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These are the user uploaded subtitles that are being translated: 1 00:00:00,080 --> 00:00:02,510 2 00:00:02,510 --> 00:00:02,520 welcome to 20th Century Music and Arts 3 00:00:02,520 --> 00:00:04,789 welcome to 20th Century Music and Arts this is going to be the remastered 4 00:00:04,789 --> 00:00:04,799 this is going to be the remastered 5 00:00:04,799 --> 00:00:07,030 this is going to be the remastered version of Mary Smith in the fall part 6 00:00:07,030 --> 00:00:07,040 version of Mary Smith in the fall part 7 00:00:07,040 --> 00:00:09,790 version of Mary Smith in the fall part one and I'm going to remaster all the 8 00:00:09,790 --> 00:00:09,800 one and I'm going to remaster all the 9 00:00:09,800 --> 00:00:12,910 one and I'm going to remaster all the episodes in the series with new vocal 10 00:00:12,910 --> 00:00:12,920 episodes in the series with new vocal 11 00:00:12,920 --> 00:00:15,470 episodes in the series with new vocal recordings by me and also I want to 12 00:00:15,470 --> 00:00:15,480 recordings by me and also I want to 13 00:00:15,480 --> 00:00:18,029 recordings by me and also I want to include music tracks as well so 14 00:00:18,029 --> 00:00:18,039 include music tracks as well so 15 00:00:18,039 --> 00:00:21,150 include music tracks as well so everything sounds better please enjoy a 16 00:00:21,150 --> 00:00:21,160 everything sounds better please enjoy a 17 00:00:21,160 --> 00:00:23,990 everything sounds better please enjoy a dissonant rockabilly durge begins off 18 00:00:23,990 --> 00:00:24,000 dissonant rockabilly durge begins off 19 00:00:24,000 --> 00:00:26,750 dissonant rockabilly durge begins off time and Out Of Tune the Rhythm repeats 20 00:00:26,750 --> 00:00:26,760 time and Out Of Tune the Rhythm repeats 21 00:00:26,760 --> 00:00:29,630 time and Out Of Tune the Rhythm repeats both to hypnotize and to irritate over 22 00:00:29,630 --> 00:00:29,640 both to hypnotize and to irritate over 23 00:00:29,640 --> 00:00:32,389 both to hypnotize and to irritate over this copon the vocals begin this is a 24 00:00:32,389 --> 00:00:32,399 this copon the vocals begin this is a 25 00:00:32,399 --> 00:00:34,630 this copon the vocals begin this is a rant a rant that is a stream of 26 00:00:34,630 --> 00:00:34,640 rant a rant that is a stream of 27 00:00:34,640 --> 00:00:36,830 rant a rant that is a stream of Consciousness diet tribe in a Manchester 28 00:00:36,830 --> 00:00:36,840 Consciousness diet tribe in a Manchester 29 00:00:36,840 --> 00:00:39,270 Consciousness diet tribe in a Manchester workingclass slang each line ends with 30 00:00:39,270 --> 00:00:39,280 workingclass slang each line ends with 31 00:00:39,280 --> 00:00:43,150 workingclass slang each line ends with an emphasized ah our chorus repeats what 32 00:00:43,150 --> 00:00:43,160 an emphasized ah our chorus repeats what 33 00:00:43,160 --> 00:00:46,189 an emphasized ah our chorus repeats what is shouted the band themselves stay in a 34 00:00:46,189 --> 00:00:46,199 is shouted the band themselves stay in a 35 00:00:46,199 --> 00:00:48,549 is shouted the band themselves stay in a rigid position performing these Jagged 36 00:00:48,549 --> 00:00:48,559 rigid position performing these Jagged 37 00:00:48,559 --> 00:00:51,510 rigid position performing these Jagged rhythms they wear thrift store s 38 00:00:51,510 --> 00:00:51,520 rhythms they wear thrift store s 39 00:00:51,520 --> 00:00:54,709 rhythms they wear thrift store s sweaters golf shirts and khakis there's 40 00:00:54,709 --> 00:00:54,719 sweaters golf shirts and khakis there's 41 00:00:54,719 --> 00:00:57,790 sweaters golf shirts and khakis there's no flare or image here no glamour this 42 00:00:57,790 --> 00:00:57,800 no flare or image here no glamour this 43 00:00:57,800 --> 00:01:00,590 no flare or image here no glamour this is Andy cap as a rock band the 44 00:01:00,590 --> 00:01:00,600 is Andy cap as a rock band the 45 00:01:00,600 --> 00:01:02,670 is Andy cap as a rock band the contradictions are everywhere especially 46 00:01:02,670 --> 00:01:02,680 contradictions are everywhere especially 47 00:01:02,680 --> 00:01:05,070 contradictions are everywhere especially in the lyrics mundane observations of 48 00:01:05,070 --> 00:01:05,080 in the lyrics mundane observations of 49 00:01:05,080 --> 00:01:07,310 in the lyrics mundane observations of workingclass Life are just opposed with 50 00:01:07,310 --> 00:01:07,320 workingclass Life are just opposed with 51 00:01:07,320 --> 00:01:09,830 workingclass Life are just opposed with surreal flights of fantasy grotesque 52 00:01:09,830 --> 00:01:09,840 surreal flights of fantasy grotesque 53 00:01:09,840 --> 00:01:12,870 surreal flights of fantasy grotesque magic realism sarcastic tirades and a 54 00:01:12,870 --> 00:01:12,880 magic realism sarcastic tirades and a 55 00:01:12,880 --> 00:01:15,230 magic realism sarcastic tirades and a love for 50s rock and roll the frontman 56 00:01:15,230 --> 00:01:15,240 love for 50s rock and roll the frontman 57 00:01:15,240 --> 00:01:17,469 love for 50s rock and roll the frontman announces to the audience we are the 58 00:01:17,469 --> 00:01:17,479 announces to the audience we are the 59 00:01:17,479 --> 00:01:20,270 announces to the audience we are the fall how the fall became my favorite 60 00:01:20,270 --> 00:01:20,280 fall how the fall became my favorite 61 00:01:20,280 --> 00:01:23,350 fall how the fall became my favorite band was an interesting process in my 62 00:01:23,350 --> 00:01:23,360 band was an interesting process in my 63 00:01:23,360 --> 00:01:25,630 band was an interesting process in my late teams I would read magazines like 64 00:01:25,630 --> 00:01:25,640 late teams I would read magazines like 65 00:01:25,640 --> 00:01:27,630 late teams I would read magazines like alternative Prest and voraciously 66 00:01:27,630 --> 00:01:27,640 alternative Prest and voraciously 67 00:01:27,640 --> 00:01:29,749 alternative Prest and voraciously consume the reviews I always wanted to 68 00:01:29,749 --> 00:01:29,759 consume the reviews I always wanted to 69 00:01:29,759 --> 00:01:31,590 consume the reviews I always wanted to see see how a band sound would be 70 00:01:31,590 --> 00:01:31,600 see see how a band sound would be 71 00:01:31,600 --> 00:01:33,710 see see how a band sound would be referred to in relation to another band 72 00:01:33,710 --> 00:01:33,720 referred to in relation to another band 73 00:01:33,720 --> 00:01:35,990 referred to in relation to another band sound occasionally a review would State 74 00:01:35,990 --> 00:01:36,000 sound occasionally a review would State 75 00:01:36,000 --> 00:01:38,990 sound occasionally a review would State the singer would R rant like a more 76 00:01:38,990 --> 00:01:39,000 the singer would R rant like a more 77 00:01:39,000 --> 00:01:41,789 the singer would R rant like a more relaxed version of mares Smith or they 78 00:01:41,789 --> 00:01:41,799 relaxed version of mares Smith or they 79 00:01:41,799 --> 00:01:44,069 relaxed version of mares Smith or they have Jagged rhythms like the fall so I 80 00:01:44,069 --> 00:01:44,079 have Jagged rhythms like the fall so I 81 00:01:44,079 --> 00:01:46,429 have Jagged rhythms like the fall so I kept wondering what this band The Fall 82 00:01:46,429 --> 00:01:46,439 kept wondering what this band The Fall 83 00:01:46,439 --> 00:01:49,030 kept wondering what this band The Fall sounded like I finally saw a video for 84 00:01:49,030 --> 00:01:49,040 sounded like I finally saw a video for 85 00:01:49,040 --> 00:01:51,350 sounded like I finally saw a video for kicker conspiracy on much Music City 86 00:01:51,350 --> 00:01:51,360 kicker conspiracy on much Music City 87 00:01:51,360 --> 00:01:54,190 kicker conspiracy on much Music City Limits it was a strange early 80s Video 88 00:01:54,190 --> 00:01:54,200 Limits it was a strange early 80s Video 89 00:01:54,200 --> 00:01:56,709 Limits it was a strange early 80s Video on a soccer pitch with angular guitar 90 00:01:56,709 --> 00:01:56,719 on a soccer pitch with angular guitar 91 00:01:56,719 --> 00:02:00,630 on a soccer pitch with angular guitar sounds and a shouted non-melodic chorus 92 00:02:00,630 --> 00:02:00,640 sounds and a shouted non-melodic chorus 93 00:02:00,640 --> 00:02:03,029 sounds and a shouted non-melodic chorus I was intrigued but did not know what to 94 00:02:03,029 --> 00:02:03,039 I was intrigued but did not know what to 95 00:02:03,039 --> 00:02:06,100 I was intrigued but did not know what to make of 96 00:02:06,100 --> 00:02:06,110 97 00:02:06,110 --> 00:02:07,749 98 00:02:07,749 --> 00:02:07,759 [Music] 99 00:02:07,759 --> 00:02:14,750 [Music] it K in the marble halls of the Tom 100 00:02:14,750 --> 00:02:14,760 101 00:02:14,760 --> 00:02:16,949 102 00:02:16,949 --> 00:02:16,959 St 103 00:02:16,959 --> 00:02:19,670 St is months later I decided to buy the 104 00:02:19,670 --> 00:02:19,680 is months later I decided to buy the 105 00:02:19,680 --> 00:02:21,910 is months later I decided to buy the compilation album Palace of Swords 106 00:02:21,910 --> 00:02:21,920 compilation album Palace of Swords 107 00:02:21,920 --> 00:02:24,390 compilation album Palace of Swords reversed the opening Track Pro art 108 00:02:24,390 --> 00:02:24,400 reversed the opening Track Pro art 109 00:02:24,400 --> 00:02:26,869 reversed the opening Track Pro art threat immediately grabbed my attention 110 00:02:26,869 --> 00:02:26,879 threat immediately grabbed my attention 111 00:02:26,879 --> 00:02:29,030 threat immediately grabbed my attention the shouted lyrics and off-kilter guitar 112 00:02:29,030 --> 00:02:29,040 the shouted lyrics and off-kilter guitar 113 00:02:29,040 --> 00:02:30,990 the shouted lyrics and off-kilter guitar I found fascin ating the lyrics were 114 00:02:30,990 --> 00:02:31,000 I found fascin ating the lyrics were 115 00:02:31,000 --> 00:02:32,790 I found fascin ating the lyrics were strange and I had no clue what they were 116 00:02:32,790 --> 00:02:32,800 strange and I had no clue what they were 117 00:02:32,800 --> 00:02:35,150 strange and I had no clue what they were about but being a fan of music that was 118 00:02:35,150 --> 00:02:35,160 about but being a fan of music that was 119 00:02:35,160 --> 00:02:37,150 about but being a fan of music that was noisy and distant I knew that this was 120 00:02:37,150 --> 00:02:37,160 noisy and distant I knew that this was 121 00:02:37,160 --> 00:02:39,750 noisy and distant I knew that this was up my alley the next song how I wrote 122 00:02:39,750 --> 00:02:39,760 up my alley the next song how I wrote 123 00:02:39,760 --> 00:02:42,309 up my alley the next song how I wrote elastic man at that time I found really 124 00:02:42,309 --> 00:02:42,319 elastic man at that time I found really 125 00:02:42,319 --> 00:02:44,190 elastic man at that time I found really annoying and fast forwarded it on my 126 00:02:44,190 --> 00:02:44,200 annoying and fast forwarded it on my 127 00:02:44,200 --> 00:02:45,949 annoying and fast forwarded it on my cassette player to the next track 128 00:02:45,949 --> 00:02:45,959 cassette player to the next track 129 00:02:45,959 --> 00:02:48,390 cassette player to the next track totally wired with its pulsating beat 130 00:02:48,390 --> 00:02:48,400 totally wired with its pulsating beat 131 00:02:48,400 --> 00:02:50,710 totally wired with its pulsating beat was definitely on my alley however I 132 00:02:50,710 --> 00:02:50,720 was definitely on my alley however I 133 00:02:50,720 --> 00:02:52,430 was definitely on my alley however I started to lose interest over the next 134 00:02:52,430 --> 00:02:52,440 started to lose interest over the next 135 00:02:52,440 --> 00:02:54,750 started to lose interest over the next few songs by the time I got to kick a 136 00:02:54,750 --> 00:02:54,760 few songs by the time I got to kick a 137 00:02:54,760 --> 00:02:56,949 few songs by the time I got to kick a conspiracy on S 2 I come to the 138 00:02:56,949 --> 00:02:56,959 conspiracy on S 2 I come to the 139 00:02:56,959 --> 00:02:59,110 conspiracy on S 2 I come to the conclusion that this tape was not bad 140 00:02:59,110 --> 00:02:59,120 conclusion that this tape was not bad 141 00:02:59,120 --> 00:03:00,790 conclusion that this tape was not bad but it wasn't n necessarily going to be 142 00:03:00,790 --> 00:03:00,800 but it wasn't n necessarily going to be 143 00:03:00,800 --> 00:03:03,910 but it wasn't n necessarily going to be on my heavy playlist rotation but I 144 00:03:03,910 --> 00:03:03,920 on my heavy playlist rotation but I 145 00:03:03,920 --> 00:03:06,670 on my heavy playlist rotation but I would occasionally put this tape on 146 00:03:06,670 --> 00:03:06,680 would occasionally put this tape on 147 00:03:06,680 --> 00:03:08,990 would occasionally put this tape on slowly over time the music began to 148 00:03:08,990 --> 00:03:09,000 slowly over time the music began to 149 00:03:09,000 --> 00:03:11,350 slowly over time the music began to creep into my unconsciousness this sound 150 00:03:11,350 --> 00:03:11,360 creep into my unconsciousness this sound 151 00:03:11,360 --> 00:03:14,750 creep into my unconsciousness this sound was unique and cerebral at the time I 152 00:03:14,750 --> 00:03:14,760 was unique and cerebral at the time I 153 00:03:14,760 --> 00:03:17,149 was unique and cerebral at the time I did not really know what the reference 154 00:03:17,149 --> 00:03:17,159 did not really know what the reference 155 00:03:17,159 --> 00:03:19,309 did not really know what the reference points that were being made musically 156 00:03:19,309 --> 00:03:19,319 points that were being made musically 157 00:03:19,319 --> 00:03:20,990 points that were being made musically you see at that time I was listening to 158 00:03:20,990 --> 00:03:21,000 you see at that time I was listening to 159 00:03:21,000 --> 00:03:22,910 you see at that time I was listening to a wide range of music that included 160 00:03:22,910 --> 00:03:22,920 a wide range of music that included 161 00:03:22,920 --> 00:03:25,390 a wide range of music that included indie rock alternative metal Punk 162 00:03:25,390 --> 00:03:25,400 indie rock alternative metal Punk 163 00:03:25,400 --> 00:03:27,830 indie rock alternative metal Punk hardcore and a lot of noise music this 164 00:03:27,830 --> 00:03:27,840 hardcore and a lot of noise music this 165 00:03:27,840 --> 00:03:29,830 hardcore and a lot of noise music this sound was different from any of these 166 00:03:29,830 --> 00:03:29,840 sound was different from any of these 167 00:03:29,840 --> 00:03:32,270 sound was different from any of these reference points it was also different 168 00:03:32,270 --> 00:03:32,280 reference points it was also different 169 00:03:32,280 --> 00:03:34,350 reference points it was also different from the other British postpunk I was 170 00:03:34,350 --> 00:03:34,360 from the other British postpunk I was 171 00:03:34,360 --> 00:03:36,789 from the other British postpunk I was familiar with like Joy Division bajos 172 00:03:36,789 --> 00:03:36,799 familiar with like Joy Division bajos 173 00:03:36,799 --> 00:03:39,270 familiar with like Joy Division bajos and killing Joe these obtuse rhythms and 174 00:03:39,270 --> 00:03:39,280 and killing Joe these obtuse rhythms and 175 00:03:39,280 --> 00:03:41,110 and killing Joe these obtuse rhythms and surreal lyrics painted a unique 176 00:03:41,110 --> 00:03:41,120 surreal lyrics painted a unique 177 00:03:41,120 --> 00:03:43,429 surreal lyrics painted a unique landscape in my mind the singer ranted 178 00:03:43,429 --> 00:03:43,439 landscape in my mind the singer ranted 179 00:03:43,439 --> 00:03:45,509 landscape in my mind the singer ranted about City hob goblins and traveling 180 00:03:45,509 --> 00:03:45,519 about City hob goblins and traveling 181 00:03:45,519 --> 00:03:48,030 about City hob goblins and traveling back in time to the US Civil War in one 182 00:03:48,030 --> 00:03:48,040 back in time to the US Civil War in one 183 00:03:48,040 --> 00:03:49,949 back in time to the US Civil War in one song which began with the cheapest 184 00:03:49,949 --> 00:03:49,959 song which began with the cheapest 185 00:03:49,959 --> 00:03:52,309 song which began with the cheapest sounding electronic beat the singer 186 00:03:52,309 --> 00:03:52,319 sounding electronic beat the singer 187 00:03:52,319 --> 00:03:54,910 sounding electronic beat the singer commands the rest of the band to turn 188 00:03:54,910 --> 00:03:54,920 commands the rest of the band to turn 189 00:03:54,920 --> 00:03:58,550 commands the rest of the band to turn that Bloody blimy space invader off 190 00:03:58,550 --> 00:03:58,560 that Bloody blimy space invader off 191 00:03:58,560 --> 00:04:00,789 that Bloody blimy space invader off immediately the annoying electronic 192 00:04:00,789 --> 00:04:00,799 immediately the annoying electronic 193 00:04:00,799 --> 00:04:02,910 immediately the annoying electronic pulse ceases and the obtuse guitars 194 00:04:02,910 --> 00:04:02,920 pulse ceases and the obtuse guitars 195 00:04:02,920 --> 00:04:05,000 pulse ceases and the obtuse guitars begin to create a rhythmic 196 00:04:05,000 --> 00:04:05,010 begin to create a rhythmic 197 00:04:05,010 --> 00:04:06,750 begin to create a rhythmic [Music] 198 00:04:06,750 --> 00:04:06,760 [Music] 199 00:04:06,760 --> 00:04:08,870 [Music] wave 200 00:04:08,870 --> 00:04:08,880 wave 201 00:04:08,880 --> 00:04:23,270 wave [Music] 202 00:04:23,270 --> 00:04:23,280 203 00:04:23,280 --> 00:04:26,230 204 00:04:26,230 --> 00:04:26,240 Space by the time I entered University 205 00:04:26,240 --> 00:04:28,070 Space by the time I entered University the fall had creeped enough into my 206 00:04:28,070 --> 00:04:28,080 the fall had creeped enough into my 207 00:04:28,080 --> 00:04:30,110 the fall had creeped enough into my unconsciousness to become my favorite 208 00:04:30,110 --> 00:04:30,120 unconsciousness to become my favorite 209 00:04:30,120 --> 00:04:32,710 unconsciousness to become my favorite band most people did not really take to 210 00:04:32,710 --> 00:04:32,720 band most people did not really take to 211 00:04:32,720 --> 00:04:34,629 band most people did not really take to the fall when I played it for them and I 212 00:04:34,629 --> 00:04:34,639 the fall when I played it for them and I 213 00:04:34,639 --> 00:04:36,749 the fall when I played it for them and I was probably became 214 00:04:36,749 --> 00:04:36,759 was probably became 215 00:04:36,759 --> 00:04:39,270 was probably became insufferable trying to insist why this 216 00:04:39,270 --> 00:04:39,280 insufferable trying to insist why this 217 00:04:39,280 --> 00:04:42,070 insufferable trying to insist why this band was so great it took years but they 218 00:04:42,070 --> 00:04:42,080 band was so great it took years but they 219 00:04:42,080 --> 00:04:44,270 band was so great it took years but they eventually came around the story of the 220 00:04:44,270 --> 00:04:44,280 eventually came around the story of the 221 00:04:44,280 --> 00:04:46,150 eventually came around the story of the Fall goes back to the working class 222 00:04:46,150 --> 00:04:46,160 Fall goes back to the working class 223 00:04:46,160 --> 00:04:48,469 Fall goes back to the working class sford area of Manchester in the mid1 224 00:04:48,469 --> 00:04:48,479 sford area of Manchester in the mid1 225 00:04:48,479 --> 00:04:51,990 sford area of Manchester in the mid1 1970s Mary Smith started listening to 226 00:04:51,990 --> 00:04:52,000 1970s Mary Smith started listening to 227 00:04:52,000 --> 00:04:55,070 1970s Mary Smith started listening to music at age 14 and developed eclectic 228 00:04:55,070 --> 00:04:55,080 music at age 14 and developed eclectic 229 00:04:55,080 --> 00:04:56,870 music at age 14 and developed eclectic tastes that were influenced by John 230 00:04:56,870 --> 00:04:56,880 tastes that were influenced by John 231 00:04:56,880 --> 00:04:58,950 tastes that were influenced by John peele's radio show Black Sabbath's 232 00:04:58,950 --> 00:04:58,960 peele's radio show Black Sabbath's 233 00:04:58,960 --> 00:05:00,390 peele's radio show Black Sabbath's paranoid album 234 00:05:00,390 --> 00:05:00,400 paranoid album 235 00:05:00,400 --> 00:05:04,029 paranoid album can The Velvet Underground Captain beart 236 00:05:04,029 --> 00:05:04,039 can The Velvet Underground Captain beart 237 00:05:04,039 --> 00:05:06,670 can The Velvet Underground Captain beart garage 60s groups like The Seeds early 238 00:05:06,670 --> 00:05:06,680 garage 60s groups like The Seeds early 239 00:05:06,680 --> 00:05:08,909 garage 60s groups like The Seeds early rock and rollers like Jean Vincent and 240 00:05:08,909 --> 00:05:08,919 rock and rollers like Jean Vincent and 241 00:05:08,919 --> 00:05:10,920 rock and rollers like Jean Vincent and dub r 242 00:05:10,920 --> 00:05:10,930 dub r 243 00:05:10,930 --> 00:05:24,610 dub r [Music] 244 00:05:24,610 --> 00:05:24,620 245 00:05:24,620 --> 00:05:34,110 246 00:05:34,110 --> 00:05:34,120 247 00:05:34,120 --> 00:05:36,870 248 00:05:36,870 --> 00:05:36,880 Mark was also an Avid Reader noting that 249 00:05:36,880 --> 00:05:38,590 Mark was also an Avid Reader noting that the one book that he really enjoyed 250 00:05:38,590 --> 00:05:38,600 the one book that he really enjoyed 251 00:05:38,600 --> 00:05:41,909 the one book that he really enjoyed reading at school was Thomas Hardy's 252 00:05:41,909 --> 00:05:41,919 reading at school was Thomas Hardy's 253 00:05:41,919 --> 00:05:44,590 reading at school was Thomas Hardy's mayor of casterbridge but he also 254 00:05:44,590 --> 00:05:44,600 mayor of casterbridge but he also 255 00:05:44,600 --> 00:05:46,749 mayor of casterbridge but he also consumed the fantasy and science fiction 256 00:05:46,749 --> 00:05:46,759 consumed the fantasy and science fiction 257 00:05:46,759 --> 00:05:50,990 consumed the fantasy and science fiction of Edgar Allen Poe HP Lovecraft Philip K 258 00:05:50,990 --> 00:05:51,000 of Edgar Allen Poe HP Lovecraft Philip K 259 00:05:51,000 --> 00:05:55,070 of Edgar Allen Poe HP Lovecraft Philip K dick Colin Wilson Clark ashon Smith 260 00:05:55,070 --> 00:05:55,080 dick Colin Wilson Clark ashon Smith 261 00:05:55,080 --> 00:05:57,909 dick Colin Wilson Clark ashon Smith Arthur Machan Mr James and algon 262 00:05:57,909 --> 00:05:57,919 Arthur Machan Mr James and algon 263 00:05:57,919 --> 00:06:00,270 Arthur Machan Mr James and algon Blackwood the Hardo Detective fiction of 264 00:06:00,270 --> 00:06:00,280 Blackwood the Hardo Detective fiction of 265 00:06:00,280 --> 00:06:02,350 Blackwood the Hardo Detective fiction of Raymond Chandler literary heavyweights 266 00:06:02,350 --> 00:06:02,360 Raymond Chandler literary heavyweights 267 00:06:02,360 --> 00:06:04,510 Raymond Chandler literary heavyweights like Malcolm Lowry The Poetry of Ezra 268 00:06:04,510 --> 00:06:04,520 like Malcolm Lowry The Poetry of Ezra 269 00:06:04,520 --> 00:06:06,110 like Malcolm Lowry The Poetry of Ezra pound and the experimental writing of 270 00:06:06,110 --> 00:06:06,120 pound and the experimental writing of 271 00:06:06,120 --> 00:06:08,189 pound and the experimental writing of Windom Lewis all these literary 272 00:06:08,189 --> 00:06:08,199 Windom Lewis all these literary 273 00:06:08,199 --> 00:06:09,830 Windom Lewis all these literary influences would stew together and 274 00:06:09,830 --> 00:06:09,840 influences would stew together and 275 00:06:09,840 --> 00:06:11,749 influences would stew together and helped Smith develop what he described 276 00:06:11,749 --> 00:06:11,759 helped Smith develop what he described 277 00:06:11,759 --> 00:06:14,510 helped Smith develop what he described as a unique approach to writing after 278 00:06:14,510 --> 00:06:14,520 as a unique approach to writing after 279 00:06:14,520 --> 00:06:16,830 as a unique approach to writing after getting laid off as a dock worker Smith 280 00:06:16,830 --> 00:06:16,840 getting laid off as a dock worker Smith 281 00:06:16,840 --> 00:06:19,029 getting laid off as a dock worker Smith hooked up with others to try and find an 282 00:06:19,029 --> 00:06:19,039 hooked up with others to try and find an 283 00:06:19,039 --> 00:06:21,629 hooked up with others to try and find an outlet for his writing through music a 284 00:06:21,629 --> 00:06:21,639 outlet for his writing through music a 285 00:06:21,639 --> 00:06:23,990 outlet for his writing through music a key event happened that Smith likes to 286 00:06:23,990 --> 00:06:24,000 key event happened that Smith likes to 287 00:06:24,000 --> 00:06:26,870 key event happened that Smith likes to downplay was the Sex Pistols gig at the 288 00:06:26,870 --> 00:06:26,880 downplay was the Sex Pistols gig at the 289 00:06:26,880 --> 00:06:30,070 downplay was the Sex Pistols gig at the Lesser free trade Hall in Manchester and 290 00:06:30,070 --> 00:06:30,080 Lesser free trade Hall in Manchester and 291 00:06:30,080 --> 00:06:32,909 Lesser free trade Hall in Manchester and 1976 after that gig he put together a 292 00:06:32,909 --> 00:06:32,919 1976 after that gig he put together a 293 00:06:32,919 --> 00:06:35,029 1976 after that gig he put together a band where he initially he was the 294 00:06:35,029 --> 00:06:35,039 band where he initially he was the 295 00:06:35,039 --> 00:06:37,670 band where he initially he was the guitarist they started as The Outsiders 296 00:06:37,670 --> 00:06:37,680 guitarist they started as The Outsiders 297 00:06:37,680 --> 00:06:40,510 guitarist they started as The Outsiders named after the novel by Albert Kimu 298 00:06:40,510 --> 00:06:40,520 named after the novel by Albert Kimu 299 00:06:40,520 --> 00:06:43,110 named after the novel by Albert Kimu Smith preferred the cimu novel The Fall 300 00:06:43,110 --> 00:06:43,120 Smith preferred the cimu novel The Fall 301 00:06:43,120 --> 00:06:45,550 Smith preferred the cimu novel The Fall so the name changed soon Smith was on 302 00:06:45,550 --> 00:06:45,560 so the name changed soon Smith was on 303 00:06:45,560 --> 00:06:48,589 so the name changed soon Smith was on vocals and as Smith States they realized 304 00:06:48,589 --> 00:06:48,599 vocals and as Smith States they realized 305 00:06:48,599 --> 00:06:50,710 vocals and as Smith States they realized that their true mission was to be in the 306 00:06:50,710 --> 00:06:50,720 that their true mission was to be in the 307 00:06:50,720 --> 00:06:52,390 that their true mission was to be in the fall the early lineup of the Fall 308 00:06:52,390 --> 00:06:52,400 fall the early lineup of the Fall 309 00:06:52,400 --> 00:06:55,589 fall the early lineup of the Fall included Smith Martin Brahma Tony Friel 310 00:06:55,589 --> 00:06:55,599 included Smith Martin Brahma Tony Friel 311 00:06:55,599 --> 00:06:58,350 included Smith Martin Brahma Tony Friel Carl Burns and gilfred unab Bain their 312 00:06:58,350 --> 00:06:58,360 Carl Burns and gilfred unab Bain their 313 00:06:58,360 --> 00:07:00,710 Carl Burns and gilfred unab Bain their first gigs were part of a Manchester Art 314 00:07:00,710 --> 00:07:00,720 first gigs were part of a Manchester Art 315 00:07:00,720 --> 00:07:02,430 first gigs were part of a Manchester Art Collective where anybody could go up and 316 00:07:02,430 --> 00:07:02,440 Collective where anybody could go up and 317 00:07:02,440 --> 00:07:04,469 Collective where anybody could go up and play they shared the stage with brass 318 00:07:04,469 --> 00:07:04,479 play they shared the stage with brass 319 00:07:04,479 --> 00:07:06,510 play they shared the stage with brass bands and a man who created compositions 320 00:07:06,510 --> 00:07:06,520 bands and a man who created compositions 321 00:07:06,520 --> 00:07:08,710 bands and a man who created compositions with samples of bird noises soon they 322 00:07:08,710 --> 00:07:08,720 with samples of bird noises soon they 323 00:07:08,720 --> 00:07:10,589 with samples of bird noises soon they were able to get gigs opening up for the 324 00:07:10,589 --> 00:07:10,599 were able to get gigs opening up for the 325 00:07:10,599 --> 00:07:13,550 were able to get gigs opening up for the Buzzcocks whose manager funded the first 326 00:07:13,550 --> 00:07:13,560 Buzzcocks whose manager funded the first 327 00:07:13,560 --> 00:07:15,830 Buzzcocks whose manager funded the first recordings of the Fall Bingo Master's 328 00:07:15,830 --> 00:07:15,840 recordings of the Fall Bingo Master's 329 00:07:15,840 --> 00:07:19,350 recordings of the Fall Bingo Master's breakout was recorded in November 1977 330 00:07:19,350 --> 00:07:19,360 breakout was recorded in November 1977 331 00:07:19,360 --> 00:07:20,950 breakout was recorded in November 1977 but did not end up getting released 332 00:07:20,950 --> 00:07:20,960 but did not end up getting released 333 00:07:20,960 --> 00:07:22,550 but did not end up getting released until August 334 00:07:22,550 --> 00:07:22,560 until August 335 00:07:22,560 --> 00:07:26,830 until August 1978 Master bre out Bango Masters break 336 00:07:26,830 --> 00:07:26,840 1978 Master bre out Bango Masters break 337 00:07:26,840 --> 00:07:32,010 1978 Master bre out Bango Masters break out B Master break out 338 00:07:32,010 --> 00:07:32,020 339 00:07:32,020 --> 00:07:33,909 340 00:07:33,909 --> 00:07:33,919 [Music] 341 00:07:33,919 --> 00:07:36,309 [Music] by that time frel and Baines had quit 342 00:07:36,309 --> 00:07:36,319 by that time frel and Baines had quit 343 00:07:36,319 --> 00:07:37,950 by that time frel and Baines had quit beginning this long and tradition of 344 00:07:37,950 --> 00:07:37,960 beginning this long and tradition of 345 00:07:37,960 --> 00:07:40,110 beginning this long and tradition of revolving lineups of the Fall the first 346 00:07:40,110 --> 00:07:40,120 revolving lineups of the Fall the first 347 00:07:40,120 --> 00:07:41,830 revolving lineups of the Fall the first album live at The Witch Trials was 348 00:07:41,830 --> 00:07:41,840 album live at The Witch Trials was 349 00:07:41,840 --> 00:07:43,790 album live at The Witch Trials was released in March 350 00:07:43,790 --> 00:07:43,800 released in March 351 00:07:43,800 --> 00:07:48,029 released in March 1979 by this time eager 16-year-old Mark 352 00:07:48,029 --> 00:07:48,039 1979 by this time eager 16-year-old Mark 353 00:07:48,039 --> 00:07:50,189 1979 by this time eager 16-year-old Mark Riley had joined the band much to the 354 00:07:50,189 --> 00:07:50,199 Riley had joined the band much to the 355 00:07:50,199 --> 00:07:52,230 Riley had joined the band much to the annoyance of the other members recorded 356 00:07:52,230 --> 00:07:52,240 annoyance of the other members recorded 357 00:07:52,240 --> 00:07:54,350 annoyance of the other members recorded in one day the album contains 358 00:07:54,350 --> 00:07:54,360 in one day the album contains 359 00:07:54,360 --> 00:07:56,589 in one day the album contains surprisingly clean sounding guitars 360 00:07:56,589 --> 00:07:56,599 surprisingly clean sounding guitars 361 00:07:56,599 --> 00:07:58,909 surprisingly clean sounding guitars playing Dury rhythms with Smith's 362 00:07:58,909 --> 00:07:58,919 playing Dury rhythms with Smith's 363 00:07:58,919 --> 00:08:01,230 playing Dury rhythms with Smith's barking on about a variety of subjects 364 00:08:01,230 --> 00:08:01,240 barking on about a variety of subjects 365 00:08:01,240 --> 00:08:03,909 barking on about a variety of subjects including drug paranoia lack of decent 366 00:08:03,909 --> 00:08:03,919 including drug paranoia lack of decent 367 00:08:03,919 --> 00:08:05,550 including drug paranoia lack of decent jobs for the working class and the 368 00:08:05,550 --> 00:08:05,560 jobs for the working class and the 369 00:08:05,560 --> 00:08:07,790 jobs for the working class and the shallowness of the music 370 00:08:07,790 --> 00:08:07,800 shallowness of the music 371 00:08:07,800 --> 00:08:11,629 shallowness of the music industry I swe it a lot you could feel 372 00:08:11,629 --> 00:08:11,639 industry I swe it a lot you could feel 373 00:08:11,639 --> 00:08:12,390 industry I swe it a lot you could feel the 374 00:08:12,390 --> 00:08:12,400 the 375 00:08:12,400 --> 00:08:14,469 the [Music] 376 00:08:14,469 --> 00:08:14,479 [Music] 377 00:08:14,479 --> 00:08:17,110 [Music] violence Smith's lyrics would describe 378 00:08:17,110 --> 00:08:17,120 violence Smith's lyrics would describe 379 00:08:17,120 --> 00:08:19,390 violence Smith's lyrics would describe the mundane aspects and dialogue of 380 00:08:19,390 --> 00:08:19,400 the mundane aspects and dialogue of 381 00:08:19,400 --> 00:08:21,390 the mundane aspects and dialogue of everyday life just opposed with 382 00:08:21,390 --> 00:08:21,400 everyday life just opposed with 383 00:08:21,400 --> 00:08:23,830 everyday life just opposed with grotesque surrealism all the time 384 00:08:23,830 --> 00:08:23,840 grotesque surrealism all the time 385 00:08:23,840 --> 00:08:26,790 grotesque surrealism all the time dripping with cynicism and sarcasm these 386 00:08:26,790 --> 00:08:26,800 dripping with cynicism and sarcasm these 387 00:08:26,800 --> 00:08:28,510 dripping with cynicism and sarcasm these complex rants would always Circle back 388 00:08:28,510 --> 00:08:28,520 complex rants would always Circle back 389 00:08:28,520 --> 00:08:32,269 complex rants would always Circle back to a repetitive chorus Smith's vocal 390 00:08:32,269 --> 00:08:32,279 to a repetitive chorus Smith's vocal 391 00:08:32,279 --> 00:08:34,829 to a repetitive chorus Smith's vocal approach was not to sing but rather to 392 00:08:34,829 --> 00:08:34,839 approach was not to sing but rather to 393 00:08:34,839 --> 00:08:37,829 approach was not to sing but rather to rant or shout in the song your heart out 394 00:08:37,829 --> 00:08:37,839 rant or shout in the song your heart out 395 00:08:37,839 --> 00:08:40,670 rant or shout in the song your heart out from the album draget Smith declares I 396 00:08:40,670 --> 00:08:40,680 from the album draget Smith declares I 397 00:08:40,680 --> 00:08:43,469 from the album draget Smith declares I don't sing I just shout the murrian 398 00:08:43,469 --> 00:08:43,479 don't sing I just shout the murrian 399 00:08:43,479 --> 00:08:45,470 don't sing I just shout the murrian Cadence of his vocal delivery would 400 00:08:45,470 --> 00:08:45,480 Cadence of his vocal delivery would 401 00:08:45,480 --> 00:08:47,389 Cadence of his vocal delivery would result in many lines ending with an 402 00:08:47,389 --> 00:08:47,399 result in many lines ending with an 403 00:08:47,399 --> 00:08:50,350 result in many lines ending with an enunciated ah the band soon got the 404 00:08:50,350 --> 00:08:50,360 enunciated ah the band soon got the 405 00:08:50,360 --> 00:08:53,190 enunciated ah the band soon got the attention of Maverick British DJ John 406 00:08:53,190 --> 00:08:53,200 attention of Maverick British DJ John 407 00:08:53,200 --> 00:08:56,350 attention of Maverick British DJ John Peele who invite them to record peel 408 00:08:56,350 --> 00:08:56,360 Peele who invite them to record peel 409 00:08:56,360 --> 00:08:58,230 Peele who invite them to record peel sessions at his Studio this first 410 00:08:58,230 --> 00:08:58,240 sessions at his Studio this first 411 00:08:58,240 --> 00:08:59,750 sessions at his Studio this first recording would be the beginning of a 412 00:08:59,750 --> 00:08:59,760 recording would be the beginning of a 413 00:08:59,760 --> 00:09:01,590 recording would be the beginning of a long relationship and the fall will 414 00:09:01,590 --> 00:09:01,600 long relationship and the fall will 415 00:09:01,600 --> 00:09:03,630 long relationship and the fall will record more peel sessions than any other 416 00:09:03,630 --> 00:09:03,640 record more peel sessions than any other 417 00:09:03,640 --> 00:09:05,790 record more peel sessions than any other music group or artist two other 418 00:09:05,790 --> 00:09:05,800 music group or artist two other 419 00:09:05,800 --> 00:09:07,990 music group or artist two other significant factors during this time 420 00:09:07,990 --> 00:09:08,000 significant factors during this time 421 00:09:08,000 --> 00:09:10,550 significant factors during this time were the exit of founding member Martin 422 00:09:10,550 --> 00:09:10,560 were the exit of founding member Martin 423 00:09:10,560 --> 00:09:12,430 were the exit of founding member Martin Brahma who had accepted the fact that 424 00:09:12,430 --> 00:09:12,440 Brahma who had accepted the fact that 425 00:09:12,440 --> 00:09:14,470 Brahma who had accepted the fact that Smith was the clear leader of the group 426 00:09:14,470 --> 00:09:14,480 Smith was the clear leader of the group 427 00:09:14,480 --> 00:09:16,389 Smith was the clear leader of the group and they would never again be on equal 428 00:09:16,389 --> 00:09:16,399 and they would never again be on equal 429 00:09:16,399 --> 00:09:18,750 and they would never again be on equal footing the other Factor was Smith's new 430 00:09:18,750 --> 00:09:18,760 footing the other Factor was Smith's new 431 00:09:18,760 --> 00:09:21,670 footing the other Factor was Smith's new girlfriend K Carrol taking on the role 432 00:09:21,670 --> 00:09:21,680 girlfriend K Carrol taking on the role 433 00:09:21,680 --> 00:09:24,269 girlfriend K Carrol taking on the role of manager herg of tactics would 434 00:09:24,269 --> 00:09:24,279 of manager herg of tactics would 435 00:09:24,279 --> 00:09:28,150 of manager herg of tactics would frighten many promoters yeah give me a 436 00:09:28,150 --> 00:09:28,160 frighten many promoters yeah give me a 437 00:09:28,160 --> 00:09:33,870 frighten many promoters yeah give me a name then give me a name 438 00:09:33,870 --> 00:09:33,880 439 00:09:33,880 --> 00:09:36,150 440 00:09:36,150 --> 00:09:36,160 then well I've already paid for that 441 00:09:36,160 --> 00:09:37,910 then well I've already paid for that it's already been taken off my roties 442 00:09:37,910 --> 00:09:37,920 it's already been taken off my roties 443 00:09:37,920 --> 00:09:40,069 it's already been taken off my roties I've already paid for it do you know 444 00:09:40,069 --> 00:09:40,079 I've already paid for it do you know 445 00:09:40,079 --> 00:09:43,949 I've already paid for it do you know what I mean in October 1979 Dragnet was 446 00:09:43,949 --> 00:09:43,959 what I mean in October 1979 Dragnet was 447 00:09:43,959 --> 00:09:46,269 what I mean in October 1979 Dragnet was released on step forward records this 448 00:09:46,269 --> 00:09:46,279 released on step forward records this 449 00:09:46,279 --> 00:09:48,790 released on step forward records this album was much more gritty and lfi in 450 00:09:48,790 --> 00:09:48,800 album was much more gritty and lfi in 451 00:09:48,800 --> 00:09:50,670 album was much more gritty and lfi in production than its predecessor on the 452 00:09:50,670 --> 00:09:50,680 production than its predecessor on the 453 00:09:50,680 --> 00:09:53,230 production than its predecessor on the opening track Smith asks is there 454 00:09:53,230 --> 00:09:53,240 opening track Smith asks is there 455 00:09:53,240 --> 00:09:56,350 opening track Smith asks is there anybody there an angular guitar riffs 456 00:09:56,350 --> 00:09:56,360 anybody there an angular guitar riffs 457 00:09:56,360 --> 00:09:58,310 anybody there an angular guitar riffs prances around for a few bars before the 458 00:09:58,310 --> 00:09:58,320 prances around for a few bars before the 459 00:09:58,320 --> 00:10:00,389 prances around for a few bars before the listener is over one Med in a dissonant 460 00:10:00,389 --> 00:10:00,399 listener is over one Med in a dissonant 461 00:10:00,399 --> 00:10:02,550 listener is over one Med in a dissonant cacophony of rockabilly rhythms many of 462 00:10:02,550 --> 00:10:02,560 cacophony of rockabilly rhythms many of 463 00:10:02,560 --> 00:10:06,230 cacophony of rockabilly rhythms many of the songs are durgy Sinister tyraids of 464 00:10:06,230 --> 00:10:06,240 the songs are durgy Sinister tyraids of 465 00:10:06,240 --> 00:10:08,670 the songs are durgy Sinister tyraids of paranoia such as a figure walks or 466 00:10:08,670 --> 00:10:08,680 paranoia such as a figure walks or 467 00:10:08,680 --> 00:10:12,110 paranoia such as a figure walks or before the moon 468 00:10:12,110 --> 00:10:12,120 469 00:10:12,120 --> 00:10:16,870 470 00:10:16,870 --> 00:10:16,880 Falls I must create a new 471 00:10:16,880 --> 00:10:25,260 Falls I must create a new regime by 472 00:10:25,260 --> 00:10:25,270 473 00:10:25,270 --> 00:10:26,870 474 00:10:26,870 --> 00:10:26,880 [Music] 475 00:10:26,880 --> 00:10:29,670 [Music] another it was on this album that Smith 476 00:10:29,670 --> 00:10:29,680 another it was on this album that Smith 477 00:10:29,680 --> 00:10:32,829 another it was on this album that Smith began to solidify his vision a British 478 00:10:32,829 --> 00:10:32,839 began to solidify his vision a British 479 00:10:32,839 --> 00:10:35,030 began to solidify his vision a British workingclass band that played a kind of 480 00:10:35,030 --> 00:10:35,040 workingclass band that played a kind of 481 00:10:35,040 --> 00:10:37,509 workingclass band that played a kind of avant garage music that was just as much 482 00:10:37,509 --> 00:10:37,519 avant garage music that was just as much 483 00:10:37,519 --> 00:10:40,230 avant garage music that was just as much rockabilly and skiffle as it was Canon 484 00:10:40,230 --> 00:10:40,240 rockabilly and skiffle as it was Canon 485 00:10:40,240 --> 00:10:42,030 rockabilly and skiffle as it was Canon Captain beart this album marked the 486 00:10:42,030 --> 00:10:42,040 Captain beart this album marked the 487 00:10:42,040 --> 00:10:44,790 Captain beart this album marked the debuts of both basist Steven Handley and 488 00:10:44,790 --> 00:10:44,800 debuts of both basist Steven Handley and 489 00:10:44,800 --> 00:10:47,230 debuts of both basist Steven Handley and guitarist Craig scallion two stalwarts 490 00:10:47,230 --> 00:10:47,240 guitarist Craig scallion two stalwarts 491 00:10:47,240 --> 00:10:49,550 guitarist Craig scallion two stalwarts who would remain with Smith for many 492 00:10:49,550 --> 00:10:49,560 who would remain with Smith for many 493 00:10:49,560 --> 00:10:51,509 who would remain with Smith for many years to come the band would sign to 494 00:10:51,509 --> 00:10:51,519 years to come the band would sign to 495 00:10:51,519 --> 00:10:53,870 years to come the band would sign to rough trade in 1980 where they would 496 00:10:53,870 --> 00:10:53,880 rough trade in 1980 where they would 497 00:10:53,880 --> 00:10:56,829 rough trade in 1980 where they would release two seminal albums grotesque 498 00:10:56,829 --> 00:10:56,839 release two seminal albums grotesque 499 00:10:56,839 --> 00:11:00,110 release two seminal albums grotesque after the Graham and the slates EP 500 00:11:00,110 --> 00:11:00,120 after the Graham and the slates EP 501 00:11:00,120 --> 00:11:02,550 after the Graham and the slates EP on the grotesque LP The Listener is 502 00:11:02,550 --> 00:11:02,560 on the grotesque LP The Listener is 503 00:11:02,560 --> 00:11:05,750 on the grotesque LP The Listener is introduced to Joe toal the yet unborn 504 00:11:05,750 --> 00:11:05,760 introduced to Joe toal the yet unborn 505 00:11:05,760 --> 00:11:08,790 introduced to Joe toal the yet unborn son who will lead a rebellious Northern 506 00:11:08,790 --> 00:11:08,800 son who will lead a rebellious Northern 507 00:11:08,800 --> 00:11:10,870 son who will lead a rebellious Northern Army against the elite in Southern 508 00:11:10,870 --> 00:11:10,880 Army against the elite in Southern 509 00:11:10,880 --> 00:11:13,790 Army against the elite in Southern England in the epic song the north will 510 00:11:13,790 --> 00:11:13,800 England in the epic song the north will 511 00:11:13,800 --> 00:11:17,269 England in the epic song the north will rise again I'm Joo 512 00:11:17,269 --> 00:11:17,279 rise again I'm Joo 513 00:11:17,279 --> 00:11:22,750 rise again I'm Joo town of the yet unborn son of the north 514 00:11:22,750 --> 00:11:22,760 town of the yet unborn son of the north 515 00:11:22,760 --> 00:11:25,949 town of the yet unborn son of the north will rise 516 00:11:25,949 --> 00:11:25,959 517 00:11:25,959 --> 00:11:28,949 518 00:11:28,949 --> 00:11:28,959 again again on the album Smith comments 519 00:11:28,959 --> 00:11:30,990 again again on the album Smith comments on people saying he rips off Johnny 520 00:11:30,990 --> 00:11:31,000 on people saying he rips off Johnny 521 00:11:31,000 --> 00:11:33,150 on people saying he rips off Johnny Rotten British workers making money in 522 00:11:33,150 --> 00:11:33,160 Rotten British workers making money in 523 00:11:33,160 --> 00:11:35,190 Rotten British workers making money in Europe and the contrast between 524 00:11:35,190 --> 00:11:35,200 Europe and the contrast between 525 00:11:35,200 --> 00:11:37,750 Europe and the contrast between intellectuals and the working class A 526 00:11:37,750 --> 00:11:37,760 intellectuals and the working class A 527 00:11:37,760 --> 00:11:39,949 intellectuals and the working class A good mind don't make a good Pub mate 528 00:11:39,949 --> 00:11:39,959 good mind don't make a good Pub mate 529 00:11:39,959 --> 00:11:42,470 good mind don't make a good Pub mate slates contains the amazing PL art 530 00:11:42,470 --> 00:11:42,480 slates contains the amazing PL art 531 00:11:42,480 --> 00:11:44,310 slates contains the amazing PL art thread but at this time the fall were 532 00:11:44,310 --> 00:11:44,320 thread but at this time the fall were 533 00:11:44,320 --> 00:11:47,069 thread but at this time the fall were also releasing singles regularly and in 534 00:11:47,069 --> 00:11:47,079 also releasing singles regularly and in 535 00:11:47,079 --> 00:11:50,430 also releasing singles regularly and in 1980 they released totally wired Smith 536 00:11:50,430 --> 00:11:50,440 1980 they released totally wired Smith 537 00:11:50,440 --> 00:11:52,389 1980 they released totally wired Smith describes the effects of being on 538 00:11:52,389 --> 00:11:52,399 describes the effects of being on 539 00:11:52,399 --> 00:11:54,750 describes the effects of being on amphetamines a drug that Smith would use 540 00:11:54,750 --> 00:11:54,760 amphetamines a drug that Smith would use 541 00:11:54,760 --> 00:11:56,870 amphetamines a drug that Smith would use and abuse until his death the song 542 00:11:56,870 --> 00:11:56,880 and abuse until his death the song 543 00:11:56,880 --> 00:12:00,230 and abuse until his death the song describes Smith being I rate peeved and 544 00:12:00,230 --> 00:12:00,240 describes Smith being I rate peeved and 545 00:12:00,240 --> 00:12:03,030 describes Smith being I rate peeved and worried after drinking a jar of coffee 546 00:12:03,030 --> 00:12:03,040 worried after drinking a jar of coffee 547 00:12:03,040 --> 00:12:04,629 worried after drinking a jar of coffee and taking some of 548 00:12:04,629 --> 00:12:04,639 and taking some of 549 00:12:04,639 --> 00:12:07,790 and taking some of these I Dr a jar of 550 00:12:07,790 --> 00:12:07,800 these I Dr a jar of 551 00:12:07,800 --> 00:12:10,509 these I Dr a jar of coffee I took some 552 00:12:10,509 --> 00:12:10,519 coffee I took some 553 00:12:10,519 --> 00:12:12,629 coffee I took some of I'm 554 00:12:12,629 --> 00:12:12,639 of I'm 555 00:12:12,639 --> 00:12:14,870 of I'm totally in the live version he would 556 00:12:14,870 --> 00:12:14,880 totally in the live version he would 557 00:12:14,880 --> 00:12:17,750 totally in the live version he would quote Hunter S Thompson when the going 558 00:12:17,750 --> 00:12:17,760 quote Hunter S Thompson when the going 559 00:12:17,760 --> 00:12:20,670 quote Hunter S Thompson when the going gets weird the weird turn 560 00:12:20,670 --> 00:12:20,680 gets weird the weird turn 561 00:12:20,680 --> 00:12:24,949 gets weird the weird turn pro to be a punk Fu [ __ ] pop [ __ ] up 562 00:12:24,949 --> 00:12:24,959 pro to be a punk Fu [ __ ] pop [ __ ] up 563 00:12:24,959 --> 00:12:27,590 pro to be a punk Fu [ __ ] pop [ __ ] up Tick Tock P then I don't have to be 564 00:12:27,590 --> 00:12:27,600 Tick Tock P then I don't have to be 565 00:12:27,600 --> 00:12:31,230 Tick Tock P then I don't have to be strange 566 00:12:31,230 --> 00:12:31,240 567 00:12:31,240 --> 00:12:34,629 568 00:12:34,629 --> 00:12:34,639 strangled when the going against we the 569 00:12:34,639 --> 00:12:35,710 strangled when the going against we the way 570 00:12:35,710 --> 00:12:35,720 way 571 00:12:35,720 --> 00:12:37,790 way to 572 00:12:37,790 --> 00:12:37,800 to 573 00:12:37,800 --> 00:12:41,389 to so wild the fall made their first tour 574 00:12:41,389 --> 00:12:41,399 so wild the fall made their first tour 575 00:12:41,399 --> 00:12:44,350 so wild the fall made their first tour of the United States in 1981 which was 576 00:12:44,350 --> 00:12:44,360 of the United States in 1981 which was 577 00:12:44,360 --> 00:12:47,189 of the United States in 1981 which was captured on the album part of America 578 00:12:47,189 --> 00:12:47,199 captured on the album part of America 579 00:12:47,199 --> 00:12:51,030 captured on the album part of America therein 1981 the lp starts with the band 580 00:12:51,030 --> 00:12:51,040 therein 1981 the lp starts with the band 581 00:12:51,040 --> 00:12:53,750 therein 1981 the lp starts with the band being introduced as from the riot torn 582 00:12:53,750 --> 00:12:53,760 being introduced as from the riot torn 583 00:12:53,760 --> 00:12:55,949 being introduced as from the riot torn streets of Manchester England to the 584 00:12:55,949 --> 00:12:55,959 streets of Manchester England to the 585 00:12:55,959 --> 00:12:57,790 streets of Manchester England to the scenic sewers of 586 00:12:57,790 --> 00:12:57,800 scenic sewers of 587 00:12:57,800 --> 00:13:02,150 scenic sewers of Chicago from the riot torn streets of 588 00:13:02,150 --> 00:13:02,160 Chicago from the riot torn streets of 589 00:13:02,160 --> 00:13:04,350 Chicago from the riot torn streets of Manchester 590 00:13:04,350 --> 00:13:04,360 Manchester 591 00:13:04,360 --> 00:13:09,910 Manchester England to the scenic sewers of 592 00:13:09,910 --> 00:13:09,920 593 00:13:09,920 --> 00:13:12,069 594 00:13:12,069 --> 00:13:12,079 Chicago are you 595 00:13:12,079 --> 00:13:15,790 Chicago are you Mark tuts takes great pleasure in 596 00:13:15,790 --> 00:13:15,800 Mark tuts takes great pleasure in 597 00:13:15,800 --> 00:13:21,310 Mark tuts takes great pleasure in presenting for their last United States 598 00:13:21,310 --> 00:13:21,320 presenting for their last United States 599 00:13:21,320 --> 00:13:25,230 presenting for their last United States engagement ladies and gentlemen the fall 600 00:13:25,230 --> 00:13:25,240 engagement ladies and gentlemen the fall 601 00:13:25,240 --> 00:13:27,870 engagement ladies and gentlemen the fall the ban was developing a following State 602 00:13:27,870 --> 00:13:27,880 the ban was developing a following State 603 00:13:27,880 --> 00:13:30,189 the ban was developing a following State Side among College radio listeners and 604 00:13:30,189 --> 00:13:30,199 Side among College radio listeners and 605 00:13:30,199 --> 00:13:32,790 Side among College radio listeners and more open-minded hardcore punk fans the 606 00:13:32,790 --> 00:13:32,800 more open-minded hardcore punk fans the 607 00:13:32,800 --> 00:13:34,590 more open-minded hardcore punk fans the band would go on to record what many 608 00:13:34,590 --> 00:13:34,600 band would go on to record what many 609 00:13:34,600 --> 00:13:36,710 band would go on to record what many fall fans consider to be their greatest 610 00:13:36,710 --> 00:13:36,720 fall fans consider to be their greatest 611 00:13:36,720 --> 00:13:39,509 fall fans consider to be their greatest album at least of their early albums in 612 00:13:39,509 --> 00:13:39,519 album at least of their early albums in 613 00:13:39,519 --> 00:13:43,790 album at least of their early albums in 1982 hex induction hour Smith had become 614 00:13:43,790 --> 00:13:43,800 1982 hex induction hour Smith had become 615 00:13:43,800 --> 00:13:46,310 1982 hex induction hour Smith had become frustrated by the rough trade label and 616 00:13:46,310 --> 00:13:46,320 frustrated by the rough trade label and 617 00:13:46,320 --> 00:13:48,189 frustrated by the rough trade label and did not want to be pigeon hold as a 618 00:13:48,189 --> 00:13:48,199 did not want to be pigeon hold as a 619 00:13:48,199 --> 00:13:50,350 did not want to be pigeon hold as a rough trade band the band would release 620 00:13:50,350 --> 00:13:50,360 rough trade band the band would release 621 00:13:50,360 --> 00:13:53,230 rough trade band the band would release the single lie dream of a casino Soul on 622 00:13:53,230 --> 00:13:53,240 the single lie dream of a casino Soul on 623 00:13:53,240 --> 00:13:55,990 the single lie dream of a casino Soul on the small label camera records the group 624 00:13:55,990 --> 00:13:56,000 the small label camera records the group 625 00:13:56,000 --> 00:13:58,069 the small label camera records the group would end up recording the first tracks 626 00:13:58,069 --> 00:13:58,079 would end up recording the first tracks 627 00:13:58,079 --> 00:14:00,749 would end up recording the first tracks of the hex andu hour on their travels to 628 00:14:00,749 --> 00:14:00,759 of the hex andu hour on their travels to 629 00:14:00,759 --> 00:14:03,069 of the hex andu hour on their travels to Iceland a track on the album would be 630 00:14:03,069 --> 00:14:03,079 Iceland a track on the album would be 631 00:14:03,079 --> 00:14:04,670 Iceland a track on the album would be named after the country and the fall 632 00:14:04,670 --> 00:14:04,680 named after the country and the fall 633 00:14:04,680 --> 00:14:06,829 named after the country and the fall would build a serious fan base there the 634 00:14:06,829 --> 00:14:06,839 would build a serious fan base there the 635 00:14:06,839 --> 00:14:09,310 would build a serious fan base there the band's new lineup now included two 636 00:14:09,310 --> 00:14:09,320 band's new lineup now included two 637 00:14:09,320 --> 00:14:11,110 band's new lineup now included two drummers adding to the rhythmic 638 00:14:11,110 --> 00:14:11,120 drummers adding to the rhythmic 639 00:14:11,120 --> 00:14:13,790 drummers adding to the rhythmic cacophony of the tracks the production 640 00:14:13,790 --> 00:14:13,800 cacophony of the tracks the production 641 00:14:13,800 --> 00:14:16,389 cacophony of the tracks the production was purposely lowy and the influence of 642 00:14:16,389 --> 00:14:16,399 was purposely lowy and the influence of 643 00:14:16,399 --> 00:14:18,389 was purposely lowy and the influence of The Velvet Underground Ken and Captain 644 00:14:18,389 --> 00:14:18,399 The Velvet Underground Ken and Captain 645 00:14:18,399 --> 00:14:20,949 The Velvet Underground Ken and Captain beart were on full display Smith was 646 00:14:20,949 --> 00:14:20,959 beart were on full display Smith was 647 00:14:20,959 --> 00:14:22,670 beart were on full display Smith was making a statement against what was 648 00:14:22,670 --> 00:14:22,680 making a statement against what was 649 00:14:22,680 --> 00:14:24,990 making a statement against what was happening at the time as Smith States 650 00:14:24,990 --> 00:14:25,000 happening at the time as Smith States 651 00:14:25,000 --> 00:14:26,749 happening at the time as Smith States when you're mired in the [ __ ] of the 652 00:14:26,749 --> 00:14:26,759 when you're mired in the [ __ ] of the 653 00:14:26,759 --> 00:14:29,150 when you're mired in the [ __ ] of the times with Bland bastards like Elvis 654 00:14:29,150 --> 00:14:29,160 times with Bland bastards like Elvis 655 00:14:29,160 --> 00:14:31,949 times with Bland bastards like Elvis Costello and spand ballet you start to 656 00:14:31,949 --> 00:14:31,959 Costello and spand ballet you start to 657 00:14:31,959 --> 00:14:33,870 Costello and spand ballet you start to question not only people's tastes but 658 00:14:33,870 --> 00:14:33,880 question not only people's tastes but 659 00:14:33,880 --> 00:14:36,230 question not only people's tastes but their existences you're not going to 660 00:14:36,230 --> 00:14:36,240 their existences you're not going to 661 00:14:36,240 --> 00:14:38,629 their existences you're not going to going anywhere with all that [ __ ] I 662 00:14:38,629 --> 00:14:38,639 going anywhere with all that [ __ ] I 663 00:14:38,639 --> 00:14:40,550 going anywhere with all that [ __ ] I wanted an album to be like reading a 664 00:14:40,550 --> 00:14:40,560 wanted an album to be like reading a 665 00:14:40,560 --> 00:14:42,430 wanted an album to be like reading a really good book you have a couple of 666 00:14:42,430 --> 00:14:42,440 really good book you have a couple of 667 00:14:42,440 --> 00:14:45,030 really good book you have a couple of beers sit down and immerse 668 00:14:45,030 --> 00:14:45,040 beers sit down and immerse 669 00:14:45,040 --> 00:14:45,110 beers sit down and immerse [Music] 670 00:14:45,110 --> 00:14:45,120 [Music] 671 00:14:45,120 --> 00:14:48,880 [Music] [Applause] 672 00:14:48,880 --> 00:14:48,890 673 00:14:48,890 --> 00:14:54,090 674 00:14:54,090 --> 00:14:54,100 [Music] 675 00:14:54,100 --> 00:14:57,230 [Music] [Applause] 676 00:14:57,230 --> 00:14:57,240 [Applause] 677 00:14:57,240 --> 00:14:59,990 [Applause] yourself the album cover was a bunch of 678 00:14:59,990 --> 00:15:00,000 yourself the album cover was a bunch of 679 00:15:00,000 --> 00:15:02,389 yourself the album cover was a bunch of scribbled notes and a small picture of 680 00:15:02,389 --> 00:15:02,399 scribbled notes and a small picture of 681 00:15:02,399 --> 00:15:04,790 scribbled notes and a small picture of abstract art which caused many record 682 00:15:04,790 --> 00:15:04,800 abstract art which caused many record 683 00:15:04,800 --> 00:15:06,629 abstract art which caused many record stores to place the album at the back of 684 00:15:06,629 --> 00:15:06,639 stores to place the album at the back of 685 00:15:06,639 --> 00:15:09,550 stores to place the album at the back of the display Stacks the aesthetic of both 686 00:15:09,550 --> 00:15:09,560 the display Stacks the aesthetic of both 687 00:15:09,560 --> 00:15:12,269 the display Stacks the aesthetic of both the cover and the music would later be 688 00:15:12,269 --> 00:15:12,279 the cover and the music would later be 689 00:15:12,279 --> 00:15:14,990 the cover and the music would later be very influential on 90s Indie rockers 690 00:15:14,990 --> 00:15:15,000 very influential on 90s Indie rockers 691 00:15:15,000 --> 00:15:16,829 very influential on 90s Indie rockers pavement Smith would dismiss them as 692 00:15:16,829 --> 00:15:16,839 pavement Smith would dismiss them as 693 00:15:16,839 --> 00:15:19,269 pavement Smith would dismiss them as mere ripoff artists however the slow 694 00:15:19,269 --> 00:15:19,279 mere ripoff artists however the slow 695 00:15:19,279 --> 00:15:22,430 mere ripoff artists however the slow plotting hip priest would be later heard 696 00:15:22,430 --> 00:15:22,440 plotting hip priest would be later heard 697 00:15:22,440 --> 00:15:24,870 plotting hip priest would be later heard when Clarice Starling played by Jodi 698 00:15:24,870 --> 00:15:24,880 when Clarice Starling played by Jodi 699 00:15:24,880 --> 00:15:27,790 when Clarice Starling played by Jodi Foster confronts Buffalo Bill in his den 700 00:15:27,790 --> 00:15:27,800 Foster confronts Buffalo Bill in his den 701 00:15:27,800 --> 00:15:31,269 Foster confronts Buffalo Bill in his den of Horrors in John Demi's film Silence 702 00:15:31,269 --> 00:15:31,279 of Horrors in John Demi's film Silence 703 00:15:31,279 --> 00:15:34,110 of Horrors in John Demi's film Silence of the Lamb who knew that serial killers 704 00:15:34,110 --> 00:15:34,120 of the Lamb who knew that serial killers 705 00:15:34,120 --> 00:15:36,550 of the Lamb who knew that serial killers were fall fans but not everything was 706 00:15:36,550 --> 00:15:36,560 were fall fans but not everything was 707 00:15:36,560 --> 00:15:39,110 were fall fans but not everything was going well in the fall Camp tension had 708 00:15:39,110 --> 00:15:39,120 going well in the fall Camp tension had 709 00:15:39,120 --> 00:15:40,829 going well in the fall Camp tension had been brewing between Mark Riley and 710 00:15:40,829 --> 00:15:40,839 been brewing between Mark Riley and 711 00:15:40,839 --> 00:15:43,350 been brewing between Mark Riley and Smith Riley tried to speak up against 712 00:15:43,350 --> 00:15:43,360 Smith Riley tried to speak up against 713 00:15:43,360 --> 00:15:46,269 Smith Riley tried to speak up against Smith's tyrannical rule while Smith 714 00:15:46,269 --> 00:15:46,279 Smith's tyrannical rule while Smith 715 00:15:46,279 --> 00:15:48,269 Smith's tyrannical rule while Smith simply felt that Riley wanted to play 716 00:15:48,269 --> 00:15:48,279 simply felt that Riley wanted to play 717 00:15:48,279 --> 00:15:49,990 simply felt that Riley wanted to play the hits every night after recording the 718 00:15:49,990 --> 00:15:50,000 the hits every night after recording the 719 00:15:50,000 --> 00:15:52,550 the hits every night after recording the lp room to live the band would go on 720 00:15:52,550 --> 00:15:52,560 lp room to live the band would go on 721 00:15:52,560 --> 00:15:54,550 lp room to live the band would go on tour of New Zealand another country 722 00:15:54,550 --> 00:15:54,560 tour of New Zealand another country 723 00:15:54,560 --> 00:15:56,110 tour of New Zealand another country where the fall had developed a serious 724 00:15:56,110 --> 00:15:56,120 where the fall had developed a serious 725 00:15:56,120 --> 00:16:00,269 where the fall had developed a serious following and Australia y so find a case 726 00:16:00,269 --> 00:16:00,279 following and Australia y so find a case 727 00:16:00,279 --> 00:16:04,110 following and Australia y so find a case for else that's we don't make the same 728 00:16:04,110 --> 00:16:04,120 for else that's we don't make the same 729 00:16:04,120 --> 00:16:07,829 for else that's we don't make the same mistake twice that's you don't make the 730 00:16:07,829 --> 00:16:07,839 mistake twice that's you don't make the 731 00:16:07,839 --> 00:16:10,749 mistake twice that's you don't make the same mistake T Riley would end up 732 00:16:10,749 --> 00:16:10,759 same mistake T Riley would end up 733 00:16:10,759 --> 00:16:13,430 same mistake T Riley would end up punching Smith on that tour Smith's 734 00:16:13,430 --> 00:16:13,440 punching Smith on that tour Smith's 735 00:16:13,440 --> 00:16:15,710 punching Smith on that tour Smith's black eye can be seen on an Australian 736 00:16:15,710 --> 00:16:15,720 black eye can be seen on an Australian 737 00:16:15,720 --> 00:16:18,230 black eye can be seen on an Australian TV interview with both him and Riley 738 00:16:18,230 --> 00:16:18,240 TV interview with both him and Riley 739 00:16:18,240 --> 00:16:19,870 TV interview with both him and Riley sitting there with a ton of tension 740 00:16:19,870 --> 00:16:19,880 sitting there with a ton of tension 741 00:16:19,880 --> 00:16:21,509 sitting there with a ton of tension between and I've also read over there 742 00:16:21,509 --> 00:16:21,519 between and I've also read over there 743 00:16:21,519 --> 00:16:23,389 between and I've also read over there that they one fell said that you are 744 00:16:23,389 --> 00:16:23,399 that they one fell said that you are 745 00:16:23,399 --> 00:16:25,829 that they one fell said that you are still angry and you're the last group in 746 00:16:25,829 --> 00:16:25,839 still angry and you're the last group in 747 00:16:25,839 --> 00:16:28,629 still angry and you're the last group in England to be still angry would you go 748 00:16:28,629 --> 00:16:28,639 England to be still angry would you go 749 00:16:28,639 --> 00:16:30,790 England to be still angry would you go along with with that statement yeah I 750 00:16:30,790 --> 00:16:30,800 along with with that statement yeah I 751 00:16:30,800 --> 00:16:32,430 along with with that statement yeah I think we're the only group that's 752 00:16:32,430 --> 00:16:32,440 think we're the only group that's 753 00:16:32,440 --> 00:16:35,749 think we're the only group that's actually uh upset about certain things 754 00:16:35,749 --> 00:16:35,759 actually uh upset about certain things 755 00:16:35,759 --> 00:16:38,030 actually uh upset about certain things when they got back to Europe Riley would 756 00:16:38,030 --> 00:16:38,040 when they got back to Europe Riley would 757 00:16:38,040 --> 00:16:39,309 when they got back to Europe Riley would get the sack 758 00:16:39,309 --> 00:16:39,319 get the sack 759 00:16:39,319 --> 00:16:41,509 get the sack indirectly Smith would tell him that the 760 00:16:41,509 --> 00:16:41,519 indirectly Smith would tell him that the 761 00:16:41,519 --> 00:16:44,189 indirectly Smith would tell him that the BAM were going on tour in Europe and 762 00:16:44,189 --> 00:16:44,199 BAM were going on tour in Europe and 763 00:16:44,199 --> 00:16:46,790 BAM were going on tour in Europe and that Smith did not want Riley to go but 764 00:16:46,790 --> 00:16:46,800 that Smith did not want Riley to go but 765 00:16:46,800 --> 00:16:48,389 that Smith did not want Riley to go but he would call Riley if things didn't 766 00:16:48,389 --> 00:16:48,399 he would call Riley if things didn't 767 00:16:48,399 --> 00:16:51,150 he would call Riley if things didn't work out with his replacement Riley 768 00:16:51,150 --> 00:16:51,160 work out with his replacement Riley 769 00:16:51,160 --> 00:16:53,629 work out with his replacement Riley never ever received that call according 770 00:16:53,629 --> 00:16:53,639 never ever received that call according 771 00:16:53,639 --> 00:16:57,150 never ever received that call according to Smith Riley was fired for dancing to 772 00:16:57,150 --> 00:16:57,160 to Smith Riley was fired for dancing to 773 00:16:57,160 --> 00:16:59,110 to Smith Riley was fired for dancing to Deep Purple Smoke on the Water at his 774 00:16:59,110 --> 00:16:59,120 Deep Purple Smoke on the Water at his 775 00:16:59,120 --> 00:17:02,069 Deep Purple Smoke on the Water at his own wedding with the fall the truth is 776 00:17:02,069 --> 00:17:02,079 own wedding with the fall the truth is 777 00:17:02,079 --> 00:17:03,870 own wedding with the fall the truth is always obscured things would end up 778 00:17:03,870 --> 00:17:03,880 always obscured things would end up 779 00:17:03,880 --> 00:17:06,309 always obscured things would end up taking a different turn for the fall on 780 00:17:06,309 --> 00:17:06,319 taking a different turn for the fall on 781 00:17:06,319 --> 00:17:09,510 taking a different turn for the fall on their 1983 tour of the United States 782 00:17:09,510 --> 00:17:09,520 their 1983 tour of the United States 783 00:17:09,520 --> 00:17:12,189 their 1983 tour of the United States tuneing into the next episode to see how 784 00:17:12,189 --> 00:17:12,199 tuneing into the next episode to see how 785 00:17:12,199 --> 00:17:15,230 tuneing into the next episode to see how an American girl would impact Smith's 786 00:17:15,230 --> 00:17:15,240 an American girl would impact Smith's 787 00:17:15,240 --> 00:17:17,549 an American girl would impact Smith's vision of the Fall thank you for 788 00:17:17,549 --> 00:17:17,559 vision of the Fall thank you for 789 00:17:17,559 --> 00:17:20,429 vision of the Fall thank you for watching 20th Century Music and Arts 790 00:17:20,429 --> 00:17:20,439 watching 20th Century Music and Arts 791 00:17:20,439 --> 00:17:24,549 watching 20th Century Music and Arts please like share 792 00:17:24,549 --> 00:17:24,559 please like share 793 00:17:24,559 --> 00:17:27,909 please like share comment and subscribe if you have not 794 00:17:27,909 --> 00:17:27,919 comment and subscribe if you have not 795 00:17:27,919 --> 00:17:30,439 comment and subscribe if you have not thank you 69213

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