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These are the user uploaded subtitles that are being translated: 1 00:00:10,534 --> 00:00:12,198 PREVIOUSLY ON "AMBITIONS"... 2 00:00:12,200 --> 00:00:13,398 TRACY... 3 00:00:13,400 --> 00:00:15,698 EVAN, CALL 911! 4 00:00:15,700 --> 00:00:17,032 I ALREADY TOLD YOU I'M NOT SELLING. 5 00:00:17,034 --> 00:00:19,532 Greg: BABE, BE CAREFUL OUT THERE. 6 00:00:19,534 --> 00:00:22,798 ATLANTA CAN BE A ROUGH CITY AFTER DARK. 7 00:00:22,800 --> 00:00:24,499 WHAT YOU WANT? 8 00:00:24,501 --> 00:00:26,699 SEVERAL HIGHER UPS IN THE MAYOR'S CABINET ARE ON THE TAKE. 9 00:00:26,701 --> 00:00:29,465 Stephen: GET THAT UNGRATEFUL HUSBAND OF YOURS TO PLAY BALL. 10 00:00:29,467 --> 00:00:31,198 STOP SCHMOOZING AND SCHEMING, 11 00:00:31,200 --> 00:00:32,765 TRYING TO PULL SOME POWER PLAY. 12 00:00:32,767 --> 00:00:34,965 SHOW THE PEOPLE OF ATLANTA THAT THE PURIFOYS 13 00:00:34,967 --> 00:00:37,299 ARE HEARTBROKEN OVER THIS OPIOID EPIDEMIC. 14 00:00:37,301 --> 00:00:39,965 Hunter: STEPHEN CARLISLE'S BEEN OUT TO DESTROY MY BUSINESS FOR... 15 00:00:39,967 --> 00:00:41,365 DECADES. 16 00:00:41,367 --> 00:00:42,799 Stephanie: RELATIONSHIPS HAVE A WAY 17 00:00:42,801 --> 00:00:45,599 OF BECOMING COMPLICATED VERY QUICKLY. 18 00:00:45,601 --> 00:00:48,532 ONE SECOND, YOU'RE HAVING THE BEST SEX OF YOUR LIFE... 19 00:00:48,534 --> 00:00:50,698 WHY SHOULDN'T WE ENJOY EACH OTHER'S COMPANY? 20 00:00:50,700 --> 00:00:54,065 ...AND THE NEXT, YOU WANT TO KILL HIM. 21 00:00:54,067 --> 00:00:57,598 [ SIREN WAILS ] 22 00:00:57,600 --> 00:00:58,698 [ POLICE RADIO CHATTER ] 23 00:00:58,700 --> 00:00:59,965 Rondell: I'D SAY HE WAS ABOUT... 24 00:00:59,967 --> 00:01:02,465 5'10, 185 POUNDS. 25 00:01:02,467 --> 00:01:05,265 WELL, I'D PUT HIM CLOSER TO 200. 26 00:01:05,267 --> 00:01:07,732 MR. LANCASTER, I NEED YOU TO PUT THAT SHOTGUN AWAY. 27 00:01:07,734 --> 00:01:10,065 I'LL KEEP MY SHOTGUN WHEREVER I DAMN WELL PLEASE. 28 00:01:10,067 --> 00:01:11,699 THIS IS A DANGEROUS NEIGHBORHOOD. 29 00:01:11,701 --> 00:01:14,398 [ POLICE RADIO CHATTER ] 30 00:01:14,400 --> 00:01:16,299 CLOTHES? 31 00:01:16,301 --> 00:01:17,765 UM... 32 00:01:17,767 --> 00:01:21,865 SAGGING BLUE JEANS, WHITE JORDANS, A GRAY HOODIE. 33 00:01:21,867 --> 00:01:23,465 A BLACK SKULLCAP. 34 00:01:23,467 --> 00:01:25,532 YEAH, HE HAD ONE OF THOSE GIRLISH 35 00:01:25,534 --> 00:01:26,998 STOCKING CAPS OVER HIS HEAD 36 00:01:27,000 --> 00:01:28,598 SO WE COULDN'T MAKE OUT HIS FACE. 37 00:01:28,600 --> 00:01:31,732 WHACKING THE TABLETOPS WITH A BASEBALL BAT. 38 00:01:31,734 --> 00:01:33,065 HE CAME RUNNING OUT OF HERE, 39 00:01:33,067 --> 00:01:35,331 HEADED NORTH ON ENGLISH AVENUE TOWARDS WHEELER. 40 00:01:35,333 --> 00:01:36,865 AND WHO ARE YOU? 41 00:01:36,867 --> 00:01:38,532 INEZ TRUJILLO. I WORK HERE. 42 00:01:38,534 --> 00:01:40,332 LIVE RIGHT ACROSS THE STREET. 43 00:01:40,334 --> 00:01:41,932 AND ME AND MY FATHER LIVE UPSTAIRS 44 00:01:41,934 --> 00:01:42,932 ABOVE THE RESTAURANT. 45 00:01:42,934 --> 00:01:45,331 WAS THE ASSAILANT BLACK, WHITE, LATINO? 46 00:01:45,333 --> 00:01:46,698 OH, HE WAS ONE OF US. 47 00:01:46,700 --> 00:01:49,332 I WAS GONNA SHOOT HIS ASS IF MY DAUGHTER DIDN'T STOP ME. 48 00:01:49,334 --> 00:01:51,132 DO YOU HAVE A PERMIT FOR YOUR WEAPON, MR. LANCASTER? 49 00:01:51,134 --> 00:01:54,665 DON'T NEED NO PERMIT FOR A SHOTGUN IN GEORGIA. 50 00:01:54,667 --> 00:01:56,665 STOP TRYING TO SPIN THIS BACK ON US! 51 00:01:56,667 --> 00:01:59,765 YOU KNOW WHAT'S GOING DOWN IN THIS NEIGHBORHOOD. 52 00:01:59,767 --> 00:02:01,932 YOU SHOULD HAVE HAD MORE PATROLS OUT! 53 00:02:01,934 --> 00:02:03,932 YOU MENTIONED HE SAID SOMETHING. 54 00:02:03,934 --> 00:02:05,565 [ POLICE RADIO CHATTER ] 55 00:02:05,567 --> 00:02:07,665 YEAH. 56 00:02:07,667 --> 00:02:11,265 HE SAID, "YOU KNOW WHAT TIME IT IS, BITCH." 57 00:02:11,267 --> 00:02:14,699 ME AND MY PARTNER WILL FILE YOUR REPORT. 58 00:02:14,701 --> 00:02:16,898 MAKE SURE TO KEEP YOUR DOORS LOCKED 59 00:02:16,900 --> 00:02:18,598 DURING NON-BUSINESS HOURS. 60 00:02:18,600 --> 00:02:20,099 Y'ALL SORRY. 61 00:02:20,101 --> 00:02:21,432 YOU'RE SORRY. 62 00:02:21,434 --> 00:02:24,365 MISS LANCASTER, MR. LANCASTER. 63 00:02:24,367 --> 00:02:26,365 CAREFUL WITH THAT SHOTGUN. 64 00:02:26,367 --> 00:02:27,465 [ SIGHS ] 65 00:02:27,467 --> 00:02:30,465 YOU'RE THE MAYOR'S FREAKIN' FAMILY. 66 00:02:30,467 --> 00:02:32,865 HOW CAN THIS BE HAPPENING? 67 00:02:32,867 --> 00:02:34,198 Inez: YOU SHOULD CALL HIM. 68 00:02:34,200 --> 00:02:35,798 I DON'T WANT EVAN INVOLVED. 69 00:02:35,800 --> 00:02:37,332 THIS PLACE JUST KEEPS GETTING WORSE. 70 00:02:37,334 --> 00:02:38,798 [ CAR DOOR SLAMS, ENGINE STARTS ] 71 00:02:38,800 --> 00:02:42,198 RONDELL... 72 00:02:42,200 --> 00:02:44,265 MAYBE WE SHOULD JUST GET OUT OF HERE. 73 00:02:44,267 --> 00:02:46,698 THEY GOT THOSE NEW TOWNHOUSES 74 00:02:46,700 --> 00:02:47,965 OVER THERE ON BUFORT HIGHWAY. 75 00:02:47,967 --> 00:02:50,065 I COULD LIVE CLOSER TO BELLA. 76 00:02:50,067 --> 00:02:53,932 YOU CAN SELL TO THAT SLIMEBALL IF YOU WANT TO, INEZ. 77 00:02:53,934 --> 00:02:56,465 THELMA'S PLACE IS HERE TO STAY. 78 00:02:56,467 --> 00:02:58,131 ♪♪ 79 00:02:58,133 --> 00:03:00,398 WELL, YOU KNOW I'D NEVER LEAVE WITHOUT YOU, GIRL. 80 00:03:00,400 --> 00:03:02,198 YOU WANT ME TO OPEN IN THE MORNING? 81 00:03:02,200 --> 00:03:04,398 I'M GOOD. 82 00:03:04,400 --> 00:03:08,465 JUST PLAN ON COMING IN FOR YOUR REGULAR SHIFT. 83 00:03:08,467 --> 00:03:09,598 OKAY. 84 00:03:09,600 --> 00:03:10,865 [ SIGHS ] 85 00:03:10,867 --> 00:03:12,932 I'LL SEE YOU GUYS TOMORROW. 86 00:03:12,934 --> 00:03:15,332 BYE, SENIOR. 'NIGHT, NEZ. 87 00:03:15,334 --> 00:03:18,398 [ BELL JINGLES ] 88 00:03:18,400 --> 00:03:21,032 [ SIGHS ] 89 00:03:21,034 --> 00:03:23,365 ♪♪ 90 00:03:23,367 --> 00:03:26,332 SHE GOT A POINT, YOU KNOW. 91 00:03:26,334 --> 00:03:28,465 PETERS AIN'T PLAYING ANYMORE, RONDELL. 92 00:03:28,467 --> 00:03:31,065 NEITHER AM I, DADDY. 93 00:03:31,067 --> 00:03:32,465 ♪♪ 94 00:03:32,467 --> 00:03:34,598 PETERS THINKS HE CAN JUST COME AND SCARE ME 95 00:03:34,600 --> 00:03:37,332 INTO ABANDONING MY MAMA'S RESTAURANT? 96 00:03:37,334 --> 00:03:39,332 UNH-UNH. 97 00:03:39,334 --> 00:03:40,732 ♪♪ 98 00:03:40,734 --> 00:03:43,465 OVER MY DEAD BODY. 99 00:03:43,467 --> 00:03:53,465 ♪♪ 100 00:03:53,467 --> 00:04:03,465 ♪♪ 101 00:04:03,467 --> 00:04:12,865 ♪♪ 102 00:04:12,867 --> 00:04:13,965 ♪♪ 103 00:04:13,967 --> 00:04:16,799 [ CAMERA SHUTTER CLICKING ] 104 00:04:16,801 --> 00:04:26,598 ♪♪ 105 00:04:26,600 --> 00:04:30,798 ♪♪ 106 00:04:30,800 --> 00:04:32,798 [ CAMERA SHUTTER CLICKS ] 107 00:04:32,800 --> 00:04:35,932 ♪♪ 108 00:04:35,934 --> 00:04:37,398 [ CAMERA SHUTTER CLICKS ] 109 00:04:37,400 --> 00:04:38,665 [ CHUCKLES ] 110 00:04:38,667 --> 00:04:40,932 ♪♪ 111 00:04:40,934 --> 00:04:43,198 [ SIGHS ] 112 00:04:43,200 --> 00:04:48,499 ♪♪ 113 00:04:58,334 --> 00:05:01,332 I HAD A DREAM WE WERE IN A LITTLE SHACK IN THE CARIBBEAN. 114 00:05:02,800 --> 00:05:04,632 AND HAD THE WHOLE ISLAND TO OURSELVES. 115 00:05:04,634 --> 00:05:05,632 NICE. 116 00:05:05,634 --> 00:05:10,932 NO MEETINGS, NO DEADLINES, NO PHOTO OPS. 117 00:05:10,934 --> 00:05:13,465 JUST QUIET. 118 00:05:13,467 --> 00:05:18,132 WELL, BEING THE CITY GIRL THAT I AM, 119 00:05:18,134 --> 00:05:19,531 YOU KNOW WHAT I THINK? 120 00:05:19,533 --> 00:05:20,999 WHAT? 121 00:05:21,001 --> 00:05:23,331 [ LAUGHS ] 122 00:05:23,333 --> 00:05:25,798 WE SHOULD MAKE SOME NOISE. 123 00:05:25,800 --> 00:05:27,132 OH, ALRIGHT. 124 00:05:27,134 --> 00:05:28,299 [ CHUCKLES ] 125 00:05:28,301 --> 00:05:38,465 ♪♪ 126 00:05:38,467 --> 00:05:48,098 ♪♪ 127 00:05:48,100 --> 00:05:58,165 ♪♪ 128 00:05:58,167 --> 00:06:02,732 ♪♪ 129 00:06:02,734 --> 00:06:05,765 -- Captions by VITAC -- www.vitac.com 130 00:06:05,767 --> 00:06:09,498 CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS 131 00:06:09,500 --> 00:06:11,865 Kent: THE BANKS COULD BE A THRIVING COMMUNITY 132 00:06:11,867 --> 00:06:13,265 WITH JUST A LITTLE HELP, 133 00:06:13,267 --> 00:06:16,498 BUT THE MAYOR INSISTS ON THROWING SERVICES 134 00:06:16,500 --> 00:06:18,198 AT THE FOLKS THAT DON'T EVEN NEED IT. 135 00:06:18,200 --> 00:06:20,965 I WANT TO KNOW WHY, WHO DOES HE OWE, 136 00:06:20,967 --> 00:06:22,165 AND I WANT TO SEE HIS BOOKS. 137 00:06:22,167 --> 00:06:23,699 THAT'S ALL I'M SAYING. [ DOOR OPENS ] 138 00:06:23,701 --> 00:06:25,565 Man: SO LET'S SAY THAT THE MAYOR'S OFFICE 139 00:06:25,567 --> 00:06:27,565 MAKES ALL OF THOSE RECORDS AVAILABLE TO YOU. 140 00:06:27,567 --> 00:06:28,632 DO YOU REALLY BELIEVE... 141 00:06:28,634 --> 00:06:30,098 YOU STILL SPEAKING TO ME? 142 00:06:30,100 --> 00:06:32,132 ...THEY'LL COVER ANYTHING THAT YOU'RE SAYING NOW ABOUT... 143 00:06:32,134 --> 00:06:33,065 HAVEN'T DECIDED. 144 00:06:33,067 --> 00:06:34,798 YOU GOT SOMETHING YOU WANT TO SAY? 145 00:06:34,800 --> 00:06:39,465 ♪♪ 146 00:06:39,467 --> 00:06:42,732 HOW ABOUT... 147 00:06:42,734 --> 00:06:44,732 I'M SORRY? 148 00:06:44,734 --> 00:06:47,231 ♪♪ 149 00:06:47,233 --> 00:06:49,199 DECENT START. 150 00:06:49,201 --> 00:06:52,398 AND I SHOULD HAVE TOLD YOU I'D SEEN STEPHANIE EARLIER. 151 00:06:52,400 --> 00:06:56,465 ♪♪ 152 00:06:56,467 --> 00:06:58,532 MAKES ME WONDER WHY YOU DIDN'T. 153 00:06:58,534 --> 00:07:00,465 SEEMED EASIER NOT TO. 154 00:07:00,467 --> 00:07:02,065 BECAUSE YOU HAVE SOMETHING TO HIDE? 155 00:07:02,067 --> 00:07:04,865 BECAUSE I DIDN'T WANT TO HAVE THIS CONVERSATION. 156 00:07:04,867 --> 00:07:08,865 ♪♪ 157 00:07:08,867 --> 00:07:11,998 TITUS. 158 00:07:12,000 --> 00:07:15,932 DO YOU STILL HAVE FEELINGS FOR STEPHANIE? 159 00:07:15,934 --> 00:07:18,065 ABSOLUTELY NOT. 160 00:07:18,067 --> 00:07:19,665 [ SIGHS ] 161 00:07:19,667 --> 00:07:22,998 THEN I DON'T UNDERSTAND WHY YOU WENT RUSHING OVER THERE 162 00:07:23,000 --> 00:07:24,465 THE FIRST CHANCE YOU GOT. 163 00:07:24,467 --> 00:07:26,398 BABY, SHE'S OPPOSING COUNSEL. 164 00:07:26,400 --> 00:07:28,798 I'M JUST TRYING TO MAKE THIS LAWSUIT GO AWAY. 165 00:07:28,800 --> 00:07:29,932 THAT'S IT. 166 00:07:29,934 --> 00:07:31,132 WHEN I SUGGESTED 167 00:07:31,134 --> 00:07:34,598 THAT YOU PURSUE THE POSITION AT PURIFOY, 168 00:07:34,600 --> 00:07:36,865 I DIDN'T THINK THAT YOUR FIRST CASE 169 00:07:36,867 --> 00:07:38,798 WOULD BE AGAINST STEPHANIE CARLISLE. 170 00:07:38,800 --> 00:07:39,898 FORGET STEPHANIE. 171 00:07:39,900 --> 00:07:42,998 WE CAME TO ATLANTA FOR US, TO MAKE A NEW START. 172 00:07:43,000 --> 00:07:45,598 THAT'S WHAT YOU SAID YOU WANTED, 173 00:07:45,600 --> 00:07:48,865 TO GET OUR MARRIAGE BACK ON TRACK. 174 00:07:48,867 --> 00:07:51,198 WAS THAT JUST LIP SERVICE? 175 00:07:51,200 --> 00:07:53,131 ♪♪ 176 00:07:53,133 --> 00:07:55,398 "LIP SERVICE"? 177 00:07:55,400 --> 00:08:00,865 ♪♪ 178 00:08:00,867 --> 00:08:03,265 I GOT YOUR LIP SERVICE. 179 00:08:03,267 --> 00:08:07,832 ♪♪ 180 00:08:07,834 --> 00:08:09,832 [ GASPS ] 181 00:08:09,834 --> 00:08:11,865 ♪♪ 182 00:08:11,867 --> 00:08:14,665 ♪ GIRL, I LOVE THE SYMPHONY ♪ 183 00:08:14,667 --> 00:08:16,532 ♪ YOU'RE MY PERFECT MELODY ♪ 184 00:08:16,534 --> 00:08:20,798 ♪ BEAUTIFUL, SO SENSUAL, I LOVE YOUR SENSITIVITY ♪ 185 00:08:20,800 --> 00:08:23,665 ♪ AND I JUST WANT TO LET YOU KNOW ♪ 186 00:08:23,667 --> 00:08:25,798 ♪ NEVER WANT TO LET YOU GO ♪ 187 00:08:25,800 --> 00:08:30,198 ♪ I JUST WANT TO KEEP US TOGETHER ♪ 188 00:08:30,200 --> 00:08:36,198 ♪♪ 189 00:08:36,200 --> 00:08:37,698 YOU'RE ALWAYS RUNNING OUT ON ME. 190 00:08:37,700 --> 00:08:38,965 I'VE ALREADY STAYED TOO LONG. 191 00:08:38,967 --> 00:08:40,498 YOU CAN'T KEEP DOING THIS TO ME. 192 00:08:40,500 --> 00:08:41,999 YOU'RE ALWAYS TALKING ABOUT HOW IT WILL BE BETTER 193 00:08:42,001 --> 00:08:43,932 ONCE YOU'RE OUT OF OFFICE AND WE'RE MARRIED, 194 00:08:43,934 --> 00:08:45,398 BUT WHEN IS THAT GOING TO HAPPEN? 195 00:08:45,400 --> 00:08:47,199 AND NOW YOU WANT TO BE GOVERNOR? 196 00:08:47,201 --> 00:08:48,598 I'M ALMOST 30, EVAN. 197 00:08:48,600 --> 00:08:50,932 AT LEAST YOU'VE ALREADY ACCOMPLISHED SO MUCH, BABY. 198 00:08:50,934 --> 00:08:52,265 YOU PROMISED ME YOU WOULD HELP 199 00:08:52,267 --> 00:08:53,798 TURN BELLA TRU INTO A FASHION EMPIRE. 200 00:08:53,800 --> 00:08:56,132 YEAH, BUT WHAT ABOUT THOSE -- WHAT ABOUT ALL THOSE OUTLETS 201 00:08:56,134 --> 00:08:57,532 I INTRODUCED YOU TO THAT WILL CARRY YOUR LINE? 202 00:08:57,534 --> 00:08:58,531 THEY'RE ALL LOCAL. 203 00:08:58,533 --> 00:09:00,398 I WANT TO TAKE MY BRAND NATIONAL. 204 00:09:00,400 --> 00:09:02,498 RELAX, OKAY? OKAY, RELAX. 205 00:09:02,500 --> 00:09:04,698 YOU WILL, BABY. NOW GIVE ME A KISS. 206 00:09:04,700 --> 00:09:06,131 NO, I DON'T WANT TO KISS YOU GOODBYE. 207 00:09:06,133 --> 00:09:07,998 YOU CAN'T KEEP DOING THIS TO ME. 208 00:09:08,000 --> 00:09:09,498 HOW ABOUT THIS? 209 00:09:09,500 --> 00:09:12,598 STOP ASKING ME TO ABANDON MY WIFE 210 00:09:12,600 --> 00:09:15,732 WHEN YOU'RE STILL SCREWING THAT FOOTBALL HAS-BEEN. 211 00:09:15,734 --> 00:09:17,598 HE IS SO FAR BENEATH YOU. 212 00:09:17,600 --> 00:09:19,465 THE THOUGHT OF YOU TWO TOGETHER 213 00:09:19,467 --> 00:09:22,065 MAKES ME ALMOST NOT WANT TO TOUCH YOU. 214 00:09:22,067 --> 00:09:25,465 I DON'T KNOW WHAT I'D DO IF I SAW YOU TWO TOGETHER AGAIN. 215 00:09:25,467 --> 00:09:27,598 SO IF I GIVE HIM UP, 216 00:09:27,600 --> 00:09:29,465 WILL YOU DIVORCE STEPHANIE? 217 00:09:29,467 --> 00:09:30,699 I DON'T HAVE TIME FOR THIS. 218 00:09:30,701 --> 00:09:32,232 FINE. GO. 219 00:09:32,234 --> 00:09:34,499 BUT UNTIL YOU PUT A RING ON MY FINGER, 220 00:09:34,501 --> 00:09:36,732 I'LL SCREW WHOEVER THE HELL I WANT. 221 00:09:36,734 --> 00:09:38,499 NOT IN MY LOFT... 222 00:09:38,501 --> 00:09:40,631 THAT I'M PAYING FOR. 223 00:09:40,633 --> 00:09:42,465 ♪♪ 224 00:09:42,467 --> 00:09:45,198 [ SIGHS ] 225 00:09:45,200 --> 00:09:47,265 FINE. 226 00:09:47,267 --> 00:09:48,199 ♪♪ 227 00:09:48,201 --> 00:09:50,265 [ DOORBELL RINGS ] 228 00:09:50,267 --> 00:09:53,865 [ CRICKETS CHIRPING ] 229 00:09:53,867 --> 00:09:56,532 ♪♪ 230 00:09:56,534 --> 00:09:57,932 [ DOOR CREAKS ] 231 00:09:57,934 --> 00:09:59,665 [ SIGHS ] HI, MOM. 232 00:09:59,667 --> 00:10:01,665 HI. 233 00:10:01,667 --> 00:10:04,732 [ DOOR CREAKS ] 234 00:10:04,734 --> 00:10:07,198 STEPHANIE, IS EVERYTHING OKAY? 235 00:10:07,200 --> 00:10:08,665 I COULDN'T SLEEP, 236 00:10:08,667 --> 00:10:10,798 AND I FIGURED YOU'D STILL BE UP. 237 00:10:10,800 --> 00:10:13,732 [ DRAMATIC MUSIC PLAYS ] "THE EDGE OF NIGHT"? 238 00:10:13,734 --> 00:10:17,198 CLASSICS NEVER GET OLD. 239 00:10:17,200 --> 00:10:19,865 [ TV SHUTS OFF ] 240 00:10:19,867 --> 00:10:22,665 [ SIGHS ] 241 00:10:22,667 --> 00:10:25,132 WHAT'S ON YOUR MIND, SWEETIE? 242 00:10:26,800 --> 00:10:28,899 WHERE'S EVAN? 243 00:10:28,901 --> 00:10:38,865 ♪♪ 244 00:10:38,867 --> 00:10:41,598 ♪♪ 245 00:10:41,600 --> 00:10:43,465 [ SIGHS ] 246 00:10:43,467 --> 00:10:47,165 TONIGHT, I WAS SO PROUD WATCHING MY DAUGHTER 247 00:10:47,167 --> 00:10:48,665 STEP INTO THE SPOTLIGHT 248 00:10:48,667 --> 00:10:50,999 AS THE FIRST LADY OF ATLANTA. 249 00:10:51,001 --> 00:10:53,632 AND THOUGH YOU WERE BEAUTIFUL, 250 00:10:53,634 --> 00:10:56,598 I NEVER SAW A SMILE. 251 00:10:56,600 --> 00:11:00,198 NOT A REAL ONE, AT LEAST. 252 00:11:00,200 --> 00:11:05,932 SAMANTHA AND ADRIAN ARE OFF LIVING THEIR OWN LIVES. 253 00:11:05,934 --> 00:11:09,132 I AM THE LAST CARLISLE STANDING, 254 00:11:09,134 --> 00:11:10,999 THE ONLY ONE WHO GAVE A DAMN 255 00:11:11,001 --> 00:11:15,198 ABOUT OUR FAMILY'S FIRM. 256 00:11:15,200 --> 00:11:17,999 SO WHY IS DADDY PUNISHING ME FOR IT? 257 00:11:18,001 --> 00:11:22,365 OF THE MANY QUALITIES I LOVE ABOUT YOUR FATHER, 258 00:11:22,367 --> 00:11:26,398 HIS INSATIABLE APPETITE ISN'T ONE OF THEM. 259 00:11:26,400 --> 00:11:28,265 PLATE'S ALWAYS FULL, 260 00:11:28,267 --> 00:11:30,998 BUT SOMEHOW, THERE'S ALWAYS ROOM FOR MORE. 261 00:11:31,000 --> 00:11:32,632 ♪♪ 262 00:11:32,634 --> 00:11:39,898 MORE CLIENTS, MORE MONEY, MORE POWER. 263 00:11:39,900 --> 00:11:43,665 FEEDING THAT MAN WAS... 264 00:11:43,667 --> 00:11:47,365 SENDING ME IN CIRCLES. 265 00:11:47,367 --> 00:11:48,865 ♪♪ 266 00:11:48,867 --> 00:11:51,398 I NEVER SMILED MUCH THOSE DAYS, EITHER. 267 00:11:51,400 --> 00:11:53,398 ♪♪ 268 00:11:53,400 --> 00:11:56,398 TOOK ME YEARS TO REALIZE THAT WHAT I NEEDED 269 00:11:56,400 --> 00:12:00,465 WAS LESS STEPHEN AND MORE IRENE. 270 00:12:00,467 --> 00:12:02,065 THAT'S WHEN I WAS ABLE TO GO AFTER 271 00:12:02,067 --> 00:12:05,665 WHAT TRULY MADE ME HAPPY. 272 00:12:05,667 --> 00:12:08,465 ♪♪ 273 00:12:08,467 --> 00:12:09,798 [ SMOOCHES ] 274 00:12:09,800 --> 00:12:11,998 GOOD NIGHT, SWEETIE. 275 00:12:12,000 --> 00:12:13,198 GOOD NIGHT. 276 00:12:13,200 --> 00:12:22,465 ♪♪ 277 00:12:22,467 --> 00:12:23,465 ♪♪ 278 00:12:23,467 --> 00:12:24,998 [ SIGHS ] 279 00:12:25,000 --> 00:12:31,732 ♪♪ 280 00:12:31,734 --> 00:12:33,132 [ SIGHS ] 281 00:12:33,134 --> 00:12:34,365 ♪♪ 282 00:12:34,367 --> 00:12:39,365 [ CHUCKLES ] [ KEYBOARD CLICKING ] 283 00:12:39,367 --> 00:12:42,465 ♪♪ 284 00:12:42,467 --> 00:12:44,732 [ CELLPHONE BUZZES ] 285 00:12:44,734 --> 00:12:54,732 ♪♪ 286 00:12:54,734 --> 00:13:04,332 ♪♪ 287 00:13:04,334 --> 00:13:13,998 ♪♪ 288 00:13:14,000 --> 00:13:23,998 ♪♪ 289 00:13:24,000 --> 00:13:32,998 ♪♪ 290 00:13:33,000 --> 00:13:36,932 [ KEYBOARD CLICKING ] 291 00:13:36,934 --> 00:13:39,465 ♪♪ 292 00:13:42,634 --> 00:13:45,765 [ BIRDS CHIRPING ] 293 00:13:45,767 --> 00:13:48,998 ♪♪ 294 00:13:49,000 --> 00:13:51,532 HOW'S YOUR WEEK LOOKING? 295 00:13:51,534 --> 00:13:53,065 HIGH TEA WITH THE FALCONS' WIVES 296 00:13:53,067 --> 00:13:55,465 IN CANDLER PARK LOOKS LIKE THE HIGHLIGHT. 297 00:13:55,467 --> 00:13:58,332 DON'T FORGET THE READING KICK-OFF AT CHILDREN'S MUSEUM. 298 00:13:58,334 --> 00:14:00,265 HOW COULD I FORGET THAT? 299 00:14:00,267 --> 00:14:01,732 HEY, DON'T PRETEND YOU DON'T LOVE 300 00:14:01,734 --> 00:14:03,198 THOSE KIDS CLIMBING ALL OVER YOU, 301 00:14:03,200 --> 00:14:05,398 LEAVING CHOCOLATE PAW PRINTS ON YOUR DESIGNER SUITS. 302 00:14:05,400 --> 00:14:08,465 ON MY LONG LIST OF FIRST LADY DUTIES, 303 00:14:08,467 --> 00:14:11,665 I SUPPOSE READING TO PRESCHOOLERS ISN'T THE WORST. 304 00:14:11,667 --> 00:14:12,699 HEY. 305 00:14:12,701 --> 00:14:14,565 YOU USED TO LOVE CURLING TREY AND CARLY 306 00:14:14,567 --> 00:14:16,298 UP ON YOUR LAP WITH THE STORY OF THE NIGHT. 307 00:14:16,300 --> 00:14:17,832 ♪♪ 308 00:14:17,834 --> 00:14:20,332 THAT SEEMS LIKE A MILLION YEARS AGO. 309 00:14:20,334 --> 00:14:25,065 ♪♪ 310 00:14:25,067 --> 00:14:27,932 YOUR FAVORITE COUNCILMAN IS AT IT AGAIN. 311 00:14:27,934 --> 00:14:29,732 HE WAS ON GEORGIA PUBLIC TELEVISION YESTERDAY, 312 00:14:29,734 --> 00:14:31,065 DISPARAGING YOU. 313 00:14:31,067 --> 00:14:32,265 HAMILTON? 314 00:14:32,267 --> 00:14:34,499 THAT GUY'S GOT THE POLITICAL INSTINCTS OF A BASSET HOUND. 315 00:14:34,501 --> 00:14:36,032 YOU NEED TO CHECK HIM, EVAN. 316 00:14:36,034 --> 00:14:37,865 I WILL. 317 00:14:37,867 --> 00:14:39,598 I WILL. 318 00:14:39,600 --> 00:14:42,065 ONE MORE THING. 319 00:14:42,067 --> 00:14:44,098 ♪♪ 320 00:14:44,100 --> 00:14:47,065 YOU'VE BEEN PUTTING IN A LOT OF... 321 00:14:47,067 --> 00:14:48,831 LATE NIGHTS LATELY. 322 00:14:48,833 --> 00:14:51,965 AND I'M NOT THE ONLY ONE NOTICING. 323 00:14:51,967 --> 00:14:53,032 ♪♪ 324 00:14:53,034 --> 00:14:54,665 YOU TALKING ABOUT SATURDAY NIGHT, 325 00:14:54,667 --> 00:14:56,332 THE SAME NIGHT YOU PUT A GUN TO MY HEAD? 326 00:14:56,334 --> 00:14:59,598 ♪♪ 327 00:14:59,600 --> 00:15:02,465 DON'T DISRESPECT ME. 328 00:15:02,467 --> 00:15:11,332 ♪♪ 329 00:15:11,334 --> 00:15:12,932 ♪♪ 330 00:15:12,934 --> 00:15:15,731 THANK YOU FOR SEEING ME, COUNCILMAN HAMILTON. 331 00:15:15,733 --> 00:15:18,398 IF A PROSECUTOR WITH THE DEPARTMENT OF JUSTICE 332 00:15:18,400 --> 00:15:20,732 SAYS SHE NEEDS TO TALK TO ME, I'M... 333 00:15:20,734 --> 00:15:23,132 INCLINED TO MAKE TIME IN MY SCHEDULE. 334 00:15:23,134 --> 00:15:26,699 SO WHAT CAN I DO FOR YOU, ASSISTANT U.S. ATTORNEY HUGHES? 335 00:15:26,701 --> 00:15:29,198 I WANT TO TALK TO YOU ABOUT THOSE STATEMENTS 336 00:15:29,200 --> 00:15:31,732 YOU'VE BEEN MAKING TO THE PRESS ABOUT MAYOR EVAN LANCASTER. 337 00:15:31,734 --> 00:15:33,265 SO LANCASTER SENT YOU? 338 00:15:33,267 --> 00:15:35,431 I MEAN, HE'S THE ONE WHO SHOULD BE INVESTIGATED. 339 00:15:35,433 --> 00:15:37,498 I WORK FOR THE CITIZENS OF THE UNITED STATES, 340 00:15:37,500 --> 00:15:38,498 NOT A LOCAL MAYOR. 341 00:15:38,500 --> 00:15:41,631 IN A RECENT TELEVISION INTERVIEW, 342 00:15:41,633 --> 00:15:43,498 YOU TOOK MAYOR LANCASTER TO TASK, 343 00:15:43,500 --> 00:15:45,165 ALLEGEDLY FOR FAILING TO PROVIDE AID 344 00:15:45,167 --> 00:15:47,265 TO POOR COMMUNITIES LIKE THE BANKS 345 00:15:47,267 --> 00:15:49,198 IN FAVOR OF HELPING THE RICH GET RICHER. 346 00:15:49,200 --> 00:15:51,032 PRETTY SERIOUS ALLEGATIONS. 347 00:15:51,034 --> 00:15:54,665 ARE YOU AWARE THAT, UM, ATLANTA HAS THE WIDEST DIVIDE 348 00:15:54,667 --> 00:15:56,932 BETWEEN THE RICH AND POOR OF ANY CITY IN THE NATION? 349 00:15:56,934 --> 00:15:59,231 THAT DOESN'T EXPLAIN WHY YOU'RE ALL BUT ACCUSING 350 00:15:59,233 --> 00:16:01,799 A POPULAR SITTING MAYOR WITH BEING ON THE TAKE. 351 00:16:01,801 --> 00:16:04,332 NOW, IS THIS JUST POLITICS AS USUAL? 352 00:16:04,334 --> 00:16:05,798 ONE POLITICAL OFFICIAL 353 00:16:05,800 --> 00:16:08,665 TARNISHING THE REPUTATION OF A RIVAL TO GAIN GROUND? 354 00:16:08,667 --> 00:16:11,632 OR CAN YOU BACK UP YOUR VEILED COMMENTS WITH FACTS? 355 00:16:11,634 --> 00:16:13,798 THE U.S. ATTORNEY'S OFFICE IS FINALLY READY 356 00:16:13,800 --> 00:16:16,332 TO TAKE A HARD LOOK AT LANCASTER'S DIRTY CABINET, 357 00:16:16,334 --> 00:16:19,065 AND YOU WANT ME TO DO YOUR JOB FOR YOU. 358 00:16:19,067 --> 00:16:20,299 IS THAT IT? 359 00:16:20,301 --> 00:16:25,532 ♪♪ 360 00:16:25,534 --> 00:16:28,065 THIS WAS A WASTE OF TIME. 361 00:16:28,067 --> 00:16:31,065 ♪♪ 362 00:16:31,067 --> 00:16:33,265 YOU REALLY WANT THE DIRT ON LANCASTER? 363 00:16:33,267 --> 00:16:34,499 ♪♪ 364 00:16:34,501 --> 00:16:36,532 [ CHUCKLES ] 365 00:16:36,534 --> 00:16:39,299 TALK TO HIS MISTRESS. 366 00:16:39,301 --> 00:16:48,532 ♪♪ 367 00:16:48,534 --> 00:16:50,665 [ KNOCK ON DOOR ] 368 00:16:50,667 --> 00:16:51,732 [ SIGHS ] 369 00:16:51,734 --> 00:16:57,232 ♪♪ 370 00:16:57,234 --> 00:16:58,898 HOLA. 371 00:16:58,900 --> 00:17:01,865 WHERE DID HE GO? JOAQUIN? 372 00:17:01,867 --> 00:17:03,732 HI, PAPI. 373 00:17:03,734 --> 00:17:06,131 [ GASPS ] THERE'S MY BEAUTIFUL BOY. 374 00:17:06,133 --> 00:17:08,798 OH, WERE YOU A GOOD BOY FOR ABUELA? 375 00:17:08,800 --> 00:17:09,999 YES, MOM. YOU WERE? 376 00:17:10,001 --> 00:17:12,131 OOH, MOMMY MISSED YOU SO, SO MUCH. 377 00:17:12,133 --> 00:17:13,465 HE MISSED YOU, TOO. 378 00:17:13,467 --> 00:17:16,732 OH, YOU KNOW WHAT I HAVEN'T BEEN ABLE TO DO THIS WHOLE TIME? 379 00:17:16,734 --> 00:17:18,598 ♪♪ 380 00:17:18,600 --> 00:17:19,932 [ LAUGHS ] GIVE ME A KISS. 381 00:17:19,934 --> 00:17:21,398 [ SMOOCHES ] YOU KNOW WHAT? 382 00:17:21,400 --> 00:17:23,098 I'M GONNA TALK TO YOUR ABUELA. GO TO YOUR ROOM AND PLAY. 383 00:17:23,100 --> 00:17:24,131 OKAY? OKAY. 384 00:17:24,133 --> 00:17:25,932 [ SMOOCHES ] OKAY. 385 00:17:25,934 --> 00:17:28,265 BYE. [ LAUGHS ] OH. 386 00:17:28,267 --> 00:17:29,332 GUESS WHAT? WHAT? 387 00:17:29,334 --> 00:17:30,865 SOMEONE CAME INTO THELMA'S PLACE 388 00:17:30,867 --> 00:17:32,265 AND TRIED TO BEAT UP RONDELL. 389 00:17:32,267 --> 00:17:33,465 WHAT? SHE OKAY? 390 00:17:33,467 --> 00:17:34,998 SENIOR RAN HIM OFF WITH A SHOTGUN, 391 00:17:35,000 --> 00:17:36,132 BUT WHAT IF HE WASN'T THERE? 392 00:17:36,134 --> 00:17:37,665 OR WHAT IF HE HADN'T HEARD THEM? 393 00:17:37,667 --> 00:17:39,065 I MEAN, RONDELL MIGHT HAVE GOTTEN KILLED. 394 00:17:39,067 --> 00:17:40,465 I HOPE SHE CALLED THE POLICE. 395 00:17:40,467 --> 00:17:42,131 WASTE OF TIME, BUT SHE DID. 396 00:17:42,133 --> 00:17:44,899 RONDELL THINKS THAT DEVELOPER GREG PETERS IS BEHIND IT. 397 00:17:44,901 --> 00:17:47,432 YOU BOTH NEED TO JUST SELL AND GET THE HELL OUT OF THERE. 398 00:17:47,434 --> 00:17:49,665 TAKE THE MONEY AND LEAVE AND DON'T LOOK BACK. 399 00:17:49,667 --> 00:17:51,865 JUST TURN OUR BACKS ON THE NEIGHBORHOOD LIKE YOU DID? 400 00:17:51,867 --> 00:17:53,732 I HAVE NO REGRETS IN GETTING ME AND JOAQUIN 401 00:17:53,734 --> 00:17:55,398 AS FAR AWAY FROM THE BANKS AS POSSIBLE. 402 00:17:55,400 --> 00:17:57,598 WE'LL GO EVEN FARTHER IF I HAVE IT MY WAY. 403 00:17:57,600 --> 00:17:59,999 YOU NEED TO BE GETTING FAR AWAY FROM YOU KNOW WHO. 404 00:18:00,001 --> 00:18:02,365 I MEAN IT, ISABEL. THAT MAN WILL BRING YOU NOTHING BUT MISERY. 405 00:18:02,367 --> 00:18:03,898 YOUR LIFE'S IN DANGER IN THE BANKS, 406 00:18:03,900 --> 00:18:05,632 AND ALL YOU THINK ABOUT IS MY SITUATION? 407 00:18:05,634 --> 00:18:07,799 YOU'RE JUST A SHINY TOY TO HIM, MIJA. TRUST ME. 408 00:18:07,801 --> 00:18:09,498 I'VE KNOWN HIM SINCE HE WAS A BOY. 409 00:18:09,500 --> 00:18:11,565 ONCE EVAN IS TIRED OF YOU, HE WILL THROW YOU IN A BOX 410 00:18:11,567 --> 00:18:13,265 WITH ALL THE OTHER TRINKETS HE'S DISCARDED. 411 00:18:13,267 --> 00:18:15,798 NO, MOMMY. YOU'RE WRONG. 412 00:18:15,800 --> 00:18:16,865 EVAN LOVES ME, 413 00:18:16,867 --> 00:18:19,132 AND ONE DAY SOON, HE'S GOING TO PROVE IT. 414 00:18:19,134 --> 00:18:20,465 YOU'LL SEE. 415 00:18:20,467 --> 00:18:27,465 ♪♪ 416 00:18:27,467 --> 00:18:29,598 [ SIGHS ] 417 00:18:29,600 --> 00:18:39,665 ♪♪ 418 00:18:39,667 --> 00:18:40,665 ♪♪ 419 00:18:40,667 --> 00:18:41,865 UH, HE'S READY FOR YOU. 420 00:18:41,867 --> 00:18:43,065 THANKS, CHLOE. YEAH. 421 00:18:43,067 --> 00:18:50,465 ♪♪ 422 00:18:50,467 --> 00:18:52,665 WHAT'S NEXT, DAPHNE? 423 00:18:52,667 --> 00:18:55,132 WE SHOULD GET INTO CITY TRANSPORTATION BUSINESS. 424 00:18:55,134 --> 00:18:56,532 BUSINESS? 425 00:18:56,534 --> 00:18:58,132 IF YOU KEEP LOOKING LIKE THAT AROUND THE OFFICE, 426 00:18:58,134 --> 00:18:59,798 IT WILL BE HARD FOR ME TO GET ANYTHING DONE. 427 00:18:59,800 --> 00:19:02,465 I CAN THINK OF A FEW THINGS YOU COULD ACCOMPLISH. 428 00:19:02,467 --> 00:19:04,065 [ TELEPHONE RINGS ] 429 00:19:04,067 --> 00:19:06,198 CHLOE: Mayor Lancaster, your father's on the phone. 430 00:19:06,200 --> 00:19:08,199 He says it's important. 431 00:19:09,667 --> 00:19:11,532 YEAH? 432 00:19:11,534 --> 00:19:12,532 ♪♪ 433 00:19:12,534 --> 00:19:13,798 WHAT? 434 00:19:13,800 --> 00:19:15,932 WHEN? 435 00:19:15,934 --> 00:19:16,965 ♪♪ 436 00:19:16,967 --> 00:19:18,832 I'M ON THE WAY. 437 00:19:18,834 --> 00:19:20,032 RAIN CHECK. 438 00:19:20,034 --> 00:19:26,132 ♪♪ 439 00:19:26,134 --> 00:19:27,665 [ BELL JINGLES ] 440 00:19:27,667 --> 00:19:29,865 HEY. YOU OKAY, SIS? 441 00:19:29,867 --> 00:19:31,865 [ SCOFFS ] HERE YOU COME. 442 00:19:31,867 --> 00:19:34,265 A DAY LATE AND A DOLLAR SHORT. 443 00:19:34,267 --> 00:19:36,132 WHO CALLED YOU? 444 00:19:36,134 --> 00:19:37,398 I DID. 445 00:19:37,400 --> 00:19:39,998 YOUR SISTER COULD HAVE BEEN KILLED THE OTHER NIGHT. 446 00:19:40,000 --> 00:19:41,598 IT WAS JUST ONE OF PETER'S BOYS 447 00:19:41,600 --> 00:19:42,865 TRYING TO SCARE SOMEBODY, THAT'S ALL. 448 00:19:42,867 --> 00:19:44,065 IT WASN'T ONE OF PETER'S GUYS. 449 00:19:44,067 --> 00:19:45,132 HOW DO YOU KNOW? 450 00:19:45,134 --> 00:19:46,465 BECAUSE YOU'RE BOTH STILL BREATHING. 451 00:19:46,467 --> 00:19:48,332 SO YOU'RE JUST GOING TO ALLOW FOLKS TO COME UP IN HERE 452 00:19:48,334 --> 00:19:49,665 AND ATTACK YOUR OWN FAMILY?! 453 00:19:49,667 --> 00:19:51,398 WELL, YOU KNOW ME BETTER THAN THAT, POP. 454 00:19:51,400 --> 00:19:52,332 I ALREADY GOT GUYS 455 00:19:52,334 --> 00:19:53,732 CANVASSING THE NEIGHBORHOOD AS WE SPEAK. 456 00:19:53,734 --> 00:19:55,098 EH, BOY, BYE. 457 00:19:55,100 --> 00:19:57,365 AIN'T NOBODY IN THE BANKS GONNA TELL THEM BUSTERS SHIT. 458 00:19:57,367 --> 00:19:59,165 YOU REMEMBER THE RULES. 459 00:19:59,167 --> 00:20:01,098 SNITCHES GET STITCHES. SNITCHES GET STITCHES. 460 00:20:01,100 --> 00:20:03,732 I'M GLAD Y'ALL THINK THIS IS FUNNY. 461 00:20:03,734 --> 00:20:06,032 POP, ALL THEY SAID WAS, "YOU KNOW WHAT TIME IT IS?" 462 00:20:06,034 --> 00:20:08,398 "BITCH." DON'T FORGET THE "BITCH." 463 00:20:08,400 --> 00:20:09,832 Rondell: THEY BROKE ONE OF MY DAMN TABLES 464 00:20:09,834 --> 00:20:11,765 WITH THAT BASEBALL BAT. 465 00:20:11,767 --> 00:20:13,198 WHERE ARE YOU GOING? [ BELL JINGLES ] 466 00:20:13,200 --> 00:20:15,498 TO MAKE SURE THIS DOESN'T HAPPEN AGAIN. 467 00:20:15,500 --> 00:20:18,799 [ SIGHS ] 468 00:20:20,467 --> 00:20:22,932 ♪♪ 469 00:20:22,934 --> 00:20:26,032 [ INDISTINCT CONVERSATIONS ] 470 00:20:26,034 --> 00:20:33,332 ♪♪ 471 00:20:33,334 --> 00:20:34,732 MAY I TAKE YOUR ORDER? 472 00:20:34,734 --> 00:20:37,065 MM. NOT QUITE YET. I'M WAITING FOR SOMEONE. 473 00:20:37,067 --> 00:20:38,798 IF YOU DESCRIBE THEM TO ME, 474 00:20:38,800 --> 00:20:40,265 I'LL BE SURE TO DIRECT THEM TO YOUR TABLE. 475 00:20:40,267 --> 00:20:43,398 HE IS A HANDSOME BLACK MAN 476 00:20:43,400 --> 00:20:45,932 WHO IS QUIETLY DISTINGUISHED. 477 00:20:45,934 --> 00:20:49,265 I THINK THAT WOULD BE A GOOD DESCRIPTION 478 00:20:49,267 --> 00:20:51,732 FOR THIS PARTICULAR OLD FRIEND. 479 00:20:51,734 --> 00:20:54,998 Amara: I WOULDN'T EXACTLY CALL US "FRIENDS". 480 00:20:55,000 --> 00:21:00,932 ♪♪ 481 00:21:04,567 --> 00:21:06,031 IF YOU SHOWING UP HERE IS ABOUT TITUS -- 482 00:21:06,033 --> 00:21:08,032 IT'S ABOUT RESPECT. 483 00:21:08,034 --> 00:21:10,632 STEPHANIE, YOU DON'T GET 484 00:21:10,634 --> 00:21:12,532 TO TEXT MY HUSBAND IN THE MIDDLE OF THE NIGHT. 485 00:21:12,534 --> 00:21:16,198 AMARA, YOU AND I ARE TWO STRONG BLACK WOMEN. 486 00:21:16,200 --> 00:21:18,199 THERE'S NO NEED FOR US TO FIGHT OVER A MAN. 487 00:21:18,201 --> 00:21:20,465 WHO'S FIGHTING? TITUS IS MINE. 488 00:21:20,467 --> 00:21:21,665 [ LAUGHS ] 489 00:21:21,667 --> 00:21:24,532 WHAT IS THIS? THE OLD BRANDY AND MONICA SONG? 490 00:21:24,534 --> 00:21:28,398 MY TEXT WAS ONLY A REQUEST TO SET ASIDE TIME TO... 491 00:21:28,400 --> 00:21:31,132 DISCUSS THE PURIFOY CLASS ACTION. 492 00:21:31,134 --> 00:21:35,465 THEN YOU CAN REACH TITUS DURING NORMAL BUSINESS HOURS. 493 00:21:35,467 --> 00:21:37,798 DON'T LET IT HAPPEN AGAIN. 494 00:21:37,800 --> 00:21:39,798 ♪♪ 495 00:21:39,800 --> 00:21:43,198 I DON'T THINK WE'RE QUITE FINISHED CLEARING THE AIR. 496 00:21:43,200 --> 00:21:44,332 ♪♪ 497 00:21:44,334 --> 00:21:45,599 OKAY. 498 00:21:45,601 --> 00:21:47,199 LET'S. 499 00:21:47,201 --> 00:21:49,732 ♪♪ 500 00:21:49,734 --> 00:21:52,932 [ SIGHS ] 501 00:21:52,934 --> 00:21:55,765 ♪♪ 502 00:21:55,767 --> 00:21:59,165 SO WHAT EXACTLY DO YOU WANT TO SAY TO ME, STEPHANIE? 503 00:21:59,167 --> 00:22:00,898 OR IS THAT TOO DIRECT? 504 00:22:00,900 --> 00:22:03,165 I RECALL YOU NEVER LIKE ANYBODY COMING STRAIGHT AT YOU. 505 00:22:03,167 --> 00:22:05,432 AND I RECALL YOU LIKE CREEPING BEHIND MY BACK. 506 00:22:05,434 --> 00:22:06,732 THAT'S HOW YOU GOT TITUS. 507 00:22:06,734 --> 00:22:09,399 I SIMPLY VALUED SOMETHING YOU DISCARDED. 508 00:22:09,401 --> 00:22:11,732 AS OPPOSED TO STEALING SOMETHING I VALUED? 509 00:22:11,734 --> 00:22:13,665 ♪♪ 510 00:22:13,667 --> 00:22:14,665 YOU KNOW WHAT? 511 00:22:14,667 --> 00:22:16,798 SINCE YOU BROUGHT UP STEALING, 512 00:22:16,800 --> 00:22:19,665 WHAT DO YOU MAKE OF THE RUMORS AND ALLEGATIONS 513 00:22:19,667 --> 00:22:21,465 AGAINST YOUR HUSBAND'S CABINET? 514 00:22:21,467 --> 00:22:23,132 [ CHUCKLES ] 515 00:22:23,134 --> 00:22:25,798 IS THIS AMARA THE FEDERAL PROSECUTOR SPEAKING? 516 00:22:25,800 --> 00:22:28,065 COULD BE AMARA, YOUR EX-BEST FRIEND 517 00:22:28,067 --> 00:22:29,331 AND SORORITY SISTER. 518 00:22:29,333 --> 00:22:32,099 THE ONE WHO KNEW YOU BETTER THAN YOU KNEW YOURSELF. 519 00:22:32,101 --> 00:22:35,365 YOU MAY HAVE STUDIED MY EVERY MOVE BACK IN COLLEGE 520 00:22:35,367 --> 00:22:38,132 BECAUSE YOU SO DESPERATELY WANTED TO BE ME, 521 00:22:38,134 --> 00:22:40,332 BUT MAKE NO MISTAKE. 522 00:22:40,334 --> 00:22:42,198 YOU NEVER KNEW ME. 523 00:22:42,200 --> 00:22:43,732 YOU KNOW, AS MUCH FUN AS IT IS 524 00:22:43,734 --> 00:22:46,732 TO RUMINATE ON THINGS THAT HAPPENED 20 YEARS AGO... 525 00:22:46,734 --> 00:22:48,465 COULD WE GO BACK TO THE ALLEGATIONS 526 00:22:48,467 --> 00:22:50,332 AGAINST MAYOR LANCASTER? 527 00:22:50,334 --> 00:22:54,165 MM, IT'S OBVIOUS YOU'VE BEEN WATCHING INTERVIEWS 528 00:22:54,167 --> 00:22:57,465 OF THAT IDIOT COUNCILMAN KENT HAMILTON. 529 00:22:57,467 --> 00:23:01,465 ONLY A FOOL WOULD GIVE CREDENCE TO THAT IMBECILE. 530 00:23:01,467 --> 00:23:02,798 ♪♪ 531 00:23:02,800 --> 00:23:05,665 WELL, I SHOULD GET BACK TO WORK. 532 00:23:05,667 --> 00:23:07,132 YOU SHOULD. 533 00:23:07,134 --> 00:23:09,931 CIVIL-SERVICE JOBS ARE HARD TO COME BY. 534 00:23:09,933 --> 00:23:11,798 [ CHUCKLES ] 535 00:23:11,800 --> 00:23:14,798 DON'T UNDERESTIMATE ME, STEPHANIE. 536 00:23:14,800 --> 00:23:17,065 ♪♪ 537 00:23:17,067 --> 00:23:19,798 [ SIGHS ] 538 00:23:19,800 --> 00:23:22,998 NEVER AGAIN. 539 00:23:23,000 --> 00:23:30,132 ♪♪ 540 00:23:30,134 --> 00:23:32,665 NO PERMIT, NO SHOOT. IT'S THE LAW. 541 00:23:32,667 --> 00:23:34,665 HOW? IT'S A PUBLIC PARK. 542 00:23:34,667 --> 00:23:36,065 THAT MEANS IT'S FOR EVERYONE. 543 00:23:36,067 --> 00:23:37,932 IT'S FOR EVERYONE THAT ISN'T SHOOTING A FILM 544 00:23:37,934 --> 00:23:39,198 WITHOUT A PERMIT. 545 00:23:39,200 --> 00:23:41,465 IT'S NOT A FILM, IT'S JUST A LITTLE PRESENTATION. 546 00:23:41,467 --> 00:23:43,198 IT'LL TAKE 10 MINUTES. 547 00:23:43,200 --> 00:23:45,432 I NEED MY GIRLS TO WALK THE RUNWAY JUST A FEW TIMES. 548 00:23:45,434 --> 00:23:49,198 WHAT WILL IT TAKE FOR YOU TO LOOK THE OTHER WAY? 549 00:23:49,200 --> 00:23:53,065 I'M SURE YOUR WIFE COULD USE A NEW EVENING GOWN. 550 00:23:53,067 --> 00:23:55,665 I DON'T HAVE A WIFE. 551 00:23:55,667 --> 00:23:58,531 IS THERE SOMETHING ELSE YOU WANT TO DO? 552 00:23:58,533 --> 00:23:59,465 [ SIGHS ] 553 00:23:59,467 --> 00:24:00,532 [ CELLPHONE RINGS ] 554 00:24:00,534 --> 00:24:02,732 YOU STAY RIGHT HERE. 555 00:24:02,734 --> 00:24:04,465 IT'S ABOUT TIME. 556 00:24:04,467 --> 00:24:06,065 JUST GOT A SEC. YOU CALLED? 557 00:24:06,067 --> 00:24:07,765 I'M INSIDE THE PARK AT PIEDMONT AND 10th, 558 00:24:07,767 --> 00:24:09,032 AND THEY WON'T LET ME SHOOT MY PRESENTATION 559 00:24:09,034 --> 00:24:10,898 WITHOUT A PARK PERMIT. I NEED YOUR HELP. 560 00:24:10,900 --> 00:24:13,198 WHY DON'T YOU JUST RESCHEDULE? I CAN'T. 561 00:24:13,200 --> 00:24:14,465 THERE'S A REGIONAL DISTRIBUTOR 562 00:24:14,467 --> 00:24:15,998 EXPECTING TO SEE THIS TOMORROW. 563 00:24:16,000 --> 00:24:17,532 I'M ONLY SELLING ONLINE RIGHT NOW. 564 00:24:17,534 --> 00:24:19,265 IF THE DISTRIBUTOR LIKES MY PRESENTATION, 565 00:24:19,267 --> 00:24:21,665 I COULD FINALLY GET MY BRAND INTO ACTUAL SHOPS AND BOUTIQUES. 566 00:24:21,667 --> 00:24:23,265 DON'T TELL ME THERE'S NOTHING YOU CAN DO. 567 00:24:23,267 --> 00:24:24,865 I'M ON THE WAY TO HANDLE SOME URGENT BUSINESS. 568 00:24:24,867 --> 00:24:26,399 THIS CAN WAIT. IT CAN'T. 569 00:24:26,401 --> 00:24:27,465 BUT IT HAS TO. 570 00:24:27,467 --> 00:24:29,731 SORRY, BABY. 571 00:24:29,733 --> 00:24:33,098 ♪♪ 572 00:24:33,100 --> 00:24:35,698 [ SIGHS ] 573 00:24:35,700 --> 00:24:38,398 [ KEYBOARD CLICKING ] 574 00:24:38,400 --> 00:24:40,198 [ Ringing ] 575 00:24:40,200 --> 00:24:42,465 HEY, RODERICK? 576 00:24:42,467 --> 00:24:44,798 I NEED YOUR HELP. 577 00:24:44,800 --> 00:24:47,398 YEAH. [ CHUCKLES ] 578 00:24:47,400 --> 00:24:48,798 INEZ, NOW, COME ON. 579 00:24:48,800 --> 00:24:51,532 I CAN'T BE LOOKING LIKE NO TROLL ALL OVER THE INTERNET. 580 00:24:51,534 --> 00:24:52,798 WILL YOU HELP A SISTER OUT? 581 00:24:52,800 --> 00:24:54,532 I CAN'T HELP YOU AND HOLD THE PHONE. 582 00:24:54,534 --> 00:24:56,665 [ SCOFFS ] OKAY, YOU KNOW WHAT? LET'S JUST DO IT. 583 00:24:56,667 --> 00:24:58,665 OKAY. [ SIGHS ] 584 00:24:58,667 --> 00:25:00,532 THE BANKS IS MY HOME -- WAIT, WAIT, WAIT, WAIT, WAIT. 585 00:25:00,534 --> 00:25:01,732 I JUST GOT TO GET THIS. 586 00:25:01,734 --> 00:25:02,932 DID YOU EVEN GET THE -- I GOT IT, I GOT IT. 587 00:25:02,934 --> 00:25:06,398 OKAY, OKAY. GO AHEAD. GO AHEAD. GO AHEAD. 588 00:25:06,400 --> 00:25:08,398 THE BANKS IS MY HOME, 589 00:25:08,400 --> 00:25:12,265 AND I'LL BE DAMNED IF I LET A COLONIZER HAVE IT. 590 00:25:12,267 --> 00:25:14,398 THAT'S WHY I'M PUTTING TOGETHER A COALITION 591 00:25:14,400 --> 00:25:17,798 TO LET THESE VULTURES KNOW THAT WE RUN THESE STREETS. 592 00:25:17,800 --> 00:25:20,532 OUR FIRST MEETING IS TONIGHT AT THELMA'S PLACE. 593 00:25:20,534 --> 00:25:22,132 BE THERE OR -- OH, GEEZ. 594 00:25:22,134 --> 00:25:23,965 WOULD YOU -- 595 00:25:23,967 --> 00:25:26,432 HEY, I TOLD YOU SOCIAL MEDIA WAS BELLA'S THING, NOT MINE. 596 00:25:26,434 --> 00:25:27,898 GIRL, LOOK AT THIS SCREEN. 597 00:25:27,900 --> 00:25:29,365 IT'S NOT BROKEN. IT LOOKS FINE. 598 00:25:29,367 --> 00:25:30,932 WHY WOULD IT TURN OFF? BECAUSE IT FELL. 599 00:25:30,934 --> 00:25:33,198 THAT'S RIDICULOUS. EXCUSE ME. 600 00:25:34,200 --> 00:25:37,498 I, UM, WAS JUST NOTICING YOU LADIES HAVING TROUBLE. 601 00:25:37,500 --> 00:25:39,765 HERE, TAKE MINE. 602 00:25:39,767 --> 00:25:43,465 WHAT -- YOU THAT COUNCILMAN FROM TV? 603 00:25:43,467 --> 00:25:44,932 KENNY HAMFORD. 604 00:25:44,934 --> 00:25:46,465 [ CHUCKLES ] KENT HAMILTON. 605 00:25:46,467 --> 00:25:47,865 THE BANKS IS MY DISTRICT, 606 00:25:47,867 --> 00:25:49,665 SO THAT MAKES ME YOUR COUNCILMAN. 607 00:25:49,667 --> 00:25:51,198 HOW ARE YOU GONNA COME ROLL UP IN HERE 608 00:25:51,200 --> 00:25:54,131 AFTER ALL THAT MESS YOU TALKED ABOUT MY BROTHER? 609 00:25:54,133 --> 00:25:56,198 IF YOUR BROTHER WASN'T THE SECOND COMING OF MARION BARRY. 610 00:25:56,200 --> 00:25:58,332 [ SCOFFS ] EXCUSE ME? 611 00:25:58,334 --> 00:26:02,332 IS THERE A WAY THAT I CAN HELP YOU, MISS LANCASTER? 612 00:26:02,334 --> 00:26:04,131 I'M FINE. 613 00:26:04,133 --> 00:26:05,999 [ SCOFFS ] 614 00:26:06,001 --> 00:26:08,998 LOOK, I PLANNED TO COME WHEN I HEARD ABOUT THE BREAK-IN, 615 00:26:09,000 --> 00:26:12,532 BUT SOMETHING CAME UP AT ONE OF THE COMMUNITY SHELTERS. 616 00:26:12,534 --> 00:26:14,798 IT WAS LATE WHEN I RESOLVED IT, 617 00:26:14,800 --> 00:26:16,665 SO I CAME AS FAST AS I COULD. 618 00:26:16,667 --> 00:26:17,998 AND THE TRUTH IS I'D BEEN MEANING 619 00:26:18,000 --> 00:26:20,132 TO REACH OUT TO YOU WAY BEFORE NOW. 620 00:26:20,134 --> 00:26:22,332 REACH OUT TO ME FOR WHAT, HATER? 621 00:26:22,334 --> 00:26:23,632 THELMA'S PLACE. 622 00:26:23,634 --> 00:26:25,998 IT'S AN INSTITUTION IN THE COMMUNITY. 623 00:26:26,000 --> 00:26:28,732 AND DESPITE THE ANTIPATHY I MAY HAVE... 624 00:26:29,734 --> 00:26:30,998 ♪♪ 625 00:26:31,000 --> 00:26:32,498 TELL YOU WHAT. 626 00:26:32,500 --> 00:26:35,698 HOW ABOUT I TURN DOWN THE SHADE I THROW AT YOUR BROTHER? 627 00:26:35,700 --> 00:26:38,732 HOW ABOUT YOU TURN IT OFF? 628 00:26:38,734 --> 00:26:40,431 HMM. 629 00:26:40,433 --> 00:26:43,165 THEN I WANT SOMETHING IN RETURN. 630 00:26:43,167 --> 00:26:53,265 ♪♪ 631 00:26:53,267 --> 00:26:58,098 ♪♪ 632 00:26:58,100 --> 00:26:59,765 THANK YOU. 633 00:26:59,767 --> 00:27:00,732 ♪♪ 634 00:27:00,734 --> 00:27:02,965 UH-OH. 635 00:27:02,967 --> 00:27:07,265 YOU HAVE THAT PREDATORY GLEAM IN YOUR EYE. 636 00:27:07,267 --> 00:27:10,532 YEAH, STEPHANIE'S PLANNING A PRESS CONFERENCE SOON, 637 00:27:10,534 --> 00:27:12,932 ANNOUNCING THE PURIFOY CLASS-ACTION FILING. 638 00:27:12,934 --> 00:27:14,965 IT'S JUST A MATTER OF TIME 639 00:27:14,967 --> 00:27:18,232 BEFORE WE PUT THOSE DRUG PUSHERS OUT OF BUSINESS. 640 00:27:18,234 --> 00:27:21,999 THAT GIRL IS ALWAYS TURNING HERSELF INSIDE OUT 641 00:27:22,001 --> 00:27:24,132 TRYING TO PLEASE YOU. 642 00:27:24,134 --> 00:27:26,231 SHE TOOK ON YOUR BATTLE WITH HUNTER. 643 00:27:26,233 --> 00:27:29,765 AND I HOPE YOU'VE NOTICED ALL OF HER HARD WORK. 644 00:27:29,767 --> 00:27:30,865 MM-HMM. 645 00:27:30,867 --> 00:27:32,532 STEPHANIE'S GOT HER OWN REASONS 646 00:27:32,534 --> 00:27:34,665 FOR GOING AFTER THE PURIFOYS. 647 00:27:34,667 --> 00:27:36,665 SHE WANTS TO REPLACE ME. 648 00:27:36,667 --> 00:27:38,965 WELL, WOULD THAT BE SO TERRIBLE? 649 00:27:38,967 --> 00:27:41,299 IT'S HER TIME, STEPHEN, AND YOURS. 650 00:27:41,301 --> 00:27:43,165 YOU'VE EARNED RETIREMENT. 651 00:27:43,167 --> 00:27:44,898 LET HER HAVE THE FIRM. 652 00:27:44,900 --> 00:27:46,098 SHE'LL DO YOU PROUD. 653 00:27:46,100 --> 00:27:48,899 STEPHANIE PUT YOU UP TO THIS, DIDN'T SHE? 654 00:27:48,901 --> 00:27:51,432 NOT EVERYONE PLOTS WORLD DOMINATION 655 00:27:51,434 --> 00:27:53,965 BEFORE THEIR SECOND COCKTAIL, DEAR. 656 00:27:53,967 --> 00:27:55,798 [ CHUCKLES ] 657 00:27:55,800 --> 00:27:57,332 [ DOOR OPENS ] THANK YOU. 658 00:27:57,334 --> 00:27:58,831 AH! 659 00:27:58,833 --> 00:28:00,298 EVAN, DARLING, JOIN US. 660 00:28:00,300 --> 00:28:01,965 I DIDN'T COME TO SOCIALIZE. 661 00:28:01,967 --> 00:28:03,565 YOU WENT TOO FAR, OLD MAN. 662 00:28:03,567 --> 00:28:05,365 WHAT? WHAT ARE YOU BABBLING ABOUT? 663 00:28:05,367 --> 00:28:06,765 DON'T TRY TO PLAY ME. 664 00:28:06,767 --> 00:28:08,899 I KNOW WHAT A RUTHLESS BASTARD YOU CAN BE. 665 00:28:08,901 --> 00:28:10,832 I'VE SEEN IT FIRSTHAND. 666 00:28:10,834 --> 00:28:12,532 YOU REMEMBER? 667 00:28:12,534 --> 00:28:14,432 YOU FORGET? I USED TO WORK FOR CARLISLE-PERKINS. 668 00:28:14,434 --> 00:28:17,632 I KNOW HOW YOU LIKE TO SCARE PEOPLE INTO MAKING DEALS. 669 00:28:17,634 --> 00:28:18,732 WHAT PEOPLE? 670 00:28:18,734 --> 00:28:20,932 HOW DARE YOU COME IN HERE ACCUSING ME? 671 00:28:20,934 --> 00:28:22,331 EVERYBODY CALM DOWN. 672 00:28:22,333 --> 00:28:23,665 NO, NOT UNTIL THIS SON OF A BITCH UNDERSTANDS 673 00:28:23,667 --> 00:28:24,865 HE'S MESSING WITH THE WRONG FAMILY. 674 00:28:24,867 --> 00:28:28,131 HE SENT A GOON WITH A BAT TO TERRORIZE MY SISTER. 675 00:28:28,133 --> 00:28:30,732 NOW, WHETHER RONDELL SELLS THAT RESTAURANT OR NOT, 676 00:28:30,734 --> 00:28:32,265 YOU'RE GONNA LEAVE HER THE HELL ALONE. 677 00:28:32,267 --> 00:28:33,465 WHOA, WHOA, WHOA! 678 00:28:33,467 --> 00:28:35,365 I THINK YOU'D BETTER BACK THE HELL UP, BOY. 679 00:28:35,367 --> 00:28:37,998 I WILL NOT BE SPOKEN TO THAT WAY 680 00:28:38,000 --> 00:28:40,198 IN MY OWN HOME IN FRONT OF MY WIFE. 681 00:28:40,200 --> 00:28:41,999 WHO YOU CALLING BOY, OLD MAN? 682 00:28:42,001 --> 00:28:44,198 NOW, YOU'RE GONNA GET THIS WARNING ONE TIME. 683 00:28:44,200 --> 00:28:46,732 GO NEAR MY SISTER AGAIN, YOU'LL BE SORRY. 684 00:28:46,734 --> 00:28:47,932 OH, HUSH, EVAN. 685 00:28:47,934 --> 00:28:52,331 STEPHEN DIDN'T SEND ANYONE AFTER YOUR SISTER. 686 00:28:52,333 --> 00:28:54,065 I DID. 687 00:28:54,067 --> 00:28:57,465 ♪♪ 688 00:29:01,667 --> 00:29:04,665 THE INTENT WASN'T TO HARM RONDELL OR SENIOR, 689 00:29:04,667 --> 00:29:05,865 MERELY TO SCARE THEM. 690 00:29:05,867 --> 00:29:07,065 WHY WOULD YOU -- 691 00:29:07,067 --> 00:29:10,465 THE ENGLISH ROSE DEVELOPMENT WILL BENEFIT US ALL. 692 00:29:10,467 --> 00:29:12,532 THE SOONER IT GOES THROUGH, 693 00:29:12,534 --> 00:29:15,465 THE QUICKER WE'LL BE RID OF THAT VILE GREG PETERS. 694 00:29:15,467 --> 00:29:18,665 SO YOU SENT SOME THUG AFTER MY SISTER? 695 00:29:18,667 --> 00:29:20,531 OH, WELL, WOULD YOU RATHER 696 00:29:20,533 --> 00:29:22,599 IT HAVE BEEN ONE OF GREG PETERS' HIT MEN? 697 00:29:22,601 --> 00:29:26,431 I'M TRYING TO KEEP US ALL SAFE. 698 00:29:26,433 --> 00:29:28,032 [ LAUGHS ] 699 00:29:28,034 --> 00:29:30,798 HEY, IT LOOKS LIKE SHE'S GOT YOU THERE, EVAN. 700 00:29:30,800 --> 00:29:32,532 YOU KNOW HOW CLOSE MY FATHER CAME 701 00:29:32,534 --> 00:29:34,065 TO SHOOTING YOUR MESSENGER? 702 00:29:34,067 --> 00:29:36,332 WHAT DO YOU THINK WOULD HAPPEN IF WORD GOT OUT 703 00:29:36,334 --> 00:29:39,065 THAT THE CARLISLE MATRIARCH HIRES THUGS? 704 00:29:39,067 --> 00:29:40,099 THAT INFORMATION 705 00:29:40,101 --> 00:29:41,899 BETTER NEVER LEAVE THIS ROOM. 706 00:29:41,901 --> 00:29:43,432 Irene: IT WON'T, DEAR. 707 00:29:43,434 --> 00:29:44,499 EVAN'S FAMILY. 708 00:29:44,501 --> 00:29:47,565 I MAY BE MARRIED TO YOUR DAUGHTER, 709 00:29:47,567 --> 00:29:50,198 BUT RONDELL AND SENIOR ARE MY BLOOD. 710 00:29:50,200 --> 00:29:51,732 NEVER FORGET THAT. 711 00:29:51,734 --> 00:29:56,065 ♪♪ 712 00:29:56,067 --> 00:29:59,065 [ SIGHS ] 713 00:29:59,067 --> 00:30:00,732 [ CHUCKLES ] 714 00:30:00,734 --> 00:30:04,265 DID NOT KNOW YOU HAD THAT IN YOU, SWEETHEART. 715 00:30:04,267 --> 00:30:08,598 AFTER 45 YEARS OF MARRIAGE TO STEPHEN CARLISLE, 716 00:30:08,600 --> 00:30:11,265 ONE PICKS UP A FEW TRICKS. 717 00:30:11,267 --> 00:30:15,265 [ CHUCKLES ] 718 00:30:16,867 --> 00:30:21,665 ♪♪ 719 00:30:21,667 --> 00:30:24,932 Kent: MMM! THAT'S SOME GOOD EATIN'. 720 00:30:24,934 --> 00:30:26,065 MM-HMM. 721 00:30:26,067 --> 00:30:27,198 [ LAUGHS ] 722 00:30:27,200 --> 00:30:28,865 NOW YOU KNOW WHY THEY CALL MY MAMA 723 00:30:28,867 --> 00:30:30,998 THE "JULIA CHILD OF THE HOOD." 724 00:30:31,000 --> 00:30:32,332 WAIT A MINUTE. 725 00:30:32,334 --> 00:30:34,398 ARE YOU TELLING ME THERE'S A THELMA'S COOKBOOK SOMEWHERE 726 00:30:34,400 --> 00:30:36,532 I CAN GET MY HANDS ON? 727 00:30:36,534 --> 00:30:37,798 NO. 728 00:30:37,800 --> 00:30:39,665 SHE NEVER GOT AROUND TO THAT. 729 00:30:39,667 --> 00:30:42,532 SO THAT MEANS THERE'S ROOM FOR RONDELL'S COOKBOOK. 730 00:30:42,534 --> 00:30:44,398 BOY, BYE. [ CHUCKLES ] 731 00:30:44,400 --> 00:30:46,665 I GOT SIGNATURES TO COLLECT AND WORK TO DO, 732 00:30:46,667 --> 00:30:49,265 AND SO DO YOU, MR. COUNCILMAN. 733 00:30:49,267 --> 00:30:50,332 I'M WORKING RIGHT NOW. 734 00:30:50,334 --> 00:30:52,332 YOU JUST DON'T QUIT, NOW, DO YOU? 735 00:30:52,334 --> 00:30:53,465 LIKE I SAID, 736 00:30:53,467 --> 00:30:55,865 I THINK WE'RE AIMING TOWARDS THE SAME THING. 737 00:30:55,867 --> 00:30:58,865 I THINK YOU MIGHT BE HIDING THE PEOPLE'S CHAMPION 738 00:30:58,867 --> 00:31:00,132 UNDERNEATH THAT APRON. 739 00:31:00,134 --> 00:31:01,065 NO. 740 00:31:01,067 --> 00:31:02,531 I MEAN, I DON'T KNOW ABOUT ALL THAT. 741 00:31:02,533 --> 00:31:04,265 I'M JUST A GIRL FROM THE BANKS 742 00:31:04,267 --> 00:31:06,732 THAT DOESN'T WANT TO SEE MY HOME DISAPPEAR. 743 00:31:06,734 --> 00:31:07,732 I GET IT. 744 00:31:07,734 --> 00:31:09,799 MY PARENTS, UH, RAISED ME 745 00:31:09,801 --> 00:31:11,931 IN A HOUSE IN OLD FOURTH WARD. 746 00:31:11,933 --> 00:31:12,998 WHAT'S THERE NOW? 747 00:31:13,000 --> 00:31:15,265 FLIPPED HOUSES AND OVERPRICED CONDOS. 748 00:31:15,267 --> 00:31:17,265 SO YOU AIN'T EVEN FROM THE BANKS? 749 00:31:17,267 --> 00:31:18,532 MNH-MNH. 750 00:31:18,534 --> 00:31:20,465 TO HIGH SCHOOL HERE, FELL IN LOVE WITH THE PEOPLE, 751 00:31:20,467 --> 00:31:22,198 AND THOUGHT I COULD HELP MAKE THINGS BETTER. 752 00:31:22,200 --> 00:31:23,665 HMM. 753 00:31:23,667 --> 00:31:25,798 YOU KNOW, COUNCILMAN HAMILTON -- 754 00:31:25,800 --> 00:31:27,365 CALL ME KENT. 755 00:31:27,367 --> 00:31:28,832 [ CHUCKLES ] 756 00:31:28,834 --> 00:31:30,332 KENT. 757 00:31:30,334 --> 00:31:32,932 IF IT WASN'T FOR ALL THAT SMACK 758 00:31:32,934 --> 00:31:35,332 YOU TALK ABOUT MY BROTHER... 759 00:31:35,334 --> 00:31:37,465 I THINK WE COULD BE FRIENDS. 760 00:31:37,467 --> 00:31:38,731 MM. 761 00:31:38,733 --> 00:31:41,531 WELL, I PROMISE YOU, RONDELL LANCASTER, 762 00:31:41,533 --> 00:31:43,932 WE COULD BE MORE THAN JUST FRIENDS. 763 00:31:43,934 --> 00:31:47,198 BUT FOR NOW, LET'S JUST, UH, 764 00:31:47,200 --> 00:31:49,732 FOCUS ON SAVING THE BANKS. 765 00:31:49,734 --> 00:31:50,798 [ INEZ CHUCKLES ] 766 00:31:50,800 --> 00:31:52,532 [ SCOFFS ] 767 00:31:52,534 --> 00:31:54,065 [ CHUCKLES ] 768 00:31:54,067 --> 00:31:54,998 WHAT YOU LOOKING AT? 769 00:31:55,000 --> 00:31:58,231 [ SCOFFS ] 770 00:31:58,233 --> 00:32:07,398 ♪♪ 771 00:32:07,400 --> 00:32:09,332 [ DOOR OPENS ] 772 00:32:09,334 --> 00:32:10,731 ♪♪ 773 00:32:10,733 --> 00:32:12,865 [ DOOR CLOSES ] 774 00:32:12,867 --> 00:32:14,865 GOT ANYTHING GOOD FOR ME? 775 00:32:14,867 --> 00:32:16,332 TALK ABOUT A LOADED QUESTION. 776 00:32:16,334 --> 00:32:17,498 [ CHUCKLES ] 777 00:32:17,500 --> 00:32:20,198 I WAS REFERRING TO THE ASSIGNMENT I GAVE YOU. 778 00:32:20,200 --> 00:32:21,432 A GUY CAN DREAM. 779 00:32:21,434 --> 00:32:22,898 ♪♪ 780 00:32:22,900 --> 00:32:25,665 YOUR BOY TITUS IS CLEAN. 781 00:32:25,667 --> 00:32:27,598 WHAT ABOUT THE WIFE? 782 00:32:27,600 --> 00:32:30,932 OUR MISS AMARA IS A NAUGHTY, NAUGHTY GIRL. 783 00:32:30,934 --> 00:32:32,365 GO ON. 784 00:32:32,367 --> 00:32:34,332 HOOKED UP WITH A CO-WORKER, 785 00:32:34,334 --> 00:32:37,332 ANOTHER FED BY THE NAME OF DAMIAN COLLINS. 786 00:32:37,334 --> 00:32:38,732 ♪♪ 787 00:32:38,734 --> 00:32:41,465 SHE CHEATED ON TITUS? 788 00:32:41,467 --> 00:32:44,465 AND GOT A RAISE AND A PROMOTION IN THE PROCESS. 789 00:32:44,467 --> 00:32:45,732 [ LAUGHS ] 790 00:32:45,734 --> 00:32:48,465 TOGETHER, THEY PROSECUTED ONE OF THE BIGGEST METH DEALERS 791 00:32:48,467 --> 00:32:50,231 IN BIRMINGHAM HISTORY. 792 00:32:50,233 --> 00:32:51,832 [ SIGHS ] 793 00:32:51,834 --> 00:32:53,898 SO, WHAT'S THE DEAL, BOSS LADY? 794 00:32:53,900 --> 00:32:55,532 WHY ARE YOU SO INTERESTED IN THEIR MARRIAGE? 795 00:32:55,534 --> 00:32:59,132 NICK, I PAY YOU TO ANSWER THE QUESTIONS, 796 00:32:59,134 --> 00:33:00,798 NOT ASK THEM. 797 00:33:00,800 --> 00:33:02,332 [ CHUCKLES ] 798 00:33:02,334 --> 00:33:03,265 ♪♪ 799 00:33:03,267 --> 00:33:05,399 [ SIGHS ] 800 00:33:05,401 --> 00:33:07,932 WHATEVER YOU SAY. 801 00:33:07,934 --> 00:33:16,432 ♪♪ 802 00:33:16,434 --> 00:33:18,199 [ SIGHS ] 803 00:33:18,201 --> 00:33:24,532 AMARA HUGHES, YOU HYPOCRITICAL, LYING LITTLE SLUT. 804 00:33:24,534 --> 00:33:26,798 [ SIGHS ] 805 00:33:26,800 --> 00:33:28,432 [ INDISTINCT CONVERSATIONS ] 806 00:33:28,434 --> 00:33:30,798 JESUS CHRIST. I TOLD YOU 20 MINUTES AGO 807 00:33:30,800 --> 00:33:32,265 THAT YOU AND YOUR PEOPLE NEED TO LEAVE. 808 00:33:32,267 --> 00:33:33,398 IF YOU WOULD JUST LET US FINISH, 809 00:33:33,400 --> 00:33:34,665 WE COULD BE OUT OF YOUR WAY. MA'AM, MA'AM... 810 00:33:34,667 --> 00:33:35,932 HEY. 811 00:33:35,934 --> 00:33:37,798 SERIOUSLY RIGHT NOW! 812 00:33:37,800 --> 00:33:39,932 Roderick: HEY. RODERICK, PLEASE HELP. 813 00:33:39,934 --> 00:33:41,531 [ SIGHS ] WHAT'S UP? 814 00:33:41,533 --> 00:33:43,265 HEY. 815 00:33:43,267 --> 00:33:46,331 MR. JOHNSON, YOU UNDERSTAND MY SITUATION. 816 00:33:46,333 --> 00:33:48,131 OF COURSE I DO. 817 00:33:48,133 --> 00:33:50,065 BUT LET ME HOLLA AT YOU, BRO. 818 00:33:50,067 --> 00:33:51,665 ♪♪ 819 00:33:51,667 --> 00:33:54,598 SO, HOW CAN WE MAKE THIS WORK? 820 00:33:54,600 --> 00:33:55,665 I-I CAN'T. 821 00:33:55,667 --> 00:33:57,499 THIS -- IT'S MY JOB. 822 00:33:57,501 --> 00:33:59,631 COME ON. COME ON. 823 00:33:59,633 --> 00:34:03,131 I GET IT. 824 00:34:03,133 --> 00:34:05,865 WORK WITH ME, MAN. 825 00:34:05,867 --> 00:34:06,998 YOU GOT IT. 826 00:34:07,000 --> 00:34:08,532 MY MAN. THANK YOU. 827 00:34:08,534 --> 00:34:10,665 APPRECIATE YOU. 828 00:34:10,667 --> 00:34:12,132 [ SIGHS ] 829 00:34:14,067 --> 00:34:15,398 YOU GOT 45 MINUTES. 830 00:34:15,400 --> 00:34:16,731 OH! WHAT DID YOU GIVE HIM? 831 00:34:16,733 --> 00:34:17,865 [ LAUGHS ] 832 00:34:17,867 --> 00:34:19,532 AIN'T NOBODY PASSING UP FOUR TICKETS TO THE HAWKS GAME. 833 00:34:19,534 --> 00:34:22,099 [ LAUGHS ] 834 00:34:22,101 --> 00:34:24,032 THERE YOU ARE. 835 00:34:24,034 --> 00:34:25,331 ♪♪ 836 00:34:25,333 --> 00:34:27,399 [ LAUGHS ] 837 00:34:27,401 --> 00:34:29,965 ♪♪ 838 00:34:32,634 --> 00:34:33,832 ♪♪ 839 00:34:33,834 --> 00:34:36,398 I'VE BEEN LOOKING ALL OVER FOR YOU. 840 00:34:36,400 --> 00:34:39,998 ♪♪ 841 00:34:40,000 --> 00:34:41,432 RODERICK JOHNSON. 842 00:34:41,434 --> 00:34:43,398 WASN'T SURE I'D BE ABLE TO CATCH UP WITH YOU. 843 00:34:43,400 --> 00:34:44,532 MISS TRU. 844 00:34:44,534 --> 00:34:47,498 YOU AND RODERICK SEEM TO BE JOINED AT THE HIP. 845 00:34:47,500 --> 00:34:49,665 IT'S JUST HIS REWARD FOR LOOKING OUT FOR ME. 846 00:34:49,667 --> 00:34:50,998 HMM. 847 00:34:51,000 --> 00:34:51,999 WHAT'S UP, MAYOR? 848 00:34:52,001 --> 00:34:53,631 OH, I WAS OVER ON THE OTHER SIDE OF THE PARK, 849 00:34:53,633 --> 00:34:54,632 SURVEYING A PARCEL OF LAND 850 00:34:54,634 --> 00:34:56,365 THE CITY WANTS TO BUY FOR THE PARKS EXPANSION. 851 00:34:56,367 --> 00:34:57,998 I WOULD BE DAMNED IF ONE OF THE STAFF DIDN'T SAY 852 00:34:58,000 --> 00:34:59,665 THERE'S A RODERICK JOHNSON SIGHTING OVER HERE. 853 00:34:59,667 --> 00:35:01,332 [ BOTH LAUGH ] BELLA WAS HAVING A PROBLEM 854 00:35:01,334 --> 00:35:02,865 WITH THE PERMIT FOR A VIDEO SHOOT. 855 00:35:02,867 --> 00:35:04,799 I GOT THAT CLEARED UP. 856 00:35:04,801 --> 00:35:07,198 YOUR SWAY IN THIS CITY IS EXACTLY WHY I SOUGHT YOU OUT. 857 00:35:07,200 --> 00:35:08,332 MAYOR LANCASTER, 858 00:35:08,334 --> 00:35:10,065 I ONLY HAVE 45 MINUTES TO FINISH MY VIDEO. 859 00:35:10,067 --> 00:35:11,332 I HATE TO BE RUDE, BUT -- 860 00:35:11,334 --> 00:35:13,332 WELL, THEN DON'T BE. 861 00:35:13,334 --> 00:35:15,331 NOW, JUST THIS MORNING, MY CABINET AND I 862 00:35:15,333 --> 00:35:17,599 GREEN-LIT A BRAND-NEW "VISIT ATLANTA" PR CAMPAIGN. 863 00:35:17,601 --> 00:35:18,965 NOW, WE'RE RECRUITING LOCAL CELEBRITIES 864 00:35:18,967 --> 00:35:20,732 TO PROMOTE WHY THEY LOVE ATLANTA. 865 00:35:20,734 --> 00:35:22,265 MM. I'D BE PERFECT FOR THAT. 866 00:35:22,267 --> 00:35:23,532 SO WE CAN COUNT ON YOU? 867 00:35:23,534 --> 00:35:24,865 I'M DOWN FOR WHATEVER YOU NEED. 868 00:35:24,867 --> 00:35:26,798 ALRIGHT. SO IS BELLA, RIGHT? 869 00:35:26,800 --> 00:35:29,265 UH, WELL, BELLA'S NOT A BIG-ENOUGH CELEBRITY. 870 00:35:29,267 --> 00:35:31,898 NO OFFENSE, BUT SHE'S NOT QUITE AT YOUR LEVEL. 871 00:35:31,900 --> 00:35:34,698 HAVE YOU SEEN HOW MANY SOCIAL-MEDIA FOLLOWERS SHE HAS? 872 00:35:34,700 --> 00:35:36,098 IF I WAS PUTTING THIS CAMPAIGN TOGETHER -- 873 00:35:36,100 --> 00:35:38,265 BUT YOU'RE NOT. NOW, CAN WE COUNT ON YOU? 874 00:35:38,267 --> 00:35:39,598 [ CHUCKLES ] 875 00:35:39,600 --> 00:35:41,998 I THINK YOU'RE MISSING OUT, BUT SURE. 876 00:35:42,000 --> 00:35:43,598 I'LL BE IN TOUCH. 877 00:35:43,600 --> 00:35:46,998 GOOD LUCK WITH YOUR SHOOT, MS. TRU. 878 00:35:47,000 --> 00:35:48,865 THAT'S ALRIGHT. 879 00:35:48,867 --> 00:35:50,865 Roderick: IT'S COOL, RIGHT? 880 00:35:50,867 --> 00:35:52,932 YEAH. THAT'S GONNA BE CHILL. 881 00:35:52,934 --> 00:36:02,732 ♪♪ 882 00:36:02,734 --> 00:36:04,865 ♪♪ 883 00:36:04,867 --> 00:36:07,198 AM I DREAMING? 884 00:36:07,200 --> 00:36:09,265 YOU'RE HOME EARLY. 885 00:36:09,267 --> 00:36:11,331 AND YOU WILL NOTICE... 886 00:36:11,333 --> 00:36:13,598 I GOT MY CHEF GEAR ON. 887 00:36:13,600 --> 00:36:14,699 [ LAUGHS ] 888 00:36:14,701 --> 00:36:16,832 WOW. 889 00:36:16,834 --> 00:36:20,132 I COULD GET USED TO THIS. 890 00:36:20,134 --> 00:36:23,365 WELL, THERE ARE SOME BENEFITS TO CORPORATE COUNSEL 891 00:36:23,367 --> 00:36:25,498 VERSUS A ONE-MAN LAW FIRM. 892 00:36:25,500 --> 00:36:28,965 I KNOW BUILDING MY PRACTICE CAUSED ISSUES FOR US. 893 00:36:28,967 --> 00:36:31,365 SO, HOW WAS YOUR DAY? 894 00:36:31,367 --> 00:36:32,765 GOOD. 895 00:36:32,767 --> 00:36:34,932 [ KNIFE CHOPPING ] 896 00:36:34,934 --> 00:36:36,598 HAD LUNCH WITH STEPHANIE. 897 00:36:36,600 --> 00:36:38,899 ♪♪ 898 00:36:38,901 --> 00:36:40,032 [ BOTTLES CLINK ] 899 00:36:40,034 --> 00:36:41,732 SHOULD I BE AFRAID? 900 00:36:41,734 --> 00:36:44,265 NO. 901 00:36:44,267 --> 00:36:46,932 NOT AT ALL. 902 00:36:46,934 --> 00:36:48,398 ♪♪ 903 00:36:48,400 --> 00:36:50,798 SAID WHAT I NEEDED TO SAY AND KEPT IT MOVING. 904 00:36:50,800 --> 00:36:55,065 OKAY, WELL, STEPHANIE IS NOT A FACTOR. 905 00:36:55,067 --> 00:36:57,265 I LIKE THE SOUND OF THAT. 906 00:36:57,267 --> 00:37:01,732 ♪♪ 907 00:37:01,734 --> 00:37:04,398 Titus: I'M ALL ABOUT YOU, BABY. 908 00:37:04,400 --> 00:37:06,398 OUR MARRIAGE IS MY FIRST PRIORITY. 909 00:37:06,400 --> 00:37:08,465 WE'VE HAD OUR CHALLENGES, BUT -- 910 00:37:08,467 --> 00:37:11,932 YEAH, BUT THAT'S ALL OVER. 911 00:37:11,934 --> 00:37:16,398 WE'RE HERE, STILL TOGETHER. 912 00:37:16,400 --> 00:37:19,798 NOTHING BUT A BRIGHT FUTURE AHEAD. 913 00:37:19,800 --> 00:37:25,632 ♪♪ 914 00:37:25,634 --> 00:37:30,232 ONLY THING THROWING ME OFF IS DEJA BEING AWAY. 915 00:37:30,234 --> 00:37:32,065 I REALLY MISS HER. 916 00:37:32,067 --> 00:37:34,132 I KNOW. 917 00:37:34,134 --> 00:37:38,065 A DAUGHTER CLAIMS PRIME REAL ESTATE IN A MOTHER'S HEART, 918 00:37:38,067 --> 00:37:42,332 BUT I AM WILLING TO FILL THAT SPACE 919 00:37:42,334 --> 00:37:44,132 TILL DEJA GETS BACK. 920 00:37:44,134 --> 00:37:48,065 WELL, SIR, IT IS A LARGE SPACE. 921 00:37:48,067 --> 00:37:49,999 LARGE SPACE? MM-HMM. 922 00:37:50,001 --> 00:37:53,999 AND YOU MAY HAVE TO PUT IN LOTS AND LOTS OF WORK. 923 00:37:54,001 --> 00:37:55,465 GOOD THING... 924 00:37:55,467 --> 00:37:56,532 ♪♪ 925 00:37:56,534 --> 00:37:58,665 ...I'M AN OVERACHIEVER. 926 00:37:58,667 --> 00:38:01,198 [ LAUGHS ] 927 00:38:01,200 --> 00:38:07,532 ♪ YOU BROKE MY HEART ♪ 928 00:38:07,534 --> 00:38:10,031 IT'S THE ONLY WAY YOU'RE GONNA EAT. 929 00:38:10,033 --> 00:38:12,765 [ BOTH LAUGH ] 930 00:38:12,767 --> 00:38:14,165 ♪♪ 931 00:38:14,167 --> 00:38:17,232 [ BLUES MUSIC PLAYING ] 932 00:38:17,234 --> 00:38:26,665 ♪♪ 933 00:38:26,667 --> 00:38:27,931 ♪♪ 934 00:38:27,933 --> 00:38:30,265 Rondell: ALL RIGHT, ALL RIGHT, EVERYBODY. 935 00:38:30,267 --> 00:38:32,132 SETTLE DOWN, SETTLE DOWN. 936 00:38:32,134 --> 00:38:35,665 WELL, AS Y'ALL ALL KNOW, GREG PETERS CONSTRUCTION 937 00:38:35,667 --> 00:38:38,398 IS PLANNING A PROJECT RIGHT HERE IN THE BANKS. 938 00:38:38,400 --> 00:38:41,532 PETERS UPPED HIS ORIGINAL OFFER TO ME JUST YESTERDAY. 939 00:38:41,534 --> 00:38:44,665 I'M THINKING ABOUT SELLING AND MOVING TO SNELLVILLE. 940 00:38:44,667 --> 00:38:47,799 I DIDN'T INVITE Y'ALL HERE TO FANTASIZE ABOUT MOVING. 941 00:38:47,801 --> 00:38:49,598 MM-HMM. I BROUGHT Y'ALL HERE 942 00:38:49,600 --> 00:38:51,865 SO WE CAN FIGURE OUT HOW TO SAVE THE BANKS. 943 00:38:51,867 --> 00:38:56,065 TONIGHT'S THE FIRST MEETING OF OUR NEIGHBORHOOD ORGANIZATION 944 00:38:56,067 --> 00:38:57,398 I'M CALLING NAG. 945 00:38:57,400 --> 00:38:58,598 NAG? N-A-G. 946 00:38:58,600 --> 00:39:00,132 YOU KNOW WHAT THAT STANDS FOR? 947 00:39:00,134 --> 00:39:01,332 [ BELL JINGLES ] NEI-- 948 00:39:01,334 --> 00:39:03,198 NEIGHBORS AGAINST GENTRIFICATION. 949 00:39:03,200 --> 00:39:04,331 [ CHATTER ] 950 00:39:04,333 --> 00:39:07,598 WELL, EVERYBODY WELCOME 951 00:39:07,600 --> 00:39:12,665 ATLANTA CITY COUNCILMAN MR. KENT HAMILTON. 952 00:39:12,667 --> 00:39:13,998 WHO INVITED HIM? 953 00:39:14,000 --> 00:39:15,599 DADDY, JUST BE QUIET. 954 00:39:15,601 --> 00:39:18,332 HOW IS, UH, EVERYONE DOING THIS EVENING? 955 00:39:18,334 --> 00:39:20,499 I'D BE BETTER IF THE STREET IN FRONT OF MY HOUSE 956 00:39:20,501 --> 00:39:21,965 WASN'T COVERED WITH POTHOLES. 957 00:39:21,967 --> 00:39:23,431 YEAH, WELL, TELL IT TO HIM. 958 00:39:23,433 --> 00:39:25,098 THERE'S OUR TAX DOLLARS WORKING FOR YOU. 959 00:39:25,100 --> 00:39:26,465 WHEN'S THE CITY GONNA DO SOMETHING 960 00:39:26,467 --> 00:39:27,599 ABOUT THEM DOPE FIENDS 961 00:39:27,601 --> 00:39:29,599 HANGING OUT IN THE ALLEY AT NIGHT BY MY PLACE? 962 00:39:29,601 --> 00:39:33,832 I CAN'T EVEN PUT MY TRASH OUT AT NIGHT IN PEACE. 963 00:39:33,834 --> 00:39:35,098 Woman: MM-HMM. THAT'S RIGHT. 964 00:39:35,100 --> 00:39:37,498 LISTEN. LISTEN. 965 00:39:37,500 --> 00:39:39,432 YES. 966 00:39:39,434 --> 00:39:43,665 TONIGHT'S NAG MEETING IS ABOUT STOPPING DEVELOPERS 967 00:39:43,667 --> 00:39:46,532 AND IMPROVING OUR NEIGHBORHOOD. 968 00:39:46,534 --> 00:39:48,065 Man: ALL RIGHT. EVERYBODY, LISTEN. 969 00:39:48,067 --> 00:39:52,132 TOGETHER, WE CAN MAKE THE BANKS A SAFE AND THRIVING PLACE 970 00:39:52,134 --> 00:39:54,732 TO RAISE YOUR FAMILIES AND RUN YOUR BUSINESSES. 971 00:39:54,734 --> 00:39:55,799 AND YOURS. 972 00:39:57,867 --> 00:40:00,798 RONDELL, YOUR BROTHER KNOW YOU HANGING OUT WITH THE DUDE 973 00:40:00,800 --> 00:40:03,165 THAT BE TALKING SO MUCH SMACK ABOUT HIM ON TV? 974 00:40:03,167 --> 00:40:05,265 BIG CHARLIE, I'M A GROWN-ASS WOMAN. 975 00:40:05,267 --> 00:40:06,798 MY BROTHER DON'T RUN ME, OKAY? 976 00:40:06,800 --> 00:40:07,865 YEAH, THAT'S RIGHT. 977 00:40:07,867 --> 00:40:09,465 NOW, YOU HEARD HER. SIT DOWN. 978 00:40:09,467 --> 00:40:12,365 SIT YOUR GREEDY BEHIND BACK DOWN AND BE QUIET. 979 00:40:12,367 --> 00:40:15,431 [ CHATTER ] 980 00:40:15,433 --> 00:40:18,598 NOW, FOR THE REST OF Y'ALL... 981 00:40:18,600 --> 00:40:21,165 IF YOU'RE NOT WITH NAG, 982 00:40:21,167 --> 00:40:24,965 YOU'RE FOR THAT STANKIN'-ASS GREG PETERS. 983 00:40:24,967 --> 00:40:27,365 SO, WHAT IT'S GON' BE? 984 00:40:27,367 --> 00:40:29,432 WE'RE WITH YOU, RONDELL. 985 00:40:29,434 --> 00:40:30,565 MM-HMM! 986 00:40:30,567 --> 00:40:31,632 ME, TOO. 987 00:40:31,634 --> 00:40:33,099 'CAUSE I'M GONNA NEED ALL Y'ALL'S HELP 988 00:40:33,101 --> 00:40:35,099 TO GET ENOUGH NEIGHBORHOOD SIGNATURES 989 00:40:35,101 --> 00:40:37,232 FOR THAT INJUNCTION AGAINST PETERS. 990 00:40:37,234 --> 00:40:40,365 All: [ Chanting ] N-A-G! 991 00:40:40,367 --> 00:40:42,665 PASS IT AROUND. All: N-A-G! 992 00:40:42,667 --> 00:40:44,832 N-A-G! 993 00:40:44,834 --> 00:40:47,132 N-A-G! 994 00:40:47,134 --> 00:40:48,998 N-A-G! 995 00:40:49,000 --> 00:40:50,165 N-A-G! 996 00:40:50,167 --> 00:40:52,598 LOOKS LIKE YOU JUST BECAME THE LOCAL ACTIVIST, 997 00:40:52,600 --> 00:40:53,765 MS. LANCASTER. 998 00:40:53,767 --> 00:40:55,499 N-A-G! 999 00:40:55,501 --> 00:40:56,632 N-A-G! 1000 00:40:56,634 --> 00:40:58,999 THAT'S RIGHT, Y'ALL. N-A-G! 1001 00:40:59,001 --> 00:41:01,498 N-A-G! 1002 00:41:01,500 --> 00:41:03,631 N-A-G! 1003 00:41:03,633 --> 00:41:05,165 N-A... 1004 00:41:05,167 --> 00:41:06,665 ♪♪ 1005 00:41:06,667 --> 00:41:07,932 COME ON, BABY. 1006 00:41:07,934 --> 00:41:09,998 THANK YOU FOR HELPING MOMMY. 1007 00:41:10,000 --> 00:41:12,498 WERE YOU MOMMY'S LITTLE HELPER TODAY? 1008 00:41:12,500 --> 00:41:13,765 HUH? MR. EVAN! 1009 00:41:13,767 --> 00:41:16,998 HEY! THERE HE IS. 1010 00:41:17,000 --> 00:41:18,465 [ LAUGHS ] 1011 00:41:18,467 --> 00:41:20,065 THERE HE IS. 1012 00:41:20,067 --> 00:41:22,365 OH, BOY! 1013 00:41:22,367 --> 00:41:23,898 OH, YOU'RE GETTING SO BIG. 1014 00:41:23,900 --> 00:41:26,198 HEY, I GOT A SURPRISE FOR YOU. 1015 00:41:26,200 --> 00:41:28,698 YOU READY? 1016 00:41:28,700 --> 00:41:31,198 HAVE YOU EVER USED A TABLET BEFORE? 1017 00:41:31,200 --> 00:41:32,565 NO? 1018 00:41:32,567 --> 00:41:34,698 PUSH THIS BUTTON RIGHT HERE. 1019 00:41:34,700 --> 00:41:36,098 I KNOW YOU KNOW WHAT THAT IS. 1020 00:41:36,100 --> 00:41:37,198 THAT'S PRETTY COOL, RIGHT? 1021 00:41:37,200 --> 00:41:38,865 Joaquin: MM-HMM. BIG HIGH-FIVE. 1022 00:41:38,867 --> 00:41:40,131 ALL RIGHT. 1023 00:41:40,133 --> 00:41:42,065 YOU WANT TO PLAY WITH THAT IN YOUR BEDROOM? 1024 00:41:42,067 --> 00:41:43,465 MM-HMM. 1025 00:41:43,467 --> 00:41:46,198 ♪♪ 1026 00:41:46,200 --> 00:41:48,865 WHAT ARE YOU DOING HERE? 1027 00:41:48,867 --> 00:41:51,799 CAN'T A FATHER STOP BY TO SEE HIS SON? 1028 00:41:51,801 --> 00:41:57,265 ♪♪ 1029 00:41:57,267 --> 00:41:58,532 ON THE NEXT "AMBITIONS"... 1030 00:41:58,534 --> 00:42:00,865 Man: HEADS UP, THEY'RE BRINGING THE MAYOR'S MISTRESS IN. 1031 00:42:00,867 --> 00:42:02,398 Amara: IF THESE ALLEGATIONS ARE TRUE, 1032 00:42:02,400 --> 00:42:04,632 YOU COULD BE LOOKING AT SERIOUS TIME IN FEDERAL PRISON. 1033 00:42:04,634 --> 00:42:06,198 WHY'D YOU KEEP THIS FROM ME? 1034 00:42:06,200 --> 00:42:07,198 [ SIGHS ] 1035 00:42:07,200 --> 00:42:08,999 STAY IN YOUR LANE. 1036 00:42:09,001 --> 00:42:12,165 YOU GOT BALLS THE SIZE OF MONTANA, AND I LIKE IT. 1037 00:42:12,167 --> 00:42:14,498 SHE SAID I'LL FALL FIRST AND THE HARDEST. 1038 00:42:14,500 --> 00:42:15,832 NO ONE'S FALLING. 1039 00:42:15,834 --> 00:42:18,199 I CAN SECURE THELMA'S PLACE FOR YOU. 1040 00:42:18,201 --> 00:42:20,065 I'M STARTING TO THINK I'VE BEEN DEALING WITH THE WRONG CARLISLE. 1041 00:42:20,067 --> 00:42:21,998 WE HAVE TO COOL IT OFF. ARE YOU DUMPING ME? 1042 00:42:22,000 --> 00:42:23,265 Stephanie: YOU AND DADDY 1043 00:42:23,267 --> 00:42:24,732 COULDN'T GIVE GREG PETERS WHAT HE WANTS. 1044 00:42:24,734 --> 00:42:27,232 NOW I HAVE THE SITUATION IN HAND. 83932

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