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These are the user uploaded subtitles that are being translated: 1 00:00:06,440 --> 00:00:12,180 When we reached the last night at Wembley Stadium in London, all of us 2 00:00:12,180 --> 00:00:13,720 satisfaction. 3 00:00:15,220 --> 00:00:20,920 We've had so many special moments where just like, it just reminds me what a 4 00:00:20,920 --> 00:00:23,980 concert can do if you give it your all. 5 00:00:26,960 --> 00:00:32,900 Then again, no matter how good a tour is, it's a huge, massive undertaking. 6 00:00:33,260 --> 00:00:34,520 It's hard work. 7 00:00:35,280 --> 00:00:40,000 That's the challenge, that's the adventure, and that's what every person 8 00:00:40,000 --> 00:00:41,680 tour is doing. 9 00:00:45,760 --> 00:00:51,120 Every single night, no matter what's going on, we're going to do everything 10 00:00:51,120 --> 00:00:52,440 our power to blow your mind. 11 00:01:17,040 --> 00:01:21,040 My goal for the Eros tour is that I didn't want the fans to leave thinking 12 00:01:21,040 --> 00:01:22,040 they missed out on anything. 13 00:01:22,560 --> 00:01:26,680 One thing I've always tried to do is, like, give something to the fans that 14 00:01:26,680 --> 00:01:27,680 didn't expect. 15 00:01:28,040 --> 00:01:33,400 When we had done the first half of the tour, what the fans didn't know at the 16 00:01:33,400 --> 00:01:36,560 time was that I was writing a brand -new album, the tour for Poets Department. 17 00:01:36,920 --> 00:01:41,960 And in the middle of me releasing the album, we had to be all hands on deck, 18 00:01:42,100 --> 00:01:45,640 creating a brand -new era to put into the show to represent that album. 19 00:01:54,260 --> 00:01:59,300 Doing all of this completely secretly, all in like a tiny little break that we 20 00:01:59,300 --> 00:02:01,300 had between Asia and Europe. 21 00:02:01,500 --> 00:02:05,380 Are there sounds from Fortnite that are not the synth sound? 22 00:02:05,900 --> 00:02:07,920 Or do we go into like strings? 23 00:02:08,500 --> 00:02:11,960 Like this feels like a highly elevated chapter. 24 00:02:12,520 --> 00:02:17,820 We build this top secret rehearsal facility for us to lock in the set list. 25 00:02:19,040 --> 00:02:21,060 Go, who's afraid? 26 00:02:21,900 --> 00:02:27,160 A little bit of down bass, probably a verse and a chorus, or a pre -chorus and 27 00:02:27,160 --> 00:02:28,420 chorus, that might be it. 28 00:02:28,780 --> 00:02:32,920 Like, I would kind of do surgical tweaking to each song, be like, okay, 29 00:02:32,920 --> 00:02:35,400 songs, but cut out the bridge and the second verse of this. 30 00:02:39,440 --> 00:02:42,320 And then, to tell me everything is not about me. 31 00:02:42,680 --> 00:02:46,340 To make it so that we could fit this many songs in the show. 32 00:02:47,160 --> 00:02:50,040 And say they didn't do it to her. 33 00:02:50,400 --> 00:02:57,320 me everyone in and i want and and and double as big for i want it's not like 34 00:02:57,320 --> 00:03:03,000 gonna have a mental breakdown during the song like it's gonna be so fun and then 35 00:03:03,000 --> 00:03:09,800 we put together all new choreography learning choreography all just hearing 36 00:03:09,800 --> 00:03:13,140 in our heads because they can't play the music on speakers because it's not out 37 00:03:13,140 --> 00:03:17,360 yet the first line is did you really beam me up what i want 38 00:03:18,350 --> 00:03:24,090 It's for a light to spotlight right on me like it's the alien ship. Right into 39 00:03:24,090 --> 00:03:27,410 this, like, crazy, like, alien light. 40 00:03:28,630 --> 00:03:31,990 And then I found that, right? 41 00:03:32,230 --> 00:03:33,750 Woo! Yeah. 42 00:03:34,810 --> 00:03:39,430 There's an entirely new order of the chapters, so I'm relearning the entire 43 00:03:39,430 --> 00:03:40,349 show, essentially. 44 00:03:40,350 --> 00:03:41,350 It feels... 45 00:03:41,740 --> 00:03:45,820 It's crazy to, like, take all the pieces apart and then put them together in 46 00:03:45,820 --> 00:03:49,920 different order. Yeah, and I think I'd rather feel this way, where I'm a little 47 00:03:49,920 --> 00:03:55,680 bit confused, a little bit like, what, then being, like, on autopilot. 48 00:03:55,900 --> 00:03:58,800 Yeah. Because I could do, the show we were doing in Asia, I could do in my 49 00:03:58,800 --> 00:04:00,740 Yeah, at first we're all like, we all fear change. 50 00:04:01,100 --> 00:04:04,900 But then you're like, we got this. Yeah, but we're here because we accepted 51 00:04:04,900 --> 00:04:08,560 challenges our whole lives. Oh, my God, that was a rift. That could have gone so 52 00:04:08,560 --> 00:04:09,560 bad. 53 00:04:09,680 --> 00:04:13,260 There was the danger that it could have felt like we had sort of shoehorned 54 00:04:13,260 --> 00:04:18,079 something in or that, you know, people didn't like the new show as much as they 55 00:04:18,079 --> 00:04:20,860 liked the old show. I swear to God, if I heard people online being like, I 56 00:04:20,860 --> 00:04:24,540 missed the old show, I was going to be like, oh, my God, you have no idea how 57 00:04:24,540 --> 00:04:25,540 hard this was to do. 58 00:04:26,420 --> 00:04:31,660 We're going to get to watch 45 ,000 people experience the fact that they're 59 00:04:31,660 --> 00:04:33,240 seeing something that's never been seen before. 60 00:04:33,800 --> 00:04:37,480 We're going out to play our first show of the new set. 61 00:04:38,140 --> 00:04:42,740 In Paris, the crowd has no idea that we've added a completely new section and 62 00:04:42,740 --> 00:04:43,740 rearranged things. 63 00:04:43,980 --> 00:04:47,280 And I am so, so excited. 64 00:04:47,500 --> 00:04:49,400 I love having a good secret. 65 00:04:49,700 --> 00:04:56,500 When we brought out this new show in Paris, it was so rewarding because all 66 00:04:56,500 --> 00:05:00,880 of that secrecy and all of that working during our only time off paid off so 67 00:05:00,880 --> 00:05:07,000 much because the fans were so excited. It was such a dynamic new addition to 68 00:05:07,000 --> 00:05:08,000 show. 69 00:05:10,440 --> 00:05:16,560 Now, going into the last show in London, I have the opportunity to add to their 70 00:05:16,560 --> 00:05:18,520 experience, even on top of that. 71 00:05:20,340 --> 00:05:24,460 Taylor wants to make the last London show as powerful as possible. 72 00:05:24,980 --> 00:05:27,800 She's like, I want to blow this thing out. We're going to do this right. 73 00:05:28,140 --> 00:05:32,480 She wants to do Florida with Florence Welch, Florence and the Machine. 74 00:05:33,220 --> 00:05:37,460 Performing Florida with Florence is something I've wanted to do ever since. 75 00:05:37,770 --> 00:05:40,450 The two of us wrote that song. And then it just so happened that she was going 76 00:05:40,450 --> 00:05:41,770 to be available in London. 77 00:05:42,270 --> 00:05:46,410 You're not nervous about the show. You know how it runs, and suddenly it's 78 00:05:46,410 --> 00:05:48,730 something like Florence coming to do Florida. 79 00:05:49,430 --> 00:05:56,130 The choreography meets the music, meets automation, which is the stage movement, 80 00:05:56,330 --> 00:06:00,970 and is starting from scratch again. I know that when I say to them, I want to 81 00:06:00,970 --> 00:06:03,750 perform Florida with Florence, and I really want to do it with full 82 00:06:03,950 --> 00:06:08,170 I know that it's... some kind of creative brainstorming sessions, but I 83 00:06:08,170 --> 00:06:12,630 it's doable because all the dancers, the choreographers, the production 84 00:06:12,630 --> 00:06:18,910 designers, the crew, the entire band, every person we have is the best one 85 00:06:18,910 --> 00:06:20,010 it in the entire industry. 86 00:06:29,110 --> 00:06:30,170 This is kind of funny. 87 00:06:30,630 --> 00:06:32,570 We have to rehearse the song. 88 00:06:34,040 --> 00:06:40,860 kind of do what we usually do in the comfort of a studio from the road, but 89 00:06:40,860 --> 00:06:43,720 also trying to keep things from leaking before the surprise. 90 00:06:44,360 --> 00:06:48,280 It's a stadium with no roof, so there's, like, fans outside, and so you have to 91 00:06:48,280 --> 00:06:51,340 turn the PA off, and we have to do it quietly, you know? 92 00:06:52,580 --> 00:06:59,400 It is so much extra work to keep things a 93 00:06:59,400 --> 00:07:01,180 surprise. Let me tell you. 94 00:07:01,900 --> 00:07:06,480 I need a nap just thinking about it, but it's so worth it when we can actually 95 00:07:06,480 --> 00:07:07,480 pull it off. 96 00:07:08,520 --> 00:07:09,940 Your programming sounds. 97 00:07:10,180 --> 00:07:15,680 At Soundcheck, the dancers are finding a place to work on choreography for it 98 00:07:15,680 --> 00:07:17,220 where people can't find out what's happening. 99 00:07:17,480 --> 00:07:21,660 You know, before you know it, I'm in a random ballroom in the middle of a hotel 100 00:07:21,660 --> 00:07:23,600 with Amanda at like 9 .30 at night. 101 00:07:26,240 --> 00:07:28,240 Maybe then, maybe you'd come off there. 102 00:07:29,900 --> 00:07:32,920 Florence, open up on the, into the diagonal, maybe? 103 00:07:33,140 --> 00:07:34,140 Yeah. 104 00:07:34,520 --> 00:07:39,880 With choreography, I asked one of my friends, Emma Stone, who's done a lot of 105 00:07:39,880 --> 00:07:43,040 work in dance in her films, you know, who have you worked with that you would 106 00:07:43,040 --> 00:07:45,620 recommend for this? And she's like, there's only one person that needs to be 107 00:07:45,620 --> 00:07:46,620 your list, and it's Mandy Moore. 108 00:07:47,620 --> 00:07:52,120 I never would have thought that I would be in the same sentence as Taylor Swift 109 00:07:52,120 --> 00:07:55,240 ever in my life. You know, I've always been a big fan, but I... 110 00:07:55,840 --> 00:07:59,580 Funny enough, I come from really more film and television. I don't really do 111 00:07:59,580 --> 00:08:00,800 artist performance. 112 00:08:01,140 --> 00:08:04,100 Now I understand why I was brought in, because she really wanted to do 113 00:08:04,100 --> 00:08:06,700 different. And she likes the storytelling. 114 00:08:07,040 --> 00:08:09,000 I mean, her songs are mini movies. 115 00:08:09,360 --> 00:08:15,040 So when I listen to them, it's just lyrics and melody swirling with ideas in 116 00:08:15,040 --> 00:08:17,840 head. And then you just start making something. 117 00:08:18,060 --> 00:08:20,320 And there's something about that, like, that. 118 00:08:20,760 --> 00:08:22,980 And then all of a sudden, it comes out. 119 00:08:26,960 --> 00:08:29,060 Do you want to do seven? 120 00:08:30,500 --> 00:08:31,500 Beautiful. 121 00:08:32,039 --> 00:08:36,740 Gorgeous, Amanda. Up. Like one, two, three. Amanda Balin, the first time that 122 00:08:36,740 --> 00:08:42,799 saw her do her thing, she was choreographing the tour. She was not a 123 00:08:42,799 --> 00:08:45,940 job was to show me what I'd be doing with the dancers. 124 00:08:48,120 --> 00:08:54,100 I would just get so much inspiration from what she was doing as a performer. 125 00:08:54,790 --> 00:08:56,930 I just kept saying, like, you're such a pop star, Amanda. 126 00:08:57,290 --> 00:09:00,530 In the middle of the night, in my dreams. 127 00:09:00,990 --> 00:09:01,990 This was my dream. 128 00:09:02,090 --> 00:09:06,530 Truly. It was my dream to do live shows and tour like this. More so than 129 00:09:06,530 --> 00:09:10,070 Broadway or anything. I just, I always was drawn to this. 130 00:09:11,070 --> 00:09:14,430 I actually haven't looked at these. I just keep throwing them in. 131 00:09:16,070 --> 00:09:18,110 I started out by doing small things. 132 00:09:18,750 --> 00:09:23,010 And then I booked a job as a swing for a Janet Jackson tour, which was... Oh, 133 00:09:23,110 --> 00:09:24,510 I'd always wanted to dance for her. 134 00:09:24,990 --> 00:09:26,950 I went on to tour with Celine Dion. 135 00:09:27,550 --> 00:09:28,790 What else have I done? 136 00:09:29,110 --> 00:09:32,890 Oh, oh, I danced for Lady Gaga for five plus years. 137 00:09:33,250 --> 00:09:34,950 I toured for five years straight. 138 00:09:35,210 --> 00:09:39,350 I worked on Glee, which was a longstanding dancing TV show for a 139 00:09:39,350 --> 00:09:42,790 a wonderful job. I went on to do some films like La La Land. 140 00:09:43,290 --> 00:09:47,290 I've performed at probably every major award show with different artists. 141 00:09:47,530 --> 00:09:49,790 And I've been a part of many tours. 142 00:09:53,470 --> 00:09:58,550 As much as you want it to last forever, dance isn't a forever career. 143 00:09:58,930 --> 00:10:01,470 The demand on your body is not sustainable. 144 00:10:01,890 --> 00:10:06,370 We can get this strong when you do all those, you know, wild movements. Then 145 00:10:06,370 --> 00:10:11,010 this can stabilize your spine, helping... I have two labral tears in my 146 00:10:11,010 --> 00:10:13,110 flexors. Like, things were just breaking down. 147 00:10:13,550 --> 00:10:18,050 I kind of just decided it was a very tough decision, but to gracefully start 148 00:10:18,050 --> 00:10:19,050 to... 149 00:10:19,280 --> 00:10:25,040 peel myself away from being a professional dancer and to do things 150 00:10:25,040 --> 00:10:26,040 scenes. 151 00:10:28,100 --> 00:10:33,740 I remember asking Mandy, I wonder if Amanda would ever dance with us. And 152 00:10:33,740 --> 00:10:35,040 was like, ah, she's retired. 153 00:10:35,400 --> 00:10:38,020 She hung up her dancing shoes a while ago. 154 00:10:38,540 --> 00:10:42,820 At some point, Mandy came to me and said, hey, the team wants to know if you 155 00:10:42,820 --> 00:10:43,820 want to do the show. 156 00:10:43,860 --> 00:10:47,960 My first response to being asked to the tour was a chuckle and a, oh, hell no. 157 00:10:48,430 --> 00:10:49,890 I don't even know if I could do it. 158 00:10:50,430 --> 00:10:54,230 Being involved in the behind the scenes and then doing it on stage, those are 159 00:10:54,230 --> 00:10:55,230 two different things. 160 00:10:56,310 --> 00:11:00,510 I had doubts in my ability. I was worried that I wasn't going to be as 161 00:11:00,510 --> 00:11:01,850 was when I was dancing. 162 00:11:03,110 --> 00:11:07,690 But at the end of the day, even though there was a lot of fear, it was just too 163 00:11:07,690 --> 00:11:09,210 wonderful of an opportunity. 164 00:11:10,170 --> 00:11:11,890 A second chance, I get chills. 165 00:11:12,150 --> 00:11:14,850 It was a second chance that most people don't get to have. 166 00:11:20,300 --> 00:11:26,000 We're counting this song in fast pace. So it'll be a 1, 2, 3, 4, 5, 6, 7, 8. A 167 00:11:26,000 --> 00:11:32,520 1, 2, 3, 4, 5, 7, 8. She says, and a 5, 2, 3, 4. On 5, 168 00:11:32,900 --> 00:11:36,460 it's the word weed. And you guys are going to kind of do like a little bit of 169 00:11:36,460 --> 00:11:39,140 deflate. And my friends all smell like weed. 170 00:11:39,660 --> 00:11:40,660 Yeah, yeah. 171 00:11:41,440 --> 00:11:43,240 Weed or little babies. 172 00:11:44,240 --> 00:11:45,240 And you'll roll up. 173 00:11:45,680 --> 00:11:50,840 And on the five of the fifth. And my friends all smell like wee or little. 174 00:11:50,980 --> 00:11:55,200 two, three, four, five, six, seven, eight. Okay? Just so you have an idea. 175 00:11:55,600 --> 00:11:56,600 And then, guys, what? 176 00:12:05,160 --> 00:12:08,540 Amanda and I were in, like, an empty ballroom last night, just like, okay, 177 00:12:08,540 --> 00:12:09,820 get over it. Like, idiots. 178 00:12:10,580 --> 00:12:12,780 Amanda and I. As you can imagine, it's the normal. 179 00:12:13,080 --> 00:12:14,640 Okay. Florida won. 180 00:12:14,880 --> 00:12:16,300 Gang, gang, gang, gang. 181 00:12:16,500 --> 00:12:17,880 It's a hell of a drug. 182 00:12:19,760 --> 00:12:23,060 It is always weird, I think, with choreography, because it is true. It's 183 00:12:23,100 --> 00:12:24,760 literally a week ago, this thing didn't exist. 184 00:12:25,080 --> 00:12:28,300 And my friends all smell like weed. Okay, so with the exact. 185 00:12:28,540 --> 00:12:30,800 Oh, do you already do this? Just roughly, but. Oh, freaking great. 186 00:12:31,300 --> 00:12:33,140 I was like, why do they all do this? 187 00:12:35,110 --> 00:12:40,410 And then the dancers become the accessories to Taylor and to the stage 188 00:12:40,410 --> 00:12:44,310 the whole experience. So it's a really important thing. And I take it very 189 00:12:44,310 --> 00:12:45,310 seriously. 190 00:12:45,810 --> 00:12:50,090 You know, I always get nervous when I'm showing Taylor something for the first 191 00:12:50,090 --> 00:12:53,910 time because ultimately I just want to do well. You know, like I want to make 192 00:12:53,910 --> 00:12:57,610 her happy because I just, you know, so much respect for her. I love her. 193 00:12:58,350 --> 00:13:00,990 I mean, I was really terrified the first time I had to show her something. 194 00:13:02,920 --> 00:13:04,220 We can figure this out together. 195 00:13:06,700 --> 00:13:11,060 But luckily, you know, since the very early stages of this, her and I have a 196 00:13:11,060 --> 00:13:12,260 really nice communication. 197 00:13:12,800 --> 00:13:14,060 We'll put something in here. 198 00:13:14,580 --> 00:13:15,760 Yeah, there, we'll figure this out. 199 00:13:16,200 --> 00:13:18,940 Actually, I'm going to need to travel back to the A stage during this part. 200 00:13:19,120 --> 00:13:19,959 Okay, great. 201 00:13:19,960 --> 00:13:20,960 Taylor can give me... 202 00:13:21,230 --> 00:13:24,650 Thoughts or colors or ideas. And I think I'm able to understand what she wants 203 00:13:24,650 --> 00:13:29,550 visually. I want to kind of channel like a Rites of Spring Florence machine. 204 00:13:29,790 --> 00:13:34,710 Like taking our body. Yeah, like fully like reaching. 205 00:13:35,810 --> 00:13:42,710 You know, like kind of like girl in an insane asylum slash wood nymph. Love it. 206 00:13:42,790 --> 00:13:43,790 Yeah. 207 00:13:44,150 --> 00:13:47,430 So, I mean, yeah. Was I nervous? I'm always nervous. I'm always sweating. I'm 208 00:13:47,430 --> 00:13:50,030 like, oh, God, did I make the right thing? Is this bad choices? 209 00:13:50,940 --> 00:13:51,940 Hello. 210 00:13:52,040 --> 00:13:54,500 How are you? Really good. How are you doing? I'm good. 211 00:13:54,760 --> 00:13:57,620 All right. Do you want to watch one? I would love to. And kind of see. I'll do 212 00:13:57,620 --> 00:13:58,620 four -inch track. 213 00:13:59,000 --> 00:14:02,020 We're just doing the speaker right here. Yeah. I love it. Yeah. Okay, guys. 214 00:14:02,040 --> 00:14:02,959 Ready to move? 215 00:14:02,960 --> 00:14:04,980 Yeah. Okay. Go for 43. 216 00:14:05,980 --> 00:14:07,900 One, two, three. 217 00:14:08,560 --> 00:14:10,440 Stand by for 42. Six points. 218 00:14:21,480 --> 00:14:25,780 And my friends all fell like weed, oh little baby. 219 00:14:26,440 --> 00:14:31,760 Oh, I love that. Go. And the city reeks of driving blind of me. 220 00:14:34,080 --> 00:14:40,420 Little did you know your home's really only a town you're just a guest in. 221 00:14:40,700 --> 00:14:46,600 Go you work your time away just to pay for a time spent down in Bedford, 222 00:14:46,800 --> 00:14:47,800 Florida. 223 00:15:10,230 --> 00:15:11,950 I didn't feel like you guys can play here. 224 00:15:14,410 --> 00:15:15,410 And then, yeah. 225 00:15:15,790 --> 00:15:17,010 We made this, like, wave. 226 00:15:17,390 --> 00:15:22,290 Wow. Couldn't be kind of cool, huh? I hate that it's happening without us 227 00:15:24,170 --> 00:15:25,370 We could do it earlier if you want. 228 00:15:26,010 --> 00:15:27,010 Just didn't know if it was... Whoa. 229 00:15:27,930 --> 00:15:32,010 So epic back there, and no one's going to look at it. No, because they're going 230 00:15:32,010 --> 00:15:32,689 to be looking at you. 231 00:15:32,690 --> 00:15:36,890 And I almost wish that me and Florence could be on that. 232 00:15:37,390 --> 00:15:40,570 I mean, that would be fucking amazing. And she's up for it, yeah. 233 00:15:40,790 --> 00:15:45,230 I'm worried if me and Florence are here, people aren't going to look at it, and 234 00:15:45,230 --> 00:15:49,810 that bothers me. And also, I think Florence is going to be really, she's 235 00:15:49,810 --> 00:15:54,590 down for being in the mix and doing cool stuff. And I did my best. 236 00:15:54,810 --> 00:15:55,810 And there. 237 00:15:56,640 --> 00:16:02,560 All of the bodies that have ever played my body and my mind, they think into the 238 00:16:02,560 --> 00:16:05,100 moon. That would be awesome if it goes down. 239 00:16:07,250 --> 00:16:08,290 Then it rises. 240 00:16:09,210 --> 00:16:10,210 Totally, 241 00:16:11,370 --> 00:16:16,250 right? Then it all rises at the same fucking time and it's awesome and 242 00:16:16,250 --> 00:16:17,250 sees it. 243 00:16:17,510 --> 00:16:18,510 Good, okay. 244 00:16:18,530 --> 00:16:22,650 Let's run one more time and now that I've had this chat with Taylor, then I 245 00:16:22,650 --> 00:16:26,170 fix up. We have all the elements. I just now need to rework them, okay? Good 246 00:16:26,170 --> 00:16:27,330 job, guys. Great job. 247 00:16:27,630 --> 00:16:34,420 A lot of the time when you are casting for a tour, you know, Choreographers 248 00:16:34,420 --> 00:16:40,100 will sometimes have it in their head that they want a specific body type, 249 00:16:40,100 --> 00:16:43,520 want a specific look, they want only women, they want only men. 250 00:16:44,120 --> 00:16:49,220 People can get very opinionated about things looking very uniform. 251 00:16:49,920 --> 00:16:51,720 That's not what I wanted to do with the Eros tour. 252 00:16:51,940 --> 00:16:56,620 I feel like when you look up on stage as a fan, if you see people that represent 253 00:16:56,620 --> 00:17:01,420 you, your friends, the people you see in the world, that's... 254 00:17:01,660 --> 00:17:05,420 I think much more emotional and more connective and powerful. 255 00:17:05,660 --> 00:17:10,440 I really wanted everyone to look up on that stage and think, I see myself in 256 00:17:10,440 --> 00:17:11,440 that person. 257 00:17:13,380 --> 00:17:19,119 Space is like the space that Taylor is curating on a night -to -night basis. 258 00:17:19,819 --> 00:17:22,500 I wish we had more of that, right? 259 00:17:23,160 --> 00:17:29,820 Even outside of entertaining, it's so important to be seen, to be heard, to be 260 00:17:29,820 --> 00:17:30,820 understood. 261 00:17:34,600 --> 00:17:39,920 My background as a dancer, I had a lot of teachers and professors who were not 262 00:17:39,920 --> 00:17:42,500 so kind, mostly around my size. 263 00:17:42,960 --> 00:17:46,420 And if I wanted to be a professional dancer, I would need to lose weight. 264 00:17:47,120 --> 00:17:51,560 I remember doing an audition, and the director of the company said to me, 265 00:17:51,600 --> 00:17:56,960 so what are we going to do about your body in life? Some people are going to 266 00:17:56,960 --> 00:18:00,720 to tear you down. They want you to do something else other than the thing that 267 00:18:00,720 --> 00:18:01,720 you are in love with. 268 00:18:02,890 --> 00:18:06,530 And then there are kind people who ground you. 269 00:18:06,730 --> 00:18:11,990 And in my experience, that's my mom and my brother, it's important to know I 270 00:18:11,990 --> 00:18:18,990 came from a family with an excess of love, right? My mother sacrificed a 271 00:18:18,990 --> 00:18:22,610 lot for my brother and I to just have experiences. 272 00:18:24,590 --> 00:18:27,610 And so my brother, he fell in love with sports. 273 00:18:28,430 --> 00:18:33,590 I fell in love with dance, and we were sort of navigating our training at the 274 00:18:33,590 --> 00:18:36,090 same time, middle school, high school, college. 275 00:18:36,430 --> 00:18:42,630 And it has been the joy of my life to watch him 276 00:18:42,630 --> 00:18:45,510 thrive in something that he loved so, so much. 277 00:18:46,570 --> 00:18:51,370 Now he plays in the NFL, and I watched my brother go to the Super Bowl three 278 00:18:51,370 --> 00:18:52,370 times. 279 00:18:52,730 --> 00:18:57,210 I graduated college and thought I was going to be teaching dance for the rest 280 00:18:57,210 --> 00:18:58,039 my life. 281 00:18:58,040 --> 00:19:02,700 And I remember getting an email that said, there's a closed audition. 282 00:19:03,060 --> 00:19:06,280 We cannot disclose who the artist is when it's being choreographed by Mandy 283 00:19:06,280 --> 00:19:09,960 Moore. I didn't have, like, a dollar to my name at the time. 284 00:19:10,700 --> 00:19:17,160 And I called my brother. I was like, listen, I don't know what this is, 285 00:19:17,280 --> 00:19:24,020 but something is telling me that I have to be in this 286 00:19:24,020 --> 00:19:26,000 room. He was like, OK. 287 00:19:26,650 --> 00:19:28,750 we will make it happen and he bought me a flight 288 00:19:28,750 --> 00:19:35,170 when 289 00:19:35,170 --> 00:19:40,990 he came into the audition i was like he's magnetic i mean he's a great dancer 290 00:19:40,990 --> 00:19:46,510 his smile is like the thousand watt smile you know he's really well trained 291 00:19:46,510 --> 00:19:48,450 just embodies what i felt 292 00:19:49,240 --> 00:19:51,480 was like the spirit of what these people need to be. 293 00:19:51,740 --> 00:19:57,820 Pam is someone who absolutely lights up not only the stage, but just our entire 294 00:19:57,820 --> 00:19:59,040 vibe as a tour. 295 00:19:59,340 --> 00:20:01,360 He's just so himself. 296 00:20:02,700 --> 00:20:06,220 I don't want dancers that blend in. I don't care about them pulling focus. 297 00:20:06,440 --> 00:20:07,440 I want them to pull focus. 298 00:20:07,620 --> 00:20:14,300 I want you to feel like you saw an entire crew of individual stars on the 299 00:20:16,400 --> 00:20:17,400 Now. 300 00:20:18,440 --> 00:20:25,440 Knowing that spaces like this do exist for me, that allow me to be the fullest 301 00:20:25,440 --> 00:20:32,120 version of me with all I have to offer in this body as it exists right now, 302 00:20:32,300 --> 00:20:36,920 this feels like my Super Bowl. 303 00:20:47,570 --> 00:20:49,530 I woke up with a cat on my head. 304 00:20:51,210 --> 00:20:51,650 Bonus 305 00:20:51,650 --> 00:21:05,910 day 306 00:21:05,910 --> 00:21:10,590 is so important because setting a precedent with the Aris tour is really 307 00:21:10,590 --> 00:21:14,250 important to me because people who work on the road, if the tour grosses more, 308 00:21:14,390 --> 00:21:15,390 they get more. 309 00:21:15,550 --> 00:21:20,330 of a bonus and these people just work so hard and they are the best at what they 310 00:21:20,330 --> 00:21:26,110 do so every single person on the crew i've handwritten them a note it took me 311 00:21:26,110 --> 00:21:32,130 couple weeks but it's fun to write the notes it's like fun to to think about 312 00:21:32,130 --> 00:21:34,630 everybody's lives that they're going to go back to and the time off they're 313 00:21:34,630 --> 00:21:37,590 going to have and you know the kids they haven't seen because they've been away 314 00:21:37,590 --> 00:21:43,030 from months and it's just making that worthwhile for them is like really 315 00:21:43,790 --> 00:21:47,390 It just, it feels like Christmas morning when you finally get to say thank you. 316 00:21:49,470 --> 00:21:55,450 A little bonus day, a little bonus day. So each one is in its own baggie, and I 317 00:21:55,450 --> 00:21:57,130 was thinking we can lay them out. 318 00:21:58,250 --> 00:22:00,930 Oh, let me see the wax seal. 319 00:22:01,970 --> 00:22:04,570 You wax sealed every one of these things? Yeah. 320 00:22:05,150 --> 00:22:07,830 And the fire department almost had to come. 321 00:22:09,800 --> 00:22:15,540 show you this taylor six of the audio guys got this tattoo says cruel summer 322 00:22:15,540 --> 00:22:21,640 shows oh my god and then i don't know crazy i don't know if you remember but 323 00:22:21,640 --> 00:22:25,900 reputation why is it a grim reaper i have no idea they have to keep it like 324 00:22:25,900 --> 00:22:31,180 scary they can't like have like a tattoo of like a butterfly and a kitty cat i 325 00:22:31,180 --> 00:22:36,020 think what that means is 152 days almost killed them but they made it 326 00:22:37,070 --> 00:22:39,670 That's exactly what it is. That's what it means. That's the reality of it. 327 00:22:39,950 --> 00:22:44,250 Get rid of the bag. It's a bit forensic. 328 00:23:00,180 --> 00:23:04,420 everybody has the same message on their card so i was hoping you could open it 329 00:23:04,420 --> 00:23:09,040 but before before you look at yours i just wanted to say guys this this leg of 330 00:23:09,040 --> 00:23:10,040 this tour 331 00:23:10,440 --> 00:23:13,940 has been harder than anything I've ever done in a live setting. 332 00:23:14,140 --> 00:23:19,360 And you guys have taken this on with such excitement and such curiosity and 333 00:23:19,360 --> 00:23:21,260 the endurance you've shown. 334 00:23:22,200 --> 00:23:25,980 But the spirit you've shown, how much you've given to these crowds, that gives 335 00:23:25,980 --> 00:23:28,820 to me every single night. The tour has done really well. 336 00:23:29,460 --> 00:23:34,380 Thanks to all of our hard work. So if you will kindly read today's message. 337 00:23:36,140 --> 00:23:37,140 Taylor Swift. 338 00:23:40,000 --> 00:23:41,240 Okay. Oh. 339 00:23:43,060 --> 00:23:48,320 There's Cam. We've traveled the world like we set out to do. We've dazzled the 340 00:23:48,320 --> 00:23:50,140 crowds, but we've missed family too. 341 00:23:50,460 --> 00:23:54,180 My full gratitude doesn't come from a bank, but here's... 342 00:23:54,180 --> 00:24:01,040 I'll just say thank you. 343 00:24:01,180 --> 00:24:02,180 Love, Taylor. 344 00:24:17,610 --> 00:24:23,330 presented the checks to our drivers and he presented handwritten letters from 345 00:24:23,330 --> 00:24:24,450 Taylor. It's incredible. 346 00:24:24,750 --> 00:24:28,490 I know tour truck drivers and I've asked, do artists usually give out these 347 00:24:28,490 --> 00:24:30,110 bonuses? Unheard of. 348 00:24:33,550 --> 00:24:34,550 What's wrong, Max? 349 00:24:35,650 --> 00:24:36,650 He's emotional. 350 00:24:36,870 --> 00:24:39,650 Oh my God, do you need a hug? Are you okay? I'm gonna pass out. 351 00:25:01,630 --> 00:25:06,210 And so the first walk, you know, it felt nice that you were going to slow first 352 00:25:06,210 --> 00:25:07,210 and then you round the corner. 353 00:25:08,990 --> 00:25:11,030 Everybody's got their thing they're good at. 354 00:25:12,130 --> 00:25:16,030 It's taken me a really long time to be even fine at choreography. 355 00:25:17,030 --> 00:25:23,430 Mandy knows how to approach teaching me choreography from a lyrical perspective. 356 00:25:24,010 --> 00:25:28,050 what were you doing with these little steps yeah they're just steps um yeah so 357 00:25:28,050 --> 00:25:31,730 just starting with your uh did you think oh yeah i 358 00:25:31,730 --> 00:25:38,510 don't do eight counts i learn based on what 359 00:25:38,510 --> 00:25:43,490 syllable of the lyric i'm attaching a movement to and i can't really learn any 360 00:25:43,490 --> 00:25:47,870 other way i've tried texas florida should be yeah i didn't know if it 361 00:25:47,870 --> 00:25:48,870 like 362 00:25:49,310 --> 00:25:53,730 Sing it, then throw to them, or sing, floor it up. There you go, that's what I 363 00:25:53,730 --> 00:26:00,470 thought. To get out there and learn the choreography in 30 minutes, and remember 364 00:26:00,470 --> 00:26:05,550 to hit this spot, hit this mark, this dancer's going to come over and stand 365 00:26:05,550 --> 00:26:10,970 to me for this moment, in front of 90 ,000 people, like my brain would 366 00:26:14,700 --> 00:26:19,080 It's an absolute challenge, not to mention the whole time she's doing this, 367 00:26:19,120 --> 00:26:22,180 she's singing and doing all these things at the same time. 368 00:26:22,540 --> 00:26:25,520 So it's a lot like juggling for three and a half hours. 369 00:26:25,900 --> 00:26:30,200 Learning the choreography, it's not just doing a step for the sake of doing a 370 00:26:30,200 --> 00:26:35,960 step. It's all very visual, and it made sense to me, narratively. 371 00:26:36,260 --> 00:26:40,760 It also is interesting to be in a position where, like, you know, this is 372 00:26:40,760 --> 00:26:41,760 of experts. 373 00:26:41,770 --> 00:26:46,670 And there's something about that that keeps me on my game and focused and 374 00:26:46,670 --> 00:26:50,730 in. It's one of the elements of like where that kind of pressure is a 375 00:26:50,730 --> 00:26:54,290 because they're not messing up. 376 00:26:54,670 --> 00:26:55,990 So it better not be me. 377 00:26:58,740 --> 00:27:02,960 Okay, so I feel good. Is it okay if I... Yeah, because we're going to put 378 00:27:02,960 --> 00:27:05,640 Florence in tomorrow, so we'll have you with her there. Okay, perfect, perfect. 379 00:27:05,900 --> 00:27:08,920 We're happy if you guys... I love it. I love it. I love it. I think it's going 380 00:27:08,920 --> 00:27:09,920 to be so special. 381 00:27:10,160 --> 00:27:12,880 Beautiful job, guys. Beautiful job. Thanks for the song. 382 00:27:13,740 --> 00:27:16,520 My only job. 383 00:27:21,610 --> 00:27:23,530 I'm excited about seeing the show again. 384 00:27:23,730 --> 00:27:28,290 The driver asked me, oh, is this your first time to the show? I was like, uh, 385 00:27:28,350 --> 00:27:29,350 no. 386 00:27:29,670 --> 00:27:33,150 I don't, you know, my knee is doing better. 387 00:27:33,490 --> 00:27:36,130 And I don't really want to be in the wheelchair. 388 00:27:36,350 --> 00:27:37,730 I need it a little bit. 389 00:27:38,750 --> 00:27:42,730 To get you there. Yeah, but I want to dance. Tell them. I'm going to tell 390 00:27:42,850 --> 00:27:46,130 Because I feel like a hypocrite if I'm sitting in the wheelchair section and I 391 00:27:46,130 --> 00:27:49,150 start popping off, you know. I think they'll come and take the wheelchair. 392 00:27:49,150 --> 00:27:50,150 You're going to start what? 393 00:27:50,610 --> 00:27:52,310 Popping off. And is that the move? 394 00:27:53,030 --> 00:27:54,030 Something like that. 395 00:27:54,430 --> 00:27:57,830 At what? Sometimes it's a shimmy. Uh -huh. Sometimes it's a roll. 396 00:27:58,210 --> 00:27:59,410 And when does that window? 397 00:27:59,890 --> 00:28:04,190 It is. I have so many. And a lot of times, it's you guys' choreography, too. 398 00:28:04,250 --> 00:28:05,250 Like. 399 00:28:06,230 --> 00:28:07,230 It's this way. 400 00:28:07,890 --> 00:28:12,790 Something like that. I do that. For Shake It Off? Yeah. Shake it off. Shake 401 00:28:12,870 --> 00:28:13,870 Uh -uh. Uh -huh. 402 00:28:14,010 --> 00:28:15,550 I do that move, too. 403 00:28:15,770 --> 00:28:16,749 Oh. 404 00:28:16,750 --> 00:28:17,850 Are you ready for it? 405 00:28:20,730 --> 00:28:22,790 That's my song. 406 00:28:23,230 --> 00:28:24,950 I love that one. 407 00:28:25,430 --> 00:28:28,810 This experience has been really amazing for me. 408 00:28:38,750 --> 00:28:44,930 I've watched you make so many sacrifices. 409 00:28:51,210 --> 00:28:57,530 so many for us to be able to do what we're doing and to 410 00:28:57,530 --> 00:29:03,210 follow those dreams with every part of us. And 411 00:29:03,210 --> 00:29:10,150 I am grateful that you're 412 00:29:10,150 --> 00:29:11,150 here to see it. 413 00:29:11,690 --> 00:29:14,990 Yeah. Because Colin and I 414 00:29:15,770 --> 00:29:20,290 Being able to do what we love to do in such grand places. 415 00:29:22,150 --> 00:29:25,170 It's a product of how you love us. 416 00:29:26,150 --> 00:29:27,150 And do. 417 00:29:27,890 --> 00:29:34,530 So I'm grateful that you're able to see the 418 00:29:34,530 --> 00:29:39,230 fruits of your labor in this way. 419 00:29:39,510 --> 00:29:42,890 And I will never not have you. 420 00:29:43,800 --> 00:29:47,280 in these spaces with me and celebrating with me. 421 00:29:48,100 --> 00:29:54,620 Because just as hard as I've worked, I'm very clear and very 422 00:29:54,620 --> 00:29:58,500 conscious of how hard you've worked for us to be able to do so. 423 00:29:59,760 --> 00:30:03,440 Which is why I try my hardest to take so much care of you. I know. I know. 424 00:30:03,860 --> 00:30:05,660 I love you so much. I love you. 425 00:30:08,360 --> 00:30:11,980 This will be a good show. I know. You're going to enjoy it. I'm going to dance. 426 00:30:12,020 --> 00:30:13,020 I know. 427 00:30:36,800 --> 00:30:38,880 This is going to be amazing. 428 00:30:39,920 --> 00:30:42,500 This is so big. No, it is. 429 00:30:42,880 --> 00:30:45,700 It is. And it's also, it's like a lot of ground to cover here. 430 00:30:46,060 --> 00:30:50,040 So we're going to show you. And then like the choreography is like we do 431 00:30:50,040 --> 00:30:53,240 something and it affects them. Like where we're just like Florida. 432 00:30:53,440 --> 00:30:54,440 And they're like. 433 00:30:55,380 --> 00:30:58,920 I have performed on big stages, but this is not like. 434 00:30:59,640 --> 00:31:01,860 I thought I'd just show up and I'd run around. 435 00:31:02,100 --> 00:31:05,620 Like, because that's what I do at my own shows. I just show up and I run, like, 436 00:31:05,700 --> 00:31:06,700 I just run around. 437 00:31:06,900 --> 00:31:09,320 You're going to come up on that back lift, but you'll see it. 438 00:31:09,660 --> 00:31:13,300 I have never done a lift. You haven't? Oh, that's so fun. 439 00:31:13,580 --> 00:31:15,020 You're going to have so much fun. 440 00:31:15,320 --> 00:31:18,860 When I got there, I was like, okay, now this is your choreo. I was like, oh, no, 441 00:31:18,900 --> 00:31:20,120 no, wait, wait, you got me confused. 442 00:31:20,600 --> 00:31:21,600 I don't do this. 443 00:31:22,180 --> 00:31:23,520 I'm going to fuck this up. 444 00:31:25,300 --> 00:31:27,960 Jenny, one, two, three. 445 00:31:28,480 --> 00:31:29,480 You split. 446 00:31:37,200 --> 00:31:38,240 Good. 447 00:31:40,940 --> 00:31:41,940 You're good. 448 00:31:49,280 --> 00:31:50,320 Great. 449 00:31:53,560 --> 00:31:54,660 Okay. Great. 450 00:31:55,130 --> 00:32:00,150 So now, this is Karen, and Nat, and Tamia's behind you, and Raph here. So 451 00:32:00,150 --> 00:32:01,149 guys are nice and safe. 452 00:32:01,150 --> 00:32:05,130 This is going to start rising up on, so I did my best, okay? Oh, great. And 453 00:32:05,130 --> 00:32:07,910 she's going to lay down, or she's going to kind of come into, if you're okay 454 00:32:07,910 --> 00:32:11,510 with this, and she's just going to lay her head here. And it would be great if 455 00:32:11,510 --> 00:32:15,450 you wanted to connect to her head. I did my best to lay to rest all of the 456 00:32:15,450 --> 00:32:18,630 bodies that have ever been on my body. So it kind of makes sense. So I did my 457 00:32:18,630 --> 00:32:20,650 best to lay to rest. Good. 458 00:32:21,230 --> 00:32:24,870 All of the buddies that have been on my body and in my mind. 459 00:32:25,270 --> 00:32:27,830 They think into the swamp. Raise your arms up. 460 00:32:28,330 --> 00:32:29,530 Beautiful. No, sorry. 461 00:32:29,930 --> 00:32:33,810 Is that a bad thing to say in a song? Sorry about that, yeah. So think into 462 00:32:33,810 --> 00:32:35,410 swamp, you're still down. Yes. 463 00:32:35,870 --> 00:32:36,890 Think into the swamp. 464 00:32:39,490 --> 00:32:40,490 Song up. 465 00:32:41,990 --> 00:32:43,730 Okay, good. Now it's good. 466 00:32:43,990 --> 00:32:46,010 Let me pack your life away. 467 00:32:47,590 --> 00:32:49,330 Don't make me check this. 468 00:32:51,040 --> 00:32:52,040 Beautiful. 469 00:32:52,660 --> 00:32:54,340 Back center. 470 00:32:54,800 --> 00:32:55,800 Do it again. 471 00:32:58,420 --> 00:33:00,020 What a treat. 472 00:33:01,800 --> 00:33:06,580 We're similar in that the persona is huge, but the person is soft, and so I 473 00:33:06,580 --> 00:33:07,640 think that's why we get along. 474 00:33:08,500 --> 00:33:13,960 Externally, this thing is really big, but when we're together, we're just 475 00:33:13,960 --> 00:33:14,960 and goofy. 476 00:33:16,620 --> 00:33:21,000 Seeing the show, the most beautiful thing was the crowd. 477 00:33:21,360 --> 00:33:24,900 It was just like the love and the vibe. 478 00:33:25,240 --> 00:33:30,360 I was just like, all the pockets of, like, girls in their dresses, like, 479 00:33:30,380 --> 00:33:37,320 dancing. There's so much joy and, like, femininity that's not, there's 480 00:33:37,320 --> 00:33:39,820 no shame around it. No, it was so beautiful. 481 00:33:40,620 --> 00:33:44,120 Natalie and Odie are standing right here. She just heads to the back, you 482 00:33:45,100 --> 00:33:48,700 And then you're going to have your footprint right there, and you just got 483 00:33:48,700 --> 00:33:50,400 in the middle. And I think turn back front. 484 00:33:50,880 --> 00:33:52,060 Yeah, and then we'll take you down. 485 00:33:52,540 --> 00:33:55,380 And then Dewey will be there to get you at the end, okay? 486 00:33:56,280 --> 00:33:57,280 Yeah. 487 00:33:57,900 --> 00:33:59,860 Oh, God, this is going to be so fun. Can we? 488 00:34:00,140 --> 00:34:03,420 Yes, I would love. Taylor, are you good to run this, too, from the top with the 489 00:34:03,420 --> 00:34:04,820 lifts and everything? No, that was all we got. 490 00:34:05,700 --> 00:34:08,500 Can you imagine? You're like, Florence, good luck. It's going to be great. 491 00:34:08,960 --> 00:34:09,960 I'm sure you'll be fine. 492 00:34:10,780 --> 00:34:11,780 Good. You want to try one? 493 00:34:12,480 --> 00:34:13,480 All right. 494 00:34:13,679 --> 00:34:14,679 Yes. 495 00:34:16,420 --> 00:34:17,420 Ready to go down? 496 00:34:17,600 --> 00:34:22,380 Let's go. And are you okay if I kind of talk you through and I say go right? 497 00:34:22,580 --> 00:34:23,580 Perfect. 498 00:34:24,420 --> 00:34:25,420 What? 499 00:34:46,230 --> 00:34:47,610 I've been feeling so alone. 500 00:34:47,870 --> 00:34:51,690 I keep waiting for you, but you never come. 501 00:34:51,909 --> 00:34:57,790 Is this in my head? I don't know what to think. Getting out to the crowd and 502 00:34:57,790 --> 00:35:03,730 roll down the ranks and marry me. Juliet, you never have to be alone. 503 00:35:46,440 --> 00:35:49,820 I still love you. And I'm like, I'm just, I mean, this is exhausting. 504 00:35:50,060 --> 00:35:52,280 You know, like we are never getting back together. 505 00:35:52,840 --> 00:35:53,840 Nah, bruv. 506 00:36:20,370 --> 00:36:25,190 And my friends all smell like weed or little babies. 507 00:36:26,830 --> 00:36:31,710 And the city reeks of driving myself to sleep. 508 00:36:33,490 --> 00:36:39,690 Little did you know, your home's really only a town you're just a guest in. 509 00:36:39,990 --> 00:36:44,850 So you look your back and wait for today for a time to die. 510 00:36:46,299 --> 00:36:47,299 Thank you. 511 00:37:15,340 --> 00:37:17,800 I got drunk and I dated to Washington. 512 00:37:18,320 --> 00:37:21,300 They're hating in the bathroom where the bottle was. 513 00:37:21,640 --> 00:37:26,340 Well, me and my ghost, we had a hell of a time. Yes, I'm haunted, but I'm 514 00:37:26,340 --> 00:37:27,380 feeling just fine. 515 00:37:28,320 --> 00:37:33,660 All my girls got that lace down their crotch. She and her husband disappeared 516 00:37:33,660 --> 00:37:37,040 when no one asked any questions. 517 00:37:37,460 --> 00:37:40,820 So I did my best, delayed to rest. 518 00:37:41,240 --> 00:37:44,120 All the bodies that have ever been on my body. 519 00:37:55,370 --> 00:37:58,170 Thank you. 520 00:38:19,790 --> 00:38:24,230 of coming up for the first time in that lift it was kind of landing on mars 521 00:38:24,230 --> 00:38:29,430 because i'd never seen the stage lit up before the sound of the crowd that was 522 00:38:29,430 --> 00:38:33,930 really extraordinary you know it's like you see this cultural moment from the 523 00:38:33,930 --> 00:38:38,530 outside and i suddenly was like inside of it it was wild but it was it was 524 00:38:38,530 --> 00:38:44,650 really fun and completely terrifying also taylor's my friend and i know her 525 00:38:44,650 --> 00:38:49,810 this like very cozy person and i came out of that lift i was like oh my god 526 00:38:49,810 --> 00:38:50,810 fucking Taylor Swift. 527 00:39:05,290 --> 00:39:06,290 Rumbly Stadium. 528 00:39:06,970 --> 00:39:10,610 Make the most amount of money possible for national treasure, the 529 00:39:10,610 --> 00:39:11,610 extraordinary... 530 00:39:40,110 --> 00:39:44,350 You know, I used to kind of be leaving the shows and seeing people walk home 531 00:39:44,350 --> 00:39:47,930 think, I really hope they got what they've been waiting for. 532 00:39:49,530 --> 00:39:53,150 I hope they got what they've been saving up their money for. 533 00:39:57,330 --> 00:40:04,130 There's a feeling I have of such pride and satisfaction because when I leave 534 00:40:04,130 --> 00:40:05,430 air tour, I never wonder that. 535 00:40:10,160 --> 00:40:12,080 They're just like this magic in the air. 536 00:40:12,720 --> 00:40:19,560 All these particles of shimmer and glitter and confetti and girlhood 537 00:40:19,560 --> 00:40:24,880 and friendship bracelet beads and, you know, magic in the air. 538 00:42:35,760 --> 00:42:36,760 What? 45896

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