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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:17,870 --> 00:00:22,870 ♪ JUST AROUND THE CORNER \h\hMAY BE SUNSHINE FOR YOU ♪ 2 00:00:22,870 --> 00:00:27,880 ♪ JUST AROUND THE CORNER \h\hSKIES ABOVE MAY BE BLUE ♪ 3 00:00:27,880 --> 00:00:33,380 ♪ KEEP A LITTLE SMILE ON \h\hTHAT'S THE RIGHT THING TO DO ♪ 4 00:00:33,380 --> 00:00:35,880 ♪ IN LITTLE WHILE \h\hYOUR TROUBLES ♪ 5 00:00:35,890 --> 00:00:38,680 ♪ THEY WILL DISAPPEAR \h\hLIKE BUBBLES ♪ 6 00:00:38,670 --> 00:00:43,510 ♪ JUST AROUND THE CORNER \h\hTHERE'S A BLUEBIRD ON HIGH ♪ 7 00:00:43,510 --> 00:00:47,510 ♪ WAITING ON A RAINBOW \h\hIN THE SKY ♪ 8 00:00:48,010 --> 00:00:51,850 ♪ WHY, EVEN THOUGH \h\hIT'S DARK AND CLOUDY ♪ 9 00:00:51,850 --> 00:00:54,350 ♪ SUN MAY PEEK TO ANSWER HOWDY ♪ 10 00:00:54,350 --> 00:00:58,240 ♪ JUST AROUND THE CORNER \h\hFROM YOU ♪ 11 00:01:08,420 --> 00:01:12,120 MISS PENNY, MISS VINCENT WISHES TO SEE YOU. 12 00:01:21,930 --> 00:01:25,350 h\h\h\h\h\h\h\hMISS PENNY IS HERE NOW. 13 00:01:25,350 --> 00:01:27,350 \h\h\h\hHELLO, MISS PENNY. IS MY DADDY HERE? 14 00:01:27,350 --> 00:01:29,690 PENNY, COME HERE, PLEASE. 15 00:01:29,690 --> 00:01:33,640 PENNY, I HAVE SOME SAD NEWS FOR YOU. 16 00:01:33,640 --> 00:01:35,640 BUT YOU'LL BE A BRAVE LITTLE GIRL, WON'T YOU? 17 00:01:35,650 --> 00:01:39,160 IS IT ABOUT MY DADDY? \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hYES, PENNY. 18 00:01:39,150 --> 00:01:43,150 HAS ANYTHING HAPPENED TO HIM? \h\h\h\h\h\h\h\hNO. NO, DEAR, NO. 19 00:01:43,150 --> 00:01:47,160 BUT HE'S SENT FOR YOU. YOU'RE GOING TO LEAVE US. 20 00:01:47,160 --> 00:01:51,660 YOU GONNA TAKE ME RIGHT NOW, GUS? RIGHT THIS MINUTE? YES, MISS PENNY. 21 00:01:51,660 --> 00:01:54,460 \h\h\h\hI'M GONNA LIVE WITH \h\h\h\hMY DADDY AT THE RIVERVIEW? YES, MISS PENNY. 22 00:01:54,460 --> 00:01:56,830 ON AND ON, FOR KEEPS? 23 00:01:56,830 --> 00:01:59,080 YES, MISS PENNY. \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hOH, GUS! 24 00:01:59,090 --> 00:02:02,400 MAYBE I'D BETTER WAIT OUTSIDE. 25 00:02:02,390 --> 00:02:05,390 IT'S VERY SAD NEWS, MISS VINCENT, BUT I WANNA BE BRAVE, 26 00:02:05,390 --> 00:02:08,390 EVEN THOUGH I AM GONNA MISS EVERYBODY SO MUCH. 27 00:02:08,390 --> 00:02:11,400 AND NOW I'D BETTER PACK. DON'T YOU THINK? \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hOH, YES. 28 00:02:11,400 --> 00:02:13,900 IT'S NOT POLITE TO KEEP PEOPLE WAITING. \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hNO, DEAR. 29 00:02:13,900 --> 00:02:16,400 PLEASE, MAY I BE EXCUSED? 30 00:02:17,900 --> 00:02:20,410 I FEEL AWFUL SAD ABOUT LEAVING YOU, MISS VINCENT. 31 00:02:20,410 --> 00:02:22,410 GOOD-BYE! \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hGOOD-BYE. 32 00:02:22,410 --> 00:02:24,780 GOOD-BYE, MISS BURNS. 33 00:02:24,780 --> 00:02:29,280 I WONDER WHY MR. HALE IS TAKING HER OUT OF SCHOOL SO SUDDENLY. 34 00:02:29,280 --> 00:02:31,780 THEY'RE GOING ABROAD, NO DOUBT. 35 00:02:31,780 --> 00:02:35,290 IT WOULDN'T BE FINANCES. HIS LAST CHECK IS OVERDUE. 36 00:02:35,290 --> 00:02:37,090 FINANCES? HARDLY-- 37 00:02:37,510 --> 00:02:39,670 WITH THE RIVERVIEW AS AN ADDRESS? 38 00:03:02,530 --> 00:03:04,530 WHY, MISS PENNY. \h\h\h\h\h\h\h\h\h\h\h\hHELLO, CORPORAL. 39 00:03:04,530 --> 00:03:08,040 \h\h\h\hPLEASE DON'T STOP ME NOW. \h\h\h\hI'VE GOTTA FIND MY DADDY. WAIT A MINUTE. 40 00:03:08,040 --> 00:03:10,290 HEY, PENNY, COME BACK HERE! 41 00:03:10,290 --> 00:03:13,790 FINE DOORMAN YOU ARE-- LETTIN' HER GO RIGHT THROUGH THE DOOR. 42 00:03:13,790 --> 00:03:15,660 WHAT KIND OF A DOORMAN YOU CALL THAT? 43 00:03:15,660 --> 00:03:18,630 HELLO, MR. WATERS. I'M BACK. 44 00:03:18,630 --> 00:03:21,250 UH, MISS H-- UH-- 45 00:03:38,850 --> 00:03:42,350 NO, NO, NO! 46 00:03:48,360 --> 00:03:52,250 ATTENTION. 47 00:03:52,250 --> 00:03:56,280 A PORTE. PORTE." 48 00:03:56,290 --> 00:03:58,460 ATTENTION. ATTENTION. 49 00:04:01,370 --> 00:04:03,370 h\h\h\h\h\h\h\h\h\h\h\hLA TABLE. 50 00:04:03,380 --> 00:04:07,390 \h\h\h\h\h\h\h\h ALL RIGHT. HAVE IT YOUR WAY THEN. 51 00:04:07,380 --> 00:04:09,930 - WHO ARE YOU? - WHO ARE YOU? 52 00:04:11,930 --> 00:04:16,850 JE M'APPELLE 53 00:04:16,860 --> 00:04:19,370 WHAT'D SHE SAY? \h\h\h\h 54 00:04:19,360 --> 00:04:21,360 DID YOU NOT LISTEN? 55 00:04:21,360 --> 00:04:23,860 A LESSON WE HAVE ONE WEEK BEHIND. 56 00:04:23,860 --> 00:04:26,860 J'HABITE ICI. 57 00:04:26,870 --> 00:04:29,330 THAT PROVES HOW STUPID YOU ARE. 58 00:04:29,320 --> 00:04:32,320 YOU DON'T LIVE HERE AND NEITHER DOES SHE. \h\h\h\h\h\h\h\hDON'T MIND HIM. 59 00:04:32,320 --> 00:04:35,820 HE'S ALL MIXED UP. I'M THE ONE WHO LIVES HERE-- MY DADDY AND ME. 60 00:04:35,830 --> 00:04:38,340 I BEG YOUR PARDON. THIS IS MY UNCLE'S APARTMENT. 61 00:04:38,330 --> 00:04:43,080 I LIVE HERE WITH MY MOTHER AND MY SISTER AND MY UNCLE SAM. NOW, KINDLY VACATE OUR PREMISES. 62 00:04:43,080 --> 00:04:45,880 DO YOU THINK I DON'T KNOW WHERE I LIVE? WE'VE LIVED HERE THREE YEARS. 63 00:04:46,390 --> 00:04:49,150 UNLESS YOU WANT TROUBLE WITH MY DADDY, YOU'D BETTER GET OUT AND-- 64 00:04:49,140 --> 00:04:53,680 I'M MORE SORRY THAN I CAN SAY. I'M DEEPLY EMBARRASSED. COME ALONG, MISS HALE, QUICKLY. 65 00:04:53,680 --> 00:04:56,090 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hBUT WHY? RUN ALONG, LITTLE GIRL. SCAT! SHOO! 66 00:04:56,100 --> 00:04:59,110 DADDY! \h\h\h\h\h\h\h\hI'M TAKING YOU \h\h\h\h\h\h\h\hTO YOUR DADDY RIGHT NOW. 67 00:04:59,100 --> 00:05:01,100 WHERE ARE YOU? \h\h\h\hTHIS IS VERY UNFORTUNATE. \h\h\h\hI APOLOGIZE. 68 00:05:01,100 --> 00:05:03,600 IT WILL NEVER HAPPEN AGAIN. I ASSURE YOU. I'M VERY SORRY. 69 00:05:03,600 --> 00:05:05,600 I'M DISTRAUGHT, DISTRAIT. \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hDADDY! 70 00:05:06,110 --> 00:05:08,120 MISS HALE, WILL YOU PLEASE-- LISTEN-- \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hDADDY! 71 00:05:08,110 --> 00:05:11,610 CHILDREN ARE IMPOSSIBLE THESE DAYS. 72 00:05:11,610 --> 00:05:14,610 THEY DON'T ASK IF THEY LIVE IN YOUR HOUSE, THEY JUST TELL YOU. 73 00:05:14,610 --> 00:05:18,120 THEY WALK RIGHT IN AND TELL YOU. YOU HAVEN'T A MOMENT OF PRIVACY... 74 00:05:18,120 --> 00:05:20,620 WITHOUT SOME CHILD COMING IN TO TELL YOU SHE LIVES WITH YOU. 75 00:05:20,620 --> 00:05:23,120 MOTHER, I POINTED OUT HER MISTAKE TO HER EMPHATICALLY-- 76 00:05:23,120 --> 00:05:26,620 NOT ONLY IN ENGLISH, BUT IN FRENCH. \h\h\h\h\h\h\h\hIN FRENCH? BAH! 77 00:05:26,630 --> 00:05:31,020 BUT WHY DID DADDY MOVE? HE LIKED OUR PENTHOUSE, AND I LOVED IT. 78 00:05:31,010 --> 00:05:33,510 OH, QUESTIONS, QUESTIONS. 79 00:05:33,520 --> 00:05:36,030 CURIOSITY KILLED A CAT ONCE. 80 00:05:36,020 --> 00:05:38,020 YOUR CAT? \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hYES-- UH, NO. 81 00:05:38,520 --> 00:05:42,360 AND STOP SAYING "OUR PENTHOUSE." IT ISN'T YOURS. NOT ANYMORE. 82 00:05:42,360 --> 00:05:45,190 \h 83 00:05:45,190 --> 00:05:47,700 KITTY! \h\h\h! 84 00:05:47,700 --> 00:05:49,700 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hOH, I'M SO GLAD \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hTO SEE YOU. OH! 85 00:05:49,700 --> 00:05:53,200 SHOW MISS HALE TO HER FATHER'S APARTMENT AT ONCE. OH! 86 00:05:57,960 --> 00:06:01,240 THAT'S IT, BOY. \hTHAT'S IT, BOY. \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hWHOA! 87 00:06:01,240 --> 00:06:03,750 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hCOME ON. 88 00:06:11,250 --> 00:06:13,250 OKAY. 89 00:06:16,640 --> 00:06:20,480 THIS IS MY NEW JOB SINCE I'VE SEEN YOU LAST. 90 00:06:20,480 --> 00:06:24,600 I THINK IT'S A WONDERFUL WAY TO EARN MONEY-- JUST PLAYING WITH DOGS. 91 00:06:24,600 --> 00:06:27,990 YEAH, THAT'S WHAT I THOUGHT WHEN I TOOK THE JOB. 92 00:06:27,990 --> 00:06:30,860 BUT EVERYBODY'S GOT THEIR TROUBLES, I GUESS. 93 00:06:30,860 --> 00:06:32,740 GEE, EVEN LITTLE HALF-PINTS LIKE YOU. 94 00:06:32,740 --> 00:06:35,190 NOW, YOU GOT A GOOD, STRONG CHIN. 95 00:06:35,190 --> 00:06:37,200 KEEP IT UP, DARLING, NO MATTER WHAT HAPPENS. 96 00:06:37,200 --> 00:06:40,450 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hWHAT FOR? HELLO, PENNY. 97 00:06:40,450 --> 00:06:42,870 HELLO, MRS. O'TOOLE. 98 00:06:44,120 --> 00:06:47,090 MR. HALE? MR. HALE? 99 00:06:51,590 --> 00:06:55,210 DADDY? 100 00:06:55,210 --> 00:06:58,550 PENNY! OH! \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h 101 00:06:58,550 --> 00:07:02,050 \h\h\h\h\h\h\h\h\h\h\h\hOH! OH, DADDY! DADDY! 102 00:07:02,560 --> 00:07:05,070 I WENT UP TO THE PENTHOUSE. 103 00:07:05,560 --> 00:07:07,560 A LOT OF FUNNY PEOPLE LIVE THERE NOW. 104 00:07:07,560 --> 00:07:10,060 NO WONDER YOU MOVED DOWN HERE. 105 00:07:10,060 --> 00:07:12,560 DID GUS TAKE YOU UP THERE? \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hOH, NO. 106 00:07:13,070 --> 00:07:16,080 I JUST SUPPOSED-- \hI MEAN, I THOUGHT-- 107 00:07:16,070 --> 00:07:18,570 GUS DIDN'T TAKE ME. 108 00:07:18,570 --> 00:07:21,410 WELL, HE'S WORKING FOR THOSE PEOPLE NOW BECAUSE WE HAVEN'T ANY JOB FOR HIM. 109 00:07:21,410 --> 00:07:25,460 I... SOLD OUR CAR. \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hOH. 110 00:07:25,460 --> 00:07:30,160 WELL, THEN, YOU AND I ARE GONNA HAVE A LOT OF NICE WALKS TOGETHER, AREN'T WE? 111 00:07:30,170 --> 00:07:32,680 OH, SURE. DO YOU REMEMBER-- 112 00:07:32,670 --> 00:07:36,170 DO YOU REMEMBER HOW HARD I USED TO WORK BEFORE YOU WENT AWAY TO SCHOOL? 113 00:07:36,170 --> 00:07:39,170 HOW I WAS ALWAYS PLANNING BUILDINGS AND PUTTING THEM UP? 114 00:07:39,180 --> 00:07:41,190 WE HAD HARDLY ANY TIME AT ALL TO BE TOGETHER. 115 00:07:41,180 --> 00:07:43,180 AND YOU WERE TIRED ALL THE TIME. 116 00:07:43,180 --> 00:07:46,180 WELL, THAT WASN'T SO GOOD, WAS IT? BUT IT MADE MONEY. 117 00:07:46,180 --> 00:07:51,190 WE HAD MONEY TO LIVE IN A PENTHOUSE AND HAVE A CAR AND GUS AND ALL THE OTHERS. 118 00:07:51,190 --> 00:07:54,190 BUT NOW IT'S AWFULLY HARD TO GET JOBS. 119 00:07:54,190 --> 00:07:56,690 THERE SEEM TO BE ENOUGH BUILDINGS, SO I'M NOT WORKING, 120 00:07:56,690 --> 00:07:58,690 AND WE HAVEN'T SO MUCH IN OUR POCKETBOOK. 121 00:07:58,690 --> 00:08:03,200 BUT YOU SEE WHAT THAT MEANS? IT MEANS WE HAVE ALL THAT EXTRA TIME TO BE TOGETHER. 122 00:08:03,200 --> 00:08:05,200 \h\h\h\h\h\h\h\h\h\h\h\hTHAT'S A LOT BETTER, \h\h\h\h\h\h\h\h\h\h\h\hISN'T IT? SURE IT IS. 123 00:08:05,200 --> 00:08:08,200 BUT THERE'S ONE THING I WANT TO DO. 124 00:08:08,700 --> 00:08:11,620 THERE'S ONE THING I WANT TO FINISH. 125 00:08:11,620 --> 00:08:15,290 THAT'S THE ONE BUILDING YOUR DADDY WANTS TO FINISH. 126 00:08:17,300 --> 00:08:20,100 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hWHY? I PUT ALL MY MONEY INTO IT. 127 00:08:20,100 --> 00:08:23,600 A LOT OF OTHER MEN DID TOO, BECAUSE IT TOOK A GREAT DEAL. 128 00:08:23,600 --> 00:08:29,110 THEN WE HAD BAD TIMES, AND A BANKER CAME ALONG AND TOOK IT AWAY FROM US. 129 00:08:29,110 --> 00:08:31,110 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hWHAT'S A BANKER? 130 00:08:31,110 --> 00:08:34,110 WELL, A BANKER-- 131 00:08:34,110 --> 00:08:39,120 A BANKER IS A SORT OF PERSON THAT, UH-- THAT KEEPS THINGS THAT BELONG TO OTHER PEOPLE. 132 00:08:39,120 --> 00:08:41,620 \h\h\h\h\h\h\h\h\h\h\h\hYOU MEAN A BURGLAR? OH, NO. 133 00:08:42,120 --> 00:08:44,120 NO, DARLING, NOT THAT. 134 00:08:44,120 --> 00:08:47,630 BUT WE'RE NOT LICKED. AND YOUR DADDY IS GONNA MAKE THAT BANKER UNDERSTAND... 135 00:08:47,630 --> 00:08:50,130 THAT HE MUST LET ME GO THROUGH WITH THE DEAL. 136 00:08:50,130 --> 00:08:53,130 AND THEN WE CAN MOVE UPSTAIRS, \hAND YOU CAN GO BACK TO SCHOOL. 137 00:08:53,130 --> 00:08:56,130 WHO WANTS TO GO UPSTAIRS AND GO BACK TO SCHOOL? 138 00:08:56,140 --> 00:08:58,650 NOT ME. I LIKE IT HERE. 139 00:08:58,640 --> 00:09:01,640 THERE AREN'T SO MANY STAIRS TO CLIMB, AND THE ROOMS ARE SMALL. 140 00:09:02,140 --> 00:09:05,390 \h\h\h\h\h\h\h\h\h\h\h\hI DON'T HAVE TO \h\h\h\h\h\h\h\h\h\h\h\hWALK AROUND SO MUCH. 141 00:09:05,390 --> 00:09:08,180 OH! \h\h\h\hMY LEGS ARE SO SHORT, 142 00:09:08,180 --> 00:09:11,570 IT USED TO WEAR ME OUT WALKING ACROSS THAT BIG APARTMENT. 143 00:09:11,570 --> 00:09:16,570 AND IT WAS SO HIGH, I USED TO GET DIZZY LOOKING DOWN AT ALL THE PEOPLE. 144 00:09:17,070 --> 00:09:18,990 \h\h\h\h\h\h\h\h\h\h\h\hREMEMBER? UH-HUH. 145 00:09:18,990 --> 00:09:22,440 NOW IT'S DIFFERENT. I CAN LOOK UP. 146 00:09:22,450 --> 00:09:25,960 IT'LL BE FUN GUESSING WHAT KIND OF PEOPLE GO WITH ALL THOSE FEET. 147 00:09:25,950 --> 00:09:31,950 AND BESIDES, IT'S ABOUT TIME SOMEBODY LOOKED AFTER YOU. 148 00:09:31,950 --> 00:09:36,960 A MAN WITHOUT A WOMAN AROUND THE HOUSE IS QUITE A PROBLEM. 149 00:09:45,470 --> 00:09:48,970 ♪ 150 00:09:52,480 --> 00:09:55,990 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h 151 00:09:57,980 --> 00:10:02,480 OH, STAND STILL, CORSET. 152 00:10:02,490 --> 00:10:04,500 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hWHY DO THEY \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hCALL HIM CORSET? 153 00:10:04,490 --> 00:10:08,490 WELL, HE'S TIED IN ALL DAY, AND THEY LET HIM LOOSE AT NIGHT. 154 00:10:12,580 --> 00:10:16,880 \h\h\h\h\h\h\h\hHELLO, PENNY, DARLING! 155 00:10:16,880 --> 00:10:21,300 HELLO, MISS LOLA. \h\h\h\hWELCOME HOME. MY GOODNESS, \h\h\h\hBUT IT'S NICE TO SEE YOU. 156 00:10:21,300 --> 00:10:24,220 THANK YOU, MISS LOLA. I'M GLAD I WENT AWAY. 157 00:10:24,220 --> 00:10:26,340 IT'S SO MUCH FUN TO COME HOME AGAIN. \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hOH! 158 00:10:26,340 --> 00:10:28,680 JUST A MINUTE, PLEASE. WHAT'LL WE DO FIRST? 159 00:10:28,680 --> 00:10:30,680 GO TO A MOVIE OR TAKE A DRIVE IN THE PARK OR-- 160 00:10:31,180 --> 00:10:35,180 WELL, I MAY NOT HAVE MUCH TIME. I HAVE A MAN TO TAKE CARE OF. 161 00:10:35,680 --> 00:10:38,490 AND YOU KNOW HOW MUCH TROUBLE THEY CAN BE. \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hI CERTAINLY DO. 162 00:10:38,490 --> 00:10:40,910 WE'LL TALK ABOUT IT LATER. BYE, DARLING. 163 00:10:40,910 --> 00:10:43,910 \h\h\h\h\h\h\h\hGOOD-BYE, MISS LOLA. 164 00:10:45,410 --> 00:10:47,410 ISN'T SHE NICE, KITTY? 165 00:10:47,410 --> 00:10:51,920 WHEN SHE CAME UP TO SEE ME AT SCHOOL WITH DADDY, EVEN MISS VINCENT LIKED HER. 166 00:10:51,920 --> 00:10:54,920 SHE'S OKAY, BUT BELIEVE ME, THE REST OF HER TRIBE ARE WACKY. 167 00:10:55,420 --> 00:10:58,420 HEY, BABY, LOOK! LOOK WHAT I WON ON THE PUNCHBOARD. 168 00:10:58,420 --> 00:11:00,420 WHOO, YOU DIDN'T DO BAD FOR A PUNCH DRUNK. 169 00:11:00,430 --> 00:11:02,940 YEAH. I'M GOIN' BACK EVERY DAY. 170 00:11:02,930 --> 00:11:04,930 MAYBE I'LL PUNCH OUT A SWING BAND. 171 00:11:04,930 --> 00:11:06,930 KEEP PUNCHIN'. THAT'S WHAT I ALWAYS SAY. 172 00:11:06,930 --> 00:11:08,930 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hIT'S BEAUTIFUL. YEAH. 173 00:11:08,930 --> 00:11:11,350 \h\h\h\h\h\h\h\hWHAT IS THAT THING? THAT AIN'T A THING. 174 00:11:11,850 --> 00:11:13,850 IT'S A SAX. 175 00:11:13,860 --> 00:11:16,870 A LEASE BREAKER. WHAT DO YOU THINK OF IT? 176 00:11:16,860 --> 00:11:21,060 ♪ 177 00:11:25,370 --> 00:11:27,370 HEY, TAKE IT EASY. OLD PICKLE-PUSS UPSTAIRS... 178 00:11:27,370 --> 00:11:29,240 IS LIABLE TO COME DOWN HERE ALL SPRADDLED OUT. 179 00:11:29,240 --> 00:11:33,240 PICKLE-PUSS? IS THAT WHAT YOU CALL MR. WATERS? 180 00:11:33,240 --> 00:11:36,540 YEAH. OH, BUT I WOULDN'T REPEAT IT IF I WERE YOU. 181 00:11:36,550 --> 00:11:38,840 WHY SHOULDN'T SHE REPEAT IT? 182 00:11:38,830 --> 00:11:41,330 WHAT'S THE HARM IN CALLING A PICKLE-PUSS A PICKLE-PUSS? 183 00:11:41,330 --> 00:11:43,330 YOU MIGHT GIVE THE KID IDEAS. 184 00:11:43,340 --> 00:11:46,350 YOU KNOW, YOU'RE NOT EXACTLY UP ON CHILD PSYCHOLOGY. 185 00:11:46,840 --> 00:11:49,340 I AIN'T DOWN ON IT. 186 00:11:52,600 --> 00:11:55,610 ♪ THIS IS A HAPPY LITTLE DITTY ♪ 187 00:11:55,600 --> 00:11:58,600 ♪ I KNOW \h\hTHE MUSIC ISN'T PRETTY ♪ 188 00:11:59,100 --> 00:12:02,100 ♪ YOU KNOW \h\hTHE WORDS ARE NOT SO WITTY ♪ 189 00:12:02,100 --> 00:12:04,610 ♪ ANYONE CAN SING THIS SONG ♪ 190 00:12:04,610 --> 00:12:08,110 ♪ CHANGE KEYS \h\hIT REALLY DOESN'T MATTER ♪ 191 00:12:08,110 --> 00:12:11,110 ♪ IT'S STILL \h\hA LOT OF SILLY CHATTER ♪ 192 00:12:11,110 --> 00:12:14,120 ♪ HO-HUM \h\hWE'RE COMING TO THE PATTER ♪ 193 00:12:14,120 --> 00:12:17,120 ♪ JACK AND JILL \h\hWENT UP THE HILL ♪ 194 00:12:17,120 --> 00:12:19,920 ♪ AND FOR ALL I KNOW \h\hTHEY'RE UP THERE STILL ♪ 195 00:12:19,920 --> 00:12:23,290 ♪ I MUST SAY \h\hTHE MUSIC ISN'T PRETTY ♪ 196 00:12:23,290 --> 00:12:26,790 ♪ MUST SAY \h\hTHE WORDS ARE NOT SO WITTY ♪ 197 00:12:26,800 --> 00:12:29,640 ♪ THIS IS A HAPPY LITTLE DITTY ♪ 198 00:12:29,630 --> 00:12:32,630 ♪ YOU CAN SING IT ALL DAY LONG ♪ 199 00:12:32,640 --> 00:12:35,650 ♪ THIS IS A HAPPY LITTLE DITTY ♪ 200 00:12:35,640 --> 00:12:38,640 ♪ I KNOW \h\hTHE MUSIC ISN'T PRETTY ♪ 201 00:12:38,640 --> 00:12:42,140 ♪ YOU KNOW \h\hTHE WORDS ARE NOT SO WITTY ♪ 202 00:12:42,140 --> 00:12:44,650 ♪ ANYONE CAN SING THIS SONG ♪ 203 00:12:44,650 --> 00:12:47,820 ♪ CHANGE KEYS \h\hIT REALLY DOESN'T MATTER ♪ 204 00:12:47,820 --> 00:12:51,200 ♪ IT'S JUST \h\hA LOT OF SILLY CHATTER ♪ 205 00:12:51,200 --> 00:12:54,210 ♪ HOLD ON, KIDS \h\hWE'RE COMIN' TO THE PATTER ♪ 206 00:12:54,210 --> 00:12:57,710 ♪ THERE WAS AN OLD WOMAN \h\hWHO LIVED IN A SHOE ♪ 207 00:12:57,710 --> 00:13:00,210 IT MUST'VE BEEN AWFUL STUFFY IN THERE. 208 00:13:00,210 --> 00:13:03,710 ♪ STILL SAY \h\hTHE MUSIC ISN'T PRETTY ♪ 209 00:13:03,720 --> 00:13:06,730 ♪ STILL SAY \h\hTHE WORDS ARE NOT SO WITTY ♪ 210 00:13:06,720 --> 00:13:09,720 ♪ THIS IS A HAPPY LITTLE DITTY ♪ 211 00:13:09,720 --> 00:13:12,470 ♪ YOU CAN SING IT ALL DAY LONG ♪ 212 00:13:12,470 --> 00:13:15,840 ♪ 213 00:14:16,570 --> 00:14:19,570 ♪ THIS IS A HAPPY LITTLE DITTY ♪ 214 00:14:19,580 --> 00:14:22,590 ♪ I KNOW \h\hTHE MUSIC ISN'T PRETTY ♪ 215 00:14:22,580 --> 00:14:25,580 ♪ YOU KNOW \h\hTHE WORDS ARE NOT SO WITTY ♪ 216 00:14:25,580 --> 00:14:27,970 ♪ ANYONE CAN SING THIS SONG ♪ 217 00:14:27,970 --> 00:14:31,470 ♪ CHANGE KEYS \h\hIT REALLY DOESN'T MATTER ♪ 218 00:14:31,470 --> 00:14:34,470 ♪ IT'S JUST \h\hA LOT OF SILLY CHATTER ♪ 219 00:14:34,470 --> 00:14:37,640 ♪ HOLD ON \h\hWE'RE COMING \h\hTO THE PATTER ♪ 220 00:14:37,640 --> 00:14:40,140 ♪ EARLY TO BED \h\h\hEARLY TO RISE ♪ 221 00:14:40,150 --> 00:14:42,910 ♪ AND YOUR GAL GOES OUT \h\hWITH OTHER GUYS ♪ 222 00:14:42,900 --> 00:14:46,680 ♪ I STILL SAY \h\hTHE MUSIC ISN'T PRETTY ♪ 223 00:14:46,690 --> 00:14:49,700 ♪ STILL SAY \h\hTHE WORDS ARE NOT \h\hSO WITTY ♪ 224 00:14:49,690 --> 00:14:52,690 ♪ THIS IS A HAPPY LITTLE DITTY ♪ 225 00:14:52,690 --> 00:14:57,190 ♪ FOR YOU CAN SING IT \h\hALL DAY LONG ♪ 226 00:15:00,200 --> 00:15:02,370 ♪ 227 00:15:06,510 --> 00:15:09,020 RETREAT NOW AND EXPLAIN LATER. 228 00:15:30,780 --> 00:15:33,650 H, MR. HALE? MR. HALE? \h\h 229 00:15:33,650 --> 00:15:38,150 MR. HALE, I MAY OWE YOU A DEBT OF GRATITUDE FOR PAST FAVORS, BUT-- 230 00:15:38,150 --> 00:15:40,650 NOW WHAT'S HAPPENED? \h\h\h\h\h\h\h\hBUT I AM JEOPARDIZING \h\h\h\h\h\h\h\hMY POSITION... 231 00:15:40,660 --> 00:15:43,670 BY ALLOWING YOU TO RESIDE HERE ANY LONGER. 232 00:15:43,660 --> 00:15:46,160 WHAT ARE YOU LEADING UP TO? \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hYOUR DAUGHTER. 233 00:15:46,160 --> 00:15:50,160 SHE HAS A CAPACITY FOR MAKING OTHERWISE SANE INDIVIDUALS GO BERSERK. 234 00:15:50,170 --> 00:15:54,180 NOW, UNLESS YOU TEACH HER TO RESPECT THE DIGNITY OF THE RIVERVIEW ARMS, 235 00:15:54,170 --> 00:15:58,170 YOU MUST GO, OR I SHALL HAVE TO GET A NEW ENGINE-- ENGINEER. 236 00:15:58,170 --> 00:16:01,180 NO, THAT IS FINAL. 237 00:16:01,180 --> 00:16:03,180 FINAL. 238 00:16:23,000 --> 00:16:24,830 OH, THERE YOU ARE, DADDY. 239 00:16:24,830 --> 00:16:29,200 I WAS WORKING SO HARD, \hI DIDN'T EVEN HEAR YOU. 240 00:16:29,200 --> 00:16:31,540 WASN'T THAT FUNNY? 241 00:16:33,460 --> 00:16:35,430 PENNY, WHAT HAVE YOU BEEN UP TO? 242 00:16:35,930 --> 00:16:39,930 OH, I'M JUST MAKING SOME FUDGE. TASTE? 243 00:16:43,600 --> 00:16:45,600 THE GIRLS AT SCHOOL TAUGHT ME. 244 00:16:45,600 --> 00:16:50,110 IT'S THE BEST FUDGE. NOW, YOU JUST SIT DOWN AND WAIT QUIETLY, AND-- 245 00:16:51,110 --> 00:16:53,360 AND-- 246 00:16:59,700 --> 00:17:03,200 WELL, YOU MIGHT AS WELL LET ME HAVE IT. 247 00:17:03,210 --> 00:17:05,920 NO, SWEETHEART, NOT THAT. 248 00:17:05,910 --> 00:17:07,910 BUT WHAT HAVE YOU BEEN DOING TO MR. WATERS? 249 00:17:07,910 --> 00:17:10,410 OH, DON'T LET'S TALK ABOUT ME ALL THE TIME. 250 00:17:10,410 --> 00:17:14,920 HOW ABOUT YOU? I'VE HAD MY FINGERS CROSSED AND MY FEET CROSSED. 251 00:17:14,920 --> 00:17:17,420 DID THAT BIG BANKER LISTEN TO OUR PLAN? 252 00:17:17,420 --> 00:17:20,920 HE DID NOT. \hHE WOULDN'T EVEN SEE ME. 253 00:17:20,920 --> 00:17:24,430 NEVER MIND. IF HE COMES HERE, WE'LL THROW HIM OUT. 254 00:17:24,430 --> 00:17:26,930 WE WON'T BE HERE TO THROW HIM OUT IF YOU DON'T BEHAVE. 255 00:17:26,930 --> 00:17:29,430 WATERS WILL THROW US OUT. 256 00:17:29,930 --> 00:17:32,430 WHY CAN'T PEOPLE BE NICE TO OTHER PEOPLE? 257 00:17:35,940 --> 00:17:37,820 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hWHAT'S THAT? WAIT A MINUTE. 258 00:17:37,820 --> 00:17:41,440 THAT'S IT. 259 00:17:41,440 --> 00:17:43,440 \h\h\h\h\h\h\h\hWHAT'S IT? WHAT'S WRONG? NOTHING'S WRONG. 260 00:17:43,450 --> 00:17:45,960 EVERYTHING IS GONNA BE ALL RIGHT NOW. I'M GONNA SEE A MAN, 261 00:17:45,950 --> 00:17:48,450 AND WHEN I COME BACK, EVERYTHING'S GONNA BE ALL FIXED: 262 00:17:48,450 --> 00:17:51,420 MONEY, JOB AND EVERYTHING. 263 00:17:56,120 --> 00:17:58,130 \h\h\h\h\h\h\h\h\h\h\h\hJEFF! LOLA! 264 00:17:58,130 --> 00:18:01,630 LISTEN, HE'S ALL ALONE. THERE ISN'T A SOUL IN THE HOUSE. 265 00:18:01,630 --> 00:18:03,630 WELL, YOU'RE AN ANGEL. 266 00:18:12,890 --> 00:18:15,640 OME IN. COME IN! \h\hWHAT DO YOU WANT? 267 00:18:21,200 --> 00:18:23,200 WELL, I'VE NEVER SEEN YOU BEFORE. 268 00:18:23,200 --> 00:18:26,700 I THINK IT'S TIME YOU DID. I WORKED FOR YOU FOR TWO YEARS. 269 00:18:26,710 --> 00:18:29,720 OH, YEAH? DID I FIRE YA? 270 00:18:29,710 --> 00:18:32,210 h\h\h\h\h\h\hWHAT'S YOUR NAME? JEFF HALE. 271 00:18:32,210 --> 00:18:36,750 - I THINK YOU REMEMBER THE NAME. - OH, MR. HALE. 272 00:18:36,750 --> 00:18:39,750 YEAH, THE EXPENSIVE MR. HALE. 273 00:18:39,750 --> 00:18:42,250 YEAH, MR. HALE, THE ARCHITECT. 274 00:18:42,250 --> 00:18:46,060 YEAH, THE MAN WHO DREAMED OF THE MAJESTIC EAST GATE PROJECT. 275 00:18:46,060 --> 00:18:49,340 - I WORKED THROUGH MR. WARNER, \h\hMY ATTORNEY. - YEAH, WELL, YOU MAY HAVE... 276 00:18:49,340 --> 00:18:51,850 WORKED THROUGH HIM, BUT YOU GOT TO ME... 277 00:18:51,850 --> 00:18:54,350 FOR $10 MILLION! 278 00:18:54,350 --> 00:18:58,150 YEAH, YOU WERE THE GENIUS THAT HANDED ME THAT $10 MILLION LEMON! 279 00:18:58,150 --> 00:19:00,320 IT ISN'T A LEMON. IF YOU HAD VISION-- 280 00:19:00,320 --> 00:19:04,270 VISION? DON'T YOU TALK TO ME ABOUT VISION. 281 00:19:04,280 --> 00:19:06,790 COME HERE. 282 00:19:06,780 --> 00:19:09,700 HERE, LOOK AT THAT. 283 00:19:09,700 --> 00:19:11,530 YEAH, I DON'T NEED ANY VISION TO SEE THAT, 284 00:19:11,530 --> 00:19:14,700 BUT I'LL NEED A LOT TO SEE ANY OF THAT $10 MILLION AGAIN. 285 00:19:14,700 --> 00:19:17,040 WHO LET YOU IN HERE, YOUNG MAN? 286 00:19:17,040 --> 00:19:20,040 IF YOU WANT THE TRUTH, LOLA DID. SHE BELIEVES IN THIS PROJECT. 287 00:19:20,540 --> 00:19:23,540 \h\h\h\h\h\h\h\h\h\h\h\hSHE BELIEVES IN ME. AND I BELIEVE THAT YOU ARE THE NERVIEST RASCAL... 288 00:19:23,550 --> 00:19:27,060 THAT I EVER MET IN A LIFE KNEE-DEEP IN RASCALS. 289 00:19:27,050 --> 00:19:31,550 USING MY NIECE TO GET IN HERE, FEEDING HER YOUR CRACK-BRAINED SCHEMES. 290 00:19:31,550 --> 00:19:35,060 \h\h\h\h\h\h\h\hCAREFUL. \h\h\h\h\h\h\h\hREMEMBER YOUR STOMACH. YOU LEAVE MY STOMACH OUT OF IT. 291 00:19:35,060 --> 00:19:39,560 YOU LEAVE HER OUT OF IT TOO. SHE'S CRACK-BRAINED ENOUGH WITHOUT YOUR HELP. 292 00:19:39,560 --> 00:19:42,560 SHE'S THE SANEST ONE IN THE FAMILY AT THAT. 293 00:19:42,560 --> 00:19:44,570 BUT THEY'RE ALL EINSTEINS COMPARED TO YOU. 294 00:19:44,570 --> 00:19:46,980 COME HERE. 295 00:19:49,370 --> 00:19:51,370 NOW, YOU GIT. 296 00:19:51,370 --> 00:19:53,370 MR. HENSHAW-- \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hGIT! 297 00:19:55,380 --> 00:19:58,830 \h\h\h\h\h\h\h\h\h\h\h\hJEFF, WHAT HAPPENED? \h\h\h\h\h\h\h\h\h\h\h\hHOW'D IT COME OUT? AWFUL. 298 00:19:58,830 --> 00:20:01,330 OH, DARLING, SIT DOWN, TELL ME ALL ABOUT IT. 299 00:20:01,330 --> 00:20:04,840 THERE ISN'T MUCH TO TELL. I TOLD HIM, AND THEN HE TOLD ME. 300 00:20:05,340 --> 00:20:08,340 BUT HE HAD AN EDGE. \h\h\h\hAND HE WOULDN'T EVEN LISTEN \h\h\h\hTO WHAT YOU HAD TO SAY? 301 00:20:08,340 --> 00:20:10,840 HONESTLY, DARLING, EVEN IF HE IS MY OWN UNCLE-- 302 00:20:10,840 --> 00:20:13,090 DON'T BOTHER. YOU CAN'T CALL HIM ANYTHING THAT I HAVEN'T. 303 00:20:13,100 --> 00:20:16,940 JEFF, I KNOW HOW WE CAN GET AROUND HIM. 304 00:20:16,930 --> 00:20:19,770 OH, LET'S FORGET ABOUT IT. \h\h\h\h\h\h\h\hOH, SO, YOU'RE QUITTING? 305 00:20:19,770 --> 00:20:21,940 I'M NOT QUITTING, BUT WHAT CAN I DO? 306 00:20:21,940 --> 00:20:24,820 LISTEN, JEFF, I'VE BEEN HANDLING HIM SINCE I WAS A LITTLE GIRL, 307 00:20:24,820 --> 00:20:26,820 AND I'VE ALWAYS GOTTEN WHAT I WANTED. 308 00:20:26,830 --> 00:20:29,840 YOU WON'T GET ANYWHERE TRYING TO FIGHT WITH HIM. YOU'VE GOT TO GO AROUND HIM. 309 00:20:29,830 --> 00:20:33,750 COME ON. LET'S TRY IT MY WAY. JUST TO MAKE CONVERSATION, WHAT'S YOUR WAY? 310 00:20:33,750 --> 00:20:36,580 \h\h\h\h\h\h\h\hBY WAY OF CONNECTICUT. \h\h\h\h\h\h\h\hCOME ON. CONNECTICUT? 311 00:20:36,590 --> 00:20:38,600 WHAT'LL WE DO IN CONNECTICUT? \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hGET MARRIED. 312 00:20:38,590 --> 00:20:41,090 MARRIED? \h\h\h\hDON'T YOU SEE? \h\h\h\hONCE YOU'RE IN THE FAMILY, 313 00:20:41,090 --> 00:20:43,090 MY UNCLE WOULD HAVE TO DO SOMETHING. 314 00:20:43,090 --> 00:20:45,590 \h\h\h\hHIS PRIDE WOULD BE AT STAKE. WHAT ABOUT MY PRIDE? 315 00:20:45,590 --> 00:20:47,960 YOU CAN BE PROUD WHEN THE BUILDING'S BUILT AND PEOPLE LIVE IN IT. 316 00:20:47,960 --> 00:20:51,600 \h\h\h\hIT'S A FAILURE NOW. \h\h\h\hYOU CAN'T BE PROUD OF THAT. YOU DON'T UNDERSTAND. 317 00:20:51,600 --> 00:20:54,550 WHAT GOOD WOULD IT DO ME TO GET IT THAT WAY? 318 00:20:54,550 --> 00:20:56,850 SUPPOSING IT FLOPPED? THEN LOOK. MARRIED. 319 00:20:56,860 --> 00:20:59,230 STARTING OUT MARRIED LIFE IN THE BASEMENT. 320 00:20:59,220 --> 00:21:01,220 BUT, DARLING, I DON'T CARE WHERE I LIVE IF IT'S WITH YOU. 321 00:21:01,730 --> 00:21:05,230 THAT'S WHAT YOU THINK NOW. BUT YOU WOULDN'T THINK SO AS MONTH AFTER MONTH PASSED ON. 322 00:21:05,730 --> 00:21:08,730 FIRST, YOU'D MAKE UP WITH THE OLD WEASEL, THEN YOU'D START CALLING ON THE PENTHOUSE. 323 00:21:09,230 --> 00:21:11,740 BEFORE LONG, YOU'D SEE NO REASON WHY I SHOULDN'T MOVE UP THERE WITH YOU. 324 00:21:11,740 --> 00:21:16,240 SO THAT'S WHAT YOU THINK OF ME. THAT'S HOW MUCH FAITH YOU HAVE IN MY LOVE FOR YOU. 325 00:21:16,240 --> 00:21:18,240 I'M TRYING TO BE REALISTIC. DON'T TELL YOURSELF STORIES. 326 00:21:18,740 --> 00:21:21,240 JUST BECAUSE YOU'RE A QUITTER, YOU THINK I'M A QUITTER TOO. 327 00:21:21,250 --> 00:21:23,260 SO I'M A QUITTER? THAT'S A LOVELY SENTIMENT. 328 00:21:23,750 --> 00:21:25,750 NICE TO KNOW. ALL RIGHT. I'LL PROVE IT TO YOU. 329 00:21:25,750 --> 00:21:29,750 I'M QUITTING RIGHT NOW. \h\h\h\hGOOD. THAT SUITS ME FINE. 330 00:21:53,360 --> 00:21:56,780 YOU COULDN'T STAND ANY MORE GOOD NEWS TODAY. 331 00:21:59,170 --> 00:22:02,170 MOTHER'S LITTLE LAMB! 332 00:22:02,170 --> 00:22:04,170 NOW YOU GO TO THE PLAYROOM, DARLING. 333 00:22:04,170 --> 00:22:07,840 BE SURE AND PLAY ONLY WITH THE GOOD LITTLE BOYS AND GIRLS. 334 00:22:07,840 --> 00:22:10,210 BE CAREFUL OF YOUR NICE, NEW SUIT. 335 00:22:10,210 --> 00:22:14,210 OH-OOH! DARLING! 336 00:22:14,220 --> 00:22:17,230 HAVEN'T YOU FORGOTTEN SOMETHING? 337 00:22:17,220 --> 00:22:19,720 OH. 338 00:22:19,720 --> 00:22:22,020 AU REVOIR, MON PETIT. 339 00:22:22,020 --> 00:22:25,360 NOW, DON'T FORGET TO COME BACK FOR COCKTAILS-- TEA, DARLING. 340 00:22:25,360 --> 00:22:28,780 MOTHER WANTS TO SHOW YOU OFF TO HER FRIENDS. 341 00:22:30,780 --> 00:22:33,780 MOW 'EM DOWN! GIVE 'EM SOME MORE! \h\h\h\h\h\h\h\h\h\h\h\h 342 00:22:35,070 --> 00:22:37,950 THAT'S WHAT YOU SQUEALERS ALWAYS GET. 343 00:22:38,460 --> 00:22:41,240 I GUESS THAT'LL \h\hTEACH YA A LESSON. 344 00:22:41,240 --> 00:22:43,240 \h\h\h\hYOU CAN'T FOOL A G-WOMAN. "G-MAN"! 345 00:22:43,250 --> 00:22:45,640 HOW MANY TIMES DO I GOTTA-- \h\h\h\h\h\h\h\hYOU CAN'T FOOL A G-MAN. 346 00:22:45,630 --> 00:22:48,130 NOW WE'LL GET THE OTHER RAT WHAT SQUEALED. 347 00:22:48,130 --> 00:22:51,640 - WHO IS HE, MUGSY? - \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hNOT ME! 348 00:22:51,640 --> 00:22:54,470 AW, CUT IT OUT, MUGSY. I HAD ENOUGH THE LAST TIME. 349 00:22:54,470 --> 00:22:57,220 PIPE THE SQUEALER. 350 00:23:11,820 --> 00:23:15,110 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hHEY, MUG, \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hYOU WANNA PLAY? I WOULDN'T BE ADVERSE TO IT. 351 00:23:15,110 --> 00:23:18,030 DOES THAT MEAN HE DOES OR DON'T? \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hI DON'T KNOW. 352 00:23:18,030 --> 00:23:21,030 OKAY, YOU'RE THE SQUEALER. \h\h\h\hYOU MEAN I'M THE INFORMER? 353 00:23:21,030 --> 00:23:23,530 YOU'LL FIND OUT WHAT WE MEAN. COME ON. 354 00:23:23,540 --> 00:23:27,050 WE'RE TAKING YOU FOR A RIDE. THAT'S WHAT HAPPENED TO GUYS WHAT RAT ON THEIR GANG. 355 00:23:27,040 --> 00:23:29,040 JUST A MINUTE. I'LL BE SOMETHING ELSE. 356 00:23:29,040 --> 00:23:32,880 I DON'T CHOOSE TO BE A SQUEALER. \h\h\h\h\h\h\h\h\h\h\h\hWELL, WE CHOOSE YOU. 357 00:23:40,350 --> 00:23:42,800 HEY, STICK 'EM UP! 358 00:23:42,800 --> 00:23:46,810 HOLD 'EM UP! STICK 'EM UP! STICK 'EM UP! 359 00:23:46,810 --> 00:23:49,640 HEY, MUGSY, COME UP HERE. HOLD 'EM OFF. 360 00:23:49,640 --> 00:23:52,610 MILTON, COME UP HERE. 361 00:23:52,610 --> 00:23:54,950 AND DON'T YOU DARE MOVE TILL YOU SEE THE WHITES OF HIS EYES! 362 00:23:54,950 --> 00:23:57,370 COME ON, MILTON! \hCOME ON! 363 00:23:58,870 --> 00:24:01,370 AW, HIDING BEHIND A GIRL'S PETTICOATS! 364 00:24:05,490 --> 00:24:07,990 I DON'T KNOW HOW \hI SHALL EVER THANK YOU. 365 00:24:08,000 --> 00:24:11,510 \h\h\h\h\h\h\h\h\h\h\h\hWELL, LET'S SEE-- YOU HAVE MARVELOUS COURAGE FOR A GIRL. 366 00:24:11,500 --> 00:24:13,500 WHEN I PLAY IN THAT NEIGHBORHOOD, I HAVE TO HAVE. 367 00:24:13,500 --> 00:24:16,000 I TRUST THIS IS THE INCEPTION OF A BEAUTIFUL FRIENDSHIP. 368 00:24:16,000 --> 00:24:18,920 OH, DO YOU WANNA PLAY SOME MORE? \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hOH, NO. 369 00:24:18,920 --> 00:24:20,920 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hCOME ON. THAT'S MORE LIKE WORK. 370 00:24:20,930 --> 00:24:24,940 BUT I CAN TAKE YOU UP TO THE PLAYROOM. THAT'S FAR SUPERIOR TO ANYTHING IN TOWN. 371 00:24:24,930 --> 00:24:27,350 I KNOW. \hI USED TO PLAY THERE. 372 00:24:27,350 --> 00:24:29,770 WE CAN HAVE A RIPPING TIME. 373 00:24:29,770 --> 00:24:32,770 TAG! YOU'RE IT! 374 00:24:32,770 --> 00:24:35,270 \h\h\h\h\h\h\h\h\h\h\h\h I'LL GET YA! 375 00:24:39,780 --> 00:24:43,200 ♪ 376 00:24:44,700 --> 00:24:46,700 THREE HEARTS. 377 00:24:46,700 --> 00:24:49,090 THREE SPADES. \h\h\h\h\h\h\h\hDOUBLE. 378 00:24:49,090 --> 00:24:51,590 ♪ \h\h\h\h\h\h\h\h\h 379 00:24:51,590 --> 00:24:55,630 KIDS, HERE'S PENNY. \h\h\h\h 380 00:24:55,630 --> 00:24:57,430 I SAY, WHAT ARE YOU DOING HERE? 381 00:24:57,430 --> 00:25:01,100 WHY, I JUST CAME UP TO PLAY WITH MILTON. 382 00:25:01,100 --> 00:25:04,020 OUR MOTHERS WOULD NEVER STAND FOR OUR PLAYING WITH YOU. 383 00:25:04,020 --> 00:25:06,440 MISS HALE, YOU WILL LEAVE HERE AT ONCE. 384 00:25:06,940 --> 00:25:09,440 WHY, MR. WATERS? \h\h\h\h\h\h\h\h\h\h\h\hMISS HALE \h\h\h\h\h\h\h\h\h\h\h\hDOESN'T BELONG HERE. 385 00:25:09,440 --> 00:25:12,440 SHE'S THE DAUGHTER OF OUR HOUSE ENGINEER, AND SHE'S NOT ALLOWED IN THE PLAYROOM. 386 00:25:12,940 --> 00:25:14,950 HE CAN'T PUT YOU OUT IF I WANT YOU HERE. 387 00:25:14,950 --> 00:25:18,950 YOUR MOTHER WOULD CERTAINLY UPHOLD ME, MASTER RAMSBY. 388 00:25:18,950 --> 00:25:21,950 NEVER MIND, MILTON. IT'S A GOOD THING MR. WATERS CAME, 389 00:25:21,950 --> 00:25:23,950 BECAUSE I ALMOST FORGOT. 390 00:25:24,460 --> 00:25:27,250 I HAVE TO HELP MY DADDY GET DINNER. \h\h\h\h\h\h\h\h 391 00:25:27,240 --> 00:25:30,660 SHE EVEN HAS TO COOK. 392 00:25:30,660 --> 00:25:34,050 \h\h\h\hWELL, AT LEAST \h\h\h\hI'M A GOOD COOK. 393 00:25:37,050 --> 00:25:39,470 AND STAY OUT. 394 00:25:43,730 --> 00:25:48,740 \h\h\h\hVERY SORRY. IT WILL NEVER \h\h\h\hHAPPEN AGAIN. NEVER. 395 00:25:48,730 --> 00:25:50,730 MR. WATERS? \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hYES? 396 00:25:51,230 --> 00:25:53,230 I WISH TO REGISTER A SLIGHT PROTEST. 397 00:25:53,230 --> 00:25:56,240 WELL, YOU PROTEST TO YOUR MOTHER. 398 00:25:56,240 --> 00:25:58,740 WHY-- YOUR MOTHER-- 399 00:25:58,740 --> 00:26:01,910 I WILL-- \hI CERTAINLY WILL NEVER-- 400 00:26:28,550 --> 00:26:30,550 WHAT'S THE MATTER, SWEET? 401 00:26:30,560 --> 00:26:33,070 I-- I GOT SOMETHING IN MY EYE. 402 00:26:33,060 --> 00:26:35,060 IT'S LEAKING. \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hHMM. 403 00:26:35,060 --> 00:26:37,060 LET ME TRY AND GET IT OUT FOR YOU. 404 00:26:37,060 --> 00:26:39,560 IT'LL BE ALL RIGHT. 405 00:26:39,560 --> 00:26:42,070 WHEN I WAS A LITTLE BOY, I ALWAYS FOUND THE QUICKEST WAY... 406 00:26:42,070 --> 00:26:45,070 TO REMOVE EXTRANEOUS MATTER FROM THE EYES... 407 00:26:45,070 --> 00:26:48,570 WAS TO PUT SOMETHING IN THE MOUTH. 408 00:26:48,570 --> 00:26:50,570 THANK YOU. 409 00:26:52,710 --> 00:26:55,000 DADDY? 410 00:26:55,000 --> 00:26:59,380 DADDY, I THINK I LOST YOUR JOB FOR YOU. 411 00:26:59,380 --> 00:27:02,890 HUH? \h\h\h\hI WAS UP IN THE PLAYROOM. 412 00:27:02,890 --> 00:27:04,890 I DIDN'T MIND WHAT GWENDOLYN SAID. 413 00:27:04,890 --> 00:27:07,390 BUT MR. WATERS CAME IN, AND-- 414 00:27:07,390 --> 00:27:09,890 AND HE SAID I SHOULDN'T BE THERE, 415 00:27:09,890 --> 00:27:12,900 BECAUSE I WAS ONLY THE ENGINEER'S DAUGHTER. 416 00:27:12,900 --> 00:27:16,400 WELL, AND SO YOU ARE. 417 00:27:16,400 --> 00:27:19,900 BUT THERE'S NOTHING WRONG WITH THAT. IT'S-- 418 00:27:19,900 --> 00:27:23,910 \h\h\h\hIT'S HONORABLE, ISN'T IT? ABSOLUTELY. 419 00:27:24,410 --> 00:27:27,910 DADDY, I JUST DON'T UNDERSTAND. 420 00:27:27,910 --> 00:27:30,860 WHY IS EVERYTHING SO MIXED UP? 421 00:27:32,870 --> 00:27:36,170 WELL, MAYBE THIS PICTURE WILL MAKE YOU UNDERSTAND. YOU SEE ALL THESE PEOPLE: 422 00:27:36,170 --> 00:27:39,040 THE FARMER, THE HOUSEWIFE, \hTHE LABORER? 423 00:27:39,040 --> 00:27:42,460 LOOK WHAT THEY'RE DOING. THEY'RE ALL PULLING... 424 00:27:42,460 --> 00:27:45,960 ON THIS ONE POOR FELLOW, UNCLE SAM. 425 00:27:45,960 --> 00:27:49,970 \h\h\h\h\h\h\h\h\h\h\h\hWHAT HAS HE DONE? HE'S DONE EVERYTHING HE CAN, AND STILL IT'S NOT ENOUGH. 426 00:27:49,970 --> 00:27:53,470 HE GIVES AND HE GIVES, AND HE TRIES TO MAKE EVERYTHING RIGHT, 427 00:27:53,470 --> 00:27:55,970 BUT THERE JUST DOESN'T SEEM TO BE ANY END TO IT. 428 00:27:55,970 --> 00:27:58,730 \h\h\h\h\h\h\h\h\h\h\h\hIS HE THE PRESIDENT? HE'S GREATER THAN THE PRESIDENT, DARLING. 429 00:27:58,730 --> 00:28:03,610 HE'S THE MOST IMPORTANT THING IN THE WHOLE COUNTRY, MAYBE IN THE WORLD. 430 00:28:03,620 --> 00:28:07,240 I DON'T THINK IT'S FAIR FOR EVERYBODY WORRYING UNCLE SAM, 431 00:28:07,240 --> 00:28:10,750 ESPECIALLY WHEN HE GIVES ALL THE MONEY HE CAN ALL THE TIME. 432 00:28:10,740 --> 00:28:14,290 IT'S NOT ONLY MONEY, DARLING. HE HAS TO FIND PLACES FOR PEOPLE TO LIVE, 433 00:28:14,290 --> 00:28:16,830 AND CLOTHES FOR THEM TO WEAR, FIND JOBS. 434 00:28:16,830 --> 00:28:18,710 THAT'S THE MOST IMPORTANT THING. 435 00:28:21,170 --> 00:28:23,060 HOW YOU GONNA LIKE THAT? \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hHMM. 436 00:28:23,050 --> 00:28:28,510 DADDY, IT'S A WONDER SOMEBODY DOESN'T TRY TO HELP UNCLE SAM FOR A CHANGE. 437 00:28:28,510 --> 00:28:31,010 WELL, LOTS OF US TRY. 438 00:28:31,010 --> 00:28:33,510 WELL, I HOPE UNCLE SAM DOESN'T GET DISCOURAGED. 439 00:28:33,510 --> 00:28:37,010 DON'T YOU WORRY ABOUT THAT. HE'S A TOUGH OLD BIRD. 440 00:28:37,020 --> 00:28:39,440 AND PRETTY SOON, HE'LL BE BACK ON HIS FEET, 441 00:28:39,430 --> 00:28:42,940 STRONGER THAN EVER, AND THEN WATCH THINGS BOOM. 442 00:28:42,940 --> 00:28:46,440 AND I'LL BUILD THE TALLEST BUILDINGS IN THE WHOLE WORLD, AND LOTS OF THEM. 443 00:28:46,440 --> 00:28:49,440 THEN WE'LL BE HAPPY, WON'T WE? \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hMM-HMM. 444 00:28:49,440 --> 00:28:52,450 ♪ 445 00:28:52,450 --> 00:28:55,450 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hGUS? HELLO, TOOTS. 446 00:28:55,450 --> 00:28:59,450 GEE, BUT YOU'RE BEAUTIFUL, JUST LIKE A REPAINT JOB. 447 00:28:59,450 --> 00:29:01,450 NEVER MIND THAT. DID YOU READ THE MORNING PAPER? 448 00:29:01,960 --> 00:29:04,460 NO. I ONLY LOOK AT THE FUNNY PICTURES. WHY? 449 00:29:04,460 --> 00:29:06,460 WELL, GET A LOAD OF THIS. 450 00:29:16,970 --> 00:29:18,860 YOU MAY BE LOOKIN' FOR A JOB. 451 00:29:21,860 --> 00:29:25,360 AND ME WITH THE RING ALMOST PAID FOR. 452 00:29:25,360 --> 00:29:29,370 ONLY 36 MORE INSTALLMENTS. 453 00:29:29,370 --> 00:29:33,370 NEVER MIND, BABY. YOU CAN ALWAYS EAT AS LONG AS I GOT A JOB. 454 00:29:33,370 --> 00:29:36,870 CAN I? \h\h\h\h\h\h\h\hYEAH. DOG BISCUITS. 455 00:29:36,870 --> 00:29:38,880 GEE, YOU'RE A SWELL KID. 456 00:29:43,330 --> 00:29:45,580 OOH! AREN'T THOSE PRETTY? 457 00:29:45,580 --> 00:29:48,380 WHITE ORCHIDS, THE MOST DELICATE OF FLOWERS. 458 00:29:48,390 --> 00:29:50,310 HOW DO YOU DO, MR. HENSHAW? \h\h\h\h\h\h\h\h\h\h\h\hI'M ALL RIGHT. 459 00:29:50,310 --> 00:29:52,320 HOW ABOUT A STATEMENT? \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hNO! 460 00:29:52,310 --> 00:29:54,590 \h\h\h\h\h\h\h\h\h\h\h\hARE YOU CLOSING \h\h\h\h\h\h\h\h\h\h\h\hANY FACTORIES? NONE OF YOUR BUSINESS! 461 00:29:54,590 --> 00:29:57,390 \h\h\hTHAT? 462 00:29:57,400 --> 00:30:01,270 THAT'S MY UNCLE SAM. EVERYBODY KNOWS HIM. 463 00:30:01,270 --> 00:30:03,580 UNCLE SAM? 464 00:30:03,570 --> 00:30:05,770 OH. 465 00:30:05,770 --> 00:30:09,360 CALL THE MANAGER! CALL THE POLICE! 466 00:30:09,360 --> 00:30:13,780 \h\h\h\hAREN'T YOU GONNA HELP HIM? AND IMPLICATE MYSELF? HARDLY. 467 00:30:14,280 --> 00:30:16,280 SHAME ON YOU, FRAIDY-CAT! 468 00:30:16,280 --> 00:30:19,120 IT'S THE ONLY WAY TO SAVE THE COUNTRY. 469 00:30:21,040 --> 00:30:24,050 \h\h\h\h\h\h\h\h\h\h\h\h 470 00:30:26,920 --> 00:30:29,880 WON'T YOU STAY? \h\h\h\h\h\h\h\hGET OUTTA HERE, \h\h\h\h\h\h\h\hWILL YOU? DASH! 471 00:30:29,880 --> 00:30:32,460 UNCLE SAM. COME ON, UNCLE SAM. 472 00:30:32,460 --> 00:30:35,180 A LOT OF REPORTERS. ALL BUT A SECOND, I-- \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hCOME ON. 473 00:30:35,180 --> 00:30:38,020 COME ON IN HERE. \hCOME ON. \h\h\h\h\h\h\h\hOH, YEAH. HERE. 474 00:30:38,020 --> 00:30:41,390 \h\h\h\h\h\h\h\h\h\h\h\hTHEY DIDN'T GET US \h\h\h\h\h\h\h\h\h\h\h\hTHAT TIME. 475 00:30:41,890 --> 00:30:44,890 \h\h\h\hYOU'RE SAFE FOR \h\h\h\hA LITTLE WHILE, UNCLE SAM. UNCLE SAM? 476 00:30:44,890 --> 00:30:47,690 \h\h\h\h\h\h\h\h\h\h\h\hTHERE. \h\h\h\h\h\h\h\h\h\h\h\hYOU'LL BE ALL RIGHT. I'M NOT ALL RIGHT! 477 00:30:47,700 --> 00:30:51,070 \h\h\h\h\h\h\h\hOH, MR. HEN-- I'M ONLY HERE TO HELP UNCLE SAM. 478 00:30:51,070 --> 00:30:53,540 SUCH IMPERTINENCE, MISS HALE. 479 00:30:53,530 --> 00:30:56,540 UH-- REALLY, MR. HENSHAW, I CAN'T TELL YOU HOW SORRY I AM. 480 00:30:56,540 --> 00:30:58,540 \h\h\h\h\h\h\h\hWHAT HAVE YOU \h\h\h\h\h\h\h\hTO BE SORRY FOR? UH-- 481 00:30:58,540 --> 00:31:02,040 WHY, THIS YOUNG LADY. ISN'T SHE ANNOYING YOU? WELL-- 482 00:31:02,040 --> 00:31:04,040 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hWELL! WELL. 483 00:31:06,550 --> 00:31:08,750 HERE, YOU! 484 00:31:10,250 --> 00:31:12,250 MILTON, COME BACK HERE! 485 00:31:12,250 --> 00:31:17,260 GET-- OH, MY NEPHEW! HUH! 486 00:31:17,260 --> 00:31:23,260 A WALKING ENCYCLOPEDIA WITH CURLY HAIR, DRESSED UP IN FANCY PANTS, 487 00:31:23,260 --> 00:31:25,570 AND HE'S SUPPOSED TO FILL MY SHOES SOMEDAY. 488 00:31:25,570 --> 00:31:29,740 I GUESS YOU GET PRETTY TIRED OF IT ALL. DON'T YOU, UNCLE SAM? 489 00:31:29,740 --> 00:31:34,740 TIRED? I AM SICK OF THE WHOLE KIT AND CABOODLE. 490 00:31:34,740 --> 00:31:37,240 IT-- 491 00:31:37,750 --> 00:31:40,760 HEY, WHO ARE YOU ANYWAY? \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hI'M PENNY. 492 00:31:40,750 --> 00:31:43,250 YOU'RE PEN-- OH, HERE. 493 00:31:43,250 --> 00:31:46,090 I SUPPOSE THAT'S WHAT YOU'RE WAITING FOR. \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hNO, THANK YOU. 494 00:31:46,090 --> 00:31:49,540 WHY NOT? \h\h\h\hTHERE ARE TOO MANY PEOPLE \h\h\h\hTAKING MONEY FROM YOU NOW. 495 00:31:49,540 --> 00:31:52,180 \h\h\h\hI WOULDN'T THINK OF IT. EH? 496 00:31:52,180 --> 00:31:54,680 I'M USUALLY AROUND ABOUT THIS TIME EVERY DAY. 497 00:31:54,680 --> 00:31:57,180 IF YOU NEED ANY MORE HELP, JUST CALL, AND I'LL COME. 498 00:31:57,180 --> 00:32:00,430 GOOD-BYE, UNCLE SAM. KEEP YOUR CHIN UP. 499 00:32:08,810 --> 00:32:12,310 THE LESS HAIR YOU HAVE, THE BETTER UNCLE SAM WILL LIKE IT. 500 00:32:12,310 --> 00:32:15,820 THEN HE WON'T CALL YOU A CURLY-HAIRED ENCYCLOPEDIA AGAIN. 501 00:32:15,820 --> 00:32:19,820 I CAN'T IMAGINE ANYTHING ANY SILLIER THAN TRYING TO PLEASE UNCLE SAM. 502 00:32:19,820 --> 00:32:22,820 \h\h\h\h\h\h\h\h\h\h\h\hIT CAN'T BE DONE. HOLD STILL NOW. 503 00:32:22,820 --> 00:32:26,330 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hHEY! MY, THAT WORKS BEAUTIFULLY. 504 00:32:26,330 --> 00:32:28,830 \h\h\h\h\h\h\h\h\h\h\h\hDO YOU HAVE TO \h\h\h\h\h\h\h\h\h\h\h\hCUT 'EM ALL OFF? CERTAINLY. 505 00:32:28,830 --> 00:32:31,330 HOW CAN YOU FILL UNCLE SAM'S SHOES SOMEDAY... 506 00:32:31,330 --> 00:32:34,330 IF YOU WEAR FANCY PANTS AND HAVE CURLS? 507 00:32:34,340 --> 00:32:36,350 \h\h\h\hLET ME SEE HOW IT LOOKS. NO. 508 00:32:36,340 --> 00:32:39,840 YOU BETTER WAIT TILL I'M FINISHED. NOW YOU'LL ONLY GET A GENERAL IDEA. 509 00:32:39,840 --> 00:32:41,840 I'VE-- I'VE CHANGED MY MIND. 510 00:32:42,340 --> 00:32:44,340 YOU MUST STOP THIS INSTANTLY. 511 00:32:44,350 --> 00:32:48,360 - I'M SUDDENLY AWARE OF THE GRAVE SIGNIFICANCE OF THIS. - \h\h\h\h 512 00:32:48,350 --> 00:32:51,350 ARE YOU A MAN, OR ARE YOU A MICE? \h\h\h\h\h\h\h\h\h\h\h\hNO, ABSOLUTELY, NO! 513 00:32:51,350 --> 00:32:53,850 YOU SHALL NOT TAKE OFF ANOTHER STRAND. 514 00:32:53,860 --> 00:32:57,870 VERY WELL. IF YOU WANNA LOOK LIKE A LITTLE GIRL, 515 00:32:57,860 --> 00:33:01,360 IT'S NOTHING TO ME. 516 00:33:01,360 --> 00:33:03,860 I HATE CURLS ON BOYS. 517 00:33:04,370 --> 00:33:06,260 BUT, OF COURSE, THAT DOESN'T MATTER TO YOU. 518 00:33:06,250 --> 00:33:08,750 BUT IT DOES. IN FACT, 519 00:33:08,750 --> 00:33:12,010 THAT'S THE ONLY REASON WHY-- WHY I AGREED TO IN THE FIRST PLACE. 520 00:33:12,010 --> 00:33:15,210 IF YOU WANT TO STOP THERE, IT'S ALL RIGHT WITH ME. 521 00:33:15,210 --> 00:33:19,180 - PENNY-- - I'M VERY BUSY. 522 00:33:19,180 --> 00:33:23,180 \h\h\h\h\h\h\h\h \h\h\h\h\h\h\h\hTHE REST OF 'EM. 523 00:33:23,180 --> 00:33:28,020 WELL, I'M NOT SURE THAT I WANT TO. 524 00:33:28,020 --> 00:33:31,020 BUT, OF COURSE, IF YOU INSIST-- \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h 525 00:33:39,530 --> 00:33:44,040 THERE WE ARE. SIT BACK. 526 00:33:44,040 --> 00:33:48,540 \h\h\h\h\h\h\h\h\h\h\h\hHERE, I'LL GET IT. THIS IS THE FIRST TIME \hTHIS HAS EVER HAPPENED TO ME. 527 00:33:48,540 --> 00:33:50,540 \h\h\h\hGETTING YOUR HAIR CUT? NO. 528 00:33:51,050 --> 00:33:53,560 GIVING IN TO SOMEBODY BECAUSE I WANTED TO. 529 00:33:54,050 --> 00:33:56,130 GIVING IN TO A GIRL. 530 00:33:56,130 --> 00:33:58,630 GIVING IN TO SUCH AN ATTRACTIVE GIRL. 531 00:34:01,140 --> 00:34:04,890 IT'S QUITE A CHANGE, BUT I THINK WE'RE GONNA LIKE IT. 532 00:34:04,890 --> 00:34:08,810 YOU LOOK, UH, MORE GROWN-UP. 533 00:34:08,810 --> 00:34:12,820 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hTHERE. LOOK. I DO LOOK MORE VIGOROUS, DON'T I? 534 00:34:12,820 --> 00:34:15,320 MM-HMM. JUST WAIT TILL YOUR MOTHER SEES YOU. 535 00:34:15,320 --> 00:34:19,320 OH, I SAY, SHE DID ADORE THOSE CURLS. 536 00:34:19,320 --> 00:34:22,240 \hHIYA, PENNY! 537 00:34:22,240 --> 00:34:24,490 WHO'S THAT? \h\h\h\h\h\h\h\h\h\h\h\hTHAT'S MUGSY. 538 00:34:26,160 --> 00:34:29,170 HIYA, BRIGHT EYES. 539 00:34:29,170 --> 00:34:32,170 SAY, WHERE'S THE FANCY LAYOUT YOU WANNA SWAP ME FOR? 540 00:34:32,170 --> 00:34:35,000 MUGSY'S GONNA HELP US. JUST GETTING YOUR HAIR CUT ISN'T ENOUGH. 541 00:34:35,010 --> 00:34:39,470 YOU'VE GOT TO WEAR HE-MAN CLOTHES TOO. RIGHT THERE ON MILTON. 542 00:34:44,850 --> 00:34:48,680 \h\h\h\h\h\h\h\hTHEY'RE VERY EXPENSIVE, \h\h\h\h\h\h\h\hMUGSY. COME ON. 543 00:34:48,690 --> 00:34:53,480 \h\h\h\h\h\h\h\h\h\h\h\hI BEG YOUR PARDON. COME ON! ONE BUCK! 544 00:35:00,950 --> 00:35:03,400 HEY! HEY, WAIT! \hHEY, COME BACK HERE! 545 00:35:03,400 --> 00:35:05,900 YOU CAN'T DO THAT! COME BACK. 546 00:35:05,900 --> 00:35:09,410 SCRAM, BRIGHT EYES. I WOULDN'T WEAR THAT FANCY LAYOUT IF YOU GIVE ME A GRAND. 547 00:35:09,410 --> 00:35:11,410 THEN GIVE HIM BACK HIS MONEY! \h\h\h\h\h\h\h\h\h\h\h\hYOU GOTTA MAKE ME. 548 00:35:11,410 --> 00:35:13,630 TAKE YOUR HANDS OFF THAT WOMAN. DO YOU HEAR ME? 549 00:35:13,630 --> 00:35:16,410 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hSO WHAT? SO THIS. 550 00:35:16,410 --> 00:35:18,660 LEAD WITH YOUR LEFT! GO ON! 551 00:35:18,670 --> 00:35:22,400 GO ON! GET HIM! KEEP IT UP! THAT'S RIGHT! 552 00:35:23,500 --> 00:35:25,510 I WONDER WHAT'S KEEPING MILTON? 553 00:35:25,510 --> 00:35:29,010 \h\h\h\h\h\h\h\h\h\h\h\hI DO WANT TO \h\h\h\h\h\h\h\h\h\h\h\hSHOW HIM OFF TO YOU. I CAN HARDLY WAIT. 554 00:35:29,010 --> 00:35:33,010 h\h\hYOU MUST BE \h\h\h\hVERY PROUD OF HIM. I AM 555 00:35:33,010 --> 00:35:35,520 IT MUST BE THE MOTHER IN ME. 556 00:35:49,780 --> 00:35:52,330 STOP! YOU MUSTN'T GO IN THERE. 557 00:35:52,830 --> 00:35:55,330 WHY, MASTER MILTON, WHAT HAS HAPPENED? \h\h\h\h\h\h\h\h\h\h\h\h 558 00:35:56,790 --> 00:35:58,670 IS THAT YOU, LAMBY? 559 00:35:58,670 --> 00:36:01,120 \h\h\h\h\h\h\h\h \h\h\h\h\h\h\h\hMMM? 560 00:36:01,130 --> 00:36:04,140 I'LL BRING HIM RIGHT UP TO YOU. 561 00:36:14,940 --> 00:36:17,690 WELL, YOU HORRID LITTLE BOY. WHAT ARE YOU DOING HERE? 562 00:36:17,690 --> 00:36:19,980 MATER, I'M MILTON. 563 00:36:26,820 --> 00:36:30,820 - WHAT HAS HAPPENED, MRS. RAMSBY? - UM, UH, WATER! WATER! 564 00:36:30,820 --> 00:36:34,320 WAT-- QUICKLY! SIR-- OH. 565 00:36:36,040 --> 00:36:40,800 \h\h\h\h\h\h\h\h\h 566 00:36:44,720 --> 00:36:49,220 h\h\h\h 567 00:36:49,720 --> 00:36:51,720 WHAT'S GOING ON HERE? \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hIT'S MILTON. 568 00:36:51,730 --> 00:36:56,520 THE SHOCK WAS TOO MUCH \h\hFOR MRS. RAMSBY. 569 00:36:56,510 --> 00:37:01,730 - IS THIS YOUR WORK? - YES, SIR, PART OF IT. \h\hBUT I DIDN'T DO HIS EYE. 570 00:37:01,740 --> 00:37:06,080 HIS CURLS! \hHIS BEAUTIFUL CURLS! 571 00:37:06,070 --> 00:37:09,580 TAKE THAT AWFUL CHILD AWAY. \h\h\h\h\h\h\h\hYES. COME ALONG. 572 00:37:09,580 --> 00:37:14,080 \h\h\h\h\h\h\h\hOH, THANK YOU SO MUCH. COME INTO MY STUDY, YOUNG MAN. YOU TOO, YOUNG WOMAN. COME ON. 573 00:37:19,200 --> 00:37:23,710 BLACK EYE WITH YOUR HAIR CUT. HUH! 574 00:37:23,710 --> 00:37:28,340 NOW, THEN, YOUNG LADY, DID YOU CUT MILTON'S CURLS OFF? 575 00:37:28,350 --> 00:37:31,860 YES, SIR. \h\h\h\h\h\h\h\hYEAH. WHERE'S HIS \h\h\h\h\h\h\h\hFANCY PANTS? 576 00:37:31,850 --> 00:37:34,350 MUGSY HAS THEM ON NOW. MILTON TRADED HIM. 577 00:37:34,850 --> 00:37:38,190 THAT'S HOW HE GOT THE BLACK EYE. BUT YOU OUGHTA SEE MUGSY. 578 00:37:40,140 --> 00:37:42,140 WE DIDN'T COUNT ON THE BLACK EYE, DID WE? 579 00:37:43,940 --> 00:37:47,230 HE REALLY LOOKED VERY GOOD BEFORE HE GOT THAT. \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hHMM. 580 00:37:47,230 --> 00:37:49,230 I-- I GUESS IT'S AN AWFUL SHOCK TO YOU. 581 00:37:49,230 --> 00:37:54,200 YOU GO AHEAD AND GET MAD IF YOU WANT TO. I DON'T MIND IF YOU'RE SOUR AND CROSS. 582 00:37:54,210 --> 00:37:58,170 ANYONE WOULD BE WITH ALL THESE PEOPLE HANGING ON THEIR NECK. 583 00:37:58,160 --> 00:38:00,990 \h\h\h\h\h\h\h\h\h\h\h\hWHAT DO YOU KNOW \h\h\h\h\h\h\h\h\h\h\h\hABOUT THIS FAMILY? AS THOUGH YOU HAVEN'T... 584 00:38:01,000 --> 00:38:04,010 ENOUGH TROUBLES WITH BUSINESS AND THE SLUMP AND ALL. 585 00:38:04,000 --> 00:38:08,500 BUT THEY CAN'T LICK YOU. YOU'RE A TOUGH OLD BIRD. YOU'LL COME OUT ALL RIGHT. 586 00:38:08,500 --> 00:38:11,500 YEAH. WELL, UPON MY SOUL. 587 00:38:11,510 --> 00:38:15,020 HERE. THERE'S A SILVER DOLLAR FOR YOU, 588 00:38:15,010 --> 00:38:18,230 AND THERE'S A SILVER DOLLAR FOR EVERY BLACK EYE YOU GET. 589 00:38:18,230 --> 00:38:21,850 - THANK YOU, UNCLE SAM. \h\hNOW GIT. 590 00:38:28,360 --> 00:38:30,870 NOW GIT! 591 00:38:53,710 --> 00:38:55,720 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h 592 00:38:55,720 --> 00:39:00,720 FIRST SHE GIVES A SIGH AND THEN STARTS WALKING AGAIN. \h\h\h\h\h\h\h\h\h\h\h\hTHAT'S LOVE FOR YA. 593 00:39:01,220 --> 00:39:04,520 DO YOU THINK I OUGHT TO TELL MY DADDY THAT SHE'S IN LOVE WITH HIM SO MUCH? 594 00:39:04,530 --> 00:39:07,950 OH, HE'LL UNDOUBTEDLY FIND OUT FOR HIMSELF, 595 00:39:07,950 --> 00:39:11,960 ALTHOUGH WE COULD PROBABLY SAVE CONSIDERABLE TIME IF WE WANTED TO COOPERATE. 596 00:39:11,950 --> 00:39:17,370 CERTAINLY EMBARRASSING HAVIN' A SISTER GOIN' AROUND SIGHING ALL THE TIME. 597 00:39:17,370 --> 00:39:20,870 I THINK IF SHE KNEW HOW MUCH MY DADDY THINKS ABOUT HER, SHE'D FEEL BETTER. 598 00:39:21,380 --> 00:39:23,250 LET'S TELL HER. \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h 599 00:39:23,240 --> 00:39:27,050 IT MIGHT BE INTERESTING PSYCHOLOGICALLY. 600 00:39:27,050 --> 00:39:30,750 YOU TELL HER, AND I'LL ATTEND TO SOME OTHER DETAILS. \h\h\h\h\h\h\h\hMM-HMM. 601 00:39:33,250 --> 00:39:36,760 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hHELLO, \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hMISS LOLA. OH, HELLO, PENNY. 602 00:39:36,760 --> 00:39:38,760 IF YOU'RE WAITING FOR ANYBODY, I WON'T STAY. 603 00:39:38,760 --> 00:39:41,260 OH, NO. I'M NOT WAITING FOR ANYBODY. 604 00:39:41,260 --> 00:39:45,180 IN THE MOONLIGHT AND IN THAT PRETTY DRESS, I THOUGHT MAYBE-- 605 00:39:45,180 --> 00:39:48,180 NO. I'M SUPPOSED TO BE HELPING MOTHER ENTERTAIN MR. WATERS. 606 00:39:48,190 --> 00:39:51,580 \h\h\h\h\h\h\h\hBUT HE'S IN THERE, AND-- \h\h\h\h\h\h\h\hAND YOU'RE OUT HERE. NOT FOR LONG, I'M AFRAID. 607 00:39:51,570 --> 00:39:54,070 ALL RIGHT. TELL ME WHAT YOU'VE BEEN DOING WITH YOURSELF. 608 00:39:54,070 --> 00:39:56,990 I'VE BEEN VERY BUSY TAKING CARE OF MY DADDY. 609 00:39:58,450 --> 00:40:00,960 BY THE WAY, HOW IS HE? 610 00:40:00,950 --> 00:40:05,250 WHEN HE'S WITH ME, HE'S-- HE'S FINE, BUT I DON'T THINK HE'S SO CHEERFUL INSIDE. 611 00:40:05,250 --> 00:40:09,420 WELL, MAYBE YOU JUST IMAGINE THAT. OR DO YOU THINK HE HAS SOMETHING ON HIS MIND? 612 00:40:09,420 --> 00:40:14,680 \h\h\h\h\h\h\h\hI THINK HE'S WORRIED. PROBABLY BECAUSE HE HASN'T ANY BUILDINGS TO BUILD. 613 00:40:14,680 --> 00:40:20,180 \h\h\h\h\h\h\h\h\h\h\h\hI THINK HE'S WORRIED \h\h\h\h\h\h\h\h\h\h\h\hABOUT YOU. OH, PENNY, YOU'RE JUST GUESSING. 614 00:40:20,180 --> 00:40:24,970 WHAT MAKES YOU THINK SO? BECAUSE HE'S ALWAYS ASKING ME QUESTIONS ABOUT YOU. 615 00:40:24,970 --> 00:40:28,860 JUST LIKE YOU'RE ASKING ME QUESTIONS ABOUT HIM. OH, PENNY! 616 00:40:29,860 --> 00:40:33,360 GOODNESS, YOU MUST FEEL BETTER. 617 00:40:33,360 --> 00:40:36,370 EXCUSE ME. I'VE GOT TO FIND MILTON. 618 00:40:36,370 --> 00:40:38,370 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h 619 00:40:42,870 --> 00:40:46,880 WHAT'S WRONG UP HERE? YOU'RE WANTED ON THE TERRACE. THERE'S A SHORT CIRCUIT. 620 00:40:50,380 --> 00:40:53,880 WHAT'S A SHORT CIRCUIT? \h\h\h\h\h\h\h\h\h\h\h\hI HAVEN'T \h\h\h\h\h\h\h\h\h\h\h\hTHE FAINTEST IDEA. 621 00:41:14,570 --> 00:41:16,940 \h\h\h\hGOOD EVENING. JEFF. 622 00:41:16,940 --> 00:41:19,910 NOW, WHAT ARE YOU DOING HERE? 623 00:41:19,910 --> 00:41:22,860 h\h\h\h\h\h\h\h\h\h\hYOU OUGHTA KNOW. \h\h\h\h\h\h\h\h\h\h\h\h\hYOU SENT FOR ME. I 624 00:41:22,860 --> 00:41:26,870 WELL, THAT'S PRETTY THIN. \h\h\h\hSURE, IT IS. IT'D BE BETTER \h\h\h\hIF I'D MADE IT UP MYSELF. 625 00:41:26,870 --> 00:41:32,370 \h\h\h\hI WOULDN'T HAVE COME NEAR \h\h\h\hIF SOMEONE HADN'T CALLED ME. WELL, BEFORE I'D CALL YOU, I'D-- 626 00:41:32,370 --> 00:41:37,380 I DIDN'T CALL YOU, JEFF, BUT I'M AWFULLY GLAD YOU'RE HERE. 627 00:41:37,380 --> 00:41:40,210 \h\h\h\hTHEN THERE'S NOTHING WRONG? NOTHING THAT A LITTLE COMMON SENSE WON'T HEAL. 628 00:41:40,210 --> 00:41:46,020 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h EXCRUCIATING, MR. WATERS. EXCRUCIATING! MILTON, WHERE'S LOLA? 629 00:41:46,020 --> 00:41:48,300 , SHE'S-- \h\h\h\h\hLOLA! LOLA! 630 00:41:48,310 --> 00:41:51,280 LOLA! LOLA! 631 00:41:51,280 --> 00:41:54,290 YES, MOTHER? 632 00:41:54,280 --> 00:41:58,200 OH, SHE'S OUT IN THE NIGHT AIR AGAIN, AND IT ISN'T GOOD FOR HER. 633 00:41:58,200 --> 00:42:03,200 BUT THEN WHAT KIND OF AIR CAN YOU GET AT NIGHT BUT NIGHT AIR? 634 00:42:06,740 --> 00:42:09,740 OH, LOLA. \h\h\h\h 635 00:42:11,750 --> 00:42:15,510 MOTHER, YOU KNOW MR. HALE. \h\h\h\h\h\h\h\hWHATEVER IS HE DRESSED \h\h\h\h\h\h\h\hLIKE THAT FOR? 636 00:42:15,500 --> 00:42:18,220 HE-- HE JUST CAME FROM A MASQUERADE. 637 00:42:18,220 --> 00:42:23,220 OH. OH, I LOVE MASQUERADES. I WENT ONCE AS A NEW ENGLAND BOILED DINNER. 638 00:42:23,720 --> 00:42:27,730 MOTHER, PENNY'S MR. HALE'S LITTLE DAUGHTER. \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hOH. OH. 639 00:42:27,730 --> 00:42:32,730 OH, HO-HO. OH, IT'S TOO AMAZING. SHE'S SUCH A BUSY LITTLE THING, ISN'T SHE? 640 00:42:32,730 --> 00:42:36,850 WHEN SHE CUT OFF MILTON'S CURLS, I WAS SO UPSET THAT THE DOCTOR HAD TO GIVE ME-- 641 00:42:36,850 --> 00:42:39,240 UH, UM, UH, WHAT WAS IT, LOLA? 642 00:42:39,240 --> 00:42:42,320 SHOTS, MOTHER. \h\h\h\hOH, YES. OF COURSE. SHOTS. 643 00:42:42,330 --> 00:42:44,340 AND DON'T THEY SHOOT YOU IN THE ODDEST PLACES. 644 00:42:44,330 --> 00:42:48,830 WELL, OUT OF SIGHT, OUT OF MIND, DON'T YOU SAY, MR. GALE? "HALE," MOTHER. 645 00:42:48,830 --> 00:42:53,840 OH. HEH. OH, YES, OF COURSE. MR. HALE. JUST LIKE "HAIL COLUMBIA." 646 00:42:53,840 --> 00:42:56,840 SHALL WE ALL HAVE SOMETHING TO DRINK? OH, YES, OF COURSE. OH, YES. 647 00:42:56,840 --> 00:42:59,210 LOLA, YOU RING FOR IT. OH, NO, MY DEAR. NO. 648 00:42:59,210 --> 00:43:04,210 NO. YOU STAY HERE AND TALK TO MR. WATERS AND MR. "PALE." I'LL DO IT MYSELF. 649 00:43:04,210 --> 00:43:06,720 SHALL WE? \h\h\h\hYES, INDEED. \h\h\h\h 650 00:43:06,720 --> 00:43:10,220 \h\h\h\h\h\h\h\hYOU KNOW, I, UH-- DON'T GO, MR. WATERS. STAY AND PLAY WITH US. 651 00:43:10,220 --> 00:43:12,720 YES, MR. WATERS. WE HAVE A NEW GAME FOR YOU. \h\h\h\h\h\h\h\h 652 00:43:12,720 --> 00:43:14,720 \h\h\h\hNOW LISTEN. I-- \h\h\h\h\hNOW PLEASE. COME ON. 653 00:43:14,730 --> 00:43:17,740 \h\h\h\hTHIS IS ABSOLUTELY ABSURD. OH, NOW, JUST COME ON. \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hSIT. 654 00:43:17,730 --> 00:43:21,230 HAVE YOU EVER PLAYED BLINDMAN'S BLUFF? YOU'LL LOVE IT. IT'S A WONDERFUL GAME. 655 00:43:21,230 --> 00:43:23,730 \h\h\h\hOH, BLINDMAN'S BLUFF. NOW COME ON. 656 00:43:23,730 --> 00:43:26,240 CAN YOU SEE? \h\h\h\hCAN I SEE? \h\h\h\hWELL, OF COURSE I CAN'T SEE. 657 00:43:26,240 --> 00:43:29,740 NO PEEKING NOW. NOW THE OBJECT OF THE GAME IS TO FIND LOLA. WE'LL START YOU OFF. 658 00:43:29,740 --> 00:43:32,240 OH. TO FIND LOLA. WELL, IT ISN'T SO SILLY AFTER ALL, IF I-- 659 00:43:32,240 --> 00:43:35,240 NOW WHEN WE SAY "HOT," IT MEANS YOU'RE CLOSE. 660 00:43:35,250 --> 00:43:38,760 AND WHEN WE SAY "COLD," YOU'RE FAR AWAY. COME ON. PUT YOUR HANDS BEHIND YOUR BACK. 661 00:43:38,750 --> 00:43:41,750 ROUND YOU GO. COME ON. WHOO! \h\h\h\h\h\h\h\hOH! \h\h\h\h\h\h\h\h\hOH, STOP! 662 00:43:41,750 --> 00:43:43,750 THERE YOU ARE. \h\h\h\h\h\h\h\hOH, AM I DIZZY. 663 00:43:44,250 --> 00:43:46,010 \h\h\h\h ALL RIGHT. \h\h\h\hCOME ON, MR. WATERS. AM I-- 664 00:43:47,340 --> 00:43:50,340 OH. ALL RIGHT. 665 00:43:50,340 --> 00:43:54,350 AW, YOU'RE COLD. YOU'RE COLD. YOU'RE FREEZING. \h\h\h\h\h\h\h\hYOU'RE COLD. 666 00:43:54,350 --> 00:43:57,850 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hAM I REALLY? COLD. YOU'RE GETTIN' WARMER. 667 00:43:57,850 --> 00:44:02,860 WARMER. WARMER. YOU'RE HOT! YOU'RE HOT! YOU'RE HOT! 668 00:44:02,860 --> 00:44:05,360 YOU'RE GETTING COLDER, COLDER. \h\h\h\h\h\h\h\h\h\h\h\hOH, YOU'RE FREEZING. \h\h\h\h\h\h\h\h\h\h\h\hYOU'RE FREEZING. 669 00:44:05,860 --> 00:44:07,860 COLD. COLD. 670 00:44:07,860 --> 00:44:10,360 \h\h\h\hAW, YOU'RE COLDER. \h\h\h\hYOU'RE COLDER. WARMER? OH, YOU'RE COLD. 671 00:44:10,360 --> 00:44:11,860 \h\h\h\h\h\h\h\hCOLD. YOU'RE FREEZING. 672 00:44:11,870 --> 00:44:13,380 \h\h\h\h\h\h\h\hWARM! HOT! HOT! YOU'RE GETTING HOT. 673 00:44:13,870 --> 00:44:15,870 YOU'RE HOT! \h\h\h\hYOU'RE BURNING. \h\h\h\h\hYOU'RE BURNING. 674 00:44:15,870 --> 00:44:18,590 YOU'RE COLD! \h\h\h\h\h\h\h\h 675 00:44:29,600 --> 00:44:32,300 HERE, OLD MAN. GIVE ME YOUR ARM. HERE. LET ME-- \h\h\h\h\h\h\h\hOH. OH, THANK YOU. 676 00:44:32,300 --> 00:44:36,720 \h\h\h\h, HOW DID YOU GET \h\h\h\hIN THAT-- OH! 677 00:44:36,720 --> 00:44:39,730 HEY, NOW, WHAT'S GOING ON HERE? WHAT'S ALL THIS RACKET? 678 00:44:39,730 --> 00:44:41,730 I'LL CATCH PNEUMONIA. \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hI NEVER SAW-- 679 00:44:41,730 --> 00:44:45,530 I KNOW IT. I KNOW I'LL CATCH-- WELL, YOU SEE-- 680 00:44:45,530 --> 00:44:49,400 I'LL CATCH PNEUMONIA. I KNOW I WILL. I'LL CATCH PNEUMO-- YOU SEE, THE-- 681 00:44:49,400 --> 00:44:52,400 THE CHILDREN, THEY WANTED ME TO PLAY, BUT-- BUT OF COURSE, I-I COULDN'T DO THA-- 682 00:44:52,410 --> 00:44:55,920 \h\h\h\hIT WAS YOUR-- YOUR DAUGHTER! I'M SORRY, OLD MAN. I APOLOGIZE. I-- 683 00:44:55,910 --> 00:44:58,410 AND IT WAS YOUR-- YOUR SON. YOU SEE, TH-TH-THEY-- 684 00:44:58,410 --> 00:45:01,910 OH, JUST LOOK AT MY CLOTHES. \h\h\h\hCOME ON. WE'LL GET \h\h\h\hSOME NICE DRY CLOTHES. 685 00:45:01,920 --> 00:45:04,340 YOU MUST HAVE SOME DRY CLOTHES! \h\h\h\hAH, YES. 686 00:45:04,840 --> 00:45:08,060 \h\h\h\h YOU HERE AGAIN? GET OUT! 687 00:45:10,390 --> 00:45:13,730 JEFF! \h\h\h\h\h\h\h\h\h\h\h\hDAUGHTER, \h\h\h\h\h\h\h\h\h\h\h\hYOU STAY HERE. 688 00:45:13,730 --> 00:45:18,730 I FORBID YOU TO HAVE ANYTHING MORE TO DO WITH THAT RAT. THOSE ARE ORDERS! 689 00:45:19,230 --> 00:45:21,650 THE IDEA OF-- 690 00:45:21,650 --> 00:45:25,150 NOW SEE HERE. YOU'VE OUTSHOUTED THIS FAMILY FOR YEARS, BUT YOU'RE NOT GOING TO OUTSHOUT ME. 691 00:45:25,660 --> 00:45:29,170 I LOVE THAT MAN, AND I'M GOING TO MARRY HIM. OVER MY DEAD BODY YOU'LL MARRY. 692 00:45:29,160 --> 00:45:32,440 I'M GOING TO MARRY HIM IF IT'S OVER EVERYBODY'S DEAD BODY. \h\h\h\h\h\h\h\h\h\h\h\hYOU WON'T MARRY HIM! 693 00:45:32,450 --> 00:45:36,210 IF YOU'D ONLY LISTEN TO HIM ABOUT THAT EAST GATE PROJECT, INSTEAD OF BEING A STUPID OLD-- 694 00:45:36,200 --> 00:45:38,950 OLD-- OLD-- \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hOLD, UH, WHAT, \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hMY DEAR? 695 00:45:38,950 --> 00:45:42,340 OH, I'M SORRY, UNCLE SAM. REALLY I AM. BUT I'M NOT GIVING IN. 696 00:45:42,340 --> 00:45:45,120 I'M GOING TO MARRY JEFF HALE. \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hWELL, YOU WIN. 697 00:45:45,130 --> 00:45:48,140 UH, YOU WOULDN'T BE MY NIECE IF YOU DIDN'T HAVE A WILL OF YOUR OWN. 698 00:45:48,130 --> 00:45:51,100 UNCLE SAM, YOU DON'T MEAN IT? 699 00:45:51,100 --> 00:45:54,100 YOU'RE GOING TO, UH, LIVE IN THE BASEMENT, I SUPPOSE? 700 00:45:54,600 --> 00:45:58,100 WE WON'T HAVE TO LIVE IN THE BASEMENT IF YOU'LL LISTEN TO JEFF. HE HAS SO MUCH TO OFFER. 701 00:45:58,610 --> 00:46:01,120 ALL HE NEEDS IS TO HAVE SOMEONE COOPERATE INSTEAD OF FIGHTING HIM. 702 00:46:01,110 --> 00:46:03,560 IF YOU'LL JUST DO SOMETHING FOR HIM. 703 00:46:03,560 --> 00:46:08,060 h\h\h\h\h\h\hWELL, MAYBE I CAN \h\h\h\h\h\h\h\h 704 00:46:11,570 --> 00:46:14,570 SOME CHANGE IN TONE, MY DEAR. 705 00:46:18,540 --> 00:46:21,630 YEAH. HELLO. HENSHAW SPEAKING. 706 00:46:21,630 --> 00:46:25,130 A LITTLE MATTER YOU CAN ATTEND TO FOR ME, BLACK. 707 00:46:26,130 --> 00:46:28,130 YEAH. 708 00:46:28,140 --> 00:46:32,150 THE PIPELINE WE PROPOSE TO LAY IN DUTCH BORNEO WILL RUN FROM HERE TO HERE. 709 00:46:32,140 --> 00:46:34,140 WHAT IS THE TERRAIN LIKE, MR. BLACK? 710 00:46:34,140 --> 00:46:37,640 WELL, THERE'S A RANGE OF MOUNTAINS HERE, AND THEN SWAMP AND JUNGLE. 711 00:46:37,640 --> 00:46:39,650 TOUGH GOING? \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hVERY TOUGH. 712 00:46:39,650 --> 00:46:42,150 THAT'S WHY WE NEED A GOOD MAN TO SUPERINTEND THE JOB. 713 00:46:42,150 --> 00:46:45,650 HOW DID YOU HAPPEN TO PICK ME? \h\h\h\hYOU WERE HIGHLY RECOMMENDED \h\h\h\hBY A FRIEND OF MINE. 714 00:46:45,650 --> 00:46:48,150 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hUH, CIGARETTE? THANK YOU, NO. 715 00:46:48,160 --> 00:46:52,670 AFTER ALL, THE MAN WHO CARRIED ON WITH THE EAST GATE PROJECT AGAINST THE ODDS THAT YOU DID-- 716 00:46:52,660 --> 00:46:55,660 \h\h\h\hIT'S TOO BAD YOU COULDN'T \h\h\h\hGO THROUGH WITH IT. I WILL SOMEDAY. 717 00:46:55,660 --> 00:46:58,160 MMM. I'M SURE OF IT. 718 00:46:58,170 --> 00:47:02,180 IN THE MEANTIME, HERE'S A JOB THAT NEEDS DOING RIGHT NOW AND WILL PAY WELL. 719 00:47:02,170 --> 00:47:04,670 I COULD SURELY USE IT. \h\h\h\h\h\h\h\hEH, YOU'RE NOT MARRIED, \h\h\h\h\h\h\h\hARE YOU? 720 00:47:05,170 --> 00:47:07,260 - NO, NOT YET. - THAT'S GOOD. 721 00:47:07,260 --> 00:47:11,460 WE DON'T SEND FAMILY MEN OUT IN THAT COUNTRY. YOU'LL HAVE TO LEAVE RIGHT AWAY. 722 00:47:11,460 --> 00:47:14,130 HOW LONG SHOULD THE JOB TAKE? 723 00:47:14,130 --> 00:47:16,630 YOU'D HAVE TO SIGN UP FOR TWO YEARS. 724 00:47:22,520 --> 00:47:25,020 BORNEO. 725 00:47:25,030 --> 00:47:29,540 JEFF, YOU CAN'T GO. YOU SIMPLY CAN'T GO TO THE END OF THE WORLD AND LEAVE US HERE. 726 00:47:29,530 --> 00:47:32,480 DO YOU THINK FOR A MOMENT I WANT TO GO? 727 00:47:32,980 --> 00:47:34,980 OH, IT'S A GRAND JOB, A WONDERFUL CHANCE, 728 00:47:34,990 --> 00:47:38,500 BUT IF I HAD ANYTHING HALF AS GOOD HERE, I-- I WOULDN'T EVEN CONSIDER IT. 729 00:47:38,490 --> 00:47:43,330 BUT YOU'LL HAVE SOMETHING HERE IF YOU WAIT. UNCLE PROMISED TO DO SOMETHING. 730 00:47:43,330 --> 00:47:49,210 I DON'T WANT THAT SORT OF JOB. \hI TOLD YOU BEFORE. 731 00:47:49,220 --> 00:47:52,680 JEFF, I'M GOING WITH YOU. \h\h\h\h\h\h\h\hNOW, THAT'S THE SPIRIT. 732 00:47:52,670 --> 00:47:56,170 YOU CAN'T GO, BUT-- BUT JUST THE SAME, THAT'S THE SPIRIT. 733 00:47:56,170 --> 00:47:59,680 YOU SEE, THEY-- THEY WON'T TAKE A MARRIED MAN ON THE JOB. 734 00:48:00,180 --> 00:48:03,680 OH, BUT, JEFF, THINK HOW LONG IT IS, HOW DESPERATELY LONG. 735 00:48:03,680 --> 00:48:06,680 TWO WHOLE YEARS TO WAIT. 736 00:48:07,180 --> 00:48:10,190 I KNOW. \hI WANTED TO TELL YOU. 737 00:48:10,190 --> 00:48:13,990 I'M NOT ASKING YOU TO WAIT FOR ME, LOLA. IT'S NOT FAIR. 738 00:48:13,990 --> 00:48:16,410 NOW, LOOK HERE, JEFF HALE. 739 00:48:16,410 --> 00:48:22,360 I CAN'T STOP YOU FROM GOING, BUT YOU JUST TRY TO STOP ME FROM WAITING FOR YOU. \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hMMM. 740 00:48:24,920 --> 00:48:26,920 GOOD MORNING, MISS PENNY. 741 00:48:27,420 --> 00:48:30,920 CORPORAL, WHERE'S BORNEO? 742 00:48:30,920 --> 00:48:33,930 UH, BORNEO? BORNEO-- 743 00:48:33,930 --> 00:48:36,210 OH. UH, HE'S MOVED UP INTO HARLEM. 744 00:48:36,210 --> 00:48:40,020 BORNEO ISN'T A MAN. IT'S A PLACE. WHERE IS IT? 745 00:48:40,020 --> 00:48:43,440 BORNEO-- OH, SURE. 746 00:48:43,440 --> 00:48:47,270 THAT'S WHERE THAT BIG LIGHT COME FROM IN THE SKY... NIGHTS. 747 00:48:47,270 --> 00:48:52,110 WHAT LIGHT? \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hTHE AURORA, \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hUH, "BORENALIS." 748 00:48:52,610 --> 00:48:54,950 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hEVERYBODY'S \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hHEARD OF THAT. I HAVEN'T. 749 00:48:54,950 --> 00:48:59,370 WELL, IT'S SORTA NORTH-- WAY UP NORTH NEAR THE NORTH POLE. 750 00:48:59,370 --> 00:49:03,290 - THAT'S WHERE BORNEO IS. - FULL OF ICEBERGS \h\hAND POLAR BEARS? 751 00:49:03,290 --> 00:49:06,070 YES, MA'AM. 752 00:49:06,080 --> 00:49:10,560 JUST STICK YOUR LITTLE NOSE OUTSIDE OF THE DOOR, AND YOU'LL FREEZE TO DEATH. 753 00:49:10,550 --> 00:49:14,050 AND IF THE "POLO" BEARS DON'T EAT YOU, THE ESKIMOS DO. 754 00:49:14,050 --> 00:49:16,640 OH. 755 00:49:23,930 --> 00:49:26,430 \h\h\h\h\h\h\h\hGUS. YEAH? 756 00:49:26,430 --> 00:49:29,430 GUS, THIS IS IMPORTANT. I WANT A MAN'S ANGLE ON IT. 757 00:49:29,430 --> 00:49:31,430 ON WHAT? \h\h\h\h\h\h\h\h\h\h\h\hBORNEO. 758 00:49:31,430 --> 00:49:34,440 BO-- NOW, LISTEN, BEAUTIFUL. I'M IN A HURRY. 759 00:49:34,440 --> 00:49:37,440 SO AM I. I'VE ONLY GOT A FEW DAYS. 760 00:49:37,440 --> 00:49:39,940 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hWHERE'S BORNEO? B-- UH-- 761 00:49:39,940 --> 00:49:42,440 IT'S, UM-- \hIT'S NEAR GIBRALTAR. 762 00:49:42,450 --> 00:49:47,460 \h\h\h\h\h\h\h\h\h\h\h\hWHERE'S GIBRALTAR? WELL, I JUST TOLD YA. IT'S, UH-- IT'S NEAR BORNEO. 763 00:49:47,450 --> 00:49:50,450 N'T YOU EVER HEAR OF THE WILD MAN OF BORNEO? 764 00:49:50,450 --> 00:49:55,710 WILD MEN, LIONS, TIGERS, SWAMPS, FEVERS, UH-- 765 00:49:55,710 --> 00:49:58,710 WELL, I GOTTA GET TO WORK. 766 00:49:58,710 --> 00:50:03,180 - THE CORPORAL SAID IT WAS FULL \h\hOF ICEBERGS AND POLAR BEARS. - AW, THAT'S IN WINTER. 767 00:50:03,180 --> 00:50:08,140 IF ANYONE HAD LIVED THERE FOR TWO YEARS, COULD THEY EVER COME BACK ALIVE? 768 00:50:08,140 --> 00:50:11,140 NOT A CHANCE. 769 00:50:11,140 --> 00:50:17,060 NOW, YOU STAY RIGHT HERE IN LITTLE OLD NEW YORK AND LET BORNEO TAKE CARE OF ITSELF. 770 00:50:23,070 --> 00:50:27,070 BUT PLEASE, YOU'LL DO EVERYTHING YOU CAN THINK OF, WON'T YOU? 771 00:50:27,570 --> 00:50:30,580 I-- I MEAN, IF ONE THING DOESN'T WORK, YOU WON'T STOP. 772 00:50:30,580 --> 00:50:33,050 \h\h\h\h\h\h\h\h\h\h\h\hYOU'LL GO RIGHT ON. COUNT ON ME, DARLING. 773 00:50:33,050 --> 00:50:35,880 I WANT HIM TO STAY HERE JUST AS MUCH AS YOU DO. 774 00:50:36,380 --> 00:50:39,380 NOT QUITE AS MUCH, BECAUSE, AFTER ALL, 775 00:50:39,890 --> 00:50:43,140 YOU'VE GOT MILTON AND-- AND ALL, AND I'LL BE ALONE. 776 00:50:43,140 --> 00:50:45,920 BUT, MISS LOLA, 777 00:50:46,430 --> 00:50:50,930 EVEN IF HE SAYS NO A HUNDRED THOUSAND TIMES, YOU JUST INSIST. 778 00:50:50,930 --> 00:50:55,930 IF YOU INSIST LONG ENOUGH WITH MY DADDY, HE ALWAYS GIVES IN... 779 00:50:55,940 --> 00:50:57,950 SOMETIMES. 780 00:51:11,450 --> 00:51:14,950 HEY, WHAT ARE YOU DOING WITH THOSE SHIRTS? 781 00:51:14,960 --> 00:51:20,470 I HAVE TO LOOK THEM OVER. YOU CAN'T GO TO BORNEO WITHOUT BUTTONS ON YOUR SHIRTS. 782 00:51:28,470 --> 00:51:31,390 MY SOCKS. BUT YOU'VE LOOKED THEM OVER. 783 00:51:31,390 --> 00:51:34,890 OH, SURE, ONCE, BUT I HAVE TO DOUBLE-CHECK. 784 00:51:34,890 --> 00:51:37,390 I WOULDN'T THINK OF LETTING YOU GO WITHOUT DOUBLE-CHECKING. 785 00:51:37,890 --> 00:51:39,730 THAT'S THE SECOND TIME YOU'VE RATED THOSE SOCKS. 786 00:51:39,730 --> 00:51:42,150 AREN'T THEY DOUBLE-CHECKED ENOUGH? 787 00:51:42,650 --> 00:51:46,650 WELL, AFTER ALL THESE ARE SOCKS. YOU CAN'T CHECK THEM TOO MUCH. 788 00:51:46,650 --> 00:51:49,150 YOU MIGHT FIND A HOLE IN A SOCK ANYTIME, 789 00:51:49,160 --> 00:51:51,670 AND THEN WHAT WOULD THOSE "BORNEONIANS" SAY? 790 00:51:51,660 --> 00:51:57,160 THEY'D SAY, "NOW, WHAT KIND OF A WOMAN IS TAKING CARE OF THIS POOR MAN?" 791 00:51:57,160 --> 00:52:01,050 THERE! JUST LOOK AT THAT. AND THIS IS A TRIPLE-CHECK. 792 00:52:03,550 --> 00:52:07,060 WHAT YOU WOULD DO A WAY OFF IN BORNEO WITHOUT ME TO LOOK AFTER YOU, 793 00:52:07,560 --> 00:52:09,560 I HARDLY CAN IMAGINE. 794 00:52:09,560 --> 00:52:11,560 I DON'T THINK I'LL PACK ANY MORE TODAY. 795 00:52:11,560 --> 00:52:15,060 AFTER ALL, THERE'S NO HURRY. WE STILL HAVE TWO MORE FULL DAYS. 796 00:52:15,070 --> 00:52:17,580 AND YOU MIGHT NOT GO. \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hWHAT'S THAT? 797 00:52:18,070 --> 00:52:20,070 ANYTHING CAN HAPPEN IN TWO DAYS. 798 00:52:20,070 --> 00:52:25,070 WHAT IF SOMEBODY DID SOMETHING FOR UNCLE SAM, AND UNCLE SAM DID SOMETHING FOR BUSINESS? 799 00:52:25,080 --> 00:52:27,090 THEN YOU WOULDN'T HAVE TO GO TO BORNEO, WOULD YOU? 800 00:52:27,080 --> 00:52:29,080 NO, I WOULDN'T HAVE TO GO, PENNY. 801 00:52:29,080 --> 00:52:32,080 BUT DON'T YOU COUNT ON IT, PARTNER, BECAUSE IT WON'T HAPPEN. 802 00:52:32,080 --> 00:52:35,580 THERE'S NO USE OF OUR FOOLING OURSELVES, IS THERE? 803 00:53:00,730 --> 00:53:03,230 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h 804 00:53:03,230 --> 00:53:05,730 I'VE HEARD NOTHING BUT TAP, TAP, TAP FOR THE LAST HOUR. 805 00:53:05,730 --> 00:53:08,730 \h\h\h\h\h\h\h\h\h\h\h\hI WONDER WHAT IT IS? 806 00:53:08,740 --> 00:53:12,250 COULD IT BE WOODPECKERS? \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hOH, NO, NOT AT \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hTHE RIVERVIEW. 807 00:53:12,240 --> 00:53:17,740 NO, NO, NO, NO. OF COURSE NOT. WELL, I, FOR ONE, INTEND TO FIND OUT JUST WHAT IT IS. 808 00:53:17,740 --> 00:53:20,750 IF I'M NOT BACK IN 15 MINUTES-- CALL THE POLICE. 809 00:53:20,750 --> 00:53:24,750 ♪ THIS IS A HAPPY LITTLE DITTY ♪ 810 00:53:24,750 --> 00:53:28,050 ♪ 811 00:53:34,090 --> 00:53:38,010 LET ME IN. 812 00:53:38,010 --> 00:53:39,810 IT'S MR. WATERS. 813 00:53:39,820 --> 00:53:42,330 IT'S MR. WATERS. IT'S MR. WATERS. 814 00:53:42,320 --> 00:53:44,320 \h\h\h\h\h\h\h\h\h\h\h\hIT'S MR. WATERS. YEAH. \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h 815 00:53:44,320 --> 00:53:46,860 WHAT? 816 00:53:46,860 --> 00:53:49,360 LET ME IN THIS MOMENT. \h\h\h 817 00:53:49,360 --> 00:53:51,690 I KNEW IT WASN'T RHEUMATISM \hI FELT IN MY BONES. 818 00:53:51,690 --> 00:53:56,160 WELL? OPEN UP! WHO'S IN THERE? 819 00:53:56,170 --> 00:54:01,180 DON'T LET HIM IN. IF HE CATCHES ME, I'LL BE FLAT ON MY SOCIAL SECURITY. 820 00:54:01,170 --> 00:54:05,170 BE CALM, EVERYBODY. \hBE CALM. TAKE IT EASY. SHH. \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h 821 00:54:05,180 --> 00:54:07,020 \h\h\h\hBE CALM. SURE. 822 00:54:07,010 --> 00:54:09,430 \h\h\h\h\h\h\h\h\h\h\hSHH. 823 00:54:11,430 --> 00:54:13,930 DON'T LET HIM IN NOW. HE'LL SPOIL EVERYTHING. \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h 824 00:54:13,930 --> 00:54:17,940 WELL, I GUESS IT'S UP TO ME. IT'S UP TO ME, ALL RIGHT. 825 00:54:18,440 --> 00:54:20,440 OLD GUS IS GONNA SAVE THE DAY. 826 00:54:20,440 --> 00:54:23,280 I DEMAND ENTRANCE! 827 00:54:23,280 --> 00:54:27,560 LET ME IN THIS MOMENT. 828 00:54:27,560 --> 00:54:30,480 OH! 829 00:54:30,480 --> 00:54:33,490 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hWHO'S IN THERE? UH, TH-THE ROTARY CLUB. 830 00:54:33,490 --> 00:54:36,990 THE RO-- THAT'S RIDICULOUS. THERE'S SOMETHING WRONG GOING ON IN THERE. 831 00:54:36,990 --> 00:54:40,990 WELL, SURE. SURE. THEY'RE ROTATING. \h\h\h\h\h\h\h\hUH-- OH, THAT'S INSANE. 832 00:54:40,990 --> 00:54:44,500 \h\h\h\hNOW, YOU TELL ME \h\h\h\hTHIS INSTANT WHAT'S WRONG. ALL RIGHT. ALL RIGHT. 833 00:54:44,500 --> 00:54:47,000 DO YOU REALLY HAVE TO KNOW? \h\h\h\h\h\h\h\h\h\h\h\hI CERTAINLY DO. 834 00:54:47,000 --> 00:54:49,500 IT'S TERMITES-- GIANT TERMITES. 835 00:54:49,500 --> 00:54:53,810 WHY, THE BUILDING IS L-- FULL OF 'EM. 836 00:54:53,810 --> 00:54:56,730 YA HEAR 'EM? \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h 837 00:54:56,730 --> 00:54:58,730 WHY HASN'T SOMEBODY TOLD ME ABOUT THIS BEFORE? 838 00:54:59,230 --> 00:55:02,600 \h\h\h\hI'LL HAVE THE EXTERMINATORS \h\h\h\hHERE IN FIVE MINUTES. UH-HUH. W-- 839 00:55:02,600 --> 00:55:05,600 WELL, OF COURSE, YOU KNOW, I-- I MAY BE MISTAKEN. \h\h\h\h\h\h\h\hYES. 840 00:55:05,600 --> 00:55:09,600 I-- I VERY SELDOM AM, BUT THERE'S ALWAYS THAT OFF CHANCE, YOU KNOW. 841 00:55:09,610 --> 00:55:15,620 UH, PROBABLY, YA BETTER LISTEN IN HERE FOR YOURSELF. HMM. 842 00:55:15,610 --> 00:55:17,610 \h\h\h\hDO YOU HEAR ANYTHING? NO. 843 00:55:17,610 --> 00:55:21,450 - \h\h\h\h\h\h\h\hHMM. - \h\h\h\h\h\h\h\hYOU WILL IN A MINUTE. 844 00:55:21,450 --> 00:55:23,870 OH! 845 00:55:23,870 --> 00:55:25,870 OH! 846 00:55:30,340 --> 00:55:32,340 PARDON ME, MY LITTLE LAMB'S LETTUCE. 847 00:55:32,350 --> 00:55:36,220 HELP! HELP! HELP! RFUL LITTLE DITTY ♪ 848 00:55:36,220 --> 00:55:39,190 \h\h\h\h\h\h\h\h\h♪ I KNOW THE-- ♪ \h\h\h\h\h\h\h\h\h 849 00:55:39,440 --> 00:55:43,950 �� THIS IS A CHEERFUL LITTLE \h\h\h\hDITTY, I KNOW THE-- ♪ 850 00:55:43,940 --> 00:55:47,190 - HELP! - \h\h\h\hVERY MUCH. 851 00:55:49,610 --> 00:55:51,700 - DROP YOUR NICKELS. - NOW, COME ON. 852 00:55:52,200 --> 00:55:53,980 DON'T CROWD. COME ON. DROP YOUR NICKELS. 853 00:55:53,980 --> 00:55:57,790 - THAT'S IT. - \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h \h\h\h\h\h\h\h\h 854 00:55:58,290 --> 00:56:02,290 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h 855 00:56:10,550 --> 00:56:13,720 DROP YOUR NICKELS. \hDROP YOUR NICKELS. 856 00:56:13,720 --> 00:56:17,670 I'M GETTING TIRED OF HANGING AROUND THIS NEIGHBORHOOD WAITING FOR A STATEMENT FROM HENSHAW. 857 00:56:18,170 --> 00:56:21,680 WHENEVER I ASK HIM A QUESTION, HE ALWAYS GIVES ME "IS IT?" AND "GIT!" 858 00:56:21,680 --> 00:56:25,230 - HEY. GET A LOAD OF THAT. - DROP YOUR NICKELS. \h\hDROP YOUR NICKELS. 859 00:56:25,730 --> 00:56:28,730 WHAT'S GOING ON HERE, SISTER? IT'S A BENEFIT FOR UNCLE SAM. 860 00:56:28,740 --> 00:56:33,750 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hUNCLE SAM? YES, MR. SAMUEL G. HENSHAW. HE'S IN A VERY BAD WAY, YOU KNOW. 861 00:56:33,740 --> 00:56:36,240 HE NEEDS HELP. \h\h\h\h\h\h\h\h\h\h\h\hSAMUEL G. HENSHAW'S \h\h\h\h\h\h\h\h\h\h\h\hIN A BAD WAY? 862 00:56:36,240 --> 00:56:40,250 YES, THE SLUMP AND EVERYBODY HANGING ON HIS NECK. SO WE'RE GIVING HIM A BENEFIT. 863 00:56:40,250 --> 00:56:43,580 ANGEL CHILD, THE FOURTH ESTATE SALUTES YOU. 864 00:56:43,580 --> 00:56:46,250 AW, LET GO OF MY HAIR. 865 00:56:46,250 --> 00:56:50,170 THEN LET GO OF YOUR NICKEL. 866 00:57:04,050 --> 00:57:09,940 THERE'S SOMEBODY BACK OF THIS. IT'S NO CHILD'S PRANK BY A LONG SHOT. 867 00:57:09,940 --> 00:57:11,780 IT'S A PLOT, I TELL YOU. \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hOKAY. 868 00:57:11,780 --> 00:57:15,950 A PLOT! BUT WHO DID IT? WHO DID THIS THING? 869 00:57:15,950 --> 00:57:18,730 THAT'S WHAT I WANT TO KNOW. WHO DID IT? 870 00:57:18,740 --> 00:57:20,750 - \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hOKAY. - EH? 871 00:57:20,740 --> 00:57:23,240 YEAH. THEY COULDN'T BLUFF ME OUT OF IT, 872 00:57:23,240 --> 00:57:26,040 SO NOW THEY'RE GONNA TRY TO LAUGH ME OUT OF IT. HUH! 873 00:57:26,040 --> 00:57:29,460 LAUGH MET'S AN INSIDIOUS-- 874 00:57:29,460 --> 00:57:34,550 \h\h\h\hOKAY. OKAY. DIABOLICAL, UNDERHANDED SCHEME TO DISCREDIT ME. 875 00:57:34,550 --> 00:57:38,340 NOW-- AND WHY ARE YOU STANDING THERE LIKE A LOT OF DUMMIES? 876 00:57:38,840 --> 00:57:42,340 DO SOMETHING. GET DOWN TO THE RIVERVIEW. FIND OUT WHO'S RESPONSIBLE FOR THIS... 877 00:57:42,340 --> 00:57:44,840 \h\h\h\hAND BRING HIM IN HERE. OKAY. 878 00:57:44,840 --> 00:57:46,680 \h\h\h\h\h\h\h\h\h\h\h\h YES, SIR. \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hOKAY. 879 00:57:46,680 --> 00:57:50,600 "SAMUEL G. HENSHAW." 880 00:57:50,600 --> 00:57:53,600 \h\h\h\hOKAY. YEAH. A CARTOONIST-- 881 00:57:53,600 --> 00:57:57,110 BUT WHERE ARE YOU TAKING ME? \h\h\h\h\h\h\h\hMR. HENSHAW WANTS \h\h\h\h\h\h\h\hTO SEE YOU, YOUNG LADY. 882 00:57:57,110 --> 00:58:00,110 UNCLE SAM? OH, THAT'S DIFFERENT. 883 00:58:04,110 --> 00:58:06,110 DADDY! 884 00:58:18,040 --> 00:58:21,380 - WE HAVE THE GUILTY PARTY, SIR. - WELL, WHERE IS HE? \h\hLET ME AT HIM. 885 00:58:21,880 --> 00:58:24,850 WHAT'S THE MEANING OF THIS? 886 00:58:24,850 --> 00:58:27,350 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hSHE'S THE ONE \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hTHAT GOT UP \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hTHE BENEFIT. YEAH-- Y-- 887 00:58:27,350 --> 00:58:30,860 COME IN HERE AND SIT DOWN! YOU GIT. 888 00:58:30,860 --> 00:58:33,360 - HUH. - \h\h\h\h\h\h\h\h\h\h\h\h\h 889 00:58:58,220 --> 00:59:01,720 SO YOU WERE THE ONE THAT GAVE THAT BENEFIT FOR ME. \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hYES, SIR. 890 00:59:01,720 --> 00:59:05,920 - WHY? - SO MY DADDY WOULDN'T HAVE \h\hTO GO AWAY FOR TWO YEARS. 891 00:59:05,930 --> 00:59:08,900 WHAT IN GOSH-ALL FISHHOOKS HAS A BENEFIT FOR ME... 892 00:59:08,900 --> 00:59:11,270 GOT TO DO WITH YOUR FATHER GOING AWAY FOR TWO YEARS? 893 00:59:11,260 --> 00:59:15,230 EVERYTHING. IF SOMEBODY HELPS YOU, THEN YOU HELP BUSINESS, 894 00:59:15,230 --> 00:59:17,740 THEN BUSINESS WILL HELP HIM, \hTHEN HE WON'T HAVE TO GO. 895 00:59:17,740 --> 00:59:20,150 h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hWILL HE? 896 00:59:20,160 --> 00:59:25,170 UH, HOW DO I KNOW? WHEW. 897 00:59:26,160 --> 00:59:30,160 COME HERE. 898 00:59:30,170 --> 00:59:33,180 YOU CAN'T TAKE HER AWAY. \h\h\h\h\h\h\h\h 899 00:59:33,170 --> 00:59:35,170 PENNY. 900 00:59:35,170 --> 00:59:37,670 YOU SHOULDN'T HAVE COME SO SOON. \h\h\h\h\h\h\h\h\h\h\h\hI DIDN'T COME HERE \h\h\h\h\h\h\h\h\h\h\h\hSOON ENOUGH. 901 00:59:38,170 --> 00:59:40,170 AH, NOBODY BUT YOU WOULD HAVE THE NERVE... 902 00:59:40,180 --> 00:59:42,690 TO SHOW HIS FACE TO ME, BUT NOW THAT YOU'RE HERE-- 903 00:59:42,680 --> 00:59:45,680 NOW, WAIT A MINUTE, MR. HENSHAW. I'M SURE THAT EVERYTHING CAN BE EXPLAINED. 904 00:59:46,180 --> 00:59:52,190 YEAH. EXPLAINED. HEH! CAN YOU EXPLAIN ABOUT HEADLINES-- RUNNING A BENEFIT FOR ME? 905 00:59:52,190 --> 00:59:56,690 CAN YOU EXPLAIN ABOUT MAKING ME A LAUGHINGSTOCK ALL OVER AMERICA? 906 00:59:56,690 --> 00:59:59,190 \h\h\h\h\h\h\h\h\h\h\h\hI PROBABLY CAN \h\h\h\h\h\h\h\h\h\h\h\hIF YOU'LL LET ME. YES OR NO: 907 00:59:59,200 --> 01:00:03,240 ID YOU TELL THIS CHILD THAT I \h\hWAS RESPONSIBLE FOR THE SLUMP? - CERTAINLY NOT. 908 01:00:03,230 --> 01:00:06,530 THAT I WAS RESPONSIBLE FOR BUSINESS GOING TO THE DOGS, 909 01:00:06,540 --> 01:00:09,050 FOR MY TROUBLES, YOUR TROUBLES, EVERYBODY'S TROUBLES-- 910 01:00:09,040 --> 01:00:13,540 INCLUDING THE BLESSED FACT THAT YOU HAD TO GO AWAY SOMEWHERE FOR... 911 01:00:13,540 --> 01:00:15,790 TWO YEARS? \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hTWO YEARS. \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hCERTAINLY NOT. 912 01:00:15,800 --> 01:00:21,810 WHY, DADDY, DIDN'T YOU SAY THAT WHEN UNCLE SAM GOT IN TROUBLE, THAT THE PEOPLE GOT SCARED? 913 01:00:21,800 --> 01:00:25,590 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hYES, BUT-- AND WHEN THE PEOPLE GOT SCARED, THERE WAS A SLUMP, 914 01:00:25,590 --> 01:00:28,590 AND WHEN THERE WAS A SLUMP, BUSINESS GOT BAD, 915 01:00:28,590 --> 01:00:31,090 AND WHEN THAT HAPPENED, NOBODY BUILT ANY BUILDINGS? 916 01:00:31,090 --> 01:00:33,590 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hYES, BUT-- LET HER ALONE. 917 01:00:33,600 --> 01:00:36,610 DIDN'T YOU SAY THAT EVERYBODY OUGHT TO GET TOGETHER AND HELP UNCLE SAM... 918 01:00:36,600 --> 01:00:40,600 INSTEAD OF PULLING ON HIM? \h\h\h\hYES, YES, BUT LET'S GET \h\h\h\hBACK TO MR. HENSHAW. 919 01:00:40,600 --> 01:00:44,110 \h\h\h\hBUT I AM BACK TO HIM. \h\h\h\hHE'S UNCLE SAM, ISN'T HE? YEAH-- 920 01:00:44,110 --> 01:00:47,110 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hHIM? \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hUNCLE SAM? ME? UNCLE SAM? 921 01:00:47,610 --> 01:00:49,860 AHA. \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hOH. 922 01:00:49,860 --> 01:00:53,200 ALL RIGHT THEN. HERE'S THE MONEY. 923 01:00:53,700 --> 01:00:56,200 \h\h\h\h \h\h\h\hHUH? 924 01:00:56,200 --> 01:01:00,170 YOU'LL DO SOMETHING ABOUT BUSINESS NOW, WON'T YOU, UNCLE SAM? 925 01:01:00,670 --> 01:01:03,170 MR. HENSHAW, I THINK I CAN EXPLAIN EVERYTHING NOW. 926 01:01:03,180 --> 01:01:06,190 T DO YOU SUPPOSE I'VE 927 01:01:06,680 --> 01:01:09,850 AND THERE'S LOTS OF IT. \hAND THIS IS ONLY THE BEGINNING. 928 01:01:09,850 --> 01:01:12,350 I'LL GIVE A BENEFIT EVERY WEEK. 929 01:01:12,350 --> 01:01:15,140 THE BENEFIT. THE BENEFIT! 930 01:01:15,140 --> 01:01:17,940 OH, MY GOODNESS! \hOH, MY GOODNESS! 931 01:01:17,940 --> 01:01:21,440 \h\h\h\hPENNY, WAIT A MINUTE! HERE! YOU TWO COME BACK HERE! 932 01:01:21,440 --> 01:01:27,570 \h\h\h\h\h\h\h\h\h 933 01:01:27,570 --> 01:01:32,120 HEY, YOU MUGS, \h\hBUTTON YOUR LIPS. 934 01:01:32,120 --> 01:01:34,120 h\h\h\h\h\h\h\h\h\h\h\h T, 935 01:01:34,120 --> 01:01:37,630 AND I DON'T WANT NO TROUBLE FROM YA EITHER, GET IT? 936 01:01:37,630 --> 01:01:39,630 THE FIRST SONG'LL BE SUNG BY LOTTIE AND LETTY... 937 01:01:40,130 --> 01:01:43,630 WHO LEFT THEIR WORK DOWNSTAIRS IN THE BEAUTY PARLOR TO COME UP AND HELP US OUT. 938 01:01:43,630 --> 01:01:48,140 THE COSTUMES WAS LENT BY A COUPLE OF THE BELLBOYS UPSTAIRS. 939 01:01:48,140 --> 01:01:51,640 AND ANYBODY THAT DON'T WANT A SOCK IN THE PUSS BETTER CLAP WHEN IT'S OVER! 940 01:01:52,140 --> 01:01:57,180 ♪ 941 01:01:57,180 --> 01:02:00,680 ♪ 942 01:02:00,680 --> 01:02:05,190 ♪ EVERY SHOW SHOULD HAVE \h\hA BEGINNING, YOU MUST ADMIT ♪ 943 01:02:05,190 --> 01:02:09,190 ♪ THIS SHOW HAS A BEGINNING \h\hAND WE ARE IT ♪ 944 01:02:09,190 --> 01:02:12,190 ♪ AND WE'VE BEEN TOLD \h\hTHAT YOU CAN'T GO WRONG ♪ 945 01:02:12,190 --> 01:02:15,200 ♪ IF YOU OPEN A SHOW \h\hWITH AN OPENING SONG ♪ 946 01:02:15,200 --> 01:02:18,700 ♪ NOW, WE WOULDN'T CALL THIS \h\hA GREAT SONG ♪ 947 01:02:18,700 --> 01:02:21,200 ♪ WE WOULDN'T DREAM OF IT ♪ 948 01:02:21,200 --> 01:02:26,210 ♪ THE BASIC THEME OF IT \h\hIS MUCH TO SILLY TO MENTION ♪ 949 01:02:26,210 --> 01:02:31,010 ♪ BUT WE FONDLY BELIEVE \h\hTHAT YOU'LL ENJOY SINGING IT ♪ 950 01:02:31,010 --> 01:02:35,770 ♪ THAT'S WHY WE'RE BRINGING IT \h\hTO YOUR ATTENTION ♪ 951 01:02:35,770 --> 01:02:39,440 ♪ 952 01:02:39,440 --> 01:02:41,720 ♪ 953 01:02:44,730 --> 01:02:47,360 ♪ WE'RE THE BOYS WHO MEET YOU \h\hTHE BOYS WHO GREET YOU ♪ 954 01:02:47,860 --> 01:02:49,860 ♪ CREAM OF CURBSTONE CADETS ♪ 955 01:02:49,870 --> 01:02:54,750 ♪ WITH OUR BRASS BUTTONS \h\hAND EPAULETTES ♪ 956 01:02:54,740 --> 01:02:57,740 ♪ OH, LET US SAY GOOD MORNING \h\hBENEATH YOUR AWNING ♪ 957 01:02:57,740 --> 01:03:00,240 ♪ WATCH THE PLAY THAT IT GETS ♪ 958 01:03:00,240 --> 01:03:03,580 ♪ IT'S THE BRASS BUTTONS \h\hAND EPAULETTES ♪ 959 01:03:03,580 --> 01:03:07,500 ♪ EVEN THIS HERE JOB \h\h\h\hDON'T PAY MUCH DOUGH ♪ 960 01:03:08,000 --> 01:03:10,000 ♪ BUT WE SURE GET THE ELEGANT \h\hCLOTHES TO WEAR ♪ 961 01:03:10,500 --> 01:03:13,000 ♪ SO WHEN YOU'RE UNIFORMIN' \h\hA NEW YORK DOORMAN ♪ 962 01:03:13,010 --> 01:03:15,020 ♪ BE SURE TO SEE THAT HE GETS ♪ 963 01:03:15,510 --> 01:03:19,510 ♪ LOTS OF CLASS \h\hLOTS OF BRASS BUTTONS \h\hAND EPAULETTES ♪ 964 01:03:20,510 --> 01:03:22,980 ♪ 965 01:03:55,600 --> 01:03:58,800 ♪ HEH ♪ 966 01:03:58,800 --> 01:04:00,800 ♪ HEH ♪ 967 01:04:35,970 --> 01:04:37,810 ♪ \h\h\h\h\h\h\h\h\h\h\h\h\h 968 01:04:40,730 --> 01:04:45,230 ♪ 969 01:04:45,730 --> 01:04:47,730 OH! \h\h\h\hSAY, WHAT'S GOIN' ON HERE? 970 01:04:47,730 --> 01:04:50,740 OH, THAT'S JUST WHAT I'M TRYING TO FIND OUT. I'M SO SORRY. PARDON. I'M-- 971 01:04:51,240 --> 01:04:53,240 OH. 972 01:04:53,240 --> 01:04:56,110 I WANT THE POLICE, UH, DEPARTMENT-- THE RIOT, UH, SQUAD. 973 01:04:56,110 --> 01:04:58,910 ♪ 974 01:05:03,950 --> 01:05:06,450 ♪ OH, MR. WEATHERMAN ♪ 975 01:05:06,450 --> 01:05:09,450 ♪ WHERE'S THAT RAIN \h\hYOU PROMISED ME ♪ 976 01:05:09,460 --> 01:05:13,350 ♪ OH, MR. WEATHERMAN \h\hI'VE BEEN WAITING PATIENTLY ♪ 977 01:05:13,340 --> 01:05:16,790 ♪ MISTER, CAN YOU \h\hSPARE A DROP ♪ 978 01:05:16,800 --> 01:05:19,310 ♪ HERE A DROP \h\hTHERE A DROP ♪ 979 01:05:19,300 --> 01:05:22,800 ♪ TWO DROPS \h\hFOUR DROPS ♪ 980 01:05:22,800 --> 01:05:25,800 ♪ CAN'T WE HAVE \h\hMORE DROPS ♪ \h\h\h\h\h\h\h\h\h 981 01:05:25,810 --> 01:05:27,820 ♪ NOW IT'S ALL AROUND ME ♪ 982 01:05:30,310 --> 01:05:32,110 ♪ GEE, I'M GLAD \h\hYOU FOUND ME ♪ 983 01:05:32,110 --> 01:05:36,980 ♪ I LOVE TO WALK \h\hIN THE RAIN ♪ 984 01:05:36,980 --> 01:05:40,990 ♪ LOOK FOR ME WHEN IT'S STORMY \h\hDOWN SOME LEAFY LANE ♪ 985 01:05:40,990 --> 01:05:43,490 ♪ AND I'LL BE THERE ♪ 986 01:05:43,990 --> 01:05:50,160 ♪ I LOVE TO WALK IN THE RAIN \h\hTHE LIGHTNING \h\hMAY BE FRIGHTENING ♪ 987 01:05:50,160 --> 01:05:54,170 ♪ I LOVE THE RAIN \h\hSO I DON'T CARE ♪ 988 01:05:55,670 --> 01:05:58,670 ♪ I FEEL WONDERFUL ♪ 989 01:05:58,670 --> 01:06:00,550 ♪ WHEN THE SKIES ABOVE \h\hARE THUNDERFUL ♪ 990 01:06:00,560 --> 01:06:05,650 ♪ I DON'T COMPLAIN ♪ 991 01:06:05,640 --> 01:06:08,480 ♪ I KNOW IT'S FUN \h\hIN THE SUN ♪ 992 01:06:09,980 --> 01:06:11,980 ♪ BUT TAKE ALL KINDS \h\hOF WEATHER ♪ 993 01:06:11,980 --> 01:06:15,990 ♪ WHEN ALL'S SAID AND DONE \h\hI LOVE TO WALK ♪ 994 01:06:15,990 --> 01:06:19,240 ♪ IN THE RAIN ♪ 995 01:06:19,240 --> 01:06:23,030 ♪ I LOVE TO WALK IN THE RAIN ♪ 996 01:06:23,030 --> 01:06:26,780 ♪ LOOK FOR ME WHEN IT'S STORMY \h\hDOWN SOME LEAFY LANE ♪ 997 01:06:26,780 --> 01:06:29,280 ♪ AND I'LL BE THERE ♪ 998 01:06:29,290 --> 01:06:33,300 ♪ I LOVE TO WALK IN THE RAIN ♪ 999 01:06:33,290 --> 01:06:37,290 ♪ THE LIGHTNING \h\hMAY BE FRIGHT'NING \h\hBUT I LOVE THE RAIN ♪ 1000 01:06:37,290 --> 01:06:39,290 ♪ SO I DON'T CARE ♪ \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h 1001 01:06:42,300 --> 01:06:44,300 ♪ 1002 01:06:55,810 --> 01:06:57,810 ♪ SHOO, SHOO ♪ 1003 01:07:13,050 --> 01:07:15,560 ♪ I LOVE TO WALK \h\hIN THE RAIN ♪ 1004 01:07:15,550 --> 01:07:18,750 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hBE FRIGHTENING ♪ 1005 01:07:18,750 --> 01:07:21,750 ♪ I LOVE THE RAIN \h\hSO I DON'T CARE ♪ 1006 01:07:23,760 --> 01:07:26,730 ♪ SUNDAY, MONDAY \h\hTUESDAY, WEDNESDAY \h\hTHURSDAY, FRIDAY, SATURDAY ♪ 1007 01:07:26,730 --> 01:07:29,070 ♪ HOW ABOUT A WEEK \h\hWITH EVERY DAY \h\hA PITTER-PATTER DAY ♪ 1008 01:07:29,060 --> 01:07:32,810 ♪ I WOULDN'T COMPLAIN ♪ 1009 01:07:32,820 --> 01:07:37,240 ♪ I KNOW IT'S FUN IN THE SUN ♪ 1010 01:07:37,240 --> 01:07:40,750 ♪ BUT TAKE ALL KINDS OF WEATHER \h\hWHEN ALL'S SAID AND DONE ♪ 1011 01:07:40,740 --> 01:07:44,240 ♪ I LOVE TO WALK IN THE ♪ 1012 01:07:44,240 --> 01:07:46,830 ♪ RAIN, THE RAIN \h\hDON'T GO AWAY ♪ 1013 01:07:46,830 --> 01:07:48,830 ♪ STICK AROUND ANOTHER DAY ♪ 1014 01:07:48,830 --> 01:07:53,200 ♪ BECAUSE I LOVE \h\hTO WALK IN THE RAIN ♪ 1015 01:07:53,200 --> 01:07:56,700 ♪ \h\h\h\h\h\h\h\h\h 1016 01:08:03,260 --> 01:08:06,760 \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h 1017 01:08:09,270 --> 01:08:11,270 WHAT'S GOIN' ON HERE? \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hWHERE'S \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hTHE RIOT? 1018 01:08:17,610 --> 01:08:20,280 - OPEN THIS DOOR! - LET US IN! 1019 01:08:20,280 --> 01:08:21,900 h\h\h\h\h\h\h\h\h\h\h\hDID YOU HEAR? 1020 01:08:21,900 --> 01:08:25,280 OPEN! OPEN! 1021 01:08:35,790 --> 01:08:39,660 THERE'S THE ONE RESPONSIBLE FOR THIS. I DEMAND HER ARREST IN THE NAME OF THE LAW. 1022 01:08:39,670 --> 01:08:42,180 HERE, WHAT DO YOU MEAN BY BREAKING UP MY SHOW? \h\h\h\hYOUR SHOW? 1023 01:08:42,170 --> 01:08:45,670 CERTAINLY MY SHOW. YOU CAN READ, CAN'T YA-- "BENEFIT FOR UNCLE SAM"? HUH. 1024 01:08:45,670 --> 01:08:51,930 I'LL SUE THE RIVERVIEW FOR THIS. OH, MR. HENSHAW, I DIDN'T KNOW! I'M SORRY. I'M SO SORRY. 1025 01:08:51,930 --> 01:08:55,730 I-- WELL, YOU'D BETTER GO. THIS IS ALL A HIDEOUS MISTAKE. 1026 01:08:55,730 --> 01:08:58,730 WHAT DO YOU MEAN, A MISTAKE? WE OUGHTA TAKE YOU IN FOR THIS. 1027 01:08:59,230 --> 01:09:03,240 ALL RIGHT, TAKE ME. LOCK ME UP. THROW THE KEY AWAY. 1028 01:09:03,240 --> 01:09:06,240 SOLITARY CONFINEMENT. I COME. 1029 01:09:06,240 --> 01:09:09,490 - I COME HAPPILY. - TAKE HIM AWAY, \h\hBOYS. COME ON. COME ON. 1030 01:09:09,500 --> 01:09:14,180 HENSHAW, ARE YOU OR ARE YOU NOT CLOSING DOWN YOUR INDUSTRIES? ARE YOU LIQUIDATING YOUR ASSETS? 1031 01:09:14,170 --> 01:09:17,370 - WILL YOU GIVE US A DEFINITE \h\hSTATEMENT, MR. HENSHAW? - YES. A DEFINITE STATEMENT. 1032 01:09:17,870 --> 01:09:19,170 QUIET! 1033 01:09:19,170 --> 01:09:22,460 CLOSE DOWN MY INDUSTRIES? DID I EVER SAY SO? 1034 01:09:22,460 --> 01:09:25,960 NO. SOMEBODY'S ALWAYS TRYING TO OUTGUESS ME. 1035 01:09:25,960 --> 01:09:29,960 AND YOU CAN TELL THE PUBLIC THAT I'M GOING TO TRIPLE MY PRESENT PAYROLL. 1036 01:09:29,970 --> 01:09:31,980 \h\h\h\hMAY WE QUOTE YOU, \h\h\h\hMR. HENSHAW? VERBATIM. 1037 01:09:31,970 --> 01:09:33,970 OKAY. AND YOU CAN TELL THEM, TOO, 1038 01:09:33,970 --> 01:09:35,970 THAT THAT'S THE TROUBLE WITH CONDITIONS TODAY. 1039 01:09:35,970 --> 01:09:39,890 SOMEBODY STARTS A RUMOR, AND WHAT HAPPENS? YEAH. WE'RE AFRAID. 1040 01:09:39,890 --> 01:09:42,390 WE START RUNNING LIKE A LOT OF SHEEP. 1041 01:09:42,390 --> 01:09:46,200 WHAT WE NEED IS THAT GOOD OLD AMERICAN SPIRIT. 1042 01:09:47,820 --> 01:09:50,150 AND TO SHOW YOU HOW COCKEYED THIS RUMOR IS, 1043 01:09:50,150 --> 01:09:53,650 I'M STARTING WORK ON THE EAST GATE PROJECT TOMORROW. 1044 01:09:53,660 --> 01:09:58,170 AND THIS IS THE MAN THAT I'M PUTTING IN FULL CHARGE OF THAT WORTHY PROJECT. 1045 01:09:58,160 --> 01:10:03,160 HE HAS VISION AND, UH, COURAGE. YEAH, NOW CLEAR OUT. I'VE GOT BUSINESS TO ATTEND TO. 1046 01:10:03,170 --> 01:10:05,680 ALL RIGHT. ALL RIGHT. SHOO. COME ON. \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hTHANK YOU, SIR. 1047 01:10:05,670 --> 01:10:09,250 HEY. YEAH, HALE? WHAT IS THE MEANING OF THIS? 1048 01:10:11,560 --> 01:10:15,890 IT'S THE GOOD OLD AMERICAN SPIRIT, UNCLE SAM. 95242