All language subtitles for [SubtitleTools.com] Under the Stars - Movie 2025 online

[gentle serene music]

[birds chirping]

[gentle serene music]

[birds chirping]

[gentle serene music]

I don't how long
I spent there,

emotionless, observing
the darkness above me.

[gentle serene music]

Was she looking up at
the same starless sky?

I had to know, I had to find her
to tell her everything

that I know now,
that I know to be true.

I had to see her again
and tell her

- [phone ringing]
- that I loved her.

Except when you were constantly
interrupted by her.

- Auntie Audrey.
- Have you forgotten all about
me?

[Ian] What do you mean?

Well, I haven't heard
from you since Tuesday.

Oh, it's Thursday.

Oh, my mistake. Sorry to bother.

I guess I'll wait to hear
from you at my funeral then.

Well, I'm sorry
I didn't call you yesterday.

Yeah, yeah, yeah. Blah, blah.
Listen you, me, dinner tonight.

We have things to discuss.

- What things?
- Ah, leave your reader in
suspense

and they'll always return.

- What exactly?
- I'm leaving you in a suspense

so you don't flake out on me.
7:00 PM, okay?

- Love you.
- Love you.

[notification chimes]

Oh, shit.

Ah.

[bright lively music]

Uh, there you go.

[birds chirping]

[bright lively music]

Lunch ended ten minutes ago.

Yes, I know, I know.
I was writing, you know how I
get.

You do know there's a coffee
shop
just around the block.

Don't all writers
love coffee shops?

So what if I'm always
a little late.

[Ms. Johnson] Freeman,
in my office now.

[footsteps tapping]

- [Ian knocks]
- Afternoon.

What is this?

I believe that's the magazine
I work for.

And what does this magazine
you work for print?

Uhm...
Travel and leisure articles.

No kidding. Here I thought
we publish romantic prose.

"As the sun sets over
the towering skyscrapers,

one watches from their balcony

as the sky's orange hues turn
to red,

red turns to purple,
purple turns to black,

and stars light up the void."

- Yada, yada, yada.
- I thought that was pretty good.

This is a feature on an
affordable
luxury hotel, not The Notebook.

All of that, and you couldn't
even mention they had pool.

Sorry, but I was just trying--

This just isn't the sort of
thing
our readers expect.

I understand Ms. Johnson, but I
was trying
to grab the attention of the
readers.

I get it. You're a writer.

And like any other writer, you
want
to get paid for doing what you
love.

But it doesn't always
work out like that.

Okay.

- Hey, Ian.
- Yes.

Get me that feature on the place
in the Italian countryside

on my desk by the end of
tomorrow,

and then you can
enjoy your holidays.

You will have earned it.

Yes, ma'am.

[somber music]

- Sorry I'm late.
- You're late.

[Ian] Yes. I know,
I know, I know.

[chair scrapes]

[Andrew tapping]

- Well, what do you think?
- It's good. It's really good.

- Dare I even say it's great.
- So you like it?

No, I don't like it.
I loved it.

This, "Wanderlust," this is,

it's as good as your first book,
maybe even better.

- Any notes?
- Yeah. I have one note.

- Where's the rest of it?
- I'm working on it constantly.

Don't make me wait
another year

while you waste your
talents on travel guides.

I'm using the vacation time,
go to work

and I'll get it done
in the next two weeks.

Okay, good. 'Cause the second
you get it done,

I'll get it to the publishers
and they will throw money at
you.

The advance that you got,
that was good, right?

When you see the deal that I
negotiated for you on this book

is going to make you
a very rich man.

Hello, Pauline.

By the way, you didn't have to.

Thank you.

That's good.

As your agent, I want to seal
this pact with a toast.

Andrew, the glass. It's, uhm...
It's half empty.

You finish the manuscript,
it'll be full.

And we both know what happens
to you
when you've had one too many.

To finishing.

To finishing.

[horn blares]

Hey.

[footsteps tapping]

I'm just going to shoot
off a couple more emails

- and then I can.
- Okay.

[paper rustling]

- What's wrong?
- Nothing.

Andrew loved my manuscript.

[Kate] Hmm?

That what was finished a bit.

Okay. Well, isn't that,
that's great, Ian.

Hmm.

Oh my God. Look, it's,

it's obvious these last
few years have been,

they've been a nightmare.

I mean, you're working
part-time for a pittance.

You're up all night writing,
which means I'm up all night.

Now you've got something
you can sell.

But it's not done yet.

- [notification chimes]
- Oh.

Hopefully,
I can use the time that--

I've got off work to finish it.

Okay. So, what I'm
hearing is that you and I

are going to spend absolutely
no time
together the next two weeks.

But it won't take that long.
I just...

I need a couple of days a week,

and then the second week
that we can hang out.

[Kate exhales sharply]

[Kate] Ian, you promised me

you're going to get this
manuscript done a year ago.

- It, it--
- And the year before that.

I think you need to just start
making money with another book.

Or go full-time at the magazine
or just get another job.

You don't have to be
a writer, Ian.

[script thuds]

Okay.

That was...

I'm sorry.

- It's okay. Look--
- [Kate] I'm sorry.

I know you're frustrated.
I'm, I'm sorry, okay?

Just don't be a perfectionist
about it, okay?

If he says it's good
enough, it is good enough.

He is an agent, this is what
he does, he knows these things.

And you trust him, don't you?

Yeah.

Okay.

Come here.

[phone ringing]

[Kate breathes deeply]

[phone ringing]

- Hello.
- [Audrey] Hello.

- Auntie Aud.
- [Audrey] Ian.

Yes. Yes, yes. I'll be there.

- [Audrey] You are late.
- It's 6:30.

[Audrey] Exactly.
You're going to be late.

- Yeah. Okay.
- [Audrey] Love you.

Okay. I love you.
That was Auntie Aud.

- Yeah?
- She wants to have dinner.

You want to come?

I made plans tonight
with some friends.

- You did?
- Yes.

- Enjoy your night.
- Thank you.

[footsteps tapping]

Say hi for me.

- [doorknob clicks]
- [door closes]

[woman] So what are you
going to do after the wedding?

[man] Me? Nothing. The next day
I go home,
get back to work.

[woman] Really?
You can't stay any longer.

[man] I'd like to, believe me.
It's paradise here. But I--

[woman] I understand.
[knock and door opens]

[man] I suppose you'll be on
the island for a while longer.

- Good evening.
- Come sit down.

Let me talk to yourself.

[man] Move here.
Are you serious?

[woman]
I need a fresh start. This is--

I told you you'd be late.

[man] You're throwing
your life away.

It's two minutes after seven.

Yes. Two minutes after
seven is not seven.

Sorry.
What are you watching?

Oh, don't even ask.
Some morons made

a mini-series out of
"Last Lovers in Paradise."

I mean, the actors are trying
their best,
but I'm telling you it is
mortifying,

I can barely watch it.

How much do they pay you
for the rights?

Oh, not enough
now that I've seen it.

[woman] It's risk worth taking--

- You hungry?
- Mm-hmm.

[doorknob clicks]

Hi, Audrey.
Looking radiant today.

Ah, thank you for noticing.

You look exactly the same.

What? It's true.

You know the guy was just
paying you
a compliment, right?

Oh, please.
I can see right through him.

One minute, he's telling
me how beautiful I am.

The next, he is asking
me over to his apartment.

Who knows where that will end.

Don't give me that look.

Thank you so much.

Pleasure. Have a lovely dinner.

Oh, God. Now listen, if she
does love you,
it shouldn't matter,

how much money you have
in the bank,

it shouldn't matter how many
books
you've written because
seriously,

whatever happened
to for richer, for poorer?

Yeah. This is not
necessarily about the money.

This is the fact that
I can't finish my book.

- Oh, God. Writer's block.
- Yeah, sort of.

All right. Well, listen, I've
got at least 150 cures for that.

So, tell me your symptoms.

I gave my manuscript
to Andrew, and, I mean...

- Why are you reacting like that?
- Come on, Ian.

Andrew is your agent.
He's not gonna--

He wants to sell your book,
that's all he's interested in.

He doesn't care
if it's any good.

Anyway, you know
you're a good writer.

You don't need
to concern yourself

with what anybody else thinks.

And how's everything going
with Kate? My favorite person.

Why are you asking that now?

Well, generally, if the
love life of a character

is not quite forthcoming,
then you can pretty much bet

that the love life of the
author might be flat lining.

- Right.
- Big whoop.

I mean it happens to everyone.

Why do you think people

have affairs,
get divorced, commit murder?

I mean, all three.

Auntie Aud, you can't,
you can't say that.

Yes, I can. It did happen.
I saw it on "Dateline."

Anyway, come on. Tell me, how's
it going?
'Cause I literally

wrote the book on this stuff,
several of them.

Yeah, I mean, it's not like how
we first
used to be when we first met.

Look, the point is, this is
nothing you can't overcome

if your love is beyond
that initial infatuation,

that honeymoon phase.

Hmm.

- And you do love her, right?
- No, of course.

Are you sure about that?

- Yes. I do love her.
- Damn!

I mean, okay, I'm happy for you.

But I mean, that just means

you have to fight for it,
work for it.

Get that spark back,
reignite it.

If you want to finish
"Wanderlust" in the next,

say two weeks,
then just open up.

Allow yourself to fall
in love again with Kate.

- Yeah, you're right.
- [Audrey] I know. I'm right.

Love is a mystery,
it's different for everyone.

I mean, she's my muse.

And if I want to be the writer
I used to be...

Yeah, I think I need
to start living again.

[Audrey] Mm-hmm.

[woman] Oh, wow. Look.

[Ian] Wow. This guy's proposing.

[all clapping]

[groans]
Such idiots.

Why is it everyone clapping?
There's nothing to celebrate.

Foolish decisions.

It's very beautiful.

- [Audrey] You think?
- Hmm.

Never again. It'll last, I
don't know,
give them four years, maybe.

[somber music]

[keys jingling]

[doorknob clicks]

[Audrey] Get home.

- Auntie Aud.
- Yeah?

Can I get the ring?

The ring?

I was thinking of proposing.

- Are you serious?
- Yeah.

[door thuds]

[playful music]

[Ian knocks]

Hello.

Auntie Aud?

[playful music]

[doorknob clicks]

[playful music]

I am certain.

[somber music]

Still can't believe you've
got assigned the Puglia feature.

What's the big deal?

The big deal is that I have
spent my whole life dreaming

about writing a feature
about those stone houses,

the olive groves,
the bread.

Oh my God, the bread.

Oh.

- You okay?
- Yeah.

I think she and I
are craving that bread

a little too much right now.

Does someone want me
to get them both lunch?

Well, I mean,
if it's not too much trouble,

I could go for a sandwich
from this one bakery.

- Oh.
- But it's a few blocks away,

so if it's too far,
I completely understand--

It's fine, it's fine.
Just message me the address.

Thanks.

Can I get two chicken
and cheddar sandwiches, please?

- Sure.
- Thank you.

- Cash or card?
- I'll do cash.

[cutlery clatters]

Thank you.

[cutlery clatters]

[pensive music]

And here is your sandwich.

Sir?

[glass shatters]

[pensive music]

Sir?

[pensive music]

- Your change, sir.
- I don't need it.

Sir, your change.

[pensive music]

Yes. Oh, you have no idea
how much I've been craving
this, Ian.

Oh, I've spent
so long wanting this.

[keyboard clacking]

Ian.

- Ian?
- Yeah.

Are you all right?

No, I'm fine. I just, uh...

[keyboard clacking]

Okay.

[serene music]

Benvenuti.

Welcome to La Masseria Sotto Le
Stelle,

a one of a kind getaway to
Italy.

We offer our guests an escape
to the picturesque countryside
of Italy.

Leave your troubles behind as
you immerse yourself in nature

and our illustrious history.

Relax on our beautiful beaches,

and dine at our renown chef's
table.

Enjoy your warm sunny days
and serene starry nights.

Won't you come join us
under the stars?

[serene music fades out]

[Ian scoffs]

[doorknob clicks]

Ian. Ian, I, please.

Ian, where are you going?

Puglia.

Italy, really?

Well that's, that's crazy, okay?

So can you just,
can you please just calm down

because we have to talk
about things.

You are just really immature.
Jesus.

Excuse me?

You know you're constantly
working,
that's the problem I have.

And when you're not working,
you're writing,

and when you're not writing,
then you're with your aunt.

And honestly, I can't freaking
stand it, okay? I hate it.

Have you not even noticed how
disconnected we've become?

You, of course, not.
No, you haven't.

I mean, what happened? What?

We used to have this
like passion, this sex,

this crazy amazing life,

we were chasing the high
of your book.

It was like, and now it's just,
everything is just,

can you please stop packing
everything? Would you...

Listen to me!

I want you to know you're
a fantastic writer.

Does everyone not tell you
that enough?

The problem is I'm tired of
playing one of
these characters in your
stories.

You know what the romance you
write about? It's a fantasy.

I'm real, okay?

That's it.
You have nothing to say?

Really,
you've got nothing to say?

Come on, Ian, say something.

[door closes]

- Ah, Ian.
- As promised.

Under the stars, you're
romantic summer at La Masseria.

I like it. You got that done
much quicker than expected.

I was inspired.

- Enjoy your holidays.
- Thank you.

And Ian,

- you earned it.
- Yeah.

[airplane rumbling]

Inspiration,
my evasive companion.

Your paths are unpredictable,

I'll follow you anywhere
you take me.

[bright lively music]

[birds chirping]

[bright lively music]

[curtains rattling]

[bright lively music]

[birds chirping]

[bright lively music]

[Arianna] Ciao, grazie.

I hope that you've
enjoyed your stay with us.

Oh, yes.
We had a wonderful time.

We were so comfortable,
weren't we, darling?

Yes, yes, it was...

Oh, I'm sorry.
I have to take this.

I'll be back in a second.

Yeah. We, I mean,
I had a wonderful time here.

You are a terrific hostess.

Grazie. Sì, it's what
we do here at La Masseria.

I'm glad that you and your
wife enjoyed yourself.

Oh, we're not married yet.
Well, we'll see, you know?

Yeah. Yeah.

I travel a lot
in my line of work

and I could see myself
occasionally stopping by here

on my own.

You know what I mean?

Hmm. Is that what you see
yourself doing?

You want to know what I see?

An awkward flight back home.

- Hey.
- It was--

She said she'd be back
in less than a second.

You should have listen to her.

I cannot believe you. I am
going to call your mother.

[Arianna] Benus, vieni.

[woman] Are you kidding?
This happens all of the time.

[woman speaking in German]

[sanguine music]

[birds chirping]

[sanguine music]

[car engine rumbling]

[car door clicks]

[footsteps rustling]

[bell tolling]

Excuse me.

[in Italian] Tell me.

I'm looking for La Masseria.

[in Italian] Inside. Yes inside.
Get inside and you'll find it.

[in Italian]
I need frisée, some Puccia
and...

Do you still have spelt bread?

[clerk in Italian] Yes, let me
get it.
It just came out from the oven.

[Ian] Hey, hey!

Hey!

Sorry.

[in Italian]
What are you doing?

I was just looking
for the price tags.

Ah, excuse me.

- Why are you following me?
- I'm not following you.

[speaking in Italian]

[in English] Get lost.

You, you, you are in the
commercial for La Masseria.

Yes, wh--.

You're not, uh...
You're our guest for the next
two weeks?

- Yes.
- Oh.

And I'm completely lost.

If there's any chance
I can follow you.

My car is just there I parked...

Yes, of course. Yes. Follow me.

Thank you.

[uplifting bright music]

[Arianna exhales sharply]

[car engine rumbling]

[uplifting bright music]

[car engine rumbling]

[uplifting bright music]

Pietro!

[uplifting bright music]

[door thuds]

Wow.

This is beautiful.

Pietro!

[Pietro in Italian] Coming!

[Pietro in Italian]
Welcome to La Masseria

- Ian.
- Ian.

- Ian.
- That's okay, Pietro.

Okay.

Pietro will help you settle in.
Pietro-

[speaking Italian]

[in English]
Dinner, tomorrow night, main
house.

- Okay.
- Okay.

- Thank you.
- [Pietro] You're welcome.

- [doorknob clicks]
- [door squeaks open]

[door squeaks close]

[door squeaks]

[birds chirping]

[serene music]

[birds chirping]

[serene music]

[rooster crowing]

[serene music]

[pulley squeaking]

[man in Italian] You haven't
noticed less water than usual?

[Pietro in Italian] No,
I haven't noticed anything.

[Roberto in Italian] Me neither.

[man in Italian]
It started last night.

[in Italian]
Last night, you say?

Pietro, when did you
say you felt the earthquake?

Yesterday morning.

[man] An earthquake?

But we haven't felt once since--

[Giacomo] Let's not sound the
alarm yet.

We'll see how things evolve.

- [man] Sure.
- [Pietro] Okay.

- [Roberto] You felt the
Earthquake?
- [man] When?

[Pietro] At 4 AM.

[man] Was it strong?
I haven't felt it at all...

- [rooster crowing]
- [insects chirping]

[Arianna yelling] Roberto,
basta!

[Arianna in Italian]
I told you to stop!

[Arianna in Italian]
You're killing my vegetables
this way.

[Arianna speaking in Italian]
Stop it!

[Roberto speaking in Italian]
I just...

[Arianna speaking in Italian]
What are you doing?

[in Italian] I said stop it.
You are killing my vegetables!

[Arianna speaking in
Italian] Stop it Roberto!

[Roberto in Italian]
Look, this is my side, okay?

[Arianna speaking in Italian]
And this is my side.

[Arianna in English] How many
times
do I have to tell you, ah?

No, no, no, no.

[Arianna in Italian]
You're killing my vegetables.

[Roberto] Okay.

[Arianna in Italian]
Stop it! I said Stop it!

[Roberto in English]
Eh, go inside. Do your-- Go!

[in Italian]
Pietro, turn on the water.

[Pietro in Italian]
Okay, right away.

[Roberto in Italian]
What are you doing?

Eh? What do you think you're
doing?

[Roberto in Italian]
How you dare!

[Roberto in English]
Stop!

[Roberto speaking in Italian]
Stop it!

[Roberto in Italian]
Stop that!

[Roberto in English] Giacomo!
Stop!
Giacomo! Giacomo! Giacomo!

- [Giacomo laughing]
- [Roberto] Look.

[Roberto in Italian]
Damn!

What happened?

[in English] Your friend is
spraying
his poison all over my
vegetables.

I spraying the trees
on my property.

No, no, no, no.

[in Italian]
No, don't lie!

[Arianna in English]
I told you to stop and you
didn't.

Because it's my property.

Did she ask you to stop?

- Yes.
- Sì.

And did you?

But that's not the point,
that is the point.

The respect, okay?

This is her vegetables, Roberto.

Sure. Go ahead, defend her.
Okay.

[Roberto in Italian] Damn.
These guys are always making
trouble!

[Roberto in Italian]
Complaining every time.

[Giacomo in Italian]
Good morning.

[Giacomo in English]
You must be the new guest.

- Ian.
- Giacomo Glionna.

Hey, my apologize for the noise.

My daughter, Arianna,
she's very protective of our
home.

- Arianna is your daughter?
- Yes. You met?

Oh, you can say that we bumped
into each other yesterday.

- Bumped?
- Hey, buongiorno, Ian.

Hey, Giacomo,
we're going to be late.

[in Italian] I'm so sorry...

[in English]
I have some things to attend
to. Arianna?

[phone beeping]

[phone ringing]

Oh, come on, Ian.
Where are you?

[Kate] Hello?

Kate, it's Audrey.

Oh, well, you know, uhm--
Hello to you too.

Can I please speak to Ian?

I've been texting
and calling him all day today.

And nothing.

Well, that sounds like Ian,
you know?

He fled the country.
I don't know, Italy.

- What? Italy?
- Yes, Italy.

As in Rome, Italy?

Puglia, Italy, I think.

Why is he in Italy?
And you're not in Italy?

Ah, well, because we had a
fight.

Okay. What did you do?
Did you reject his proposal?

What proposal?

Did he not propose to you?

Oh, my God. Uh, no.

[stammering]

Was Ian thinking about
asking me to marry?

Well, he was, yes.
Now as far as I can tell,

he's fled the country
with a broken heart.

And he won't answer any of
my texts, thanks to you.

I mean, this is a classic
novel in and of itself.

- I'm sure he's fine.
- Yeah. Well, you better hope so.

[phone beeping]

Hi.

How you doing?

[Arianna] Benus? Benus?

- Oh.
- Hey.

[footsteps tapping]

- Look at you.
- Arianna, right?

- Right.
- [Ian] Yeah.

Ian, right?

- [Ian] Right.
- Right.

- That's a beautiful dog.
- Thank you.

Her name is Benus.

Ah.

So how are you enjoying
your stay with us?

Yes, it's wonderful, but,
I keep trying to reach home,

but, I...
I can't get a signal anywhere.

Oh. If you need to make a call,

there's better reception
near the main house,

- or you could use our phone.
- Thank you.

By the way,
when I woke up this morning,

I found it all
very entertaining.

I'd hate to get on your bad
side if you had a hose handy.

[Arianna laughs]

Right. Look at you,
you're so funny.

Another line like that,
and you just might be.

I'm, I'm sorry,
a line like what?

Nothing.

Just enjoy the house
and the landscape

and remember
the rest is out of reach.

All right. Okay. I'm so sorry.
[laughs]

- Just for clarification.
- Uh-huh.

You don't think that I'm
flirting with you, do you?

- No? [laughs]
- [Ian] Unless...

Well, I saw the way you were
checking me out at the bakery,

I'm not stupid.

Just for your information,

I actually just got out of
a relationship two days ago,

so I am not interested in
anyone.

Hmm. Hey, uhm, we hope you
enjoy your stay with us.

You're a lot more
charming in the commercials.

It's called advertising.

Benus?

[playful music]

Ah.

[speaking in Italian]

[melancholy music]

[laptop thuds]

[melancholy music]

[footsteps rustling]
[birds chirping]

[wistful music]

[birds chirping]

[serene music]

[somber music]

[keyboard clacking]

[somber music]

[drawer scraps]

[somber music]

[drawer scraps]

[somber music]

[phone vibrates]

[somber music]

[phone vibrates]

[somber music]

Oh, my God.

[Arianna in English] Papa, we
should
never have started offering,

il tavolo dello chef.
It was a bad idea.

[Giacomo] It was your idea.

You said you wanted a chance
to get to know our guests

and meet interesting people.

Offer real juice
from your garden.

And here's the focaccia.

Grazie, Marta.

I know what I said, okay?

I'm just saying I was wrong
because this is a lot of work

and we never get to meet
any interesting people.

What about this,
this Ian fellow?

He seems,
seems interesting to me.

In a manner of speaking.

[Ian] Good evening.

Ah. Welcome to our tavolo.

- Thank you, sir.
- Call me Giacomo.

Good evening.

Would you like to try
my liquore di alloro?

Sure.

I make it myself.

Smell.

Here you go.

[Arianna] Grazie.

- Salute.
- [Ian] Salute.

[insects chirping]

[coughs]

It's okay.
Piano, piano.

That's strong.

So, did you reach your aunt?

No, she didn't pick up.

I left her a voice message,
but I'll try her again after
dinner.

Tell us what brings you
to La Masseria.

Uh, I'm writing a book.

Hmm.

A writer?

Actually, it's my second book.

Ah, due book. Writer, writer.

That's why I came here.

I wanted to find
some inspiration

so I could hopefully finish it.

That and also I kind of wanted
to spend some time alone.

[speaking in Italian]

What-- I missed that, sorry.

English, please.

Oh. I was just saying
that you also came here

to forget about your girlfriend.

Yeah.

I don't really want to talk
about that.
[laughs]

Well, then we don't talk
about the girlfriend, we drink.

- Right?
- Mm-hmm.

[glass taps]

[Ian coughs]

[Giacomo] Piano, piano, piano.

[speaking in Italian]

[Ian stammering]
What did she say?

[Giacomo] English, eh?

You don't seem to handle
alcohol very well, do you?

Well, alcoholic writer
is a cliché.

Hmm.

[speaking in Italian]

Giacomo, you have a,
you have a beautiful home.

- Oh, grazie.
- [Ian] Yes.

This home has been in our
family for over 300 years.

- 300 years?
- [Giacomo] 300 years.

Wow. If these walls could talk.
[laughs]

They'd have quite a few stories
to tell.

Oh, yes, quite a few.

I give you a--
A grand tour tomorrow.

Yeah. I would love that.

Shouldn't you be
focusing on your writing

if that's why you came here?

Well, for your information,

creativity comes to you

in different ways, in different
forms, at different times.

Sounds more like
procrastination.

Yeah. Well, inspiration, procrastination.

I mean, what are you a poet?
Rhyming now?

Ah, Enzo.

Arianna.

[in Italian]
I just returned from Rome.

[in Italian]
What are you doing here?

[in Italian]
I have to talk to you.

Enzo, come sit down.

[in English]
No, thank you very much,
signore Giacomo.

I need to talk to Arianna
in private.

I'm sorry. I'm sorry.

[Arianna speaking in Italian]

- Who is he?
- He is Enzo.

He and Arianna were friends
from very young.

He teaches La Sapienza in Roma.

[playful music]

[glass clinks]

Hey, piano, piano.
It is very strong.

It's meant to be savored.

You okay?

I think I'm, I think I'm going
to excuse myself.

Wait, wait, whoa, whoa, wait,
wait. Don't, don't get up.

Hey, look at me. Stay, okay?
One moment, one moment.

- I'm good.
- Pietro!

- Pietro.
- I'm good.

- [speaking in Italian]
- [Ian] Giacomo.

[Giacomo in English]
No, no, no. It's okay. Wait.

- I'm good.
- Pietro.

- [Pietro speaking Italian]
- [Giacomo in Italian] He's
drunk.

It's all right. I'm good my
friend.

[Pietro in English]
It's okay. Yeah, you're good.

You're good to go.
You're good to go.

[Pietro in Italian]

- Oh!
- Oh!

- Okay, okay.
- This-

It's good.

- It's all good, right?
- I'm good.

[Pietro] Yeah, you're good.
You're very good.

[car engine rumbling]

[Audrey] Grazie.

[Audrey exhales sharply]

[car door thuds]

[playful music]

- [luggage thuds]
- [Audrey] Uhm...

Would you mind waiting?

- [Audrey in Italian] Due minuti.
- No problem.

I just, uhm...
To try and find someone.

Uhm, hello?

- Buongiorno.
- Excuse me. Hi. Buongiorno.

Uhm, my name's Audrey Price.

I'm actually looking
for my nephew, Ian.

- Oh.
- I'm really hoping he's staying
here.

- You're his aunt?
- Yes.

Yes. Giacomo Glionna.

Thank God. Hello.
Very nice to meet you, Audrey.

- Grazie.
- Yeah.

Yes, he is in the guest house.

- Just over there?
- Yes.

No, but he's, uh... Asleep,
hung over.

- Oh.
- Yes.

It's too much
to drink last night.

- How much is too much exactly?
- Too much.

[Audrey groans]
Oh, dear.

May I get you something to
drink?

No, I'm-- I'm honestly, I'm
fine.

- Let me show you-
- I just need to.

[rooster crowing]

[playful music]

[rooster crowing]

[playful music]

Okay...
[Audrey laughs]

Ian. Is he all right?

Ian? Hello? Buongiorno.
Time to get up now.

Give me your hand. There we go.

- You ready?
- Yeah.

One, two, three, up.
Yeah. I'm, I'm well.

[both grunting]

- Here we go.
- Hello.

Wow. This is just amazing,
isn't it?

Watch your step there.
Watch it there.

Why didn't you call me?

This is mortif-- I'm so,
I'm so embarrassed, Giacomo.

He's not like this at all.
I'm, I'm just, I'm mortified.

Not funny. Do you know how
worried I was about you?

[Ian] Yeah, I'm sorry.

- Oh, over. Espresso.
- [Ian] Ah, thank you.

How could you leave without
telling me
about what happened with Kate?

I mean, are you all right?

Mmm, I don't know.

Oh, I'm sorry.

Uh, no, no, no, no, no, excuse
me.
Do you mind? No. No fumare.

Tell him I have an allergy and
I won't be able to breathe.

Allergic?

I breathe it in, you kill me,
as well as yourself.

- It keeps me alive.
- Ah.

It keeps me sneezing,
so please, can you just...

Scusi.

Ah, Marta.

- Grazie.
- Hello, Giacomo.

- This is for you.
- Ah.

This is an old family recipe.
Try it.

[Giacomo] Berry.

- It helps.
- Thank you.

- Thank you.
- [Giacomo] Grazie.

Since you didn't use it to
propose,
where is your grandmother's
ring?

Uhh...
[clears throat]

- I left it in the apartment.
- I'm going to kill you.

Sorry, sorry. Ah.

But seriously,
you have to get it back.

Yeah, yeah.

You know, there is an extra
bedroom in the guest house.

Why don't you stay with us?

Yeah, of course,
I'll stay with you.

I mean, since I'm here.
A vacation couldn't hurt, yeah?

Some of these olives here.
Hundreds of years old. Yeah.

My wife, Marianne, and I used
to do
all the work around here.

She came on holiday
a lifetime ago.

Instead of going back home,
she decided to make a new life
here.

She was English, you see,
my wife, Marianne.

- Really? Right.
- English. Yes.

And Arianna is very busy
with the guests that come,

her garden, the children.

This is the, uh, the oil mill
to press the olives.

- [Audrey] Mmm.
- [Giacomo] Yes.

[Audrey] Oh, wow.
Oh, it's beautiful.

[Giacomo speaking Italian]

- Really beautiful.
- Put the olives here.

[Arianna in Italian] Dad! Dad...

Arianna, this is signora Price.
She is Ian's aunt.

This is my daughter, Arianna.

Oh, hi.

Signora Price.

- Very nice to meet you.
- Nice to meet you.

I actually think I'll go
and settle in if that's okay.
And-

- [Giacomo] Sì.
- Thank you so much for the
lovely tours.

And I will see you guys.

[speaking in Italian]

Okay, I'm going to see Pietro

because that man is never around
when, when I need him, eh?

So you guys talk about olives.

- Thank you
- Pietro!

for the tour.

- She's your aunt.
- Yeah.

I like her.

Paolo, Paolo.

[Paolo in Italian] Where's
Arianna?

- [Giacomo in Italian] What?
- [Paolo] She told me she needed
help

- with the kids.
- [Giacomo] I know, I know.

But there was a change.

You'll work next week okay?

[speaking in Italian] Go, go.

So what is that I heard
about you getting so drunk

you wander into the chicken
coop?

- You heard about that?
- Is that true?

Unfortunately, yes.

[Arianna laughs]

I woke up in the middle
of the night and I, uhm...

Yeah, I was looking for the
kitchen for a glass of water.

And, uh...

Yeah, I... I don't really
remember
the rest, to be honest.

And you?
What's the story with Enzo?

- That's private.
- Yeah. I'm sorry.

I don't mean to pry.

[phone vibrates]

Uh, I've got to take this.

- Sì.
- Yeah, sorry.

- Good luck.
- Hello.

[footsteps]

[door closes]

- Andrew, can you hear me?
- Ian.

- [distorted audio]
- Are you there?

Andrew, I've got no signal
where I am.

- Okay, there you--
- [crackling audio]

- Are you in a tunnel?
- Hello?

I can't hear you.
Hopefully you can hear me.

I am on a flight to Berlin
to meet with a client. And--

- [Attendant] Excuse me.
- Yes, I know, I'm aware.

And I just-- I want to check
what's happening with the
manuscript.

Can you hear me?

- [disconnection beeps]
- Ah.

I, I need a date.

- Ah, Arianna.
- [Arianna] Papa.

Paolo called. He says he
cannot make it this afternoon.

No, no, Papa. The children
arrive in three minutes.

- No, we have to call him.
- No, no.

Look maybe,
perhaps Ian can help you.

Papa, Ian is on vacation, no.

No, no, no, it's fine.

I mean, I don't have any
experience,
but I'm more than happy to help.

- You are?
- Yeah.

- Of course, he is.
- And what about your book?

Oh, this is going to
take a few hours, it, uh...

Let the boy help if he wants.

- There's no harm in it.
- Okay.

I have to find Pietro.

He's driving me crazy.
I'll leave you to it.

Fine. You can help.
I mean, thank you for.

Of course.

You know, the local authorities
require at least two adults to
be present

when supervising large
groups of children, so.

- No problem.
- You can handle that.

What supervising children?
Or pretending to be like an
adult?

[Arianna laughs]

Yeah. And I promise not
to check you out.

Okay. Good.

[playful music]

[Arianna] Benus? Benus, vieni.

You're going to like them.

Oh, just, Enzo?

- Hey.
- [Arianna] Hey.

[Enzo and Arianna speaking in
Italian]

Ciao.

Ciao.

[sliding door rattles open]

[Arianna in Italian] Welcome
back!

[Arianna in Italian]
How are you doing?

[children and Arianna
speaking in Italian]

[playful music]

[children giggling]

[playful music]

- Are you okay?
- Will you pick me up?

Hey, if I help you, what will
you do when I'm not around?

Listen,

I got an idea, all right?

- Look there, you see the box?
- Yes.

Why don't we use that as a step.

Thank you.

[sanguine music]

- Thank you so much.
- [Ian] High five.

Oh.

[sanguine music]

[footsteps on tile]

[Giacomo knocks]

- Hello.
- Ah, scusi.

- [Audrey] It's fine.
- Everything okay?

Yeah, I mean, the water
pressure in the shower

is not ideal, but honestly
it's very, very lovely.

- Okay, good.
- Is there something else?

Yes, yes, yes, yes, yes.
It's, it's about your nephew.

Oh, no. Is he falling asleep
in the chicken coop again?

No, no, no, no, no, no. It's
a...

How do you feel about
my Arianna?

Wait, are you--

Oh, you're not meddling
in your daughter's love life.

No, no, no, no, no, no.

He's just fresh from a breakup.

He's not ready. I need him to
find
his way out of it on his own.

Yes, yes, yes. Yes, I
understand.
But you see, my Arianna,

I need her to see that there's
more than one fish in the sea,
you know?

Not just this Enzo fellow
who is always after Enzo.

[speaking gibberish]

I, I can understand that
concern of yours.

Yes. Maybe we can give
a tiny little push, you know?

You push and I push and uhh--
No?

- Good afternoon, signore
Giacomo.
- Oh, scusi.

[door closes]

[Giacomo mumbling]

[Giacomo knocks]

Okay, we'll just see
what happens.

Fine.

Anything you need from Giacomo.

I'll be in the courtyard, smoking.

Ah. Well, enjoy that.

Sorry, scusi.

[playful music]

[door closes]

- [Arianna in Italian] Who's
thirsty?
- [all in Italian] Me, me, me...

[Arianna in English]
Okay, okay, okay, okay.

[playful music]

Uhh...

- You got it? No?
- Okay.

[speaking in Italian]

[playful music]

[door rattles]

[playful music]

[faucet clacks]

[playful music]

[faucet clacks]

[playful music]

[birds chirping]

[Pietro] There's nothing good
about it.

[Giacomo] Basta, Pietro.

You didn't manage to figure out
what was wrong with the water?

We went to see the mayor
earlier this morning,

they could not quite find a
solution.
Please sit down.

This has never happened
to us before.

They think a minor shift in the
earth
has covered the source.

A shift like, like an
earthquake.

Exactly, but they don't know
where it is,
nor how long it will take to
find it.

[in Italian]
Damn bureaucrats.

[Marta speaking in Italian]

[Marta in English] Always
sticking
your nose into other people's
business.

This is my business.

Yeah, but it's absurd that they
would
leave a whole village without
water.

Doesn't affect the whole
village, only us four vic.

And a neighboring farm.

The main water supply
is very old, broken.

And to bring people
here to, to, to fix it,

very expensive and a
bureaucratic nightmare.

No, no.
It's a complete disaster.

Or you could just go back
to city hall and ask again.

- City hall?
- [Ian] Yeah.

- I went there already.
- [Arianna] Well, I haven't.

They might not have listened to
you,
but maybe they listen to me.

My gardens at stake here too.
Bye, Papa.

[playful music]

[door thuds]

[playful music]

CITY OF OTRANTO, CITY HALL

[clerk in Italian] These are
the forms you must fill out...

The authorization
request from the mayor.

[in Italian] Okay,
but how long it will take?

Not very long.
Less than a month.

Are you joking?

- No.
- Oh.

What's going on?

- [clerk in English] You
understand?
- No. Sorry.

- What did he say?
- Forget it.

If it's not taxes,

the government can't be bothered
to do anything in a timely
fashion.

Eh?

[in Italian]
It's okay, thank you.

- [clerk] Oh.
- [Ian] That's, that's it?

[Arianna] Sì.

[footsteps]

[clerk whistling]

[playful music]

[footsteps]

[playful music]

[door latch squeaks]

[playful music]

- Okay.
- How do you know what you're
looking for?

I know, I know. I just--
It has to be one of these.

How do you know?

Well, something good had to come

from being engaged
to a geology professor.

- You are engaged?
- Yes. No.

Well, kind of,
but I still haven't,

can we just not talk about this
right now?

I think I found it.
Yes, I found it.

[in Italian]
Oh, who is here?

Okay, hurry up, hurry up.

[Arianna] Okay, but I need a
second one.
I need a second one.

[paper rustling]

[in Italian]
Who's back there?

- [Ian] Arianna, come on.
- Just one second.

- You got it?
- Yeah.

Okay.

[Arianna laughing]

[playful music]

- Is that Enzo?
- Yes, I called him.

He knows how to read this map.
He's a geologist.

[Ian] Oh, all right.

Ciao.

Okay.

[sanguine music]

[in English] Over here.

[sanguine music]

The aquifer must be
in this cave.

I think I know this cave.

Shepherds told me about
it when I was little.

- [Enzo] Moisture.
- [Arianna] That's good, right?

- Yeah, I think so.
- [Arianna] Let me try.

These rocks must have collapsed
and blocked off the source of
the well,

the water can't get through.

Maybe, maybe you should
move the rock.

[Enzo] Oh.

[Arianna] Yes, maybe.
Okay, yeah, maybe.

Yep.

- Need me to help?
- [Arianna] Help him.

- Help him? Oh, okay.
- Yes.

[sanguine music]

[Audrey] Do you think they'll
be able to fix the water?

I hope so.

[wind rustling]

Don't you think that they are,

that they are starting
to like each other?

You can't rush these things.
What's on your head?

- Oh, my God.
- [Giacomo snorts]

- [Audrey screams]
- Oh, sorry. It's a reaction I
have.

There's an insect on your head,
can I get it?

Oh, you want to try?

No. I told you I'm not
interested
in giving anyone a push.

No, no, no, no, no.
The tiramisu.

Oh, God. No. I don't--
I don't do dessert.

- You don't do dessert?
- No.

I pride myself on
the ability to resist sugar.

No, no. One bite won't kill you.

Seriously, I won't.
I just don't eat it.

This is special.

[wind rustling]

Fine.

[birds chirping]

[wind rustling]

It's amazing. Who made that?
Did Marta make that?

- I did.
- [Audrey] You did not.

- Yes.
- [Audrey] You made it?

- Yes.
- [Audrey] You can make that.

No.

[both laughing]

[sanguine music]

[scraping of rocks]

[Ian grunting]

[sanguine music]

[whooshing sound grows louder]

- [Ian] Whoa.
- [Enzo] Whoa!

[water spattering]

[Arianna laughs]

We did it. We found the source.

That sorts your water problem
out.

Thank you.

And thank you, Enzo.

Anything for you, Arianna.

- I think we could all use a
shower.
- Sì.

Afterwards, let's go into town
and celebrate. Drinks are on me.

Okay. That's a good idea.
Are you coming with us?

No, no, no. I'm--
I'm going to go home and write.

- You sure?
- Yeah, yeah, yeah.

- Good luck. Ciao.
- Ciao.

Bye.

[water spattering]

[keyboard clacking]

[knocks]

Hi. How's it going?

Well, to be honest, I'm--
I'm struggling a little bit.

How, how was it in town?

It was fun.
Enzo and I talked and...

Well, he had to go back to Rome.

Look, I, I owe you one.

There's a small trattoria in
town
with the best burrata in the
whole region.

Would you like to come
meet with me?

- I can't. I, I've got to work.
- Yes, you can.

Besides, I told you about
my relationship troubles

and now you have to tell me
about whoever
it is that broke your heart.

- Okay.
- At the square, at seven.

I'll see you then.

[footsteps]

[Ian scoffs]

[sanguine music]

[sanguine music]

[Arianna laughs]

Okay, uhm...

[in Italian]
A burrata and the same for him.

[in Italian] Perfect, and any
drinks?

Primitivo.

No, I don't want to end up
in that chicken coop again.

[in English] Oh, good point.
Yeah.

[in Italian] A Primitivo, please.

[waiter in English] Coming
right up.

[in Italian] Thank you, Nando.

[in English] We'll see,
maybe you just drink a little
bit.

- No.
- Okay.

- What's so funny?
- Kate used to order for me.

Yeah, I could never decide
what I wanted.

- Who's Kate?
- She was my girlfriend.

I actually thought
she was the one.

- Well, there's your problem.
- What's that?

There's no such thing
as the one.

You don't believe
in one person forever?

I didn't say that.
I just think that love is

when people find they
have such a connection,

they make the conscious choice

to overlook each other's
faults and be better for that.

Not that people are made
to be perfectly fitting puzzle
pieces.

- Does it make sense?
- Yeah, I agree with you,

but I also think that when you
find a relationship that works,

that maybe, maybe it's for a
lifetime

And what happened
with your relationship then?

A lot happened.
Partially my fault.

- You cheat on her?
- No, no. I, I didn't.

[Nando in English] Sorry.

You're an intriguing man,
Giacomo.

- And you're a lovely woman.
- Oh, please, no, love.

Might need a good move.
I'm on holiday in Italy,

not terribly lovely back home,
especially with men.

And why is that?

[glass clinks]

Okay, uhm...

My husband swept me off
my feet when we first met.

Not only did I feel like a
character in one of my books,

but I actually felt like a
model on one of the covers.

You know me and my quick-witted,
charming lover.

And of course, many affection
did they
settle down with their true
love.

And he ended up running off
with a woman half my age.

Yeah, it did, it hit me hard.

I tried dating after that,

but I didn't want to get hurt
again,
now that I knew better.

And I still don't, 'cause the
older I get,
the more I know better.

No, it sounds like you, uhm,

sympathize with your nephew's
dilemma.

Yes.

Except there's only room for
one writer in this family

without a chance of fully
recovering from a broken heart.

And that's lucky old me.

There's still chance for you.

Yeah.

And you? How come it
was a maybe with Enzo?

I've never actually heard
of a maybe proposal.

Stop it.

Okay.

He went to Rome because he got
a job teaching at the Sapienza,

which he lied to me about
taking.

I-- I told him I couldn't go
with him if he, if he did and...

You know, he tried to have it
both ways.

He doesn't really listen to me
when I talk

because I really can't
imagine myself living in Rome,

and I know he can't imagine
himself living here.

He wants to follow his dream.

And, and look, I'm, I'm proud
of him.

Rome is also a beautiful city.

Yeah, but it's still a city
with a lot of noise and people,
and...

I don't know, I just love it
here.

Do you relate to what
Arianna's going through?

You ever been torn
between what could be

and what you were stuck with?

I was very young,
but my Marianne, she, uh,

she swept me off my feet.

And no matter what obstacles,
in our way, we made it work,

because of her.

She was, eh...

Beautiful, powerful, you know?

I keep all of this alive for
her.
For her, for Arianna, for my
family.

[gentle serene music]

For our, for our dream.

I don't want to leave my
father alone. It's a lot of
work.

And, and, you know, he
can get lonely sometimes.

He needs me.

You know, that if we
hadn't fixed the water,

it would've been the end of La
Masseria.

Yeah. You really love
it here, don't you?

Yes, I do. It's the only thing
I have left of my mother.

And your aunt, she's a famous
writer,

even I've heard of her.

Yes, yes. Yes, she is.

Do you think she set up too high
a standard for you to live up
to?

No. No, no, no.

She's never put any
pressure on me whatsoever.

Okay. And your parents?

My parents, they, they
died when I was younger.

- [Arianna] I'm sorry.
- No.

Look at me bringing a great mood
to this perfect dinner, I'm
sorry.

And so after Marianne,

did you ever think about
looking for love again?

No, no, no.

We had our love, we had our
time together, so beautiful.

And I still have, uh...

I'm still filled with so much
that I love
that came from that time.

So, no, not really.

Yeah.

Well,

to having loved.

And to amore.

[glass clinks]

[Arianna] So all this time

and I still don't know
something very important.

Yeah, what's that?

Aren't you going to tell me
what you're writing about?

Still a work in progress.

Okay, but just give me a
sense of it. What's the title?

It's called "Wanderlust."

- Okay.
- Mm-hmm.

[Arianna laughing]
And what's it about?

Uh, it is about a nomad
writer who travels overseas,

who's a little lost trying
to find inspiration.

And on his travels-

You're a romance writer, right?

- Yeah.
- Where's the love story?

- Oh, I was getting to that.
- Okay, okay. I'll let you.

He does meet a beautiful
woman and they fall in love.

Yeah.

- Okay.
- And-

And you have no idea what
you're writing about, right?

- No, I do.
- Do you know the end or...?

I'm still trying to figure out
the end.

- Okay.
- Yeah.

The end is that he realizes
home is home.

And that home is wherever she
is,

and that she is his home.

[thunder rumbling]

- Did you see that?
- Mm-hmm.

- I think it was lighting.
- Yeah.

- Okay, we're gonna get soaked.
- Yeah?

- Yeah.
- Okay.

- [Arianna] Oh!
- [Ian] Whoa.

[rain pattering]

- [Ian] Ooh.
- [Arianna giggling]

Aye-yi!

[both laughing]

[rain pattering]

I had fun tonight.

Me too.

Good night.

- Arianna?
- Yes.

I need someone's opinion

because I made a lot of
changes to my manuscript

and I think I finally
came up with the ending.

So I would love your help.

My... I'm not a literary critic.

I don't need one of those.

I just want your, uhm...

I just want your truthful,
honest opinion.

On one condition.

What's that?

That you help me on the farm.

My father said that Paolo called

and he's not going to be
available
to help me this week.

Okay.

Good night.

[sanguine music]

...has faded, but the
tapestry that was formed

was unchanging, cosmic,
external as well as their love

as it would be,

forever.

That was incredibile.

- Yeah?
- Yes.

And it will go from incredible
to perfect

once you've made my changes.

Hmm.

- Thank you.
- Mm-hmm.

[Ian] Hmm

[sanguine music ends]

[insects chirping]

[keyboard clacking]

End?

Not yet.

- No?
- Soon, I promise

- Ciao.
- [Audrey] Ciao.

I'll leave you.

[Ian] Hello auntie Aud.

- Hello.
- [Ian] How you doing?

You know.
Somebody's been busy.

Yeah. Probably,
I've nearly finished the book.

Ah, you're so funny.
I'm not talking about the book.

Right.

I would gently caution you to

not rush things with her, Ian.

- No, I'm... I'm not rushing
anything.
- It's wonderful that you've
found someone

who can be honest
with you about your writing.

'Cause you know, remember
Andrew?

I guess you're right.
But, it's different.

Mmm... Is it?

- Hey, ciao.
- Hi, ciao.

I think, Ian, there is
a telephone call for you.

It's your agent, Andrew?

Uh, yeah.
Just tell him I'll call him
back.

[Pietro] Okay.

[in Italian]
He said he's busy.

Tell him he can leave a message.

Uh, Mr. Freeman is busy at the
moment.

Can I take a message?

No, I do not want to leave
another message.

I have left five.
Thank you very much.

I'm not against you and Audrey
spending so much time together,
Papa.

I see the way you look at her.

Would you try to keep your eyes
from popping out of your head?

Well, I can't help it.
My eyes are Italian.

But, you don't have to
worry about Audrey and I.

We're just becoming very good
friends,

like you and Ian, for example.

Right, friends.

And how is Enzo, all right?
You speak with him?

Mmm. Uh, sort of.
Yeah, over the phone.

- What have you decided?
- Papa--

Does Ian know?

What? What does Ian
have to do with this?

- Arianna, listen--
- Papa, I'm not talking about
this.

- Arianna. Arianna.
- [Arianna] No-

- [Giacomo] Arianna.
- I'm not talking. No.

- [Giacomo] Arianna, listen. I
don't--
- No, tsk.

- I don't want you to make a
mistake.
- I'm not making any mistake.

I need you to follow your heart.
Follow your heart,

that has always done right by
our family.

I know, Papa. I know.
I'm just trying my best to.

- [Giacomo] Yeah. Buonasera.
- Evening.

- [Arianna] Hi.
- [Ian clicks]

It's done?

- [Ian] Mm-hmm. It's done.
- No.

What's done?

- I finished my book, Giacomo.
- Oh, goodie.

- Congratulations.
- Thank you.

I'll have it read by tomorrow
morning, okay?

- [Giacomo] Hello?
- [Arianna laughing] Oh!

Good night, Papa.

- Mwah. Mwah.
- [Giacomo] I love you.

- Writer.
- Yes.

Come sit.

[playful music]

I see that you and Arianna,
getting along very well.

Yeah. She's, uhm...

- She's a very special woman.
- Yes, she is.

Yes, she is very special,

just like your Audrey.
Fascinating woman.

- You like her?
- Ah, yes. What's not a like?

- You should take her out.
- Take her out?

I would first have to
check with my cardiologo.

[both chuckling]

[insects chirping]

- [rapid knocking]
- [click]

- [rapid knocking]
- [Ian] Coming.

[doorknob clicks]

You ruined the ending.

Huh?

You finished it?

- Yes. How could you do that?
- What?

Not have them end up together?
I'm so confused, Ian.

This is so different
than what you read to me.

I tried to figure it out,
it just didn't work.

You expect me to care
about these characters

even in the slightest?

You dangle the idea that
they'll end up together

and then you don't follow
through on that.

And top it off with how there's
no such thing as soulmates?

That's your quote.

What I said applies to real
life.

My life.

You just can't do this, okay?
This is a story.

These characters deserve
so much better.

It is a story.
It's a story about real life
love.

Yes, and people end up together
in real life.

But it's not the same
when it's in books and movies
and songs.

Just promise me you'll change
it.

- It's my book.
- I know, but just...

Promise me
they'll end up together.

Or what?

[Ian chuckles]

[romantic music]

I'm sorry.

[romantic music]

[cutlery clatters]

[romantic music fades out]

Morning.

Good morning.

- [Ian] Do you want to try?

- Yeah.

You brought me breakfast?
This is so sweet.

Come here.

[car engine rumbles]

[rooster crowing]

[door squeaks]

[serene music]

You okay?

You're leaving soon.

Yeah.

I'll be back.

Enzo proposed again
with his grandmother's ring.

He said that if I said yes,

he would find a place
for us to live in Rome.

And he was serious.

[somber music]

What did you say?

I said, I would think about it.

- Do you love him?
- Yes, of course, I love him.

I don't know if I'm in love
with him.
That's not important, right?

Because that type of passion,

that's not what makes
a relationship last, right?

- You know?
- Ian--

You didn't just help me with my
book.

You inspire me, you're my muse.

Uhm...

Your muse?

Yeah.

[somber music]

Uhm...

You said your, your...

Did that sound romantic to you
when you thought about it?

Because to me, now it sounds
like

you just used me to write your
book.

What are you talking about?

Yeah, and by the way,
what do you know about love?

- What?
- No, really.

What do you know about love?

Who are you to write about it?
Answer me.

Ah! You don't even know.

So you're-- You're nobody to
tell me
anything about love, okay?

I got to go.

Arianna, wait.

[door squeaks]

[stammering]
Arianna!

[car door thuds]

Oh.

- Hello.
- Benvenuta.

Can I help you with something?

[Kate] Well, yeah, kind of.
It's the...

What are you doing here?

I think I'll leave you to it.

You, you don't have to leave.
Just--

Oh-ho.

Well, you certainly moved on
quickly.

Look I have called you and
texted you a hundred times.

I can't deal with this right
now.

I need to stop, please.

I want you to hear me out.

I'm so sorry, from the bottom
of my heart.

I'm sorry I cheated on you.

I'm sorry for everything
I said against you.

Now I realize
that I was feeling stagnant.

That's not an excuse, God knows
it's not.

But I really think...

I really think we can fix it.

Fix things?

Yeah, for starters,
I ended it with Simon,

the guy I was seeing.

And secondly,

I know you were thinking of
proposing.

So I, well...

I found it in your little
hiding place in the dresser.

Like, I'm not saying that we
get married right here and now,

but I think if we take things
slowly.

I am sorry, Kate, but I can't
do this.

[Kate] Oh, come on.

No.

I'm sorry.

- Ian, so nice to see you.
- What are you doing here?

Well, I, I've been trying
to reach you to no avail.

I thought I told you
that we need to finish this
book pronto,

or we're going to lose this
deal.

Andrew, guess what? I did it.

Yeah, that's just--
Wait, you finished?

You! That's, that's great.

- [Ian] I know, but--
- That's fantastic.

Andrew, just stay here. Okay?

- [Andrew] Oh.
- [Kate] Ian?

- What would you like to do?
- Ahh...

I don't know. I'm so slow,
I don't want to fall asleep.

- You want to dance?
- Sure.

- [Giacomo] Oh.
- Oh, good afternoon.

I was going to wake you up
for breakfast,

but I thought it best
to let you both sleep.

Right, thanks for that.

Uhm, Giacomo, you don't know
where Arianna
would've gone, would you?

Yeah, she's in town setting up
the stand
for the farmer's market, why?

- Nothing.
- What's going on?

I might have messed up a little
bit.

Okay, well, breathe.
You can just go and fix it, right?

This is your big moment,

this is your running to the
airport
before the flight takes off.

- So just go.
- [Ian] Yeah.

Go!

[mumbling unintelligibly]

[sanguine music]

What do you mean about
they both sleep?

What do you think I mean?

[sanguine music]

[Pietro in Italian]
Do you need anything else?

[customer 1 in Italian]
Yes, 2KG of pears, please.

[Pietro] Of course.

[Marta in Italian] Great choice.
Pears this season are fantastic.

[customer 1]
Very good, thank you.

[Pietro] 10 Euro, thanks.

- [customer 1] Thank you by.
- [Pietro] See you.

[customer 2 in Italian]
Hi Marta, I need help.

I'd like some peaches--

- Scusi.
- What do you want?

- I just want to talk, please.
- You either buy some fruit or
vegetables

or go back to your girlfriend.

I don't have a girlfriend.

You don't have a girlfriend?
So, what was she doing here?

That was so embarrassing, Ian.

I meant what I said this
morning.
I'm falling in love with you.

- You don't know what love is.
- Love is honest.

Okay, I'll be honest.
I didn't like you when I first
met you.

- That's a little too honest.
- Okay.

But then I got to meet you
and...

And see how you write
and, and how you think.

You're so smart and sweet and...
And stuck.

And I really tried to help you.

- But, please--
- [Arianna in Italian] Just a
moment!

But this is crazy. We've only
met less than two weeks ago,

and, and I've known
Enzo since we were kids.

You come here and you tell me
that you're in love with me.

What do you expect me to do?
What should I do?

Leave him?
Break his heart as if it was
nothing?

But you've known him since you
were a kid
and you've never committed.

This is so ridiculous.

You know, this isn't a fairy
tale

where you wake up after one
night
and it's happily ever after.

[in Italian] Please!

I'm so sorry.
Just one second, I'm confessing
my love.

I'm not saying that.

I'm just saying, how do you
feel about me?

It doesn't matter.

Ian, I can't answer you that
right now.

Do you love me?

[sanguine music]

But the festival is something
you should see before you leave.

Well,

I don't know, I might be
back sooner than you think.

[Giacomo] Oh. Audrey.

Well, I might come back and
visit my friend Giacomo.

- [Giacomo] Hmm.
- You know him? He's all right.

I would like that.
And I could also come visit in
the city.

- Really?
- Yes.

I-- I know where the airport is.

[Audrey laughing]

[sanguine music]

You want to go to the festival?

- [birds chirping]
- [Audrey] Come on.

[upbeat music]

- [Arianna] Enzo.
- Hey, ciao.

[upbeat music]

[in Italian] I'm sorry Enzo
but...

I can't see myself living in
Rome.

And I don't want to hold you
back.

You know it. I need to think
about what I need for myself.

It's because of that writer, right?

Have you heard what I told you?

He'll break your heart
and then you'll come back to me.

[upbeat music]

[man in Italian] Come,
let's have something to drink.

- [Ian] Hey.
- Hey.

I've never been in a place like
this.

- Ian,
- Hmm?

I'm sorry.

You know, I'm sorry about...

But I'm glad that I was able
to help you with the book and...

You know, without you,
I wouldn't have been able to
finish it.

- Plus now--
- [Andrew] Ian!

Finally.

Arianna, this is the infamous
Andrew,
my book agent.

- Ahh.
- Andrew, Arianna.

- Nice to meet you.
- Pleasure. Second?

- Do you mind?
- Sì.

[upbeat music]

I feel like I should
formally introduce myself, Kate.

Arianna.

So has he told you
that he loved you yet?

Excuse me?

Well, I flew down here
and I just had a call.

If we don't get them the
manuscript,

we have to pay the advance back.

What do you mean
pay the advance back?

If I don't get them the
manuscript,
I don't get paid.

- What do you mean you don't get
paid?
- [both laughing]

No, I mean, you know,
obviously, we.

If we don't get them the
manuscript,
we don't get paid.

It's typical he'd fall
for the first girl he met.

Especially right after
what happened.

Hey, look, it doesn't last.

You know, I am so grateful for
you.

But my manuscript
had a bunch of holes in it,

And I needed someone outside of
myself
to give me an honest opinion.

No, I've always given
you my honest opinion.

No, you lied to me.

No, I-- I've always told you
the truth.

The night you gave me half
the manuscript, right?

I didn't see plot holes and
mistakes,
I saw a dollar signs.

Ian, you are a great writer, okay?

It doesn't need to be deep
and revolutionary to sell.

Let's just get them the
manuscript and sell it.

So you're saying that
he finished his first book

right after you guys met?

Oh, he couldn't stop talking
about how much I inspired him.

Did he ever say that you were
his muse?

Oh God, no, that's
too much even for Ian.

Do you ever get to read
his working process when...

When you guys were together?

I'm quite busy. And romance
novels aren't really my thing.

I'm gonna need new
representation.

[Andrew] Oh, hold--

And when I get back to England,
maybe I self-publish.

What?

Self-publish? We both know
that is a horrible idea, Ian.

[upbeat music]

Hey.

I don't want to have any
bad feelings with you.

I am, I'm happy if you're happy.

Thank you.

[upbeat music]

- Everything okay?
- Yeah.

Yeah?

Maybe we should go and
find Giacomo and my aunt.

Yeah--

[Arianna] Enzo!

[music stops]
[crowd reacts]

[Audrey] Oh, God.

- You hit me.
- You can't take her from me.

But you hit me in the face.

- You slapped me.
- Yeah, I did.

- [Giacomo] Stay here.
- No, don't--

Stay here.

- Arianna!
- [Audrey] Be careful.

Andrew, why'd you slap him?

Well, I might not be your agent
anymore,
but I'm still your friend.

[man] Hey, piano, piano, piano.

- [Andrew grunts]
- [Audrey] Ah!

[Giacomo] What are you doing?
Get out of here.

[in Italian]
Enzo! What are you doing?!

[Enzo's friend in Italian]
Come on, leave it. Let's go.

- [Audrey] Are you sure you're
all right?
- [Ian] Yeah.

Because if he bruised you
or broke your beautiful brain,

I'm going to sue the
pants off that brute.

- It's not necessary.
- Ugh.

By the way.
I have something for you.

What?

Oh, my God. The ring.

- How did you even get it here?
- [footsteps approaching]

[Ian] I just, uhm...

Uhm, you can tell me later
how it got here.

I'm going to leave you two.
I'll do some packing

By the way, you sure you know
what you're doing with that?

I'm sure I'll figure something
out.

[footsteps fading]

- How are you doing?
- I'm okay.

Really? I'm so sorry
about what Enzo did.

Yeah, it's... It's okay.

[insects chirping]

- It's okay.
- Okay.

You are leaving tomorrow?

Yes, I am. And with a new book.

You're going to send me a copy?

Of course.

[insects chirping]

This is, uhm...

goodbye?

I mean, it doesn't have to be.

I could text you or call you.

I mean, that's if you get a
signal.

[Arianna laughs]

[insects chirping]

Well, it's our last night
together.

[Ian] Mm-hmm.

[insects chirping]

What do you want to do?

[romantic music]

I'll miss this.

[romantic music]

[Giacomo laughs]

Please remember. Don't be a
stranger.

[Giacomo] That goes for you too.

[Audrey] I'll come back
tomorrow. Mwah.

[somber music]

[Giacomo] I packed you a lunch.
Okay?

[Audrey] Thank you.

[somber music]

[car engine starting]

[somber music]

[airplane rumbling]

[somber music]

[Arianna in Italian]
Come on! Fast.

Move those.

Come on!

[in English] Make sure there's
enough
legroom in between the rows, okay?

[man] I heard you
the first time.

[Arianna in Italian]
Yes, do it now!

[Roberto in English]
I go home, okay?

[speaking in Italian]

[car engine rumbling]

[Pietro in Italian]
Welcome. Did you see the rain?

- [Pietro in English] Rain.
- [Ian] Yeah.

- Marta, how are you?
- Hi.

I'm good.
Welcome back to La Masseria.

Thank you.

Hey.

[Arianna] Hey.

It's been a while.

- [Arianna] Hmm.
- [Ian] Hmm.

You look

the same.

Right.

[Giacomo in Italian]
My boy.

Oh, Giacomo.

[serene music]

- Congratulations.
- [Giacomo in Italian] Thank you.

[in English] We're glad to see
you.

Yeah, and you.

Ah, we're going to have
a lot to talk about,

but first you need to speak
with Audrey.

She's, uh...
You know, calm her down.

- Ah, 'cause of the rain or...?
- No, no.

Sì the rain, the wedding.
Giacomo, take care of the rain.

- You take care of Audrey.
- Okay.

Uhm... I guess I better go
check on her.

Yes. And I guess I better go,
keep working.

- Okay.
- Yeah.

[rain pattering]

[Audrey breathing deeply]

[Audrey inhales sharply]

- [door latch clicks]
- [Ian] Hey.

Ah, Ian, you're on time. Good
for you.

How's your flight?

[Ian] Yeah, it was good.
How you doing?

Oh, me. I'm a disaster.

What-- What do you mean?

Everything outside looks so
lovely

and everyone seems to
have everything in order.

Yeah, but I think, uhm,
I think I've got cold feet.

Today? On all days, your
wedding day?

Well, when else do you get cold
feet?

Come on.

You've been telling me for
months

how happy Giacomo makes you.

I was always afraid this would
happen.

Even when I went looking for
love again.

I, I just-- I always had this
thought,

what would it really be like
if I found love again and...

Home. You know as well as I do,
when you're in love.

Your true home is with them.

Oh, my God, I hate that line in
the book.

It's so sentimental, honestly.
And I hate it.

But now I hate it even more
because it's actually true.

Am I doing the right thing?
Getting married again?

Only if it makes you happy.

How did you get so
smart all of a sudden?

Well, there seems to be a very
special lady sitting next to me.

No.

[upbeat romantic music]

[all clapping]

[upbeat romantic music]

[romantic music continues]

Had enough of the festivities?

[music fades]

Well, I've been working
all weekend on them.

I think I deserve a break.

- You want some?
- No.

No. You better don't.

How you've been?

Good.

You?

Yeah, good.

I heard about the publishing
house.

Yeah, it's off to a good start.

So, have you been seeing anyone?

[both chuckle]

What?

No. Have you?

No.

If I'm not working in the
garden or with the kids,

I spend most of my time reading.
Romance novels, mainly,

your aunt's.

By the way I never thank you for

dedicating "Wanderlust" to me.

- You don't have to thank me.
- No, yes--

I mean without you,
I could never have done it.

Well, but it was a beautiful
surprise.

And the fact that you mentioned
the Masseria

as the source of your
inspiration
brought us quite a lot of
business here.

[Ian] Hmm.

[gentle somber music]

Have you been working on
anything new?

Actually, I have.

- You have?
- Yeah.

Uh, am I going to hear about it?

- So you can give me notes?
- Why? You don't like my notes?

- [Ian stammering]
- You like my notes.

- I like your notes.
- Yeah.

Tell me something.

Semi-autobiographical.

And it's about this author

who escapes to the Italian
countryside

so that he can finish his novel
and mend his broken heart.

And when he gets there,

he seems to be lost of passion
and any sort of inspiration

until he meets this beautiful
woman.

Who is a huge pain in the ass.

- So it's not love at first
sight.
- [Arianna laughs] What?

No, you would think they would
fall
in love, but they don't fall in
love.

But with her and him helping
each other

on her family farm,
and through all the activities,

and sharing stories of their
past

and their hopes for the future,

they do fall in love.

[romantic music]

- [Arianna chuckles]
- But...

But, unfortunately,
it's not the right time.

And so they have to go
their separate ways.

And go back to their life's
that they live.

But he knows

that someday he'll see her again

and hopefully it'll be
different.

[gentle romantic music]

And?

[Ian] And?

How does it end?

Well, I was hoping
you could tell me that.

[romantic music]

[music fades out]

[playful music]

[somber music]

[insects chirping]

[music continues]

[music fades out]