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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:10,120 --> 00:00:11,120 Hi, Grandpa. 2 00:01:59,950 --> 00:02:00,950 What are you doing there? 3 00:02:02,010 --> 00:02:04,010 Why are you dancing in front of the TV? 4 00:02:04,410 --> 00:02:06,250 You know the show, Show Go? 5 00:02:07,070 --> 00:02:08,370 Do I know it? 6 00:02:08,949 --> 00:02:11,990 It's one of my all -time favorite films. 7 00:02:12,390 --> 00:02:13,390 Oh. 8 00:02:13,710 --> 00:02:19,390 Well, now my colleagues, they're trying to play on it, and I want to get the 9 00:02:19,390 --> 00:02:22,230 main role, but I'm trying to practice. 10 00:02:24,290 --> 00:02:25,290 Okay. 11 00:02:25,790 --> 00:02:31,890 You know, I may be your grandfather, but you do remember I would want a 12 00:02:31,890 --> 00:02:38,330 director. I'm retired now, but if you like, I could 13 00:02:38,330 --> 00:02:39,970 give you a few pointers. 14 00:02:40,810 --> 00:02:46,430 Well, that would really help because you're my step -grandfather, but I 15 00:02:46,430 --> 00:02:49,730 want to have all your dreams for theater and all of that. 16 00:02:50,210 --> 00:02:52,830 Okay, well, I can help you. You're fine. Come on. 17 00:02:53,310 --> 00:02:55,650 You are way too... 18 00:02:57,360 --> 00:02:59,320 One of the things you've got to do is relax. 19 00:02:59,940 --> 00:03:04,080 And you've got to be like the character. See, this character is very confident 20 00:03:04,080 --> 00:03:06,200 in everything that she does. 21 00:03:06,580 --> 00:03:07,580 Okay. Okay? 22 00:03:08,300 --> 00:03:09,800 I've got an idea. 23 00:03:10,560 --> 00:03:17,340 How about we recreate a scene out of the movie? And that 24 00:03:17,340 --> 00:03:24,200 way I can see how well you do and if there's any pointers that 25 00:03:24,200 --> 00:03:25,200 I can give you. 26 00:03:25,220 --> 00:03:26,420 What do you think about that? 27 00:03:27,400 --> 00:03:30,040 Yeah, I guess that's going to help me, I guess. 28 00:03:30,440 --> 00:03:36,500 Well, there's this one scene where she was confronted with an opportunity, and 29 00:03:36,500 --> 00:03:41,480 she had to make a decision on what she would do to 30 00:03:41,480 --> 00:03:47,340 better her chances in the role that she's looking for. 31 00:03:48,400 --> 00:03:53,280 Maybe you can recreate that for us. 32 00:03:53,780 --> 00:03:55,560 Well, it's not going to be weird. 33 00:03:56,270 --> 00:03:59,930 No, no, no. It's just acting. We're playing a part. 34 00:04:00,150 --> 00:04:02,810 You just do what she would do. 35 00:04:04,130 --> 00:04:06,710 Okay. I guess I'm not going to help. 36 00:04:07,610 --> 00:04:08,930 Just feel the part. 37 00:04:10,070 --> 00:04:11,210 Just get into it. 38 00:04:35,020 --> 00:04:40,640 Okay. You're still just a little tense. You need to relax. Just kind of let 39 00:04:40,640 --> 00:04:41,640 yourself go. 40 00:04:41,680 --> 00:04:43,120 Just be the character. 41 00:04:43,820 --> 00:04:44,900 You want it. 42 00:04:45,180 --> 00:04:46,820 Okay. Yeah. 43 00:05:04,460 --> 00:05:07,980 And every once in a while you have to look up to see if you got the approval 44 00:05:07,980 --> 00:05:08,980 him. 45 00:05:18,520 --> 00:05:20,500 Is that okay, Abuelo? 46 00:05:21,480 --> 00:05:25,960 No, no, no, you're doing good. You're doing very good. But, I mean, you 47 00:05:26,060 --> 00:05:31,220 really want the part, so you really, really have to put a lot into it. 48 00:05:34,990 --> 00:05:38,210 You have to sell that you want this. 49 00:05:38,410 --> 00:05:40,250 That you're better than all the others. 50 00:05:40,550 --> 00:05:42,430 Okay. Okay? Got it. 51 00:06:03,400 --> 00:06:07,200 And anytime you want to throw a little something in there, you know, you know, 52 00:06:07,200 --> 00:06:11,500 oh, how big you are and all like that, you know, just kind of. 53 00:06:13,360 --> 00:06:14,360 Oh, yeah. 54 00:06:15,220 --> 00:06:16,580 You'd be a little verbal, too. 55 00:06:16,860 --> 00:06:17,860 Oh, 56 00:06:19,020 --> 00:06:20,020 you're so big. 57 00:06:21,260 --> 00:06:22,260 Yes, yes. 58 00:06:23,980 --> 00:06:26,400 The audience loves hearing stuff like that. 59 00:06:44,000 --> 00:06:45,580 You're pretty good at this. 60 00:07:03,000 --> 00:07:09,000 I'm just going to... 61 00:07:10,680 --> 00:07:11,680 There you go. 62 00:07:14,400 --> 00:07:15,800 I'm just setting the stage here. 63 00:07:16,620 --> 00:07:17,620 Okay. Okay? 64 00:07:17,860 --> 00:07:18,860 Yeah. 65 00:07:19,680 --> 00:07:21,400 Because she would do the same thing. 66 00:07:22,040 --> 00:07:23,040 Oh. 67 00:07:46,590 --> 00:07:51,090 And here's where he would probably say something like, you're pretty good at 68 00:07:51,090 --> 00:07:54,110 that. Oh, you or? 69 00:07:54,470 --> 00:07:59,870 No, the other performer would say, being in character, that you're pretty good 70 00:07:59,870 --> 00:08:00,629 at that. 71 00:08:00,630 --> 00:08:02,130 Oh, okay. And then you would reply. 72 00:08:02,970 --> 00:08:04,270 Oh, thank you. 73 00:08:05,150 --> 00:08:06,150 You too. 74 00:08:25,960 --> 00:08:26,960 I think you're getting it. 75 00:08:27,280 --> 00:08:29,400 Yeah. You're doing good. 76 00:08:39,799 --> 00:08:42,179 Very nice. 77 00:08:43,020 --> 00:08:44,380 Very, very nice. 78 00:08:50,140 --> 00:08:54,440 Since I know the character a little bit, he's kind of... he's a little more 79 00:08:54,440 --> 00:09:00,480 handy so probably he'd be doing stuff like this just kind of raising and 80 00:09:00,480 --> 00:09:05,680 and touching you and you don't mind right 81 00:09:42,540 --> 00:09:45,160 That lip right there, just doing the tongue on the tip. 82 00:09:49,420 --> 00:09:52,920 And this time, do it and stare up at him. 83 00:09:53,500 --> 00:09:54,500 Yeah. 84 00:09:57,600 --> 00:09:58,600 Yeah, 85 00:10:00,220 --> 00:10:02,840 these are all little tips that you need. 86 00:10:17,160 --> 00:10:18,160 Are you feeling it? 87 00:10:18,340 --> 00:10:20,640 Are you feeling the character right now? 88 00:10:20,840 --> 00:10:22,180 Yeah, I think I'm feeling it. 89 00:10:22,500 --> 00:10:23,500 Okay. Yes. 90 00:10:23,580 --> 00:10:24,580 Thank you, Grandpa. 91 00:10:25,020 --> 00:10:30,220 Oh, no problem. Well, we're not quite done yet. You have to bring it to a 92 00:10:30,220 --> 00:10:31,220 now. 93 00:10:32,580 --> 00:10:34,640 Every scene has to have that moment. 94 00:10:41,320 --> 00:10:42,640 All right. 95 00:10:43,620 --> 00:10:45,700 That's it. We're going to build it up. We're going to build it up. up to that 96 00:10:45,700 --> 00:10:49,280 climax. We're just going to just like 97 00:10:49,280 --> 00:10:55,100 struggling in your mouth, struggling in your mouth. 98 00:11:18,990 --> 00:11:19,990 Just lay your tongue around. 99 00:11:20,390 --> 00:11:21,349 There you go. 100 00:11:21,350 --> 00:11:22,890 Get the last little drop. 101 00:11:26,270 --> 00:11:32,130 Now this is where you look up at him and say, 102 00:11:32,310 --> 00:11:34,230 How did I do? 103 00:11:35,610 --> 00:11:42,010 How did I do? You did real well, but... I have a few more 104 00:11:42,010 --> 00:11:45,910 girls that I have to interview, so I'll... 105 00:11:56,750 --> 00:11:58,450 Hey, honey, I'm going to get some Italian. 106 00:11:58,670 --> 00:12:00,110 Would you like a casserole? 107 00:12:00,670 --> 00:12:03,030 Can you come in, Grandpa? 108 00:12:04,670 --> 00:12:05,670 Okay. 109 00:12:05,890 --> 00:12:08,090 Wait, did you get the part? 110 00:12:13,050 --> 00:12:14,050 Did you? 111 00:12:14,630 --> 00:12:19,530 Well, there is, like, another girl in the waiting list for that. 112 00:12:19,890 --> 00:12:20,890 That good? 113 00:12:20,910 --> 00:12:23,130 Yeah, um, but... 114 00:12:23,690 --> 00:12:28,250 I mean, I did my best, but I didn't show her, so I'm not sure how she did. 115 00:12:29,230 --> 00:12:31,810 But I'm pretty confident about it. 116 00:12:32,790 --> 00:12:34,230 Being confident, that's good. 117 00:12:34,810 --> 00:12:36,690 So tell me a little bit about the character. 118 00:12:37,850 --> 00:12:40,350 Well, it was a really dramatic scene. 119 00:12:40,750 --> 00:12:47,330 I did my best. It was dramatic and with a lot of feelings in it. 120 00:12:47,650 --> 00:12:50,790 I even cried, but I don't know. 121 00:12:51,280 --> 00:12:52,099 Crying's good. 122 00:12:52,100 --> 00:12:56,420 Crying's one of the hardest things to do as an actor. So that's good. 123 00:12:56,680 --> 00:12:57,680 Okay. 124 00:12:58,160 --> 00:13:04,280 Is there anything I can do to help you? Do you want to work on some lines or 125 00:13:04,280 --> 00:13:05,280 something like that? 126 00:13:05,440 --> 00:13:11,100 Well, I'm thinking that it's going to be really weird because it was a boyfriend 127 00:13:11,100 --> 00:13:14,000 and girlfriend thing, so that's going to be weird. 128 00:13:14,240 --> 00:13:17,160 Okay, listen. It's all acting, okay? 129 00:13:17,580 --> 00:13:18,740 So, look. 130 00:13:19,380 --> 00:13:20,380 I will... 131 00:13:20,480 --> 00:13:22,040 Here, stand up. Here we go. 132 00:13:22,560 --> 00:13:29,460 I will be that boyfriend, okay? And you're going to tell me your 133 00:13:29,460 --> 00:13:32,660 side of the story and all like that, and I will listen. 134 00:13:32,940 --> 00:13:35,600 Okay, but I don't think I'm going to be able to cry right now. 135 00:13:36,100 --> 00:13:39,820 You don't have to cry right now. Just build it up. 136 00:13:40,660 --> 00:13:41,660 Okay. 137 00:13:41,840 --> 00:13:42,840 I'm listening. 138 00:13:43,880 --> 00:13:44,880 Okay. 139 00:13:45,680 --> 00:13:49,400 Oh, please, please don't leave me. I don't know what I'm going to be without 140 00:13:49,400 --> 00:13:50,400 you. 141 00:13:52,050 --> 00:13:53,730 Okay, that was pretty good. 142 00:13:54,050 --> 00:13:55,050 Okay. Okay. 143 00:13:55,650 --> 00:14:00,530 Maybe just draw it out just a little bit, and you're kind of in there, and 144 00:14:00,530 --> 00:14:05,330 just kind of look up at them, and just quiver the lips just a little bit, like 145 00:14:05,330 --> 00:14:08,330 you're trying to hold something back. That way you don't have to really cry, 146 00:14:08,330 --> 00:14:12,770 you just kind of sense it. It's, you know, you're going to improvise it, 147 00:14:12,910 --> 00:14:14,290 Okay. Okay, so let's start again. 148 00:14:14,490 --> 00:14:16,170 And I am listening. 149 00:14:17,630 --> 00:14:18,619 Oh, please. 150 00:14:18,620 --> 00:14:21,600 Please don't leave me. I don't know where I'm going to be without you. 151 00:14:25,380 --> 00:14:26,820 Better. Okay. 152 00:14:27,440 --> 00:14:29,180 I got it. It's pretty good. 153 00:14:29,640 --> 00:14:36,220 All right. One of the things that you should do, hon, is get a look at them. 154 00:14:36,300 --> 00:14:37,600 Look. Eyes to them. 155 00:14:38,200 --> 00:14:39,400 The eyes tell everything. 156 00:14:39,760 --> 00:14:43,940 Okay? So do it one more time. When you go, please, please, please, don't leave 157 00:14:43,940 --> 00:14:45,720 me. Look them right in the eye. Okay? 158 00:14:46,560 --> 00:14:47,560 And... 159 00:14:47,690 --> 00:14:48,690 I'm listening. 160 00:14:52,330 --> 00:14:53,370 Oh, please. 161 00:14:53,970 --> 00:14:57,750 Please, please, please don't leave me. I don't know what I'm going to be without 162 00:14:57,750 --> 00:14:58,750 you. 163 00:15:00,610 --> 00:15:02,830 That's really good, sweetheart. 164 00:15:03,490 --> 00:15:04,490 Okay. 165 00:15:04,990 --> 00:15:09,850 Here, let me... This is what I tell all the girls in the past. I said, once you 166 00:15:09,850 --> 00:15:16,090 get past the climax, everything after that is just nothing but rattle -dattle. 167 00:15:16,640 --> 00:15:22,180 okay okay see you're just gonna build it right up and then it's easy after that 168 00:15:22,180 --> 00:15:29,140 okay so yeah let me help you out a little bit and let's let's see 169 00:15:29,140 --> 00:15:33,600 how it goes okay so the first thing i'd like for you to do is 170 00:15:33,600 --> 00:15:39,820 and then we just take it from there okay 171 00:15:48,720 --> 00:15:54,000 This is where it's kind of like the make -up sex or the break -up sex. 172 00:15:54,280 --> 00:15:55,320 You want to keep me? 173 00:15:56,160 --> 00:15:57,300 You've got to show me. 174 00:15:57,760 --> 00:15:59,380 Okay. Okay? Mm -hmm. 175 00:15:59,760 --> 00:16:00,940 Remember, this is acting. 176 00:16:01,380 --> 00:16:02,380 Yeah. 177 00:16:02,740 --> 00:16:04,540 But it doesn't have to really be acting. 178 00:16:04,820 --> 00:16:06,120 You can really enjoy it. 179 00:16:06,820 --> 00:16:08,080 Okay. Okay? 180 00:16:08,380 --> 00:16:09,380 Mm -hmm. 181 00:16:23,150 --> 00:16:24,870 Just like we rehearsed. 182 00:16:55,700 --> 00:16:59,480 You can do everything and anything to keep him from leaving. 183 00:17:59,100 --> 00:18:00,620 Let's get you out of here. 184 00:18:15,980 --> 00:18:18,020 That's it, always stay connected. 185 00:19:00,200 --> 00:19:01,200 that you would do, yeah. 186 00:19:54,300 --> 00:19:59,340 This is the point where he says, I don't want to fuck you. 187 00:20:00,580 --> 00:20:01,640 Okay? Okay. 188 00:20:01,920 --> 00:20:02,920 That's what we're going to do. 189 00:20:03,530 --> 00:20:05,050 Mm -hmm. It's just haptic. 190 00:20:51,410 --> 00:20:54,570 This is the awful part, taking clothes off. 191 00:28:56,400 --> 00:28:57,400 Put the hand up. 192 00:29:49,880 --> 00:29:51,080 imitates real life. 193 00:31:17,930 --> 00:31:19,330 Look at that little... 194 00:34:18,230 --> 00:34:20,330 Shit. Okay, remember, this is just acting. 195 00:34:20,909 --> 00:34:27,850 And, uh... I didn't mean to do that inside you, but... I mean, 196 00:34:27,850 --> 00:34:28,850 it's just for the art. 197 00:34:29,150 --> 00:34:30,150 Okay. 198 00:34:30,989 --> 00:34:31,948 You'll be fine? 199 00:34:31,949 --> 00:34:32,828 Mm -hmm. 200 00:34:32,830 --> 00:34:35,330 It's just... It's running all over the place. 201 00:34:36,889 --> 00:34:37,889 Oh, okay. 202 00:34:39,330 --> 00:34:40,989 All right. You got it, girl. 203 00:34:41,790 --> 00:34:42,790 Confidence. 14194