470 --> 00:19:56,480 please like share subscribe and comment 887 00:19:56,480 --> 00:19:59,039 please like share subscribe and comment thank you 75229

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