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When we reached the last night at
Wembley Stadium in London, all of us
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satisfaction.
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We've had so many special moments where
just like, it just reminds me what a
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concert can do if you give it your all.
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Then again, no matter how good a tour
is, it's a huge, massive undertaking.
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It's hard work.
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That's the challenge, that's the
adventure, and that's what every person
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tour is doing.
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Every single night, no matter what's
going on, we're going to do everything
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00:00:51,120 --> 00:00:52,440
our power to blow your mind.
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My goal for the Eros tour is that I
didn't want the fans to leave thinking
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they missed out on anything.
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One thing I've always tried to do is,
like, give something to the fans that
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didn't expect.
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When we had done the first half of the
tour, what the fans didn't know at the
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time was that I was writing a brand -new
album, the tour for Poets Department.
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And in the middle of me releasing the
album, we had to be all hands on deck,
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creating a brand -new era to put into
the show to represent that album.
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Doing all of this completely secretly,
all in like a tiny little break that we
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had between Asia and Europe.
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00:02:01,500 --> 00:02:05,380
Are there sounds from Fortnite that are
not the synth sound?
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Or do we go into like strings?
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Like this feels like a highly elevated
chapter.
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We build this top secret rehearsal
facility for us to lock in the set list.
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Go, who's afraid?
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A little bit of down bass, probably a
verse and a chorus, or a pre -chorus and
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chorus, that might be it.
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Like, I would kind of do surgical
tweaking to each song, be like, okay,
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songs, but cut out the bridge and the
second verse of this.
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And then, to tell me everything is not
about me.
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To make it so that we could fit this
many songs in the show.
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And say they didn't do it to her.
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me everyone in and i want and and and
double as big for i want it's not like
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gonna have a mental breakdown during the
song like it's gonna be so fun and then
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we put together all new choreography
learning choreography all just hearing
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in our heads because they can't play the
music on speakers because it's not out
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yet the first line is did you really
beam me up what i want
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It's for a light to spotlight right on
me like it's the alien ship. Right into
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this, like, crazy, like, alien light.
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And then I found that, right?
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Woo! Yeah.
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There's an entirely new order of the
chapters, so I'm relearning the entire
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show, essentially.
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It feels...
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It's crazy to, like, take all the pieces
apart and then put them together in
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different order. Yeah, and I think I'd
rather feel this way, where I'm a little
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bit confused, a little bit like, what,
then being, like, on autopilot.
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Yeah. Because I could do, the show we
were doing in Asia, I could do in my
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Yeah, at first we're all like, we all
fear change.
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But then you're like, we got this. Yeah,
but we're here because we accepted
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00:04:04,900 --> 00:04:08,560
challenges our whole lives. Oh, my God,
that was a rift. That could have gone so
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bad.
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There was the danger that it could have
felt like we had sort of shoehorned
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something in or that, you know, people
didn't like the new show as much as they
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liked the old show. I swear to God, if I
heard people online being like, I
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missed the old show, I was going to be
like, oh, my God, you have no idea how
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hard this was to do.
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We're going to get to watch 45 ,000
people experience the fact that they're
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seeing something that's never been seen
before.
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00:04:33,800 --> 00:04:37,480
We're going out to play our first show
of the new set.
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00:04:38,140 --> 00:04:42,740
In Paris, the crowd has no idea that
we've added a completely new section and
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rearranged things.
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And I am so, so excited.
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I love having a good secret.
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When we brought out this new show in
Paris, it was so rewarding because all
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of that secrecy and all of that working
during our only time off paid off so
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much because the fans were so excited.
It was such a dynamic new addition to
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show.
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00:05:10,440 --> 00:05:16,560
Now, going into the last show in London,
I have the opportunity to add to their
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experience, even on top of that.
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00:05:20,340 --> 00:05:24,460
Taylor wants to make the last London
show as powerful as possible.
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She's like, I want to blow this thing
out. We're going to do this right.
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She wants to do Florida with Florence
Welch, Florence and the Machine.
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00:05:33,220 --> 00:05:37,460
Performing Florida with Florence is
something I've wanted to do ever since.
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00:05:37,770 --> 00:05:40,450
The two of us wrote that song. And then
it just so happened that she was going
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to be available in London.
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You're not nervous about the show. You
know how it runs, and suddenly it's
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something like Florence coming to do
Florida.
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The choreography meets the music, meets
automation, which is the stage movement,
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and is starting from scratch again. I
know that when I say to them, I want to
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00:06:00,970 --> 00:06:03,750
perform Florida with Florence, and I
really want to do it with full
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00:06:03,950 --> 00:06:08,170
I know that it's... some kind of
creative brainstorming sessions, but I
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00:06:08,170 --> 00:06:12,630
it's doable because all the dancers, the
choreographers, the production
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designers, the crew, the entire band,
every person we have is the best one
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00:06:18,910 --> 00:06:20,010
it in the entire industry.
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00:06:29,110 --> 00:06:30,170
This is kind of funny.
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We have to rehearse the song.
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kind of do what we usually do in the
comfort of a studio from the road, but
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00:06:40,860 --> 00:06:43,720
also trying to keep things from leaking
before the surprise.
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00:06:44,360 --> 00:06:48,280
It's a stadium with no roof, so there's,
like, fans outside, and so you have to
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00:06:48,280 --> 00:06:51,340
turn the PA off, and we have to do it
quietly, you know?
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It is so much extra work to keep things
a
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00:06:59,400 --> 00:07:01,180
surprise. Let me tell you.
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00:07:01,900 --> 00:07:06,480
I need a nap just thinking about it, but
it's so worth it when we can actually
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00:07:06,480 --> 00:07:07,480
pull it off.
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00:07:08,520 --> 00:07:09,940
Your programming sounds.
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00:07:10,180 --> 00:07:15,680
At Soundcheck, the dancers are finding a
place to work on choreography for it
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where people can't find out what's
happening.
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00:07:17,480 --> 00:07:21,660
You know, before you know it, I'm in a
random ballroom in the middle of a hotel
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with Amanda at like 9 .30 at night.
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00:07:26,240 --> 00:07:28,240
Maybe then, maybe you'd come off there.
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00:07:29,900 --> 00:07:32,920
Florence, open up on the, into the
diagonal, maybe?
103
00:07:33,140 --> 00:07:34,140
Yeah.
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00:07:34,520 --> 00:07:39,880
With choreography, I asked one of my
friends, Emma Stone, who's done a lot of
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work in dance in her films, you know,
who have you worked with that you would
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00:07:43,040 --> 00:07:45,620
recommend for this? And she's like,
there's only one person that needs to be
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00:07:45,620 --> 00:07:46,620
your list, and it's Mandy Moore.
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00:07:47,620 --> 00:07:52,120
I never would have thought that I would
be in the same sentence as Taylor Swift
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00:07:52,120 --> 00:07:55,240
ever in my life. You know, I've always
been a big fan, but I...
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00:07:55,840 --> 00:07:59,580
Funny enough, I come from really more
film and television. I don't really do
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00:07:59,580 --> 00:08:00,800
artist performance.
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00:08:01,140 --> 00:08:04,100
Now I understand why I was brought in,
because she really wanted to do
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00:08:04,100 --> 00:08:06,700
different. And she likes the
storytelling.
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00:08:07,040 --> 00:08:09,000
I mean, her songs are mini movies.
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00:08:09,360 --> 00:08:15,040
So when I listen to them, it's just
lyrics and melody swirling with ideas in
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00:08:15,040 --> 00:08:17,840
head. And then you just start making
something.
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00:08:18,060 --> 00:08:20,320
And there's something about that, like,
that.
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And then all of a sudden, it comes out.
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00:08:26,960 --> 00:08:29,060
Do you want to do seven?
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00:08:30,500 --> 00:08:31,500
Beautiful.
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00:08:32,039 --> 00:08:36,740
Gorgeous, Amanda. Up. Like one, two,
three. Amanda Balin, the first time that
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00:08:36,740 --> 00:08:42,799
saw her do her thing, she was
choreographing the tour. She was not a
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job was to show me what I'd be doing
with the dancers.
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I would just get so much inspiration
from what she was doing as a performer.
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I just kept saying, like, you're such a
pop star, Amanda.
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In the middle of the night, in my
dreams.
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This was my dream.
128
00:09:02,090 --> 00:09:06,530
Truly. It was my dream to do live shows
and tour like this. More so than
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00:09:06,530 --> 00:09:10,070
Broadway or anything. I just, I always
was drawn to this.
130
00:09:11,070 --> 00:09:14,430
I actually haven't looked at these. I
just keep throwing them in.
131
00:09:16,070 --> 00:09:18,110
I started out by doing small things.
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00:09:18,750 --> 00:09:23,010
And then I booked a job as a swing for a
Janet Jackson tour, which was... Oh,
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00:09:23,110 --> 00:09:24,510
I'd always wanted to dance for her.
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00:09:24,990 --> 00:09:26,950
I went on to tour with Celine Dion.
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00:09:27,550 --> 00:09:28,790
What else have I done?
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00:09:29,110 --> 00:09:32,890
Oh, oh, I danced for Lady Gaga for five
plus years.
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I toured for five years straight.
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00:09:35,210 --> 00:09:39,350
I worked on Glee, which was a
longstanding dancing TV show for a
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00:09:39,350 --> 00:09:42,790
a wonderful job. I went on to do some
films like La La Land.
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00:09:43,290 --> 00:09:47,290
I've performed at probably every major
award show with different artists.
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00:09:47,530 --> 00:09:49,790
And I've been a part of many tours.
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As much as you want it to last forever,
dance isn't a forever career.
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The demand on your body is not
sustainable.
144
00:10:01,890 --> 00:10:06,370
We can get this strong when you do all
those, you know, wild movements. Then
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00:10:06,370 --> 00:10:11,010
this can stabilize your spine,
helping... I have two labral tears in my
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00:10:11,010 --> 00:10:13,110
flexors. Like, things were just breaking
down.
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00:10:13,550 --> 00:10:18,050
I kind of just decided it was a very
tough decision, but to gracefully start
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00:10:18,050 --> 00:10:19,050
to...
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peel myself away from being a
professional dancer and to do things
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00:10:25,040 --> 00:10:26,040
scenes.
151
00:10:28,100 --> 00:10:33,740
I remember asking Mandy, I wonder if
Amanda would ever dance with us. And
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00:10:33,740 --> 00:10:35,040
was like, ah, she's retired.
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00:10:35,400 --> 00:10:38,020
She hung up her dancing shoes a while
ago.
154
00:10:38,540 --> 00:10:42,820
At some point, Mandy came to me and
said, hey, the team wants to know if you
155
00:10:42,820 --> 00:10:43,820
want to do the show.
156
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My first response to being asked to the
tour was a chuckle and a, oh, hell no.
157
00:10:48,430 --> 00:10:49,890
I don't even know if I could do it.
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00:10:50,430 --> 00:10:54,230
Being involved in the behind the scenes
and then doing it on stage, those are
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00:10:54,230 --> 00:10:55,230
two different things.
160
00:10:56,310 --> 00:11:00,510
I had doubts in my ability. I was
worried that I wasn't going to be as
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00:11:00,510 --> 00:11:01,850
was when I was dancing.
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00:11:03,110 --> 00:11:07,690
But at the end of the day, even though
there was a lot of fear, it was just too
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wonderful of an opportunity.
164
00:11:10,170 --> 00:11:11,890
A second chance, I get chills.
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It was a second chance that most people
don't get to have.
166
00:11:20,300 --> 00:11:26,000
We're counting this song in fast pace.
So it'll be a 1, 2, 3, 4, 5, 6, 7, 8. A
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00:11:26,000 --> 00:11:32,520
1, 2, 3, 4, 5, 7, 8. She says, and a 5,
2, 3, 4. On 5,
168
00:11:32,900 --> 00:11:36,460
it's the word weed. And you guys are
going to kind of do like a little bit of
169
00:11:36,460 --> 00:11:39,140
deflate. And my friends all smell like
weed.
170
00:11:39,660 --> 00:11:40,660
Yeah, yeah.
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00:11:41,440 --> 00:11:43,240
Weed or little babies.
172
00:11:44,240 --> 00:11:45,240
And you'll roll up.
173
00:11:45,680 --> 00:11:50,840
And on the five of the fifth. And my
friends all smell like wee or little.
174
00:11:50,980 --> 00:11:55,200
two, three, four, five, six, seven,
eight. Okay? Just so you have an idea.
175
00:11:55,600 --> 00:11:56,600
And then, guys, what?
176
00:12:05,160 --> 00:12:08,540
Amanda and I were in, like, an empty
ballroom last night, just like, okay,
177
00:12:08,540 --> 00:12:09,820
get over it. Like, idiots.
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00:12:10,580 --> 00:12:12,780
Amanda and I. As you can imagine, it's
the normal.
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00:12:13,080 --> 00:12:14,640
Okay. Florida won.
180
00:12:14,880 --> 00:12:16,300
Gang, gang, gang, gang.
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00:12:16,500 --> 00:12:17,880
It's a hell of a drug.
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00:12:19,760 --> 00:12:23,060
It is always weird, I think, with
choreography, because it is true. It's
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00:12:23,100 --> 00:12:24,760
literally a week ago, this thing didn't
exist.
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00:12:25,080 --> 00:12:28,300
And my friends all smell like weed.
Okay, so with the exact.
185
00:12:28,540 --> 00:12:30,800
Oh, do you already do this? Just
roughly, but. Oh, freaking great.
186
00:12:31,300 --> 00:12:33,140
I was like, why do they all do this?
187
00:12:35,110 --> 00:12:40,410
And then the dancers become the
accessories to Taylor and to the stage
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00:12:40,410 --> 00:12:44,310
the whole experience. So it's a really
important thing. And I take it very
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00:12:44,310 --> 00:12:45,310
seriously.
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00:12:45,810 --> 00:12:50,090
You know, I always get nervous when I'm
showing Taylor something for the first
191
00:12:50,090 --> 00:12:53,910
time because ultimately I just want to
do well. You know, like I want to make
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00:12:53,910 --> 00:12:57,610
her happy because I just, you know, so
much respect for her. I love her.
193
00:12:58,350 --> 00:13:00,990
I mean, I was really terrified the first
time I had to show her something.
194
00:13:02,920 --> 00:13:04,220
We can figure this out together.
195
00:13:06,700 --> 00:13:11,060
But luckily, you know, since the very
early stages of this, her and I have a
196
00:13:11,060 --> 00:13:12,260
really nice communication.
197
00:13:12,800 --> 00:13:14,060
We'll put something in here.
198
00:13:14,580 --> 00:13:15,760
Yeah, there, we'll figure this out.
199
00:13:16,200 --> 00:13:18,940
Actually, I'm going to need to travel
back to the A stage during this part.
200
00:13:19,120 --> 00:13:19,959
Okay, great.
201
00:13:19,960 --> 00:13:20,960
Taylor can give me...
202
00:13:21,230 --> 00:13:24,650
Thoughts or colors or ideas. And I think
I'm able to understand what she wants
203
00:13:24,650 --> 00:13:29,550
visually. I want to kind of channel like
a Rites of Spring Florence machine.
204
00:13:29,790 --> 00:13:34,710
Like taking our body. Yeah, like fully
like reaching.
205
00:13:35,810 --> 00:13:42,710
You know, like kind of like girl in an
insane asylum slash wood nymph. Love it.
206
00:13:42,790 --> 00:13:43,790
Yeah.
207
00:13:44,150 --> 00:13:47,430
So, I mean, yeah. Was I nervous? I'm
always nervous. I'm always sweating. I'm
208
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like, oh, God, did I make the right
thing? Is this bad choices?
209
00:13:50,940 --> 00:13:51,940
Hello.
210
00:13:52,040 --> 00:13:54,500
How are you? Really good. How are you
doing? I'm good.
211
00:13:54,760 --> 00:13:57,620
All right. Do you want to watch one? I
would love to. And kind of see. I'll do
212
00:13:57,620 --> 00:13:58,620
four -inch track.
213
00:13:59,000 --> 00:14:02,020
We're just doing the speaker right here.
Yeah. I love it. Yeah. Okay, guys.
214
00:14:02,040 --> 00:14:02,959
Ready to move?
215
00:14:02,960 --> 00:14:04,980
Yeah. Okay. Go for 43.
216
00:14:05,980 --> 00:14:07,900
One, two, three.
217
00:14:08,560 --> 00:14:10,440
Stand by for 42. Six points.
218
00:14:21,480 --> 00:14:25,780
And my friends all fell like weed, oh
little baby.
219
00:14:26,440 --> 00:14:31,760
Oh, I love that. Go. And the city reeks
of driving blind of me.
220
00:14:34,080 --> 00:14:40,420
Little did you know your home's really
only a town you're just a guest in.
221
00:14:40,700 --> 00:14:46,600
Go you work your time away just to pay
for a time spent down in Bedford,
222
00:14:46,800 --> 00:14:47,800
Florida.
223
00:15:10,230 --> 00:15:11,950
I didn't feel like you guys can play
here.
224
00:15:14,410 --> 00:15:15,410
And then, yeah.
225
00:15:15,790 --> 00:15:17,010
We made this, like, wave.
226
00:15:17,390 --> 00:15:22,290
Wow. Couldn't be kind of cool, huh? I
hate that it's happening without us
227
00:15:24,170 --> 00:15:25,370
We could do it earlier if you want.
228
00:15:26,010 --> 00:15:27,010
Just didn't know if it was... Whoa.
229
00:15:27,930 --> 00:15:32,010
So epic back there, and no one's going
to look at it. No, because they're going
230
00:15:32,010 --> 00:15:32,689
to be looking at you.
231
00:15:32,690 --> 00:15:36,890
And I almost wish that me and Florence
could be on that.
232
00:15:37,390 --> 00:15:40,570
I mean, that would be fucking amazing.
And she's up for it, yeah.
233
00:15:40,790 --> 00:15:45,230
I'm worried if me and Florence are here,
people aren't going to look at it, and
234
00:15:45,230 --> 00:15:49,810
that bothers me. And also, I think
Florence is going to be really, she's
235
00:15:49,810 --> 00:15:54,590
down for being in the mix and doing cool
stuff. And I did my best.
236
00:15:54,810 --> 00:15:55,810
And there.
237
00:15:56,640 --> 00:16:02,560
All of the bodies that have ever played
my body and my mind, they think into the
238
00:16:02,560 --> 00:16:05,100
moon. That would be awesome if it goes
down.
239
00:16:07,250 --> 00:16:08,290
Then it rises.
240
00:16:09,210 --> 00:16:10,210
Totally,
241
00:16:11,370 --> 00:16:16,250
right? Then it all rises at the same
fucking time and it's awesome and
242
00:16:16,250 --> 00:16:17,250
sees it.
243
00:16:17,510 --> 00:16:18,510
Good, okay.
244
00:16:18,530 --> 00:16:22,650
Let's run one more time and now that
I've had this chat with Taylor, then I
245
00:16:22,650 --> 00:16:26,170
fix up. We have all the elements. I just
now need to rework them, okay? Good
246
00:16:26,170 --> 00:16:27,330
job, guys. Great job.
247
00:16:27,630 --> 00:16:34,420
A lot of the time when you are casting
for a tour, you know, Choreographers
248
00:16:34,420 --> 00:16:40,100
will sometimes have it in their head
that they want a specific body type,
249
00:16:40,100 --> 00:16:43,520
want a specific look, they want only
women, they want only men.
250
00:16:44,120 --> 00:16:49,220
People can get very opinionated about
things looking very uniform.
251
00:16:49,920 --> 00:16:51,720
That's not what I wanted to do with the
Eros tour.
252
00:16:51,940 --> 00:16:56,620
I feel like when you look up on stage as
a fan, if you see people that represent
253
00:16:56,620 --> 00:17:01,420
you, your friends, the people you see in
the world, that's...
254
00:17:01,660 --> 00:17:05,420
I think much more emotional and more
connective and powerful.
255
00:17:05,660 --> 00:17:10,440
I really wanted everyone to look up on
that stage and think, I see myself in
256
00:17:10,440 --> 00:17:11,440
that person.
257
00:17:13,380 --> 00:17:19,119
Space is like the space that Taylor is
curating on a night -to -night basis.
258
00:17:19,819 --> 00:17:22,500
I wish we had more of that, right?
259
00:17:23,160 --> 00:17:29,820
Even outside of entertaining, it's so
important to be seen, to be heard, to be
260
00:17:29,820 --> 00:17:30,820
understood.
261
00:17:34,600 --> 00:17:39,920
My background as a dancer, I had a lot
of teachers and professors who were not
262
00:17:39,920 --> 00:17:42,500
so kind, mostly around my size.
263
00:17:42,960 --> 00:17:46,420
And if I wanted to be a professional
dancer, I would need to lose weight.
264
00:17:47,120 --> 00:17:51,560
I remember doing an audition, and the
director of the company said to me,
265
00:17:51,600 --> 00:17:56,960
so what are we going to do about your
body in life? Some people are going to
266
00:17:56,960 --> 00:18:00,720
to tear you down. They want you to do
something else other than the thing that
267
00:18:00,720 --> 00:18:01,720
you are in love with.
268
00:18:02,890 --> 00:18:06,530
And then there are kind people who
ground you.
269
00:18:06,730 --> 00:18:11,990
And in my experience, that's my mom and
my brother, it's important to know I
270
00:18:11,990 --> 00:18:18,990
came from a family with an excess of
love, right? My mother sacrificed a
271
00:18:18,990 --> 00:18:22,610
lot for my brother and I to just have
experiences.
272
00:18:24,590 --> 00:18:27,610
And so my brother, he fell in love with
sports.
273
00:18:28,430 --> 00:18:33,590
I fell in love with dance, and we were
sort of navigating our training at the
274
00:18:33,590 --> 00:18:36,090
same time, middle school, high school,
college.
275
00:18:36,430 --> 00:18:42,630
And it has been the joy of my life to
watch him
276
00:18:42,630 --> 00:18:45,510
thrive in something that he loved so, so
much.
277
00:18:46,570 --> 00:18:51,370
Now he plays in the NFL, and I watched
my brother go to the Super Bowl three
278
00:18:51,370 --> 00:18:52,370
times.
279
00:18:52,730 --> 00:18:57,210
I graduated college and thought I was
going to be teaching dance for the rest
280
00:18:57,210 --> 00:18:58,039
my life.
281
00:18:58,040 --> 00:19:02,700
And I remember getting an email that
said, there's a closed audition.
282
00:19:03,060 --> 00:19:06,280
We cannot disclose who the artist is
when it's being choreographed by Mandy
283
00:19:06,280 --> 00:19:09,960
Moore. I didn't have, like, a dollar to
my name at the time.
284
00:19:10,700 --> 00:19:17,160
And I called my brother. I was like,
listen, I don't know what this is,
285
00:19:17,280 --> 00:19:24,020
but something is telling me that I have
to be in this
286
00:19:24,020 --> 00:19:26,000
room. He was like, OK.
287
00:19:26,650 --> 00:19:28,750
we will make it happen and he bought me
a flight
288
00:19:28,750 --> 00:19:35,170
when
289
00:19:35,170 --> 00:19:40,990
he came into the audition i was like
he's magnetic i mean he's a great dancer
290
00:19:40,990 --> 00:19:46,510
his smile is like the thousand watt
smile you know he's really well trained
291
00:19:46,510 --> 00:19:48,450
just embodies what i felt
292
00:19:49,240 --> 00:19:51,480
was like the spirit of what these people
need to be.
293
00:19:51,740 --> 00:19:57,820
Pam is someone who absolutely lights up
not only the stage, but just our entire
294
00:19:57,820 --> 00:19:59,040
vibe as a tour.
295
00:19:59,340 --> 00:20:01,360
He's just so himself.
296
00:20:02,700 --> 00:20:06,220
I don't want dancers that blend in. I
don't care about them pulling focus.
297
00:20:06,440 --> 00:20:07,440
I want them to pull focus.
298
00:20:07,620 --> 00:20:14,300
I want you to feel like you saw an
entire crew of individual stars on the
299
00:20:16,400 --> 00:20:17,400
Now.
300
00:20:18,440 --> 00:20:25,440
Knowing that spaces like this do exist
for me, that allow me to be the fullest
301
00:20:25,440 --> 00:20:32,120
version of me with all I have to offer
in this body as it exists right now,
302
00:20:32,300 --> 00:20:36,920
this feels like my Super Bowl.
303
00:20:47,570 --> 00:20:49,530
I woke up with a cat on my head.
304
00:20:51,210 --> 00:20:51,650
Bonus
305
00:20:51,650 --> 00:21:05,910
day
306
00:21:05,910 --> 00:21:10,590
is so important because setting a
precedent with the Aris tour is really
307
00:21:10,590 --> 00:21:14,250
important to me because people who work
on the road, if the tour grosses more,
308
00:21:14,390 --> 00:21:15,390
they get more.
309
00:21:15,550 --> 00:21:20,330
of a bonus and these people just work so
hard and they are the best at what they
310
00:21:20,330 --> 00:21:26,110
do so every single person on the crew
i've handwritten them a note it took me
311
00:21:26,110 --> 00:21:32,130
couple weeks but it's fun to write the
notes it's like fun to to think about
312
00:21:32,130 --> 00:21:34,630
everybody's lives that they're going to
go back to and the time off they're
313
00:21:34,630 --> 00:21:37,590
going to have and you know the kids they
haven't seen because they've been away
314
00:21:37,590 --> 00:21:43,030
from months and it's just making that
worthwhile for them is like really
315
00:21:43,790 --> 00:21:47,390
It just, it feels like Christmas morning
when you finally get to say thank you.
316
00:21:49,470 --> 00:21:55,450
A little bonus day, a little bonus day.
So each one is in its own baggie, and I
317
00:21:55,450 --> 00:21:57,130
was thinking we can lay them out.
318
00:21:58,250 --> 00:22:00,930
Oh, let me see the wax seal.
319
00:22:01,970 --> 00:22:04,570
You wax sealed every one of these
things? Yeah.
320
00:22:05,150 --> 00:22:07,830
And the fire department almost had to
come.
321
00:22:09,800 --> 00:22:15,540
show you this taylor six of the audio
guys got this tattoo says cruel summer
322
00:22:15,540 --> 00:22:21,640
shows oh my god and then i don't know
crazy i don't know if you remember but
323
00:22:21,640 --> 00:22:25,900
reputation why is it a grim reaper i
have no idea they have to keep it like
324
00:22:25,900 --> 00:22:31,180
scary they can't like have like a tattoo
of like a butterfly and a kitty cat i
325
00:22:31,180 --> 00:22:36,020
think what that means is 152 days almost
killed them but they made it
326
00:22:37,070 --> 00:22:39,670
That's exactly what it is. That's what
it means. That's the reality of it.
327
00:22:39,950 --> 00:22:44,250
Get rid of the bag. It's a bit forensic.
328
00:23:00,180 --> 00:23:04,420
everybody has the same message on their
card so i was hoping you could open it
329
00:23:04,420 --> 00:23:09,040
but before before you look at yours i
just wanted to say guys this this leg of
330
00:23:09,040 --> 00:23:10,040
this tour
331
00:23:10,440 --> 00:23:13,940
has been harder than anything I've ever
done in a live setting.
332
00:23:14,140 --> 00:23:19,360
And you guys have taken this on with
such excitement and such curiosity and
333
00:23:19,360 --> 00:23:21,260
the endurance you've shown.
334
00:23:22,200 --> 00:23:25,980
But the spirit you've shown, how much
you've given to these crowds, that gives
335
00:23:25,980 --> 00:23:28,820
to me every single night. The tour has
done really well.
336
00:23:29,460 --> 00:23:34,380
Thanks to all of our hard work. So if
you will kindly read today's message.
337
00:23:36,140 --> 00:23:37,140
Taylor Swift.
338
00:23:40,000 --> 00:23:41,240
Okay. Oh.
339
00:23:43,060 --> 00:23:48,320
There's Cam. We've traveled the world
like we set out to do. We've dazzled the
340
00:23:48,320 --> 00:23:50,140
crowds, but we've missed family too.
341
00:23:50,460 --> 00:23:54,180
My full gratitude doesn't come from a
bank, but here's...
342
00:23:54,180 --> 00:24:01,040
I'll just say thank you.
343
00:24:01,180 --> 00:24:02,180
Love, Taylor.
344
00:24:17,610 --> 00:24:23,330
presented the checks to our drivers and
he presented handwritten letters from
345
00:24:23,330 --> 00:24:24,450
Taylor. It's incredible.
346
00:24:24,750 --> 00:24:28,490
I know tour truck drivers and I've
asked, do artists usually give out these
347
00:24:28,490 --> 00:24:30,110
bonuses? Unheard of.
348
00:24:33,550 --> 00:24:34,550
What's wrong, Max?
349
00:24:35,650 --> 00:24:36,650
He's emotional.
350
00:24:36,870 --> 00:24:39,650
Oh my God, do you need a hug? Are you
okay? I'm gonna pass out.
351
00:25:01,630 --> 00:25:06,210
And so the first walk, you know, it felt
nice that you were going to slow first
352
00:25:06,210 --> 00:25:07,210
and then you round the corner.
353
00:25:08,990 --> 00:25:11,030
Everybody's got their thing they're good
at.
354
00:25:12,130 --> 00:25:16,030
It's taken me a really long time to be
even fine at choreography.
355
00:25:17,030 --> 00:25:23,430
Mandy knows how to approach teaching me
choreography from a lyrical perspective.
356
00:25:24,010 --> 00:25:28,050
what were you doing with these little
steps yeah they're just steps um yeah so
357
00:25:28,050 --> 00:25:31,730
just starting with your uh did you think
oh yeah i
358
00:25:31,730 --> 00:25:38,510
don't do eight counts i learn based on
what
359
00:25:38,510 --> 00:25:43,490
syllable of the lyric i'm attaching a
movement to and i can't really learn any
360
00:25:43,490 --> 00:25:47,870
other way i've tried texas florida
should be yeah i didn't know if it
361
00:25:47,870 --> 00:25:48,870
like
362
00:25:49,310 --> 00:25:53,730
Sing it, then throw to them, or sing,
floor it up. There you go, that's what I
363
00:25:53,730 --> 00:26:00,470
thought. To get out there and learn the
choreography in 30 minutes, and remember
364
00:26:00,470 --> 00:26:05,550
to hit this spot, hit this mark, this
dancer's going to come over and stand
365
00:26:05,550 --> 00:26:10,970
to me for this moment, in front of 90
,000 people, like my brain would
366
00:26:14,700 --> 00:26:19,080
It's an absolute challenge, not to
mention the whole time she's doing this,
367
00:26:19,120 --> 00:26:22,180
she's singing and doing all these things
at the same time.
368
00:26:22,540 --> 00:26:25,520
So it's a lot like juggling for three
and a half hours.
369
00:26:25,900 --> 00:26:30,200
Learning the choreography, it's not just
doing a step for the sake of doing a
370
00:26:30,200 --> 00:26:35,960
step. It's all very visual, and it made
sense to me, narratively.
371
00:26:36,260 --> 00:26:40,760
It also is interesting to be in a
position where, like, you know, this is
372
00:26:40,760 --> 00:26:41,760
of experts.
373
00:26:41,770 --> 00:26:46,670
And there's something about that that
keeps me on my game and focused and
374
00:26:46,670 --> 00:26:50,730
in. It's one of the elements of like
where that kind of pressure is a
375
00:26:50,730 --> 00:26:54,290
because they're not messing up.
376
00:26:54,670 --> 00:26:55,990
So it better not be me.
377
00:26:58,740 --> 00:27:02,960
Okay, so I feel good. Is it okay if I...
Yeah, because we're going to put
378
00:27:02,960 --> 00:27:05,640
Florence in tomorrow, so we'll have you
with her there. Okay, perfect, perfect.
379
00:27:05,900 --> 00:27:08,920
We're happy if you guys... I love it. I
love it. I love it. I think it's going
380
00:27:08,920 --> 00:27:09,920
to be so special.
381
00:27:10,160 --> 00:27:12,880
Beautiful job, guys. Beautiful job.
Thanks for the song.
382
00:27:13,740 --> 00:27:16,520
My only job.
383
00:27:21,610 --> 00:27:23,530
I'm excited about seeing the show again.
384
00:27:23,730 --> 00:27:28,290
The driver asked me, oh, is this your
first time to the show? I was like, uh,
385
00:27:28,350 --> 00:27:29,350
no.
386
00:27:29,670 --> 00:27:33,150
I don't, you know, my knee is doing
better.
387
00:27:33,490 --> 00:27:36,130
And I don't really want to be in the
wheelchair.
388
00:27:36,350 --> 00:27:37,730
I need it a little bit.
389
00:27:38,750 --> 00:27:42,730
To get you there. Yeah, but I want to
dance. Tell them. I'm going to tell
390
00:27:42,850 --> 00:27:46,130
Because I feel like a hypocrite if I'm
sitting in the wheelchair section and I
391
00:27:46,130 --> 00:27:49,150
start popping off, you know. I think
they'll come and take the wheelchair.
392
00:27:49,150 --> 00:27:50,150
You're going to start what?
393
00:27:50,610 --> 00:27:52,310
Popping off. And is that the move?
394
00:27:53,030 --> 00:27:54,030
Something like that.
395
00:27:54,430 --> 00:27:57,830
At what? Sometimes it's a shimmy. Uh
-huh. Sometimes it's a roll.
396
00:27:58,210 --> 00:27:59,410
And when does that window?
397
00:27:59,890 --> 00:28:04,190
It is. I have so many. And a lot of
times, it's you guys' choreography, too.
398
00:28:04,250 --> 00:28:05,250
Like.
399
00:28:06,230 --> 00:28:07,230
It's this way.
400
00:28:07,890 --> 00:28:12,790
Something like that. I do that. For
Shake It Off? Yeah. Shake it off. Shake
401
00:28:12,870 --> 00:28:13,870
Uh -uh. Uh -huh.
402
00:28:14,010 --> 00:28:15,550
I do that move, too.
403
00:28:15,770 --> 00:28:16,749
Oh.
404
00:28:16,750 --> 00:28:17,850
Are you ready for it?
405
00:28:20,730 --> 00:28:22,790
That's my song.
406
00:28:23,230 --> 00:28:24,950
I love that one.
407
00:28:25,430 --> 00:28:28,810
This experience has been really amazing
for me.
408
00:28:38,750 --> 00:28:44,930
I've watched you make so many
sacrifices.
409
00:28:51,210 --> 00:28:57,530
so many for us to be able to do what
we're doing and to
410
00:28:57,530 --> 00:29:03,210
follow those dreams with every part of
us. And
411
00:29:03,210 --> 00:29:10,150
I am grateful that you're
412
00:29:10,150 --> 00:29:11,150
here to see it.
413
00:29:11,690 --> 00:29:14,990
Yeah. Because Colin and I
414
00:29:15,770 --> 00:29:20,290
Being able to do what we love to do in
such grand places.
415
00:29:22,150 --> 00:29:25,170
It's a product of how you love us.
416
00:29:26,150 --> 00:29:27,150
And do.
417
00:29:27,890 --> 00:29:34,530
So I'm grateful that you're able to see
the
418
00:29:34,530 --> 00:29:39,230
fruits of your labor in this way.
419
00:29:39,510 --> 00:29:42,890
And I will never not have you.
420
00:29:43,800 --> 00:29:47,280
in these spaces with me and celebrating
with me.
421
00:29:48,100 --> 00:29:54,620
Because just as hard as I've worked, I'm
very clear and very
422
00:29:54,620 --> 00:29:58,500
conscious of how hard you've worked for
us to be able to do so.
423
00:29:59,760 --> 00:30:03,440
Which is why I try my hardest to take so
much care of you. I know. I know.
424
00:30:03,860 --> 00:30:05,660
I love you so much. I love you.
425
00:30:08,360 --> 00:30:11,980
This will be a good show. I know. You're
going to enjoy it. I'm going to dance.
426
00:30:12,020 --> 00:30:13,020
I know.
427
00:30:36,800 --> 00:30:38,880
This is going to be amazing.
428
00:30:39,920 --> 00:30:42,500
This is so big. No, it is.
429
00:30:42,880 --> 00:30:45,700
It is. And it's also, it's like a lot of
ground to cover here.
430
00:30:46,060 --> 00:30:50,040
So we're going to show you. And then
like the choreography is like we do
431
00:30:50,040 --> 00:30:53,240
something and it affects them. Like
where we're just like Florida.
432
00:30:53,440 --> 00:30:54,440
And they're like.
433
00:30:55,380 --> 00:30:58,920
I have performed on big stages, but this
is not like.
434
00:30:59,640 --> 00:31:01,860
I thought I'd just show up and I'd run
around.
435
00:31:02,100 --> 00:31:05,620
Like, because that's what I do at my own
shows. I just show up and I run, like,
436
00:31:05,700 --> 00:31:06,700
I just run around.
437
00:31:06,900 --> 00:31:09,320
You're going to come up on that back
lift, but you'll see it.
438
00:31:09,660 --> 00:31:13,300
I have never done a lift. You haven't?
Oh, that's so fun.
439
00:31:13,580 --> 00:31:15,020
You're going to have so much fun.
440
00:31:15,320 --> 00:31:18,860
When I got there, I was like, okay, now
this is your choreo. I was like, oh, no,
441
00:31:18,900 --> 00:31:20,120
no, wait, wait, you got me confused.
442
00:31:20,600 --> 00:31:21,600
I don't do this.
443
00:31:22,180 --> 00:31:23,520
I'm going to fuck this up.
444
00:31:25,300 --> 00:31:27,960
Jenny, one, two, three.
445
00:31:28,480 --> 00:31:29,480
You split.
446
00:31:37,200 --> 00:31:38,240
Good.
447
00:31:40,940 --> 00:31:41,940
You're good.
448
00:31:49,280 --> 00:31:50,320
Great.
449
00:31:53,560 --> 00:31:54,660
Okay. Great.
450
00:31:55,130 --> 00:32:00,150
So now, this is Karen, and Nat, and
Tamia's behind you, and Raph here. So
451
00:32:00,150 --> 00:32:01,149
guys are nice and safe.
452
00:32:01,150 --> 00:32:05,130
This is going to start rising up on, so
I did my best, okay? Oh, great. And
453
00:32:05,130 --> 00:32:07,910
she's going to lay down, or she's going
to kind of come into, if you're okay
454
00:32:07,910 --> 00:32:11,510
with this, and she's just going to lay
her head here. And it would be great if
455
00:32:11,510 --> 00:32:15,450
you wanted to connect to her head. I did
my best to lay to rest all of the
456
00:32:15,450 --> 00:32:18,630
bodies that have ever been on my body.
So it kind of makes sense. So I did my
457
00:32:18,630 --> 00:32:20,650
best to lay to rest. Good.
458
00:32:21,230 --> 00:32:24,870
All of the buddies that have been on my
body and in my mind.
459
00:32:25,270 --> 00:32:27,830
They think into the swamp. Raise your
arms up.
460
00:32:28,330 --> 00:32:29,530
Beautiful. No, sorry.
461
00:32:29,930 --> 00:32:33,810
Is that a bad thing to say in a song?
Sorry about that, yeah. So think into
462
00:32:33,810 --> 00:32:35,410
swamp, you're still down. Yes.
463
00:32:35,870 --> 00:32:36,890
Think into the swamp.
464
00:32:39,490 --> 00:32:40,490
Song up.
465
00:32:41,990 --> 00:32:43,730
Okay, good. Now it's good.
466
00:32:43,990 --> 00:32:46,010
Let me pack your life away.
467
00:32:47,590 --> 00:32:49,330
Don't make me check this.
468
00:32:51,040 --> 00:32:52,040
Beautiful.
469
00:32:52,660 --> 00:32:54,340
Back center.
470
00:32:54,800 --> 00:32:55,800
Do it again.
471
00:32:58,420 --> 00:33:00,020
What a treat.
472
00:33:01,800 --> 00:33:06,580
We're similar in that the persona is
huge, but the person is soft, and so I
473
00:33:06,580 --> 00:33:07,640
think that's why we get along.
474
00:33:08,500 --> 00:33:13,960
Externally, this thing is really big,
but when we're together, we're just
475
00:33:13,960 --> 00:33:14,960
and goofy.
476
00:33:16,620 --> 00:33:21,000
Seeing the show, the most beautiful
thing was the crowd.
477
00:33:21,360 --> 00:33:24,900
It was just like the love and the vibe.
478
00:33:25,240 --> 00:33:30,360
I was just like, all the pockets of,
like, girls in their dresses, like,
479
00:33:30,380 --> 00:33:37,320
dancing. There's so much joy and, like,
femininity that's not, there's
480
00:33:37,320 --> 00:33:39,820
no shame around it. No, it was so
beautiful.
481
00:33:40,620 --> 00:33:44,120
Natalie and Odie are standing right
here. She just heads to the back, you
482
00:33:45,100 --> 00:33:48,700
And then you're going to have your
footprint right there, and you just got
483
00:33:48,700 --> 00:33:50,400
in the middle. And I think turn back
front.
484
00:33:50,880 --> 00:33:52,060
Yeah, and then we'll take you down.
485
00:33:52,540 --> 00:33:55,380
And then Dewey will be there to get you
at the end, okay?
486
00:33:56,280 --> 00:33:57,280
Yeah.
487
00:33:57,900 --> 00:33:59,860
Oh, God, this is going to be so fun. Can
we?
488
00:34:00,140 --> 00:34:03,420
Yes, I would love. Taylor, are you good
to run this, too, from the top with the
489
00:34:03,420 --> 00:34:04,820
lifts and everything? No, that was all
we got.
490
00:34:05,700 --> 00:34:08,500
Can you imagine? You're like, Florence,
good luck. It's going to be great.
491
00:34:08,960 --> 00:34:09,960
I'm sure you'll be fine.
492
00:34:10,780 --> 00:34:11,780
Good. You want to try one?
493
00:34:12,480 --> 00:34:13,480
All right.
494
00:34:13,679 --> 00:34:14,679
Yes.
495
00:34:16,420 --> 00:34:17,420
Ready to go down?
496
00:34:17,600 --> 00:34:22,380
Let's go. And are you okay if I kind of
talk you through and I say go right?
497
00:34:22,580 --> 00:34:23,580
Perfect.
498
00:34:24,420 --> 00:34:25,420
What?
499
00:34:46,230 --> 00:34:47,610
I've been feeling so alone.
500
00:34:47,870 --> 00:34:51,690
I keep waiting for you, but you never
come.
501
00:34:51,909 --> 00:34:57,790
Is this in my head? I don't know what to
think. Getting out to the crowd and
502
00:34:57,790 --> 00:35:03,730
roll down the ranks and marry me.
Juliet, you never have to be alone.
503
00:35:46,440 --> 00:35:49,820
I still love you. And I'm like, I'm
just, I mean, this is exhausting.
504
00:35:50,060 --> 00:35:52,280
You know, like we are never getting back
together.
505
00:35:52,840 --> 00:35:53,840
Nah, bruv.
506
00:36:20,370 --> 00:36:25,190
And my friends all smell like weed or
little babies.
507
00:36:26,830 --> 00:36:31,710
And the city reeks of driving myself to
sleep.
508
00:36:33,490 --> 00:36:39,690
Little did you know, your home's really
only a town you're just a guest in.
509
00:36:39,990 --> 00:36:44,850
So you look your back and wait for today
for a time to die.
510
00:36:46,299 --> 00:36:47,299
Thank you.
511
00:37:15,340 --> 00:37:17,800
I got drunk and I dated to Washington.
512
00:37:18,320 --> 00:37:21,300
They're hating in the bathroom where the
bottle was.
513
00:37:21,640 --> 00:37:26,340
Well, me and my ghost, we had a hell of
a time. Yes, I'm haunted, but I'm
514
00:37:26,340 --> 00:37:27,380
feeling just fine.
515
00:37:28,320 --> 00:37:33,660
All my girls got that lace down their
crotch. She and her husband disappeared
516
00:37:33,660 --> 00:37:37,040
when no one asked any questions.
517
00:37:37,460 --> 00:37:40,820
So I did my best, delayed to rest.
518
00:37:41,240 --> 00:37:44,120
All the bodies that have ever been on my
body.
519
00:37:55,370 --> 00:37:58,170
Thank you.
520
00:38:19,790 --> 00:38:24,230
of coming up for the first time in that
lift it was kind of landing on mars
521
00:38:24,230 --> 00:38:29,430
because i'd never seen the stage lit up
before the sound of the crowd that was
522
00:38:29,430 --> 00:38:33,930
really extraordinary you know it's like
you see this cultural moment from the
523
00:38:33,930 --> 00:38:38,530
outside and i suddenly was like inside
of it it was wild but it was it was
524
00:38:38,530 --> 00:38:44,650
really fun and completely terrifying
also taylor's my friend and i know her
525
00:38:44,650 --> 00:38:49,810
this like very cozy person and i came
out of that lift i was like oh my god
526
00:38:49,810 --> 00:38:50,810
fucking Taylor Swift.
527
00:39:05,290 --> 00:39:06,290
Rumbly Stadium.
528
00:39:06,970 --> 00:39:10,610
Make the most amount of money possible
for national treasure, the
529
00:39:10,610 --> 00:39:11,610
extraordinary...
530
00:39:40,110 --> 00:39:44,350
You know, I used to kind of be leaving
the shows and seeing people walk home
531
00:39:44,350 --> 00:39:47,930
think, I really hope they got what
they've been waiting for.
532
00:39:49,530 --> 00:39:53,150
I hope they got what they've been saving
up their money for.
533
00:39:57,330 --> 00:40:04,130
There's a feeling I have of such pride
and satisfaction because when I leave
534
00:40:04,130 --> 00:40:05,430
air tour, I never wonder that.
535
00:40:10,160 --> 00:40:12,080
They're just like this magic in the air.
536
00:40:12,720 --> 00:40:19,560
All these particles of shimmer and
glitter and confetti and girlhood
537
00:40:19,560 --> 00:40:24,880
and friendship bracelet beads and, you
know, magic in the air.
538
00:42:35,760 --> 00:42:36,760
What?
45896
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