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♪
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Previously on
Star Trek: Strange New Worlds...
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I'm calling to let you know that
we have chosen not to offer you
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- a fellowship.
- CHAPEL: I've been
trying to tell you
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I just need some personal time.
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I am having difficulty
watching you
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experience such obvious
distress. I want to help,
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but it would appear all that
I'm doing is making it worse.
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- James?
- PIKE: You two know each other?
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YMALAY:
I have to insist
that you do not share
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any of what you experienced
from this time.
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Those events were never
supposed to happen,
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and you were never meant
to be aware of them.
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Neither was your companion.
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I was wrong.
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I don't deserve you,
but I'm asking,
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will you forgive me?
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♪
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UHURA:
Communications officer's log,
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stardate 2398.3.
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Traveling in the far edges
of the Alpha Quadrant,
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we have encountered
an unusual phenomenon:
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a naturally-occurring
subspace fold.
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Lieutenant Spock
posits it could be used
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to triple the speed
of subspace communications
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in the sector.
But his experiment
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requires so much computer power
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that the rest of the ship
has to communicate...
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Hailing frequencies open.
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...the old-fashioned way.
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On it.
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[overlapping comms chatter]
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I'll route that right to you.
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Pike to Uhura.
Have you hailed Captain Batel?
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Hailing now, Captain.
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I'll send her to your quarters
when I have her.
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Transporter to Uhura.
Has the USS Farragut
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confirmed Lieutenant
James Kirk's arrival?
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Checking on that now, Commander.
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CHAPEL:
Medical to Uhura.
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Is there a message
from Dr. Korby yet?
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Just arrived. Standby.
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SPOCK:
Engineering to Uhura.
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Are you ready to continue
our experiment?
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Yes, Lieutenant, momentarily.
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[bones crack]
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You want to go to Crivo
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for our first
vacation together?
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I know it's cliché...
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And touristy.
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Chris, I have always
wanted to see
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the Crivian Planetary Museum,
and there are day trips
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to the Glass Islands
and Smoke Lakes--
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I know you love a lake.
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What's wrong?
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Uh, maybe the timing is bad.
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I-I'm just not sure
I can get away right now.
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Is there something
you're not telling me, Chris?
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'Course not. No. Uh...
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But let's just
put a pin in planning
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for a few days.
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Whatever you want.
I'll be here.
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[comm chimes off]
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UNA:
Lieutenant Kirk's captain
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sent a report
in advance of his arrival.
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"Show him the ropes.
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"Kirk's full of talent
but still has one or two issues
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to work out before
he begins his commission."
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Yeah.
Punctuality being one.
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[clears throat]
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You have... an energy.
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What? I'm just waiting
for our visitor to arrive
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so I can run
a security clearance on him.
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I'm aware,
but you came in here hot.
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On fire.
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It's making me sweat.
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I-I'm fine. This is just
standard operating procedure.
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Lieutenant Kirk!
Welcome back to the Enterprise.
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Thank you, Commander.
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No Sam?
Thought he'd be here.
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He's busy.
We'll find him later.
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Thank you for agreeing
to do this.
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Even if it's not
fully necessary.
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When I took my commission,
I spent a week shadowing Pike.
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It made all the difference.
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Hopefully it'll do the same
for you on the Farragut.
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00:03:43,678 --> 00:03:45,723
Good to see you again, La'An.
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You still owe me that drink,
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- if I'm not mistaken.
- UNA: You...
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know each other?
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Um...
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ye-yes, but I-I still
need to do a security clearance.
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Lead the way.
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[quietly]:
Oh, sorry. I...
95
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[door whooshes open]
96
00:04:02,349 --> 00:04:04,829
[indistinct announcement
over P.A.]
97
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And what if
it's another rejection?
98
00:04:08,746 --> 00:04:11,662
Forget those Vulcans
and their science academy.
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00:04:11,662 --> 00:04:13,490
They don't deserve you.
100
00:04:15,449 --> 00:04:18,321
Ah, but this fellowship
is different.
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- Dr. Korby's a genius.
- ORTEGAS: Am I supposed
to know who that is?
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He's the Louis Pasteur
of Archaeological Medicine.
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Yeah, no.
Still means nothing.
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It means that
thousands of people apply
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for this fellowship every year
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and only five are accepted.
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This could change my life.
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00:04:36,600 --> 00:04:37,819
Okay.
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00:04:38,950 --> 00:04:41,388
Oh... Oof.
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You got it.
I knew it.
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[laughing]
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M'BENGA:
What will I do without you
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for three months?
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[chuckles]: Oh, my God.
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You're not the only one
who's gonna miss her.
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Oh, I have to talk to Spock.
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SPOCK:
Unfortunately we have had
another communication failure.
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That's our 12th attempt
at sending a message
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through the subspace fold.
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PELIA:
13-- that's not exactly
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00:05:05,977 --> 00:05:08,850
what I would call
a lucky number.
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What makes you think
that this particular fold
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00:05:12,375 --> 00:05:14,551
will lead
to faster communication?
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00:05:14,551 --> 00:05:17,554
Frequencies propagate through it
three times faster than normal.
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00:05:17,554 --> 00:05:19,948
- Ah.
- With our current relay network,
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00:05:19,948 --> 00:05:22,167
it takes weeks to send a message
across the quadrant.
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Imagine being able
to do it in moments
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00:05:25,214 --> 00:05:27,042
and getting
a near-instant reply.
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Real-time communication
across thousands of light years.
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Only, so far,
no one's heard us.
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[dry chuckle]
132
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[Uhura humming a tune]
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Have you tried
sending music through?
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00:05:42,710 --> 00:05:44,233
SPOCK:
We have not.
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00:05:44,233 --> 00:05:46,148
Do you believe music may
yield a different result?
136
00:05:46,148 --> 00:05:48,411
Well, you are trying
to communicate
137
00:05:48,411 --> 00:05:50,239
through a medium with different
138
00:05:50,239 --> 00:05:52,937
laws of physics, so perhaps
139
00:05:52,937 --> 00:05:56,941
fundamental harmonics
are the answer. Hmm?
140
00:05:56,941 --> 00:05:59,553
You know, it was just a thought.
141
00:06:01,076 --> 00:06:02,643
But perhaps an excellent one.
142
00:06:03,948 --> 00:06:05,733
You pick the song, Nyota.
143
00:06:07,474 --> 00:06:10,564
Well, let's see
if subspace is a fan
144
00:06:10,564 --> 00:06:13,958
of the
Great American Songbook, huh?
145
00:06:13,958 --> 00:06:18,310
[over speakers]:
♪ In olden days
a glimpse of stocking ♪
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♪ Was looked on
as something shocking ♪
147
00:06:20,225 --> 00:06:22,402
♪ But now, God knows ♪
148
00:06:22,402 --> 00:06:26,318
[echoing]:
♪ Anything goes ♪
149
00:06:26,318 --> 00:06:27,885
♪ Good authors, too ♪
150
00:06:27,885 --> 00:06:29,539
♪ Who once knew better words ♪
151
00:06:29,539 --> 00:06:31,193
♪ Now only use
four-letter words ♪
152
00:06:31,193 --> 00:06:33,500
♪ Writing prose ♪
153
00:06:33,500 --> 00:06:35,502
♪ Anything goes. ♪
154
00:06:35,502 --> 00:06:37,504
[song distorts, stops]
155
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♪
156
00:06:49,341 --> 00:06:51,039
[grunts softly]
157
00:06:58,133 --> 00:07:00,352
- [boatswain's whistle blows]
- Mitchell, what just hit us?
158
00:07:00,352 --> 00:07:01,832
No other ships
in this sector, sir.
159
00:07:01,832 --> 00:07:05,575
It looks like it came
from that subspace fold.
160
00:07:05,575 --> 00:07:07,751
Ensign Uhura,
are you patched into comms?
161
00:07:07,751 --> 00:07:10,450
- Aye, sir.
- PIKE: I need a full
status report. All stations.
162
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- ♪
- Apologies. Reporting
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from Engineering first, sir.
Mr. Spock?
164
00:07:15,063 --> 00:07:17,979
♪ The intermix chamber
and containment field ♪
165
00:07:17,979 --> 00:07:20,938
♪ Are stable ♪
166
00:07:23,375 --> 00:07:26,074
♪ I'll get to the warp core
and assess its state ♪
167
00:07:26,074 --> 00:07:28,859
♪ When I'm able ♪
Why?
168
00:07:28,859 --> 00:07:30,644
Where's that music coming from?
169
00:07:30,644 --> 00:07:32,907
Not from anywhere on the ship.
170
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♪ Apologies, the most ♪
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♪ Confounding thing ♪
172
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♪ I appear to be singing ♪
173
00:07:39,957 --> 00:07:41,306
I have sickbay for you, sir.
174
00:07:41,306 --> 00:07:44,396
♪ Most unusual, so peculiar ♪
175
00:07:44,396 --> 00:07:46,877
♪ We can confirm
there're no injuries ♪
176
00:07:46,877 --> 00:07:51,447
♪ Just the daily mundane ♪
177
00:07:51,447 --> 00:07:53,318
♪ A headache, a splinter ♪
178
00:07:53,318 --> 00:07:54,624
♪ A left ankle sprain ♪
179
00:07:54,624 --> 00:07:57,453
♪ It's happening again ♪
180
00:07:57,453 --> 00:07:59,455
M'BENGA and CHAPEL:
♪ Why are we singing? ♪
181
00:07:59,455 --> 00:08:01,544
♪ Apologies ♪
182
00:08:01,544 --> 00:08:04,329
♪ The most confounding thing ♪
183
00:08:04,329 --> 00:08:07,507
♪ We appear to be singing ♪
184
00:08:07,507 --> 00:08:11,598
♪ Most unusual, so peculiar ♪
185
00:08:15,732 --> 00:08:17,908
Lieutenant Ortegas,
status report.
186
00:08:17,908 --> 00:08:21,564
♪ Ortegas is at the helm ♪
187
00:08:21,564 --> 00:08:25,307
♪ The pilot seat is my realm ♪
188
00:08:25,307 --> 00:08:28,832
♪ We're in a field,
surrounded ♪
189
00:08:28,832 --> 00:08:30,399
♪ Still, flight systems steady ♪
190
00:08:30,399 --> 00:08:33,141
♪ Impulse engines ready ♪
191
00:08:33,141 --> 00:08:34,359
♪ At the console ♪
192
00:08:34,359 --> 00:08:36,840
♪ Systems initializing ♪
193
00:08:36,840 --> 00:08:40,714
♪ Life support robust,
now finalizing ♪
194
00:08:40,714 --> 00:08:42,498
♪ We'll check inertial dampers ♪
195
00:08:42,498 --> 00:08:46,371
♪ And see if they're hampered ♪
196
00:08:48,112 --> 00:08:51,246
♪ All is okay ♪
197
00:08:51,246 --> 00:08:53,901
♪ It appears that all ♪
198
00:08:53,901 --> 00:08:56,947
♪ Is okay ♪
199
00:09:12,659 --> 00:09:15,096
♪ Security detects no threats ♪
200
00:09:15,096 --> 00:09:18,099
♪ We'll do
a personnel overhaul ♪
201
00:09:18,099 --> 00:09:19,709
♪ No decks unchecked ♪
202
00:09:19,709 --> 00:09:22,973
♪ All tactical functions
are steady ♪
203
00:09:22,973 --> 00:09:24,758
♪ Phaser banks,
deflector shields ♪
204
00:09:24,758 --> 00:09:27,412
♪ All at the ready ♪
205
00:09:27,412 --> 00:09:31,373
-♪ Apologies,
the most confounding thing ♪
-♪ Apologies ♪
206
00:09:31,373 --> 00:09:35,246
-♪ We appear to be singing ♪
-♪ The most confounding thing ♪
207
00:09:35,246 --> 00:09:38,859
-♪ Most unusual, so peculiar ♪
-♪ Apologies, the most
confounding thing ♪
208
00:09:38,859 --> 00:09:41,426
-♪ Apologies ♪
-♪ We appear to be singing ♪
209
00:09:41,426 --> 00:09:44,038
- The most confounding thing ♪
-♪ Apologies ♪
210
00:09:44,038 --> 00:09:46,780
-♪ So peculiar ♪
-♪ All systems stable ♪
211
00:09:46,780 --> 00:09:49,391
♪ All systems stable ♪
212
00:09:49,391 --> 00:09:52,437
-♪ All systems stable ♪
-♪ All systems stable ♪
213
00:09:52,437 --> 00:09:54,744
♪ All systems stable ♪
214
00:09:54,744 --> 00:09:55,919
-♪ All systems stable ♪
-♪ All systems stable ♪
215
00:09:55,919 --> 00:09:57,834
♪ All systems stable ♪
216
00:09:57,834 --> 00:10:00,881
♪ But why are we singing? ♪
217
00:10:01,882 --> 00:10:03,927
[chorus vocalizing]
218
00:10:04,972 --> 00:10:06,930
PIKE:
Space.
219
00:10:08,018 --> 00:10:09,890
The final frontier.
220
00:10:12,327 --> 00:10:15,112
These are the voyages
of the starship Enterprise.
221
00:10:18,072 --> 00:10:19,900
Its five-year mission:
222
00:10:19,900 --> 00:10:22,163
to explore strange new worlds...
223
00:10:25,122 --> 00:10:27,647
...to seek out new life
224
00:10:27,647 --> 00:10:29,344
and new civilizations,
225
00:10:31,302 --> 00:10:35,350
to boldly go
where no one has gone before.
226
00:10:35,350 --> 00:10:37,918
♪
227
00:10:37,918 --> 00:10:39,571
[pop chorus vocalizing
Strange New Worlds theme]
228
00:11:07,556 --> 00:11:09,601
♪
229
00:11:31,275 --> 00:11:33,713
♪
230
00:11:50,860 --> 00:11:52,993
So... that happened.
231
00:11:52,993 --> 00:11:55,560
Reports of musical outbreaks
have come in from every deck.
232
00:11:55,560 --> 00:11:58,607
Honestly, I assumed it was
something you had all rehearsed,
233
00:11:58,607 --> 00:11:59,869
but I sang, too.
234
00:11:59,869 --> 00:12:01,566
So did I.
235
00:12:01,566 --> 00:12:03,133
And I do not sing.
236
00:12:03,133 --> 00:12:04,569
The surge came
from your subspace fold.
237
00:12:04,569 --> 00:12:05,875
Help me connect the dots.
238
00:12:05,875 --> 00:12:07,659
We sent a series
of transmissions through.
239
00:12:07,659 --> 00:12:09,661
The final one was a song.
240
00:12:09,661 --> 00:12:12,229
You sent in a song,
and then we all...
241
00:12:12,229 --> 00:12:14,101
- sang?
- Why are we singing?
242
00:12:14,101 --> 00:12:15,667
I believe the song created
a resonant frequency
243
00:12:15,667 --> 00:12:17,844
and dislodged something
from the fold,
244
00:12:17,844 --> 00:12:19,889
a quantum uncertainty field.
245
00:12:19,889 --> 00:12:21,804
Okay, why would that
make us sing?
246
00:12:21,804 --> 00:12:24,067
Imagine an area of space where
quantum uncertainties collapse
247
00:12:24,067 --> 00:12:26,722
so rapidly and randomly
that new realities are created.
248
00:12:26,722 --> 00:12:29,638
In one such reality,
people sing uncontrollably.
249
00:12:29,638 --> 00:12:32,815
PELIA:
A musical reality.
250
00:12:32,815 --> 00:12:34,121
Indeed.
251
00:12:34,121 --> 00:12:37,167
So, what's next--
more improbability?
252
00:12:37,167 --> 00:12:39,996
Or will we just suddenly
poof into bunnies?
253
00:12:39,996 --> 00:12:42,259
I would prefer
not to be a bunny, either.
254
00:12:42,259 --> 00:12:44,261
SPOCK:
I doubt we will be bunnies,
255
00:12:44,261 --> 00:12:45,785
but we may not be done
with singing.
256
00:12:45,785 --> 00:12:47,656
Simulations reveal
we have become tethered
257
00:12:47,656 --> 00:12:49,876
to this particular
improbability field.
258
00:12:49,876 --> 00:12:52,008
Attempting to fly out
would likely make it wider.
259
00:12:53,096 --> 00:12:54,097
PELIA:
It looks like a zipper,
260
00:12:54,097 --> 00:12:56,099
which begs the question:
261
00:12:56,099 --> 00:12:58,493
might it function like a zipper?
262
00:12:58,493 --> 00:12:59,929
PIKE:
Zippers work both ways. Could we
263
00:12:59,929 --> 00:13:01,713
use it to close
the improbability field
264
00:13:01,713 --> 00:13:03,672
- back inside the fold?
- SPOCK: Potentially.
265
00:13:03,672 --> 00:13:06,414
If we combined shield harmonics
with the Heisenberg compensator.
266
00:13:06,414 --> 00:13:07,850
You would have to connect both
to the deflector array
267
00:13:07,850 --> 00:13:09,156
and generate a beam.
268
00:13:09,156 --> 00:13:11,114
That means connecting them manually.
269
00:13:11,114 --> 00:13:12,507
Let's do it, uh,
we don't know
270
00:13:12,507 --> 00:13:14,248
how all this singing
will affect us,
271
00:13:14,248 --> 00:13:16,163
and I'd rather not find out.
Best to nip it in the bud.
272
00:13:16,163 --> 00:13:18,295
Mr. Spock,
you explained that very well.
273
00:13:18,295 --> 00:13:20,820
I almost understood it.
274
00:13:23,126 --> 00:13:24,475
SPOCK:
Our zipper beam
must precisely match
275
00:13:24,475 --> 00:13:26,477
the resonance of the fold.
276
00:13:26,477 --> 00:13:28,784
What was the exact frequency
of the song we sent through?
277
00:13:28,784 --> 00:13:30,655
UHURA:
One moment.
278
00:13:33,920 --> 00:13:35,182
Is that transmission
regarding Nurse Chapel's
279
00:13:35,182 --> 00:13:36,879
recent fellowship application?
280
00:13:36,879 --> 00:13:39,577
Was the news... favorable?
281
00:13:39,577 --> 00:13:41,623
I don't look
at personal correspondence.
282
00:13:42,624 --> 00:13:44,539
Of course.
That would be unethical.
283
00:13:45,583 --> 00:13:47,890
You and Nurse Chapel have
become close, haven't you?
284
00:13:49,892 --> 00:13:51,763
I suppose it would
be accurate to say
285
00:13:51,763 --> 00:13:54,201
that we are
more than colleagues.
286
00:13:54,201 --> 00:13:55,898
[chuckles]
287
00:13:55,898 --> 00:13:58,118
There's that classic Vulcan
romance I've heard about.
288
00:14:03,253 --> 00:14:05,212
Why don't you ask her about it?
289
00:14:05,212 --> 00:14:08,519
Of late, our communication
has faced challenges.
290
00:14:08,519 --> 00:14:10,913
Mm.
291
00:14:10,913 --> 00:14:12,697
UNA:
Number One to Uhura.
292
00:14:12,697 --> 00:14:14,090
Lieutenant Kirk and I
are in place.
293
00:14:14,090 --> 00:14:16,658
Stand by for harmonics data.
294
00:14:20,749 --> 00:14:22,490
One junction down.
295
00:14:22,490 --> 00:14:25,058
Only four more to go.
296
00:14:25,058 --> 00:14:27,538
Don't tell me
you've run out of steam already.
297
00:14:27,538 --> 00:14:29,540
You know, my brother--
he always described you
298
00:14:29,540 --> 00:14:34,023
as "the first officer that
I thought I should be like."
299
00:14:34,023 --> 00:14:37,505
Someone who keeps a necessary
distance from her crew
300
00:14:37,505 --> 00:14:39,202
because she knows
she has to make hard decisions.
301
00:14:39,202 --> 00:14:41,378
I'm aware of the reputation
I've had on this ship,
302
00:14:41,378 --> 00:14:43,380
but recently,
I'm trying a new approach--
303
00:14:43,380 --> 00:14:45,339
more hands-on.
304
00:14:45,339 --> 00:14:49,734
My last first officer
definitely kept his distance.
305
00:14:52,389 --> 00:14:54,348
And no one questioned him.
306
00:14:54,348 --> 00:14:57,003
I call that style of command
a first mistake.
307
00:14:57,003 --> 00:14:59,222
♪
308
00:15:00,789 --> 00:15:03,966
The kind that
makes my head shake
309
00:15:03,966 --> 00:15:06,403
and my heart... break.
310
00:15:09,058 --> 00:15:13,323
♪ Take some advice
from your senior Number One ♪
311
00:15:13,323 --> 00:15:17,197
♪ This I assure tried and true ♪
312
00:15:17,197 --> 00:15:21,244
♪ The littlest things
can mean everything ♪
313
00:15:21,244 --> 00:15:23,812
♪ When it comes
to them and you ♪
314
00:15:23,812 --> 00:15:25,814
♪ Connect to your crew ♪
315
00:15:26,858 --> 00:15:28,904
♪ We're singing again ♪
316
00:15:28,904 --> 00:15:31,211
♪ We're singing
again ♪
317
00:15:31,211 --> 00:15:33,256
♪ And it makes me
confess things ♪
318
00:15:33,256 --> 00:15:35,867
♪ I'd never express ♪
319
00:15:35,867 --> 00:15:39,001
♪ Truth be told,
in a parallel world ♪
320
00:15:39,001 --> 00:15:42,744
♪ I can see myself
up on the stage ♪
321
00:15:42,744 --> 00:15:45,007
♪ And for three hours a night ♪
322
00:15:45,007 --> 00:15:47,009
♪ And to everyone's delight ♪
323
00:15:47,009 --> 00:15:50,230
♪ I'd regale them
with all my renditions ♪
324
00:15:50,230 --> 00:15:52,362
♪ Of Gilbert and Sullivan ♪
325
00:15:53,363 --> 00:15:55,322
- Ha-ha.
- So what you're saying is...
326
00:15:55,322 --> 00:15:59,021
♪ With my new commission
to a higher position ♪
327
00:15:59,021 --> 00:16:02,982
♪ I'd do well
to profess my truths?♪
328
00:16:02,982 --> 00:16:07,377
♪ Rather than question it,
I deem it relevant ♪
329
00:16:07,377 --> 00:16:11,077
♪ No longer will I dispute ♪
330
00:16:11,077 --> 00:16:15,211
♪ That the littlest things
can mean everything ♪
331
00:16:15,211 --> 00:16:18,345
♪ In being authentically you ♪
332
00:16:18,345 --> 00:16:20,608
♪ Connect to your truth ♪
333
00:16:20,608 --> 00:16:23,263
When you put it like that,
it makes sense.
334
00:16:23,263 --> 00:16:25,656
♪ Rather than question it ♪
335
00:16:25,656 --> 00:16:27,658
♪ Let's deem it relevant ♪
336
00:16:27,658 --> 00:16:31,271
♪ Absent from fear or dispute ♪
337
00:16:31,271 --> 00:16:35,231
♪ These deeply held things,
yes, they mean everything ♪
338
00:16:35,231 --> 00:16:38,452
♪ In becoming
authentically you ♪
339
00:16:38,452 --> 00:16:40,671
♪ Connect to your truth ♪
340
00:16:42,108 --> 00:16:44,806
♪ And connect to your crew ♪
341
00:16:44,806 --> 00:16:46,808
♪ Will do. ♪
342
00:16:46,808 --> 00:16:48,897
[indistinct conversation]
343
00:16:50,116 --> 00:16:52,466
[indistinct announcement
over P.A.]
344
00:16:52,466 --> 00:16:54,555
♪
345
00:17:08,656 --> 00:17:11,528
♪ Did I hear that right? ♪
346
00:17:11,528 --> 00:17:15,315
♪ Did she just shine a spotlight
on her innermost feelings ♪
347
00:17:15,315 --> 00:17:17,012
♪ Like it's no big deal? ♪
348
00:17:17,012 --> 00:17:21,060
♪ Say whatever
whenever you like ♪
349
00:17:21,060 --> 00:17:25,760
♪ You'd presume
with all my mastery ♪
350
00:17:25,760 --> 00:17:28,284
♪ To pursue flights of fancy ♪
351
00:17:28,284 --> 00:17:29,503
♪ Easy ♪
352
00:17:29,503 --> 00:17:31,418
♪ Who am I kidding? ♪
353
00:17:31,418 --> 00:17:34,638
♪ I've never found
that part of me ♪
354
00:17:35,770 --> 00:17:38,947
♪ 'Cause I'm designed ♪
355
00:17:38,947 --> 00:17:43,038
♪ To color inside the lines ♪
356
00:17:43,038 --> 00:17:45,258
♪ Cool and methodical ♪
357
00:17:45,258 --> 00:17:46,998
♪ Way too responsible ♪
358
00:17:46,998 --> 00:17:50,263
♪ I can't help it ♪
359
00:17:50,263 --> 00:17:53,179
♪ Sometimes I peek
through a keyhole ♪
360
00:17:53,179 --> 00:17:57,835
♪ And see people happy,
I admit ♪
361
00:17:57,835 --> 00:18:01,012
♪ It might ♪
362
00:18:01,012 --> 00:18:05,060
♪ Be time
to change my paradigm ♪
363
00:18:05,060 --> 00:18:08,194
♪ If only I ♪
364
00:18:08,194 --> 00:18:12,023
♪ Can let go of the wheel ♪
365
00:18:12,023 --> 00:18:15,592
♪ My fear replaced
with total faith ♪
366
00:18:15,592 --> 00:18:17,638
♪ I'm fiercely free ♪
367
00:18:17,638 --> 00:18:21,250
♪ And really real ♪
368
00:18:21,250 --> 00:18:25,776
♪ Flying blind ♪
369
00:18:25,776 --> 00:18:28,344
♪ How would that feel? ♪
370
00:18:42,184 --> 00:18:45,231
♪ This all makes me
so uncomfortable ♪
371
00:18:45,231 --> 00:18:49,322
♪ I want to let go
and be vulnerable ♪
372
00:18:49,322 --> 00:18:51,498
♪ Who am I kidding? ♪
373
00:18:51,498 --> 00:18:55,066
♪ I've never met
that side of me ♪
374
00:18:56,067 --> 00:18:59,506
♪ In my defense ♪
375
00:18:59,506 --> 00:19:03,162
♪ The truth has a consequence ♪
376
00:19:03,162 --> 00:19:05,207
♪ I won't watch
the whole thing ♪
377
00:19:05,207 --> 00:19:09,559
♪ Spin out of control
if I have the chance ♪
378
00:19:10,560 --> 00:19:13,737
♪ It might ♪
379
00:19:13,737 --> 00:19:17,698
♪ Be time
to change my paradigm ♪
380
00:19:17,698 --> 00:19:20,744
♪ If I ♪
381
00:19:20,744 --> 00:19:24,574
♪ Can only let go
of the wheel ♪
382
00:19:24,574 --> 00:19:28,230
♪ My fear replaced
with total faith ♪
383
00:19:28,230 --> 00:19:33,061
♪ I'm fiercely free
and really real ♪
384
00:19:34,323 --> 00:19:37,544
♪ Flying blind ♪
385
00:19:37,544 --> 00:19:39,546
♪ How would that feel? ♪
386
00:19:39,546 --> 00:19:43,767
♪ In another time ♪
387
00:19:43,767 --> 00:19:46,640
♪ We had a life together ♪
388
00:19:46,640 --> 00:19:49,556
♪ Could time repeat? ♪
389
00:19:49,556 --> 00:19:53,168
♪ Or will it unravel? ♪
390
00:19:53,168 --> 00:19:57,128
♪ Be careful what you start ♪
391
00:19:57,128 --> 00:19:59,392
♪ Make one mistake ♪
392
00:19:59,392 --> 00:20:03,874
♪ And blow it all apart ♪
393
00:20:03,874 --> 00:20:05,441
♪ Or worse ♪
394
00:20:07,269 --> 00:20:09,837
♪ Break my own heart ♪
395
00:20:16,713 --> 00:20:19,020
♪ Who am I kidding? ♪
396
00:20:19,020 --> 00:20:22,850
♪ I've never found
that part of me ♪
397
00:20:24,895 --> 00:20:28,290
♪ It might ♪
398
00:20:28,290 --> 00:20:32,076
♪ Be time
to change my paradigm ♪
399
00:20:32,076 --> 00:20:35,732
♪ If only I ♪
400
00:20:35,732 --> 00:20:39,432
♪ Can let go of the wheel ♪
401
00:20:39,432 --> 00:20:42,826
♪ It's nice ♪
402
00:20:42,826 --> 00:20:46,787
♪ To dream that I could
change my mind ♪
403
00:20:46,787 --> 00:20:50,181
♪ Deep down I ♪
404
00:20:50,181 --> 00:20:53,489
♪ Know I will never let go ♪
405
00:20:53,489 --> 00:20:56,013
♪ My fear is staked ♪
406
00:20:56,013 --> 00:20:57,798
♪ I have no faith ♪
407
00:20:57,798 --> 00:21:02,324
♪ Contented freedom
is not real ♪
408
00:21:03,325 --> 00:21:07,024
♪ Flying blind ♪
409
00:21:08,069 --> 00:21:11,028
♪ How would that feel? ♪
410
00:21:15,511 --> 00:21:17,644
When people sing,
they are confessing
411
00:21:17,644 --> 00:21:20,211
highly personal...
412
00:21:20,211 --> 00:21:22,431
emotional information.
413
00:21:24,433 --> 00:21:26,087
Lieutenant, are you telling me
414
00:21:26,087 --> 00:21:28,916
our emotions constitute
a security threat?
415
00:21:28,916 --> 00:21:31,222
I am.
416
00:21:32,485 --> 00:21:34,443
Well, whatever
you're not saying,
417
00:21:34,443 --> 00:21:36,402
hope it doesn't come to that.
418
00:21:36,402 --> 00:21:39,143
Mr. Spock and Ensign Uhura
have a plan to shut it down.
419
00:21:40,406 --> 00:21:41,972
[boatswain's whistle blows]
420
00:21:41,972 --> 00:21:44,018
Captain, we have adjusted
the Heisenberg compensator
421
00:21:44,018 --> 00:21:46,586
to combine with shield harmonics
and collapse the musical reality
422
00:21:46,586 --> 00:21:48,979
back into
our standard quantum state.
423
00:21:48,979 --> 00:21:51,982
Lieutenant Kirk, not to
rush you, but I'm rushing you.
424
00:21:53,288 --> 00:21:54,942
The sooner we close the fold,
425
00:21:54,942 --> 00:21:57,074
the faster we can
say goodbye to the music.
426
00:21:57,074 --> 00:21:58,554
- Copy that, Ensign.
- Copy that, Ensign.
427
00:21:58,554 --> 00:21:59,903
She was talking to me.
428
00:21:59,903 --> 00:22:01,296
- You don't know that.
- I do know that.
429
00:22:01,296 --> 00:22:02,428
I actually work here.
430
00:22:02,428 --> 00:22:04,038
This isn't even your department.
431
00:22:04,038 --> 00:22:05,605
You're xenoanthropology.
432
00:22:05,605 --> 00:22:07,607
I was assigned here
at your request.
433
00:22:07,607 --> 00:22:09,304
She said you missed me.
434
00:22:10,697 --> 00:22:12,176
Everything's connected
to the deflector.
435
00:22:12,176 --> 00:22:14,396
Ready to go, Nyota.
436
00:22:14,396 --> 00:22:16,833
- UNA: Deflector aligned
and ready to fire.
- PIKE: On your command,
437
00:22:16,833 --> 00:22:18,531
Number One.
438
00:22:27,453 --> 00:22:28,628
It's closing.
439
00:22:30,020 --> 00:22:31,979
Good work, all.
440
00:22:31,979 --> 00:22:34,373
- [alert chimes]
- What is it?
441
00:22:36,505 --> 00:22:38,507
It appears to be
another energy surge.
442
00:22:38,507 --> 00:22:40,596
[rumbling]
443
00:22:45,949 --> 00:22:47,908
Somehow I don't think
we zipped it.
444
00:22:47,908 --> 00:22:48,996
Spock, what happened?
445
00:22:48,996 --> 00:22:50,345
Unable to determine.
446
00:22:50,345 --> 00:22:51,955
Incoming hail from the Cayuga.
447
00:22:53,261 --> 00:22:54,393
When it rains.
448
00:22:54,393 --> 00:22:56,307
Spock, find a way
to determine it.
449
00:22:56,307 --> 00:22:57,918
Ensign Uhura,
450
00:22:57,918 --> 00:22:59,398
put Captain Batel
through, please.
451
00:23:01,138 --> 00:23:03,750
♪
452
00:23:03,750 --> 00:23:07,362
Captain, can we have
a private conversation?
453
00:23:07,362 --> 00:23:09,059
In a more discreet location?
454
00:23:09,059 --> 00:23:11,497
About our cancelled vacation.
455
00:23:13,194 --> 00:23:15,762
♪ Apologies ♪
456
00:23:15,762 --> 00:23:19,548
♪ I appear to be rhyming ♪
457
00:23:19,548 --> 00:23:21,594
♪ And singing ♪
458
00:23:21,594 --> 00:23:24,248
Marie, I'm gonna call you back.
459
00:23:24,248 --> 00:23:26,729
♪ Oh, no, no, you don't ♪
460
00:23:26,729 --> 00:23:28,644
♪ I'm not done yet ♪
461
00:23:29,689 --> 00:23:33,388
♪ Chris, you always do this ♪
462
00:23:33,388 --> 00:23:35,564
♪ You always run away ♪
463
00:23:35,564 --> 00:23:38,175
-♪ Just when... ♪
-♪ Oh, sure, I see ♪
464
00:23:38,175 --> 00:23:40,656
♪ Lay all the blame on me ♪
465
00:23:40,656 --> 00:23:45,182
♪ When you're the one
whose idea of fun is...♪
466
00:23:45,182 --> 00:23:48,011
♪ What am I saying to you? ♪
467
00:23:48,011 --> 00:23:51,362
♪ In front of my crew? ♪
468
00:23:51,362 --> 00:23:54,104
♪ This is a private
conversation ♪
469
00:23:54,104 --> 00:23:55,758
♪ A private conversation ♪
470
00:23:55,758 --> 00:23:57,891
♪ About our frustration ♪
471
00:23:57,891 --> 00:23:59,675
♪ About our
frustration ♪
472
00:23:59,675 --> 00:24:01,503
♪ This is a private
conversation ♪
473
00:24:01,503 --> 00:24:03,636
♪ A private conversation ♪
474
00:24:03,636 --> 00:24:05,551
♪ About our frustration ♪
475
00:24:05,551 --> 00:24:08,031
♪ A private conversation ♪
476
00:24:08,031 --> 00:24:09,859
♪ We must contain it ♪
477
00:24:09,859 --> 00:24:11,513
♪ We must restrain it ♪
478
00:24:11,513 --> 00:24:16,344
♪ I don't want
to hurt you, Marie ♪
479
00:24:16,344 --> 00:24:19,129
♪ You mean more and more to me ♪
480
00:24:19,129 --> 00:24:21,523
♪ But when you and I ♪
481
00:24:21,523 --> 00:24:23,960
♪ Don't see eye to eye ♪
482
00:24:23,960 --> 00:24:27,486
♪ A switch inside me flips
and I'm compelled to hide.♪
483
00:24:38,540 --> 00:24:40,499
What just happened?
Why did I admit all that?
484
00:24:40,499 --> 00:24:41,717
I told you.
485
00:24:41,717 --> 00:24:43,632
This is a security threat.
486
00:24:43,632 --> 00:24:45,242
But-but the singing...
I... The...
487
00:24:45,242 --> 00:24:46,853
How did that happen
on the Cayuga, too?
488
00:24:46,853 --> 00:24:49,333
Because the improbability field
is expanding...
489
00:24:50,378 --> 00:24:52,554
...across the whole subspace
communications network.
490
00:24:54,338 --> 00:24:56,340
To the entire fleet.
491
00:25:08,309 --> 00:25:09,397
UNA:
Admiral April's
last message confirmed
492
00:25:09,397 --> 00:25:10,877
that the improbability field
493
00:25:10,877 --> 00:25:13,444
has now spread
to 12 Federation ships.
494
00:25:13,444 --> 00:25:16,404
He let me know in a
surprisingly beautiful baritone
495
00:25:16,404 --> 00:25:18,841
that he wants us
to stop this now, by the way.
496
00:25:18,841 --> 00:25:20,756
Do we have any idea why
this reality's compelling us
497
00:25:20,756 --> 00:25:22,541
to confess our deepest emotions?
498
00:25:22,541 --> 00:25:24,020
UHURA:
I have a theory.
499
00:25:24,020 --> 00:25:25,848
I think since
we're in a musical reality,
500
00:25:25,848 --> 00:25:28,503
we're actually following
the rules of musicals.
501
00:25:28,503 --> 00:25:31,898
So, when do characters in
musicals usually begin to sing?
502
00:25:32,942 --> 00:25:36,032
When their emotions
are so heightened
503
00:25:36,032 --> 00:25:38,600
that words won't suffice.
504
00:25:38,600 --> 00:25:40,689
UHURA:
This musical reality
wants us to sing
505
00:25:40,689 --> 00:25:42,561
about what's most pressing
on our minds.
506
00:25:42,561 --> 00:25:45,128
These emotions have the power
507
00:25:45,128 --> 00:25:47,783
to overwhelm our capacity
for rational thinking.
508
00:25:47,783 --> 00:25:51,047
They also have the potential
to drive us apart.
509
00:25:51,047 --> 00:25:52,266
PIKE:
The subspace fold--
510
00:25:52,266 --> 00:25:54,137
I think we should blow it up.
511
00:25:54,137 --> 00:25:55,878
Use the photon torpedoes
to bring down the curtain
512
00:25:55,878 --> 00:25:57,793
- on this thing for good.
- That has potential.
513
00:25:57,793 --> 00:25:59,534
- Really?
- Since we are the focal point
514
00:25:59,534 --> 00:26:01,797
of this subspace fold,
515
00:26:01,797 --> 00:26:04,452
a matter/antimatter blast
might untether the Enterprise
516
00:26:04,452 --> 00:26:06,585
and reverse the musical reality
for all affected.
517
00:26:06,585 --> 00:26:08,674
But it would be prudent
to test this theory
518
00:26:08,674 --> 00:26:10,197
in a controlled environment,
519
00:26:10,197 --> 00:26:11,894
in case it is more explosive
than intended.
520
00:26:11,894 --> 00:26:14,723
What if we could isolate
and transport...
521
00:26:14,723 --> 00:26:17,334
Subatomic particles
from the fold.
522
00:26:18,466 --> 00:26:19,467
Sorry.
523
00:26:19,467 --> 00:26:21,382
I shouldn't have interrupted you
524
00:26:21,382 --> 00:26:23,253
because you had
that thought first.
525
00:26:23,253 --> 00:26:24,994
UNA:
Locking in
on something that small
526
00:26:24,994 --> 00:26:27,170
would require cross-targeting.
527
00:26:28,519 --> 00:26:30,217
It's a two-person job.
528
00:26:30,217 --> 00:26:33,568
Well, luckily you have
two persons right here.
529
00:26:38,442 --> 00:26:39,792
UNA:
You're refusing an assignment?
530
00:26:39,792 --> 00:26:41,054
This isn't like you, La'An.
531
00:26:41,054 --> 00:26:42,751
That's the problem.
532
00:26:42,751 --> 00:26:45,014
I'm not behaving like myself.
533
00:26:45,014 --> 00:26:46,712
None of us are.
534
00:26:46,712 --> 00:26:48,583
You're afraid of singing.
535
00:26:48,583 --> 00:26:50,063
- To James.
- What?
536
00:26:51,020 --> 00:26:52,282
You can stop hiding it.
537
00:26:52,282 --> 00:26:54,110
I see how you act around him.
538
00:26:54,110 --> 00:26:56,112
What-what do you mean? I'm...
How-how do I act around him?
539
00:26:56,112 --> 00:26:59,376
You don't want me
to answer that.
540
00:27:02,118 --> 00:27:03,729
Okay.
541
00:27:03,729 --> 00:27:06,949
Hypothetically, let's say
I have feelings for him,
542
00:27:06,949 --> 00:27:09,082
and those feelings
pose an actual
543
00:27:09,082 --> 00:27:11,040
space-time security risk.
544
00:27:12,999 --> 00:27:14,653
I should just tell him.
545
00:27:14,653 --> 00:27:16,002
That's the responsible
thing to do.
546
00:27:16,002 --> 00:27:17,656
Before it happens
outside of my control.
547
00:27:17,656 --> 00:27:19,614
I should just suck it up,
stop being a child
548
00:27:19,614 --> 00:27:20,615
and just do it.
549
00:27:20,615 --> 00:27:23,139
♪
550
00:27:34,498 --> 00:27:38,633
♪ You've got lots of ♪
551
00:27:38,633 --> 00:27:42,245
♪ Thoughts to wade through ♪
552
00:27:42,245 --> 00:27:44,944
♪ Tangled webs ♪
553
00:27:44,944 --> 00:27:48,904
♪ Of people who will ♪
554
00:27:48,904 --> 00:27:53,430
♪ Complicate your life ♪
555
00:27:53,430 --> 00:27:55,737
♪ And thwart you ♪
556
00:27:55,737 --> 00:27:58,522
♪ These are facts ♪
557
00:27:58,522 --> 00:28:02,396
♪ That I relate to ♪
558
00:28:02,396 --> 00:28:07,140
♪ Pick and choose the truth
that you want to tell ♪
559
00:28:07,140 --> 00:28:08,968
♪ If you're being smart ♪
560
00:28:08,968 --> 00:28:11,971
♪ No broken trust, no drama ♪
561
00:28:11,971 --> 00:28:15,278
♪ You just keep to yourself ♪
562
00:28:15,278 --> 00:28:19,369
♪ Be your own best friend
and confidante ♪
563
00:28:19,369 --> 00:28:22,503
♪ 'Cause no one
will protect you ♪
564
00:28:22,503 --> 00:28:26,594
♪ When things go wrong ♪
565
00:28:26,594 --> 00:28:30,946
♪ The secrets you keep
safe inside ♪
566
00:28:32,818 --> 00:28:35,690
♪ Might keep you awake ♪
567
00:28:35,690 --> 00:28:39,868
♪ And cut like a knife ♪
568
00:28:39,868 --> 00:28:43,045
♪ 'Cause the road to ruin ♪
569
00:28:43,045 --> 00:28:47,876
♪ Is paved
by intentions of fools ♪
570
00:28:48,834 --> 00:28:52,359
♪ Nice people who ♪
571
00:28:52,359 --> 00:28:54,100
♪ Couldn't keep a secret ♪
572
00:28:54,100 --> 00:28:57,277
♪ No one can keep you small ♪
573
00:28:57,277 --> 00:29:00,497
♪ Be bulletproof
and ten feet tall ♪
574
00:29:00,497 --> 00:29:03,805
♪ An island ♪
575
00:29:03,805 --> 00:29:06,416
♪ Population ♪
576
00:29:06,416 --> 00:29:11,073
♪ One... ♪
577
00:29:14,294 --> 00:29:17,776
♪ No one can hurt you ♪
578
00:29:17,776 --> 00:29:22,606
♪ Or let you down again ♪
579
00:29:34,444 --> 00:29:39,232
♪ The secrets I keep
safe inside ♪
580
00:29:41,800 --> 00:29:44,672
♪ A skill I perfected ♪
581
00:29:44,672 --> 00:29:48,067
♪ So I could survive ♪
582
00:29:48,067 --> 00:29:51,200
♪ It worked before ♪
583
00:29:51,200 --> 00:29:54,856
♪ It doesn't serve me anymore ♪
584
00:29:54,856 --> 00:29:58,077
♪ I wish I never learned ♪
585
00:29:58,077 --> 00:30:01,384
♪ How to be ♪
586
00:30:01,384 --> 00:30:04,170
♪ So good at keeping secrets. ♪
587
00:30:14,223 --> 00:30:16,791
We should boost the gain
on the targeting scanners.
588
00:30:16,791 --> 00:30:18,053
Way ahead of you.
589
00:30:18,053 --> 00:30:19,707
Do we have
a lock on the target?
590
00:30:20,926 --> 00:30:22,318
Sorry. Reflex.
591
00:30:22,318 --> 00:30:24,930
This is your ship,
you give the orders.
592
00:30:25,931 --> 00:30:27,671
Ready on both ends.
593
00:30:29,891 --> 00:30:31,893
Energizing... now.
594
00:30:34,722 --> 00:30:37,159
The molecular imaging scanner
can't focus the signal.
595
00:30:38,160 --> 00:30:39,553
Adding power.
596
00:30:40,597 --> 00:30:42,817
Isolating particles
from the subspace fold.
597
00:30:45,037 --> 00:30:46,081
Got it.
598
00:30:48,867 --> 00:30:51,347
Confirmed.
599
00:30:51,347 --> 00:30:53,262
Lieutenant Spock,
I have the particles.
600
00:30:53,262 --> 00:30:54,698
They're coming your way.
601
00:30:54,698 --> 00:30:57,223
SPOCK:
Acknowledged. Ready to receive.
602
00:30:57,223 --> 00:30:59,921
KIRK:
Transporting subspace
particles to Engineering.
603
00:31:00,791 --> 00:31:02,097
Wow.
604
00:31:02,097 --> 00:31:03,969
That was exciting.
605
00:31:03,969 --> 00:31:06,928
I mean, Spock and Uhura
get to blow it up,
606
00:31:06,928 --> 00:31:09,844
which is the real fun part,
but, uh...
607
00:31:09,844 --> 00:31:11,846
We make a good pair.
608
00:31:11,846 --> 00:31:13,152
We should team up more often.
609
00:31:15,981 --> 00:31:17,721
Lieutenant, um...
610
00:31:18,766 --> 00:31:19,941
Jim.
611
00:31:19,941 --> 00:31:21,769
Jim?
612
00:31:21,769 --> 00:31:23,771
- Sounds so serious.
- [chuckles softly]
613
00:31:23,771 --> 00:31:26,600
I, um...
614
00:31:26,600 --> 00:31:28,645
[booming]
615
00:31:29,603 --> 00:31:30,996
What was that?
616
00:31:36,088 --> 00:31:37,741
PIKE:
If hitting just a few
subatomic particles
617
00:31:37,741 --> 00:31:39,569
nearly blew up Engineering...
618
00:31:39,569 --> 00:31:41,571
SPOCK:
Firing on the field
would be devastating.
619
00:31:41,571 --> 00:31:42,877
As you can see
in this simulation,
620
00:31:42,877 --> 00:31:44,444
the explosion would propagate
621
00:31:44,444 --> 00:31:45,706
through the entire
Federation subspace network,
622
00:31:45,706 --> 00:31:47,621
destroying everything.
623
00:31:47,621 --> 00:31:51,059
It would be like soaking the
improbability field in kerosene
624
00:31:51,059 --> 00:31:53,018
and holding a match to it.
625
00:31:53,018 --> 00:31:55,498
Then we need a plan C.
626
00:31:55,498 --> 00:31:57,936
Sir, I'm getting a hail.
627
00:31:57,936 --> 00:32:00,503
Don't answer. We can't risk
spreading this further.
628
00:32:00,503 --> 00:32:02,244
I am triangulating the source.
629
00:32:02,244 --> 00:32:03,985
There appears to be
an incoming warp signal
630
00:32:03,985 --> 00:32:05,378
heading our way fast.
631
00:32:05,378 --> 00:32:07,249
The signal
has Klingon encryption.
632
00:32:07,249 --> 00:32:10,035
The last thing anyone wants
is singing Klingons.
633
00:32:10,035 --> 00:32:12,689
Uhura, send a message by proxy
order of Starfleet Command.
634
00:32:12,689 --> 00:32:14,865
Tell them they must
turn around immediately.
635
00:32:14,865 --> 00:32:18,260
They've stopped hailing,
but I'm getting a message back.
636
00:32:21,916 --> 00:32:24,310
The improbability field's
already hit them.
637
00:32:26,747 --> 00:32:28,183
Standby for playback.
638
00:32:29,184 --> 00:32:33,101
This is General Garkog of the
Imperial Klingon Defense Force.
639
00:32:33,101 --> 00:32:37,149
Your evasion
raises much suspicion.
640
00:32:38,367 --> 00:32:40,326
We have located the abominable
641
00:32:40,326 --> 00:32:42,763
source of our dishonor
642
00:32:42,763 --> 00:32:45,331
and will destroy it immediately.
643
00:32:45,331 --> 00:32:47,637
Make no attempt to stop us.
644
00:32:49,770 --> 00:32:51,641
They're going to fire
on the fold.
645
00:32:59,606 --> 00:33:01,216
Their ship will be here
in two hours.
646
00:33:01,216 --> 00:33:03,523
I've hailed them repeatedly.
They refuse to answer.
647
00:33:03,523 --> 00:33:05,655
If they complete their mission,
everyone affected
648
00:33:05,655 --> 00:33:07,831
by the improbability field
will be destroyed.
649
00:33:07,831 --> 00:33:10,530
So, just the entire Federation
and half the Klingon Empire.
650
00:33:10,530 --> 00:33:12,227
We have to stop them
at all costs.
651
00:33:12,227 --> 00:33:14,012
Number One, analysis?
652
00:33:14,012 --> 00:33:15,622
Well, striking them first
would constitute an act of war.
653
00:33:15,622 --> 00:33:17,450
PIKE:
Not much choice here,
I'm afraid.
654
00:33:17,450 --> 00:33:19,669
What if we just find a way to
disable their disruptor cannons?
655
00:33:19,669 --> 00:33:21,410
And their torpedo launchers.
656
00:33:21,410 --> 00:33:23,717
That's a lot to disable
before they get off a shot.
657
00:33:23,717 --> 00:33:26,285
We need a tactical strategy
immediately. La'An?
658
00:33:26,285 --> 00:33:27,982
On it.
659
00:33:29,157 --> 00:33:30,767
And you.
You're with me.
660
00:33:30,767 --> 00:33:32,508
Partners again.
661
00:33:32,508 --> 00:33:34,510
I like it.
Let's go.
662
00:33:34,510 --> 00:33:36,338
PIKE:
Mr. Spock, Uhura,
663
00:33:36,338 --> 00:33:38,427
what are the odds we can shut
down the improbability field
664
00:33:38,427 --> 00:33:40,081
before the Klingons get here?
665
00:33:40,081 --> 00:33:42,301
Not good. At least,
according to the data we have.
666
00:33:42,301 --> 00:33:43,867
Then find new data.
667
00:33:43,867 --> 00:33:45,521
You both need to fix this.
668
00:33:45,521 --> 00:33:47,480
You're applying old rules
to a new reality.
669
00:33:47,480 --> 00:33:50,222
I suggest you find
a different tempo, fast.
670
00:33:52,485 --> 00:33:55,357
Studying the songs themselves. Brilliant.
671
00:33:55,357 --> 00:33:57,446
Not just the songs
but the frequencies
672
00:33:57,446 --> 00:33:59,187
the moment a song begins.
673
00:33:59,187 --> 00:34:01,581
If we can isolate a pattern
in the improbability field
674
00:34:01,581 --> 00:34:05,237
we might learn how to generate
an improbability-breaking event.
675
00:34:05,237 --> 00:34:08,240
Now, how to trigger a song?
676
00:34:08,240 --> 00:34:10,329
Well, per our musical rules,
677
00:34:10,329 --> 00:34:12,026
we just need to wait
until someone
678
00:34:12,026 --> 00:34:13,941
- feels overwhelming emotion.
- [door whooshes open]
679
00:34:15,160 --> 00:34:16,596
- [indistinct chatter]
- You know...
680
00:34:16,596 --> 00:34:18,772
like that.
681
00:34:19,642 --> 00:34:20,774
To our brilliant friend Christine.
682
00:34:20,774 --> 00:34:22,254
Oh, I feel weird celebrating
683
00:34:22,254 --> 00:34:23,603
with everything going on.
684
00:34:23,603 --> 00:34:25,909
I mean, we can't
put our lives on hold
685
00:34:25,909 --> 00:34:27,128
every time
the ship's in trouble.
686
00:34:27,128 --> 00:34:28,651
We could, but that
wouldn't be fun.
687
00:34:28,651 --> 00:34:30,262
Some of us need fun
to deal with
688
00:34:30,262 --> 00:34:32,177
- the constant threat of dying.
- ORTEGAS: Point is
689
00:34:32,177 --> 00:34:34,396
we're here
to celebrate your win.
690
00:34:34,396 --> 00:34:36,268
So deal with it.
691
00:34:38,183 --> 00:34:39,749
Christine.
692
00:34:39,749 --> 00:34:41,621
Logic would dictate
you are toasting
693
00:34:41,621 --> 00:34:42,839
good news
regarding your fellowship,
694
00:34:42,839 --> 00:34:45,451
so allow me to...
695
00:34:45,451 --> 00:34:47,192
offer congratulations.
696
00:34:47,192 --> 00:34:48,758
Thank you, Spock.
697
00:34:48,758 --> 00:34:51,544
I am curious
why you chose not to inform me.
698
00:34:51,544 --> 00:34:54,329
Was it an oversight
or was it intentional?
699
00:34:55,330 --> 00:34:58,768
Can we, um,
can we talk about this later?
700
00:34:58,768 --> 00:35:00,553
I am just curious.
701
00:35:02,337 --> 00:35:03,991
♪
702
00:35:06,863 --> 00:35:08,387
[tricorder trilling]
703
00:35:10,606 --> 00:35:15,350
♪ This news really
changes everything ♪
704
00:35:17,004 --> 00:35:21,748
♪ A distant dream
becoming real ♪
705
00:35:23,967 --> 00:35:26,927
♪ I convinced myself ♪
706
00:35:26,927 --> 00:35:29,843
♪ It wasn't happening ♪
707
00:35:31,366 --> 00:35:36,241
♪ And now I'm surprised
how good it feels ♪
708
00:35:39,244 --> 00:35:41,159
♪ I worked so hard for this ♪
709
00:35:41,159 --> 00:35:42,899
♪ And now the fellowship ♪
710
00:35:42,899 --> 00:35:46,207
♪ Sees me as one of their own ♪
711
00:35:46,207 --> 00:35:47,861
♪ The sky is the limit ♪
712
00:35:47,861 --> 00:35:49,732
♪ My future is infinite ♪
713
00:35:49,732 --> 00:35:53,432
♪ My possibilities are endless ♪
714
00:35:54,433 --> 00:35:55,651
♪ I'm ready ♪
715
00:35:59,786 --> 00:36:04,486
♪ Drink in every second
of the joy ♪
716
00:36:04,486 --> 00:36:06,227
♪ You've earned it, deserve it ♪
717
00:36:06,227 --> 00:36:10,536
♪ Of success
arriving overnight ♪
718
00:36:10,536 --> 00:36:12,233
-♪ You've earned it ♪
- But not really.
719
00:36:12,233 --> 00:36:13,626
♪ Been working hard
a long time ♪
720
00:36:13,626 --> 00:36:15,976
♪ I've been seeing life ♪
721
00:36:15,976 --> 00:36:19,458
♪ Through camera obscura ♪
722
00:36:20,372 --> 00:36:24,332
♪ Now my canvas
is wide as the open horizon ♪
723
00:36:24,332 --> 00:36:25,768
♪ Oh! ♪
724
00:36:25,768 --> 00:36:28,336
♪ I worked so hard for this ♪
725
00:36:28,336 --> 00:36:30,077
♪ And now the fellowship ♪
726
00:36:30,077 --> 00:36:33,254
♪ Sees me as one of their own ♪
727
00:36:33,254 --> 00:36:35,082
♪ The sky is the limit ♪
728
00:36:35,082 --> 00:36:37,084
♪ My future is infinite ♪
729
00:36:37,084 --> 00:36:39,608
♪ With possibilities ♪
730
00:37:07,549 --> 00:37:11,858
♪ It's freedom and I like it ♪
731
00:37:11,858 --> 00:37:15,078
♪ My spark has been ignited ♪
732
00:37:15,078 --> 00:37:19,257
♪ If I need to leave you,
I won't fight it ♪
733
00:37:19,257 --> 00:37:21,171
♪ I'm ready ♪
734
00:37:21,171 --> 00:37:23,565
GROUP:
♪ Ready, ready ♪
735
00:37:23,565 --> 00:37:27,308
- CHAPEL: ♪ I am ready ♪
-♪ Ready, ready, ooh ♪
736
00:37:27,308 --> 00:37:28,570
♪ I'm ready ♪
737
00:37:28,570 --> 00:37:30,659
♪ Ready, ready ♪
738
00:37:30,659 --> 00:37:32,400
♪ I'm ready ♪
739
00:37:32,400 --> 00:37:35,751
♪ Ooh. ♪
740
00:37:35,751 --> 00:37:37,275
I'm ready.
741
00:37:44,630 --> 00:37:46,588
Number One suggested we
concentrate our phasers
742
00:37:46,588 --> 00:37:48,982
on their disruptors
and fore torpedoes.
743
00:37:48,982 --> 00:37:50,679
Aft torpedoes are what
you really have to
744
00:37:50,679 --> 00:37:53,291
worry about when it comes to
K't'inga-Class ships.
745
00:37:53,291 --> 00:37:55,162
Well, I trust your aim.
746
00:37:59,079 --> 00:38:00,733
So, are you gonna
tell me that thing
747
00:38:00,733 --> 00:38:03,605
you wanted to tell me before?
748
00:38:03,605 --> 00:38:07,000
Okay. Uh, I-I need to just
say this before it comes out
749
00:38:07,000 --> 00:38:10,264
in the form of
a 17th-century sea shanty.
750
00:38:12,222 --> 00:38:15,400
I, um... I know you.
751
00:38:15,400 --> 00:38:18,577
I mean, not you you.
We-Well, I know you now,
752
00:38:18,577 --> 00:38:21,101
but I mean before.
In a different...
753
00:38:22,798 --> 00:38:24,017
...time,
754
00:38:24,017 --> 00:38:25,845
I met another you.
755
00:38:25,845 --> 00:38:27,803
Whoa, whoa, whoa.
756
00:38:27,803 --> 00:38:30,937
I-I don't love rules,
but I'm pretty sure
757
00:38:30,937 --> 00:38:32,678
you're about to break
a big one.
758
00:38:32,678 --> 00:38:35,376
The other you, he, um...
759
00:38:38,205 --> 00:38:39,902
He saw the real me.
760
00:38:41,774 --> 00:38:43,863
Beyond my name, beyond
all that name stands for.
761
00:38:43,863 --> 00:38:45,430
He'd never even heard it before.
762
00:38:46,822 --> 00:38:49,347
And I-I liked it.
763
00:38:50,522 --> 00:38:53,612
I liked the way he looked at me.
764
00:38:56,919 --> 00:39:00,270
Because through his eyes,
I could finally see the person
765
00:39:00,270 --> 00:39:01,750
I had the potential to be.
766
00:39:03,796 --> 00:39:05,667
And it was someone
767
00:39:05,667 --> 00:39:08,453
who wasn't burdened by...
768
00:39:08,453 --> 00:39:10,193
tragedy and darkness.
769
00:39:10,193 --> 00:39:12,935
Someone who could find hope
and live in that hope.
770
00:39:14,676 --> 00:39:17,766
Someone free-free
to feel and-and...
771
00:39:19,942 --> 00:39:22,118
...take chances and, um...
772
00:39:28,560 --> 00:39:31,389
And make connections.
773
00:39:36,524 --> 00:39:39,962
But then, uh...
774
00:39:39,962 --> 00:39:43,401
he was gone, and with him,
775
00:39:43,401 --> 00:39:45,751
that version of myself
was gone, too.
776
00:39:47,492 --> 00:39:49,145
And... that's...
777
00:39:49,145 --> 00:39:50,669
that was what I wanted to say.
778
00:39:59,199 --> 00:40:02,028
Am I anything like
the other me?
779
00:40:05,510 --> 00:40:07,425
No.
780
00:40:09,731 --> 00:40:12,473
And-and yes.
781
00:40:14,432 --> 00:40:17,435
I like how
you look at me, too.
782
00:40:18,436 --> 00:40:21,264
In what way?
783
00:40:25,921 --> 00:40:28,271
Like you really see me.
784
00:40:39,152 --> 00:40:40,632
I'd be lying if I said
785
00:40:40,632 --> 00:40:42,503
I didn't feel
the connection, too.
786
00:40:42,503 --> 00:40:44,244
When you first called me...
787
00:40:46,464 --> 00:40:48,422
...I felt like I knew you.
788
00:40:48,422 --> 00:40:51,947
But I'm not that James Kirk.
789
00:40:51,947 --> 00:40:54,254
Of course, it was
inappropriate, and I am...
790
00:40:54,254 --> 00:40:56,430
No, La'An,
you don't understand, my...
791
00:40:56,430 --> 00:40:59,259
my life is complicated.
792
00:40:59,259 --> 00:41:02,567
Not time-travel complicated, but
793
00:41:02,567 --> 00:41:04,177
I'm in a relationship.
794
00:41:05,700 --> 00:41:07,180
A sometimes relationship,
795
00:41:07,180 --> 00:41:08,529
and right now
is one of those times
796
00:41:08,529 --> 00:41:11,489
in a very real way.
797
00:41:12,707 --> 00:41:15,318
- My God, if I'd have known, I...
- How could you have?
798
00:41:15,318 --> 00:41:18,104
I actually think
you'd like Carol.
799
00:41:18,104 --> 00:41:22,630
You're both dedicated
to your jobs, intensely.
800
00:41:22,630 --> 00:41:25,024
She's a scientist
on Starbase One.
801
00:41:26,068 --> 00:41:28,549
I tend not to stay
in the same place
802
00:41:28,549 --> 00:41:30,856
for very long, which is...
803
00:41:33,336 --> 00:41:35,861
...a growing problem,
because Carol is...
804
00:41:38,385 --> 00:41:39,995
...pregnant.
805
00:41:42,084 --> 00:41:43,738
Oh, um...
806
00:41:47,742 --> 00:41:49,135
Wow.
807
00:41:50,136 --> 00:41:53,313
[sighs]
Here you are.
808
00:42:00,973 --> 00:42:03,323
I have been analyzing
the data we gathered.
809
00:42:03,323 --> 00:42:05,499
Great.
Uh, let me help.
810
00:42:07,327 --> 00:42:09,503
Looking for a pattern,
811
00:42:09,503 --> 00:42:11,505
only...
812
00:42:11,505 --> 00:42:12,854
there is none.
813
00:42:14,769 --> 00:42:18,381
I didn't expect Christine
to be so definitive
814
00:42:18,381 --> 00:42:20,732
about ending our arrangement.
815
00:42:22,603 --> 00:42:25,171
Uh... relationships
816
00:42:25,171 --> 00:42:27,869
can be difficult,
817
00:42:27,869 --> 00:42:31,220
Spock, and you're Vulcan.
818
00:42:31,220 --> 00:42:34,615
But I am also human.
819
00:42:34,615 --> 00:42:37,836
I feel things differently.
820
00:42:37,836 --> 00:42:39,228
Bigger.
821
00:42:40,621 --> 00:42:43,058
I see her logic, and yet...
822
00:42:44,494 --> 00:42:46,584
I am hurt.
823
00:42:46,584 --> 00:42:50,326
I am left behind.
824
00:42:50,326 --> 00:42:52,372
♪
825
00:42:57,812 --> 00:43:00,641
♪ This news really ♪
826
00:43:00,641 --> 00:43:04,123
♪ Changes everything ♪
827
00:43:05,646 --> 00:43:08,170
♪ I can't believe ♪
828
00:43:08,170 --> 00:43:10,738
♪ How wrong I've been ♪
829
00:43:13,219 --> 00:43:16,396
♪ Convinced myself ♪
830
00:43:16,396 --> 00:43:19,617
♪ We shared the same feelings ♪
831
00:43:21,053 --> 00:43:23,446
♪ I won't make ♪
832
00:43:23,446 --> 00:43:26,841
♪ That mistake again ♪
833
00:43:29,757 --> 00:43:31,672
♪ She's happy and carefree ♪
834
00:43:31,672 --> 00:43:33,935
♪ The opposite of me ♪
835
00:43:33,935 --> 00:43:37,460
♪ I can do the calculus ♪
836
00:43:37,460 --> 00:43:39,985
♪ For her I set aside ♪
837
00:43:39,985 --> 00:43:41,856
♪ My need to analyze ♪
838
00:43:41,856 --> 00:43:43,423
♪ Now I'm wrecked ♪
839
00:43:43,423 --> 00:43:46,600
♪ And searching for why ♪
840
00:43:46,600 --> 00:43:49,168
♪ I'm the ex ♪
841
00:43:52,127 --> 00:43:54,434
♪ I've got no one ♪
842
00:43:54,434 --> 00:43:57,393
♪ But myself to blame ♪
843
00:43:59,004 --> 00:44:00,788
♪ I've betrayed ♪
844
00:44:00,788 --> 00:44:04,313
♪ My core philosophy ♪
845
00:44:07,926 --> 00:44:10,624
♪ Unbending reason ♪
846
00:44:10,624 --> 00:44:13,671
♪ Must be my true north ♪
847
00:44:15,324 --> 00:44:17,675
♪ Lest I drown ♪
848
00:44:17,675 --> 00:44:20,939
♪ In this sea of pain ♪
849
00:44:20,939 --> 00:44:23,985
♪ I'm so dysfunctional ♪
850
00:44:23,985 --> 00:44:26,031
♪ Weak and emotional ♪
851
00:44:26,031 --> 00:44:29,730
♪ Feelings I just
can't contain ♪
852
00:44:29,730 --> 00:44:33,255
♪ Escaping this misery,
you're breaking free ♪
853
00:44:33,255 --> 00:44:36,737
♪ Not a possibility ♪
854
00:44:36,737 --> 00:44:38,739
♪ I solved for Y ♪
855
00:44:38,739 --> 00:44:41,220
♪ In my computation ♪
856
00:44:41,220 --> 00:44:45,398
♪ But missed vital information ♪
857
00:44:45,398 --> 00:44:50,229
♪ The variable so devastating ♪
858
00:44:52,622 --> 00:44:54,929
♪ I'm the X ♪
859
00:45:00,195 --> 00:45:02,284
♪ I'm the X. ♪
860
00:45:08,813 --> 00:45:10,728
I'm the X.
861
00:45:12,512 --> 00:45:14,035
I'm sorry.
862
00:45:17,169 --> 00:45:19,084
[door whooshes open]
863
00:45:20,128 --> 00:45:22,174
[door whooshes closed]
864
00:45:31,749 --> 00:45:33,272
A pattern.
865
00:45:34,839 --> 00:45:36,797
♪
866
00:45:36,797 --> 00:45:38,843
I have to find a pattern.
867
00:45:38,843 --> 00:45:41,933
♪ A pattern repeating ♪
868
00:45:41,933 --> 00:45:43,978
♪ I find myself ♪
869
00:45:43,978 --> 00:45:47,460
♪ Here all alone ♪
870
00:45:47,460 --> 00:45:50,289
♪ I know ♪
871
00:45:50,289 --> 00:45:53,031
♪ I'll pick up the pieces ♪
872
00:45:53,031 --> 00:45:58,123
♪ Repair what is broken alone ♪
873
00:45:58,123 --> 00:46:02,388
♪ I know ♪
874
00:46:14,226 --> 00:46:17,446
♪ Memories etched in my mind ♪
875
00:46:17,446 --> 00:46:19,971
♪ Of Mom and Dad ♪
876
00:46:19,971 --> 00:46:24,497
♪ A cool big brother
I would idolize ♪
877
00:46:24,497 --> 00:46:27,065
♪ So full of laughter ♪
878
00:46:27,065 --> 00:46:30,068
♪ And I could trust
in the four of us ♪
879
00:46:30,068 --> 00:46:34,594
♪ They flew away ♪
880
00:46:34,594 --> 00:46:38,032
♪ Nothing to indicate ♪
881
00:46:38,032 --> 00:46:40,339
♪ Calamity ♪
882
00:46:40,339 --> 00:46:43,124
♪ All so young and alive ♪
883
00:46:43,124 --> 00:46:45,170
♪ Oh ♪
884
00:46:45,170 --> 00:46:49,130
♪ They ruptured
into a million ♪
885
00:46:49,130 --> 00:46:52,003
♪ Shards of light ♪
886
00:46:53,221 --> 00:46:56,094
♪ And none of them
would survive ♪
887
00:46:56,094 --> 00:46:59,967
♪ How come
everywhere that I go ♪
888
00:46:59,967 --> 00:47:01,969
♪ I'm solo? ♪
889
00:47:01,969 --> 00:47:04,406
♪ Am I at my best ♪
890
00:47:04,406 --> 00:47:07,409
♪ Unaccompanied? ♪
891
00:47:07,409 --> 00:47:09,759
♪ My whole life has been ♪
892
00:47:09,759 --> 00:47:12,327
♪ "Fix this" and "save you" ♪
893
00:47:12,327 --> 00:47:14,895
♪ I'll light the path ♪
894
00:47:14,895 --> 00:47:18,899
♪ And keep us connected... ♪
895
00:47:29,301 --> 00:47:32,608
♪ My fabric is woven ♪
896
00:47:32,608 --> 00:47:34,784
♪ With love and loss ♪
897
00:47:34,784 --> 00:47:37,483
♪ I was just a cadet ♪
898
00:47:37,483 --> 00:47:39,877
♪ When we met ♪
899
00:47:39,877 --> 00:47:43,619
♪ Hemmer's belief in me
changed my life ♪
900
00:47:43,619 --> 00:47:45,752
♪ I found my place and said ♪
901
00:47:45,752 --> 00:47:49,538
♪ Goodbye ♪
902
00:47:49,538 --> 00:47:52,846
♪ I absorb all the pain ♪
903
00:47:52,846 --> 00:47:54,761
♪ Mmm ♪
904
00:47:54,761 --> 00:47:57,938
♪ I hear everyone's voice ♪
905
00:47:57,938 --> 00:48:00,636
♪ Calling my name ♪
906
00:48:00,636 --> 00:48:04,162
♪ Building systems,
I strengthen ♪
907
00:48:04,162 --> 00:48:07,905
♪ Ties that bind ♪
908
00:48:07,905 --> 00:48:11,212
♪ So no one has to be alone ♪
909
00:48:11,212 --> 00:48:14,955
♪ How come everywhere
that I go ♪
910
00:48:14,955 --> 00:48:16,870
♪ I'm solo? ♪
911
00:48:16,870 --> 00:48:19,133
♪ Am I at my best ♪
912
00:48:19,133 --> 00:48:22,789
♪ Unaccompanied? ♪
913
00:48:22,789 --> 00:48:24,660
♪ My whole life has been ♪
914
00:48:24,660 --> 00:48:27,446
♪ "Fix this" and "save you" ♪
915
00:48:27,446 --> 00:48:29,796
♪ I'll light the path ♪
916
00:48:29,796 --> 00:48:33,582
♪ And keep us connected... ♪
917
00:48:53,080 --> 00:48:56,040
♪ The patterns repeating ♪
918
00:48:56,040 --> 00:48:59,434
♪ Guiding and teaching me ♪
919
00:48:59,434 --> 00:49:02,046
♪ I know ♪
920
00:49:03,047 --> 00:49:04,309
♪ I know ♪
921
00:49:04,309 --> 00:49:06,746
♪ Listen for signals ♪
922
00:49:06,746 --> 00:49:10,228
♪ I'm here,
you are reaching me ♪
923
00:49:10,228 --> 00:49:13,883
♪ Come home... ♪
924
00:49:15,276 --> 00:49:17,539
♪ Everywhere I go ♪
925
00:49:17,539 --> 00:49:20,499
♪ I'm good with solo ♪
926
00:49:20,499 --> 00:49:23,154
♪ At my best I have ♪
927
00:49:23,154 --> 00:49:26,766
♪ Everything I need ♪
928
00:49:26,766 --> 00:49:28,724
♪ My whole life has been ♪
929
00:49:28,724 --> 00:49:31,379
♪ "Fix this" and "save you" ♪
930
00:49:31,379 --> 00:49:34,121
♪ That's what I do ♪
931
00:49:34,121 --> 00:49:37,777
♪ I keep us connected... ♪
932
00:49:45,002 --> 00:49:49,006
♪ I keep us connected. ♪
933
00:50:00,278 --> 00:50:01,583
[short chuckle]
934
00:50:08,199 --> 00:50:11,506
Look.
It's a pattern.
935
00:50:11,506 --> 00:50:13,595
Every time someone sings,
the state
936
00:50:13,595 --> 00:50:16,163
of quantum improbability
in the field spikes.
937
00:50:16,163 --> 00:50:19,036
It's almost imperceptible,
but it's there.
938
00:50:19,036 --> 00:50:21,690
- So I ran the simulations,
- [door whooshes open]
939
00:50:21,690 --> 00:50:24,824
and if we can
get this spike to 344
940
00:50:24,824 --> 00:50:26,130
giga electronvolts...
941
00:50:26,130 --> 00:50:27,827
SPOCK:
It would shatter the field.
942
00:50:27,827 --> 00:50:30,003
You found the
improbability breaking event.
943
00:50:31,831 --> 00:50:33,876
Great. So how do we
make this event happen?
944
00:50:33,876 --> 00:50:35,226
Because our sensors just clocked
945
00:50:35,226 --> 00:50:36,662
two more K't'inga
battle cruisers
946
00:50:36,662 --> 00:50:37,967
headed this direction.
947
00:50:37,967 --> 00:50:39,621
Well, so far, we've only
witnessed people
948
00:50:39,621 --> 00:50:42,320
being torn apart by this event.
949
00:50:42,320 --> 00:50:44,539
But song can
also be communal.
950
00:50:44,539 --> 00:50:46,150
People worship with song.
951
00:50:46,150 --> 00:50:48,674
Sailors use song
to help them row together.
952
00:50:48,674 --> 00:50:51,285
People celebrate with song.
953
00:50:51,285 --> 00:50:53,809
When I sang with Christine
in the Port Galley.
954
00:50:53,809 --> 00:50:56,725
- CHAPEL:♪ Life through ♪
- SPOCK: A spike of
955
00:50:56,725 --> 00:50:58,162
-♪ Camera obscura... ♪
- 40 electronvolts.
956
00:50:58,162 --> 00:51:00,512
And that was just a solo
with backup vocals.
957
00:51:00,512 --> 00:51:03,254
Maybe four voices, max.
958
00:51:03,254 --> 00:51:05,995
- So we need to do that again,
- [music stops]
959
00:51:05,995 --> 00:51:10,130
but with more.
A lot more.
960
00:51:10,130 --> 00:51:13,916
You mean like
an ensemble number, or...
961
00:51:13,916 --> 00:51:16,963
Not just an ensemble number.
962
00:51:16,963 --> 00:51:19,400
A grand finale.
963
00:51:19,400 --> 00:51:21,228
We need melodies and harmonies
964
00:51:21,228 --> 00:51:22,664
with tone ratios that achieve
965
00:51:22,664 --> 00:51:24,579
both algorithmic
and logarithmic balance
966
00:51:24,579 --> 00:51:26,146
on a mass scale.
967
00:51:26,146 --> 00:51:29,454
What I'm saying is
968
00:51:29,454 --> 00:51:31,760
the whole crew
needs to sing together.
969
00:51:31,760 --> 00:51:34,763
SPOCK:
Our challenge is how to inspire
200 crew members
970
00:51:34,763 --> 00:51:36,809
to spontaneously sing
in thematic unison.
971
00:51:36,809 --> 00:51:39,290
A song cannot be triggered
without an emotional purpose.
972
00:51:39,290 --> 00:51:41,553
Well, that sounds to me
like a job
973
00:51:41,553 --> 00:51:43,163
for a communications officer.
974
00:51:43,163 --> 00:51:45,644
I can't possibly inspire
the entire ship to sing.
975
00:51:45,644 --> 00:51:48,168
Oh, yes, you can.
976
00:51:48,168 --> 00:51:49,735
You see the connections
between us
977
00:51:49,735 --> 00:51:51,519
when all we see are...
978
00:51:51,519 --> 00:51:53,173
the empty spaces.
979
00:51:53,173 --> 00:51:55,132
Help them to feel
980
00:51:55,132 --> 00:51:56,698
the way they need to
to sing.
981
00:51:59,310 --> 00:52:01,616
Attention all crew,
this is your captain.
982
00:52:02,965 --> 00:52:05,968
I know our situation
has been challenging,
983
00:52:05,968 --> 00:52:07,709
and we might not
all have been acting
984
00:52:07,709 --> 00:52:10,843
like a, well...
985
00:52:10,843 --> 00:52:13,324
like a crew.
986
00:52:13,324 --> 00:52:16,849
But we'll get through this, together,
987
00:52:16,849 --> 00:52:18,981
by following one voice:
988
00:52:18,981 --> 00:52:21,593
the voice of the Enterprise.
989
00:52:21,593 --> 00:52:23,551
Ensign Uhura?
990
00:52:23,551 --> 00:52:25,162
[clears throat]
991
00:52:25,162 --> 00:52:28,208
Hi, everyone.
992
00:52:28,208 --> 00:52:31,255
Uh, you might not all know me,
993
00:52:31,255 --> 00:52:34,432
but I know you.
994
00:52:34,432 --> 00:52:37,348
So, allow me
to introduce myself.
995
00:52:37,348 --> 00:52:39,437
Ensign Nyota Uhura,
996
00:52:39,437 --> 00:52:41,047
your communications officer.
997
00:52:41,047 --> 00:52:43,354
I used to think of myself
998
00:52:43,354 --> 00:52:46,357
as always alone,
999
00:52:46,357 --> 00:52:48,402
but not on this ship.
1000
00:52:48,402 --> 00:52:51,318
Because each of us,
we're connected as a crew.
1001
00:52:55,670 --> 00:52:57,324
[mouths]
1002
00:52:58,325 --> 00:52:59,848
Do you know the odds
1003
00:52:59,848 --> 00:53:03,112
of all of us being here
1004
00:53:03,112 --> 00:53:06,594
on the Enterprise at this time?
1005
00:53:06,594 --> 00:53:09,118
It's improbable,
1006
00:53:09,118 --> 00:53:10,598
and yet
1007
00:53:10,598 --> 00:53:12,557
here we are, together,
1008
00:53:12,557 --> 00:53:14,515
- all of us.
- ♪
1009
00:53:14,515 --> 00:53:17,605
♪ This is where it all leads ♪
1010
00:53:17,605 --> 00:53:19,694
♪ The Enterprise ♪
1011
00:53:19,694 --> 00:53:22,523
♪ Is it my destiny ♪
1012
00:53:22,523 --> 00:53:24,090
♪ To save us all? ♪
1013
00:53:24,090 --> 00:53:25,396
♪ No ♪
1014
00:53:25,396 --> 00:53:26,658
♪ It's my job ♪
1015
00:53:26,658 --> 00:53:30,052
♪ To disrupt the chaos ♪
1016
00:53:30,052 --> 00:53:32,707
♪ Find a purpose ♪
1017
00:53:32,707 --> 00:53:35,797
♪ For us all... ♪
1018
00:53:38,844 --> 00:53:41,847
♪ We're all rushing around ♪
1019
00:53:43,196 --> 00:53:45,416
♪ We're confused and upended ♪
1020
00:53:45,416 --> 00:53:48,027
♪ Let's refocus now ♪
1021
00:53:48,027 --> 00:53:50,377
♪ Our bond is imperative ♪
1022
00:53:50,377 --> 00:53:53,467
♪ Let's bring our collective
together ♪
1023
00:53:53,467 --> 00:53:57,123
♪ As we fight for our lives ♪
1024
00:53:57,123 --> 00:54:00,648
♪ Uhura, I really
needed to hear that ♪
1025
00:54:01,954 --> 00:54:04,870
♪ Our security's
only as strong ♪
1026
00:54:04,870 --> 00:54:06,872
♪ As our unity ♪
1027
00:54:06,872 --> 00:54:09,353
♪ When I scan the universe ♪
1028
00:54:09,353 --> 00:54:12,573
♪ It reveals truth
and gives meaning ♪
1029
00:54:12,573 --> 00:54:16,621
♪ It's what I'm meant to do ♪
1030
00:54:16,621 --> 00:54:18,623
♪ The danger's not over yet ♪
1031
00:54:18,623 --> 00:54:23,018
♪ When we gain control again
I confess ♪
1032
00:54:23,018 --> 00:54:26,195
-♪ I'll miss the singing ♪
-♪ I won't miss singing ♪
1033
00:54:26,195 --> 00:54:30,809
♪ Now let's bring
this thing down ♪
1034
00:54:30,809 --> 00:54:35,379
♪ We know our purpose is ♪
1035
00:54:35,379 --> 00:54:37,772
♪ To protect the mission ♪
1036
00:54:37,772 --> 00:54:40,209
♪ Our directive ♪
1037
00:54:40,209 --> 00:54:42,777
♪ 'Cause we work better
all together ♪
1038
00:54:42,777 --> 00:54:46,868
♪ We overcome our obstacles ♪
1039
00:54:46,868 --> 00:54:50,350
♪ As one ♪
1040
00:54:50,350 --> 00:54:52,047
Keep going!
1041
00:54:52,047 --> 00:54:55,573
♪ I have to give credit
when due ♪
1042
00:54:56,617 --> 00:54:58,880
♪ And if I make captain ♪
1043
00:54:58,880 --> 00:55:01,361
♪ It'll be thanks
to all of you ♪
1044
00:55:01,361 --> 00:55:03,537
♪ And I don't take
for granted ♪
1045
00:55:03,537 --> 00:55:05,539
♪ My role to command ♪
1046
00:55:05,539 --> 00:55:09,413
♪ I can't believe how much
I'll miss this crew ♪
1047
00:55:10,936 --> 00:55:13,373
♪ The starship Enterprise ♪
1048
00:55:13,373 --> 00:55:15,984
♪ Feels electrified ♪
1049
00:55:15,984 --> 00:55:17,769
♪ I'm so proud to ♪
1050
00:55:17,769 --> 00:55:20,815
♪ Be your captain ♪
1051
00:55:20,815 --> 00:55:22,730
♪ Now let's take this thing ♪
1052
00:55:22,730 --> 00:55:24,863
♪ Down ♪
1053
00:55:24,863 --> 00:55:29,302
♪ We know our purpose is ♪
1054
00:55:29,302 --> 00:55:32,218
♪ To protect the mission ♪
1055
00:55:32,218 --> 00:55:34,612
♪ Our directive ♪
1056
00:55:34,612 --> 00:55:37,092
♪ 'Cause we work better
all together ♪
1057
00:55:37,092 --> 00:55:38,964
♪ We overcome ♪
1058
00:55:38,964 --> 00:55:41,401
♪ Our obstacles ♪
1059
00:55:41,401 --> 00:55:44,361
♪ As one ♪
1060
00:55:46,406 --> 00:55:50,062
♪ I look around
and everyone I see ♪
1061
00:55:50,062 --> 00:55:53,195
♪ The pinnacle
of guts and resiliency ♪
1062
00:55:53,195 --> 00:55:56,024
♪ Yes, threats
are nothing new to us ♪
1063
00:55:56,024 --> 00:55:59,419
♪ It takes monumental
strength and trust ♪
1064
00:55:59,419 --> 00:56:02,553
♪ We got lost and disconnected ♪
1065
00:56:02,553 --> 00:56:05,120
♪ Distracted, undefended ♪
1066
00:56:05,120 --> 00:56:08,733
♪ Uhura, you saved us... ♪
1067
00:56:11,213 --> 00:56:13,433
♪ More singing ♪
1068
00:56:13,433 --> 00:56:15,087
♪ More voices ♪
1069
00:56:15,087 --> 00:56:17,394
♪ Hail the Klingons, Uhura ♪
1070
00:56:21,746 --> 00:56:24,531
Why have you...
Ugh!
1071
00:56:24,531 --> 00:56:27,665
♪ Why you only calling us
when you got your dramas?♪
1072
00:56:27,665 --> 00:56:30,929
♪ One of these days we'll
repay you, we'll slay you ♪
1073
00:56:30,929 --> 00:56:32,452
♪ Gonna draw your last breath ♪
1074
00:56:32,452 --> 00:56:34,411
♪ At the end of our Mek'Leths ♪
1075
00:56:34,411 --> 00:56:37,109
♪ Your eternal torture
is every Klingon's dream ♪
1076
00:56:37,109 --> 00:56:38,415
♪ You know what I mean? ♪
1077
00:56:38,415 --> 00:56:41,679
♪ Make your blood scream! ♪
1078
00:56:46,901 --> 00:56:50,383
♪ We know our purpose ♪
1079
00:56:50,383 --> 00:56:53,517
-♪ Is ♪
-♪ We know our purpose ♪
1080
00:56:53,517 --> 00:56:56,868
♪ To protect the mission ♪
1081
00:56:56,868 --> 00:56:59,958
-♪ Our prime directive ♪
- Not exactly.
1082
00:56:59,958 --> 00:57:01,438
♪ Will this work? ♪
1083
00:57:01,438 --> 00:57:02,917
♪ Who can say? ♪
1084
00:57:02,917 --> 00:57:06,181
♪ We're gonna sing it anyway ♪
1085
00:57:06,181 --> 00:57:09,358
♪ Our voices will rise ♪
1086
00:57:09,358 --> 00:57:12,623
♪ Through space
and through time ♪
1087
00:57:12,623 --> 00:57:16,453
♪ We're the unbreakable,
unshakable ♪
1088
00:57:16,453 --> 00:57:19,804
♪ Improbable, unstoppable ♪
1089
00:57:19,804 --> 00:57:23,242
♪ Sensational, ovational ♪
1090
00:57:23,242 --> 00:57:26,375
♪ We're boldly explorational ♪
1091
00:57:26,375 --> 00:57:28,943
♪ Crew of the ♪
1092
00:57:28,943 --> 00:57:32,120
♪ Enterprise!
1093
00:57:38,344 --> 00:57:39,954
[laughing]
1094
00:57:43,305 --> 00:57:45,177
[Star Trek theme playing]
1095
00:57:45,177 --> 00:57:47,309
♪
1096
00:57:47,309 --> 00:57:48,441
We did it!
1097
00:57:48,441 --> 00:57:49,790
Yes! Come on!
1098
00:57:56,754 --> 00:57:58,146
[squeals]
1099
00:57:59,104 --> 00:58:00,975
PIKE:
Nyota.
1100
00:58:00,975 --> 00:58:03,500
Hail the Klingons. I think we
might have to mend some fences.
1101
00:58:03,500 --> 00:58:05,197
[chuckles]
1102
00:58:07,591 --> 00:58:09,593
[giggles]
1103
00:58:11,682 --> 00:58:14,032
[indistinct chatter]
1104
00:58:14,032 --> 00:58:15,729
UNA:
Hey, how are you?
1105
00:58:18,340 --> 00:58:21,561
I told Kirk the truth.
1106
00:58:21,561 --> 00:58:23,781
- How'd it go?
- Honestly...
1107
00:58:25,130 --> 00:58:27,306
Not great.
I, uh...
1108
00:58:29,090 --> 00:58:30,483
It was really hard.
1109
00:58:30,483 --> 00:58:32,311
And it hurt.
1110
00:58:33,791 --> 00:58:35,140
It usually does.
1111
00:58:35,140 --> 00:58:36,968
I'm glad I took that chance.
1112
00:58:39,710 --> 00:58:41,233
Maybe, um...
1113
00:58:44,105 --> 00:58:47,631
Maybe I could be someone
who takes chances more often.
1114
00:58:47,631 --> 00:58:49,241
[quiet chuckle]
1115
00:58:55,552 --> 00:58:56,988
BATEL:
You know, I don't need
1116
00:58:56,988 --> 00:58:59,207
a whole to-do.
1117
00:58:59,207 --> 00:59:02,515
Just relax.
Enjoy it.
1118
00:59:02,515 --> 00:59:04,561
I promise you,
even Julia Child's
1119
00:59:04,561 --> 00:59:06,867
boeuf bourguignon itself
will not make me forget
1120
00:59:06,867 --> 00:59:09,827
that you sang about lying to me.
1121
00:59:12,264 --> 00:59:15,180
Why didn't you just tell me
you hate the idea of Crivo?
1122
00:59:15,180 --> 00:59:17,095
I don't hate the idea.
1123
00:59:18,575 --> 00:59:21,621
Okay, yes, it sounded
like my nightmare.
1124
00:59:21,621 --> 00:59:24,537
I just pictured
something quieter.
1125
00:59:24,537 --> 00:59:26,626
Camping somewhere.
1126
00:59:26,626 --> 00:59:28,846
Chris, this isn't gonna work
1127
00:59:28,846 --> 00:59:31,936
if you're not more comfortable
being honest with me.
1128
00:59:31,936 --> 00:59:33,981
Even about something
as small as a vacation.
1129
00:59:33,981 --> 00:59:36,114
You got to trust me
more than that.
1130
00:59:36,114 --> 00:59:38,377
You got to trust us.
1131
00:59:38,377 --> 00:59:41,641
I know.
You're right.
1132
00:59:41,641 --> 00:59:44,296
Well, I have good news
and bad news.
1133
00:59:44,296 --> 00:59:46,907
We have more time to plan
our compromised trip.
1134
00:59:46,907 --> 00:59:49,606
I just got put on
a priority one mission.
1135
00:59:50,607 --> 00:59:52,043
Hmm.
1136
00:59:52,043 --> 00:59:53,348
[taps knife]
1137
00:59:53,348 --> 00:59:57,135
Now, how do I know...
1138
00:59:57,135 --> 00:59:59,572
you're not the one
making excuses now?
1139
00:59:59,572 --> 01:00:01,008
Well...
1140
01:00:02,227 --> 01:00:03,750
When I'm back,
we'll go somewhere
1141
01:00:03,750 --> 01:00:05,926
we both want to go.
1142
01:00:05,926 --> 01:00:09,016
But no camping, unless
it comes with room service.
1143
01:00:09,016 --> 01:00:10,844
[chuckles]
1144
01:00:10,844 --> 01:00:12,367
Deal.
1145
01:00:16,154 --> 01:00:18,678
UHURA:
Communications officer's log, supplemental.
1146
01:00:18,678 --> 01:00:21,289
I am happy to report that
all Federation vessels
1147
01:00:21,289 --> 01:00:24,815
have checked in and are behaving
normally once again.
1148
01:00:24,815 --> 01:00:26,555
As for the Klingons,
1149
01:00:26,555 --> 01:00:30,211
Lieutenant Spock engaged
in successful diplomacy
1150
01:00:30,211 --> 01:00:31,865
over some bloodwine.
1151
01:00:31,865 --> 01:00:33,432
Otherwise, it's back
1152
01:00:33,432 --> 01:00:35,477
to business as usual
around here.
1153
01:00:36,740 --> 01:00:39,351
- [console chimes]
- USS Nimerfro,
this is Enterprise
1154
01:00:39,351 --> 01:00:41,788
acknowledging receipt
of your transmission.
1155
01:00:41,788 --> 01:00:44,573
- You fly safe out there.
- FEMALE: Acknowledged,
Enterprise.
1156
01:00:44,573 --> 01:00:47,098
- [boatswain's whistle blows]
- Uhura,
1157
01:00:47,098 --> 01:00:49,100
it occurs to me
that we'd be served
1158
01:00:49,100 --> 01:00:51,755
by sharing our findings
with non-Federation ships, too.
1159
01:00:51,755 --> 01:00:53,844
See who's nearby
and open a channel.
1160
01:00:53,844 --> 01:00:57,630
Copy that, sir.
I'll scan the area.
1161
01:00:59,066 --> 01:01:02,113
[Uhura humming
"Keep Us Connected"]
1162
01:01:05,682 --> 01:01:07,074
[stops humming]
1163
01:01:12,645 --> 01:01:15,213
Sorry. Earworm.
1164
01:01:15,213 --> 01:01:18,216
Captioning sponsored by CBS
1165
01:01:18,216 --> 01:01:21,306
Captioned by
Media Access Group at WGBH access.wgbh.org
1166
01:01:26,311 --> 01:01:28,356
[orchestral version
of "I'm Ready" playing]
1167
01:01:46,940 --> 01:01:48,986
["Private Conversation" playing]
1168
01:02:01,955 --> 01:02:04,001
["Connect to Your Truth"
playing]
87436
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