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All language subtitles for Madame Colette 1 (1989)

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These are the user uploaded subtitles that are being translated: 1 00:00:00,840 --> 00:00:01,839 No! 2 00:00:36,430 --> 00:00:39,650 Avete notato con quanta delicatezza sa più usare il rasoio? 3 00:00:40,390 --> 00:00:44,850 Vi assicuro che qualsiasi donna abbia intenzione di mettersi in contatto con 4 00:00:44,850 --> 00:00:49,450 non resterà delusa, né insoddisfatta, né ferita. 5 00:00:50,390 --> 00:00:56,490 Io sono Madame Colette e dirico un spettacolo particolare nella Zoo Strasse 6 00:00:56,490 --> 00:00:57,490 Francoforte. 7 00:00:59,500 --> 00:01:04,360 La ragazza che state vedendo, miei cari telespettatrici, si chiama Margaret ed è 8 00:01:04,360 --> 00:01:05,860 una delle attrici che lavora per me. 9 00:01:06,460 --> 00:01:11,620 Canai Film cerca documenti di vita erotica autentica e io cerco altre 10 00:01:11,620 --> 00:01:12,620 per il mio teatrino. 11 00:01:13,400 --> 00:01:18,060 Ho pensato così che se avessi realizzato un filmato sul mio lavoro, questo 12 00:01:18,060 --> 00:01:22,980 avrebbe potuto essere trasmesso da Canai Film e raggiungere voi donne, voi che 13 00:01:22,980 --> 00:01:26,780 non avete paura dell 'erotismo, che non avete paura di esibirvi davanti a degli 14 00:01:26,780 --> 00:01:27,780 spettatori. 15 00:01:28,250 --> 00:01:33,570 Forse alcuni di voi fanno uso di videocassette porno per loro di letto 16 00:01:33,570 --> 00:01:35,070 per esigenze professionali. 17 00:01:35,590 --> 00:01:40,670 È a voi che avete il coraggio di vivere, di pensare la vita erotica e il sesso 18 00:01:40,670 --> 00:01:45,730 come qualcosa di necessario alla vita umana. A voi che non avete vergogna, ma 19 00:01:45,730 --> 00:01:51,050 che lo considerate con semplicità, con naturalezza. È a voi che io mi rivolgo. 20 00:01:59,440 --> 00:02:01,240 Even Missy is part of my show. 21 00:02:22,120 --> 00:02:27,720 The first characteristic to be part of it is to have the dick completely 22 00:02:28,590 --> 00:02:32,890 Being so glabrous, it can be better kept in perfect hygiene conditions. 23 00:02:33,210 --> 00:02:38,990 Then you have to know how to maneuver the vibrator, slowly, but with 24 00:02:40,250 --> 00:02:45,530 And then, of course, you need to have a natural sensitivity and predisposition 25 00:02:45,530 --> 00:02:46,530 to make love. 26 00:02:48,670 --> 00:02:53,110 He is Marcus, like Margherita Nizzi, he is part of my show. 27 00:03:23,180 --> 00:03:26,460 And he is Rambo. He is Mitzi's partner. 28 00:03:26,720 --> 00:03:29,800 Mitzi knows how to do this in public too. And it's not easy. 29 00:03:30,260 --> 00:03:35,900 The barrier of pride raised for many centuries of sexist education inhibits 30 00:03:35,900 --> 00:03:40,600 anyone of us to do this operation so naturally when someone sees us. 31 00:03:55,730 --> 00:03:57,510 Yeah, that's good. 32 00:03:57,750 --> 00:03:58,589 Yeah, 33 00:03:58,590 --> 00:04:20,310 that's 34 00:04:20,310 --> 00:04:21,310 good. 35 00:04:26,270 --> 00:04:29,070 Come, come. 36 00:05:20,140 --> 00:05:24,740 Here we are in my theater, with the stage costumes. 37 00:05:28,900 --> 00:05:30,840 Now it's Margaret who shows herself. 38 00:06:36,590 --> 00:06:39,010 Adesso sono Marcus e Missy. 39 00:06:52,270 --> 00:06:52,949 Thank you very much. 40 00:06:52,950 --> 00:06:53,950 Thank you. 41 00:07:44,140 --> 00:07:46,880 Now it's my turn with Tiggerford. 42 00:08:13,520 --> 00:08:18,540 The film you have seen broadcast by Canai Film, over a private channel at 43 00:08:19,040 --> 00:08:20,480 had some success. 44 00:08:20,900 --> 00:08:24,820 Some girls called me in the theater, but then nothing happened. 45 00:08:27,040 --> 00:08:32,159 However, the actors who had interpreted it complained that, given its short 46 00:08:32,159 --> 00:08:35,940 duration, they could not understand anything of their bravery and, moreover, 47 00:08:35,960 --> 00:08:39,360 everything seemed unnatural, almost stifled. 48 00:08:41,130 --> 00:08:44,890 Since the TV antenna that transmitted it now gives me more time available, 49 00:08:45,610 --> 00:08:50,550 I take the opportunity to show all the viewers the documentary that was shot a 50 00:08:50,550 --> 00:08:52,470 year ago in its full version. 51 00:08:52,850 --> 00:08:57,070 And I add, men and women, come and see the show live. 52 00:08:57,450 --> 00:08:59,010 You will have a lot of fun. 53 00:09:30,380 --> 00:09:32,600 Let's put a little soap on it. 54 00:09:54,580 --> 00:09:56,320 Margaret doesn't feel anything. 55 00:09:56,720 --> 00:09:58,160 I have a light hand. 56 00:10:29,290 --> 00:10:30,410 It's a show on the run. 57 00:11:10,350 --> 00:11:11,810 Thank you for your time. 58 00:11:41,290 --> 00:11:42,290 um 59 00:12:27,330 --> 00:12:31,710 Now another pass of soap and then the last ratatouille. 60 00:13:16,430 --> 00:13:17,430 It's true. 61 00:13:46,160 --> 00:13:47,160 One minute. 62 00:14:31,430 --> 00:14:37,650 Thank you very much. 63 00:15:49,260 --> 00:15:51,220 I just want to talk. 64 00:16:07,050 --> 00:16:08,050 Is everything okay? 65 00:16:08,730 --> 00:16:09,730 Yes. 66 00:17:03,130 --> 00:17:05,930 Thank you. 67 00:17:33,860 --> 00:17:39,700 Look how beautiful she is. So naked, she has this beauty, this sharpness. 68 00:17:58,380 --> 00:18:02,740 Sono convinta che anche Mitzi sia eccitata vedendo la figa di Margaret 69 00:18:02,740 --> 00:18:03,740 aperta. 70 00:18:31,720 --> 00:18:32,720 options that. 71 00:19:25,710 --> 00:19:26,530 I don't 72 00:19:26,530 --> 00:19:38,530 know. 73 00:19:42,370 --> 00:19:43,370 I don't know. 74 00:20:40,400 --> 00:20:41,800 Yeah, let's do that. 75 00:21:12,520 --> 00:21:15,680 These special glasses are used to stimulate the hair. 76 00:22:03,110 --> 00:22:06,850 Just a little bit. And the erotic tension goes up significantly. 77 00:23:09,130 --> 00:23:10,130 Thank you very much. 78 00:23:58,250 --> 00:23:59,890 Now it's the turn of Mizi's fig. 79 00:24:03,010 --> 00:24:08,130 The skin of the fig, no longer protected by the hair, is exposed completely, 80 00:24:08,710 --> 00:24:12,530 without defense, to kisses, to caresses. 81 00:24:12,970 --> 00:24:15,770 And the sensations flow with greater intensity. 82 00:26:10,399 --> 00:26:11,800 No. 83 00:26:52,400 --> 00:26:53,400 Mwah! 84 00:27:34,199 --> 00:27:37,000 um um 85 00:28:06,979 --> 00:28:09,640 No idea what we've done, huh? 86 00:28:33,130 --> 00:28:36,950 I don't know if it's true, but it's true. I don't know if it's true. 87 00:30:02,350 --> 00:30:05,030 Don't change the future, you know? 88 00:30:36,650 --> 00:30:42,230 Se Margaret con il vibratore è una vera artista, Mitzi usando solo la mano non l 89 00:30:42,230 --> 00:30:43,230 'è inferiore. 90 00:33:03,280 --> 00:33:07,560 It's impossible that when you look at them, you don't feel some kind of erotic 91 00:33:07,560 --> 00:33:08,279 fever. 92 00:33:08,280 --> 00:33:11,800 And if the thermometer doesn't go up, it's time to go to the doctor. 93 00:35:13,840 --> 00:35:19,100 And now it's time to show you their ability, not alone, but in company. 94 00:35:20,220 --> 00:35:24,540 To Margaret, it's Marcus, called Sansone, because of the long hair. 95 00:35:26,600 --> 00:35:31,500 And to Miffy, it's Rambo, because he's one of the few young people I know who 96 00:35:31,500 --> 00:35:32,720 did the military service. 97 00:35:47,630 --> 00:35:48,110 Oh my 98 00:35:48,110 --> 00:36:10,310 God. 99 00:36:37,730 --> 00:36:40,530 Thank you. 100 00:37:04,640 --> 00:37:07,440 . . 101 00:37:07,440 --> 00:37:14,200 . 102 00:38:52,090 --> 00:38:54,170 Oh, yeah. 103 00:40:17,840 --> 00:40:19,260 We are doing good. 104 00:40:19,500 --> 00:40:20,500 Good. 105 00:40:21,540 --> 00:40:22,860 Good career. 106 00:41:31,700 --> 00:41:34,500 Yeah. Yeah. 107 00:41:35,140 --> 00:41:37,420 Yeah. Yeah. 108 00:41:38,880 --> 00:41:40,280 Yeah. 109 00:42:22,680 --> 00:42:25,480 um um 110 00:42:41,480 --> 00:42:42,480 Oh. 111 00:43:18,039 --> 00:43:20,600 Thank you. 112 00:45:57,200 --> 00:45:58,200 Thank you. 113 00:47:18,020 --> 00:47:19,180 Oh, that's good. 114 00:47:32,950 --> 00:47:34,350 Yeah. 115 00:47:36,070 --> 00:47:37,470 Yeah. 116 00:47:40,610 --> 00:47:44,970 Yeah. Yeah. Yeah. 117 00:48:05,480 --> 00:48:06,520 Oh, my God. 118 00:50:02,570 --> 00:50:03,570 Thank you. 119 00:50:04,290 --> 00:50:05,290 Thank you. 120 00:50:48,910 --> 00:50:53,290 I don't want to hear anything about your life. 121 00:52:44,029 --> 00:52:45,430 Oh. 122 00:54:32,270 --> 00:54:33,270 I'm coming, I'm coming. 123 00:55:59,530 --> 00:56:03,410 It could be said that what you have seen is the general proof of the show. 124 00:56:05,130 --> 00:56:07,690 This, on the other hand, is the representation in theater. 125 00:56:08,630 --> 00:56:10,390 I am also dressed for the occasion. 126 00:56:11,330 --> 00:56:14,350 Erotism is a fever that arises from the confluence of two rivers. 127 00:56:14,730 --> 00:56:20,210 The sweetness, the languor, the passivity are the waters of one. The 128 00:56:20,430 --> 00:56:23,910 the cruelty, the dominion are the waters of the other. 129 00:56:24,560 --> 00:56:28,860 For this reason, the stage equipment is made up of chains that evoke the idea of 130 00:56:28,860 --> 00:56:34,560 torture. For this reason, the actors' stage costumes evoke prison, being 131 00:56:34,560 --> 00:56:41,280 prisoners. For this reason, I, who am the director, am dressed militarily in 132 00:56:41,280 --> 00:56:42,280 black leather. 133 00:57:09,740 --> 00:57:11,120 It's nice to see you all again. 134 00:57:57,330 --> 00:57:59,870 You finally shared that kind of work, buddy. 135 00:58:37,700 --> 00:58:38,700 Thank you very much. 136 00:59:26,480 --> 00:59:29,280 Hey! Hey! 137 01:00:19,310 --> 01:00:20,510 I think you have to do it a little bit faster. 138 01:00:23,010 --> 01:00:24,010 Good. 139 01:00:24,350 --> 01:00:25,550 And now we're going to start. 140 01:00:55,790 --> 01:00:56,790 Thank you. 141 01:00:57,050 --> 01:00:58,050 Thank you. 142 01:01:35,970 --> 01:01:37,030 Hey! Hey! 143 01:02:37,939 --> 01:02:40,740 Oh, shit. 144 01:03:30,890 --> 01:03:31,890 No, no, 145 01:03:32,450 --> 01:03:33,450 no. 146 01:04:15,810 --> 01:04:17,270 I don't know. 147 01:04:48,589 --> 01:04:51,390 Hey! Hey! 148 01:05:46,180 --> 01:05:51,840 Oh my God. 149 01:06:03,820 --> 01:06:04,820 There we go. 150 01:07:29,549 --> 01:07:32,350 Hey! Hey! 151 01:07:45,960 --> 01:07:46,960 Please. 152 01:08:18,220 --> 01:08:19,220 Oh, God. 153 01:09:37,620 --> 01:09:40,420 um um 154 01:12:44,590 --> 01:12:45,590 Thank you. 155 01:13:16,330 --> 01:13:17,410 Thank you. 156 01:15:32,910 --> 01:15:33,910 Thank you. 157 01:16:49,980 --> 01:16:50,980 Oh 158 01:17:37,390 --> 01:17:38,390 So... 159 01:18:21,450 --> 01:18:22,450 Bye. 160 01:19:12,940 --> 01:19:17,360 Certo, nello spettacolo non mi comporto come in prova, dove faccio soltanto il 161 01:19:17,360 --> 01:19:20,120 direttore di scena e preparo i miei attori con le mie mani. 162 01:19:20,460 --> 01:19:23,840 Anch 'io, come Mizzi e Margaret, faccio la mia parte. 163 01:19:24,580 --> 01:19:29,280 Anche a me piace esibirmi davanti agli spettatori e prendere la mia parte di 164 01:19:29,280 --> 01:19:30,280 applausi. 165 01:20:22,980 --> 01:20:25,780 Thank you. 166 01:21:19,520 --> 01:21:22,460 Please. Please. 167 01:21:53,290 --> 01:21:54,290 Thank you. 168 01:26:54,160 --> 01:26:55,560 Okay. 169 01:26:56,380 --> 01:26:57,380 Okay. 170 01:27:35,120 --> 01:27:36,640 Spero che vi siete divertiti. 171 01:27:36,940 --> 01:27:39,640 E... Arrivederci a presto. 11605