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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,779 --> 00:00:04,860 Today, I am having sex with Kenna James. 2 00:00:05,760 --> 00:00:07,100 What do you know about Kenna James? 3 00:00:08,160 --> 00:00:11,120 Um, I know that she's blonde. 4 00:00:12,060 --> 00:00:13,060 Are you nervous? 5 00:00:13,280 --> 00:00:15,320 No. I'm pretty confident today. 6 00:00:15,740 --> 00:00:17,200 You're going to be better at connecting? 7 00:00:17,580 --> 00:00:18,580 Yeah. 8 00:00:19,780 --> 00:00:21,840 You gotta get in your head. 9 00:00:22,140 --> 00:00:25,720 But do you think you'll be able to just stay in the room, get hard for the 10 00:00:25,720 --> 00:00:26,760 scene? Yeah, I can do that. 11 00:00:28,000 --> 00:00:29,700 As far back as I can remember. 12 00:00:30,510 --> 00:00:32,330 I always wanted to be a porn star. 13 00:00:33,550 --> 00:00:37,950 Just kidding. I decided that six months ago, right after a six -year 14 00:00:37,950 --> 00:00:41,810 relationship ended, and I realized I'd only had sex with one girl. 15 00:00:42,710 --> 00:00:49,110 Total. I'm Blake Bullitt. I'm 5 '4", 100 pounds, soaking wet. I'm not built like 16 00:00:49,110 --> 00:00:53,630 a god, but I've got heart. And a comeback rate that puts the Energizer 17 00:00:53,630 --> 00:00:56,550 shame. So get ready to laugh, gasp. 18 00:00:56,780 --> 00:01:01,760 And maybe even salute, as I live out every young guy's wildest dream to have 19 00:01:01,760 --> 00:01:05,500 with the biggest porn stars on the planet and become one myself. 20 00:01:06,620 --> 00:01:08,480 Zero to zero. 21 00:01:12,860 --> 00:01:15,840 Okay, Blake, this is your third scene. 22 00:01:16,140 --> 00:01:18,280 Hold on, should we wait for that plane? Yes, we should. 23 00:01:18,900 --> 00:01:19,900 Okay, 24 00:01:21,340 --> 00:01:23,080 Blake, so this is your third scene. 25 00:01:23,700 --> 00:01:27,080 Now, originally we had you paired with Chloe Moore, but she canceled last 26 00:01:27,080 --> 00:01:29,640 minute. Did that make you nervous? Did that throw you off? 27 00:01:30,040 --> 00:01:33,200 No. So you're getting kind of used to it, because this is the second time 28 00:01:33,200 --> 00:01:34,860 somebody's canceled last minute, right? 29 00:01:35,180 --> 00:01:37,820 Yeah. Which is going to be pretty common in porn. 30 00:01:38,040 --> 00:01:42,920 Like, does it matter for you at all, knowing who the person is going in? 31 00:01:42,920 --> 00:01:45,180 do you need to have a game plan? Do you need to research it beforehand? 32 00:01:45,860 --> 00:01:52,830 I do have a game plan going in, but I feel like because I'm, like, so nervous 33 00:01:52,830 --> 00:01:58,870 about that person, and it always happens to be somebody else, um, that, like, 34 00:01:58,890 --> 00:02:02,270 I'm usually not, like, super attracted to. 35 00:02:02,710 --> 00:02:04,350 Kind of makes things easier. 36 00:02:04,970 --> 00:02:09,330 So. Interesting. I want to see what you do to try to make it look like romantic. 37 00:02:10,190 --> 00:02:15,250 What? Try to make it look like romantic. Like, you're the, you're seducing her. 38 00:02:16,370 --> 00:02:18,070 Picture? Yeah, for a picture. 39 00:02:18,270 --> 00:02:19,270 Oh. 40 00:02:21,640 --> 00:02:23,480 I usually get seduced, so I don't know. 41 00:02:23,800 --> 00:02:26,060 You've got to play roles. This is performance. 42 00:02:26,440 --> 00:02:28,680 Okay. It usually involves touching her. 43 00:02:30,300 --> 00:02:35,500 Why don't you try getting on your knees behind her and playing with her strap? 44 00:02:36,180 --> 00:02:40,820 Before, you build it up in your mind, and then it changes at the last minute. 45 00:02:40,820 --> 00:02:45,660 has it taught you to try to be less attached to how the scene's going to go? 46 00:02:45,660 --> 00:02:49,220 feel like that's something important a lot of guys get in, and they need... 47 00:02:49,760 --> 00:02:52,420 They need, like, certainty. They need to know, like, when is this happening, 48 00:02:52,560 --> 00:02:55,660 blah, blah, blah. But at some point in porn, you just kind of have to let go 49 00:02:55,660 --> 00:02:58,280 be like, it's okay, I'll be ready. You trust your body. 50 00:02:58,720 --> 00:03:02,900 Yeah, I think going in with no expectations is better. Right. Yeah. 51 00:03:02,900 --> 00:03:05,540 expecting that the scene's going to go this way. Yeah. 52 00:03:06,100 --> 00:03:08,940 Look at that seduction on his face, huh? 53 00:03:10,640 --> 00:03:14,840 Remember we were talking about how, in a lot of porn, you're the prop. 54 00:03:15,360 --> 00:03:19,100 So we're focusing on her face. So maybe hide, like, your tits in her neck. 55 00:03:19,860 --> 00:03:21,320 Get closer. Get lower. 56 00:03:23,080 --> 00:03:26,160 We're just doing the top of your head, so you need to do, like, a side kiss. 57 00:03:26,720 --> 00:03:28,240 Like that? 58 00:03:29,620 --> 00:03:32,620 He looks like he's waiting for Baskin -Robbins to open. 59 00:03:34,180 --> 00:03:35,180 Okay, 60 00:03:35,400 --> 00:03:39,420 you've done two themes so far. What do you think you're going to do differently 61 00:03:39,420 --> 00:03:40,319 in this theme? 62 00:03:40,320 --> 00:03:41,920 I'm going to be more talkative. Okay. 63 00:03:42,180 --> 00:03:43,180 And confident. 64 00:03:43,400 --> 00:03:47,680 Okay. The goal is to get at least two pops. Two pops. 65 00:03:48,020 --> 00:03:51,580 Because we've talked about it. We haven't seen it yet. We want to see why 66 00:03:51,580 --> 00:03:54,520 named The Bullet. But that is a rare trait. 67 00:03:54,760 --> 00:03:59,060 Like, we've had guys before who come early and everybody gets silent on set 68 00:03:59,060 --> 00:04:02,140 because we assume their dick is done for the day and they're not going to get 69 00:04:02,140 --> 00:04:06,780 hard again. But then when the guy stays hard, keeps fucking, or immediately gets 70 00:04:06,780 --> 00:04:10,500 hard, then we're all very relieved and we're like, okay, this guy's going to be 71 00:04:10,500 --> 00:04:11,179 a stud. 72 00:04:11,180 --> 00:04:13,380 So if you can do that, that's... 73 00:04:14,240 --> 00:04:16,980 evidence that you have a long career. 74 00:04:18,079 --> 00:04:19,180 Like, think about your hand. 75 00:04:20,339 --> 00:04:21,339 You want more? 76 00:04:22,380 --> 00:04:24,960 Open your mouth a little bit. 77 00:04:29,740 --> 00:04:31,660 It's not like you're gonna kiss a grandmother. 78 00:04:32,900 --> 00:04:35,860 Just you telling me to open my mouth. 79 00:04:37,600 --> 00:04:38,740 Yeah, that was pretty weird. 80 00:04:39,260 --> 00:04:41,460 For Kenna, do you know anything about her? 81 00:04:41,720 --> 00:04:43,470 No. Did you know? 82 00:04:44,630 --> 00:04:49,050 I picked her as my very first zero to hero theme. Not only is she beautiful, 83 00:04:49,050 --> 00:04:55,770 she's just like very nice and relatable. And she has this way of making you feel 84 00:04:55,770 --> 00:05:01,070 like she really likes you. She likes everybody to a certain degree. But she 85 00:05:01,070 --> 00:05:04,170 has this way of connecting with you and making you feel like you're the only 86 00:05:04,170 --> 00:05:08,070 person in the room. You're going to be better at connecting with her? 87 00:05:08,330 --> 00:05:10,970 Because I'll see it more as like a friend. 88 00:05:11,440 --> 00:05:15,220 Kenna is also what I would describe as a tomboy. I think she would describe 89 00:05:15,220 --> 00:05:16,220 herself this way. 90 00:05:16,260 --> 00:05:18,480 Do you like tomboys? 91 00:05:18,900 --> 00:05:23,420 Does it matter? Do you like women to be more girly? No, I like a girl who can 92 00:05:23,420 --> 00:05:27,540 eat a cheeseburger in one hand and jerk me off in the other. Oh, then you're 93 00:05:27,540 --> 00:05:29,760 going to love Kenna. One, two, three, jump! 94 00:05:34,680 --> 00:05:40,180 Did you just smack your own ass? 95 00:05:41,670 --> 00:05:45,330 Another thing that we're going to work on today, something you've got to get 96 00:05:45,330 --> 00:05:50,730 used to is just being naked, jerking your dick around people, around crew. 97 00:05:51,070 --> 00:05:51,809 That's easy. 98 00:05:51,810 --> 00:05:55,730 This is something that I've done is, like, go into another room, get hard, 99 00:05:55,730 --> 00:05:56,369 come back. 100 00:05:56,370 --> 00:06:00,510 But do you think you'll be able to just stay in the room, get hard for the 101 00:06:00,510 --> 00:06:02,430 scene? Yeah, I could do that. Do that? Mm -hmm. 102 00:06:02,850 --> 00:06:06,730 Yeah, it's time to do the thing. Well, how do you want to take your shirt off? 103 00:06:07,050 --> 00:06:08,050 Let's, um... 104 00:06:08,240 --> 00:06:10,200 Let's start with her undressing him. 105 00:06:11,140 --> 00:06:12,140 Wait, 106 00:06:13,140 --> 00:06:17,760 am I prepping for this? Well, you can do it with us, right? Yeah. 107 00:06:19,040 --> 00:06:20,040 Well, 108 00:06:20,520 --> 00:06:22,980 get the shots of her taking off your clothes and we can go get ready. 109 00:06:23,240 --> 00:06:25,140 All right, well, are you ready? 110 00:06:26,200 --> 00:06:27,700 Yeah, more than ready. 111 00:06:28,580 --> 00:06:29,720 I think it's going to be fun. 112 00:06:29,940 --> 00:06:30,940 We'll see. 113 00:06:31,640 --> 00:06:32,940 I seem to be very nervous. 114 00:06:35,400 --> 00:06:37,400 Allegedly. I don't understand why. 115 00:06:37,930 --> 00:06:38,930 Are you excited? 116 00:06:39,310 --> 00:06:41,150 I think it'll be fun. 117 00:06:42,790 --> 00:06:44,330 Do you ever get to be the manhandler? 118 00:06:45,030 --> 00:06:48,750 Not really, but I'm typically the guys that are the manhandley type. 119 00:06:50,210 --> 00:06:51,210 How do you think it's going to go? 120 00:06:51,770 --> 00:06:53,750 I think it'll go well. It'll be entertaining. 121 00:06:55,070 --> 00:06:56,350 Look to the camera and say you're done. 122 00:06:57,490 --> 00:06:58,870 It's time to bite the bullet. 123 00:06:59,290 --> 00:07:02,290 It is. Go ahead. Bite the bullet. 124 00:07:05,200 --> 00:07:08,920 So you are working with Blake Bullitt today. What do you know about Blake 125 00:07:08,920 --> 00:07:09,920 Bullitt? 126 00:07:09,980 --> 00:07:14,420 Absolutely nothing other than, like, I'm maybe his fourth team. What a weird 127 00:07:14,420 --> 00:07:15,420 fucking thing, huh? 128 00:07:17,500 --> 00:07:20,120 This is the strangest. 129 00:07:21,740 --> 00:07:25,120 It looks like she's trying to blow up a raft. 130 00:07:30,620 --> 00:07:35,200 I called you last night to see if you'd be open to doing the scene, and you were 131 00:07:35,200 --> 00:07:36,920 like, let's do it. 132 00:07:37,440 --> 00:07:41,940 How often do you go into a scene not knowing who your scene partner is or not 133 00:07:41,940 --> 00:07:43,060 knowing really anything about them? 134 00:07:43,280 --> 00:07:46,860 I mean, on the guy side, it's kind of really rare. I usually know most of the 135 00:07:46,860 --> 00:07:50,740 guys. With girls, it's definitely like, yeah, I may not know them. 136 00:07:51,020 --> 00:07:52,160 But guys, it's very rare. 137 00:07:52,960 --> 00:07:54,000 Do you ever... 138 00:07:54,680 --> 00:07:58,140 Just not look people up? Are you somebody who wants to look them up to 139 00:07:58,140 --> 00:07:59,059 know what you're getting into? 140 00:07:59,060 --> 00:08:01,960 I generally look them up just to get an idea of like, oh, okay, that's kind of 141 00:08:01,960 --> 00:08:02,960 what they look like. 142 00:08:03,380 --> 00:08:06,160 What are you looking for when you're looking them up? Like some sort of 143 00:08:06,160 --> 00:08:08,860 commonality or just... Curiosity. 144 00:08:09,200 --> 00:08:13,140 Curiosity. Yeah, just strictly curiosity. I'm like, oh, maybe I can see 145 00:08:13,140 --> 00:08:16,200 your dick looks like or I can see what your face looks like or maybe I can hear 146 00:08:16,200 --> 00:08:17,200 what your voice sounds like. 147 00:08:17,940 --> 00:08:21,120 This is the strangest shit I've ever seen. I'll bring the camera. 148 00:08:23,960 --> 00:08:26,970 Good. You were my very first zero to hero scene. 149 00:08:27,190 --> 00:08:27,729 I was. 150 00:08:27,730 --> 00:08:32,450 You're very good at being present with people and connecting with them and 151 00:08:32,450 --> 00:08:36,429 making them, I don't know, feel seen. Is that something you do intentionally or 152 00:08:36,429 --> 00:08:38,049 is it just naturally who you are? 153 00:08:38,450 --> 00:08:42,950 I think a certain amount of it's natural, but there is some intention 154 00:08:42,950 --> 00:08:46,030 that usually because I want to come to set. I want to have a good day. 155 00:08:46,330 --> 00:08:50,090 So I want the person I'm with to also have a good day. And if we both can have 156 00:08:50,090 --> 00:08:54,460 good day, everyone has a great day. Right. We get done early, get done 157 00:08:54,640 --> 00:08:56,020 and then get to go home. 158 00:08:56,500 --> 00:08:58,640 And, yeah, everything about it's great. 159 00:09:00,720 --> 00:09:05,500 When you do work with relatively new guys, are you able to tell which ones 160 00:09:05,500 --> 00:09:09,920 going to make it a career and which ones are going to, like, fail out or 161 00:09:09,920 --> 00:09:11,600 disappear within a year or two? 162 00:09:12,080 --> 00:09:17,340 I mean, there are some things you can tell, you know, but some have surprised 163 00:09:17,340 --> 00:09:20,290 me. Okay. This is going to be your signature move. 164 00:09:20,490 --> 00:09:22,030 This is going to be your signature move, exactly. 165 00:09:22,250 --> 00:09:23,830 This is the bullet right here. Yeah. 166 00:09:25,390 --> 00:09:28,190 What do you think makes for a great male performer? 167 00:09:28,710 --> 00:09:32,910 Someone that's kind, somebody that can come to work and do the job, first and 168 00:09:32,910 --> 00:09:34,970 foremost. I feel like that's an important one. 169 00:09:37,670 --> 00:09:41,130 But just talk with someone who's not going to get too attached and think this 170 00:09:41,130 --> 00:09:42,510 all a love connection. Right. 171 00:09:43,050 --> 00:09:45,630 You know, anything more than it is. 172 00:09:46,140 --> 00:09:49,940 Are you saying that our theme meant nothing to you? No, no, that's not what 173 00:09:49,940 --> 00:09:50,940 saying. Aren't you special? 174 00:09:51,220 --> 00:09:54,380 Okay. It's a bit like she just happened upon someone who was thrown from a 175 00:09:54,380 --> 00:09:55,380 moving car. 176 00:09:56,720 --> 00:09:57,720 Exactly. 177 00:09:59,220 --> 00:10:01,400 He's ejected from his car on the 101. 178 00:10:02,660 --> 00:10:03,660 Photo op. 179 00:10:05,880 --> 00:10:06,940 There's one classic. 180 00:10:07,420 --> 00:10:12,600 His most challenge right now is connecting with performers because he's 181 00:10:12,600 --> 00:10:13,600 shy. 182 00:10:13,740 --> 00:10:18,420 Um, so even just like talking to performers before the scene is really 183 00:10:18,420 --> 00:10:19,199 for him. 184 00:10:19,200 --> 00:10:24,840 Do you have a trick to get guys to open up more or do you, you're just, you're 185 00:10:24,840 --> 00:10:25,840 just yourself. 186 00:10:26,300 --> 00:10:29,880 And if they're nervous, sometimes I get nervous and I'm like, ah, okay. 187 00:10:30,780 --> 00:10:34,920 Do you remember our scene? Do you remember anything about my nerves or 188 00:10:34,920 --> 00:10:35,879 I acted? 189 00:10:35,880 --> 00:10:38,960 I remember you were nervous, but I can't remember any of the specifics. 190 00:10:39,320 --> 00:10:42,240 Yeah. I remember I didn't even call you by your name for the longest time. 191 00:10:42,360 --> 00:10:47,980 Right. You didn't know my name. I couldn't remember it. You looked like 192 00:10:47,980 --> 00:10:52,320 from the Vampire Diaries. So I just walked around calling you Matt. 193 00:10:52,980 --> 00:10:54,260 And you answered. 194 00:10:55,160 --> 00:10:58,720 That's how I knew you were so good at connecting with people. 195 00:10:59,240 --> 00:11:00,660 Calling them by the wrong name. 196 00:11:00,860 --> 00:11:02,740 Making them really feel special and seen. 197 00:11:04,110 --> 00:11:06,050 I did all the compliments you gave me. 198 00:11:07,870 --> 00:11:11,250 It gives you practice. There's no better place to practice than here. 199 00:11:12,910 --> 00:11:13,930 Yeah, that was weird. 200 00:11:16,070 --> 00:11:19,310 Okay. When you come back, you'll be making movie magic. 201 00:11:20,130 --> 00:11:23,810 All right, well, let's go get him so you can meet him. 202 00:11:24,050 --> 00:11:25,050 Okay. 203 00:11:28,210 --> 00:11:29,210 Damn! 204 00:11:29,910 --> 00:11:32,110 You need to be shaken up every time I see you. 205 00:11:32,460 --> 00:11:34,840 All right. I feel like you're going to break me every time you do that. I'm 206 00:11:34,840 --> 00:11:36,520 trying to. That's what this whole series is about. 207 00:11:37,000 --> 00:11:41,480 Breaking. Yeah, I'm your opposition. I'm trying to, like, destroy you. 208 00:11:41,700 --> 00:11:43,000 Okay. And you're trying to beat me. 209 00:11:44,160 --> 00:11:47,260 Anyways, are you ready to meet Kevin James? I'm ready. Are you ready to bang 210 00:11:47,260 --> 00:11:48,620 Kevin James? I am ready. 211 00:11:48,900 --> 00:11:51,700 All right. Are you nervous at all? You saw her briefly. You came out of the 212 00:11:51,700 --> 00:11:53,660 bathroom and she was there. No, I'm not nervous at all. 213 00:11:53,880 --> 00:11:55,760 Okay. All right. 214 00:11:59,000 --> 00:12:00,000 Clap. 215 00:12:01,720 --> 00:12:02,870 Clap. Go, clap. 216 00:12:03,130 --> 00:12:04,970 Hold on. There we go. Do it again. Do it again. 217 00:12:07,930 --> 00:12:10,390 Nothing real about this reality. 218 00:12:10,730 --> 00:12:11,730 Action. 219 00:12:15,650 --> 00:12:16,650 Hi, 220 00:12:18,670 --> 00:12:19,670 Larry. 221 00:12:21,330 --> 00:12:22,330 Hi. Hi. 222 00:12:22,610 --> 00:12:23,349 How's it going? 223 00:12:23,350 --> 00:12:24,350 Good. How are you? 224 00:12:24,410 --> 00:12:25,410 Pretty good. 225 00:12:27,390 --> 00:12:29,370 I'm Blake, by the way. 226 00:12:29,570 --> 00:12:31,070 Kenneth. Pleasure to meet you. Nice to meet you. 227 00:12:33,550 --> 00:12:35,490 So, um, hmm. 228 00:12:37,650 --> 00:12:38,850 Now I gotta ask questions, huh? 229 00:12:39,790 --> 00:12:40,790 Damn. Okay. 230 00:12:42,030 --> 00:12:46,210 I don't know what's once more awkward, sitting or, sitting and trying to talk 231 00:12:46,210 --> 00:12:47,129 not talking. 232 00:12:47,130 --> 00:12:48,450 Yeah. At a certain point. 233 00:12:48,790 --> 00:12:50,290 I wonder how awkward we can make it for that. 234 00:12:50,850 --> 00:12:51,850 Hmm. 235 00:12:56,390 --> 00:12:58,170 How many scenes have you done so far like this? 236 00:12:58,910 --> 00:13:00,150 Oh. Because that could be my question. 237 00:13:00,490 --> 00:13:01,830 Two. Two? Yeah. 238 00:13:06,180 --> 00:13:12,940 Has there been anything that you have experienced, I guess, in the industry or 239 00:13:12,940 --> 00:13:17,300 that you can't come to find out about, like, how production works and stuff 240 00:13:17,300 --> 00:13:18,980 you were kind of, like, surprised or shocked? 241 00:13:19,320 --> 00:13:25,980 One of my longest days on set, 12 hours, then second day was 18 and a half 242 00:13:25,980 --> 00:13:29,780 hours. Then I had another day where I shot for a different company, and 243 00:13:30,190 --> 00:13:31,630 came back for another 16 -hour day. 244 00:13:32,170 --> 00:13:35,810 And then I've had days where it was like two or three hours. 245 00:13:36,230 --> 00:13:41,350 Wham, bam, thank you, ma 'am. Would you say you like more of a kind of exciting, 246 00:13:41,390 --> 00:13:46,890 rough kind of scene or more of like a slow, go with the flow kind of? 247 00:13:47,290 --> 00:13:50,530 That's honestly situational for me because I love both of those. 248 00:13:50,810 --> 00:13:53,930 On days like today, I feel like they're probably a little softer, a little 249 00:13:53,930 --> 00:13:58,090 slower. I also like to be tossed around and just treated like a piece of meat, 250 00:13:58,170 --> 00:13:59,170 so. 251 00:13:59,580 --> 00:14:00,519 I feel that. 252 00:14:00,520 --> 00:14:02,480 Would you ever like to toss around your scene partner? 253 00:14:03,740 --> 00:14:07,000 Depending on the scene partner, if I can. Yeah. Could you toss around Blake? 254 00:14:08,280 --> 00:14:09,620 I could probably toss around Blake. 255 00:14:10,580 --> 00:14:11,880 I'm 100 pounds soaking wet. 256 00:14:13,520 --> 00:14:16,580 You'd like that, right? You'd like to be tossed around. I love it. So you two 257 00:14:16,580 --> 00:14:18,620 are going to be having sex today. What do you think that's going to be like? 258 00:14:19,560 --> 00:14:20,980 Fun. That could be fun. 259 00:14:21,300 --> 00:14:22,300 Looking forward to it. 260 00:14:22,840 --> 00:14:23,840 Exciting. 261 00:14:23,939 --> 00:14:28,900 She remembers my zero to hero thing very vividly in great detail. Is that what I 262 00:14:28,900 --> 00:14:33,020 did? And she was very impressed by how good I did. 263 00:14:33,220 --> 00:14:35,060 Do you think you're going to be able to out fuck me? 264 00:14:35,280 --> 00:14:36,280 Yes. 265 00:14:39,780 --> 00:14:41,340 I like him already. 266 00:14:45,880 --> 00:14:46,880 All right. 267 00:14:47,060 --> 00:14:48,700 I want to see it. 268 00:14:53,260 --> 00:14:54,199 Action, Blake! 269 00:14:54,200 --> 00:14:55,200 Oh, my bad. 270 00:15:43,630 --> 00:15:44,630 You know. 271 00:16:25,770 --> 00:16:26,770 I can't do that. 272 00:16:58,410 --> 00:17:00,090 Oh, that's so good. 273 00:18:14,640 --> 00:18:15,640 Thank you. 274 00:19:00,360 --> 00:19:01,360 Yeah. 275 00:19:50,980 --> 00:19:53,080 Do you want to hide after you come? 276 00:20:25,930 --> 00:20:26,930 Jane? 277 00:21:02,459 --> 00:21:05,760 Oh, yeah. Yeah. 278 00:22:16,270 --> 00:22:17,330 Yeah, yeah, yeah. 279 00:22:21,050 --> 00:22:23,150 Where are we? 280 00:22:24,170 --> 00:22:26,150 Yeah, let's sit over there at that fucking cup. 281 00:22:57,040 --> 00:22:58,040 I love you. 282 00:25:23,240 --> 00:25:24,240 Thank you. 283 00:26:44,620 --> 00:26:46,680 Well, we can do... You know what we can do? 284 00:26:46,960 --> 00:26:51,140 Why don't you go down on her and stroke your cock while you go down on her? 285 00:26:51,800 --> 00:26:54,380 Because you haven't eaten your pussy yet, right? No. 286 00:26:55,100 --> 00:26:57,660 That's always something like if you need to get your edge, you can always go to 287 00:26:57,660 --> 00:26:58,259 pussy eating. 288 00:26:58,260 --> 00:26:59,260 Okay. 289 00:26:59,620 --> 00:27:02,280 Unless you just need a break because it is hot in there. You can turn the AC on 290 00:27:02,280 --> 00:27:03,460 and you can just take a break for a second. 291 00:27:04,000 --> 00:27:05,360 I'm down with that. I need some water. 292 00:27:05,580 --> 00:27:07,240 Okay. Perfect. Take a break. Keep going. 293 00:27:08,300 --> 00:27:09,300 That's a cut. 294 00:27:09,840 --> 00:27:11,120 We're still rolling, but yes. 295 00:27:16,980 --> 00:27:18,300 It's not a magic carpet. 296 00:27:21,960 --> 00:27:22,960 Remember, 297 00:27:25,620 --> 00:27:26,620 it's open. 298 00:27:27,240 --> 00:27:28,700 How you doing, Blake? 299 00:27:28,900 --> 00:27:30,320 I'm not letting that pop out, dude. 300 00:27:30,920 --> 00:27:31,980 Are you getting close? 301 00:27:32,200 --> 00:27:33,200 Yeah. 302 00:27:36,140 --> 00:27:38,020 Did we get that on camera? 303 00:27:44,020 --> 00:27:48,920 I thought you did your best fucking that I've seen you in this series after you 304 00:27:48,920 --> 00:27:49,920 came. 305 00:27:50,000 --> 00:27:51,760 I was impressed. 306 00:27:53,560 --> 00:27:55,060 Wow. Staying hard. 307 00:27:55,720 --> 00:27:59,760 Your doggy fucking was the best fucking thing you do. And you started talking. 308 00:28:00,580 --> 00:28:02,480 You did well. Can I stand real quick? 309 00:28:12,880 --> 00:28:14,680 My thighs feel so big. 310 00:28:16,300 --> 00:28:17,980 Your thighs feel big? Yeah. 311 00:28:18,240 --> 00:28:20,240 Are they just sore? She's getting fat. 312 00:28:20,780 --> 00:28:21,820 She is. 313 00:28:23,540 --> 00:28:24,620 I'm so fat. 314 00:28:25,380 --> 00:28:26,940 So fat. 315 00:28:27,400 --> 00:28:28,480 I'll probably get on Ozempic. 316 00:28:30,340 --> 00:28:32,140 Imagine if I went on Ozempic. 317 00:28:32,520 --> 00:28:33,520 Jesus Christ. 318 00:28:34,060 --> 00:28:37,000 Where are we starting from? 319 00:28:38,660 --> 00:28:40,260 Let's practice transition. 320 00:28:40,560 --> 00:28:41,660 So where were you? 321 00:28:42,280 --> 00:28:47,860 We're doing cowgirl. Yeah, we'll do cowgirl and then into fishbone or 322 00:28:47,860 --> 00:28:54,800 like that. Are you sure you're ready? Do you want to do more of an edge? 323 00:28:55,200 --> 00:28:57,280 No, it'll go back up during. 324 00:28:58,860 --> 00:29:02,840 Sit back on this mat and then transition. 325 00:29:16,650 --> 00:29:17,650 Have fun, kids. 326 00:34:55,549 --> 00:34:56,610 I thought we were ready 327 00:35:02,060 --> 00:35:03,060 Pretty good. 328 00:35:03,580 --> 00:35:04,580 God damn. 329 00:35:05,660 --> 00:35:10,840 So I know you're trying to keep your edge, but a lot of directors will want 330 00:35:10,840 --> 00:35:13,520 to open up more because you're really in there tight. 331 00:35:13,760 --> 00:35:15,060 Yeah, as you're trying to keep your edge. 332 00:35:15,300 --> 00:35:19,460 Which makes sense because you came early in the scene, which we wanted you to 333 00:35:19,460 --> 00:35:20,460 try to do. 334 00:35:22,300 --> 00:35:25,900 It's just about learning your body and doing what you're capable of. 335 00:35:28,450 --> 00:35:32,070 And if you talk more, you start to be a little more verbal, which is good. 336 00:35:32,550 --> 00:35:33,990 But more talking is great. 337 00:35:35,350 --> 00:35:39,230 Any notes? I think a few times in each position, like, not sticking you in. We 338 00:35:39,230 --> 00:35:42,710 can... Do you think you have another pop in you? 339 00:35:43,150 --> 00:35:44,150 Me? Yeah. 340 00:35:44,710 --> 00:35:51,270 How about... What I would say is, why don't we just build up... 341 00:35:51,270 --> 00:35:54,850 We'll do, like, one more position, build up to your next pop, and then we'll 342 00:35:54,850 --> 00:35:55,850 pop. Yeah? 343 00:35:59,710 --> 00:36:00,710 Can I get you any water? 344 00:36:01,090 --> 00:36:03,510 Come on, put another bullet in the chamber. 345 00:36:03,730 --> 00:36:04,730 Come on. 346 00:36:05,130 --> 00:36:08,290 Reload. I can come on a semi. 347 00:36:09,130 --> 00:36:10,009 That's not hard. 348 00:36:10,010 --> 00:36:14,210 Well, I know. We need to go down on the 101. Oh, you meant a semi -erected. I 349 00:36:14,210 --> 00:36:18,670 thought you meant a Persian truck driver. All right. We still want you to 350 00:36:18,670 --> 00:36:19,670 hard enough to talk to him. 351 00:36:19,690 --> 00:36:23,050 I hear that you want to come on my semi. All right, fuck off, son. 352 00:36:24,940 --> 00:36:28,180 I told you to get yours. It happens I get blowjobs too much. You didn't hear 353 00:36:28,180 --> 00:36:29,038 say get yourself. 354 00:36:29,040 --> 00:36:32,320 I will ruin my sex by giving too good of a blowjob. 355 00:36:32,880 --> 00:36:33,880 Yeah, 356 00:36:35,320 --> 00:36:39,180 your blowjob was too good. And because of that, now we have this issue to deal 357 00:36:39,180 --> 00:36:42,380 with. Oh, no, I mean, even in my personal life, sometimes I will 358 00:36:42,380 --> 00:36:46,260 up having sex because I just give him a blowjob and then I really like fucking 359 00:36:46,260 --> 00:36:48,160 his dick and then he comes and then I don't give a fuck. 360 00:36:48,540 --> 00:36:49,499 But that's okay. 361 00:36:49,500 --> 00:36:52,500 I still enjoy it. Always the bridesmaid, never a bride. 362 00:36:54,630 --> 00:36:58,810 Oh, no. Well, often the bridesmaids, more often the bridesmaids. 363 00:37:04,750 --> 00:37:05,250 Take a 364 00:37:05,250 --> 00:37:15,470 picture. 365 00:37:16,010 --> 00:37:17,570 You wanted to be in porn, my friend. 366 00:37:17,910 --> 00:37:19,530 This is it. This is porn. 367 00:37:19,890 --> 00:37:22,210 Don't look at me. Don't look at me. It's so glamorous. 368 00:37:26,549 --> 00:37:28,450 Can I get like 30 seconds in the bathroom? 369 00:37:28,710 --> 00:37:29,710 Sure. 370 00:37:29,810 --> 00:37:30,810 I'll get them fully up. 371 00:37:31,910 --> 00:37:33,790 Follow him to the bathroom. What's in there? 372 00:37:35,030 --> 00:37:36,030 Barrels. 373 00:37:36,610 --> 00:37:38,090 What's good for you? Where would you like to go? 374 00:37:40,170 --> 00:37:45,090 Should we go missionary since that was kind of like... Where were you last? We 375 00:37:45,090 --> 00:37:46,770 were doggy. I can flip back over into mish. 376 00:37:47,030 --> 00:37:51,410 Let's do doggy into mish. Yeah. I feel like that makes you come the easiest, 377 00:37:51,430 --> 00:37:52,710 right? It's like a little garden. 378 00:37:53,829 --> 00:37:55,050 Start dogging, then go to mission. 379 00:37:55,630 --> 00:37:59,390 Yeah, so we'll just go... I'll go from here, and then I'll just go back over 380 00:37:59,390 --> 00:38:03,030 here. I don't know if I'll come from fucking... Oh, yeah, just set up like 381 00:38:03,030 --> 00:38:06,210 you're gonna come. Yeah, it's like you can pull up, kind of jerk yourself right 382 00:38:06,210 --> 00:38:10,550 up. And then set up, and then just get yourself there, and we'll pick up from 383 00:38:10,550 --> 00:38:11,810 there. Okay, so, yeah. 384 00:38:12,670 --> 00:38:15,030 This will be a good practice. This is a lot of porn. 385 00:38:15,330 --> 00:38:16,330 Just set up. 386 00:38:20,490 --> 00:38:21,630 And we are rolling. 387 00:38:22,920 --> 00:38:25,200 Oh. Oh. 388 00:39:13,710 --> 00:39:14,790 Yes, yes. 389 00:40:09,720 --> 00:40:16,000 So, if you need to get hard and just go get hard, come back in, fucker, for like 390 00:40:16,000 --> 00:40:20,180 30 seconds and be like, I'm gonna come, pull out, set up like you're gonna come. 391 00:40:20,320 --> 00:40:23,950 Okay. Just so we have that, because we need that moment where you pull out like 392 00:40:23,950 --> 00:40:24,669 you're about to come. 393 00:40:24,670 --> 00:40:28,410 Okay. And then you can get your edge, and then we'll just be in the same 394 00:40:28,410 --> 00:40:29,410 position. Yep. 395 00:40:29,470 --> 00:40:30,470 Cool, Vince. Cool. 396 00:40:41,170 --> 00:40:43,290 He's got great eyes. 397 00:40:44,330 --> 00:40:47,210 You just need to fuck her for like 30 seconds and pull out like you're going 398 00:40:47,210 --> 00:40:49,030 come. Okay. Or if you actually come. 399 00:40:49,810 --> 00:40:51,510 But we need you to say, I'm about to cum. 400 00:40:52,810 --> 00:40:54,850 We're going to have to do the cut and then let me. 401 00:40:55,150 --> 00:40:57,250 Yep. Okay. Yep. That's why we do it that way. 402 00:40:57,590 --> 00:41:00,610 Yep. You're just going to fuck me, pull it out, be like, oh my God, I'm going to 403 00:41:00,610 --> 00:41:01,610 cum. 404 00:41:01,870 --> 00:41:03,170 And then fuck. 405 00:41:03,750 --> 00:41:04,750 Yeah. 406 00:41:05,570 --> 00:41:06,509 That'll do. 407 00:41:06,510 --> 00:41:07,910 All right. And whenever you're ready. 408 00:41:08,110 --> 00:41:09,110 All right. 409 00:41:38,919 --> 00:41:41,260 That was so weird. I don't know why I did that. 410 00:41:41,800 --> 00:41:48,140 I thought she was coming to the knees and I was just waiting there. 411 00:41:49,500 --> 00:41:54,700 Yeah, you're going to come just like right here. 412 00:41:57,710 --> 00:41:59,930 And you can come from before when you stood up, right, and just have the pop 413 00:41:59,930 --> 00:42:00,930 start there. 414 00:42:02,970 --> 00:42:08,230 Yeah, we'll just have him come in and come on that butt. 415 00:42:08,770 --> 00:42:11,170 Yeah, and walk in and jizz. 416 00:42:11,530 --> 00:42:15,330 Another thing that we're going to work on today, something you've got to get 417 00:42:15,330 --> 00:42:20,710 used to is just being naked, jerking your dick around people, around crew. 418 00:42:20,950 --> 00:42:21,888 That's easy. 419 00:42:21,890 --> 00:42:24,590 You have to blow up. There it goes again. 420 00:42:25,740 --> 00:42:26,740 Let's make a compilation. 421 00:42:27,580 --> 00:42:29,960 Here it comes. Ready? Rolling. 422 00:42:33,740 --> 00:42:34,340 One 423 00:42:34,340 --> 00:42:50,260 more 424 00:42:50,260 --> 00:42:52,840 second. One more second. 425 00:42:54,230 --> 00:42:55,910 Verbally tell us when you're ready. Okay. 426 00:42:58,690 --> 00:42:59,690 It's so hard sitting. 427 00:43:00,850 --> 00:43:01,850 That's good. 428 00:43:01,930 --> 00:43:02,930 Yeah. 429 00:43:03,870 --> 00:43:05,470 Can I just stand and sit? Yeah. 430 00:43:05,810 --> 00:43:08,550 Because you were already standing up when you left. 431 00:43:08,910 --> 00:43:10,130 So you can just come like right here. 432 00:43:10,430 --> 00:43:11,430 And right there. 433 00:43:16,850 --> 00:43:18,770 Happy that it happened. Sad that I was alone. 434 00:43:19,030 --> 00:43:20,030 Okay. 435 00:43:28,110 --> 00:43:29,410 Did I break your concentration? 436 00:43:34,750 --> 00:43:35,750 Okay. 437 00:43:37,670 --> 00:43:38,649 Okay, I'm ready. 438 00:43:38,650 --> 00:43:39,650 Roll it. 439 00:44:01,990 --> 00:44:03,850 Two loads, you did it. We got jizz. 440 00:44:04,670 --> 00:44:05,670 Oh, good. 441 00:44:06,630 --> 00:44:07,630 All right. 442 00:44:07,730 --> 00:44:09,930 Well, I'm going to let you guys get cleaned up, and we're going to talk 443 00:44:09,930 --> 00:44:10,808 the scene. 444 00:44:10,810 --> 00:44:11,810 Sounds good. Do it. 445 00:44:12,810 --> 00:44:16,890 Okay, Blake and Kenna, this is Blake's third scene for us. How do you think he 446 00:44:16,890 --> 00:44:18,310 did? I think he did good. 447 00:44:19,150 --> 00:44:21,830 Do you think he has potential as a porn star? 448 00:44:22,230 --> 00:44:23,230 Yeah, I think so. 449 00:44:23,390 --> 00:44:24,390 Yeah. You can do it. 450 00:44:25,330 --> 00:44:26,790 What do you think he did well in the theater? 451 00:44:27,310 --> 00:44:29,550 I was very impressed that he stayed hard after you came. 452 00:44:30,550 --> 00:44:31,550 That was impressive. 453 00:44:31,770 --> 00:44:35,450 Don't often say that. Yeah. Blake, what do you think you did well during the 454 00:44:35,450 --> 00:44:38,330 scene? I talked more, came twice. 455 00:44:39,390 --> 00:44:40,510 I'm sweating this time. 456 00:44:41,590 --> 00:44:42,590 This has never happened. 457 00:44:42,990 --> 00:44:44,370 I'm out of breath for the first time. 458 00:44:45,350 --> 00:44:50,550 Would you tell a director again that you could do two pops for the scene? You 459 00:44:50,550 --> 00:44:55,630 would? Yeah. You did stay hard for that first position, but then it wasn't quite 460 00:44:55,630 --> 00:44:59,830 as hard, and so you were a little bit close, so we couldn't see as much of 461 00:44:59,830 --> 00:45:00,830 dick. Yeah. 462 00:45:01,240 --> 00:45:02,840 My leg cramped up. 463 00:45:04,340 --> 00:45:06,260 You don't think it had to do with you coming? 464 00:45:06,560 --> 00:45:07,560 It was my leg, dude. 465 00:45:07,820 --> 00:45:09,420 It was just completely your leg? Yeah. 466 00:45:10,280 --> 00:45:13,720 All right. You said that. We're going to ask you to come multiple times again. 467 00:45:13,980 --> 00:45:14,618 Go ahead. 468 00:45:14,620 --> 00:45:17,380 I'm ready. You don't think your dick would have stayed harder if you hadn't 469 00:45:17,380 --> 00:45:18,380 come the first time? 470 00:45:20,200 --> 00:45:21,200 No. 471 00:45:21,780 --> 00:45:22,780 Really? 472 00:45:23,160 --> 00:45:25,300 Okay. We're going to make you do it again, then. 473 00:45:26,000 --> 00:45:27,380 Oh, we have to make it three next time. 474 00:45:28,609 --> 00:45:32,770 But next time we may make you, you can't leave the room. Will you be able to get 475 00:45:32,770 --> 00:45:33,910 there if you have to stay in the room? 476 00:45:34,190 --> 00:45:35,870 Yeah. All right, Kenna. 477 00:45:36,150 --> 00:45:37,970 What are the things that he could work on? 478 00:45:39,610 --> 00:45:44,250 Yeah, definitely keeping your head there a little bit more if you can. I know 479 00:45:44,250 --> 00:45:50,050 once things start kind of not as solid, I know it gets in the brain a little 480 00:45:50,050 --> 00:45:53,590 bit. One of the things you can definitely do, I know Sean mentioned it, 481 00:45:53,810 --> 00:45:56,390 eat her out, kind of just use that moment. 482 00:45:57,080 --> 00:45:57,919 For the edge. 483 00:45:57,920 --> 00:46:01,040 We didn't do that, did we? No, we told you to, but you were so in your head. 484 00:46:01,100 --> 00:46:02,100 Fuck. Yeah. 485 00:46:02,760 --> 00:46:04,800 Yeah, you're good. Like I said, you got to get in your head. 486 00:46:05,220 --> 00:46:08,800 When you had her in missionary, you were good at opening her legs to the camera. 487 00:46:08,840 --> 00:46:12,280 That was great. And then you did her in like a side missionary. 488 00:46:12,720 --> 00:46:15,160 That was really good. 489 00:46:15,400 --> 00:46:20,260 And you're, I said this before, but you fucking her in doggy after you came was 490 00:46:20,260 --> 00:46:24,560 probably the best moment of sex that I've seen with you because you were like 491 00:46:24,560 --> 00:46:26,240 aggressive. You were like in the zone. 492 00:46:27,140 --> 00:46:29,040 And it felt like I was watching a real porn. 493 00:46:29,280 --> 00:46:31,080 What do you think you could improve on for next time? 494 00:46:31,280 --> 00:46:32,420 I just got to stay out of my head, man. 495 00:46:33,180 --> 00:46:35,180 That's really, that's the main factor. 496 00:46:35,380 --> 00:46:38,200 Because once I'm in my head, everything kind of just malfunctions. 497 00:46:38,620 --> 00:46:42,980 When you're in your head, what are the thoughts that are derailing you? 498 00:46:45,500 --> 00:46:46,500 Disappointing you. 499 00:46:46,920 --> 00:46:49,080 That's literally it. You're not going to disappoint me. 500 00:46:49,280 --> 00:46:51,940 I'm going to get paid no matter what. You can't read your faith. 501 00:46:52,500 --> 00:46:53,960 I'm sorry, my life is like that. 502 00:46:55,900 --> 00:47:00,680 This was sort of like an easier scene that was tailored towards Blake. Are 503 00:47:00,680 --> 00:47:05,020 any directors that you know or sets that you've been on that you think will 504 00:47:05,020 --> 00:47:08,840 challenge him in ways that might be difficult for him? Can you describe some 505 00:47:08,840 --> 00:47:09,840 those scenarios? 506 00:47:10,560 --> 00:47:15,240 Any feature film. If you have to run through, say, eight hours of dialogue 507 00:47:15,240 --> 00:47:18,280 before you even get to your scene, a lot of times you're going to be tired. 508 00:47:18,500 --> 00:47:22,960 You're already going to want to go home. It could be two in the morning, and 509 00:47:22,960 --> 00:47:24,800 they're like, all right, dick's hard. 510 00:47:25,240 --> 00:47:26,240 We're going. 511 00:47:26,500 --> 00:47:30,780 What about other female talent? Have you ever seen other female talent be, like, 512 00:47:30,800 --> 00:47:31,980 cruel and unforgiving? 513 00:47:32,360 --> 00:47:34,720 Uh -huh. Oh, yeah. What are some examples of things that they do? 514 00:47:35,100 --> 00:47:37,960 They will straight up tell you that it is not their job to make your deck hard. 515 00:47:38,000 --> 00:47:40,560 They will not come because there's no Hitachi involved. 516 00:47:40,980 --> 00:47:42,720 They will tell you they straight up don't like sex. 517 00:47:43,680 --> 00:47:45,620 That kind of helps me a little bit. 518 00:47:45,940 --> 00:47:50,180 Oh. When she's, like, not into it. Really? Yeah. Because then I take it as 519 00:47:50,180 --> 00:47:52,740 challenge. So I'll get you into it. 520 00:47:53,240 --> 00:47:54,240 Okay. 521 00:47:55,390 --> 00:47:59,290 You keep saying these things that are going to make us challenge you to prove 522 00:47:59,290 --> 00:48:01,650 it. That's why I'm saying it. You're making it so much harder for yourself. 523 00:48:02,190 --> 00:48:05,150 That is why I'm saying it. We're going to make you come three times. We're 524 00:48:05,150 --> 00:48:06,150 to make her be mean to you. 525 00:48:06,550 --> 00:48:09,930 We're going to have Quasar be talking shit the whole time. 526 00:48:10,350 --> 00:48:11,350 I need that. 527 00:48:11,750 --> 00:48:15,070 Dude, literally, he's one of the ones I've been thinking about for the middle 528 00:48:15,070 --> 00:48:16,070 the hour. 529 00:48:16,850 --> 00:48:19,910 This is the third theme. This is the last of the... We were going to do 530 00:48:19,950 --> 00:48:22,370 like, kind of easier, comfortable themes. The next one... 531 00:48:22,910 --> 00:48:24,950 It's going to be a little bit more challenging. It's going to be a new 532 00:48:25,430 --> 00:48:26,430 I'm ready. 533 00:48:26,450 --> 00:48:27,710 All right, Kenna. Thank you. 534 00:48:28,070 --> 00:48:29,070 Thank you, guys. 41645

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