Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:03:54,600 --> 00:03:57,120
HEY, HARRY!!
2
00:03:57,120 --> 00:04:01,120
COME ON, ELSE I'M GONNA FRY UP
SOME BREAD!!
3
00:04:01,120 --> 00:04:04,120
HEY, HARRY!!
4
00:04:28,040 --> 00:04:31,520
GODDAMN, HOW LONG HAVE WE BEEN
BOILING THESE GROUNDS?
5
00:04:31,520 --> 00:04:33,040
TASTES AWFUL SOUR TO ME.
6
00:04:33,520 --> 00:04:36,040
WELL, YOU CAN THROW THEM
AWAY AFTER THIS.
7
00:04:36,560 --> 00:04:38,560
WE'LL BE IN DEL NORTE BY NOON.
8
00:04:38,560 --> 00:04:40,040
WE'LL BUY SOME FRESH.
9
00:04:40,560 --> 00:04:44,560
HEY, ARCH,
THESE FISH AREN'T BAD.
10
00:04:44,560 --> 00:04:47,560
NEEDS SOME SALT THOUGH.
11
00:04:47,560 --> 00:04:49,040
WELL, WE AIN'T GOT NONE.
12
00:04:49,040 --> 00:04:52,040
THAT'S SOMETHING ELSE
WE'RE GONNA HAVE TO GET.
13
00:04:52,040 --> 00:04:53,560
YOU SET ON THE COAST, DAN?
14
00:04:53,560 --> 00:04:56,560
WHAT THE HELL?
WE GOT NOTHING BUT TIME.
15
00:04:56,560 --> 00:04:58,560
I'LL TELL YOU SOMETHING.
16
00:04:58,560 --> 00:05:03,080
THAT IS WHERE IT'S REALLY GOOD,
OUT THERE IN CALIFORNIA.
17
00:05:03,560 --> 00:05:06,560
YOU GOT YOUR --
YOU GOT YOUR WEATHER.
18
00:05:06,560 --> 00:05:10,080
YOUR WOMAN ARE HALF-MEX,
HALF-AMERICAN.
19
00:05:10,080 --> 00:05:13,080
YOU GOT YOUR GOLD...
20
00:05:13,080 --> 00:05:15,080
AND ORANGES...
21
00:05:15,080 --> 00:05:17,080
AND THE OCEAN.
22
00:05:17,080 --> 00:05:20,080
THEY SAY THAT OCEAN LOOKS
LIKE A GREAT BLUE PRAIRIE.
23
00:05:20,080 --> 00:05:22,080
I AIN'T NEVER SEEN
THAT MUCH WATER.
24
00:05:22,080 --> 00:05:23,080
ME NEITHER.
25
00:05:23,600 --> 00:05:27,600
THIS HERE'S THE MOST WATER
I EVER SAW.
26
00:05:27,600 --> 00:05:28,600
HEY, HARRY.
27
00:05:29,080 --> 00:05:31,600
DID YOU LEAVE THE LINE SET?
28
00:05:31,600 --> 00:05:34,080
WELL... NEVER CAN TELL.
29
00:05:34,080 --> 00:05:36,600
YOU MIGHT HAVE SOMETHING.
30
00:05:44,120 --> 00:05:45,600
HE'S ALL RIGHT, HARRY.
31
00:05:46,120 --> 00:05:50,120
HE'S JUST YOUNG, FULL OF PISS
AND VINEGAR, LIKE YOU WAS.
32
00:05:50,480 --> 00:05:52,360
WAS I LIKE THAT?
33
00:05:52,360 --> 00:05:53,360
SURE ENOUGH.
34
00:05:53,360 --> 00:05:57,880
HE'S ALWAYS WANTING TO GO
SOMEPLACE HE HASN'T BEEN.
35
00:06:01,480 --> 00:06:05,000
YOU REALLY WANT TO
GO TO THE COAST, ARCH?
36
00:06:05,000 --> 00:06:08,000
GOOD AS ANYWHERE.
BETTER THAN MOST.
37
00:06:08,000 --> 00:06:10,000
WHAT'S YOUR FANCY, HARRY?
38
00:06:10,120 --> 00:06:11,640
ARCH! HARRY!
39
00:06:11,760 --> 00:06:13,240
COME HERE, QUICK!
40
00:06:52,800 --> 00:06:54,280
HARRY!
41
00:06:54,280 --> 00:06:56,800
LET ME GO!
42
00:07:12,800 --> 00:07:15,320
WHAT THE HELL ARE YOU AT, ANYWAY?!
43
00:07:18,320 --> 00:07:20,320
HEY, WHAT DOES HE THINK
HE'S DOING,
44
00:07:20,320 --> 00:07:22,320
LETTING HER FLOAT AWAY
LIKE THAT?
45
00:07:22,320 --> 00:07:24,320
BEEN DEAD AWHILE, WHATEVER IT WAS.
46
00:07:24,320 --> 00:07:26,320
WHAT DO YOU MEAN,
"WHATEVER IT WAS"?
47
00:07:26,320 --> 00:07:27,840
IT WAS A LITTLE WHITE GIRL.
48
00:07:27,840 --> 00:07:29,840
IT'S A LITTLE BLONDE WHITE GIRL.
49
00:07:29,840 --> 00:07:31,840
YOU'D BE DUMPING PIECES
IN YOUR HANDS
50
00:07:31,840 --> 00:07:33,840
THE MOMENT YOU STARTED
TO PULL HER IN.
51
00:10:27,640 --> 00:10:29,160
HI.
52
00:10:31,880 --> 00:10:32,880
HI.
53
00:10:35,640 --> 00:10:38,640
YOU FELLOWS KNOW WHERE I CAN
FIND A MAN TO SHOE MY HORSE?
54
00:10:38,640 --> 00:10:41,160
THREW A FRONT PLATE
A MILE OR SO BACK.
55
00:10:43,040 --> 00:10:45,040
UH, TELL ME SOMETHING, BOY.
56
00:10:45,040 --> 00:10:47,520
YOU ALWAYS RIDE AROUND
IN YOUR COMBINATIONS?
57
00:10:48,040 --> 00:10:51,040
WELL, I-I GOT WET
CROSSING THE RIVER,
58
00:10:51,040 --> 00:10:52,520
THOUGHT I'D DRY OUT.
59
00:10:52,520 --> 00:10:55,040
ANY OF YOU FELLOWS
A BLACKSMITH?
60
00:10:55,160 --> 00:10:57,160
AIN'T NO BLACKSMITH
THAT LIVES HERE NOW.
61
00:10:57,160 --> 00:10:58,680
YOU WANT ANY HORSESHOING DONE,
62
00:10:58,680 --> 00:11:01,160
YOU'RE GONNA HAVE TO
GET IT DONE YOURSELF.
63
00:11:03,920 --> 00:11:08,920
WELL... MUCH OBLIGED.
64
00:11:11,560 --> 00:11:13,040
I'M OUT.
65
00:11:22,080 --> 00:11:25,560
WELL, THINK I'LL HAVE A COLD BEER.
66
00:11:25,560 --> 00:11:27,080
THEY AIN'T GOT NO BEER,
67
00:11:27,080 --> 00:11:30,080
AND EVEN IF THEY DID HAVE,
IT WOULDN'T BE COLD.
68
00:11:30,080 --> 00:11:33,560
THEY GOT, UH, THREE KINDS OF
TEQUILA AND ONE OF WHISKEY,
69
00:11:33,560 --> 00:11:35,560
AND THEY'RE ALL GRAIN AND BAD.
70
00:11:35,560 --> 00:11:39,080
WELL, WHAT KIND OF TOWN IS THIS ANYWAY?
71
00:11:39,080 --> 00:11:42,600
AIN'T NO BLACKSMITH.
AIN'T NO COLD BEER.
72
00:11:42,600 --> 00:11:45,080
DON'T SEE NO GIRLS.
73
00:11:45,080 --> 00:11:48,080
AIN'T CHANGED MUCH,
THAT'S FOR SURE.
74
00:11:48,080 --> 00:11:51,080
YOU MEAN
YOU BEEN HERE BEFORE?
75
00:11:51,080 --> 00:11:54,080
YEAH. THREE YEARS AGO
WE WAS HERE.
76
00:11:54,080 --> 00:11:56,080
ARCH HAD A BAD FOOT.
77
00:11:56,080 --> 00:12:00,120
DAMNED HORSE STEPPED ON IT
AND BROKE ALL MY TOES.
78
00:12:04,560 --> 00:12:07,320
YOU FELLOWS MADE UP YOUR MIND?
79
00:12:07,320 --> 00:12:10,840
YEAH, GIVE US A BOTTLE OF THAT
DOUBLE EAGLE AND THREE GLASSES.
80
00:12:17,600 --> 00:12:21,080
ONE EAGLE, THREE GLASSES.
81
00:12:44,240 --> 00:12:46,240
Arch: WELL, HERE'S TO US.
82
00:12:46,240 --> 00:12:48,000
HERE'S TO THE COAST.
83
00:12:48,000 --> 00:12:49,480
HERE'S TO CALIFORNIA.
84
00:12:55,440 --> 00:12:57,440
I AIN'T GOING.
85
00:12:57,440 --> 00:12:59,480
HOW'S THAT, HARRY?
86
00:13:01,960 --> 00:13:03,960
I AIN'T GOING TO THE COAST.
87
00:13:03,960 --> 00:13:05,520
WHERE ARE YOU GONNA GO THEN?
88
00:13:08,560 --> 00:13:10,040
HOME.
89
00:13:16,360 --> 00:13:17,440
NOW, LOOK, HARRY,
90
00:13:18,000 --> 00:13:22,000
IF IT'S BECAUSE OF ME
BEING SO TOUCHY THIS MORNING...
91
00:13:28,040 --> 00:13:30,520
AIN'T TO DO WITH THAT, DAN.
92
00:13:34,600 --> 00:13:36,600
OH.
93
00:13:37,080 --> 00:13:39,640
MAYBE THERE AIN'T
NO SUCH COLOR.
94
00:13:39,640 --> 00:13:41,680
WE GET TO THE COAST,
IT WON'T BE LIKE THIS.
95
00:13:41,680 --> 00:13:43,160
WHERE I COME FROM,
96
00:13:43,160 --> 00:13:46,160
THERE'S A GUY WHO KNEW A FELLOW
WHO WAS ON THE COAST.
97
00:13:46,160 --> 00:13:49,080
SAID IT WAS DIFFERENT
FROM ANYTHING YOU EVER SAW.
98
00:13:49,080 --> 00:13:51,600
HOME IS JUST A PLACE
YOU START FROM, ARCH.
99
00:13:52,080 --> 00:13:53,640
THERE WILL BE SOMETHING THERE.
100
00:13:54,080 --> 00:13:57,120
THINK MAYBE YOUR WIFE AND YOUR
LITTLE GIRL ARE STILL THERE?
101
00:13:57,120 --> 00:14:00,040
DIDN'T KNOW YOU WAS MARRIED,
HARRY, HAD KIDS.
102
00:14:00,040 --> 00:14:03,560
WHY DON'T YOU GO TO THE COAST,
MAKE SOMETHING, SEND FOR THEM?
103
00:14:03,560 --> 00:14:04,560
YOU GO TO THE COAST, DAN.
104
00:14:05,040 --> 00:14:07,080
AND WHEN, IN THREE OR FOUR YEARS,
105
00:14:07,080 --> 00:14:10,560
YOU FIND YOURSELF SITTING HERE
DRINKING THIS RIDE LOTION,
106
00:14:11,080 --> 00:14:14,080
YOU REMEMBER HOW YOU THOUGHT
IT WAS GONNA BE.
107
00:14:20,440 --> 00:14:21,960
THE HELL WITH HIM.
108
00:14:21,960 --> 00:14:24,480
THE HELL, I SAY.
WE DON'T NEED HIM.
109
00:14:24,480 --> 00:14:27,480
WE CAN GO TO THE COAST
WITHOUT HIM, CAN'T WE, ARCH?
110
00:14:27,480 --> 00:14:29,960
YOU KNOW HOW LONG ME AND HIM
RID TOGETHER?
111
00:14:30,480 --> 00:14:33,000
I FORGET. LONG TIME.
112
00:14:33,000 --> 00:14:37,000
SEVEN YEARS -- YEAR ROUND.
113
00:14:37,000 --> 00:14:42,000
SEVEN YEARS --
IT'S A LONG TIME.
114
00:14:42,000 --> 00:14:46,680
YOU MEAN YOU AIN'T GONNA GO
TO THE COAST?
115
00:14:46,680 --> 00:14:49,320
YOU'RE GONNA GO WITH HARRY?
116
00:14:49,560 --> 00:14:52,560
NO, DAN, I AIN'T GONNA GO
WITH HARRY.
117
00:15:05,080 --> 00:15:09,600
DIDN'T RECOGNIZE THIS PLACE
UNTIL I SAW THAT PEAK.
118
00:15:09,600 --> 00:15:12,080
THEN I REMEMBERED.
119
00:15:12,080 --> 00:15:15,080
GUESS I DECIDED THEN.
120
00:15:15,080 --> 00:15:18,600
IT'S JUST A WASTE
LIVING LIKE THIS, ARCH.
121
00:15:18,600 --> 00:15:22,120
IT'S BEEN BUILDING UP
A LONG WHILE.
122
00:15:22,120 --> 00:15:25,040
WELL, I'LL GO ON
WITH THE BOY.
123
00:15:25,040 --> 00:15:29,080
ALWAYS WANTED
TO SEE THAT OCEAN.
124
00:15:29,080 --> 00:15:30,560
COME ON.
125
00:15:32,880 --> 00:15:36,400
IT'S A REAL GOOD ONE, SAM.
126
00:15:36,400 --> 00:15:38,920
IT'S A REAL GOOD ONE.
127
00:15:45,920 --> 00:15:48,400
LET'S HAVE A LOOK AT THAT BOTTLE.
128
00:15:50,400 --> 00:15:51,920
HEY, BOY...
129
00:15:52,400 --> 00:15:54,920
THERE AIN'T HARDLY
A MOUTHFUL LEFT IN HERE.
130
00:15:59,920 --> 00:16:02,440
HAVE TO GET ANOTHER ONE.
131
00:16:10,200 --> 00:16:13,680
GONNA RIDE OUT
IN THE MORNING?
132
00:16:13,680 --> 00:16:17,200
NOT THE WAY I'M DRINKING
THIS WHISKEY, I WON'T.
133
00:16:24,720 --> 00:16:27,200
HOW LONG IS IT GONNA TAKE YOU
TO RIDE BACK?
134
00:16:36,560 --> 00:16:39,560
A WEEK, THERE ABOUTS.
135
00:16:41,560 --> 00:16:46,040
HOW YOU KNOW THERE'S
ANYTHING FOR YOU THERE?
136
00:16:46,560 --> 00:16:49,560
I MEAN, WHAT IF SHE'S MARRIED?
137
00:16:49,560 --> 00:16:51,560
HAVEN'T THOUGHT ON IT.
138
00:16:54,080 --> 00:16:57,080
YEAH.
139
00:16:57,080 --> 00:16:59,560
WELL...
140
00:17:00,080 --> 00:17:02,560
YOU COME ON OUT TO THE COAST,
141
00:17:02,560 --> 00:17:05,080
MAYBE WE'LL MEET UP AGAIN.
142
00:17:13,080 --> 00:17:15,080
MAYBE, ARCH.
143
00:17:15,080 --> 00:17:17,520
MAYBE SO.
144
00:17:33,000 --> 00:17:35,520
WELL, LOOKS LIKE
DAN'S ALREADY BEEN HERE
145
00:17:35,520 --> 00:17:37,520
AND GOT HIMSELF SOMETHING ELSE.
146
00:17:52,520 --> 00:17:55,040
WELL, WHAT'LL YOU HAVE?
147
00:17:55,040 --> 00:17:58,040
SAME AS YOUR PARTNER?
148
00:17:58,040 --> 00:18:00,560
WELL, WHAT DID HE HAVE?
149
00:18:01,040 --> 00:18:04,040
WELL, HE HAD A BIT OF PRIME.
150
00:18:04,040 --> 00:18:07,560
THREE DOLLARS WORTH
TO BE EXACT.
151
00:18:09,040 --> 00:18:10,560
WELL, I GUESS DAN'S
IN TONIGHT.
152
00:18:11,040 --> 00:18:13,040
YOU MIGHT AS WELL
GIVE US A COUPLE SHOTS
153
00:18:13,040 --> 00:18:14,560
OF THAT DOUBLE EAGLE THERE.
154
00:18:39,480 --> 00:18:43,480
OH, MOTHER!
155
00:18:46,480 --> 00:18:47,960
MOTHER!
156
00:19:31,400 --> 00:19:32,400
IS HE DEAD?
157
00:19:39,040 --> 00:19:42,000
YOU SHOOT HIM?
158
00:19:47,000 --> 00:19:48,480
THIS IS MY WIFE.
159
00:19:48,480 --> 00:19:52,000
I FOUND HIM IN OUR HOUSE.
HE WAS ATTACKING HER.
160
00:19:52,480 --> 00:19:56,480
I CALLED HIM, AND I THOUGHT
HE WENT FOR HIS GUN,
161
00:19:56,480 --> 00:20:00,000
BUT I GUESS HE WAS JUST
PULLING ON HIS PANTS.
162
00:20:10,640 --> 00:20:12,640
I'LL TAKE CARE
OF THE BURYIN'.
163
00:20:12,640 --> 00:20:15,640
THAT'S ALL RIGHT.
164
00:20:15,640 --> 00:20:18,640
WE'LL SEE TO IT.
165
00:20:18,640 --> 00:20:22,640
HOW'D HE FIND YOUR WIFE?
166
00:20:22,640 --> 00:20:25,760
WELL, I GUESS HE JUST SAW HER
OUTSIDE AND FOLLOWED HER HOME.
167
00:20:25,760 --> 00:20:28,760
WHEN I GOT THERE,
HE WAS ALL OVER HER.
168
00:20:29,280 --> 00:20:32,280
YOU MIND IF I ASK
HER ABOUT THAT?
169
00:20:32,280 --> 00:20:34,760
WELL, SHE DON'T SPEAK
ANY AMERICAN.
170
00:20:34,760 --> 00:20:36,240
WON'T DO YOU ANY GOOD.
171
00:20:36,240 --> 00:20:39,200
DON'T SEEM TO ME
THERE'S MUCH TO ASK.
172
00:20:39,200 --> 00:20:40,720
THE WOMAN'S ALL MESSED UP.
173
00:20:41,200 --> 00:20:43,720
YOUR FRIEND'S GOT HIS PANTS HALF OFF.
174
00:20:43,720 --> 00:20:46,720
SEEMS PRETTY PLAIN TO ME.
175
00:20:48,200 --> 00:20:49,720
WHERE CAN WE BURY HIM?
176
00:20:49,720 --> 00:20:53,720
Sam: WHY DON'T YOU JUST LET THAT
GO TILL THE MORNIN'?
177
00:20:53,720 --> 00:20:55,200
I'LL CLOSE MY CANTINA,
178
00:20:55,720 --> 00:20:58,720
AND YOU CAN LET HIM
REST HERE FOR THE NIGHT.
179
00:20:58,720 --> 00:21:01,720
WE'LL BURY HIM NOW.
180
00:21:48,200 --> 00:21:52,680
JESUS SAID,
"LET THOSE WHO LEAD YOU SAY TO YOU,
181
00:21:52,960 --> 00:21:54,440
"SEE THE KINGDOM IS IN HEAVEN."
182
00:21:54,960 --> 00:21:57,440
"THEN THE BIRDS OF THE HEAVEN
WILL PRECEDE YOU.
183
00:21:57,960 --> 00:22:00,000
"IF THEY SAY TO YOU
IT IS IN THE SEA,
184
00:22:00,520 --> 00:22:02,480
"THEN THE FISH
WILL PRECEDE YOU.
185
00:22:02,760 --> 00:22:06,680
BUT THE KINGDOM IS WITHIN YOU,
AND IT IS WITHOUT YOU."
186
00:22:06,760 --> 00:22:14,240
A DISCIPLE SAID TO JESUS,
"TELL US HOW OUR END WILL BE."
187
00:22:14,360 --> 00:22:18,360
JESUS SAID, "HAVE YOU THEN
DISCOVERED THE BEGINNING
188
00:22:18,840 --> 00:22:21,320
"THAT YOU INQUIRE
ABOUT THE END?
189
00:22:21,320 --> 00:22:25,800
"FOR WHERE THE BEGINNING IS,
THERE SHALL BE THE END.
190
00:22:25,800 --> 00:22:29,800
"BLESSED IS HE WHO SHALL STAND
AT THE BEGINNING,
191
00:22:29,800 --> 00:22:33,800
AND HE SHALL KNOW THE END
AND NOT TASTE DEATH."
192
00:22:33,800 --> 00:22:39,760
"HIS DISCIPLE SAID TO HIM,
"WHEN WILL THE KINGDOM COME?
193
00:22:39,760 --> 00:22:44,760
JESUS SAID,
"IT WILL NOT COME BY EXPECTATION.
194
00:22:44,760 --> 00:22:49,240
"IT WILL NOT SAY,
'SEE HERE OR SEE THERE.'
195
00:22:49,240 --> 00:22:52,720
"BUT THE KINGDOM OF THE FATHER
IS SPREAD UPON THE EARTH,
196
00:22:52,920 --> 00:22:55,440
AND MEN DO NOT SEE IT."
197
00:26:35,280 --> 00:26:36,400
AAH!
198
00:26:36,400 --> 00:26:37,880
LET'S GO!
199
00:26:38,280 --> 00:26:41,400
AAAH! GODDAMN!
200
00:26:41,920 --> 00:26:42,920
DAMN!
201
00:26:42,920 --> 00:26:44,400
GODDAMN!
202
00:26:44,920 --> 00:26:47,920
AAAH!
203
00:26:57,400 --> 00:26:59,400
AAAH!
204
00:27:00,920 --> 00:27:03,920
AAAH!
205
00:30:40,280 --> 00:30:43,280
WHAT DO YOU MEAN, WHAT'S SHE LIKE?
206
00:30:43,760 --> 00:30:47,760
IS SHE TALL, THIN, FAT, ROUND,
BROWN HAIR, BLUE EYES?
207
00:30:48,280 --> 00:30:49,280
WHAT'S SHE LIKE?
208
00:30:49,800 --> 00:30:55,280
MEDIUM, RED HAIR...
209
00:30:55,280 --> 00:30:57,800
BROWN EYES, I GUESS.
210
00:30:58,280 --> 00:31:00,800
I THINK I KNOW HER.
211
00:31:04,280 --> 00:31:07,800
SHE HAD A NICE VOICE.
212
00:31:07,800 --> 00:31:10,320
HOW OLD IS SHE?
213
00:31:10,320 --> 00:31:13,800
HOW OLD?
214
00:31:13,800 --> 00:31:19,320
WELL, SHE WAS 30
WHEN WE WAS MARRIED.
215
00:31:19,320 --> 00:31:21,800
AND HOW OLD WAS YOU?
216
00:31:21,800 --> 00:31:25,320
20 -- JUST TURNED.
217
00:31:27,800 --> 00:31:32,320
HELL, BOY,
YOU DIDN'T STAND A CHANCE.
218
00:31:32,320 --> 00:31:34,840
AH, IT WEREN'T HER FAULT.
219
00:31:34,840 --> 00:31:37,840
I WASN'T READY, THAT'S ALL.
220
00:31:37,840 --> 00:31:41,840
TOO HOT TO RIDE
AND TOO HOT TO WALK.
221
00:31:41,840 --> 00:31:44,320
WELL, IT AIN'T FAR NOW.
222
00:31:44,320 --> 00:31:47,320
WONDER WHAT YOUR WIFE'S
GONNA SAY TO YOU
223
00:31:47,320 --> 00:31:49,360
WHEN SHE LAYS EYES ON YOU,
HARRY.
224
00:31:49,840 --> 00:31:52,840
WHAT I MEAN IS, WHAT KIND
OF NATURE DOES SHE HAVE?
225
00:31:52,840 --> 00:31:54,360
I DON'T RIGHTLY RECALL.
226
00:31:54,360 --> 00:31:57,840
ONLY LIVED WITH HER
ABOUT A YEAR AND NINE MONTHS.
227
00:31:57,840 --> 00:32:00,840
WELL, IF I HAD A HORSE
FOR A YEAR AND NINE MONTHS,
228
00:32:01,360 --> 00:32:03,840
I'D SURE KNOW
HOW MANY TEETH HE HAD.
229
00:32:12,360 --> 00:32:15,880
WELL, SHE HAD THREE TEETH,
I REMEMBER THAT.
230
00:33:49,640 --> 00:33:52,400
Hannah: HELLO?
231
00:34:02,520 --> 00:34:05,000
WHAT CAN I DO FOR YOU?
232
00:34:28,480 --> 00:34:30,520
GO ON INSIDE, JANEY.
233
00:34:30,520 --> 00:34:32,000
I DON'T WANNA, MAMA.
234
00:34:32,520 --> 00:34:35,000
GO ON.
DO LIKE I TOLD YOU.
235
00:34:44,000 --> 00:34:46,520
HOW HAVE YOU BEEN, HANNAH?
236
00:34:46,640 --> 00:34:49,400
WHY'D YOU COME BACK?
237
00:34:56,760 --> 00:34:58,800
GOT TIRED OF THE LIFE.
238
00:34:59,160 --> 00:35:02,160
WHAT ARE YOU HOPING FOR,
COMING AROUND HERE?
239
00:35:02,400 --> 00:35:03,920
WORK.
240
00:35:04,400 --> 00:35:06,920
YOU DON'T HAVE ANY RIGHT
TO COME BACK THIS WAY.
241
00:35:07,040 --> 00:35:08,520
YOU THINK I CAN'T SEND YOU AWAY.
242
00:35:08,920 --> 00:35:10,920
THINK YOU'RE STILL MARRIED TO ME,
BUT THAT AIN'T SO.
243
00:35:11,280 --> 00:35:15,280
LOOK, HANNAH, JUST LET ME
WORK THE PLACE FOR A BIT,
244
00:35:15,280 --> 00:35:17,040
LIKE A HIRED HAND.
245
00:35:17,040 --> 00:35:19,400
NO DIFFERENCE.
246
00:35:19,400 --> 00:35:20,920
SEE HOW IT RUNS.
247
00:35:25,320 --> 00:35:29,320
I'M ASKING YOU, HANNAH.
248
00:35:29,320 --> 00:35:31,320
I DON'T WANT JANEY UPSET.
249
00:35:31,680 --> 00:35:33,200
AS FAR AS SHE KNOWS,
HER FATHER IS DEAD.
250
00:35:33,680 --> 00:35:35,200
I DON'T WANT YOU SAYING
NO DIFFERENT.
251
00:35:38,000 --> 00:35:40,160
SURE.
252
00:36:10,200 --> 00:36:11,680
COME ON.
253
00:36:47,720 --> 00:36:49,240
GET READY FOR BED.
254
00:36:49,240 --> 00:36:51,240
SHOUT ME WHEN YOU'RE IN.
255
00:36:51,240 --> 00:36:53,240
NOT 100, MAMA.
I COUNTED.
256
00:36:53,240 --> 00:36:56,720
OFF YOU GO.
I'LL ADD THEM TO TOMORROW NIGHT.
257
00:37:00,720 --> 00:37:02,720
THERE'S SOME SACKS IN THE SHED
258
00:37:02,720 --> 00:37:04,720
AND SOME CLEAN STRAW
IN THE RACK.
259
00:37:04,720 --> 00:37:06,240
SHOULD BE A LAMP THERE, TOO.
260
00:37:06,240 --> 00:37:08,760
TOMORROW WE'LL TALK ABOUT
WHAT YOU'RE GOING TO DO.
261
00:37:09,240 --> 00:37:11,240
NEED SOME THINKING
WHAT TO PUT YOU TO.
262
00:37:11,240 --> 00:37:13,240
MAMA, I'M IN!
263
00:37:13,240 --> 00:37:15,760
COMING, JANEY.
264
00:37:15,760 --> 00:37:18,240
ALL RIGHT.
SEE YOU IN THE MORNING.
265
00:37:40,400 --> 00:37:42,880
DON'T MIND ME ASKING, MA'AM.
266
00:37:42,880 --> 00:37:44,880
HOW COME YOU DON'T HAVE A DOG?
267
00:37:44,880 --> 00:37:48,280
I NOTICE WHEN WE ROLLED UP
THERE WASN'T ONE.
268
00:37:48,280 --> 00:37:51,280
HAD ONE, BUT IT RAN AWAY.
269
00:37:51,280 --> 00:37:55,800
NEVER BOTHERED TO GET ANOTHER.
270
00:37:59,920 --> 00:38:03,400
GOOD NIGHT, MA'AM.
271
00:38:15,400 --> 00:38:18,880
WELCOME HOME, HARRY.
272
00:38:18,880 --> 00:38:20,400
YEAH.
273
00:38:20,880 --> 00:38:22,880
THE STRAW SMELLS GOOD.
274
00:38:22,880 --> 00:38:25,920
BEATS SLEEPING ON THE GROUND.
275
00:38:30,400 --> 00:38:33,400
WHAT DO YOU THINK, HARRY?
YOU THINK YOU'LL STAY?
276
00:40:32,440 --> 00:40:34,960
HARRY'S TURNED IN.
277
00:40:36,440 --> 00:40:38,440
HE'S SO TIRED,
HE CAN'T SEE PROPER.
278
00:40:38,440 --> 00:40:40,960
BY YOUR LEAVE, MA'AM,
I'LL JUST FINISH MY SMOKE.
279
00:40:40,960 --> 00:40:42,960
SURELY.
280
00:40:52,480 --> 00:40:54,960
WHAT ARE YOU GETTING
OUT OF THIS, MR. HARRIS?
281
00:40:57,880 --> 00:41:00,880
MA'AM, IF I WASN'T DOING THIS,
I'D BE DOING SOMETHING ELSE.
282
00:41:03,400 --> 00:41:05,880
BE MORE PROSPECTS
IN SOMETHING ELSE.
283
00:41:08,760 --> 00:41:12,680
WELL, ME AND HARRY, WE RID
AROUND TOGETHER A LONG TIME.
284
00:41:12,680 --> 00:41:15,200
HE'S KEEN TO TRY THIS FOR AWHILE,
285
00:41:15,200 --> 00:41:17,120
SO I'LL JUST STRING ALONG.
286
00:41:17,120 --> 00:41:19,120
WHY'D HE COME BACK?
287
00:41:19,600 --> 00:41:22,600
JUST GOT TIRED
OF DRIFTING AROUND.
288
00:41:22,600 --> 00:41:25,120
HE'LL GO.
289
00:41:25,120 --> 00:41:28,120
IT'S JUST A MATTER OF TIME.
290
00:41:32,640 --> 00:41:37,640
WELL, MOST THINGS ARE, MA'AM,
ONE WAY OR THE OTHER.
291
00:41:51,160 --> 00:41:53,160
ASK MR. MARSHALL AT THE STORE
292
00:41:53,160 --> 00:41:55,160
IF THAT LEAD PAINT
HAS COME YET.
293
00:41:55,160 --> 00:41:58,160
WE CAN PAINT THE HOUSE
BEFORE WINTER COMES.
294
00:41:58,400 --> 00:42:02,400
AND DON'T FORGET
THE JARS FOR PRESERVING FRUIT
295
00:42:02,400 --> 00:42:03,920
AND DON'T FORGET MY CANDY.
296
00:42:04,160 --> 00:42:06,160
CANDY?
YOU DON'T EAT CANDY, DO YOU?
297
00:42:09,400 --> 00:42:12,920
LOOKY THERE, IT'S WRITTE
N DOWN -- "CANDY FOR JANEY."
298
00:42:20,440 --> 00:42:21,920
COME ON. HEY!
299
00:42:21,920 --> 00:42:23,440
BYE, JANEY.
300
00:43:05,280 --> 00:43:07,800
I'LL GO ON OVER
TO THE GENERAL STORE.
301
00:43:08,320 --> 00:43:09,800
YOU GO SET UP THE BEERS.
302
00:43:09,800 --> 00:43:13,320
SOUNDS LIKE A REASONABLE
DIVISION OF LABOR.
303
00:43:29,560 --> 00:43:32,560
GIVE ME TWO BEERS.
304
00:43:34,080 --> 00:43:37,600
HELLO, THERE.
305
00:43:37,600 --> 00:43:39,080
YOU RIDING ON THROUGH?
306
00:43:39,080 --> 00:43:41,600
NO, SIR,
WE PICKED UP A JOB.
307
00:43:41,600 --> 00:43:42,600
YOU WITH SOMEBODY ELSE?
308
00:43:42,600 --> 00:43:43,600
YES, SIR.
309
00:43:43,960 --> 00:43:46,480
WE'RE WORKING
FOR MISS COLLINGS.
310
00:43:46,480 --> 00:43:47,960
OH? BOTH OF YOU?
311
00:43:47,960 --> 00:43:49,480
YES, SIR, THAT'S RIGHT.
312
00:43:49,480 --> 00:43:53,480
WELL, NOW, SHE'S REALLY DOWN
TO SOME SERIOUS BUSINESS.
313
00:43:54,000 --> 00:43:58,480
SHE'S A FAIR WOMAN
TO WORK FOR, ALL RIGHT.
314
00:44:00,000 --> 00:44:01,000
FAIR?
315
00:44:01,480 --> 00:44:04,480
WHY, THE WIDOW COLLINGS
IS MORE THAN FAIR.
316
00:44:04,480 --> 00:44:06,760
SHE'S DOWNRIGHT GENEROUS.
317
00:44:10,480 --> 00:44:14,000
YOU CAN ALWAYS TELL A MAN
WHO'S GOT SOMETHING ON HIS MIND.
318
00:44:14,520 --> 00:44:17,000
HE KEEPS TALKING TO PEOPLE
HE DON'T KNOW.
319
00:44:17,520 --> 00:44:19,960
NOW WHAT IS IT
YOU'RE TRYING TO TELL ME?
320
00:44:20,440 --> 00:44:22,440
WHAT I'M TRYING TO TELL YOU,
MISTER,
321
00:44:22,440 --> 00:44:24,960
IS THAT MOST MEN WHO WORK
FOR THE WIDOW COLLINGS
322
00:44:25,480 --> 00:44:27,600
GET PAID IN MORE THAN CASH AND KEEP.
323
00:44:27,600 --> 00:44:31,080
I'LL SURELY REMEMBER THAT.
324
00:44:36,560 --> 00:44:38,560
SAVE ME GETTING
A LOT OF FANCY NOTIONS.
325
00:44:45,320 --> 00:44:47,800
AND YOU CAN TELL HER
WHEN YOU GET BACK
326
00:44:47,800 --> 00:44:50,840
THAT ED PLUMMER
MIGHT TAKE A RIDE OUT TO SEE HER.
327
00:44:50,960 --> 00:44:52,440
ONE OF THESE
MOONSHINE NIGHTS.
328
00:44:52,440 --> 00:44:54,440
WHAT'S HE TALKING ABOUT,
ARCH?
329
00:44:54,720 --> 00:44:56,200
THERE'S YOUR PARTNER.
330
00:44:56,200 --> 00:44:57,720
HOW DO YOU WORK IT, BOYS?
331
00:44:57,720 --> 00:45:00,720
NIGHT ABOUT,
OR DO YOU EACH DO A WEEK?
332
00:45:28,600 --> 00:45:33,120
HE WAS TALKING ABOUT HANNAH,
WASN'T HE?
333
00:45:33,120 --> 00:45:34,120
WAS HE?
334
00:45:34,120 --> 00:45:36,120
YOU KNOW HE WAS.
335
00:45:36,120 --> 00:45:38,600
THAT'S WHY YOU HIT HIM.
336
00:45:38,600 --> 00:45:42,640
STOPPED HIM FROM SAYING
SOMETHING ABOUT HER.
337
00:45:42,640 --> 00:45:44,640
WHAT WAS IT, ARCH?
338
00:45:46,640 --> 00:45:50,120
SAID SHE SLEPT
WITH THE HIRED HELP.
339
00:45:50,120 --> 00:45:51,640
IF YOU'RE GONNA SWING AT ME,
340
00:45:51,640 --> 00:45:53,640
I'LL TAKE A GREAT DEAL
OF PLEASURE
341
00:45:53,640 --> 00:45:55,640
IN KICKING THE LIVING SHIT
OUT OF YOU.
342
00:45:55,640 --> 00:45:57,640
DO YOU BELIEVE HIM?
343
00:45:57,640 --> 00:45:59,120
HE WAS A MOUTH OFF.
344
00:45:59,120 --> 00:46:03,160
IT'S THE KIND OF STORY
YOU FIND IN ANY SALOON.
345
00:46:03,640 --> 00:46:06,160
YOU REALLY BELIEVE THAT, ARCH?
346
00:46:06,160 --> 00:46:07,640
OF COURSE I DO!
347
00:46:07,640 --> 00:46:09,640
I AIN'T SAYING YOUR HANNAH
348
00:46:09,640 --> 00:46:12,160
NEVER LOOKED THE SIDE
A MAN WAS ON...
349
00:46:12,640 --> 00:46:14,160
BUT I SURE DON'T BELIEVE
350
00:46:14,160 --> 00:46:16,160
WHAT THAT FELLOW
WAS SAYING.
351
00:46:16,560 --> 00:46:17,560
IF I WAS YOU, HARRY,
352
00:46:17,560 --> 00:46:20,560
I WOULDN'T BE PUTTING
NO QUESTIONS TO HER.
353
00:46:20,560 --> 00:46:22,560
SHE AIN'T GONNA TAKE
TOO KINDLY
354
00:46:22,560 --> 00:46:25,040
TO YOU SETTING UP
JUDGMENT ON HER.
355
00:46:29,040 --> 00:46:32,040
GIDDYUP!
356
00:46:38,240 --> 00:46:39,720
DID I GET THE FEELING
357
00:46:39,720 --> 00:46:42,720
YOUR FRIEND HARRIS
MADE HIMSELF SCARCE?
358
00:46:42,720 --> 00:46:44,240
COULD BE.
359
00:46:44,240 --> 00:46:47,200
WHY COULD THAT BE NOW?
360
00:46:47,200 --> 00:46:49,760
I GUESS HE KNOWS
I WANT TO TALK TO YOU.
361
00:46:49,760 --> 00:46:50,760
WHAT ABOUT?
362
00:46:50,760 --> 00:46:54,280
I HOPE YOU AIN'T GETTING
READY TO PROPOSE.
363
00:46:54,280 --> 00:46:59,280
IN TOWN TODAY,
SOMEONE SAID...
364
00:46:59,800 --> 00:47:01,800
THEY MADE SOME REMARKS
ABOUT YOU.
365
00:47:01,800 --> 00:47:05,800
WHAT SORT OF REMARKS?
366
00:47:05,800 --> 00:47:09,280
ABOUT YOU AND THE MEN
THAT WORKED HERE.
367
00:47:09,280 --> 00:47:11,760
GO ON.
WHAT DID THEY SAY?
368
00:47:11,760 --> 00:47:13,240
YOU KNOW WHAT THEY SAID.
369
00:47:13,760 --> 00:47:16,760
THEY SAID YOU SLEPT
WITH ALL YOUR HIRED HANDS.
370
00:47:25,960 --> 00:47:27,960
YOU HIRED MEN TO SLEEP WITH.
371
00:47:27,960 --> 00:47:29,960
GOD, WHAT DO YOU KNOW ABOUT IT?
372
00:47:29,960 --> 00:47:31,440
HOW MANY?
DOES IT MATTER?
373
00:47:31,440 --> 00:47:32,960
OF COURSE IT MATTERS!
374
00:47:32,960 --> 00:47:36,440
YOU WERE LONG GONE
BEFORE ANYBODY GOT INTO MY BED.
375
00:47:36,960 --> 00:47:39,440
AND DON'T THINK THAT'S
'CAUSE I WAS HANKERING AFTER YOU.
376
00:47:39,920 --> 00:47:40,920
I WASN'T.
377
00:47:40,920 --> 00:47:43,920
THAT WAS AS LONG
AS I COULD STAND IT.
378
00:47:43,920 --> 00:47:46,400
I WALKED ABOUT THIS ROOM
ON NIGHTS LIKE THIS,
379
00:47:46,920 --> 00:47:49,400
GOING CRAZY FOR A MAN,
ANY MAN, DIDN'T MATTER.
380
00:47:49,400 --> 00:47:51,920
AND SOMETIMES, WHEN THERE
WAS A MAN OUT THERE,
381
00:47:51,920 --> 00:47:53,880
HE KNEW ABOUT IT,
AND HE'D COME IN.
382
00:47:54,320 --> 00:47:57,360
AND SOMETIMES I'D HAVE HIM
OR HE'D HAVE ME --
383
00:47:57,840 --> 00:47:58,840
WHATEVER SUITS YOU.
384
00:47:59,360 --> 00:48:04,360
BUT NOT ALL OF THEM, AND NOT
EVERY TIME I WANTED TO.
385
00:48:04,360 --> 00:48:06,360
AND WHEN THE SEASON'S WORK
WAS OVER, I'D PAY THEM OFF,
386
00:48:06,360 --> 00:48:08,800
NO MATTER HOW WELL HE'D WORKED
OR HOW WELL HE'D PLEASED ME,
387
00:48:09,320 --> 00:48:11,280
'CAUSE THE MAN
THAT'S IN A WOMAN'S BED
388
00:48:11,280 --> 00:48:12,280
THINKS HE'S HER BOSS.
389
00:48:12,280 --> 00:48:14,280
AND SOONER OR LATER,
THEY'D HAVE TRIED
390
00:48:14,280 --> 00:48:16,760
TO MOVE THEIR TACKLE
OUT OF THE SHED AND IN HERE,
391
00:48:17,280 --> 00:48:18,280
AND I DIDN'T WANT THAT,
392
00:48:18,280 --> 00:48:23,280
'CAUSE I'D ALREADY
HAD ONE MAN IN HERE,
393
00:48:23,280 --> 00:48:26,280
AND I DIDN'T WANT ANOTHER.
394
00:48:39,200 --> 00:48:42,200
IS THAT ALL YOU WANTED TO ASK ME?
395
00:50:58,000 --> 00:50:59,480
Woman: MISS COLLINGS?
396
00:51:05,000 --> 00:51:06,480
MRS. COLLINGS?
397
00:51:06,480 --> 00:51:10,000
OH, I WAS JUST PASSING,
THOUGHT I'D DROP BY.
398
00:51:10,000 --> 00:51:13,000
I NEVER SEEM TO CATCH YOU
IN TOWN SOMEHOW.
399
00:51:13,000 --> 00:51:15,000
HELLO, MRS. SORENSON.
400
00:51:15,000 --> 00:51:19,000
IT'S NOT OFTEN I GET VISITS
FROM YOUR GOOD SELF.
401
00:51:25,520 --> 00:51:27,000
I'M SO GLAD
TO HEAR THE NEWS.
402
00:51:27,520 --> 00:51:29,000
I'M SURE
YOU'RE VERY PLEASED.
403
00:51:29,000 --> 00:51:30,520
OH?
404
00:51:30,520 --> 00:51:33,040
WELL, I SAW THE PAPER
WITH MY VERY OWN EYES.
405
00:51:33,040 --> 00:51:35,040
CARL SAID HE RECOGNIZED HIM
IN TOWN TODAY,
406
00:51:35,520 --> 00:51:37,040
BUT I SAID
THAT WASN'T POSSIBLE
407
00:51:37,040 --> 00:51:40,040
BECAUSE WE HADN'T EVEN COME
TO CALMEN IN THOSE DAYS.
408
00:51:40,040 --> 00:51:42,040
BUT I'M SURE
YOU'RE VERY PLEASED.
409
00:51:42,040 --> 00:51:44,520
JANEY, YOU GO ON OUTSIDE
AND PLAY FOR A BIT.
410
00:51:44,520 --> 00:51:47,520
AND I BET YOU'RE PLEASED, TOO,
AREN'T YOU, LITTLE JANEY?
411
00:51:47,520 --> 00:51:50,040
GO ON, JANEY.
GO ON OUTSIDE LIKE I TOLD YOU.
412
00:51:56,040 --> 00:51:59,560
I ASSUME YOU'RE TALKING ABOU�
THE FACT THAT HARRY'S COME BACK.
413
00:51:59,560 --> 00:52:01,040
OH, YES, OF COURSE.
414
00:52:01,040 --> 00:52:04,560
MAYBE WE'LL SEE YOU IN TOWN
AT THE QUILTINGS AND ALL.
415
00:52:04,560 --> 00:52:09,040
FOLKS ARE ALWAYS SAYING WHAT
A PITY YOU NEVER GET INTO TOWN.
416
00:52:09,040 --> 00:52:12,560
MRS. SORENSON, I DIDN'T KNOW
THAT HE WAS COMING BACK,
417
00:52:12,560 --> 00:52:15,560
AND I DON'T KNOW
HOW LONG HE'LL STAY.
418
00:52:15,560 --> 00:52:17,560
I DON'T WANT JANEY UPSET.
419
00:52:17,560 --> 00:52:20,080
SHE THINKS HER FATHER'S DEAD.
420
00:52:20,080 --> 00:52:24,560
IF SHE FINDS OUT DIFFERENT,
AND IF HE GOES OFF AGAIN -
421
00:52:24,560 --> 00:52:26,080
HE'S NOT GOING ANYWHERE.
422
00:52:26,560 --> 00:52:28,560
DIDN'T HE SHOW YOU WHAT HE WROTE?
423
00:52:28,560 --> 00:52:30,560
NAILED IT UP ALL OVER TOWN.
424
00:52:30,560 --> 00:52:33,600
"NO FURTHER NEED OF HIRED HELP,"
IT SAID.
425
00:52:33,840 --> 00:52:37,320
A MAN THAT DOES THAT ISN'T
THINKING OF GOING NOWHERE.
426
00:52:43,360 --> 00:52:45,360
YOUR HUSBAND ISN'T AROUND?
427
00:52:45,480 --> 00:52:46,960
I'D SO LIKE TO MEET HIM.
428
00:52:46,960 --> 00:52:50,480
CARL AND I WERE STILL
IN PHILADELPHIA THEN.
429
00:52:50,480 --> 00:52:52,480
NO.
430
00:52:52,480 --> 00:52:55,240
HE'S OUT ON THE FARM.
431
00:52:55,240 --> 00:52:57,720
OH, I SEE.
432
00:53:01,720 --> 00:53:05,240
WELL, I JUST DROPPED BY
TO SAY HELLO.
433
00:53:07,240 --> 00:53:09,240
WE'LL BE LOOKING FOR YOU
IN TOWN.
434
00:53:09,240 --> 00:53:12,240
FOLKS WILL BE LOOKING OUT NOW
THAT YOUR MAN'S COME HOME.
435
00:53:12,240 --> 00:53:13,760
GOODBYE, MRS. SORENSON.
436
00:53:14,240 --> 00:53:15,760
GOODBYE, MRS. COLLINGS.
437
00:53:15,760 --> 00:53:19,240
OH, AND GIVE MY VERY BEST
TO MR.COLLINGS.
438
00:53:19,240 --> 00:53:22,760
THANK YOU.
439
00:53:45,400 --> 00:53:49,400
YOU KNOW THAT HE WANTS
TO STAY HERE.
440
00:53:49,400 --> 00:53:52,400
I GATHERED THAT.
441
00:53:52,400 --> 00:53:54,400
WHAT DO YOU THINK
ABOUT IT?
442
00:53:58,400 --> 00:54:00,920
THAT AIN'T FOR ME TO THINK.
443
00:54:08,440 --> 00:54:11,440
YOU DON'T HAVE TO WORRY
ABOUT ME HANGING AROUND.
444
00:54:11,440 --> 00:54:14,920
YOU PROBABLY THINK
I'M PRETTY HARD.
445
00:54:14,920 --> 00:54:17,400
NOW, MA'AM,
THAT'S NOT FOR ME TO DECIDE.
446
00:54:17,400 --> 00:54:19,400
WELL, I AM.
447
00:54:19,400 --> 00:54:22,840
DON'T WANNA BE, BUT I AM.
448
00:54:22,840 --> 00:54:28,360
I DON'T KNOW HOW MANY NIGHTS
I SAT ON THE PORCH,
449
00:54:28,360 --> 00:54:33,880
ROCKING MYSELF BACK AND FORTH,
WATCHING THE SHED,
450
00:54:33,880 --> 00:54:37,440
HOPING WHOEVER WAS IN THERE
WOULD COME OUT...
451
00:54:37,920 --> 00:54:42,920
HOPING AND TERRIFIED
IN CASE HE DID.
452
00:54:44,920 --> 00:54:49,840
IT WAS ALL RIGHT
AT THE TIME --
453
00:54:49,840 --> 00:54:54,800
OUT IN THE FIELDS
OR IN THE HAY.
454
00:54:54,800 --> 00:54:58,440
SOMETIMES,
JUST DOWN ON THE DIRT.
455
00:54:58,440 --> 00:55:00,920
THAT'S RIGHT.
456
00:55:02,840 --> 00:55:05,360
YOU CAN TELL, CAN'T YOU?
457
00:55:07,360 --> 00:55:11,840
WOULDN'T REALLY MATTER WHETHER
IT WAS YOU OR HIM TONIGHT.
458
00:55:30,280 --> 00:55:32,800
DO YOU THINK
HE'LL BE HAPPY HERE?
459
00:55:36,760 --> 00:55:39,640
THERE WILL BE TIMES
WHEN HE'LL BE HAPPY.
460
00:55:43,000 --> 00:55:45,960
IF YOU REALLY WANT HIM, MA'AM...
461
00:55:45,960 --> 00:55:49,280
YOU'RE GONNA HAVE TO TELL HIM.
462
00:55:52,200 --> 00:55:55,080
AND YOU'RE GONNA HAVE
TO TELL YOURSELF, TOO.
463
00:58:16,760 --> 00:58:18,760
WHAT ARE YOU TALKING, ARCH?
464
00:58:19,280 --> 00:58:21,760
WHAT'S THIS
ABOUT HEADING WEST?
465
00:58:24,760 --> 00:58:27,760
WELL, YOU'RE SETTLED
IN HERE NOW, HARRY.
466
00:58:27,760 --> 00:58:30,280
I THOUGHT I'D GO BACK
TO OUR OLD PLAN --
467
00:58:30,280 --> 00:58:31,760
GOING OUT TO CALIFORNIA.
468
00:58:31,760 --> 00:58:35,800
BUT YOU LIKE IT HERE.
I KNOW YOU DO.
469
00:58:36,360 --> 00:58:39,880
HE SUITS IT HERE,
DOESN'T HE?
470
00:58:39,880 --> 00:58:42,880
RECKON IF ARCH
WANTS TO GO ON,
471
00:58:42,880 --> 00:58:45,360
WE SHOULDN'T ARGUE WITH HIM.
472
00:58:48,320 --> 00:58:51,640
IT'S BETTER THIS WAY, HARRY.
473
00:58:55,120 --> 00:58:57,120
BEST THING.
474
00:58:57,120 --> 00:59:00,120
YOU REALLY WANT TO GO
TO CALIFORNIA, ARCH?
475
00:59:00,120 --> 00:59:02,640
SEE THAT OCEAN?
476
00:59:03,120 --> 00:59:05,640
SURE DO.
477
00:59:05,640 --> 00:59:09,640
I WOULDN'T SAY SO IF I DIDN'T.
478
00:59:09,640 --> 00:59:12,680
OKAY, ARCH,
IF THAT'S THE WAY YOU WANT IT.
479
00:59:32,520 --> 00:59:36,000
I THINK THIS IS
HOW IT HAS TO BE, HARRY.
480
00:59:38,600 --> 00:59:40,680
DID YOU ASK HIM TO GO?
481
00:59:40,680 --> 00:59:42,720
NO, I NEVER DID.
482
00:59:44,880 --> 00:59:47,400
BUT YOU WANT HIM TO,
DON'T YOU?
483
00:59:47,920 --> 00:59:50,840
I WANT YOU TO STAY.
THAT'S WHAT I WANT.
484
00:59:51,360 --> 00:59:53,840
BUT I WILL STAY.
I TOLD YOU SO.
485
00:59:53,840 --> 00:59:57,360
WITH ME, BECAUSE OF ME --
ME AND JANEY.
486
00:59:57,360 --> 00:59:59,880
WELL, THAT'S WHY
I CAME BACK, AIN'T IT?
487
00:59:59,880 --> 01:00:00,880
PARTLY.
488
01:00:00,880 --> 01:00:03,440
PARTLY BECAUSE YOU WERE TIRED,
489
01:00:03,440 --> 01:00:07,960
SICK AND WEARY OF HAVING NO
PLACE BUT THE GROUND TO SLEEP.
490
01:00:07,960 --> 01:00:12,560
HARRY, I'M ALL ACHING AND SORE
FROM THESE LAST SIX YEARS.
491
01:00:13,040 --> 01:00:15,560
I FEEL I'M GONNA SPLIT OPEN.
492
01:00:15,560 --> 01:00:20,040
I'M SCARED TO THINK IT MIGHT
ALL COME RIGHT AGAIN
493
01:00:20,040 --> 01:00:21,960
AFTER ALL THIS TIME.
494
01:00:21,960 --> 01:00:26,000
I DON'T BELIEVE IT,
BUT I WANT IT TO BE.
495
01:00:26,000 --> 01:00:27,960
CAN YOU UNDERSTAND THAT?
496
01:00:31,040 --> 01:00:33,080
I GUESS SO, HANNAH.
497
01:00:33,080 --> 01:00:38,600
THAT MAN OUT THERE,
HE'S A DECENT MAN, I'M SURE.
498
01:00:38,600 --> 01:00:44,240
BUT HE'S HAD MORE OF YOU
THAN I'VE EVER KNOWN.
499
01:00:44,240 --> 01:00:48,320
HE'S WHAT YOU LEFT ME FOR, HARRY.
500
01:00:48,320 --> 01:00:50,840
I KNOW YOU DIDN'T KNOW HIM
WHEN YOU LEFT,
501
01:00:51,320 --> 01:00:53,320
BUT HE'S WHAT YOU WENT LOOKING FOR.
502
01:00:53,840 --> 01:00:58,880
A MAN DON'T ASK THE THINGS OF
ANOTHER MAN LIKE A WOMAN DOES.
503
01:00:58,880 --> 01:01:00,360
HE'S EASIER TO PLEASE,
504
01:01:00,880 --> 01:01:04,360
AND HE DON'T GET BITTER
ABOUT THE SAME THINGS.
505
01:01:04,360 --> 01:01:07,360
EACH TIME YOU AND ME
DIDN'T GET ALONG,
506
01:01:07,360 --> 01:01:10,400
EACH TIME YOU GOT WEARY,
HE'D BE THERE,
507
01:01:10,400 --> 01:01:13,400
AND I'D WONDER IF YOU WERE
PLANNING TO GO OFF WITH HIM
508
01:01:13,400 --> 01:01:15,880
OR IF HE'D BE TELLING YOU
NOT TO BE A FOOL.
509
01:01:15,880 --> 01:01:17,920
DON'T YOU SEE, HARRY?
510
01:01:17,920 --> 01:01:19,960
IT'D BE JUST LIKE
YOU CAME HOME
511
01:01:19,960 --> 01:01:21,960
WITH SOME WOMAN
YOU'D BEEN LIVING WITH
512
01:01:21,960 --> 01:01:24,440
AND SAID, "I WANT HER TO STAY
IN THE SPARE ROOM."
513
01:01:30,480 --> 01:01:34,040
OUT THERE WHERE HE'S GOING, HANNAH,
514
01:01:34,040 --> 01:01:36,080
IT'S COLD ON YOUR OWN.
515
01:02:21,120 --> 01:02:23,120
DON'T YOU THINK IT'S ABOUT TIME
516
01:02:23,120 --> 01:02:26,480
YOU STARTED PRACTICING BEING
A HUSBAND AGAIN, HARRY?
517
01:02:31,720 --> 01:02:34,200
I'LL PICK IT UP OKAY.
518
01:03:02,040 --> 01:03:04,040
GOOD NIGHT, HARRY.
519
01:03:18,240 --> 01:03:21,720
SURE IS A GOOD MORNING FOR IT.
520
01:03:39,120 --> 01:03:41,120
YOU MAKE IT BACK THIS WAY...
521
01:03:41,600 --> 01:03:43,120
SURE.
522
01:03:50,240 --> 01:03:51,760
ARCH...
523
01:03:53,880 --> 01:03:58,400
...IF IT GETS, WELL, YOU KNOW,
THE WAY IT CAN OUT THERE,
524
01:03:58,400 --> 01:04:00,400
YOU JUST TURN AROUND.
525
01:04:02,280 --> 01:04:05,280
I'LL BRING YOU BACK
A BOTTLE OF THAT OCEAN WATER.
526
01:04:17,920 --> 01:04:19,920
GOODBYE, MR. HARRIS.
527
01:04:20,920 --> 01:04:24,400
BYE, JANEY.
528
01:06:27,320 --> 01:06:30,800
I HOPE I'LL BE ALL RIGHT
FOR YOU, HARRY.
529
01:09:32,960 --> 01:09:34,960
JUST CHECKING JANEY.
530
01:09:34,960 --> 01:09:36,480
SHE'S ALL RIGHT.
531
01:09:36,480 --> 01:09:38,960
WIND DIDN'T WAKEN HER.
532
01:09:47,480 --> 01:09:49,480
I LOVE YOU, HARRY.
533
01:09:52,000 --> 01:09:54,480
I LOVE YOU, TOO, HANNAH.
534
01:11:37,000 --> 01:11:39,000
HARRY!
535
01:11:39,000 --> 01:11:41,520
HARRY, THERE'S A FUNNY MAN,
536
01:11:41,520 --> 01:11:44,520
AND HE BROUGHT
MR. HARRIS' HORSE BACK.
537
01:12:27,960 --> 01:12:29,960
WHERE'D YOU GET THIS HORSE?
538
01:12:30,080 --> 01:12:32,680
SAM SENT ME WITH IT.
539
01:12:32,680 --> 01:12:35,720
WHERE'S HARRIS?
540
01:12:35,960 --> 01:12:39,200
HE WANTS YOU TO COME SEE HIM.
541
01:12:39,200 --> 01:12:42,200
WHERE IS HE?
542
01:12:42,200 --> 01:12:43,720
WAITING FOR YOU.
543
01:12:44,200 --> 01:12:45,200
WHAT IS IT, HARRY?
544
01:12:45,200 --> 01:12:47,720
IT'S ARCH.
SOMETHING'S WRONG.
545
01:12:47,960 --> 01:12:50,600
IS HE SICK?
546
01:12:50,600 --> 01:12:52,600
NOT EXACTLY.
547
01:12:52,600 --> 01:12:56,080
HE SENT YOU... THIS.
548
01:13:06,480 --> 01:13:10,360
SAM SAYS EACH WEEK
YOU DON'T SHOW UP,
549
01:13:10,720 --> 01:13:13,360
HE'S GONNA TAKE OFF ANOTHER.
550
01:13:13,360 --> 01:13:15,840
AND IF YOU
DON'T SHOW UP EVER,
551
01:13:15,840 --> 01:13:18,880
HE'S GONNA CUT OFF HIS TOES AND ALL.
552
01:13:44,520 --> 01:13:46,760
HARRY, WHAT ARE YOU DOING?
553
01:13:46,760 --> 01:13:48,280
THEY CUT OFF
ONE OF ARCH'S FINGERS.
554
01:13:48,640 --> 01:13:50,640
ONE EACH WEEK, THEY SAY,
TILL I GET THERE.
555
01:13:51,160 --> 01:13:52,640
HOW DO YOU KNOW
IT'S HIS FINGER?
556
01:13:52,640 --> 01:13:54,640
IT SURE AS HELL IS
SOMEBODY'S FINGER,
557
01:13:55,160 --> 01:13:57,640
AND SEEING AS THEY GOT ARCH,
I RECKON IT'S HIS, OKAY?
558
01:14:13,800 --> 01:14:16,320
HARRY, YOU CAN'T.
559
01:14:17,800 --> 01:14:20,680
YOU CAME BACK, YOU SAID.
560
01:14:22,440 --> 01:14:25,440
YOU SAID YOU'D COME BACK.
YOU CAN'T GO AWAY, YOU CAN'T.
561
01:14:25,800 --> 01:14:29,320
THE LONGER I WAIT, THE WORSE
IT'LL BE FOR HIM, HANNAH.
562
01:14:29,800 --> 01:14:31,320
I DON'T CARE ABOUT HIM!
563
01:14:31,320 --> 01:14:34,320
I CARE ABOUT ME AND JANEY AND YOU!
564
01:14:34,320 --> 01:14:36,920
YOU NEVER MEANT TO STAY.
YOU NEVER!
565
01:14:36,920 --> 01:14:39,960
YOU PLANNED IT, THE TWO OF YOU.
566
01:14:40,080 --> 01:14:41,560
YOU PLANNED IT!
567
01:14:41,960 --> 01:14:43,960
IT'S YOUR WAY
OF GETTING AWAY AGAIN.
568
01:14:43,960 --> 01:14:44,960
YOU PLANNED IT!
569
01:14:45,200 --> 01:14:47,200
THAT'S NOT TRUE, HANNAH.
570
01:14:47,200 --> 01:14:48,200
I HAVE TO GO.
571
01:14:48,600 --> 01:14:50,600
ARCH IS IN THIS TROUBLE
BECAUSE OF ME.
572
01:14:50,960 --> 01:14:52,440
I HAVE TO GET HIM OUT OF IT.
573
01:14:52,440 --> 01:14:54,960
AND WHEN THAT'S DONE,
I'LL BE BACK,
574
01:14:54,960 --> 01:14:56,960
AND THINGS WILL BE RIGHT.
575
01:14:57,080 --> 01:15:01,080
YOU WON'T COME BACK,
I KNOW IT.
576
01:16:50,080 --> 01:16:52,080
YOUR DISCARD, YOU KNOW THAT.
577
01:17:10,600 --> 01:17:13,360
B?SAME LAS PATAS.
578
01:17:13,360 --> 01:17:14,840
MAGDALENA!
579
01:17:15,080 --> 01:17:17,600
DAME SOLO,
PINCHE JODIDO!
580
01:17:20,600 --> 01:17:23,600
iANDALE AL POZO,
MAGDALENA!
581
01:18:11,200 --> 01:18:14,200
Arch: iAGUA!
582
01:18:14,200 --> 01:18:18,200
POR FAVOR.
583
01:18:20,320 --> 01:18:21,840
COME ON.
584
01:18:22,320 --> 01:18:23,320
COME ON!
585
01:18:23,720 --> 01:18:25,720
COME ON, COME ON.
586
01:18:32,240 --> 01:18:35,240
Come here.
Give me a little water.
587
01:18:35,240 --> 01:18:38,720
Yeah, that's -
- That's all right.
588
01:18:50,120 --> 01:18:51,120
AHH.
589
01:18:51,480 --> 01:18:53,360
PARA QU? VINISTES?
590
01:18:53,360 --> 01:18:57,360
ESE HOMBRE PENDEJO
TE QUIERE MATAR.
591
01:18:57,360 --> 01:18:59,600
MAT? A MI HOMBRE.
592
01:18:59,600 --> 01:19:01,600
Y MAT? A TU AMIGO.
593
01:19:01,600 --> 01:19:05,120
Y AHORA TE QUIERE
MATAR A T?.
594
01:19:07,360 --> 01:19:08,880
GIVE ME A GUN.
595
01:19:11,120 --> 01:19:13,120
A PISTOL!
596
01:19:13,400 --> 01:19:17,400
NO. A M?, M?TAME, NO.
597
01:19:17,880 --> 01:19:19,400
I'LL KILL HIM.
598
01:19:19,400 --> 01:19:21,400
I'LL KILL HIM!
599
01:19:21,520 --> 01:19:23,040
A M?, M?TAME.
600
01:21:43,600 --> 01:21:46,600
SACQUE DE AQU?!
601
01:21:51,360 --> 01:21:52,360
PISTOL.
602
01:22:20,160 --> 01:22:23,280
YOU CAN COUNT
YOUR FINGERS NOW.
603
01:22:23,280 --> 01:22:25,800
YOUR FRIEND'S
COME TO GET YOU.
604
01:22:40,320 --> 01:22:42,320
MIGHTY GOOD TO SEE YOU.
605
01:22:42,440 --> 01:22:46,920
I'VE BEEN LOOKING
PRETTY HARD FOR YOU...
606
01:22:46,920 --> 01:22:49,440
AND THAT'S DIFFICULT,
607
01:22:49,440 --> 01:22:51,920
SEEING IT'S VERY HARD FOR ME
TO GET ABOUT.
608
01:22:52,200 --> 01:22:53,680
WHERE'S HARRIS?
609
01:22:53,680 --> 01:22:54,680
HE'S HERE.
610
01:22:55,200 --> 01:22:57,680
YOU RID HARD.
611
01:22:57,680 --> 01:22:59,680
YOU SAVED HIM A FINGER.
612
01:24:27,760 --> 01:24:29,680
THEY'RE BAD ONES, HARRY.
613
01:24:32,160 --> 01:24:33,680
I KNEW IT.
614
01:24:35,680 --> 01:24:38,160
FIRST TIME WE WAS HERE...
615
01:24:38,160 --> 01:24:40,160
I HAD A FEELING.
616
01:24:40,160 --> 01:24:43,160
THEN, WHEN WE RODE OUT,
617
01:24:43,160 --> 01:24:45,680
THOUGHT IT WAS ALL LEFT BEHIND.
618
01:24:47,800 --> 01:24:49,800
OH.
619
01:24:52,320 --> 01:24:54,800
HOLD ME, ARCH.
620
01:30:00,000 --> 01:30:03,000
Vesko43549
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Estonian
Faroese
Finnish
Frisian
Galician
Georgian
German
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Irish
Italian
Japanese
Javanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian (Nynorsk)
Pashto
Persian
Polish
Portuguese (Brazil)
Quechua
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish (Latin American)
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof