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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:13,850 --> 00:00:15,450 I knew that was going to happen. What? How? 2 00:00:16,110 --> 00:00:18,530 I could see the future. Then why didn't you stop it from happening? I think 3 00:00:18,530 --> 00:00:20,550 we'll only see four -tenths of a second in the future. Okay, well, that's 4 00:00:20,550 --> 00:00:21,550 stupid. Stupid. 5 00:00:21,870 --> 00:00:23,310 Oh, what the fuck? 6 00:00:23,570 --> 00:00:25,750 I knew that was going to happen. That's because you did it. Open credits. 7 00:00:26,130 --> 00:00:27,130 What? 8 00:00:49,740 --> 00:00:52,700 Hey, guys, we're Picnic Face, and welcome to our very first episode. 9 00:00:52,980 --> 00:00:57,520 We are super excited to have a television show, but we should probably 10 00:00:57,520 --> 00:00:59,340 ourselves. Mark. Kyle. Andy. 11 00:00:59,600 --> 00:01:03,600 Cheryl. Brian McQuarrie. It's kind of bad timing, because this place that we 12 00:01:03,600 --> 00:01:06,620 live in and shoot in is really expensive. 13 00:01:07,080 --> 00:01:08,740 We're going to have to get part -time jobs, then. 14 00:01:09,880 --> 00:01:10,880 Well, I mean, we're... 15 00:01:12,220 --> 00:01:14,940 Working in part -time jobs, we just basically have to wait till the 16 00:01:14,940 --> 00:01:17,960 show money comes in, I guess. No, no, no, no, no. Everyone working in Canadian 17 00:01:17,960 --> 00:01:19,540 entertainment has a part -time job, Andy. 18 00:01:20,900 --> 00:01:21,900 Name a person. 19 00:01:22,660 --> 00:01:23,720 I don't know. 20 00:01:25,180 --> 00:01:28,220 Christopher Plummer. Does Christopher Plummer have a part -time job? 21 00:01:28,700 --> 00:01:30,160 Yeah, works for the passport office. 22 00:01:30,900 --> 00:01:34,240 Brian Adams is a Brian Adams impersonator. 23 00:01:34,460 --> 00:01:36,220 Yeah, for times they can't afford the real Brian Adams. 24 00:01:36,480 --> 00:01:40,040 David Suzuki, Kraft Dill. That is not a job. 25 00:01:40,360 --> 00:01:41,540 Hey, what did our accountant say? 26 00:01:42,140 --> 00:01:43,460 No, we've got to get a part -time job. 27 00:01:43,940 --> 00:01:44,940 What? 28 00:01:45,360 --> 00:01:48,100 Accountant! Is he going to walk all the way to the accountant? 29 00:01:48,780 --> 00:01:51,840 That's in Vancouver. That's the other side of the country. Is that what he's 30 00:01:51,840 --> 00:01:52,840 doing? 31 00:01:55,300 --> 00:01:56,300 Accountant! 32 00:01:58,540 --> 00:01:59,540 Accountant! 33 00:02:01,560 --> 00:02:02,560 Accountant! 34 00:02:04,320 --> 00:02:05,320 Accountant! 35 00:02:15,560 --> 00:02:19,080 Mr. Matheson, I know that you are in financial trouble. 36 00:02:20,240 --> 00:02:23,540 This box may be the answer to your problem. 37 00:02:26,340 --> 00:02:29,560 If you push this button, two things will happen. 38 00:02:30,500 --> 00:02:35,420 One, someone somewhere in the world who you don't know will die. 39 00:02:36,240 --> 00:02:42,600 You just push the button. 40 00:02:43,640 --> 00:02:44,880 You didn't let me finish. Yeah. 41 00:02:46,200 --> 00:02:49,340 Someone somewhere in the world will die. Got it. Don't hit it again. 42 00:02:49,660 --> 00:02:51,400 That's the second. No, just let me finish. 43 00:02:51,840 --> 00:02:53,220 But you'll get a million dollars. 44 00:02:53,700 --> 00:02:54,700 Oh. Yeah. 45 00:02:56,120 --> 00:02:57,120 Okay. 46 00:02:58,360 --> 00:03:01,160 Great. That's great. Yeah, you've hit it three times. You killed three people. 47 00:03:01,220 --> 00:03:02,700 Why can't I have my million dollars? 48 00:03:04,460 --> 00:03:06,360 It was supposed to be like a moral puzzle. 49 00:03:08,460 --> 00:03:12,000 Yeah, no, that's not how you solve the puzzle. It's not that kind of puzzle. 50 00:03:12,000 --> 00:03:13,160 just killed four people. 51 00:03:13,580 --> 00:03:14,580 Do you understand that? 52 00:03:14,820 --> 00:03:15,820 Yeah. 53 00:03:19,140 --> 00:03:21,120 You killed four people. You hit them four times. 54 00:03:22,580 --> 00:03:23,580 What? 55 00:03:24,480 --> 00:03:28,100 Is that... Don't hit it again. 56 00:03:28,360 --> 00:03:31,560 Okay, no, don't round up. Round up to what? Five. To five? 57 00:03:31,840 --> 00:03:34,460 I don't understand. You don't want to kill... Okay, look. Yeah, here. 58 00:03:35,540 --> 00:03:38,160 Okay? Here's your million dollars. There you go. 59 00:03:39,330 --> 00:03:42,190 Why'd you hit it again? Why'd you hit it again? I would like a second million 60 00:03:42,190 --> 00:03:45,550 dollars, please. It doesn't work that way. You just get one million dollars. 61 00:03:45,630 --> 00:03:46,630 Take it. 62 00:03:49,170 --> 00:03:51,490 No deal. That's not what? No what deal? 63 00:03:51,730 --> 00:03:54,990 I choose the box. Stop hitting the button. You're not choosing the box. You 64 00:03:54,990 --> 00:03:56,610 don't get the box. The box isn't part of the deal. 65 00:03:57,190 --> 00:03:59,790 Ow, my finger got caught in the box. 66 00:04:00,070 --> 00:04:05,370 He dunked it. 67 00:04:12,620 --> 00:04:15,460 They're getting married tomorrow. 68 00:04:16,800 --> 00:04:18,200 Tomorrow? 69 00:04:19,920 --> 00:04:21,320 Goddamn, Cassio, you're my best friend. 70 00:04:40,110 --> 00:04:42,930 I know you got my back through thick and thin. 71 00:04:43,210 --> 00:04:49,310 And you sing so sweet. Get me up on my feet. Got me singing your praises to a 72 00:04:49,310 --> 00:04:53,570 priest at Samba Beat. And you'd never stab me in the back unlike that bitch 73 00:04:53,570 --> 00:04:58,630 Sarah. Remember when we found her with my boyfriend and her bride took you 74 00:04:58,730 --> 00:05:01,130 And we wrote a song that night. 75 00:05:01,430 --> 00:05:05,030 Here's a little taste of what that sounded like. 76 00:05:11,340 --> 00:05:12,380 How could you, Sarah? 77 00:05:14,300 --> 00:05:15,840 I didn't kill you. 78 00:05:16,700 --> 00:05:18,260 I didn't kill you. 79 00:05:24,580 --> 00:05:31,260 C to the A to the SIO. You're the only one I trust because you're the only one 80 00:05:31,260 --> 00:05:36,340 who knows all the secrets that I whisper to you late at night when we're under 81 00:05:36,340 --> 00:05:38,680 my blankets with a flashlight. 82 00:05:43,370 --> 00:05:46,330 Let's burn this mother down with a little rock, too. 83 00:05:59,070 --> 00:06:02,310 Good morning, sir. 84 00:06:02,590 --> 00:06:06,590 Cut the chitchat, Jameson. What do you got? Sir, I've got a whole campaign for 85 00:06:06,590 --> 00:06:08,390 our new line of men's products. 86 00:06:08,700 --> 00:06:10,520 I'm listening so hard right now. 87 00:06:10,760 --> 00:06:14,160 Razor. Love them. Men use them, but here's why they'll use ours. 88 00:06:14,400 --> 00:06:19,300 We'll show a guy shaving, then all of a sudden, boom, check out these jet 89 00:06:19,300 --> 00:06:20,640 planes. Whoa. Rawr. 90 00:06:21,100 --> 00:06:23,180 Shaving. It's like jet play. 91 00:06:23,540 --> 00:06:29,360 Exactly, sir. This is your pilot speaking. Prepare to be so fucking 92 00:06:29,360 --> 00:06:31,300 that. Deodorant. Spoiler alert. 93 00:06:31,560 --> 00:06:35,700 I'm listening. Why would people use our deodorant? Oh, I don't know. Maybe 94 00:06:35,700 --> 00:06:36,700 because our ads. 95 00:06:36,890 --> 00:06:39,310 feature a lion riding a sea -doo? 96 00:06:39,530 --> 00:06:43,630 You just shit my pants. Thank you, sir. How'd that lion get on that sea -doo? 97 00:06:43,710 --> 00:06:48,810 The same way our deodorant'll get on men's pits, sir. Magic. Magic. What 98 00:06:48,810 --> 00:06:53,630 our line of tweezers? How does a slice of pizza karate kicking the Statue of 99 00:06:53,630 --> 00:06:58,390 Liberty in the pit sound, sir? Jesus, you're giving my ears a boner. Let's 100 00:06:58,390 --> 00:07:02,910 finish those ears off, sir. Check this out. Is that a head of lettuce piloting 101 00:07:02,910 --> 00:07:04,590 helicopter into a bear? 102 00:07:04,830 --> 00:07:05,830 That's right, sir. 103 00:07:06,150 --> 00:07:12,000 Floss! Amazing work. If this sandwich were a woman, I'd get it to fuck you 104 00:07:12,000 --> 00:07:15,240 now. I'll fuck that sandwich, sir. Yeah. We're bad. 105 00:07:15,720 --> 00:07:16,860 We're bad. We're bad. 106 00:07:17,080 --> 00:07:18,340 We're bad. We're bad. 107 00:07:18,740 --> 00:07:19,220 We're 108 00:07:19,220 --> 00:07:27,820 bad. 109 00:07:48,400 --> 00:07:52,380 In cinema's pornography genre, the male point of view shot has long been 110 00:07:52,380 --> 00:07:55,880 popular, allowing the viewer to feel as though they are experiencing the sex act 111 00:07:55,880 --> 00:08:01,440 themselves. But in 1978, porn director Kane Ronson turned the tables and the 112 00:08:01,440 --> 00:08:03,720 cameras in his hit film, Pumptown. 113 00:08:04,060 --> 00:08:05,320 Ooh, you like that? 114 00:08:05,720 --> 00:08:06,720 Oh, yeah. 115 00:08:06,960 --> 00:08:08,500 Oh, put it in me. 116 00:08:08,820 --> 00:08:10,300 Oh, way ahead of you. 117 00:08:12,780 --> 00:08:16,980 female point of view shot, revolutionized pornographic 118 00:08:16,980 --> 00:08:21,340 rocketed Ronson to fame, along with his favorite leading man, Bob Morris. 119 00:08:22,020 --> 00:08:25,680 And we're in the middle of Pumpdown, and I got an idea. 120 00:08:26,040 --> 00:08:30,480 And I said, what do I say to you? Well, you said, why don't you try this one 121 00:08:30,480 --> 00:08:32,360 right down the barrel? Down the barrel. Yeah. 122 00:08:32,640 --> 00:08:35,640 Down the barrel. And you know what? We turn those cameras around. 123 00:08:36,900 --> 00:08:39,940 Beautiful. And I said, more of this. 124 00:08:40,409 --> 00:08:42,850 I want more of this. This is all I want. 125 00:08:43,270 --> 00:08:44,209 You know? 126 00:08:44,210 --> 00:08:45,950 Right down the barrel. Down the barrel. 127 00:08:46,170 --> 00:08:47,170 Do your voice. 128 00:08:47,570 --> 00:08:48,570 Do it. 129 00:08:48,690 --> 00:08:50,210 Oh, you like that dipstick, baby? 130 00:08:50,570 --> 00:08:51,449 Oh, yeah. 131 00:08:51,450 --> 00:08:54,450 I'm going to fill you right up with premium diesel. 132 00:08:55,650 --> 00:08:56,650 Yeah, where are you looking? 133 00:08:56,870 --> 00:08:58,530 Right down the barrel. That's my boy. 134 00:08:58,970 --> 00:09:03,990 The female point of view shot became Ronson's hallmark and was used 135 00:09:03,990 --> 00:09:06,330 in his 1980 hit, 18 Wheeler. 136 00:09:06,550 --> 00:09:08,250 Oh, yeah, it's going to be a long haul. 137 00:09:13,900 --> 00:09:17,700 By 1981, Ronson was the best paid director in pornography. 138 00:09:18,020 --> 00:09:20,700 But his fast lane lifestyle began to take a toll. 139 00:09:34,590 --> 00:09:37,950 And I go up to the next one and the next one and the next one. There's so many 140 00:09:37,950 --> 00:09:42,410 girls in my swimming pool. I do a cannonball into the pool and girls go 141 00:09:42,410 --> 00:09:44,110 out to the side. It's amazing. 142 00:09:44,490 --> 00:09:47,010 I once had a dream. I was fucking the moon. 143 00:09:47,210 --> 00:09:48,630 I don't even know if that was a dream. 144 00:09:48,950 --> 00:09:50,750 I think that actually happened. 145 00:09:50,970 --> 00:09:53,950 It's not going to stop. It's down the barrel. It's never going to stop being 146 00:09:53,950 --> 00:09:57,530 down the barrel. That's life. Life is down the barrel. You know, you look life 147 00:09:57,530 --> 00:10:02,210 in the eyes and you can fuck it. But the porn world would be rocked in 1982 when 148 00:10:02,210 --> 00:10:07,420 Ronson. at the peak of his fame, was convicted of drug trafficking and 149 00:10:07,420 --> 00:10:08,740 to ten years in prison. 150 00:10:09,220 --> 00:10:12,860 In order to fulfill his contractual obligations, he had his eight -year -old 151 00:10:12,860 --> 00:10:15,800 son, Ducton, take over his writing and directorial duties. 152 00:10:16,360 --> 00:10:18,440 Here's a scene from Boobies and Toots. 153 00:10:19,440 --> 00:10:21,960 Ooh, your vagina is all hairy like my dog. 154 00:10:22,180 --> 00:10:26,360 His name's Puccini. Oh, can I come to your house and play with your dog? No, 155 00:10:26,360 --> 00:10:28,860 in a pee -pee -white pee -pee. I like you. Let's get married. 156 00:10:29,180 --> 00:10:30,180 Okay. 157 00:10:32,400 --> 00:10:37,580 In 1985, unable to withstand the isolation of prison, Ronson took his own 158 00:10:38,200 --> 00:10:42,060 He wrote his suicide note into the script of his posthumous film, The Final 159 00:10:42,060 --> 00:10:43,060 Curtain. 160 00:10:43,300 --> 00:10:48,080 I love you all, and I'm sorry if this decision causes you any pain, but I look 161 00:10:48,080 --> 00:10:50,620 into the future, and all I see is black. 162 00:10:54,140 --> 00:11:00,880 Down the barrel. Down the 163 00:11:00,880 --> 00:11:01,880 barrel. 164 00:11:04,460 --> 00:11:05,460 So what are you going to do? 165 00:11:06,000 --> 00:11:07,280 For what? For your job. 166 00:11:07,500 --> 00:11:08,720 I don't know. I'll just do it. 167 00:11:09,440 --> 00:11:13,700 I always do. Stuff usually just sort of comes to me. Like two summers ago, I got 168 00:11:13,700 --> 00:11:16,460 money from a guy because I let him shave my head bald. 169 00:11:16,700 --> 00:11:20,460 That was the summer I went to Europe. It was fortuitous because I met a fun pack 170 00:11:20,460 --> 00:11:22,820 of bald guys in Belgium at a hostel. 171 00:11:23,120 --> 00:11:25,880 And then we all hung out. We were like the bald guys. 172 00:11:26,100 --> 00:11:28,220 We all got matching tattoos. Didn't I show you that? 173 00:11:28,760 --> 00:11:30,240 Matching throwing star tattoos. 174 00:11:30,560 --> 00:11:32,180 That's not a throwing star, Mark. 175 00:11:32,540 --> 00:11:34,800 Yes, it is. No, it's not. That's a swastika. 176 00:11:36,980 --> 00:11:38,080 Oh, no. 177 00:11:38,620 --> 00:11:39,860 We joked around a lot. 178 00:11:40,940 --> 00:11:44,560 Although, looking back, yeah, some of those jokes were definitely Nazi jokes. 179 00:11:45,680 --> 00:11:47,720 What's white and white and white all over? 180 00:11:48,180 --> 00:11:49,180 Perfect world. 181 00:11:50,100 --> 00:11:51,320 Yeah, that's a Nazi joke. 182 00:11:51,600 --> 00:11:54,260 Why don't you tell the joke to Ebony and see how she feels? Why? Why wouldn't I? 183 00:11:54,640 --> 00:11:57,980 Okay, well, maybe because Ebony is Jewish, so why don't we... Yeah, she's 184 00:11:57,980 --> 00:11:58,980 Jewish. Oh. 185 00:11:59,560 --> 00:12:01,100 Don't make that face. No, I'm sorry. 186 00:12:02,910 --> 00:12:07,210 So, what's white and white and white all over? 187 00:12:07,510 --> 00:12:08,670 A perfect world. 188 00:12:12,770 --> 00:12:15,610 We're not putting this on television. 189 00:12:15,850 --> 00:12:19,630 Because I'm going to edit it out. I'm editing this piece and there's no way 190 00:12:19,630 --> 00:12:22,010 going to put this in. Mark, do you want everyone to think that you're racist? 191 00:12:22,250 --> 00:12:24,950 How about this? I edit this piece and right now you've got a horse for a head. 192 00:12:25,150 --> 00:12:28,010 What do you mean I have a horse for a head? Okay, so this tangent has gotten 193 00:12:28,010 --> 00:12:29,010 horrifying. 194 00:12:29,600 --> 00:12:32,180 Point is, we really need to get part -time jobs. 195 00:14:03,000 --> 00:14:04,820 You son of a bitch! 196 00:14:43,470 --> 00:14:46,750 Mr. David, congratulations, you're a father. 197 00:14:47,030 --> 00:14:48,070 And he's healthy. 198 00:14:48,290 --> 00:14:49,850 Got ten fingers and ten toes. 199 00:14:50,550 --> 00:14:51,550 But that's all. 200 00:14:53,490 --> 00:14:55,670 Oh, God. No. Oh, no. 201 00:14:55,990 --> 00:14:59,050 Oh, no. Some people can't even have babies. 202 00:15:00,050 --> 00:15:01,050 Black hole. 203 00:15:01,330 --> 00:15:02,330 Black hole. 204 00:15:02,430 --> 00:15:03,429 Black hole. 205 00:15:03,430 --> 00:15:04,430 Doing it dirty. 206 00:15:12,100 --> 00:15:15,440 On my signal, we're going over that ridge and we're not coming back till 207 00:15:15,440 --> 00:15:16,860 goddamn German is dead. 208 00:15:18,680 --> 00:15:24,860 Oh, man. 209 00:15:25,840 --> 00:15:27,540 Can you imagine if we actually won this thing? 210 00:15:27,900 --> 00:15:28,900 Wouldn't that be weird? 211 00:15:30,200 --> 00:15:31,520 What would you do if we actually won? 212 00:15:31,720 --> 00:15:33,260 Would you be like, yeah, we did it. 213 00:15:33,800 --> 00:15:34,800 Yeah, 214 00:15:36,780 --> 00:15:39,800 sure. Yeah, I guess so. What if we went over there? We got in the trench. 215 00:15:40,699 --> 00:15:42,100 And then I turned out no one was there. 216 00:15:42,740 --> 00:15:43,740 It was just the flies. 217 00:15:44,340 --> 00:15:47,840 And those were the enemy? The flies were the enemy? What would you do? 218 00:15:48,260 --> 00:15:52,020 I don't know. I don't... What if I got over there and I got shot right in the 219 00:15:52,020 --> 00:15:54,320 head? And I couldn't say any of my answers anymore? 220 00:15:54,680 --> 00:15:55,519 Wouldn't that be weird? 221 00:15:55,520 --> 00:15:56,580 Yeah, I guess it would be weird, sure. 222 00:15:57,100 --> 00:15:58,100 Would you help me out? 223 00:15:58,800 --> 00:16:01,620 No, I would not help you out. That's just not that big of a disability. What 224 00:16:01,620 --> 00:16:04,200 you think of the hues? Keep your head down. Hey, the moon is out. 225 00:16:04,520 --> 00:16:07,180 They can see us. Can you imagine if there was no moon? 226 00:16:07,870 --> 00:16:10,210 There'd be no werewolves. There are no werewolves anyway. 227 00:16:10,510 --> 00:16:13,250 Yeah, but what if there were werewolves? No, there's never going to be. Just 228 00:16:13,250 --> 00:16:14,990 shut up. Why do you keep doing this? 229 00:16:15,350 --> 00:16:18,410 What would you do if you only had two weeks to live, but you were trapped in a 230 00:16:18,410 --> 00:16:19,610 plaster mold of your own fate? 231 00:16:20,210 --> 00:16:21,210 I don't know. 232 00:16:21,410 --> 00:16:22,910 Who asked that question? 233 00:16:23,150 --> 00:16:26,530 I'm just curious. What would you do if your name was Beef Soup? 234 00:16:26,950 --> 00:16:28,170 I would change it. 235 00:16:30,270 --> 00:16:31,270 Kevin! 236 00:16:31,890 --> 00:16:33,610 Kevin! Oh, my God, you've been shot. 237 00:16:33,870 --> 00:16:34,870 Oh, my God. 238 00:16:35,250 --> 00:16:36,250 I'm not going to make it, man. 239 00:16:36,510 --> 00:16:37,510 You're going to make it. 240 00:16:37,610 --> 00:16:38,710 Just stay with me, buddy. Look at me. 241 00:16:39,830 --> 00:16:42,450 I need you to get this letter to my wife. 242 00:16:43,150 --> 00:16:44,150 Okay. 243 00:16:44,570 --> 00:16:45,950 Listen, Kevin, look at me. 244 00:16:46,310 --> 00:16:51,810 Kevin, can you imagine if when I gave this letter to your wife, it turned out 245 00:16:51,810 --> 00:16:52,810 she was an owl? 246 00:16:52,970 --> 00:16:53,970 Wouldn't that be weird? 247 00:17:37,520 --> 00:17:39,000 Do you know the internet password? 248 00:17:39,280 --> 00:17:45,100 Yeah, it's RVG98765. 249 00:18:42,030 --> 00:18:43,030 It didn't work. 250 00:18:46,530 --> 00:18:48,670 Put a rubber on that dunk. 251 00:18:57,290 --> 00:18:58,290 Accountant! 252 00:18:59,990 --> 00:19:00,990 Accountant! 253 00:19:02,150 --> 00:19:03,150 Accountant! 254 00:19:04,130 --> 00:19:05,130 Accountant! 255 00:19:11,560 --> 00:19:12,560 Yeah. 256 00:19:40,000 --> 00:19:41,000 Jumba Wumba! 257 00:19:57,720 --> 00:20:01,800 So, we all got fired from our jobs, pretty much. 258 00:20:02,040 --> 00:20:03,180 I liked my job. 259 00:20:03,420 --> 00:20:04,420 Okay, 260 00:20:04,700 --> 00:20:07,080 Cheryl, you know what? You gotta put that away. 261 00:20:07,380 --> 00:20:09,680 Don't you fucking tell me what to do, Andrew! 262 00:20:17,879 --> 00:20:24,180 That will be our landlord coming to the big desk. Oh, hey, Mark. 263 00:20:24,800 --> 00:20:27,020 We actually thought you were the landlord just now. 264 00:20:27,740 --> 00:20:28,740 I am. 265 00:20:28,800 --> 00:20:29,800 What? 266 00:20:30,100 --> 00:20:31,100 Yeah. 267 00:20:31,260 --> 00:20:33,980 You'd be surprised how much money you can make walking down the street with 268 00:20:33,980 --> 00:20:35,620 face. I bought the place. 269 00:20:38,139 --> 00:20:38,939 That's amazing. 270 00:20:38,940 --> 00:20:39,839 Yeah, that's great. 271 00:20:39,840 --> 00:20:40,840 We were so worried. 272 00:20:41,040 --> 00:20:43,340 Yeah. So, um, when are you guys moving out? 273 00:20:44,860 --> 00:20:45,860 I'm sorry? 274 00:20:46,320 --> 00:20:51,000 I'm a landlord. This is what I do for a job right now. Am I being crazy here? 275 00:20:51,300 --> 00:20:52,400 Bummer. You're a friend. 276 00:20:52,640 --> 00:20:53,640 No. 277 00:20:53,720 --> 00:20:55,560 I am your landlord. 278 00:20:56,400 --> 00:21:00,260 I don't know what part of this you don't understand, but let me make it very 279 00:21:00,260 --> 00:21:03,320 clear. You pay rent. 280 00:21:03,850 --> 00:21:07,610 To stay in the house that I own. 281 00:21:51,759 --> 00:21:53,200 How you doing, big guy? 282 00:21:53,720 --> 00:21:55,360 Better. Hey, listen. 283 00:21:56,260 --> 00:21:58,940 I thought about it, and you guys can keep the apartment. 284 00:22:00,040 --> 00:22:01,820 I guess I had a change of heart. 285 00:22:03,580 --> 00:22:05,840 Okay, can someone take care of this for me, please? 286 00:22:06,180 --> 00:22:07,180 Oh, 287 00:22:07,620 --> 00:22:08,620 a nurse? 288 00:22:08,940 --> 00:22:09,940 Oh, hey, guys. 289 00:22:10,520 --> 00:22:12,540 I'm just here mascotting for Ed's bedpans. 290 00:22:12,780 --> 00:22:14,200 The real nurse will be here in a minute. 291 00:22:35,050 --> 00:22:36,090 I got that! 292 00:22:43,970 --> 00:22:44,850 Late 293 00:22:44,850 --> 00:22:58,070 afternoon, 294 00:22:58,350 --> 00:23:00,250 another day is nearly done. 295 00:23:04,720 --> 00:23:07,920 A darker gray is breaking through a lighter one. 296 00:23:11,540 --> 00:23:15,220 A thousand sharpened elbows in the underground. 297 00:23:19,120 --> 00:23:21,700 A hollow hurried sound. 298 00:23:22,540 --> 00:23:25,060 Feet on polished floor. 22340